1 00:00:03,070 --> 00:00:05,339 [ MENACING MUSIC PLAYS ] 2 00:00:27,160 --> 00:00:29,129 Amber: WHOOPS, WRONG WAY. 3 00:00:29,129 --> 00:00:30,000 [ LAUGHS ] 4 00:00:30,000 --> 00:00:30,264 [ LAUGHS ] 5 00:00:30,264 --> 00:00:32,266 [ MUSIC CONTINUES ] 6 00:00:32,266 --> 00:00:35,302 [ WOMEN SCREAMING ] 7 00:00:38,338 --> 00:00:39,373 Tenley: WHERE IS IT? 8 00:00:39,373 --> 00:00:41,141 Woman: [ Laughing ] THERE'S A CRAB. 9 00:00:41,141 --> 00:00:43,110 GOD, I HATE THAT CRAB. 10 00:00:43,110 --> 00:00:45,345 ♪♪ 11 00:00:45,345 --> 00:00:48,348 ♪ ALMOST PARADISE ♪ 12 00:00:48,348 --> 00:00:52,085 ♪ WE'RE KNOCKING ON HEAVEN'S DOOR ♪ 13 00:00:52,085 --> 00:00:56,023 ♪ ALMOST PARADISE ♪ 14 00:00:56,023 --> 00:00:59,159 ♪ HOW COULD WE ASK FOR MORE? ♪ 15 00:00:59,159 --> 00:01:00,000 ♪ I SWEAR THAT I COULD SEE FOREVER ♪ 16 00:01:00,000 --> 00:01:01,295 ♪ I SWEAR THAT I COULD SEE FOREVER ♪ 17 00:01:01,295 --> 00:01:03,363 [ BLOWS KISS ] 18 00:01:03,363 --> 00:01:07,034 ♪ IN YOUR EYES ♪ 19 00:01:07,034 --> 00:01:10,003 ♪ PARADISE ♪ 20 00:01:10,003 --> 00:01:13,073 ♪♪ 21 00:01:13,073 --> 00:01:14,408 ♪ I SWEAR THAT I COULD SEE FOREVER ♪ 22 00:01:14,408 --> 00:01:17,010 [ BLOWS KISS ] 23 00:01:17,010 --> 00:01:20,247 ♪ IN YOUR EYES ♪ 24 00:01:20,247 --> 00:01:22,983 ♪ PARADISE ♪ 25 00:01:22,983 --> 00:01:25,352 AAH! 26 00:01:29,423 --> 00:01:30,000 JJ: GET THE [BLEEP] UP HERE, YOU LITTLE PIECE OF [BLEEP] 27 00:01:30,000 --> 00:01:32,159 JJ: GET THE [BLEEP] UP HERE, YOU LITTLE PIECE OF [BLEEP] 28 00:01:32,159 --> 00:01:33,327 Jared: JJ -- LET'S GO. 29 00:01:33,327 --> 00:01:34,428 JJ, JUST SHUT -- JJ. 30 00:01:34,428 --> 00:01:36,263 I DON'T WANT THIS. 31 00:01:36,263 --> 00:01:38,165 I DON'T WANT THIS. DO -- DO IT FOR ME. 32 00:01:38,165 --> 00:01:39,333 LIKE, LET'S CALM DOWN. 33 00:01:39,333 --> 00:01:41,368 ♪♪ 34 00:01:43,170 --> 00:01:45,405 I JUST HEARD REALLY LOUD SHOUTING. 35 00:01:45,405 --> 00:01:47,140 IS EVERYTHING OKAY? 36 00:01:47,140 --> 00:01:49,142 SO WE JUST CONFRONTED JOE, 37 00:01:49,142 --> 00:01:51,144 'CAUSE WE'RE ALL BUDDIES FROM OUR SEASON. 38 00:01:51,144 --> 00:01:55,215 JJ KIND OF LED THE CONVERSATION, BUT IT DIDN'T GO WELL AT ALL. 39 00:01:55,215 --> 00:01:57,050 I THINK JOE IS JUST A VERY SELFISH PERSON. 40 00:01:57,050 --> 00:02:00,000 HE USED JUELIA TO GET A ROSE TO MEET SAMANTHA. 41 00:02:00,000 --> 00:02:00,220 HE USED JUELIA TO GET A ROSE TO MEET SAMANTHA. 42 00:02:00,220 --> 00:02:03,256 JOE, I'M GONNA PICK YOU. [ CHUCKLES ] 43 00:02:03,256 --> 00:02:07,294 NOW JOE IS ALL OVER SAMANTHA, AND JUELIA IS DEVASTATED. 44 00:02:10,397 --> 00:02:11,999 [ SOBS ] 45 00:02:11,999 --> 00:02:13,266 HE LIED TO EVERYBODY. 46 00:02:13,266 --> 00:02:15,168 DID YOU TALK TO SAM BEFORE THE SHOW STARTED? 47 00:02:15,168 --> 00:02:16,403 NO, THAT'S NOT TRUE. 48 00:02:16,403 --> 00:02:18,338 NO ONE WANTS JOE HERE AT THIS POINT. 49 00:02:18,338 --> 00:02:21,008 PROBABLY BEST YOU KEEP YOUR NOSE IN YOUR OWN BUSINESS. OR WHAT? 50 00:02:21,008 --> 00:02:22,042 PROBABLY LOOK FOR A JOB, 51 00:02:22,042 --> 00:02:23,176 MAYBE YOU CAN TRY TO FIND SOMETHING. 52 00:02:23,176 --> 00:02:24,177 HEY, HEY, JOSEPH. 53 00:02:24,177 --> 00:02:26,313 OR WHAT? OR WHAT? 54 00:02:26,313 --> 00:02:27,347 THIS IS SO STUPID. 55 00:02:27,347 --> 00:02:28,415 IT'S JUST BEEN CRAZY, 56 00:02:28,415 --> 00:02:30,000 AND I DON'T KNOW WHAT'S GONNA HAPPEN NEXT. 57 00:02:30,000 --> 00:02:31,051 AND I DON'T KNOW WHAT'S GONNA HAPPEN NEXT. 58 00:02:31,051 --> 00:02:34,121 ♪♪ 59 00:02:36,289 --> 00:02:39,359 Joe: JORGE, JORGE. 60 00:02:39,359 --> 00:02:42,195 DID YOU HEAR OUR CONVERSATION THAT I HAD WITH JJ? 61 00:02:42,195 --> 00:02:43,363 Jorge: YES. 62 00:02:43,363 --> 00:02:45,165 I TELL HIM THAT HE'S MY BITCH, LIKE HE WAS MY BITCH. 63 00:02:45,165 --> 00:02:46,266 I REALLY FEEL LIKE THAT. 64 00:02:46,266 --> 00:02:49,369 LIKE, HE WAS JUST LIKE, "OH, OH, OH." 65 00:02:49,369 --> 00:02:52,973 BUT THE DUMBASS DOESN'T REALIZE THAT SHE KNOWS WHAT I'M DOING. 66 00:02:52,973 --> 00:02:55,375 SAMANTHA WANTED ME TO DO IT. SHE'S DOWN WITH IT. 67 00:02:55,375 --> 00:02:56,977 REALLY? 68 00:02:56,977 --> 00:02:59,980 SHE KNEW WHAT I WAS GONNA DO 69 00:02:59,980 --> 00:03:00,000 TO GET A ROSE TO STAY HERE FOR HER. 70 00:03:00,000 --> 00:03:02,115 TO GET A ROSE TO STAY HERE FOR HER. 71 00:03:02,115 --> 00:03:03,316 SHE KNEW. 72 00:03:03,316 --> 00:03:06,186 Joe: SAMANTHA KNEW THAT I WAS COMING TO PARADISE FOR HER. 73 00:03:06,186 --> 00:03:09,056 I DID SEND SOME MESSAGES, WE DID CONVERSATE ABOUT A MONTH, 74 00:03:09,056 --> 00:03:11,191 MONTH AND A HALF BEFORE THE SHOW EVEN STARTED. 75 00:03:11,191 --> 00:03:13,293 EVERYONE THINKS THAT I'M CHEATING, 76 00:03:13,293 --> 00:03:15,328 BUT I DO THINK JUELIA NEEDS TO UNDERSTAND WHERE I'M COMING FROM. 77 00:03:15,328 --> 00:03:16,430 IT'S DUMB. 78 00:03:16,430 --> 00:03:18,098 SO I WANTED TO TALK TO YOU, 79 00:03:18,098 --> 00:03:20,133 'CAUSE I DON'T THINK JOE WILL DO WHAT'S RIGHT. 80 00:03:20,133 --> 00:03:22,269 I-I'M TRYING TO DECIDE IF YOU SHOULD GET MY ROSE 81 00:03:22,269 --> 00:03:24,204 TO STICK AROUND TO SEE WHO SHOWS UP. 82 00:03:24,204 --> 00:03:27,207 NO. I DISAGREE WITH THAT. 83 00:03:27,207 --> 00:03:30,000 I REALLY APPRECIATE THAT VERY, VERY, VERY MUCH. 84 00:03:30,000 --> 00:03:32,079 I REALLY APPRECIATE THAT VERY, VERY, VERY MUCH. 85 00:03:32,079 --> 00:03:37,050 UM, BUT I WOULD RATHER YOU TAKE A CHANCE ON LOVE. 86 00:03:37,050 --> 00:03:41,154 BUT THAT IS SO NICE. HONESTLY, LIKE, SO NICE. 87 00:03:44,124 --> 00:03:46,193 Juelia: I THINK THAT I AM A REALLY GOOD PERSON, 88 00:03:46,193 --> 00:03:49,329 AND I -- I KNOW THAT I AM REALLY GOOD CATCH. 89 00:03:49,329 --> 00:03:51,465 AND I KNOW THAT I WOULD MAKE AN AMAZING WIFE. 90 00:03:51,465 --> 00:03:57,304 I AM HONEST AND TRUSTWORTHY AND KIND, AND I'M A GOOD MOM. 91 00:03:57,304 --> 00:04:00,000 AND I KNOW THAT I WILL MAKE SOMEBODY REALLY HAPPY. 92 00:04:00,000 --> 00:04:00,440 AND I KNOW THAT I WILL MAKE SOMEBODY REALLY HAPPY. 93 00:04:00,440 --> 00:04:03,310 [ SNIFFLES ] 94 00:04:03,310 --> 00:04:05,045 BUT ALSO JUST TRYING TO, LIKE -- 95 00:04:05,045 --> 00:04:06,379 I KNOW THIS IS MY LAST NIGHT HERE, 96 00:04:06,379 --> 00:04:09,382 AND I'M JUST TRYING TO, LIKE, NOT FREAK OUT. 97 00:04:09,382 --> 00:04:11,384 [ SNIFFLES ] 98 00:04:11,384 --> 00:04:12,986 Joe: I'LL BE HONEST, SAMANTHA. 99 00:04:12,986 --> 00:04:15,021 I DON'T KNOW HOW MUCH LONGER I CAN DO THIS, BABE. 100 00:04:15,021 --> 00:04:16,123 Samantha: WHY? 101 00:04:16,123 --> 00:04:18,258 I JUST KEEP GETTING DRILLED, AND I'M JUST SICK OF IT. 102 00:04:18,258 --> 00:04:19,326 I'M SICK OF ALL OF IT. 103 00:04:19,326 --> 00:04:20,494 JUST STOP THINKING ABOUT IT. 104 00:04:20,494 --> 00:04:22,295 HOW CAN YOU NOT THINK ABOUT IT, BABE? I MEAN... 105 00:04:22,295 --> 00:04:24,164 IT'S NOT A BIG DEAL. IT'S NOT A BIG DEAL. 106 00:04:24,164 --> 00:04:26,433 Samantha: JOE IS FREAKING OUT ABOUT THE SITUATION, 107 00:04:26,433 --> 00:04:29,035 [Laughing] BUT I DON'T THINK THERE WAS A GENUINE CONNECTION 108 00:04:29,035 --> 00:04:30,000 BETWEEN JUELIA AND JOE, 109 00:04:30,000 --> 00:04:30,437 BETWEEN JUELIA AND JOE, 110 00:04:30,437 --> 00:04:33,306 SO THEREFORE, LIKE, WHY AM I EVEN WORRIED ABOUT THAT? 111 00:04:33,306 --> 00:04:35,408 LET'S SQUASH THIS. I'M SO NOT ABOUT DRAMA. 112 00:04:35,408 --> 00:04:37,410 JUST BE HONEST WITH ME, PLEASE. 113 00:04:37,410 --> 00:04:40,046 WHY DO YOU THINK EVERYONE'S GIVING ME SUCH A HARD TIME 114 00:04:40,046 --> 00:04:41,348 BECAUSE WE WERE TALKING AND TEXTING 115 00:04:41,348 --> 00:04:43,150 AND DOING ALL KINDS OF OTHER STUFF? 116 00:04:43,150 --> 00:04:45,152 I'M NOT WORRIED ABOUT WHAT ANYBODY ELSE SAYS 117 00:04:45,152 --> 00:04:46,286 BESIDES ME AND YOU. 118 00:04:46,286 --> 00:04:48,221 I'M HAVING A GOOD TIME WITH YOU. THAT'S IT. 119 00:04:53,026 --> 00:04:55,095 DON'T WORRY ABOUT IT. 120 00:04:55,095 --> 00:04:56,196 MWAH. OKAY? 121 00:04:56,196 --> 00:04:57,330 ALL RIGHT, BABE. 122 00:04:57,330 --> 00:05:00,000 I DO LIKE YOU A LOT, AND YOU'RE THE REASON WHY I'M HERE. 123 00:05:00,000 --> 00:05:00,233 I DO LIKE YOU A LOT, AND YOU'RE THE REASON WHY I'M HERE. 124 00:05:00,233 --> 00:05:01,434 AND AT THE END OF THE DAY, 125 00:05:01,434 --> 00:05:04,237 IF I HAVE TO DEAL WITH THAT EVERY DAY TO BE WITH YOU, 126 00:05:04,237 --> 00:05:06,006 THEN IT'S GONNA BE WORTH IT. 127 00:05:06,006 --> 00:05:08,275 SO WE LEAVE HERE TOGETHER HAPPY, 128 00:05:08,275 --> 00:05:11,144 THEN I'M -- I'M -- I'M GONNA DO IT. 129 00:05:11,144 --> 00:05:13,213 Joe: SAMANTHA ISN'T TAKING ANY OF THE RESPONSIBILITY RIGHT NOW, 130 00:05:13,213 --> 00:05:14,414 AND THAT'S FINE, YOU KNOW. 131 00:05:14,414 --> 00:05:16,149 I CAN BE A MAN IN THIS RELATIONSHIP 132 00:05:16,149 --> 00:05:17,217 AND STEP UP TO THE PLATE. 133 00:05:17,217 --> 00:05:19,019 I'M JUST GONNA -- I'M GONNA BE MYSELF. 134 00:05:19,019 --> 00:05:20,487 I'M GONNA JUST TRY TO SET THE RECORD STRAIGHT. 135 00:05:20,487 --> 00:05:22,088 I FEEL LIKE, AT THE END OF THE DAY, 136 00:05:22,088 --> 00:05:24,357 THAT I'M HER GUY, AND WAIT -- 137 00:05:24,357 --> 00:05:28,094 YEAH, I'M HER GUY AND SHE'S MY GIRL. 138 00:05:28,094 --> 00:05:29,196 RIGHT? 139 00:05:29,196 --> 00:05:30,000 DAMN, I LIKE YOU SO MUCH. 140 00:05:30,000 --> 00:05:31,164 DAMN, I LIKE YOU SO MUCH. 141 00:05:31,164 --> 00:05:32,465 [ GIGGLES ] 142 00:05:36,403 --> 00:05:38,438 COMING UP... 143 00:05:38,438 --> 00:05:39,973 Jared: IT'S REALLY IMPORTANT TO MAKE SURE 144 00:05:39,973 --> 00:05:41,208 THAT ASHLEY KNOWS WHERE I STAND. 145 00:05:41,208 --> 00:05:44,010 SHE HAS MUCH STRONGER FEELINGS FOR ME THAN I HAVE FOR HER, 146 00:05:44,010 --> 00:05:45,011 AND THAT'S NOT FAIR. 147 00:05:45,011 --> 00:05:46,146 [ CRYING ] 148 00:05:46,146 --> 00:05:48,081 Jared: I REALIZE, YOU KNOW WHAT? I'M NOT OVER KAITLYN. 149 00:05:48,081 --> 00:05:50,317 [ CRIES, SNIFFLES ] 150 00:05:50,317 --> 00:05:53,186 I'VE JUST NEVER BEEN THIS UPSET IN MY ENTIRE LIFE. 151 00:05:53,186 --> 00:05:55,255 AND LATER... WHAT'S UP, MY PEOPLE? 152 00:05:55,255 --> 00:05:57,224 I DON'T HAVE A PROBLEM STEALING SOMEBODY'S WOMAN. 153 00:05:57,224 --> 00:05:59,326 SAMANTHA, I WAS WONDERING IF YOU WOULD LIKE TO JOIN ME. 154 00:05:59,326 --> 00:06:00,000 Kirk: I THINK JOE IS GOING TO INTERNALLY COMBUST. 155 00:06:00,000 --> 00:06:02,996 Kirk: I THINK JOE IS GOING TO INTERNALLY COMBUST. 156 00:06:02,996 --> 00:06:04,464 Joe: SAM ISN'T THE GIRL THAT I THOUGHT I WAS FALLING FOR. 157 00:06:04,464 --> 00:06:06,132 WHAT SHE DID WAS WRONG. 158 00:06:06,132 --> 00:06:07,300 IT'S HARD FOR ME TO REALLY UNDERSTAND THAT. 159 00:06:07,300 --> 00:06:08,268 I'M SORRY. 160 00:06:08,268 --> 00:06:09,436 I GOT PLAYED BY A BITCH. 161 00:06:09,436 --> 00:06:12,172 Dan: TONIGHT, JOE HAS HIT AN ALL-NEW LOW. 162 00:06:12,172 --> 00:06:13,340 Joe: I'VE NEVER BEEN BACKSTABBED 163 00:06:13,340 --> 00:06:15,342 OR BEEN A PART OF DRAMA LIKE THIS EVER IN MY LIFE. 164 00:06:15,342 --> 00:06:17,310 NOW I'M HOPING THE WORLD WILL SEE THE TRUTH. 165 00:06:17,310 --> 00:06:18,278 "GOT YOU, BITCH." 166 00:06:22,349 --> 00:06:24,317 Kirk: IT'S BEEN A WEIRDLY EVENTFUL WEEK. 167 00:06:24,317 --> 00:06:25,452 YEAH. 168 00:06:25,452 --> 00:06:28,221 Dan: JUST WHEN YOU FEEL COMFORTABLE AND CALM, 169 00:06:28,221 --> 00:06:30,056 THEN EVERYTHING CHANGES. 170 00:06:30,056 --> 00:06:32,459 I THINK THERE'S THREE GLARINGLY OBVIOUS WOMEN 171 00:06:32,459 --> 00:06:34,361 THAT ARE FIGHTING FOR THEIR LIVES TONIGHT. RIGHT. 172 00:06:34,361 --> 00:06:36,463 AND I DON'T ENVY THEIR POSITION AT ALL, TO BE HONEST. 173 00:06:36,463 --> 00:06:39,132 THIS WEEK HAS BEEN CRAZY. IT'S THE OPPOSITE OF PEACEFUL, 174 00:06:39,132 --> 00:06:40,433 AND NOW TONIGHT IS THE ROSE CEREMONY. 175 00:06:40,433 --> 00:06:42,435 RIGHT NOW THERE ARE 7 GUYS AND 10 GIRLS, 176 00:06:42,435 --> 00:06:46,072 WHICH MEANS TONIGHT, THREE LADIES ARE GOING HOME. 177 00:06:46,072 --> 00:06:47,140 HERE THEY COME. 178 00:06:47,140 --> 00:06:49,075 AND EVERY TIME WE GO INTO A ROSE CEREMONY, 179 00:06:49,075 --> 00:06:49,312 IT SEEMS LIKE PEOPLE ARE, LIKE, LOCKED INTO LIKE, 180 00:06:49,312 --> 00:06:51,111 IT SEEMS LIKE PEOPLE ARE, LIKE, LOCKED INTO LIKE, 181 00:06:51,111 --> 00:06:54,080 "I'M GONNA PICK HER, I'M GONNA PICK HIM, AND THIS IS GONNA BE DONE." 182 00:06:54,080 --> 00:06:55,382 THEN BY THE END OF THE ROSE CEREMONY, 183 00:06:55,382 --> 00:06:57,217 EVERYTHING GETS THROWN UPSIDE DOWN. 184 00:06:57,217 --> 00:06:59,152 HEY, BEAUTIFUL. HI, GOOD TO SEE YOU. 185 00:06:59,152 --> 00:07:00,253 GOOD TO SEE YOU, TOO. 186 00:07:00,253 --> 00:07:02,022 I CAME HERE TO FIND LOVE. 187 00:07:02,022 --> 00:07:04,457 I REALLY DID, BUT I KNOW THAT BASED ON THE FACT 188 00:07:04,457 --> 00:07:08,328 THAT I GAVE JOE MY ROSE LAST WEEK, 189 00:07:08,328 --> 00:07:13,400 AND NOW HIM AND SAMANTHA ARE DEFINITELY COUPLED UP, 190 00:07:13,400 --> 00:07:16,369 BECAUSE OF THAT, I'M PRETTY SURE I'M GOING HOME. 191 00:07:16,369 --> 00:07:18,271 HELLO. HELLO. 192 00:07:18,271 --> 00:07:19,312 HI. HEY. 193 00:07:19,312 --> 00:07:19,372 HI. HEY. 194 00:07:19,372 --> 00:07:20,974 Chris: GOOD EVENING. 195 00:07:20,974 --> 00:07:24,210 GUYS, OBVIOUSLY, YOU HAVE THE POWER THIS WEEK 196 00:07:24,210 --> 00:07:26,279 AND WILL BE HANDING OUT THE ROSES ONCE AGAIN. 197 00:07:26,279 --> 00:07:30,116 SO THREE WOMEN GOING HOME TONIGHT. 198 00:07:30,116 --> 00:07:33,019 A LOT OF LONG, SERIOUS FACES TONIGHT. 199 00:07:33,019 --> 00:07:36,122 THINGS HAVE DEFINITELY BEEN TENSE THIS WEEK. 200 00:07:36,122 --> 00:07:37,424 UM, TODAY HAS BEEN WEIRD. 201 00:07:37,424 --> 00:07:40,260 UM, THE GROUP FEELS SEPARATED, 202 00:07:40,260 --> 00:07:42,028 AND I DEFINITELY THINK THAT THERE'S -- 203 00:07:42,028 --> 00:07:44,030 THERE ARE SOME THINGS THAT NEED TO BE SAID TONIGHT 204 00:07:44,030 --> 00:07:45,031 TO RESOLVE IT. 205 00:07:45,031 --> 00:07:46,266 I THINK THE BEST THING I CAN DO 206 00:07:46,266 --> 00:07:48,001 IS TO GET OUT OF YOUR WAY TONIGHT. 207 00:07:48,001 --> 00:07:49,312 BUT JUST REMEMBER, AT THE END OF THE NIGHT, 208 00:07:49,312 --> 00:07:49,402 BUT JUST REMEMBER, AT THE END OF THE NIGHT, 209 00:07:49,402 --> 00:07:51,171 WHEN I COME BACK, ROSE CEREMONY -- 210 00:07:51,171 --> 00:07:54,040 GENTLEMEN, YOU HAVE THE ROSES. 211 00:07:54,040 --> 00:07:56,276 LADIES, THREE OF YOU WILL BE GOING HOME. 212 00:07:56,276 --> 00:07:58,311 GOOD LUCK. I'LL SEE YOU LATER. 213 00:07:58,311 --> 00:08:00,080 OKAY. THANKS, CHRIS. 214 00:08:00,080 --> 00:08:01,982 THANK YOU. 215 00:08:01,982 --> 00:08:03,416 Dan: THE GUYS ARE HANDING OUT THE ROSES THIS WEEK. 216 00:08:03,416 --> 00:08:05,352 BUT IT'S NOT GONNA BE FUN 217 00:08:05,352 --> 00:08:07,253 BECAUSE JOE BASICALLY PLAYED JUELIA. 218 00:08:07,253 --> 00:08:09,389 SHE THOUGHT SHE HAD A CONNECTION WITH JOE, 219 00:08:09,389 --> 00:08:11,458 AND HE BASICALLY LIED TO HER THE WHOLE TIME TO MEET SAMANTHA. 220 00:08:11,458 --> 00:08:14,027 IT -- IT'S JUST SICK, 221 00:08:14,027 --> 00:08:15,996 AND THE ONLY TRUE JUSTICE WOULD BE 222 00:08:15,996 --> 00:08:17,297 IF JOE JUST WALKED UP AND LEFT. 223 00:08:17,297 --> 00:08:18,331 ♪♪ 224 00:08:19,466 --> 00:08:21,334 Joe: I CAME HERE FOR SAMANTHA, 225 00:08:21,334 --> 00:08:23,303 AND I WANT TO LEAVE WITH SAMANTHA. 226 00:08:23,303 --> 00:08:26,206 SO I'LL SAY WHATEVER, WHENEVER TO TRY TO SQUASH DRAMA. 227 00:08:26,206 --> 00:08:27,440 I THINK THAT'S SO RIDICULOUS, 228 00:08:27,440 --> 00:08:30,043 AND IT JUST TAKES AWAY FROM MI-- MINE AND SAMANTHA'S TIME. 229 00:08:30,043 --> 00:08:31,444 AND I DON'T WANT TO DO THAT ANYMORE. 230 00:08:31,444 --> 00:08:35,382 WELL, I'LL JUST GO AHEAD AND STEP UP TO THE PLATE, THEN, 231 00:08:35,382 --> 00:08:37,250 AND JUST GET MY PORTION OUT OF THE WAY. 232 00:08:37,250 --> 00:08:40,487 UM, I DID REACH OUT TO HER ON INSTAGRAM. 233 00:08:40,487 --> 00:08:43,156 SHE WAS SCARED TO DEATH TO -- TO COMMUNICATE WITH ME 234 00:08:43,156 --> 00:08:44,391 BECAUSE OF THIS VERY REASON. 235 00:08:44,391 --> 00:08:47,027 SO I DON'T WANT HER TO BE THE BLAME FOR IT. 236 00:08:47,027 --> 00:08:48,395 I'M 100% TO BLAME. 237 00:08:48,395 --> 00:08:49,312 IT WAS JUST SMALL TALK ABOUT BEING ON PREVIOUS SEASONS 238 00:08:49,312 --> 00:08:50,397 IT WAS JUST SMALL TALK ABOUT BEING ON PREVIOUS SEASONS 239 00:08:50,397 --> 00:08:53,166 ON "THE BACHELORETTE" AND "THE BACHELOR", 240 00:08:53,166 --> 00:08:55,135 AND THAT WAS REALLY KIND OF THE GIST OF IT. 241 00:08:55,135 --> 00:08:57,137 Tanner: WHAT THE HELL IS GOING ON RIGHT NOW? 242 00:08:57,137 --> 00:08:58,304 IT LOOKS LIKE SAMANTHA AND JOE 243 00:08:58,304 --> 00:09:00,974 ARE GONNA ADMIT HALF-TRUTHS TONIGHT, 244 00:09:00,974 --> 00:09:03,376 BUT NOT TO THE EXTENT OF WHAT THEY ACTUALLY DID. 245 00:09:03,376 --> 00:09:06,312 I SAW WITH MY OWN EYES THE TEXT MESSAGE FROM SAMANTHA 246 00:09:06,312 --> 00:09:10,183 TELLING JOE TO STICK AROUND LONG ENOUGH FOR THEM TO MEET. 247 00:09:10,183 --> 00:09:12,285 Juelia: DID YOU NOT COME HERE 248 00:09:12,285 --> 00:09:14,087 WITH JUST THE INTENTION OF MEETING HER, 249 00:09:14,087 --> 00:09:16,189 EVEN DECEIVING ME TO GET TO HER? 250 00:09:16,189 --> 00:09:18,091 NO, I'M NOT -- WAS THAT YOUR PLAN? 251 00:09:18,091 --> 00:09:19,312 NO. I FEEL LIKE, WITH -- 252 00:09:19,312 --> 00:09:19,459 NO. I FEEL LIKE, WITH -- 253 00:09:19,459 --> 00:09:21,127 LIKE, WITH YOU -- THAT WAS YOUR PLAN. 254 00:09:21,127 --> 00:09:22,295 I'M SORRY. I DIDN'T HEAR YOU. 255 00:09:22,295 --> 00:09:24,030 I FEEL LIKE -- I WAS ACTUALLY -- WHAT DID HE SAY? 256 00:09:24,030 --> 00:09:25,131 I FEEL LIKE, HONESTLY -- 257 00:09:25,131 --> 00:09:26,232 YOU NEED TO LET HER TALK. 258 00:09:26,232 --> 00:09:27,400 SHE'S TRYING TO TALK WITH HIM. 259 00:09:27,400 --> 00:09:29,269 YOU NEED TO PLEASE LET HER TALK. OKAY. 260 00:09:29,269 --> 00:09:34,340 MY PROBLEM IS HOW SAMANTHA HAS TREATED JUELIA. 261 00:09:34,340 --> 00:09:37,310 THEY ARE GOOD FRIENDS, SUPPOSEDLY, 262 00:09:37,310 --> 00:09:42,048 BUT SHE COMES IN, IGNORES JUELIA, AND SWOOPS JOE UP. 263 00:09:42,048 --> 00:09:44,150 IF SHE'S SUCH YOUR GOOD FRIEND... YEAH. 264 00:09:44,150 --> 00:09:46,252 NO. NO. ...DID YOU EVER APPROACH HER INITIALLY AND SAY, 265 00:09:46,252 --> 00:09:48,121 "DO YOU HAVE ANYBODY HERE THAT YOU'RE INTERESTED IN, 266 00:09:48,121 --> 00:09:49,312 BECAUSE I'M YOUR GOOD FRIEND AND I DON'T WANT TO STEP ON YOUR TOES"? 267 00:09:49,312 --> 00:09:50,256 BECAUSE I'M YOUR GOOD FRIEND AND I DON'T WANT TO STEP ON YOUR TOES"? 268 00:09:50,256 --> 00:09:52,292 NO. I DIDN'T. BUT DOES IT MATTER WHO YOUR FRIEND IS? 269 00:09:52,292 --> 00:09:57,997 WELL, IT DOES, BECAUSE I CARE ABOUT YOU. 270 00:09:57,997 --> 00:09:59,332 AND I'M -- I'M -- I CARE ABOUT YOU, JUELIA. 271 00:09:59,332 --> 00:10:01,401 AND MY INTENTIONS WERE NEVER TO PLAY YOU FOR YOUR ROSE. HERE'S MY QUESTION. 272 00:10:01,401 --> 00:10:03,136 THAT WAS NEVER MY INTENTIONS, 273 00:10:03,136 --> 00:10:05,405 EVEN THOUGH IT DOES LOOK LIKE THAT WITH -- WITH WHERE YOU'RE AT. 274 00:10:05,405 --> 00:10:07,207 TRUST ME. I WOULD THINK THE SAME THING. 275 00:10:07,207 --> 00:10:08,408 EVERYBODY SITTING HERE IS. 276 00:10:08,408 --> 00:10:10,410 JUST ADMIT THAT YOU GUYS WANTED TO MEET. 277 00:10:10,410 --> 00:10:11,444 YOU BOTH DID. 278 00:10:11,444 --> 00:10:14,147 AND THEN YOU DID WHAT IT TOOK TO MEET. 279 00:10:14,147 --> 00:10:17,250 EVEN IF WE HAD TALKED, EVERY SINGLE DAY UP UNTIL WE GOT HERE, 280 00:10:17,250 --> 00:10:19,312 I WOULD HAVE NO SHAME IN ADMITTING THAT. 281 00:10:19,312 --> 00:10:19,352 I WOULD HAVE NO SHAME IN ADMITTING THAT. 282 00:10:19,352 --> 00:10:21,287 BUT IT WASN'T LIKE THAT AT ALL. 283 00:10:21,287 --> 00:10:23,490 Carly: SHE'S LYING, AND PEOPLE KNOW THAT. 284 00:10:23,490 --> 00:10:26,092 IT SUCKS, 'CAUSE, LIKE, SHE'S MY FRIEND, 285 00:10:26,092 --> 00:10:28,161 BUT I JUST DON'T KNOW WHAT SHE'S DOING. 286 00:10:28,161 --> 00:10:30,029 GUYS, PLEASE, JUST BE HONEST. 287 00:10:30,029 --> 00:10:31,998 ADMIT THAT YOU BOTH SPOKE BEFORE 288 00:10:31,998 --> 00:10:34,434 AND YOU AGREED THAT YOU WOULD COME TO MEET EACH OTHER. 289 00:10:34,434 --> 00:10:36,369 I-I FEEL LIKE YOU'RE OWNING IT, BUT SHE'S NOT. 290 00:10:36,369 --> 00:10:38,238 Samantha: AND I'M NEVER, EVER GONNA ADMIT 291 00:10:38,238 --> 00:10:39,439 TO SOMETHING THAT DIDN'T HAPPEN. 292 00:10:39,439 --> 00:10:42,075 Ashley I.: I THINK JOE AND SAMANTHA 293 00:10:42,075 --> 00:10:43,209 ARE KIND OF EQUALS IN THIS. 294 00:10:43,209 --> 00:10:45,211 I MEAN, IF HE MANIPULATED THE WHOLE JUELIA THING, 295 00:10:45,211 --> 00:10:49,115 THEN, YES, THAT'S NOT AN ATTRACTIVE QUALITY FOR A GUY, 296 00:10:49,115 --> 00:10:49,312 BUT SHE SEEMS TO BE OKAY WITH IT, 297 00:10:49,312 --> 00:10:51,084 BUT SHE SEEMS TO BE OKAY WITH IT, 298 00:10:51,084 --> 00:10:54,287 AND THAT MAKES ME SCARED 299 00:10:54,287 --> 00:10:56,356 ABOUT WHAT KIND OF SAM I'M SEEING AROUND HERE. 300 00:10:56,356 --> 00:10:58,124 I DON'T EVEN WANT TO HAVE THIS CONVERSATION. 301 00:10:58,124 --> 00:10:59,425 IT'S SO UNCOMFORTABLE. 302 00:10:59,425 --> 00:11:01,227 Tanner: I DON'T MIND THE GAME-PLAY STRATEGY, 303 00:11:01,227 --> 00:11:04,130 BUT WHEN YOU START LYING, THAT'S WHERE IT CROSSES THE LINE. 304 00:11:04,130 --> 00:11:05,365 I'M GONNA LEAVE. LET'S GO. 305 00:11:05,365 --> 00:11:07,233 I HURT FOR JUELIA. 306 00:11:07,233 --> 00:11:10,003 SHE DOESN'T DESERVE WHAT'S HAPPENING RIGHT NOW. 307 00:11:10,003 --> 00:11:12,172 WHAT I WANT TO HAPPEN IS THAT JUELIA STAYS, 308 00:11:12,172 --> 00:11:16,376 BUT REALITY IS MUCH MORE HARSH. 309 00:11:16,376 --> 00:11:18,178 I DON'T DESERVE THAT. Carly: NO. 310 00:11:18,178 --> 00:11:19,179 I DIDN'T DO ANYTHING. 311 00:11:19,179 --> 00:11:19,312 HONESTLY, I WAS MINDING MY OWN BUSINESS, 312 00:11:19,312 --> 00:11:21,114 HONESTLY, I WAS MINDING MY OWN BUSINESS, 313 00:11:21,114 --> 00:11:23,116 TRIED TO FALL IN LOVE, THAT DIDN'T WORK OUT. 314 00:11:23,116 --> 00:11:26,252 I THINK WHEN PEOPLE GET SO DEFENSIVE LIKE THAT, 315 00:11:26,252 --> 00:11:28,087 IT'S A SIGN OF GUILT. 316 00:11:28,087 --> 00:11:29,222 TOTALLY. TOTALLY. 317 00:11:29,222 --> 00:11:31,257 I JUST HONESTLY FELT ATTACKED. 318 00:11:31,257 --> 00:11:33,426 'CAUSE YOU WERE. I DON'T THINK IT WAS THEM APOLOGIZING. 319 00:11:33,426 --> 00:11:35,495 I THINK IT WAS THEM ATTACKING ME IN FRONT OF A GROUP. 320 00:11:35,495 --> 00:11:39,465 SAMANTHA AND I WERE THE CLOSEST FROM CHRIS' SEASON. 321 00:11:39,465 --> 00:11:42,435 UM, BEEN ON VACATIONS TOGETHER SINCE THE SHOW. 322 00:11:42,435 --> 00:11:45,438 I THOUGHT SHE WAS A REALLY GOOD GIRL, AND CLEARLY, SHE ISN'T. 323 00:11:45,438 --> 00:11:48,441 SAMANTHA LIED TO ALL OF US, INCLUDING TO MY FACE. 324 00:11:48,441 --> 00:11:49,312 SAMMY, WE'D LIKE TO SPEAK WITH YOU. OKAY. 325 00:11:49,312 --> 00:11:50,376 SAMMY, WE'D LIKE TO SPEAK WITH YOU. OKAY. 326 00:11:50,376 --> 00:11:52,078 YOU CAN COME, TOO. 327 00:11:52,078 --> 00:11:55,148 Tanner: JOE IS NOW FESSING UP TO TALKING BEFORE THE SHOW, 328 00:11:55,148 --> 00:11:57,417 BUT SAMANTHA IS DENYING EVERY BIT OF THIS. 329 00:11:57,417 --> 00:11:59,452 SHE IS MORE DEEPLY ROOTED IN THESE LIES 330 00:11:59,452 --> 00:12:01,154 THAN ANYONE EVER REALIZED. 331 00:12:01,154 --> 00:12:04,424 THE WHOLE MESSAGE THING -- I'M TELLING YOU. 332 00:12:04,424 --> 00:12:06,125 EVEN IF I HAD, I WOULD ADMIT IT 333 00:12:06,125 --> 00:12:08,127 AND BE LIKE, "OH, MY GOD. YEAH, I TOTALLY CAME HERE --" 334 00:12:08,127 --> 00:12:09,262 IT'S NOT THE CASE. 335 00:12:09,262 --> 00:12:11,431 I -- FOR ME -- IT MIGHT BE FOR HIM. 336 00:12:11,431 --> 00:12:13,266 I GUESS I JUST DON'T BELIEVE IT, TO BE HONEST. 337 00:12:13,266 --> 00:12:15,235 I'M SORRY. I HATE -- I HATE SAYING THAT. OKAY. WELL, THAT'S TOO BAD. 338 00:12:15,235 --> 00:12:17,170 'CAUSE I KNOW YOU GUYS HAVE TALKED ON THE PHONE FOR A WHILE. 339 00:12:17,170 --> 00:12:19,005 I KNOW YOU GUYS HAVE BEEN. HE ADMITTED IT TONIGHT. 340 00:12:19,005 --> 00:12:19,312 YOU DIDN'T, AND THAT'S THE PROBLEM I HAVE, 341 00:12:19,312 --> 00:12:20,173 YOU DIDN'T, AND THAT'S THE PROBLEM I HAVE, 342 00:12:20,173 --> 00:12:21,274 'CAUSE IT PUTS ME IN A WEIRD SPOT. 343 00:12:21,274 --> 00:12:22,442 BECAUSE I HAVE FRIENDS THAT I HAVE TO -- 344 00:12:22,442 --> 00:12:24,143 OKAY, I WOULD LOVE TO ADMIT THAT, 345 00:12:24,143 --> 00:12:25,245 BUT I ONLY ADMIT THE TRUTH. 346 00:12:25,245 --> 00:12:26,446 IT PUTS ME IN A WEIRD SITUATION WITH -- 347 00:12:26,446 --> 00:12:29,082 IT WAS -- YOUR ACTIONS AND YOUR WORDS 348 00:12:29,082 --> 00:12:30,383 ARE SPEAKING DIFFERENTLY -- 349 00:12:30,383 --> 00:12:32,085 BUT YOU DON'T KNOW ME, AND YOU DON'T KNOW THAT. 350 00:12:32,085 --> 00:12:35,088 I JUST EXPLAINED EVERYTHING I HAD FEELINGS ON. 351 00:12:35,088 --> 00:12:37,223 IT'S HARD FOR ME TO DEFEND LIES WHEN I'M WATCHING LIES HAPPEN. 352 00:12:37,223 --> 00:12:38,291 THAT'S IT. IT IS WHAT IT IS. 353 00:12:38,291 --> 00:12:40,226 I -- I'M TELLING YOU THE TRUTH. 354 00:12:40,226 --> 00:12:42,061 UNBELIEVABLE, DUDE. I DO, TOO. 355 00:12:42,061 --> 00:12:44,297 MAN. THERE'S NOTHING LEFT TO SAY. I'M JUST TIRED OF IT. 356 00:12:44,297 --> 00:12:45,398 DON'T WALK AWAY. 357 00:12:45,398 --> 00:12:47,233 Tanner: I AT LEAST RESPECT JOE 358 00:12:47,233 --> 00:12:49,168 FOR COMING CLEAN ABOUT WHAT HE'S DONE, 359 00:12:49,168 --> 00:12:49,312 BUT I HAVE ZERO RESPECT FOR SAM. 360 00:12:49,312 --> 00:12:51,070 BUT I HAVE ZERO RESPECT FOR SAM. 361 00:12:51,070 --> 00:12:53,273 I THINK SAM THINKS SHE'S PRETTY INTELLIGENT, 362 00:12:53,273 --> 00:12:55,975 BUT SHE'S GONNA COME OFF LOOKING REAL BAD. 363 00:12:57,010 --> 00:12:58,344 COMING UP... 364 00:12:58,344 --> 00:13:02,181 Tenley: JJ'S ROSE IS THE ONE THAT'S UP FOR GRABS. 365 00:13:02,181 --> 00:13:05,451 JJ: I'M MAKING A DECISION THAT IMPACTS THE REST OF MY LIFE. 366 00:13:05,451 --> 00:13:07,153 IT'S THE HARDEST THING I'VE DONE. 367 00:13:07,153 --> 00:13:08,421 I DON'T KNOW, MAYBE FOREVER. 368 00:13:08,421 --> 00:13:10,023 [ GASPS ] 369 00:13:10,023 --> 00:13:11,124 Kirk: WHAT THE HECK JUST HAPPENED? 370 00:13:11,124 --> 00:13:13,092 Dan: IT THREW EVERYONE FOR A LOOP. 371 00:13:13,092 --> 00:13:15,094 Tenley: NOBODY KNOWS WHAT'S GOING ON. 372 00:13:15,094 --> 00:13:16,262 AND LATER... 373 00:13:16,262 --> 00:13:18,298 Kirk: JOE HAS DUG HIMSELF A HOLE, 374 00:13:18,298 --> 00:13:19,312 AND I THINK THAT HOLE IS TOO DEEP TO GET OUT OF. 375 00:13:19,312 --> 00:13:20,466 AND I THINK THAT HOLE IS TOO DEEP TO GET OUT OF. 376 00:13:20,466 --> 00:13:23,436 Dan: MORE THAN ANYTHING, I WOULD LOVE TO SEE JOE BE HEARTBROKEN. 377 00:13:23,436 --> 00:13:25,972 THERE WAS RED FLAGS JUST REALLY EARLY ON, 378 00:13:25,972 --> 00:13:27,240 AND, LIKE, SO MUCH DRAMA. 379 00:13:27,240 --> 00:13:29,008 Joe: SAMANTHA'S THE REASON WHY 380 00:13:29,008 --> 00:13:30,243 I'M IN THE POSITION THAT I'M IN. 381 00:13:30,243 --> 00:13:32,211 I WANT EVERYBODY TO SEE IT AND CLEAR MY NAME. 382 00:13:32,211 --> 00:13:33,346 I'VE NEVER BEEN BACKSTABBED 383 00:13:33,346 --> 00:13:35,214 OR BEEN A PART OF DRAMA LIKE THIS EVER IN MY LIFE. 384 00:13:35,214 --> 00:13:37,150 I THINK IT'S TIME TO PUT SOME STUFF STRAIGHT. 385 00:13:37,150 --> 00:13:39,052 VILLAIN'S GOT TO VILL. 386 00:13:39,052 --> 00:13:41,054 "GOT YOU, BITCH." [ LAUGHS ] 387 00:13:45,358 --> 00:13:46,459 WANT TO TAKE A WALK? 388 00:13:46,459 --> 00:13:48,127 YEAH. 389 00:13:48,127 --> 00:13:49,395 Ashley I.: I'M DONE WITH JOE, JUELIA, AND SAMANTHA. 390 00:13:49,395 --> 00:13:50,463 LIKE, THE WHOLE THING. 391 00:13:50,463 --> 00:13:52,432 I JUST WANT TO GET AWAY FROM THE DRAMA 392 00:13:52,432 --> 00:13:54,233 AND STARE AT JARED'S FACE ALL THE TIME. 393 00:13:54,233 --> 00:13:56,035 I'M LIKE, "WHAT? 394 00:13:56,035 --> 00:13:58,071 WHAT'S -- WHO'S SAM?" 395 00:13:58,071 --> 00:13:59,305 I CAN JUST SEE, LIKE, 396 00:13:59,305 --> 00:14:02,308 THIS PERFECT JAW LINE AND BONE STRUCTURE. 397 00:14:02,308 --> 00:14:06,112 I WANT JARED TO KISS ME, OKAY? JUST THAT. 398 00:14:18,157 --> 00:14:21,160 OH, ASHLEY. 399 00:14:21,160 --> 00:14:23,229 SORRY, I THOUGHT THERE WAS A CRAB DOWN THERE. 400 00:14:23,229 --> 00:14:24,330 NO, JUST -- 401 00:14:24,330 --> 00:14:26,132 JUST MY FOOT. [ LAUGHS ] 402 00:14:26,132 --> 00:14:27,233 JUST THE FOOT. 403 00:14:27,233 --> 00:14:29,369 JARED KISSED ME AT THE LAST COCKTAIL PARTY, 404 00:14:29,369 --> 00:14:31,437 AND SINCE, UH, NOTHING. 405 00:14:31,437 --> 00:14:35,041 BARELY ANY, LIKE, HAND-ON-ARM. 406 00:14:35,041 --> 00:14:37,443 YOU'RE, LIKE, JUST DRIVING ME CRAZY. 407 00:14:37,443 --> 00:14:40,079 IT'S FINE. I AM? HOW SO? 408 00:14:40,079 --> 00:14:41,381 TELL ME. BE OPEN. 409 00:14:41,381 --> 00:14:42,388 YOU BE OPEN. 410 00:14:42,388 --> 00:14:42,949 YOU BE OPEN. 411 00:14:42,949 --> 00:14:45,284 NO, YOU BE -- I ASKED YOU FIRST. 412 00:14:45,284 --> 00:14:48,254 HOW CAN YOU KISS ME LIKE TWO DAYS AGO, 413 00:14:48,254 --> 00:14:50,323 AND THEN NOT DO IT AGAIN IN TWO DAYS? 414 00:14:50,323 --> 00:14:52,158 I -- 415 00:14:52,158 --> 00:14:54,093 JADE IS TALKING ABOUT HOW SHE'S NEVER MADE OUT 416 00:14:54,093 --> 00:14:56,028 WITH SOMEBODY SO MUCH IN HER LIFE. 417 00:14:56,028 --> 00:14:58,297 AND I'M LIKE, CAN I JUST GET LIKE A COUPLE A DAY? 418 00:14:58,297 --> 00:15:00,166 SORRY. IT'S BEEN A LONG NIGHT. 419 00:15:00,166 --> 00:15:01,200 IT IS. 420 00:15:01,200 --> 00:15:03,403 IT ACTUALLY IS YOUR FAULT. 421 00:15:03,403 --> 00:15:06,139 AND THAT'S PROBABLY WHY I HAVE A CRUSH ON YOU. 422 00:15:09,142 --> 00:15:11,043 I CAN KISS YOU AFTER THAT ONE. 423 00:15:16,115 --> 00:15:18,151 THERE'S ONLY BEEN A FEW TIMES IN MY LIFE 424 00:15:18,151 --> 00:15:20,086 WHERE IT'S LIKE YOU'RE KISSING SOMEONE 425 00:15:20,086 --> 00:15:22,455 AND YOUR, LIKE, HEAD LITERALLY, LIKE, IS, LIKE, SPINNING. 426 00:15:22,455 --> 00:15:24,424 IT FELT LIKE IT HAD EVEN MORE CHEMISTRY 427 00:15:24,424 --> 00:15:26,159 THAN IT DID A COUPLE DAYS AGO. 428 00:15:26,159 --> 00:15:28,294 WE'RE REALLY GOOD COMPATIBLE KISSERS. 429 00:15:28,294 --> 00:15:30,163 I'M MUCH BETTER AT KISSING HIM 430 00:15:30,163 --> 00:15:32,231 THAN I WAS CHRIS' PAPER-THIN LIPS. 431 00:15:32,231 --> 00:15:36,402 I THINK JARED AND I ARE FINALLY GETTING TO BE ON THE SAME PAGE. 432 00:15:36,402 --> 00:15:39,272 Kirk: ARE YOU AND JOE GONNA HAVE A CONVERSATION? 433 00:15:39,272 --> 00:15:40,440 I'M SORRY, BUT NO. 434 00:15:40,440 --> 00:15:42,308 LET'S CALL IT WHAT IT WAS. 435 00:15:42,308 --> 00:15:42,388 IN THERE, THAT WENT HORRIBLY DRAMATIC. 436 00:15:42,388 --> 00:15:44,977 IN THERE, THAT WENT HORRIBLY DRAMATIC. 437 00:15:44,977 --> 00:15:46,312 OH, YEAH. THAT WAS AWFUL. 438 00:15:46,312 --> 00:15:48,181 THEY'RE JUST ATTACKING ME. 439 00:15:48,181 --> 00:15:50,216 Kirk: JOE HAS DUG HIMSELF A HOLE, 440 00:15:50,216 --> 00:15:53,152 AND I THINK THAT HOLE IS TOO DEEP TO GET OUT OF. 441 00:15:53,152 --> 00:15:55,254 LIE ABOUT YOU AND SAMANTHA TALKING, 442 00:15:55,254 --> 00:15:57,356 TELL JUELIA SHE'S IT FOR YOU, 443 00:15:57,356 --> 00:15:59,425 AND THEN DITCH HER THE NEXT DAY LIKE -- 444 00:15:59,425 --> 00:16:02,061 I DON'T KNOW. IT'S JUST A BAD, BAD RECIPE. 445 00:16:02,061 --> 00:16:04,063 JOE'S GONNA HAVE TO DEAL WITH THE FACT 446 00:16:04,063 --> 00:16:06,165 THAT A LOT OF PEOPLE HERE DON'T LIKE HIM. 447 00:16:06,165 --> 00:16:10,403 ALL THOSE IDIOTS ARE OVER THERE FIGHTING IT OUT. 448 00:16:10,403 --> 00:16:12,338 AND WE'RE WAY OVER HERE. 449 00:16:12,338 --> 00:16:12,388 Carly: THIS COCKTAIL PARTY IS INTENSE. 450 00:16:12,388 --> 00:16:15,141 Carly: THIS COCKTAIL PARTY IS INTENSE. 451 00:16:15,141 --> 00:16:20,079 THE GIRLS ON THE CHOPPING BLOCK FOR TONIGHT ARE CLARE, JUELIA, 452 00:16:20,079 --> 00:16:25,017 MEGAN, ASHLEY S., AND AMBER. 453 00:16:25,017 --> 00:16:27,186 AND THE SWING VOTES TONIGHT ARE JJ AND DAN. 454 00:16:27,186 --> 00:16:31,157 AND THEN A WHOLE LOT OF MESSINESS. 455 00:16:31,157 --> 00:16:32,992 HI. HOW'S EVERYTHING GOING? 456 00:16:32,992 --> 00:16:35,094 Amber: I LIKE DAN. I THINK DAN'S GREAT. 457 00:16:35,094 --> 00:16:38,197 WE HAD AN AMAZING FIRST DATE, BUT IN THE BACK OF MY HEAD, 458 00:16:38,197 --> 00:16:40,366 I'M THINKING THAT HE MIGHT SAVE JUELIA. 459 00:16:40,366 --> 00:16:42,388 EVEN THOUGH I FEEL SORRY FOR HER, 460 00:16:42,388 --> 00:16:43,202 EVEN THOUGH I FEEL SORRY FOR HER, 461 00:16:43,202 --> 00:16:45,271 I JUST GOT HERE, AND I'M NOT READY TO GO HOME. 462 00:16:45,271 --> 00:16:47,406 I'M LIKE, "PLEASE DON'T -- JUST GIVE ME THE ROSE," BUT I CAN'T BEG HIM. 463 00:16:47,406 --> 00:16:50,142 I HAD A GREAT TIME YESTERDAY. YEAH, I DID, TOO. 464 00:16:50,142 --> 00:16:51,310 SO, REGARDLESS OF -- 465 00:16:51,310 --> 00:16:53,246 I HAD AN AMAZING TIME. GOOD. 466 00:16:53,246 --> 00:16:54,380 YEAH. [ CHUCKLES ] 467 00:16:54,380 --> 00:16:56,249 I'M REALLY HAPPY WE GOT TO MEET. 468 00:16:56,249 --> 00:16:58,317 YEAH. AND, YEAH, IT WAS -- IT WAS UNBELIEVABLE. 469 00:16:58,317 --> 00:17:01,053 LIKE, THAT'S SOMETHING LIKE YOU CAN'T TAKE AWAY. 470 00:17:01,053 --> 00:17:03,122 LIKE, THAT NIGHT WE HAD WAS JUST -- IT WAS AWESOME. 471 00:17:03,122 --> 00:17:04,457 LIKE, I CAME OUT HERE TO MEET YOU. 472 00:17:04,457 --> 00:17:07,159 I GOT TO MEET YOU, SO, LIKE, THIS IS IN YOUR HANDS. 473 00:17:07,159 --> 00:17:09,328 THAT'S IT? JOB DONE? YOU'RE READY TO GO? DONE! 474 00:17:09,328 --> 00:17:11,197 OKAY. ALL RIGHT. WE CAN CALL IT NOW. 475 00:17:11,197 --> 00:17:12,365 THAT'S GREAT. GOOD TALK. 476 00:17:12,365 --> 00:17:12,388 THAT WAS THE WORST SALES PITCH I'VE EVER HEARD TO STICK AROUND, 477 00:17:12,388 --> 00:17:14,367 THAT WAS THE WORST SALES PITCH I'VE EVER HEARD TO STICK AROUND, 478 00:17:14,367 --> 00:17:16,002 BY THE WAY. 479 00:17:16,002 --> 00:17:19,438 THE CONVERSATION WITH DAN AND I, I THINK, WENT PRETTY WELL. 480 00:17:19,438 --> 00:17:21,307 UM, I FELT CONFIDENT. 481 00:17:21,307 --> 00:17:23,209 YEAH, THAT DATE WAS AMAZING, SO -- 482 00:17:23,209 --> 00:17:24,443 YEAH. IT WAS FUN. 483 00:17:24,443 --> 00:17:27,179 I MEAN, I THINK HE'S GIVING ME, LIKE, A LITTLE REASSURANCE 484 00:17:27,179 --> 00:17:28,381 THAT I HAVE THE ROSE TONIGHT. 485 00:17:30,283 --> 00:17:32,318 I THINK A LOT OF PEOPLE ARE ON YOUR SIDE. 486 00:17:32,318 --> 00:17:34,253 NOT THAT THIS MAKES THIS ANY BETTER, BUT, LIKE -- 487 00:17:34,253 --> 00:17:36,088 I KNOW, BUT I'M JUST SAYING, 488 00:17:36,088 --> 00:17:38,257 LIKE, I DON'T WANT TO TAKE SOMEONE'S SPOT. 489 00:17:38,257 --> 00:17:39,292 YOU WOULD NEVER. 490 00:17:39,292 --> 00:17:40,393 AND, I MEAN, IT'S NOT UP TO YOU RIGHT NOW. 491 00:17:40,393 --> 00:17:41,460 RIGHT. SO... 492 00:17:41,460 --> 00:17:42,388 LIKE, BUT THAT'S WHAT I'M SAYING, IS LIKE, 493 00:17:42,388 --> 00:17:43,396 LIKE, BUT THAT'S WHAT I'M SAYING, IS LIKE, 494 00:17:43,396 --> 00:17:47,166 I WOULD NEVER ASK SOMEONE TO GIVE UP WHAT THEY MIGHT HAVE 495 00:17:47,166 --> 00:17:48,234 TO, LIKE, HELP ME. 496 00:17:48,234 --> 00:17:50,069 I CAN TELL YOU WITH 100% CERTAINTY 497 00:17:50,069 --> 00:17:51,270 THAT YOU DON'T DESERVE THIS. 498 00:17:51,270 --> 00:17:52,338 YEAH. 499 00:17:52,338 --> 00:17:54,073 WE'RE ALL ON YOUR SIDE. I SWEAR TO YOU. 500 00:17:54,073 --> 00:17:55,975 I LOVE YOU. IT'S JUST HARD. 501 00:17:55,975 --> 00:17:58,077 EVERYBODY WANTS FOR JUELIA TO STAY 502 00:17:58,077 --> 00:18:00,012 AND HAVE BETTER LUCK NEXT WEEK. 503 00:18:00,012 --> 00:18:03,115 SO RIGHT NOW, I FEEL LIKE HER ONLY SHOT IS JJ. 504 00:18:03,115 --> 00:18:05,117 HE WENT ON A DATE WITH MEGAN. 505 00:18:05,117 --> 00:18:08,254 SHE'S A NICE GIRL, BUT I LOVE JUELIA, 506 00:18:08,254 --> 00:18:10,356 SO I'M GOING TO BATTLE FOR MY GIRL. 507 00:18:10,356 --> 00:18:11,357 [ CHUCKLES ] 508 00:18:11,357 --> 00:18:12,388 I JUST HAVEN'T TALKED TO YOU. 509 00:18:12,388 --> 00:18:13,025 I JUST HAVEN'T TALKED TO YOU. 510 00:18:13,025 --> 00:18:15,094 I FEEL LIKE I WANT TO KNOW WHAT'S GOING ON WITH YOU. 511 00:18:15,094 --> 00:18:16,228 HOW WAS YOUR DATE? 512 00:18:16,228 --> 00:18:17,430 IT WAS REALLY GOOD. 513 00:18:17,430 --> 00:18:19,165 HOW ARE YOU FEELING? 514 00:18:19,165 --> 00:18:21,400 UM, I FEEL GOOD. 515 00:18:21,400 --> 00:18:23,169 OKAY. 516 00:18:23,169 --> 00:18:26,372 THERE'S -- I'M -- I'M GONNA BELIEVE THAT IT'S SHYNESS. 517 00:18:26,372 --> 00:18:28,140 LIKE -- YOU? 518 00:18:28,140 --> 00:18:29,308 HER. MM. 519 00:18:29,308 --> 00:18:31,344 SHE ISN'T -- SHE'S, LIKE, REFUSING TO KISS, SO... 520 00:18:31,344 --> 00:18:34,380 YOU TELL ME... 521 00:18:34,380 --> 00:18:36,115 IF -- IF I'M READING INTO SOMETHING WRONG. 522 00:18:36,115 --> 00:18:38,117 WELL, I'M GONNA BE HONEST WITH YOU. 523 00:18:38,117 --> 00:18:40,252 OBVIOUSLY, I'M LOOKING OUT FOR JUELIA TONIGHT, 524 00:18:40,252 --> 00:18:42,021 SO I'M JUST GONNA SAY, 525 00:18:42,021 --> 00:18:42,388 YOU KNOW HOW MUCH JUELIA SHOULD BE HERE. 526 00:18:42,388 --> 00:18:44,123 YOU KNOW HOW MUCH JUELIA SHOULD BE HERE. 527 00:18:44,123 --> 00:18:47,360 JUELIA'S GONE THROUGH A LOT IN HER LIFE, 528 00:18:47,360 --> 00:18:52,331 BUT ALSO JUST EVEN, YOU KNOW, IN THE MOMENT HERE ON "PARADISE" 529 00:18:52,331 --> 00:18:55,301 WITH THE WHOLE JOE AND SAM DRAMA. 530 00:18:55,301 --> 00:18:57,336 AND SHE DESERVES A BREAK. 531 00:18:57,336 --> 00:19:01,040 BUT ON THE OTHER HAND, THERE'S MEGAN. 532 00:19:01,040 --> 00:19:03,275 I THINK THERE'S STILL POTENTIAL. 533 00:19:03,275 --> 00:19:07,146 I'VE BEEN THINKING A LOT TODAY ABOUT YESTERDAY, 534 00:19:07,146 --> 00:19:10,950 AND ALL I COULD THINK ABOUT WAS HOW MUCH FUN I HAD WITH YOU 535 00:19:10,950 --> 00:19:12,388 AND ALL WE DID WAS LAUGH AND MAKE JOKES, 536 00:19:12,388 --> 00:19:14,387 AND ALL WE DID WAS LAUGH AND MAKE JOKES, 537 00:19:14,387 --> 00:19:18,491 AND, I MEAN, IT WAS SERIOUSLY SUCH A GOOD DAY. 538 00:19:18,491 --> 00:19:25,131 Megan: I REALLY, REALLY, REALLY WANT A ROSE TONIGHT FROM JJ. 539 00:19:25,131 --> 00:19:29,201 I WOULD LOVE TO HAVE A FEW MORE DAYS WITH HIM 540 00:19:29,201 --> 00:19:31,003 AND JUST FEEL IT OUT. 541 00:19:31,003 --> 00:19:32,204 [ LAUGHS ] 542 00:19:32,204 --> 00:19:35,207 JJ: MEGAN'S REALLY INTO ME, AND SHE'S A VERY SWEET GIRL. 543 00:19:35,207 --> 00:19:36,375 AND IT SUCKS 544 00:19:36,375 --> 00:19:39,111 BECAUSE I HATE TO HAVE TO PICK BETWEEN MEGAN AND JUELIA, 545 00:19:39,111 --> 00:19:42,388 SO I -- RIGHT NOW, I HAVE NO IDEA WHAT I'M GOING TO DO. 546 00:19:42,388 --> 00:19:46,052 SO I -- RIGHT NOW, I HAVE NO IDEA WHAT I'M GOING TO DO. 547 00:19:49,088 --> 00:19:52,191 Juelia: PEOPLE ARE TRYING TO GET JJ TO GIVE ME A ROSE, 548 00:19:52,191 --> 00:19:54,427 BUT I DON'T WANT A SYMPATHY ROSE. 549 00:19:54,427 --> 00:19:57,229 I WANT TO FIND A WAY TO STAY, 550 00:19:57,229 --> 00:20:01,200 BUT I WANT IT TO BE FOR THE RIGHT REASONS. 551 00:20:01,200 --> 00:20:02,968 SO I NEED TO FIGURE OUT ANOTHER WAY TO STAY. 552 00:20:02,968 --> 00:20:05,171 ♪♪ 553 00:20:12,111 --> 00:20:12,388 [ LAUGHTER ] 554 00:20:12,388 --> 00:20:14,113 [ LAUGHTER ] 555 00:20:14,113 --> 00:20:17,049 HI, CHRIS. HEY. 556 00:20:17,049 --> 00:20:18,117 HOW ARE YOU? GOOD. 557 00:20:18,117 --> 00:20:19,151 HOW ARE YOU? GOOD. 558 00:20:19,151 --> 00:20:20,386 CAN I TALK TO YOU FOR A MINUTE? 559 00:20:20,386 --> 00:20:21,420 OF COURSE. WHAT'S UP? 560 00:20:21,420 --> 00:20:22,988 GOOD. 561 00:20:22,988 --> 00:20:25,424 UM, HI. HELLO. 562 00:20:25,424 --> 00:20:27,026 [ SIGHS ] WHAT'S GOING ON? 563 00:20:27,026 --> 00:20:28,427 I JUST WANTED TO TALK TO YOU ABOUT A FEW THINGS. 564 00:20:28,427 --> 00:20:30,029 HAD A ROUGH NIGHT? 565 00:20:30,029 --> 00:20:31,097 HAD A ROUGH WEEK. 566 00:20:31,097 --> 00:20:32,298 ROUGH WEEK. YEAH. 567 00:20:32,298 --> 00:20:35,234 I'VE HAD A FEW PEOPLE TELL ME, YOU KNOW, 568 00:20:35,234 --> 00:20:39,338 THAT THEY MIGHT BE WILLING TO GIVE ME A ROSE TO HELP ME STAY, 569 00:20:39,338 --> 00:20:41,006 BUT I DON'T WANT THAT. 570 00:20:41,006 --> 00:20:42,007 RIGHT. 571 00:20:42,007 --> 00:20:42,388 I JUST WANTED A FAIR CHANCE AT LOVE. 572 00:20:42,388 --> 00:20:43,342 I JUST WANTED A FAIR CHANCE AT LOVE. 573 00:20:43,342 --> 00:20:46,011 YEAH, YOU DON'T WANT PITY, YOU JUST WANT A LEVEL PLAYING FIELD. EXACTLY. 574 00:20:46,011 --> 00:20:49,315 YOU FEEL THAT JOE USED YOU TO GET TO SAMANTHA. 575 00:20:49,315 --> 00:20:51,016 100%. YEAH. 576 00:20:51,016 --> 00:20:53,419 AND I'M JUST HAVING A HARD TIME WITH THE FACT THAT 577 00:20:53,419 --> 00:20:56,388 THERE'S PEOPLE HERE THAT WERE SO GENUINE THAT WENT HOME, 578 00:20:56,388 --> 00:20:59,158 AND MIKEY, IN PARTICULAR, 579 00:20:59,158 --> 00:21:02,094 I HAD A REALLY STRONG CONNECTION WITH HIM AT THE VERY BEGINNING. 580 00:21:02,094 --> 00:21:04,130 YOU KNOW, AT THE LAST COCKTAIL PARTY, 581 00:21:04,130 --> 00:21:06,165 MIKEY WAS REALLY STANDING UP FOR ME 582 00:21:06,165 --> 00:21:08,033 AND WAS REALLY GOING TO BAT FOR ME 583 00:21:08,033 --> 00:21:10,202 AND REALLY TRYING TO HELP ME SOLVE THE PROBLEM, 584 00:21:10,202 --> 00:21:12,388 AND EVENTUALLY CAME TO THE CONCLUSION 585 00:21:12,388 --> 00:21:14,373 AND EVENTUALLY CAME TO THE CONCLUSION 586 00:21:14,373 --> 00:21:17,042 THAT HE THOUGHT THAT JOE WAS BEING HONEST, AS WELL, 587 00:21:17,042 --> 00:21:18,177 WHICH MADE ME BELIEVE... RIGHT. 588 00:21:18,177 --> 00:21:19,378 ...THAT JOE WAS TELLING THE TRUTH. 589 00:21:19,378 --> 00:21:22,348 AND IT JUST BREAKS MY HEART THAT MIKEY HAD TO GO HOME 590 00:21:22,348 --> 00:21:24,383 WHEN HE WAS HERE AND BEING GENUINE 591 00:21:24,383 --> 00:21:26,285 AND HONESTLY CARED ABOUT ME. 592 00:21:26,285 --> 00:21:29,155 I JUST WISH THAT I HAD GIVEN MY ROSE TO HIM. 593 00:21:29,155 --> 00:21:32,258 WE BROUGHT YOU HERE BECAUSE WE WANTED, OF ALL PEOPLE, 594 00:21:32,258 --> 00:21:35,060 FOR YOU TO FIND LOVE AND TO HAVE A SECOND CHANCE AT THAT, 595 00:21:35,060 --> 00:21:37,429 AND THAT MIGHT BE TAKEN AWAY FROM YOU. 596 00:21:37,429 --> 00:21:39,165 YEAH, I THINK SO. 597 00:21:39,165 --> 00:21:42,388 SO, WHAT WOULD YOU LIKE FROM ME? 598 00:21:42,388 --> 00:21:43,269 SO, WHAT WOULD YOU LIKE FROM ME? 599 00:21:43,269 --> 00:21:47,239 I JUST DON'T KNOW IF THERE'S ANY WAY TO... 600 00:21:47,239 --> 00:21:50,976 TRY TO GET MIKEY BACK HERE TO GIVE HIM A CHANCE 601 00:21:50,976 --> 00:21:54,947 AND JUST, LIKE, SEE IF THERE'S ANY KIND OF CONNECTION, 602 00:21:54,947 --> 00:21:57,416 BECAUSE I REALLY DIDN'T GET A CHANCE TO FIND THAT OUT. 603 00:21:57,416 --> 00:22:00,052 I MEAN, THIS IS KIND OF UNPRECEDENTED, 604 00:22:00,052 --> 00:22:01,287 WHAT YOU'RE ASKING. 605 00:22:01,287 --> 00:22:03,422 I THINK IT'S REALLY FRUSTRATING THAT I PUT MY HEART OUT THERE 606 00:22:03,422 --> 00:22:05,191 AND I WAS PLAYED. 607 00:22:05,191 --> 00:22:07,059 CHRIS HARRISON MADE ME FEEL VALIDATED, 608 00:22:07,059 --> 00:22:09,428 AND, YOU KNOW, HE REALLY DOES WANT ME TO FIND LOVE. 609 00:22:09,428 --> 00:22:12,031 BUT THE ONLY WAY I'M STAYING HERE TONIGHT 610 00:22:12,031 --> 00:22:12,388 IS IF A MIRACLE HAPPENS. 611 00:22:12,388 --> 00:22:13,399 IS IF A MIRACLE HAPPENS. 612 00:22:13,399 --> 00:22:15,367 ♪♪ 613 00:22:19,438 --> 00:22:22,007 ♪♪ 614 00:22:26,278 --> 00:22:28,013 Tenley: GOING INTO TONIGHT, 615 00:22:28,013 --> 00:22:32,218 I FEEL LIKE JJ'S ROSE IS THE ONE THAT'S UP FOR GRABS, 616 00:22:32,218 --> 00:22:35,487 AND CLARE, JUELIA, AND ASHLEY S. COULD BE GOING HOME. 617 00:22:35,487 --> 00:22:38,157 IT FEELS LIKE WHAT'S GONNA BE GOING DOWN 618 00:22:38,157 --> 00:22:42,228 WILL BE ONE OF THE MOST DRAMATIC ROSE CEREMONIES OF "PARADISE." 619 00:22:42,228 --> 00:22:47,066 Juelia: I CAME HERE TO FIND LOVE, SO IT'S HARD TO LEAVE. 620 00:22:47,066 --> 00:22:47,069 BUT AS A RESULT OF JOE LYING TO MY FACE, 621 00:22:47,069 --> 00:22:50,302 BUT AS A RESULT OF JOE LYING TO MY FACE, 622 00:22:50,302 --> 00:22:53,405 I HAVE BEEN ROBBED OF AN OPPORTUNITY 623 00:22:53,405 --> 00:22:56,175 TO ACTUALLY FIND SOMEBODY HERE. 624 00:22:56,175 --> 00:22:58,010 KNOWING WHAT I KNOW NOW, 625 00:22:58,010 --> 00:23:01,380 I ABSOLUTELY HAVE THOUGHT, "WHAT IF I GAVE MIKEY MY ROSE?" 626 00:23:01,380 --> 00:23:03,115 GOOD EVENING, AGAIN. 627 00:23:03,115 --> 00:23:06,185 GENTLEMEN, YOU'RE HANDING OUT THE ROSES TONIGHT. 628 00:23:06,185 --> 00:23:09,455 WHEN I CALL YOUR NAME, STEP FORWARD TO HAND OUT YOUR ROSE. 629 00:23:09,455 --> 00:23:12,224 LADIES, IF YOU DO NOT RECEIVE A ROSE, 630 00:23:12,224 --> 00:23:14,260 YOU'LL BE LEAVING PARADISE FOREVER. 631 00:23:14,260 --> 00:23:15,427 ♪♪ 632 00:23:15,427 --> 00:23:17,069 I WISH YOU ALL THE BEST. 633 00:23:17,069 --> 00:23:17,096 I WISH YOU ALL THE BEST. 634 00:23:17,096 --> 00:23:19,131 AND IF YOU'RE READY, WE'LL GET STARTED. 635 00:23:19,131 --> 00:23:21,100 ♪♪ 636 00:23:21,100 --> 00:23:23,435 JOSHUA. 637 00:23:23,435 --> 00:23:25,471 ♪♪ 638 00:23:25,471 --> 00:23:27,039 TENLEY. 639 00:23:27,039 --> 00:23:28,307 ♪♪ 640 00:23:28,307 --> 00:23:31,310 WOULD YOU ACCEPT THIS ROSE? 641 00:23:31,310 --> 00:23:33,012 I WOULD LOVE TO. 642 00:23:33,012 --> 00:23:35,447 Tenley: I THINK IT'S GREAT TO GET A ROSE, 643 00:23:35,447 --> 00:23:37,383 BUT I WANT JUELIA TO STAY HERE. 644 00:23:37,383 --> 00:23:40,319 AND SO I'M HOPING THAT SOMETHING AMAZING HAPPENS. 645 00:23:40,319 --> 00:23:42,488 JARED, GO AHEAD. 646 00:23:42,488 --> 00:23:44,423 ♪♪ 647 00:23:44,423 --> 00:23:47,069 ASHLEY I. 648 00:23:47,069 --> 00:23:47,493 ASHLEY I. 649 00:23:47,493 --> 00:23:49,461 ASHLEY, WILL YOU ACCEPT THIS ROSE? 650 00:23:49,461 --> 00:23:52,331 I WILL. THANK YOU. 651 00:23:52,331 --> 00:23:55,467 ♪♪ 652 00:23:55,467 --> 00:23:57,269 KIRK. 653 00:23:57,269 --> 00:24:00,272 Juelia: KIRK AND CARLY ARE JUST THE MOST RIDICULOUSLY CUTE THING 654 00:24:00,272 --> 00:24:03,042 I'VE EVER SEEN IN MY ENTIRE LIFE. 655 00:24:03,042 --> 00:24:04,343 MM. CARLY. 656 00:24:04,343 --> 00:24:06,011 [ LAUGHTER ] 657 00:24:06,011 --> 00:24:07,279 THAT'S EXACTLY WHAT I CAME HERE FOR, 658 00:24:07,279 --> 00:24:11,016 AND I REALLY STILL AM HOPEFUL THAT THAT COULD HAPPEN. 659 00:24:11,016 --> 00:24:13,185 CARLY, WILL YOU ACCEPT THIS ROSE? 660 00:24:13,185 --> 00:24:14,386 YES. 661 00:24:14,386 --> 00:24:16,055 ♪♪ 662 00:24:17,189 --> 00:24:18,390 TANNER. 663 00:24:20,426 --> 00:24:23,495 Clare: I THINK IF ANYBODY DESERVES TO STAY IN PARADISE, 664 00:24:23,495 --> 00:24:24,496 IT'S JUELIA. 665 00:24:24,496 --> 00:24:26,265 JADE. 666 00:24:26,265 --> 00:24:30,169 WHAT JUELIA HAS GONE THROUGH HERE, SHE DESERVES A ROSE. 667 00:24:30,169 --> 00:24:32,204 JADE, WOULD YOU ACCEPT THIS ROSE? 668 00:24:32,204 --> 00:24:33,472 YES. THANK YOU. 669 00:24:33,472 --> 00:24:37,176 BUT THE ULTIMATE DECISION IS UP TO JJ AND DAN. 670 00:24:37,176 --> 00:24:39,211 ♪♪ 671 00:24:39,211 --> 00:24:40,245 JJ. 672 00:24:40,245 --> 00:24:44,316 ♪♪ 673 00:24:52,191 --> 00:24:56,128 I'M LOOKING AT JJ RIGHT NOW, AND I REALLY JUST HAVE NO IDEA 674 00:24:56,128 --> 00:24:57,496 IF HE'S GONNA GIVE HIS ROSE TO MEGAN 675 00:24:57,496 --> 00:25:00,366 OR IF HE'S GONNA TRY TO GIVE HIS ROSE TO ME. 676 00:25:00,366 --> 00:25:04,236 BUT YOU CAN TELL HE DOESN'T KNOW WHAT HE WANTS TO DO. 677 00:25:04,236 --> 00:25:07,006 Tanner: I HOPE JJ'S GIVING HIS ROSE TO JUELIA. 678 00:25:07,006 --> 00:25:09,208 JUELIA'S ONE OF THE MOST WELL-LIKED PEOPLE IN THE HOUSE, 679 00:25:09,208 --> 00:25:11,443 AND IT'S SAD TO SEE HER POTENTIALLY GO TONIGHT. 680 00:25:11,443 --> 00:25:13,412 ♪♪ 681 00:25:13,412 --> 00:25:17,069 Megan: IF I GOT THE ROSE FROM JJ TONIGHT, 682 00:25:17,069 --> 00:25:17,316 Megan: IF I GOT THE ROSE FROM JJ TONIGHT, 683 00:25:17,316 --> 00:25:20,252 I WOULD SMILE FROM EAR TO EAR. 684 00:25:20,252 --> 00:25:22,287 I'LL BE EXCITED TO ACCEPT JJ'S ROSE. 685 00:25:22,287 --> 00:25:24,256 YES. 686 00:25:24,256 --> 00:25:26,291 ASHLEY S. 687 00:25:32,131 --> 00:25:33,499 WHAT? 688 00:25:33,499 --> 00:25:35,467 I DON'T KNOW IF WE'RE MORE SURPRISED 689 00:25:35,467 --> 00:25:37,102 OR SHE'S MORE SURPRISED. 690 00:25:37,102 --> 00:25:39,038 I'M NOT ACCEPTING THAT. I CAN'T. 691 00:25:39,038 --> 00:25:41,040 YOU SHOULD ACCEPT THIS. NO, NO, NO. 692 00:25:41,040 --> 00:25:42,241 NO. 693 00:25:42,241 --> 00:25:44,209 WILL YOU SAY YES? YES. 694 00:25:44,209 --> 00:25:45,310 OKAY. THANK YOU. 695 00:25:47,446 --> 00:25:49,148 JJ: I TALKED TO JUELIA. 696 00:25:49,148 --> 00:25:51,450 I SAID, "HEY, I'M PLANNING TO GIVE MY ROSE TO YOU," 697 00:25:51,450 --> 00:25:54,019 AND JUELIA SAID, "DO NOT GIVE ME A ROSE." 698 00:25:54,019 --> 00:25:58,223 MEGAN AND I HAD A FUN DATE, AND I THINK SHE'S AN AWESOME GIRL. 699 00:25:58,223 --> 00:26:00,159 BUT I FEEL GREAT ABOUT SAVING ASHLEY 700 00:26:00,159 --> 00:26:05,064 BECAUSE SHE DESERVES TO FIND LOVE, JUST NOT WITH ME. 701 00:26:05,064 --> 00:26:09,435 UM...IT'S THE HARDEST THING I'VE DONE. 702 00:26:09,435 --> 00:26:11,270 I DON'T KNOW, MAYBE FOREVER. 703 00:26:11,270 --> 00:26:15,474 I CAME HERE TO PARADISE WITH A VERY OPEN HEART 704 00:26:15,474 --> 00:26:17,069 AND A VERY OPEN MIND, 705 00:26:17,069 --> 00:26:17,109 AND A VERY OPEN MIND, 706 00:26:17,109 --> 00:26:21,480 BUT, UH, I-I BROKE UP WITH SOMEBODY TO COME HERE. 707 00:26:21,480 --> 00:26:25,050 AND EVERY DAY THAT WENT BY HERE, 708 00:26:25,050 --> 00:26:29,254 IT REMINDED ME THAT WHAT I LEFT WAS WHAT I ACTUALLY REALLY WANT. 709 00:26:31,523 --> 00:26:34,493 I-I'M LEAVING BROTHERS AND NEW SISTERS AND BEST FRIENDS, 710 00:26:34,493 --> 00:26:36,395 AND I COULDN'T BE HAPPIER. 711 00:26:36,395 --> 00:26:37,463 SO THANK YOU ALL. 712 00:26:39,131 --> 00:26:42,434 I HOPE THAT PEOPLE LEARNED THAT I'M MULTI-DIMENSIONAL. 713 00:26:42,434 --> 00:26:45,370 'CAUSE I KNOW THAT I HAD SO MANY DIFFERENT LAYERS TO MY ONION. 714 00:26:45,370 --> 00:26:47,069 I DEFENDED WHEN I NEEDED TO DEFEND. 715 00:26:47,069 --> 00:26:48,207 I DEFENDED WHEN I NEEDED TO DEFEND. 716 00:26:48,207 --> 00:26:51,009 I STOOD UP FOR WHAT I BELIEVED IN. 717 00:26:51,009 --> 00:26:52,377 I SPOKE MY MIND. 718 00:26:52,377 --> 00:26:54,146 AND AT THE END OF THE DAY, 719 00:26:54,146 --> 00:26:56,448 I WALKED AWAY IN WHAT I BELIEVED IN. 720 00:26:56,448 --> 00:27:04,156 I HOPE THAT PEOPLE LEARN THAT I LOVE, THAT I CARE, 721 00:27:04,156 --> 00:27:07,426 THAT I'M SELFLESS, AND THAT I'M COURAGEOUS. 722 00:27:07,426 --> 00:27:10,362 I NEVER THOUGHT I WOULD FEEL LOVE. 723 00:27:11,396 --> 00:27:14,299 I NEVER THOUGHT I WOULD FEEL SOMETHING HERE. 724 00:27:14,299 --> 00:27:17,069 I-I FELT LIKE MY HEART WAS CALCIFIED -- 725 00:27:17,069 --> 00:27:17,169 I-I FELT LIKE MY HEART WAS CALCIFIED -- 726 00:27:17,169 --> 00:27:20,272 IT WAS HARDENED, IT WAS FROZEN, IT WAS COLD. 727 00:27:20,272 --> 00:27:22,074 YOU DON'T KNOW BROKEN 728 00:27:22,074 --> 00:27:24,243 TILL YOU'VE ACTUALLY WALKED IN MY SHOES. 729 00:27:24,243 --> 00:27:26,311 [ SIGHS ] 730 00:27:27,346 --> 00:27:30,082 I DIDN'T FIND LOVE ON "BACHELORETTE". 731 00:27:30,082 --> 00:27:32,050 I DIDN'T FIND LOVE ON "BACHELOR IN PARADISE", 732 00:27:32,050 --> 00:27:34,419 BUT I FOUND MYSELF, 733 00:27:34,419 --> 00:27:38,157 AND IF THESE GIRLS ALL THINK I'M AWESOME, 734 00:27:38,157 --> 00:27:39,358 THAT EXCITES ME. 735 00:27:41,193 --> 00:27:44,096 TONIGHT, THE RUBBER MEETS THE ROAD FOR ME. 736 00:27:44,096 --> 00:27:45,397 TIME IS OF THE ESSENCE. 737 00:27:45,397 --> 00:27:47,065 I FEEL LIKE I'M ROLLING THE DICE. 738 00:27:47,065 --> 00:27:47,069 I'VE SPENT SEVERAL WEEKS HERE IN PARADISE 739 00:27:47,069 --> 00:27:49,401 I'VE SPENT SEVERAL WEEKS HERE IN PARADISE 740 00:27:49,401 --> 00:27:52,204 WITH THE WORLD'S MOST BEAUTIFUL WOMEN, 741 00:27:52,204 --> 00:27:54,173 BUT MY HEART'S SOMEWHERE ELSE. 742 00:27:54,173 --> 00:27:56,375 IT'S WITH A GIRL BACK IN DENVER. 743 00:27:56,375 --> 00:27:59,278 I'M MAKING A VERY GROWN-UP DECISION 744 00:27:59,278 --> 00:28:02,181 THAT IMPACTS THE REST OF MY LIFE. 745 00:28:02,181 --> 00:28:05,350 I NEED TO GO FIND THIS GIRL BACK HOME, 746 00:28:05,350 --> 00:28:10,122 AND I NEED TO BEG AND PLEAD AND GROVEL FOR HER TO TAKE ME BACK. 747 00:28:10,122 --> 00:28:13,225 I PRAY TO GOD THAT SHE FEELS THE SAME WAY. 748 00:28:13,225 --> 00:28:15,394 OTHERWISE, I MIGHT BE A LITTLE LET DOWN. 749 00:28:15,394 --> 00:28:17,069 ♪♪ 750 00:28:17,069 --> 00:28:19,231 ♪♪ 751 00:28:19,231 --> 00:28:22,334 I DIDN'T SAY ANYTHING TO, LIKE, MAKE MYSELF LOOK STUPID, RIGHT? 752 00:28:25,070 --> 00:28:27,105 Carly: JJ HAS THIS GIRL BACK HOME, 753 00:28:27,105 --> 00:28:29,408 AND USUALLY, WE'RE REALLY MAD ABOUT THAT. 754 00:28:29,408 --> 00:28:32,177 BUT SOMEHOW, JJ CAN HAVE A GIRL BACK HOME 755 00:28:32,177 --> 00:28:34,313 AND WE'RE ALL LIKE, "GO HOME TO HER! 756 00:28:34,313 --> 00:28:35,347 WE LOVE YOU, JJ!" 757 00:28:35,347 --> 00:28:37,149 LIKE, HOW DOES HE DO THAT? 758 00:28:37,149 --> 00:28:39,284 HE'S A GENIUS! 759 00:28:39,284 --> 00:28:42,254 Kirk: WHAT THE HECK JUST HAPPENED? 760 00:28:42,254 --> 00:28:45,190 EVERYONE THOUGHT THAT JJ WOULD GIVE HIS ROSE TO JUELIA. 761 00:28:45,190 --> 00:28:47,069 NOW DAN IS THE ONLY ONE WHO CAN SAVE JUELIA, 762 00:28:47,069 --> 00:28:47,459 NOW DAN IS THE ONLY ONE WHO CAN SAVE JUELIA, 763 00:28:47,459 --> 00:28:50,262 AND I HAVE NO IDEA WHAT'S GONNA HAPPEN NEXT. 764 00:28:50,262 --> 00:28:51,430 ♪♪ 765 00:28:56,401 --> 00:28:58,470 YOU NEVER KNOW WHAT YOU'RE GONNA FIND HERE IN PARADISE, 766 00:28:58,470 --> 00:29:01,373 EVEN IF IT'S THAT THE LOVE YOU HAD BACK HOME 767 00:29:01,373 --> 00:29:03,208 WAS WHAT YOU REALLY WANTED. 768 00:29:03,208 --> 00:29:05,043 JJ'S GONE. 769 00:29:05,043 --> 00:29:07,179 Dan: JJ GIVES ASHLEY S. A ROSE, 770 00:29:07,179 --> 00:29:10,415 AND IT THREW EVERYONE FOR A LOOP, BUT ESPECIALLY ME. 771 00:29:10,415 --> 00:29:12,517 I ASSUMED IF HE DIDN'T HAVE ANYTHING WITH MEGAN, 772 00:29:12,517 --> 00:29:14,319 HE WAS GONNA GIVE THE ROSE TO JUELIA. 773 00:29:14,319 --> 00:29:16,054 JOE. 774 00:29:16,054 --> 00:29:19,091 Dan: ALL I CAN THINK OF IS SHE'S GOING HOME 775 00:29:19,091 --> 00:29:21,126 BECAUSE THERE'S AN [BLEEP] HERE 776 00:29:21,126 --> 00:29:22,931 WHO DRAGGED HER ALONG TO PROMOTE HIS OWN AGENDA. 777 00:29:22,931 --> 00:29:24,229 WHO DRAGGED HER ALONG TO PROMOTE HIS OWN AGENDA. 778 00:29:24,229 --> 00:29:27,399 ♪♪ 779 00:29:27,399 --> 00:29:29,268 SAMANTHA. 780 00:29:31,036 --> 00:29:34,373 IT MAKES ME SICK THAT HE GETS THE OPPORTUNITY NOW TO STAY 781 00:29:34,373 --> 00:29:37,242 AND EXPLORE A RELATIONSHIP WITH SAMANTHA 782 00:29:37,242 --> 00:29:39,478 ALL BECAUSE HE LIED AND DECEIVED JULIA. 783 00:29:39,478 --> 00:29:41,380 SAMANTHA, WILL YOU ACCEPT THIS ROSE? 784 00:29:41,380 --> 00:29:43,448 YES. I-IT'S JUST SICK. 785 00:29:43,448 --> 00:29:46,118 IT SUCKS, AND EVEN COMING CLEAN AT THIS POINT ISN'T ENOUGH. 786 00:29:46,118 --> 00:29:47,185 YOU JUST GOT TO GO. 787 00:29:47,185 --> 00:29:49,121 Chris: LADIES. 788 00:29:49,121 --> 00:29:52,057 THE FINAL ROSE -- DAN. 789 00:29:52,057 --> 00:29:52,931 ♪♪ 790 00:29:52,931 --> 00:29:54,226 ♪♪ 791 00:29:54,226 --> 00:29:57,329 Kirk: DAN IS ABOUT TO GIVE OUT THE FINAL ROSE, 792 00:29:57,329 --> 00:30:01,066 AND THERE'S TWO THINGS GOING ON IN DAN'S HEAD RIGHT NOW. 793 00:30:01,066 --> 00:30:03,368 ONE -- JUELIA DESERVES TO BE HERE, 794 00:30:03,368 --> 00:30:05,270 AND HE REALLY WANTS TO SEE HER HAPPY. 795 00:30:05,270 --> 00:30:09,074 TWO -- HE WENT OUT WITH AMBER, WHO HE REALLY LIKES, TOO, 796 00:30:09,074 --> 00:30:11,410 SO I THINK HE'S REALLY STRUGGLING WITH THIS DECISION 797 00:30:11,410 --> 00:30:14,146 BETWEEN JUELIA AND AMBER. 798 00:30:14,146 --> 00:30:16,281 I ACTUALLY HAVE NO IDEA WHAT DAN IS GOING TO DO. 799 00:30:16,281 --> 00:30:20,285 ♪♪ 800 00:30:32,097 --> 00:30:34,032 CHRIS, CAN I HAVE A MINUTE? 801 00:30:35,500 --> 00:30:37,235 CARLY, CAN WE TALK? 802 00:30:37,235 --> 00:30:39,137 Chris: WHAT DO YOU NEED? 803 00:30:39,137 --> 00:30:40,272 JUST TO TALK TO HER. 804 00:30:40,272 --> 00:30:41,273 ALL RIGHT. 805 00:30:41,273 --> 00:30:42,474 ♪♪ 806 00:30:48,013 --> 00:30:50,048 DOES ANYBODY KNOW WHAT'S GOING ON? 807 00:30:50,048 --> 00:30:51,249 NOT WITH THIS ONE. 808 00:30:51,249 --> 00:30:52,931 I DON'T KNOW IF I'M PUTTING TOO MUCH PRESSURE ON MYSELF 809 00:30:52,931 --> 00:30:54,419 I DON'T KNOW IF I'M PUTTING TOO MUCH PRESSURE ON MYSELF 810 00:30:54,419 --> 00:30:57,255 BECAUSE OF WHAT I WENT THROUGH WITH ASHLEY. 811 00:30:57,255 --> 00:31:01,326 IT'S GONNA BE BETWEEN ME AND SAVING JUELIA. 812 00:31:01,326 --> 00:31:02,527 I LOVE YOU. 813 00:31:02,527 --> 00:31:05,330 LOVE YOU. I LOVE YOU. 814 00:31:05,330 --> 00:31:07,532 I DON'T KNOW WHAT DAN'S DILEMMA IS RIGHT NOW. 815 00:31:07,532 --> 00:31:09,167 HE'S SUCH AN OLD MAN. 816 00:31:09,167 --> 00:31:11,269 HE'S LIKE A GRANDPA OF THE GROUP. 817 00:31:11,269 --> 00:31:14,339 IT'S LIKE, DUDE, LIKE, WHAT IS THERE TO TALK ABOUT? 818 00:31:14,339 --> 00:31:16,241 THE ROSE SHOULD GO TO JUELIA. 819 00:31:16,241 --> 00:31:18,377 I MEAN, I MIGHT AS WELL JUST GO HOME. 820 00:31:18,377 --> 00:31:21,346 Amber: I JUST SAW JJ GIVE THE ROSE TO HIS FRIEND, 821 00:31:21,346 --> 00:31:22,931 NOW I MIGHT SEE DAN GIVE THE ROSE TO HIS FRIEND, 822 00:31:22,931 --> 00:31:24,282 NOW I MIGHT SEE DAN GIVE THE ROSE TO HIS FRIEND, 823 00:31:24,282 --> 00:31:26,218 SO IT'S LIKE, I'M FREAKING OUT. 824 00:31:26,218 --> 00:31:28,286 TIME TO WRAP IT UP? 825 00:31:28,286 --> 00:31:30,422 IT'S TIME. YEAH. TIME TO MAKE A DECISION. 826 00:31:30,422 --> 00:31:32,457 Dan: IF I GIVE JUELIA A ROSE TONIGHT, 827 00:31:32,457 --> 00:31:35,227 IT MEANS I'M LITERALLY KEEPING AROUND A FRIEND 828 00:31:35,227 --> 00:31:37,295 AND GIVING HER A SECOND CHANCE AT LOVE. 829 00:31:37,295 --> 00:31:39,131 IF I GIVE A ROSE TO AMBER, 830 00:31:39,131 --> 00:31:42,334 IT MEANS THE GIRL WHO CAME HERE TO MEET ME GETS TO STAY, 831 00:31:42,334 --> 00:31:45,237 AND I GET TO SEE IF THERE'S ANYTHING POSSIBLE BETWEEN US. 832 00:31:45,237 --> 00:31:46,271 THIS COULD GO ANY WAY. 833 00:31:46,271 --> 00:31:48,140 I LITERALLY HAVE NO IDEA WHAT I'M GONNA DO. 834 00:31:48,140 --> 00:31:50,142 ♪♪ 835 00:31:56,481 --> 00:31:58,417 Jade: I KNOW DAN HAD A CONNECTION WITH AMBER, 836 00:31:58,417 --> 00:32:01,486 BUT I HOPE HE GIVES HIS ROSE TONIGHT TO JUELIA. 837 00:32:01,486 --> 00:32:03,455 I DO FEEL LIKE JUELIA'S HERE TO FIND SOMEBODY, 838 00:32:03,455 --> 00:32:05,357 AND I -- AND I FEEL LIKE SHE REALLY DESERVES THAT. 839 00:32:05,357 --> 00:32:07,426 AND AFTER SHE WAS SCREWED OVER, 840 00:32:07,426 --> 00:32:09,261 I KIND OF WANT HER TO HAVE A SECOND CHANCE. 841 00:32:09,261 --> 00:32:11,129 ♪♪ 842 00:32:13,064 --> 00:32:15,367 YOU KNOW, WE'RE ALL TEAM JUELIA HERE. 843 00:32:15,367 --> 00:32:19,004 WE LOVE JUELIA, SO IT'S A NO-BRAINER. 844 00:32:19,004 --> 00:32:21,273 DAN GIVES HIS ROSE TO JUELIA. 845 00:32:21,273 --> 00:32:22,931 ♪♪ 846 00:32:22,931 --> 00:32:23,041 ♪♪ 847 00:32:27,379 --> 00:32:29,281 AMBER. 848 00:32:35,187 --> 00:32:38,056 AMBER, WILL YOU ACCEPT THIS ROSE? 849 00:32:38,056 --> 00:32:39,057 YES. 850 00:32:39,057 --> 00:32:40,392 GOD, YOU MADE ME SO NERVOUS. [ CHUCKLES ] 851 00:32:40,392 --> 00:32:43,395 ♪♪ 852 00:32:43,395 --> 00:32:46,064 [ SIGHS ] 853 00:32:46,064 --> 00:32:47,265 ♪♪ 854 00:32:47,265 --> 00:32:50,202 MEGAN, JUELIA, CLARE. 855 00:32:50,202 --> 00:32:52,137 I'M SORRY. 856 00:32:52,137 --> 00:32:52,931 TAKE A MOMENT. SAY YOUR GOODBYES. 857 00:32:52,931 --> 00:32:53,371 TAKE A MOMENT. SAY YOUR GOODBYES. 858 00:32:55,240 --> 00:32:57,409 I LOVE YOU. 859 00:32:57,409 --> 00:33:02,414 I CAME HERE TO EXPLORE, AND THIS IS A VERY BRAVE SITUATION 860 00:33:02,414 --> 00:33:04,049 THAT YOU HAVE TO PUT YOURSELF IN. 861 00:33:04,049 --> 00:33:07,185 AND EVERY SINGLE GUY THERE WAS GREAT, 862 00:33:07,185 --> 00:33:11,122 BUT I DON'T THINK THAT ANYONE WAS THERE FOR ME. 863 00:33:11,122 --> 00:33:15,293 LOVE IS WHAT I ULTIMATELY WANT IN LIFE, 864 00:33:15,293 --> 00:33:20,332 AND I PRAY EVERY DAY THAT I WILL FIND THAT. 865 00:33:20,332 --> 00:33:22,334 LOVE YOU, GUYS. 866 00:33:22,334 --> 00:33:22,931 IF THEY WOULD HAVE JUST CHOSEN ME FOR "BACHELORETTE", 867 00:33:22,931 --> 00:33:25,270 IF THEY WOULD HAVE JUST CHOSEN ME FOR "BACHELORETTE", 868 00:33:25,270 --> 00:33:27,138 I WOULDN'T HAVE TO BE HERE. 869 00:33:27,138 --> 00:33:29,074 I WOULD HAVE FOUND MY HUSBAND. 870 00:33:29,074 --> 00:33:31,142 I GUESS THERE'S A PART OF ME 871 00:33:31,142 --> 00:33:35,046 THAT'S HARD NOT TO BE SORT OF JADED AND SKEPTICAL, 872 00:33:35,046 --> 00:33:38,416 BUT IT JUST HURTS BECAUSE YOU HIT A CERTAIN POINT 873 00:33:38,416 --> 00:33:41,152 WHERE IT'S JUST A SLAP IN THE FACE. 874 00:33:42,220 --> 00:33:50,061 THIS IS MY RETIREMENT FROM "BACHELOR IN PARADISE". 875 00:33:50,061 --> 00:33:52,163 OH, YOU'RE A LITTLE CUTIE PATOOTIE. 876 00:33:52,163 --> 00:33:52,931 TAKE CARE OF YOURSELF. SAY HI TO YOUR LITTLE GIRL. 877 00:33:52,931 --> 00:33:55,100 TAKE CARE OF YOURSELF. SAY HI TO YOUR LITTLE GIRL. 878 00:33:55,100 --> 00:33:56,167 I WILL. 879 00:33:56,167 --> 00:33:59,337 I'M UPSET BECAUSE I CAME HERE LOOKING FOR LOVE, 880 00:33:59,337 --> 00:34:02,340 AND IT'S HARD TO BE SO INVESTED IN THE SITUATION AND GO HOME. 881 00:34:02,340 --> 00:34:04,042 Woman: BYE! Man: BYE, JUELIA. 882 00:34:06,444 --> 00:34:09,314 IT'S OVER. IT'S DONE FOR. 883 00:34:09,314 --> 00:34:12,350 BOOM. GONE. GAME OVER. [ CHUCKLES ] 884 00:34:12,350 --> 00:34:15,387 Carly: I HATE THAT JUELIA'S GOING HOME TONIGHT. 885 00:34:15,387 --> 00:34:18,323 I HATE IT. I MEAN, SHE'S A SINGLE MOM. 886 00:34:18,323 --> 00:34:22,294 I DON'T KNOW WHEN SHE'S GONNA GET ANOTHER OPPORTUNITY LIKE THIS. 887 00:34:25,096 --> 00:34:27,432 [ LAUGHS ] 888 00:34:27,432 --> 00:34:29,167 WELL, HELLO THERE. 889 00:34:29,167 --> 00:34:32,103 OH, MY GOD. [ Laughing ] HI. 890 00:34:32,103 --> 00:34:34,005 OH, MY GOD. 891 00:34:34,005 --> 00:34:35,307 LIKE, WHAT THE HELL? 892 00:34:35,307 --> 00:34:36,374 SO HARRISON CALLED ME. 893 00:34:36,374 --> 00:34:37,442 OKAY. 894 00:34:37,442 --> 00:34:40,011 AND HE TOLD ME YOU'VE HAD A ROUGH COUPLE DAYS. 895 00:34:40,011 --> 00:34:41,146 YEAH. 896 00:34:41,146 --> 00:34:43,448 WHICH I KIND OF SAW COMING FROM WHAT WE TALKED ABOUT, SO... 897 00:34:43,448 --> 00:34:45,450 OH, MY GOD. 898 00:34:45,450 --> 00:34:48,053 BASICALLY, WE HAD A SPARK IN THE BEGINNING, RIGHT? 899 00:34:48,053 --> 00:34:49,421 [ Chuckling ] YEAH. 900 00:34:49,421 --> 00:34:52,424 AND I KIND OF LET THIS PROCESS GET THE BEST OF ME, 901 00:34:52,424 --> 00:34:52,931 SO I'M HERE TO SEE IF WE COULD GIVE THIS ANOTHER CHANCE 902 00:34:52,931 --> 00:34:57,262 SO I'M HERE TO SEE IF WE COULD GIVE THIS ANOTHER CHANCE 903 00:34:57,262 --> 00:35:01,499 AND SEE IF WE COULD ACTUALLY...HAVE SOMETHING. 904 00:35:01,499 --> 00:35:03,168 I-I CANNOT BELIEVE YOU'RE HERE RIGHT NOW. 905 00:35:03,168 --> 00:35:04,235 OH, MY GOD. 906 00:35:04,235 --> 00:35:06,237 [ BOTH LAUGH ] 907 00:35:06,237 --> 00:35:07,305 I CAN'T BELIEVE IT. 908 00:35:07,305 --> 00:35:10,075 Juelia: MIKEY IS MY KNIGHT IN SHINING ARMOR. 909 00:35:10,075 --> 00:35:12,444 WHAT A ROMANTIC GESTURE, FOR HIM TO BE SENT HOME 910 00:35:12,444 --> 00:35:15,313 AND THEN COME ALL THE WAY BACK HERE TO DATE ME. 911 00:35:15,313 --> 00:35:17,248 YOU READY TO DO THIS? IT'S, LIKE, I CAN'T BELIEVE YOU'RE HERE. 912 00:35:17,248 --> 00:35:19,484 THIS IS JUST, LIKE, BLOWING MY MIND. 913 00:35:19,484 --> 00:35:21,319 I FEEL REALLY LUCKY. 914 00:35:21,319 --> 00:35:22,931 OH, MY GOD. LET'S GO. 915 00:35:22,931 --> 00:35:23,121 OH, MY GOD. LET'S GO. 916 00:35:23,121 --> 00:35:24,189 LET'S GO. 917 00:35:24,189 --> 00:35:25,523 OH, MY GOD. 918 00:35:25,523 --> 00:35:27,158 HEY, BOYS AND GIRLS. 919 00:35:27,158 --> 00:35:28,226 Dan: NO. 920 00:35:28,226 --> 00:35:30,128 SHUT UP. COME ON, NOW. 921 00:35:30,128 --> 00:35:31,162 COME ON, MAN. 922 00:35:31,162 --> 00:35:34,432 [ SQUEALING, SCREAMING ] 923 00:35:35,467 --> 00:35:38,069 Dan: I SEE THIS FATTY WALKING DOWN THE STAIRS 924 00:35:38,069 --> 00:35:42,273 IN A SHERBET-ORANGE DEEP-V, AND THE ONLY THING I COULD THINK 925 00:35:42,273 --> 00:35:44,275 IS MIKEY HAS BEEN BROUGHT BACK FROM THE DEAD. 926 00:35:44,275 --> 00:35:46,077 HI, HELLO. I'M BACK. 927 00:35:46,077 --> 00:35:48,079 WHAT IS GOING ON? OH, MY GOD. 928 00:35:48,079 --> 00:35:49,347 THERE'S THREE THINGS I'M THINKING AT THIS POINT -- 929 00:35:49,347 --> 00:35:52,417 ONE, THEY WOULDN'T LET HIM GET ON A PLANE; 930 00:35:52,417 --> 00:35:52,931 TWO, HE ACTUALLY MADE A PITCH TO COME BACK AND BE WITH JUELIA; 931 00:35:52,931 --> 00:35:57,122 TWO, HE ACTUALLY MADE A PITCH TO COME BACK AND BE WITH JUELIA; 932 00:35:57,122 --> 00:36:00,125 THREE, HE'S HERE JUST TO BEAT THE [BLEEP] OUT OF JOE. 933 00:36:01,159 --> 00:36:03,261 I KNOW EVERYBODY'S A LITTLE BLOWN AWAY RIGHT NOW. 934 00:36:03,261 --> 00:36:05,296 JUELIA CAME AND TALKED TO ME EARLIER TODAY, 935 00:36:05,296 --> 00:36:10,201 AND SHE EXPLAINED TO ME HOW SHE WAS DECEIVED HERE IN PARADISE. 936 00:36:10,201 --> 00:36:12,203 AND SHE WENT FURTHER AND ASKED 937 00:36:12,203 --> 00:36:15,040 IF THERE WAS ANY CHANCE TO BRING MIKEY BACK 938 00:36:15,040 --> 00:36:17,375 BECAUSE SHE REGRETS A DECISION SHE MADE 939 00:36:17,375 --> 00:36:20,178 ABOUT A WEEK AGO AT A ROSE CEREMONY. 940 00:36:20,178 --> 00:36:22,013 AS IS THE CASE IN PARADISE, 941 00:36:22,013 --> 00:36:22,931 THINGS CAN CHANGE RATHER QUICKLY. 942 00:36:22,931 --> 00:36:24,015 THINGS CAN CHANGE RATHER QUICKLY. 943 00:36:24,015 --> 00:36:27,052 SO JUELIA AND MIKEY, WELCOME BACK TO PARADISE. 944 00:36:27,052 --> 00:36:28,053 [ LAUGHS ] 945 00:36:28,053 --> 00:36:29,287 [ CHEERING ] Mikey: THANK YOU. 946 00:36:29,287 --> 00:36:31,222 THANK YOU. OH, MY GOD. 947 00:36:31,222 --> 00:36:32,323 YAY! 948 00:36:32,323 --> 00:36:34,526 Dan: MIKEY AND JUELIA BOTH ARE TWO PEOPLE 949 00:36:34,526 --> 00:36:37,028 THAT COMPLETELY DESERVE LOVE, 950 00:36:37,028 --> 00:36:38,296 AND THE FACT THAT HE'S COMING BACK 951 00:36:38,296 --> 00:36:40,498 TO TAKE A CHANCE WITH JUELIA MAKES ME REALLY, REALLY HAPPY. 952 00:36:40,498 --> 00:36:42,100 I'M SO HAPPY YOU'RE BACK. 953 00:36:42,100 --> 00:36:43,001 HAPPY YOU'RE BACK. 954 00:36:43,001 --> 00:36:44,102 GOOD TO SEE YOU BACK, MAN. 955 00:36:44,102 --> 00:36:46,037 YES! 956 00:36:46,037 --> 00:36:47,372 OH! AWESOME! 957 00:36:47,372 --> 00:36:50,108 I'M SO GLAD YOU'RE HERE. THIS IS MAGICAL. 958 00:36:52,410 --> 00:36:52,931 Joe: I THINK JUELIA BEING BACK HERE IS GREAT. 959 00:36:52,931 --> 00:36:55,080 Joe: I THINK JUELIA BEING BACK HERE IS GREAT. 960 00:36:55,080 --> 00:36:56,414 Woman: YOUR FACE DOESN'T LOOK HAPPY. 961 00:36:56,414 --> 00:37:00,051 MY FACE NEVER LOOKS HAPPY. 962 00:37:13,331 --> 00:37:15,200 WELCOME BACK TO PARADISE. 963 00:37:15,200 --> 00:37:16,301 CHEERS. 964 00:37:17,335 --> 00:37:18,403 COMING UP... 965 00:37:18,403 --> 00:37:21,039 Jade: THE DAY'S ALREADY OFF TO A GREAT START. 966 00:37:21,039 --> 00:37:22,931 I'M SO HAPPY THAT I GET TO SPEND THIS TIME WITH TANNER 967 00:37:22,931 --> 00:37:23,341 I'M SO HAPPY THAT I GET TO SPEND THIS TIME WITH TANNER 968 00:37:23,341 --> 00:37:25,176 AND SEE WHERE IT GOES. 969 00:37:25,176 --> 00:37:26,244 CHEERS. 970 00:37:26,244 --> 00:37:28,046 Tanner: ME AND JADE ARE HAVING A GREAT DATE, 971 00:37:28,046 --> 00:37:30,315 BUT I KNOW TONIGHT, I NEED TO TALK TO HER ABOUT OUR FUTURE. 972 00:37:30,315 --> 00:37:32,250 YOUR GOOSE BUMPS HAVE GOOSE BUMPS. 973 00:37:32,250 --> 00:37:33,518 MY HEART COULD EITHER BE BROKEN, 974 00:37:33,518 --> 00:37:35,420 OR IT COULD BE ONE OF THE BEST NIGHTS OF MY LIFE. 975 00:37:35,420 --> 00:37:37,021 AND THEN... 976 00:37:37,021 --> 00:37:39,157 Jared: SHE HAS MUCH STRONGER FEELINGS FOR ME 977 00:37:39,157 --> 00:37:41,226 THAN I HAVE FOR HER, AND THAT'S NOT FAIR. 978 00:37:41,226 --> 00:37:42,460 TONIGHT, I HAVE TO REALLY TALK TO ASHLEY. 979 00:37:42,460 --> 00:37:43,461 [ SOBS ] 980 00:37:43,461 --> 00:37:45,130 Jared: I REALIZED, YOU KNOW WHAT? 981 00:37:45,130 --> 00:37:46,164 I'M NOT OVER KAITLYN. 982 00:37:46,164 --> 00:37:49,067 EVERY GUY I LIKE DOESN'T LIKE ME BACK. 983 00:37:49,067 --> 00:37:50,201 [ SNIFFLES, SOBS ] 984 00:37:50,201 --> 00:37:51,336 AND LATER... 985 00:37:51,336 --> 00:37:52,931 Dan: NICK WALKS IN, PICKS SAMANTHA OUT RIGHT AWAY. 986 00:37:52,931 --> 00:37:54,305 Dan: NICK WALKS IN, PICKS SAMANTHA OUT RIGHT AWAY. 987 00:37:54,305 --> 00:37:56,341 I DON'T HAVE A PROBLEM STEALING SOMEBODY'S WOMAN. 988 00:37:56,341 --> 00:37:59,144 WE CHAT, TEXT, TALKED ON THE PHONE A LITTLE BIT. 989 00:37:59,144 --> 00:38:01,012 I SAW HER WHEN I CAME TO L.A. 990 00:38:01,012 --> 00:38:02,313 [BLEEP] WOW. 991 00:38:02,313 --> 00:38:06,050 SAMANTHA WAS TALKING TO JOE AND NICK BEFORE SHE GOT HERE? 992 00:38:06,050 --> 00:38:07,519 Joe: SAM ISN'T THE GIRL THAT I THOUGHT I WAS FALLING FOR. 993 00:38:07,519 --> 00:38:09,154 I'VE NEVER BEEN BACKSTABBED 994 00:38:09,154 --> 00:38:10,488 OR BEEN A PART OF DRAMA LIKE THIS EVER IN MY LIFE. 995 00:38:10,488 --> 00:38:12,357 NOW I'M HOPING THE WORLD WILL SEE THE TRUTH. 996 00:38:12,357 --> 00:38:14,259 "GOT YOU, BITCH." [ LAUGHS ] 997 00:38:17,462 --> 00:38:19,230 I'M SO TIRED RIGHT NOW. 998 00:38:19,230 --> 00:38:20,465 SO TIRED. 999 00:38:20,465 --> 00:38:22,367 OH, I'M READY FOR BED. 1000 00:38:22,367 --> 00:38:24,269 Tenley: THIS NIGHT HAS BEEN CRAZY. 1001 00:38:24,269 --> 00:38:26,404 THERE'S SO MUCH THAT JUST KEEPS SHIFTING 1002 00:38:26,404 --> 00:38:28,173 AND CHANGING HERE IN PARADISE, 1003 00:38:28,173 --> 00:38:30,408 AND I JUST THINK IT'S TIME TO GO TO BED. 1004 00:38:30,408 --> 00:38:31,409 [ CHUCKLES ] 1005 00:38:31,409 --> 00:38:33,144 CAN'T HAVE ANY MORE TWISTS TONIGHT. 1006 00:38:33,144 --> 00:38:34,212 I'M GONNA -- YOU KNOW WHAT? 1007 00:38:34,212 --> 00:38:36,014 I'M TIRED OF TWISTS. IS THAT A DATE CARD? 1008 00:38:36,014 --> 00:38:37,482 Woman: ARE YOU SERIOUS? 1009 00:38:37,482 --> 00:38:40,218 [ SIGHS ] WHAT'S HAPPENING NOW? 1010 00:38:40,218 --> 00:38:41,219 IT'S BEEN A LONG NIGHT. 1011 00:38:41,219 --> 00:38:42,387 THE ROSE CEREMONY WENT REALLY LATE, 1012 00:38:42,387 --> 00:38:44,155 AND THERE WAS LOTS OF DRAMA. 1013 00:38:44,155 --> 00:38:44,793 WE WALK BACK, AND THERE'S A DATE CARD. 1014 00:38:44,793 --> 00:38:46,291 WE WALK BACK, AND THERE'S A DATE CARD. 1015 00:38:46,291 --> 00:38:47,492 AHEM! 1016 00:38:47,492 --> 00:38:49,360 TANNER. 1017 00:38:49,360 --> 00:38:51,362 [ CHEERING ] 1018 00:38:51,362 --> 00:38:53,431 "YOUR FLIGHT LEAVES SOON. 1019 00:38:53,431 --> 00:38:56,100 CHOOSE YOUR DATE." OH, MY GOD. 1020 00:38:56,100 --> 00:38:57,435 "TEQUILA." 1021 00:38:57,435 --> 00:38:59,204 LET'S GO. 1022 00:38:59,204 --> 00:39:01,172 [ CHEERING ] 1023 00:39:01,172 --> 00:39:03,308 [ JADE LAUGHS ] 1024 00:39:03,308 --> 00:39:05,076 Tanner: WILL YOU GO ON A DATE WITH ME? 1025 00:39:05,076 --> 00:39:06,177 Jade: YES. 1026 00:39:06,177 --> 00:39:08,479 WELL, SEE YOU ALL LATER. 1027 00:39:08,479 --> 00:39:10,148 [ LAUGHTER ] 1028 00:39:10,148 --> 00:39:14,052 ♪♪ 1029 00:39:15,286 --> 00:39:16,521 [ SIGHS ] WE MADE IT. 1030 00:39:16,521 --> 00:39:19,224 Jade: TANNER AND I PULL UP TO THE AIRPORT. 1031 00:39:19,224 --> 00:39:20,358 WOW, LOOK AT THAT. 1032 00:39:20,358 --> 00:39:23,294 THERE'S A REALLY COOL-LOOKING PRIVATE PLANE. 1033 00:39:23,294 --> 00:39:24,395 [ LAUGHS ] 1034 00:39:24,395 --> 00:39:27,398 TODAY'S REALLY EXCITING BECAUSE I FEEL LIKE 1035 00:39:27,398 --> 00:39:29,434 THIS COULD BE A REALLY BIG MOMENT 1036 00:39:29,434 --> 00:39:32,270 FOR MINE AND TANNER'S RELATIONSHIP TO TAKE OFF. 1037 00:39:32,270 --> 00:39:34,272 [ LAUGHS ] 1038 00:39:34,272 --> 00:39:35,373 OH! 1039 00:39:35,373 --> 00:39:37,375 TANNER AND I ARE DRESSED, LIKE, REALLY NICE, 1040 00:39:37,375 --> 00:39:39,310 AND THE PLANE IS BEAUTIFUL. 1041 00:39:39,310 --> 00:39:43,314 AND WE'RE DRINKING CHAMPAGNE, AND IT FEELS VERY LUXURIOUS. 1042 00:39:43,314 --> 00:39:44,793 TO EASILY THE MOST EXCITING DATE I'VE BEEN ON 1043 00:39:44,793 --> 00:39:46,150 TO EASILY THE MOST EXCITING DATE I'VE BEEN ON 1044 00:39:46,150 --> 00:39:49,120 WITH THE MOST BEAUTIFUL GIRL I'VE EVER BEEN ON ONE WITH. 1045 00:39:49,120 --> 00:39:50,288 CHEERS. THANK YOU. 1046 00:39:50,288 --> 00:39:55,193 TANNER AND I FLEW FROM PUERTO VALLARTA TO GUADALAJARA. 1047 00:39:55,193 --> 00:39:59,030 FROM THERE, WE DROVE TO TEQUILA, MEXICO. 1048 00:40:00,298 --> 00:40:03,501 I HAD NO IDEA THERE WAS EVEN A TEQUILA, MEXICO. 1049 00:40:03,501 --> 00:40:05,403 IT'S ABSOLUTELY BEAUTIFUL. 1050 00:40:05,403 --> 00:40:09,073 THE LANDSCAPE IS UNBELIEVABLE. 1051 00:40:09,073 --> 00:40:11,276 WE ARRIVE AT A TEQUILA DISTILLERY. 1052 00:40:11,276 --> 00:40:14,793 IT LOOKS KIND OF LIKE A WINERY, BUT IT'S ALL WITH AGAVE PLANTS. 1053 00:40:14,793 --> 00:40:15,280 IT LOOKS KIND OF LIKE A WINERY, BUT IT'S ALL WITH AGAVE PLANTS. 1054 00:40:15,280 --> 00:40:16,314 [ LAUGHS ] 1055 00:40:16,314 --> 00:40:18,149 THE DAY'S ALREADY OFF TO A GREAT START. 1056 00:40:18,149 --> 00:40:19,350 EVERYTHING HAS BEEN AMAZING. 1057 00:40:19,350 --> 00:40:22,387 I CAN'T IMAGINE IT BEING ANY DIFFERENT THAN THIS. 1058 00:40:24,155 --> 00:40:25,390 HEY, GUYS. HELLO. 1059 00:40:25,390 --> 00:40:27,292 Man: WELCOME TO TEQUILA TRES MUJERES. 1060 00:40:27,292 --> 00:40:28,426 THANK YOU. THANK YOU. 1061 00:40:28,426 --> 00:40:31,095 WHERE IS POSSIBLE TO PRODUCE [INDISTINCT] MEXICAN DRINK. 1062 00:40:31,095 --> 00:40:32,096 THE TEQUILA. 1063 00:40:32,096 --> 00:40:33,398 HE'S RAFAEL. 1064 00:40:33,398 --> 00:40:36,167 HE'S THE PERSON TO DO THIS WORK. 1065 00:40:36,167 --> 00:40:38,069 THE FORMAL NAME IS THE JIMADOR. 1066 00:40:38,069 --> 00:40:40,104 MAYBE YOU CAN TRY IT? 1067 00:40:41,372 --> 00:40:43,474 TRY THIS? I SAY YOU GO FOR IT. 1068 00:40:43,474 --> 00:40:44,793 PLEASE. GO FOR IT. 1069 00:40:44,793 --> 00:40:45,176 PLEASE. GO FOR IT. 1070 00:40:45,176 --> 00:40:48,179 ♪♪ 1071 00:40:48,179 --> 00:40:50,081 UNH-UNH. 1072 00:40:50,081 --> 00:40:51,316 UNH-UNH. 1073 00:40:51,316 --> 00:40:52,417 ♪♪ 1074 00:40:55,386 --> 00:40:58,456 [ CHUCKLES ] 1075 00:40:58,456 --> 00:41:00,224 ♪♪ 1076 00:41:02,527 --> 00:41:04,262 HE JUST, LIKE, GOES FOR IT. 1077 00:41:04,262 --> 00:41:09,267 HE'S JUST, LIKE, VICIOUSLY, LIKE, HACKING THIS AGAVE PLANT. 1078 00:41:09,267 --> 00:41:11,035 IT'S LIKE A PIÑATA, RIGHT? 1079 00:41:11,035 --> 00:41:13,037 IT'S KIND OF FUNNY. [ CHUCKLES ] 1080 00:41:13,037 --> 00:41:14,793 IT'S DEFINITELY FUN TO WHACK THE OLD AGAVE. 1081 00:41:14,793 --> 00:41:15,406 IT'S DEFINITELY FUN TO WHACK THE OLD AGAVE. 1082 00:41:15,406 --> 00:41:17,175 SO, UM -- 1083 00:41:19,077 --> 00:41:20,378 [ LAUGHS ] IT'S GOOD? 1084 00:41:20,378 --> 00:41:22,113 OKAY. I'LL GIVE IT BACK TO YOU, BUDDY. 1085 00:41:22,113 --> 00:41:23,281 [ LAUGHS ] 1086 00:41:23,281 --> 00:41:25,183 [ BIRDS SQUAWKING ] 1087 00:41:25,183 --> 00:41:27,085 ♪♪ 1088 00:41:27,085 --> 00:41:28,086 Samantha: CAN I HAVE A MIMOSA, PLEASE? 1089 00:41:28,086 --> 00:41:29,087 Jorge: YES. 1090 00:41:29,087 --> 00:41:31,255 YOU'RE THE BOSS. [ LAUGHS ] 1091 00:41:31,255 --> 00:41:32,490 SHE'S ALL RIGHT, ISN'T SHE? 1092 00:41:32,490 --> 00:41:34,092 YES. [ LAUGHS ] 1093 00:41:34,092 --> 00:41:35,360 Joe: WHEN IS SEE SAMANTHA OR WHEN I'M WITH HER, 1094 00:41:35,360 --> 00:41:36,527 I LOOK AT HER AND THINK, "WOW. 1095 00:41:36,527 --> 00:41:38,463 THIS IS THE WOMAN THAT I'VE ALWAYS PICTURED MARRYING. 1096 00:41:38,463 --> 00:41:40,031 THIS IS MY FUTURE WIFE. 1097 00:41:40,031 --> 00:41:42,200 THIS IS WHO I WANT TO BE THE MOTHER MY CHILDREN." 1098 00:41:42,200 --> 00:41:43,368 [ LAUGHS ] SHE'S THE BOSS. 1099 00:41:43,368 --> 00:41:44,369 SHE MAKES THE RULES. 1100 00:41:44,369 --> 00:41:44,793 HEY, THAT'S GOOD. 1101 00:41:44,793 --> 00:41:45,470 HEY, THAT'S GOOD. 1102 00:41:45,470 --> 00:41:47,238 THERE ARE SOME GUYS THAT THEY LIKE TO BE BOSSED AROUND. 1103 00:41:47,238 --> 00:41:48,439 [ LAUGHS ] 1104 00:41:48,439 --> 00:41:50,441 WHEN I HOLD HANDS WITH SAM, I FEEL LIKE I'M ON CLOUD NINE, 1105 00:41:50,441 --> 00:41:54,078 JUST WALKING, BOUNCING FROM CLOUD TO CLOUD. 1106 00:41:54,078 --> 00:41:57,148 I'M JUST LIKE, YOU KNOW, SKIPPING, LIKE... 1107 00:41:57,148 --> 00:41:58,416 I THINK SHE KNOWS HOW MUCH I LIKE HER. 1108 00:41:58,416 --> 00:42:00,118 I DON'T THINK THAT'S A QUESTION. 1109 00:42:00,118 --> 00:42:01,252 DO YOU KNOW IF SHE LIKES YOU? 1110 00:42:01,252 --> 00:42:03,021 I DON'T REALLY KNOW IF SHE DOES OR NOT. 1111 00:42:03,021 --> 00:42:04,322 WHAT? 1112 00:42:04,322 --> 00:42:06,457 CAN YOU TELL? DOES SHE LIKE ME? 1113 00:42:06,457 --> 00:42:09,027 JUST LOOK AT HER IN THE EYES. 1114 00:42:09,027 --> 00:42:10,028 [ CHUCKLES ] 1115 00:42:10,028 --> 00:42:11,162 Jorge: SEE? LOOK AT THAT SMILE. 1116 00:42:11,162 --> 00:42:13,164 Joe: YOU THINK SO? [ LAUGHS ] 1117 00:42:13,164 --> 00:42:14,793 ONLY TIME WILL TELL, JORGE. 1118 00:42:14,793 --> 00:42:15,066 ONLY TIME WILL TELL, JORGE. 1119 00:42:15,066 --> 00:42:16,234 ONLY TIME WILL TELL. 1120 00:42:16,234 --> 00:42:19,237 Samantha: I WANT TO CONTINUE TO GET TO KNOW JOE 1121 00:42:19,237 --> 00:42:21,339 AND SPEND AS MUCH TIME AS POSSIBLE WITH HIM, 1122 00:42:21,339 --> 00:42:24,275 AND THAT'S WHERE MY FOCUS IS THE ENTIRE TIME I'M HERE. 1123 00:42:24,275 --> 00:42:25,476 Man: ANOTHER DAY IN PARADISE. 1124 00:42:25,476 --> 00:42:27,211 Man #2: ANOTHER DAY IN PARADISE. 1125 00:42:27,211 --> 00:42:28,312 WHOO! 1126 00:42:28,312 --> 00:42:29,414 JOE IS THE ONLY PERSON I WANT TO HANG OUT WITH. 1127 00:42:29,414 --> 00:42:32,183 I'M 100% FOR JOE. 1128 00:42:32,183 --> 00:42:35,186 ♪♪ 1129 00:42:36,421 --> 00:42:38,322 WHAT'S UP, BUDDY? 1130 00:42:38,322 --> 00:42:39,323 NICK, GOOD TO SEE YOU AGAIN. 1131 00:42:39,323 --> 00:42:41,025 THE SECOND TIME IS THE CHARM. 1132 00:42:41,025 --> 00:42:42,393 I WAS GONNA SAY, IT WORKED WELL FOR YOU LAST TIME. 1133 00:42:42,393 --> 00:42:44,228 WELCOME TO PARADISE, MAN. THANK YOU. 1134 00:42:44,228 --> 00:42:44,793 YOU ARE THE FIRST TO ARRIVE THIS WEEK. 1135 00:42:44,793 --> 00:42:45,463 YOU ARE THE FIRST TO ARRIVE THIS WEEK. 1136 00:42:45,463 --> 00:42:47,298 THE WOMEN ARE IN CHARGE. 1137 00:42:47,298 --> 00:42:49,133 IS THERE ANYBODY HERE YOU'RE LOOKING FORWARD TO SEEING? 1138 00:42:49,133 --> 00:42:50,301 I'M LOOKING FORWARD TO SEEING SAMANTHA. 1139 00:42:50,301 --> 00:42:51,302 OKAY. FROM CHRIS' SEASON. 1140 00:42:51,302 --> 00:42:53,004 SHE'S WHO I HAVE MY EYES SET ON. 1141 00:42:53,004 --> 00:42:54,072 WE'VE TALKED ON THE PHONE. 1142 00:42:54,072 --> 00:42:55,473 WE HAVE TEXT MESSAGES, AND I'VE SEEN HER ONCE. 1143 00:42:55,473 --> 00:42:56,474 AWESOME. 1144 00:42:56,474 --> 00:42:58,176 AND I TOLD HER IF I HAD A DATE CARD 1145 00:42:58,176 --> 00:42:59,410 THAT SHE WOULD BE THE TOP OF MY LIST. 1146 00:42:59,410 --> 00:43:01,045 WELL, THEN I HAVE THIS FOR YOU. 1147 00:43:01,045 --> 00:43:02,113 ALL RIGHT. THANK YOU, CHRIS. 1148 00:43:02,113 --> 00:43:03,381 YOUR DATE CARD. I'M EXCITED. 1149 00:43:03,381 --> 00:43:05,083 ALL RIGHT, BROTHER. LOVE AND DRAMA THIS WAY? 1150 00:43:05,083 --> 00:43:06,217 DRAMA RIGHT DOWN THOSE STAIRS. 1151 00:43:06,217 --> 00:43:07,485 [ LAUGHS ] THANKS SO MUCH, CHRIS. ALL RIGHT, NICK. 1152 00:43:07,485 --> 00:43:09,387 GOOD TO SEE YOU. YOU TOO. 1153 00:43:09,387 --> 00:43:13,191 MY NAME'S NICK PETERSON, AND I'M FROM "BACHELORETTE" SEASON 7 1154 00:43:13,191 --> 00:43:14,793 AND "BACHELOR PAD" SEASON 3. 1155 00:43:14,793 --> 00:43:15,059 AND "BACHELOR PAD" SEASON 3. 1156 00:43:15,059 --> 00:43:16,127 SAMANTHA AND I BOTH MENTIONED 1157 00:43:16,127 --> 00:43:17,428 THAT WE WERE BOTH GONNA BE IN PARADISE, 1158 00:43:17,428 --> 00:43:20,031 AND SO WE WERE LOOKING FORWARD TO SEEING EACH OTHER HERE. 1159 00:43:20,031 --> 00:43:22,200 I DON'T REALLY WANT TO COME IN HERE STEPPING ON TOES, 1160 00:43:22,200 --> 00:43:24,001 BUT, YOU KNOW, I DON'T HAVE A PROBLEM 1161 00:43:24,001 --> 00:43:25,436 WITH STEALING SOMEBODY'S WOMAN. [ LAUGHS ] 1162 00:43:25,436 --> 00:43:27,004 I HAVE ONE OPPORTUNITY. 1163 00:43:27,004 --> 00:43:28,172 I'M ONLY HERE FOR A LIMITED TIME, 1164 00:43:28,172 --> 00:43:31,008 SO IF I SEE WHAT I WANT, I'M GOING AFTER IT. 1165 00:43:31,008 --> 00:43:32,477 WHAT'S UP, MY PEOPLE? 1166 00:43:32,477 --> 00:43:34,245 OH. 1167 00:43:34,245 --> 00:43:35,279 HEY! 1168 00:43:35,279 --> 00:43:38,149 ♪♪ 1169 00:43:41,152 --> 00:43:42,320 Nick: HOW YOU GUYS DOING? 1170 00:43:42,320 --> 00:43:44,055 HI, I'M ASHLEY. HOW ARE YOU DOING, ASHLEY? 1171 00:43:44,055 --> 00:43:45,156 GOOD TO SEE YOU. HOW ARE YOU? 1172 00:43:45,156 --> 00:43:46,190 GOOD, HOW ARE YOU? 1173 00:43:46,190 --> 00:43:47,258 Nick: SAMANTHA AND I BOTH MENTIONED 1174 00:43:47,258 --> 00:43:48,493 THAT WE WERE BOTH GONNA BE IN PARADISE, 1175 00:43:48,493 --> 00:43:51,062 AND SO WE WERE LOOKING FORWARD TO SEEING EACH OTHER HERE. 1176 00:43:51,062 --> 00:43:53,397 GIRL'S A SMOKE SHOW, AND I'M ONLY HERE FOR SAMANTHA. 1177 00:43:53,397 --> 00:43:55,233 I'D LOVE TO JUST SPEND SOME TIME WITH HER AND GET TO KNOW HER. 1178 00:43:55,233 --> 00:43:57,068 SO, UM, I GOT A DATE CARD HERE, 1179 00:43:57,068 --> 00:43:58,469 AND I'D LIKE TO READ IT, IF YOU GUYS ARE READY FOR IT. 1180 00:43:58,469 --> 00:43:59,470 YEAH. YEAH. 1181 00:43:59,470 --> 00:44:01,205 ALL RIGHT. 1182 00:44:01,205 --> 00:44:04,475 "NICK, CHOOSE A WOMAN TO JOIN YOU ON YOUR OWN PRIVATE ISLAND. 1183 00:44:04,475 --> 00:44:06,110 OLé." WHOA. 1184 00:44:06,110 --> 00:44:07,245 Man: THAT'S PRETTY COOL. 1185 00:44:07,245 --> 00:44:09,083 Nick: I'M PRETTY CERTAIN THAT SAMANTHA WOULD SAY YES 1186 00:44:09,083 --> 00:44:09,113 Nick: I'M PRETTY CERTAIN THAT SAMANTHA WOULD SAY YES 1187 00:44:09,113 --> 00:44:11,482 IF I ASKED HER ON A DATE, JUST BECAUSE SHE TOLD ME SHE WOULD. 1188 00:44:11,482 --> 00:44:13,384 SO I KNOW WHAT I WANT TO DO WITH THIS DATE CARD, 1189 00:44:13,384 --> 00:44:14,452 AND, SAMANTHA, I WAS WONDERING 1190 00:44:14,452 --> 00:44:16,354 IF YOU WOULD LIKE TO JOIN ME ON THIS DATE. 1191 00:44:16,354 --> 00:44:17,488 THAT IS REALLY NICE. 1192 00:44:17,488 --> 00:44:19,423 I'M SO FLATTERED. YEAH, DO YOU WANT TO TALK? 1193 00:44:19,423 --> 00:44:20,525 DO YOU WANT TO CHAT? 1194 00:44:20,525 --> 00:44:22,126 OKAY. 1195 00:44:22,126 --> 00:44:23,461 LET'S GO. 1196 00:44:23,461 --> 00:44:26,230 LET'S GO. 1197 00:44:26,230 --> 00:44:28,299 HERE WE GO AGAIN. MORE DRAMA. 1198 00:44:28,299 --> 00:44:29,534 I KNEW THAT WAS GONNA HAPPEN. 1199 00:44:29,534 --> 00:44:31,202 Dan: WHAT'S YOUR PREDICTION? 1200 00:44:31,202 --> 00:44:34,071 I DON'T KNOW, MAN. I REALLY DON'T. 1201 00:44:34,071 --> 00:44:36,340 Dan: NICK WALKS IN, PICKS SAMANTHA OUT RIGHT AWAY, 1202 00:44:36,340 --> 00:44:39,076 ALMOST IDENTICAL TO THE WAY SAMANTHA DID WITH JOE. 1203 00:44:39,076 --> 00:44:39,083 SO IT WAS VERY IRONIC AND -- AND VERY SIMILAR. 1204 00:44:39,083 --> 00:44:42,246 SO IT WAS VERY IRONIC AND -- AND VERY SIMILAR. 1205 00:44:42,246 --> 00:44:44,148 I'M EXCITED YOU'RE HERE, YOU KNOW? 1206 00:44:44,148 --> 00:44:45,349 SO FILL ME IN. WHAT'S UP? 1207 00:44:45,349 --> 00:44:47,251 I JUST GOT HERE. I KNOW NOTHING. 1208 00:44:47,251 --> 00:44:48,486 Kirk: JOE, YOU WORRIED, MAN? 1209 00:44:48,486 --> 00:44:50,288 I MEAN, OF COURSE. 1210 00:44:50,288 --> 00:44:52,290 NO ONE WANTS TO SEE THE PERSON THAT THEY HAVE STRONG FEELS WITH 1211 00:44:52,290 --> 00:44:54,458 GO ON ANOTHER DATE, BUT AT THE SAME TIME, THAT'S -- THAT'S WHAT WE'RE HERE FOR. 1212 00:44:54,458 --> 00:44:57,195 IF SAM ACCEPTS THE DATE FROM NICK, 1213 00:44:57,195 --> 00:45:00,198 I THINK JOE IS GOING TO INTERNALLY COMBUST. 1214 00:45:00,198 --> 00:45:02,333 LIKE, THIS GUY IS, LIKE, HEAD OVER HEELS FOR THIS GIRL. 1215 00:45:02,333 --> 00:45:04,402 I THINK IT WOULD KILL HIM IF SHE WENT OUT WITH NICK. 1216 00:45:04,402 --> 00:45:06,070 WELL, I MEAN, IT'S OBVIOUS, YOU KNOW, 1217 00:45:06,070 --> 00:45:08,406 WE CHATTED BEFORE, YOU KNOW? 1218 00:45:08,406 --> 00:45:09,083 AND I WAS INTERESTED IN YOU. 1219 00:45:09,083 --> 00:45:10,374 AND I WAS INTERESTED IN YOU. 1220 00:45:10,374 --> 00:45:12,043 I WAS INTERESTED IN YOU, TOO. YEAH. 1221 00:45:12,043 --> 00:45:13,377 Carly: I THINK SAM MIGHT ACTUALLY 1222 00:45:13,377 --> 00:45:15,079 GO OUT ON THIS DATE WITH NICK. 1223 00:45:15,079 --> 00:45:17,148 AND JOE WOULD TOTALLY DESERVE IT. 1224 00:45:17,148 --> 00:45:18,316 THANK YOU FOR ASKING ME. 1225 00:45:18,316 --> 00:45:20,151 YEAH, 'CAUSE THAT'S WHAT I WAS HERE FOR. 1226 00:45:20,151 --> 00:45:21,519 YOU KNOW, I WASN'T HERE TO REALLY HOLD BACK, RIGHT? 1227 00:45:21,519 --> 00:45:23,120 YEAH. YEAH. SO... 1228 00:45:23,120 --> 00:45:24,188 OKAY. 1229 00:45:24,188 --> 00:45:26,457 Dan: I THINK JOE WILL GO INTO A FURTHER STATE 1230 00:45:26,457 --> 00:45:31,128 OF DEEP, DARK DEPRESSION IF SAMANTHA ACCEPTS NICK'S DATE. 1231 00:45:31,128 --> 00:45:32,363 AND I CAN'T WAIT. 1232 00:45:32,363 --> 00:45:35,233 Amber: WHAT DID YOU GUYS TALK ABOUT? 1233 00:45:35,233 --> 00:45:37,368 UM, OH, I JUST, YOU KNOW -- 1234 00:45:37,368 --> 00:45:39,083 SO ARE YOU GOING ON THE DATE? 1235 00:45:39,083 --> 00:45:40,471 SO ARE YOU GOING ON THE DATE? 1236 00:45:40,471 --> 00:45:43,007 NO. SORRY. 1237 00:45:43,007 --> 00:45:44,175 NO? OKAY. NO, THAT'S OKAY. NO, THAT'S OKAY. 1238 00:45:44,175 --> 00:45:45,209 SORRY. I APPRECIATE IT. 1239 00:45:45,209 --> 00:45:46,444 ♪♪ 1240 00:45:46,444 --> 00:45:48,412 Nick: I'M SERIOUSLY SHOCKED 1241 00:45:48,412 --> 00:45:50,414 THAT SAMANTHA SAID NO TO MY DATE OFFER, 1242 00:45:50,414 --> 00:45:53,451 ESPECIALLY BECAUSE SHE TOLD ME SHE'D SAY YES. 1243 00:45:53,451 --> 00:45:56,354 YEAH, THERE'S A LOT OF REALLY, REALLY GREAT GIRLS HERE. 1244 00:45:56,354 --> 00:45:58,356 Mikey: THERE SEEMS TO BE SOMETHING GOING ON WITH SAMANTHA AND NICK. 1245 00:45:58,356 --> 00:46:02,026 AND MY GUESS IS SHE WANTS TO GO ON THAT DATE WITH NICK, 1246 00:46:02,026 --> 00:46:03,160 BUT AT THIS POINT, 1247 00:46:03,160 --> 00:46:04,395 SHE'S PROBABLY STAYING WITH JOE OUT OF GUILT. 1248 00:46:04,395 --> 00:46:07,331 AND SHE'S BACKED HERSELF INTO A CORNER ALREADY. 1249 00:46:07,331 --> 00:46:09,083 SO WHAT THE HELL HAPPENED WITH YOUR SELECTION -- WITH WHAT? 1250 00:46:09,083 --> 00:46:10,067 SO WHAT THE HELL HAPPENED WITH YOUR SELECTION -- WITH WHAT? 1251 00:46:10,067 --> 00:46:13,437 WITH, YOU KNOW -- BASICALLY, WHY'D YOU WANT TO ASK SAM? 1252 00:46:13,437 --> 00:46:16,007 Nick: OH, SHE'S THE ONLY ONE I KNOW, YOU KNOW? 1253 00:46:16,007 --> 00:46:18,142 I REACHED OUT TO HER MONTHS AGO. 1254 00:46:18,142 --> 00:46:21,012 WE CHAT, TEXT, TALKED ON THE PHONE A LITTLE BIT. 1255 00:46:21,012 --> 00:46:23,214 I SAW HER WHEN I CAME TO L.A. JUST -- 1256 00:46:23,214 --> 00:46:24,382 FOR A COUPLE MONTHS. 1257 00:46:24,382 --> 00:46:26,117 YEAH, A COUPLE MONTHS, PROBABLY. 1258 00:46:26,117 --> 00:46:27,518 EVERY DAY? JUST ABOUT. 1259 00:46:27,518 --> 00:46:29,287 Mikey: WOW. 1260 00:46:29,287 --> 00:46:33,024 SAMANTHA WAS TALKING TO JOE AND NICK BEFORE SHE GOT HERE? 1261 00:46:33,024 --> 00:46:34,292 I MEAN, HOW MANY OTHER GUYS DID SHE TALK TO? 1262 00:46:34,292 --> 00:46:37,161 I FEEL LIKE SHE'S SLIGHTING ME A LITTLE BIT THERE. 1263 00:46:37,161 --> 00:46:38,195 YEAH. 1264 00:46:38,195 --> 00:46:39,083 I MEAN, I THINK SHE LED ME ASTRAY. 1265 00:46:39,083 --> 00:46:39,330 I MEAN, I THINK SHE LED ME ASTRAY. 1266 00:46:39,330 --> 00:46:40,498 WHAT KIND OF RELATIONSHIP STARTS IN THREE DAYS? 1267 00:46:40,498 --> 00:46:42,133 YEAH, I KNOW. 1268 00:46:42,133 --> 00:46:47,138 WELL, AND JOE'S BEEN -- HOW DO I SAY THIS -- [BLEEP] 1269 00:46:47,138 --> 00:46:48,172 [ CHUCKLES ] 1270 00:46:48,172 --> 00:46:50,174 SO WHAT HAPPENED WAS IS JUELIA AND I -- 1271 00:46:50,174 --> 00:46:51,242 LIKE, WE HIT IT OFF IN THE BEGINNING, 1272 00:46:51,242 --> 00:46:52,343 THEN I KIND OF HAD MY THING WITH CLARE, 1273 00:46:52,343 --> 00:46:55,246 AND THEN WHILE THAT WAS GOING ON, JOE CAME IN. 1274 00:46:55,246 --> 00:46:56,247 RIGHT. TOOK HER ON A DATE. 1275 00:46:56,247 --> 00:46:57,315 SUPPOSEDLY, EVERYTHING WENT GREAT. 1276 00:46:57,315 --> 00:46:58,482 ROSE CEREMONY COMES. 1277 00:46:58,482 --> 00:47:01,118 JUELIA PICKS JOE. I LEAVE. 1278 00:47:01,118 --> 00:47:05,389 COME BACK TO FIND OUT THAT THE INSTANT SAM GOT HERE, 1279 00:47:05,389 --> 00:47:06,457 JOE JUST JUMPED SHIP. 1280 00:47:06,457 --> 00:47:07,491 [ LAUGHS ] 1281 00:47:07,491 --> 00:47:09,083 "SEE YOU LATER. NICE KNOWING YOU." 1282 00:47:09,083 --> 00:47:09,226 "SEE YOU LATER. NICE KNOWING YOU." 1283 00:47:09,226 --> 00:47:10,328 NOW I'M JUST GONNA LIKE -- 1284 00:47:10,328 --> 00:47:12,063 SO APPARENTLY, HE KNEW SHE WAS COMING. YEAH. 1285 00:47:12,063 --> 00:47:13,297 SHE'S TALKING TO TWO PEOPLE AT ONE TIME. YEAH. 1286 00:47:13,297 --> 00:47:15,466 ALL RIGHT. 1287 00:47:15,466 --> 00:47:17,301 [ CHUCKLES ] NOW YOU KNOW THE WHOLE STORY. 1288 00:47:17,301 --> 00:47:18,369 NOW I KNOW THE STORY. 1289 00:47:18,369 --> 00:47:21,005 SAMANTHA'S NOT GOING ON THE DATE WITH NICK, 1290 00:47:21,005 --> 00:47:22,440 WHICH REALLY THREW HIM FOR A LOOP, 1291 00:47:22,440 --> 00:47:24,141 AND HE'S STILL GOT A DATE CARD. 1292 00:47:24,141 --> 00:47:26,077 AND I THINK THE ONLY LOGICAL CHOICE FOR HIM AT THIS POINT 1293 00:47:26,077 --> 00:47:28,145 IS TO ASK ASHLEY S. 1294 00:47:28,145 --> 00:47:30,147 ♪♪ 1295 00:47:30,147 --> 00:47:31,482 ASHLEY. 1296 00:47:31,482 --> 00:47:33,217 CAN I STEAL YOU? YEAH. 1297 00:47:33,217 --> 00:47:36,420 SO I ASKED SAMANTHA ON A DATE, AND SHE KIND OF MADE IT AWKWARD. 1298 00:47:36,420 --> 00:47:38,122 EITHER WAY, IT DOESN'T MATTER. 1299 00:47:38,122 --> 00:47:39,083 I JUST WANT SOMEBODY WHO'S GOING TO ENJOY THE DAY, 1300 00:47:39,083 --> 00:47:40,291 I JUST WANT SOMEBODY WHO'S GOING TO ENJOY THE DAY, 1301 00:47:40,291 --> 00:47:43,427 AND ASHLEY S. SEEMED TO REALLY BE THE OBVIOUS CHOICE. 1302 00:47:43,427 --> 00:47:46,130 I FEEL LIKE YOU WOULD BE A LOT OF FUN TO TAKE OUT. 1303 00:47:46,130 --> 00:47:48,432 AND I'D LOVE TO TAKE YOU IF YOU WOULD BE OPEN TO THAT. 1304 00:47:48,432 --> 00:47:49,467 ABSOLUTELY. YEAH? 1305 00:47:49,467 --> 00:47:51,102 YEAH. YOU WANT TO GO? 1306 00:47:51,102 --> 00:47:52,103 AWESOME. OF COURSE. 1307 00:47:52,103 --> 00:47:53,170 LET'S DO IT. WE'RE GOING TO A PRIVATE ISLAND. 1308 00:47:53,170 --> 00:47:54,271 I'M EXCITED. I'M READY TO GO. 1309 00:47:54,271 --> 00:47:56,140 I'M READY TO DO SOMETHING THAT I'VE NEVER DONE. 1310 00:47:56,140 --> 00:47:58,242 ASHLEY S. -- SHE'S A BEAUTIFUL GIRL WITHOUT A DOUBT, 1311 00:47:58,242 --> 00:48:00,244 AND I HAVE NO DOUBT THAT WE'RE GONNA HAVE FUN. 1312 00:48:00,244 --> 00:48:02,346 OLé! I DON'T KNOW WHAT THAT MEANS. 1313 00:48:02,346 --> 00:48:04,281 WHAT DOES "OLé" MEAN IN SPANISH? 1314 00:48:04,281 --> 00:48:06,016 ANYBODY KNOW? [ LAUGHS ] 1315 00:48:06,016 --> 00:48:07,318 ♪♪ 1316 00:48:12,123 --> 00:48:13,391 ARE YOU THE MAN WE'RE LOOKING FOR? 1317 00:48:13,391 --> 00:48:15,159 HOLA. I'M NICK. 1318 00:48:15,159 --> 00:48:16,193 MUCHO GUSTO. 1319 00:48:16,193 --> 00:48:17,228 MUCHO GUSTO. 1320 00:48:17,228 --> 00:48:19,296 I'M ASHLEY. THIS IS ASHLEY. 1321 00:48:19,296 --> 00:48:20,464 HOLA. HOLA. 1322 00:48:25,069 --> 00:48:26,203 WHAT? 1323 00:48:33,077 --> 00:48:35,179 I DON'T KNOW SPANISH. 1324 00:48:35,179 --> 00:48:37,047 [ LAUGHS ] 1325 00:48:37,047 --> 00:48:39,083 IT'S SO HARD TO COMMUNICATE SOMETIMES. UM...UH... 1326 00:48:39,083 --> 00:48:40,184 IT'S SO HARD TO COMMUNICATE SOMETIMES. UM...UH... 1327 00:48:40,184 --> 00:48:42,319 Ashley S.: I CANNOT EVEN UNDERSTAND 1328 00:48:42,319 --> 00:48:45,489 WHAT THIS MAN IS SAYING 'CAUSE I DO NOT SPEAK SPANISH, 1329 00:48:45,489 --> 00:48:47,191 BUT I'M JUST ENJOYING THE MOMENT 1330 00:48:47,191 --> 00:48:49,293 AND WATCHING HOW NICK'S REACTING TO ALL OF THIS. 1331 00:48:52,463 --> 00:48:54,064 WHO? 1332 00:48:54,064 --> 00:48:55,433 SOMEBODY'S COMING. 1333 00:48:55,433 --> 00:48:56,467 CARLOS. 1334 00:48:56,467 --> 00:48:58,469 CARLOS IS GONNA TAKE US? [ BOTH LAUGH ] 1335 00:49:00,304 --> 00:49:01,405 YOU THINK YOU CAN SPEAK A LOT OF SPANISH 1336 00:49:01,405 --> 00:49:03,307 UNTIL YOU'RE REALLY PUT IN THE POSITION 1337 00:49:03,307 --> 00:49:05,176 [CHUCKLES] WHERE YOU HAVE TO TRANSLATE. 1338 00:49:05,176 --> 00:49:07,111 THEN YOU REALIZE HOW MUCH YOU DON'T KNOW. 1339 00:49:07,111 --> 00:49:09,046 THERE'S A LANGUAGE BARRIER HERE. 1340 00:49:09,046 --> 00:49:09,083 MM-HMM. 1341 00:49:09,083 --> 00:49:10,181 MM-HMM. 1342 00:49:10,181 --> 00:49:12,183 COMMUNICATION IS VERY IMPORTANT IN RELATIONSHIPS. 1343 00:49:12,183 --> 00:49:14,118 YOU'RE NOT GONNA BE DATING HIM. 1344 00:49:14,118 --> 00:49:15,186 [ BOTH LAUGH ] 1345 00:49:15,186 --> 00:49:18,222 [ SPEAKING SPANISH ] 1346 00:49:18,222 --> 00:49:20,124 WHAT? LET'S GO. 1347 00:49:20,124 --> 00:49:22,092 OKAY. THANK YOU. 1348 00:49:22,092 --> 00:49:24,295 Nick: I COULDN'T REALLY UNDERSTAND A WHOLE LOT. 1349 00:49:24,295 --> 00:49:26,263 IT'S KIND OF LIKE, "WHAT?" 1350 00:49:26,263 --> 00:49:27,465 BYE. GO WITH HIM? 1351 00:49:27,465 --> 00:49:29,033 [ LAUGHS ] 1352 00:49:29,033 --> 00:49:30,367 SO I WAS UNDER THE IMPRESSION 1353 00:49:30,367 --> 00:49:33,070 THAT WE WERE GONNA TAKE SOME KIND OF BOAT OUT TO AN ISLAND 1354 00:49:33,070 --> 00:49:35,372 AND MAYBE HAVE A PICNIC OUT THERE, 1355 00:49:35,372 --> 00:49:38,209 BUT, UH...I DON'T KNOW WHAT WE'RE GONNA DO NOW. 1356 00:49:38,209 --> 00:49:39,083 SHOULD WE GO AROUND? 1357 00:49:39,083 --> 00:49:39,210 SHOULD WE GO AROUND? 1358 00:49:39,210 --> 00:49:40,444 I DON'T KNOW. I DON'T, EITHER. 1359 00:49:40,444 --> 00:49:43,180 I WAS LOOKING FORWARD TO GOING OUT TO THE ISLAND WITH ASHLEY, 1360 00:49:43,180 --> 00:49:44,248 AND I'M BUMMED. 1361 00:49:44,248 --> 00:49:45,249 UH... 1362 00:49:45,249 --> 00:49:46,383 UM, I DON'T KNOW WHAT WE'RE GONNA DO. 1363 00:49:46,383 --> 00:49:48,152 CERVEZAS? 1364 00:49:48,152 --> 00:49:50,054 COMING UP... 1365 00:49:50,054 --> 00:49:53,424 ONE TEQUILA, TWO TEQUILA, THREE TEQUILA, FLOOR. 1366 00:49:53,424 --> 00:49:54,425 [ LAUGHS ] 1367 00:49:54,425 --> 00:49:56,060 WOW. 1368 00:49:56,060 --> 00:49:57,127 I WAS DRUNK THE WHOLE DAY. [ CHUCKLES ] 1369 00:49:57,127 --> 00:50:00,064 JUST, LIKE, HAMMERED DRUNK. 1370 00:50:00,064 --> 00:50:04,368 YOU'RE NICHOLAS SCOTT, AND I AM...INTO YOU. 1371 00:50:04,368 --> 00:50:06,170 AND LATER... 1372 00:50:06,170 --> 00:50:08,138 Tanner: I NEED TO TELL JADE HOW I FEEL. 1373 00:50:08,138 --> 00:50:09,083 I NEED TO TALK TO HER ABOUT OUR FUTURE 1374 00:50:09,083 --> 00:50:10,274 I NEED TO TALK TO HER ABOUT OUR FUTURE 1375 00:50:10,274 --> 00:50:13,143 AND IF THERE'S A POSSIBILITY OF MOVING FORWARD. 1376 00:50:13,143 --> 00:50:14,411 I'VE BEEN THINKING ABOUT US A LOT LATELY. 1377 00:50:14,411 --> 00:50:18,015 IT'S MY HEAD THAT'S TELLING ME, LIKE, "OH [BLEEP] TANNER, 1378 00:50:18,015 --> 00:50:21,285 LIKE, THIS MIGHT NOT WORK OUT." 1379 00:50:25,322 --> 00:50:28,259 Jade: WE ARE HERE IN TEQUILA, MEXICO. 1380 00:50:28,259 --> 00:50:29,260 CHEERS. 1381 00:50:29,260 --> 00:50:31,295 IT'S VERY, LIKE, ZEN AND BEAUTIFUL. 1382 00:50:31,295 --> 00:50:35,032 I'M SO HAPPY THAT I GET TO SPEND THIS TIME WITH TANNER 1383 00:50:35,032 --> 00:50:38,002 AND ENJOY WHAT WE HAVE AND SEE WHERE IT GOES. 1384 00:50:38,002 --> 00:50:39,003 WELL, THAT WAS FUN. THAT WAS A LOT OF FUN. 1385 00:50:39,003 --> 00:50:40,237 SOMETHING DIFFERENT. YEAH. 1386 00:50:40,237 --> 00:50:43,240 NEVER THOUGHT I WOULD BE CUTTING AGAVE PLANTS TO MAKE TEQUILA, 1387 00:50:43,240 --> 00:50:44,408 BUT IT WAS COOL. IT WAS REALLY COOL. 1388 00:50:44,408 --> 00:50:46,010 YEAH. 1389 00:50:46,010 --> 00:50:48,212 BEAUTIFUL UP HERE, ISN'T IT? YEAH. YEAH. 1390 00:50:48,212 --> 00:50:50,180 Tanner: LOOKING INTO JADE'S EYES, 1391 00:50:50,180 --> 00:50:52,449 I HONESTLY CAN SAY THERE'S NOWHERE ELSE I WOULD RATHER BE. 1392 00:50:52,449 --> 00:50:52,786 [ LAUGHS ] 1393 00:50:52,786 --> 00:50:53,484 [ LAUGHS ] 1394 00:50:53,484 --> 00:50:55,185 YEAH, IT WAS COOL TO SEE ALL OF THAT. 1395 00:50:55,185 --> 00:50:56,287 MM-HMM. 1396 00:50:56,287 --> 00:50:57,454 I CAN'T IMAGINE SPENDING A DAY WITHOUT JADE, 1397 00:50:57,454 --> 00:51:00,157 SO I GUESS THAT MEANS I'M FALLING FOR HER. 1398 00:51:00,157 --> 00:51:01,158 SIMPLE AS THAT. 1399 00:51:04,061 --> 00:51:07,131 Jade: I'M FEELING THINGS FOR TANNER 1400 00:51:07,131 --> 00:51:09,266 THAT I HAVEN'T FELT IN A LONG TIME. 1401 00:51:09,266 --> 00:51:11,368 YOUR GOOSE BUMPS HAVE GOOSE BUMPS. 1402 00:51:11,368 --> 00:51:14,204 [ CHUCKLES ] DO YOU WANT TO GET COZY WITH ME? 1403 00:51:14,204 --> 00:51:17,207 SO WE'RE SITTING ON THE BENCH, AND UNDERNEATH THE BLANKET, 1404 00:51:17,207 --> 00:51:19,043 THERE'S A LITTLE NOTE TUCKED IN THERE. 1405 00:51:19,043 --> 00:51:20,277 WHAT DO YOU THINK? 1406 00:51:20,277 --> 00:51:22,112 GO AHEAD. YEAH? 1407 00:51:23,380 --> 00:51:24,448 A KEY. [ CHUCKLES ] 1408 00:51:24,448 --> 00:51:26,216 WHAT'S IT SAY? WHAT'S IT SAY? 1409 00:51:26,216 --> 00:51:28,352 OKAY, I'LL READ IT TO YOU. 1410 00:51:28,352 --> 00:51:32,423 "JADE AND TANNER, I HOPE YOU ENJOYED YOUR DATE IN TEQUILA. 1411 00:51:32,423 --> 00:51:35,426 HERE'S YOUR KEY. HAVE A GREAT NIGHT. 1412 00:51:35,426 --> 00:51:37,294 CHRIS HARRISON." CHRIS HARRISON. 1413 00:51:37,294 --> 00:51:38,295 THAT GUY. I KNOW. 1414 00:51:38,295 --> 00:51:39,396 SUCH A NICE GUY. 1415 00:51:39,396 --> 00:51:42,032 I WOULD LOVE TO CONTINUE THIS DATE... YEAH. 1416 00:51:42,032 --> 00:51:43,334 ...AND NOT GO BACK TO THE HOUSE 1417 00:51:43,334 --> 00:51:45,336 AND SPEND SOME EXTRA ALONE TIME WITH YOU. 1418 00:51:45,336 --> 00:51:47,338 I WOULD LOVE TO. PERFECT. 1419 00:51:50,240 --> 00:51:52,786 WE WOULD BE SILLY TO TURN DOWN THIS OPPORTUNITY 1420 00:51:52,786 --> 00:51:53,010 WE WOULD BE SILLY TO TURN DOWN THIS OPPORTUNITY 1421 00:51:53,010 --> 00:51:54,244 BECAUSE IT GIVES US A CHANCE 1422 00:51:54,244 --> 00:51:56,246 TO REALLY TAKE OUR RELATIONSHIP TO THE NEXT LEVEL, 1423 00:51:56,246 --> 00:51:57,381 GET CLOSER AND, YOU KNOW, 1424 00:51:57,381 --> 00:51:59,416 JUST HAVE A REALLY NICE, ROMANTIC NIGHT. 1425 00:51:59,416 --> 00:52:01,051 [ LAUGHING ] 1426 00:52:01,051 --> 00:52:02,353 I NEED TO TELL JADE HOW I FEEL, 1427 00:52:02,353 --> 00:52:04,388 AND I THINK TONIGHT WILL BE THAT NIGHT, 1428 00:52:04,388 --> 00:52:07,257 BECAUSE SHE IS SOMEONE I COULD SEE MYSELF ENDING UP WITH. 1429 00:52:07,257 --> 00:52:09,226 YOU MAKE ME ALL GIDDY. 1430 00:52:09,226 --> 00:52:10,394 DO I? UH-HUH. 1431 00:52:10,394 --> 00:52:12,296 I LIKE HEARING THAT. 1432 00:52:12,296 --> 00:52:16,200 YEAH. SO MUCH. 1433 00:52:17,434 --> 00:52:19,136 [ THUNDER RUMBLES ] 1434 00:52:24,141 --> 00:52:26,443 WE'RE SUPPOSED TO GO TO THE PRIVATE ISLAND ON A BOAT, 1435 00:52:26,443 --> 00:52:29,079 AND JUST BECAUSE OF THE HURRICANE COMING IN, 1436 00:52:29,079 --> 00:52:30,080 WE COULDN'T. 1437 00:52:30,080 --> 00:52:31,482 INSTEAD, WE'RE GONNA GET MASSAGES. 1438 00:52:31,482 --> 00:52:33,250 THAT KIND OF DATE ALMOST ALLOWS YOU 1439 00:52:33,250 --> 00:52:35,352 TO JUST KIND OF GET TO KNOW SOMEBODY BETTER, YOU KNOW? 1440 00:52:35,352 --> 00:52:36,520 ♪♪ 1441 00:52:36,520 --> 00:52:38,288 Nick: TEQUILA. 1442 00:52:38,288 --> 00:52:40,491 ASHLEY IS SO MUCH FUN. SHE'S DROP-DEAD GORGEOUS. 1443 00:52:40,491 --> 00:52:42,426 THIS DATE WILL GIVE ME A CHANCE 1444 00:52:42,426 --> 00:52:45,095 TO GET TO KNOW HER AT A BETTER LEVEL. 1445 00:52:45,095 --> 00:52:48,332 SHE'S JUST A BALL OF ENERGY, AND I LOVE IT. 1446 00:52:48,332 --> 00:52:49,366 [ GIGGLES ] 1447 00:52:49,366 --> 00:52:50,467 ♪♪ 1448 00:52:50,467 --> 00:52:51,468 TEQUILA. 1449 00:52:51,468 --> 00:52:52,786 CHEERS. 1450 00:52:52,786 --> 00:52:54,004 CHEERS. 1451 00:52:54,004 --> 00:52:56,073 READY? 1452 00:52:56,073 --> 00:52:57,341 ♪♪ 1453 00:53:03,447 --> 00:53:06,116 WELL, CHEERS TO COMING IN BOLD. CHEERS. 1454 00:53:06,116 --> 00:53:09,186 ONE TEQUILA, TWO TEQUILA, THREE TEQUILA, FLOOR. 1455 00:53:09,186 --> 00:53:10,287 [ LAUGHS ] 1456 00:53:10,287 --> 00:53:12,189 WOW. 1457 00:53:12,189 --> 00:53:15,292 WE MIGHT HAVE DRANK ALL THE TEQUILA OUT OF MEXICO TODAY. 1458 00:53:15,292 --> 00:53:18,028 IT'S 5:00 I GUESS ALL THE TIME. 1459 00:53:18,028 --> 00:53:20,264 AYE, YAI, YAI. [ LAUGHS ] 1460 00:53:20,264 --> 00:53:21,498 HELLO. HI. HI, HOW ARE YOU? 1461 00:53:21,498 --> 00:53:22,786 VERY GOOD. I'M NICK. 1462 00:53:22,786 --> 00:53:23,033 VERY GOOD. I'M NICK. 1463 00:53:23,033 --> 00:53:24,101 WELCOME TO VIDANTA SPA. 1464 00:53:24,101 --> 00:53:25,102 HOW ARE YOU? NICE TO MEET YOU. 1465 00:53:25,102 --> 00:53:26,136 HI, I'M ASHLEY. NICE TO MEET YOU. 1466 00:53:26,136 --> 00:53:27,137 HELLO, ASHLEY. HI, NICE TO MEET YOU. 1467 00:53:27,137 --> 00:53:28,172 WELCOME. 1468 00:53:28,172 --> 00:53:30,374 WE HAVE A VERY SPECIAL TEQUILA MASSAGE 1469 00:53:30,374 --> 00:53:32,276 PREPARED FOR YOU TODAY. 1470 00:53:32,276 --> 00:53:33,277 EXCELLENT. REALLY? 1471 00:53:33,277 --> 00:53:35,012 WE HOPE YOU ENJOY THIS MASSAGE, 1472 00:53:35,012 --> 00:53:38,048 BECAUSE THIS MASSAGE PROVIDES YOU RELAXATION, 1473 00:53:38,048 --> 00:53:41,218 WELLNESS, AND WILL ENHANCE YOUR SENSUALITY, TOO. 1474 00:53:41,218 --> 00:53:42,352 A TEQUILA MASSAGE? 1475 00:53:42,352 --> 00:53:44,388 LIKE, WHAT'S THAT? [ CHUCKLES ] 1476 00:53:44,388 --> 00:53:47,124 MASSEUSE. MASSEUSE? 1477 00:53:47,124 --> 00:53:49,359 HEY! WELCOME TO THE SPA. 1478 00:53:49,359 --> 00:53:51,195 WE WALK OVER TO THE MASSAGE BEDS, 1479 00:53:51,195 --> 00:53:52,786 AND FIRST, THESE WOMEN SCRUBBED OUR FEET. 1480 00:53:52,786 --> 00:53:55,065 AND FIRST, THESE WOMEN SCRUBBED OUR FEET. 1481 00:53:55,065 --> 00:53:57,101 I'M LIKE, "WOW." 1482 00:53:57,101 --> 00:53:58,202 YOU EVER HAD THIS DONE? 1483 00:53:58,202 --> 00:54:00,437 NO. I'M LOVING IT. 1484 00:54:00,437 --> 00:54:03,373 IT'S DEFINITELY INCREASING MY SENSUALITY, 1485 00:54:03,373 --> 00:54:05,309 AND IT'S PRETTY SEXY. 1486 00:54:05,309 --> 00:54:08,312 IT MUST BE A NICE FIRST DAY IN PARADISE, HUH? 1487 00:54:08,312 --> 00:54:10,481 THIS IS THE BEST. ARE YOU KIDDING ME? 1488 00:54:10,481 --> 00:54:13,250 GETTING A MASSAGE WITH A BEAUTIFUL GIRL. 1489 00:54:13,250 --> 00:54:15,385 YOU CAN'T BEAT IT. 1490 00:54:15,385 --> 00:54:18,088 BONITA. HEY, UH, BONITA, Sí? 1491 00:54:18,088 --> 00:54:19,156 Sí. HEY. 1492 00:54:19,156 --> 00:54:20,157 I LIKE ASHLEY. 1493 00:54:20,157 --> 00:54:21,158 SWEET GIRL. 1494 00:54:21,158 --> 00:54:22,786 I JUST LIKE SPENDING TIME WITH HER. 1495 00:54:22,786 --> 00:54:23,127 I JUST LIKE SPENDING TIME WITH HER. 1496 00:54:23,127 --> 00:54:25,195 SHE'S GOT THE LOOKS, SHE'S GOT EVERYTHING, 1497 00:54:25,195 --> 00:54:27,464 BUT SHE'S A LITTLE OUT THERE. 1498 00:54:27,464 --> 00:54:29,500 AND I DON'T KNOW HOW TO TAKE IT. 1499 00:54:29,500 --> 00:54:32,336 LIKE, I JUST HAVEN'T FIGURED HER OUT YET. 1500 00:54:32,336 --> 00:54:33,437 [ BIRD CAWS ] 1501 00:54:35,305 --> 00:54:37,107 [ BIRD CAWS ] 1502 00:54:37,107 --> 00:54:40,377 ♪♪ 1503 00:54:40,377 --> 00:54:42,179 [ BIRD CAWS ] 1504 00:54:42,179 --> 00:54:45,149 [ BIRD CAWS ] 1505 00:54:45,149 --> 00:54:47,050 [ LAUGHS ] 1506 00:54:48,051 --> 00:54:49,219 [ BIRD CAWS ] 1507 00:54:49,219 --> 00:54:51,188 YOU'RE FUNNY. 1508 00:54:51,188 --> 00:54:52,189 [ BIRD CAWS ] 1509 00:54:52,189 --> 00:54:52,786 NO, NO. I REALLY CAN'T. 1510 00:54:52,786 --> 00:54:54,358 NO, NO. I REALLY CAN'T. 1511 00:54:54,358 --> 00:54:56,059 [ BIRD CAWS ] 1512 00:54:56,059 --> 00:54:57,094 NO. 1513 00:54:57,094 --> 00:54:59,229 [ BIRD CAWS ] 1514 00:55:02,199 --> 00:55:04,067 THINGS COULD BE WORSE RIGHT NOW. 1515 00:55:04,067 --> 00:55:06,136 HE'S PRETTY SEXY. 1516 00:55:06,136 --> 00:55:07,204 [ CHUCKLES ] 1517 00:55:07,204 --> 00:55:10,040 AND HIS SHORTS COULD NOT BE ANY SHORTER. 1518 00:55:10,040 --> 00:55:11,408 [ CHUCKLES ] 1519 00:55:11,408 --> 00:55:13,377 BUT I LIKE IT. 1520 00:55:13,377 --> 00:55:16,046 [ As Lloyd Christmas ] I LIKE IT A LOT. [ LAUGHS ] 1521 00:55:19,082 --> 00:55:22,786 FOR A FIRST DATE, IT'S A LITTLE HARD TO BE ALL, LIKE, OILED UP, 1522 00:55:22,786 --> 00:55:26,190 FOR A FIRST DATE, IT'S A LITTLE HARD TO BE ALL, LIKE, OILED UP, 1523 00:55:26,190 --> 00:55:30,027 FEELING ALL SEXY AND SMOOTH WHEN YOU'RE WITH A GUY 1524 00:55:30,027 --> 00:55:31,295 THAT'S REALLY HOT AND YOU JUST MET HIM, 1525 00:55:31,295 --> 00:55:34,064 BUT, YEAH, WE'RE DEFINITELY 1526 00:55:34,064 --> 00:55:36,133 HAVING A LITTLE BIT OF CHEMISTRY HERE. 1527 00:55:36,133 --> 00:55:37,434 [ CORK POPS ] PERFECT. 1528 00:55:37,434 --> 00:55:39,336 YOU KILLED IT. [ LAUGHS ] 1529 00:55:39,336 --> 00:55:42,105 I WAS DRUNK THE WHOLE DAY. [ CHUCKLES ] 1530 00:55:42,105 --> 00:55:43,173 CHEERS. 1531 00:55:43,173 --> 00:55:45,075 AND BY THE TIME THE NIGHTTIME CAME AROUND, 1532 00:55:45,075 --> 00:55:46,243 I WAS JUST OBLITERATED. 1533 00:55:46,243 --> 00:55:49,346 JUST, LIKE, HAMMERED DRUNK. 1534 00:55:49,346 --> 00:55:52,149 THIS IS GONNA BE NUMBER... 1535 00:55:52,149 --> 00:55:52,786 18. 18. 1536 00:55:52,786 --> 00:55:53,217 18. 18. 1537 00:55:53,217 --> 00:55:56,186 Ashley S.: NICK AND I, HONESTLY, 1538 00:55:56,186 --> 00:55:58,455 WE HAVE A LOT MORE CHEMISTRY THAN DAN AND I. 1539 00:56:03,193 --> 00:56:08,031 AND I'M HAVING SOMETHING LIKE CHEMISTRY WITH NICK TONIGHT 1540 00:56:08,031 --> 00:56:11,034 MORE THAN I EVER HAVE IN PARADISE. 1541 00:56:11,034 --> 00:56:14,171 NICK AND I HAVE HAD A BIGGER CHEMISTRY 1542 00:56:14,171 --> 00:56:17,007 THAN I THINK I'VE EVER SEEN IN PARADISE, 1543 00:56:17,007 --> 00:56:22,479 AND THAT, TO ME, SPEAKS BEYOND KIRK AND CARLY. 1544 00:56:22,479 --> 00:56:22,786 IT DOES. 1545 00:56:22,786 --> 00:56:24,181 IT DOES. 1546 00:56:24,181 --> 00:56:27,484 LIKE, TONIGHT, WHOO. 1547 00:56:27,484 --> 00:56:31,388 CAREFUL. 1548 00:56:31,388 --> 00:56:34,124 SO NICK, I'M LIKE, NICK. 1549 00:56:40,497 --> 00:56:42,432 WELL, YOU KNOW WHAT, NICHOLAS? 1550 00:56:42,432 --> 00:56:45,202 CHEERS TO THE FACT THAT I WILL ALWAYS BE HERE 1551 00:56:45,202 --> 00:56:47,237 AS A SISTER FOR YOU NO MATTER WHAT, 1552 00:56:47,237 --> 00:56:49,206 IF YOU FEEL A ROMANTIC THING FOR ME OR NOT. 1553 00:56:49,206 --> 00:56:50,440 THAT'S WEIRD BECAUSE WE KISSED. 1554 00:56:50,440 --> 00:56:52,242 NO, I REALLY LIKE YOU. 1555 00:56:52,242 --> 00:56:52,786 I LIKE YOU, TOO, SO LET'S NOT USE THE WORD "SISTER." 1556 00:56:52,786 --> 00:56:55,178 I LIKE YOU, TOO, SO LET'S NOT USE THE WORD "SISTER." 1557 00:56:55,178 --> 00:56:56,280 MY THING IS -- 1558 00:56:56,280 --> 00:56:58,048 ♪♪ 1559 00:56:58,048 --> 00:57:00,384 CHEERS TO "I LIKE YOU". HOW 'BOUT THAT? 1560 00:57:03,387 --> 00:57:06,089 YOU CALLING IT? 1561 00:57:06,089 --> 00:57:07,391 THAT'S THE THING IS YOU DON'T HAVE A SISTER 1562 00:57:07,391 --> 00:57:08,458 AND YOU DON'T HAVE A BROTHER. 1563 00:57:08,458 --> 00:57:10,027 I DON'T. YEAH. 1564 00:57:10,027 --> 00:57:12,095 AND I WOULDN'T KISS THEM IF I DID. 1565 00:57:12,095 --> 00:57:14,398 I WOULDN'T KISS A SISTER. 1566 00:57:14,398 --> 00:57:15,465 RIGHT. 1567 00:57:15,465 --> 00:57:18,302 I DON'T ALSO HAVE A SISTER. 1568 00:57:18,302 --> 00:57:20,437 I DON'T HAVE A SISTER. 1569 00:57:20,437 --> 00:57:22,139 I DON'T KNOW. 1570 00:57:22,139 --> 00:57:22,786 I DON'T KNOW. I JUST... 1571 00:57:22,786 --> 00:57:24,341 I DON'T KNOW. I JUST... 1572 00:57:30,347 --> 00:57:32,249 I LITERALLY AT THIS POINT, LIKE, 1573 00:57:32,249 --> 00:57:37,120 I DON'T LOOK AT HIM AS A BROTHER AT ALL, BUT AT THE SAME TIME, 1574 00:57:37,120 --> 00:57:42,025 I'M LIKE, "YOU'RE NICHOLAS SCOTT, 1575 00:57:42,025 --> 00:57:46,063 AND I AM...INTO YOU." 1576 00:57:50,100 --> 00:57:52,002 CHEERS. 1577 00:57:52,002 --> 00:57:52,786 CHEERS. 1578 00:57:52,786 --> 00:57:53,170 CHEERS. 1579 00:57:57,140 --> 00:57:59,042 ♪♪ 1580 00:58:01,044 --> 00:58:03,246 [ THUNDER RUMBLES ] 1581 00:58:03,246 --> 00:58:05,482 Jade: I LIKE THIS. 1582 00:58:05,482 --> 00:58:08,385 TYPICAL, QUAINT MEXICO. 1583 00:58:08,385 --> 00:58:10,420 PICTURESQUE. 1584 00:58:10,420 --> 00:58:13,190 Tanner: ME AND JADE ARE HAVING A GREAT DAY HERE IN TEQUILA, 1585 00:58:13,190 --> 00:58:14,224 BUT I KNOW TONIGHT, 1586 00:58:14,224 --> 00:58:16,093 I NEED TO TALK TO HER ABOUT OUR FUTURE 1587 00:58:16,093 --> 00:58:18,195 AND IF THERE'S A POSSIBILITY OF MOVING FORWARD, 1588 00:58:18,195 --> 00:58:21,198 BECAUSE MY FEELINGS ARE STARTING TO BECOME VERY REAL FOR HER. 1589 00:58:21,198 --> 00:58:22,786 AND TONIGHT'S A HUGE NIGHT FOR US. 1590 00:58:22,786 --> 00:58:23,133 AND TONIGHT'S A HUGE NIGHT FOR US. 1591 00:58:23,133 --> 00:58:24,401 MY HEART COULD EITHER BE BROKEN, 1592 00:58:24,401 --> 00:58:27,137 OR IT COULD BE ONE OF THE BEST NIGHTS OF MY LIFE. 1593 00:58:27,137 --> 00:58:29,339 AND I THINK THAT'S WHY THE END OF PARADISE IS SO SCARY 1594 00:58:29,339 --> 00:58:31,441 BECAUSE I DON'T WANT TO SPEND A DAY WITHOUT HER. 1595 00:58:38,348 --> 00:58:41,151 I'VE BEEN THINKING ABOUT US A LOT LATELY. 1596 00:58:41,151 --> 00:58:45,355 LIKE...I'M STARTING TO HAVE ACTUAL FEELINGS FOR YOU. 1597 00:58:45,355 --> 00:58:46,390 MM-HMM. 1598 00:58:46,390 --> 00:58:49,126 IT'S SCARY, THOUGH. 1599 00:58:49,126 --> 00:58:52,362 I KNOW FOR A FACT THAT I WANT JADE TO BE MY GIRLFRIEND, 1600 00:58:52,362 --> 00:58:52,786 YOU KNOW, FOR THE REST OF PARADISE AND EVEN AFTER. 1601 00:58:52,786 --> 00:58:55,432 YOU KNOW, FOR THE REST OF PARADISE AND EVEN AFTER. 1602 00:58:55,432 --> 00:58:57,334 AND I WANT TO MAKE IT OFFICIAL. 1603 00:58:57,334 --> 00:59:00,437 THAT WAY, WE BOTH UNDERSTAND HOW MUCH WE CARE ABOUT EACH OTHER. 1604 00:59:00,437 --> 00:59:02,172 OUR FEELINGS ARE THERE. 1605 00:59:02,172 --> 00:59:03,440 OUR CONNECTION IS THERE. 1606 00:59:03,440 --> 00:59:07,010 AND I HAVE NOT WANTED TO BE WITH SOMEONE LIKE THIS 1607 00:59:07,010 --> 00:59:08,311 IN A LONG, LONG TIME. 1608 00:59:08,311 --> 00:59:12,282 SO, LIKE, MY HEART IS WAY AHEAD OF WHERE IT NORMALLY IS. 1609 00:59:12,282 --> 00:59:14,084 LIKE, IT'S THERE. 1610 00:59:14,084 --> 00:59:16,286 IT'S MY HEAD THAT'S TELLING ME, 1611 00:59:16,286 --> 00:59:21,425 LIKE, "OH [BLEEP] TANNER, LIKE, THIS MIGHT NOT WORK OUT." 1612 00:59:25,195 --> 00:59:28,031 ♪♪ 1613 00:59:32,202 --> 00:59:36,173 WHAT ARE YOU AFRAID I'M GONNA DO TO YOU? 1614 00:59:36,173 --> 00:59:39,276 I'M AFRAID THAT I AM GONNA BE SO IN LOVE WITH YOU 1615 00:59:39,276 --> 00:59:41,011 AT THE END OF THIS, 1616 00:59:41,011 --> 00:59:44,281 AND THEN I'M NOT GONNA HAVE A CHANCE TO SEE THAT THROUGH. 1617 00:59:44,281 --> 00:59:47,451 I JUST -- I'M SCARED THAT OUR LIVES 1618 00:59:47,451 --> 00:59:52,355 WILL LEAD US IN DIFFERENT PATHS, AND I'M GONNA LEAVE SAD. 1619 00:59:52,355 --> 00:59:52,786 I MEAN, THAT'S -- THAT'S WHAT I'M SCARED OF. 1620 00:59:52,786 --> 00:59:54,291 I MEAN, THAT'S -- THAT'S WHAT I'M SCARED OF. 1621 00:59:54,291 --> 00:59:56,460 I'M NOT SCARED OF ANYTHING YOU'RE GONNA DO. 1622 00:59:56,460 --> 00:59:59,496 I'M SCARED OF... 1623 00:59:59,496 --> 01:00:01,364 BEING IN LOVE WITH YOU AT THE END OF THIS 1624 01:00:01,364 --> 01:00:05,368 AND THAT BE IT. 1625 01:00:05,368 --> 01:00:08,338 THAT'S THE TRUTH. 1626 01:00:10,207 --> 01:00:12,476 ♪♪ 1627 01:00:15,011 --> 01:00:17,013 OKAY. 1628 01:00:18,248 --> 01:00:22,052 WHAT DO YOU THINK? 1629 01:00:22,052 --> 01:00:22,786 I GET IT. I MEAN, I GET IT. 1630 01:00:22,786 --> 01:00:24,054 I GET IT. I MEAN, I GET IT. 1631 01:00:24,054 --> 01:00:26,123 [ THUNDER RUMBLES ] 1632 01:00:33,430 --> 01:00:36,366 I KNOW IT'S WEIRD TO EVEN THINK ABOUT, 1633 01:00:36,366 --> 01:00:37,467 WEIRD TO TALK ABOUT, I KNOW. 1634 01:00:37,467 --> 01:00:41,004 IT'S NOT WEIRD TO TALK ABOUT. 1635 01:00:42,205 --> 01:00:44,040 LIKE, I'M ALL IN ON YOU, JADE. 1636 01:00:44,040 --> 01:00:45,142 I GET IT, I GET IT. 1637 01:00:45,142 --> 01:00:46,309 LIKE, I'M FALLING FOR YOU. 1638 01:00:46,309 --> 01:00:48,078 I KNOW. ALL RIGHT? 1639 01:00:48,078 --> 01:00:50,347 IT'S SCARY, BUT I LIKE THE FEELING. 1640 01:00:53,483 --> 01:00:58,321 I WANT TO GIVE YOU ASSURANCE, I GUESS, 1641 01:00:58,321 --> 01:01:00,323 SO YOU FEEL, LIKE, OKAY WITH WHERE YOU'RE AT, 1642 01:01:00,323 --> 01:01:02,092 BUT LIKE, I'M FALLING FOR YOU, TOO. 1643 01:01:02,092 --> 01:01:04,060 LIKE, MY FEELINGS ARE RIGHT THERE WITH YOU. 1644 01:01:04,060 --> 01:01:08,365 I'M JUST AS SCARED BECAUSE I KNOW 1645 01:01:08,365 --> 01:01:11,101 IT'S, LIKE, IT'S CRAZY, BUT IT'S REAL FOR ME. 1646 01:01:11,101 --> 01:01:13,403 AND I FEEL LIKE I REALIZED THAT, ACTUALLY, LIKE, 1647 01:01:13,403 --> 01:01:15,405 YESTERDAY MORNING WHEN WE WOKE UP. 1648 01:01:15,405 --> 01:01:20,043 I WOKE UP AND MY, LIKE, HEART WAS LIKE IN MY STOMACH, 1649 01:01:20,043 --> 01:01:22,179 AND I WAS SICK TO MY STOMACH. 1650 01:01:22,179 --> 01:01:22,786 WHY? 1651 01:01:22,786 --> 01:01:23,180 WHY? 1652 01:01:23,180 --> 01:01:26,283 IT WAS JUST BECAUSE, LIKE, I WAS LIKE... 1653 01:01:26,283 --> 01:01:28,351 "THIS IS REAL FOR ME." 1654 01:01:28,351 --> 01:01:33,423 I CARE SO MUCH FOR YOU. 1655 01:01:33,423 --> 01:01:35,425 I DO. 1656 01:01:35,425 --> 01:01:39,062 AND IT'S EVEN MORE THAN THAT. 1657 01:01:39,062 --> 01:01:41,097 I GUESS I JUST WANT YOU TO KNOW THAT, LIKE, IT'S OKAY. 1658 01:01:41,097 --> 01:01:42,499 LIKE, IT'S OKAY IF YOU FEEL THAT FOR ME, TOO. 1659 01:01:42,499 --> 01:01:44,267 'CAUSE I'M, LIKE, RIGHT THERE WITH YOU. 1660 01:01:44,267 --> 01:01:45,368 LIKE, I'M -- 1661 01:01:45,368 --> 01:01:48,271 ♪♪ 1662 01:01:50,140 --> 01:01:52,375 I'M FALLING FOR YOU, JADE. 1663 01:01:52,375 --> 01:01:52,786 I WANT TO CALL YOU MY GIRLFRIEND. 1664 01:01:52,786 --> 01:01:56,012 I WANT TO CALL YOU MY GIRLFRIEND. 1665 01:02:00,116 --> 01:02:03,486 Jade: WHAT TANNER AND I ARE FORMING IS REALLY SPECIAL. 1666 01:02:03,486 --> 01:02:05,488 I'M FEELING THINGS FOR TANNER 1667 01:02:05,488 --> 01:02:08,291 THAT I HAVEN'T FELT IN A LONG TIME. 1668 01:02:08,291 --> 01:02:10,360 I THINK THAT -- I DON'T KNOW -- 1669 01:02:10,360 --> 01:02:13,163 THAT HE WAS MEANT TO BE HERE FOR ME. 1670 01:02:16,233 --> 01:02:18,134 Tanner: TONIGHT COULD NOT HAVE GONE ANY BETTER. 1671 01:02:18,134 --> 01:02:20,003 IT WAS EXACTLY WHAT I NEEDED. 1672 01:02:20,003 --> 01:02:22,786 YOU NEVER KNOW WHAT COULD HAPPEN AT THE END OF THIS. 1673 01:02:22,786 --> 01:02:23,073 YOU NEVER KNOW WHAT COULD HAPPEN AT THE END OF THIS. 1674 01:02:23,073 --> 01:02:26,176 I DON'T KNOW IF WE'RE GONNA LEAVE HERE 1675 01:02:26,176 --> 01:02:29,212 BOYFRIEND AND GIRLFRIEND OR MAYBE MORE. 1676 01:02:29,212 --> 01:02:30,213 ♪♪ 1677 01:02:37,921 --> 01:02:40,890 ♪♪ 1678 01:02:40,890 --> 01:02:42,926 Nick: HUH? 1679 01:02:42,926 --> 01:02:44,661 THERE'S NO WATER. OH, THERE'S NOT? 1680 01:02:44,661 --> 01:02:45,929 NO. WHERE ARE THE OTHER COOLERS? 1681 01:02:45,929 --> 01:02:47,998 Dan: ASHLEY S. AND NICK HAD THEIR DATE LAST NIGHT, 1682 01:02:47,998 --> 01:02:49,599 BUT THIS MORNING, 1683 01:02:49,599 --> 01:02:50,800 THEY'RE DEFINITELY LOOKING A LITTLE SLUGGISH. 1684 01:02:50,800 --> 01:02:52,802 SO I DON'T KNOW HOW MUCH ROMANCE HAPPENED, 1685 01:02:52,802 --> 01:02:55,005 BUT DEFINITELY A LOT OF TEQUILA, I'M SURE. 1686 01:02:55,005 --> 01:02:56,006 Joe: I'M SERIOUS. 1687 01:02:56,006 --> 01:02:57,674 ME AND YOU SHOULD JUST HAVE A DATE. 1688 01:02:57,674 --> 01:02:58,875 THAT WOULD BE SWEET. 1689 01:02:58,875 --> 01:03:00,644 I MAY HAVE SOMETHING PLANNED FOR YOU TONIGHT. 1690 01:03:00,644 --> 01:03:01,645 WHAT? 1691 01:03:01,645 --> 01:03:03,680 FOR YOUR BIRTHDAY. MM, YEAH. 1692 01:03:03,680 --> 01:03:05,548 ARE YOU SERIOUS? YEAH. 1693 01:03:05,548 --> 01:03:06,653 YOU KNOW, TODAY'S MY BIRTHDAY, 1694 01:03:06,653 --> 01:03:06,783 YOU KNOW, TODAY'S MY BIRTHDAY, 1695 01:03:06,783 --> 01:03:09,052 AND BEING ABLE TO SHARE MY BIRTHDAY WITH SAMANTHA, 1696 01:03:09,052 --> 01:03:10,620 THE GIRL OF MY DREAMS, 1697 01:03:10,620 --> 01:03:12,722 IT'S KIND OF THE BEST OF BOTH WORDS, I GUESS. 1698 01:03:12,722 --> 01:03:13,857 I'M THE LUCKIEST MAN IN THE WORLD 1699 01:03:13,857 --> 01:03:15,592 TO BE ABLE TO SHARE MY BIRTHDAY WITH YOU. 1700 01:03:15,592 --> 01:03:17,827 OH, MY GOSH. LUCKIEST MAN IN THE WORLD. 1701 01:03:17,827 --> 01:03:18,928 YOU'RE SO SWEET. 1702 01:03:18,928 --> 01:03:21,631 TODAY WAS THE FIRST DAY OF THE LAST THREE DAYS 1703 01:03:21,631 --> 01:03:23,733 THAT WE'VE BEEN ABLE TO HAVE NO DRAMA 1704 01:03:23,733 --> 01:03:25,602 AND REALLY KIND OF FOCUS ON OUR RELATIONSHIP, 1705 01:03:25,602 --> 01:03:28,672 AND THINGS ARE GOING EXTREMELY GREAT BETWEEN SAMANTHA AND I. 1706 01:03:28,672 --> 01:03:29,939 WE SHOULDN'T LET ANYTHING GET IN BETWEEN IT. 1707 01:03:29,939 --> 01:03:33,576 ♪♪ 1708 01:03:35,578 --> 01:03:36,653 IS THERE ANYBODY ELSE HERE 1709 01:03:36,653 --> 01:03:37,981 IS THERE ANYBODY ELSE HERE 1710 01:03:37,981 --> 01:03:39,883 THAT YOU WANT TO GO ON A DATE WITH? 1711 01:03:39,883 --> 01:03:40,950 HERE? NOW? YEAH. 1712 01:03:40,950 --> 01:03:42,619 NO. 1713 01:03:42,619 --> 01:03:44,054 NO ONE. 1714 01:03:44,054 --> 01:03:46,756 MNH-MNH. [ CHUCKLES ] 1715 01:03:46,756 --> 01:03:47,924 I'M ALWAYS WORRIED, 1716 01:03:47,924 --> 01:03:49,826 'CAUSE I DO FEEL LIKE, YOU KNOW, SAM'S OUT OF MY LEAGUE. 1717 01:03:49,826 --> 01:03:52,662 I DON'T THINK THERE'S ANY -- ANY QUESTION ABOUT THAT 1718 01:03:52,662 --> 01:03:55,665 BECAUSE A GIRL LIKE THAT DOESN'T END UP WITH A GUY LIKE ME. 1719 01:03:55,665 --> 01:03:57,934 THAT'S JUST -- THAT'S JUST -- THAT'S JUST HOW I FEEL. 1720 01:03:57,934 --> 01:04:00,804 WHY ME? WHY YOU? 1721 01:04:00,804 --> 01:04:01,871 YEAH. 1722 01:04:01,871 --> 01:04:03,940 WHY -- STOP QUESTIONING YOURSELF SO MUCH. 1723 01:04:03,940 --> 01:04:05,709 BECAUSE I'VE TOLD YOU THIS. 1724 01:04:05,709 --> 01:04:06,653 LIKE, A GIRL LIKE YOU DOESN'T END UP WITH SOMEONE LIKE ME. 1725 01:04:06,653 --> 01:04:08,778 LIKE, A GIRL LIKE YOU DOESN'T END UP WITH SOMEONE LIKE ME. 1726 01:04:08,778 --> 01:04:09,913 IT JUST DOESN'T HAPPEN. 1727 01:04:09,913 --> 01:04:11,715 THERE ARE TIMES WHERE I FEEL LIKE 1728 01:04:11,715 --> 01:04:13,883 THAT I DO GET INTO MY OWN HEAD AND OVERTHINK THINGS. 1729 01:04:13,883 --> 01:04:15,885 YOU KNOW, I JUST FEEL LIKE THAT, YOU KNOW, OUR RELATIONSHIP 1730 01:04:15,885 --> 01:04:18,054 IS AT A POINT NOW WHERE IT'S REALLY JUST TOO GOOD TO BE TRUE. 1731 01:04:18,054 --> 01:04:19,622 WHAT'S ON YOUR MIND? 1732 01:04:19,622 --> 01:04:20,990 YOU'RE THINKING ABOUT SOMETHING. I CAN TELL. 1733 01:04:20,990 --> 01:04:24,761 IT'S BEEN A CRAZY, LONG FEW DAYS, YOU KNOW? 1734 01:04:24,761 --> 01:04:27,630 LIKE, SUCH DIFFERENT EMOTIONS. 1735 01:04:27,630 --> 01:04:28,865 YEAH, I KNOW. 1736 01:04:28,865 --> 01:04:30,700 SO I'M JUST LIKE -- 1737 01:04:30,700 --> 01:04:32,702 I MEAN, JUST TELL ME. 1738 01:04:32,702 --> 01:04:35,839 I DON'T -- I WANT YOU TO BE HONEST. 1739 01:04:35,839 --> 01:04:36,653 DON'T -- LIKE, DON'T [BLEEP] ME, PLEASE. MM-HMM. 1740 01:04:36,653 --> 01:04:37,807 DON'T -- LIKE, DON'T [BLEEP] ME, PLEASE. MM-HMM. 1741 01:04:37,807 --> 01:04:40,643 NO. I'VE BEEN HONEST WITH EVERYTHING I'VE SAID. 1742 01:04:44,948 --> 01:04:46,950 SO WHAT ARE YOU FEELING RIGHT NOW? 1743 01:04:46,950 --> 01:04:48,985 I FEEL LIKE YOU'RE A LITTLE DIFFERENT TODAY 1744 01:04:48,985 --> 01:04:50,820 THAN YOU NORMALLY ARE. 1745 01:04:50,820 --> 01:04:52,756 REALLY? YEAH, A LITTLE BIT. 1746 01:04:52,756 --> 01:04:54,891 LIKE, IN WHAT WAY? 1747 01:04:54,891 --> 01:04:56,926 I'M JUST A LITTLE DOWN. 1748 01:04:56,926 --> 01:05:00,730 Dan: I DON'T KNOW HOW THREATENED JOE IS BY, YOU KNOW, 1749 01:05:00,730 --> 01:05:01,965 THE OTHER GUYS HERE, 1750 01:05:01,965 --> 01:05:04,868 BUT HE'S OBVIOUSLY DESPERATELY TRYING TO HOLD ON TO SAMANTHA. 1751 01:05:04,868 --> 01:05:06,636 AT THE END OF THE DAY, 1752 01:05:06,636 --> 01:05:06,653 I THINK HE'S JUST A VERY INSECURE PERSON, 1753 01:05:06,653 --> 01:05:09,572 I THINK HE'S JUST A VERY INSECURE PERSON, 1754 01:05:09,572 --> 01:05:10,940 AND HE'S LITERALLY CLINGED ON SAMANTHA. 1755 01:05:10,940 --> 01:05:12,942 AND I THINK AT THIS POINT, HE'S ALMOST, LIKE, 1756 01:05:12,942 --> 01:05:14,878 GUILTED SAMANTHA INTO HANGING OUT WITH HIM. 1757 01:05:14,878 --> 01:05:16,813 Tenley: I DON'T EVEN GET WHAT'S GOING ON 1758 01:05:16,813 --> 01:05:17,881 BETWEEN SAMANTHA AND JOE, 1759 01:05:17,881 --> 01:05:21,918 BUT JOE IS LIKE A LITTLE LOVESICK PUPPY 1760 01:05:21,918 --> 01:05:23,620 FOLLOWING SAMANTHA AROUND. 1761 01:05:23,620 --> 01:05:25,822 I DON'T EVEN KNOW. IT'S MESSY. 1762 01:05:25,822 --> 01:05:28,925 [ HAIR DRYER WHIRS ] 1763 01:05:28,925 --> 01:05:31,828 [ CHUCKLES ] WHAT ARE YOU DOING? 1764 01:05:31,828 --> 01:05:33,630 WHAT ARE YOU DOING? 1765 01:05:33,630 --> 01:05:34,831 SORRY. 1766 01:05:34,831 --> 01:05:35,999 I JUST, LIKE, NEEDED, LIKE, A CHILL MOMENT, YOU KNOW? 1767 01:05:35,999 --> 01:05:36,653 THAT'S ALL. I'M SORRY I SEEMED DIFFERENT. 1768 01:05:36,653 --> 01:05:37,901 THAT'S ALL. I'M SORRY I SEEMED DIFFERENT. 1769 01:05:37,901 --> 01:05:39,669 YOU DID SEEM A LITTLE DIFFERENT, 1770 01:05:39,669 --> 01:05:40,904 AND THAT'S WHY -- THAT'S WHY I CAME UP HERE. 1771 01:05:55,852 --> 01:05:57,954 I'M NOT A BAD PERSON. I'M NOT -- I MEAN -- 1772 01:06:01,825 --> 01:06:03,059 YEAH, THAT'S WHAT I WAS AFRAID OF -- 1773 01:06:03,059 --> 01:06:04,627 THAT YOU THINK THAT YOU DO. 1774 01:06:04,627 --> 01:06:06,653 I THOUGHT THAT THINGS WERE SQUARED AWAY. 1775 01:06:06,653 --> 01:06:06,696 I THOUGHT THAT THINGS WERE SQUARED AWAY. 1776 01:06:06,696 --> 01:06:08,598 SAMANTHA NEEDS TO GET TO KNOW ME BETTER 1777 01:06:08,598 --> 01:06:10,834 AND QUIT LISTENING TO WHAT EVERYBODY ELSE SAYS ABOUT ME. 1778 01:06:10,834 --> 01:06:13,603 I'M JUST -- WHAT THE [BLEEP] GOING ON, BASICALLY? 1779 01:06:13,603 --> 01:06:15,538 EVERYTHING'S FINE NOW. OKAY? 1780 01:06:15,538 --> 01:06:17,640 I DON'T -- I DON'T REALLY KNOW -- 1781 01:06:17,640 --> 01:06:19,909 I DON'T KNOW IF IT IS OR NOT, THOUGH, SAM. 1782 01:06:19,909 --> 01:06:21,744 THAT'S MY -- THAT'S MY CONCERN, BABE. 1783 01:06:21,744 --> 01:06:22,779 I DON'T -- 1784 01:06:22,779 --> 01:06:24,948 YEAH, YOU SAY IT IS, BUT I -- I DON'T KNOW. 1785 01:06:24,948 --> 01:06:26,749 I FEEL LIKE THINGS HAVE CHANGED, AND THAT'S GOT ME WORRIED. 1786 01:06:26,749 --> 01:06:27,851 IT REALLY DOES. 1787 01:06:27,851 --> 01:06:29,986 IS SHE SAYING THAT IT'S NOT GONNA WORK OUT? 1788 01:06:29,986 --> 01:06:32,856 IS SHE NEEDING SOME SPACE? DO WE NEED TO WORK ON THINGS? 1789 01:06:32,856 --> 01:06:33,957 I JUST -- SHE'S -- AT THIS POINT, 1790 01:06:33,957 --> 01:06:35,959 SHE'S REALLY HARD FOR ME TO UNDERSTAND. 1791 01:06:35,959 --> 01:06:36,653 I'LL LEAVE YOU ALONE. 1792 01:06:36,653 --> 01:06:37,627 I'LL LEAVE YOU ALONE. 1793 01:06:37,627 --> 01:06:40,663 I'M JUST GONNA FINISH SHOWERING AND GONNA GET READY. 1794 01:06:40,663 --> 01:06:41,764 ALL RIGHT. 1795 01:06:41,764 --> 01:06:44,067 [ HAIR DRYER WHIRS ] 1796 01:06:47,003 --> 01:06:50,573 I'M AT KIND OF A LOSS OF WORDS. WE WERE ON THE BEACH. 1797 01:06:50,573 --> 01:06:52,742 SHE WAS LEANING OVER GIVING ME KISSES, 1798 01:06:52,742 --> 01:06:54,944 AND THEN ALL OF A SUDDEN, IT'S A TOTALLY DIFFERENT 180. 1799 01:06:54,944 --> 01:06:56,813 AND I -- AND I DON'T KNOW. IT'S -- IT'S ODD. 1800 01:06:56,813 --> 01:06:57,947 IT REALLY IS. 1801 01:06:57,947 --> 01:07:00,783 IT'S -- IT'S A DIFFERENT, DIFFERENT DYNAMIC RIGHT NOW. 1802 01:07:03,887 --> 01:07:05,788 NO, I WENT UP AND TALKED TO SAMANTHA. 1803 01:07:06,856 --> 01:07:08,691 NOT REALLY, BUT IT IS WHAT IT IS. 1804 01:07:08,691 --> 01:07:11,728 IS IT JUST ALL THE GARBAGE TAKING A TOLL ON HER OR WHAT? 1805 01:07:11,728 --> 01:07:15,665 YEAH. ALL THIS DRAMA. 1806 01:07:15,665 --> 01:07:17,000 "IF YOU'RE SUCH A GOOD GUY LIKE I THINK YOU ARE, 1807 01:07:17,000 --> 01:07:19,769 THEN WHY'S ALL THIS DRAMA HAPPENING AROUND YOU?" 1808 01:07:19,769 --> 01:07:22,572 [ CHUCKLES ] THAT'S A GOOD [BLEEP] QUESTION. 1809 01:07:22,572 --> 01:07:23,840 [ CHUCKLES ] [ CHUCKLES ] 1810 01:07:23,840 --> 01:07:25,575 Mikey: IT'S PRETTY OBVIOUS 1811 01:07:25,575 --> 01:07:27,977 THAT THINGS HAVE CHANGED WITH SAMANTHA AND JOE. 1812 01:07:27,977 --> 01:07:30,847 I THINK SAM IS DISTANCING HERSELF FROM JOE, DEFINITELY, 1813 01:07:30,847 --> 01:07:32,849 AND I THINK EVERYONE SEES IT. 1814 01:07:32,849 --> 01:07:34,751 I JUST FEEL LIKE I CAN NEVER BE GOOD ENOUGH FOR HER. 1815 01:07:34,751 --> 01:07:36,653 WHY? 1816 01:07:36,653 --> 01:07:36,753 WHY? 1817 01:07:36,753 --> 01:07:37,820 [ SCOFFS ] 1818 01:07:37,820 --> 01:07:39,789 'CAUSE I OVERTHINK THINGS, AND I'M PARANOID. 1819 01:07:39,789 --> 01:07:42,825 AND I SUCK AT RELATIONSHIPS, AND I SUCK AT ALL OF IT. 1820 01:07:42,825 --> 01:07:44,861 THAT'S WHY I'M SINGLE AND I'M 29. 1821 01:07:44,861 --> 01:07:47,797 I THINK JOE IS DEFINITELY A LITTLE INSECURE AT THIS POINT. 1822 01:07:47,797 --> 01:07:50,967 HE SEEMS A LITTLE WORRIED, 1823 01:07:50,967 --> 01:07:52,969 AND I THINK HE'S GONNA DRIVE HIMSELF CRAZY. 1824 01:07:52,969 --> 01:07:54,704 I JUST REALLY LIKE THAT DAMN GIRL. 1825 01:07:54,704 --> 01:07:55,772 I JUST REALLY DO. 1826 01:07:55,772 --> 01:07:57,774 I REALLY, REALLY HOPE IT WORKS OUT. I REALLY DO. 1827 01:07:57,774 --> 01:07:59,642 I DON'T SEE WHY IT WOULDN'T. 1828 01:07:59,642 --> 01:08:00,777 I DON'T KNOW WHAT HAPPENED 1829 01:08:00,777 --> 01:08:04,747 WITH THE WHOLE JOE AND SAM SITUATION AT ALL. 1830 01:08:04,747 --> 01:08:06,653 I CAME HERE TO FIND LOVE, AND I GOT [BLEEP] 1831 01:08:06,653 --> 01:08:07,750 I CAME HERE TO FIND LOVE, AND I GOT [BLEEP] 1832 01:08:07,750 --> 01:08:10,720 ♪♪ 1833 01:08:16,859 --> 01:08:19,796 ♪♪ 1834 01:08:25,768 --> 01:08:27,036 HELLO. HI! 1835 01:08:27,036 --> 01:08:28,972 Nick: THAT'S WHAT I THOUGHT! WHAT'S UP, GUYS? 1836 01:08:28,972 --> 01:08:30,573 HEY, GUYS. WE MADE IT BACK. 1837 01:08:30,573 --> 01:08:31,808 IT WAS FUN, THOUGH. 1838 01:08:31,808 --> 01:08:33,910 WE FLEW INTO GUADALAJARA, AND THEN WE TOOK 1839 01:08:33,910 --> 01:08:36,946 ABOUT AN HOUR-AND-A-HALF RIDE TO TEQUILA, MEXICO, WHERE WE -- 1840 01:08:36,946 --> 01:08:38,915 Jade: LEARNED HOW TO MAKE TEQUILA. 1841 01:08:38,915 --> 01:08:40,783 YEAH, WE LEARNED HOW TO MAKE TEQUILA. 1842 01:08:40,783 --> 01:08:42,952 CUT OPEN THE AGAVE PLANT -- ALL THAT. 1843 01:08:42,952 --> 01:08:45,391 AND WENT BACK TO THE HOTEL, HAD A GOOD NIGHT, 1844 01:08:45,391 --> 01:08:45,755 AND WENT BACK TO THE HOTEL, HAD A GOOD NIGHT, 1845 01:08:45,755 --> 01:08:48,891 AND REALLY BEEN TRAVELING ALL DAY TODAY, FOR THE MOST PART. 1846 01:08:48,891 --> 01:08:50,627 Tenley: THAT'S AWESOME. 1847 01:08:50,627 --> 01:08:52,862 JADE AND TANNER ARE BACK FROM THEIR OVERNIGHT DATE, 1848 01:08:52,862 --> 01:08:53,963 AND JADE JUST LOOKS LIKE 1849 01:08:53,963 --> 01:08:55,898 SHE'S GOT A LITTLE BIT MORE PEP IN HER STEP. 1850 01:08:55,898 --> 01:08:59,535 I'M ASSUMING THAT THAT MEANS THAT JADE AND TANNER 1851 01:08:59,535 --> 01:09:01,738 PROBABLY TOOK THEIR RELATIONSHIP TO THE NEXT LEVEL. 1852 01:09:01,738 --> 01:09:02,972 Jade: TANNER'S ONLY HAD TWO GIRLFRIENDS. 1853 01:09:02,972 --> 01:09:04,574 YEP. 1854 01:09:04,574 --> 01:09:05,575 AND I'M THE THIRD. 1855 01:09:05,575 --> 01:09:06,943 YAY! [ LAUGHS ] THAT'S SO CUTE. 1856 01:09:06,943 --> 01:09:08,711 WE, LIKE, MADE IT OFFICIAL. 1857 01:09:08,711 --> 01:09:09,746 THAT'S SO CUTE. 1858 01:09:09,746 --> 01:09:11,614 Y'ALL ARE BOYFRIEND AND GIRLFRIEND? 1859 01:09:11,614 --> 01:09:12,782 YAY! 1860 01:09:12,782 --> 01:09:13,850 EW, IT'S SO CORNY. 1861 01:09:13,850 --> 01:09:15,391 I DON'T CARE. I LOVE IT. 1862 01:09:15,391 --> 01:09:15,585 I DON'T CARE. I LOVE IT. 1863 01:09:15,585 --> 01:09:16,653 IT'S SO CUTE. 1864 01:09:16,653 --> 01:09:17,987 IT'S THE BEST THING IN THE WHOLE WORLD. 1865 01:09:17,987 --> 01:09:21,891 IT'S SO AMAZING TO SEE THEM FALLING IN LOVE BEFORE OUR EYES. 1866 01:09:21,891 --> 01:09:25,028 IT MAKES ME WANT TO FEEL WHAT SHE'S FEELING. 1867 01:09:25,028 --> 01:09:28,631 IT'S INSPIRING A LOT OF US TO WANT THAT FEELING. 1868 01:09:28,631 --> 01:09:30,800 ♪♪ 1869 01:09:30,800 --> 01:09:32,869 Mikey: CAN I ASK YOU A PERSONAL QUESTION? 1870 01:09:32,869 --> 01:09:35,571 OF COURSE. ARE YOU OVER KAITLYN? 1871 01:09:35,571 --> 01:09:36,806 UH, NO. NOT FULLY. 1872 01:09:36,806 --> 01:09:38,574 I KIND OF SEE THAT. 1873 01:09:38,574 --> 01:09:41,010 I CAME IN HERE WITH AN OPEN HEART, 1874 01:09:41,010 --> 01:09:42,945 AND AFTER GOING ON A DATE WITH CLARE AND KIND OF BEING OPEN, 1875 01:09:42,945 --> 01:09:44,013 IT WAS LIKE, "ALL RIGHT. 1876 01:09:44,013 --> 01:09:45,391 LIKE, LET ME, YOU KNOW, TALK TO ASHLEY MORE, 1877 01:09:45,391 --> 01:09:46,849 LIKE, LET ME, YOU KNOW, TALK TO ASHLEY MORE, 1878 01:09:46,849 --> 01:09:49,052 AND HOPEFULLY SOMETHING'S THERE." 1879 01:09:50,586 --> 01:09:52,722 IT'S JUST NOT THERE FOR ME. 1880 01:09:52,722 --> 01:09:55,024 IT'S TIME FOR, LIKE, THAT BRUTALLY HONEST TALK. 1881 01:09:55,024 --> 01:09:58,861 I FEEL LIKE MAYBE SHE HAS MUCH STRONGER FEELINGS FOR ME 1882 01:09:58,861 --> 01:10:01,898 THAN -- THAN I HAVE FOR HER, AND THAT'S NOT FAIR TO HER. 1883 01:10:01,898 --> 01:10:04,901 SO TONIGHT, I HAVE TO REALLY TALK TO ASHLEY AND, UM... 1884 01:10:04,901 --> 01:10:06,002 BREAK IT OFF. 1885 01:10:07,804 --> 01:10:09,572 IT'S TOUGH. 1886 01:10:09,572 --> 01:10:11,641 SHE'S SUCH A GREAT PERSON. 1887 01:10:11,641 --> 01:10:13,943 ♪♪ 1888 01:10:16,579 --> 01:10:19,882 Ashley I.: SO I TOLD JARED THAT I'VE BEEN NOTICING 1889 01:10:19,882 --> 01:10:22,018 ALL THE GUYS DOING NICE THINGS FOR THEIR GIRLS, 1890 01:10:22,018 --> 01:10:24,887 AND I THOUGHT IT'D BE FUN IF WE GOT TO DO SOMETHING LIKE THAT. 1891 01:10:24,887 --> 01:10:27,990 TODAY, HE'S GONNA TAKE ME ASIDE, AND WE'RE GONNA DO SOMETHING. 1892 01:10:27,990 --> 01:10:30,727 SO I'M REALLY EXCITED THAT IT COULD BE 1893 01:10:30,727 --> 01:10:33,596 THIS LITTLE AT-HOME DATE. 1894 01:10:33,596 --> 01:10:35,064 [ THUNDER RUMBLES ] 1895 01:10:35,064 --> 01:10:36,599 Jared: HOW'S YOUR NIGHT GOING? 1896 01:10:36,599 --> 01:10:37,600 Ashley I.: IT'S GOOD. 1897 01:10:37,600 --> 01:10:38,901 HOW IS YOURS? 1898 01:10:38,901 --> 01:10:40,636 IT'S GOOD. 1899 01:10:40,636 --> 01:10:44,807 I JUST WANTED TO, YOU KNOW, TALK TO YOU ABOUT THINGS, AND -- 1900 01:10:44,807 --> 01:10:45,391 YOU KNOW, I WANT YOU TO EXPERIENCE PARADISE. 1901 01:10:45,391 --> 01:10:48,778 YOU KNOW, I WANT YOU TO EXPERIENCE PARADISE. 1902 01:10:48,778 --> 01:10:50,947 OKAY. 1903 01:10:50,947 --> 01:10:55,918 THE THING IS, LIKE, I DON'T THINK IT'S FAIR FOR YOU TO... 1904 01:10:59,589 --> 01:11:01,657 ...NOT AT LEAST TRY TO EXPERIENCE OTHER THINGS 1905 01:11:01,657 --> 01:11:02,892 WITH OTHER GUYS HERE. 1906 01:11:02,892 --> 01:11:04,994 IT'S LIKE, THAT'S NOT GONNA HAPPEN. 1907 01:11:04,994 --> 01:11:06,562 YEAH. 1908 01:11:06,562 --> 01:11:07,897 [ THUNDER RUMBLING ] 1909 01:11:10,800 --> 01:11:12,001 IT'S STARTING TO RAIN. 1910 01:11:12,001 --> 01:11:13,536 [ LAUGHS ] 1911 01:11:13,536 --> 01:11:14,971 THE WEATHER ALWAYS MIMICS THE MOOD. 1912 01:11:14,971 --> 01:11:15,391 IT MIMICS THE MOOD. 1913 01:11:15,391 --> 01:11:16,639 IT MIMICS THE MOOD. 1914 01:11:16,639 --> 01:11:18,608 YEAH. 1915 01:11:18,608 --> 01:11:20,643 Jared: IT'S REALLY IMPORTANT TO MAKE SURE 1916 01:11:20,643 --> 01:11:21,978 THAT ASHLEY KNOWS WHERE I STAND. 1917 01:11:21,978 --> 01:11:24,847 AND I'VE BEEN TRYING TO AT LEAST KEEP COMMUNICATION OPEN 1918 01:11:24,847 --> 01:11:26,749 JUST TO MAKE SURE THAT WE'RE ON THE SAME PAGE. 1919 01:11:26,749 --> 01:11:29,852 IT'S MUCH BETTER TO DO THIS RATHER THAN, YOU KNOW, 1920 01:11:29,852 --> 01:11:32,955 FAKE IT TO GET A ROSE THIS WEEK AND THEN, YOU KNOW, 1921 01:11:32,955 --> 01:11:35,591 HURT HER EVEN MORE DOWN THE ROAD. 1922 01:11:35,591 --> 01:11:37,794 IT'S BEEN HARD BECAUSE I DON'T... 1923 01:11:37,794 --> 01:11:40,663 KNOW HOW STRONG OUR CHEMISTRY IS. 1924 01:11:40,663 --> 01:11:44,033 MM-HMM. AND I DON'T WANT... 1925 01:11:44,033 --> 01:11:45,391 I NEVER WANTED TO LEAD YOU ON. 1926 01:11:45,391 --> 01:11:45,701 I NEVER WANTED TO LEAD YOU ON. 1927 01:11:45,701 --> 01:11:46,969 I WANTED TO GET TO KNOW YOU BETTER 1928 01:11:46,969 --> 01:11:48,771 AND SEE IF SOMETHING CAME FROM IT. 1929 01:11:48,771 --> 01:11:50,673 I KNOW. 'CAUSE, LIKE, YOU'RE SO SWEET. 1930 01:11:50,673 --> 01:11:52,642 LIKE HONESTLY. YOU'RE THE SWEETEST GIRL HERE. 1931 01:11:52,642 --> 01:11:55,912 AND... 1932 01:11:55,912 --> 01:11:59,949 I JUST DON'T WANT YOU TO MISS OUT ON -- 1933 01:11:59,949 --> 01:12:02,752 YOU KNOW, WHAT IF A GUY DOES ASK YOU OUT? 1934 01:12:02,752 --> 01:12:04,620 AND, LIKE, WHAT IF HE'S REALLY GREAT TO YOU? 1935 01:12:04,620 --> 01:12:07,924 IT WOULD KILL ME IF YOU SAID NO BECAUSE... 1936 01:12:07,924 --> 01:12:09,659 OF ME. 1937 01:12:09,659 --> 01:12:12,061 I DON'T KNOW WHAT KIND OF CONNECTION OR CHEMISTRY WE HAVE. 1938 01:12:12,061 --> 01:12:14,597 IT'S HARD BECAUSE I THINK YOU'RE WONDERFUL 1939 01:12:14,597 --> 01:12:15,391 AND I LOVE GETTING ALONG WITH YOU. 1940 01:12:15,391 --> 01:12:15,998 AND I LOVE GETTING ALONG WITH YOU. 1941 01:12:15,998 --> 01:12:17,967 AND, LIKE, I FEEL LIKE WE GET ALONG REALLY WELL, 1942 01:12:17,967 --> 01:12:18,968 BUT I JUST DON'T KNOW 1943 01:12:18,968 --> 01:12:20,803 IF OUR CHEMISTRY IS WHAT I'M LOOKING FOR. 1944 01:12:20,803 --> 01:12:22,638 [ Voice breaking ] DON'T YOU THINK THAT YOUR MIND IS NOT HERE? 1945 01:12:24,874 --> 01:12:29,011 I THINK THERE'S A -- A PART OF ME THAT ISN'T HERE, 1946 01:12:29,011 --> 01:12:34,016 BUT I THINK A MAIN REASON FOR THAT IS BECAUSE, YOU KNOW -- 1947 01:12:34,016 --> 01:12:36,652 KAITLYN. 1948 01:12:37,987 --> 01:12:40,823 [ SIGHS ] 1949 01:12:43,659 --> 01:12:45,391 I'M NOT GONNA BE ABLE TO TALK. 1950 01:12:45,391 --> 01:12:45,995 I'M NOT GONNA BE ABLE TO TALK. 1951 01:12:52,635 --> 01:12:54,837 ARE YOU OKAY? 1952 01:12:54,837 --> 01:12:57,840 ♪♪ 1953 01:13:10,686 --> 01:13:13,823 [ SNIFFLES ] 1954 01:13:15,024 --> 01:13:15,391 WHY DON'T YOU JUST GO? 1955 01:13:15,391 --> 01:13:17,793 WHY DON'T YOU JUST GO? 1956 01:13:17,793 --> 01:13:21,597 I DON'T WANT TO LEAVE YOU ALONE IF YOU'RE UPSET. 1957 01:13:21,597 --> 01:13:23,799 I WANT YOU TO LEAVE ME ALONE. 1958 01:13:26,535 --> 01:13:28,671 ALL RIGHT. 1959 01:13:28,671 --> 01:13:29,872 BYE. 1960 01:13:37,747 --> 01:13:41,017 [ SNIFFLES ] 1961 01:13:41,017 --> 01:13:44,987 ♪♪ 1962 01:13:56,032 --> 01:13:59,535 [ SOBS, SNIFFLES ] 1963 01:14:04,573 --> 01:14:06,575 I WAS TOO NERVOUS. 1964 01:14:06,575 --> 01:14:07,810 I WAS TOO NERVOUS AROUND HIM. 1965 01:14:07,810 --> 01:14:10,613 I WAS TOO INTIMIDATED BY HIM. IT WAS TOO PERFECT. 1966 01:14:10,613 --> 01:14:12,581 [ SOBS ] 1967 01:14:12,581 --> 01:14:14,850 [ SNIFFLES ] 1968 01:14:14,850 --> 01:14:15,391 IT WAS TOO PERFECT. 1969 01:14:15,391 --> 01:14:18,688 IT WAS TOO PERFECT. 1970 01:14:26,696 --> 01:14:29,865 [ SNIFFLES ] I CAN NEVER BE FULLY MYSELF. 1971 01:14:29,865 --> 01:14:32,868 LIKE, I GUESS I'LL BE ALONE FOREVER, 1972 01:14:32,868 --> 01:14:37,006 'CAUSE EVERY GUY I LIKE DOESN'T LIKE ME BACK. 1973 01:14:37,006 --> 01:14:38,007 [ SOBS ] 1974 01:14:40,810 --> 01:14:44,880 [ SOBS ] 1975 01:14:46,649 --> 01:14:48,918 [ SOBS ] 1976 01:14:48,918 --> 01:14:51,787 I'VE JUST NEVER BEEN THIS UPSET IN MY ENTIRE LIFE. 1977 01:14:51,787 --> 01:14:52,922 HE JUST SAID, LIKE, 1978 01:14:52,922 --> 01:14:55,758 THE CHEMISTRY, HE DOESN'T THINK IS THERE. 1979 01:14:55,758 --> 01:14:59,862 I THINK IT'S ABOUT ME AND IT'S ABOUT KAITLYN. 1980 01:14:59,862 --> 01:15:03,733 [ Ringing ] 1981 01:15:03,733 --> 01:15:04,867 KAITLYN: Hello? 1982 01:15:04,867 --> 01:15:06,569 Ashley I.: KAITLYN. 1983 01:15:06,569 --> 01:15:10,606 WHAT THE [BLEEP] DID YOU DO TO JARED? 1984 01:15:10,606 --> 01:15:12,608 What do you mean?! 1985 01:15:12,608 --> 01:15:14,810 HE'S OBSESSED WITH YOU. 1986 01:15:14,810 --> 01:15:15,391 What? 1987 01:15:15,391 --> 01:15:15,878 What? 1988 01:15:15,878 --> 01:15:18,814 HE CAN'T STOP THINKING ABOUT YOU. 1989 01:15:18,814 --> 01:15:19,882 Can I help? 1990 01:15:19,882 --> 01:15:21,550 IT'S TOO LATE. 1991 01:15:21,550 --> 01:15:24,920 HE, LIKE, CAN'T GET OVER YOU, AND HE'S COMPLETELY CONSUMED, 1992 01:15:24,920 --> 01:15:27,623 AND IT'S JUST, LIKE, SUCKED FOR ME. 1993 01:15:27,623 --> 01:15:28,991 [ SOBS ] 1994 01:15:28,991 --> 01:15:31,794 [ THUNDER RUMBLES ] 1995 01:15:36,599 --> 01:15:38,734 ♪♪ 1996 01:15:38,734 --> 01:15:40,903 Joe: I KNOW, PERSONALLY, MYSELF, I REALLY SCREWED UP. 1997 01:15:40,903 --> 01:15:43,839 ANY TIME THERE'S DRAMA, THERE'S ALWAYS GONNA BE THINGS 1998 01:15:43,839 --> 01:15:45,641 THAT YOU'RE GONNA HAVE TO OVERCOME, 1999 01:15:45,641 --> 01:15:46,842 AND MY PLAN TONIGHT WITH SAMANTHA 2000 01:15:46,842 --> 01:15:48,778 IS JUST TO KIND OF PULL HER OFF TO THE SIDE 2001 01:15:48,778 --> 01:15:50,679 AND JUST SIT DOWN AND HAVE A GOOD TIME. 2002 01:15:50,679 --> 01:15:55,584 Dan: SO TONIGHT, JOE HAS HIT AN ALL-NEW LOW. 2003 01:15:55,584 --> 01:15:57,053 HE'S SETTING UP A BIRTHDAY PARTY FOR HIMSELF 2004 01:15:57,053 --> 01:15:59,955 IN A DESPERATE ATTEMPT TO TRY TO GET SAMANTHA BACK. 2005 01:15:59,955 --> 01:16:01,724 IT'S PRETTY SAD. 2006 01:16:01,724 --> 01:16:03,726 WITH ME BEING THE CENTER OF ATTENTION OF ALL THE DRAMA, 2007 01:16:03,726 --> 01:16:04,263 THAT KIND OF DOES BRING SOME SUSPICION TO HER. 2008 01:16:04,263 --> 01:16:05,661 THAT KIND OF DOES BRING SOME SUSPICION TO HER. 2009 01:16:05,661 --> 01:16:07,897 I JUST HOPE THAT, YOU KNOW, WITH OUR TIME TOGETHER TONIGHT, 2010 01:16:07,897 --> 01:16:10,833 THAT SAMANTHA REALIZES THAT I AM HERE FOR THE RIGHT REASON. 2011 01:16:10,833 --> 01:16:13,035 HEY. HEY, GIRL. HOW ARE YOU? 2012 01:16:13,035 --> 01:16:14,904 I REALLY THINK THAT WHAT SAMANTHA AND I HAVE IS VERY SERIOUS. 2013 01:16:14,904 --> 01:16:15,971 SAM'S A TROPHY WIFE TO ME. 2014 01:16:15,971 --> 01:16:19,041 LIKE AN EIGHT-POINT BUCK ON THE WALL. 2015 01:16:19,041 --> 01:16:20,943 EVERYTHING OKAY? 2016 01:16:20,943 --> 01:16:22,812 UM... 2017 01:16:22,812 --> 01:16:24,680 UM... 2018 01:16:24,680 --> 01:16:29,919 I JUST WANT TO TALK ABOUT, UM... 2019 01:16:33,656 --> 01:16:34,263 IT'S JUST SO -- THIS IS, LIKE -- I'VE NEVER HAD SO MANY EMOTIONS 2020 01:16:34,263 --> 01:16:36,025 IT'S JUST SO -- THIS IS, LIKE -- I'VE NEVER HAD SO MANY EMOTIONS 2021 01:16:36,025 --> 01:16:38,627 IN MY ENTIRE LIFE IN LIKE A FEW DAYS, YOU KNOW? 2022 01:16:38,627 --> 01:16:41,931 WITHIN THE LAST FEW DAYS, AND, UM... 2023 01:16:45,968 --> 01:16:48,604 IT ALL HAPPENED REALLY, REALLY QUICK, 2024 01:16:48,604 --> 01:16:50,673 AND IT WAS ALL, LIKE, REALLY GOOD. 2025 01:16:50,673 --> 01:16:54,643 I JUST THINK YOU'RE SUCH A NICE GUY, 2026 01:16:54,643 --> 01:16:59,782 AND THEN I JUST ALL OF A SUDDEN FELT KIND OF LIKE, 2027 01:16:59,782 --> 01:17:02,785 "WELL, WHY IS THERE SO MUCH DRAMA HAPPENING," YOU KNOW? 2028 01:17:02,785 --> 01:17:04,263 'CAUSE I'VE NEVER HAD THAT IN MY ENTIRE LIFE, 2029 01:17:04,263 --> 01:17:05,788 'CAUSE I'VE NEVER HAD THAT IN MY ENTIRE LIFE, 2030 01:17:05,788 --> 01:17:08,791 AND SO I THOUGHT, "WELL, WHAT'S NEW IN MY LIFE?" 2031 01:17:08,791 --> 01:17:12,761 THE NEW THING IN MY LIFE WAS YOU, AND I WONDERED LIKE, WHY? 2032 01:17:12,761 --> 01:17:16,065 "WHY IS JOE BEING MADE OUT TO BE SUCH LIKE A VILLAIN 2033 01:17:16,065 --> 01:17:18,901 IF I THINK SO HIGHLY AND GOOD OF HIM," 2034 01:17:18,901 --> 01:17:21,537 AND, LIKE, WHEN CHRIS HARRISON SAID AT THE ROSE CEREMONY, 2035 01:17:21,537 --> 01:17:22,905 LIKE, JUELIA'S BEEN DECEIVED, 2036 01:17:22,905 --> 01:17:26,642 I'M LIKE, "OH, MY GOSH. THAT MAKES JOE LOOK SO BAD." 2037 01:17:26,642 --> 01:17:27,743 YOU KNOW? 2038 01:17:27,743 --> 01:17:30,613 LIKE, "I WONDER IF THERE'S A REASON FOR THAT BEING SAID," 2039 01:17:30,613 --> 01:17:34,263 HER FEELING SO DECEIVED AND LET DOWN, AND I WANTED -- 2040 01:17:34,263 --> 01:17:34,550 HER FEELING SO DECEIVED AND LET DOWN, AND I WANTED -- 2041 01:17:34,550 --> 01:17:36,685 LIKE, I GAVE YOU THE BENEFIT OF THE DOUBT. 2042 01:17:36,685 --> 01:17:38,954 I BELIEVED IT AND ALL THIS, BUT AT THE SAME TIME, 2043 01:17:38,954 --> 01:17:41,857 I JUST HAD TO PAY ATTENTION TO, LIKE, SIGNS AND THINGS 2044 01:17:41,857 --> 01:17:42,892 THAT WERE HAPPENING. 2045 01:17:42,892 --> 01:17:44,693 I JUST BELIEVED IN YOU 2046 01:17:44,693 --> 01:17:47,029 AND, LIKE, WHAT WE HAD SO QUICKLY, YOU KNOW? 2047 01:17:47,029 --> 01:17:48,697 AND I THINK RIGHT NOW, 2048 01:17:48,697 --> 01:17:50,866 I-I DON'T THINK THAT YOU'RE BELIEVING IN ME RIGHT NOW. 2049 01:17:52,601 --> 01:17:53,769 I'M SORRY. 2050 01:17:53,769 --> 01:17:56,639 LIKE, I JUST HAVE TO, LIKE, BE HONEST WITH HOW I'M FEELING. 2051 01:17:56,639 --> 01:17:57,740 YEAH. NO, YOU SHOULD BE. 2052 01:17:57,740 --> 01:17:59,775 AND I JUST FEEL, LIKE, SCARED AND NOT RIGHT, 2053 01:17:59,775 --> 01:18:02,578 AND I DON'T WANT TO START OFF A RELATIONSHIP, LIKE, THAT WAY. 2054 01:18:02,578 --> 01:18:03,946 I HAD SUCH AN AMAZING FIRST DATE WITH YOU. 2055 01:18:03,946 --> 01:18:04,263 SO IF -- IF IT WAS SO AMAZING, 2056 01:18:04,263 --> 01:18:05,614 SO IF -- IF IT WAS SO AMAZING, 2057 01:18:05,614 --> 01:18:08,851 IF IT WAS SO BREATHTAKING, THEN WHY ALL OF A SUDDEN? 2058 01:18:08,851 --> 01:18:11,820 'CAUSE THERE'S RED FLAGS JUST REALLY EARLY ON, 2059 01:18:11,820 --> 01:18:13,656 AND, LIKE, SO MUCH DRAMA. 2060 01:18:13,656 --> 01:18:16,825 AND I JUST CAN'T HANDLE IT. 2061 01:18:18,027 --> 01:18:20,963 THERE HASN'T BEEN ANY DRAMA ALL DAY TODAY. 2062 01:18:25,968 --> 01:18:30,973 I JUST FEEL LIKE I THINK I'VE KIND OF SAID, LIKE, EVERYTHING, 2063 01:18:30,973 --> 01:18:32,708 THE MAIN THINGS I WANT TO SAY, 2064 01:18:32,708 --> 01:18:34,263 AND I JUST FEEL LIKE I WANT TO SEE -- 2065 01:18:34,263 --> 01:18:35,678 AND I JUST FEEL LIKE I WANT TO SEE -- 2066 01:18:35,678 --> 01:18:39,014 I WANT TO JUST BE HERE AND BE MYSELF AND HAVE FUN 2067 01:18:39,014 --> 01:18:42,985 AND TALK TO EVERYBODY AND... 2068 01:18:42,985 --> 01:18:44,954 KIND OF JUST, LIKE, GO ON DATES 2069 01:18:44,954 --> 01:18:46,922 AND FEEL RIGHT ABOUT A SITUATION 2070 01:18:46,922 --> 01:18:50,926 AND NOT START A RELATIONSHIP OFF LIKE THIS, YOU KNOW? 2071 01:18:50,926 --> 01:18:52,962 IT KIND OF SOUNDS LIKE YOU'VE KIND OF MADE YOUR DECISION. 2072 01:18:52,962 --> 01:18:54,897 I JUST HOPE YOU CAN UNDERSTAND THAT, LIKE -- 2073 01:18:54,897 --> 01:18:58,834 NO, IT'S -- IT'S HARD FOR ME TO REALLY UNDERSTAND THAT. 2074 01:19:00,836 --> 01:19:03,672 UM...YOU KNOW. 2075 01:19:03,672 --> 01:19:04,263 I'M SORRY. 2076 01:19:04,263 --> 01:19:04,773 I'M SORRY. 2077 01:19:04,773 --> 01:19:06,976 I'LL WALK YOU OUT. 2078 01:19:06,976 --> 01:19:08,677 ♪♪ 2079 01:19:08,677 --> 01:19:12,848 SAM ISN'T THE GIRL THAT I THOUGHT I WAS FALLING FOR. 2080 01:19:12,848 --> 01:19:14,783 SHE WAS MORE WORRIED ABOUT HER OWN IMAGE 2081 01:19:14,783 --> 01:19:16,652 THAN WHAT SHE TRULY FELT THAT SHE HAD IN FRONT OF HER, 2082 01:19:16,652 --> 01:19:17,853 WHICH WAS ME. 2083 01:19:17,853 --> 01:19:22,791 IF THE TABLES WERE REVERSED, I WOULD STILL BE BY HER SIDE. 2084 01:19:22,791 --> 01:19:26,762 ♪♪ 2085 01:19:29,064 --> 01:19:31,800 Dan: HELLO. 2086 01:19:31,800 --> 01:19:33,002 HELLO. HELLO. 2087 01:19:33,002 --> 01:19:34,263 WHERE HAVE YOU TWO BEEN? 2088 01:19:34,263 --> 01:19:35,638 WHERE HAVE YOU TWO BEEN? 2089 01:19:35,638 --> 01:19:38,741 WELL, CLASS, SAMMY WOULD LIKE TO SPEAK FIRST. 2090 01:19:38,741 --> 01:19:40,643 Samantha: OH, WOULD I? 2091 01:19:40,643 --> 01:19:41,710 OKAY. 2092 01:19:41,710 --> 01:19:43,779 UM, JOE WAS UNFORTUNATELY -- 2093 01:19:43,779 --> 01:19:46,615 IT WASN'T RIGHT, AND HE'S NOT THE ONE. 2094 01:19:46,615 --> 01:19:47,650 REALLY? 2095 01:19:47,650 --> 01:19:49,051 THAT WAS QUICK. 2096 01:19:49,051 --> 01:19:51,854 WELCOME TO PARADISE. THANK YOU. 2097 01:19:51,854 --> 01:19:53,022 [ LAUGHTER ] 2098 01:19:53,022 --> 01:19:54,923 Man: DOES THAT MEAN YOU GET YOUR ROOM BACK, OR NO? 2099 01:19:54,923 --> 01:19:56,025 I HOPE SO. 2100 01:19:56,025 --> 01:19:58,060 LITTLE [BLEEP] TOOK MY ROOM. 2101 01:19:58,060 --> 01:20:00,562 HEY, MAN. HE'S RIGHT THERE. 2102 01:20:00,562 --> 01:20:02,064 [ GIGGLES ] 2103 01:20:02,064 --> 01:20:04,263 RIGHT THERE. 2104 01:20:04,263 --> 01:20:04,600 RIGHT THERE. 2105 01:20:04,600 --> 01:20:06,702 OH. OH, WELL. 2106 01:20:09,905 --> 01:20:12,775 Joe: SHE'S UP THERE LAUGHING AND GIGGLING LIKE NOTHING'S WRONG. 2107 01:20:12,775 --> 01:20:14,576 LIKE, I MEAN, HOW CAN YOU DO THAT? 2108 01:20:14,576 --> 01:20:16,712 SHE SAID, YOU KNOW, "YOUR FRIENDS HAVE ABANDONED YOU, 2109 01:20:16,712 --> 01:20:18,981 BLAH, BLAH, BLAH," LIKE REALLY MAKE ME SOUND REALLY BAD, MAN. 2110 01:20:18,981 --> 01:20:20,783 AND I'M THINKING, LIKE, "BITCH, 2111 01:20:20,783 --> 01:20:23,018 YOU TELL ME TO DO WHATEVER IT TOOK TO GET A ROSE 2112 01:20:23,018 --> 01:20:24,820 TO ADVANCE TILL YOU GOT THERE." 2113 01:20:24,820 --> 01:20:28,857 I MEAN, THERE'S 700 TEXT MESSAGES THAT WE HAD IN A MONTH. 2114 01:20:28,857 --> 01:20:31,694 AS SOON AS SHE STARTS TO HEAR THAT I HAVE MY PHONE 2115 01:20:31,694 --> 01:20:33,929 AND I'M GETTING TEXT MESSAGES, SHE'LL SQUIRM. 2116 01:20:33,929 --> 01:20:34,263 Joe: I'LL MAKE IT VERY KNOWN THAT I DO HAVE THE TEXT MESSAGES 2117 01:20:34,263 --> 01:20:36,832 Joe: I'LL MAKE IT VERY KNOWN THAT I DO HAVE THE TEXT MESSAGES 2118 01:20:36,832 --> 01:20:38,734 THAT INDICATE AND MADE IT VERY CLEAR 2119 01:20:38,734 --> 01:20:40,602 THAT SHE WANTED ME TO DO WHATEVER IT TOOK 2120 01:20:40,602 --> 01:20:41,704 TO RECEIVE A ROSE. 2121 01:20:41,704 --> 01:20:43,906 I WANT EVERYBODY TO SEE IT AND CLEAR MY NAME. 2122 01:20:43,906 --> 01:20:45,774 I TOOK JUELIA OUT ON A DATE. 2123 01:20:45,774 --> 01:20:47,676 I DID EXACTLY WHAT I NEEDED TO DO 2124 01:20:47,676 --> 01:20:49,812 TO RECEIVE A ROSE SO I COULD MEET SAMANTHA. 2125 01:20:49,812 --> 01:20:52,614 AND NOW THAT I DID THAT, SHE WANTS NO PART OF IT. 2126 01:20:52,614 --> 01:20:54,583 IT'S LIKE, I JUST WANT TO BE ON MY OWN 2127 01:20:54,583 --> 01:20:56,051 AND GET TO KNOW PEOPLE AS FRIENDS, 2128 01:20:56,051 --> 01:20:58,754 AND THEN IF I HAVE A GREAT -- IF I HAVE A CONNECTION, THAT'S GREAT. 2129 01:20:58,754 --> 01:21:00,656 ALL I CARE ABOUT IS, LIKE, 2130 01:21:00,656 --> 01:21:02,725 ANYONE'S FEELINGS THAT WERE HURT. 2131 01:21:02,725 --> 01:21:04,263 I JUST WANT TO MAKE IT RIGHT WITH ANYBODY. 2132 01:21:04,263 --> 01:21:04,993 I JUST WANT TO MAKE IT RIGHT WITH ANYBODY. 2133 01:21:04,993 --> 01:21:08,864 THAT'S ALL I REALLY CARE ABOUT AT THIS POINT. 2134 01:21:08,864 --> 01:21:10,933 ♪♪ 2135 01:21:10,933 --> 01:21:12,901 I JUST HOPE SAMANTHA'S A SMART ENOUGH GIRL TO REALIZE 2136 01:21:12,901 --> 01:21:14,603 THAT WHAT SHE DID WAS WRONG. 2137 01:21:14,603 --> 01:21:17,840 SO I'M GONNA LOOK LIKE A TOTAL JACKASS ON THIS ONE, 2138 01:21:17,840 --> 01:21:21,677 A [BLEEP] HOPELESS ROMANTIC WHO THOUGHT HE WAS IN LOVE 2139 01:21:21,677 --> 01:21:25,781 BUT GETS HIS HEART RIPPED OUT, AND THEN GOT PLAYED BY A BITCH. 2140 01:21:25,781 --> 01:21:27,883 SAMANTHA'S THE REASON WHY I'M IN THE POSITION THAT I'M IN 2141 01:21:27,883 --> 01:21:31,653 AND THEN BEING [BLEEP] OVER BY EVERYONE ELSE IN THE HOUSE. 2142 01:21:31,653 --> 01:21:32,921 I'VE NEVER BEEN BACKSTABBED 2143 01:21:32,921 --> 01:21:34,263 OR BEEN A PART OF DRAMA LIKE THIS EVER IN MY LIFE. 2144 01:21:34,263 --> 01:21:35,924 OR BEEN A PART OF DRAMA LIKE THIS EVER IN MY LIFE. 2145 01:21:35,924 --> 01:21:39,995 SHE NEEDS TO WRITE A [BLEEP] BOOK, 'CAUSE I'M IMPRESSED. 2146 01:21:39,995 --> 01:21:43,699 I THINK IT'S TIME TO PUT SOME STUFF STRAIGHT. 2147 01:21:43,699 --> 01:21:44,800 CLEAR THE AIR. 2148 01:21:44,800 --> 01:21:46,668 WATCH 'EM SQUIRM. 2149 01:21:46,668 --> 01:21:49,805 VILLAIN'S GOT TO VILL, YOU KNOW? 2150 01:21:49,805 --> 01:21:52,941 THERE'S NOT ANY WAY SHE'S GONNA GET AROUND THE SUBJECT. 2151 01:21:52,941 --> 01:21:55,744 I MEAN, I HAVE COLD, HARD FACTS. 2152 01:21:55,744 --> 01:21:57,713 OH, MY GOD. THIS IS GONNA BE EPIC. 2153 01:21:57,713 --> 01:21:59,681 I'M GONNA BE LIKE THIS -- "GOT YOU, BITCH." 2154 01:21:59,681 --> 01:22:00,816 [ LAUGHS ] 2155 01:22:00,816 --> 01:22:04,263 TOMORROW NIGHT ON "BACHELOR IN PARADISE"... 2156 01:22:04,263 --> 01:22:04,787 TOMORROW NIGHT ON "BACHELOR IN PARADISE"... 2157 01:22:04,787 --> 01:22:06,755 Juelia: I NEVER THOUGHT IN A MILLION YEARS 2158 01:22:06,755 --> 01:22:09,024 I'D COME TO PARADISE AND, LIKE, FALL FOR SOMEONE LIKE THIS. 2159 01:22:09,024 --> 01:22:10,759 OH, MY GOD. 2160 01:22:11,693 --> 01:22:13,629 OH! 2161 01:22:13,629 --> 01:22:14,830 I WOULD HAVE NEVER IMAGINED 2162 01:22:14,830 --> 01:22:16,598 GETTING TO DO SOMETHING LIKE THIS. 2163 01:22:16,598 --> 01:22:19,701 I JUST CONSIDER MYSELF THE LUCKIEST FREAKIN' PERSON 2164 01:22:19,701 --> 01:22:22,604 ON THIS PLANET. 2165 01:22:22,604 --> 01:22:24,807 JOE LOOKS LIKE HE'S ON THE WAR PATH. 2166 01:22:24,807 --> 01:22:25,941 SHE'S THROWING YOU UNDER THE BUS, BRO. 2167 01:22:25,941 --> 01:22:27,910 MY NAME WILL BE CLEARED SOON. 2168 01:22:27,910 --> 01:22:29,978 Tanner: JOE FELL ON THE SWORD FOR SAMANTHA. 2169 01:22:29,978 --> 01:22:32,714 SHE TOOK THE SWORD AND JUST STABBED HIM IN THE BACK. 2170 01:22:32,714 --> 01:22:34,263 Woman: HEY, THERE'S A PERSON! HELLO. 2171 01:22:34,263 --> 01:22:35,050 Woman: HEY, THERE'S A PERSON! HELLO. 2172 01:22:35,050 --> 01:22:37,586 IF I HAVE CONNECTION WITH SOMEONE, I'M GONNA TAKE A CHANCE. 2173 01:22:37,586 --> 01:22:38,887 SAMANTHA. SAMANTHA, JUSTIN. 2174 01:22:38,887 --> 01:22:40,055 PLEASURE. 2175 01:22:40,055 --> 01:22:41,757 SAMANTHA IS ONE OF THE MOST MANIPULATIVE WOMEN 2176 01:22:41,757 --> 01:22:42,758 I'VE EVER MET. 2177 01:22:42,758 --> 01:22:43,892 Joe: JUSTIN'S MY BOY. 2178 01:22:43,892 --> 01:22:44,960 IT DOESN'T BOTHER ME AT ALL THAT HE'S TALKING TO HER. 2179 01:22:44,960 --> 01:22:46,695 SHE CAN DRAG THIS OUT IF SHE WANTS TO, 2180 01:22:46,695 --> 01:22:48,897 BUT THERE'S NOT ANY WAY SHE'S GONNA GET AROUND THE SUBJECT. 2181 01:22:48,897 --> 01:22:50,732 I WAS JUST BASICALLY WONDERING 2182 01:22:50,732 --> 01:22:51,900 IF YOU WOULD LIKE TO GO OUT ON A DATE. 2183 01:22:51,900 --> 01:22:53,602 Man: THIS IS GONNA GET UGLY. 2184 01:22:53,602 --> 01:22:54,703 OH, MY GOODNESS. 2185 01:22:54,703 --> 01:22:56,638 Woman: IF SAM ACCEPTS THIS DATE WITH JUSTIN, 2186 01:22:56,638 --> 01:22:59,575 JOE IS GONNA GO STRAIGHT KENTUCKY RIGHT NOW. 2187 01:22:59,575 --> 01:23:00,742 ♪♪ 2188 01:23:00,742 --> 01:23:01,877 I WOULD LOVE TO GO ON A DATE. 2189 01:23:01,877 --> 01:23:02,911 PERFECT. 2190 01:23:02,911 --> 01:23:04,263 MOVE IT! 2191 01:23:04,263 --> 01:23:04,646 MOVE IT! 2192 01:23:04,646 --> 01:23:07,950 "BACHELOR IN PARADISE" CONTINUES TOMORROW NIGHT. 2193 01:23:10,953 --> 01:23:13,021 LET'S GET IN THE OCEAN. YOU WANT TO? OKAY. 2194 01:23:13,021 --> 01:23:15,824 WHEN I FIRST SAW SAM, HONESTLY, YOU LOOK AT HER 2195 01:23:15,824 --> 01:23:17,893 AND ALL YOU CAN DO IS JUST SMILE FROM EAR TO EAR 2196 01:23:17,893 --> 01:23:21,864 AND REALLY THINK, "HOW IS THIS GIRL THAT BEAUTIFUL?" 2197 01:23:21,864 --> 01:23:22,998 SHE'S PERFECT. 2198 01:23:22,998 --> 01:23:26,802 [ SCREAMS ] 2199 01:23:26,802 --> 01:23:27,936 SAM MAKES ME FEEL SPECIAL, 2200 01:23:27,936 --> 01:23:29,872 AND IT'S WONDERFUL THAT SHE'S WITH ME. 2201 01:23:29,872 --> 01:23:31,840 AND I DON'T WANT ANY DRAMA TO JEOPARDIZE IT. 2202 01:23:31,840 --> 01:23:34,263 IT JUST WANT TO MOVE ON AND SEE WHAT THIS COULD BE. 2203 01:23:34,263 --> 01:23:35,010 IT JUST WANT TO MOVE ON AND SEE WHAT THIS COULD BE. 2204 01:23:35,010 --> 01:23:37,679 [ SCREAMS ] 2205 01:23:37,679 --> 01:23:38,914 IF SAMANTHA'S AND I RELATIONSHIP 2206 01:23:38,914 --> 01:23:40,883 KEEPS GOING THE WAY THAT IT IS RIGHT NOW... 2207 01:23:40,883 --> 01:23:42,718 [ SCREAMS ] 2208 01:23:42,718 --> 01:23:44,686 ...I'LL BE MORE THAN HAPPY TO MARRY HER. 2209 01:23:44,686 --> 01:23:46,021 WHEN I SEE SAMANTHA OR WHEN I'M WITH HER, 2210 01:23:46,021 --> 01:23:47,689 I LOOK AT HER AND THINK, "WOW. 2211 01:23:47,689 --> 01:23:49,658 THIS IS THE WOMAN THAT I'VE ALWAYS PICTURED MARRYING. 2212 01:23:49,658 --> 01:23:50,926 THIS IS WHO I WANT TO BE THE -- 2213 01:23:50,926 --> 01:23:52,895 THE MOTHER OF MY CHILDREN SOME DAY." 2214 01:23:52,895 --> 01:23:54,630 SO IT'S KIND OF LIKE A FAIRY TALE. 2215 01:23:54,630 --> 01:23:55,764 IT'S -- IT'S AMAZING. 2216 01:23:55,764 --> 01:23:57,666 UM, AND I DON'T WANT IT TO STOP. I WANT IT TO KEEP GOING. 2217 01:23:57,666 --> 01:23:58,867 I WANT TO SEE HOW FAR THIS CAN GO. 2218 01:23:58,867 --> 01:24:01,570 [ SCREAMS ]