1 00:00:03,233 --> 00:00:04,700 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,700 --> 00:00:05,767 - MOMMY CLEARLY DOESN'T HAVE A BABY. 3 00:00:05,767 --> 00:00:07,066 - MOMMY DOES HAVE A BABY. 4 00:00:07,066 --> 00:00:08,800 - YOU CAN'T HAVE ONE. - WHAT DOES THAT MEAN? 5 00:00:08,800 --> 00:00:12,600 IT'S LIKE A LIGHT POTATO CHIP? A LAY'S POTATO CHIP? 6 00:00:12,600 --> 00:00:14,767 EVERYONE IS BUSTING MY BALLS-- 7 00:00:14,767 --> 00:00:16,533 OR SHOULD I SAY OVARIES-- 8 00:00:16,533 --> 00:00:18,433 ABOUT A SECOND BABY. 9 00:00:18,433 --> 00:00:20,533 - YOU'RE THE BABY. - [baby talk] I'M THE BABY. 10 00:00:20,533 --> 00:00:22,600 - YEAH. - "I'M THE BABY." 11 00:00:22,600 --> 00:00:23,734 - YAY, BRYN. [all cheering] 12 00:00:23,734 --> 00:00:24,900 - THAT WAS BRYN'S FIRST SENTENCE. 13 00:00:24,900 --> 00:00:26,066 - YAY. - YAY! 14 00:00:26,066 --> 00:00:28,934 - MY STEP-FATHER-- 15 00:00:28,934 --> 00:00:30,500 I HAVE A WARM PLACE IN MY HEART FOR HIM. 16 00:00:30,500 --> 00:00:31,900 - RIGHT. HE WAS GOOD TO YOU. 17 00:00:31,900 --> 00:00:33,200 - HE'S THE ONLY FATHER I EVER HAD. 18 00:00:33,200 --> 00:00:35,633 AND HE DESERVES THAT TITLE. HE DESERVES THAT PIN. 19 00:00:35,633 --> 00:00:37,266 - ABSOLUTELY. - HE CAN, LIKE, DIE AND KNOW, 20 00:00:37,266 --> 00:00:39,000 LIKE, YOU WERE A FATHER TO SOMEONE. 21 00:00:39,000 --> 00:00:40,333 LIKE, YOU WERE-- - RIGHT. 22 00:00:40,333 --> 00:00:42,467 - YOU MADE MY LIFE A LOT BETTER THAN IT WOULD HAVE BEEN. 23 00:00:42,467 --> 00:00:44,300 - WE'RE TALKING TO THIS 14-YEAR-OLD GIRL. 24 00:00:44,300 --> 00:00:45,734 WHAT WOULD YOU SAY TO HER? 25 00:00:45,734 --> 00:00:48,967 - YOU WANT TO UNDERSTAND WHY SOMEONE WOULD THROW YOU AWAY. 26 00:00:51,867 --> 00:00:55,667 JUST BECAUSE I'M CRYING DOESN'T MAKE IT TRUE. 27 00:00:55,667 --> 00:00:57,100 [camera shutter snaps] 28 00:01:09,567 --> 00:01:11,166 - WHAT UP, DOG? 29 00:01:11,166 --> 00:01:12,834 OH, THIS IS YOUR HAMPTONS LOOK? 30 00:01:12,834 --> 00:01:14,367 - NO, NO, NO, NOT YET. 31 00:01:14,367 --> 00:01:16,266 NOW, GET THERE, YOU'LL SEE MY NEW HAMPTONS LOOK. 32 00:01:16,266 --> 00:01:17,767 - WHAT'D YOU DO? LIKE, A ALL-WHITE P. DIDDY 33 00:01:17,767 --> 00:01:18,967 - YEAH, A LITTLE BIT-- SOMETHING LIKE THAT. 34 00:01:18,967 --> 00:01:20,166 - REALLY? 35 00:01:20,166 --> 00:01:21,600 - LITTLE BIT OF THIS, LITTLE BIT OF THAT. 36 00:01:21,600 --> 00:01:23,600 - DWAYNE'S BEEN WORKING FOR ME FOR ABOUT SIX MONTHS, 37 00:01:23,600 --> 00:01:25,166 AND HE'S DEFINITELY PART OF THE CREW. 38 00:01:25,166 --> 00:01:26,233 - HEY, LITTLE MAMA. 39 00:01:26,233 --> 00:01:28,133 - AW, "HEY, LITTLE MAMA." 40 00:01:28,133 --> 00:01:30,000 - HEY, DWAYNE. - HEY, BIG GUY. 41 00:01:30,000 --> 00:01:31,367 HOW ARE YOU DOING TODAY? - ICE IN THE EARS. 42 00:01:31,367 --> 00:01:32,700 - PRETTY SHARP, PRETTY SHARP. - HE'S GOT THE INK, 43 00:01:32,700 --> 00:01:34,767 HE'S GOT THE ICE. - BUT I'M NOT COMING. 44 00:01:34,767 --> 00:01:36,533 - LOOK AT HIM, HE'S ALL CASUAL WITH THE INK AND THE ICE. 45 00:01:36,533 --> 00:01:39,367 WE'RE GOING BACK TO MONTAUK FOR THE ANNUAL SKINNY GIRL PARTY. 46 00:01:39,367 --> 00:01:41,700 IT'S KIND OF LIKE A MINI WORKING VACATION. 47 00:01:41,700 --> 00:01:43,367 WHO'S TAKING COOKIE? 48 00:01:43,367 --> 00:01:44,834 - I'M TAKING COOKIE. - WHY? 49 00:01:44,834 --> 00:01:46,467 - [baby babbling] - DADDY WILL TAKE COOKIE. 50 00:01:46,467 --> 00:01:48,834 THAT'S A TREE. RIGHT THERE. WHERE'S THE TREE? 51 00:01:48,834 --> 00:01:50,233 - I LOVE YOU. - LOVE YOU. 52 00:01:50,233 --> 00:01:51,333 - SEE YOU GUYS LATER. BE SAFE. 53 00:01:51,333 --> 00:01:52,667 - OKAY, BYE. - LOVE YOU. 54 00:01:52,667 --> 00:01:54,867 - OKAY, SO-- 55 00:01:56,333 --> 00:01:57,567 HAVE YOU EVER BEEN TO THE HAMPTONS? 56 00:01:57,567 --> 00:01:58,834 - NEVER. 57 00:01:58,834 --> 00:02:00,467 - OH, THAT'S WHY YOU GOT YOUR STUNNERS ON. 58 00:02:00,467 --> 00:02:02,600 - YEAH. I'M GONNA DO WHAT THE HAMPT-- 59 00:02:02,600 --> 00:02:04,266 WHAT IS IT CALLED, THE HAMPTINIAN-- 60 00:02:04,266 --> 00:02:05,433 - HAMPTONITES. - HAMPTINIANS DO IT. 61 00:02:05,433 --> 00:02:06,867 - HAMPTONITES, I THINK. - HAMPTONITES. 62 00:02:06,867 --> 00:02:08,200 I'M GONNA BE LIKE THE HAMPTONITES. 63 00:02:08,200 --> 00:02:09,433 - HOW YOU GONNA DO THAT? 64 00:02:09,433 --> 00:02:10,467 - I'M GONNA, YOU KNOW, PUT MY STUNNERS ON. 65 00:02:15,533 --> 00:02:16,700 YOU BROUGHT ALL THAT? 66 00:02:17,900 --> 00:02:19,867 - LISTEN, THIS IS CALLED "WORK." 67 00:02:19,867 --> 00:02:21,767 - [laughs] - I AM WORKING, 68 00:02:21,767 --> 00:02:25,200 BUT WHEN I'M SECURITY MODE, I'M GONNA GO IN ALL-BLACK, 69 00:02:25,200 --> 00:02:26,633 BUT WHEN I'M JUST DRIVING YOU AROUND, 70 00:02:26,633 --> 00:02:28,767 I'M GONNA DRIVE YOU AROUND LIKE--YOU KNOW, LIKE, YOU-- 71 00:02:28,767 --> 00:02:30,633 - LIKE FARNSWORTH BENTLEY. 72 00:02:30,633 --> 00:02:32,567 - SOMETHING SIMILAR TO THAT, VERY SIMILAR TO THAT. 73 00:02:32,567 --> 00:02:34,066 - GOT IT. 74 00:02:34,066 --> 00:02:37,500 HOW LONG WERE YOU DRIVING BEFORE I MET YOU THAT DAY? 75 00:02:37,500 --> 00:02:40,333 - I WAS DRIVING ABOUT SIX MONTHS. 76 00:02:40,333 --> 00:02:42,233 - AND YOU NEVER--YOU NEVER DROVE BEFORE IN THE CITY? 77 00:02:42,233 --> 00:02:43,467 - NOPE. - NO WONDER YOU NEVER KNOW 78 00:02:43,467 --> 00:02:45,400 WHERE THE HELL YOU'RE GOING. 79 00:02:45,400 --> 00:02:46,700 - I'M A HUSTLER. 80 00:02:46,700 --> 00:02:49,233 - I KNOW-- [baby fusses] 81 00:02:49,233 --> 00:02:51,533 I KNOW THAT. I'M A HUSTLER, TOO, DWAYNE. 82 00:02:51,533 --> 00:02:52,867 - UH, YEAH, I-- TRUST ME. 83 00:02:52,867 --> 00:02:55,300 THAT'S WHY WE ARE CLI-- WE ARE LIKE THIS. 84 00:02:55,300 --> 00:02:56,500 'CAUSE YOU'RE A HUSTLER. 85 00:03:00,433 --> 00:03:01,834 [growls] 86 00:03:01,834 --> 00:03:04,433 - DID YOU HEAR? A PIT BULL IN A SKIRT. 87 00:03:04,433 --> 00:03:06,066 [laughs] - GIVE ME THAT MONEY. 88 00:03:06,066 --> 00:03:08,967 - THE PROBLEM WITH DWAYNE IS ALL ACROSS THE LINE, 89 00:03:08,967 --> 00:03:11,834 AND YET INAPPROPRIATE BECAUSE IT'S FUNNY. 90 00:03:11,834 --> 00:03:14,166 - GIVE ME THAT MONEY, MAN. - NO ONE'S EVER SAID THAT TO ME. 91 00:03:14,166 --> 00:03:16,300 [laughter] - GIVE ME THAT MONEY. 92 00:03:16,300 --> 00:03:19,367 - YOU LISTEN TO EVERY SINGLE CONVERSATION, YOU KNOW? 93 00:03:19,367 --> 00:03:21,000 HAVE YOU MADE ANY NEW DEALS SINCE YOU'VE BEEN LISTENING 94 00:03:21,000 --> 00:03:22,400 TO EVERY CON-- - NO, MAN, I WAS--I-- 95 00:03:22,400 --> 00:03:25,500 I'M VERY LOYAL TO MY BETHENNY FRANKEL. 96 00:03:25,500 --> 00:03:28,033 SHE'S GOOD MONEY IN MY BOOK, MAN. SHE'S GOOD MONEY. 97 00:03:28,033 --> 00:03:32,166 - I'M ALWAYS GOING TO MAKE THE MISTAKE OF TAKING HUMOR 98 00:03:32,166 --> 00:03:33,600 OVER BEING PROFESSIONAL. 99 00:03:33,600 --> 00:03:35,233 AND THEN I BEAT MYSELF UP, BECAUSE I'M LIKE, 100 00:03:35,233 --> 00:03:37,333 "I RUINED IT, BUT GOD, THAT WAS SO FUNNY." 101 00:03:37,333 --> 00:03:39,533 - WHAT'D YOU CALL IT AGAIN? 102 00:03:39,533 --> 00:03:41,433 - I DON'T KNOW WHAT YOU'RE SAYING. 103 00:03:41,433 --> 00:03:43,000 - LAZY LINGERIE. - LAZY LINGERIE? 104 00:03:43,000 --> 00:03:44,500 - YOU WANT-- BECAUSE HERE'S WHY. 105 00:03:44,500 --> 00:03:47,233 IT'S AWKWARD TO GO IN ANOTHER ROOM TO PUT THE LINGERIE ON. 106 00:03:47,233 --> 00:03:50,100 SO IT'S LIKE, IF THIS WERE ONE OF MY BUSTIERS, 107 00:03:50,100 --> 00:03:52,300 YOU HAVE THE SWEATER, AND THEN ALL OF A SUDDEN YOU GET HOME, 108 00:03:52,300 --> 00:03:53,700 AND YOU'RE LIKE, "HERE." - RIGHT. 109 00:03:53,700 --> 00:03:54,700 - YOU KNOW, IT'S LIKE A LITTLE PEEK-A-BOO. 110 00:03:54,700 --> 00:03:55,967 - WITH THE PANTIES THAT MATCH IT. 111 00:03:55,967 --> 00:03:57,433 YOU SAY, "HERE, PEEK-A-BOO." - YEAH, AND THE PANTIES 112 00:03:57,433 --> 00:03:58,867 ARE UNDERNEATH, LAZY LINGERIE. - EXACTLY. 113 00:03:58,867 --> 00:04:00,066 DON'T YOU LOVE THE CONCEPT? 114 00:04:00,066 --> 00:04:01,367 - GO IN THE BATHROOM, GET A LITTLE WET WIPES. 115 00:04:01,367 --> 00:04:03,166 WET-WIPE IT UP, BA-BA-BA. RIGHT IN BED. 116 00:04:03,166 --> 00:04:06,033 - [laughing] 117 00:04:06,033 --> 00:04:08,100 THAT'S SERIOUS-- THAT'S SERIOUS. 118 00:04:08,100 --> 00:04:09,800 LIKE, READY FOR BED. - [laughs] 119 00:04:10,967 --> 00:04:13,834 - I WILL NEVER LEARN MY LESSON. 120 00:04:13,834 --> 00:04:16,200 - I AM A BIG FAN OF A BABY WIPE. 121 00:04:16,200 --> 00:04:18,266 WE'LL GET SOME FOR YOUR WIFE, IS SHE-- 122 00:04:18,266 --> 00:04:20,467 SHE'S, UH-- - SHE LIKE--SHE LIKES-- 123 00:04:20,467 --> 00:04:22,667 SHE SAID--WHAT SHE SAID? 38 DOUBLE-D. 124 00:04:22,667 --> 00:04:24,166 - DOUBLE-D? WOW. - I TELL YOU, 125 00:04:24,166 --> 00:04:26,567 MY WIFE'S GOT SOME... SOME KNOCKERS. 126 00:04:26,567 --> 00:04:27,567 - [laughs] 127 00:04:27,567 --> 00:04:30,533 - [indistinct]. 128 00:04:30,533 --> 00:04:32,667 SPANISH KNOCKERS. - [laughs] 129 00:04:32,667 --> 00:04:35,200 - I KNOW, WE GOT SOME SPANISH KNOCKERS IN THE BACK RIGHT NOW. 130 00:04:35,200 --> 00:04:36,800 - [laughing] I'M NOT THAT BIG. 131 00:04:36,800 --> 00:04:37,934 - SO ARE YOU EXCITED, DWAYNE? 132 00:04:37,934 --> 00:04:39,200 THIS IS YOUR FIRST TIME TO SEE THE HAMPTONS? 133 00:04:39,200 --> 00:04:40,734 HOW MUCH LUGGAGE DID YOU BRING? 134 00:04:40,734 --> 00:04:41,867 IS THAT WHY THIS CAR SEEMS TOO SMALL? 135 00:04:41,867 --> 00:04:42,900 - IS THAT WHY WE CAN'T FIT IN HERE? 136 00:04:42,900 --> 00:04:44,133 - [laughs] 137 00:04:44,133 --> 00:04:45,433 - THAT'S TRUE. 138 00:04:45,433 --> 00:04:48,033 - [laughing] IS THAT WHY ALL OUR [bleep] IS NEXT TO ME? 139 00:04:48,033 --> 00:04:49,166 [laughter] 140 00:04:49,166 --> 00:04:50,233 - I GOT A FEW THINGS. - THAT'S WHY 141 00:04:50,233 --> 00:04:51,367 VERONICA'S SITTING ON HER CLOTHES, 142 00:04:51,367 --> 00:04:52,367 'CAUSE YOU-- - I GOT A-- 143 00:04:52,367 --> 00:04:53,533 I GOT A FEW THINGS. 144 00:04:53,533 --> 00:04:54,633 YEAH, I GOT A FEW THINGS. - OH, NO. 145 00:04:54,633 --> 00:04:55,934 - I TELL YOU, I LIKE NICE THINGS. 146 00:04:55,934 --> 00:04:57,033 I LIKE NICE THINGS. - HOW MUCH LUGGAGE 147 00:04:57,033 --> 00:04:58,467 DID YOU BRING? - ABOUT SIX OUTFITS. 148 00:04:58,467 --> 00:04:59,767 - OH-- - HE HAS MORE CLOTHES 149 00:04:59,767 --> 00:05:01,200 THAN YOU DO. - I KNOW HE DOES. 150 00:05:01,200 --> 00:05:02,533 AND WE HAD TO PLAN IT. OH, MY GOD, 151 00:05:02,533 --> 00:05:04,967 SO YOU HAVE OPTIONS, LIKE YOU COULD DECIDE 152 00:05:04,967 --> 00:05:06,300 WHAT YOU WANT TO WEAR. - YEAH, YOU TELL ME, 153 00:05:06,300 --> 00:05:08,300 OKAY, DWAYNE, WE GOING TO THE-- LET'S SAY WE GOING 154 00:05:08,300 --> 00:05:11,367 TO A POLO EVENT, I'LL THROW A WHOLE POLO SUIT ON. 155 00:05:11,367 --> 00:05:13,066 - LIKE ACTUAL RALPH LAUREN POLO? 156 00:05:13,066 --> 00:05:15,033 - ABSOLUTELY. ABSOLUTELY! - OKAY. 157 00:05:15,033 --> 00:05:16,333 - WHAT ARE YOU--WHAT--? 158 00:05:16,333 --> 00:05:17,633 WHO Y'ALL THINK YOU'RE TALKING TO? 159 00:05:17,633 --> 00:05:19,400 - YOU KEEP IT REAL, OKAY? YOU KEEP IT REAL. 160 00:05:19,400 --> 00:05:21,266 - I KEEP IT REAL. 161 00:05:21,266 --> 00:05:25,100 1,000%. 162 00:05:35,000 --> 00:05:38,667 - WE TAKE A PLACE IN MONTAUK FOR THE WEEKENDS DURING THE SUMMER. 163 00:05:38,667 --> 00:05:41,166 I WANT BRYN TO BE ABLE TO RUN OUTSIDE. 164 00:05:41,166 --> 00:05:43,967 I WANT COOKIE TO BE ABLE TO FEEL FREE, 165 00:05:43,967 --> 00:05:45,867 AND IT REALLY IS FAMILY TIME. 166 00:05:45,867 --> 00:05:47,400 - WALK-A. - WALK-A? 167 00:05:47,400 --> 00:05:50,367 OKAY, QUICK WALK-A, 'CAUSE WE DON'T HAVE SUN BLOCK ON YOU. 168 00:05:50,367 --> 00:05:52,100 QUICK WALK-A. 169 00:05:52,100 --> 00:05:53,767 IT'S THE GRASS. 170 00:05:53,767 --> 00:05:56,700 WALK-A. WHAT HAPPENED TO YOUR BOW? 171 00:05:56,700 --> 00:05:58,734 THAT'S WATER. YES, IT IS, SWEETHEART. 172 00:05:58,734 --> 00:06:01,200 OH, THE SPRINKLERS, YOU MEAN. YES, IT'S WATER. 173 00:06:01,200 --> 00:06:04,600 - YOU WANT TO RUN IN THE SPRINKLERS? 174 00:06:04,600 --> 00:06:05,700 IT'S WATER. 175 00:06:05,700 --> 00:06:08,900 - DO YOU WANT TO RUN IN THE SPRINKLERS? 176 00:06:08,900 --> 00:06:11,700 [yelling] WAH-AH-AH... 177 00:06:11,700 --> 00:06:14,300 [squealing] EE-EE-EE. 178 00:06:14,300 --> 00:06:16,033 WHOO! [laughs] 179 00:06:16,033 --> 00:06:17,300 WANT TO GO AGAIN? 180 00:06:17,300 --> 00:06:19,667 [yelling] WAH-AH-AH... 181 00:06:19,667 --> 00:06:21,100 [squeals] 182 00:06:21,100 --> 00:06:24,233 DO THAT AGAIN? THAT'S WATER, YOU'RE COOL-- 183 00:06:24,233 --> 00:06:25,500 [yelling] WAH-AH-AH... 184 00:06:25,500 --> 00:06:27,200 [laughs] 185 00:06:27,200 --> 00:06:30,200 [kissing] YOU LIKE THE SPRINKLERS? 186 00:06:30,200 --> 00:06:32,533 YOU LIKE IT? 187 00:06:32,533 --> 00:06:34,967 [yelling] WATER! 188 00:06:36,033 --> 00:06:38,533 CAREFUL. 189 00:06:38,533 --> 00:06:40,934 COME ON. YOU GOT IT. 190 00:06:40,934 --> 00:06:44,767 THE GRASS. 191 00:06:44,767 --> 00:06:47,266 THIS IS THE GRASS. 192 00:06:47,266 --> 00:06:49,900 WE GET TO PUT THIS IN THE MEMORY BOOK. 193 00:07:04,433 --> 00:07:06,433 - AW, MAN, WHAT A RIDE. 194 00:07:06,433 --> 00:07:08,700 - WHAT'S UP? HI. 195 00:07:08,700 --> 00:07:10,200 - THAT'S A LONG-ASS RIDE. 196 00:07:10,200 --> 00:07:13,667 - OH, ACTUALLY, HERE, I'LL TAKE THE SHOES. 197 00:07:13,667 --> 00:07:15,667 - COOKIE, GO SEE MAMA. 198 00:07:15,667 --> 00:07:17,667 - COOCOO, WHERE'S MOMMY? 199 00:07:20,600 --> 00:07:22,166 - THERE SHE IS! 200 00:07:22,166 --> 00:07:24,133 - HI. [kissing] 201 00:07:24,133 --> 00:07:25,333 HI. - I MISSED YOU. 202 00:07:25,333 --> 00:07:26,333 [kissing] - HI. 203 00:07:26,333 --> 00:07:28,367 - WHAT'S GOING ON? - HI. 204 00:07:28,367 --> 00:07:30,000 - HI. - YOU LOOK LIKE YOU'RE RELAXING. 205 00:07:30,000 --> 00:07:31,567 - HI, GIRLS. - HOW ARE YOU? 206 00:07:31,567 --> 00:07:32,734 - GOOD, HOW ARE YOU? - WHERE'S THE LITTLE ONE? 207 00:07:32,734 --> 00:07:34,000 SLEEPING? - HOW WAS THE TRIP? 208 00:07:34,000 --> 00:07:36,133 - YES. HOW WAS THE ROAD TRIP? - LONG. 209 00:07:36,133 --> 00:07:37,166 - GOOD. - LONG. 210 00:07:37,166 --> 00:07:39,433 - OH, WE GOTTA TELL YOU SOMETHING. 211 00:07:39,433 --> 00:07:41,100 - WHAT? I HAVE A TERRIBLE, TERRIBLE HEADACHE, 212 00:07:41,100 --> 00:07:42,767 SO DON'T MIND ME, I'M, LIKE, OUT OF IT, BEYOND-- 213 00:07:42,767 --> 00:07:45,000 - I RAN OVER FOUR RACCOONS. 214 00:07:45,000 --> 00:07:46,367 - WHAT? 215 00:07:46,367 --> 00:07:48,900 - I RAN OVER FOUR RACCOONS. 216 00:07:48,900 --> 00:07:50,233 - WHAT? - WHAT? 217 00:07:50,233 --> 00:07:53,033 - THERE WAS, LIKE, A FAMILY, IN A DIAMOND FORMATION, 218 00:07:53,033 --> 00:07:56,066 JUST TROTTING ACROSS--YEAH. - FOUR. 219 00:07:56,066 --> 00:07:57,300 - DID YOU KILL THEM? ARE THEY DEAD? 220 00:07:57,300 --> 00:07:59,400 - WELL, I KNOW ONE IS DEAD, FOR SURE, 221 00:07:59,400 --> 00:08:01,033 'CAUSE I LOOKED BACK IN THE REAR-VIEW MIRROR 222 00:08:01,033 --> 00:08:02,800 AND IT WAS LAYING ON THE ROAD. - THEY WERE ON THE-- 223 00:08:02,800 --> 00:08:04,667 - WELL, WHAT, DID YOU GET OUT AND GO SEE THE OTHER THREE, 224 00:08:04,667 --> 00:08:06,000 TO MAKE SURE THAT THEY'RE OKAY? IS IT DEFINITELY-- 225 00:08:06,000 --> 00:08:07,000 I MEAN, IS HE DEFINITELY DEAD? 226 00:08:07,000 --> 00:08:08,266 DEAD DEAD? 227 00:08:08,266 --> 00:08:09,400 - IT WASN'T MOVING. 228 00:08:09,400 --> 00:08:10,934 - DID YOU GET OUT AND GO MAKE SURE 229 00:08:10,934 --> 00:08:12,266 THAT THE OTHER THREE ARE OKAY? 230 00:08:12,266 --> 00:08:15,000 - NO. - WHAT DO YOU MEAN, NO? 231 00:08:15,000 --> 00:08:16,266 WERE YOU GUYS CRYING? 232 00:08:16,266 --> 00:08:17,367 - WE WERE ALL KIND OF LIKE, 233 00:08:17,367 --> 00:08:18,734 "[gasps], BUH-BUM, BUH-BUM, BUH-BUM." 234 00:08:18,734 --> 00:08:21,133 - WERE YOU CRYING? - THERE WERE NO BABIES. 235 00:08:21,133 --> 00:08:23,033 - I WOULD'VE TOTALLY GOTTEN OUT OF THE CAR, AND I WOULD HAVE 236 00:08:23,033 --> 00:08:24,700 CALLED, LIKE, 911, JUST TO MAKE SURE EVERYTHING-- 237 00:08:24,700 --> 00:08:26,133 - HE'S WORRIED ABOUT RABIES, WHICH IS KIND OF A-- 238 00:08:26,133 --> 00:08:28,767 - WELL, THEY WERE--ABOUT FOUR OR FIVE OF THEM WERE BLUBBERING 239 00:08:28,767 --> 00:08:30,467 ACROSS THE ROAD. - I DON'T KNOW, WHAT IS-- 240 00:08:30,467 --> 00:08:32,734 WHO, LIKE, SEES FOUR RACCOONS THAT ARE BLUB-- 241 00:08:32,734 --> 00:08:34,000 FOUR BLUBBERING RACCOONS CROSSING THE ROAD? 242 00:08:34,000 --> 00:08:35,600 - WELL, WE KIND OF GIGGLED A LITTLE BIT, 243 00:08:35,600 --> 00:08:38,100 BECAUSE I CAN'T BELIEVE I RAN OVER FOUR RACCOONS. 244 00:08:38,100 --> 00:08:40,867 - AND HOW'D YOU HIT FOUR? - THEY WERE IN A PACK. 245 00:08:40,867 --> 00:08:43,433 - OH, MY GOD. JASON. - [laughs] 246 00:08:43,433 --> 00:08:44,800 - [laughing] I DON'T FEEL GOOD ABOUT IT, BUT I MEAN-- 247 00:08:44,800 --> 00:08:46,400 - YOU DON'T FEEL BAD, THOUGH. 248 00:08:46,400 --> 00:08:47,533 - LIKE, WAS IT IN THE MIDDLE OF THE ROAD 249 00:08:47,533 --> 00:08:49,100 SO OTHER CARS RAN OVER THEM AFTER YOU? 250 00:08:49,100 --> 00:08:50,533 - WELL, I WAS JUST-- - [gasps] JULIE, STOP. 251 00:08:50,533 --> 00:08:53,133 - NO, NO, WELL, I WAS AFRAID TO, LIKE, REALLY PUT ON MY BRAKES, 252 00:08:53,133 --> 00:08:55,100 'CAUSE I WAS AFRAID TO GET HIT FROM BEHIND. 253 00:08:55,100 --> 00:08:56,266 - THEY WERE TAKING THEIR TIME. 254 00:08:56,266 --> 00:08:58,867 - IT WAS EITHER US OR THE RACCOONS. 255 00:08:58,867 --> 00:09:01,300 - AND WE HAD TO GET TO THE PARTY, SO-- 256 00:09:01,300 --> 00:09:03,500 I MEAN... 257 00:09:03,500 --> 00:09:06,834 - WHO IN THE WORLD WOULDN'T STOP WHEN YOU RUN OVER 258 00:09:06,834 --> 00:09:09,500 A DIAMOND FORMATION OF RACCOONS? 259 00:09:09,500 --> 00:09:13,600 YOU ARE ALL COLD-HEARTED VILLAINS 260 00:09:13,600 --> 00:09:16,133 WITH ICE RUNNING THROUGH YOUR VEINS. 261 00:09:16,133 --> 00:09:17,700 - YOU MISS COOKIE? - COO-COO. 262 00:09:17,700 --> 00:09:19,333 - I GOT THIS. - SHE'S THE ONLY ONE 263 00:09:19,333 --> 00:09:21,066 WHO HAS A HEART IN THIS GROUP. 264 00:09:25,500 --> 00:09:26,500 COMING UP... 265 00:09:26,500 --> 00:09:27,967 SECOND DIG OF THE WEEKEND. 266 00:09:27,967 --> 00:09:29,300 - BUSINESS, BACK TO BUSINESS. 267 00:09:29,300 --> 00:09:30,533 - WHY WAS THAT A DIG? 268 00:09:30,533 --> 00:09:31,800 - 'CAUSE IT WAS, LIKE, MAKING FUN OF ME, 269 00:09:31,800 --> 00:09:33,667 BUT KIND OF SAYING IT-- LIKE, "WHERE ARE YOU GOING?" 270 00:09:47,433 --> 00:09:49,133 - HEY, GUYS, YOU WANT TO GO EAT? 271 00:09:49,133 --> 00:09:50,133 - LET'S DO IT. 272 00:09:50,133 --> 00:09:52,166 - LET'S DO IT. - SOUNDS GOOD. 273 00:09:52,166 --> 00:09:53,433 - YOU'VE NEVER HAD [indistinct]. 274 00:09:53,433 --> 00:09:55,500 - NEVER, NO. - THIS ONE'S GOOD. 275 00:09:55,500 --> 00:09:56,767 - THEY DON'T HAVE THOSE IN NEBRASKA. 276 00:09:56,767 --> 00:09:59,600 - MATT HESSE IS MY GOOD-LOOKING, SUCCESSFUL PARTNER 277 00:09:59,600 --> 00:10:01,367 IN SKINNY GIRL DAILY NUTRITIONAL. 278 00:10:01,367 --> 00:10:03,567 HE'S HERE FOR THE WEEKEND WITH HIS FRIEND, TOM. 279 00:10:03,567 --> 00:10:05,000 THEY'RE LOOKING TO GET SOME, 280 00:10:05,000 --> 00:10:07,266 AND I MIGHT BE ABLE TO GET THEM TO FIRST BASE. 281 00:10:07,266 --> 00:10:09,033 [restaurant chatter] 282 00:10:09,033 --> 00:10:10,934 - DO YOU HAVE A GOOD MATCH-MAKING TRACK RECORD? 283 00:10:10,934 --> 00:10:12,233 - I GOT ONE-- I GOT ONE PERFECT. 284 00:10:12,233 --> 00:10:15,166 I GOT HODA FROM THE TODAY SHOW AND HER GUY. 285 00:10:15,166 --> 00:10:16,600 - IS THIS WHAT WOMEN DO, LIKE, 286 00:10:16,600 --> 00:10:18,200 ARE YOU GOING THROUGH YOUR SINGLE GIRLS, 287 00:10:18,200 --> 00:10:21,233 AND BE LIKE, "OH, MAYBE HIM FOR HER." 288 00:10:21,233 --> 00:10:23,300 DO YOU DO THAT? - A LITTLE BIT, I THINK. YEAH. 289 00:10:23,300 --> 00:10:24,934 - YOU THINK MOST WOMEN DO THAT? 290 00:10:24,934 --> 00:10:26,033 - IF THEY'RE NOT SINGLE? YEAH. 291 00:10:26,033 --> 00:10:28,567 - IF THEY'RE NOT SINGLE, YEAH. 292 00:10:28,567 --> 00:10:30,900 - BUT GUYS DON'T THINK LIKE THAT AND GIRLS ALWAYS HAVE TO SAY, 293 00:10:30,900 --> 00:10:33,100 "HEY, DO YOU HAVE ANY CUTE FRIENDS TO SET ME UP WITH?" 294 00:10:33,100 --> 00:10:34,567 AND THEN THEY'LL BE LIKE, "WAIT, I GOT THIS GUY," 295 00:10:34,567 --> 00:10:36,133 AND THEN THEY'LL MENTION THIS GUY, AND THEY'LL BE LIKE, 296 00:10:36,133 --> 00:10:38,400 "HE INVENTED FIRE, HE HAS A 14-INCH PENIS, 297 00:10:38,400 --> 00:10:39,567 HE HAS $400,000,000." 298 00:10:39,567 --> 00:10:40,667 - WHAT DO GUYS SAY? "YOU HAVE ANY HOT-- 299 00:10:40,667 --> 00:10:41,934 YOU HAVE ANY HOT GIRLFRIENDS?" 300 00:10:41,934 --> 00:10:43,100 - SPEAK OF THE DEVIL, THIS IS CRAZY COMING. 301 00:10:43,100 --> 00:10:44,166 - HI. - HI. 302 00:10:44,166 --> 00:10:45,433 - THE ONE IN THE STRAIT-JACKET. 303 00:10:45,433 --> 00:10:46,500 - HOW ARE YOU? - HEY. 304 00:10:46,500 --> 00:10:50,100 HEY. JOANIE-- - MY SISTER, JOANIE. 305 00:10:50,100 --> 00:10:51,834 - HI, JOANIE. 306 00:10:51,834 --> 00:10:53,367 - SO I THOUGHT I'D SET UP MATT AND JOANIE. 307 00:10:53,367 --> 00:10:54,867 JOANIE IS JULIE'S SISTER. 308 00:10:54,867 --> 00:10:56,867 IT'S NOT LIKE I'M SOME GENIUS. 309 00:10:56,867 --> 00:10:58,867 I MEAN, HOT PLUS HOT EQUALS HOTTER. 310 00:10:58,867 --> 00:11:00,367 HOT PEOPLE LIKE EACH OTHER. 311 00:11:00,367 --> 00:11:02,800 - SIT DOWN. DO YOU WANT ANYTHING? 312 00:11:02,800 --> 00:11:03,867 - I'M GOOD. 313 00:11:03,867 --> 00:11:05,166 WE CAN PROBABLY PICK AT SOMETHING, YEAH. 314 00:11:05,166 --> 00:11:06,433 - OH, MY GOD... - HOW WAS THE TRAIN? 315 00:11:06,433 --> 00:11:07,533 DO YOU WANT ANYTHING? 316 00:11:07,533 --> 00:11:08,700 - NO. - NO, I'M GOOD. 317 00:11:08,700 --> 00:11:10,066 - THE TRAIN WAS GOOD? - YEAH. 318 00:11:10,066 --> 00:11:11,433 - AND SO IT BEGINS. 319 00:11:11,433 --> 00:11:12,734 - WHERE DO YOU LIVE, IN NEW YORK? 320 00:11:12,734 --> 00:11:15,100 - UH, WITH JULIE, IN THE WEST VILLAGE. 321 00:11:15,100 --> 00:11:17,233 - CRAZIEST. 322 00:11:17,233 --> 00:11:18,667 - HOW FAR APART ARE YOU GUYS IN AGE? 323 00:11:18,667 --> 00:11:20,266 - UH, SHE'S TWO YEARS OLDER. 324 00:11:20,266 --> 00:11:23,033 - DO YOU HAVE ANY--DO YOU HAVE YOUNGER BROTHERS OR SISTERS? 325 00:11:23,033 --> 00:11:25,433 - A YOUNGER BROTHER WHO'S TWO YEARS YOUNGER THAN ME. 326 00:11:25,433 --> 00:11:26,533 SO-- - OH. 327 00:11:29,367 --> 00:11:31,066 - DO YOU LIVE IN THE CITY? 328 00:11:31,066 --> 00:11:33,333 - NO, I LIVE IN DENVER. 329 00:11:33,333 --> 00:11:35,934 - MY JOB IS DONE. LET'S SEE WHAT HAPPENS. 330 00:11:35,934 --> 00:11:37,934 - SO ARE YOU FROM COLORADO? AM I CLOSE? 331 00:11:37,934 --> 00:11:39,066 - UH, HERE FROM NEBRASKA, ACTUALLY. 332 00:11:39,066 --> 00:11:40,133 - HMM. 333 00:11:40,133 --> 00:11:43,133 - WE MOVED TO COLORADO WHEN I WAS 25. 334 00:11:44,700 --> 00:11:46,667 - I GOT IT. - UM, ALL RIGHT. 335 00:11:46,667 --> 00:11:47,900 SO LET'S GET OUT OF HERE. 336 00:11:47,900 --> 00:11:48,967 - WE PAID? WE'RE ALL GOOD? 337 00:11:48,967 --> 00:11:50,400 WE GONNA TAKE THESE CUPCAKES HERE? 338 00:11:50,400 --> 00:11:52,033 - I GOT-- I GOT THEM. 339 00:11:52,033 --> 00:11:53,834 I GOT THOSE. 340 00:11:59,567 --> 00:12:06,133 [restaurant chatter] 341 00:12:06,133 --> 00:12:07,300 - OH, LOOK IT, THE BAND'S GETTING READY. 342 00:12:07,300 --> 00:12:09,300 HI. HOW NICE YOU GUYS LOOK. 343 00:12:09,300 --> 00:12:10,867 - HI, YOU GUYS. - HI. 344 00:12:10,867 --> 00:12:12,033 - GOOD, HOW ARE YOU? - HOW ARE YOU? 345 00:12:12,033 --> 00:12:14,133 - GOOD TO SEE YOU. - GOOD SEEING YOU. 346 00:12:14,133 --> 00:12:17,533 - EVERY YEAR WE HAVE A PARTY AT THE MONTAUK YACHT CLUB. 347 00:12:17,533 --> 00:12:18,834 - GET A DRINK. CHEERS. 348 00:12:18,834 --> 00:12:20,400 CHEERS. HAVE A GOOD TIME. - CHEERS. 349 00:12:20,400 --> 00:12:22,800 - JUST A REALLY MELLOW GET-TOGETHER 350 00:12:22,800 --> 00:12:24,533 TO CELEBRATE SKINNY GIRL COCKTAILS. 351 00:12:24,533 --> 00:12:26,100 - OH, AMY'S HERE. SHE'S MY-- 352 00:12:26,100 --> 00:12:27,400 YOU KNOW AMY. 353 00:12:27,400 --> 00:12:29,433 MY COLLEGE ROOMMATE? SHE WAS IN MY WEDDING PARTY. 354 00:12:29,433 --> 00:12:30,934 - AMY CALCO. - OH, YEAH, YEAH, YEAH. 355 00:12:30,934 --> 00:12:32,166 - HI. - HI. 356 00:12:32,166 --> 00:12:34,133 - HOW ARE YOU? - I'M GOOD. 357 00:12:34,133 --> 00:12:35,700 - DID YOU GET MY TEXT? 358 00:12:35,700 --> 00:12:37,433 - AMY'S GOT SOME DIRT ON ME. 359 00:12:37,433 --> 00:12:38,867 SHE'S GOT THE KEY TO THE BONE YARD. 360 00:12:38,867 --> 00:12:40,200 - YOU ALL WENT TO THE SAME SCHOOL? 361 00:12:40,200 --> 00:12:41,467 - NO, 'CAUSE WE MET-- - NO. 362 00:12:41,467 --> 00:12:43,233 THEY CAME TO VISIT ON THE WAY DOWN TO WASHINGTON. 363 00:12:43,233 --> 00:12:44,867 - WE CAME TO VISIT SPRING FLING, 364 00:12:44,867 --> 00:12:46,266 WE WENT TO MARDI GRAS TOGETHER, TOO. 365 00:12:46,266 --> 00:12:47,800 - DID YOU DO THAT? YOU SHOWED THEM? 366 00:12:47,800 --> 00:12:49,667 - I DID. YEAH, BUT WAS THERE A BRA ON? 367 00:12:49,667 --> 00:12:50,934 - NO. - YES. 368 00:12:50,934 --> 00:12:52,433 - ACTUALLY HOW MUCH-- - WHY WOULD YOU SHOW THEM 369 00:12:52,433 --> 00:12:54,533 WITH A BRA ON? - THE BEADS WEREN'T THAT GREAT. 370 00:12:54,533 --> 00:12:56,300 - WITH THE VIDEO CAMERAS, SCREAMING, "SHOW YOUR BOX," 371 00:12:56,300 --> 00:12:57,767 SHE'S LIKE, "I DRAW THE LINE." 372 00:12:57,767 --> 00:12:59,567 - "SHOW YOUR BOX?" OH, MY GOD. 373 00:12:59,567 --> 00:13:01,567 - I WAS LIKE, "I DRAW THE LINE AT TITS." 374 00:13:01,567 --> 00:13:03,934 WE GOT A LOT OF BEADS. - IT WAS A BLUR OF PEOPLE. 375 00:13:03,934 --> 00:13:06,867 - SHE WOULD ALSO TIE CHERRIES-- 376 00:13:06,867 --> 00:13:08,467 - CHERRY STEM, YES. - OH, YEAH, SHE GAVE IT-- 377 00:13:08,467 --> 00:13:10,000 - WITH HER TONGUE? - SO SHE WOULD DO THAT 378 00:13:10,000 --> 00:13:11,400 ALL THE TIME. SHE'D BE LIKE, 379 00:13:11,400 --> 00:13:13,066 "I'LL BET YOU BEADS THAT I CAN TIE 380 00:13:13,066 --> 00:13:14,333 THE CHERRY STRING WITH MY TONGUE." 381 00:13:14,333 --> 00:13:15,900 - STOP IT! I-- - AND THEY WOULD BE LIKE, "NO!" 382 00:13:15,900 --> 00:13:16,934 - YEAH, BUT THAT'S WHY I MARRIED HER. 383 00:13:16,934 --> 00:13:18,300 - IT WAS LIKE 8:00 IN THE MORNING. 384 00:13:18,300 --> 00:13:19,400 - OKAY, SO THAT'S WHY SHE'S-- THERE YOU GO. 385 00:13:19,400 --> 00:13:20,567 - STOP! IT WAS NOT 8:00 IN THE MORNING! 386 00:13:20,567 --> 00:13:22,033 - OH, MY GOD. - SHE COULD NOT KEEP UP, THOUGH. 387 00:13:22,033 --> 00:13:24,000 - SHE'S LIKE, IN THE FOUNTAIN-- - YEAH, YOU LIKE HURRICANES? 388 00:13:24,000 --> 00:13:25,300 - SHE'S LIKE, "LET'S GO!" AND I'M LIKE, 389 00:13:25,300 --> 00:13:27,000 "OH, MY GOD, I'M SO TIRED." [laughs] 390 00:13:27,000 --> 00:13:29,934 - I HATE YOU GUYS. - [laughs] 391 00:13:29,934 --> 00:13:31,033 - SO WAIT A SECOND. 392 00:13:31,033 --> 00:13:33,033 SO--SO WE-- WHAT THE HELL AM I SAYING? 393 00:13:33,033 --> 00:13:34,800 - [laughs] - I'M REALLY-- 394 00:13:34,800 --> 00:13:36,800 THIS JUST HIT ME LIKE A TON OF BRICKS. 395 00:13:36,800 --> 00:13:37,800 [laughs] 396 00:13:37,800 --> 00:13:39,133 NO, I JUST WANTED ONE MORE SIP. 397 00:13:39,133 --> 00:13:41,667 - I'M INTERRUPTING, BUT I HAVE TO TELL YOU WHAT WE DID. 398 00:13:41,667 --> 00:13:43,900 - WHAT'S GOING ON? - THEY HAVE A PHOTO BOOTH. 399 00:13:43,900 --> 00:13:45,767 - YOU GUYS HAVE TO GO RIGHT NOW. 400 00:13:45,767 --> 00:13:47,300 - LET'S GO, LET'S GO, LET'S GO. 401 00:13:47,300 --> 00:13:48,767 LISTEN, LET ME JUST SAY ONE THING, 402 00:13:48,767 --> 00:13:50,900 I'M NOT ALLOWED TO HAVE MORE THAN THIS--TWO DRINKS. 403 00:13:50,900 --> 00:13:53,066 TWO DRINK MAXIMUM. OKAY? 404 00:13:53,066 --> 00:13:55,633 - [indistinct] - MARGARITA. 405 00:13:55,633 --> 00:13:57,600 - [laughs] - LOOK, THERE'S A FULL-ON FOUR-- 406 00:13:59,633 --> 00:14:01,233 - I KNOW. 407 00:14:04,433 --> 00:14:05,433 GOOD WORK. 408 00:14:07,233 --> 00:14:09,433 - I DON'T KNOW. 409 00:14:09,433 --> 00:14:10,667 I HAVEN'T TALKED TO HER. - SHE-- 410 00:14:12,433 --> 00:14:14,266 LET'S GO TAKE-- LET'S GO TAKE PICTURES. 411 00:14:14,266 --> 00:14:16,533 [party chatter] 412 00:14:16,533 --> 00:14:18,300 LET'S--DO ANYTHING CRAZY. - I MEAN, I'M NOT CREATIVE 413 00:14:18,300 --> 00:14:19,533 LIKE YOU. - ONE--YOU READY? 414 00:14:19,533 --> 00:14:21,934 ONE, TWO, THREE. - ONE, TWO, THREE. 415 00:14:21,934 --> 00:14:23,367 [laughter] - THAT IS GOOD. 416 00:14:23,367 --> 00:14:25,033 - OKAY, I LOVE IT, I KNOW IT. 417 00:14:25,033 --> 00:14:26,934 - I WANT ONE. - I WANT THE-- 418 00:14:26,934 --> 00:14:28,800 - GOOD. THERE YOU GO. - OH, ALL RIGHT. 419 00:14:28,800 --> 00:14:31,066 WHOO-HOO! - [growls] AH! WHERE ARE WE? 420 00:14:31,066 --> 00:14:32,467 - YOU NEED A HAT. YOU NEED A THING! 421 00:14:32,467 --> 00:14:35,867 - I DON'T HAVE IT-- GIVE ME THE HAT. THAT'S MY HAT. 422 00:14:35,867 --> 00:14:37,100 - HOLD ON, I GOT THE-- OH, I-- 423 00:14:37,100 --> 00:14:39,033 [laughter] - LIKE THIS? JULIE? 424 00:14:39,033 --> 00:14:40,834 - I'M LOSING MY VIRGINITY TONIGHT. 425 00:14:40,834 --> 00:14:42,900 [laughter] 426 00:14:42,900 --> 00:14:45,367 - YOU'RE AN IDIOT. [laughs] YOU'RE AN IDIOT. 427 00:14:45,367 --> 00:14:47,934 - [laughs] 428 00:14:47,934 --> 00:14:52,000 [laughter and party chatter] 429 00:14:59,900 --> 00:15:01,200 - WHY ARE YOU LAUGHING? 430 00:15:01,200 --> 00:15:03,533 - ARE YOU GOING ON SOME AMAZING YACHT TODAY, OR WHAT? 431 00:15:03,533 --> 00:15:04,767 LIKE, IT'S-- - WHAT'S WRONG? 432 00:15:04,767 --> 00:15:06,300 I LOVE MY OUTFIT. - OH, YOU LOOK BEAUTIFUL, BUT-- 433 00:15:06,300 --> 00:15:08,000 - I HAVE TO STEP UP MY GAME. 434 00:15:08,000 --> 00:15:10,133 JUST 'CAUSE YOU'RE STILL IN THE BACKSEAT, DON'T BLAME ME. 435 00:15:10,133 --> 00:15:12,500 JASON STARTS BUSTING MY BALLS ABOUT MY OUTFIT, 436 00:15:12,500 --> 00:15:16,266 AND I'M THINKING, "OH, I'M SORRY, MR. VEST, 437 00:15:16,266 --> 00:15:18,667 "BALL-HUGGING, HIGH-WAISTED, FADED JEAN, 438 00:15:18,667 --> 00:15:21,600 GIVING ME FASHION ADVICE ON THE RED CARPET." 439 00:15:21,600 --> 00:15:22,700 - YOU LOOK GREAT. YOU LOOK BEAUTIFUL. 440 00:15:22,700 --> 00:15:24,166 - THAT'S THE SECOND DIG OF THE WEEKEND. 441 00:15:24,166 --> 00:15:25,233 - BUSINESS. BACK TO BUSINESS. 442 00:15:25,233 --> 00:15:26,467 - WHY WAS THAT A DIG? 443 00:15:26,467 --> 00:15:28,000 - 'CAUSE IT WAS, LIKE, MAKING FUN OF ME, 444 00:15:28,000 --> 00:15:29,800 BUT KIND OF SAYING IT IN-- LIKE, "WHERE YOU GOING?" 445 00:15:29,800 --> 00:15:31,433 - SO THAT MEANS SHE SAID, "THE SECOND DIG OF THE WEEK," 446 00:15:31,433 --> 00:15:32,934 AND THAT MEANS SHE'S COUNTING. SO THAT MEANS YOU'RE ON TWO. 447 00:15:32,934 --> 00:15:34,500 - THEY WEREN'T REALLY DIGS. 448 00:15:34,500 --> 00:15:36,233 BUT I CAN SEE THAT SHE WOULD THINK THAT. 449 00:15:36,233 --> 00:15:37,533 - YOU GOT TO TAKE IT EASY. 450 00:15:37,533 --> 00:15:38,533 - I THINK YOU LOOK BEAUTIFUL. - SIMMER DOWN. 451 00:15:38,533 --> 00:15:39,800 - OH, THANK YOU. 452 00:15:39,800 --> 00:15:41,133 HEY, JOANIE. - HI. 453 00:15:41,133 --> 00:15:43,066 - HOW ARE YOU? - GOOD, HOW ARE YOU? 454 00:15:43,066 --> 00:15:44,367 - GOOD, HOW WAS YOUR NIGHT? 455 00:15:44,367 --> 00:15:45,767 - IT WAS GREAT. 456 00:15:45,767 --> 00:15:46,934 - WHERE'D YOU GUYS GO AFTERWARDS? 457 00:15:46,934 --> 00:15:48,300 DID YOU GO TO RUSCHMEYER'S OR NO? 458 00:15:48,300 --> 00:15:49,567 - NO. NO, WE DIDN'T GO. 459 00:15:49,567 --> 00:15:51,467 - YOU CAME OVER HERE? - YEAH, WE CAME OVER HERE. 460 00:15:51,467 --> 00:15:53,567 - IT'S ALSO FUN TO LIVE VICARIOUSLY. 461 00:15:53,567 --> 00:15:56,834 [gasps] IS HE GONNA CALL? OH, MY GOD, DOES HE LIKE ME? 462 00:15:56,834 --> 00:15:59,700 SHOULD I TALK TOO MUCH? SHOULD I TALK TOO LITTLE? 463 00:15:59,700 --> 00:16:01,133 YOU KNOW, AM I GONNA SEE HIM LATER? 464 00:16:01,133 --> 00:16:02,967 ARE WE GONNA HOOK UP? AM I GONNA SLEEP WITH HIM? 465 00:16:02,967 --> 00:16:04,500 WHAT'S GONNA HAPPEN TOMORROW IF I SLEEP WITH HIM? 466 00:16:04,500 --> 00:16:05,700 IS HE THEN GONNA CALL? 467 00:16:05,700 --> 00:16:06,967 DO I JUST BLOW HIM? WHAT DO I DO? 468 00:16:06,967 --> 00:16:09,033 TRY OUT SOME NEW BLOOD AT NAVY BEACH TODAY, 469 00:16:09,033 --> 00:16:10,333 OR DO YOU WANT TO STICK WITH WHAT YOU GOT? 470 00:16:10,333 --> 00:16:11,800 - [laughter] - YOU KNOW WHAT I MEAN? 471 00:16:11,800 --> 00:16:13,467 WHEN YOU'RE SINGLE-- - AND WE'RE ANIMALS, DWAYNE. 472 00:16:13,467 --> 00:16:14,700 - YEAH, RIGHT. 473 00:16:14,700 --> 00:16:15,934 - WHEN YOU'RE SINGLE-- NO, THAT--LISTEN, 474 00:16:15,934 --> 00:16:17,567 JUST HAVING BEEN SINGLE FOR A LONG TIME 475 00:16:17,567 --> 00:16:19,967 AND DOING IT WELL, I JUST WANTED TO KNOW. 476 00:16:19,967 --> 00:16:22,166 YOU WANT TO STAY WITH THESE CARDS, OR YOU WANT TO 477 00:16:22,166 --> 00:16:23,667 GO SEE IF THERE'S ANOTHER HAND POSSIBLY AT NAVY BEACH. 478 00:16:23,667 --> 00:16:25,400 - IS THAT YOU TALKING ABOUT YOURSELF? 479 00:16:25,400 --> 00:16:27,800 "BEING SINGLE FOR SO LONG AND DOING IT SO WELL"? 480 00:16:27,800 --> 00:16:29,233 IS THAT YOU, TALKING ABOUT YOURSELF, OR NO? 481 00:16:29,233 --> 00:16:30,800 - WELL, YEAH, I-- I WAS KIND OF GOOD. 482 00:16:30,800 --> 00:16:32,934 I WOULD AT THIS POINT MAKE A DECISION AND BE LIKE, 483 00:16:32,934 --> 00:16:34,734 "ALL RIGHT, DO I LIKE THIS HAND, 484 00:16:34,734 --> 00:16:37,000 OR DO I WANT TO GO TODAY AND SEE IF THERE ARE SOME NEW CARDS?" 485 00:16:37,000 --> 00:16:38,567 - OKAY, I'M JUST SAYING, 486 00:16:38,567 --> 00:16:40,867 IF I TALKED LIKE THAT IN FRONT OF A GROUP, 487 00:16:40,867 --> 00:16:43,033 YOU WOULD THINK I'M A COMPLETE PIG AND ANIMAL. 488 00:16:43,033 --> 00:16:45,100 [laughter] - AMEN. 489 00:16:45,100 --> 00:16:46,600 - RIGHT? - AMEN. 490 00:16:46,600 --> 00:16:48,166 I'M WITH HIM. - SO-- 491 00:16:48,166 --> 00:16:50,200 - HE'S A COPY CAT. - YOU--THAT'S STRIKE ONE. 492 00:16:50,200 --> 00:16:51,367 THAT'S STRIKE ONE FOR YOU. - THAT'S STRIKE ONE? 493 00:16:51,367 --> 00:16:52,500 - THAT'S STRIKE ONE FOR-- - NO, ACTUALLY, 494 00:16:52,500 --> 00:16:54,233 LET'S TAKE ONE OFF ME, RIGHT? SO I-- 495 00:16:54,233 --> 00:16:55,633 - I WOULDN'T THINK YOU'RE A PIG AND ANIMAL. 496 00:16:55,633 --> 00:16:56,867 - IF I SPOKE LIKE THAT 497 00:16:56,867 --> 00:16:58,867 IN FRONT OF A GROUP, YOU WOULD BE LIKE, 498 00:16:58,867 --> 00:17:00,800 "UH, HONEY, I DON'T THINK YOU SHOULD TALK LIKE THAT 499 00:17:00,800 --> 00:17:02,633 IN FRONT OF OTHER PEOPLE." 'CAUSE IT'S A PERCEPTION-- 500 00:17:02,633 --> 00:17:04,834 - WE DIDN'T TALK ABOUT SEX OR ANYTHING GRAPHIC. 501 00:17:04,834 --> 00:17:06,600 WE HAVEN'T BEEN TOGETHER A DECADE, WHERE IT'S LIKE, 502 00:17:06,600 --> 00:17:08,300 "OH, MY GOD, WHAT A PAIN IN THE ASS SHE IS, 503 00:17:08,300 --> 00:17:10,467 BUT I'LL JUST DEAL WITH IT," OR, YOU KNOW, 504 00:17:10,467 --> 00:17:11,700 "THIS IS HOW HE IS." 505 00:17:11,700 --> 00:17:13,266 IT'S KIND OF-- THERE'S A LOT OF THIS. 506 00:17:13,266 --> 00:17:14,600 - I'M NOT SAYING-- IT'S CONCEPTUAL. 507 00:17:14,600 --> 00:17:16,100 - THE DAY AFTER YOU WENT OUT WITH ME, 508 00:17:16,100 --> 00:17:17,667 YOU WENT OUT WITH ANOTHER GIRL. - NO, IT'S CONCEPTUAL. 509 00:17:17,667 --> 00:17:19,600 I'M JUST SAYING, THE CONCEPT OF IT. 510 00:17:19,600 --> 00:17:20,967 - NO, THE CONCEPT IS, YOU'RE SINGLE-- 511 00:17:20,967 --> 00:17:22,500 - YOU KNOW THAT THIS GIVES ME LOTS OF ANXIETY. 512 00:17:22,500 --> 00:17:24,500 - YOU'RE SINGLE AND-- 513 00:17:24,500 --> 00:17:26,266 - NO, I UNDERSTAND. - YOU MAY OR MAY NOT LIKE THAT. 514 00:17:26,266 --> 00:17:27,700 - I THINK I'M GOING TO THE BATHROOM. 515 00:17:27,700 --> 00:17:29,700 - I'M JUST SAYING--NO, I THINK YOU'RE MISSING MY POINT. 516 00:17:29,700 --> 00:17:32,233 - THERE'S A LOT OF NITPICKING. THERE'S A LOT OF NITPICKING. 517 00:17:32,233 --> 00:17:33,667 LIKE THIS MORNING, JASON WAS LIKE, 518 00:17:33,667 --> 00:17:36,333 "I DON'T LIKE YOU TODAY, AND I'M GONNA TORTURE YOU." 519 00:17:36,333 --> 00:17:38,100 JOANIE, DID I MAKE YOU UNCOMFORTABLE? 520 00:17:38,100 --> 00:17:39,867 - SHE'S EXHAUSTED BY THE CONVERSATION. 521 00:17:39,867 --> 00:17:41,300 - SHE NEEDS TO GET HERSELF TOGETHER. 522 00:17:41,300 --> 00:17:43,333 - ALL RIGHT, WELL, WE'LL MEET YOU GUYS OVER THERE. 523 00:17:43,333 --> 00:17:45,066 - OKAY. 524 00:17:45,066 --> 00:17:47,467 JASON'S A GOOD BOY THAT WANTS TO BE BAD. 525 00:17:47,467 --> 00:17:49,467 - YOU THINK SO? - I DO. IT'S OKAY. 526 00:17:49,467 --> 00:17:51,800 - THAT'S--IF YOU THINK THAT, THAT'S FINE WITH ME. 527 00:17:51,800 --> 00:17:52,967 - SEE? AND HE WANTS ME TO THINK-- 528 00:17:52,967 --> 00:17:54,233 THAT'S LIKE IN HIS LITTLE DOUBLE MIND. 529 00:17:54,233 --> 00:17:55,433 HE WANTS ME TO THINK HE'S REALLY BAD. 530 00:17:55,433 --> 00:17:57,333 - NO, NO. YOU ANALYZE IT TOO MUCH. 531 00:17:57,333 --> 00:17:59,133 - NOT REALLY, THOUGH. 532 00:17:59,133 --> 00:18:01,700 - THE REAL BOSS IS GONNA BE BRYN. 533 00:18:01,700 --> 00:18:02,867 THAT'S GONNA BE THE REAL BOSS. 534 00:18:02,867 --> 00:18:04,266 - UH-OHH. 535 00:18:04,266 --> 00:18:05,734 - I'M GONNA LET YOU ALL KNOW THAT NOW. I'M TELLING YOU, 536 00:18:05,734 --> 00:18:07,400 TAKE IT FROM A MAN WHO HAS FIVE KIDS. 537 00:18:07,400 --> 00:18:09,133 - I KNOW I'M NOT THE BOSS. - ALL I DO IS PAY THE BILLS. 538 00:18:09,133 --> 00:18:10,967 - HOW DO YOU DISCIPLINE YOUR KIDS? 539 00:18:10,967 --> 00:18:13,133 - OH, MAN, IT DEPENDS. 540 00:18:13,133 --> 00:18:14,834 THE GIRLS, I DON'T SPANK, 541 00:18:14,834 --> 00:18:16,800 BUT THE BOYS-- I'M MORE THOROUGH WITH MY BOYS, 542 00:18:16,800 --> 00:18:18,633 BECAUSE I WANT THEM MANLY. 543 00:18:18,633 --> 00:18:20,567 - I'M AROUND NINE GIRLS ALL THE TIME. 544 00:18:20,567 --> 00:18:21,700 I DON'T KNOW WHAT THE HELL I AM. 545 00:18:21,700 --> 00:18:23,934 [laughter] - AW. 546 00:18:23,934 --> 00:18:26,500 - I MEAN, I LOOK DOWN THERE, AND THERE'S THINGS DOWN THERE, 547 00:18:26,500 --> 00:18:27,967 BUT I DON'T KNOW WHAT THE HELL I AM. 548 00:18:27,967 --> 00:18:29,266 [laughter] OH, MAN. 549 00:18:29,266 --> 00:18:30,767 - YOU ARE A MAN. [laughter] 550 00:18:30,767 --> 00:18:32,166 - YOU ARE A MAN. 551 00:18:32,166 --> 00:18:33,834 - AT TIMES I-- YOU KNOW, I SHAKE-- 552 00:18:33,834 --> 00:18:35,367 I SCRATCH MY HEAD, THOUGH, DWAYNE. 553 00:18:35,367 --> 00:18:38,200 - JASON AND I GO BACK AND FORTH. WE ARGUE, WE MAKE UP. 554 00:18:38,200 --> 00:18:41,333 WE ARGUE, WE'RE LOVEY-DOVEY. WE--IT'S A LITTLE HOT AND COLD. 555 00:18:41,333 --> 00:18:43,266 GUESS WHAT? 556 00:18:43,266 --> 00:18:45,767 THERE'S ONLY ONE TORTURED PERSON IN A RELATIONSHIP, 557 00:18:45,767 --> 00:18:46,934 AND IN MY RELATIONSHIP, 558 00:18:46,934 --> 00:18:48,400 I'M THE TORTURED ONE. - NO. 559 00:18:48,400 --> 00:18:49,800 - HOW IN THE WORLD DO YOU FIGURE THAT? 560 00:18:49,800 --> 00:18:51,133 HOW YOU FIGURE YOU'RE THE TORTURED ONE 561 00:18:51,133 --> 00:18:52,633 WHEN HE DOES-- WHEN HE'S, YOU KNOW-- 562 00:18:52,633 --> 00:18:54,700 - OH, YOU THINK I'M TORTURED BY ALL THE STUFF THAT GOES ON. OH. 563 00:18:54,700 --> 00:18:56,066 - NO, NO, NO, NO, NO, YOU'RE NOT UNDERSTANDING 564 00:18:56,066 --> 00:18:57,166 THE DEFINITION OF TORTURED. - YEAH. 565 00:18:57,166 --> 00:18:58,700 - TORTURED MEANS, AS THE HUMAN BEING, 566 00:18:58,700 --> 00:19:00,767 YOU ARE THE MORE COMPLICATED PERSON, YOU TORTURE YOURSELF, 567 00:19:00,767 --> 00:19:02,033 INSIDE, LIKE, YOU HAVE DEMONS. 568 00:19:02,033 --> 00:19:03,567 - OH, YEAH, YOU'RE DEFINITELY TORTURED, YEAH. 569 00:19:03,567 --> 00:19:05,100 YOU'RE DEFINITELY THE TORTURED ONE. 570 00:19:05,100 --> 00:19:07,200 - BUT THANK YOU, DWAYNE, FOR RECOGNIZING THAT I'M TORTURED. 571 00:19:07,200 --> 00:19:08,633 - RIGHT, YEAH, HE'S THE ONE WHO GETS TORTURED. YES. 572 00:19:08,633 --> 00:19:10,734 - YES, HE'S GETTING TORTURED, YOU'RE THE TORTURER, 573 00:19:10,734 --> 00:19:12,333 BECAUSE YOU'RE CONSTANTLY ON. - CORRECT. 574 00:19:12,333 --> 00:19:13,333 - RIGHT. - CONSTANTLY. 575 00:19:13,333 --> 00:19:14,767 - MY BRAIN-- IT'S TOO MUCH. 576 00:19:14,767 --> 00:19:16,367 I'M GONNA TELL YOU THIS ONE THING, MY WHOLE CAREER, 577 00:19:16,367 --> 00:19:18,767 I'M REALLY GOOD AT, BUT I DON'T KNOW THAT IT'S GOOD FOR ME, 578 00:19:18,767 --> 00:19:20,834 BECAUSE IT MAKES ME CRAZY. 579 00:19:25,266 --> 00:19:26,667 COMING UP... 580 00:19:26,667 --> 00:19:30,033 - I JUST WANTED TO KNOW IF I WAS BEING AT ALL CONSIDERED IN THIS. 581 00:19:30,033 --> 00:19:32,734 - HE WANTED CONFIRMATION THAT HE'S LIVING IN THE UNIT. 582 00:19:43,300 --> 00:19:44,333 - GOOD TO SEE YOU. 583 00:19:44,333 --> 00:19:45,467 I FEEL LIKE WE KNOW THAT GUY. 584 00:19:45,467 --> 00:19:46,900 - COOL. 585 00:19:46,900 --> 00:19:48,400 - HOW ARE WE DOING? - HI, LLOYD, HOW ARE YOU? 586 00:19:48,400 --> 00:19:49,533 - GOOD. NICE TO SEE YOU. 587 00:19:49,533 --> 00:19:50,934 - MY HUSBAND GETS SEASICK. - OH, HE DOES? 588 00:19:50,934 --> 00:19:51,934 - YES, SO LET'S NOT TALK-- DO YOU HAVE A BRACELET, 589 00:19:51,934 --> 00:19:53,333 OR SOMETHING? 590 00:19:53,333 --> 00:19:55,867 - NO BRACELET, BUT WE'LL KEEP THE MOTOR ON INSIDE. 591 00:19:55,867 --> 00:19:58,033 IT'LL BE BETTER THAT WAY. IT'S NOT ROUGH OUT THERE. 592 00:19:58,033 --> 00:19:59,700 - HOW LONG DOES IT TAKE TO GET THERE? 593 00:19:59,700 --> 00:20:01,367 - 30 MINUTES, 40 MINUTES. - OKAY. 594 00:20:01,367 --> 00:20:02,867 YOU HAVE ANY WATER OR ANYTHING, OR NO? 595 00:20:02,867 --> 00:20:04,300 - I BROUGHT WATER-- 596 00:20:04,300 --> 00:20:05,867 - LLOYD, WHO'S THE MANAGER OF THE MONTAUK YACHT CLUB, 597 00:20:05,867 --> 00:20:09,700 HE WANTS TO TAKE US FOR THE DAY, AND I DECIDED 598 00:20:09,700 --> 00:20:11,567 WE WOULD GO TO LUNCH AT NAVY BEACH. 599 00:20:11,567 --> 00:20:15,967 - ALL RIGHT, COOKS. ARE WE READY? ENJOY. 600 00:20:15,967 --> 00:20:18,133 AND COOKS, THERE'S SOME SHADE DOWN HERE, SWEETHEART. 601 00:20:18,133 --> 00:20:19,967 - HERE'S TO OUR FIRST BOATING TRIP TOGETHER. 602 00:20:19,967 --> 00:20:21,200 - OUR FIRST BOATING TRIP. I LOVE YOU. 603 00:20:21,200 --> 00:20:22,233 - AND I LOVE YOU MORE AND MORE EVERY DAY. 604 00:20:22,233 --> 00:20:24,066 - TO COOKIE-- ME, TOO, TO COOKIE. 605 00:20:24,066 --> 00:20:25,367 - YEAH, LET'S DO IT. 606 00:20:25,367 --> 00:20:26,467 THIS IS GREAT. - RIGHT? 607 00:20:26,467 --> 00:20:27,867 - I LOVE IT. YEAH. 608 00:20:27,867 --> 00:20:29,600 - YOU KNOW WHAT-- - I'M ENJOYING IT. I FEEL GOOD. 609 00:20:29,600 --> 00:20:31,000 I--I DON'T FEEL SICK, I FEEL GOOD. 610 00:20:31,000 --> 00:20:32,467 - YOU KNOW WHAT? ONCE IN A WHILE 611 00:20:32,467 --> 00:20:34,433 I GUESS WE HAVE TO NOT BRING BRYN. 612 00:20:34,433 --> 00:20:36,066 AND JUST, LIKE, BE OKAY WITH IT. 613 00:20:36,066 --> 00:20:37,300 - OH, I KNOW, 'CAUSE IT'D BE, YOU HOLD HER, 614 00:20:37,300 --> 00:20:38,900 THEN I HOLD HER, - AND WE WOULD BE ANOTHER-- 615 00:20:38,900 --> 00:20:41,767 NO, WE'RE ALWAYS--IT'S WORK. WE'D BE ON THE JOB RIGHT NOW. 616 00:20:41,767 --> 00:20:43,767 AND RIGHT NOW IS THE FIRST TIME--IT'S NICE. 617 00:20:43,767 --> 00:20:45,500 YOU CAN TELL THAT I'M DOWN FOR IT. 618 00:20:45,500 --> 00:20:47,000 IT'S KINDA LIKE A DATE. BRYN'S NOT HERE. 619 00:20:47,000 --> 00:20:50,467 - OKAY. THIS IS A DATE. A DATE BOATING. 620 00:20:53,600 --> 00:20:55,600 - YOU THINK WE'RE GONNA DINGHY IN? 621 00:20:55,600 --> 00:20:57,400 - OKAY. WHATEVER YOU WANT. - WE'VE GOT COOKIE, 622 00:20:57,400 --> 00:20:58,734 WE'LL DINGHY IT. - I THROW THE KIDS 623 00:20:58,734 --> 00:21:00,967 ON THEIR FLOATIES, AND I THROW 'EM OFF THE BACK. 624 00:21:00,967 --> 00:21:02,467 - YEAH? - THEN I THROW THE FLIP FLOPS-- 625 00:21:02,467 --> 00:21:04,734 - DOES THE DINGHY HAVE A MOTOR? IT LOOKS LIKE A-- 626 00:21:04,734 --> 00:21:06,033 - NO, JUST THAT. 627 00:21:06,033 --> 00:21:07,600 - IT HAS A MOTOR? - NO, IT'S A PADDLE BOAT. 628 00:21:07,600 --> 00:21:09,033 - IT'S JUST A PADDLE BOAT. - WE'LL SEE HOW CLOSE WE GET, 629 00:21:09,033 --> 00:21:10,967 AND WE'LL DECIDE. LET ME JUST-- - IT DOESN'T MATTER. 630 00:21:10,967 --> 00:21:12,300 - LOVE IT OUT HERE. 631 00:21:12,300 --> 00:21:14,767 WHEN WE GET BACK, WE'RE GONNA HAVE OUR APARTMENT. 632 00:21:14,767 --> 00:21:16,333 THAT IS A WHOLE THING. - THAT'S A WHOLE THING. 633 00:21:16,333 --> 00:21:18,000 - THAT'S ANOTHER-- TALK ABOUT BUILDING MEMORIES, 634 00:21:18,000 --> 00:21:19,400 WE'RE GONNA HAVE SOMETHING WE OWN. 635 00:21:19,400 --> 00:21:21,700 - THAT'S GONNA BE AMAZING. - I KNOW-- 636 00:21:21,700 --> 00:21:23,767 IT'S GOING TO BE UNBELIEVABLE. 637 00:21:23,767 --> 00:21:25,467 I MEAN, I JUST KNOW WHAT IT'S GONNA LOOK LIKE, 638 00:21:25,467 --> 00:21:29,000 AND IT'S GONNA BE WOW-FACTOR. 639 00:21:29,000 --> 00:21:30,100 - WOW. - AND I STILL HAVE A HARD TIME 640 00:21:30,100 --> 00:21:32,767 FEELING LIKE I DESERVE THOSE PLACE-- 641 00:21:32,767 --> 00:21:34,500 APARTMENTS THAT YOU'VE ALWAYS SEEN EVERYBODY HAVE, 642 00:21:34,500 --> 00:21:35,700 AND SAID, "OH, MY GOD." 643 00:21:35,700 --> 00:21:36,834 - WHY DO YOU THINK YOU DON'T DESERVE IT? 644 00:21:36,834 --> 00:21:38,166 - BECAUSE I REMEMBER SO MANY YEARS, 645 00:21:38,166 --> 00:21:39,700 LOOKING AT PEOPLE'S NICE HOUSES, BEING-- 646 00:21:39,700 --> 00:21:41,567 KNOWING THAT I WOULD NEVER REALLY HAVE THAT, 647 00:21:41,567 --> 00:21:44,433 BECAUSE IT JUST SEEMS SO MUCH AND SO DETAILED... 648 00:21:44,433 --> 00:21:45,967 - RIGHT. - AND YOU KNOW, EVERY TOWEL, 649 00:21:45,967 --> 00:21:49,567 AND EVERYTHING BEING PERFECT, BUT--SO IT'S GETTING A LITTLE 650 00:21:49,567 --> 00:21:52,667 USED TO, JUST TO BE LIKE, "CAN I REALLY AFFORD THIS?" 651 00:21:52,667 --> 00:21:54,533 LIKE, CAN-- IS THIS REALLY, LIKE-- 652 00:21:54,533 --> 00:21:56,066 - HOW DOES IT FEEL? - I FEEL LIKE-- 653 00:21:56,066 --> 00:21:57,600 IT FEELS LIKE IT'S JUST TOO GOOD TO BE TRUE, 654 00:21:57,600 --> 00:22:00,333 IT'S IMPOSSIBLE THAT YOU COULD EVER AFFORD SOMETHING LIKE THAT. 655 00:22:00,333 --> 00:22:03,033 PART OF ME FEELS LIKE A BALLER, SHOT-CALLER. 656 00:22:03,033 --> 00:22:04,400 - IT'S--YOU ARE A-- - REALLY. 657 00:22:04,400 --> 00:22:06,000 NO, I--DON'T YOU FEEL A LITTLE BIT LIKE A BALLER? 658 00:22:06,000 --> 00:22:07,467 - YEAH. - IN THERE? 659 00:22:07,467 --> 00:22:09,467 LIKE, WHEN IT'S DONE, WE'RE GONNA FEEL LIKE BIG SHOTS. 660 00:22:09,467 --> 00:22:11,700 A LITTLE BIT. - YEAH. 661 00:22:14,333 --> 00:22:15,633 BUT YOU DESERVE IT, MAMA. 662 00:22:15,633 --> 00:22:17,734 - OUI, OUI, OUI, OUI. - I KNOW, BUT-- 663 00:22:17,734 --> 00:22:20,166 - OUI, OUI, OUI. 664 00:22:20,166 --> 00:22:21,300 - IT'S OVER? 665 00:22:21,300 --> 00:22:22,367 - I THINK HE'S GONNA MURDER US NOW. 666 00:22:22,367 --> 00:22:23,567 - WE'RE STUCK? OH, JESUS. 667 00:22:23,567 --> 00:22:24,967 - I THINK HE'S A MASS-MURDERER. 668 00:22:24,967 --> 00:22:26,333 - WHAT DID WE DO TO YOU, LLOYD? - ARE YOU GONNA KILL US NOW? 669 00:22:26,333 --> 00:22:28,100 - NO, I'M NOT GONNA KILL YOU, NO. 670 00:22:28,100 --> 00:22:30,467 I THINK WE'RE GONNA SAIL, 'CAUSE I THINK MY MOTOR IS-- 671 00:22:30,467 --> 00:22:31,900 - DO YOU NEED ME TO HELP WITH-- - NO. 672 00:22:31,900 --> 00:22:34,767 I THINK MY IMPELLER IS GOING, 673 00:22:34,767 --> 00:22:36,533 'CAUSE I SAW THE WATER TEMPERATURE GO UP, AND-- 674 00:22:36,533 --> 00:22:37,934 - DOES THAT MEAN WE BROKE SOMETHING? 675 00:22:37,934 --> 00:22:39,300 - YEAH, IT MIGHT BE-- - NOT US, 676 00:22:39,300 --> 00:22:41,500 BUT IS SOMETHING BROKEN? - MIGHT BE A LITTLE BROKEN. 677 00:22:41,500 --> 00:22:43,033 - IT'S TIME TO SAIL? 678 00:22:43,033 --> 00:22:45,500 - GO. IT'S THE NICE THING ABOUT A SAILBOAT. 679 00:22:45,500 --> 00:22:47,000 - [laughs] 680 00:22:47,000 --> 00:22:50,100 - SO, UM, THIS WAS NOT EXPECTED, WHAT JUST HAPPENED? 681 00:22:50,100 --> 00:22:52,667 - NO, IT WAS NOT. 682 00:22:52,667 --> 00:22:54,266 - WOW, THAT'S COOL. - I'D LIKE A LITTLE BIT 683 00:22:54,266 --> 00:22:56,367 OF PRAISE FOR THE FACT THAT I'M NOT EVEN WOUND UP AT ALL 684 00:22:56,367 --> 00:22:58,000 ABOUT THIS, LIKE, TOTALLY COOL. - [laughs] 685 00:22:58,000 --> 00:22:59,800 - OH, YOU'RE CHILLING. - I'M NOT CONTROLLING ANYTHING. 686 00:22:59,800 --> 00:23:01,834 I'M NOT IN CONTROL OF ANYTHING. - THAT IS TRUE. 687 00:23:01,834 --> 00:23:03,734 - AND I'M SITTING HERE, I'M NOT TELLING ANYBODY WHAT TO DO. 688 00:23:03,734 --> 00:23:06,266 I JUST WANT YOU TO RECOGNIZE. 689 00:23:06,266 --> 00:23:09,266 - I DO, AND I--LISTEN, BOY, DID I APPRECIATE THAT. 690 00:23:09,266 --> 00:23:10,867 [laughter] 691 00:23:10,867 --> 00:23:12,300 I MEAN-- 692 00:23:12,300 --> 00:23:13,900 - OKAY, LET'S FIRE UP THE ENGINE AND SEE HOW FAR WE CAN GO 693 00:23:13,900 --> 00:23:17,367 BEFORE IT TURNS OFF. [warning beep] 694 00:23:20,400 --> 00:23:23,000 [motor runs] 695 00:23:23,000 --> 00:23:25,133 - THE ENGINE'S BACK? - IT IS BACK. 696 00:23:25,133 --> 00:23:26,567 - WHAT HAPPENED? 697 00:23:26,567 --> 00:23:28,333 - YEAH, IT'S STILL GOT THE RED LIGHT ON, THOUGH, SO-- 698 00:23:28,333 --> 00:23:31,367 - WE'RE USING THE ENGINE-- - WE'RE ON BORROWED TIME. 699 00:23:31,367 --> 00:23:33,467 - WE'RE USING THE ENGINE WHILE-- WHILST WE CAN. 700 00:23:33,467 --> 00:23:35,533 - WHILST WE CAN WE ARE USING THE ENGINE. 701 00:23:35,533 --> 00:23:36,633 - OKAY. - WOW. 702 00:23:36,633 --> 00:23:38,033 - YOU'RE ON YOUR OWN, GOING BACK. 703 00:23:38,033 --> 00:23:39,300 - I'LL BE FINE. - OH, RIGHT. 704 00:23:39,300 --> 00:23:40,800 - I SEE BRYN, I THINK I SEE A LITTLE HAT. 705 00:23:40,800 --> 00:23:41,834 - YEAH. 706 00:23:41,834 --> 00:23:43,767 - HIGH CHAIR, UNDER AN UMBRELLA. 707 00:23:43,767 --> 00:23:46,700 - YO. - HI! 708 00:23:46,700 --> 00:23:50,700 THERE'S OUR FAMILY. OUR FRIENDS AND OUR FAMILY. 709 00:23:50,700 --> 00:23:53,567 - OKAY. 710 00:23:53,567 --> 00:23:54,667 - OKAY, COOKS. 711 00:23:54,667 --> 00:23:56,000 - ALL RIGHT. WAIT, WAIT. 712 00:23:56,000 --> 00:23:57,300 - COOKS. 713 00:24:00,166 --> 00:24:02,000 [indistinct chatter] 714 00:24:03,967 --> 00:24:06,900 - YAY, COOKIE! 715 00:24:10,433 --> 00:24:13,200 YAY, COOKIE! GOOD GIRL! 716 00:24:13,200 --> 00:24:16,300 NOT A DROP OF WATER ON YOU. 717 00:24:16,300 --> 00:24:18,967 - WHOA-OA-OA. 718 00:24:20,233 --> 00:24:21,934 WE MADE IT. - WET DADDY? 719 00:24:21,934 --> 00:24:25,266 - WET MOM-- ON THE SIDE, ON THE SIDE. 720 00:24:25,266 --> 00:24:26,433 - WE DID IT. - IT'S SO NICE. 721 00:24:26,433 --> 00:24:27,867 IT'S SO NICE IN HERE. 722 00:24:27,867 --> 00:24:30,633 - THAT WAS AN EXPERIENCE, HUH? - BABY, YOU GOT-- 723 00:24:30,633 --> 00:24:33,633 NOT A PIECE OF HER IS WET. - NOT ANYTHING'S WET. 724 00:24:50,800 --> 00:24:52,700 - I HAVE MY INSPIRATION BOOKS. 725 00:24:52,700 --> 00:24:53,934 - I KNOW. YOU GOT EVERYTHING, HUH? 726 00:24:53,934 --> 00:24:54,934 - NO, THEY'RE IN HERE. PRESENTS FOR THEM 727 00:24:54,934 --> 00:24:56,266 AND MY INSPIRATION BOOKS. 728 00:24:56,266 --> 00:24:58,266 - HI. - HI, HOW ARE YOU? 729 00:25:00,233 --> 00:25:01,700 - WELCOME. - HOW ARE YOU? 730 00:25:01,700 --> 00:25:02,700 - WHAT'S GOING ON, MAIN MAN? - GOOD TO SEE YOU. 731 00:25:02,700 --> 00:25:03,700 - HOW ARE YOU? - GOOD TO SEE YOU. 732 00:25:03,700 --> 00:25:04,767 - HI. - HI! 733 00:25:04,767 --> 00:25:05,934 - HI. - HOW ARE YOU? 734 00:25:05,934 --> 00:25:07,433 - HOW ARE YOU? I BROUGHT YOU GIRLS GOODIES. 735 00:25:07,433 --> 00:25:08,734 GOOD TO SEE YOU. 736 00:25:08,734 --> 00:25:09,967 WE'RE BACK FROM MONTAUK. 737 00:25:09,967 --> 00:25:13,533 WE NEED TO GET THIS APARTMENT GOING. 738 00:25:13,533 --> 00:25:16,133 I GOT THE BEST TEAM I KNOW OF. 739 00:25:16,133 --> 00:25:19,700 ARCHITECT, DESIGNER, CONTRACTOR, THIS IS THE DREAM TEAM. 740 00:25:19,700 --> 00:25:22,133 DO YOU REMEMBER JASON? THIS IS BROOKE AND MARIETTE. 741 00:25:22,133 --> 00:25:23,400 - HI, JASON, NICE TO SEE YOU. - HI, GOOD TO SEE YOU. 742 00:25:23,400 --> 00:25:24,667 - THE DESIGNERS. 743 00:25:24,667 --> 00:25:28,934 THEIR CLIENTS ARE IVAN REITMAN AND HARRISON FORD, 744 00:25:28,934 --> 00:25:33,533 AND MICHAEL J. FOX, AND THEY DO HOUSES FROM LONDON TO ASPEN 745 00:25:33,533 --> 00:25:35,734 TO--I MEAN, THEY ARE NO JOKE. 746 00:25:35,734 --> 00:25:37,000 - GLAD TO SEE YOU. 747 00:25:37,000 --> 00:25:38,000 - MARC, ARCHITECT. 748 00:25:38,000 --> 00:25:39,433 - JASON. - HI, MARC. 749 00:25:39,433 --> 00:25:40,533 WELL, YOU KNOW HE AND I KNOW EVERYBODY FROM STRONG ISLAND. 750 00:25:40,533 --> 00:25:42,367 - OH, I HEARD. - MARC AND I KNOW 751 00:25:42,367 --> 00:25:43,934 A LOT OF PEOPLE IN COMMON. 752 00:25:43,934 --> 00:25:45,500 - STEPHEN FANUKA... - GOOD TO SEE YOU. 753 00:25:45,500 --> 00:25:46,800 - THE LUNATIC CONTRACTOR. 754 00:25:46,800 --> 00:25:48,533 - WERE YOU SMOK--YOU SMOKE? - I SMOKE. 755 00:25:48,533 --> 00:25:49,967 - IF YOU SMOKE IN MY APARTMENT, I'LL STAB YOU. 756 00:25:49,967 --> 00:25:51,266 - [laughs] - HE'S GONNA QUIT. 757 00:25:51,266 --> 00:25:52,300 HE SAID HE'D QUIT BY THE TIME WE WERE DONE. 758 00:25:52,300 --> 00:25:53,567 - OKAY. - YOU SMELLED THAT ALREADY 759 00:25:53,567 --> 00:25:54,567 ON HIM? - I'VE ALREADY BEEN THREATENED 760 00:25:54,567 --> 00:25:55,734 IN... 761 00:25:55,734 --> 00:25:56,934 MINUTE AND A HALF. - WELCOME TO MY WORLD. 762 00:25:56,934 --> 00:25:58,333 - NO. [laughs] 763 00:25:58,333 --> 00:26:02,700 USUALLY DESIGNERS HAVE THEIR ARCHITECT AND THEIR CONTRACTOR. 764 00:26:02,700 --> 00:26:05,867 IT'S NOT SO TYPICAL FOR SOMEONE TO JUST 765 00:26:05,867 --> 00:26:07,266 PUT THESE PEOPLE TOGETHER AND BE LIKE, 766 00:26:07,266 --> 00:26:08,900 "OH, WORK TOGETHER AND PLAY NICE." 767 00:26:08,900 --> 00:26:10,567 - THESE ARE THE PLANS. 768 00:26:10,567 --> 00:26:11,867 - IT'S A LITTLE CROWDED IN THERE. 769 00:26:11,867 --> 00:26:13,500 - OKAY. IN THE BATHROOM? - YOU KNOW ALL SHE CARES ABOUT 770 00:26:13,500 --> 00:26:15,367 IS THE CLOSET RIGHT NOW, SO... 771 00:26:15,367 --> 00:26:17,500 YOU COULD JUST CUT TO THE CHASE. 772 00:26:17,500 --> 00:26:19,734 BEFORE SHE COMES BACK, AM I CONSIDERED AT ALL 773 00:26:19,734 --> 00:26:21,033 IN THIS APARTMENT? - ABSOLUTELY! 774 00:26:21,033 --> 00:26:22,834 [laughter] - WE JUST WANT YOU TO--LISTEN, 775 00:26:22,834 --> 00:26:24,367 MAN CAVE, MAN CAVE. - WHERE, WHERE? 776 00:26:24,367 --> 00:26:26,800 - THIS IS YOUR TIME TO SHINE. - YES! I LOVE THE MAN CAVE. 777 00:26:26,800 --> 00:26:28,533 - WE'RE EQUAL OPPORTUNITY DESIGNERS. [laughs] 778 00:26:28,533 --> 00:26:30,800 - THIS IS HIS ROOM. - IT'S MORE THAN JUST A ROOM. 779 00:26:30,800 --> 00:26:32,867 - SHE'S GONNA NIX EVERYTHING, BY THE WAY. 780 00:26:32,867 --> 00:26:35,133 - WHAT ARE YOU SELLING? THERE'S NO LAUGHING. 781 00:26:35,133 --> 00:26:38,300 - I BRIEFLY SAID THAT WE WERE EQUAL OPPORTUNITY DESIGNERS. 782 00:26:38,300 --> 00:26:40,400 - I JUST WANTED TO KNOW IF I WAS BEING AT ALL CONSIDERED IN THIS. 783 00:26:40,400 --> 00:26:43,066 - HE NEEDS A PLACE TO HIDE AND DECOMPRESS. 784 00:26:43,066 --> 00:26:45,867 - HE WANTED CONFIRMATION THAT HE'S LIVING IN THE UNIT. 785 00:26:45,867 --> 00:26:47,300 [laughter] - HE IS. 786 00:26:47,300 --> 00:26:50,100 WHEN JASON HAS A V.I.P. PASS TO COME INTO THE OFFICE, 787 00:26:50,100 --> 00:26:52,133 HE KNEELS BY HIS COMPUTER. 788 00:26:52,133 --> 00:26:54,734 JASON NEEDS HIS OWN SPACE IN THIS APARTMENT. 789 00:26:54,734 --> 00:26:56,900 OKAY, SO THIS HAS TO BE AN OFFICE, IT HAS TO BE FUNCTIONAL. 790 00:26:56,900 --> 00:26:59,300 THERE HAVE TO BE AT LEAST FOUR PEOPLE WORKING AT ALL TIME, 791 00:26:59,300 --> 00:27:01,967 AND I KIND OF COME IN AND TORTURE PEOPLE, 792 00:27:01,967 --> 00:27:03,633 LIKE I JUST--I'M NOT REALLY EVER IN THERE. 793 00:27:03,633 --> 00:27:04,700 - YOU'RE IN AND OUT. - THE ONE THING, 794 00:27:04,700 --> 00:27:06,000 BEFORE YOU JUMP FROM THAT IS, 795 00:27:06,000 --> 00:27:08,433 THERE'S A FEW ROOMS THAT THERE'S NO CLOSETS, 796 00:27:08,433 --> 00:27:12,066 AND SHE'S WORRIED ABOUT WHAT SHE WANTS, I'M WORRIED ABOUT... 797 00:27:12,066 --> 00:27:13,467 - WHAT YOU GET? 798 00:27:13,467 --> 00:27:15,200 - THE APPRECIATION OF THIS APARTMENT. 799 00:27:15,200 --> 00:27:16,967 [laughs] AND I WANT CLOSETS IN THESE ROOMS. 800 00:27:16,967 --> 00:27:19,066 - EVEN IN HERE WE NEED A CLOSET TO STORE ALL OF THE BOOKS 801 00:27:19,066 --> 00:27:21,633 AND THE BOOZE AND ALL THAT STUFF NEEDS TO BE ABLE TO GET STORED. 802 00:27:21,633 --> 00:27:22,834 - AND YOUR CLOTHES. 803 00:27:22,834 --> 00:27:24,767 - I WANT TO MAKE SURE THAT JASON FEELS LIKE 804 00:27:24,767 --> 00:27:26,433 HIS STAMP IS ON THIS HOME, 805 00:27:26,433 --> 00:27:28,300 THAT WE'RE PARTNERS IN IT. 806 00:27:28,300 --> 00:27:30,033 I JUST WANT IT TO BE A PLACE THAT WE BOTH LOVE, 807 00:27:30,033 --> 00:27:32,166 WE'RE BOTH PROUD OF-- DECISIONS WE MAKE TOGETHER. 808 00:27:32,166 --> 00:27:33,934 - THERE'S A SPACE THERE, IT'S THE SIZE OF A LIVING ROOM. 809 00:27:33,934 --> 00:27:35,667 - I KNOW. - IT'S LIKE A STUDIO APARTMENT. 810 00:27:35,667 --> 00:27:38,033 - IT'S PURELY--EXACTLY, PURE, PURE, PURE STORAGE-- 811 00:27:38,033 --> 00:27:39,300 - DON'T GIVE HER ANY IDEAS. 812 00:27:39,300 --> 00:27:40,567 - THE STORAGE UNIT IS THE SIZE OF A LIVING ROOM? 813 00:27:40,567 --> 00:27:43,633 - THIS IS A VERY LARGE SPACE FOR STORAGE. 814 00:27:43,633 --> 00:27:45,166 - BUT NOT REALLY THE SIZE OF A LIVING ROOM. 815 00:27:45,166 --> 00:27:46,367 - HE'S CALLING IT A LIVING ROOM. - FIGURATIVELY. 816 00:27:46,367 --> 00:27:47,567 - OH. - BY NEW YORK STANDARDS. 817 00:27:47,567 --> 00:27:48,867 - I'M NOT GOOD WITH SPACE-- OH, IT IS. 818 00:27:48,867 --> 00:27:50,266 SO IT'S A GREAT-- THAT EVEN MAKES ME HAPPIER. 819 00:27:50,266 --> 00:27:52,133 - YEAH, THIS IS-- - NO, IT'S QUITE SUBSTANTIAL. 820 00:27:52,133 --> 00:27:53,433 - EXACTLY. - AND IT'S GOT 821 00:27:53,433 --> 00:27:54,767 GREAT CEILING HEIGHTS, WHICH MEANS WE CAN GO VERY HIGH. 822 00:27:54,767 --> 00:27:55,967 - VERTICAL. 823 00:27:55,967 --> 00:27:57,100 - SOMETHING WE'RE GONNA TALK ABOUT FURTHER. 824 00:27:57,100 --> 00:27:58,433 - VERTICAL, I LOVE VERTICAL. 825 00:27:58,433 --> 00:27:59,433 - SO GO-- - WE'RE GOING VERTICAL. 826 00:27:59,433 --> 00:28:00,667 - OKAY. - WHAT DO YOU GOT HERE 827 00:28:00,667 --> 00:28:01,667 FOR FLOOR PLANS? - THERE'S SOME PIPES IN THERE. 828 00:28:01,667 --> 00:28:02,900 - CLOSETS EVERYWHERE. 829 00:28:02,900 --> 00:28:06,133 - EXACTLY, AND THEN THERE'S THIS MAN DEN-- 830 00:28:06,133 --> 00:28:07,600 - MAN CAVE. - MAN CAVE, THAT WAS A BEDROOM, 831 00:28:07,600 --> 00:28:09,000 THAT NOW CAN BE A MAN CAVE, 832 00:28:09,000 --> 00:28:11,000 AND YOU COULD TAKE A LITTLE SPACE OFF IT FOR MY CLOSET 833 00:28:11,000 --> 00:28:12,500 TO JUST BE A REALLY NICE CLOSET. 834 00:28:12,500 --> 00:28:15,233 I WANT A CLOSET. I WANT TO BE ABLE TO SEE ALL OF MY STUFF. 835 00:28:15,233 --> 00:28:18,734 MAYBE NOT HAVE MY SHOES ON TOP OF MY UNDERWEAR. 836 00:28:18,734 --> 00:28:20,166 - THIS IS WHAT I WANT. - NOW THIS IS PURE STORAGE. 837 00:28:20,166 --> 00:28:22,066 - RIGHT, I'M A BIG FAN OF-- - THAT'S EXACTLY-- 838 00:28:22,066 --> 00:28:23,367 - THIS IS WHAT I WANT. - THEN IT'S GONNA LOOK LIKE-- 839 00:28:23,367 --> 00:28:24,967 - THERE IT IS. - AND I HAVE A WHOLE BOOK 840 00:28:24,967 --> 00:28:26,233 FOR YOU GUYS, AFTER. 841 00:28:26,233 --> 00:28:28,133 JUST LIKE THIS--THIS IS WHAT I WANT TO BE IN MY OFFICE, 842 00:28:28,133 --> 00:28:30,667 THIS--YES LETTERS, I HAVE ALL SECTIONS, 843 00:28:30,667 --> 00:28:31,934 IT'S KITCHEN. - LOOK AT THE TABS. 844 00:28:31,934 --> 00:28:33,467 - I HAVE TAB--THIS IS MY WHOLE INSPIRATION BOOK. 845 00:28:33,467 --> 00:28:34,934 I'VE ALWAYS LOOKED THROUGH MAGAZINES 846 00:28:34,934 --> 00:28:37,533 AND RIPPED OUT PAGES OF DECOR THAT I LIKE. 847 00:28:37,533 --> 00:28:39,467 I MEAN, PAGES ARE FROM YEARS AGO. 848 00:28:39,467 --> 00:28:41,633 SOME ARE NEW, BUT A LOT OF THEM ARE FROM YEARS AGO, 849 00:28:41,633 --> 00:28:44,033 AND IT'S CRAZY TO BE ABLE TO HAND TO A DESIGNER AND BE LIKE, 850 00:28:44,033 --> 00:28:45,667 "I WANT SOMETHING LIKE THAT." 851 00:28:45,667 --> 00:28:48,133 - WHEN CAN I START? 852 00:28:48,133 --> 00:28:51,834 - WE NEED THEIR ARCHITECT TO APPROVE THESE PLANS. 853 00:28:51,834 --> 00:28:54,667 NOW IT'S A MATTER OF WORKING WITH THE ARCHITECT, 854 00:28:54,667 --> 00:28:56,867 OF HOW WE'RE GONNA CONFIGURE THE ROOMS. 855 00:28:56,867 --> 00:29:00,033 SO THE BIG DECISIONS ARE THE BATHROOMS AND THE CLOSETS, 856 00:29:00,033 --> 00:29:01,667 AND, UH, WE'LL SEE. 857 00:29:01,667 --> 00:29:03,433 - WE ARE --WE HAVE TO LEAVE OUR OTHER APARTMENT. 858 00:29:03,433 --> 00:29:04,700 SOMEONE'S BOUGHT IT. - IN THREE MONTHS 859 00:29:04,700 --> 00:29:05,700 WE'RE OUT OF OUR APARTMENT, SO THAT'S WHY-- 860 00:29:05,700 --> 00:29:06,900 - SO WE REALLY HAVE TO-- - LOT TO DO, 861 00:29:06,900 --> 00:29:08,166 SHORT PERIOD OF TIME. - LET ME ASK YOU THIS, 862 00:29:08,166 --> 00:29:10,934 WHAT WOULD A TYPICAL TIME FRAME BE FOR A JOB LIKE THIS? 863 00:29:10,934 --> 00:29:12,200 - SIX MONTHS. - EASILY. 864 00:29:12,200 --> 00:29:13,433 - AND WE'RE DOING IT IN HALF OF THE TIME. 865 00:29:13,433 --> 00:29:14,533 - HALF THE TIME. 866 00:29:14,533 --> 00:29:17,600 - NOW DO YOU SEE WHY I'M NERVOUS? 867 00:29:17,600 --> 00:29:19,867 - THERE ARE A LOT OF THINGS I CAN CONTROL. 868 00:29:19,867 --> 00:29:22,633 THE TIMELINE ON THIS APARTMENT IS NOT ONE OF THEM. 869 00:29:22,633 --> 00:29:25,767 - I'M VERY EXCITED, I REALLY AM. THANK YOU ALL SO MUCH. 870 00:29:25,767 --> 00:29:27,867 WE HAVE THE GREATEST TEAM, WE REALLY DO, 871 00:29:27,867 --> 00:29:30,266 AND I REALLY CANNOT EVEN BELIEVE THIS IS OUR APARTMENT. 872 00:29:30,266 --> 00:29:31,767 - WE'RE EXCITED. - THANK YOU. 873 00:29:31,767 --> 00:29:33,233 - EVERYBODY, THANK YOU. - THANK YOU. 874 00:29:33,233 --> 00:29:34,300 - ALL SERIOUSNESS. - THANK YOU. 875 00:29:34,300 --> 00:29:35,500 - ALL RIGHT? - WE'LL SEE YOU 876 00:29:35,500 --> 00:29:36,500 AT THE NEXT MEETING. - YOU DID A GREAT JOB. 877 00:29:36,500 --> 00:29:37,700 WE'RE REALLY EXCITED. 878 00:29:37,700 --> 00:29:42,467 - THIS IS THE HOUSE THAT SKINNY GIRL BOUGHT. 879 00:29:42,467 --> 00:29:43,700 COMING UP... 880 00:29:43,700 --> 00:29:47,266 THE HOPPYS HAVE BRYN IN A SANDBOX. 881 00:29:47,266 --> 00:29:49,867 A SANDBOX IN MANHATTAN IS LIKE A URINAL. 882 00:29:56,033 --> 00:29:57,834 - HI, BETHENNY. - HI, LAURA. 883 00:29:57,834 --> 00:30:00,900 - SO YOU'RE GONNA BE HAVING A 90 MINUTE... 884 00:30:00,900 --> 00:30:01,934 - DEEP. - DEEP TISSUE. 885 00:30:01,934 --> 00:30:03,800 - DEEP TISSUE. - DEEP TISSUE WITH MIKE. 886 00:30:03,800 --> 00:30:06,800 BEFORE WE START YOUR MASSAGE, WE USUALLY DO A SHOT OF SEAWATER, 887 00:30:06,800 --> 00:30:08,166 WHICH IS A RITUAL HERE. 888 00:30:08,166 --> 00:30:09,867 - ALL RIGHT, SO WE'RE GONNA DO A SHOT? 889 00:30:09,867 --> 00:30:11,300 - WE'RE GONNA DO A SHOT. - DWAYNE, YOU WANT TO DO A SHOT? 890 00:30:11,300 --> 00:30:13,166 LOOK AT HIM RUN. I NEVER SAW YOU MOVE SO FAST TO OPEN THE DOOR. 891 00:30:15,567 --> 00:30:17,367 - IT'S SALTY. 892 00:30:17,367 --> 00:30:19,700 - IT'S GOOD, IT'LL HELP DETOX, IT CLEAN YOU UP REAL NICE. 893 00:30:19,700 --> 00:30:21,066 - YEAH. - HE HAS HIGH BLOOD PRESSURE, 894 00:30:21,066 --> 00:30:22,500 BUT THIS IS NOT THE SAME. IT'S SEA WATER, RIGHT? 895 00:30:22,500 --> 00:30:23,967 - AND IT'S FILTERED. 896 00:30:23,967 --> 00:30:26,967 IT'S TAKEN RIGHT FROM THE ATLANTIC OCEAN, AND FILTERED-- 897 00:30:28,767 --> 00:30:30,467 - SO YOU DON'T HAVE TO-- 898 00:30:31,934 --> 00:30:34,000 YOU HAVE TO LOOK SOMEONE IN THE EYE WHEN YOU TOAST THEM. 899 00:30:34,000 --> 00:30:35,667 OTHERWISE IT'S SEVEN YEARS OF BAD SEX. 900 00:30:35,667 --> 00:30:37,500 - [laughs] - IN THE EYES. 901 00:30:37,500 --> 00:30:39,633 - HERE. - HE LOOKED IN MY EYES. 902 00:30:41,633 --> 00:30:44,133 - [laughs] - AH. 903 00:30:44,133 --> 00:30:45,867 - THAT WAS GOOD. 904 00:30:45,867 --> 00:30:47,033 - ENJOY YOUR MASSAGE, BETHENNY. 905 00:30:47,033 --> 00:30:48,533 - ALL RIGHT, THANKS. SEE YOU LATER, DWAYNE. 906 00:30:48,533 --> 00:30:50,000 [laughter] WHICH WAY DO WE GO? 907 00:30:50,000 --> 00:30:51,000 - [laughs] 908 00:30:51,000 --> 00:31:05,467 - OH, MY GOD. 909 00:31:05,467 --> 00:31:07,500 - WHERE IS EVERYONE? - I DON'T KNOW. 910 00:31:07,500 --> 00:31:09,734 NO ONE'S HERE. - I KNOW, IT'S GREAT. 911 00:31:09,734 --> 00:31:13,800 - [whispering] IT'S SO NICE, JUST LISTEN TO IT. 912 00:31:13,800 --> 00:31:15,600 I DON'T KNOW WHAT TO DO WITH MYSELF. 913 00:31:17,166 --> 00:31:21,100 THE HOPPYS HAVE BRYN IN A SANDBOX. 914 00:31:21,100 --> 00:31:22,934 STAB ME. 915 00:31:22,934 --> 00:31:25,767 EVERYONE KNOWS YOU CAN'T PUT YOUR KID IN THE SANDBOX. 916 00:31:25,767 --> 00:31:27,100 I WAS ON THE PHONE WITH THEM, AND THEY'RE LIKE, 917 00:31:27,100 --> 00:31:28,200 "EVERYTHING'S GREAT, WE'RE IN THE SANDBOX." 918 00:31:28,200 --> 00:31:29,567 I WAS LIKE... 919 00:31:29,567 --> 00:31:32,867 ♪♪ DUN-DUH-DUN-DUN! ♪♪ - [laughs] 920 00:31:32,867 --> 00:31:35,200 - IT'S OKAY, RIGHT? - IT'S FINE. 921 00:31:35,200 --> 00:31:36,633 - I JUST WOULDN'T WANT TO CLEAN IT UP. 922 00:31:36,633 --> 00:31:38,567 LIKE, I WOULDN'T-- I WOULDN'T BE OBSESSING OVER 923 00:31:38,567 --> 00:31:39,867 ALL THE OTHER THINGS THAT YOU'RE OBSESSING OVER. 924 00:31:39,867 --> 00:31:42,233 - A SANDBOX IN MANHATTAN IS LIKE A URINAL. 925 00:31:42,233 --> 00:31:44,667 GO PUT MY BABY IN A URINAL IN MADISON SQUARE GARDEN, 926 00:31:44,667 --> 00:31:46,266 THAT'S WHAT IT IS. - IT'S TRUE. 927 00:31:46,266 --> 00:31:48,734 - THERE ARE HOMELESS PEOPLE PEEING RIGHT NOW... 928 00:31:48,734 --> 00:31:49,900 - [laughs] - IN THE URINAL 929 00:31:49,900 --> 00:31:51,700 THAT IS CALLED A SANDBOX. - THAT'S GROSS. 930 00:31:51,700 --> 00:31:53,300 - DO YOU WANT TO HAVE A COCKTAIL? 931 00:31:53,300 --> 00:31:54,900 - A SANGRIA? 932 00:31:54,900 --> 00:31:58,033 - YEAH. - IT'S THE MIDDLE OF THE DAY. 933 00:31:58,033 --> 00:32:01,700 MAYBE WE'LL EVEN USE THE--MAYBE WE'LL USE THE REAL CRYSTAL. 934 00:32:01,700 --> 00:32:02,934 WITH THE NICE-- - I DON'T KNOW. 935 00:32:02,934 --> 00:32:04,433 I MIGHT BREAK 'EM. - OH, MY GOD. 936 00:32:04,433 --> 00:32:07,266 I'M GONNA FILL THE DECANTER, OR THE PITCHER, WITH SANGRIA. 937 00:32:07,266 --> 00:32:08,567 - WITH SANGRIA WITH THE FRUIT? - YES. 938 00:32:08,567 --> 00:32:09,667 - LET'S MAKE FRUIT. LET'S GET WATERMELONS-- 939 00:32:09,667 --> 00:32:11,500 - GET A NECTARINE, CUT THAT [bleep] UP. 940 00:32:11,500 --> 00:32:12,734 WHOO! 941 00:32:12,734 --> 00:32:14,033 - PEOPLE MIGHT COME BACK. 942 00:32:14,033 --> 00:32:15,700 - NO ONE'S COMING BACK. I'M LOCKING THE DOOR. 943 00:32:19,533 --> 00:32:21,834 TELL THE DOORMAN TO CALL ME IF ANYONE COMES. 944 00:32:21,834 --> 00:32:24,166 - CALL HIM. [dial tone] 945 00:32:24,166 --> 00:32:25,533 [dialing numbers] - WHEN JACKIE COMES BACK, TELL-- 946 00:32:25,533 --> 00:32:27,266 - PUT ICE IN THAT PITCHER-- OH, NO, I GOT IT. 947 00:32:27,266 --> 00:32:28,700 - [over intercom] THANK YOU, ROBERT, FRONT DESK. 948 00:32:28,700 --> 00:32:31,233 - HI, IF ANYONE COMES, JUST SAY THAT WE'RE NOT HOME, 949 00:32:31,233 --> 00:32:33,734 AND THAT WE'LL BE BACK IN 20 MINUTES. 950 00:32:33,734 --> 00:32:35,433 - OKAY, ANYONE? OKAY. - ANYONE. 951 00:32:35,433 --> 00:32:36,900 - YOU GOT IT. 952 00:32:36,900 --> 00:32:38,300 - I THINK WE SHOULD HAVE SOME FUN. 953 00:32:38,300 --> 00:32:39,834 YOU'VE BEEN A LITTLE STRESSED, 954 00:32:39,834 --> 00:32:41,000 I'VE BEEN A LITTLE STRE-- I'M ALWAYS A LITTLE STRESSED. 955 00:32:41,000 --> 00:32:42,333 I JUST WANT TO ENJOY MY LIFE. 956 00:32:42,333 --> 00:32:44,000 - DOES WATERMELON GO IN THE SANGRIA, OR NO? 957 00:32:44,000 --> 00:32:45,433 - SURE. 958 00:32:47,700 --> 00:32:49,000 OH, YOU WERE GOOD, YOU WANTED TO GET RID OF SOME-- 959 00:32:49,000 --> 00:32:51,400 I LIKE IT. I KNOW WHAT YOU DID. I SAW IT. 960 00:32:51,400 --> 00:32:53,500 - NOW, I WANT-- - ALL RIGHT. 961 00:32:54,900 --> 00:32:56,266 IT'S 3:45. - WHY'S THE BASKETBALL OUT HERE? 962 00:32:56,266 --> 00:32:57,400 - WHAT DO YOU EXPECT? 963 00:32:57,400 --> 00:32:58,767 CHEERS. 964 00:32:58,767 --> 00:33:00,200 - CHEERS, TO THE ORIGINAL CREW. 965 00:33:00,200 --> 00:33:01,433 - THE ORIGINAL CREW. 966 00:33:01,433 --> 00:33:03,834 - TO JUST ME AND YOU IN YOUR OWN APARTMENT? 967 00:33:03,834 --> 00:33:05,700 FOR A LITTLE BIT? - I KNOW. 968 00:33:05,700 --> 00:33:06,900 IT'S GOING TOO QUICKLY. 969 00:33:06,900 --> 00:33:08,400 THEN I'LL BE IN THE BIG APARTMENT. 970 00:33:08,400 --> 00:33:11,433 WE'RE ALL COOL. SHE'S GOT PEARL NECKLACES 971 00:33:11,433 --> 00:33:15,467 AND SPA TREATMENTS AND EVERYTHING--SHE'S CHANGED. 972 00:33:15,467 --> 00:33:17,233 WE CAN'T CHANGE. 973 00:33:17,233 --> 00:33:21,533 HOW DIFFERENT DO YOU THINK THIS IS THAN THE OLD APARTMENT? 974 00:33:21,533 --> 00:33:23,734 - I MEAN, THE OLD APARTMENT, I SAT AT A DINING ROOM TABLE 975 00:33:23,734 --> 00:33:26,066 THAT WAS GLASS. - [laughs] 976 00:33:26,066 --> 00:33:28,066 - AND, LIKE, I COULDN'T HAVE-- LIKE YOU WENT THROUGH MY [bleep] 977 00:33:28,066 --> 00:33:29,633 WHEN I LEFT. - WHAT DO YOU MEAN, 978 00:33:29,633 --> 00:33:31,000 I WENT THROUGH YOUR-- - LIKE, YOU'D MOVE IT ALL, 979 00:33:31,000 --> 00:33:33,066 'CAUSE, LIKE, EVEN THOUGH I HAD, LIKE, A LITTLE PILE, 980 00:33:33,066 --> 00:33:34,433 IT WOULD BE LIKE-- 981 00:33:34,433 --> 00:33:36,033 - OH, IT WAS TOO MESSY? - YOU WERE UPSET ABOUT PILES. 982 00:33:36,033 --> 00:33:37,233 LIKE, YOU DIDN'T LIKE PEOPLE HAVING THEIR AREA. 983 00:33:37,233 --> 00:33:39,400 I WAS LIKE-- I DIDN'T HAVE A DESK. 984 00:33:39,400 --> 00:33:40,767 I DON'T HAVE DRAWERS. 985 00:33:40,767 --> 00:33:43,633 LIKE, AT LEAST, LIKE, GIVE ME MY LITTLE FILE. 986 00:33:43,633 --> 00:33:44,967 I DON'T KNOW, IT WAS CRAZY. 987 00:33:44,967 --> 00:33:46,767 - DID YOU LIKE IT IN THERE? 988 00:33:46,767 --> 00:33:49,033 - I MISS IT A LITTLE BIT SOMETIMES. 989 00:33:49,033 --> 00:33:51,500 - YOU DO? WHY? 'CAUSE IT WAS JUST US? 990 00:33:51,500 --> 00:33:54,266 - YEAH, IT WAS EASIER. 991 00:33:54,266 --> 00:33:57,467 BUT I THINK THAT IT HAS TO BE REALLY DIFFICULT FOR YOU 992 00:33:57,467 --> 00:34:00,800 AND FOR JASON FOR US TO BE HERE ALL THE TIME. 993 00:34:00,800 --> 00:34:04,533 YOU DON'T HAVE YOUR SPACE TO TALK ABOUT MAYBE THINGS 994 00:34:04,533 --> 00:34:05,967 THAT DON'T HAVE TO DO WITH YOU, 995 00:34:05,967 --> 00:34:09,133 OR HAVE CONVERSATIONS THAT YOU DON'T WANT ME TO HEAR, OR-- 996 00:34:09,133 --> 00:34:10,700 - WHAT CONVERSATIONS HAVE YOU HEARD? 997 00:34:10,700 --> 00:34:12,367 - I MEAN, I'VE HEARD EVERYTHING. THAT'S WHAT I'M SAYING. 998 00:34:12,367 --> 00:34:13,767 I MEAN, MAYBE THAT SHOULD END. 999 00:34:13,767 --> 00:34:15,633 [laughs] 1000 00:34:15,633 --> 00:34:18,667 BUT I WOULD LIKE YOU TO KNOW THAT BEFORE YOU MET JASON, 1001 00:34:18,667 --> 00:34:20,533 BEFORE YOU HAD BRYN, 1002 00:34:20,533 --> 00:34:23,667 I DON'T KNOW IF I COULD HAVE DONE THIS JOB FOR THAT LONG, 1003 00:34:23,667 --> 00:34:27,133 BECAUSE YOU WANTED TO WORK ALL THE TIME. 1004 00:34:27,133 --> 00:34:29,200 LIKE, 24/7. 1005 00:34:29,200 --> 00:34:30,400 LIKE, THERE WAS NEVER A TIME 1006 00:34:30,400 --> 00:34:31,900 THAT YOU REALLY DIDN'T WANT TO BE WORKING, 1007 00:34:31,900 --> 00:34:35,033 BECAUSE THAT WAS WHAT YOU-- WHAT YOU WERE. 1008 00:34:35,033 --> 00:34:38,467 AND THEN YOU MET JASON, AND THEN YOU HAD BRYN, 1009 00:34:38,467 --> 00:34:39,767 AND, LIKE, YOU WANT YOUR WEEKENDS, 1010 00:34:39,767 --> 00:34:41,266 LIKE, YOU HOPE YOU DON'T HEAR FROM ME. 1011 00:34:41,266 --> 00:34:42,800 - IT'S SO WEIRD, 'CAUSE I DON'T PICTURE MYSELF-- 1012 00:34:42,800 --> 00:34:43,867 - DO YOU KNOW WHAT I'M SAYING? - I DO NOT BELIEVE-- 1013 00:34:43,867 --> 00:34:45,467 - LIKE, THAT IS THE TRUTH. 1014 00:34:45,467 --> 00:34:47,667 IT'S THE TRUTH, IT REALLY IS. 1015 00:34:47,667 --> 00:34:48,734 [barking] 1016 00:34:48,734 --> 00:34:50,800 - HELLO? [barking] 1017 00:34:50,800 --> 00:34:52,400 HOLD ON! [barking] 1018 00:34:52,400 --> 00:34:54,300 GOD, 20 MINUTES GOES QUICKLY. 1019 00:34:54,300 --> 00:34:56,233 [barking] 1020 00:34:56,233 --> 00:34:58,000 HI. - OKAY. 1021 00:34:58,000 --> 00:35:01,400 - [gasps] OH, MY GOODNESS! 1022 00:35:01,400 --> 00:35:04,133 - OH, MY GOODNESS. 1023 00:35:04,133 --> 00:35:05,867 YOU'RE STILL AW-- COME IN, GUYS. 1024 00:35:05,867 --> 00:35:08,500 YOU'RE STILL AWAKE? - DANCING, DANCING, DANCING. 1025 00:35:08,500 --> 00:35:10,967 - UP SO LATE? HOW WAS THE PARK? 1026 00:35:10,967 --> 00:35:12,433 - WE HAD A GREAT TIME. 1027 00:35:12,433 --> 00:35:14,734 - HOW WAS THE PARK, BRYN? 1028 00:35:14,734 --> 00:35:16,033 - WE HAD THE BEST TIME. - WHAT DID YOU DO, 1029 00:35:16,033 --> 00:35:18,166 WHAT DID YOU DO IN THE PARK? 1030 00:35:18,166 --> 00:35:19,834 - UH-OHH. - SHE LOVES THE HAT. 1031 00:35:19,834 --> 00:35:21,367 SHE MATCHES GRANDMA WITH HER HAT. 1032 00:35:21,367 --> 00:35:23,400 - SHE LOVES THAT HAT. I'M GONNA GIVE HER THAT. 1033 00:35:23,400 --> 00:35:24,700 - SHE'S A YANKEE FAN. - SHE'S OBSESSED WITH THE HAT, 1034 00:35:24,700 --> 00:35:26,367 RIGHT? - I KNOW, SHE LOVES-- 1035 00:35:26,367 --> 00:35:27,834 - WAS IT FUN? - SHE DID GREAT. 1036 00:35:27,834 --> 00:35:30,800 WE THINK WE TIRED HER OUT. - YEAH, SHE'S BEAT. 1037 00:35:30,800 --> 00:35:32,433 - BYE-BYE. 1038 00:35:32,433 --> 00:35:33,867 - COME IN, YOU WANT SOMETHING TO DRINK, OR SOMETHING? 1039 00:35:33,867 --> 00:35:35,667 - WE HAD THIS IN THE SANDBOX, AS YOU SEE. 1040 00:35:35,667 --> 00:35:38,266 - YOU WANT SOME SANGRIA? - OH, THAT SOUNDS GOOD. 1041 00:35:38,266 --> 00:35:40,033 - ALL RIGHT, GOOD. 1042 00:35:40,033 --> 00:35:42,100 WE WERE JUST TALKING ABOUT THE OLD DAYS IN THE OLD APARTMENT. 1043 00:35:42,100 --> 00:35:43,233 [barking] - WHAT HAPPENED? 1044 00:35:43,233 --> 00:35:44,400 IS COOKIE LO-- YOU LEFT HER IN THE HALL. 1045 00:35:44,400 --> 00:35:45,767 - OH, MY GOD. - GRANDMA! 1046 00:35:45,767 --> 00:35:47,066 - [laughs] 1047 00:35:47,066 --> 00:35:48,934 - SORRY, COOKS. - COME ON, COOKS. 1048 00:35:48,934 --> 00:35:50,100 - [laughs] 1049 00:35:50,100 --> 00:35:53,100 - IT'S OKAY. - SORRY, COOK. 1050 00:36:04,500 --> 00:36:07,266 - HI. - HI, HOW ARE YOU? 1051 00:36:07,266 --> 00:36:09,533 - SO JASON AND BRYN ARE AWAY. 1052 00:36:09,533 --> 00:36:12,100 THEY WENT TO GRANDMA AND GRANDPA'S, UH-- 1053 00:36:12,100 --> 00:36:13,667 - HOW ARE YOU FEELING ABOUT THAT? 1054 00:36:13,667 --> 00:36:15,834 - I MISS HER, I MEAN, I CAN'T WAIT FOR HER TO GET BACK, 1055 00:36:15,834 --> 00:36:17,333 AND TO HUG HER, BUT IT'S THE KIND OF THING 1056 00:36:17,333 --> 00:36:20,667 THAT YOU SHOULD APPRECIATE, WHEN YOU DO HAVE A DAY ALONE, 1057 00:36:20,667 --> 00:36:22,066 AND DEFINITELY NOT FEEL GUILTY ABOUT IT. 1058 00:36:22,066 --> 00:36:23,500 I DIDN'T FEEL ANY KIND OF GUILT, OR ANYTHING LIKE THAT, 1059 00:36:23,500 --> 00:36:24,633 THAT WAS GOOD. 1060 00:36:24,633 --> 00:36:26,400 - UM, DID YOU MISS JASON? 1061 00:36:28,867 --> 00:36:30,100 - IT FELT A LITTLE LONELY. 1062 00:36:30,100 --> 00:36:32,500 I MEAN, I MISSED JASON, AND I REMEMBER, LIKE, 1063 00:36:32,500 --> 00:36:35,266 THINKING LAST NIGHT JUST THAT I WANTED TO BE WITH HIM, 1064 00:36:35,266 --> 00:36:37,500 AND TO LAY DOWN WITH HIM, AND I DID DEFINITELY MISS HIM. 1065 00:36:37,500 --> 00:36:38,700 - YOU KNOW, YOU'VE-- 1066 00:36:38,700 --> 00:36:40,800 YOU AND JASON HAVE HAD A LOT OF ROUGH SPOTS, 1067 00:36:40,800 --> 00:36:43,734 AND AMONG THEM IS FEELING LIKE 1068 00:36:43,734 --> 00:36:45,700 YOU'RE NOT WORKING TOGETHER AS A TEAM. 1069 00:36:45,700 --> 00:36:47,533 UM, THERE'S SOMETHING THAT I DO WITH COUPLES 1070 00:36:47,533 --> 00:36:50,100 THAT YOU MIGHT BE ACTUALLY INTERESTED IN. 1071 00:36:50,100 --> 00:36:54,166 IT'S A WORKSHOP, IT'S A RELATIONSHIP RENEWAL WORKSHOP, 1072 00:36:54,166 --> 00:36:55,166 THAT'S WHAT I CALL IT. 1073 00:36:55,166 --> 00:36:56,633 WE GO OUT ON A SAILBOAT. 1074 00:36:56,633 --> 00:36:59,934 IT'S NOT FOR THERAPY, IT'S ACTUALLY A WORKSHOP. 1075 00:36:59,934 --> 00:37:02,033 - IT'S NOT THERAPEUTIC? 1076 00:37:02,033 --> 00:37:05,066 - THE IDEA OF GOING ON THE BOAT--AND IT'S GOING OVERNIGHT, 1077 00:37:05,066 --> 00:37:07,400 GOING OVER 100 MILES OUT AT SEA TOGETHER, 1078 00:37:07,400 --> 00:37:09,200 AND IT'S A VERY UNIQUE ENVIRONMENT, 1079 00:37:09,200 --> 00:37:10,800 IS THAT YOU HAVE TO WORK TOGETHER, 1080 00:37:10,800 --> 00:37:12,500 NOT ONLY AS A COUPLE, BUT AS A CREW. 1081 00:37:12,500 --> 00:37:15,367 SOMETIMES HE'S IN CHARGE, SOMETIMES YOU'RE IN CHARGE. 1082 00:37:15,367 --> 00:37:17,333 - ARE YOU GOING TO THEN COMMENT? 1083 00:37:17,333 --> 00:37:20,266 LIKE--JUST LET'S SAY THAT I SNAP AT JASON 1084 00:37:20,266 --> 00:37:21,433 WHEN WE'RE DOING SOMETHING, 1085 00:37:21,433 --> 00:37:22,800 OR I THINK I'M RIGHT AND HE'S WRONG. 1086 00:37:22,800 --> 00:37:25,033 - WELL, WE'RE GONNA HAVE AN OPPORTUNITY TO DEBRIEF 1087 00:37:25,033 --> 00:37:27,667 AFTER EVERY-- EVERY WATCH. 1088 00:37:27,667 --> 00:37:28,767 - WHAT'S A WATCH? 1089 00:37:28,767 --> 00:37:30,166 - YOU'LL BE CAPTAIN OF THE VESSEL. 1090 00:37:30,166 --> 00:37:32,300 YEAH, SMILE NOW, BUT JASON WILL BE CAPTAIN OF THE VESSEL 1091 00:37:32,300 --> 00:37:33,934 FOR THREE HOURS, AS WELL. 1092 00:37:33,934 --> 00:37:35,200 AND WE'LL HAVE TO DECIDE TOGETHER 1093 00:37:35,200 --> 00:37:37,800 BEFORE WE LEAVE THE DOCK WHO'S DOING WHAT. 1094 00:37:37,800 --> 00:37:39,066 - UH... 1095 00:37:39,066 --> 00:37:41,133 - WHAT DO YOU THINK? YOU THINK HE WANTS TO COME? 1096 00:37:41,133 --> 00:37:43,500 - HE DOESN'T LOVE THERAPY. 1097 00:37:43,500 --> 00:37:45,867 AND HE DOESN'T LIKE THE IDEA OF BEING ANALYZED. 1098 00:37:45,867 --> 00:37:47,100 HE WOULD THINK IT WOULD BE THERAPY, 1099 00:37:47,100 --> 00:37:48,233 AND I'M GONNA TELL HIM THAT IT'S NOT. 1100 00:37:48,233 --> 00:37:49,834 - IT'S NOT. - IT'S NOT THERAPY. 1101 00:37:49,834 --> 00:37:52,233 - IT MAY BE VERY ROMANTIC, IT MAY BE REALLY MELLOW, 1102 00:37:52,233 --> 00:37:56,200 BUT WE HAVE TO BE PREPARED FOR HARDSHIP, FOR SEASICKNESS, 1103 00:37:56,200 --> 00:37:59,600 FOR HAVING TO WORK TOGETHER TO KEEP THE BOAT SAFE. 1104 00:37:59,600 --> 00:38:01,033 IT'S LIKE A MARRIAGE. 1105 00:38:01,033 --> 00:38:04,834 YOU PREPARE YOURSELF FOR ADVERSITY, 1106 00:38:04,834 --> 00:38:08,600 AND YOU HAVE TO LOOK AT-- SORT OF THE DIFFERENCE BETWEEN 1107 00:38:08,600 --> 00:38:11,200 THE IDEALIZED IMAGE YOU HAVE ABOUT THE RELATIONSHIP 1108 00:38:11,200 --> 00:38:12,934 AND WHAT ARE THE THINGS THAT YOU HAVE TO PREPARE 1109 00:38:12,934 --> 00:38:15,667 TO MAKE A MARRIAGE WORK. 1110 00:38:17,367 --> 00:38:19,066 - OKAY. 1111 00:38:19,066 --> 00:38:21,800 SO I'LL TALK TO JASON. - OKAY. 1112 00:38:32,467 --> 00:38:34,200 - DO YOU, UH, LIKE ME TODAY? 1113 00:38:34,200 --> 00:38:35,400 OR YOU HATE ME TODAY? 1114 00:38:35,400 --> 00:38:37,433 - I LIKE YOU SO FAR. 1115 00:38:37,433 --> 00:38:40,433 UH, I WANT TO TALK TO YOU ABOUT, 1116 00:38:40,433 --> 00:38:43,266 SO DR. AMADOR... - YEAH? 1117 00:38:43,266 --> 00:38:44,533 - I DON'T KNOW HOW OFTEN HE DOES IT EVERY YEAR, 1118 00:38:44,533 --> 00:38:46,367 BUT HE DOES THIS TRIP ON HIS SAILBOAT 1119 00:38:46,367 --> 00:38:50,600 WHERE DIFFERENT COUPLES GO, AND IT'S--IT'S ALMOST LIKE 1120 00:38:50,600 --> 00:38:54,467 A TEAM-BUILDING EXPERIENCE, BUT FOR MARRIAGES--FOR FAMILIES, 1121 00:38:54,467 --> 00:38:56,600 AND I THINK EVERYBODY SORT OF HELPS ON THE BOAT, 1122 00:38:56,600 --> 00:38:58,533 AND I GUESS YOU FIGURE OUT WHAT YOU'RE MADE OF, 1123 00:38:58,533 --> 00:39:01,233 BASED ON DOING THINGS LIKE THAT. 1124 00:39:01,233 --> 00:39:03,266 - IS THIS A WEEKEND THING, OR IS IT-- 1125 00:39:03,266 --> 00:39:04,500 - NO, I THINK IT'S LIKE AN OVERNIGHT THING. 1126 00:39:04,500 --> 00:39:06,166 I THINK YOU TAKE A HELICOPTER, 1127 00:39:06,166 --> 00:39:08,200 WHICH I-- - TO THE BOAT? 1128 00:39:08,200 --> 00:39:10,033 AND THEN WHAT? - TO LONG ISLAND. 1129 00:39:10,033 --> 00:39:11,700 YOU GO ON THE BOAT... - RIGHT. 1130 00:39:11,700 --> 00:39:13,166 - AND THEN YOU GO TO NANTUCKET. 1131 00:39:15,100 --> 00:39:17,333 - I'M NOT ANTICIPATING I GET SICK, 1132 00:39:17,333 --> 00:39:20,200 BUT I COULD GET SICK, 1133 00:39:20,200 --> 00:39:21,700 AND THEN WHAT DO YOU DO? 1134 00:39:21,700 --> 00:39:23,467 YOU'RE KIND OF STRANDED OUT THERE IN THE MIDDLE OF THE SEA. 1135 00:39:23,467 --> 00:39:25,100 NO? - MMM-- 1136 00:39:25,100 --> 00:39:29,433 - AND THEN THE OTHER THING IS THAT WE'RE GOING WITH A PSYCHI-- 1137 00:39:29,433 --> 00:39:31,467 WHAT IS IT, A PSYCHOLOGIST, PSYCHIATRIST? 1138 00:39:31,467 --> 00:39:33,100 I DON'T EVEN KNOW THE DIFFERENCE. 1139 00:39:33,100 --> 00:39:38,900 SO I'M BASICALLY GOING TO BE ANALYZED MY WHOLE WEEKEND. 1140 00:39:38,900 --> 00:39:41,734 THAT DOESN'T SOUND LIKE FUN. 1141 00:39:41,734 --> 00:39:43,133 - IT'S INTERESTING. 1142 00:39:45,900 --> 00:39:47,767 JASON DOESN'T SEE THE NEED FOR THERAPY. 1143 00:39:47,767 --> 00:39:51,467 HE JUST THINKS EVERYBODY CAN WORK IT OUT FOR THEMSELVES, 1144 00:39:51,467 --> 00:39:53,567 AND HE REALLY JUST DOESN'T UNDERSTAND. 1145 00:39:53,567 --> 00:39:55,600 - I DON'T KNOW IF I WANT TO BE UNDER A MICROSCOPE BY SOME GUY-- 1146 00:39:55,600 --> 00:39:57,200 - YOU'RE MORE CONCERNED ABOUT BEING UNDER A MICROSCOPE, 1147 00:39:57,200 --> 00:39:58,467 OR YOU'RE MORE CONCERNED ABOUT BEING SICK? 1148 00:39:58,467 --> 00:39:59,900 - WHEN YOU'RE UNDER THAT MICROSCOPE, 1149 00:39:59,900 --> 00:40:01,266 YOU'RE GONNA FIND OUT THINGS 1150 00:40:01,266 --> 00:40:02,967 THAT YOU PROBABLY DON'T LIKE ABOUT YOURSELF, 1151 00:40:02,967 --> 00:40:05,133 BUT YOU MIGHT FIND OUT SOME THINGS 1152 00:40:05,133 --> 00:40:09,467 THAT YOU ARE DOING, AND THIS IS JUST CLARIFICATION. 1153 00:40:09,467 --> 00:40:12,000 I THINK THE ONE ISSUE WE'VE BEEN HAVING IS THAT 1154 00:40:12,000 --> 00:40:14,533 IN OUR SECOND YEAR OF MARRIAGE-- - BESIDES NOT LIKING EACH OTHER? 1155 00:40:24,033 --> 00:40:25,567 - WE'RE TWO DIFFERENT PEOPLE, 1156 00:40:25,567 --> 00:40:28,033 AND WE LOOK AT THINGS A LITTLE DIFFERENTLY. 1157 00:40:28,033 --> 00:40:29,266 - AND I ACCEPT THAT. 1158 00:40:29,266 --> 00:40:31,200 I ACCEPT YOU FOR EXAC-- I KNOW WHO YOU ARE. 1159 00:40:31,200 --> 00:40:33,233 I ACCEPT YOU. I'M NOT TRYING TO CHANGE YOU. 1160 00:40:35,633 --> 00:40:36,734 - I DON'T KNOW ABOUT THAT, BUT-- 1161 00:40:36,734 --> 00:40:38,600 - I'VE MADE BIG STRIDES, GUY. 1162 00:40:38,600 --> 00:40:40,100 - YOU'VE MADE BIG STRIDES? 1163 00:40:40,100 --> 00:40:43,500 - BIG. - IN WHICH WAY? 1164 00:40:43,500 --> 00:40:45,800 - EVERY WAY. - GIVE ME ONE STRIDE. 1165 00:40:45,800 --> 00:40:49,133 - MONEY, FAMILY, 1166 00:40:49,133 --> 00:40:51,000 UH...RELIGION, I'LL GIVE YOU EVERY--EVERY-- 1167 00:40:51,000 --> 00:40:54,900 - AND I'VE MADE SIMILAR STRIDES, RIGHT? 1168 00:40:54,900 --> 00:40:57,767 HAVEN'T I? 1169 00:40:57,767 --> 00:41:00,533 YOU SAY THAT I'M SO CHEAP, THAT I'M SO THIS, 1170 00:41:00,533 --> 00:41:02,266 I'M SO THAT. HAVE I CHANGED? 1171 00:41:02,266 --> 00:41:03,900 - IT'S OKAY. - HAVE I? 1172 00:41:03,900 --> 00:41:05,400 - I DON'T WANT TO ARGUE-- I DON'T WANT TO ARGUE. 1173 00:41:05,400 --> 00:41:07,333 BUT YOU'RE NOT GONNA COMMUNICATE WITH ME 1174 00:41:07,333 --> 00:41:10,700 THE REAL WAY THAT YOU COMMUNICATE ON THE BOAT. 1175 00:41:10,700 --> 00:41:12,900 YOU ONLY COMMUNICATE WITH ME AT HOME THE WAY YOU COMMUNICATE, 1176 00:41:12,900 --> 00:41:14,333 AND THEN WHEN OTHER PEOPLE ARE AROUND, 1177 00:41:14,333 --> 00:41:16,900 YOU DON'T COMMUNICATE WITH ME. 1178 00:41:18,700 --> 00:41:20,734 - HOW DO I COMMUNICATE WITH YOU AT HOME? 1179 00:41:20,734 --> 00:41:23,200 - YOU THINK I'M ALWAYS WRONG. 1180 00:41:23,200 --> 00:41:24,667 YOU THINK I PICK EVERY BATTLE. 1181 00:41:24,667 --> 00:41:25,667 - I THINK YOU PICK A LOT OF BATTLES. 1182 00:41:25,667 --> 00:41:27,433 - YOU THINK YOU DO NOTHING WRONG. 1183 00:41:27,433 --> 00:41:30,166 - YOU GOTTA STOP SAYING THAT. I KNOW I'M NOT PERFECT, 1184 00:41:30,166 --> 00:41:33,300 AND I KNOW I DO THINGS WRONG. - OH! 1185 00:41:34,800 --> 00:41:37,300 - I'M REALLY SO GETTING TIRED OF IT. 1186 00:41:37,300 --> 00:41:41,467 I'M NOT PERFECT, AND SHE NEEDS TO REALLY STOP 1187 00:41:41,467 --> 00:41:45,667 BRINGING THAT UP AS HER DEFENSE OF ALL OF OUR ARGUMENTS. 1188 00:41:45,667 --> 00:41:48,166 I MEAN, THAT ALWAYS COMES UP IN OUR ARGUMENTS, 1189 00:41:48,166 --> 00:41:50,066 AND I'M TIRED OF IT. 1190 00:41:50,066 --> 00:41:51,300 IF I APOLOGIZE FOR SOMETHING, 1191 00:41:51,300 --> 00:41:52,867 IT DOESN'T SEEM TO BE GOOD ENOUGH. 1192 00:41:52,867 --> 00:41:54,934 - 'CAUSE YOU RIP ME, AND THEN YOU APOLOGIZE ONE SECOND LATER, 1193 00:41:54,934 --> 00:41:57,233 AFTER I'VE JUST BEEN THROUGH A HURRICANE. 1194 00:41:57,233 --> 00:41:59,667 YOU WILL RIP ME--RIP ME, AND THEN BE LIKE, 1195 00:41:59,667 --> 00:42:01,166 "ALL RIGHT, I'M SORRY THAT I RIPPED YOU." 1196 00:42:01,166 --> 00:42:02,867 AND I'M LIKE, "YOU JUST RIPPED ME SO BAD 1197 00:42:02,867 --> 00:42:04,433 THAT I CAN'T EVEN HANDLE IT." 1198 00:42:04,433 --> 00:42:06,133 YOU THINK THAT 90% OF THE TIME YOU'RE RIGHT AND I'M WRONG. 1199 00:42:06,133 --> 00:42:07,834 YOU DO. - AN APOLOGY IS NOT ENOUGH 1200 00:42:07,834 --> 00:42:09,867 FOR YOU-- YOU JUST KEEP IT GOING. 1201 00:42:09,867 --> 00:42:11,900 AND I KNOW YOU'RE GONNA SAY THIS IS ME BEING RIGHT 1202 00:42:11,900 --> 00:42:13,333 AND YOU BEING WRONG. - YOU SAY, "OH, MY GOD, 1203 00:42:13,333 --> 00:42:15,033 HERE WE GO." THAT'S WHAT YOU SAY TO ME EVERY TIME, 1204 00:42:15,033 --> 00:42:17,834 WHICH MAKES ME FEEL CRAZY, AND I DON'T LIKE THAT FEELING. 1205 00:42:19,333 --> 00:42:21,767 YOU SEEM REALLY ANGRY. 1206 00:42:25,500 --> 00:42:28,800 - OUR LITTLE CONVERSATION BLEW UP INTO SOMETHING BIGGER. 1207 00:42:28,800 --> 00:42:31,600 - AS HAPPENS ALL THE TIME. 1208 00:42:32,867 --> 00:42:34,533 - SO WHEN ARE WE GOING ON THIS TRIP? 1209 00:42:34,533 --> 00:42:35,867 - I DON'T KNOW. 1210 00:42:35,867 --> 00:42:39,500 IF YOU DON'T WANT TO GO, WE DON'T HAVE TO GO. 1211 00:42:42,166 --> 00:42:44,734 NEXT ON BETHENNY EVER AFTER... 1212 00:42:44,734 --> 00:42:46,433 [phone ringing] HELLO? JASON? 1213 00:42:46,433 --> 00:42:49,667 I JUST GOT TO MARIETTE AND TO THE GOMEZ GIRLS' SHOW, 1214 00:42:49,667 --> 00:42:51,133 AND WE'RE JUST LOOKING AT FURNITURE. 1215 00:42:51,133 --> 00:42:53,266 - CAN THEY HEAR ME? - YEAH, THEY CAN HEAR YOU. 1216 00:42:53,266 --> 00:42:56,567 - IT IS COMPLETELY UNACCEPTABLE NOT TO GET BACK TO PEOPLE 1217 00:42:56,567 --> 00:42:58,567 WHEN WE'RE SUCH IN A TIME-CRUNCH. 1218 00:42:58,567 --> 00:43:01,900 SO WHAT WE HAVE TO DO IS PICK UP THE PHONE AND SAY, 1219 00:43:01,900 --> 00:43:03,900 "WHAT THE HELL DO YOU ACTUALLY NEED?" 1220 00:43:03,900 --> 00:43:05,300 - WELL, I KEEP HEARING, "BUD, DID YOU HEAR 1221 00:43:05,300 --> 00:43:06,633 WHAT HAPPENED THIS WEEKEND?" - WELL, THERE WAS-- 1222 00:43:06,633 --> 00:43:08,133 THERE WERE A LOT OF ARGUMENTS, JUST BECAUSE 1223 00:43:08,133 --> 00:43:09,834 HIS BIRTHDAY DIDN'T TURN OUT THE WAY THAT HE WANTED IT TO. 1224 00:43:09,834 --> 00:43:11,600 I SENT HIM ON THIS PRIVATE GOLF RETREAT 1225 00:43:11,600 --> 00:43:13,233 WITH HIS BEST FRIEND, AND IT WAS A SURPRISE, 1226 00:43:13,233 --> 00:43:14,734 AND WE HAD A ROMANTIC DINNER, 1227 00:43:14,734 --> 00:43:18,166 AND HE SAID IT WAS THE BEST BIRTHDAY WEEKEND OF MY LIFE, 1228 00:43:18,166 --> 00:43:19,633 AND I'LL NEVER, EVER BEAT YOU UP AGAIN, 1229 00:43:19,633 --> 00:43:21,133 AND THEN ALL OF A SUDDEN HE HAD, LIKE, A RELAPSE. 1230 00:43:21,133 --> 00:43:23,533 HE BROKE MY HEART. 1231 00:43:23,533 --> 00:43:25,500 I'M NOT GONNA BE ABLE TO MOVE FORWARD 1232 00:43:25,500 --> 00:43:29,100 UNTIL YOU APOLOGIZE FOR THE WHOLE THING. 1233 00:43:29,100 --> 00:43:30,967 I DID NOTHING WRONG WITH YOUR BIRTHDAY. 1234 00:43:30,967 --> 00:43:33,133 - OH, WE'RE STILL ON THAT? WE HAVEN'T MOVED FORWARD? 1235 00:43:33,133 --> 00:43:36,100 - NO. HOW COULD WE? - OKAY. 1236 00:43:36,100 --> 00:43:37,834 SAYING TO ME YOU'RE GONNA END UP ALONE, 1237 00:43:37,834 --> 00:43:39,567 - I TOLD YOU-- - SAYING TO ME, 1238 00:43:39,567 --> 00:43:41,667 YOU'RE GON-- YOU'RE DAMAGED. 1239 00:43:41,667 --> 00:43:43,367 - DON'T PUT IT ALL ON ME, BETHENNY. 1240 00:43:43,367 --> 00:43:45,166 - JASON, YOU'VE BEEN BEATING ME UP SO BADLY 1241 00:43:45,166 --> 00:43:47,433 ABOUT THIS THING. - NO, NO, NO. 1242 00:43:47,433 --> 00:43:49,467 YOU'RE SO WORRIED ABOUT PEOPLE THINKING 1243 00:43:49,467 --> 00:43:50,800 THAT I'M THIS PERFECT HUSBAND. 1244 00:43:50,800 --> 00:43:52,900 DOES THAT BOTHER YOU SO MUCH? 1245 00:43:52,900 --> 00:43:54,467 - YES, IT DOES. - IT DOES. 1246 00:43:54,467 --> 00:43:57,166 THEN I--I'M DONE. - BECAUSE IT-- 1247 00:43:57,166 --> 00:43:59,533 - I'M NOT GOING. 1248 00:44:02,200 --> 00:44:04,533 - TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1249 00:44:04,533 --> 00:44:05,800 GO TO BRAVOTV.COM.