1 00:00:03,100 --> 00:00:04,500 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,500 --> 00:00:05,700 REALLY SAYING TO ME, 3 00:00:05,700 --> 00:00:07,266 "YOU'RE GONNA END UP ALONE," 4 00:00:07,266 --> 00:00:09,400 SAYING TO ME, "YOU'RE DAMAGED." 5 00:00:09,400 --> 00:00:10,700 I'M GETTING ON THIS PLANE. 6 00:00:10,700 --> 00:00:12,834 YOU WANT TO COME OR NOT? I'M GOING ON. 7 00:00:12,834 --> 00:00:14,533 - I'M NOT GONNA DISRESPECT YOU MORE. 8 00:00:14,533 --> 00:00:16,467 - OKAY. - WHAT CAN YOU LEARN 9 00:00:16,467 --> 00:00:17,533 ABOUT YOURSELF? 10 00:00:17,533 --> 00:00:19,033 - I LEARNED THAT I'M A MORON 11 00:00:19,033 --> 00:00:21,800 FOR COMING ON THIS BOAT 12 00:00:21,800 --> 00:00:22,900 FOR A TEN-HOUR TRIP. 13 00:00:27,700 --> 00:00:30,533 - DR. AMADOR, WHAT IS GOING ON? 14 00:00:30,533 --> 00:00:33,500 - WE NEED AN ESCORT, 'CAUSE WE DO NOT HAVE A WORKING GPS. 15 00:00:33,500 --> 00:00:36,000 - THIS IS 15 HOURS ON THIS BOAT. 16 00:00:36,000 --> 00:00:38,033 - OKAY, I SPOKE WITH THE COAST GUARD. 17 00:00:38,033 --> 00:00:39,734 THEY ARE PUTTING OUT A SECOND CALL FOR VESSELS 18 00:00:39,734 --> 00:00:41,066 TO HELP US GET IN. 19 00:00:41,066 --> 00:00:42,734 - HOW MANY HOURS FROM NOW ARE WE LOOKING? 20 00:00:42,734 --> 00:00:44,300 - TWO TO THREE HOURS. 21 00:00:44,300 --> 00:00:45,333 - I'M GONNA CRY. 22 00:00:45,333 --> 00:00:47,533 HE SAID TWO TO THREE HOURS AGAIN. 23 00:00:47,533 --> 00:00:49,333 - OH, MY GOD. 24 00:00:49,333 --> 00:00:51,266 WHAT IS GOING ON IN HERE? 25 00:00:51,266 --> 00:00:52,767 I WANT TO GET OFF THIS BOAT. 26 00:00:52,767 --> 00:00:54,400 - SO WE HAVE NO GPS, 27 00:00:54,400 --> 00:00:56,700 AND WE'RE STILL WAITING FOR OUR TOWING SERVICE 28 00:00:56,700 --> 00:00:59,166 TO COME TO GUIDE US TO SHORE. 29 00:00:59,166 --> 00:01:01,967 - TO GUIDE US IN. - SO WE'RE [bleep]. 30 00:01:01,967 --> 00:01:03,066 WE LOVE YOU. 31 00:01:03,066 --> 00:01:06,066 WE LOVE YOU! 32 00:01:06,066 --> 00:01:08,800 - WE'RE ON A BOAT, WE'RE STUCK IN THE MIDDLE OF THE SEA. 33 00:01:08,800 --> 00:01:11,233 IT WAS HER AND I THERE, 34 00:01:11,233 --> 00:01:12,667 AND I WOULD NOT WANT TO BE STUCK 35 00:01:12,667 --> 00:01:14,967 ON A BOAT WITH ANYBODY ELSE BUT HER. 36 00:01:14,967 --> 00:01:16,533 SO... - OH, THAT WAS SO SWEET. 37 00:01:36,767 --> 00:01:38,300 - IS THIS IT? - YES. 38 00:01:38,300 --> 00:01:40,533 THIS IS OUR WORK-- THIS IS OUR WORK DINNER. 39 00:01:40,533 --> 00:01:42,200 - I KNOW. I'M EXCITED. - I LOVE IT. 40 00:01:42,200 --> 00:01:44,033 I SWEAR TO GOD, I WAS THINKING ABOUT YOU GUYS. 41 00:01:44,033 --> 00:01:46,000 AFTER THE BOAT THING. 42 00:01:46,000 --> 00:01:48,000 - WELL, LUCKILY, YOU GUYS ARE ALL SAFE. 43 00:01:48,000 --> 00:01:49,734 - WE ARE ALL SAFE, AND [indistinct] 44 00:01:49,734 --> 00:01:51,633 A WHOLE NEW MEANING TO EVERYTHING. 45 00:01:51,633 --> 00:01:53,033 - HOW WAS THE BEGINNING, THOUGH? 46 00:01:53,033 --> 00:01:55,066 LIKE WHAT IT WAS SUPPOSED TO BE BEFORE THE DRAMA HAPPENED. 47 00:01:55,066 --> 00:01:58,133 - IT WAS THERAPY-LIGHT. IT WAS THERAPY-LIGHT. 48 00:01:58,133 --> 00:01:59,333 A LOT OF METAPHORS. 49 00:01:59,333 --> 00:02:01,166 JASON ENDS UP-- THE THING ABOUT JASON IS, 50 00:02:01,166 --> 00:02:02,400 HE LIKES THERAPY. 51 00:02:02,400 --> 00:02:04,433 HE JUST WON'T... - ADMIT IT. 52 00:02:04,433 --> 00:02:05,900 - ADMIT IT. - JASON'S A TALKER. 53 00:02:05,900 --> 00:02:07,700 HE LOVES TO TALK THINGS OUT. 54 00:02:07,700 --> 00:02:09,633 - HE LIKES TO COMMUNICATE. - WELL, YEAH. 55 00:02:09,633 --> 00:02:11,700 - BUT HE DOESN'T KNOW IT, 56 00:02:11,700 --> 00:02:12,734 BECAUSE HE THINKS THAT HE DOESN'T LIKE THERAPY. 57 00:02:12,734 --> 00:02:14,433 - IT MIGHT BE A GUY THING. 58 00:02:14,433 --> 00:02:16,633 SOMEONE ONCE SAID TO ME THAT RELATIONSHIPS ARE LIKE-- 59 00:02:16,633 --> 00:02:18,567 THERE'S, LIKE, 100 PARTICLES, 60 00:02:18,567 --> 00:02:21,066 AND IT'S NEVER THAT EACH PERSON IS 50%-- 61 00:02:21,066 --> 00:02:23,633 SOMEONE'S 70%, THE OTHER PERSON'S 30%, 62 00:02:23,633 --> 00:02:24,834 AND THEN IT'S 20% AND 80%. 63 00:02:24,834 --> 00:02:26,200 LIKE, YOU'RE ALWAYS MOVING AROUND. 64 00:02:26,200 --> 00:02:30,300 AND THE PLACE THAT WE GOT ON, I WAS LIKE 0% IN. 65 00:02:30,300 --> 00:02:32,367 I JUST WANTED THE LAMBS TO STOP SCREAMING. 66 00:02:32,367 --> 00:02:35,800 AND BY THE TIME WE GOT OFF, WE WERE KIND OF LIKE, YOU KNOW, 67 00:02:35,800 --> 00:02:38,033 ON SOLID GROUND, YOU KNOW, WHICH WAS GOOD. 68 00:02:38,033 --> 00:02:41,066 - AND THAT CAN BE A PROBLEM WITH EVERY RELATIONSHIP, I THINK. 69 00:02:41,066 --> 00:02:43,033 - AND YOU'RE STILL LEARNING THINGS ABOUT EACH OTHER. 70 00:02:43,033 --> 00:02:45,166 I THINK THOSE PEOPLE THAT ARE MARRIED FOR 20 YEARS, 71 00:02:45,166 --> 00:02:47,667 I'M SURE THEY STILL LEARN THINGS ABOUT EACH OTHER. 72 00:02:47,667 --> 00:02:50,000 YOU KNOW, I'VE KNOWN DREW FOR 13 YEARS, 73 00:02:50,000 --> 00:02:51,767 AND I LEARN THINGS ABOUT HIM EVERY DAY. 74 00:02:51,767 --> 00:02:53,900 YOU GUYS ARE TOO HARD ON YOUR RELATIONSHIP. 75 00:02:53,900 --> 00:02:56,000 LIKE MAYBE IT DOESN'T ALWAYS HAVE TO BE PERFECT. 76 00:02:56,000 --> 00:02:58,100 - NO, THAT'S WHAT HE-- - JUST GIVE IT A BREAK 77 00:02:58,100 --> 00:02:59,166 SOMETIMES. - YOU AND JASON 78 00:02:59,166 --> 00:03:00,333 ARE DIFFERENT PEOPLE NOW THAN YOU WERE 79 00:03:00,333 --> 00:03:01,900 WHEN YOU FIRST MET, AND I CAN ONLY IMAGINE, 80 00:03:01,900 --> 00:03:04,200 IN 15 AND 20 YEARS, YOU GUYS WILL BE DIFFERENT. 81 00:03:04,200 --> 00:03:05,633 YOU KNOW, YOU DON'T WANT TO BE THE SAME PERSON. 82 00:03:05,633 --> 00:03:06,900 - NO. ABSOLUTELY NOT. - YOU'RE GONNA LEARN, 83 00:03:06,900 --> 00:03:08,333 AND YOU'RE GONNA-- SO YOU GUYS WILL BE FINE. 84 00:03:08,333 --> 00:03:10,100 - ABSOLUTELY NOT. - YEAH. 85 00:03:10,100 --> 00:03:11,500 I MEAN, A LOT WHAT SHE SAID. 86 00:03:11,500 --> 00:03:12,734 - I DON'T EVEN KNOW WHAT I SAID. 87 00:03:12,734 --> 00:03:14,333 - YOU DON'T EVEN KNOW WHAT YOU SAID? 88 00:03:14,333 --> 00:03:16,033 - IF SOMEONE ASKED ME TO SAY IT AGAIN, I COULDN'T. 89 00:03:16,033 --> 00:03:17,800 [laughter] I'M NOT KIDDING. 90 00:03:17,800 --> 00:03:19,867 IF SOMEONE SAID SAY IT AGAIN, I'D BE LIKE... 91 00:03:19,867 --> 00:03:22,033 LIKE, I BLACK OUT AFTER I SAY IT, 92 00:03:22,033 --> 00:03:23,633 AND I CAN NEVER REPEAT IT AGAIN. 93 00:03:23,633 --> 00:03:26,867 HI. YOU LOOK SO PRETTY! 94 00:03:26,867 --> 00:03:28,400 - WOW. - I TRY. 95 00:03:28,400 --> 00:03:30,066 I GOT TO TURN IT UP. 96 00:03:30,066 --> 00:03:31,700 - IT'S LIKE A LATINA PRINCESS. 97 00:03:31,700 --> 00:03:33,333 WHAT THE HELL'S GOING ON OVER HERE? 98 00:03:33,333 --> 00:03:35,633 HOW ARE YOU? - GREAT. 99 00:03:35,633 --> 00:03:36,767 - WHAT'S GOING ON WITH THE MAN? 100 00:03:36,767 --> 00:03:40,700 IN OR OUT? - HE'S IN. 101 00:03:40,700 --> 00:03:41,967 I THINK WE'RE... - BACK IN. 102 00:03:41,967 --> 00:03:44,667 - THIS IS IT. - WHAT DO YOU MEAN? 103 00:03:44,667 --> 00:03:45,900 SHE WANTS IT TO WORK, 104 00:03:45,900 --> 00:03:48,133 AND THAT'S DEFINITELY A BIG PART 105 00:03:48,133 --> 00:03:50,367 OF BEING IN A RELATIONSHIP, IS KNOWING 106 00:03:50,367 --> 00:03:51,633 THAT NOT EVERYTHING'S GOING TO BE PERFECT, 107 00:03:51,633 --> 00:03:54,800 BUT YOU ACTUALLY HAVE TO MAKE IT WORK. 108 00:03:54,800 --> 00:03:56,266 REALLY? - YEAH, YEAH. 109 00:03:56,266 --> 00:03:58,133 - HOW LONG'S IT BEEN NOW, THE WHOLE THING? 110 00:03:58,133 --> 00:04:00,166 - A YEAR AND CHANGE. - A YEAR AND CHANGE. 111 00:04:00,166 --> 00:04:02,166 LITERALLY. 112 00:04:02,166 --> 00:04:04,400 - YES. I GET IT. 113 00:04:04,400 --> 00:04:05,700 - I HEAR YOU, SISTER. 114 00:04:05,700 --> 00:04:07,367 ALL RIGHT, SO NOW THAT YOU GIRLS ARE HERE, 115 00:04:07,367 --> 00:04:09,500 CHEERS. all: YAY! 116 00:04:09,500 --> 00:04:10,900 - SKINNYGIRL SORORITY. - TO GIRLS. 117 00:04:10,900 --> 00:04:13,467 - TO GIRLS. THIS IS A GREAT GROUP OF GIRLS, 118 00:04:13,467 --> 00:04:14,667 AND WE REALLY NEEDED THIS. 119 00:04:14,667 --> 00:04:16,033 - IT'S FUN, IT'S LAUGHS, 120 00:04:16,033 --> 00:04:18,667 IT'S LIKE A FAMILY DINNER WITH MY GIRLS. 121 00:04:18,667 --> 00:04:21,000 I FEEL LIKE YOU ALL MAY BE GIRLS' GIRLS. 122 00:04:21,000 --> 00:04:22,066 I JUST WAS NOT A GIRL'S GIRL. 123 00:04:22,066 --> 00:04:23,433 I WAS JUST ALWAYS, 124 00:04:23,433 --> 00:04:24,767 LIKE, A LONE GIRL... 125 00:04:24,767 --> 00:04:26,800 - BUT I DON'T THINK ANY OF US 126 00:04:26,800 --> 00:04:29,233 ARE REALLY GIRLS' GIRLS. 127 00:04:29,233 --> 00:04:31,667 I THINK WE'RE ALL, LIKE, DOWN TO EARTH. 128 00:04:31,667 --> 00:04:33,300 WE'RE NOT, LIKE, OH, SO FABULOUS. 129 00:04:33,300 --> 00:04:35,700 YOU KNOW, LIKE, WE'RE JUST... 130 00:04:35,700 --> 00:04:36,867 - SHE'S LIKE, I AM SO FABULOUS. 131 00:04:36,867 --> 00:04:38,533 [laughter] 132 00:04:38,533 --> 00:04:41,867 - YOU LOST ME. 133 00:04:41,867 --> 00:04:44,333 - I LOVE EACH AND EVERY ONE OF YOU SO MUCH. 134 00:04:58,767 --> 00:05:00,300 [dog barking] 135 00:05:00,300 --> 00:05:02,734 - [gasps] COOKIE! 136 00:05:02,734 --> 00:05:05,033 - HI, PAULO. - PAULO'S HERE. 137 00:05:05,033 --> 00:05:07,166 - PAULO IS MY BELOVED DOG WALKER. 138 00:05:07,166 --> 00:05:10,433 HE'S HER BEST FRIEND, AND I LOVE HIM. 139 00:05:10,433 --> 00:05:11,934 HE'S PART OF OUR FAMILY. 140 00:05:11,934 --> 00:05:13,800 - SO, PAULO, 141 00:05:13,800 --> 00:05:16,000 BETHENNY AND I WERE TAKING BETS. 142 00:05:16,000 --> 00:05:18,367 DOES COOKIE REALLY GET ALONG WITH OTHER DOGS? 143 00:05:20,867 --> 00:05:23,500 NO WAY. 144 00:05:23,500 --> 00:05:24,633 COME HERE, COOK. - NOT WITH YOU. 145 00:05:24,633 --> 00:05:28,100 WITH DOGS, THOUGH. 146 00:05:28,100 --> 00:05:29,533 - SHE'S FRIENDS WITH THE OTHER DOGS? 147 00:05:29,533 --> 00:05:31,767 - YEAH. 148 00:05:31,767 --> 00:05:34,500 - IT'S LIKE SHE'S LIKE THIS LIBRARIAN BY DAY, 149 00:05:34,500 --> 00:05:35,800 AND SHE GOES OUT AND SHE'S A STRIPPER BY NIGHT. 150 00:05:35,800 --> 00:05:38,200 COOKIE'S A BITCH, AND THIS IS WHAT IT IS. 151 00:05:38,200 --> 00:05:39,567 COOKIE NEVER MISSES 152 00:05:39,567 --> 00:05:41,266 AN OPPORTUNITY FOR MISCHIEF. 153 00:05:41,266 --> 00:05:43,433 COOKIE! - WHAT HAPPENED? 154 00:05:43,433 --> 00:05:45,300 [laughter] - ALL RIGHT. 155 00:05:45,300 --> 00:05:46,967 I KNOW. IT'S OVER. 156 00:05:46,967 --> 00:05:48,400 - THAT'S THE SKIN 157 00:05:48,400 --> 00:05:50,834 THAT HE BIT OFF THE GUY. - GOD BLESS YOU. 158 00:05:53,800 --> 00:05:56,767 OKAY, PAULO, IF YOU SAY SO. 159 00:05:56,767 --> 00:05:58,400 - COME ON, BUDDY. 160 00:05:58,400 --> 00:06:00,133 - SHE MIGHT BE A DIFFERENT DOG WITH HIM. 161 00:06:00,133 --> 00:06:02,367 - I WANT TO KNOW. - WE SHOULD GO TO THE DOG PARK. 162 00:06:02,367 --> 00:06:05,166 LIKE, NOW. - OH, LIKE SPY ON HIM? 163 00:06:05,166 --> 00:06:07,266 - YEAH. I'M ABOUT TO GO TO IT. 164 00:06:07,266 --> 00:06:08,500 IT'S RIGHT NEAR MY HOUSE. 165 00:06:08,500 --> 00:06:10,433 WE'LL GO AND LIKE PEEK AROUND AND SEE-- 166 00:06:10,433 --> 00:06:13,433 - YOU'RE GONNA GO IN YOUR INFINITY SCARF TO A DOG RUN? 167 00:06:13,433 --> 00:06:14,700 - YEAH. IT'S KINDA COLD OUTSIDE. 168 00:06:14,700 --> 00:06:15,867 - ALL RIGHT. 169 00:06:15,867 --> 00:06:17,300 GET SHOES ON. 170 00:06:17,300 --> 00:06:19,300 - ALL RIGHT. 171 00:06:38,734 --> 00:06:42,133 - PLATINUM BLONDE WIGS. 172 00:06:42,133 --> 00:06:44,433 I KNOW. SUBTLE. 173 00:06:44,433 --> 00:06:45,734 VERY GET SMART. 174 00:06:45,734 --> 00:06:46,967 SHOULD I PUT MY HOOD UP? 175 00:06:46,967 --> 00:06:48,500 - NO, YOU CAN'T COPY ME. 176 00:06:48,500 --> 00:06:50,033 - WHAT DO YOU MEAN, COPY YOU? 177 00:06:50,033 --> 00:06:51,367 - I'LL CALL YOU OUT ON IT. 178 00:06:51,367 --> 00:06:52,934 YOU CAN'T-- I THOUGHT OF THIS HOOD THING. 179 00:06:52,934 --> 00:06:54,100 - CAN I COPY YOU IN YOUR COSTUME? 180 00:06:54,100 --> 00:06:55,233 - YOU THOUGHT OF THE LONG WIG. 181 00:06:55,233 --> 00:06:57,300 - I CAN'T COPY YOU ON YOUR COSTUME? 182 00:06:57,300 --> 00:06:59,300 OKAY, FINE, I'M NOT GONNA DO 183 00:06:59,300 --> 00:07:00,467 THE PLATINUM WITH THE HOOD. 184 00:07:00,467 --> 00:07:01,834 - BETHENNY TRIES TO STEAL MY IDEA. 185 00:07:01,834 --> 00:07:03,100 COULD YOU IMAGINE IF I TRIED 186 00:07:03,100 --> 00:07:04,834 TO STEAL ONE OF HER IDEAS? 187 00:07:04,834 --> 00:07:06,200 SHE WOULDN'T STOP TALKING ABOUT IT. 188 00:07:06,200 --> 00:07:07,800 - I FEEL DIRTY. - WE'RE SPYING ON THE DOG, 189 00:07:07,800 --> 00:07:09,367 NOT PAULO. WE TRUST PAULO. 190 00:07:09,367 --> 00:07:10,533 IT'S THE DOG WE DON'T TRUST. 191 00:07:49,900 --> 00:07:51,400 - I WANT TO GO ON A VACATION. 192 00:07:51,400 --> 00:07:52,834 - WHERE DO YOU WANT TO GO? 193 00:07:52,834 --> 00:07:54,934 - I LOVE MEXICO. 194 00:07:54,934 --> 00:07:57,033 IT'S EASY. THERE'S CABO. 195 00:07:57,033 --> 00:08:00,266 WE COULD USE A LITTLE BIT OF DE-STRESS 196 00:08:00,266 --> 00:08:02,433 AFTER THE BOAT DEBACLE. 197 00:08:02,433 --> 00:08:05,300 AND I REALLY JUST THINK WE NEED A GOOD TRIP. 198 00:08:05,300 --> 00:08:07,633 - WHAT DO YOU WANT TO DO FOR YOUR BIRTHDAY THERE? 199 00:08:07,633 --> 00:08:09,133 JUST CHILL? - JUST BE THERE. YEAH. 200 00:08:09,133 --> 00:08:10,767 DRINK MARGIS AND HAVE CHIPS. 201 00:08:10,767 --> 00:08:12,467 SINCE THE BOAT TRIP, THINGS ARE GOOD, 202 00:08:12,467 --> 00:08:13,767 AND IT'S BEEN A LITTLE MORE LIGHT-HEARTED. 203 00:08:13,767 --> 00:08:16,166 AND YOU DON'T WANT TO GET BACK INTO BAD HABITS 204 00:08:16,166 --> 00:08:18,133 AND THEN TAKE A STEP BACKWARDS. 205 00:08:18,133 --> 00:08:21,000 SO I WANNA BE CONSCIENTIOUS AND MOVE FORWARD. 206 00:08:21,000 --> 00:08:23,767 I WANT TO GO TO A DINNER. MAYBE WE'LL GO OUT AND DANCE. 207 00:08:23,767 --> 00:08:25,266 - MAKE LOVE. - TEQUILA SHOT. 208 00:08:25,266 --> 00:08:26,600 YES, MAYBE WE'LL MAKE LOVE. 209 00:08:26,600 --> 00:08:28,567 - SO I'M GUARANTEED TO HAVE SEX AT NIGHT. 210 00:08:28,567 --> 00:08:30,600 - WHEN YOU DO THIS, IT REALLY WORKS. 211 00:08:30,600 --> 00:08:32,700 - NO, IT WASN'T THIS. IT WAS... 212 00:08:32,700 --> 00:08:33,900 - OH. - SO IT'S A GUARANTEE 213 00:08:33,900 --> 00:08:36,667 FOR YOUR BIRTHDAY WE WILL BE HAVING SEX? 214 00:08:36,667 --> 00:08:38,100 - IT'S NOT YOUR BIRTHDAY. IT'S MY BIRTHDAY. 215 00:08:38,100 --> 00:08:39,233 - NO, I UNDERSTAND. - OKAY. 216 00:08:39,233 --> 00:08:41,100 - BUT YOU SAID YES, SO IS THAT-- 217 00:08:41,100 --> 00:08:42,767 ARE YOU TAKING IT BACK-- - I'M NOT TAKING IT BACK, 218 00:08:42,767 --> 00:08:44,400 BUT USUALLY YOU DON'T ASK FOR GIFTS 219 00:08:44,400 --> 00:08:45,667 ON OTHER PEOPLE'S BIRTHDAYS. 220 00:08:45,667 --> 00:08:47,100 - I KNOW. IT IS A GIFT. 221 00:08:47,100 --> 00:08:49,533 SO THAT'S WHAT IT'S COME DOWN TO NOW. 222 00:08:49,533 --> 00:08:52,033 A GIFT. SHE'S GIVING ME A GIFT. 223 00:08:52,033 --> 00:08:53,233 THANK YOU. 224 00:08:53,233 --> 00:08:56,233 I MEAN, WE'RE GONNA BE IN CABO, SO... 225 00:08:56,233 --> 00:08:58,700 YOU'D THINK YOU COULD HAVE SEX ONE TIME IN 14 DAYS. 226 00:08:58,700 --> 00:09:00,533 - OH, STOP. OF COURSE YOU'RE GONNA HAVE SEX. 227 00:09:00,533 --> 00:09:02,433 - I VERY RARELY TALK LIKE THIS TO YOU ABOUT IT. 228 00:09:02,433 --> 00:09:05,000 - YOU PASSIVE-AGGRESSIVELY SAY, "ARE WE GONNA..." 229 00:09:05,000 --> 00:09:06,300 THAT'S WHAT YOU DO. 230 00:09:06,300 --> 00:09:08,066 - HOW IS THAT PASSIVE-AGGRESSIVE? 231 00:09:08,066 --> 00:09:11,200 I THINK THAT'S AGGRESSIVE. 232 00:09:11,200 --> 00:09:12,767 - I DO TOO. 233 00:09:12,767 --> 00:09:13,867 - THAT'S NOT PASSIVE-AGGRESSIVE. 234 00:09:13,867 --> 00:09:14,867 - BUT YOU DO IT, AND IT'S SO-- 235 00:09:14,867 --> 00:09:16,066 YOU DO THAT. YOU DO WHAT I JUST DID, 236 00:09:16,066 --> 00:09:18,367 AND I ALMOST THREW UP IN MY OWN MOUTH. 237 00:09:18,367 --> 00:09:20,633 SORRY. I JUST THREW UP IN MY MOUTH. 238 00:09:20,633 --> 00:09:21,867 WHICH TASTED BETTER THAN THE THOUGHT 239 00:09:21,867 --> 00:09:23,133 OF YOU HUMPING THE COUNTER. 240 00:09:23,133 --> 00:09:25,567 - THAT'S NOT BAD. THIS. WHAT'S WRONG WITH THAT? 241 00:09:25,567 --> 00:09:26,700 - I DON'T WANT TO TALK ABOUT IT ANYMORE. 242 00:09:26,700 --> 00:09:27,734 - YOU DON'T LIKE WHEN I'M IN BED 243 00:09:27,734 --> 00:09:30,200 AND I JUST RUB UP ON YOU 244 00:09:30,200 --> 00:09:32,233 AND HUMP UP ON YOU. - I DON'T LIKE-- 245 00:09:32,233 --> 00:09:34,867 - THERE'S NO WOMAN IN THIS COUNTRY THAT LIKES THAT. 246 00:09:34,867 --> 00:09:36,600 - THAT LIKES YOUR PENIS IN MY ASS 247 00:09:36,600 --> 00:09:37,700 WHEN, LIKE, I'M SLEEPING. 248 00:09:37,700 --> 00:09:38,967 THROUGH MY UNDERWEAR. 249 00:09:38,967 --> 00:09:40,500 NO, I'M NOT A BIG FAN. 250 00:09:40,500 --> 00:09:43,533 THE BEHIND GRIND IS NOT A GOOD MOVE. 251 00:09:43,533 --> 00:09:46,633 - I TRY TO GET YOU BEFORE YOU PUT YOUR MOUTH GUARD IN. 252 00:09:46,633 --> 00:09:49,200 [laughs] 253 00:09:49,200 --> 00:09:50,467 'CAUSE I'LL TELL YOU WHAT, 254 00:09:50,467 --> 00:09:53,033 IF THAT'S A MOVE, THAT'S-- 255 00:09:53,033 --> 00:09:54,600 - WHAT ABOUT YOUR MOUTH GUARD? 256 00:09:54,600 --> 00:09:56,633 I GRIND MY TEETH 257 00:09:56,633 --> 00:09:58,200 RATHER THAN MY HUSBAND. 258 00:09:58,200 --> 00:10:00,600 SO I NEED A MOUTH GUARD. 259 00:10:00,600 --> 00:10:02,633 I DO RELIGIOUSLY USE IT EVERY NIGHT. 260 00:10:02,633 --> 00:10:05,700 IT'S DONE WONDERS FOR THE SEX LIFE, LET ME TELL YOU. 261 00:10:05,700 --> 00:10:08,066 - I'VE NEVER WORN IT TO BED. 262 00:10:08,066 --> 00:10:09,500 - WELL, MAYBE THAT'S WHY YOU'RE NOT GETTING LAID. 263 00:10:09,500 --> 00:10:11,934 - OH, MY-- YEAH, LET'S WEAR 264 00:10:11,934 --> 00:10:13,200 OUR MOUTH GUARDS AND MAKE OUT. 265 00:10:13,200 --> 00:10:15,266 HERE'S YOU IN THE MORNING. 266 00:10:15,266 --> 00:10:16,500 THIS IS WHEN I ROLL OVER IN THE MORNING. 267 00:10:16,500 --> 00:10:19,867 THIS IS WHAT I SEE. 268 00:10:19,867 --> 00:10:22,900 - I THINK--GOOD. 269 00:10:22,900 --> 00:10:25,166 - AND THAT'S WHEN I ROLL YOU ON YOUR SIDE 270 00:10:25,166 --> 00:10:27,600 SO I DON'T HAVE TO SEE THAT. 271 00:10:27,600 --> 00:10:29,667 - I THINK MINE IS SEXY. 272 00:10:29,667 --> 00:10:31,333 I LIKE MINE. 273 00:10:31,333 --> 00:10:32,867 - YOU DO LOOK SEXY. 274 00:10:32,867 --> 00:10:34,100 - I LIKE MINE. 275 00:10:34,100 --> 00:10:36,133 LET'S GO DO IT WITH THE MOUTH GUARDS IN. 276 00:10:36,133 --> 00:10:37,433 - REALLY? REALLY? 277 00:10:37,433 --> 00:10:39,133 YOU'RE READY TO GO? - READY TO GO. 278 00:10:39,133 --> 00:10:40,567 both: LET'S GO. 279 00:10:40,567 --> 00:10:41,834 - LET'S GO. HOLD ON. 280 00:10:41,834 --> 00:10:43,834 LET ME STRETCH. 281 00:10:43,834 --> 00:10:45,867 LET'S DO IT. 282 00:10:45,867 --> 00:10:47,133 GO GET YOUR MOUTH GUARD. 283 00:10:47,133 --> 00:10:48,934 - I GOT TO GET LIMBER. HOLD ON. 284 00:10:48,934 --> 00:10:50,100 - ALL RIGHT. I'LL MEET YOU IN THERE. 285 00:10:50,100 --> 00:10:52,033 MAKE SURE YOU COME. - OKAY. 286 00:10:54,300 --> 00:10:55,500 COMING UP... 287 00:10:55,500 --> 00:10:57,133 - THEY'RE REALLY GOOD FROM UNDERNEATH. 288 00:10:57,133 --> 00:10:58,767 - WHO'S GOOD FROM UNDERNEATH? 289 00:10:58,767 --> 00:11:00,100 - THIS IS LA MARINA. - THIS ONE. 290 00:11:00,100 --> 00:11:01,667 - OH. I WAS LIKE, WOW, 291 00:11:01,667 --> 00:11:03,200 MARIETTE, JESUS. 292 00:11:03,200 --> 00:11:05,133 IT'S ONLY THE BEGINNING OF THE DAY. 293 00:11:05,133 --> 00:11:06,500 UM... - YOU WEAR ME OUT. 294 00:11:06,500 --> 00:11:08,467 - I KNOW. 295 00:11:19,333 --> 00:11:21,100 [doorbell rings] 296 00:11:21,100 --> 00:11:23,333 - HI. HOW ARE YOU? 297 00:11:23,333 --> 00:11:24,667 - GOOD. HOW ARE YOU? - GOOD TO SEE YOU. 298 00:11:24,667 --> 00:11:26,066 - GOOD TO SEE YOU. - HI. 299 00:11:26,066 --> 00:11:28,734 - HOW ARE YOU? GOOD TO SEE YOU. 300 00:11:28,734 --> 00:11:29,867 - GOOD TO SEE YOU. COME IN. 301 00:11:29,867 --> 00:11:32,400 I HIRED ANDREA FROM TRANSFORM HOME. 302 00:11:32,400 --> 00:11:34,934 I MADE HER COME TO MY APARTMENT NOW 303 00:11:34,934 --> 00:11:36,967 SO SHE COULD REALLY FEEL 304 00:11:36,967 --> 00:11:39,734 THE SUFFOCATION OF MY GARMENTS. 305 00:11:39,734 --> 00:11:42,367 I WANTED HER TO FEEL THAT THEY CAN'T BREATHE. 306 00:11:42,367 --> 00:11:43,767 [groans] 307 00:11:43,767 --> 00:11:45,400 OKAY, OKAY. SO... - HERE WE GO, HERE WE GO. 308 00:11:45,400 --> 00:11:47,567 - SO, LOOK, WE'VE DONE A PRETTY DECENT JOB 309 00:11:47,567 --> 00:11:49,834 WITH WHAT WE HAVE. - YOU'RE VERY ORGANIZED. 310 00:11:49,834 --> 00:11:51,834 - BATHING SUIT-- THIS IS MOVING FORWARD 311 00:11:51,834 --> 00:11:53,266 TO MY OWN LIFE, BUT WE'VE DISCUSSED THIS. 312 00:11:53,266 --> 00:11:54,967 I'M A...MENTAL PATIENT, VERY CLEARLY, 313 00:11:54,967 --> 00:11:56,900 BUT THIS IS HOW I STORE MY BATHING SUITS. 314 00:11:56,900 --> 00:11:58,800 I ACTUALLY THINK IT'S SMART. 315 00:11:58,800 --> 00:11:59,800 - NO, IT'S VERY SMART. 316 00:11:59,800 --> 00:12:02,033 BUT WOULD YOU BE OBJECTED 317 00:12:02,033 --> 00:12:05,367 TO DIVIDED DRAWERS WHERE YOU HAVE A LITTLE CUBBY 318 00:12:05,367 --> 00:12:06,433 FOR EACH BATHING SUIT? 319 00:12:06,433 --> 00:12:07,433 - I WOULDN'T OBJECT TO THAT AT ALL. 320 00:12:07,433 --> 00:12:08,900 - I KNOW YOU'VE COUNTED THEM, 321 00:12:08,900 --> 00:12:10,433 SO HOW MANY ARE THERE? - HOW MANY BATHING SUITS 322 00:12:10,433 --> 00:12:11,967 DO YOU THINK WE HAVE? 30? 323 00:12:11,967 --> 00:12:13,033 - NO. - 50? 324 00:12:13,033 --> 00:12:14,300 - YEAH. - 50. 325 00:12:14,300 --> 00:12:15,633 - REALLY? - YEAH. 326 00:12:15,633 --> 00:12:18,100 - 50 BATHING SUITS? 327 00:12:18,100 --> 00:12:19,834 - THAT'S A LOT OF SUNBATHING. - OKAY. 328 00:12:19,834 --> 00:12:22,133 SO... - THIS IS ALL SKIRTS, DIAPERS, 329 00:12:22,133 --> 00:12:24,166 SWEATERS. THE TOOLKITS ARE IN HERE. 330 00:12:24,166 --> 00:12:25,300 I'M VERY OCD. 331 00:12:25,300 --> 00:12:26,400 EVERYTHING HAS TO HAVE A CONTAINER. 332 00:12:26,400 --> 00:12:27,900 IT HAS TO FIT PERFECTLY. 333 00:12:27,900 --> 00:12:29,266 IT HAS TO LOOK PERFECT. 334 00:12:29,266 --> 00:12:31,333 EVERYBODY HAS TO HAVE A PLACE. 335 00:12:31,333 --> 00:12:33,033 I HAVE A LITTLE LABEL THAT SAYS SKINNY JEANS. 336 00:12:33,033 --> 00:12:34,467 LEGGINGS. WIDE-LEGGED JEANS. 337 00:12:34,467 --> 00:12:36,033 FLARED, CLASSIC. 338 00:12:36,033 --> 00:12:37,200 JASON HAS HIS BASKETBALL... 339 00:12:37,200 --> 00:12:39,100 WORKOUT TOPS AND STRAPLESS BRAS. 340 00:12:39,100 --> 00:12:40,200 BY THE WAY, I HAVE MY GRANDMA BRAS. 341 00:12:40,200 --> 00:12:41,433 YOU HAVE TO HANG THEM. 342 00:12:41,433 --> 00:12:42,900 I HAVEN'T [indistinct] IN ROLLERBLADING? 343 00:12:42,900 --> 00:12:44,233 CLUTCHES. TOTES. 344 00:12:44,233 --> 00:12:45,734 THIS IS HATS, HATS. 345 00:12:45,734 --> 00:12:47,066 LOOK, THESE ARE ALL-- I LOVE HATS. 346 00:12:47,066 --> 00:12:49,867 EVERYTHING SHOULD BE SNUG AS A BUG. 347 00:12:49,867 --> 00:12:51,567 IT'S JUST LIKE, I'VE GOT IT DOWN. 348 00:12:51,567 --> 00:12:52,834 IT HAS TO BE PERFECT. 349 00:12:52,834 --> 00:12:55,333 - TEN FEET OF HANGING PAPER TOWELS. 350 00:12:55,333 --> 00:12:59,100 - THIS IS MY BIG PURSE AND... 351 00:12:59,100 --> 00:13:02,433 NON-BOOT SHOE CURRENT SEASON CLOSET. 352 00:13:02,433 --> 00:13:04,100 AND THIS WAS SUPPOSED TO BE, I GUESS, A KITCHEN PANTRY. 353 00:13:04,100 --> 00:13:05,600 BUT, YOU KNOW, SCREW THAT. 354 00:13:05,600 --> 00:13:07,633 AND WE KEEP BUYING MORE SHOES, 355 00:13:07,633 --> 00:13:09,467 BECAUSE I'M INTO THEM RIGHT NOW. 356 00:13:09,467 --> 00:13:11,033 SO, YEAH, I LIKE ALL THESE COLORS. 357 00:13:11,033 --> 00:13:12,033 WHAT WOULD YOU-- WHAT ARE YOU SAYING? 358 00:13:12,033 --> 00:13:14,033 YOU'D RATHER... - I MEAN, I LOVE 359 00:13:14,033 --> 00:13:15,333 HOW YOU HAVE IT ORGANIZED HERE. 360 00:13:15,333 --> 00:13:17,734 I MEAN, EVERYTHING-- IT'S EASY TO SEE. 361 00:13:17,734 --> 00:13:20,066 SLANTED SHOE SHELVES ARE LOVELY, 362 00:13:20,066 --> 00:13:21,767 BUT THEY TAKE UP, LIKE, NINE INCHES OF SPACE, 363 00:13:21,767 --> 00:13:24,567 WHEREAS A REGULAR SHOE SHELF IS ONLY SIX TO SEVEN, 364 00:13:24,567 --> 00:13:26,500 SO YOU COULD GET MORE SHOES-- - WE NEED MORE SHOES. 365 00:13:26,500 --> 00:13:28,800 - I THINK YOU NEED MORE, SO I WOULDN'T SLANT THEM, 366 00:13:28,800 --> 00:13:30,033 AND MAKE THEM ADJUSTABLE. 367 00:13:30,033 --> 00:13:32,133 - SHE FEELS IT. SHE'S IN IT WITH ME. 368 00:13:32,133 --> 00:13:34,133 SHE UNDERSTANDS WHAT I WANT. 369 00:13:34,133 --> 00:13:38,367 THEN JASON HAS-- - OH, HE'S ALLOWED A DRAWER? 370 00:13:38,367 --> 00:13:39,934 - HE HAS A COUPLE. 371 00:13:39,934 --> 00:13:41,133 JASON'S GOING TO DEFINITELY GET A DRAWER, 372 00:13:41,133 --> 00:13:42,233 MAYBE TWO. 373 00:13:42,233 --> 00:13:43,233 SO HERE HE IS. IT'S NOT THAT EXCITING. 374 00:13:43,233 --> 00:13:45,133 - HE'S GOT... 375 00:13:45,133 --> 00:13:47,033 - WHY DOES HE HAVE ALL THESE QUARTERS? 376 00:13:47,033 --> 00:13:51,500 - 'CAUSE ALL MEN HAVE A JAR OF CHANGE. 377 00:13:51,500 --> 00:13:52,667 - THAT'S HIS, LIKE... 378 00:13:52,667 --> 00:13:54,233 - OH, MY GOD, IT SAYS HOW MUCH IS IN HERE. 379 00:13:54,233 --> 00:13:55,400 IT SAYS $91. 380 00:13:55,400 --> 00:13:56,667 - OOH. 381 00:13:56,667 --> 00:13:58,600 - I HAVE NEVER GONE INTO JASON'S CLOSET. 382 00:13:58,600 --> 00:13:59,900 I'M NOT REALLY A SNOOPER. 383 00:13:59,900 --> 00:14:01,967 I DON'T REALLY LOOK THROUGH PEOPLE'S THINGS. 384 00:14:01,967 --> 00:14:05,033 BUT ANDREA IS VERY PRO SNOOP. 385 00:14:05,033 --> 00:14:07,834 I DON'T WANT TO INSULT THE CLOSET PROFESSIONAL. 386 00:14:07,834 --> 00:14:09,166 WE SNOOP. 387 00:14:09,166 --> 00:14:11,500 OH, MY GOD, LET'S SEE THESE DISASTERS. 388 00:14:11,500 --> 00:14:15,266 OKAY, SWEETHEART. - OH, MY GOD. 389 00:14:15,266 --> 00:14:17,200 - OH, DOES THAT GO WITH THE WHITE GOLF SHOES? 390 00:14:17,200 --> 00:14:18,967 - THIS IS OVER. I DON'T KNOW WHAT HE'S THINKING. 391 00:14:18,967 --> 00:14:20,834 WOW. OH, MAYBE IT'S A GOLF BELT. 392 00:14:20,834 --> 00:14:22,767 GOLF. - OKAY, SO JASON'S GOT MONEY 393 00:14:22,767 --> 00:14:24,767 AND 15 PAIRS OF SHOES... 394 00:14:24,767 --> 00:14:27,400 - $91. - THREE FEET OF HANGING, 395 00:14:27,400 --> 00:14:29,533 AND HIS OLD HANKIES. 396 00:14:29,533 --> 00:14:31,100 - WHEN DOES HE USE A HANKIE? 397 00:14:31,100 --> 00:14:33,033 HE'S NEVER USED A HANKIE IN HIS ENTIRE LIFE. 398 00:14:33,033 --> 00:14:35,433 HAVE YOU EVER SEEN HIM BLOW HIS NOSE ONE TIME? 399 00:14:35,433 --> 00:14:38,200 - MAYBE IT WAS PASSED DOWN FROM SOMEBODY. 400 00:14:38,200 --> 00:14:39,667 - WE'VE COME SO FAR. 401 00:14:39,667 --> 00:14:42,233 WE HAVE MEN ON THE MOON, AND MEN ARE PUTTING SNOT 402 00:14:42,233 --> 00:14:43,467 IN THEIR JACKET POCKETS? 403 00:14:43,467 --> 00:14:45,200 IT'S DISGUSTING. 404 00:14:45,200 --> 00:14:47,600 WHAT THE HELL IS-- - HE DOESN'T HAVE A LOT. 405 00:14:47,600 --> 00:14:49,667 - WHAT IS THAT? WHAT IS THIS? 406 00:14:49,667 --> 00:14:51,100 - OH, JASON. - WHAT IS THIS? 407 00:14:51,100 --> 00:14:52,500 - OH, JASON. 408 00:14:52,500 --> 00:14:53,734 - WHERE IS THIS FROM? 409 00:14:53,734 --> 00:14:55,867 WHEN THE HELL IS HE WEARING THAT? 410 00:14:55,867 --> 00:14:57,467 - HIS PARENTS PROBABLY BROUGHT IT BACK FROM CHINA. 411 00:14:57,467 --> 00:14:59,834 - OH. 412 00:14:59,834 --> 00:15:01,500 - THAT'S THE ONLY REASON. 413 00:15:01,500 --> 00:15:03,300 OH, THOSE ARE-- THOSE ARE VERY-- 414 00:15:03,300 --> 00:15:04,300 THOSE ARE PAJAMAS. 415 00:15:04,300 --> 00:15:05,734 - THEY'RE LOUNGE PANTS, JACKIE. 416 00:15:05,734 --> 00:15:07,400 HE DOESN'T SLEEP IN PAJAMAS. 417 00:15:07,400 --> 00:15:09,266 HE SLEEPS IN THE BUFF, JACKIE. 418 00:15:09,266 --> 00:15:10,700 [gasps] 419 00:15:10,700 --> 00:15:12,767 DOES YOUR MAN SLEEP IN THE BUFF, JACKIE? 420 00:15:12,767 --> 00:15:13,900 - HE DOES. - HE DOES? 421 00:15:13,900 --> 00:15:15,133 - YEAH. - DO YOU? 422 00:15:15,133 --> 00:15:16,867 - NO. NO. - ME NEITHER. 423 00:15:16,867 --> 00:15:18,133 SOCKS? NO. NOT SOCKS. 424 00:15:18,133 --> 00:15:20,300 - IF IT'S REALLY COLD. - BE REALLY SEXY. 425 00:15:20,300 --> 00:15:22,367 IT'S GONNA DO A LOT FOR YOUR SEX LIFE. 426 00:15:22,367 --> 00:15:23,734 - I DON'T HAVE A MOUTH GUARD YET. 427 00:15:23,734 --> 00:15:25,166 - YOU NEVER REALLY KNOW A PERSON 428 00:15:25,166 --> 00:15:26,500 TILL YOU GO IN THEIR CLOSET. 429 00:15:26,500 --> 00:15:28,633 I DON'T CARE ABOUT THE REST OF THE APARTMENT AT ALL. 430 00:15:28,633 --> 00:15:30,300 MY BABY COULD SLEEP IN A SHOE BOX. 431 00:15:30,300 --> 00:15:33,133 I REALLY MEAN IT. A CARDBOARD MOVING BOX. 432 00:15:33,133 --> 00:15:34,333 I'M JUST TELLING YOU, 433 00:15:34,333 --> 00:15:35,800 WHAT'S THE ONLY THING I CARE ABOUT? 434 00:15:35,800 --> 00:15:37,066 - IT'S THE CLOSET. 435 00:15:37,066 --> 00:15:38,133 - IT'S THE ONLY THING I CARE ABOUT. 436 00:15:38,133 --> 00:15:39,500 I DON'T EVEN CARE ABOUT MYSELF. 437 00:15:39,500 --> 00:15:41,000 I DON'T CARE ABOUT ANYTHING-- - JUST THE CLOSET. 438 00:15:41,000 --> 00:15:42,166 - THAT'S ALL I CARE ABOUT. 439 00:15:42,166 --> 00:15:45,600 JUST SO YOU'RE CLEAR. - ALL RIGHT. 440 00:15:59,333 --> 00:16:01,500 - I STARTED TO TELL YOU ABOUT BROOKE. 441 00:16:01,500 --> 00:16:02,800 SHE JUST SAYS, "I THINK I'M READY," 442 00:16:02,800 --> 00:16:04,166 AND I SAID, "OH, GOD, NOW WHAT IS IT?" 443 00:16:04,166 --> 00:16:05,200 YOU KNOW, READY FOR WHAT? 444 00:16:05,200 --> 00:16:06,467 SHE SAID READY TO WORK WITH YOU. 445 00:16:06,467 --> 00:16:07,900 SHE'S BEEN WITH ME FOR, I DON'T KNOW, 446 00:16:07,900 --> 00:16:09,600 15 YEARS. - THAT'S GOT TO BE DIFFICULT. 447 00:16:09,600 --> 00:16:12,700 LIKE, THE DECISION TO WORK WITH YOUR DAUGHTER. 448 00:16:12,700 --> 00:16:14,967 - NO. I LOVE HER. - NO, OF COURSE. 449 00:16:14,967 --> 00:16:17,200 I JUST MEAN, YOU WORK TOGETHER EVERY DAY-- 450 00:16:17,200 --> 00:16:18,400 OH, MY GOD, IT'S HOT. HI. 451 00:16:18,400 --> 00:16:19,433 - OH, THE LIGHT BULBS TOO. 452 00:16:19,433 --> 00:16:21,567 - OOH, IT'S ALL BOYS HERE. 453 00:16:21,567 --> 00:16:23,133 WE LIKE IT HERE. HOW ARE YOU? 454 00:16:23,133 --> 00:16:24,333 - PHIL. NICE TO MEET YOU. 455 00:16:24,333 --> 00:16:25,500 - NICE TO MEET YOU. I'M BETHENNY. 456 00:16:25,500 --> 00:16:27,033 - HI, BETHENNY. I'M GREG VENTRA. 457 00:16:27,033 --> 00:16:29,166 - HI. HOW ARE YOU? - SO GOOD TO SEE YOU. 458 00:16:29,166 --> 00:16:31,834 - I LOVE SHOPPING WITH MARIETTE. WE HAVE A GREAT RELATIONSHIP. 459 00:16:31,834 --> 00:16:34,266 SHE IS SO SWEET, AND SHE TAKES ME UNDER HER WING. 460 00:16:34,266 --> 00:16:36,533 AND SHE'S KIND OF LIKE MY DESIGN MOM. 461 00:16:36,533 --> 00:16:38,300 THIS IS IT. IT'S IN MY INSPIRATION BOOK. 462 00:16:38,300 --> 00:16:39,800 THIS IS NOT WHAT MY WHOLE APARTMENT'S GONNA BE LIKE. 463 00:16:39,800 --> 00:16:41,867 IT'S WAY TOO, LIKE, COOL AND GLAMOROUS. 464 00:16:41,867 --> 00:16:43,200 - THAT IS MY APARTMENT. 465 00:16:43,200 --> 00:16:44,400 - REALLY? - THAT'S MARK'S APARTMENT. 466 00:16:44,400 --> 00:16:46,266 - YEAH. THAT'S OKAY. THAT'S OKAY. 467 00:16:46,266 --> 00:16:48,367 - THIS ONE PART-- I WANT, LIKE, A MOMENT 468 00:16:48,367 --> 00:16:49,500 IN MY APARTMENT TO BE LIKE THIS. 469 00:16:49,500 --> 00:16:50,734 - EXACTLY, IT'S A FUN-- 470 00:16:50,734 --> 00:16:52,700 - INCLUDING THE PEOPLE? - THE NAKED PIANO PLAYER? 471 00:16:52,700 --> 00:16:54,033 - THE NAKED GUY. THE NAKED GUY. 472 00:16:54,033 --> 00:16:55,100 YEAH, HE CAN COME OVER. 473 00:16:55,100 --> 00:16:57,133 THERE IS NO PLACE TO FIND THESE MEN. 474 00:16:57,133 --> 00:16:58,700 YOU WALK INTO THIS STORE AND YOU'RE LIKE, 475 00:16:58,700 --> 00:17:01,133 YOU HAVE GOT TO BE KIDDING THAT THIS IS REAL. 476 00:17:01,133 --> 00:17:03,100 I'VE NEVER DONE ANYTHING LIKE THIS, 477 00:17:03,100 --> 00:17:04,867 SO IT'S ALL VERY NEW TO ME. 478 00:17:04,867 --> 00:17:07,033 - TURN AROUND AND LOOK AT THAT LITTLE SCONCE THERE. 479 00:17:07,033 --> 00:17:08,400 - NO. - POWDER ROOM, NO? 480 00:17:08,400 --> 00:17:09,900 - THESE COLORS I LIKE TOO. 481 00:17:09,900 --> 00:17:11,433 - LIKE, I LOVE THE COLORS. 482 00:17:11,433 --> 00:17:13,266 - HONEY, YOU LIKE EVERY COLOR. - I DON'T LIKE EVERY COLOR. 483 00:17:13,266 --> 00:17:14,700 WE DON'T EVEN KNOW WHAT COLORS ARE. 484 00:17:14,700 --> 00:17:16,000 WE'VE JUST ESTABLISHED THAT. I DON'T EVEN KNOW WHAT-- 485 00:17:16,000 --> 00:17:17,967 I THOUGHT CORAL WAS A COLOR AS OF AN HOUR AGO. 486 00:17:17,967 --> 00:17:19,433 - [laughs] 487 00:17:19,433 --> 00:17:21,100 - MARIETTE'S NOT TAKING ANY OF MY CRAP. 488 00:17:21,100 --> 00:17:22,367 SHE GIVES IT RIGHT BACK TO ME 489 00:17:22,367 --> 00:17:24,100 JUST LIKE A MOM GIVES A DAUGHTER. 490 00:17:24,100 --> 00:17:25,934 THIS IS WHO I WANT TO BE. 491 00:17:25,934 --> 00:17:27,433 YOU THINK IT'LL BE FINE? 492 00:17:27,433 --> 00:17:28,800 ARE YOU NERVOUS? 493 00:17:28,800 --> 00:17:31,000 - NO, WELL, NOT IF IT'S IN YOUR DRESSING ROOM 494 00:17:31,000 --> 00:17:32,000 AND THE DOOR STAYS CLOSED. 495 00:17:32,000 --> 00:17:33,333 - SHE'S A BALL BUSTER. 496 00:17:33,333 --> 00:17:35,200 I'M LIKE, WOW. SPICY. 497 00:17:35,200 --> 00:17:38,333 - THIS IS A TAKE ON A 1920s 498 00:17:38,333 --> 00:17:41,400 LIKE, YOU KNOW, FRENCH DORE BRONZE. 499 00:17:41,400 --> 00:17:43,800 - IT'S A MODERN TAKE ON AN OLD-- 500 00:17:43,800 --> 00:17:45,166 - ON AN OLD PARISIAN 1920s-- 501 00:17:45,166 --> 00:17:47,333 - THAT HAS NOTHING TO DO WITH ANYTHING WE'RE DOING. 502 00:17:47,333 --> 00:17:50,233 - NO, YOU NEED-- I THINK I LIKE 'EM 503 00:17:50,233 --> 00:17:51,700 WITH MORE COURAGE THAN THAT. 504 00:17:51,700 --> 00:17:53,333 - I LIKE THIS, BUT IT'S NOT GOING THERE NOW. 505 00:17:53,333 --> 00:17:54,867 I WANT THE ONE IN YOUR APARTMENT. 506 00:17:54,867 --> 00:17:56,300 - YOU KNOW, I HAVE TO GET THAT ONE. 507 00:17:56,300 --> 00:17:57,600 WE HAVE ONE OF THOSE. 508 00:17:57,600 --> 00:17:58,834 - CAN WE COME TO YOUR APARTMENT? - FOR SURE. 509 00:17:58,834 --> 00:18:00,500 - AND JUST PILLAGE THE PLACE? - YEAH. 510 00:18:00,500 --> 00:18:02,400 - PILLAGE THE PLACE, YES. - ARE YOU GUYS PARTNERS? 511 00:18:02,400 --> 00:18:04,367 - NO, WE'RE EXES. - WE'RE BUSINESS PARTNERS. 512 00:18:04,367 --> 00:18:05,867 - YOU BROKE UP, AND YOU STILL WORK TOGETHER? 513 00:18:05,867 --> 00:18:08,000 - YEAH. I KNOW, 20 YEARS. CAN YOU IMAGINE? 514 00:18:08,000 --> 00:18:10,767 - DID WORKING TOGETHER BREAK THEM UP? 515 00:18:10,767 --> 00:18:14,000 IS THAT A BAD IDEA? IS THAT A RECIPE FOR DISASTER? 516 00:18:14,000 --> 00:18:16,734 I LIKE, BESIDES THE ANIMALS ON THIS, 517 00:18:16,734 --> 00:18:18,867 I LIKE THIS KIND OF CHAIR. 518 00:18:18,867 --> 00:18:20,333 SO IT'S FOR YOU AND ME, MARIETTE. 519 00:18:20,333 --> 00:18:21,500 - IT'S LIKE A STORYBOOK CHAIR. - YOU CAN SIT WITH ME. 520 00:18:21,500 --> 00:18:22,867 - ABSOLUTELY. - YOU HAVE TO GET THIS PICTURE. 521 00:18:22,867 --> 00:18:24,333 LOOK AT THIS. - IT'S FOR US. 522 00:18:24,333 --> 00:18:25,734 - I DON'T THINK... 523 00:18:25,734 --> 00:18:26,867 - THIS IS OUR LOVE SEAT. 524 00:18:26,867 --> 00:18:29,066 - THAT A MAN WOULD FIT IN THIS CHAIR. 525 00:18:29,066 --> 00:18:30,967 [laughs] - WHO'S TALKING ABOUT MEN? 526 00:18:30,967 --> 00:18:34,533 - NOW IF THEY COULD JUST PULL THIS CHAIR AROUND HERE. 527 00:18:34,533 --> 00:18:36,200 THEY'RE REALLY GOOD FROM UNDERNEATH. 528 00:18:36,200 --> 00:18:37,867 - WHO'S GOOD FROM UNDERNEATH? 529 00:18:37,867 --> 00:18:39,000 - THIS IS LA MARINA. - THIS ONE. 530 00:18:39,000 --> 00:18:41,567 - OH, I WAS LIKE, WOW, MARIETTE. 531 00:18:41,567 --> 00:18:43,500 JESUS. IT'S ONLY THE BEGINNING OF THE DAY. 532 00:18:43,500 --> 00:18:45,467 - UM... - YOU WEAR ME OUT. 533 00:18:45,467 --> 00:18:47,033 - I KNOW. - AND IT'S ONLY THE BEGINNING 534 00:18:47,033 --> 00:18:48,633 OF THE DAY. - IT'S ONLY THE FIRST DAY. 535 00:18:48,633 --> 00:18:50,433 WHO'S THIS? - THIS IS JACK. 536 00:18:50,433 --> 00:18:51,600 - THIS IS JACK. 537 00:18:51,600 --> 00:18:53,033 - HI, JACK. - HI, JACK. 538 00:18:53,033 --> 00:18:54,066 - JACK IS LIKE, "LADIES, DO YOU HAVE FOOD FOR ME?" 539 00:18:54,066 --> 00:18:55,233 [laughter] 540 00:18:55,233 --> 00:18:56,433 - NOW HOW DO YOU KEEP JACK SHAVED DOWN SO? 541 00:18:56,433 --> 00:18:58,233 - HE'S NOT. HE'S A HAIRLESS DOG. 542 00:18:58,233 --> 00:19:00,934 HE'S ACTUALLY THE NUMBER EIGHT TOY-BRED DOG 543 00:19:00,934 --> 00:19:02,367 IN AMERICA. - OH, YOU SHOW HIM? 544 00:19:02,367 --> 00:19:04,667 - YEAH, HE'S-- - OH, YOU GUYS ARE FULL-ON 545 00:19:04,667 --> 00:19:06,767 BEST IN SHOW. - HE WAS BEST IN SHOW, 546 00:19:06,767 --> 00:19:08,100 AND HE WAS THE FIRST AWARDED MERIT AT WESTMINSTER. 547 00:19:08,100 --> 00:19:09,467 - I'M IN A MOVIE RIGHT NOW. 548 00:19:09,467 --> 00:19:10,934 HOW DO YOU EVEN, LIKE, DECIDE 549 00:19:10,934 --> 00:19:12,066 THAT THAT'S A BREED 550 00:19:12,066 --> 00:19:13,700 AND THAT'S THE APPROPRIATE WAY 551 00:19:13,700 --> 00:19:15,433 TO GROOM A DOG? 552 00:19:15,433 --> 00:19:16,467 - THIS IS DEXTER. - AND THIS IS DEXTER. 553 00:19:16,467 --> 00:19:17,767 - I CAN'T. 554 00:19:17,767 --> 00:19:19,333 - I KNOW. THERE'S A LOT HERE TO TAKE IN. 555 00:19:19,333 --> 00:19:20,433 - [laughs] 556 00:19:20,433 --> 00:19:21,867 - AND THEY COME TO WORK WITH US EVERY DAY. 557 00:19:21,867 --> 00:19:23,300 - WHAT AM I SUPPOSED TO SAY? 558 00:19:23,300 --> 00:19:24,867 CUTE? FACE ONLY A MOTHER COULD LOVE, 559 00:19:24,867 --> 00:19:26,433 ONLY IT HAS A FATHER? 560 00:19:26,433 --> 00:19:27,500 HE'S LIKE GISELLE. 561 00:19:27,500 --> 00:19:28,600 YOU WALK IN, YOU'RE LIKE, FORGET IT. 562 00:19:28,600 --> 00:19:30,066 - EXACTLY. - I'M NOT GONNA EVEN 563 00:19:30,066 --> 00:19:31,600 BE ABLE TO COMPETE. - TIME TO LOOK AT LIGHTING. 564 00:19:31,600 --> 00:19:33,033 - OH, SORRY. - HE DOESN'T KNOW 565 00:19:33,033 --> 00:19:34,533 THAT HE'S NOT GOOD. 566 00:19:34,533 --> 00:19:36,433 HE'S JUST A-- - HE'S A NICE-- 567 00:19:36,433 --> 00:19:37,567 HE DOESN'T KNOW HOW BEAUTIFUL HE IS. 568 00:19:37,567 --> 00:19:39,033 I LOVE YOU GUYS. 569 00:19:39,033 --> 00:19:40,400 - ALL RIGHT. - I LOVE YOU GUYS. 570 00:19:40,400 --> 00:19:41,600 - THANK YOU VERY MUCH. - IT WAS A PLEASURE. 571 00:19:41,600 --> 00:19:43,867 - OH, MY GOD. - BEST OF LUCK ON THE APARTMENT. 572 00:19:43,867 --> 00:19:45,300 - MARIETTE, I WANT US TO GO TO THEIR HOUSE 573 00:19:45,300 --> 00:19:47,000 FOR A PARTY. - WHERE-- 574 00:19:47,000 --> 00:19:49,300 - WE HAVE TO GO OVER THERE FOR-- DO YOU DRINK COCKTAILS? 575 00:19:49,300 --> 00:19:51,433 - OF COURSE. - OH, WHAT KIND OF COCKTAILS? 576 00:19:51,433 --> 00:19:52,900 - ANYTHING. - OH, REALLY. 577 00:19:52,900 --> 00:19:54,667 ALL RIGHT, SO WE'LL GO TO THEIR HOUSE FOR A COCKTAIL PARTY. 578 00:19:54,667 --> 00:19:56,100 - LADIES, THANK YOU AGAIN. 579 00:19:56,100 --> 00:19:57,233 - THANK YOU. - BYE, LADIES. 580 00:19:57,233 --> 00:19:59,233 ENJOY YOUR DAY. - TAKE CARE NOW. 581 00:19:59,233 --> 00:20:01,166 - I CAN'T EVEN. I LOVE THIS. 582 00:20:01,166 --> 00:20:02,500 I'M HAVING THE BEST TIME. 583 00:20:02,500 --> 00:20:03,967 SHOULD WE LOOK AND SEE IF THERE'S ANYTHING ELSE? 584 00:20:03,967 --> 00:20:05,700 - YEAH, THERE'S A LOT OF LITTLE SHOPS ALONG HERE. 585 00:20:05,700 --> 00:20:07,233 - ALL RIGHT, SO LET'S, LIKE, LET'S WALK 586 00:20:07,233 --> 00:20:09,800 AND SEE IF WE SEE ANYTHING. 587 00:20:09,800 --> 00:20:11,333 COMING UP... 588 00:20:11,333 --> 00:20:12,567 "'EVEN WORSE,' SAYS BERNADETTE, 589 00:20:12,567 --> 00:20:14,367 "'BETHENNY WILL ALWAYS PUT MONEY AND POWER 590 00:20:14,367 --> 00:20:16,133 BEFORE EVERYTHING ELSE, INCLUDING HER OWN FAMILY.'" 591 00:20:16,133 --> 00:20:17,533 I MEAN, I HATE HER. 592 00:20:17,533 --> 00:20:18,867 I REALLY DO. I HATE HER. 593 00:20:18,867 --> 00:20:20,867 I JUST HATE HER. 594 00:20:32,500 --> 00:20:34,734 - ALL MY LIFE, I TRY TO AVOID GANGS. 595 00:20:34,734 --> 00:20:36,333 I'M IN THE SKINNYGIRL GANG NOW. 596 00:20:36,333 --> 00:20:37,867 - YEAH, BUT THIS IS A TOUGH GANG. 597 00:20:37,867 --> 00:20:39,734 - TOUGH GANG. 598 00:20:39,734 --> 00:20:41,734 SKINNYGIRL IS COMING THROUGH. 599 00:20:41,734 --> 00:20:43,967 MOVE. MOVE, Y'ALL. 600 00:20:43,967 --> 00:20:45,800 - WELCOME, EVERYBODY. 601 00:20:45,800 --> 00:20:46,934 FEMALE AWARENESS SELF-DEFENSE. 602 00:20:46,934 --> 00:20:48,166 MY NAME'S GABRIELLE. 603 00:20:48,166 --> 00:20:49,233 SO WHAT WE'RE GONNA DO 604 00:20:49,233 --> 00:20:50,266 IN THE FIRST PORTION OF THIS CLASS 605 00:20:50,266 --> 00:20:53,033 IS TALK ABOUT HOW NOT TO BE A TARGET, 606 00:20:53,033 --> 00:20:54,400 HOW TO SEE THE SIGNS, AND HOW TO AVOID 607 00:20:54,400 --> 00:20:55,734 A BAD SITUATION ALTOGETHER. 608 00:20:55,734 --> 00:20:58,166 - I'VE ENROLLED US IN SELF-DEFENSE CLASS, 609 00:20:58,166 --> 00:21:00,166 BECAUSE A LOT OF THE WOMEN I SURROUND MYSELF WITH 610 00:21:00,166 --> 00:21:01,367 ARE A LITTLE BIT MEEK. 611 00:21:01,367 --> 00:21:03,633 AND I JUST-- I THINK EVERYBODY COULD USE 612 00:21:03,633 --> 00:21:05,400 A LITTLE SELF-DEFENSE AND CONFIDENCE. 613 00:21:05,400 --> 00:21:08,000 - SO FIRST OFF, BAD GUYS AREN'T LOOKING FOR A TYPE. 614 00:21:08,000 --> 00:21:09,266 THEY'RE LOOKING FOR A TARGET. 615 00:21:09,266 --> 00:21:10,667 OKAY? SO A COUPLE OF THINGS 616 00:21:10,667 --> 00:21:11,867 THAT CAN MAKE US A TARGET 617 00:21:11,867 --> 00:21:13,767 IS HOW WE CARRY OURSELVES OUT ON THE STREET. 618 00:21:13,767 --> 00:21:15,333 MOST PEOPLE JUST WANT TO WALK LIKE, 619 00:21:15,333 --> 00:21:18,066 JUST MIND THEIR OWN BUSINESS AND LOOKING DOWN--DON'T. 620 00:21:18,066 --> 00:21:19,567 THAT DOESN'T SHOW A LOT OF CONFIDENCE. 621 00:21:19,567 --> 00:21:21,333 IF YOU JUST WALK JUST LOOKING STRAIGHT AHEAD, 622 00:21:21,333 --> 00:21:23,934 OKAY, YOUR SHOULDERS COME BACK, AND IT JUST HAS AN AIR 623 00:21:23,934 --> 00:21:25,133 OF MORE CONFIDENCE. 624 00:21:25,133 --> 00:21:26,533 - MOVE WITH A PURPOSE. 625 00:21:26,533 --> 00:21:27,834 IT'S, LIKE, YOU KNOW, YOU AIN'T "LACKSADATING." 626 00:21:27,834 --> 00:21:29,066 YOU JUST MOVING WITH A PURPOSE. 627 00:21:29,066 --> 00:21:30,400 YOU GOT SOMETHING TO DO. - "LACKSADATED"? 628 00:21:30,400 --> 00:21:32,066 - [Bleep]. THAT'S MY WORD. 629 00:21:32,066 --> 00:21:33,867 ANY ONE OF YOU HAD A FIGHT, LIKE A PHYSICAL FIGHT BEFORE? 630 00:21:33,867 --> 00:21:35,667 - I HAVE. BUT I WAS IN, LIKE, SIXTH GRADE. 631 00:21:35,667 --> 00:21:37,266 - I ALREADY KNEW YOU HAD A FIGHT. 632 00:21:37,266 --> 00:21:39,667 I WASN'T EVEN TALKING ABOUT YOU. YOU GREW UP IN L.A. 633 00:21:39,667 --> 00:21:41,400 THE HORSES AND SOME OLD [bleep]. 634 00:21:41,400 --> 00:21:43,367 I ALREADY KNEW ALL THAT. I KNEW YOU HAD A FIGHT. 635 00:21:43,367 --> 00:21:44,667 I'M TALKING ABOUT FROM THIS POINT ON. 636 00:21:44,667 --> 00:21:45,800 - OH, EXCUSE ME. 637 00:21:45,800 --> 00:21:47,433 - I KNEW YOU HAD FIGHTS AND EVERYTHING, 638 00:21:47,433 --> 00:21:49,100 SO I'M LIKE...ME AND YOU-- THAT'S WHY ME AND YOU RELATE. 639 00:21:49,100 --> 00:21:50,934 I ALREADY KNEW THAT. HAVE Y'ALL EVER HAD A FIGHT? 640 00:21:50,934 --> 00:21:53,633 HAVE ANY ONE OF Y'ALL HAD A FIGHT BEFORE? 641 00:21:53,633 --> 00:21:54,600 - HAVE YOU EVER GOTTEN INTO A WICKED FIGHT 642 00:21:54,600 --> 00:21:56,400 WITH LIKE A FRIEND? 643 00:21:56,400 --> 00:21:58,633 THAT'S ALL-- - NO. NO. 644 00:21:58,633 --> 00:22:00,300 - REALLY? - THIS IS WHY WE'RE HERE. 645 00:22:00,300 --> 00:22:03,066 - THIS IS WHY WE'RE HERE. - WE'RE NOT HERE FOR US. 646 00:22:03,066 --> 00:22:04,967 NO, NO, NO, WE'RE NOT HERE FOR THE TWO OF US. 647 00:22:04,967 --> 00:22:06,867 LET ME JUST GO. 648 00:22:06,867 --> 00:22:08,633 HATES CONFRONTATION, HAS DIARRHEA 649 00:22:08,633 --> 00:22:11,367 WHEN THERE'S A PROBLEM, DOESN'T SAY A WORD, 650 00:22:11,367 --> 00:22:13,433 SORT OF YOUNG AND MEEK, 651 00:22:13,433 --> 00:22:14,500 SUBMISSIVE. 652 00:22:14,500 --> 00:22:15,467 THIS IS THE GROUP. 653 00:22:15,467 --> 00:22:16,734 THIS IS WHY WE'RE HERE. 654 00:22:16,734 --> 00:22:18,934 - YOU ARE MY CLIENTS. - THAT WAS BEAUTIFUL. 655 00:22:18,934 --> 00:22:21,533 - I JUST WANT TO SEE WHAT EVERYONE'S KIND OF MADE OF. 656 00:22:21,533 --> 00:22:23,467 MAYBE PEOPLE HAVE A SECRET TOUGH SIDE 657 00:22:23,467 --> 00:22:26,667 THAT I DON'T KNOW ABOUT. - LET'S GET PHYSICAL. 658 00:22:26,667 --> 00:22:28,166 - WOW. 659 00:22:28,166 --> 00:22:29,800 JACKIE'S GONNA KICK SOME A-S-S. 660 00:22:32,166 --> 00:22:33,767 - YEAH. 661 00:22:33,767 --> 00:22:36,000 - SO I'M NOT WORRIED ABOUT YOU IN THE PARK ANYMORE. 662 00:22:36,000 --> 00:22:37,734 DAWA DOESN'T PLAY. IT'S ON. 663 00:22:37,734 --> 00:22:38,934 I'M EXCITED. 664 00:22:38,934 --> 00:22:40,834 I'M SEEING A DIFFERENT SIDE OF DAWA. 665 00:22:40,834 --> 00:22:45,433 I THINK THAT I THOUGHT THAT QUIET MEANT MEEK OR WEAK. 666 00:22:45,433 --> 00:22:46,934 AND I WAS WRONG. 667 00:22:48,800 --> 00:22:51,467 OW, I PUNCHED MYSELF IN THE FACE. 668 00:22:51,467 --> 00:22:53,567 I WAS BOTHERING MYSELF. I WAS ANNOYING MYSELF. 669 00:22:53,567 --> 00:22:55,533 I WAS QUITE FRANKLY OVER MYSELF. 670 00:22:55,533 --> 00:22:57,233 SO I PUNCHED MYSELF IN THE FACE. 671 00:22:57,233 --> 00:22:59,467 I DESERVED IT. I WOULD DO IT AGAIN. 672 00:22:59,467 --> 00:23:01,367 ZIP UP YOUR PANTS BEFORE YOU... 673 00:23:01,367 --> 00:23:03,000 ATTACK SOMEONE. [laughter] 674 00:23:03,000 --> 00:23:04,400 - I MEAN, I'M BEING ATTACKED. 675 00:23:04,400 --> 00:23:06,467 I'M IN THE CORNER BEING ATTACKED. 676 00:23:06,467 --> 00:23:07,767 - WHAT, ARE YOU GETTING YOUR WEAPON OUT? 677 00:23:07,767 --> 00:23:10,333 [laughter] 678 00:23:10,333 --> 00:23:11,700 - OKAY. ALL RIGHT. 679 00:23:11,700 --> 00:23:12,800 THANK YOU. 680 00:23:12,800 --> 00:23:13,867 - OH, MY GOD, YOU WERE WONDERFUL. 681 00:23:13,867 --> 00:23:15,433 THIS WAS SO GREAT. - BE SAFE. 682 00:23:15,433 --> 00:23:17,033 - THIS WAS GREAT. 683 00:23:17,033 --> 00:23:18,934 - YOU WANT ME TO SCREAM? - DO YOUR BAD--YOUR BAD ONE. 684 00:23:18,934 --> 00:23:21,266 - YO! THE [bleep] ARE YOU DOING? 685 00:23:21,266 --> 00:23:23,567 SIT YOUR ASS THE [bleep] DOWN. 686 00:23:23,567 --> 00:23:26,533 [laughter] 687 00:23:38,500 --> 00:23:40,667 - I CAN'T OPE-- I CAN'T EVEN SEE WHAT THAT IS. 688 00:23:40,667 --> 00:23:42,433 WHAT DOES IT SAY? IT'S STAR MAGAZINE? 689 00:23:42,433 --> 00:23:43,800 - YEAH, STAR MAGAZINE. 690 00:23:43,800 --> 00:23:45,567 - SO I'M WALKING TO A DESIGN MEETING WITH JULIE, 691 00:23:45,567 --> 00:23:48,633 AND I GET AN EMAIL FROM MY PUBLICIST 692 00:23:48,633 --> 00:23:54,033 THAT CONTAINS A LINK TO AN ARTICLE IN STAR MAGAZINE. 693 00:23:54,033 --> 00:23:55,633 - OH, NO. - WHAT DOES IT SAY? 694 00:23:55,633 --> 00:23:58,367 - "MOM TELLS ALL TO STAR-- 695 00:23:58,367 --> 00:24:00,667 BETHENNY DIVORCE ONLY A MATTER OF TIME." 696 00:24:00,667 --> 00:24:01,700 OH, MY GOD. LOOK AT YOUR MOM. 697 00:24:01,700 --> 00:24:02,700 - IT'S A PICTURE OF MY MOTHER. 698 00:24:02,700 --> 00:24:03,900 SHE LOOKS LIKE-- OH, MY GOD. 699 00:24:03,900 --> 00:24:06,266 AND THEY MAKE-- LOOK HOW SCARY SHE LOOKS. 700 00:24:06,266 --> 00:24:08,767 IT'S ALMOST EMBARRASSING TO ME WHAT SHE LOOKS LIKE. 701 00:24:08,767 --> 00:24:12,066 [gasps] OH, MY GOD. 702 00:24:12,066 --> 00:24:14,166 "SUPER MOGUL BETHENNY FRANKEL HAS BUILT 703 00:24:14,166 --> 00:24:15,633 "A MULTIMILLION-DOLLAR BUSINESS EMPIRE, 704 00:24:15,633 --> 00:24:17,200 "BUT SHE'S HEADED FOR FAILURE 705 00:24:17,200 --> 00:24:18,300 "WHEN IT COMES TO MARRIAGE, 706 00:24:18,300 --> 00:24:19,800 "ACCORDING TO HER ESTRANGED MOTHER. 707 00:24:19,800 --> 00:24:22,033 "DIVORCE IS INEVITABLE FOR THE REALITY STAR, 708 00:24:22,033 --> 00:24:24,100 WHO'S MARRIED TO HER HUSBAND JASON HOPPY." 709 00:24:24,100 --> 00:24:27,500 I HAVEN'T SPOKEN TO MY MOTHER IN WELL OVER A DECADE. 710 00:24:27,500 --> 00:24:31,333 I THINK THAT MY MOTHER HAS SOLD A STORY 711 00:24:31,333 --> 00:24:33,600 THAT SPEAKS NEGATIVELY ABOUT ME, MY HUSBAND, 712 00:24:33,600 --> 00:24:36,433 MY MARRIAGE, MY LIFE, EVERYTHING, ONCE AGAIN. 713 00:24:36,433 --> 00:24:38,100 [sighs] 714 00:24:38,100 --> 00:24:40,367 "'EXCLUSIVELY, HER HUSBAND SEEMS LIKE A REAL NICE GUY, 715 00:24:40,367 --> 00:24:41,433 "'BUT IT WON'T LAST. 716 00:24:41,433 --> 00:24:42,900 "'HE IS REALLY TOO WEAK FOR HER. 717 00:24:42,900 --> 00:24:44,800 "EVEN WORSE,' SAYS BERNADETTE, 718 00:24:44,800 --> 00:24:46,400 "'BETHENNY WILL ALWAYS PUT MONEY AND POWER 719 00:24:46,400 --> 00:24:48,533 "'BEFORE EVERYTHING ELSE, INCLUDING HER OWN FAMILY. 720 00:24:48,533 --> 00:24:50,500 SHE SELLS EVERYTHING BECAUSE MONEY AND POWER'S--'" 721 00:24:50,500 --> 00:24:52,133 HOW DOES SHE KNOW? SHE DOESN'T KNOW ME. 722 00:24:52,133 --> 00:24:54,767 I HAVEN'T KNOWN HER SINCE I WAS 14 YEARS OLD. 723 00:24:54,767 --> 00:24:57,233 "'I FIND IT AMAZING THAT SHE DISCUSSED 724 00:24:57,233 --> 00:24:58,667 "'HAVING ANOTHER CHILD WITH HER HUSBAND, 725 00:24:58,667 --> 00:25:01,934 BUT SHE BARELY HAS THE TIME FOR THE FIRST ONE.'" 726 00:25:01,934 --> 00:25:04,133 LIKE, HOW DOES SHE KNOW IF I SPEND TIME WITH MY KID? 727 00:25:04,133 --> 00:25:05,700 SHE'S NEVER MET MY KID. 728 00:25:05,700 --> 00:25:07,266 - SHE DOESN'T. SHE'S MAKING IT ALL UP. 729 00:25:07,266 --> 00:25:11,200 - IT SAYS SHE--THAT SHE INVENTED THE SKINNYGIRL MARGARITA. 730 00:25:11,200 --> 00:25:13,300 - WHAT? WHERE? 731 00:25:13,300 --> 00:25:16,266 - "THE LARGELY SUCCESSFUL LOW-CALORIE DRINK 732 00:25:16,266 --> 00:25:17,767 "IS THE JEWEL IN BETHENNY'S EMPIRE, 733 00:25:17,767 --> 00:25:20,066 "BUT BERNADETTE CLAIMS SHE WAS THE ONE 734 00:25:20,066 --> 00:25:21,200 WHO CAME UP WITH THE IDEA." 735 00:25:21,200 --> 00:25:23,000 SHE'S SO DESPERATE. 736 00:25:23,000 --> 00:25:24,667 IT'S REALLY SAD. I WILL NEVER-- 737 00:25:24,667 --> 00:25:27,000 I WILL NEVER, EVER, EVER SPEAK TO HER AGAIN 738 00:25:27,000 --> 00:25:28,000 AS LONG AS I LIVE. 739 00:25:28,000 --> 00:25:29,300 YOU GET PAID FOR THIS STUFF. 740 00:25:29,300 --> 00:25:30,400 UNFORTUNATELY, MY MOTHER HAS NO IDEA 741 00:25:30,400 --> 00:25:33,567 WHAT TYPE OF PERSON I AM, 742 00:25:33,567 --> 00:25:36,900 MUCH LESS IN EACH OF THOSE CATEGORIES. 743 00:25:36,900 --> 00:25:38,500 SHE REALLY DOESN'T. 744 00:25:38,500 --> 00:25:40,166 I MEAN, I HATE HER. 745 00:25:40,166 --> 00:25:41,433 I REALLY DO. I HATE HER. 746 00:25:41,433 --> 00:25:43,100 I JUST HATE HER. 747 00:25:43,100 --> 00:25:45,600 WHO WOULD DO THAT? WHO WOULD-- 748 00:25:45,600 --> 00:25:47,066 CAN YOU EVEN RELATE? - NO. I CAN'T. 749 00:25:47,066 --> 00:25:49,433 - AND THEN JASON WILL BE LIKE, "YOU'RE DAMAGED." 750 00:25:49,433 --> 00:25:50,533 WELL, HE'S RIGHT. 751 00:25:50,533 --> 00:25:53,200 IT'S EXCITING TO RENOVATE A HOUSE 752 00:25:53,200 --> 00:25:55,500 AND TO TALK ABOUT ALL THE POSSIBILITIES, 753 00:25:55,500 --> 00:25:58,533 BUT I'M DEFINITELY A LITTLE BIT PREOCCUPIED. 754 00:25:58,533 --> 00:25:59,834 HI. - HEY. 755 00:25:59,834 --> 00:26:01,367 - HEY, THERE. - THIS IS VERY ROMANTIC. 756 00:26:01,367 --> 00:26:02,667 - HI, EVERYONE. - YOU LOOK GREAT. 757 00:26:02,667 --> 00:26:03,767 - WE'RE HAVING A DOUBLE DATE? 758 00:26:03,767 --> 00:26:05,033 - WE'RE HAVING A DOUBLE DATE. 759 00:26:05,033 --> 00:26:06,700 IS IT JUST US? - IT'S JUST US. 760 00:26:06,700 --> 00:26:08,300 - OKAY. HERE'S THE SITUATION. 761 00:26:08,300 --> 00:26:09,667 WE'RE GONNA BE STARTING THIS NOW. 762 00:26:09,667 --> 00:26:11,200 WE NEED TO FOCUS ON THINGS WE DO NEED 763 00:26:11,200 --> 00:26:14,900 TO MAKE SURE WE'RE GOING TO GO SMOOTH, FORWARD, 764 00:26:14,900 --> 00:26:16,133 AND ON TIME. AND FAST. 765 00:26:16,133 --> 00:26:17,467 - WE'RE NOT EVEN IN THERE YET. 766 00:26:17,467 --> 00:26:19,033 WE HAVEN'T EVEN HIT A NAIL AND A HAMMER, 767 00:26:19,033 --> 00:26:20,500 AND IT'S ALREADY MONTHS LATER. 768 00:26:20,500 --> 00:26:21,900 - THE PERMIT SHOULD BE HERE EITHER TODAY OR TOMORROW. 769 00:26:21,900 --> 00:26:23,100 both: OKAY. 770 00:26:23,100 --> 00:26:25,567 - WHAT'S GOING ON WITH THE CLOSET? 771 00:26:25,567 --> 00:26:26,967 - I KNOW YOU'RE NOT GONNA LIKE TO HEAR THIS, 772 00:26:26,967 --> 00:26:28,367 BUT I'M GONNA SAY THIS ONCE BECAUSE I DON'T WANT 773 00:26:28,367 --> 00:26:29,433 TO HEAR IT LATER ON. 774 00:26:29,433 --> 00:26:31,033 I THINK YOUR CLOSET SUCKS RIGHT NOW. 775 00:26:31,033 --> 00:26:32,967 I THINK THE FLOOR PLAN IS SMALL. 776 00:26:32,967 --> 00:26:34,967 YOU'VE ALWAYS TOLD ME THAT YOU WANT THIS CLOSET TO BE-- 777 00:26:34,967 --> 00:26:37,333 THIS IS YOUR DREAM CLOSET, YOU'RE TELLING ME. 778 00:26:37,333 --> 00:26:38,900 RIGHT NOW, IN MY OPINION, YOU'RE GETTING SOMETHING 779 00:26:38,900 --> 00:26:40,533 THAT MAYBE IS THREE TIMES THE SIZE, 780 00:26:40,533 --> 00:26:43,166 IT'S AWKWARD. I KNOW THAT JASON'S GETTING 781 00:26:43,166 --> 00:26:45,233 THE MEDIA ROOM RIGHT NEXT DOOR. 782 00:26:45,233 --> 00:26:48,800 IF I HAD MY WAY, I'D BUST THROUGH IF POSSIBLE 783 00:26:48,800 --> 00:26:51,233 AND MAKE THAT THE SUITE. 784 00:26:51,233 --> 00:26:53,300 I JUST WANT TO MAKE SURE THAT YOU GET WHAT YOU NEED-- 785 00:26:53,300 --> 00:26:55,500 - I KNOW, BUT I CAN'T BE SELFISH ENOUGH TO TAKE 786 00:26:55,500 --> 00:26:57,900 A GIGANTIC ROOM AS A CLOSET 787 00:26:57,900 --> 00:27:00,266 AND THEN HAVE THE TV IN THE MIDDLE 788 00:27:00,266 --> 00:27:01,667 OF A BEAUTIFUL LIVING ROOM. 789 00:27:01,667 --> 00:27:02,734 LIKE, YOU CAN'T HAVE EVERYTHING. 790 00:27:02,734 --> 00:27:04,166 I'M STILL DEALING WITH THAT FACT. 791 00:27:04,166 --> 00:27:05,500 THAT'S ANNOYING ME. 792 00:27:05,500 --> 00:27:07,133 YOU KNOW, YOU'D HAVE TO SPEND TWICE THE AMOUNT 793 00:27:07,133 --> 00:27:09,000 TO HAVE EVERYTHING, AND MAYBE YOU STILL WOULDN'T. 794 00:27:09,000 --> 00:27:10,200 THIS IS THE APARTMENT THAT WE BOUGHT, 795 00:27:10,200 --> 00:27:11,900 AND SO I JUST WANT TO MAKE THE BEST OF IT. 796 00:27:11,900 --> 00:27:13,867 YOU KNOW, THAT MAIN ROOM, YOU CAN'T GET A BETTER ROOM. 797 00:27:13,867 --> 00:27:15,300 - BUT YOU CAN UNDERSTAND WHAT I'M SAYING. 798 00:27:15,300 --> 00:27:16,500 I JUST WANTED TO THROW THE OPTION OUT THERE. 799 00:27:16,500 --> 00:27:17,734 - DO YOU THINK THAT MAIN ROOM IS, LIKE, A TEN 800 00:27:17,734 --> 00:27:19,233 AS FAR AS THE POTENTIAL OF THE MAIN ROOM AT LEAST? 801 00:27:19,233 --> 00:27:20,834 - NO, AND FORTUNATELY, YOU HAVE YOUR MAIN LIVING ROOM, 802 00:27:20,834 --> 00:27:22,000 AND DINING ROOM, THERE'S NO WINDOWS. 803 00:27:22,000 --> 00:27:23,233 YOU'RE CENTERED TO THE APARTMENT. 804 00:27:23,233 --> 00:27:24,300 EVERYTHING IS ON THE PERIMETER. 805 00:27:24,300 --> 00:27:25,767 IT'S A UNIQUE SET-UP. 806 00:27:25,767 --> 00:27:26,934 - DO YOU LIKE IT? - LOVE IT. 807 00:27:26,934 --> 00:27:28,066 - I THINK IT'S GONNA BE AMAZING. 808 00:27:28,066 --> 00:27:29,367 - WOULD YOU WANT THIS AS YOUR APARTMENT? 809 00:27:29,367 --> 00:27:30,900 - ABSOLUTELY. - YOU TOO? 810 00:27:30,900 --> 00:27:32,300 - AS LONG AS I DESIGNED IT. 811 00:27:32,300 --> 00:27:33,567 - WELL, YOU ARE DESIGNING IT. - I KNOW THAT. ABSOLUTELY. 812 00:27:33,567 --> 00:27:35,033 - SO WHAT WOULD YOU DO WITH YOUR WIFE? 813 00:27:35,033 --> 00:27:36,367 WHAT WOULD YOU DO WITH YOUR WIFE? 814 00:27:36,367 --> 00:27:37,567 YOU WOULD BE WATCHING TV IN THE LIVING ROOM? 815 00:27:37,567 --> 00:27:39,000 - IF IT WAS UP TO ME, I WOULD HAVE A VERY-- 816 00:27:39,000 --> 00:27:42,000 I WOULD HAVE A 65-INCH OR 72-INCH FLAT SCREEN 817 00:27:42,000 --> 00:27:44,467 ON THIS MAIN FEATURE WALL, AND I WOULD SET EVERYTHING UP 818 00:27:44,467 --> 00:27:45,700 AROUND THAT, AND I WOULD TAKE THAT AND GIVE THAT TO HER. 819 00:27:45,700 --> 00:27:47,567 - AND I'D HIDE IT. I COULD HIDE THE TV. 820 00:27:47,567 --> 00:27:50,266 - BUT WOULDN'T SHE GET ANNOYED WHEN YOU HAD PEOPLE OVER 821 00:27:50,266 --> 00:27:51,433 AND, LIKE, YOU [bleep] UP HER COUCH 822 00:27:51,433 --> 00:27:52,600 BECAUSE YOU, LIKE, HAD DRINKS ON IT. 823 00:27:52,600 --> 00:27:53,900 - IT'S AN APARTMENT FOR A FAMILY. 824 00:27:53,900 --> 00:27:56,100 YOU HAVE A YOUNG CHILD AND A DOG RUNNING AROUND. 825 00:27:56,100 --> 00:27:57,200 IT'S COMFORTABLE AND EASY. 826 00:27:57,200 --> 00:27:58,333 - WE'RE GONNA KEEP BRYN IN HERE? 827 00:27:58,333 --> 00:28:00,000 - BRYN'S GONNA BE IN EVERY ROOM. 828 00:28:00,000 --> 00:28:01,667 - WHEN YOU WERE GROWING UP... - NO, I KNOW, SHE-- 829 00:28:01,667 --> 00:28:03,633 - DID YOUR MOM PUT PLASTIC ON THE COUCH? 830 00:28:03,633 --> 00:28:06,800 - NO. MY MOTHER JUST SOLD A STORY TO STAR MAGAZINE 831 00:28:06,800 --> 00:28:08,166 ABOUT THE FACT THAT SHE'S THE ORIGINAL INVENTOR 832 00:28:08,166 --> 00:28:09,266 OF THE SKINNYGIRL MARGARITA. 833 00:28:09,266 --> 00:28:11,100 IF SHE PUT PLASTER ON THE COUCH, 834 00:28:11,100 --> 00:28:13,567 IT WAS SO, IF SHE VOMITED ON IT, SHE COULD WIPE IT OFF. 835 00:28:13,567 --> 00:28:16,333 I THINK WE SHOULD TALK TO JASON ABOUT THIS, 836 00:28:16,333 --> 00:28:18,133 BECAUSE... 837 00:28:18,133 --> 00:28:20,667 - I DON'T THINK HE'D HAVE A PROBLEM WITH IT. 838 00:28:20,667 --> 00:28:22,700 - EXPLAIN THE ANXIETY ON A DAILY BASIS 839 00:28:22,700 --> 00:28:23,834 THAT I'M GONNA HAVE WHEN WE-- 840 00:28:23,834 --> 00:28:25,166 - YOU'RE GONNA HAVE IT NO MATTER WHAT. 841 00:28:25,166 --> 00:28:28,567 I DON'T THINK THE TV MAKES ONE DIFFERENCE. 842 00:28:28,567 --> 00:28:29,900 - ARE YOU EVER GONNA USE THE MAIN ROOM? 843 00:28:29,900 --> 00:28:32,100 - IF MY HUSBAND AGREES, THAT'S FINE. 844 00:28:32,100 --> 00:28:34,000 I'M GONNA HAVE YOU GUYS TALK TO HIM, 845 00:28:34,000 --> 00:28:35,600 'CAUSE, IF I SAY IT TO HIM, 846 00:28:35,600 --> 00:28:38,266 HE THINKS I'M TRYING TO DO SOMETHING THAT BENEFITS ME. 847 00:28:38,266 --> 00:28:39,900 SO YOU GUYS AS MEN ARE GOING TO HAVE 848 00:28:39,900 --> 00:28:41,233 TO DISCUSS IT WITH HIM AS, LIKE, 849 00:28:41,233 --> 00:28:42,533 THIS IS-- YOU'RE GONNA HAVE TO SAY, 850 00:28:42,533 --> 00:28:43,600 "THESE ARE YOUR OPTIONS. 851 00:28:43,600 --> 00:28:44,700 THIS IS OUR PROFESSIONAL OPINION." 852 00:28:44,700 --> 00:28:46,000 - LET'S GET JASON ON THE PHONE. 853 00:28:46,000 --> 00:28:48,000 [line ringing] 854 00:28:48,000 --> 00:28:49,467 - I'M NOT HERE. 855 00:28:51,433 --> 00:28:53,800 - JASON. - YEAH? 856 00:28:53,800 --> 00:28:56,500 - HOW ARE YOU? 857 00:28:56,500 --> 00:28:58,100 WE'RE DOING GOOD. I'M HERE WITH BETHENNY, 858 00:28:58,100 --> 00:28:59,233 JULIE, STEPHEN, AND I. 859 00:28:59,233 --> 00:29:00,233 WE WANT TO GO THROUGH WITH YOU 860 00:29:00,233 --> 00:29:03,033 A PARTICULAR DESIGN SCENARIO 861 00:29:03,033 --> 00:29:04,467 THAT WE'RE EXPLORING RIGHT NOW. 862 00:29:04,467 --> 00:29:06,233 I KNOW STEPHEN WANTS TO EXPLAIN IT TO YOU. 863 00:29:06,233 --> 00:29:07,700 - [whispers indistinctly] 864 00:29:07,700 --> 00:29:09,133 - HEY, BUDDY. LISTEN. 865 00:29:09,133 --> 00:29:11,000 JUST HEAR ME OUT FOR A SECOND 866 00:29:11,000 --> 00:29:12,333 BEFORE YOU SAY ANYTHING. 867 00:29:12,333 --> 00:29:13,633 I WANT TO TAKE THE TV, 868 00:29:13,633 --> 00:29:16,900 AND I WANT TO MAKE YOUR MAN CAVE INTO THE MAIN ROOM. 869 00:29:16,900 --> 00:29:18,800 I'M GONNA MAKE--I'M GONNA TAKE YOUR OLD MAN CAVE, 870 00:29:18,800 --> 00:29:20,734 I'M GONNA MAKE IT INTO-- IF I CAN, 871 00:29:20,734 --> 00:29:22,367 I'M GONNA MAKE IT INTO A LARGER DRESSING ROOM, 872 00:29:22,367 --> 00:29:24,500 AND I PROMISE I'LL BRING LIGHT FROM THAT ROOM 873 00:29:24,500 --> 00:29:28,767 INTO THE LIVING ROOM. 874 00:29:28,767 --> 00:29:30,133 YOU'RE THE BEST. - NO, HE DOESN'T-- 875 00:29:30,133 --> 00:29:31,600 HE'S NOT DOING IT. [speaks indistinctly] 876 00:29:31,600 --> 00:29:33,133 YOU HAVE TO BE LIKE-- - JUST EXPLAIN WHY. 877 00:29:33,133 --> 00:29:34,867 - BETHENNY DOESN'T BELIEVE ME 878 00:29:34,867 --> 00:29:39,533 OR BELIEVE YOU THAT YOU'RE ACTUALLY SAYING YES. 879 00:29:39,533 --> 00:29:41,800 - WE JUST GOT OFF THE TITANIC, 880 00:29:41,800 --> 00:29:43,433 EVERYTHING IS QUIET ON THE HOME FRONT, 881 00:29:43,433 --> 00:29:45,767 AND FANUKA THE [bleep]-UP 882 00:29:45,767 --> 00:29:47,600 THROWS ME TO THE WOLVES WITH A BIG, RAW STEAK 883 00:29:47,600 --> 00:29:49,266 IN MY MOUTH. - SORRY. 884 00:29:49,266 --> 00:29:52,133 SO, I MEAN, WE GOT-- WE'RE ALL WITNESSES. 885 00:29:54,033 --> 00:29:56,633 - FIRST MY MOTHER SAYS I'M GETTING A DIVORCE, 886 00:29:56,633 --> 00:29:59,467 AND NOW STEVE IS GOING TO MAKE THAT HAPPEN. 887 00:29:59,467 --> 00:30:03,066 - I FELT IT WAS NECESSARY TO GET YOU ON THE PHONE NOW 888 00:30:03,066 --> 00:30:05,333 SO YOU COULD HEAR IT FROM ALL OF US 889 00:30:05,333 --> 00:30:07,433 BEFORE, YOU KNOW, YOU GET "SIDESWAPPED" WITH IT. 890 00:30:07,433 --> 00:30:11,066 - MAKE IT CLEAR THAT BETHENNY WAS NOT INTO DOING THIS. 891 00:30:11,066 --> 00:30:14,233 THE ONLY REASON WE CALLED YOU WAS TO SEE WHAT YOU'D THINK. 892 00:30:14,233 --> 00:30:16,433 - YOU'RE LIKE A FART IN CHURCH. 893 00:30:22,433 --> 00:30:25,200 - [whispers] SUCH A GOOD HUSBAND. 894 00:30:25,200 --> 00:30:27,166 - OKAY. WE'LL BE IN TOUCH WITH YOU. 895 00:30:27,166 --> 00:30:29,867 - I TOLD YOU, A HAPPY BETHENNY'S A HAPPY JASON. 896 00:30:29,867 --> 00:30:31,600 - THAT'S EXACTLY HOW IT HAPPENS AT HOME. 897 00:30:31,600 --> 00:30:34,166 - YOU DIDN'T START THAT OUT VERY WELL, BY THE WAY. 898 00:30:34,166 --> 00:30:35,500 - NO, I-- WHAT DO YOU MEAN? 899 00:30:35,500 --> 00:30:36,734 - I'M JUST GONNA TELL YOU WHAT HAPPENED. 900 00:30:36,734 --> 00:30:38,300 - JUST STOP. - WHAT HAPPENS AT HOME 901 00:30:38,300 --> 00:30:40,967 IS HIM SAYING, "YOU TOLD THEM YOU WANTED--" 902 00:30:40,967 --> 00:30:43,734 YOU DON'T AIR YOUR DIRTY STUFF IN FRONT OF EVERYBODY ELSE. 903 00:30:43,734 --> 00:30:46,300 SO I WANTED IT TO BE A LITTLE BIT MORE DELICATE. 904 00:30:46,300 --> 00:30:48,266 LIKE, YOU GUYS ARE JUST THINKING THIS. 905 00:30:48,266 --> 00:30:49,633 IT IS WHAT IT IS. 906 00:30:49,633 --> 00:30:51,200 OUTSIDE, JASON IS SAYING, "OH, DO BETHENNY. 907 00:30:51,200 --> 00:30:52,200 JUST DO WHATEVER SHE WANTS." 908 00:30:52,200 --> 00:30:54,567 JASON IS GOING TO THROW THIS UP TO ME. 909 00:30:54,567 --> 00:30:56,333 WE HAVE TO AGREE. 910 00:30:56,333 --> 00:30:58,100 IT HAS TO BE HIS IDEA. 911 00:30:58,100 --> 00:31:00,567 JASON HAS TO WANT THIS TO HAPPEN, 912 00:31:00,567 --> 00:31:02,934 BECAUSE I WILL NEVER HEAR THE END OF IT. 913 00:31:02,934 --> 00:31:05,000 NOW I NEED A GLASS-- DOES ANYONE WANT A COCKTAIL? 914 00:31:05,000 --> 00:31:07,333 LET'S HAVE A COCKTAIL. 915 00:31:09,767 --> 00:31:11,000 COMING UP... 916 00:31:11,000 --> 00:31:13,667 CLOSET, RAISE YOUR HAND. 917 00:31:13,667 --> 00:31:16,533 - CLOSET WOMAN IS WAVERING. 918 00:31:16,533 --> 00:31:18,800 - I WANT JASON TO BE HAPPY TOO. 919 00:31:27,633 --> 00:31:28,767 - OH, MY GOD. 920 00:31:28,767 --> 00:31:29,834 WHENEVER I SEE THE PLASTIC BABIES, 921 00:31:29,834 --> 00:31:30,900 I FREAK OUT. 922 00:31:30,900 --> 00:31:32,433 - I WANT EVERYONE WHO'S ALWAYS 923 00:31:32,433 --> 00:31:34,800 AROUND BRYN TO TAKE A CPR CLASS WITH ME. 924 00:31:34,800 --> 00:31:36,000 - HELLO. 925 00:31:36,000 --> 00:31:38,200 - THE MORE PEOPLE THAT KNOW CPR, THE BETTER. 926 00:31:38,200 --> 00:31:39,567 - OKAY. 927 00:31:39,567 --> 00:31:40,967 I'D LIKE TO KNOW A COUPLE THINGS ABOUT YOU GUYS 928 00:31:40,967 --> 00:31:42,300 BEFORE I BEGIN TO ACTUAL TEACH. 929 00:31:42,300 --> 00:31:43,633 I WANT TO KNOW YOUR NAMES, 930 00:31:43,633 --> 00:31:45,000 I WANT TO KNOW IF YOU'VE TAKEN CPR BEFORE. 931 00:31:45,000 --> 00:31:47,100 - I'M JULIE, AND, YES, I WAS A LIFEGUARD. 932 00:31:47,100 --> 00:31:48,734 - I'M MAGGIE. I'VE NEVER TAKEN 933 00:31:48,734 --> 00:31:50,734 ANY KIND OF CPR CLASS BEFORE. 934 00:31:50,734 --> 00:31:52,600 - I'M DWAYNE. NEVER TOOK CPR BEFORE. 935 00:31:52,600 --> 00:31:54,734 I'M TAKING IT NOW FOR BRYN, AND I HAVE KIDS. 936 00:31:54,734 --> 00:31:56,367 I HAVE YOUNG KIDS. I HAVE FOUR OR FIVE. 937 00:31:57,834 --> 00:32:00,266 - FOUR, FIVE. WHO CAN KEEP TRACK? 938 00:32:00,266 --> 00:32:02,100 - PUT THE HEAD ALL THE WAY BACK AND PINCH THE NOSE. 939 00:32:02,100 --> 00:32:03,767 COMPRESSIONS. TWO BREATHS. 940 00:32:03,767 --> 00:32:04,767 YOU GUYS, COUNT OUT LOUD OR IN YOUR HEAD. 941 00:32:04,767 --> 00:32:06,300 - SHE HAD A BABY BY ME TOO. 942 00:32:06,300 --> 00:32:07,900 - LET'S MAKE THIS REALISTIC. 943 00:32:07,900 --> 00:32:09,233 - YEAH, THIS IS ABOUT RIGHT. 944 00:32:09,233 --> 00:32:11,934 - DWAYNE-- DRIVER, CONFIDANTE, 945 00:32:11,934 --> 00:32:15,567 FATHER OF FOUR, FIVE, GIVE OR TAKE. 946 00:32:15,567 --> 00:32:17,633 all: THANK YOU. - THANK YOU SO MUCH. 947 00:32:17,633 --> 00:32:19,667 - SAY BYE TO ALL YOUR BABIES, DWAYNE. 948 00:32:19,667 --> 00:32:21,066 - YEAH, YEAH, YEAH. [laughter] 949 00:32:21,066 --> 00:32:23,934 I'LL SEE YOU-- I'LL SEE YOU ALL ON THE WEEKEND. 950 00:32:34,734 --> 00:32:37,000 both: HI. 951 00:32:37,000 --> 00:32:38,667 - WHAT'S DOING? - NOT MUCH. 952 00:32:38,667 --> 00:32:40,100 HOW ARE YOU? 953 00:32:40,100 --> 00:32:43,066 - WELL, MY MOTHER HAS REARED HER UGLY HEAD AGAIN. 954 00:32:43,066 --> 00:32:45,500 I JUST THINK I'M TRYING 955 00:32:45,500 --> 00:32:49,133 TO WORK HARD AT MY RELATIONSHIP 956 00:32:49,133 --> 00:32:51,300 AND NOT BEING SO DRASTIC, 957 00:32:51,300 --> 00:32:54,834 AND, YOU KNOW, I WANT-- I JUST WANT TO BE A GOOD WIFE, 958 00:32:54,834 --> 00:32:57,266 AND I WANT TO-- BUT I ALSO DON'T WANT 959 00:32:57,266 --> 00:32:59,500 TO BEAT MYSELF UP SO MUCH. - MM-HMM. 960 00:32:59,500 --> 00:33:01,333 - I LOVE WHEN JASON'S AT WORK 961 00:33:01,333 --> 00:33:03,400 ON A MONDAY GOING TO LUNCH WITH BRYN. 962 00:33:03,400 --> 00:33:06,166 WE WENT LAST WEEK TO A MEXICAN RESTAURANT, 963 00:33:06,166 --> 00:33:08,133 AND WE JUST HAD, YOU KNOW, THE GRILLED CORN 964 00:33:08,133 --> 00:33:10,166 AND THE CHIPS-- SHE DIDN'T HAVE THE CHIPS 965 00:33:10,166 --> 00:33:11,467 BECAUSE THEY'RE A CHOKING HAZARD-- 966 00:33:11,467 --> 00:33:12,834 BUT I LIKE THE FEELING. 967 00:33:12,834 --> 00:33:14,834 I DON'T KNOW. IT FELT SPECIAL. 968 00:33:14,834 --> 00:33:16,834 IT MADE ME FEEL LIKE I HAVE TIME ALONE WITH BRYN. 969 00:33:16,834 --> 00:33:19,500 - DID YOUR MOM EVER DO THAT WITH YOU? 970 00:33:19,500 --> 00:33:21,700 HAVE KIND OF DATES WITH JUST YOU, 971 00:33:21,700 --> 00:33:22,800 THE TWO OF YOU TOGETHER DO THINGS? 972 00:33:22,800 --> 00:33:24,266 - IT WASN'T REALLY DATES. 973 00:33:24,266 --> 00:33:25,867 MY MOTHER WOULD-- I DON'T KNOW WHY 974 00:33:25,867 --> 00:33:27,900 WHAT'S COMING TO MIND-- HER DROPPING ME OFF 975 00:33:27,900 --> 00:33:29,367 AND PICKING ME UP AT THE ROLLER RINK. 976 00:33:29,367 --> 00:33:31,567 'CAUSE I WAS EVERY SINGLE WEEKEND AT THE ROLLER RINK. 977 00:33:31,567 --> 00:33:33,433 I MEAN, THE ROLLER RINK WAS MY LIFE, HOT SKATES. 978 00:33:33,433 --> 00:33:35,600 SO I'D BE IN THERE FROM 9:00 IN THE MORNING 979 00:33:35,600 --> 00:33:37,567 TILL SOMETIMES 9:00 AT NIGHT. 980 00:33:37,567 --> 00:33:39,333 AND WE WOULD GO TO MCDONALD'S. 981 00:33:39,333 --> 00:33:40,834 I DON'T REMEMBER. I DON'T KNOW. 982 00:33:40,834 --> 00:33:42,033 I DON'T REMEMBER ANY JUST, LIKE, 983 00:33:42,033 --> 00:33:43,500 SITTING IN A PARK AND PLAYING. 984 00:33:43,500 --> 00:33:44,900 I DON'T REMEMBER. I'M NOT SAYING WE DIDN'T DO IT. 985 00:33:44,900 --> 00:33:46,333 I JUST DON'T KNOW. 986 00:33:46,333 --> 00:33:48,066 I REMEMBER EVERYTHING ABOUT FOOD AND RESTAURANTS WITH HER. 987 00:33:48,066 --> 00:33:49,166 - RIGHT. 988 00:33:49,166 --> 00:33:51,266 - I ALSO REMEMBER HER, 989 00:33:51,266 --> 00:33:53,934 LIKE, GETTING SO BEATEN UP AND GOING THROUGH 990 00:33:53,934 --> 00:33:56,600 THAT TYPE OF STUFF TOGETHER. 991 00:33:56,600 --> 00:33:58,433 - AND HOW'D YOU FEEL ABOUT HER 992 00:33:58,433 --> 00:33:59,834 WHEN YOU'D SEE THAT? 993 00:33:59,834 --> 00:34:02,400 PHYSICALLY BEATEN, 994 00:34:02,400 --> 00:34:03,600 YOU'RE SAYING? 995 00:34:03,600 --> 00:34:05,333 - MM, YEAH. 996 00:34:05,333 --> 00:34:07,600 UM... 997 00:34:09,567 --> 00:34:13,133 I DON'T HONESTLY THINK I FELT THAT BAD. 998 00:34:13,133 --> 00:34:14,967 - I MAY HAVE MISREAD-- - BECAUSE-- 999 00:34:14,967 --> 00:34:17,166 - I MAY HAVE MISREAD YOUR FACE, BUT YOU LOOKED SAD 1000 00:34:17,166 --> 00:34:18,533 FOR A MINUTE. 1001 00:34:18,533 --> 00:34:20,266 FOR A MOMENT. 1002 00:34:20,266 --> 00:34:22,300 - IT WENT ON SO MUCH. 1003 00:34:22,300 --> 00:34:24,734 IT JUST WENT ON SO MUCH. 1004 00:34:26,834 --> 00:34:29,767 - HOW DID THAT FEEL TO YOU WHEN YOU SAW THAT? 1005 00:34:29,767 --> 00:34:32,100 CAN YOU RELIVE A MEMORY RIGHT NOW? 1006 00:34:32,100 --> 00:34:33,567 ARE THEY SCREAMING AT EACH OTHER? 1007 00:34:33,567 --> 00:34:36,100 WHAT ARE THEY DOING IN THE MEMORY? 1008 00:34:36,100 --> 00:34:38,467 - WELL, THEY BOTH USED TO WANT TO GET MY ATTENTION 1009 00:34:38,467 --> 00:34:40,100 DURING THE FIGHT, WHICH NOW, AS AN ADULT, 1010 00:34:40,100 --> 00:34:42,767 I SEE TO BE VERY SICK. 1011 00:34:42,767 --> 00:34:45,767 THEY WANTED ME TO SEE. 1012 00:34:45,767 --> 00:34:47,900 - HOW ARE YOU FEELING? 1013 00:34:50,500 --> 00:34:51,500 - I WANT TO BE HONEST. 1014 00:34:51,500 --> 00:34:53,934 WHAT I'M SUPPOSED TO SAY 1015 00:34:53,934 --> 00:34:56,900 IS I WAS FEELING SO SAD AND I WAS SO SCARED. 1016 00:34:56,900 --> 00:34:58,533 I WASN'T FEELING LIKE THAT. 1017 00:34:58,533 --> 00:35:00,934 IT WENT ON ALL THE TIME. 1018 00:35:00,934 --> 00:35:04,033 - YOU'VE HAD REALLY, REALLY CONFUSING-- 1019 00:35:04,033 --> 00:35:05,500 YOU CAN CALL IT [bleep]-UP IF YOU WANT, 1020 00:35:05,500 --> 00:35:08,533 BUT IT'S CONFUSING-- LOVE RELATIONSHIPS 1021 00:35:08,533 --> 00:35:12,567 FROM WHEN YOU WERE 5-- FROM INFANCY, 5, 7, 1022 00:35:12,567 --> 00:35:14,633 10, 14 YEARS OLD. 1023 00:35:14,633 --> 00:35:17,200 AND WE'RE JUST GETTING LAYERS AND LAYERS AND LAYERS 1024 00:35:17,200 --> 00:35:19,467 OF STEEL ARMOR AWAY FROM HOW BETHENNY FELT. 1025 00:35:19,467 --> 00:35:20,934 AND WHY DO I CARE ABOUT HOW YOU FELT 1026 00:35:20,934 --> 00:35:22,700 WHEN YOU WERE FIVE YEARS OLD OR SEVEN YEARS OLD 1027 00:35:22,700 --> 00:35:23,867 WATCHING THIS EXCHANGE? 1028 00:35:23,867 --> 00:35:25,633 - I FELT ALONE. - AND HOW YOU DEAL WITH THEM. 1029 00:35:25,633 --> 00:35:26,967 AND YOU FELT ALONE. - I FELT LONELY. 1030 00:35:26,967 --> 00:35:28,500 - AND YOU LEARNED TO BE ALONE. 1031 00:35:28,500 --> 00:35:30,367 - YES, I FELT LONELY AND ALONE. 1032 00:35:30,367 --> 00:35:32,100 - AND YOU WENT TO THE ROLLER SKATING RINK FOR THE ENTIRE DAY. 1033 00:35:32,100 --> 00:35:33,900 - BY MYSELF. - AND FOUND... 1034 00:35:33,900 --> 00:35:36,266 - I FELT ALONE. 1035 00:35:40,867 --> 00:35:43,133 AND I DID GO TO THE ROLLER RINK FOR THE ENTIRE DAY ALONE. 1036 00:36:01,734 --> 00:36:03,767 - THE PALETTE LOOKS TERRIFIC. - THANK YOU. 1037 00:36:03,767 --> 00:36:05,867 - THIS REALLY CAME TOGETHER, THIS CALCUTTA. 1038 00:36:05,867 --> 00:36:07,900 HOW BEAUTIFUL IS THIS TILE? 1039 00:36:07,900 --> 00:36:09,367 - HOME. 1040 00:36:09,367 --> 00:36:12,166 HOME, SWEET HOME. 1041 00:36:12,166 --> 00:36:13,633 - I THINK THIS LOOKS GREAT. 1042 00:36:13,633 --> 00:36:15,533 - AND THEN WE HAVE TO TALK ABOUT WALL-MOUNTED 1043 00:36:15,533 --> 00:36:16,900 VERSUS DECK-MOUNTED. 1044 00:36:16,900 --> 00:36:18,200 - HI, EVERYONE. 1045 00:36:18,200 --> 00:36:19,633 all: HI. - HEY, EVERYBODY. 1046 00:36:19,633 --> 00:36:22,333 - HOW ARE YOU? - THE WHOLE CREW IS HERE. 1047 00:36:22,333 --> 00:36:24,400 HEY, GUYS. - SOME OF YOU I DON'T KNOW. 1048 00:36:24,400 --> 00:36:25,433 YOU'RE CONSTRUCTION? 1049 00:36:25,433 --> 00:36:26,567 - DEMO. - DEMO. 1050 00:36:26,567 --> 00:36:27,934 OH, SLEDGEHAMMER. - DEMO. 1051 00:36:27,934 --> 00:36:29,033 - NICE TO MEET YOU. - HI. JASON. 1052 00:36:29,033 --> 00:36:31,033 - YOU'RE CONSTRUCTION? - CARPENTER. 1053 00:36:31,033 --> 00:36:32,166 - NICE TO MEET YOU. 1054 00:36:32,166 --> 00:36:33,800 OH, MY GOD. I FEEL LIKE I JUST WALKED 1055 00:36:33,800 --> 00:36:34,967 INTO A JOKE. 1056 00:36:34,967 --> 00:36:37,467 HOW MANY PEOPLE WILL IT TAKE TO PUT BETHENNY 1057 00:36:37,467 --> 00:36:38,467 IN THE NUTHOUSE? 1058 00:36:38,467 --> 00:36:39,567 YOU WANT TO DO A WALKTHROUGH, 1059 00:36:39,567 --> 00:36:40,867 STARTING FROM THE VERY BEGINNING, 1060 00:36:40,867 --> 00:36:42,233 LIKE, WHAT IS HAPPENING IN THIS APARTMENT? 1061 00:36:42,233 --> 00:36:44,467 - THIS IS--WOOD FLOORING IN HERE'S REMAINING THE SAME. 1062 00:36:44,467 --> 00:36:45,800 - WE'RE STAINING EVERYTHING. 1063 00:36:45,800 --> 00:36:47,967 - CLOSETS ARE STAYING. HARDWARE IS CHANGING. 1064 00:36:47,967 --> 00:36:49,867 - THIS IS GOING TO BE THE OFFICE. 1065 00:36:49,867 --> 00:36:51,233 - YEAH, THE PROBLEM THAT I HAVE 1066 00:36:51,233 --> 00:36:54,734 IS I WANT THE GIRLS OUT AT 6:00 FROM OUR CURRENT PLACE. 1067 00:36:54,734 --> 00:36:56,500 NOW I DON'T CARE IF THEY'RE HERE TILL MIDNIGHT. 1068 00:36:56,500 --> 00:36:58,734 THIS IS GONNA BE REALLY COOL. 1069 00:36:58,734 --> 00:37:00,700 LIKE, SEPARATION? 1070 00:37:00,700 --> 00:37:01,934 OH, MY GOD, I'M IN HEAVEN. 1071 00:37:01,934 --> 00:37:04,166 - THE SHOWER IS PHENOMENAL. 1072 00:37:04,166 --> 00:37:06,533 - IT'S A STEAM SHOWER! 1073 00:37:06,533 --> 00:37:08,967 - OH, MY GOD, HOW MANY PEOPLE FIT IN THIS SHOWER? 1074 00:37:08,967 --> 00:37:10,867 - THIS IS WHERE WE CAN PUT OUR POLE, IN HERE. 1075 00:37:10,867 --> 00:37:12,734 - WE COULD PUT A POLE RIGHT HERE. 1076 00:37:12,734 --> 00:37:14,233 - RIGHT. ALL RIGHT, MARC. 1077 00:37:14,233 --> 00:37:15,667 SO WAIT A SECOND. 1078 00:37:15,667 --> 00:37:17,900 WHAT ARE WE DOING IN HERE? WHOA! 1079 00:37:17,900 --> 00:37:19,700 THAT'S A BIG EFFING SHOWER. 1080 00:37:19,700 --> 00:37:22,633 I COULD HOLD A BOARD MEETING. WE COULD PLAY BINGO. 1081 00:37:22,633 --> 00:37:24,533 A LOT OF THINGS CAN HAPPEN IN THAT BATHROOM. 1082 00:37:24,533 --> 00:37:26,367 THIS WILL BE CLOSED OFF PERHAPS. 1083 00:37:26,367 --> 00:37:27,533 - WELL, LET'S GO TO THE MASTER FIRST. 1084 00:37:27,533 --> 00:37:28,900 - OR ARE WE STILL IN DILEMMA ABOUT THAT? 1085 00:37:28,900 --> 00:37:31,166 WE DON'T KNOW WHAT TO DO. 1086 00:37:31,166 --> 00:37:32,867 THE CONFLICT IS THAT THIS WOULD BE 1087 00:37:32,867 --> 00:37:35,433 A GREAT MAN CAVE, AND THEN THIS ROOM 1088 00:37:35,433 --> 00:37:37,100 ISN'T, LIKE, WHERE YOU WATCH TV EVERY DAY. 1089 00:37:37,100 --> 00:37:38,467 AND THIS IS OPEN, 1090 00:37:38,467 --> 00:37:40,433 AND WE COULD MAKE THIS A COOL DEN. 1091 00:37:40,433 --> 00:37:42,700 HOWEVER, I HAVE NO CLOSET SPACE AT ALL, 1092 00:37:42,700 --> 00:37:44,033 AND WE'RE CONCERNED ABOUT THE RESALE VALUE 1093 00:37:44,033 --> 00:37:45,133 OF THE APARTMENT. 1094 00:37:45,133 --> 00:37:46,367 WHAT SUCKS IS THAT WE'RE GONNA HAVE 1095 00:37:46,367 --> 00:37:47,934 TO COMPROMISE ON SOMETHING. 1096 00:37:47,934 --> 00:37:50,767 LIKE, WE EITHER GET THIS AS A MAN CAVE-- 1097 00:37:50,767 --> 00:37:52,433 NOT MAN CAVE, PERSON CAVE-- 1098 00:37:52,433 --> 00:37:53,567 - RIGHT. - AS A CAVE. 1099 00:37:53,567 --> 00:37:55,100 OR WE GET A CLOSET. 1100 00:37:55,100 --> 00:37:57,400 LET'S GO LOOK. 1101 00:37:57,400 --> 00:38:00,133 I WANT TO JUST PRESENT THE INFORMATION TO JASON. 1102 00:38:00,133 --> 00:38:01,800 HERE IS THE DILEMMA. 1103 00:38:01,800 --> 00:38:03,333 HERE IS A POTENTIAL SOLUTION. 1104 00:38:03,333 --> 00:38:04,700 WHAT DO YOU THINK? 1105 00:38:04,700 --> 00:38:05,967 - THIS IS THE MASTER BEDROOM. 1106 00:38:05,967 --> 00:38:08,867 - THIS IS THE MASTER BEDROOM. 1107 00:38:08,867 --> 00:38:10,633 SO THIS IS IT. 1108 00:38:10,633 --> 00:38:11,934 - SO, BETHENNY, 1109 00:38:11,934 --> 00:38:14,500 THIS IS, LIKE, HALF THE SIZE OF YOUR EXISTING. 1110 00:38:14,500 --> 00:38:16,200 SO WE KNOW THIS IS-- - THIS IS WHY I'M DOWNGRADING. 1111 00:38:16,200 --> 00:38:18,000 - SO, YEAH, BUT WE ALREADY-- - SO THIS IS A DOWNGRADE 1112 00:38:18,000 --> 00:38:19,800 FROM MY CURRENT CLOSET. - THIS IS NOTHING. 1113 00:38:19,800 --> 00:38:21,300 - RIGHT, SO LET'S JUST TALK ABOUT, 1114 00:38:21,300 --> 00:38:23,133 WHAT IF WE TAKE A PART OF OVER HERE? 1115 00:38:23,133 --> 00:38:24,633 IS THAT GONNA MAKE IT MUCH BIGGER? 1116 00:38:24,633 --> 00:38:25,867 - USE THE POINT OF THIS WALL RIGHT HERE, 1117 00:38:25,867 --> 00:38:27,100 RIGHT WHERE STEVE'S ARM IS RIGHT THERE. 1118 00:38:27,100 --> 00:38:29,333 RUN THAT RIGHT ACROSS. AND THAT COULD BE... 1119 00:38:29,333 --> 00:38:30,900 - IS THAT GONNA GIVE ME A PHENOMENAL CLOSET? 1120 00:38:30,900 --> 00:38:31,934 - NO. - NO. 1121 00:38:31,934 --> 00:38:33,300 - IT'LL GIVE YOU A GOOD CLOSET. 1122 00:38:33,300 --> 00:38:34,667 - WHAT YOU'RE DOING RIGHT NOW 1123 00:38:34,667 --> 00:38:36,500 IS YOU'RE ACTUALLY TAKING A ROOM THAT'S OKAY, 1124 00:38:36,500 --> 00:38:39,133 AND YOU'RE CUTTING IT IN HALF, 1125 00:38:39,133 --> 00:38:41,700 ALL BECAUSE OF THIS MAN CAVE. 1126 00:38:41,700 --> 00:38:43,900 BY THE WAY, THAT MAN CAVE IS KIND OF TINY. 1127 00:38:43,900 --> 00:38:46,700 AND YOU'VE GOT THIS CLOSET THAT'S NEVER GONNA HAPPEN 1128 00:38:46,700 --> 00:38:47,834 FOR YOU-- YOU'RE NEVER GONNA BE HAPPY. 1129 00:38:47,834 --> 00:38:50,000 - SO IT'S [bleep] AND [bleep]. 1130 00:38:50,000 --> 00:38:51,433 - I SEE HIS POINT ABOUT [bleep] UP, 1131 00:38:51,433 --> 00:38:53,467 WITH TAKING LIKE THIS AND THEN HAVING A LITTLE CLOSET. 1132 00:38:53,467 --> 00:38:55,233 - AND HE THINKS THAT WE'LL NEVER, EVER BE 1133 00:38:55,233 --> 00:38:56,500 IN THAT LITTLE ROOM ANYWAY, BECAUSE WE'RE GONNA WANT 1134 00:38:56,500 --> 00:38:57,700 TO BE IN THE BIG ROOM. 1135 00:38:57,700 --> 00:38:59,500 - AFTER TWO YEARS OF MARRIAGE, 1136 00:38:59,500 --> 00:39:01,033 I'M LEARNING THAT COMPROMISE IS KEY, 1137 00:39:01,033 --> 00:39:02,867 AND IT LOOKS LIKE THE WRITING'S ON THE WALL 1138 00:39:02,867 --> 00:39:03,900 WITH MY MAN CAVE. 1139 00:39:03,900 --> 00:39:05,033 - EVERYBODY SEEMS TO THINK 1140 00:39:05,033 --> 00:39:06,834 THAT THIS COMBINED WITH THE ROOM-- 1141 00:39:06,834 --> 00:39:08,633 WITH THE CLOSET IN THERE WOULD BE A GREAT CLOSET. 1142 00:39:08,633 --> 00:39:09,934 - WHAT DO WE ALL THINK HERE? 1143 00:39:09,934 --> 00:39:12,667 - CLOSET, MAN DEN? - CLOSET. 1144 00:39:12,667 --> 00:39:14,333 - "A", CLOSET, RAISE YOUR HAND. 1145 00:39:16,800 --> 00:39:18,467 YOU'RE LINDA THE CLOSET LADY, OKAY? 1146 00:39:18,467 --> 00:39:20,433 - THE CLOSET WOMAN IS WAVERING. - THE CLOSET LADY 1147 00:39:20,433 --> 00:39:23,233 IS NOT INTO IT. - I WANT JASON TO BE HAPPY TOO. 1148 00:39:23,233 --> 00:39:25,467 - CLEARLY, THEY'RE SLEEPING TOGETHER. 1149 00:39:25,467 --> 00:39:28,533 THIS WAS SUPPOSED TO BE A UNANIMOUS VOTE. 1150 00:39:28,533 --> 00:39:30,000 I MEAN, SHE'S ON THE INSIDE. 1151 00:39:30,000 --> 00:39:31,900 THERE'S NO WAY. HE GOT TO HER. 1152 00:39:31,900 --> 00:39:33,367 I DON'T KNOW WHAT'S HAPPENING. 1153 00:39:33,367 --> 00:39:35,100 - DON'T THINK OF ME OR HER. 1154 00:39:35,100 --> 00:39:37,033 WHAT DO YOU THINK OF JUST THIS SPACE 1155 00:39:37,033 --> 00:39:38,333 AND WHAT YOU WOULD DO WITH IT? 1156 00:39:38,333 --> 00:39:40,333 - I MEAN, IT COULD THEN, FOR RESALE, 1157 00:39:40,333 --> 00:39:42,100 BE A HIS/HERS DRESSING ROOM. 1158 00:39:42,100 --> 00:39:43,834 RIGHT NOW, IT'LL BE HERS, 1159 00:39:43,834 --> 00:39:46,533 BECAUSE WE KNOW JASON'S NOT A CLOTHESHORSE. 1160 00:39:46,533 --> 00:39:47,633 - YEAH, I'M FINE WITH THAT. 1161 00:39:47,633 --> 00:39:48,834 - BUT FOR RESALE IT WOULD BE A KILLER. 1162 00:39:48,834 --> 00:39:50,700 - SO DONE. WE'RE GONNA DO A CLOSET. 1163 00:39:50,700 --> 00:39:52,467 - IF IT'S MEANT TO BE, IT'S MEANT TO BE. 1164 00:39:52,467 --> 00:39:57,533 I WAS DEAD SET AGAINST HAVING A LARGE TV IN THE LIVING ROOM. 1165 00:39:57,533 --> 00:39:59,000 I GAVE THAT UP. 1166 00:39:59,000 --> 00:40:01,800 SO JASON GOT WHAT HE WANTED IN THAT RESPECT. 1167 00:40:01,800 --> 00:40:03,934 - IF WE GET THE BIGGER SPACE, 1168 00:40:03,934 --> 00:40:06,133 YOU CAN HAVE A SHOE CORRAL. 1169 00:40:06,133 --> 00:40:07,800 - I DON'T EVEN KNOW WHAT A SHOE CORRAL IS. 1170 00:40:07,800 --> 00:40:09,867 - YOU WANT IT. - SOUNDS COOL. 1171 00:40:09,867 --> 00:40:10,967 - YOU DON'T KNOW WHAT IT IS, BUT YOU WANT IT. 1172 00:40:10,967 --> 00:40:12,367 - REALLY? - YES. 1173 00:40:12,367 --> 00:40:14,400 - ALL RIGHT, SO LET ME KNOW WHEN WE CAN SMASH SOME STUFF. 1174 00:40:14,400 --> 00:40:16,266 ALL RIGHT, I THANK YOU. 1175 00:40:16,266 --> 00:40:17,767 BYE, EVERYONE. BYE, ANDREA. 1176 00:40:17,767 --> 00:40:18,767 BYE. - BYE. 1177 00:40:18,767 --> 00:40:20,633 - THANK YOU. - BYE, JASON. 1178 00:40:20,633 --> 00:40:22,600 - ALL RIGHT, SO NOW ALL THE FUN IS OVER. 1179 00:40:22,600 --> 00:40:24,233 NOW IT'S TIME-- NOW YOU GOT TO WORK. 1180 00:40:24,233 --> 00:40:25,433 - COMING UP... 1181 00:40:25,433 --> 00:40:26,800 - WAIT, I'M DOING IT IN HERE FIRST. 1182 00:40:26,800 --> 00:40:27,867 - NO, YOU'RE GOING HERE. 1183 00:40:27,867 --> 00:40:28,900 - YOU CAN'T DO IT ON THE CARPET. 1184 00:40:28,900 --> 00:40:30,100 - YEAH, BUT THAT LOOKS REALLY SLIPPERY. 1185 00:40:30,100 --> 00:40:31,233 - JUST GO FOR IT. JUST GET YOUR BALLS OUT 1186 00:40:31,233 --> 00:40:33,266 AND LET'S GO. 1187 00:40:52,834 --> 00:40:54,467 - OKAY. 1188 00:40:54,467 --> 00:40:56,467 SO THIS IS IT. - OH, MY GOSH. 1189 00:40:56,467 --> 00:40:59,400 - UNDERSTAND THAT IT'S A BLANK CANVAS. 1190 00:40:59,400 --> 00:41:00,533 - SO MODERN. 1191 00:41:00,533 --> 00:41:02,900 - THE OFFICE IS IN HERE, 1192 00:41:02,900 --> 00:41:04,266 WHICH WILL BE SQUARED OFF, 1193 00:41:04,266 --> 00:41:05,767 SO YOU'RE GONNA GET MORE SPACE. 1194 00:41:05,767 --> 00:41:06,934 - DO I GET A SEAT? 1195 00:41:06,934 --> 00:41:08,300 - DO WE GET-- - IN THIS OFFICE? 1196 00:41:08,300 --> 00:41:09,500 - YOU GET A SEAT. - DO I GET A SEAT? 1197 00:41:09,500 --> 00:41:10,667 - YOU WILL GET A SEAT. 1198 00:41:10,667 --> 00:41:12,100 - I LOVE IT. - IT'S GREAT. 1199 00:41:12,100 --> 00:41:14,400 - AND IT'S SEPARATE FROM THE REST OF THE APARTMENT. 1200 00:41:14,400 --> 00:41:15,800 THERE GONNA BE A WALL RIGHT HERE. 1201 00:41:15,800 --> 00:41:17,300 - WOW. - LIKE A BIG MOVING WALL. 1202 00:41:17,300 --> 00:41:18,567 THAT'S GONNA BE SQUARED OFF. 1203 00:41:18,567 --> 00:41:19,667 BIG MOVING WALL. 1204 00:41:19,667 --> 00:41:21,367 THERE'S A BATHROOM. FULL BATHROOM. 1205 00:41:21,367 --> 00:41:23,500 SO NOW YOU COULD BE HERE TILL MIDNIGHT. 1206 00:41:23,500 --> 00:41:25,900 NOT THAT YOU'D WANT TO, BUT YOU KNOW. 1207 00:41:25,900 --> 00:41:27,700 - WOW. - SO OPEN. 1208 00:41:27,700 --> 00:41:29,800 - IT'S BIGGER. 1209 00:41:29,800 --> 00:41:32,000 IT'S DIFFERENT. - OH, MY GOSH. 1210 00:41:32,000 --> 00:41:33,700 - I TOOK THE GIRLS OVER TO THE NEW APARTMENT. 1211 00:41:33,700 --> 00:41:34,900 AND I BROUGHT MY ROLLER SKATES, 1212 00:41:34,900 --> 00:41:36,934 BECAUSE VERONICA'S BEEN TELLING ME 1213 00:41:36,934 --> 00:41:38,300 SHE WANTS TO LEARN HOW TO SKATE, 1214 00:41:38,300 --> 00:41:39,467 AND I JUST BOUGHT A ROLLER RINK. 1215 00:41:39,467 --> 00:41:40,867 NONE OF YOU BROUGHT ROLLER SKATES? 1216 00:41:40,867 --> 00:41:42,033 - NO. 1217 00:41:42,033 --> 00:41:43,533 - WAIT, I'M DOING IT IN HERE FIRST. 1218 00:41:43,533 --> 00:41:45,166 - NO, YOU'RE GOING HERE. - YOU CAN'T DO IT ON THE CARPET. 1219 00:41:45,166 --> 00:41:46,433 - YEAH, BUT THAT LOOKS REALLY SLIPPERY. 1220 00:41:46,433 --> 00:41:47,600 - JUST GO FOR IT. JUST GET YOUR BALLS OUT 1221 00:41:47,600 --> 00:41:49,934 AND LET'S GO. JUST BE CAREFUL. 1222 00:41:49,934 --> 00:41:51,133 - IT'S BETTER TO BE SLIPPERY-- 1223 00:41:51,133 --> 00:41:54,166 - WHAT ABOUT HER? SHE'S NOT ON WHEELS. 1224 00:41:54,166 --> 00:41:55,633 [yelps] - YOU'RE FINE. 1225 00:41:55,633 --> 00:41:56,633 JUST CHILL OUT AND RELAX. 1226 00:41:56,633 --> 00:41:57,734 YOU GOT TO BE RELAXED. 1227 00:41:57,734 --> 00:41:59,367 - YEAH, I'M A VERY NERVOUS NELLIE. 1228 00:41:59,367 --> 00:42:00,934 - THAT'S ROMANTIC. 1229 00:42:00,934 --> 00:42:02,967 - WHAT? - IT'S ROMANTIC. 1230 00:42:02,967 --> 00:42:04,567 - YOU'RE DOING IT. YOU'RE FINE. 1231 00:42:04,567 --> 00:42:06,500 YOU'RE DOING IT. [applause] 1232 00:42:06,500 --> 00:42:08,900 - YAY, VERONICA. 1233 00:42:08,900 --> 00:42:10,433 - I'M LIKE A FIVE-YEAR-OLD. 1234 00:42:10,433 --> 00:42:12,200 - YOU'RE DOING IT. WHOO! 1235 00:42:12,200 --> 00:42:14,333 GUESS WHAT? 1236 00:42:14,333 --> 00:42:15,400 WE COULD-- THESE ARE, LIKE, NOT EVEN 1237 00:42:15,400 --> 00:42:16,734 HURTING THE FLOORS. 1238 00:42:16,734 --> 00:42:18,967 WE COULD FULLY SKATE ANYTIME WE WANT. 1239 00:42:18,967 --> 00:42:21,200 WE COULD SKATE ALL YEAR ROUND. 1240 00:42:24,667 --> 00:42:25,934 - TRIPLE AXEL. - NOW LET'S GO SHOW OFF. 1241 00:42:25,934 --> 00:42:27,066 - OH, MY GOD. 1242 00:42:27,066 --> 00:42:29,967 - I'M GONNA START SHOWING OFF NOW. 1243 00:42:33,300 --> 00:42:36,033 ONE TIME I HAD TO GO INTO A NIGHTCLUB 1244 00:42:36,033 --> 00:42:37,233 ON HALLOWEEN, 1245 00:42:37,233 --> 00:42:38,500 AND THEY-- WHAT DID THE GUY SAY? 1246 00:42:38,500 --> 00:42:40,066 HE SAID, "YOU CAN'T COME IN." 1247 00:42:40,066 --> 00:42:42,667 AND I SAID, "I'M BETTER ON THESE THAN I AM ON MY FEET." 1248 00:42:42,667 --> 00:42:43,867 AND HE SAID, "PROVE IT." 1249 00:42:43,867 --> 00:42:47,667 AND I DID THIS. 1250 00:42:47,667 --> 00:42:49,266 - AND HE LET YOU IN? - AND HE LET ME IN. 1251 00:42:49,266 --> 00:42:50,533 - YEAH, OF COURSE. 1252 00:42:50,533 --> 00:42:52,200 - I LOVE ROLLER-SKATING. 1253 00:42:52,200 --> 00:42:54,300 IF I SUM UP MY ENTIRE CHILDHOOD, 1254 00:42:54,300 --> 00:42:56,400 IT'S ME AT THE ROLLER RINK. 1255 00:42:56,400 --> 00:42:58,433 IT'S THE ONLY THING I REMEMBER. 1256 00:42:58,433 --> 00:43:00,000 I LOVED IT. I DID. I LOVED IT. 1257 00:43:00,000 --> 00:43:01,633 IT WAS FREE. IT WAS FUN. 1258 00:43:01,633 --> 00:43:03,333 IT'S WHO I REALLY AM. 1259 00:43:03,333 --> 00:43:05,934 I'M STILL THE SAME FREE-SPIRITED GIRL 1260 00:43:05,934 --> 00:43:08,500 THAT I WAS GROWING UP AT THE ROLLER RINK. 1261 00:43:08,500 --> 00:43:11,400 NOW IT'S JUST A DIFFERENT ROLLER RINK. 1262 00:43:11,400 --> 00:43:13,533 LET'S GO. MAYBE I'LL SKATE HOME. 1263 00:43:13,533 --> 00:43:15,667 - THAT'S A LITTLE AMBITIOUS. - TO BROOKLYN? 1264 00:43:15,667 --> 00:43:19,166 [laughter] 1265 00:43:19,166 --> 00:43:22,266 - NEXT ON BETHENNY EVER AFTER... 1266 00:43:22,266 --> 00:43:24,700 THE PRESS TRYING TO TAKE-- BEAT THE [bleep] OUT OF ME 1267 00:43:24,700 --> 00:43:25,900 IS REALLY-- - OH, MY GOD. 1268 00:43:25,900 --> 00:43:27,600 - I'M GETTING PUMMELED. 1269 00:43:27,600 --> 00:43:29,166 - EVERY DAY IT'S SOMETHING DIFFERENT. 1270 00:43:29,166 --> 00:43:30,834 - [Bleep] EVERYONE. 1271 00:43:30,834 --> 00:43:34,400 A BLOGGER POSTED THAT MY FORBES COVER 1272 00:43:34,400 --> 00:43:36,166 WAS A LIE. 1273 00:43:36,166 --> 00:43:38,266 - WHAT A DICK. - DO YOU WANT A BIDET? 1274 00:43:38,266 --> 00:43:40,600 - WHO DOESN'T? - I REMEMBER A BIDET, 1275 00:43:40,600 --> 00:43:42,800 WHEN I WAS A KID, SHOOTING UP INTO YOUR WAZOO. 1276 00:43:42,800 --> 00:43:45,934 - I THINK IT'S DANGEROUS TO COME SHOOTING UP. 1277 00:43:45,934 --> 00:43:48,533 IT'S MORE LIKE AN ENEMA. - OH! 1278 00:43:48,533 --> 00:43:53,066 [babyish] BRYN, ALL THE BOATS. ALL THE BOATS. 1279 00:43:53,066 --> 00:43:54,533 - WELL, YOU'RE MAKING HER SOUND LIKE THAT 1280 00:43:54,533 --> 00:43:56,600 BECAUSE YOU'RE NOT-- WHAT ARE YOU TRYING TO SAY? 1281 00:43:56,600 --> 00:43:57,934 "ALL THE BOATS"? 1282 00:43:57,934 --> 00:43:59,400 [imitating Bethenny] ALL THE BOATS. 1283 00:43:59,400 --> 00:44:00,934 NOW YOU'RE MAKING HER TALK LIKE A BABY. 1284 00:44:00,934 --> 00:44:02,333 [imitating Bethenny] ALL THE BOAT... 1285 00:44:02,333 --> 00:44:04,500 - TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1286 00:44:04,500 --> 00:44:05,934 GO TO BRAVOTV.COM.