1 00:00:03,200 --> 00:00:04,767 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,767 --> 00:00:06,834 - SO I'M GUARANTEED TO HAVE SEX IN, LIKE, A MONTH-- 3 00:00:06,834 --> 00:00:08,767 - WHEN YOU DO THIS, IT REALLY WORKS. 4 00:00:08,767 --> 00:00:10,367 - NO, NO, NO, IT WASN'T THIS, IT WAS... 5 00:00:10,367 --> 00:00:11,533 - OH. 6 00:00:11,533 --> 00:00:13,133 - FOR YOUR BIRTHDAY, WE WILL BE HAVING SEX. 7 00:00:13,133 --> 00:00:14,800 - USUALLY, YOU DON'T ASK FOR GIFTS 8 00:00:14,800 --> 00:00:16,033 ON OTHER PEOPLE'S BIRTHDAYS. 9 00:00:16,033 --> 00:00:17,533 I LOVE SHOPPING WITH MARIETTE. 10 00:00:17,533 --> 00:00:19,100 SHE'S KIND OF LIKE MY DESIGN MOM. 11 00:00:19,100 --> 00:00:20,734 - THEY'RE REALLY GOOD FROM UNDERNEATH. 12 00:00:20,734 --> 00:00:22,433 - WHA--WHO'S GOOD FROM UNDERNEATH? 13 00:00:22,433 --> 00:00:23,633 - THIS ONE. - THIS IS LA MARINA. 14 00:00:23,633 --> 00:00:26,867 - OH. I WAS LIKE, "WOW, MARIETTE, JESUS. 15 00:00:26,867 --> 00:00:28,667 IT'S ONLY THE BEGINNING OF THE DAY." 16 00:00:28,667 --> 00:00:30,400 - YOU WEAR ME OUT. - I KNOW. 17 00:00:30,400 --> 00:00:33,066 CLOSET, MAN DEN? - CLOSET. 18 00:00:33,066 --> 00:00:37,100 - CLOSET, RAISE YOUR HAND. 19 00:00:37,100 --> 00:00:38,200 YOU'RE LINDA, THE CLOSET LADY. 20 00:00:38,200 --> 00:00:41,300 - I WANT JASON TO BE HAPPY TOO. 21 00:00:41,300 --> 00:00:42,967 - IT SAYS SHE-- 22 00:00:42,967 --> 00:00:45,467 THAT SHE INVENTED THE SKINNYGIRL MARGARITA. 23 00:00:45,467 --> 00:00:46,600 - WHAT? 24 00:00:46,600 --> 00:00:47,734 - I HAVEN'T SPOKEN TO MY MOTHER 25 00:00:47,734 --> 00:00:49,567 IN WELL OVER A DECADE. 26 00:00:49,567 --> 00:00:51,633 IT'S REALLY SAD. I WILL NEVER-- 27 00:00:51,633 --> 00:00:54,800 I WILL NEVER, EVER, EVER SPEAK TO HER AGAIN AS LONG AS I LIVE. 28 00:00:54,800 --> 00:00:56,300 I MEAN, I HATE HER. 29 00:00:56,300 --> 00:00:59,233 [upbeat pop music] 30 00:00:59,233 --> 00:01:05,166 ♪♪ ♪♪ 31 00:01:13,800 --> 00:01:16,867 - YOU WANT TO HAVE A COCKTAIL, MOM? 32 00:01:16,867 --> 00:01:18,967 - I WOULD LOVE A COCKTAIL. 33 00:01:18,967 --> 00:01:21,066 THE PRESS TRYING TO BEAT THE [bleep] OUT OF ME 34 00:01:21,066 --> 00:01:22,300 IS REALLY-- - OH, MY GOD. 35 00:01:22,300 --> 00:01:24,300 - I'M GETTING PUMMELED. AND I'M NOT EVEN-- 36 00:01:24,300 --> 00:01:25,567 - EVERY WEEK, IT'S SOMETHING. 37 00:01:25,567 --> 00:01:27,166 EVERY DAY, IT'S SOMETHING DIFFERENT. 38 00:01:27,166 --> 00:01:29,433 IT JUST KEEPS ON COMING. I MEAN, THERE'S-- 39 00:01:29,433 --> 00:01:31,533 AND THERE'S NEVER A WEEK WHERE IT'S, LIKE... 40 00:01:31,533 --> 00:01:33,800 EASY, YOU KNOW? 41 00:01:33,800 --> 00:01:35,266 - THE TOWBOAT GUY... 42 00:01:35,266 --> 00:01:37,834 - UH-HUH? 43 00:01:37,834 --> 00:01:39,400 - TOLD THE JOURNAL... - [laughs] 44 00:01:39,400 --> 00:01:41,767 - THAT WE MADE THE WHOLE THING UP. 45 00:01:41,767 --> 00:01:43,700 - WHAT A DICK. - I MEAN... 46 00:01:43,700 --> 00:01:46,467 - AND HE SEEMED LIKE SUCH A NICE GUY, HELPING US OUT. 47 00:01:46,467 --> 00:01:50,500 - OKAY, HE'S BASICALLY SAYING THAT WE CALLED 911 48 00:01:50,500 --> 00:01:53,133 WHEN THERE WAS NO EMERGENCY. 49 00:01:53,133 --> 00:01:54,367 IT GETS PICKED UP BY THE NEW YORK POST, 50 00:01:54,367 --> 00:01:55,734 GETS PICKED UP BY THE HUFFINGTON POST, 51 00:01:55,734 --> 00:01:57,166 GETS PICKED UP BY THE DAILY NEWS, 52 00:01:57,166 --> 00:01:58,533 IT GETS PICKED UP BY OK! MAGAZINE. 53 00:01:58,533 --> 00:02:00,266 ON THE INTERNET, EVERYTHING GETS PICKED UP. 54 00:02:00,266 --> 00:02:02,266 IT'S LITERALLY LIKE A VIRUS. 55 00:02:02,266 --> 00:02:06,633 I COULD WRITE TODAY THAT I'M HAVING HUGH GRANT'S BABY, 56 00:02:06,633 --> 00:02:09,700 AND TOMORROW IT WOULD BE ON THE FRONT PAGE 57 00:02:09,700 --> 00:02:12,600 OF A MAGAZINE THAT PEOPLE PAY MONEY FOR, 58 00:02:12,600 --> 00:02:14,066 AND THEY WOULD THINK THAT IT'S TRUE. 59 00:02:14,066 --> 00:02:16,767 IT STARTED THE DAY AFTER. DO YOU REMEMBER THE DAY AFTER? 60 00:02:16,767 --> 00:02:17,767 - YEAH. 61 00:02:17,767 --> 00:02:18,734 - IT STARTED THE DAY AFTER THE DEAL. 62 00:02:18,734 --> 00:02:20,200 THEN THE LAWSUIT, THEN... 63 00:02:20,200 --> 00:02:22,400 - YEAH, WE HAVEN'T BEEN ABLE TO ENJOY ANY OF IT. 64 00:02:22,400 --> 00:02:24,600 - FORBES HAS A CELEBRITY ISSUE EVERY YEAR. 65 00:02:24,600 --> 00:02:27,567 THEY PUT ME ON THE COVER AS THEIR SUCCESS STORY 66 00:02:27,567 --> 00:02:30,633 BECAUSE, PRIMARILY, OF THE SALE 67 00:02:30,633 --> 00:02:32,700 OF SKINNYGIRL COCKTAILS TO BE. 68 00:02:32,700 --> 00:02:35,567 A BLOGGER POSTED THAT 69 00:02:35,567 --> 00:02:39,433 MY FORBES COVER WAS A LIE, 70 00:02:39,433 --> 00:02:42,000 AND FURIOUSLY TWEETED IT, 71 00:02:42,000 --> 00:02:44,433 AND GETTING FORBES REALLY UPSET 72 00:02:44,433 --> 00:02:45,900 AND HAVING TO DEFEND THEMSELVES, 73 00:02:45,900 --> 00:02:48,100 AND GETTING ME REALLY UPSET AND HAVING TO DEFEND MYSELF, 74 00:02:48,100 --> 00:02:50,934 BASED ON AN OUTRIGHT LIE. 75 00:02:50,934 --> 00:02:54,200 NOT UNTIL ONE THING HAPPENED DID EVERYBODY GET CRAZY... 76 00:02:54,200 --> 00:02:55,433 MONEY. 77 00:02:57,200 --> 00:02:59,633 WHAT'S MY PLAN? - UM... 78 00:02:59,633 --> 00:03:00,967 - AM I IGNORING COMPL-- DO YOU-- 79 00:03:00,967 --> 00:03:02,533 - I THINK YOU HAVE TO SAY SOMETHING. 80 00:03:02,533 --> 00:03:03,734 - YOU HAVE TO SAY SOMETHING. - YOU THINK SO TOO? 81 00:03:03,734 --> 00:03:05,633 - YEAH. 82 00:03:05,633 --> 00:03:07,200 - I DON'T KNOW IF I CAN JUST NOT CARE. 83 00:03:07,200 --> 00:03:09,867 I THINK THAT, LIKE, THE TALK SHOW PRODUCERS ARE GONNA CARE. 84 00:03:09,867 --> 00:03:13,200 LIKE, THEY KEEP EMAILING ME GOOGLE ALERTS. 85 00:03:13,200 --> 00:03:15,233 I'M LIKE, "I KNOW THAT'S OUT THERE, I DON'T CARE." 86 00:03:15,233 --> 00:03:16,300 - RIGHT. - BUT I THINK THEY CARE. 87 00:03:16,300 --> 00:03:17,433 THEY'RE TRYING TO SELL A TALK SHOW, 88 00:03:17,433 --> 00:03:20,066 AND, LIKE... THEY CARE. 89 00:03:20,066 --> 00:03:21,233 THE ELLEN SHOW HAS APPROACHED ME 90 00:03:21,233 --> 00:03:23,600 ABOUT PRODUCING MY OWN TALK SHOW, 91 00:03:23,600 --> 00:03:26,367 AND STAMPING ME, PUTTING HER NAME ON ME, 92 00:03:26,367 --> 00:03:28,300 WHICH SHE'S NEVER DONE BEFORE. 93 00:03:28,300 --> 00:03:29,667 AND IT'S PRETTY INCREDIBLE, 94 00:03:29,667 --> 00:03:33,066 AND I ACTUALLY THINK IT'S THE RIGHT NEXT STEP FOR ME. 95 00:03:33,066 --> 00:03:34,567 I HAVE FILMED A PILOT, 96 00:03:34,567 --> 00:03:36,734 AND WE'RE IN THE BEGINNING STAGES OF SELLING IT. 97 00:03:36,734 --> 00:03:39,033 - YOU CAN'T STAY SILENT FOREVER. 98 00:03:39,033 --> 00:03:40,600 - I DON'T-- 99 00:03:40,600 --> 00:03:42,633 - THERE IS A POINT WHERE YOU'RE LIKE "[bleep] EVERYBODY, 100 00:03:42,633 --> 00:03:45,166 I'M STANDING UP FOR MYSELF," AND... 101 00:03:45,166 --> 00:03:46,333 - BUT WHEN IS THAT GOING TO BE? IN WHAT FORM? 102 00:03:46,333 --> 00:03:47,467 AM I GOING ON A TALK SHOW? - I DON'T KNOW. 103 00:03:47,467 --> 00:03:48,333 - ABOUT WHAT? ABOUT EVERYTHING? 104 00:03:48,333 --> 00:03:49,433 ABOUT, LIKE, ALL OF IT? 105 00:03:49,433 --> 00:03:51,467 I WOULDN'T MIND GOING ON ONE TALK SHOW. 106 00:03:51,467 --> 00:03:54,400 WHAT I'M REALLY QUICKLY LEARNING IS THAT, 107 00:03:54,400 --> 00:03:56,433 THE MINUTE THAT YOU REALLY HIT SUCCESS 108 00:03:56,433 --> 00:03:58,500 IS THE MINUTE THAT PEOPLE REALLY WANT TO TEAR YOU DOWN. 109 00:03:58,500 --> 00:04:01,333 IT'S AFFECTING MY CREDIBILITY. 110 00:04:14,133 --> 00:04:16,233 THANK YOU. 111 00:04:16,233 --> 00:04:17,800 - HOW YOU FEELING TODAY? 112 00:04:17,800 --> 00:04:19,133 - I'M GOOD. 113 00:04:19,133 --> 00:04:20,700 I JUST FEEL LIKE I HAVE NO TIME TO DO ANYTHING. 114 00:04:20,700 --> 00:04:22,400 - YOU'RE A HANDS-ON CAREER WOMAN. 115 00:04:22,400 --> 00:04:23,600 - I KNOW. 116 00:04:23,600 --> 00:04:25,266 - YOU KNOW HOW THEY SAY YOU'RE A BUSINESSWOMAN? 117 00:04:25,266 --> 00:04:27,934 YOU'RE A BUSINESS THAT HAPPENS TO BE A WOMAN. 118 00:04:27,934 --> 00:04:29,166 THAT'S THE DIFFERENCE. 119 00:04:29,166 --> 00:04:31,367 - I KNOW. 120 00:04:31,367 --> 00:04:34,667 WE'RE GOING TO WATERWORKS TO PICK OUT THINGS LIKE FIXTURES 121 00:04:34,667 --> 00:04:39,133 AND FLOORING AND EVERYTHING WE NEED IN THE BATHROOM. 122 00:04:39,133 --> 00:04:40,800 YOU HEAR EVERY SINGLE THING IN THIS CAR, DON'T YOU? 123 00:04:40,800 --> 00:04:42,233 - I HEAR EVERYTHING. I HEAR A LOT. 124 00:04:42,233 --> 00:04:44,734 BUT AT THE SAME TIME, I RESPECT YOUR GANGSTA. 125 00:04:44,734 --> 00:04:46,533 [laughs] 126 00:04:46,533 --> 00:04:47,934 I RESPECT YOUR GANGSTA. YOU DEFINITELY RESPECT-- 127 00:04:47,934 --> 00:04:50,367 - I ACT LIKE A GANGSTER? - IN A WAY. 128 00:04:50,367 --> 00:04:53,100 YOU TELL 'EM HOW YOU WANT IT DONE, AND THAT'S HOW IT IS. 129 00:04:53,100 --> 00:04:54,600 - IT'S TRUE, YOU'VE GOT TO DO IT YOURSELF, DWAYNE. 130 00:04:54,600 --> 00:04:55,967 - ABSOLUTELY, MAMA. 131 00:04:55,967 --> 00:04:57,200 YOU WANT IT DONE RIGHT, YOU GOTTA DO IT YOURSELF. 132 00:04:57,200 --> 00:04:58,667 - ABSOLUTELY. 133 00:04:58,667 --> 00:05:00,133 - YOU KNOW, YOU GOT THINGS GOING ON WITH BRYN. 134 00:05:00,133 --> 00:05:02,834 YOU GOT THINGS GOING ON WITH YOU AND JASON. 135 00:05:02,834 --> 00:05:05,000 - HOW ABOUT THE FACT THAT YOUR FRIENDS ALWAYS ASK YOU 136 00:05:05,000 --> 00:05:06,633 IF WE'RE SITTING IN FRONT OF BARNEY'S ALL DAY? 137 00:05:06,633 --> 00:05:08,200 - YOU DON'T DO THAT. THAT'S JUST NOT YOUR STYLE. 138 00:05:08,200 --> 00:05:09,667 - NO, I KNOW. 139 00:05:09,667 --> 00:05:11,033 - YOU'RE NEVER IN THE PAPER, COMING OUT WITH A BUNCH OF BAGS. 140 00:05:11,033 --> 00:05:12,200 - HELL, NO. 141 00:05:12,200 --> 00:05:17,400 - COMING OUT OF SAKS FIFTH AVENUE. 142 00:05:17,400 --> 00:05:20,767 OF A FREAKIN' BOAT. 143 00:05:20,767 --> 00:05:22,000 - EVERY DAY, IT'S SOMETHING DIFFERENT. 144 00:05:22,000 --> 00:05:24,066 LIKE, GET OFF MY JOCK. 145 00:05:24,066 --> 00:05:25,533 - THEY LOVE TO HATE YOU. - OH! 146 00:05:25,533 --> 00:05:26,734 - THEY LOVE TO HATE YOU. - WELL, THEY DIDN'T. 147 00:05:26,734 --> 00:05:28,300 BUT NOW IT'S REALLY BAD. 148 00:05:28,300 --> 00:05:29,800 THEY WEREN'T LOVING TO HATE ME THAT MUCH. 149 00:05:29,800 --> 00:05:31,934 THE MORE SUCCESSFUL YOU BECOME, NOW THEY'RE REALLY HATING ME. 150 00:05:31,934 --> 00:05:33,734 LIKE, IT'S--THEY'RE REALLY LOVING TO HATE ME. 151 00:05:33,734 --> 00:05:35,100 - THAT'S BECAUSE YOU'RE ON TOP, MA. 152 00:05:35,100 --> 00:05:36,500 YOU'RE ON TOP. 153 00:05:41,200 --> 00:05:45,667 - YEAH, BUT-- 154 00:05:45,667 --> 00:05:47,734 - BUT WHY DO THEY WANT YOU TO LIE? 155 00:05:47,734 --> 00:05:49,066 FOR SOME REASON, THEY WANT YOU TO LIE. 156 00:05:49,066 --> 00:05:50,800 - THEY WANT IT TO BE THAT I'VE TOLD A LIE, 157 00:05:50,800 --> 00:05:52,166 AND I HAVEN'T, AND THAT'S THE THING. 158 00:05:52,166 --> 00:05:54,400 THEY CAN'T CATCH ME IN A LIE. 159 00:05:54,400 --> 00:05:56,066 THERE'S NOTHING TO UNCOVER. 160 00:05:56,066 --> 00:05:57,967 - LET 'EM HATE, MA. 161 00:05:57,967 --> 00:05:59,200 - LET 'EM HATE. - LET 'EM HATE. 162 00:05:59,200 --> 00:06:01,033 LONG AS YOU KEEP GOING ON WITH YOUR LIFE, 163 00:06:01,033 --> 00:06:02,734 YOU'RE GONNA BE ALL RIGHT. 164 00:06:06,467 --> 00:06:08,900 - HI, HOW ARE YOU? - HI. 165 00:06:08,900 --> 00:06:11,533 - HOW FUNNY, YOU'RE LIKE-- IS THAT MISSONI? 166 00:06:11,533 --> 00:06:12,800 - IT'S--YEAH. - DID YOU WEAR IT BECAUSE OF ME? 167 00:06:12,800 --> 00:06:14,233 - YES. - THAT'S HYSTERICAL. 168 00:06:14,233 --> 00:06:15,900 WAIT, I'M GOING TO FREAK OUT, THIS IS ALL-- 169 00:06:15,900 --> 00:06:17,233 - YOU'RE GOING TO DIE WHEN YOU WALK IN. 170 00:06:17,233 --> 00:06:18,834 - I ALREADY AM DYING. - I MEAN, YOU'RE-- 171 00:06:18,834 --> 00:06:20,834 THERE'S SO MUCH-- - I WANT THAT. 172 00:06:20,834 --> 00:06:22,967 NO, I WANT--I MAKE A DECISION. DECISIONS ARE HAPPENING. 173 00:06:22,967 --> 00:06:24,767 - I KNOW. WELL, THAT'S SORT OF THE WHOLE POINT. 174 00:06:24,767 --> 00:06:26,000 - THIS IS THE POINT. 175 00:06:26,000 --> 00:06:27,734 - I MADE A PROMISE TO YOUR HUSBAND. 176 00:06:27,734 --> 00:06:29,500 - THAT DECISIONS WILL HAPPEN. 177 00:06:34,467 --> 00:06:35,533 YOU LOOK VERY INTELLECTUAL, 178 00:06:35,533 --> 00:06:37,900 BUT YET MORE, LIKE, NEW YORK CHIC. 179 00:06:37,900 --> 00:06:39,500 YOU LOOK DIFFERENT TODAY. YOU DON'T LOOK AS CONSERVATIVE. 180 00:06:39,500 --> 00:06:41,033 YOU MIGHT GET SOME SEX. 181 00:06:41,033 --> 00:06:42,000 - [laughs] 182 00:06:42,000 --> 00:06:43,834 - UM, ALL RIGHT. 183 00:06:43,834 --> 00:06:46,233 LET'S GO GET INSPIRED AND THEN GET FOCUSED. 184 00:06:46,233 --> 00:06:47,367 - OKAY. 185 00:06:47,367 --> 00:06:48,633 - DOESN'T SHE-- DO YOU KNOW HER? 186 00:06:48,633 --> 00:06:49,767 DOESN'T SHE LOOK DIFFERENT TODAY? 187 00:06:49,767 --> 00:06:51,400 - YEAH, HER HAIR IS DOWN. 188 00:06:51,400 --> 00:06:54,200 SHE'S LOOKING CRAZY. - A LITTLE LESS SUTTON PLACE. 189 00:06:54,200 --> 00:06:55,900 DOESN'T SHE? - [laughs] 190 00:06:55,900 --> 00:06:57,100 - BROOKE IS DEFINITELY LOOSENING UP AROUND ME. 191 00:06:57,100 --> 00:06:58,133 LET'S SEE HOW WILD SHE CAN GET 192 00:06:58,133 --> 00:06:59,900 AROUND SOME BATHTUBS AND KNOBS. 193 00:06:59,900 --> 00:07:02,233 - SHOW ME WHAT YOU LIKE. 194 00:07:02,233 --> 00:07:03,934 - WE CALL IT THE "WHO GIVES A EFF" STYLE. 195 00:07:03,934 --> 00:07:06,734 - THIS. - LIKE, I LIKE THIS. 196 00:07:06,734 --> 00:07:08,367 LIKE THAT-- I LIKE THAT A LOT, 197 00:07:08,367 --> 00:07:10,033 BUT THAT'S A LITTLE MAYBE MASCULINE FOR OUR BATHROOM. 198 00:07:10,033 --> 00:07:11,233 BUT THIS IS STILL A LITTLE STRUCTURED. 199 00:07:11,233 --> 00:07:14,266 - OKAY. - I REALLY DO LOVE...THIS. 200 00:07:14,266 --> 00:07:16,333 I WOULDN'T BE OPPOSED TO SOMETHING LIKE THIS. 201 00:07:16,333 --> 00:07:17,667 THIS IS TOO FANCY FOR ME. 202 00:07:17,667 --> 00:07:19,233 THIS MAKES ME FEEL LIKE I'M PICKING OUT, LIKE, FLATWARE, 203 00:07:19,233 --> 00:07:20,633 FOR SOME REASON. 204 00:07:20,633 --> 00:07:21,633 I WANT TO BE THIS PERSON. - OH, YOU... 205 00:07:21,633 --> 00:07:22,867 - I DON'T WANT TO BE THAT PERSON. 206 00:07:22,867 --> 00:07:23,867 DON'T LIKE THIS. 207 00:07:23,867 --> 00:07:26,500 THIS IS TOO... TRADITIONAL. 208 00:07:26,500 --> 00:07:28,700 THAT'S TOO MODERN. - OKAY. 209 00:07:28,700 --> 00:07:30,500 - WE'RE RIGHT IN THE MIDDLE. - TRANSITIONAL. 210 00:07:30,500 --> 00:07:32,100 - THAT COULD BE MY STYLE. 211 00:07:32,100 --> 00:07:33,600 - YES. 212 00:07:33,600 --> 00:07:36,367 - I NEED A WORD. - YOU CAN SAY "TRANSITIONAL." 213 00:07:36,367 --> 00:07:38,000 - WHAT DOES THAT MEAN? JUST, LIKE, IN BETWEEN... 214 00:07:38,000 --> 00:07:39,467 - IT MEANS IN BETWEEN. - IN THE MIDDLE. 215 00:07:39,467 --> 00:07:40,767 - IT MEANS A LITTLE BIT OF THIS, A LITTLE BIT OF THAT. 216 00:07:40,767 --> 00:07:42,100 - I LOVE THIS, BUT WE'RE NOT DOING THIS. 217 00:07:42,100 --> 00:07:43,934 - DO YOU WANT A BIDET? 218 00:07:43,934 --> 00:07:45,600 - WHO DOESN'T? REALLY? 219 00:07:45,600 --> 00:07:47,166 - YOU HAVE TO FACE FORWARD FOR THAT ONE. 220 00:07:47,166 --> 00:07:48,900 - LET ME ASK YOU A QUESTION. 221 00:07:48,900 --> 00:07:50,934 I REMEMBER BIDETS, WHEN I WAS A KID, 222 00:07:50,934 --> 00:07:52,533 SHOOTING UP INTO YOUR WAZOO, 223 00:07:52,533 --> 00:07:54,100 NOT HAVING--LIKE, WHY IS THIS A BIDET? 224 00:07:54,100 --> 00:07:56,500 THIS IS LIKE WASHING YOURSELF IN A BASIN. 225 00:07:56,500 --> 00:07:58,166 I DON'T REALLY THINK IT'S EVEN FUNCTIONAL--OH. 226 00:07:58,166 --> 00:08:00,567 [laughter] 227 00:08:00,567 --> 00:08:04,734 - I THINK IT'S DANGEROUS TO COME SHOOTING UP. 228 00:08:04,734 --> 00:08:05,734 IT'S MORE LIKE AN ENEMA. 229 00:08:05,734 --> 00:08:07,934 - OH. - [laughs] 230 00:08:07,934 --> 00:08:09,900 - A DOUCHE. - IT'S A LITTLE...GENTEEL. 231 00:08:09,900 --> 00:08:11,967 - BUT WHAT ABOUT TOILET BOWLS? 232 00:08:11,967 --> 00:08:14,400 - YEAH. - SO THAT'S AN ELONGATED TOILET. 233 00:08:14,400 --> 00:08:15,934 - YOU HAVE TO HAVE A VERY SMALL ASS. 234 00:08:15,934 --> 00:08:17,834 - WELL, TRY THIS TOILET RIGHT HERE. 235 00:08:17,834 --> 00:08:18,900 - IS THAT A TOTO? WHAT IS THAT? 236 00:08:18,900 --> 00:08:19,900 - THIS IS A ROUND TOILET. 237 00:08:19,900 --> 00:08:22,266 THIS IS A DIFFERENT SEAT. 238 00:08:22,266 --> 00:08:25,066 - THAT'S A LITTLE HIGHER, NO? 239 00:08:25,066 --> 00:08:26,266 - YOU'RE WELCOME TO SIT ON MY TOILET. 240 00:08:26,266 --> 00:08:27,367 YOU MIGHT COME OVER AND USE IT. 241 00:08:27,367 --> 00:08:28,700 - I'M NOT GOING TO TRY AND SIT ON THAT TOILET. 242 00:08:28,700 --> 00:08:29,934 - WHY? - [laughs] 243 00:08:29,934 --> 00:08:31,000 - IF YOU CAN'T FIT ON A REGULAR TOILET-- 244 00:08:31,000 --> 00:08:32,500 - YOU WANT ME TO SIT ON THE TOILET? 245 00:08:32,500 --> 00:08:33,834 - SIT ON THE TOILET. YOU DON'T SIT ON TOILETS? 246 00:08:33,834 --> 00:08:35,000 - I'VE TRIED ALL THE TOILETS. 247 00:08:35,000 --> 00:08:36,233 - HERE, BROOKE, YOU TRY THE TOILET. 248 00:08:36,233 --> 00:08:37,500 LET ME KNOW. I DON'T KNOW. 249 00:08:37,500 --> 00:08:39,300 I'VE NEVER THOUGHT ABOUT A TOILET. 250 00:08:39,300 --> 00:08:40,567 I'M JUST HAPPY ONE'S THERE WHEN I HAVE TO GO. 251 00:08:40,567 --> 00:08:43,700 I REALLY-- 252 00:08:43,700 --> 00:08:45,333 [laughs] 253 00:08:45,333 --> 00:08:47,367 I DIDN'T KNOW BROOKE HAD IT IN HER. 254 00:08:47,367 --> 00:08:49,867 FIRST SHE'S DRESSED LIKE A SEXY LIBRARIAN, 255 00:08:49,867 --> 00:08:52,667 AND NOW WE'RE JUST HANGING OUT ON THE TOILET TOGETHER. 256 00:08:52,667 --> 00:08:54,367 THAT'S ALL I COULD EVER HOPE FOR US. 257 00:08:54,367 --> 00:08:56,900 - THIS ISN'T COMFORTABLE. - AND THE LONGER, THE BETTER. 258 00:08:56,900 --> 00:08:58,867 - NO. - NO. 259 00:08:58,867 --> 00:09:00,934 - SO WHERE'S A LONG TOILET? - AND IT LOOKS LIKE [bleep]. 260 00:09:00,934 --> 00:09:02,300 I'M SORRY. 261 00:09:02,300 --> 00:09:04,000 - WELL, THERE'S GONNA BE [bleep] IN IT. 262 00:09:04,000 --> 00:09:06,767 - LISTEN, THE TOILET HAS TO LOOK JUST AS GOOD AS-- 263 00:09:06,767 --> 00:09:08,166 IF YOU'RE GOING TO DO EVERYTHING IN THE BATHROOM, 264 00:09:08,166 --> 00:09:09,500 IT SHOULD BE NICE. - HERE'S WHAT I'M GONNA DO. 265 00:09:09,500 --> 00:09:10,633 I'M GONNA LET YOU PICK THE TOILET, 266 00:09:10,633 --> 00:09:11,767 AND THEN I'LL JUST APPROVE OF THE TOILET. 267 00:09:11,767 --> 00:09:12,767 - AND THEN I'M GOING TO GET A PHONE CALL, 268 00:09:12,767 --> 00:09:15,000 LIKE, "BROOKE, WHAT IS THIS TOILET?" 269 00:09:15,000 --> 00:09:16,500 - JUST MAKE SURE A MAN HAS SAT ON IT AS WELL. 270 00:09:16,500 --> 00:09:17,533 SHALL WE? 271 00:09:17,533 --> 00:09:19,000 - YEAH. - ALL RIGHT. 272 00:09:19,000 --> 00:09:21,967 LET'S GET OUT OF HERE. 273 00:09:21,967 --> 00:09:23,633 COMING UP... 274 00:09:23,633 --> 00:09:25,900 SOMETHING'S GOT TO BE DONE ABOUT HOW IRRESPONSIBLE-- 275 00:09:25,900 --> 00:09:27,400 ANYBODY CAN WRITE ANYTHING. 276 00:09:27,400 --> 00:09:28,834 I'M GETTING INTO THE "DON'T [bleep] WITH ME" PHASE. 277 00:09:28,834 --> 00:09:31,934 I'M GOING TO GO AFTER THEM FOR MY SAKE, 278 00:09:31,934 --> 00:09:36,033 FOR FORBES' SAKE, FOR PEOPLE WHO READ THIS NONSENSE'S SAKE. 279 00:09:47,266 --> 00:09:49,867 [doorbell ringing] 280 00:09:49,867 --> 00:09:50,934 - HI, HOW ARE YOU? 281 00:09:50,934 --> 00:09:53,367 - OKAY. - COME ON IN. 282 00:09:53,367 --> 00:09:55,000 - THANKS, APPRECIATE IT. 283 00:09:55,000 --> 00:09:57,400 - YEAH, WE'RE EXCITED FOR YOUR BLOG. 284 00:09:57,400 --> 00:09:59,000 HER WEBSITE--BETHENNY'S WEBSITE IS GETTING RE-DONE. 285 00:09:59,000 --> 00:10:00,567 - HI. OH, MY GOD. 286 00:10:00,567 --> 00:10:02,300 - HI. 287 00:10:02,300 --> 00:10:04,734 - GOOD TO SEE YOU. LOOK AT YOU. 288 00:10:04,734 --> 00:10:07,033 YOU'RE A SKINNY GUY. - THANK YOU VERY MUCH. 289 00:10:07,033 --> 00:10:09,633 - YOUR DIET IS YOUR BANK ACCOUNT? 290 00:10:09,633 --> 00:10:12,467 - MY DIET IS JUST...TRYING TO EAT A LITTLE BIT BETTER. 291 00:10:12,467 --> 00:10:14,233 - GOOD FOR YOU. - YEAH. 292 00:10:14,233 --> 00:10:15,333 - IS IT WORKING WITH THE LADIES? 293 00:10:15,333 --> 00:10:17,433 - UH, NO, BUT IT'S...YOU KNOW. 294 00:10:17,433 --> 00:10:19,233 - BUT IT WILL. - MAYBE. 295 00:10:19,233 --> 00:10:20,567 YOU LOOK GREAT, BY THE WAY. 296 00:10:20,567 --> 00:10:21,533 - THANK YOU. SO DO YOU. 297 00:10:21,533 --> 00:10:22,967 YOU LOOK KIND OF COOL. 298 00:10:22,967 --> 00:10:24,834 - YOU LOOK GREAT TOO, JULIE. - AWW, THANK YOU. 299 00:10:24,834 --> 00:10:26,700 - SO NICK CAME OVER TO DELIVER HIS FALAFEL BLOG, 300 00:10:26,700 --> 00:10:29,033 AND HE IS FILLED WITH COMPLIMENTS, 301 00:10:29,033 --> 00:10:32,000 AND I LOVE IT. 302 00:10:32,000 --> 00:10:35,767 OH, YOU'RE A BREATH OF FRESH AIR TODAY, NICK. 303 00:10:35,767 --> 00:10:37,100 AND I BROKE OUT THE FANCY CRYSTAL FROM MY WEDDING. 304 00:10:37,100 --> 00:10:39,400 - THANK YOU VERY MUCH. 305 00:10:39,400 --> 00:10:43,233 - ANYWAY, CHEERS. YEAH. 306 00:10:43,233 --> 00:10:45,066 HAVE A SEAT. - THANK YOU. 307 00:10:45,066 --> 00:10:46,200 ALL RIGHT, IT IS CALLED-- 308 00:10:46,200 --> 00:10:47,834 AND I THINK YOU WILL APPRECIATE THIS TITLE-- 309 00:10:47,834 --> 00:10:48,967 "A FISTFUL OF BALLS," 310 00:10:48,967 --> 00:10:51,867 OR, "FOR A FEW FALAFELS MORE." 311 00:10:51,867 --> 00:10:53,100 - FISTING AND BALLS MIGHT BE A LITTLE AGGRESSIVE. 312 00:10:53,100 --> 00:10:55,333 I'M JUST SAYING. IT IS NEW YORK. 313 00:10:55,333 --> 00:10:56,767 I LOVE YOU. CONTINUE. 314 00:10:56,767 --> 00:10:58,567 - "I HAVE BEEN MS. FRANKEL'S FOOD BLOGGER 315 00:10:58,567 --> 00:10:59,867 "FOR SOME AMOUNT OF TIME NOW, 316 00:10:59,867 --> 00:11:01,500 "BUT THIS WAS MY FIRST TIME AS HER PERSONAL GUIDE, 317 00:11:01,500 --> 00:11:02,834 "MY EXPERTISE ON THE LINE, 318 00:11:02,834 --> 00:11:04,767 MY MONEY, AS IT WERE, WHERE MY MOUTH IS." 319 00:11:04,767 --> 00:11:06,300 - HI, NICK. - HI, BETHENNY. 320 00:11:06,300 --> 00:11:07,800 - HOW ARE YOU? - DOING OKAY. 321 00:11:07,800 --> 00:11:09,600 "THE INEXPENSIVE FALAFEL IS A MAJOR PART 322 00:11:09,600 --> 00:11:11,200 OF MANHATTAN'S LUNCHTIME EXPERIENCE." 323 00:11:11,200 --> 00:11:12,233 WHAT I THOUGHT WE COULD DO, MAYBE, 324 00:11:12,233 --> 00:11:13,500 IS JUST, LIKE, JUST GET THE BALLS. 325 00:11:13,500 --> 00:11:14,467 - JUST GET THE BALLS. - EXACTLY. 326 00:11:14,467 --> 00:11:15,433 - JUST BALLS. STRAIGHT BALLS. 327 00:11:15,433 --> 00:11:16,467 - "'THESE ARE FLUFFY BALLS,' 328 00:11:16,467 --> 00:11:18,200 "BETHENNY TOLD ME, MID-FALAFEL. 329 00:11:18,200 --> 00:11:19,800 'VERY FLUFFY BALLS.'" 330 00:11:19,800 --> 00:11:21,000 CHEERS. 331 00:11:21,000 --> 00:11:22,133 - YOU HAVE TO LOOK SOMEONE IN THE FACE. 332 00:11:22,133 --> 00:11:26,100 - CHEERS. - OKAY. 333 00:11:26,100 --> 00:11:27,100 VERY GOOD. 334 00:11:27,100 --> 00:11:29,200 - "'HOLD ON,' SHE SAID, 335 00:11:29,200 --> 00:11:31,333 AND MADE A BEELINE FOR THE MANI-PEDI JOINT." 336 00:11:31,333 --> 00:11:32,700 - GIVE ME TWO SECONDS. I JUST WANT TO SEE SOMETHING. 337 00:11:32,700 --> 00:11:34,400 I'LL BE RIGHT BACK. - ALL RIGHT. 338 00:11:34,400 --> 00:11:36,500 "A FOOD BLOGGER'S PERIL IS LOSING THE INTEREST 339 00:11:36,500 --> 00:11:39,266 "OF THEIR PATRON, BUT MS. FRANKEL SEEMED SO ENTHUSED. 340 00:11:39,266 --> 00:11:40,967 "I GAVE HER SOME SPACE AS SHE DID THE THINGS 341 00:11:40,967 --> 00:11:42,333 "THAT LADIES DO IN SUCH A PLACE, 342 00:11:42,333 --> 00:11:44,867 "THE MYSTERIES OF WHICH I HAVE SO FAR BEEN SPARED, 343 00:11:44,867 --> 00:11:47,500 DUE TO LACK OF INTEREST AND POOR DATING HISTORY." 344 00:11:47,500 --> 00:11:49,467 - DO YOU DO ANY KIND OF GROOMING? 345 00:11:49,467 --> 00:11:51,500 - WHAT DO YOU MEAN? LIKE, I SHAVE... 346 00:11:51,500 --> 00:11:53,233 - YOUR AREA? 347 00:11:53,233 --> 00:11:54,266 YOU'RE NEXT, NICK. 348 00:11:54,266 --> 00:11:56,734 NOBODY LIKES A UNIBROW. 349 00:11:56,734 --> 00:11:58,200 - "WHICH IS HOW I SAT DOWN FOR 350 00:11:58,200 --> 00:11:59,767 MY VERY FIRST EYEBROW THREADING..." 351 00:11:59,767 --> 00:12:01,400 - YOU ALL RIGHT? - MM-HM. 352 00:12:01,400 --> 00:12:02,934 - LOVE IT. 353 00:12:02,934 --> 00:12:04,600 HOW ARE YOU DOING, NICK? I DON'T HEAR ANY NOISES. 354 00:12:04,600 --> 00:12:06,200 ARE YOU IN ANY KIND OF PAIN? 355 00:12:06,200 --> 00:12:08,367 - I'M NOT GONNA LIE, THIS IS SOMEWHAT PAINFUL. 356 00:12:08,367 --> 00:12:10,000 "A PROCESS INVOLVING A WOMAN 357 00:12:10,000 --> 00:12:11,934 "METHODICALLY YANKING OUT HAIRS FROM YOUR FACE 358 00:12:11,934 --> 00:12:14,800 WITH A THREAD, CAUSING AS MUCH PAIN AS ONE MIGHT THINK." 359 00:12:14,800 --> 00:12:15,967 - YOU'RE NOT GOING TO CRY, ARE YOU? 360 00:12:15,967 --> 00:12:17,367 - I'M NOT GOING TO CRY. 361 00:12:17,367 --> 00:12:18,900 "'YOU LOOK GREAT, PERFECT, 362 00:12:18,900 --> 00:12:20,800 SO MUCH BETTER,' SHE TOLD ME, SHOWING ME OFF." 363 00:12:20,800 --> 00:12:22,567 - HOW ARE THE BROWS? 364 00:12:22,567 --> 00:12:23,834 - I THINK THEY'RE FINE. 365 00:12:23,834 --> 00:12:25,367 - THERE'S NO DIFFERENCE WHATSOEVER? 366 00:12:25,367 --> 00:12:26,767 - I DON'T LOOK AT MY EYEBROWS. 367 00:12:26,767 --> 00:12:28,667 - DID YOU ASK ANYONE THAT YOU KNOW ON THIS PLANET-- 368 00:12:28,667 --> 00:12:30,433 - I ASKED AFTER THE THREADING. - WHO? 369 00:12:30,433 --> 00:12:31,767 - I ASKED MY PARENTS. - AND? 370 00:12:31,767 --> 00:12:33,200 - THEY SAID IT LOOKED MUCH NICER. 371 00:12:33,200 --> 00:12:34,667 SO THERE YOU GO. 372 00:12:34,667 --> 00:12:36,300 - [laughs] - OKAY, CONTINUE. 373 00:12:36,300 --> 00:12:37,734 - UM... "SO THERE YOU HAVE IT, 374 00:12:37,734 --> 00:12:39,767 "ONE FOOD BLOGGER'S ATTEMPT TO MAKE GOOD 375 00:12:39,767 --> 00:12:41,800 "ON HIS CREDENTIALS FOR HIS EMPLOYER, 376 00:12:41,800 --> 00:12:43,800 "AND AN ODD COUPLE HANGING OUT AND HAVING A FOOD ADVENTURE, 377 00:12:43,800 --> 00:12:45,800 "HITTING THE MEAN STREETS OF NEW YORK CITY. 378 00:12:45,800 --> 00:12:47,633 "I DON'T KNOW IF MY EYEBROWS LOOK ANY BETTER, 379 00:12:47,633 --> 00:12:48,934 BUT I CAN SAY THE DAY WAS WORTH IT." 380 00:12:48,934 --> 00:12:51,066 THERE YOU GO. - AWW. 381 00:12:51,066 --> 00:12:53,900 THAT WAS THE BEST. - THAT WAS AWESOME, NICK. 382 00:12:53,900 --> 00:12:54,900 - KEEP YOUR HEAD UP. - THAT WAS GREAT. 383 00:12:54,900 --> 00:12:56,400 - THAT WAS AWESOME. 384 00:12:56,400 --> 00:12:58,400 CHEERS, THAT WAS REALLY GOOD. - THAT WAS REALLY GOOD. 385 00:12:58,400 --> 00:12:59,767 - THANK YOU VERY MUCH. - AWESOME. 386 00:12:59,767 --> 00:13:02,667 YOU ARE A GREAT WRITER. - THANK YOU SO MUCH. 387 00:13:02,667 --> 00:13:04,633 - THIS IS--IT'S VERY DANGEROUS BECAUSE... 388 00:13:04,633 --> 00:13:05,700 - YOU DON'T KNOW WHAT'S GOING ON. 389 00:13:05,700 --> 00:13:07,233 - IT DOESN'T TASTE LIKE ALCOHOL. 390 00:13:07,233 --> 00:13:09,600 - IT'S A PANTY-DROPPER, NICK. PANTY-DROPPER. 391 00:13:09,600 --> 00:13:11,133 I SHOULD JUST-- YOU KNOW WHAT I SHOULD DO? 392 00:13:11,133 --> 00:13:12,800 JUST NAME A COCKTAIL "THE PANTY-DROPPER." 393 00:13:12,800 --> 00:13:14,467 - PANTY-DROPPER? - THE SKINNYGIRL PANTY-DROPPER. 394 00:13:14,467 --> 00:13:15,567 - STOP. - OH, SORRY. 395 00:13:15,567 --> 00:13:16,567 - YOU'RE NOT GOING TO SAY THAT. 396 00:13:16,567 --> 00:13:18,734 - OH, I'M NOT? OH, SORRY. 397 00:13:18,734 --> 00:13:20,233 OH, COME ON, JULIE, 398 00:13:20,233 --> 00:13:22,266 YOUR PANTIES HAVE DEFINITELY DROPPED FROM A COCKTAIL. 399 00:13:22,266 --> 00:13:23,667 TRUE OR FALSE, YOUR PANTIES HAVE DROPPED 400 00:13:23,667 --> 00:13:24,700 BECAUSE OF A COCKTAIL ONCE? 401 00:13:24,700 --> 00:13:26,233 - PROBABLY TRUE. - OKAY. 402 00:13:26,233 --> 00:13:27,467 - ALL RIGHT. - SORRY, NICK. 403 00:13:27,467 --> 00:13:28,734 - NO, IT'S FINE. 404 00:13:28,734 --> 00:13:30,333 - I SAY WHAT OTHER PEOPLE THINK, JULIE. 405 00:13:30,333 --> 00:13:31,533 - I KNOW. 406 00:13:39,233 --> 00:13:40,400 - HOW ARE YOU? 407 00:13:40,400 --> 00:13:45,066 - UM...I'M ALL RIGHT, I'M ALL RIGHT. 408 00:13:45,066 --> 00:13:47,133 IT'S BEEN A CRAZY COUPLE OF WEEKS. 409 00:13:47,133 --> 00:13:49,333 I WAS WAITING FOR THE [bleep] TO HIT THE FAN, 410 00:13:49,333 --> 00:13:51,333 LIKE, THINGS WERE SO GREAT. 411 00:13:51,333 --> 00:13:52,900 NOT--THINGS ARE STILL GREAT. 412 00:13:52,900 --> 00:13:56,100 BUT THINGS WERE SO GREAT, JUST...BUSINESS, 413 00:13:56,100 --> 00:13:59,300 AND JUST, YOU KNOW, EVERYONE'S SO HAPPY WITH 414 00:13:59,300 --> 00:14:01,667 EVERYTHING I'VE DONE, BUT... 415 00:14:01,667 --> 00:14:04,200 PEOPLE--SOME PEOPLE IN THE MEDIA AND BLOGGERS 416 00:14:04,200 --> 00:14:06,100 ARE JUST OUT FOR BLOOD. 417 00:14:06,100 --> 00:14:07,767 THEY'RE JUST--THEY WANT TO LIFT UP THE ROCK 418 00:14:07,767 --> 00:14:09,266 AND THEY WANT SOMETHING TO BE WRONG. 419 00:14:09,266 --> 00:14:12,400 LIKE, THEY WANT ME TO HAVE BEEN IN PRISON OR SOMETHING. 420 00:14:12,400 --> 00:14:16,400 THEY WANT, LIKE--THEY WANT ME TO HAVE DONE SOMETHING WRONG. 421 00:14:16,400 --> 00:14:17,600 LIKE, IT JUST CAN'T BE. 422 00:14:17,600 --> 00:14:19,467 THIS WOMAN COULD NOT CREATE THIS SUCCESS 423 00:14:19,467 --> 00:14:22,734 AND HAVE ALL THIS HAPPEN IF SOMETHING'S NOT AMISS. 424 00:14:22,734 --> 00:14:24,734 - I THINK IT'S ENVY-DRIVEN CRITICISM 425 00:14:24,734 --> 00:14:26,667 THAT YOU'RE GETTING, FRANKLY. 426 00:14:26,667 --> 00:14:29,567 - THEY SAID I MADE UP THE ENTIRE "LOST AT SEA" STORY. 427 00:14:29,567 --> 00:14:31,100 I KNOW YOU KNOW ABOUT THIS. 428 00:14:31,100 --> 00:14:33,066 THAT I MADE THE WHOLE THING UP. 429 00:14:33,066 --> 00:14:36,000 THAT [bleep]ING [bleep] [bleep] THAT TOWED US IN-- 430 00:14:36,000 --> 00:14:37,300 - COAST GUARD CALLED ME-- 431 00:14:37,300 --> 00:14:38,767 I DON'T THINK I'VE TOLD YOU THIS-- 432 00:14:38,767 --> 00:14:40,800 SO I'VE LAUNCHED AN INVESTIGATION, SO YOU KNOW, 433 00:14:40,800 --> 00:14:44,500 ABOUT THAT INDIVIDUAL, AND, UH-- 434 00:14:44,500 --> 00:14:46,633 - YOU CAN'T SAY IT, 'CAUSE YOU'RE THE PROFESSIONAL HERE... 435 00:14:46,633 --> 00:14:49,333 THAT MOTHER[bleep] [bleep] [bleep] [bleep] [bleep] 436 00:14:49,333 --> 00:14:50,533 TOW [bleep]. 437 00:14:50,533 --> 00:14:52,367 SO I JUST WANT YOU TO KNOW THAT 438 00:14:52,367 --> 00:14:55,166 WHAT HAPPENED-- YOU KNOW HOW AGGRAVATED YOU ARE? 439 00:14:55,166 --> 00:14:57,667 THAT, LIKE, ONE LITTLE THING HAPPENS TO ME 440 00:14:57,667 --> 00:15:00,200 EVERY DAY, FIVE TIMES A DAY. 441 00:15:00,200 --> 00:15:02,900 - SO HOW ARE YOU DEALING WITH IT? 442 00:15:02,900 --> 00:15:04,333 YOU CAN'T GET UPSET ABOUT IT EVERY TIME. 443 00:15:04,333 --> 00:15:05,500 - NO, I DON'T GET THAT UPSET. 444 00:15:05,500 --> 00:15:08,467 I ONLY CARE IF MY CREDIBILITY IS IN QUESTION. 445 00:15:08,467 --> 00:15:11,333 I ONLY CARE IF IT'S, LIKE, THAT I MADE SOMETHING UP, 446 00:15:11,333 --> 00:15:12,900 THAT I'M TRYING TO BE SOMETHING THAT I'M NOT. 447 00:15:12,900 --> 00:15:14,767 AND THAT BOTHERS ME, THAT REALLY BOTHERS ME. 448 00:15:14,767 --> 00:15:16,300 - WHY DO YOU THINK PEOPLE WANT TO TEAR YOU DOWN? 449 00:15:16,300 --> 00:15:19,333 - JUST THE NAT--JUST THE CYCLE. EVERYONE LOVES, YOU KNOW-- 450 00:15:19,333 --> 00:15:21,500 IT'S A ROLLER COASTER. IT GOES UP, AND IT COMES DOWN. 451 00:15:21,500 --> 00:15:23,467 AND THE MORE THEY TEAR YOU DOWN, 452 00:15:23,467 --> 00:15:25,233 THE MORE OTHER PEOPLE WANT TO BUILD YOU-- 453 00:15:25,233 --> 00:15:27,133 IT'S A VERY INTERESTING PSYCHOLOGY. 454 00:15:27,133 --> 00:15:31,200 IF EVERYONE'S BEATING YOU UP, OTHER PEOPLE RALLY AROUND. 455 00:15:31,200 --> 00:15:32,767 - CIRCLE THE WAGONS. - YOU'RE A VICTIM. 456 00:15:32,767 --> 00:15:34,233 AND THEY WANT TO--YOU KNOW, AND THEN THE OTHER SIDE-- 457 00:15:34,233 --> 00:15:36,400 IT'S VERY--IT'S JUST-- - RIGHT. 458 00:15:36,400 --> 00:15:38,100 - IT IS WHAT IT IS. IT WILL CONTINUE. 459 00:15:38,100 --> 00:15:41,533 IT'S REALLY-- IT'S ACTUALLY COMICAL. 460 00:15:41,533 --> 00:15:43,000 YOU KNOW? 461 00:15:43,000 --> 00:15:44,867 - YOU'RE NOT GOING 100 MILES AN HOUR, 462 00:15:44,867 --> 00:15:46,367 LIKE THE FIRST DAY I MET YOU, 463 00:15:46,367 --> 00:15:48,867 BUT YOU'RE GOING ABOUT 98 MILES AN HOUR, IT SEEMS. 464 00:15:48,867 --> 00:15:49,900 AND STILL DOING A LOT OF THINGS. - MM-HM. 465 00:15:49,900 --> 00:15:53,500 - BUT I WAS WONDERING WHY YOU FEEL 466 00:15:53,500 --> 00:15:56,567 COMPELLED TO CONTINUE TO DO MORE, 467 00:15:56,567 --> 00:15:58,700 LIKE THE TALK SHOW, LIKE MORE PRODUCTS. 468 00:15:58,700 --> 00:16:01,967 - DO I ENTIRELY KNOW WHY? I DON'T KNOW. 469 00:16:01,967 --> 00:16:04,934 IT'S--I'M ALWAYS ONE WHO DOES THE NEXT THING, 470 00:16:04,934 --> 00:16:08,700 WHO DOES THE NEXT STEP, WHO, UM... 471 00:16:08,700 --> 00:16:10,433 LIKES TO... 472 00:16:10,433 --> 00:16:15,233 TACKLE CHALLENGES AND ACCOMPLISH THINGS. 473 00:16:15,233 --> 00:16:16,533 I'M A WORKAHOLIC. 474 00:16:16,533 --> 00:16:20,166 - WHERE DOES THAT COME FROM? 475 00:16:20,166 --> 00:16:23,367 - FROM STRUGGLING SO MUCH, FROM FEELING SO HOPELESS, 476 00:16:23,367 --> 00:16:27,867 FROM--FROM YOU KNOW... REALLY GETTING 477 00:16:27,867 --> 00:16:30,400 INTO A REALLY DARK, DEPRESSED PLACE IN MY LIFE, 478 00:16:30,400 --> 00:16:32,033 THINKING IT WOULD NEVER HAPPEN. 479 00:16:32,033 --> 00:16:33,667 FROM LAYING IN MY-- IT WAS THAT APARTMENT. 480 00:16:33,667 --> 00:16:34,967 IT WAS MY OLD APARTMENT. 481 00:16:34,967 --> 00:16:36,800 FROM LAYING AT MY OLD APARTMENT IN THE BED, 482 00:16:36,800 --> 00:16:40,500 IN MY MID-30s, ALONE, BROKE, WITH COOKIE. 483 00:16:40,500 --> 00:16:43,266 YOU KNOW, LOOKING AT OLD PICTURES, CRYING. 484 00:16:43,266 --> 00:16:46,300 COMING HOME FROM DATES OR NIGHTCLUBS SAYING, 485 00:16:46,300 --> 00:16:47,433 "YOU'RE TOO OLD TO BE DOING THIS." 486 00:16:47,433 --> 00:16:48,633 DEPRESSED. 487 00:16:48,633 --> 00:16:50,433 YOU KNOW, BINGE EATING, JUST-- 488 00:16:50,433 --> 00:16:53,333 JUST DARK AND NOT HAVING ANY IDEA 489 00:16:53,333 --> 00:16:55,000 WHAT--WHAT COULD HAPPEN. 490 00:16:55,000 --> 00:16:57,400 LIKE, I JUST--I DIDN'T KNOW WHAT WOULD HAPPEN TO ME. 491 00:16:57,400 --> 00:16:59,500 I WAS--I MEAN, I HAVE-- I COULD, LIKE, BE HOMELESS. 492 00:16:59,500 --> 00:17:02,467 I MEAN, I HAVE NO--HAVE NO FAMILY, HAVE NOBODY. 493 00:17:02,467 --> 00:17:04,500 LIKE, WHAT WOULD HAPPEN IF I JUST... 494 00:17:04,500 --> 00:17:07,600 DIDN'T BECOME ANYTHING AND I JUST KEPT GETTING OLDER, 495 00:17:07,600 --> 00:17:10,967 AND THEN WHATEVER SKILLS I HAD, 496 00:17:10,967 --> 00:17:12,967 WERE NEVER-- WEREN'T USEFUL ANYMORE? 497 00:17:12,967 --> 00:17:14,867 AND NO ONE CARED, AND, YOU KNOW, 498 00:17:14,867 --> 00:17:17,567 MY LOOKS WENT AND-- AND I COULDN'T REALLY DATE-- 499 00:17:17,567 --> 00:17:19,266 I MEAN, I USED TO HAVE THESE ANXIETIES. 500 00:17:19,266 --> 00:17:22,467 AND I THINK THAT ALL WOMEN DO HAVE DIFFERENT ANXIETIES. 501 00:17:22,467 --> 00:17:24,200 AND I THINK THAT-- 502 00:17:24,200 --> 00:17:29,533 THAT'S WHY I AM HERE. 503 00:17:29,533 --> 00:17:32,967 - YOU FOUND YOUR WAY OUT OF THAT. 504 00:17:32,967 --> 00:17:34,834 - I DON'T KNOW THAT THERE'S NOT SOMETHING WRONG WITH ME, 505 00:17:34,834 --> 00:17:36,900 WITH BEING ADDICTIVE AND OBSESSIVE-COMPULSIVE. 506 00:17:36,900 --> 00:17:38,900 I DON'T KNOW THAT THERE'S NOT-- 507 00:17:38,900 --> 00:17:40,500 I DON'T KNOW THAT I SHOULDN'T BE, LIKE, HEAVILY MEDICATED 508 00:17:40,500 --> 00:17:41,433 FOR THAT TYPE OF THING. 509 00:17:41,433 --> 00:17:43,033 I MEAN, I CAN'T RULE THAT OUT. 510 00:17:43,033 --> 00:17:47,166 I MEAN, I DEFINITELY THINK THERE'S SOMETHING ABOUT ME 511 00:17:47,166 --> 00:17:51,567 WITH ANXIETY AND BEING, LIKE, ADDICT--YOU KNOW, OCD 512 00:17:51,567 --> 00:17:52,900 AND THAT KIND OF STUFF, BEING RAW. 513 00:17:52,900 --> 00:17:54,266 I DON'T KNOW IF THAT'S ACTUALLY-- 514 00:17:54,266 --> 00:17:56,033 - THERE'S A FINE LINE BETWEEN THOSE TRAITS. 515 00:17:58,734 --> 00:18:00,233 SO THERE'S--THERE'S A-- 516 00:18:00,233 --> 00:18:01,367 - WELL, WE HAVE THINGS TO LOOK FORWARD TO. 517 00:18:01,367 --> 00:18:04,367 - [chuckles] OKAY. 518 00:18:14,033 --> 00:18:17,133 - THERE'S MORE CRAP ONLINE NOW. 519 00:18:17,133 --> 00:18:19,000 - REALLY? [dog barks] 520 00:18:19,000 --> 00:18:20,133 WHAT DOES IT SAY? 521 00:18:20,133 --> 00:18:22,100 - IT JUST--IT'S EVERYTHING. 522 00:18:22,100 --> 00:18:24,934 IT'S ABOUT THAT I LIED ABOUT THE BOAT HAPPENING, 523 00:18:24,934 --> 00:18:27,900 AND IT'S ABOUT COCKTAILS, IT'S ABOUT-- 524 00:18:27,900 --> 00:18:29,800 IT'S LIKE--IT DOESN'T-- IT'S ABOUT EV-- 525 00:18:29,800 --> 00:18:32,100 IT JUST DOESN'T STOP. WHAT REALLY PISSES ME OFF IS 526 00:18:32,100 --> 00:18:35,567 THAT HAVING, LIKE, A LITTLE BIT OF FAME DOESN'T DO IT. 527 00:18:35,567 --> 00:18:37,266 IT'S MONEY. 528 00:18:37,266 --> 00:18:39,400 ONCE YOU MAKE MONEY, PEOPLE ARE VERY, ARE, LIKE, EVIL. 529 00:18:39,400 --> 00:18:42,133 I'VE NEVER-- IT'S LIKE RABID DOGS 530 00:18:42,133 --> 00:18:43,700 AND I HAVEN'T BEEN, LIKE, DOING THAT MUCH RIGHT NOW. 531 00:18:43,700 --> 00:18:45,734 IT'S NOT EVEN, LIKE-- I DON'T HAVE A BOOK OUT. 532 00:18:45,734 --> 00:18:46,967 I'M NOT PROMOTING ANYTHING. 533 00:18:46,967 --> 00:18:49,834 I'M JUST, LIKE, TRYING TO BE UNDER THE RADAR. 534 00:18:49,834 --> 00:18:51,533 AND IT'S WEIRD BECAUSE THE MORE UNDER THE RADAR I AM, 535 00:18:51,533 --> 00:18:53,700 THE MORE IT HAPPENS EVERY SINGLE DAY. 536 00:18:53,700 --> 00:18:55,233 I WANT TO START A MAGAZINE. 537 00:18:55,233 --> 00:18:57,600 I'M GOING TO SAY THAT YOU ARE HAVING SEX WITH MICK JAGGER. 538 00:18:57,600 --> 00:18:58,767 - [laughs] 539 00:18:58,767 --> 00:19:00,066 - I AM. 540 00:19:00,066 --> 00:19:01,166 I'M GOING TO SAY THAT YOU ARE SLEEPING 541 00:19:01,166 --> 00:19:02,500 WITH BRAD PITT ON THE SIDE. 542 00:19:02,500 --> 00:19:04,166 AND THAT YOU HAVE HIS UNBORN CHILD. 543 00:19:04,166 --> 00:19:06,000 AND THAT YOU DON'T CARE IF HE GETS A PATERNITY TEST. 544 00:19:06,000 --> 00:19:07,433 YOU JUST KNOW THE TRUTH. 545 00:19:07,433 --> 00:19:09,300 MOST PEOPLE DON'T SAY ANYTHING. 546 00:19:09,300 --> 00:19:12,100 AND THAT IS A STRATEGY. 547 00:19:12,100 --> 00:19:13,500 - MM-HMM. 548 00:19:13,500 --> 00:19:14,834 - I ALWAYS, LIKE, SPEAK FOR MYSELF. 549 00:19:14,834 --> 00:19:16,834 I'M GOING TO TELL YOU ONE THING, AND THIS IS TO SAY-- 550 00:19:16,834 --> 00:19:18,533 I BELIEVE IN FREEDOM OF SPEECH, 551 00:19:18,533 --> 00:19:20,934 BUT THE TRUTH IS SOMETHING'S GOT TO BE DONE 552 00:19:20,934 --> 00:19:22,633 ABOUT HOW IRRESPONSIBLE-- 553 00:19:22,633 --> 00:19:24,700 ANYBODY CAN WRITE ANYTHING, AND IT GETS PICKED UP EVERYWHERE. 554 00:19:24,700 --> 00:19:26,700 I'M GETTING INTO THE "DON'T [bleep] WITH ME" PHASE. 555 00:19:26,700 --> 00:19:31,000 I'M GOING TO GO AFTER THEM FOR MY SAKE, FOR FORBES' SAKE, 556 00:19:31,000 --> 00:19:33,767 FOR PEOPLE WHO READ THIS NONSENSE'S SAKE. 557 00:19:33,767 --> 00:19:36,400 I USED TO THINK THAT, LIKE, IF IT WAS IN A MAGAZINE, 558 00:19:36,400 --> 00:19:38,000 THAT IT HAD TO BE TRUE, BECAUSE... 559 00:19:38,000 --> 00:19:40,367 HOW COULD PEOPLE JUST WRITE WHATEVER THEY WANT, RIGHT? 560 00:19:40,367 --> 00:19:42,967 - THINGS GO VIRAL SO QUICKLY. 561 00:19:42,967 --> 00:19:44,433 - COMING UP... 562 00:19:44,433 --> 00:19:46,133 YOU LOOK GOOD, NO MATTER 563 00:19:46,133 --> 00:19:47,567 HOW MANY VAGINAS YOU HAVE ON YOUR FACE, TO BE HONEST. 564 00:19:47,567 --> 00:19:49,066 - WELCOME. 565 00:19:49,066 --> 00:19:52,066 - DID I JUST SAY SOMETHING BAD? 566 00:20:05,400 --> 00:20:07,734 - WE'RE BACK NOW AT 8:21 WITH BETHENNY FRANKEL. 567 00:20:07,734 --> 00:20:09,967 GOOD MORNING. NICE TO SEE YOU. 568 00:20:09,967 --> 00:20:11,867 - I DECIDED THAT THE TODAY SHOW WAS THE BEST PLACE FOR ME 569 00:20:11,867 --> 00:20:14,633 TO RESPOND TO ANY QUESTIONS ANYONE MIGHT HAVE. 570 00:20:14,633 --> 00:20:16,700 - LET'S GIVE PEOPLE AN EXAMPLE OF WHAT WE'RE TALKING ABOUT. 571 00:20:16,700 --> 00:20:18,767 THERE WAS AN ARTICLE WRITTEN ON HUFFINGTON POST-- 572 00:20:18,767 --> 00:20:20,000 I THINK IT WAS LAST WEEK-- 573 00:20:20,000 --> 00:20:22,633 WHERE THEY BASICALLY SAID YOU INFLATED 574 00:20:22,633 --> 00:20:25,600 THE SALE PRICE OF THIS COMPANY BY A LOT. 575 00:20:25,600 --> 00:20:26,800 WHAT WAS THE TRUTH? 576 00:20:26,800 --> 00:20:28,834 - UM, IT WAS SAID-- FORBES 577 00:20:28,834 --> 00:20:30,400 AND THE HOLLYWOOD REPORTER 578 00:20:30,400 --> 00:20:33,266 REPORTED NUMBERS--BIG NUMBERS IN EXCESS OF $100 MILLION. 579 00:20:33,266 --> 00:20:34,700 - CORRECT NUMBERS? - AND THEN-- 580 00:20:34,700 --> 00:20:37,166 YOU KNOW, THEY'RE VERY, VERY CREDIBLE PUBLICATIONS. 581 00:20:37,166 --> 00:20:39,400 - HUFFINGTON POST LATER CORRECTED THEIR STORY 582 00:20:39,400 --> 00:20:41,033 AND SAID, "WE REGRET THE ERROR." 583 00:20:41,033 --> 00:20:43,900 THE OTHER STORY THAT GOT A LOT OF HEADLINES RECENTLY-- 584 00:20:43,900 --> 00:20:47,433 APPARENTLY SOME KIND OF A "LOST AT SEA" EPISODE 585 00:20:47,433 --> 00:20:48,934 INVOLVING YOU AND YOUR HUSBAND AND YOUR THERAPIST 586 00:20:48,934 --> 00:20:51,100 LOST FOR 20 HOURS. 587 00:20:51,100 --> 00:20:52,367 - THIS STORY DID HAPPEN, AND BASICALLY, 588 00:20:52,367 --> 00:20:54,800 THE TOWBOAT MAN WHO ACCUSED ME OF LYING-- 589 00:20:54,800 --> 00:20:56,266 - TIM RUSSELL. 590 00:20:56,266 --> 00:20:57,500 - HE'S BEEN PUT ON A GAG ORDER, 591 00:20:57,500 --> 00:20:59,133 BECAUSE WHAT HE'S EFFECTIVELY SAYING IS 592 00:20:59,133 --> 00:21:00,500 THAT WE CALLED THE COAST GUARD. 593 00:21:00,500 --> 00:21:02,467 IT'S LIKE CALLING 911 WITHOUT AN EMERGENCY. 594 00:21:02,467 --> 00:21:04,233 IT'S A BIG ACCUSATION. I'D BE IN JAIL, PROBABLY. 595 00:21:04,233 --> 00:21:06,133 WHEN PEOPLE SEE THE SHOW, THEY'LL KNOW THAT IT WAS REAL. 596 00:21:06,133 --> 00:21:08,734 IT'S JUST--IT'S ALL A BUNCH OF NONSENSE. 597 00:21:08,734 --> 00:21:10,567 - WHICH IS, YOU KNOW, PART OF THE WAY OF YOUR APPEAL. 598 00:21:10,567 --> 00:21:12,033 YOUR BLUNT TALKING. 599 00:21:12,033 --> 00:21:14,133 I MEAN, YOU'RE KIND OF SOMEBODY WHO CALLS IT AS YOU SEE IT. 600 00:21:14,133 --> 00:21:15,266 SO HOW DO YOU FEEL ABOUT THE PEOPLE 601 00:21:15,266 --> 00:21:16,900 WHO ARE BEHIND THESE STORIES? 602 00:21:16,900 --> 00:21:18,667 - I DON'T CARE ABOUT WHO'S WRITING GARBAGE. 603 00:21:18,667 --> 00:21:21,467 I JUST ONLY CARE ABOUT THE PUBLIC KNOWING WHAT TO BELIEVE. 604 00:21:21,467 --> 00:21:23,767 ALSO, I THINK THAT WE'RE IN A WORLD NOW 605 00:21:23,767 --> 00:21:25,367 WHERE PEOPLE BELIEVE THE LAST THING 606 00:21:25,367 --> 00:21:26,800 THEY'VE SEEN ON A COMPUTER. 607 00:21:26,800 --> 00:21:29,900 AND OTHER PEOPLE PICK UP THESE CANCEROUS-- 608 00:21:29,900 --> 00:21:32,233 - SO THOSE INCORRECT MORSELS GO ON AND BECOME THE TRUTH 609 00:21:32,233 --> 00:21:33,934 OF THE NEXT STORY. BETHENNY FRANKEL. 610 00:21:33,934 --> 00:21:35,000 BETHENNY, GOOD TO SEE YOU. 611 00:21:35,000 --> 00:21:38,066 WE'RE BACK AFTER YOUR LOCAL NEWS. 612 00:21:45,333 --> 00:21:46,367 [door closes] - THANKS, DWAYNE. 613 00:21:46,367 --> 00:21:47,934 - ALL RIGHT, BUDDY. 614 00:21:51,900 --> 00:21:54,033 - I CAN'T BELIEVE THAT [bleep]. 615 00:21:54,033 --> 00:21:56,400 HE HAD TO PRINT A RETRACTION. 616 00:21:56,400 --> 00:21:58,967 FORBES WROTE A WHOLE OTHER ARTICLE 617 00:21:58,967 --> 00:22:00,967 SAYING, "WE'RE DEFENDING THE NUMBERS," 618 00:22:00,967 --> 00:22:02,967 WHICH TOTALLY MADE THE BLOGGERS LOOK LIKE-- 619 00:22:02,967 --> 00:22:05,133 - LOSE ITS CREDIBILITY, YEAH. - LOSE THEIR CREDIBILITY. 620 00:22:05,133 --> 00:22:06,700 AND THEN THE BLOGGER AND THE BLOG 621 00:22:06,700 --> 00:22:08,900 HAD TO MAKE A CORRECTION THAT THEY WERE WRONG. 622 00:22:08,900 --> 00:22:10,567 - I LOVE IT. 623 00:22:10,567 --> 00:22:12,133 - I LOVE IT, 624 00:22:12,133 --> 00:22:13,900 BUT IT WASTES, LIKE, DAYS OF MY TIME. 625 00:22:13,900 --> 00:22:15,533 - YEAH. WELL, YOU HAD TO DEAL WITH IT. 626 00:22:15,533 --> 00:22:17,200 - HAVING TO DEFEND MY INTEGRITY. 627 00:22:17,200 --> 00:22:18,834 - LIVING IN THE PUBLIC EYE, 628 00:22:18,834 --> 00:22:21,066 YOU'RE GOING TO CONTINUE TO HAVE TO GO THROUGH THESE THINGS. 629 00:22:21,066 --> 00:22:22,934 - AT LEAST THEY'LL LEARN NOT TO [bleep] WITH ME AGAIN. 630 00:22:22,934 --> 00:22:24,567 IT'S, LIKE, DON'T DO IT. YOU JUST-- 631 00:22:24,567 --> 00:22:26,166 IT'S LIKE, DON'T--DON'T DO IT. 632 00:22:26,166 --> 00:22:29,066 IT'S NOT A GOOD IDEA. IT'S NOT A GOOD IDEA. 633 00:22:29,066 --> 00:22:31,734 I'M NOT TYPICALLY A NO-COMMENT TYPE OF GIRL. 634 00:22:31,734 --> 00:22:36,567 TYPICALLY, I'M OUTSPOKEN, AND IF SOMETHING IS ASKED OF ME, 635 00:22:36,567 --> 00:22:38,700 I HAVE NOTHING TO HIDE, AND I'LL RESPOND. 636 00:22:38,700 --> 00:22:40,100 YOU TRIMMED A LITTLE TODAY. 637 00:22:40,100 --> 00:22:41,066 - DID I? - YEAH. 638 00:22:41,066 --> 00:22:42,867 - DO I LOOK BETTER? 639 00:22:42,867 --> 00:22:44,667 - MORE THAN JUST YOUR FACE. THAT WAS AN INTERESTING SCENE. 640 00:22:44,667 --> 00:22:46,967 - [laughs] OH, YEAH. 641 00:22:46,967 --> 00:22:49,433 SORRY ABOUT THAT. 642 00:22:49,433 --> 00:22:51,200 WELL, I FIGURE WHEN YOU HEAR THINGS GOING ON IN THERE-- 643 00:22:51,200 --> 00:22:52,767 - IF I HEAR A BUZZER, I THINK YOU'RE SHAVING YOUR FACE. 644 00:22:52,767 --> 00:22:54,233 - BUT YOU NEVER COME IN. 645 00:22:54,233 --> 00:22:55,633 - I DIDN'T THINK YOU'D BE SHAVING YOUR BALLS. 646 00:22:55,633 --> 00:22:56,867 I REALLY DIDN'T. - BUT YOU NEVER COME IN. 647 00:22:56,867 --> 00:22:58,633 - WELL, I THOUGHT YOU'D LIKE IT-- 648 00:22:58,633 --> 00:23:00,600 - I JUST DIDN'T THINK THAT-- 649 00:23:00,600 --> 00:23:02,033 I WALKED IN, I WAS LIKE, "OH, WOW. 650 00:23:02,033 --> 00:23:03,767 THINGS I DON'T EVER NEED TO SEE IN MY LIFE." 651 00:23:03,767 --> 00:23:06,333 - BUT YOU DIDN'T REALLY SEE IT. 652 00:23:06,333 --> 00:23:07,934 - I-I SAW ENOUGH. 653 00:23:07,934 --> 00:23:09,367 - [chuckling] - I DID, I SAW ENOUGH. 654 00:23:09,367 --> 00:23:10,800 - DON'T WORRY. IT'S AWKWARD FOR ME TOO. 655 00:23:10,800 --> 00:23:12,800 - [laughs] 656 00:23:12,800 --> 00:23:14,100 - I LOVE YOU. 657 00:23:14,100 --> 00:23:15,934 - BIG, GIANT BUSH IS NOT GOOD ON ANYBODY. 658 00:23:15,934 --> 00:23:17,767 - SOME GUYS LIKE THAT, THOUGH. 659 00:23:17,767 --> 00:23:19,100 - I KNOW. I'M SURE THEY DO. 660 00:23:19,100 --> 00:23:22,800 NOW YOU HAVE A GIANT BUSH ON YOUR FACE. 661 00:23:22,800 --> 00:23:24,967 WHAT ARE YOU DOING? 662 00:23:24,967 --> 00:23:26,266 - YOU DON'T LIKE IT OR YOU-- 663 00:23:26,266 --> 00:23:27,567 - I DON'T KNOW WHAT I FEEL ABOUT IT. 664 00:23:27,567 --> 00:23:29,300 - WELL, IF YOU DON'T LIKE IT, I'LL SHAVE IT. 665 00:23:29,300 --> 00:23:30,700 - I'M NOT SURE I DON'T LIKE IT. 666 00:23:30,700 --> 00:23:32,567 YOU LOOK GOOD, NO MATTER WHAT-- - WELL, THANK YOU. 667 00:23:32,567 --> 00:23:34,000 - YOU LOOK GOOD NO MATTER HOW MANY VAGINAS 668 00:23:34,000 --> 00:23:35,600 YOU HAVE ON YOUR FACE, TO BE HONEST. 669 00:23:35,600 --> 00:23:37,033 - [laughs] - WELCOME. 670 00:23:37,033 --> 00:23:41,600 - DID I JUST SAY SOMETHING BAD? 671 00:23:41,600 --> 00:23:46,700 - WHAT DO YOU GOT UNDER THERE? A TANK TOP? 672 00:23:46,700 --> 00:23:48,467 YOU CAN TAKE OFF YOUR JACKET IF YOU WANT. 673 00:23:48,467 --> 00:23:49,700 - YOU GET EXCITED ABOUT ANYTHING. 674 00:23:49,700 --> 00:23:51,633 IF I HAD LITERALLY HAD A FLANNEL SHIRT ON. 675 00:23:51,633 --> 00:23:55,900 - I LOVE MY WIFE. I'M JUST ATTRACTED TO MY WIFE. 676 00:23:55,900 --> 00:23:57,133 - IT'S ME. IT'S NOT JUST YOUR WIFE. 677 00:23:57,133 --> 00:24:00,000 - COME ON, LET ME SEE SOME SKIN. 678 00:24:00,000 --> 00:24:01,867 NICE. - DO YOU NOT LIKE THIS JACKET? 679 00:24:01,867 --> 00:24:04,533 BUT THIS JACKET IS LIKE THE WHOLE PART OF THE OUTFIT. 680 00:24:04,533 --> 00:24:06,633 - IT'S GREAT. JUST PUT IT OVER THERE. 681 00:24:06,633 --> 00:24:08,133 - IT'S REALLY NOT LIKE A GOOD PART OF THE OUTFIT? 682 00:24:08,133 --> 00:24:10,266 - NO, THIS IS BETTER. - BUT THIS IS LIKE A TANK TOP. 683 00:24:10,266 --> 00:24:11,934 - IT'S SEXY. - IT'S NOT EVEN AN OUTFIT. 684 00:24:11,934 --> 00:24:12,900 BUT THAT'S THE WHOLE OUTFIT. - YOUR HAIR'S ALL MESSY. 685 00:24:12,900 --> 00:24:14,266 IT'S SEXY. 686 00:24:14,266 --> 00:24:15,433 - THAT'S THE OUTFIT. 687 00:24:15,433 --> 00:24:17,300 - NO, THIS IS THE OUTFIT. - OH... 688 00:24:17,300 --> 00:24:19,433 JASON LOOKS AT ME ACROSS THE ROOM LIKE 689 00:24:19,433 --> 00:24:21,200 I'M IN A CARTOON, AND I'M A PERSON 690 00:24:21,200 --> 00:24:23,367 THAT'S ALL OF THE SUDDEN BECOME A LAMB CHOP. 691 00:24:23,367 --> 00:24:25,667 AND HE'S JUST STANDING THERE WAITING TO EAT ME. 692 00:24:25,667 --> 00:24:27,433 LIKE, I HAVE SIZZLE MARKS AROUND ME. 693 00:24:27,433 --> 00:24:30,000 - COME OVER HERE. 694 00:24:30,000 --> 00:24:31,500 - ANIMAL. 695 00:24:31,500 --> 00:24:35,200 - ALL RIGHT, SO WE'RE GOING TO MEXICO, 696 00:24:35,200 --> 00:24:37,066 AND YOUR BIRTHDAY IS THERE. 697 00:24:37,066 --> 00:24:39,433 - YES. 698 00:24:39,433 --> 00:24:41,567 - SO I'M A LITTLE NERVOUS. - WHY? 699 00:24:41,567 --> 00:24:43,166 I BEG OF YOU, I BEG OF YOU. 700 00:24:43,166 --> 00:24:44,667 I DON'T--I DON'T-- I REALLY DON'T WANT ANYTHING-- 701 00:24:44,667 --> 00:24:46,166 - MAMA, IT'S ALL GOOD. IT'S NOTHING BIG. 702 00:24:46,166 --> 00:24:47,800 - BUT EVERYONE ELSE DOESN'T HAVE TO LOVE THEIR BIRTHDAY. 703 00:24:47,800 --> 00:24:49,333 - I KNOW. 704 00:24:49,333 --> 00:24:51,834 - AND DOESN'T HAVE TO WANT, YOU KNOW, BIG SURPRISES. 705 00:24:51,834 --> 00:24:53,233 FIRST THING I THINK ABOUT WHEN YOU SAY "BIRTHDAY," 706 00:24:53,233 --> 00:24:54,400 I THINK OF MY MOTHER, AND IT'S, LIKE, 707 00:24:54,400 --> 00:24:55,367 I WANT TO WASH OUT YOUR BRAIN. 708 00:24:55,367 --> 00:24:57,333 IT'S HER BIRTHDAY TOO. 709 00:24:57,333 --> 00:24:58,734 NO MATTER HOW LONG I LIVE, IT WILL BE HER BIRTHDAY. 710 00:24:58,734 --> 00:25:00,100 - I FORGET ABOUT THAT. I FORGOT ABOUT THAT. 711 00:25:00,100 --> 00:25:01,700 - IT WILL BE HER BIRTHDAY NO MATTER HOW LONG I-- 712 00:25:01,700 --> 00:25:03,066 I CAN'T ESCAPE THAT. 713 00:25:03,066 --> 00:25:05,200 UM, NOTHING. I SWEAR TO YOU. 714 00:25:05,200 --> 00:25:06,500 I DON'T WANT TO DO ANYTHING. 715 00:25:06,500 --> 00:25:07,934 - LIKE, WE'LL GO TO DINNER. 716 00:25:07,934 --> 00:25:09,533 - YEAH, I'D LIKE TO GO TO DINNER. 717 00:25:09,533 --> 00:25:11,066 WE'LL HAVE, LIKE, MARGARITAS AT LUNCH. 718 00:25:11,066 --> 00:25:12,333 AND-- - OKAY. 719 00:25:12,333 --> 00:25:14,767 BETHENNY'S BIRTHDAYS-- THEY MAKE ME NERVOUS. 720 00:25:14,767 --> 00:25:18,767 AND I'M GOING TO TREAD LIGHTLY, AND I THINK IT'S NICE 721 00:25:18,767 --> 00:25:21,533 THAT WE'RE GETTING OUT OF THE COUNTRY FOR THIS ONE. 722 00:25:21,533 --> 00:25:23,734 - YOU CAN HAVE MARIACHIS COME UP TO THE TABLE 723 00:25:23,734 --> 00:25:24,700 AND SING HAPPY BIRTHDAY. 724 00:25:24,700 --> 00:25:25,834 THAT'S NOT GOING TO BOTHER ME. 725 00:25:25,834 --> 00:25:28,767 - WE'LL FIGURE IT OUT. 726 00:25:28,767 --> 00:25:31,066 - GOOD DATE NIGHT? 727 00:25:31,066 --> 00:25:33,633 - GREAT DATE NIGHT. WE NEEDED IT, REALLY. 728 00:25:33,633 --> 00:25:35,500 - I LOVE YOU. 729 00:25:46,066 --> 00:25:48,033 WHO'S COMING TO ELLEN WITH ME? 730 00:25:48,033 --> 00:25:49,000 WHO'S COMING TO L.A.? 731 00:25:49,000 --> 00:25:50,467 YOU'RE COMING, RIGHT? 732 00:25:50,467 --> 00:25:51,667 - YES. 733 00:25:51,667 --> 00:25:53,767 - ARE YOU EXCITED? - YEAH. 734 00:25:53,767 --> 00:25:56,233 - OKAY, SO LET'S-- I DON'T CARE. 735 00:25:56,233 --> 00:25:58,000 I DON'T--I DON'T NEED TO GO CARRY-ON THIS TIME, 736 00:25:58,000 --> 00:26:00,033 BECAUSE WE HAVE TO HAVE OUTFITS FOR, LIKE, PHOTO SHOOTS, AND... 737 00:26:00,033 --> 00:26:01,734 - EXACTLY. - THE ELLEN THING. 738 00:26:01,734 --> 00:26:04,633 I'M OFF TO L.A. TO DO MY ELLEN APPEARANCE. 739 00:26:04,633 --> 00:26:07,900 AND BRYN, JACKIE, DAWA, AND COOKIE ARE COMING. 740 00:26:07,900 --> 00:26:10,700 SO I NEED TO CHANGE TO THE SUITCASE 741 00:26:10,700 --> 00:26:12,767 'CAUSE I DON'T WANT TO SCRUNCH-- WHAT AM I WEARING? 742 00:26:12,767 --> 00:26:14,934 I WANT--I WANT TO LOOK LIKE A HUMAN BEING. 743 00:26:14,934 --> 00:26:16,367 YOU PACKING A STEAMER? 744 00:26:16,367 --> 00:26:18,433 AM I PERSON THAT WEARS HEELS ON A PLANE OR NO? 745 00:26:18,433 --> 00:26:19,734 I DON'T KNOW WHO TO BE. 746 00:26:19,734 --> 00:26:21,200 IS IT CHILLY THERE? 747 00:26:21,200 --> 00:26:23,467 - IT'S LIKE HIGH 70s. 748 00:26:23,467 --> 00:26:25,900 - SO THEN IT'S NOT SWEATER YET. WE'RE STILL IN COTTON, RIGHT? 749 00:26:25,900 --> 00:26:28,734 - YEAH. - OKAY. 750 00:26:28,734 --> 00:26:31,233 ALL RIGHT, SO LET ME PUT ON MY "FLYING ON A PLANE" OUTFIT. 751 00:26:31,233 --> 00:26:35,166 SNAKES ON A PLANE. I'M GETTING DRESSED. 752 00:26:41,166 --> 00:26:43,800 OH, MY GOD, IT TAKES A VILLAGE TO GET OUT OF OUR HOUSE. 753 00:26:43,800 --> 00:26:45,166 DOES IT NOT? 754 00:26:45,166 --> 00:26:47,867 - MM-HMM. - IT'S REALLY UNBELIEVABLE. 755 00:26:50,767 --> 00:26:54,266 YOU'RE A SNUGGLE BERRY. 756 00:26:54,266 --> 00:26:56,967 WHERE'S THE-- WHERE'S THE PINATA? 757 00:26:56,967 --> 00:26:59,266 - [babbling] - PINATA. 758 00:26:59,266 --> 00:27:00,834 - TELL MOMMY WHO THIS IS. 759 00:27:00,834 --> 00:27:01,900 - DORA. 760 00:27:01,900 --> 00:27:03,800 - OKAY. - DORA'S COMING ON THE PLANE. 761 00:27:03,800 --> 00:27:05,300 - YOUR MOMMY'S GOTTA TAKE DORA. 762 00:27:05,300 --> 00:27:06,500 - LET ME SEE. 763 00:27:06,500 --> 00:27:09,433 - AND YOU'RE GOING TO GIVE DADDY KISSES. 764 00:27:09,433 --> 00:27:12,433 - DA, DA, DA. 765 00:27:12,433 --> 00:27:14,333 - BYE, DAD. BYE-BYE, DADA. 766 00:27:14,333 --> 00:27:16,200 - BYE-BYE, DADA. 767 00:27:16,200 --> 00:27:18,667 - AWW... I'LL MISS YOU. 768 00:27:18,667 --> 00:27:23,000 - BYE-BYE, DADA. - YES. 769 00:27:23,000 --> 00:27:24,633 - [babbles] 770 00:27:24,633 --> 00:27:26,400 - WALKA WALKA WITH MAMA. - WALKA WALKA WALK. 771 00:27:26,400 --> 00:27:28,000 - IT'S SO-- - CALL ME WHEN YOU LAND. 772 00:27:28,000 --> 00:27:29,700 DADDY'S TAKING ELMO. 773 00:27:29,700 --> 00:27:32,433 I'M GOING TO TAKE ELMO WITH ME. 774 00:27:32,433 --> 00:27:34,133 - WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, 775 00:27:34,133 --> 00:27:35,667 WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, 776 00:27:35,667 --> 00:27:37,834 WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, WALKA, 777 00:27:37,834 --> 00:27:40,567 WALKA, WALKA, WALKA, WALKA, WALK, WALK, WALK, WALK, 778 00:27:40,567 --> 00:27:43,834 WALK, WALK, WALK, WALK, WALK, WALK, WALK, WALK, WALK, WHOA! 779 00:27:43,834 --> 00:27:46,633 HELLO. WHO'S THAT? 780 00:27:46,633 --> 00:27:48,700 - MA-- - WHO'S THAT? 781 00:27:48,700 --> 00:27:51,166 DID HE LEAVE? - HE DID. 782 00:27:51,166 --> 00:27:52,333 - JASON? 783 00:27:52,333 --> 00:27:53,800 HE'S GONE? - YEAH. 784 00:27:53,800 --> 00:27:55,667 - SINCE THE BOAT TRIP, I THINK WE'VE BEEN 785 00:27:55,667 --> 00:27:57,000 A LITTLE BIT MORE CONSCIENTIOUS. 786 00:27:57,000 --> 00:27:59,667 AND WE'RE DEFINITELY WORKING ON IT. 787 00:27:59,667 --> 00:28:02,667 AND I DON'T WANT THIS TO BE LIKE THE SHORT, QUICK GOOD-BYE. 788 00:28:02,667 --> 00:28:04,333 I'M TRYING TO BE A LITTLE BIT MORE CONSCIENTIOUS. 789 00:28:04,333 --> 00:28:05,700 PUT A LITTLE BIT MORE EFFORT INTO IT. 790 00:28:05,700 --> 00:28:06,800 - [babbling] DADA. 791 00:28:06,800 --> 00:28:09,967 - DADA JUST-- 792 00:28:12,400 --> 00:28:13,667 - [babbling] 793 00:28:20,834 --> 00:28:23,100 - HI, HONEY. - HEY, MAMA. 794 00:28:23,100 --> 00:28:24,900 - I FEEL LIKE THAT WAS SUCH A QUICK GOOD-BYE. 795 00:28:24,900 --> 00:28:26,000 'CAUSE WE'RE ALL RUSHING AROUND 796 00:28:26,000 --> 00:28:27,500 AND IT WASN'T A GOOD ENOUGH GOOD-BYE. 797 00:28:27,500 --> 00:28:29,000 - ME EITHER. 798 00:28:29,000 --> 00:28:30,300 - IT WAS TOO QUICK. 799 00:28:30,300 --> 00:28:31,800 LIKE, YOU WALKED OUT THE DOOR AND I-- 800 00:28:31,800 --> 00:28:35,233 WE WENT TO SEE YOU AT THE ELEVATOR, AND YOU WERE GONE. 801 00:28:35,233 --> 00:28:36,934 - YEAH, I KNOW. I DIDN'T-- 802 00:28:36,934 --> 00:28:41,000 SEEMED LIKE IT WAS A GOOD-BYE, BUT I JUST--I HAD TO GO. 803 00:28:41,000 --> 00:28:42,467 - MM-HMM. 804 00:28:42,467 --> 00:28:44,433 WE LOVE YOU TOO. IT'S--EVERYTHING MOVES SO FAST. 805 00:28:44,433 --> 00:28:45,633 I DON'T KNOW WHAT TO DO. 806 00:28:45,633 --> 00:28:47,233 I FEEL LIKE MY BRAIN IS GOING TO EXPLODE. 807 00:28:47,233 --> 00:28:51,233 THERE'S TOO MANY-- TOO MANY OBLIGATIONS. 808 00:28:51,233 --> 00:28:53,400 - ALL RIGHT. WELL, WE'LL FIGURE IT OUT. 809 00:28:53,400 --> 00:28:55,066 - OKAY. I LOVE YOU. 810 00:28:55,066 --> 00:28:56,433 - ALL RIGHT, LOVE YOU. 811 00:28:56,433 --> 00:28:57,834 - OKAY, BYE. - I'LL TALK TO YOU LATER. 812 00:28:57,834 --> 00:28:58,834 [keypad tone] 813 00:29:01,667 --> 00:29:05,834 - IT'S TOO FAST, JACKIE. 814 00:29:05,834 --> 00:29:08,133 EVERY DAY IS JUST JAM-PACKED WITH EVERYTHING, 815 00:29:08,133 --> 00:29:10,533 AND THERE'S NEVER A MINUTE TO BREATHE. 816 00:29:10,533 --> 00:29:16,233 - IT'S HARD TO, LIKE, JUST TAKE A BREATHER FROM IT ALL. 817 00:29:16,233 --> 00:29:17,667 - COMING UP... 818 00:29:17,667 --> 00:29:19,767 BRYN. ALL THE BOATS. 819 00:29:19,767 --> 00:29:21,433 ALL THE BOATS. [baby laughing] 820 00:29:21,433 --> 00:29:23,066 - WHAT ARE YOU TRYING TO SAY? "ALL THE BOATS"? 821 00:29:23,066 --> 00:29:24,533 - WHAT DID YOU THINK I WAS TRYING TO SAY? 822 00:29:24,533 --> 00:29:26,567 - [baby voice] "ALL DA BOATS." 823 00:29:34,533 --> 00:29:38,033 - WHAT I WANT TO DO IS--WE HAVEN'T TAKEN ANYTHING DOWN YET. 824 00:29:38,033 --> 00:29:39,200 AND TODAY, THE WHOLE PURPOSE OF MEETING IS 825 00:29:39,200 --> 00:29:40,233 WE'RE GOING TO FIND OUT IF WE CAN ACTUALLY 826 00:29:40,233 --> 00:29:43,266 BUST THROUGH THIS WALL TO GIVE YOU 827 00:29:43,266 --> 00:29:44,333 A SERIOUS, TRUE, DREAM CLOSET. 828 00:29:44,333 --> 00:29:45,467 - SO THIS IS THE MOMENT OF TRUTH. 829 00:29:45,467 --> 00:29:47,000 IF I CAN GET THROUGH THIS WALL, 830 00:29:47,000 --> 00:29:49,333 THEN WE CAN HAVE A WHOLE DRESSING SUITE. 831 00:29:49,333 --> 00:29:50,767 THIS IS FOR BLOGGERS, THIS IS FOR THE PRESS, 832 00:29:50,767 --> 00:29:52,000 THIS IS FOR LAWSUITS. 833 00:29:52,000 --> 00:29:55,500 - GIDDYUP. FOLLOW THROUGH, KNOCK IT OUT. 834 00:29:55,500 --> 00:29:56,767 - ALL RIGHT, I'M GOING TO DO BETTER THAN THAT. 835 00:29:56,767 --> 00:29:58,300 - DO YOU LIKE BOATS? 836 00:29:58,300 --> 00:29:59,633 GIVE--THERE YOU GO. 837 00:29:59,633 --> 00:30:01,600 - LIARS! [laughing] 838 00:30:01,600 --> 00:30:03,467 - JEALOUS. ENVY. 839 00:30:03,467 --> 00:30:05,500 - GOSSIP PAGES! 840 00:30:05,500 --> 00:30:06,934 - I GOT TO TELL YOU, THIS IS KINKY. 841 00:30:06,934 --> 00:30:08,433 - LAWSUITS. 842 00:30:08,433 --> 00:30:09,834 LEGAL BILLS. 843 00:30:09,834 --> 00:30:11,767 TOWBOAT COMPANIES. 844 00:30:11,767 --> 00:30:13,200 - GOOD! YOU DID GREAT. 845 00:30:13,200 --> 00:30:15,033 - THAT FELT GOOD, I GOTTA TELL YOU! 846 00:30:15,033 --> 00:30:16,400 - THAT'S THE CLOSET. 847 00:30:16,400 --> 00:30:17,734 - YOU'RE GETTING A CLOSET, GIRLFRIEND. 848 00:30:17,734 --> 00:30:19,834 - YEAH! - DON'T MOVE. 849 00:30:19,834 --> 00:30:21,633 - YEAH, YEAH! 850 00:30:21,633 --> 00:30:22,633 WHOA! 851 00:30:22,633 --> 00:30:24,200 YES! 852 00:30:24,200 --> 00:30:26,600 - WHOA. - JESUS. 853 00:30:26,600 --> 00:30:27,667 [laughing] 854 00:30:27,667 --> 00:30:28,900 - GIDDYUP. 855 00:30:28,900 --> 00:30:41,333 YOU HAVE A CLOSET. 856 00:30:41,333 --> 00:30:45,367 [baby babbling] 857 00:30:45,367 --> 00:30:47,900 - SO, FOR ELLEN, YOU HAVE TWO SEGMENTS. 858 00:30:47,900 --> 00:30:49,433 THE FIRST ONE IS SIX MINUTES LONG, 859 00:30:49,433 --> 00:30:50,800 AND THE SECOND ONE IS FOUR MINUTES. 860 00:30:50,800 --> 00:30:52,400 - BUT IS THE FIRST SIX MINUTES, LIKE, SIT DOWN-- 861 00:30:52,400 --> 00:30:53,767 IT'S DO A SIT-DOWN? 862 00:30:53,767 --> 00:30:55,667 - YEAH, I BELIEVE IT'S GONNA GO DO THAT, AND THEN 863 00:30:55,667 --> 00:30:58,000 THE BUDGET-CONSCIOUS STUFF WILL BE THE FOUR-MINUTE ONE. 864 00:30:58,000 --> 00:31:00,000 - OKAY. THAT'S A LONG TEN MINUTES. 865 00:31:00,000 --> 00:31:01,066 - YEAH. 866 00:31:01,066 --> 00:31:02,900 - WHAT TIME ARE WE LEAVING HERE? 867 00:31:02,900 --> 00:31:05,266 - UH, 12:30. 868 00:31:05,266 --> 00:31:07,066 - IT'S 9:00 IN THE MORNING, AND I FEEL LIKE IT'S MIDNIGHT. 869 00:31:07,066 --> 00:31:09,300 WE DO L.A. IN A NEW YORK KIND OF WAY. 870 00:31:09,300 --> 00:31:13,333 WE'RE NOT OUT SIPPING COCKTAILS ON THE BALCONY AND-- 871 00:31:13,333 --> 00:31:14,633 WE'RE HERE TO WORK. 872 00:31:14,633 --> 00:31:16,533 YOU'RE COPYING BRYN'S FASHION, DAWA? 873 00:31:20,200 --> 00:31:21,333 SO YOU SHOULD WEAR IT ON THE SAME DAY. 874 00:31:21,333 --> 00:31:22,700 YOU SHOULD WEAR MATCHING OUTFITS. 875 00:31:22,700 --> 00:31:24,600 - I'VE NEVER SEEN YOU WEAR A DRESS, DAWA. 876 00:31:26,066 --> 00:31:28,066 - ON THE WEEKENDS, WHEN YOU GET ROWDY? 877 00:31:28,066 --> 00:31:30,500 WHEN YOU GO PROTEST TIBET? 878 00:31:32,100 --> 00:31:34,400 SHE REALLY DOESN'T TALK TO ME. I'M JUST NOT USED TO IT. 879 00:31:34,400 --> 00:31:35,433 IT'S A LITTLE SHOCKING WHEN SHE TALKS. 880 00:31:35,433 --> 00:31:36,867 I KIND OF LIKE IT. 881 00:31:36,867 --> 00:31:38,867 I GET EXCITED BECAUSE I FEEL LIKE WE'RE BREAKING THROUGH. 882 00:31:38,867 --> 00:31:40,967 AND SHE LIKES ME, AND SHE WANTS TO TALK TO ME. 883 00:31:40,967 --> 00:31:42,233 BUT I KNOW IT WON'T LAST. 884 00:31:42,233 --> 00:31:44,567 DID YOU HAVE A SIGN DURING THE PROTEST? 885 00:31:44,567 --> 00:31:46,967 - OOH. - YEAH. 886 00:31:46,967 --> 00:31:47,934 - OF THE SIGN? 887 00:31:47,934 --> 00:31:49,667 - YEAH. - YEAH. 888 00:31:52,367 --> 00:31:54,033 OH, MY GOD. 889 00:31:54,033 --> 00:31:57,233 YOU'RE YELLING IN A MEGAPHONE. 890 00:31:57,233 --> 00:31:58,500 WHAT ARE YOU SAYING? 891 00:32:00,533 --> 00:32:03,200 WOW. - [shouting in native language] 892 00:32:03,200 --> 00:32:04,300 - IS THAT YOU YELLING? 893 00:32:04,300 --> 00:32:05,867 - [laughs] - WHAT? REALLY? 894 00:32:05,867 --> 00:32:06,867 - YEAH. 895 00:32:06,867 --> 00:32:08,033 - YOU HEAR HER YELLING? 896 00:32:08,033 --> 00:32:09,333 HAVE YOU EVER HEARD HER RAISE HER VOICE EVER? 897 00:32:09,333 --> 00:32:10,934 - NO. 898 00:32:10,934 --> 00:32:12,767 - THAT'S DAWA YELLING. YELLING IN TIBETAN. 899 00:32:12,767 --> 00:32:15,166 TO FREE TIBET. 900 00:32:15,166 --> 00:32:17,567 I'M THINKING, "WHO IS THIS PERSON?" 901 00:32:17,567 --> 00:32:19,000 DOES SHE HAVE SOME SECRET OTHER LIFE? 902 00:32:19,000 --> 00:32:20,100 SHE'S LIKE A DOUBLE AGENT. 903 00:32:20,100 --> 00:32:22,200 I'M GOING TO BE HONEST WITH YOU. 904 00:32:22,200 --> 00:32:23,600 I WANT TO GO ON A VACATION. I'M JUST--I'M EXHAUSTED. 905 00:32:23,600 --> 00:32:25,166 I WANT TO GO ON A VACATION. I WANT TO RELAX. 906 00:32:25,166 --> 00:32:29,734 I WANT TO GO IN THE SAND... AND THE SUN. 907 00:32:29,734 --> 00:32:32,734 YOU WANT TO GO TO MEXICO? 908 00:32:32,734 --> 00:32:34,033 [smooches] - MEXICO. 909 00:32:34,033 --> 00:32:35,433 - DID YOU HEAR HER? 910 00:32:35,433 --> 00:32:36,700 SHE JUST SAID, "MEXICO." 911 00:32:36,700 --> 00:32:38,667 IT'S A SIGN. MY BABY WHO IS-- 912 00:32:38,667 --> 00:32:40,400 - MEXICO. - MEXICO? 913 00:32:40,400 --> 00:32:43,467 - MEXICO? 914 00:32:43,467 --> 00:32:46,800 - MEXICO. - MEXICO! 915 00:32:54,533 --> 00:32:57,033 - MAMA. - WE CAN'T WALKA, WALKA, BRYN. 916 00:32:57,033 --> 00:32:58,900 I GOT TO TAKE YOU. ALL THE WAY IN THE BACK. 917 00:32:58,900 --> 00:33:01,133 OKAY, LET ME-- WOULD YOU HOLD THIS? 918 00:33:01,133 --> 00:33:02,200 IT'S GORGEOUS OUT. 919 00:33:02,200 --> 00:33:04,333 ARE YOU READY? 920 00:33:04,333 --> 00:33:06,600 ALL RIGHT, OFF TO SEE ELLEN. 921 00:33:06,600 --> 00:33:08,400 ARE YOU EXCITED, JACKIE? - YEAH. 922 00:33:08,400 --> 00:33:09,934 - YOU'RE GOOD ON THIS. 923 00:33:09,934 --> 00:33:11,600 YOU'RE VERY, VERY GOOD ON THESE TRIPS. 924 00:33:11,600 --> 00:33:13,066 YOU'RE VERY, VERY ORGANIZED. 925 00:33:13,066 --> 00:33:15,200 YOU'RE VERY, LIKE, CALM, WHICH IS VERY GOOD. 926 00:33:15,200 --> 00:33:16,567 - THANK YOU. 927 00:33:16,567 --> 00:33:17,767 - I THINK SHE THRIVES IN THIS ENVIRONMENT, 928 00:33:17,767 --> 00:33:19,600 BUT THIS REALLY IS HER FIRST BUSINESS TRIP. 929 00:33:19,600 --> 00:33:20,700 AND I LIKE IT. 930 00:33:20,700 --> 00:33:21,800 WE HAVE A GOOD DYNAMIC TOGETHER. 931 00:33:21,800 --> 00:33:23,033 WHAT WOULD YOU BE DOING NOW 932 00:33:23,033 --> 00:33:24,734 IF YOU DIDN'T COME INTERN THAT SUMMER? 933 00:33:24,734 --> 00:33:27,767 - THAT SAME DAY THAT, YOU KNOW, JULIE WAS LIKE, "OKAY, 934 00:33:27,767 --> 00:33:30,033 YOU CAN COME BE OUR INTERN," I ALSO GOT A CALL 935 00:33:30,033 --> 00:33:32,767 FOR THIS GELATO SCOOPING JOB IN CHELSEA MARKET. 936 00:33:32,767 --> 00:33:34,667 - SO YOU WERE GONNA EITHER SCOOP GELATO 937 00:33:34,667 --> 00:33:36,367 OR COME BE MY INTERN? - YEAH. 938 00:33:36,367 --> 00:33:38,066 - THAT IS HYSTERICAL. 939 00:33:38,066 --> 00:33:39,633 I HAVE TO SAY, YOU WOULD HAVE ENJOYED 940 00:33:39,633 --> 00:33:41,033 EATING THE GELATO. 941 00:33:41,033 --> 00:33:43,166 ISN'T IT FUNNY THE WAY THE ROAD TAKES YOU? 942 00:33:43,166 --> 00:33:45,166 I REMEMBER ALWAYS WANTING TO BE ON ELLEN. 943 00:33:45,166 --> 00:33:46,367 JUST LIKE, ONE TIME. 944 00:33:46,367 --> 00:33:48,367 LIKE THAT WAS THE BIGGEST DEAL IN THE WORLD. 945 00:33:48,367 --> 00:33:50,600 I WOULD JUST REMEMBER SO WELL, 946 00:33:50,600 --> 00:33:52,100 LIKE, WANTING TO GET ON THE SHOW, 947 00:33:52,100 --> 00:33:55,533 AND THEM JUST NOT EVEN REMOTELY BITING AT IT. 948 00:33:55,533 --> 00:33:57,567 BUT I ALWAYS DO STILL GET A DIFFERENT KIND OF EXCITEMENT 949 00:33:57,567 --> 00:33:59,767 ABOUT GOING ON THE SHOW BECAUSE IT'S A DIFFERENT KIND OF SHOW. 950 00:33:59,767 --> 00:34:01,467 - BECAUSE IT'S-- IT'S A GOOD SHOW. 951 00:34:01,467 --> 00:34:03,400 IT'S GREAT. SHE'S SO PERSONABLE. 952 00:34:03,400 --> 00:34:04,633 - IT'S JUST TO KISS THE RING. 953 00:34:04,633 --> 00:34:05,600 SHE'S JUST IS ONE OF THOSE-- 954 00:34:05,600 --> 00:34:07,000 I GO ON A LOT OF THESE SHOWS, 955 00:34:07,000 --> 00:34:08,066 AND I'M LIKE "I COULD BE DOING THAT." 956 00:34:08,066 --> 00:34:09,500 FROM HER, YOU COULD LEARN A LOT. 957 00:34:09,500 --> 00:34:11,500 THERE AREN'T THAT MANY PEOPLE THAT I LOOK UP TO, 958 00:34:11,500 --> 00:34:13,767 THAT I LOOK UP TO AND RESPECT. 959 00:34:13,767 --> 00:34:15,667 SO SHE'S THAT PERSON THAT'S A GREAT--THAT'S A GREAT-- 960 00:34:15,667 --> 00:34:19,033 THAT'S EXACTLY WHY. IT'S EXACTLY WHY. 961 00:34:22,166 --> 00:34:23,533 WHERE ARE WE? 962 00:34:23,533 --> 00:34:25,567 - YOU'RE RIGHT HERE. - OKAY, AWESOME. 963 00:34:25,567 --> 00:34:27,667 - YOU HAVE YOUR OWN. - COOL. 964 00:34:27,667 --> 00:34:29,333 OH, COOL. THEY'RE DOING MAKEUP IN HERE. 965 00:34:29,333 --> 00:34:30,333 HI. 966 00:34:30,333 --> 00:34:32,066 - I'M NOT HERE. - OH, SORRY. 967 00:34:32,066 --> 00:34:33,233 ELLEN'S NOT THERE. OKAY. 968 00:34:33,233 --> 00:34:34,200 BUT WE'RE COMING OUT TO YOU THEN. 969 00:34:34,200 --> 00:34:35,667 HI. - HI. 970 00:34:35,667 --> 00:34:36,767 - HOW ARE YOU? 971 00:34:36,767 --> 00:34:38,433 - GOOD, HOW ARE YOU? - I'M GOOD. 972 00:34:38,433 --> 00:34:40,367 I'M SORRY, SHE JUST ATE ONE OF YOUR COOKIES IN THE ROOM. 973 00:34:40,367 --> 00:34:41,633 - HI, SWEETHEART. 974 00:34:41,633 --> 00:34:43,967 - SHE HAS YOUR BLUEBERRY EYES. - HOW ARE YOU? 975 00:34:43,967 --> 00:34:45,667 GOD, YOU'RE GETTING SO BIG. - OH, MY GOD, I'M SO EXCITED. 976 00:34:45,667 --> 00:34:47,066 DYING. LOVING THAT IT'S ALL HAPPENING 977 00:34:47,066 --> 00:34:48,333 AND MOVING FORWARD. - YEAH. 978 00:34:48,333 --> 00:34:49,834 - LIVING AND DYING AT THE SAME TIME. 979 00:34:49,834 --> 00:34:51,333 FREAKING OUT, BUT EXCITED. 980 00:34:51,333 --> 00:34:52,700 - IT'S GOOD TO LIVE AND DIE AT THE SAME TIME. 981 00:34:52,700 --> 00:34:53,734 - I KNOW. THIS IS YOUR TENTH SEASON. 982 00:34:53,734 --> 00:34:55,033 - NINTH. 983 00:34:55,033 --> 00:34:55,967 - OH, I THOUGHT THIS WAS TEN. - NO, NO. NEXT YEAR. 984 00:34:55,967 --> 00:34:57,367 - HOW'S IT-- HOW'S IT GOING? 985 00:34:57,367 --> 00:34:58,867 - WE'RE STARTING TEN WHEN YOU START ONE. 986 00:34:58,867 --> 00:35:00,467 WE START AT THE SAME ONE. - I LOVE HOW YOU'RE 987 00:35:00,467 --> 00:35:01,467 SO POWER OF POSITIVE THINKING WITH IT. 988 00:35:01,467 --> 00:35:02,467 - FOR SURE. 989 00:35:02,467 --> 00:35:03,767 - I DON'T KNOW. - FOR SURE. 990 00:35:03,767 --> 00:35:04,633 - I JUST FEEL IT. - IT'S GOING TO HAPPEN. 991 00:35:04,633 --> 00:35:05,834 - I KNOW IT. IT'S HAPPENING. 992 00:35:05,834 --> 00:35:07,533 - YEAH, IT'S HAPPENING. - I FEEL IT. 993 00:35:07,533 --> 00:35:08,900 TODAY'S THE FIRST DAY THAT I'M ON ELLEN 994 00:35:08,900 --> 00:35:11,367 SINCE WE'VE SHOT A PILOT TOGETHER. 995 00:35:11,367 --> 00:35:13,033 AND WE'RE ACTUALLY SELLING THE SHOW. 996 00:35:13,033 --> 00:35:14,934 AND IT FEELS DIFFERENT. 997 00:35:14,934 --> 00:35:16,300 IT FEELS GIGANTIC. 998 00:35:16,300 --> 00:35:19,166 AND NOT JUST "YAY, EXCITING" GIGANTIC. 999 00:35:19,166 --> 00:35:21,400 IT FEELS A LITTLE BIT "HOLY [bleep]" GIGANTIC. 1000 00:35:21,400 --> 00:35:22,767 IT FEELS DAUNTING. 1001 00:35:22,767 --> 00:35:25,200 - HI, BRYN. - WHAT ARE YOU DOING? 1002 00:35:25,200 --> 00:35:26,567 - HANGING WITH ELLEN. - WHAT ARE YOU DOING? 1003 00:35:26,567 --> 00:35:28,400 WHAT'S GOING ON WITH THE BACK OF HER HEAD, THOUGH? 1004 00:35:28,400 --> 00:35:30,133 BRUSH THE BACK OF HER HEAD, NOT JUST THE FRONT. 1005 00:35:30,133 --> 00:35:31,066 - ALL RIGHT, WE'LL GET HER IN HAIR AND MAKEUP. 1006 00:35:31,066 --> 00:35:32,567 - THE WHOLE CIRCLE THING. 1007 00:35:32,567 --> 00:35:33,900 - WE'RE GOING TO GET HER IN HAIR AND MAKEUP RIGHT NOW. 1008 00:35:33,900 --> 00:35:35,033 ALL RIGHT. ALL RIGHT, HAIR AND MAKEUP. 1009 00:35:35,033 --> 00:35:36,233 CAN WE BRUSH THE BACK OF HER HAIR? 1010 00:35:36,233 --> 00:35:37,900 - ABSOLUTELY. - ELLEN WAS NOT IMPRESSED. 1011 00:35:37,900 --> 00:35:39,066 - I'LL BE BACK. 1012 00:35:39,066 --> 00:35:41,266 - SHE WAS NOT IMPRESSED AT ALL WITH HER GLAM. 1013 00:35:41,266 --> 00:35:43,100 - MAKEUP. - YES! 1014 00:35:43,100 --> 00:35:44,867 - WOW. 1015 00:35:44,867 --> 00:35:46,400 - MAKEUP. 1016 00:35:46,400 --> 00:35:47,600 - MAKEUP. 1017 00:35:47,600 --> 00:35:50,300 - MAKEUP. - HAIR AND MAKEUP. 1018 00:35:50,300 --> 00:35:52,066 YOU'RE A GIRL. 1019 00:35:52,066 --> 00:35:54,066 YEAH? 1020 00:35:54,066 --> 00:35:55,400 - OH, BRYN, NO. 1021 00:35:55,400 --> 00:35:57,066 - [shrieks] 1022 00:35:57,066 --> 00:35:58,400 - NO, THAT'S NOT FUNNY. 1023 00:35:58,400 --> 00:36:00,934 IT'S NOT FUNNY. YOU CAN'T HIT ME. 1024 00:36:00,934 --> 00:36:06,033 [hair dryer blowing] 1025 00:36:06,033 --> 00:36:07,300 - I MISS YOU GUYS. 1026 00:36:07,300 --> 00:36:09,033 YOU KNOW, WE TALK ABOUT YOU GUYS ALL THE TIME. 1027 00:36:09,033 --> 00:36:10,266 - WE MISS YOU AND TALK ABOUT YOU ALL THE TIME. 1028 00:36:10,266 --> 00:36:11,333 - DO YOU REALLY? 1029 00:36:11,333 --> 00:36:13,367 I LOVE ELLEN, I LOVE THE PEOPLE HERE, 1030 00:36:13,367 --> 00:36:14,867 I FEEL LIKE I'M PART OF IT. 1031 00:36:14,867 --> 00:36:16,700 IT'S JUST WHAT I ALWAYS DREAMED OF. 1032 00:36:16,700 --> 00:36:18,033 - YOU TWEETED OUT A PICTURE? 1033 00:36:18,033 --> 00:36:19,300 - YES. - WITH SOME FRIENDS? 1034 00:36:19,300 --> 00:36:21,700 - YES. - AND FULL PANTY SHOT? 1035 00:36:21,700 --> 00:36:23,300 - IT WAS A BRITNEY-- 'CAUSE I DIDN'T KNOW. 1036 00:36:23,300 --> 00:36:25,266 I DON'T, LIKE, EDIT THE PICTURE. I TOOK IT DOWN AFTERWARDS. 1037 00:36:25,266 --> 00:36:26,266 - OH, YOU DID TAKE IT DOWN? 1038 00:36:26,266 --> 00:36:28,000 - YEAH, BECAUSE I NOW KNOW-- 1039 00:36:28,000 --> 00:36:28,967 - NOT BEFORE I FORWARDED IT TO EVERYBODY I KNOW. 1040 00:36:28,967 --> 00:36:30,767 LIKE, HOW AMAZING IS THIS? 1041 00:36:30,767 --> 00:36:33,266 - ANDY WAS, LIKE-- [stammering] 1042 00:36:33,266 --> 00:36:34,533 - HI. - HI. 1043 00:36:34,533 --> 00:36:35,767 DID YOU SEE MY-- 1044 00:36:35,767 --> 00:36:37,200 - I'M SO HAPPY THAT YOU'RE SAFE. - REALLY? 1045 00:36:37,200 --> 00:36:39,066 YOU'RE NOT CONCERNED ABOUT MY BRITNEY SHOT? 1046 00:36:39,066 --> 00:36:40,433 - NO. 1047 00:36:40,433 --> 00:36:42,100 I WAS SO-- THE TWEETS WERE MAKING ME CRAZY. 1048 00:36:42,100 --> 00:36:44,166 - WERE YOU, LIKE, GETTING THEM LIVE, FREAKING OUT? 1049 00:36:44,166 --> 00:36:45,333 WHAT IS WITH ME? 1050 00:36:45,333 --> 00:36:47,033 - WHO ARE YOU? - I DON'T KNOW. 1051 00:36:47,033 --> 00:36:48,133 IT'S SO WEIRD. 1052 00:36:48,133 --> 00:36:49,100 NEW RULE-- NO WHITE UNDERWEAR 1053 00:36:49,100 --> 00:36:50,200 WHEN YOU'RE WEARING A BLACK-- 1054 00:36:50,200 --> 00:36:52,400 YOU GUYS IN HOLLYWOOD KNOW THAT? - YEAH. 1055 00:36:52,400 --> 00:36:54,600 HER RULE IS NO UNDERWEAR. [laughing] 1056 00:36:54,600 --> 00:36:55,700 - WOW. 1057 00:36:55,700 --> 00:36:56,900 - THIS IS WHO YOU GOT INVOLVED WITH. 1058 00:36:56,900 --> 00:36:58,467 - I LIKE IT. - REALLY? 1059 00:36:58,467 --> 00:36:59,633 - SEE THAT LITTLE GIRL? 1060 00:36:59,633 --> 00:37:01,100 - I SAW THAT LITTLE GIRL. 1061 00:37:01,100 --> 00:37:03,900 - THIS IS DAWA, MY NANNY. LOOK HOW EXCITED. 1062 00:37:03,900 --> 00:37:05,967 SHE'S LIVED IN INDIA, BUT SHE'S TIBETAN. 1063 00:37:05,967 --> 00:37:08,500 THERE'S A LOT OF PEACE IN MY HOUSE. 1064 00:37:08,500 --> 00:37:09,734 - HUH? - THERE'S PEACE IN MY HOUSE 1065 00:37:09,734 --> 00:37:10,900 BECAUSE OF DAWA. SERIOUSLY. 1066 00:37:10,900 --> 00:37:13,500 - YEAH. IT'S A VERY CALMING ENERGY. 1067 00:37:13,500 --> 00:37:14,600 - HI. 1068 00:37:14,600 --> 00:37:16,300 - SHE JUST PROTESTED FOR FREE TIBET. 1069 00:37:16,300 --> 00:37:18,333 SHE HASN'T SPOKEN ONCE TO ME IN A YEAR. 1070 00:37:18,333 --> 00:37:20,300 AND THEN SHE'S IN A MEGAPHONE YELLING-- 1071 00:37:20,300 --> 00:37:22,300 I'M NOT KIDDING. I SAW A VIDEO. 1072 00:37:22,300 --> 00:37:24,367 AM I KIDDING? SHE DOESN'T SPEAK AT ALL TO ME. 1073 00:37:24,367 --> 00:37:26,300 I DON'T KNOW WHY. SAY, "DAWA." 1074 00:37:26,300 --> 00:37:27,367 - DAWA. - DAWA. 1075 00:37:27,367 --> 00:37:28,433 [laughter] 1076 00:37:28,433 --> 00:37:30,133 - SAY, "DAWA. 1077 00:37:30,133 --> 00:37:32,166 - IT'S TAKEN MY NIECE A LONG TIME TO TALK. 1078 00:37:32,166 --> 00:37:34,567 SHE'S--SHE'S NOW 2 1/2. AND SHE'S-- 1079 00:37:34,567 --> 00:37:35,533 - BUT SHE'S REALLY-- AND I'M NOT-- 1080 00:37:35,533 --> 00:37:37,166 I HAVE NO FRAME OF REFERENCE. 1081 00:37:37,166 --> 00:37:39,800 PEOPLE TELL ME SHE SAYS A LOT. SHE SAID SEN-- 1082 00:37:39,800 --> 00:37:42,567 BRYN, "I'M THE BABY." - I THE BABY. 1083 00:37:42,567 --> 00:37:44,000 [laughter] 1084 00:37:44,000 --> 00:37:45,867 - WELL, THAT'S NOT QUITE THAT SENTENCE, BUT IT'S CLOSE. 1085 00:37:45,867 --> 00:37:47,333 - THAT'S NOT A SENTENCE? - IT'S CLOSE. 1086 00:37:47,333 --> 00:37:48,467 - "I THE BABY"? - SAY IT AGAIN? 1087 00:37:48,467 --> 00:37:51,233 - BRYN, ONE MORE TIME. "I'M THE BABY." 1088 00:37:51,233 --> 00:37:52,300 "I'M THE BABY." 1089 00:37:52,300 --> 00:37:54,133 - I THE BABY. 1090 00:37:54,133 --> 00:37:56,033 - THERE'S A VERB, A NOUN. - NO, I KNOW, BUT-- 1091 00:37:56,033 --> 00:37:57,567 [mimicing] "I DA BABY." 1092 00:37:57,567 --> 00:37:59,233 IT'S KIND OF BABY TALK. IT SOUNDS REALLY-- 1093 00:37:59,233 --> 00:38:00,567 IT'S NOT THAT-- - ALL RIGHT, WAIT A SECOND. 1094 00:38:00,567 --> 00:38:01,867 DOES SHE HAVE-- OKAY, ONE MORE. 1095 00:38:01,867 --> 00:38:03,266 BRYN, BRYN. - ELLEN. 1096 00:38:03,266 --> 00:38:05,200 - [baby talk] "ALL THE BOATS." 1097 00:38:05,200 --> 00:38:06,467 "ALL THE BOATS." [baby squealing] 1098 00:38:06,467 --> 00:38:08,133 - WELL, YOU'RE MAKING HER SOUND LIKE THAT 1099 00:38:08,133 --> 00:38:09,934 'CAUSE YOU'RE NOT SPEAK-- WHAT ARE YOU TRYING TO SAY? 1100 00:38:09,934 --> 00:38:11,200 "ALL THE BOATS"? 1101 00:38:11,200 --> 00:38:12,500 - WHAT DID YOU-- 1102 00:38:12,500 --> 00:38:13,900 WHAT DID YOU THINK I WAS TRYING TO SAY? 1103 00:38:13,900 --> 00:38:15,533 "SPAGHETTI AND MEATBALLS"? - [baby voice] "ALL DA BOATS." 1104 00:38:15,533 --> 00:38:17,266 NOW YOU'RE MAKING HER TALK LIKE A BABY. 1105 00:38:17,266 --> 00:38:18,333 "ALL DA BOATS." 1106 00:38:18,333 --> 00:38:20,066 - OKAY. "ALL THE BOATS." 1107 00:38:20,066 --> 00:38:21,967 - LIKE THAT, LIKE THAT. - BUT IT'S SO MUCH MORE FUN. 1108 00:38:21,967 --> 00:38:23,333 'CAUSE I DO--I SPEAK A LITTLE BABY TALK 1109 00:38:23,333 --> 00:38:24,600 AT HOME NOW SOMETIMES. 1110 00:38:24,600 --> 00:38:25,900 - YEAH, THAT'S WHAT I'M WORRIED ABOUT. 1111 00:38:25,900 --> 00:38:27,100 THAT'S GONNA START HAPPENING. 1112 00:38:27,100 --> 00:38:28,533 YOU'RE JUST GONNA TALK BABY TALK. 1113 00:38:28,533 --> 00:38:29,500 - IT'S GOING TO BE A BABY TALK SHOW. 1114 00:38:29,500 --> 00:38:30,934 - THAT'S RIGHT. 1115 00:38:30,934 --> 00:38:32,000 - [mockingly] HOW ARE YOU DOING TODAY? 1116 00:38:32,000 --> 00:38:33,633 TELL US ABOUT-- DO YOU HAVE A CLIP? 1117 00:38:33,633 --> 00:38:35,700 DO YOU HAVE A CLIP? 1118 00:38:35,700 --> 00:38:37,800 DO YOU? LET ME SEE THE CLIP YOU HAVE. 1119 00:38:37,800 --> 00:38:39,834 THAT'D BE GOOD. 1120 00:38:39,834 --> 00:38:40,834 - I THINK--WELL, IT'S NEVER BEEN DONE, ELLEN. 1121 00:38:40,834 --> 00:38:42,567 - BETHENNY HAS TO REHEARSE. 1122 00:38:42,567 --> 00:38:44,000 - ALL RIGHT. [chuckling] 1123 00:38:44,000 --> 00:38:45,900 - ALL RIGHT, BYE. - BYE. 1124 00:38:45,900 --> 00:38:47,066 - WE'RE GONNA SEE YOU ONSTAGE. 1125 00:38:47,066 --> 00:38:48,633 - OKAY. ALL RIGHT, PERFECT. 1126 00:38:48,633 --> 00:38:49,800 IT IS A SENTENCE. I DON'T CARE-- 1127 00:38:49,800 --> 00:38:51,600 MARY, IT'S A SENTENCE. 1128 00:38:51,600 --> 00:38:52,567 "I DA BABY" IS A SENTENCE. 1129 00:38:52,567 --> 00:38:54,000 - I KNOW. - OKAY. 1130 00:38:54,000 --> 00:38:55,000 - IF YOU'RE A MOTHER, YOU KNOW THAT'S A SENTENCE. 1131 00:38:55,000 --> 00:38:57,033 - OKAY. SHE'S A BALL BUSTER. 1132 00:38:57,033 --> 00:38:59,133 - I DON'T THINK YOU NEED A NECKLACE. 1133 00:38:59,133 --> 00:39:01,233 THESE WERE THE NECKLACE CHOICES PULLED. 1134 00:39:01,233 --> 00:39:03,033 - YOU THINK I SHOULD JUST KEEP TO MY PERSONAL STYLE 1135 00:39:03,033 --> 00:39:04,967 WITH MY LITTLE DIAMOND? - YEAH. 1136 00:39:04,967 --> 00:39:07,100 - IT'S, LIKE, ENOUGH? - YEAH, I DON'T THINK 1137 00:39:07,100 --> 00:39:08,667 ANY OF THESE ARE GONNA BE... - IT'S ENOUGH. 1138 00:39:08,667 --> 00:39:10,500 BE WHO YOU ARE. I WOULD WEAR THIS 1139 00:39:10,500 --> 00:39:13,100 IN MY--GUESS WHAT. I WORE THIS IN HERE PRETTY MUCH. 1140 00:39:13,100 --> 00:39:14,367 - I DO. I KIND OF LIKE THE BLACK. 1141 00:39:14,367 --> 00:39:15,400 - DAWA, WHAT DO YOU LIKE? COME HERE. 1142 00:39:15,400 --> 00:39:16,667 WHAT DO YOU LIKE BETTER? 1143 00:39:16,667 --> 00:39:17,767 - BLACK. I LIKE THE BLACK TOO. 1144 00:39:17,767 --> 00:39:19,166 - PERFECT. 1145 00:39:19,166 --> 00:39:20,266 - THERE WE GO. - THERE WE GO. 1146 00:39:20,266 --> 00:39:21,667 THAT'S HOW IT IS. - OKAY. 1147 00:39:21,667 --> 00:39:23,166 YOU CAN HANG OUT FOR A COUPLE MINUTES. 1148 00:39:23,166 --> 00:39:24,400 I'LL COME AND GET YOU. 1149 00:39:24,400 --> 00:39:25,934 - WHY? WE'RE ABOUT TO DO THE SHOW? 1150 00:39:25,934 --> 00:39:27,600 - YEAH. - OKAY. 1151 00:39:27,600 --> 00:39:30,767 MAMA LOVES YOU, MONKEY. COME HERE, BABY BUMBLEBEE. 1152 00:39:30,767 --> 00:39:32,633 COME HERE. 1153 00:39:32,633 --> 00:39:35,734 WANNA DANCE? 1154 00:39:35,734 --> 00:39:38,266 - MM-MM. 1155 00:39:38,266 --> 00:39:39,467 NECKA. 1156 00:39:39,467 --> 00:39:40,900 - NECKA. 1157 00:39:40,900 --> 00:39:42,867 WANNA SEE THE NECKA? WHERE'S THE NECKAS? 1158 00:39:42,867 --> 00:39:44,800 HOW DOES SHE KNOW? SHE'S SO SMART. 1159 00:39:44,800 --> 00:39:46,233 WE'RE JUST-- IT'S HAPPENING? 1160 00:39:46,233 --> 00:39:48,300 OKAY. OKAY, MAMA. 1161 00:39:48,300 --> 00:39:49,800 BUMBLEBEE, CAN I HAVE A KISSY? 1162 00:39:49,800 --> 00:39:51,500 THEN I'M GOING ON TV. I LOVE YOU. 1163 00:39:51,500 --> 00:39:54,567 - TV. - I'M GOING ON TV. 1164 00:39:54,567 --> 00:39:55,900 I LOVE YOU, SNUGGLE BEE. 1165 00:39:55,900 --> 00:39:58,600 - I JUST WANT TO SHOW YOU ALL THE LABELS AND STUFF. 1166 00:39:58,600 --> 00:40:00,367 - OKAY. OKAY. 1167 00:40:00,367 --> 00:40:01,834 - I MEAN, YOU'RE FINE WITH A FEW MINUTES, RIGHT? 1168 00:40:01,834 --> 00:40:04,834 - YEAH. IT ALWAYS WORKS OUT. 1169 00:40:04,834 --> 00:40:07,266 [cheers and applause] 1170 00:40:13,433 --> 00:40:14,667 GOT IT. THEY'LL LOVE IT. 1171 00:40:14,667 --> 00:40:16,867 LOVE IT, LOVE IT, LOVE IT. 1172 00:40:25,700 --> 00:40:27,567 [cheers and applause] 1173 00:40:27,567 --> 00:40:30,400 - SO IT WAS GOOD? 1174 00:40:30,400 --> 00:40:31,867 OH, YOU'RE STILL NOT OVER THAT. 1175 00:40:31,867 --> 00:40:33,100 BUT YOU KNOW WHAT? IT WAS A GOOD STORY. 1176 00:40:33,100 --> 00:40:37,433 I'M GONNA TAKE A LOLLIPOP. 1177 00:40:37,433 --> 00:40:38,633 YES, I CAN. THE COSTUMES-- 1178 00:40:38,633 --> 00:40:42,400 NO, YOU GOTTA-- 1179 00:40:42,400 --> 00:40:43,567 A LITTLE. WELL, I--YEAH. 1180 00:40:43,567 --> 00:40:46,166 A LITTLE. WHY? 1181 00:40:46,166 --> 00:40:48,133 I WOULD LOVE IT. I DON'T CARE. 1182 00:40:48,133 --> 00:40:50,800 SO DO IT. 1183 00:40:50,800 --> 00:40:52,867 OH, I CAN SCREAM. 1184 00:40:52,867 --> 00:40:54,000 I'M A SCREAMER. 1185 00:40:54,000 --> 00:40:56,233 WAS IT GOOD? 1186 00:40:56,233 --> 00:40:57,567 WHAT DID YOU THINK OF MAMA? 1187 00:40:57,567 --> 00:40:58,667 I CAN'T GIVE YOU A LOLLIPOP, BABY, YOU'LL CHOKE. 1188 00:40:58,667 --> 00:40:59,700 BUT YOU CAN HAVE IT FOR A MINUTE. 1189 00:40:59,700 --> 00:41:00,800 I DON'T THINK YOU COULD BITE THROUGH. 1190 00:41:00,800 --> 00:41:02,467 SHE CAN'T CHOKE ON THAT, RIGHT? - NO. 1191 00:41:02,467 --> 00:41:04,133 - IT'S TOO BIG. WELL, JUST WATCH HER. 1192 00:41:04,133 --> 00:41:05,800 JUST WATCH HER, DAWA. - SO HOW WAS IT? 1193 00:41:05,800 --> 00:41:06,834 - IT WAS REALLY GOOD. - REALLY? 1194 00:41:06,834 --> 00:41:08,433 - YEAH, IT WAS HILARIOUS. 1195 00:41:08,433 --> 00:41:10,567 'CAUSE YOU GOT REALLY INTO THE-- 1196 00:41:10,567 --> 00:41:12,433 THE WHOLE-- TALKING ABOUT THE BOAT. 1197 00:41:12,433 --> 00:41:13,567 - I'M, LIKE, "DEFINE LOST." 1198 00:41:13,567 --> 00:41:15,233 - OH, YEAH. IT WAS JUST SO GOOD. 1199 00:41:15,233 --> 00:41:17,200 I REALLY LIKED IT, 'CAUSE IT WAS LIKE A STORY. 1200 00:41:17,200 --> 00:41:18,266 IT WAS ONE COMPLETE STORY. 1201 00:41:18,266 --> 00:41:19,333 THAT WAS GREAT. 1202 00:41:19,333 --> 00:41:20,533 - WE ARE SO OPPOSITES, SHE AND I. 1203 00:41:20,533 --> 00:41:22,266 - YEAH. - I LOVE ELLEN. 1204 00:41:22,266 --> 00:41:24,133 WE REALLY GET ALONG GREAT. 1205 00:41:24,133 --> 00:41:27,433 SO THERE'S A COMBINATION OF ME REALLY LOOKING UP TO HER, 1206 00:41:27,433 --> 00:41:29,433 US REALLY BEING FRIENDS, 1207 00:41:29,433 --> 00:41:31,700 AND ME JUST SAYING, "HOLY [bleep] BALLS." 1208 00:41:31,700 --> 00:41:33,367 - WELL, HAVE A GREAT TIME. 1209 00:41:33,367 --> 00:41:35,400 - I AM DYING--LIVING. 1210 00:41:35,400 --> 00:41:37,667 DID YOU HAVE A FUN DAY? SHE DID A LOT. 1211 00:41:37,667 --> 00:41:38,533 THIS WAS LIKE GOING TO THE PLAYGROUND. 1212 00:41:38,533 --> 00:41:39,734 WHEW. 1213 00:41:39,734 --> 00:41:43,200 I NEED ICE CREAMS AFTER THAT DAY. 1214 00:41:43,200 --> 00:41:44,967 - NO. - WHAT DO YOU MEAN, NO? 1215 00:41:44,967 --> 00:41:47,033 NO ICE CREAMS? 1216 00:41:47,033 --> 00:41:48,567 YOU LOVE ICE CREAMS. 1217 00:41:48,567 --> 00:41:50,567 IT'S ALWAYS AS EXCITING AS THE FIRST TIME. 1218 00:41:50,567 --> 00:41:52,200 I JUST LOVE THE WAY THE WHOLE THING GOES. 1219 00:41:52,200 --> 00:41:53,934 AND I LOVE BEING PART OF IT, I LOVE BEING THERE, 1220 00:41:53,934 --> 00:41:55,600 I GET EXCITED EVERY SINGLE TIME I COME, 1221 00:41:55,600 --> 00:41:57,300 AND EVEN MORE EXCITED EVERY TIME I GO. 1222 00:41:57,300 --> 00:41:59,934 IT'S AMAZING, AND I'M PROUD 1223 00:41:59,934 --> 00:42:03,100 TO BE PART OF THIS CULTURE, THIS ENVIRONMENT. 1224 00:42:03,100 --> 00:42:04,700 I-I REALLY DO LOVE IT. 1225 00:42:04,700 --> 00:42:07,066 BYE. THANK YOU SO MUCH. 1226 00:42:07,066 --> 00:42:08,633 CAN'T WAIT TO COME BACK. 1227 00:42:08,633 --> 00:42:11,767 BYE. BYE, ELLEN. 1228 00:42:11,767 --> 00:42:14,600 AWESOME. [baby babbling] 1229 00:42:14,600 --> 00:42:17,767 NEXT ON BETHENNY EVER AFTER... 1230 00:42:17,767 --> 00:42:21,266 - THIS IS LIKE MUSEUM-QUALITY ANTIQUE FURNITURE. 1231 00:42:21,266 --> 00:42:23,166 - I LIKE THAT MIRROR. - THAT'S GORGEOUS. 1232 00:42:23,166 --> 00:42:25,367 - THE MIRROR IS $76,000. 1233 00:42:25,367 --> 00:42:27,066 - HOW MUCH IS IT? - $76,000. 1234 00:42:27,066 --> 00:42:28,867 - AND THAT'S THE LIST? - DATES FROM 1922. 1235 00:42:28,867 --> 00:42:30,934 - OKAY. HOLY [bleep] BALLS. 1236 00:42:30,934 --> 00:42:32,433 WHAT DOES YOUR HUSBAND DO? 1237 00:42:32,433 --> 00:42:34,200 - WE WORK TOGETHER, AND WE JUST CAME OUT WITH AN APP TOO. 1238 00:42:34,200 --> 00:42:36,400 - I'VE BEEN TALKING TO MY HUSBAND ABOUT WORKING TOGETHER. 1239 00:42:36,400 --> 00:42:39,233 - YOU SHOULD GET YOUR HUSBAND INVOLVED, IT'S FUN. 1240 00:42:39,233 --> 00:42:40,533 - WE HAVEN'T TAKEN THE FULL STEP 1241 00:42:40,533 --> 00:42:42,133 OF REALLY FULLY WORKING TOGETHER. 1242 00:42:42,133 --> 00:42:43,533 - SOMETHING YOU'RE GONNA DO? 1243 00:42:43,533 --> 00:42:44,667 - IT'S GOOD FOR THE BUSINESS, BUT I DON'T KNOW 1244 00:42:44,667 --> 00:42:45,667 THAT IT'S GOOD FOR THE RELATIONSHIP. 1245 00:42:45,667 --> 00:42:48,233 [camera shutter clicking] 1246 00:42:48,233 --> 00:42:49,633 - [laughs] 1247 00:42:49,633 --> 00:42:52,600 - OH, MY GOD. WHO ARE THESE PEOPLE? 1248 00:42:52,600 --> 00:42:54,500 I KNOW WHAT THAT FEELS LIKE. 1249 00:42:54,500 --> 00:42:56,767 - YEAH. 1250 00:43:00,533 --> 00:43:02,533 - NO WAY. YOU'RE BULL[bleep] ME. 1251 00:43:02,533 --> 00:43:04,667 - TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1252 00:43:04,667 --> 00:43:06,133 GO TO BRAVO.TV.COM.