1 00:00:03,333 --> 00:00:04,567 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,567 --> 00:00:08,166 NO WAY! WERE YOU DYING? HOW DO YOU FEEL? 3 00:00:08,166 --> 00:00:10,200 - YOU LOOK AMAZING. - I FEEL AWESOME. 4 00:00:10,200 --> 00:00:12,834 - IS IT THAT TRAUMATIC COMING HERE? 5 00:00:12,834 --> 00:00:14,367 - NO, IT'S SO EXCITING. 6 00:00:14,367 --> 00:00:17,300 HOW DO YOU RE-- LIKE, HOW DO YOU STOP? 7 00:00:17,300 --> 00:00:19,166 - I REALLY DON'T, BUT I WORKED JUST AS HARD 8 00:00:19,166 --> 00:00:20,800 WHEN I WASN'T ON TV TOO. 9 00:00:20,800 --> 00:00:22,367 - I CAN'T STUMP YOU! 10 00:00:22,367 --> 00:00:24,000 - DO YOU GUYS WANT ME TO LEAVE YOU ALONE? 11 00:00:24,000 --> 00:00:25,767 - I'M, LIKE-- WE'RE FULLY--THIS IS LIKE WE'RE IN A PORNO NOW. 12 00:00:25,767 --> 00:00:27,367 - NICK, IT'S GOOD TO SEE YOU. 13 00:00:27,367 --> 00:00:29,000 NO, NO, NO. LOOK AT ME. 14 00:00:29,000 --> 00:00:30,600 WE GOTTA BREAK HIM OUT OF HIS SHELL. 15 00:00:30,600 --> 00:00:32,967 WHY DON'T WE GO TO MY PARENTS' THIS WEEKEND? 16 00:00:32,967 --> 00:00:35,400 - WHY? BECAUSE WE WERE JUST THERE. 17 00:00:35,400 --> 00:00:37,266 I FEEL LIKE YOU START TO GET EDGY AND WORKED UP 18 00:00:37,266 --> 00:00:38,567 EVERY TWO TO THREE WEEKS. 19 00:00:38,567 --> 00:00:40,066 - YOU NEED TO, LIKE, GET OVER THIS. 20 00:00:40,066 --> 00:00:42,000 - I DON'T WANT TO GO THROUGH LIFE THINKING I'M THE CRAZY ONE. 21 00:00:42,000 --> 00:00:43,433 - YOU'RE NOT THE CRAZY ONE. 22 00:00:43,433 --> 00:00:45,100 - YES, YOU MAKE IT LIKE I'M THE CRAZY ONE, 23 00:00:45,100 --> 00:00:47,667 BECAUSE IT'S LIKE YOU'RE NORMAL, AND I MUST BE CRAZY. 24 00:00:47,667 --> 00:00:50,066 [cameras shutters clicking] 25 00:00:50,066 --> 00:00:53,200 [upbeat music] 26 00:00:53,200 --> 00:00:57,700 ♪♪ ♪♪ 27 00:00:57,700 --> 00:01:00,667 [baby fussing] 28 00:01:02,934 --> 00:01:07,734 - BOO-BOO, IT'S MORNING TIMES. 29 00:01:07,734 --> 00:01:11,667 HAPPY BABIES. 30 00:01:11,667 --> 00:01:13,100 HI, YOU. [smooching] 31 00:01:13,100 --> 00:01:15,166 YOU HUNGRY? [smooching] 32 00:01:15,166 --> 00:01:17,367 COME HERE. 33 00:01:17,367 --> 00:01:19,200 THE BABY SLEEPS FROM 8:00 TO 8:00. 34 00:01:19,200 --> 00:01:21,500 GINA SLEEPS AS LONG AS SHE POSSIBLY CAN. 35 00:01:21,500 --> 00:01:24,433 GINA'S NOT A MORNING PERSON. 36 00:01:24,433 --> 00:01:27,166 IT IS UNUSUAL TO HAVE A BABY NURSE 37 00:01:27,166 --> 00:01:28,700 IN YOUR HOME FOR THIS LONG. 38 00:01:28,700 --> 00:01:31,667 WHEN IS GINA LEAVING? UNCLEAR. 39 00:01:31,667 --> 00:01:33,000 I DON'T KNOW HOW THIS HAPPENED. 40 00:01:33,000 --> 00:01:35,533 IT'S LIKE I'VE ADOPTED A 49-YEAR-OLD CHILD. 41 00:01:35,533 --> 00:01:37,934 [baby fusses] OKAY. 42 00:01:37,934 --> 00:01:40,500 WE JUST KIND OF TEND TO MAKE EVERYBODY PART OF THE FAMILY. 43 00:01:40,500 --> 00:01:44,300 AND I FIND THAT THERE AREN'T MANY BOUNDARIES IN MY HOUSE. 44 00:01:44,300 --> 00:01:47,100 SCREW IT. 45 00:01:47,100 --> 00:01:48,567 ALL RIGHT, COME ON. 46 00:01:48,567 --> 00:01:50,467 I LIKE TO HAVE MY OWN TIME WITH BRYN. 47 00:01:50,467 --> 00:01:52,767 AND SO I PUT HER IN THE BABY CARRIER, 48 00:01:52,767 --> 00:01:54,233 AND SHE FALLS ASLEEP. 49 00:01:54,233 --> 00:01:57,133 AND IT'S THE MOST NURTURING, WONDERFUL THING. 50 00:01:57,133 --> 00:01:59,633 COOKIE, BE NICE. 51 00:01:59,633 --> 00:02:01,033 HI. 52 00:02:01,033 --> 00:02:04,500 IT'S HOT AS BALLS IN HERE. GOD. 53 00:02:07,867 --> 00:02:09,667 OH. [camera shutter clicking] 54 00:02:09,667 --> 00:02:12,967 SHOOT. THERE'S PAPARAZZI RIGHT THERE. 55 00:02:12,967 --> 00:02:15,333 I'M WALKING WITH YOU GUYS, BECAUSE THERE'S PAPARAZZI, 56 00:02:15,333 --> 00:02:17,233 AND I DON'T WANT THEM TO GET ME AND MY BABY. 57 00:02:17,233 --> 00:02:19,467 SO JUST--LET'S-- - I'M THE BIG GUY. 58 00:02:19,467 --> 00:02:21,300 - THE BIG GUY. - YOUR NAME IS? 59 00:02:21,300 --> 00:02:23,133 - BETHENNY. WHAT'S YOUR NAME? 60 00:02:23,133 --> 00:02:25,133 - MANNY. - NICE TO MEET YOU, MANNY. 61 00:02:25,133 --> 00:02:27,200 THANKS, MANNY. - ENJOY THE REST OF YOUR DAY. 62 00:02:27,200 --> 00:02:28,867 - NICE TO MEET YOU. THANK YOU. 63 00:02:28,867 --> 00:02:30,567 UGH. 64 00:02:40,934 --> 00:02:44,333 MY BAD, GISELE. YOU ALL RIGHT OVER THERE? 65 00:02:44,333 --> 00:02:47,367 YOU'RE LIKE A VAMPIRE. 66 00:02:47,367 --> 00:02:50,567 I'M OUTSIDE LOOKING LIKE A TRAIN WRECK. 67 00:02:50,567 --> 00:02:54,100 AND I COME BACK AND GINA'S STILL GETTING HER BEAUTY REST. 68 00:02:54,100 --> 00:02:56,033 THE PLAN WAS FOR GINA TO WORK FOR ME 69 00:02:56,033 --> 00:02:57,633 AND BE MY BABY NURSE. 70 00:02:57,633 --> 00:03:00,700 I MEAN, IN--YOU KNOW, "GINA WORKS FOR ME," OKAY? 71 00:03:00,700 --> 00:03:03,567 I MEAN, SHE'S "MY EMPLOYEE," BUT I REALLY WORK FOR HER. 72 00:03:03,567 --> 00:03:04,800 IT IS MY FAULT. 73 00:03:04,800 --> 00:03:06,500 I LET HER IN, 74 00:03:06,500 --> 00:03:08,967 AND NOW THIS IS LIKE A RUNAWAY TRAIN. 75 00:03:08,967 --> 00:03:12,967 I LOVE YOU. EVERYBODY SLEEP TIGHT. 76 00:03:16,734 --> 00:03:18,533 - [snores lightly] 77 00:03:30,233 --> 00:03:31,734 - WELL, I DON'T KNOW. 78 00:03:31,734 --> 00:03:33,367 I'VE BEEN GETTING ALL THESE EMAILS AND TWEETS 79 00:03:33,367 --> 00:03:35,934 FROM PEOPLE FREAKING OUT SAYING THAT THEY DON'T HAVE PRODUCT. 80 00:03:35,934 --> 00:03:38,433 AND IT'S MAKING ME FEEL VERY HELPLESS. 81 00:03:38,433 --> 00:03:40,633 - RIGHT. FROM ALL OVER THE COUNTRY OR JUST NEW YORK? 82 00:03:40,633 --> 00:03:42,266 - ALL OVER THE COUNTRY. - YEAH? 83 00:03:42,266 --> 00:03:43,567 - I CREATED THIS DEMAND 84 00:03:43,567 --> 00:03:46,667 FOR THIS LOW-CALORIE BOTTLED MARGARITA. 85 00:03:46,667 --> 00:03:50,700 BUT GETTING INTO THE DETAILS ABOUT WHY WE CAN'T KEEP UP 86 00:03:50,700 --> 00:03:52,700 WITH THE DEMAND OF THIS BUSINESS, 87 00:03:52,700 --> 00:03:54,066 IT'S MADDENING TO ME. 88 00:03:54,066 --> 00:03:55,734 - HEY, MY FRIEND. YOU REMEMBER ME? 89 00:03:55,734 --> 00:03:57,433 - YEAH. - JASON. HOW ARE YOU? 90 00:03:57,433 --> 00:03:59,500 - HOW ARE YOU? - THIS IS MY WIFE, BETHENNY. 91 00:03:59,500 --> 00:04:01,633 AND THIS IS THE CREATOR OF THE SKINNYGIRL MARGARITA. 92 00:04:01,633 --> 00:04:02,967 - OH, YEAH, YEAH, YEAH. 93 00:04:02,967 --> 00:04:05,333 - JASON LOVES TO WALK INTO A LIQUOR STORE 94 00:04:05,333 --> 00:04:08,800 AND SAY, YOU KNOW, "HELLO," AND, "HOW'S IT SELLING?" 95 00:04:08,800 --> 00:04:10,800 I WOULD PROBABLY HAVE TOO MUCH A.D.D. 96 00:04:10,800 --> 00:04:12,100 TO GO INTO THE LIQUOR STORE. 97 00:04:12,100 --> 00:04:13,600 I WOULD SAY, "JASON, RUN IN THE STORE-- 98 00:04:13,600 --> 00:04:14,867 RUN IN THE STORE AND SEE IF THEY HAVE THE PRODUCT!" 99 00:04:14,867 --> 00:04:16,133 I DON'T HAVE THE PATIENCE THAT HE HAS. 100 00:04:16,133 --> 00:04:18,100 - SO WHERE DO YOU-- YOU HAVE IT IN THERE? 101 00:04:18,100 --> 00:04:19,633 - RIGHT THERE. - DID YOU JUST GET IT? 102 00:04:19,633 --> 00:04:20,667 TELL ME WHAT'S GOING ON. 103 00:04:20,667 --> 00:04:23,133 - WELL, I HAD IT BEFORE, 104 00:04:23,133 --> 00:04:25,300 LIKE WHEN YOU INTRODUCED, PROBABLY, IN THE MARKET. 105 00:04:25,300 --> 00:04:26,367 - YOU HAD IT BEFORE THE SUMMER. 106 00:04:26,367 --> 00:04:28,000 - AND THEN IT JUST RAN OUT. 107 00:04:28,000 --> 00:04:30,867 I MEAN, IT WAS QUICK. I WAS SELLING A LOT. 108 00:04:30,867 --> 00:04:33,767 AND THEN, SUDDENLY, FOR TWO MONTHS, IT... 109 00:04:33,767 --> 00:04:35,166 - NOTHING. 110 00:04:35,166 --> 00:04:36,533 - NOTHING. - AND YOU CALLED-- 111 00:04:36,533 --> 00:04:38,233 - AND THAT WAS THE TIME IN THE SUMMER... 112 00:04:38,233 --> 00:04:39,834 - WHEN YOU NEEDED IT. - WHEN WE NEED IT, 113 00:04:39,834 --> 00:04:41,100 BECAUSE I SAID-- 114 00:04:41,100 --> 00:04:42,767 - IN THE SUMMER IS WHEN YOU NEED MARGARITAS. 115 00:04:42,767 --> 00:04:45,100 - EXACTLY. SO... 116 00:04:45,100 --> 00:04:47,400 - I'M REALIZING THAT I NEED SOMEONE ELSE 117 00:04:47,400 --> 00:04:50,734 WHO'S AS INVESTED AS I AM, AND THAT PERSON IS JASON. 118 00:04:50,734 --> 00:04:52,834 - WHY DON'T YOU ASK HIM YOUR-- HIS OPINION ON...? 119 00:04:52,834 --> 00:04:54,233 - THE OTHER DRINKS. - YEAH. 120 00:04:54,233 --> 00:04:57,767 - OF ALL OTHER DRINKS THAT THE ALCOHOL IS IN THE BOTTLE-- 121 00:04:57,767 --> 00:05:00,066 THIS IS A MARGARITA-- WHAT'S THE NEXT MOST POPULAR? 122 00:05:00,066 --> 00:05:01,300 - NONE, BASICALLY. 123 00:05:01,300 --> 00:05:03,433 - MARGARITA DOMINATES. - RIGHT. 124 00:05:03,433 --> 00:05:05,133 - I'M GONNA MAKE A POME-POLITAN. 125 00:05:05,133 --> 00:05:07,467 IT'S LIKE A COSMOPOLITAN WITH POMEGRANATE, 126 00:05:07,467 --> 00:05:09,734 AND IT'S GONNA SELL LIKE HOTCAKES. 127 00:05:09,734 --> 00:05:11,266 - COOL. - I KNOW WHAT I'M DOING. 128 00:05:11,266 --> 00:05:13,200 BUT I NEED YOUR HELP. 129 00:05:13,200 --> 00:05:15,033 - I-I-I WON'T DISPUTE IT. 130 00:05:15,033 --> 00:05:16,500 - THE DEVIL IS IN THE DETAILS. 131 00:05:16,500 --> 00:05:18,900 AND THIS DEVIL CANNOT BE IN THE DETAILS, 132 00:05:18,900 --> 00:05:20,300 BUT JASON SHOULD. 133 00:05:20,300 --> 00:05:23,767 - MY BOTTOM LINE IS I DON'T WANT TO LOSE THE COSTUMER. 134 00:05:23,767 --> 00:05:25,033 - SURE. - IT WILL LIGHTEN UP. 135 00:05:25,033 --> 00:05:26,100 IT WILL. I'M GETTING ON THE CASE. 136 00:05:26,100 --> 00:05:27,300 IT WILL LIGHTEN UP. - THANK YOU. 137 00:05:27,300 --> 00:05:28,734 - NICE TO MEET YOU. - IT'S GOOD TO SEE YOU. 138 00:05:28,734 --> 00:05:30,233 THANK YOU. THANK YOU. - BYE. 139 00:05:30,233 --> 00:05:32,800 - I'M BUILDING THIS FOR US AND OUR FAMILY AND OUR LIFE. 140 00:05:32,800 --> 00:05:35,000 AND, IRONICALLY, 141 00:05:35,000 --> 00:05:38,233 JASON THINKS OF IT AS MINE AND HIS. 142 00:05:38,233 --> 00:05:39,667 BUT I WANT HIM TO BE PART OF IT, 143 00:05:39,667 --> 00:05:42,433 AND I WANT HIM TO GET PERSONAL ABOUT IT. 144 00:05:42,433 --> 00:05:44,033 I WILL KILL SOMEBODY. 145 00:05:44,033 --> 00:05:45,600 - [laughing] WHY? 146 00:05:45,600 --> 00:05:47,066 - BECAUSE... 147 00:05:47,066 --> 00:05:49,400 - WELL, I FEEL BAD FOR HIM TOO, BECAUSE YOU LOSE CUSTOMERS. 148 00:05:49,400 --> 00:05:51,600 - DO YOU KNOW HOW MANY OF HIM THERE ARE IN THE COUNTRY? 149 00:05:51,600 --> 00:05:53,233 I NEED HELP. I NEED SOMEONE TO SCREAM. 150 00:05:53,233 --> 00:05:55,867 YOU NEED TO HELP ME. - I'LL DO THE BEST I CAN. 151 00:05:55,867 --> 00:05:58,533 BUT I JUST WANT TO MANAGE YOUR EXPECTATIONS 152 00:05:58,533 --> 00:06:01,367 BEFORE I GET INVOLVED IN THIS IN MY SPARE TIME, OKAY? 153 00:06:01,367 --> 00:06:03,867 I DON'T WANT YOU TO EXPECT THAT I'M GONNA WALK IN THERE 154 00:06:03,867 --> 00:06:06,700 WITH NOT HAVING EXPERIENCE IN THIS INDUSTRY 155 00:06:06,700 --> 00:06:09,033 AND JUST, LIKE, PUT PEOPLE'S HEADS ON THE CHOPPING BLOCK. 156 00:06:09,033 --> 00:06:10,400 I WOULD HAVE TO ASSUME 157 00:06:10,400 --> 00:06:11,900 THERE ARE PRETTY GOOD BUSINESS REASONS 158 00:06:11,900 --> 00:06:15,033 AS TO WHY THERE IS A LITTLE BIT OF A HOLD UP. 159 00:06:15,033 --> 00:06:17,300 I GET A LITTLE NERVOUS WHEN IT COMES TO ME 160 00:06:17,300 --> 00:06:19,300 WORKING WITH BETHENNY. 161 00:06:19,300 --> 00:06:22,533 SHE FEELS THAT HEADS SHOULD ROLL. 162 00:06:22,533 --> 00:06:24,000 AND THAT'S JUST NOT MY STYLE. 163 00:06:24,000 --> 00:06:26,133 I MEAN, I'D LIKE TO GET TO AN UNDERSTANDING 164 00:06:26,133 --> 00:06:27,934 OF WHAT'S ACTUALLY HAPPENING. 165 00:06:27,934 --> 00:06:30,233 - BUT I CAN ONLY COMMUNICATE BY SCREAMING RIGHT NOW. 166 00:06:30,233 --> 00:06:32,133 I'M SO FURIOUS THAT I NEED A HUMAN BEING 167 00:06:32,133 --> 00:06:34,300 WHO'S RATIONAL TO FIND OUT. - HOW ABOUT THIS? 168 00:06:34,300 --> 00:06:37,533 I'LL FIND OUT WHAT'S GOING ON AND DO THE BEST I CAN 169 00:06:37,533 --> 00:06:39,967 TO HOPEFULLY MAKE THIS GO SEAMLESSLY 170 00:06:39,967 --> 00:06:42,233 AND GET PRODUCTS IN THE MARKET. - I'M JUST FRUSTRATED. 171 00:06:42,233 --> 00:06:44,533 WRAP YOUR HEAD AROUND THE FACT THIS IS YOUR THING, 172 00:06:44,533 --> 00:06:46,667 AND PEOPLE WANT IT, AND YOU ARE NOT SUPPLYING IT. 173 00:06:46,667 --> 00:06:48,066 JUST THINK ABOUT IT AS YOUR THING. 174 00:06:48,066 --> 00:06:49,934 - OH, I'D BE LIVID. 175 00:06:49,934 --> 00:06:51,066 - SO BE LIVID. 176 00:06:51,066 --> 00:06:53,700 I AM IMPULSIVE, AND I GIVE EVERYTHING, 177 00:06:53,700 --> 00:06:55,200 AND I'M PASSIONATE ABOUT IT, 178 00:06:55,200 --> 00:06:57,700 AND I GET SO INTO IT AND EXTREME. 179 00:06:57,700 --> 00:06:59,333 SO I GUESS I GET 180 00:06:59,333 --> 00:07:01,800 WHY JASON'S NOT CHOMPING AT THE BIT TO WORK WITH ME. 181 00:07:01,800 --> 00:07:03,500 - OKAY. 182 00:07:03,500 --> 00:07:05,767 - IF YOU WOULD BE LIVID 'CAUSE IT'S YOU, THEN WHY ISN'T IT? 183 00:07:05,767 --> 00:07:07,767 WE'RE MARRIED. IT IS YOU. - OKAY. 184 00:07:07,767 --> 00:07:09,100 - SO BE LIVID. - ALL RIGHT. 185 00:07:09,100 --> 00:07:11,300 - OKAY. - [laughs] 186 00:07:19,333 --> 00:07:20,967 - HI. [Cookie barking] 187 00:07:20,967 --> 00:07:23,367 HOW ARE YOU? IT'S GOOD TO SEE YOU AGAIN. 188 00:07:23,367 --> 00:07:26,033 [Cookie barks] COOK, COME ON. 189 00:07:26,033 --> 00:07:28,667 NICK'S HERE. - HI, NICK. 190 00:07:28,667 --> 00:07:30,734 NICE TO SEE YOU. 191 00:07:30,734 --> 00:07:32,367 THANKS FOR COMING OVER. 192 00:07:32,367 --> 00:07:34,533 - SMELLS LIKE YOU'RE COOKING, SO I'M A LITTLE EMBARRASSED. 193 00:07:34,533 --> 00:07:36,066 - WHY ARE YOU EMBARRASSED? WHAT DO WE HAVE? 194 00:07:36,066 --> 00:07:38,166 - IT'S A BAG LUNCH FROM MY FAVORITE PLACE. 195 00:07:38,166 --> 00:07:40,166 - [gasps] AND YOU BROUGHT A BEVERAGE? 196 00:07:40,166 --> 00:07:42,033 - YEAH, TO GO WITH EVERYTHING. 197 00:07:42,033 --> 00:07:43,633 - WAIT. THIS IS JASON'S FAVORITE THING. 198 00:07:43,633 --> 00:07:45,166 I'M MAKING-- IT'S A HALF AND HALF. 199 00:07:45,166 --> 00:07:46,767 - HALF AND HALF-- ARNIE PALMER. 200 00:07:46,767 --> 00:07:48,934 - DO YOU DRINK ALCOHOL? - SOMETIMES, YEAH. 201 00:07:48,934 --> 00:07:50,333 - OH, NICE. 202 00:07:50,333 --> 00:07:53,000 - I BROUGHT A SANDWICH AND SOME MINI CUPCAKES. 203 00:07:53,000 --> 00:07:54,667 - ARE THESE FROM A CART OF SOME SORT? 204 00:07:54,667 --> 00:07:56,233 - NO. THEY'RE FROM THIS REALLY COOL 205 00:07:56,233 --> 00:07:58,033 UNDERGROUND SANDWICH SHOP AROUND HERE. 206 00:07:58,033 --> 00:07:59,100 - THESE ARE? - YEAH. 207 00:07:59,100 --> 00:08:01,400 - OH, MY GOODNESS. WHAT'S THIS? 208 00:08:01,400 --> 00:08:03,300 - IT'S A, UH-- IT'S CALLED THE HIGHLINE. 209 00:08:03,300 --> 00:08:06,800 IT'S, UM, ROSEMARY FOCACCIA, FREE-RANGE GRILLED CHICKEN... 210 00:08:06,800 --> 00:08:08,467 - WOULD YOU-- WOULD YOU LIKE HALF? 211 00:08:08,467 --> 00:08:10,000 - ROASTED RED PEPPERS. SURE, I'LL SPLIT IT WITH YOU. 212 00:08:10,000 --> 00:08:12,066 - ALL RIGHT. THAT WAS SO NICE OF YOU. 213 00:08:12,066 --> 00:08:14,734 LET'S GET WASTED UP IN THIS MONKEY. 214 00:08:14,734 --> 00:08:17,266 SO WE GOT TO TALK ABOUT THIS FOOD BLOG. 215 00:08:17,266 --> 00:08:18,800 - OH, COOL. - YOU KNOW? 216 00:08:18,800 --> 00:08:20,266 WE GOT TO MAKE LOVE TO SOME FOOD, NO? 217 00:08:20,266 --> 00:08:22,133 - SURE. IT SOUNDS GOOD. 218 00:08:22,133 --> 00:08:23,533 - I WANTED NICK TO COME OVER, 219 00:08:23,533 --> 00:08:25,033 BECAUSE HE'S VERY PASSIONATE ABOUT FOOD, 220 00:08:25,033 --> 00:08:27,567 AND I THOUGHT MAYBE HE COULD WRITE A BLOG FOR ME. 221 00:08:27,567 --> 00:08:30,900 ALL RIGHT, YOU CAN EAT. IT'S OKAY. 222 00:08:30,900 --> 00:08:32,300 OH, MY GOD. IT'S VERY GOOD. 223 00:08:32,300 --> 00:08:34,700 - THANK YOU. - THAT WAS SO SWEET OF YOU. 224 00:08:34,700 --> 00:08:36,333 I LIKE TO GET EXCITED ABOUT THINGS. 225 00:08:36,333 --> 00:08:39,033 I GET IMPULSIVE AND EXCITED AND PASSIONATE. 226 00:08:39,033 --> 00:08:41,000 AND EVERY GREAT IDEA I'VE EVER HAD 227 00:08:41,000 --> 00:08:43,900 WAS IN ONE OF THOSE MOMENTS OF PASSION AND IMPULSE. 228 00:08:43,900 --> 00:08:46,033 AND I WOULDN'T CHANGE ANYTHING ABOUT IT. 229 00:08:46,033 --> 00:08:47,800 I WANT TO DO A CART CRAWL. 230 00:08:47,800 --> 00:08:50,200 I WANT TO GO TO AN INDIAN CART. I WANT TO GO TO A-- 231 00:08:50,200 --> 00:08:52,166 LIKE, I DON'T KNOW WHERE A TACO TRUCK IS--I BET YOU DO. 232 00:08:52,166 --> 00:08:53,600 - YEAH, THERE ARE SOME GOOD ONES. 233 00:08:53,600 --> 00:08:55,000 - I DON'T THINK WE SHOULD DO DESSERT. 234 00:08:55,000 --> 00:08:56,667 IT'S TOO OBVIOUS. OR ARE THE DESSERT'S THAT GREAT? 235 00:08:56,667 --> 00:08:58,200 - SOME OF THE DESSERTS ARE REALLY GOOD. 236 00:08:58,200 --> 00:09:02,033 HAVE YOU EVER BEEN TO THE BIG, GAY ICE CREAM TRUCK? 237 00:09:02,033 --> 00:09:03,633 - THE BIG, GAY ICE CREAM TRUCK? 238 00:09:03,633 --> 00:09:05,000 ARE THERE BIG GAYS ON IT? 239 00:09:05,000 --> 00:09:06,467 - UH, NO, JUST A REGULAR GAY. 240 00:09:06,467 --> 00:09:08,633 HE'S A REALLY NICE GUY NAMED DOUG. 241 00:09:08,633 --> 00:09:10,266 HE'S A BASSOONIST BY TRADE. 242 00:09:10,266 --> 00:09:12,166 AND HE RENTS OUT AN ICE CREAM TRUCK. 243 00:09:12,166 --> 00:09:14,667 - WHO SAYS "BASSOON" IN THEIR DAILY VERNACULAR? 244 00:09:14,667 --> 00:09:17,033 - SOMEBODY WHO GOES TO THE BIG, GAY ICE CREAM TRUCK? 245 00:09:17,033 --> 00:09:18,600 - ALL RIGHT, SO LET'S THINK 246 00:09:18,600 --> 00:09:20,100 ABOUT, LIKE, THREE OR FOUR OTHERS THAT WE'RE GONNA DO. 247 00:09:20,100 --> 00:09:21,500 WHAT ARE THE FOUR BEST? 248 00:09:21,500 --> 00:09:24,000 - THE 53RD STREET AND 6TH AVENUE HALAL CART--THE MOST FAMOUS ONE. 249 00:09:24,000 --> 00:09:25,500 - THAT'S THE ONE THAT THEY'RE ONLINE. 250 00:09:25,500 --> 00:09:28,233 - THAT'S THE ONE--YES. - YOU KNOW EVERYTHING! 251 00:09:28,233 --> 00:09:29,533 THIS--I CAN'T STUMP YOU. 252 00:09:29,533 --> 00:09:31,567 IT'S LIKE JEOPARDY! FOR FOODIES. 253 00:09:31,567 --> 00:09:34,066 AND I CAN'T STUMP YOU. NOW BUSINESS-- 254 00:09:34,066 --> 00:09:35,266 YOU NEED TO COME AND WRITE-- 255 00:09:35,266 --> 00:09:38,200 YOU NEED TO DO A FOOD BLOG ON MY WEBSITE. 256 00:09:38,200 --> 00:09:39,633 I'LL THINK OF WHAT WE'RE GONNA CALL IT. 257 00:09:39,633 --> 00:09:41,133 - OKAY. - I LIKE THE WORD "CRAWL." 258 00:09:41,133 --> 00:09:42,667 SO I DON'T KNOW IF IT'S FOOD CRAWL 259 00:09:42,667 --> 00:09:46,500 OR NICK'S CREEPY CRAWL OR... 260 00:09:46,500 --> 00:09:50,233 - ARE YOU CALLING ME CREEPY? 261 00:09:50,233 --> 00:09:53,567 - WHY? WHY WOULD I SAY, "NICK'S CREEPY CRAWL"? 262 00:09:53,567 --> 00:09:55,300 WHY DID THAT COME OUT OF MY MOUTH? 263 00:09:55,300 --> 00:09:57,233 - NO, THE CRAWL. - OH, CREEPY CRAWL. 264 00:09:57,233 --> 00:09:59,867 - BUT IT'S NOT THE CREEPY CRAWL, BUT IT'S A CRAWL. 265 00:09:59,867 --> 00:10:02,200 LIKE, FREUD INVADED MY BODY 266 00:10:02,200 --> 00:10:04,166 AND STEPPED RIGHT OUT OF MY MOUTH. 267 00:10:04,166 --> 00:10:06,934 CULINARY CRAWL-- NICK'S CULINARY CRAWL. 268 00:10:06,934 --> 00:10:08,667 - GOOD. CHEERS. 269 00:10:08,667 --> 00:10:10,500 - ALL RIGHT, SO WE'RE STARTING SOON. 270 00:10:10,500 --> 00:10:11,800 HOW DO YOU LIKE THE MARGARI-- 271 00:10:11,800 --> 00:10:14,734 LOOK WHO'S HERE. WE'LL TALK ABOUT THAT-- 272 00:10:14,734 --> 00:10:16,867 THIS IS MY BABY. - LOOK AT THESE CUPCAKES. WOW. 273 00:10:16,867 --> 00:10:18,233 - VERY NICE TO MEET YOU. 274 00:10:18,233 --> 00:10:20,700 - AW, HE JUST SAID, "IT'S VERY NICE TO MEET YOU." 275 00:10:20,700 --> 00:10:22,367 - I'D BE HAPPY TO GIVE HER-- WHAT'S IT CALLED-- 276 00:10:22,367 --> 00:10:25,233 LIKE, A LITTLE ROASTED RED PEPPER OUT OF MY SANDWICH. 277 00:10:25,233 --> 00:10:26,700 - YOU'RE SO SWEET. - I BET SHE WOULD EAT THAT. 278 00:10:26,700 --> 00:10:27,900 IT'S SOFT. - SHE CAN'T. 279 00:10:27,900 --> 00:10:29,300 SHE'S STILL-- IN A COUPLE WEEKS-- 280 00:10:29,300 --> 00:10:31,533 IN A COUPLE MONTHS, SHE CAN. BUT YOU'RE SO SWEET. 281 00:10:31,533 --> 00:10:33,567 - I HOPE THIS IS NOT AN AWKWARD QUESTION, 282 00:10:33,567 --> 00:10:35,033 BUT WHERE'S YOUR ASSISTANT? 283 00:10:35,033 --> 00:10:36,867 - IS SHE MINE? WHERE IS HER WHAT? 284 00:10:36,867 --> 00:10:38,533 - THE GUY. 285 00:10:38,533 --> 00:10:40,700 - OH, THE GUY. 286 00:10:40,700 --> 00:10:42,834 UM... 287 00:10:42,834 --> 00:10:46,467 UM, NO, IT JUST--I DON'T WANT TO TALK ABOUT ANYBODY ELSE. 288 00:10:46,467 --> 00:10:48,734 - OH, OKAY. SORRY TO BOTHER ABOUT THAT. 289 00:10:48,734 --> 00:10:50,100 - NO, IT'S OKAY. 290 00:10:50,100 --> 00:10:53,400 I KIND OF NEED TO LAY IT ON THE LINE WITH MAX. 291 00:10:53,400 --> 00:10:55,066 HE'S JUST ONE OF THOSE CHARMERS 292 00:10:55,066 --> 00:10:56,734 WHO ALWAYS SAYS THE RIGHT THING 293 00:10:56,734 --> 00:10:58,400 AND ALWAYS MANAGES TO GET HIMSELF OUT OF SOMETHING 294 00:10:58,400 --> 00:11:00,433 WITH WORDS BUT NOT WITH ACTIONS. 295 00:11:00,433 --> 00:11:02,533 AND I GUESS I NEED TO JUST LET HIM KNOW 296 00:11:02,533 --> 00:11:05,000 THAT I FIND HIM TO BE A LIABILITY 297 00:11:05,000 --> 00:11:06,266 RATHER THAN AN ASSET. 298 00:11:06,266 --> 00:11:09,667 BUT I'M EXCITED ABOUT THE CULINARY CRAWL. 299 00:11:09,667 --> 00:11:12,734 YOU WANT TO GO IN? HERE... 300 00:11:14,367 --> 00:11:15,834 SO IN THE NEXT-- 301 00:11:15,834 --> 00:11:17,667 LET'S DO IT IN THE NEXT COUPLE WEEKS--THE CRAWL. 302 00:11:17,667 --> 00:11:19,133 - SURE. I'D LOVE TO. - ALL RIGHT? 303 00:11:19,133 --> 00:11:20,934 CHEERS. - CHEERS. 304 00:11:20,934 --> 00:11:22,867 - I'M EXCITED. THANK YOU FOR COMING OVER. 305 00:11:22,867 --> 00:11:25,000 - THANK YOU. 306 00:11:25,000 --> 00:11:28,700 - COOKIE, BE NICE. 307 00:11:28,700 --> 00:11:31,333 THANK YOU SO MUCH. - THANK YOU. 308 00:11:31,333 --> 00:11:33,567 - I LIKE UNUSUAL, QUIRKY, 309 00:11:33,567 --> 00:11:36,000 ODDBALL PEOPLE. 310 00:11:36,000 --> 00:11:37,333 I LIKE A SLEEPER HIT. 311 00:11:37,333 --> 00:11:39,133 WE'LL BE IN TOUCH. 312 00:11:39,133 --> 00:11:40,533 JULIE? 313 00:11:40,533 --> 00:11:42,266 - HOLD ON A SECOND. 314 00:11:42,266 --> 00:11:44,600 - HE'S SO SMART. HE'S SO UNUSUAL. 315 00:11:44,600 --> 00:11:45,934 - YEAH. 316 00:11:45,934 --> 00:11:47,734 - WHEN HE SAW BRYN, HE SAID, "NICE TO MEET YOU." 317 00:11:47,734 --> 00:11:50,100 AND HE WANTED TO GIVE HER ONE OF HIS ROASTED RED PEPPERS. 318 00:11:50,100 --> 00:11:51,867 AND THEN SHE'LL-- AND THEN SHE WOULD DIE. 319 00:11:51,867 --> 00:11:54,967 AND THAT WOULD BE AWKWARD FOR EVERYONE. 320 00:11:54,967 --> 00:11:56,266 COMING UP... 321 00:11:56,266 --> 00:11:57,734 WHAT ABOUT YOUR BANK ACCOUNTS AND STUFF? 322 00:11:57,734 --> 00:11:59,033 - ALL THE MONEY IS GONE. 323 00:11:59,033 --> 00:12:00,266 - THAT DOESN'T SEEM LIKE THAT'S LEGAL. 324 00:12:00,266 --> 00:12:02,000 - I'M GOING TO TAKE THAT [bleep] TO JAIL. 325 00:12:15,100 --> 00:12:17,867 - SO THEY SHOULD BE PUTTING YOU IN HAIR AND MAKEUP NOW. 326 00:12:17,867 --> 00:12:20,400 - OKAY. HI, EVERYONE. 327 00:12:20,400 --> 00:12:22,667 - THANKS FOR COMING. - OH, THANK YOU. 328 00:12:22,667 --> 00:12:24,600 - DO YOU GUYS WANT TO EAT SOME BREAKFAST FIRST? 329 00:12:24,600 --> 00:12:26,100 - DON'T WORRY ABOUT IT. WE'LL JUST GET INTO IT. 330 00:12:26,100 --> 00:12:27,667 WE'LL EAT AFTER. - HOW ARE YOU? I'M ALBERTO. 331 00:12:27,667 --> 00:12:28,900 - I'M GREAT. HOW ARE YOU? - NICE TO MEET YOU. 332 00:12:28,900 --> 00:12:30,266 - NICE TO MEET YOU TOO. VERY COOL GLASSES. 333 00:12:30,266 --> 00:12:31,600 - THANK YOU. 334 00:12:31,600 --> 00:12:33,066 - THERE ARE A FEW APPEARANCES COMING UP. 335 00:12:33,066 --> 00:12:34,467 AND THEN IF YOU DO THAT-- A BOOK SIGNING... 336 00:12:34,467 --> 00:12:35,967 - IN CANADA? - MONTREAL, YEAH. 337 00:12:35,967 --> 00:12:37,266 - DO YOU THINK THAT'S A DISASTER WAITING TO HAPPEN? 338 00:12:37,266 --> 00:12:38,734 - YES. 339 00:12:38,734 --> 00:12:40,500 - YOU DON'T THINK I SHOULD DO IT? TOO TIRING? 340 00:12:40,500 --> 00:12:41,834 - YEAH. - I GUESS WE HAVE TOO MUCH STUFF 341 00:12:41,834 --> 00:12:43,400 CRAMMED INTO ONE LIFETIME LATELY. 342 00:12:43,400 --> 00:12:44,767 I NEED TO REEL IT IN. 343 00:12:44,767 --> 00:12:46,233 HERE'S MY CONFLICT-- 344 00:12:46,233 --> 00:12:47,934 I FEEL LIKE I'M TRYING TO DO TOO MUCH. 345 00:12:47,934 --> 00:12:49,333 THE SHRINK IS RIGHT. 346 00:12:49,333 --> 00:12:52,867 - YOU HAVE TO SAY NO, SO LET'S JUST SAY NO TO IT. 347 00:12:52,867 --> 00:12:55,233 - I THINK WE MIGHT HAVE TO. - YEAH. 348 00:12:55,233 --> 00:12:57,500 - I DON'T WANT TO MISS ANYTHING WITH BRYN. 349 00:12:57,500 --> 00:12:59,266 AND I REALLY HAVE CREATED A LIFE 350 00:12:59,266 --> 00:13:00,900 WHERE I CAN WORK LIKE A LUNATIC, 351 00:13:00,900 --> 00:13:02,600 BUT SEE MY DAUGHTER ALL THE TIME. 352 00:13:02,600 --> 00:13:04,734 MY BABY'S COMING. 353 00:13:04,734 --> 00:13:06,734 WHEN I'M HOME, I'M WORKING. I'M WITH THE BABY. 354 00:13:06,734 --> 00:13:09,667 SO EVEN IF I'M BUSY-- I REALLY HATE LEAVING HER. 355 00:13:09,667 --> 00:13:11,233 I GAVE GINA AMPLE NOTICE. 356 00:13:11,233 --> 00:13:12,900 SHE WILL HAVE ALL THE TIME IN THE WORLD 357 00:13:12,900 --> 00:13:15,567 TO GET HER FACE ON AND GET THE BABY READY 358 00:13:15,567 --> 00:13:17,300 AND MEET ME AT THE PHOTO SHOOT. 359 00:13:17,300 --> 00:13:22,100 [camera shutter clicking] 360 00:13:22,100 --> 00:13:24,633 THIS IS A REALLY BIG DEAL. IT'S REDBOOK. 361 00:13:24,633 --> 00:13:29,433 IT'S EVERY WOMAN IN THE COUNTRY. 362 00:13:29,433 --> 00:13:30,800 - GUESS WHO'S HERE. 363 00:13:30,800 --> 00:13:34,100 - OH, MY GOD. COME HERE, MY LOVELY. 364 00:13:34,100 --> 00:13:37,000 HI, BUNNY. 365 00:13:37,000 --> 00:13:38,433 I LOVE YOU. 366 00:13:38,433 --> 00:13:41,266 SAY HI TO EVERYBODY. HI, GINA. 367 00:13:41,266 --> 00:13:42,800 - HI, MAMA. 368 00:13:42,800 --> 00:13:44,500 - SO YOU EVER BEEN ON A PHOTO SHOOT BEFORE, GINA? 369 00:13:44,500 --> 00:13:45,834 - NO. - SIT DOWN. RELAX. 370 00:13:45,834 --> 00:13:47,066 GO SIT DOWN. 371 00:13:47,066 --> 00:13:48,400 I MADE FOOD, WHICH I KNOW YOU LIKE. 372 00:13:48,400 --> 00:13:49,934 - I NEED TO GET BACK MY ENERGY THAT I LOST. 373 00:13:49,934 --> 00:13:51,433 - YOU LOOK LIKE SOMETHING HAPPENED TO YOU. 374 00:13:51,433 --> 00:13:53,367 - WE'LL TALK LATER. 375 00:13:53,367 --> 00:13:54,767 - YOU OKAY? 376 00:13:54,767 --> 00:13:56,400 - FOR NOW, I'M GOOD. - YOU GOOD? 377 00:13:56,400 --> 00:13:58,967 RIGHT WHEN I SAW GINA, I KNEW SOMETHING WAS WRONG. 378 00:13:58,967 --> 00:14:00,900 SHE LOOKED LIKE SHE WAS JUST PUNCHED IN THE STOMACH. 379 00:14:13,100 --> 00:14:15,133 HOW COULD HE DO THAT? - SOME FRAUD. 380 00:14:15,133 --> 00:14:16,300 HAS TO BE FRAUD, BETHENNY. 381 00:14:16,300 --> 00:14:17,900 - WHAT ABOUT YOUR BANK ACCOUNTS AND STUFF? 382 00:14:17,900 --> 00:14:19,233 - ALL THE MONEY IS GONE. 383 00:14:19,233 --> 00:14:21,333 - HOW DID YOU FIND OUT HE TOOK YOUR NAME OFF THE DEED? 384 00:14:21,333 --> 00:14:22,867 - I JUST GOT THE CALL, 385 00:14:22,867 --> 00:14:24,700 BECAUSE HE BORROWED MONEY FROM SOMEBODY THROUGH TRINIDAD. 386 00:14:24,700 --> 00:14:26,967 - THAT DOESN'T SEEM LIKE THAT'S LEGAL. 387 00:14:26,967 --> 00:14:29,734 - HE HAD TO PAY SOMEBODY UNDERNEATH TO TAKE MY NAME OFF. 388 00:14:29,734 --> 00:14:31,066 IT'S MY PROPERTY. 389 00:14:31,066 --> 00:14:34,433 I PAID $21,000. I PAID $21,000 FOR THAT LAND. 390 00:14:34,433 --> 00:14:36,300 HE DIDN'T PAY FOR IT. - HOW LONG AGO? 391 00:14:36,300 --> 00:14:37,667 - OVER TEN YEARS AGO. 392 00:14:37,667 --> 00:14:40,600 SO THE LAND IS WORTH OVER $100,000 T.T. 393 00:14:40,600 --> 00:14:42,000 - WHAT'S T.T.? THAT THE TRINIDAD MONEY? 394 00:14:42,000 --> 00:14:44,567 - TRINIDAD DOLLARS. YES. - OKAY, THEN WHAT ELSE? 395 00:14:44,567 --> 00:14:45,934 - I AM GOING TO-- 396 00:14:45,934 --> 00:14:47,433 EXCUSE ME, I'M GOING TO TAKE THAT [bleep] TO JAIL. 397 00:14:47,433 --> 00:14:49,400 - GINA'S GOING THROUGH SOME MAJOR PROBLEMS 398 00:14:49,400 --> 00:14:50,867 AND IS IN A SEPARATION FROM HER MARRIAGE. 399 00:14:50,867 --> 00:14:54,367 - 'CAUSE THIS IS THE END OF IT. THIS IS THE END OF IT. 400 00:14:54,367 --> 00:14:56,200 THE PERSON WHO HE BORROWED THE MONEY FROM, 401 00:14:56,200 --> 00:14:57,900 THEY HAVE THE ORIGINAL DEED. 402 00:14:57,900 --> 00:15:00,166 HOW HE TOOK MY NAME OFF, I DON'T KNOW. 403 00:15:00,166 --> 00:15:01,734 - ALL RIGHT, CALM DOWN. - IT'S GOT TO BE FRAUD. 404 00:15:01,734 --> 00:15:03,467 - I DON'T KNOW WHAT THE LAWS ARE LIKE IN TRINIDAD. 405 00:15:03,467 --> 00:15:05,567 IT SEEMS LIKE YOU CAN GET AWAY WITH ANYTHING OVER THERE. 406 00:15:05,567 --> 00:15:08,066 IT'S GOING TO BE OKAY, ALL RIGHT? 407 00:15:08,066 --> 00:15:10,834 IT'S GOING TO BE. 408 00:15:10,834 --> 00:15:12,934 I'M SURE THAT THE PEOPLE AT THE PHOTO SHOOT 409 00:15:12,934 --> 00:15:14,467 NEED MY ATTENTION 410 00:15:14,467 --> 00:15:17,100 AND MAYBE NEED ME TO FOCUS ON THE COVER OF A MAGAZINE. 411 00:15:17,100 --> 00:15:20,600 SO MAYBE MY BOUNDARIES ARE A LITTLE BLURRED. 412 00:15:20,600 --> 00:15:23,333 MAYBE I'VE KIND OF LET GINA IN A LITTLE TOO MUCH. 413 00:15:23,333 --> 00:15:26,700 BUT I STILL WANT TO KICK HER HUSBAND'S ASS. 414 00:15:26,700 --> 00:15:29,633 SHE MAKING YOU FEEL BETTER? 415 00:15:29,633 --> 00:15:31,266 SHE MAKES YOU FEEL BETTER. 416 00:15:45,767 --> 00:15:47,400 - HOW ARE YOU? - I'M GOOD. 417 00:15:47,400 --> 00:15:50,000 - WHERE DO YOU WANT TO START? - AT THE BEGINNING. 418 00:15:50,000 --> 00:15:51,934 - OKAY. WHAT'S THE BEGINNING TODAY? 419 00:15:51,934 --> 00:15:53,367 - UM, I'M TALKING TO JASON 420 00:15:53,367 --> 00:15:55,633 ABOUT HIM GETTING INVOLVED IN MY BUSINESS. 421 00:15:55,633 --> 00:15:59,900 THERE NEEDS TO BE A CHIEF UNDER ME, 422 00:15:59,900 --> 00:16:02,433 BECAUSE I CAN'T READ EVERY-- I CAN'T READ ALL THE CONTRACTS. 423 00:16:02,433 --> 00:16:04,266 I DON'T KNOW WHAT'S GOING ON WITH INSURANCE. 424 00:16:04,266 --> 00:16:05,967 I WANT SOMEONE TO LOOK AT THE WHOLE PICTURE 425 00:16:05,967 --> 00:16:08,033 THAT'S NOT AN AGENT, THAT'S NOT A PUBLICIST. 426 00:16:08,033 --> 00:16:10,700 AND I WANT MY HUSBAND TO GET INVOLVED, BECAUSE I TRUST HIM. 427 00:16:10,700 --> 00:16:13,667 HE WENT TO SCHOOL FOR ACCOUNTING AND BUSINESS. 428 00:16:13,667 --> 00:16:16,333 AND EXACTLY WHAT HE DOES IS WHAT I NEED 429 00:16:16,333 --> 00:16:18,066 AND WHAT I DON'T DO WELL AT. 430 00:16:18,066 --> 00:16:20,900 - SO WILL HE BE WORKING FOR YOU OR WITH YOU? 431 00:16:20,900 --> 00:16:23,834 - IT'S WITH ME. IT'S WITH ME. 432 00:16:23,834 --> 00:16:27,500 I MEAN, WE HAVE NOT AGREED UPON THIS YET, YOU KNOW? 433 00:16:27,500 --> 00:16:29,567 IT'S A DISCUSSION. HE HAS A JOB. 434 00:16:29,567 --> 00:16:30,967 - RIGHT. 435 00:16:30,967 --> 00:16:34,266 - BUT DOWN THE LINE, THIS IS THE FUTURE GOAL. 436 00:16:34,266 --> 00:16:36,734 - DO YOU KNOW WHY I'M ASKING YOU ABOUT HOW YOU VIEW JASON 437 00:16:36,734 --> 00:16:38,800 WORKING FOR YOU VERSUS WITH YOU? 438 00:16:38,800 --> 00:16:41,133 - MAYBE BECAUSE YOU THINK THAT IT COULD POTENTIALLY BE 439 00:16:41,133 --> 00:16:44,100 A PROBLEM DOWN THE LINE IF HE FEELS LIKE HE'S WORKING 440 00:16:44,100 --> 00:16:45,734 FOR ME--IF THAT FEELS LIKE IT'S EMASCULATING 441 00:16:45,734 --> 00:16:47,767 IF I HAVE TO BE PAYING HIM OR SOMETHING LIKE THAT? 442 00:16:47,767 --> 00:16:49,533 IS THAT WHY YOU'RE ASKING? - NO. 443 00:16:49,533 --> 00:16:51,300 - OKAY. BECAUSE I'VE THOUGHT OF THAT. 444 00:16:51,300 --> 00:16:52,834 - YOU HAVE? - YEAH. 445 00:16:52,834 --> 00:16:54,000 BUT HE DOESN'T THINK-- 446 00:16:54,000 --> 00:16:55,300 - THAT HE MIGHT FEEL EMASCULATED BY IT. 447 00:16:55,300 --> 00:16:56,600 - HE WON'T, 'CAUSE HE KNOWS 448 00:16:56,600 --> 00:16:58,734 THAT THE THINGS HE'S DOING I CAN'T DO. 449 00:16:58,734 --> 00:17:00,400 - WHAT YOU'RE SAYING MAKES A LOT OF SENSE, 450 00:17:00,400 --> 00:17:02,300 IN THAT HE'S NOT GONNA FEEL LIKE THIS IS PATRONIZING 451 00:17:02,300 --> 00:17:03,767 OR EMASCULATING, 452 00:17:03,767 --> 00:17:05,767 THAT YOU'D BECOME PARTNERS IN MANY RESPECTS. 453 00:17:05,767 --> 00:17:07,900 EVEN THOUGH THIS IS YOUR VISION, YOUR BUSINESS, 454 00:17:07,900 --> 00:17:09,500 HE'S ADDING TO IT. 455 00:17:09,500 --> 00:17:11,100 - YEAH, I MEAN, WHO WOULD'VE EVER THOUGHT I GOT 456 00:17:11,100 --> 00:17:12,633 TO THIS PLACE, THOUGH? 457 00:17:12,633 --> 00:17:14,367 I'M A PERSON WHO IS USED TO BEING SUPPORTED BY MEN. 458 00:17:14,367 --> 00:17:15,700 YOU KNOW, "YOU'RE BUYING THE HOUSE. 459 00:17:15,700 --> 00:17:17,000 YOU'RE BUYING THIS." 460 00:17:17,000 --> 00:17:18,533 THIS IS ALL VERY LIBERATING FOR ME ALSO. 461 00:17:18,533 --> 00:17:21,166 THAT IS THE BIGGEST BREAKTHROUGH OF MY LIFETIME. 462 00:17:21,166 --> 00:17:22,867 - WHICH IS EXACTLY THE REASON I WAS ASKING YOU 463 00:17:22,867 --> 00:17:26,333 ABOUT HOW YOU VIEW HIS WORKING WITH YOU OR FOR YOU, 464 00:17:26,333 --> 00:17:28,667 BECAUSE THIS IS BRAND-NEW TERRITORY FOR YOU... 465 00:17:28,667 --> 00:17:30,000 - WITHOUT A DOUBT, WITH ME. 466 00:17:30,000 --> 00:17:31,667 - 'CAUSE YOU'RE DOING SOMETHING VERY DIFFERENT 467 00:17:31,667 --> 00:17:32,900 THAN YOU'VE EVER DONE BEFORE. 468 00:17:32,900 --> 00:17:34,467 AND YET, YOU KNOW, YOU'RE THE SAME PERSON. 469 00:17:34,467 --> 00:17:36,800 WHEN YOU TRAVEL TO L.A., YOU UNPACK YOURSELF. 470 00:17:36,800 --> 00:17:38,333 WHEN YOU COME BACK TO NEW YORK, YOU UNPACK YOURSELF. 471 00:17:38,333 --> 00:17:39,867 - NO, I KNOW. 472 00:17:39,867 --> 00:17:41,266 - WHEN YOU GET INTO THIS RELATIONSHIP WITH JASON, 473 00:17:41,266 --> 00:17:42,600 YOU UNPACK YOURSELF. 474 00:17:42,600 --> 00:17:43,867 - OH, NO. - IT'S THE SAME BETHENNY, 475 00:17:43,867 --> 00:17:46,700 WHO'S EVOLVED AND CHANGED AND CHANGING. 476 00:17:49,233 --> 00:17:52,066 - SOMETIMES I'LL JUST BE LIKE, "OH, COME ON, PLEASE. 477 00:17:52,066 --> 00:17:53,934 CAN YOU JUST DO IT? YOU KNOW HOW BUSY I AM?" 478 00:17:53,934 --> 00:17:56,500 AND THAT WILL MAKE HIM FEEL BAD. IT'S NOT ABOUT MONEY. 479 00:17:56,500 --> 00:17:58,233 IT'S ABOUT HIM FEELING LIKE WHAT I'M-- 480 00:17:58,233 --> 00:17:59,967 I THINK WHAT I'M DOING IS SO MUCH MORE IMPORTANT, 481 00:17:59,967 --> 00:18:02,433 THAT I'M BUSIER, AND THAT'S WHAT I HAVE TO WATCH OUT. 482 00:18:02,433 --> 00:18:04,000 AND THAT'S WHY I WANT HIM TO BE INVOLVED, 483 00:18:04,000 --> 00:18:06,367 SO HE CAN, YOU KNOW, FEEL IN IT. 484 00:18:06,367 --> 00:18:08,066 AND SO THAT'S WHY IT'S TOTALLY US. 485 00:18:08,066 --> 00:18:09,967 I MEAN, YOU KNOW, I THINK WE'VE GOT A-- 486 00:18:09,967 --> 00:18:13,533 WE'VE GOT A HEALTHY-- HEALTHY GRASP ON IT. 487 00:18:13,533 --> 00:18:16,266 I'M HAPPY... 488 00:18:16,266 --> 00:18:18,767 LIKE, REALLY HAPPY-- THAT'S ONE GOOD THING. 489 00:18:18,767 --> 00:18:21,800 - DO YOU, UM... 490 00:18:21,800 --> 00:18:23,767 DO YOU THINK THAT YOUR WORK IN THERAPY IS DONE? 491 00:18:23,767 --> 00:18:26,033 - HELL, NO. - WHY NOT? 492 00:18:26,033 --> 00:18:27,600 - DO YOU SEE THIS LUNATIC IN FRONT OF YOU? 493 00:18:27,600 --> 00:18:30,033 DO I THINK THAT MY WORK IN THERAPY IS DONE? 494 00:18:30,033 --> 00:18:32,633 - LOOK, I'M NOT THE ARBITER OF MENTAL HEALTH. 495 00:18:32,633 --> 00:18:35,600 - CLEARLY. I WOULD LIKE MY MONEY BACK. 496 00:18:35,600 --> 00:18:37,300 YOU'RE NOT BREAKING UP WITH ME, ARE YOU? 497 00:18:37,300 --> 00:18:39,133 YOU CAN'T BREAK UP WITH ME. 498 00:18:39,133 --> 00:18:41,600 I'M GONNA EXPLAIN TO YOU WHY-- BECAUSE I LIKE COMING HERE, 499 00:18:41,600 --> 00:18:44,033 AND THIS IS THE TIME THAT I SPEAK AND I FEEL AND HEAR. 500 00:18:44,033 --> 00:18:46,133 YOU CANNOT BREAK UP WITH ME. I WILL NOT ALLOW IT. 501 00:18:46,133 --> 00:18:47,200 - WELL, IT'S... [laughs] 502 00:18:47,200 --> 00:18:49,433 - AND WE ARE NOT SEEING OTHER PEOPLE. 503 00:18:49,433 --> 00:18:52,600 IT IS NOT HAPPENING. YOU CANNOT BREAK UP WITH ME. 504 00:18:52,600 --> 00:18:55,400 - OKAY. 505 00:18:55,400 --> 00:18:56,567 - COMING UP... 506 00:18:56,567 --> 00:18:58,200 - I DO TAKE THE JOB VERY SERIOUSLY. 507 00:18:58,200 --> 00:18:59,934 - YOU'VE BEEN WORKING FOR ME FOR FOUR MONTHS... 508 00:18:59,934 --> 00:19:01,166 - OKAY, FINE. - AND NOTHING HAS HAPPENED. 509 00:19:01,166 --> 00:19:03,533 - OKAY. - NOTHING. 510 00:19:14,300 --> 00:19:16,233 - OH, MY GOD. I'M SO EXCITED. 511 00:19:16,233 --> 00:19:17,567 I'M GONNA GET THREADING. 512 00:19:17,567 --> 00:19:20,033 GINA'S REALLY HAVING A ROUGH TIME RIGHT NOW, 513 00:19:20,033 --> 00:19:21,400 AND IT'S HER BIRTHDAY. 514 00:19:21,400 --> 00:19:22,767 SO FOR HER BIRTHDAY PRESENT, 515 00:19:22,767 --> 00:19:24,467 I'M TAKING HER FOR A MANICURE AND A PEDICURE. 516 00:19:24,467 --> 00:19:25,667 AND FROM WHAT I'VE SEEN, 517 00:19:25,667 --> 00:19:27,266 SHE HASN'T HAD ONE SINCE 1975. 518 00:19:27,266 --> 00:19:29,934 HI, EVERYBODY. - HI. 519 00:19:29,934 --> 00:19:32,967 - WE'RE GONNA GET MANICURES, PEDICURES. 520 00:19:32,967 --> 00:19:35,033 - DO YOU WAX THE VAGINAS? - EXCUSE ME? 521 00:19:35,033 --> 00:19:36,734 - DO YOU WAX THE VAGINAS ALSO? 522 00:19:36,734 --> 00:19:38,667 - DO YOU HAVE MORE THAN ONE VAGINA? 523 00:19:38,667 --> 00:19:40,033 - NO, ONLY ONE. - OH, OKAY. 524 00:19:40,033 --> 00:19:41,400 THEN IT'S NOT PLURAL. 525 00:19:41,400 --> 00:19:43,033 - BUT, YOU KNOW, IT WEIGHS LIKE A POUND SOMETIMES. 526 00:19:43,033 --> 00:19:44,333 - OKAY. IT'S NOT PLURAL. 527 00:19:44,333 --> 00:19:46,967 I MEAN, WE KNOW THAT I'M INAPPROPRIATE, BUT... 528 00:19:46,967 --> 00:19:50,467 I MEAN, I DID NOT HIRE HER AT INAPPROPRIATEBABYNURSES.COM. 529 00:19:50,467 --> 00:19:51,967 SHE JUST WANTS TO KNOW IF YOU DO WAXING. 530 00:19:51,967 --> 00:19:54,467 - YES. - YOU DO WAXING. YES. OKAY. 531 00:19:54,467 --> 00:19:57,867 GINA AND HER "GINEY" IS A VERY BIG TOPIC OF CONVERSATION. 532 00:19:57,867 --> 00:20:00,333 YOU COULD'VE WORN, LIKE, YOU KNOW, THE FUN OUTFIT 533 00:20:00,333 --> 00:20:02,100 IF YOU WANTED TO. - OH, I DIDN'T KNOW. 534 00:20:02,100 --> 00:20:03,600 HAD I KNOWN THAT THEY WAX THE VAGINAS, 535 00:20:03,600 --> 00:20:05,600 I COULD'VE WORN SOMETHING SPECIAL. 536 00:20:05,600 --> 00:20:08,367 - OKAY. HAVE YOU EVER DONE THREADING? 537 00:20:08,367 --> 00:20:10,233 - NO. - THEY TAKE A PIECE OF THREAD, 538 00:20:10,233 --> 00:20:12,166 AND THEY WAX, LIKE, YOUR EYEBROWS OR YOUR LIP OR... 539 00:20:12,166 --> 00:20:14,800 - OKAY. - ARE YOU A HAIRY PERSON? 540 00:20:14,800 --> 00:20:16,400 - NO. NOT DOWN-- I MEAN, SERIOUSLY. 541 00:20:16,400 --> 00:20:18,033 DO YOU HAVE, LIKE... - NO. 542 00:20:18,033 --> 00:20:20,100 - YOU PLUCK AND TWEEZE? - NO. 543 00:20:20,100 --> 00:20:21,667 I DON'T HAVE MUCH EYEBROWS. 544 00:20:21,667 --> 00:20:22,867 LOOK. 545 00:20:22,867 --> 00:20:24,834 I DO THE TOES AND THE NAILS. THAT'S IT. 546 00:20:24,834 --> 00:20:27,700 - OKAY. WOW, YOUR HOOFS ARE-- HAPPY BIRTHDAY. 547 00:20:27,700 --> 00:20:30,567 - [laughs] - IT'S TIME. OH, MY GOD. 548 00:20:30,567 --> 00:20:32,633 THEY'RE GONNA CHARGE ME EXTRA. - I'LL TIP THEM. 549 00:20:32,633 --> 00:20:35,100 - DON'T WORRY ABOUT IT. - THANK YOU VERY MUCH. 550 00:20:35,100 --> 00:20:36,500 - OH, YOU'RE WELCOME. YOU SEEM SAD. 551 00:20:36,500 --> 00:20:37,767 - YESTERDAY I WAS. 552 00:20:37,767 --> 00:20:39,633 - I DON'T UNDERSTAND THIS MARRIAGE. 553 00:20:39,633 --> 00:20:41,133 WE'RE NOT GETTING IT. I DON'T UNDERSTAND. 554 00:20:41,133 --> 00:20:42,700 - FINISHED. 555 00:20:42,700 --> 00:20:44,734 - LIKE, ARE YOU REALLY GONNA DO SOMETHING ABOUT IT? 556 00:20:44,734 --> 00:20:46,533 IS IT REALLY OVER? 557 00:20:46,533 --> 00:20:48,567 - UM, SOMEWHAT. 558 00:20:48,567 --> 00:20:49,834 - HAVE YOU SPOKEN TO HIM ONCE 559 00:20:49,834 --> 00:20:51,166 SINCE YOU STARTED WORKING FOR ME? 560 00:20:51,166 --> 00:20:52,633 - YEAH. 561 00:20:52,633 --> 00:20:56,033 UM, ONCE. 562 00:20:58,567 --> 00:21:01,200 THAT'S WHY I WAS SO EMOTIONAL YESTERDAY, 563 00:21:01,200 --> 00:21:02,467 BECAUSE IT JUST CLICKED BACK. 564 00:21:02,467 --> 00:21:04,333 YOU KNOW, REALITY SETS IN SOMETIMES. 565 00:21:04,333 --> 00:21:06,834 - BUT YOU HAVE US. - YES, I DO. 566 00:21:06,834 --> 00:21:08,633 AND I HAVE MY TWO BEAUTIFUL GIRLS-- 567 00:21:08,633 --> 00:21:12,533 THREE BEAUTIFUL GIRLS. - BRYN--SHE LOVES YOU, GINA. 568 00:21:12,533 --> 00:21:14,166 - I'M VERY, VERY THANKFUL FOR THAT. 569 00:21:14,166 --> 00:21:17,500 - OH, SHE'S SO CUTE. - I LOVE YOU. 570 00:21:17,500 --> 00:21:18,967 - THANK YOU VERY MUCH. - YOU HAVE A FAMILY. 571 00:21:18,967 --> 00:21:20,834 - YES, I DO. - YOU'VE BEEN AMAZING TO US. 572 00:21:20,834 --> 00:21:22,533 EVERYTHING-- WE DIDN'T KNOW ONE THING. 573 00:21:22,533 --> 00:21:24,166 - THANK YOU VERY MUCH. - YOU TAUGHT US EVERYTHING. 574 00:21:24,166 --> 00:21:27,100 - YOU'RE A VERY STRONG WOMAN, GREAT BUSINESSWOMAN, 575 00:21:27,100 --> 00:21:29,166 GOOD MOMMY. - THIS IS SO TYPICAL. 576 00:21:29,166 --> 00:21:30,500 I'M COMFORTING GINA, 577 00:21:30,500 --> 00:21:33,166 AND NOW I'M SOBBING, AND SHE'S COMFORTING ME. 578 00:21:33,166 --> 00:21:35,100 - THANK YOU FOR THE SUPPORT. 579 00:21:35,100 --> 00:21:37,000 - DO YOU FEEL BETTER? 580 00:21:37,000 --> 00:21:38,567 - YES, I DO. THANK YOU VERY MUCH. 581 00:21:38,567 --> 00:21:40,333 - DON'T BE SAD. - I WON'T. 582 00:21:40,333 --> 00:21:42,100 - GINA HAS HER FLAWS, BUT I LOVE HER. 583 00:21:42,100 --> 00:21:44,734 I LOVE HER. CAN'T LIVE WITH HER, CAN'T LIVE WITHOUT HER. 584 00:21:44,734 --> 00:21:46,934 - COME ON, BUBBA. 585 00:21:58,000 --> 00:22:01,000 - I GOT BAGELS. - YUMMY. I'M STARVING. 586 00:22:01,000 --> 00:22:05,300 HEY, BOO-BOOS. HEY, BOO-BOOS. HI. 587 00:22:05,300 --> 00:22:07,400 - WHAT'S UP, GUYS? WHO'S UP? 588 00:22:07,400 --> 00:22:08,567 - EVERYBODY. 589 00:22:08,567 --> 00:22:11,100 - LOOK AT YOU IN YOUR LITTLE FLEECY. 590 00:22:11,100 --> 00:22:13,834 - YOU GONNA GO BACK? - HMM? 591 00:22:13,834 --> 00:22:16,200 YOU WANT TO GO BACK TO MOMMY, FLEECIES? 592 00:22:16,200 --> 00:22:17,500 - OKAY. 593 00:22:17,500 --> 00:22:18,967 YOU KNOW, THIS WHOLE CHILD-CARE THING 594 00:22:18,967 --> 00:22:21,767 IS, UH, KIND OF A NECESSARY EVIL, 595 00:22:21,767 --> 00:22:23,800 BECAUSE WHEN YOU GET UP TO GO DO SOMETHING 596 00:22:23,800 --> 00:22:25,734 AT 6:00 IN THE MORNING AND I HAVE TO WORK TOO... 597 00:22:25,734 --> 00:22:27,100 - YEAH. 598 00:22:27,100 --> 00:22:28,667 - IT'S LIKE, YOU DON'T HAVE TO THINK ABOUT IT. 599 00:22:28,667 --> 00:22:29,934 WE JUST WALK OUT THE DOOR. 600 00:22:29,934 --> 00:22:31,066 I DON'T WANT SOME NEW PERSON IN HERE, 601 00:22:31,066 --> 00:22:32,200 AND I DON'T WANT TO INTERVIEW. 602 00:22:32,200 --> 00:22:33,300 I REALLY CAN'T HANDLE IT. 603 00:22:33,300 --> 00:22:34,467 - YEAH? 604 00:22:34,467 --> 00:22:35,433 - WHAT HAPPENS IF I GET A NANNY, 605 00:22:35,433 --> 00:22:37,767 AND NOW IT'S ANOTHER MAX SITUATION? 606 00:22:37,767 --> 00:22:41,800 - MAX CAME ON AND REALLY SOLD ME ON HIM BEING A SELF-STARTER 607 00:22:41,800 --> 00:22:43,800 AND DIDN'T NEED TO BE TOLD WHAT TO DO. 608 00:22:43,800 --> 00:22:45,433 IN ACTUALITY, 609 00:22:45,433 --> 00:22:47,066 IT WAS A BABYSITTING JOB FOR JULIE. 610 00:22:47,066 --> 00:22:48,567 MAX CERTAINLY HASN'T BEEN 611 00:22:48,567 --> 00:22:50,066 ALL THAT HE WAS CRACKED UP TO BE. 612 00:22:50,066 --> 00:22:52,433 YOU'RE MY INTERN, AND YOU'RE IN HERE GETTING MASSAGES. 613 00:22:52,433 --> 00:22:53,734 YOU'RE UNBELIEVABLE. 614 00:22:53,734 --> 00:22:56,900 I'M TELLING YOU, LOOK AT THIS PICTURE. 615 00:22:56,900 --> 00:22:59,967 HE WANTS TO BE AROUND ME MORE BECAUSE HE LIKES THE FAME. 616 00:22:59,967 --> 00:23:01,800 HE LIKES THE GLITZ. HE LIKES THE GIRLS. 617 00:23:01,800 --> 00:23:03,166 HE LIKES GETTING HIS PICTURE TAKEN. 618 00:23:03,166 --> 00:23:04,333 THAT'S WHAT IT'S MORE ABOUT. 619 00:23:04,333 --> 00:23:05,633 - YOU CAN'T BLAME HIM. 620 00:23:05,633 --> 00:23:08,200 HE'S 20-SOME YEARS OLD, SINGLE. 621 00:23:08,200 --> 00:23:10,700 - WHAT ARE YOU TALK-- THIS IS A JOB. 622 00:23:10,700 --> 00:23:12,500 - I UNDERSTAND THAT. - BUT HE DOESN'T WORK. 623 00:23:12,500 --> 00:23:15,200 I DON'T WANT PEOPLE STANDING AROUND ME KISSING MY ASS. 624 00:23:15,200 --> 00:23:17,467 I WANT PEOPLE WHO WANT TO ULTIMATELY 625 00:23:17,467 --> 00:23:18,800 HAVE AN IMPORTANT JOB. 626 00:23:18,800 --> 00:23:19,900 I MEAN, LITERALLY, 627 00:23:19,900 --> 00:23:21,233 WHY ARE YOU EVEN DEFENDING HIM? 628 00:23:21,233 --> 00:23:22,700 HE WALKS UP TO YOU AT THE SKINNYGIRL PARTY 629 00:23:22,700 --> 00:23:24,166 AND SAYS, "DO YOU HAVE A CONDOM?" 630 00:23:24,166 --> 00:23:26,300 WHO ASKS A MARRIED MAN... 631 00:23:26,300 --> 00:23:27,567 - THAT WAS A LITTLE UNCOMFORTABLE. 632 00:23:27,567 --> 00:23:29,233 - WHO JUST GOT MARRIED, IF YOU HAVE A CONDOM 633 00:23:29,233 --> 00:23:30,834 AND THEN ASKS YOUR FRIEND, WHO HAS A GIRLFRIEND, 634 00:23:30,834 --> 00:23:32,133 "OH, NO, YOU MUST HAVE A CONDOM"? 635 00:23:32,133 --> 00:23:34,333 THAT'S APPROPRIATE AT MY WORK FUNCTION. 636 00:23:34,333 --> 00:23:35,867 - ENOUGH SAID. - NOW I'M MORE MAD. 637 00:23:35,867 --> 00:23:38,000 I JUST GOT MORE MAD. - WELL, WHAT HE SAID-- 638 00:23:38,000 --> 00:23:41,667 THAT WOULD GET ANYBODY FIRED ON THE SPOT. 639 00:23:41,667 --> 00:23:43,867 RIGHT? 640 00:23:43,867 --> 00:23:47,433 WHY IS HE ASKING DADDY FOR CONDOMS? 641 00:23:47,433 --> 00:23:48,800 RIGHT? 642 00:23:48,800 --> 00:23:50,867 I'M TRYING TO GET MOMMY PREGNANT. 643 00:23:50,867 --> 00:23:53,834 - OH, JASON, STOP. - [chuckles] 644 00:23:53,834 --> 00:23:55,467 - I'M GONNA TALK TO HIM. 645 00:23:55,467 --> 00:23:57,166 I'M GONNA TELL HIM, "THIS IS NOT THE WAY TO BE. 646 00:23:57,166 --> 00:23:59,333 IT'S LIKE, I FEEL LIKE YOU GOT TO WORK YOUR ASS OFF." 647 00:23:59,333 --> 00:24:00,834 - IT'S JUST FUNNY TO ME, 648 00:24:00,834 --> 00:24:02,600 'CAUSE YOU WERE SO GUNG HO WHEN YOU HIRED HIM. 649 00:24:02,600 --> 00:24:03,900 - I KNOW. 650 00:24:03,900 --> 00:24:05,467 - HE'S THE BEST THING SINCE SLICED BREAD. 651 00:24:05,467 --> 00:24:07,400 - I KNOW, AND SHAME ON ME, BECAUSE HE GAVE GOOD INTERVIEW. 652 00:24:07,400 --> 00:24:10,400 - AND YOU REVELED IN THE FACT THAT HERE'S THIS STRAIGHT, 653 00:24:10,400 --> 00:24:13,367 GOOD-LOOKING GUY, BECAUSE YOU'RE BUSTING MY BALLS. 654 00:24:13,367 --> 00:24:15,934 AND THEN HERE WE GO WITH, "IT'S NOT WORKING OUT," 655 00:24:15,934 --> 00:24:18,333 WHICH SECRETLY MAKES ME HAPPY, RIGHT? 656 00:24:18,333 --> 00:24:19,633 - I KNOW. 657 00:24:19,633 --> 00:24:21,834 - I ONLY WANT TO BE THE ONLY GUY HERE. 658 00:24:21,834 --> 00:24:24,066 - I MEAN, JASON, HE'S 3'2". I WOULDN'T BE INTIMIDATED. 659 00:24:24,066 --> 00:24:26,633 - I'M NOT. - GOOD GOD. 660 00:24:32,900 --> 00:24:34,200 - HI. - HEY, WHAT'S GOING ON? 661 00:24:34,200 --> 00:24:35,633 - HOW ARE YOU? - GOOD TO SEE YOU. 662 00:24:35,633 --> 00:24:37,033 - IT'S GOOD TO SEE YOU. [Cookie barking] 663 00:24:37,033 --> 00:24:38,233 - HOW ARE YOU? WHAT'S GOING ON? 664 00:24:38,233 --> 00:24:40,133 - OH, COOKIE, YOU KNOW WHO IT IS. 665 00:24:40,133 --> 00:24:41,900 - WHAT'S UP, COOKS? - COME ON. 666 00:24:41,900 --> 00:24:43,900 MY BFF. YOU LOOK GREAT, BY THE WAY. 667 00:24:43,900 --> 00:24:47,100 - THANK YOU. - I GET MYSELF INTO MESSES. 668 00:24:47,100 --> 00:24:48,867 AND THEN I OWN IT, AND I GET MYSELF OUT. 669 00:24:48,867 --> 00:24:50,700 I DON'T WALK AWAY FROM THE MESS. 670 00:24:54,233 --> 00:24:57,066 HI, MAX. - HEY. HOW YOU DOING? 671 00:24:57,066 --> 00:25:00,800 - I'M GOOD. HOW ARE YOU? - YOU'RE LOOKING VERY NICE. 672 00:25:00,800 --> 00:25:04,400 - I'M SURE YOU'RE WONDERING WHY I ASKED YOU TO COME HERE 673 00:25:04,400 --> 00:25:07,233 AND WHY WE HAVEN'T REALLY BEEN USING YOU VERY MUCH 674 00:25:07,233 --> 00:25:09,600 OR IN CONTACT. 675 00:25:09,600 --> 00:25:12,834 UM, THIS IS A PROFESSIONAL ENVIRONMENT. 676 00:25:12,834 --> 00:25:16,133 ALTHOUGH THERE ARE SOME IMPROPRIETIES, 677 00:25:16,133 --> 00:25:17,867 AND WE'RE, LIKE-- YOU KNOW, SOMETIMES JOKE AROUND 678 00:25:17,867 --> 00:25:19,767 AND EVERYTHING, I'M RUNNING A SMALL BUSINESS. 679 00:25:19,767 --> 00:25:21,433 LIKE, IT'S NOT A JOKE. 680 00:25:21,433 --> 00:25:24,000 IT'S A REAL BUSINESS, AND IT'S A REAL BRAND. 681 00:25:24,000 --> 00:25:26,667 AND, UM... 682 00:25:26,667 --> 00:25:29,000 I FRANKLY FEEL THAT YOU'RE A LIABILITY. 683 00:25:29,000 --> 00:25:30,266 I HONESTLY DO. 684 00:25:30,266 --> 00:25:32,033 I THINK THAT YOU'VE CROSSED OVER THE LINE. 685 00:25:32,033 --> 00:25:33,700 YOU'VE DONE SOME INAPPROPRIATE THINGS. 686 00:25:33,700 --> 00:25:37,133 YOU COME IN LATE. YOU ARE LAZY. 687 00:25:37,133 --> 00:25:38,533 YOU DON'T REALLY WANT TO DO ANYTHING. 688 00:25:38,533 --> 00:25:40,500 YOU JUST HAVE A WORK ETHIC, OR YOU DON'T. 689 00:25:40,500 --> 00:25:43,100 LOOK AT MY HUSBAND, JASON, WHO HAS A WORK ETHIC. 690 00:25:43,100 --> 00:25:44,734 THAT'S A MAN WITH A WORK ETHIC. 691 00:25:44,734 --> 00:25:47,133 AND MAX JUST DOESN'T HAVE A WORK ETHIC. 692 00:25:47,133 --> 00:25:49,633 - I DO TAKE THE JOB VERY SERIOUSLY. 693 00:25:49,633 --> 00:25:52,734 AND I CAN UNDERSTAND WHY YOU SEE ME 694 00:25:52,734 --> 00:25:55,000 NOT TAKING IT SERIOUSLY. 695 00:25:55,000 --> 00:25:57,266 AND I GUESS THAT'S KIND-- IS TRANSLATED 696 00:25:57,266 --> 00:25:59,500 THROUGH MANY INSTANCES 697 00:25:59,500 --> 00:26:02,266 WHERE I'M MAYBE A LITTLE OUT OF PLACE, 698 00:26:02,266 --> 00:26:04,834 UM, IN MY ROLE HERE, 699 00:26:04,834 --> 00:26:07,133 BECAUSE I KNOW IT SEEMS WEIRD, 700 00:26:07,133 --> 00:26:09,467 BUT, YOU KNOW, A LOT OF THIS STUFF IS VERY NEW TO ME. 701 00:26:09,467 --> 00:26:10,867 YOU KNOW, THIS IS REALLY THE FIRST TIME 702 00:26:10,867 --> 00:26:12,233 I'VE BEEN AROUND NEWBORN BABIES. 703 00:26:12,233 --> 00:26:14,533 I'VE NEVER HAD TO PUT TOGETHER A CRIB BEFORE. 704 00:26:14,533 --> 00:26:17,133 I'VE NEVER HAD TO PACK SUITCASES FOR WOMEN BEFORE. 705 00:26:17,133 --> 00:26:20,000 AND OFTENTIMES, MY "UNCOMFORTABILITY" 706 00:26:20,000 --> 00:26:22,400 COMES OUT THROUGH MAYBE A JOKE. 707 00:26:22,400 --> 00:26:25,600 - THERE'S SOMETHING ABOUT MAX THAT TRIGGERS ME, 708 00:26:25,600 --> 00:26:27,767 SOMETHING I'VE NEVER HAD WITH AN EMPLOYEE BEFORE, 709 00:26:27,767 --> 00:26:30,200 SOMETHING THAT REALLY, REALLY GRINDS ME AND AGGRAVATES ME. 710 00:26:30,200 --> 00:26:32,500 I DIDN'T EXPECT YOU TO WANT TO PUT A CRIB TOGETHER. 711 00:26:32,500 --> 00:26:33,934 I MEAN, THAT'S PART OF IT. 712 00:26:33,934 --> 00:26:36,433 BUT YOU WALK IN AND GIVE HER AN ATTITUDE ABOUT EVERYTHING. 713 00:26:36,433 --> 00:26:38,700 YOU WANT TO TAKE A CAB TO WORK. YOU WANT TO BE LATE. 714 00:26:38,700 --> 00:26:40,166 "WHY DO I HAVE TO DO THIS?" 715 00:26:40,166 --> 00:26:41,867 YOU STAND AROUND AND WAIT TO BE TOLD WHAT TO DO. 716 00:26:41,867 --> 00:26:43,667 - IT DOESN'T MEAN THAT I DON'T TAKE IT SERIOUSLY. 717 00:26:43,667 --> 00:26:45,600 I REALLY DO. I KNOW YOU'RE NOT HERE FOR FUN. 718 00:26:45,600 --> 00:26:47,400 - THE WAY YOU HANDLED YOURSELF AT THE SKINNYGIRL PARTY-- 719 00:26:47,400 --> 00:26:49,300 YOU WALK UP TO MY HUSBAND AND ASK HIM FOR A CONDOM. 720 00:26:49,300 --> 00:26:50,800 WHY WOULD MY HUSBAND HAVE A CONDOM? 721 00:26:50,800 --> 00:26:52,667 - THAT WAS INAPPROPRIATE. - IT'S DISRESPECTFUL. 722 00:26:52,667 --> 00:26:54,967 - WHAT I SAID TO JASON AT THE PARTY REALLY WASN'T COOL. 723 00:26:54,967 --> 00:26:57,900 WON'T MAKE THAT MISTAKE AGAIN. 724 00:26:57,900 --> 00:26:59,533 - YOU'VE BEEN WORKING FOR ME FOR FOUR MONTHS. 725 00:26:59,533 --> 00:27:00,867 - OKAY, FINE. - AND NOTHING HAS HAPPENED. 726 00:27:00,867 --> 00:27:02,567 - OKAY. AND ALL I CAN SAY 727 00:27:02,567 --> 00:27:06,467 IS THAT I WANT THE CHANCE TO... 728 00:27:06,467 --> 00:27:10,133 RIGHT MY SHIP AND--AND... 729 00:27:10,133 --> 00:27:12,600 AND GET IT RIGHT WITH YOU GUYS. 730 00:27:17,133 --> 00:27:18,667 - [sighs] I DON'T WANT YOU TO BE IN THIS OFFICE. 731 00:27:18,667 --> 00:27:20,333 I DON'T THINK IT'S A GOOD INFLUENCE. 732 00:27:20,333 --> 00:27:22,100 I DON'T KNOW. I REALLY DON'T KNOW. 733 00:27:22,100 --> 00:27:23,700 - WELL, AGAIN, YOU KNOW-- 734 00:27:23,700 --> 00:27:25,133 - YOU KNOW WHAT? I DON'T WANT TO BEAT YOU UP. 735 00:27:25,133 --> 00:27:26,934 I REALLY DON'T. I DON'T WANT TO BEAT YOU UP. 736 00:27:26,934 --> 00:27:28,333 - I DON'T THINK YOU ARE. 737 00:27:28,333 --> 00:27:29,967 I DON'T THINK YOU ARE BEATING ME UP AT ALL. 738 00:27:29,967 --> 00:27:31,533 - I'M JUST EXTREMELY HEATED. - I HEAR YOU. 739 00:27:31,533 --> 00:27:33,133 - AND IT'S VERY HARD FOR ME TO REMAIN KIND. 740 00:27:33,133 --> 00:27:35,033 - LET'S JUST TALK. - I GET IT. 741 00:27:35,033 --> 00:27:36,667 - THIS IS A SERIOUS BUSINESS, 742 00:27:36,667 --> 00:27:38,633 AND YOU NEED TO TAKE IT SERIOUSLY 743 00:27:38,633 --> 00:27:40,934 AND TREAT IT SERIOUSLY. 744 00:27:40,934 --> 00:27:43,367 SO, THANK YOU. 745 00:27:43,367 --> 00:27:46,533 AND I'LL SEE YOU LATER. 746 00:27:46,533 --> 00:27:48,000 - ALL RIGHT, GUYS. 747 00:27:48,000 --> 00:27:50,800 - I DON'T KNOW WHAT WOULD MAKE ME WANT TO WORK WITH MAX AGAIN, 748 00:27:50,800 --> 00:27:53,533 BECAUSE I DON'T LIKE SOMEONE SLACKING OFF ON MY DIME. 749 00:28:01,400 --> 00:28:02,400 COMING UP... 750 00:28:02,400 --> 00:28:03,800 HE CAN TALK TO ANYBODY. 751 00:28:03,800 --> 00:28:05,734 - BY THE WAY, I FEEL LIKE I'M ONE OF THE GIRLS HERE. 752 00:28:05,734 --> 00:28:08,266 - IT'S SO FUN, RIGHT? 753 00:28:16,867 --> 00:28:20,500 - OH, MY LORD. - [coughs] YOU SUCK. 754 00:28:20,500 --> 00:28:23,200 SORRY. [coughs] YOU SUCK. 755 00:28:23,200 --> 00:28:25,233 - I REALLY APPRECIATE THE SUPPORT. 756 00:28:25,233 --> 00:28:28,467 - SO I BOUGHT THIS EXERSAUCER FOR BRYN. 757 00:28:28,467 --> 00:28:30,133 IT'S LIKE A BOUNCY PLAY TOY. 758 00:28:30,133 --> 00:28:31,633 AND JASON'S THE MAN OF THE HOUSE. 759 00:28:31,633 --> 00:28:34,800 HE ALWAYS KIND OF PUTS EVERYTHING TOGETHER. 760 00:28:39,867 --> 00:28:42,700 - I GET IT. I GET IT. 761 00:28:42,700 --> 00:28:44,967 YOU'RE BOTH DISGUSTED WITH ME. LOOK AT HER. 762 00:28:44,967 --> 00:28:47,567 - WE'RE JUST WAITING FOR THE TOY TO BE PUT TOGETHER. 763 00:28:47,567 --> 00:28:50,600 - [laughs] 764 00:28:50,600 --> 00:28:53,834 GUYS. HEY. WAKE UP. 765 00:28:53,834 --> 00:28:56,900 - SHHHHHHH! - LOOK. LOOK. 766 00:28:56,900 --> 00:29:00,233 - SHH. SHH. HOLD THE BABY. HOLD THE BABY. HOLD THE BABY. 767 00:29:00,233 --> 00:29:02,967 HOLD THE BABY. HOLD THE BABY. HOLD THE BABY. 768 00:29:02,967 --> 00:29:06,800 LET ME SEE. 769 00:29:06,800 --> 00:29:09,300 I LOVE MY TOYS. 770 00:29:09,300 --> 00:29:12,300 OKAY. 771 00:29:12,300 --> 00:29:15,266 - THIS IS EXACTLY WHY I'M TAKING BABY STEPS 772 00:29:15,266 --> 00:29:16,734 WITH BETHENNY IN BUSINESS. 773 00:29:16,734 --> 00:29:18,800 THAT WOULD'VE TAKEN ME PROBABLY TEN MINUTES. 774 00:29:18,800 --> 00:29:20,400 YOU JUST SLAPPED IT IN THERE? 775 00:29:20,400 --> 00:29:21,867 - I CAN BE A LITTLE AGGRESSIVE. 776 00:29:21,867 --> 00:29:24,533 - BRYN, I KNOW. DADDY'S A MORON SOMETIMES. 777 00:29:35,533 --> 00:29:36,834 - NOW THAT I'M A NEW MOM, 778 00:29:36,834 --> 00:29:39,233 I GET ASKED TO SPEAK AT A LOT OF DIFFERENT EVENTS 779 00:29:39,233 --> 00:29:41,633 RELATED TO MOTHERHOOD. 780 00:29:41,633 --> 00:29:43,433 HI. - HI. I'M AMY. 781 00:29:43,433 --> 00:29:46,000 - HOW ARE YOU? - SO THIS IS 24TH STREET LOFT. 782 00:29:46,000 --> 00:29:47,066 - OH, GREAT. 783 00:29:47,066 --> 00:29:48,467 - AND WE'RE INTRODUCING 784 00:29:48,467 --> 00:29:49,700 ALL OF THE NEW BRIGHT STARTS PRODUCTS. 785 00:29:49,700 --> 00:29:51,033 - ALL RIGHT, LET'S LOOK AT EVERYTHING. 786 00:29:51,033 --> 00:29:52,633 WHEN JASON HAS THE TIME, 787 00:29:52,633 --> 00:29:54,867 HE'S COMING TO SUPPORT ME AT A LOT OF WORK EVENTS. 788 00:29:54,867 --> 00:29:57,000 AND IT'S SOMETHING HE REALLY SHOULD DO 789 00:29:57,000 --> 00:29:59,500 IF HE EVER WANTS TO GET LAID IF THINGS DON'T WORK OUT WITH ME-- 790 00:29:59,500 --> 00:30:00,900 LOT OF WOMEN AT THESE THINGS. 791 00:30:00,900 --> 00:30:03,367 - THIS IS HIGH-PERFORMANCE HIGH CHAIR RIGHT HERE. 792 00:30:03,367 --> 00:30:04,834 - THE TRAY KIND OF PULLS OUT. 793 00:30:04,834 --> 00:30:07,233 AND IT ALSO DETACHES, AND YOU CAN PUT IT IN THE DISHWASHER. 794 00:30:07,233 --> 00:30:09,333 - JUST SO SHE COULD HANG OUT WITH US WHEN WE SIT AT DINNER. 795 00:30:09,333 --> 00:30:10,967 - I CAN'T BELIEVE YOU'RE FIXATED ON THAT. 796 00:30:10,967 --> 00:30:13,400 I'M LOOKING AT MORE [bleep] IN OUR HOUSE. 797 00:30:13,400 --> 00:30:15,467 - DID YOU JUST CURSE? - BUT IT'LL FIT SO BEAUTIFULLY. 798 00:30:15,467 --> 00:30:16,734 - OR S-H-[bleep]? SORRY. 799 00:30:16,734 --> 00:30:18,066 - DID YOU JUST-- WE'RE AT A BABY EVENT. 800 00:30:18,066 --> 00:30:20,200 WHAT'S THE MATTER? YES, THERE'S A BABY. 801 00:30:20,200 --> 00:30:21,900 WHO INVITED YOU? - I THINK YOU DID. 802 00:30:21,900 --> 00:30:23,200 - THAT'S COOL, THOUGH. 803 00:30:23,200 --> 00:30:24,700 - DO YOU HAVE ANY MOTIVATIONAL TIPS 804 00:30:24,700 --> 00:30:26,000 FOR LOSING THE BABY WEIGHT? 805 00:30:26,000 --> 00:30:27,433 - I THINK YOU HAVE TO BE RELAXED ABOUT IT. 806 00:30:27,433 --> 00:30:28,600 YOU HAVE TO CUT BACK A LITTLE BIT. 807 00:30:28,600 --> 00:30:30,900 SO I DIVE INTO SPEAKING AND MINGLING 808 00:30:30,900 --> 00:30:31,867 AT THE BRIGHT STARTS EVENT. 809 00:30:31,867 --> 00:30:33,367 I LOOK OVER AND JASON 810 00:30:33,367 --> 00:30:36,233 IS IN A FULL-ON LADIES' COFFEE KLATCH. 811 00:30:36,233 --> 00:30:37,767 - SHE WAS, LIKE, TIRED. 812 00:30:37,767 --> 00:30:39,834 I WAS, LIKE, "WHEN ARE YOU GONNA GET THE STICK OUT OF YOUR ASS?" 813 00:30:39,834 --> 00:30:41,133 THAT'S EXACTLY WHAT I SAID. 814 00:30:41,133 --> 00:30:42,500 - NO, YOU DID NOT. - YEAH. 815 00:30:42,500 --> 00:30:44,000 CAN YOU IMAGINE IF I SAID TO HER, 816 00:30:44,000 --> 00:30:45,967 "HEY, WHAT ARE YOU DOING HERE? MY NAME'S JASON." 817 00:30:45,967 --> 00:30:49,000 SHE WOULD'VE BEEN LIKE, "GET AWAY FROM ME, YOU LOSER." 818 00:30:49,000 --> 00:30:51,567 - HE CAN TALK TO ANYBODY ABOUT ANYTHING. 819 00:30:51,567 --> 00:30:52,600 - ANYONE. 820 00:30:52,600 --> 00:30:54,700 - IT MUST BE A PENNSYLVANIA THING. 821 00:30:54,700 --> 00:30:56,533 - I GUESS I'M A LOT LIKE MY MOTHER. 822 00:30:56,533 --> 00:30:58,633 I WILL TALK TO ANYBODY. 823 00:30:58,633 --> 00:31:01,266 I MEAN, I FIGURE IF I'M THERE, WHY NOT? 824 00:31:01,266 --> 00:31:04,800 YOU HAVE KIDS. SIX WEEKS, WHEN IS IT GO TIME, RIGHT? 825 00:31:04,800 --> 00:31:06,200 FOR THE GUY. 826 00:31:06,200 --> 00:31:08,600 - FOR THE GIRL, IT'S ABOUT A YEAR, JUST SO YOU KNOW. 827 00:31:08,600 --> 00:31:09,867 - OH, IT IS? - IT'S, LIKE, DOUBLE. 828 00:31:09,867 --> 00:31:11,200 - SO WHAT YOU'RE TRYING TO SAY IS-- 829 00:31:11,200 --> 00:31:13,066 AND I KNOW YOU DON'T WANT THIS VISUAL-- 830 00:31:13,066 --> 00:31:14,500 BUT WHEN I'M ON TOP OF HER 831 00:31:14,500 --> 00:31:15,834 AND SHE'S, LIKE, "OH, BABY, OH, BABY," 832 00:31:15,834 --> 00:31:17,300 SHE'S REALLY NOT ENJOYING HERSELF? 833 00:31:17,300 --> 00:31:18,400 [laughs] 834 00:31:18,400 --> 00:31:19,700 - PIPE DOWN. 835 00:31:19,700 --> 00:31:21,066 - THE DIFFERENCE BETWEEN JASON AND I 836 00:31:21,066 --> 00:31:23,533 IS THAT HE REALLY-- HE GETS INTO IT. 837 00:31:23,533 --> 00:31:27,033 I DON'T LIKE SMALL TALK. I DON'T LIKE--I LIKE BIG TALK. 838 00:31:27,033 --> 00:31:29,200 - BY THE WAY, I FEEL LIKE I'M ONE OF THE GIRLS HERE. 839 00:31:29,200 --> 00:31:31,100 - IT'S SO FUN, RIGHT? IT'S SO FUN. 840 00:31:31,100 --> 00:31:32,433 - SHH. 841 00:31:32,433 --> 00:31:35,233 IT'S WHY JASON SHOULD BE IN BUSINESS WITH ME. 842 00:31:35,233 --> 00:31:37,066 HE WILL LISTEN AND TALK. 843 00:31:37,066 --> 00:31:39,667 HE WILL CHEW YOUR EAR OFF. YOUR EARS WILL BE BLEEDING. 844 00:31:39,667 --> 00:31:42,066 - THIS IS MY, UH, WOMEN'S GROUP. 845 00:31:42,066 --> 00:31:43,400 - OH, REALLY? HI. 846 00:31:43,400 --> 00:31:45,333 - WE TALKED BABY NURSES. 847 00:31:45,333 --> 00:31:47,700 THEN I HAD TO THROW SOME SPORTS IN. 848 00:31:47,700 --> 00:31:49,800 THEN THIS ONE-- THIS ONE WANTED TO-- 849 00:31:49,800 --> 00:31:51,734 THIS ONE WANTED TO TALK PORN. 850 00:31:51,734 --> 00:31:54,700 - OH, THAT'S WHERE IT WAS GOING? OH, SO YOU HAD A GREAT TIME? 851 00:31:54,700 --> 00:31:56,166 - I HAD A BLAST. - OH, GOOD. 852 00:31:56,166 --> 00:31:58,233 THANK YOU FOR BABYSITTING. - I'LL SEE YOU GIRLS NEXT WEEK. 853 00:31:58,233 --> 00:32:00,967 - GOOD-BYE. GOOD-BYE. - AT THE COFFEE KLATCH. 854 00:32:00,967 --> 00:32:03,567 HONEY, YOU DON'T WANT TO BE THE LAST ONE 855 00:32:03,567 --> 00:32:04,800 TO LEAVE THE PARTY, SWEETHEART. 856 00:32:04,800 --> 00:32:07,133 YOU DON'T WANT TO BE THE LAST ONE TO LEAVE. 857 00:32:07,133 --> 00:32:08,533 I KNOW IT'S FUN. DO YOU WANT TO STAY? 858 00:32:08,533 --> 00:32:10,233 - I'M MINGLING. I'M TALKING WITH THE LADIES. 859 00:32:10,233 --> 00:32:11,800 - I KNOW. 860 00:32:11,800 --> 00:32:13,433 THIS WOULD ALL BE SO EASY IF I COULD JUST STICK JASON 861 00:32:13,433 --> 00:32:15,800 IN A RED DRESS AND A BLACK WIG AND LET HIM FINISH THIS GIG. 862 00:32:15,800 --> 00:32:17,700 I WILL STAY HOME AND CHOP WOOD. 863 00:32:17,700 --> 00:32:20,333 THANK YOU SO MUCH. JASON WOULD LIKE TO HOST-- 864 00:32:20,333 --> 00:32:22,266 HE'D LIKE TO HOST NEXT YEAR'S PARTY. 865 00:32:22,266 --> 00:32:23,600 - OH, SURE. - SURE. 866 00:32:23,600 --> 00:32:24,934 - HE'D LIKE TO HOST NEXT YEAR'S EVENT. 867 00:32:24,934 --> 00:32:26,700 - I'LL BRING MY GUY FRIEND. 868 00:32:36,066 --> 00:32:38,567 - HI. HOW ARE YOU? - I'M DOING OKAY. 869 00:32:38,567 --> 00:32:40,233 HOW ARE YOU DOING? - GOOD TO SEE YOU. I'M GOOD. 870 00:32:40,233 --> 00:32:41,667 THIS IS AWESOME. - YEAH. 871 00:32:41,667 --> 00:32:43,100 - SO I THINK WE CAN DO THE BLOG, LIKE, ONCE A MONTH. 872 00:32:43,100 --> 00:32:44,767 - THAT SOUNDS GOOD. 873 00:32:44,767 --> 00:32:46,667 - MY FANS HAVE A BIG APPETITE FOR RECIPES, 874 00:32:46,667 --> 00:32:48,433 RESTAURANTS, AND FINDS. 875 00:32:48,433 --> 00:32:50,266 NICK KNOWS ABOUT A LOT OF IT. 876 00:32:50,266 --> 00:32:51,834 - DO YOU WANT TO TRY THE EMPANADAS HERE? 877 00:32:51,834 --> 00:32:54,367 - SURE. WE SHOULD TRY TWO DIFFERENT ONES, THEN SPLIT THEM. 878 00:32:54,367 --> 00:32:56,600 - HOW ABOUT WE GET ONE ROASTED CHICKEN AND ONE VEGGIE? 879 00:32:56,600 --> 00:32:57,734 - HI. - HI. 880 00:32:57,734 --> 00:32:59,000 WHAT'S YOUR SPECIALTY, BY THE WAY? 881 00:32:59,000 --> 00:33:00,600 - THE PULLED PORK. - I DON'T EAT RED MEAT. 882 00:33:00,600 --> 00:33:03,834 - OH. OH. WELL, THEN I'LL HAVE TO--REALLY? 883 00:33:03,834 --> 00:33:05,433 - YOU GET THE PULLED PORK. I'LL EAT THE CHICKEN. 884 00:33:05,433 --> 00:33:06,900 WE'LL TALK ABOUT IT. 885 00:33:06,900 --> 00:33:08,500 - SO IS THE ROASTED CHICKEN BETTER OR THE VEGGIE? 886 00:33:08,500 --> 00:33:10,000 SO GET THE CHICKEN AND GET THE PULLED PORK. 887 00:33:10,000 --> 00:33:11,200 - OKAY. 888 00:33:11,200 --> 00:33:12,633 - YOU CAN'T JUDGE AN EMPANADA UNLESS YOU KNOW 889 00:33:12,633 --> 00:33:14,266 WHAT THEIR BEST ONE IS. 890 00:33:14,266 --> 00:33:16,300 YOU CAN'T COME IN AND BE LIKE, "I'LL HAVE THE VEGGIE EMPANADA." 891 00:33:16,300 --> 00:33:18,467 I'M ALL EXCITED, AND I'M GOING TO ADOPT NICK 892 00:33:18,467 --> 00:33:21,600 AS MY FOOD CRITIC/BLOGGER. 893 00:33:21,600 --> 00:33:23,333 AND WE'RE GONNA GO TO A FOOD CRAWL 894 00:33:23,333 --> 00:33:26,300 AND YOU DON'T EAT HALF THE THINGS ON THE CRAWL. 895 00:33:26,300 --> 00:33:27,333 YAY. 896 00:33:27,333 --> 00:33:28,567 - CHEERS. 897 00:33:28,567 --> 00:33:30,000 - MY DARLING, THERE'S A LOT OF MEAT HERE. 898 00:33:30,000 --> 00:33:31,467 YOU MIGHT HAVE TO START EATING MEAT. 899 00:33:31,467 --> 00:33:32,867 I'M TELLING YOU, UNLESS IT'S, LIKE, A MORAL THING. 900 00:33:32,867 --> 00:33:34,333 NO, IT CAN'T BE, 'CAUSE YOU EAT CHICKEN. 901 00:33:34,333 --> 00:33:36,133 - IT'S A LITTLE BIT. - YOU'RE EATING THE PORK ONE. 902 00:33:36,133 --> 00:33:37,900 THAT'S THE WRONG ONE. - NO, IT'S THE CHICKEN ONE. 903 00:33:37,900 --> 00:33:39,734 - NO, IT'S NOT. THAT'S NOT PORK. 904 00:33:39,734 --> 00:33:41,000 YOU'RE EATING THE WRONG ONE. 905 00:33:41,000 --> 00:33:42,433 WELL, I HOPE IT WASN'T A RELIGIOUS THING. 906 00:33:42,433 --> 00:33:43,700 - ARE YOU SURE? 907 00:33:43,700 --> 00:33:45,233 - THIS IS QUACKING, AND THAT IS OINKING. 908 00:33:45,233 --> 00:33:48,000 ARE YOU GONNA LIVE? OH, MY GOD. 909 00:33:48,000 --> 00:33:50,600 HERE. 910 00:33:50,600 --> 00:33:52,867 - SO AT LEAST YOU GOT YOUR WAY, RIGHT? 911 00:33:52,867 --> 00:33:54,667 I TRIED THE PULLED PORK. IT WAS GOOD. 912 00:33:54,667 --> 00:33:55,800 - IT WAS GOOD? - YEAH. 913 00:33:55,800 --> 00:33:57,300 - ALL RIGHT, GOOD. YOU'LL LIVE. 914 00:33:57,300 --> 00:33:59,600 ARE YOU, LIKE, FREAKING OUT A LITTLE BIT? 915 00:33:59,600 --> 00:34:00,800 - NO, I'M NOT FREAKING OUT. 916 00:34:00,800 --> 00:34:02,600 - WHAT'S THE REASON FOR NOT EATING MEAT? 917 00:34:02,600 --> 00:34:04,233 - I DON'T KNOW. - NOT INTO IT. 918 00:34:04,233 --> 00:34:06,633 - THE THING I TELL PEOPLE IS THAT IT'S NICE 919 00:34:06,633 --> 00:34:08,700 TO BE ABLE TO SET SOME RULES IN YOUR LIFE AND FOLLOW THEM 920 00:34:08,700 --> 00:34:10,300 UNTIL YOU'RE NOT ABLE TO TELL THE DIFFERENCE. 921 00:34:10,300 --> 00:34:13,266 - OKAY. GOT IT. 922 00:34:14,533 --> 00:34:17,400 WHAT IS THAT? - CREAM-CHEESE SHEPHERD'S PIE. 923 00:34:20,133 --> 00:34:23,433 - OH, MY GOD. IT'S AMAZING, UNBELIEVABLE. 924 00:34:23,433 --> 00:34:27,867 THAT SHEPHERD'S PIE IS THE THING THAT ORGASMS WERE MADE OF. 925 00:34:32,767 --> 00:34:34,500 - WHERE'D SHE GO? 926 00:34:37,900 --> 00:34:39,600 - I FORGOT TO BRING A LEASH FOR NICK. 927 00:34:39,600 --> 00:34:42,066 THIS ISN'T PAMPLONA. THIS ISN'T THE RUNNING OF THE BULLS. 928 00:34:42,066 --> 00:34:44,367 IT'S A VERY SMALL FOOD CRAWL. 929 00:34:44,367 --> 00:34:47,100 AND, BY THE WAY, IT'S NOT LIKE HE'S THAT EASY TO MISS. 930 00:34:47,100 --> 00:34:50,433 HI, DADDY, I NEED YOU. 931 00:34:50,433 --> 00:34:52,967 YOU'RE THE ONLY MAN I COULD EVER DO A FOOD CRAWL WITH, MY DEAR. 932 00:34:52,967 --> 00:34:54,834 HE CAN'T KEEP UP. 933 00:34:54,834 --> 00:34:56,333 HE'S, LIKE, TRIPPING ON MY HEELS. 934 00:34:56,333 --> 00:34:58,166 I'M ON THE EXPRESS LANE OF THE SUPERMARKET, 935 00:34:58,166 --> 00:34:59,734 AND HE IS IN THE SLOW LANE. 936 00:34:59,734 --> 00:35:02,100 I LOVE YOU. I'LL SEE YOU SOON. HURRY UP. 937 00:35:02,100 --> 00:35:03,800 - THERE YOU ARE. 938 00:35:03,800 --> 00:35:06,266 - ALL RIGHT, SO LET'S GET SOME DRINKS. 939 00:35:06,266 --> 00:35:10,600 THAT WAS VERY TRUE NEW YORK FOOD, I HAVE TO SAY. 940 00:35:10,600 --> 00:35:12,734 THAT WAS, LIKE, STREET FOOD OF NEW YORK. 941 00:35:12,734 --> 00:35:14,600 - PRETTY YUMMY. - HI. 942 00:35:14,600 --> 00:35:16,100 SLEEPING? - SHE'S SLEEPING. 943 00:35:16,100 --> 00:35:17,600 - OKAY, GOOD. - HEY, NICK, HOW ARE YOU? 944 00:35:17,600 --> 00:35:19,133 - DOING OKAY. - DID YOU HAVE A FIGHT? 945 00:35:19,133 --> 00:35:20,600 YOU DON'T SEEM LIKE YOU HAD TOO MUCH FUN. 946 00:35:20,600 --> 00:35:22,433 - WE HAD THE BEST TIME. WE HAD A GREAT TIME. 947 00:35:22,433 --> 00:35:23,867 - YOU'RE OVER EACH OTHER OR WHAT? 948 00:35:23,867 --> 00:35:25,633 - NO. WE'RE NOT-- WHY ARE YOU, LIKE, BEING WEIRD? 949 00:35:25,633 --> 00:35:27,166 - I DON'T KNOW. 950 00:35:27,166 --> 00:35:29,667 - CAPTAIN OBVIOUS SHOWS UP AND SOLD ME OUT. 951 00:35:29,667 --> 00:35:32,133 THANK YOU. NICELY DONE, DOUCHE. 952 00:35:32,133 --> 00:35:33,867 IS THIS LIKE A GOURMET SLURPEE? 953 00:35:33,867 --> 00:35:35,800 - YEAH. - SO WE NEED ALCOHOL FOR THIS. 954 00:35:35,800 --> 00:35:38,166 NICK, YOU GOT TO GO GET US SOME BOOZE. 955 00:35:38,166 --> 00:35:39,800 - UH... - GO ACROSS THE STREET. 956 00:35:39,800 --> 00:35:43,767 JUST GET SOME--A LITTLE THING OF RUM OR TEQUILA, OKAY? 957 00:35:43,767 --> 00:35:45,367 SO I FEEL BADLY FOR HIM. 958 00:35:45,367 --> 00:35:47,033 I THINK I'VE SIGNIFICANTLY TRAUMATIZED HIM FOR LIFE. 959 00:35:47,033 --> 00:35:48,400 I WANT TO TASTE EVERYTHING. 960 00:35:48,400 --> 00:35:50,100 BUT HE WAS, LIKE, "I'LL HAVE A VEGETARIAN EMPANADA." 961 00:35:50,100 --> 00:35:51,533 - DID YOU EAT MEAT? - YEAH. 962 00:35:51,533 --> 00:35:52,800 I HAD EVERY SINGLE THING IN THE WHOLE THING. 963 00:35:52,800 --> 00:35:54,834 WHAT'D YOU GET? AWESOME. ALL RIGHT, IN THE BABY CARRIAGE. 964 00:35:54,834 --> 00:35:56,734 HOLD ON. IN THE BABY BAG. 965 00:35:56,734 --> 00:35:58,333 ALL RIGHT, NICK, GRAB THE CARRIAGE. 966 00:35:58,333 --> 00:36:00,166 COME THIS WAY. - BETHENNY. 967 00:36:00,166 --> 00:36:01,300 - THANK YOU. 968 00:36:01,300 --> 00:36:02,800 - YOU'RE LETTING NICK TAKE THE BABY? 969 00:36:02,800 --> 00:36:04,967 - YEAH, HE'S NICE. HE'S A VERY NICE, THOUGHTFUL MAN. 970 00:36:04,967 --> 00:36:07,000 - HELLO. NICE TO SEE YOU. - SHE'S TALKING TO YOU. 971 00:36:07,000 --> 00:36:08,934 THAT'S NICK. - LET'S SET UP THE BAR. 972 00:36:08,934 --> 00:36:11,400 YOU LOOK NATURAL LIKE THAT. 973 00:36:11,400 --> 00:36:13,467 - I'M FREEZING MY TITS OFF. - IT'S A LITTLE SCARY. 974 00:36:13,467 --> 00:36:15,533 - NICK, DO YOU DRINK? - OF COURSE. 975 00:36:15,533 --> 00:36:18,500 - OKAY. GOOD. - THIS IS DELICIOUS. 976 00:36:18,500 --> 00:36:19,533 - RIGHT? - YES. 977 00:36:19,533 --> 00:36:20,867 - GOOD IDEA? - MM-HMM. 978 00:36:20,867 --> 00:36:22,633 - PUT IT IN THE BLOG, NICK. - OKAY, I'VE GOT IT. 979 00:36:22,633 --> 00:36:23,834 - PUT IT IN THE BLOG, NICK. 980 00:36:23,834 --> 00:36:25,367 - YOU SHOULD'VE STARTED YOUR CRAWL LIKE THIS. 981 00:36:25,367 --> 00:36:27,300 all: CHEERS. 982 00:36:27,300 --> 00:36:29,133 - JUST DON'T SPILL SLUSHIE ON THE BABY, AND WE'RE GOOD. 983 00:36:29,133 --> 00:36:30,567 YOU GOT THE BABY? - I DO. 984 00:36:30,567 --> 00:36:33,333 - AWESOME. - ALL RIGHT, LET'S DO IT. 985 00:36:33,333 --> 00:36:34,900 NICK, YOU EVER THINK OF BEING A NANNY? 986 00:36:34,900 --> 00:36:37,734 - UH, NO. - [laughing] 987 00:36:46,100 --> 00:36:48,166 [Cookie barks] - HI, DADDY. 988 00:36:48,166 --> 00:36:50,467 - WHERE ARE MY GIRLS? 989 00:36:50,467 --> 00:36:51,967 - WAITING FOR YOU. 990 00:36:51,967 --> 00:36:54,333 - WE'RE GONNA DO GINA'S BIRTHDAY. 991 00:36:54,333 --> 00:36:56,300 - AND THE BOO-BOO. - OH, THAT'S AWESOME. 992 00:36:56,300 --> 00:36:59,700 - JASON, MYSELF, AND JULIE, COOKIE, AND BRYN 993 00:36:59,700 --> 00:37:03,333 WANTED TO GIVE GINA A CAKE AND A SURPRISE 994 00:37:03,333 --> 00:37:04,800 AND JUST MAKE HER FEEL GOOD. 995 00:37:04,800 --> 00:37:07,767 - I LOVE IT. - THE PICTURE'S GENIUS. 996 00:37:07,767 --> 00:37:09,100 IT'S HILARIOUS. 997 00:37:09,100 --> 00:37:13,533 - OKAY, GINA, IT'S YOUR BIRTHDAY SURPRISE CAKE. 998 00:37:13,533 --> 00:37:15,367 - HAPPY BIRTHDAY, GIRL. 999 00:37:15,367 --> 00:37:19,000 - THANK YOU VERY MUCH, MOM. THANK YOU, BOO-BOO. 1000 00:37:19,000 --> 00:37:20,767 - HAPPY BIRTHDAY. - SAY HAPPY BIRTHDAY. 1001 00:37:20,767 --> 00:37:22,767 - YOU'RE NOT ALLOWED. GINA, YOU HAVE TO BLOW IT OUT. 1002 00:37:22,767 --> 00:37:24,400 - THANK YOU VERY MUCH, MAMA. - DON'T LOOK SO-- 1003 00:37:24,400 --> 00:37:27,767 WHY DO YOU LOOK SAD? 1004 00:37:27,767 --> 00:37:30,600 WHY ARE YOU CRYING? NO. 1005 00:37:30,600 --> 00:37:32,433 - NO. HAPPY BIRTHDAY. IT'S HAPPY TIME. 1006 00:37:32,433 --> 00:37:36,033 - NO. IT'S HAPPY TIMES. WHY--DON'T CRY, GINA. NO. 1007 00:37:36,033 --> 00:37:38,834 DON'T CRY. THIS IS YOUR-- WE'RE YOUR FAMILY. 1008 00:37:38,834 --> 00:37:41,166 - WE'RE YOUR FAMILY NOW, GINA. - WE'RE YOUR FAMILY. 1009 00:37:41,166 --> 00:37:43,000 - COME HERE. - OH. 1010 00:37:43,000 --> 00:37:45,500 - HAPPY BIRTHDAY. WE LOVE YOU. 1011 00:37:45,500 --> 00:37:48,000 - I FEEL REALLY BADLY ABOUT GINA'S SITUATION 1012 00:37:48,000 --> 00:37:50,800 AND THAT SHE'S GOING THROUGH SOMETHING EMOTIONAL RIGHT NOW. 1013 00:37:50,800 --> 00:37:53,834 WE JUST WANT TO KIND OF LET HER KNOW THAT SHE'S LOVED. 1014 00:37:53,834 --> 00:37:55,834 - OKAY, YOU HOLD BRYN WHILE YOU BLOW OUT YOUR CANDLES. 1015 00:37:55,834 --> 00:37:57,667 - HI, PUMPKIN. - THAT'S YOUR BEST FRIEND. 1016 00:37:57,667 --> 00:38:01,166 CAN BRYN HAVE A LITTLE BITE OF YOUR CAKE? 1017 00:38:01,166 --> 00:38:03,433 GET SOME, UH... - OH, NO, WE'LL GET-- 1018 00:38:03,433 --> 00:38:05,100 LET'S WATCH HER BLOW OUT THE CANDLES FIRST. 1019 00:38:05,100 --> 00:38:07,033 - GET THE CAMERA. HOLD ON. GET THE BIG CAMERA. 1020 00:38:07,033 --> 00:38:10,300 - THANK YOU SO MUCH. - ALL RIGHT. 1021 00:38:10,300 --> 00:38:12,166 - WHOO! - YAY! 1022 00:38:12,166 --> 00:38:16,066 - LET'S DO THIS BIRTHDAY. [Cookie barks] 1023 00:38:16,066 --> 00:38:17,200 - THAT LOOKS SO GOOD. 1024 00:38:17,200 --> 00:38:19,133 - ARE YOU EXCITED? - OF COURSE. 1025 00:38:19,133 --> 00:38:21,734 - YOU GONNA TELL US YOUR WISH FOR YOUR BIRTHDAY? 1026 00:38:21,734 --> 00:38:23,500 - A NEW BOYFRIEND. - A NEW-- 1027 00:38:23,500 --> 00:38:26,467 - A NEW BOYFRIEND. ALL RIGHT, WE'RE ON IT. 1028 00:38:26,467 --> 00:38:29,266 - OKAY, LISTEN HERE. - ARE THERE ANY MEN AT CHURCH? 1029 00:38:29,266 --> 00:38:32,000 - OH, PLEASE. I DON'T NEED THE ALTAR BOYS. 1030 00:38:32,000 --> 00:38:34,834 - OH, ALL RIGHT, WHERE WOULD WE GO TO FIND YOU A GUY? 1031 00:38:34,834 --> 00:38:36,467 - I THINK I HAVE TO START GOING TO THE CLUBS. 1032 00:38:36,467 --> 00:38:38,233 - OH, GOOD LORD. - OH, NO. 1033 00:38:38,233 --> 00:38:40,266 - I GOT YOU, MONKEY. - OH. 1034 00:38:40,266 --> 00:38:42,967 - GINA MOMMY'S GONNA ENJOY HER "CAKEYS." 1035 00:38:42,967 --> 00:38:46,200 AND WE'RE GONNA PLAY. - YOU'RE A LEFTY, GINA? 1036 00:38:46,200 --> 00:38:47,467 - MM-HMM. - REALLY? 1037 00:38:47,467 --> 00:38:48,967 - MM-HMM. - HOW DID I NOT NOTICE THAT? 1038 00:38:48,967 --> 00:38:51,033 HOW DID YOU NOT NOTICE? 1039 00:38:51,033 --> 00:38:52,500 - IF I'M IN A FIGHT, 1040 00:38:52,500 --> 00:38:54,133 I USE THIS HAND TO STONE YOU-- 1041 00:38:54,133 --> 00:38:57,133 TO PELT STONES. - OH, YOU'RE A FREQUENT STONER? 1042 00:38:57,133 --> 00:39:00,066 - OH, PLEASE. STONE YOUR ASS. 1043 00:39:00,066 --> 00:39:02,500 I'LL STONE, PELT STONES. 1044 00:39:02,500 --> 00:39:04,100 - WHO HAVE YOU STONED? 1045 00:39:04,100 --> 00:39:05,367 AND HOW DID THAT WORK? 1046 00:39:05,367 --> 00:39:06,667 - WHEN I WAS YOUNG AND GOING TO SCHOOL, 1047 00:39:06,667 --> 00:39:08,467 I GOT INTO FIGHTS-- STONE HIS ASS. 1048 00:39:08,467 --> 00:39:10,533 - DID YOU HIT HIM A FEW TIMES? - OH, YEAH. 1049 00:39:10,533 --> 00:39:12,333 - WE MIGHT WANT TO GET YOU PLAYING 1050 00:39:12,333 --> 00:39:13,800 FRO THE YANKEES OR SOMETHING. 1051 00:39:13,800 --> 00:39:14,900 - ONE BEHIND-- 1052 00:39:14,900 --> 00:39:16,300 - I DIDN'T KNOW YOU HAD AN ARM ON YOU. 1053 00:39:16,300 --> 00:39:17,767 HOW MANY FIGHTS HAVE YOU BEEN IN? 1054 00:39:17,767 --> 00:39:19,967 - THREE. ONE IN WALES IN THE SUMMER. 1055 00:39:19,967 --> 00:39:22,000 ONE IN THE STREET, ROCKEFELLER CENTER, 1056 00:39:22,000 --> 00:39:23,767 WHERE I GRABBED A GIRL BY HER HAIR 1057 00:39:23,767 --> 00:39:25,000 ON HER ROLLER SKATES. 1058 00:39:25,000 --> 00:39:26,767 - YOU WON? - I MEAN, IT'S WITHOUT SAYING. 1059 00:39:26,767 --> 00:39:28,934 AND ONE WHEN I WENT TO CATHOLIC SCHOOL 1060 00:39:28,934 --> 00:39:30,333 IN LONG ISLAND. 1061 00:39:30,333 --> 00:39:32,233 THERE WAS ANOTHER SCHOOL WE USED TO PLAY BASKETBALL WITH, 1062 00:39:32,233 --> 00:39:33,266 ST. CHRISTOPHER'S, 1063 00:39:33,266 --> 00:39:34,667 AND I BEAT A GIRL UP ON THE STEPS 1064 00:39:34,667 --> 00:39:35,867 'CAUSE STARTED WITH ME. 1065 00:39:35,867 --> 00:39:37,433 - I WOULD NOT WANT TO MESS AROUND 1066 00:39:37,433 --> 00:39:38,600 WITH BETHENNY AND GINA. 1067 00:39:38,600 --> 00:39:39,633 HERE I AM. I'M THE MAN. 1068 00:39:39,633 --> 00:39:41,000 I'M SITTING THERE. 1069 00:39:41,000 --> 00:39:42,100 I'VE NEVER BEEN IN A FIGHT IN MY LIFE. 1070 00:39:42,100 --> 00:39:43,600 IT'S HYSTERICAL. 1071 00:39:43,600 --> 00:39:45,100 - WHEN WE GET A NANNY, 1072 00:39:45,100 --> 00:39:46,967 WHO DO YOU THINK'S DOING THE SCREENING FOR THE TRANSFER? 1073 00:39:46,967 --> 00:39:50,500 HOMEGIRL, BECAUSE SHE WILL NOT LET SOMEONE PLAY. 1074 00:39:50,500 --> 00:39:52,700 - OH, WHEN YOU'RE OUT OF HERE. - WHEN I'M OUT OF HERE. 1075 00:39:52,700 --> 00:39:53,767 - MAY? - YEAH. 1076 00:39:53,767 --> 00:39:55,233 - OH, YOU'RE STAYING TILL MAY NOW? 1077 00:39:55,233 --> 00:39:57,567 - YES. - I MEAN, GOOD LORD. 1078 00:39:57,567 --> 00:40:00,266 - WHO SAID THAT? - I HAVE NO IDEA. 1079 00:40:00,266 --> 00:40:04,367 MAY? YEAH, MAY WORKS FOR ME, I GUESS. 1080 00:40:04,367 --> 00:40:05,967 IF YOU'LL HAVE US. 1081 00:40:05,967 --> 00:40:08,233 THIS WOMAN WON'T LEAVE. 1082 00:40:08,233 --> 00:40:11,333 BRYN WILL BE IN COLLEGE WHEN GINA LEAVES. 1083 00:40:11,333 --> 00:40:14,900 BRYN WILL PROBABLY BE THE ONE WHO FIRES GINA. 1084 00:40:14,900 --> 00:40:17,433 - GINA'S A HUSTLER. 1085 00:40:20,734 --> 00:40:22,467 - COMING UP... 1086 00:40:22,467 --> 00:40:24,367 EVERYONE'S FREAKING OUT BECAUSE THEY CAN'T GET THE PRODUCT. 1087 00:40:24,367 --> 00:40:25,700 - I UNDERSTAND THAT. 1088 00:40:25,700 --> 00:40:27,233 - AND WE'RE NOT PRODUCING FAST ENOUGH. 1089 00:40:27,233 --> 00:40:29,166 SOMEONE NEEDS TO GET ANGRY. I NEED SOMEONE TO CRACK SKULLS. 1090 00:40:43,133 --> 00:40:45,767 - BETHENNY, COME INTO MY OFFICE. 1091 00:40:45,767 --> 00:40:48,433 - YOU RANG? 1092 00:40:48,433 --> 00:40:52,266 - THIS PERSON LOOK FAMILIAR? - OH, WHAT IS THIS FOR? 1093 00:40:52,266 --> 00:40:55,066 - THAT IS THE SALES SHEET, MY DEAR. 1094 00:40:55,066 --> 00:40:56,700 LET ME JUST TELL YOU THE ISSUES. 1095 00:40:56,700 --> 00:40:58,800 YOU DON'T KNOW WHAT'S GOING ON. - I DO KNOW WHAT'S GOING ON. 1096 00:40:58,800 --> 00:41:00,967 EVERYONE'S FREAKING OUT BECAUSE THEY CAN'T GET THE PRODUCT. 1097 00:41:00,967 --> 00:41:02,300 - I UNDERSTAND THAT. 1098 00:41:02,300 --> 00:41:03,667 - AND WE'RE NOT PRODUCING FAST ENOUGH. 1099 00:41:03,667 --> 00:41:05,400 YOU NEED TO BE ANGRY. SOMEONE NEEDS TO GET ANGRY. 1100 00:41:05,400 --> 00:41:07,000 I NEED SOMEONE TO CRACK SKULLS. 1101 00:41:07,000 --> 00:41:09,133 - BUT YOU DON'T KNOW THE INTRICACIES OF IT, OKAY? 1102 00:41:09,133 --> 00:41:10,533 - OKAY. 1103 00:41:10,533 --> 00:41:13,633 - APRIL THROUGH AUGUST, YOU GUYS DID 75,000 CASES. 1104 00:41:13,633 --> 00:41:17,400 - IT WOULD'VE BEEN 250,000 IF WE HAD PRODUCT IN THE STORES. 1105 00:41:17,400 --> 00:41:19,333 - I UNDERSTAND THAT. 1106 00:41:19,333 --> 00:41:21,800 - WHY ISN'T ANYONE FLIPPING OUT? LIKE, THAT'S A BIG DEAL. 1107 00:41:21,800 --> 00:41:24,700 - BETHENNY, NO BUSINESSPERSON IS GOING TO PRODUCE 1108 00:41:24,700 --> 00:41:26,834 "X" AMOUNT OF CASES WHEN THERE'S NO DEMAND. 1109 00:41:26,834 --> 00:41:28,266 THERE WAS NO DEMAND. 1110 00:41:28,266 --> 00:41:29,867 - THERE WAS ALWAYS GONNA BE SOME DEMAND. 1111 00:41:29,867 --> 00:41:31,367 - THERE WAS DEMAND, BUT IT WASN'T TO THE EXTENT-- 1112 00:41:31,367 --> 00:41:32,667 THIS BRAND IS THROUGH THE ROOF. 1113 00:41:32,667 --> 00:41:33,900 - I KNOW, BUT I KNEW THIS WOULD HAPPEN. 1114 00:41:33,900 --> 00:41:35,367 BUT I TOLD EVERYONE THIS WOULD HAPPEN. 1115 00:41:35,367 --> 00:41:37,500 I TOLD YOU TO GET ANGRY MONTHS AGO, 'CAUSE YOU KNOW WHAT? 1116 00:41:37,500 --> 00:41:39,000 YOU HAVE TO GRAB YOUR BALLS 1117 00:41:39,000 --> 00:41:41,767 AND KNOW THAT IF A PERSON HAS BOOKED DATES ON TALK SHOWS, 1118 00:41:41,767 --> 00:41:43,400 YOU BETTER HAVE YOUR ASS PREPARED. 1119 00:41:43,400 --> 00:41:45,000 - THE CHALLENGES THAT WE'VE HAD-- 1120 00:41:45,000 --> 00:41:46,967 THEY'RE BEING TAKEN CARE OF. 1121 00:41:46,967 --> 00:41:48,600 YOU NEED TO HAVE A LITTLE BIT OF PATIENCE. 1122 00:41:48,600 --> 00:41:50,500 - WHY CAN'T EVERYBODY PRODUCE AS FAST AS I CAN MARKET? 1123 00:41:50,500 --> 00:41:51,834 - I'M NOT USING THIS AS AN EXCUSE, 1124 00:41:51,834 --> 00:41:53,500 BUT THINGS HAPPEN IN PRODUCTION. 1125 00:41:53,500 --> 00:41:56,133 SHE DOESN'T UNDERSTAND THERE'S A LITANY OF THINGS 1126 00:41:56,133 --> 00:41:58,300 THAT ALL HAVE TO HAPPEN PRETTY SMOOTHLY, 1127 00:41:58,300 --> 00:42:00,400 OR THINGS ARE GONNA GET PUSHED BACK. 1128 00:42:00,400 --> 00:42:03,734 AND I'M TRYING TO HELP HER BETTER UNDERSTAND THAT, 1129 00:42:03,734 --> 00:42:06,700 SO SHE DOESN'T WANT TO RIP PEOPLE'S HEADS OFF. 1130 00:42:06,700 --> 00:42:08,633 THESE ARE GROWING PAINS WITH ANY COMPANY. 1131 00:42:08,633 --> 00:42:10,467 - OKAY, WHEN ARE THESE GROWING PAINS GONNA BE DONE? 1132 00:42:10,467 --> 00:42:12,333 - SO, LISTEN, WHAT THEY'RE TRYING TO DO 1133 00:42:12,333 --> 00:42:15,767 IS FORECAST AS TO HOW MANY CASES YOU'LL NEED 1134 00:42:15,767 --> 00:42:17,633 SO YOU DON'T HAVE THIS PROBLEM AGAIN. 1135 00:42:17,633 --> 00:42:21,667 THEY FEEL THAT YOU'LL DO CLOSE TO A MILLION CASES IN 2011. 1136 00:42:21,667 --> 00:42:24,367 - THAT'S INSANE. - NOW YOU'RE A BIG PLAYER. 1137 00:42:24,367 --> 00:42:26,400 YOU'RE A BIG PLAYER. - BIG-TIME. 1138 00:42:26,400 --> 00:42:29,300 - ARE YOU HAPPY? ARE YOU? WE GONNA FIST-POUND? 1139 00:42:29,300 --> 00:42:31,700 I WOULD LOVE TO GO TO THE BOTTLING COMPANY 1140 00:42:31,700 --> 00:42:33,734 AND SEE HOW THEY DO THIS. - WE HAVE TO. 1141 00:42:33,734 --> 00:42:35,266 I'M GONNA SMASH A BOTTLE OVER SOMEBODY'S HEAD 1142 00:42:35,266 --> 00:42:37,467 IF WE DON'T START PRODUCING MORE QUICKLY. 1143 00:42:37,467 --> 00:42:39,934 - IN THE FIRST YEAR, YOU MIGHT DO 300,000 CASES. 1144 00:42:39,934 --> 00:42:41,867 YOU HAVE AN AMAZING PRODUCT HERE 1145 00:42:41,867 --> 00:42:43,667 THAT YOU'LL-- - WE DO. 1146 00:42:43,667 --> 00:42:45,800 - SO BE PROUD OF YOURSELF. - I AM. 1147 00:42:45,800 --> 00:42:47,433 AND I'M PROUD OF YOU FOR HELPING ME 1148 00:42:47,433 --> 00:42:48,967 AND FOR BEING SO GOOD AT THIS. 1149 00:42:48,967 --> 00:42:50,767 - MAYBE THIS IS THE START 1150 00:42:50,767 --> 00:42:53,900 OF A VERY BEAUTIFUL RELATIONSHIP... 1151 00:42:53,900 --> 00:42:55,367 A BUSINESS RELATIONSHIP. 1152 00:42:55,367 --> 00:42:57,367 - LET'S START HERE, AND I'M HAPPY 1153 00:42:57,367 --> 00:42:59,367 TO TAKE SOME OF THIS OFF YOUR SHOULDERS. 1154 00:42:59,367 --> 00:43:03,633 - FIRST OF ALL, I LOVE YOU AND THANK YOU. 1155 00:43:03,633 --> 00:43:05,734 - OH, I GET TO MAKE OUT WITH THE CREATOR 1156 00:43:05,734 --> 00:43:09,266 OF THE SKINNYGIRL COCKTAILS? 1157 00:43:09,266 --> 00:43:10,800 - GOOD JOB, JASON. 1158 00:43:10,800 --> 00:43:13,000 - THANKS, MAMA. I LOVE YOU. 1159 00:43:13,000 --> 00:43:14,166 - I LOVE YOU TOO. 1160 00:43:14,166 --> 00:43:15,533 - ALL RIGHT, SO GET OUT OF HERE. 1161 00:43:15,533 --> 00:43:17,700 I GOT TO DO SOME MORE WORK. - OKAY. 1162 00:43:17,700 --> 00:43:21,100 - OH, MAN. 1163 00:43:21,100 --> 00:43:23,767 - NEXT ON BETHENNY EVER AFTER... 1164 00:43:23,767 --> 00:43:25,867 - GINA. - GET OUT OF THE BATHROOM! 1165 00:43:25,867 --> 00:43:27,633 - I HAVE GOT TO POOP. 1166 00:43:27,633 --> 00:43:29,533 - WE WILL GRANT THIS CHILD 1167 00:43:29,533 --> 00:43:32,166 THAT SHE MAY BE BAPTIZED WITH WATER. 1168 00:43:32,166 --> 00:43:33,567 - YOU CAN'T MOVE TO L.A. 1169 00:43:33,567 --> 00:43:36,266 - OH, THAT'S SO-- IT'S NOT 100%. 1170 00:43:36,266 --> 00:43:37,633 - WHEN I WALK IN THE DOOR, 1171 00:43:37,633 --> 00:43:39,734 IT'S LIKE, "PEACE OF MIND IS HERE!" 1172 00:43:39,734 --> 00:43:41,166 - IT'S VERY BEAUTIFUL. 1173 00:43:41,166 --> 00:43:42,633 AND THIS PLACE DIDN'T GO UP IN FLAMES 1174 00:43:42,633 --> 00:43:44,667 WHEN I WALKED IN HERE EITHER, SO THAT'S A REALLY GOOD SIGN. 1175 00:43:44,667 --> 00:43:46,467 - WELL, THAT'S WHY I DIDN'T PUT HOLY WATER ON YOU. 1176 00:43:46,467 --> 00:43:47,834 I DIDN'T WANT... - TO SINGE. 1177 00:43:47,834 --> 00:43:49,233 - TO BURN OFF. 1178 00:43:49,233 --> 00:43:51,667 - SWEET. THAT'S-- OH, MY GOSH. 1179 00:43:51,667 --> 00:43:53,900 THAT'S THE BIGGEST HONOR EVER. 1180 00:43:53,900 --> 00:43:56,767 - LEAVE HER ALONE. SHE'S SLEEPING. 1181 00:43:56,767 --> 00:43:58,800 - SHHHHHHHHHHHH. - THANK YOU, BETHENNY. 1182 00:43:58,800 --> 00:44:02,133 - SHHHHHHHHHHHH. IT'S VERY SUBTLE. 1183 00:44:02,133 --> 00:44:04,133 TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1184 00:44:04,133 --> 00:44:05,834 GO TO BRAVOTV.COM.