1 00:00:03,100 --> 00:00:04,600 - PREVIOUSLY ON BETHENNY EVER AFTER: 2 00:00:04,600 --> 00:00:07,233 AND HAVING, LIKE, A LITTLE BIT OF FAME DOESN'T DO IT. 3 00:00:07,233 --> 00:00:08,633 IT'S MONEY. 4 00:00:08,633 --> 00:00:11,000 ONCE YOU MAKE MONEY, PEOPLE ARE, LIKE, EVIL. 5 00:00:11,000 --> 00:00:12,834 - THINGS GO VIRAL SO QUICKLY. 6 00:00:12,834 --> 00:00:14,934 - WHAT'S MY PLAN? AM I IGNORING COMPLE--DO-- 7 00:00:14,934 --> 00:00:16,567 - I THINK YOU HAVE TO SAY SOMETHING. 8 00:00:16,567 --> 00:00:18,166 - YOU HAVE TO SAY SOMETHING. 9 00:00:18,166 --> 00:00:19,900 - YOU THINK SO, TOO? - YEAH. 10 00:00:19,900 --> 00:00:22,867 - A FISTFUL OF BALLS; OR, FOR A FEW FALAFELS MORE. 11 00:00:22,867 --> 00:00:24,700 - "FISTING" AND "BALLS" MIGHT BE A LITTLE AGGRESSIVE. 12 00:00:24,700 --> 00:00:26,934 I'M JUST SAYING. IT IS NEW YORK. 13 00:00:26,934 --> 00:00:29,600 OH, YOU'RE A BREATH OF FRESH AIR TODAY, NICK. 14 00:00:29,600 --> 00:00:32,200 - MACY'S PICKED UP THE SHAPEWEAR LINE. 15 00:00:32,200 --> 00:00:33,767 THEY'RE SO EXCITED. 16 00:00:33,767 --> 00:00:37,600 - WHAT ABOUT IF YOU GUYS MODEL SHAPEWEAR 17 00:00:37,600 --> 00:00:41,800 AND WE DO A PHOTO SHOOT FOR YOU GUYS TO BE ON THE WEBSITE? 18 00:00:41,800 --> 00:00:42,900 AND IT'S YOUR TENTH SEASON. 19 00:00:42,900 --> 00:00:44,400 - NINTH. - OH, I THOUGHT THIS WAS TENTH. 20 00:00:44,400 --> 00:00:46,633 - NO, NO, NEXT YEAR. - OH. HOW'S IT GOING? 21 00:00:46,633 --> 00:00:47,834 - WE'RE STARTING TEN WHEN YOU START ONE. 22 00:00:47,834 --> 00:00:49,800 - THE ELLEN SHOW HAS APPROACHED ME 23 00:00:49,800 --> 00:00:52,300 ABOUT PRODUCING MY OWN TALK SHOW 24 00:00:52,300 --> 00:00:55,166 AND STAMPING ME, PUTTING HER NAME ON ME, 25 00:00:55,166 --> 00:00:58,433 WHICH SHE'S NEVER DONE BEFORE, AND IT'S PRETTY INCREDIBLE, 26 00:00:58,433 --> 00:01:02,233 AND I ACTUALLY THINK IT'S THE RIGHT NEXT STEP FOR ME. 27 00:01:02,233 --> 00:01:05,266 - ALL RIGHT. - ALL RIGHT, HAIR AND MAKEUP. 28 00:01:21,834 --> 00:01:23,834 HI. COME WITH ME TO THE COUCH WHEN YOU'RE DONE. 29 00:01:23,834 --> 00:01:25,867 - SHOULD I LEAVE? 30 00:01:25,867 --> 00:01:26,867 - YEAH. - YES. 31 00:01:26,867 --> 00:01:27,867 - OH, OKAY. 32 00:01:27,867 --> 00:01:29,934 I REALLY HAVE NO PLACE TO STAY. 33 00:01:29,934 --> 00:01:33,600 LOOK AT THIS. 34 00:01:33,600 --> 00:01:35,767 - NO ONE DOES, BY THE WAY, SO... 35 00:01:35,767 --> 00:01:37,100 - YEAH, THEY DO. 36 00:01:37,100 --> 00:01:39,467 - MAGGIE DOESN'T HAVE A SEAT. 37 00:01:39,467 --> 00:01:41,900 MAGGIE HAS NO PLACE TO SIT. SHE SITS ON THE-- 38 00:01:41,900 --> 00:01:43,967 - WAIT, JUST COME WITH ME TO THE COUCH WHEN YOU'RE DONE. 39 00:01:43,967 --> 00:01:46,266 - OKAY. YOU ALL RIGHT? 40 00:01:46,266 --> 00:01:48,967 - YEAH. 41 00:01:48,967 --> 00:01:51,967 - [sighs] I GOT NOWHERE TO GO. 42 00:01:53,233 --> 00:01:55,467 - OKAY, SO... I HAVE DECIDED 43 00:01:55,467 --> 00:01:58,133 TO MAKE, LIKE, A LIFE DECISION. 44 00:01:58,133 --> 00:02:01,633 I'M GOING TO MOVE HOME TO PITTSBURGH 45 00:02:01,633 --> 00:02:05,567 AT THE END OF THE YEAR TO BE WITH DREW, 46 00:02:05,567 --> 00:02:08,667 TO KIND OF START MY LIFE THERE. 47 00:02:08,667 --> 00:02:13,100 I MEAN, I'VE BEEN, LIKE, SO TORTURED OVER THINKING OF THIS 48 00:02:13,100 --> 00:02:15,000 AND HOW I WAS GONNA TELL YOU AND... 49 00:02:15,000 --> 00:02:16,800 - HOW LONG, 'CAUSE YOU'VE BEEN, LIKE-- 50 00:02:16,800 --> 00:02:18,400 FOR, LIKE, I'D SAY THREE WEEKS, YOU'VE BEEN LIKE... 51 00:02:18,400 --> 00:02:20,133 - YEAH, LIKE, PROBABLY THREE WEEKS. 52 00:02:20,133 --> 00:02:23,667 I MEAN, I'VE...OBVIOUSLY THOUGHT ABOUT IT, YOU KNOW. 53 00:02:23,667 --> 00:02:28,000 YOU'VE KNOWN ME FOR OVER THREE YEARS, YOU KNOW, SO... 54 00:02:28,000 --> 00:02:29,467 I JUST THINK IT'S TIME. - LIKE, YOUR PLAN IS TO-- 55 00:02:29,467 --> 00:02:31,867 TO MOVE HOME AND MOVE TOWARDS GETTING MARRIED AND STUFF? 56 00:02:31,867 --> 00:02:36,567 - MOVE TOWARDS GETTING MARRIED, MOVE TOWARDS, YOU KNOW... 57 00:02:36,567 --> 00:02:39,867 I JUST--I'M BURNED OUT A LITTLE BIT. 58 00:02:39,867 --> 00:02:42,500 SINCE THE DAY I MOVED HERE, I HAVE NOT STOPPED-- 59 00:02:42,500 --> 00:02:45,166 TO NEW YORK-- I HAVE NOT STOPPED... 60 00:02:45,166 --> 00:02:46,500 WORKING ALL THE TIME, 61 00:02:46,500 --> 00:02:49,367 NOT STOPPED MOVING AHEAD IN MY CAREER, 62 00:02:49,367 --> 00:02:52,834 AND I JUST--I MEAN, I WAS, LIKE, SO SCARED TO TELL YOU. 63 00:02:52,834 --> 00:02:54,500 - WHY? 64 00:02:54,500 --> 00:02:55,967 - I DON'T KNOW, I LIKE TO CONTROL EVERYTHING 65 00:02:55,967 --> 00:02:57,567 AND I WANT EVERYTHING TO BE OKAY, 66 00:02:57,567 --> 00:02:58,600 AND I'M LIKE, WORRIED ABOUT-- - YOU WERE WORRIED THAT-- 67 00:02:58,600 --> 00:02:59,800 - LIKE, WHAT WILL HAPPEN 68 00:02:59,800 --> 00:03:01,000 AND IF EVERYTHING WILL BE ALL RIGHT. 69 00:03:01,000 --> 00:03:02,967 - ALL RIGHT, FIRST OF ALL, 70 00:03:02,967 --> 00:03:05,000 I ALWAYS WANTED WHAT'S BEST FOR YOU. 71 00:03:05,000 --> 00:03:07,233 I WANT WHAT'S BEST FOR YOU. I WANT... 72 00:03:07,233 --> 00:03:08,533 I WANTED YOU TO COME TO YOUR OWN DECISION. 73 00:03:08,533 --> 00:03:10,033 I DIDN'T WANT YOU TO MAKE A DECISION OUT OF FEAR, 74 00:03:10,033 --> 00:03:12,266 BECAUSE YOU WERE AFRAID THAT YOUR BOYFRIEND 75 00:03:12,266 --> 00:03:15,567 WANTED YOU TO MOVE THERE AND YOU WEREN'T PLEASING HIM. 76 00:03:15,567 --> 00:03:20,467 I DO HAPPEN TO THINK THAT THIS PARTICULAR JOB... 77 00:03:20,467 --> 00:03:22,800 YOU ARE GOOD FOR IT. 78 00:03:22,800 --> 00:03:24,433 IT'S NOT GOOD FOR YOU. 79 00:03:24,433 --> 00:03:26,600 YOU ARE A PLEASER AND YOU GET VERY NERVOUS, 80 00:03:26,600 --> 00:03:31,367 AND YOU--IT MAKES YOU A NERVOUS WRECK. 81 00:03:31,367 --> 00:03:33,734 BUT LISTEN, YOU'RE GOING TO ALWAYS BE IN OUR LIVES. 82 00:03:33,734 --> 00:03:35,367 YOU'RE FAMILY. YOU'RE BRYN'S GODMOTHER. 83 00:03:35,367 --> 00:03:37,166 - I KNOW, I KNOW, I'M JUST-- 84 00:03:37,166 --> 00:03:39,200 I'M SAD TO LEAVE YOU GUYS, BUT I'M SO SAD TO LEAVE HER. 85 00:03:39,200 --> 00:03:40,433 BUT I WILL COME BACK ALL THE TIME. 86 00:03:40,433 --> 00:03:42,333 - NO, I KNOW, BUT I DON'T WANT YOU TO-- 87 00:03:42,333 --> 00:03:44,033 YOU KNOW, DID YOU THINK I'D BE LIKE, 88 00:03:44,033 --> 00:03:46,233 "OH, MY GOD, HOW COULD YOU?" LIKE, I'M NOT LIKE THAT. 89 00:03:46,233 --> 00:03:47,734 - I HAD NO I-- LIKE, I KNOW YOU SO WELL. 90 00:03:47,734 --> 00:03:49,066 I DIDN'T KNOW WHAT WAS GOING TO HAPPEN. 91 00:03:49,066 --> 00:03:50,133 - I WANT YOU TO BE HAPPY. 92 00:03:50,133 --> 00:03:51,633 I THINK THAT, YOU KNOW, AS A WOMAN, 93 00:03:51,633 --> 00:03:53,100 I WANT YOU TO BE HAPPY. - I KNOW. I KNOW. 94 00:03:53,100 --> 00:03:54,166 - I WANT YOU TO FIND WHAT YOU WANT. 95 00:03:54,166 --> 00:03:55,467 - YOU HAVE JUST, LIKE-- EVERYTHING-- 96 00:03:55,467 --> 00:03:56,633 YOU'VE JUST GIVEN ME SO MUCH, 97 00:03:56,633 --> 00:03:59,600 AND I FEEL LIKE I'VE BEEN ON THIS JOURNEY 98 00:03:59,600 --> 00:04:02,100 WITH YOU FOR, LIKE, THREE YEARS, 99 00:04:02,100 --> 00:04:06,100 AND NOW-- I MEAN-- 100 00:04:08,066 --> 00:04:11,467 - I'M HAPPY FOR YOU. - I KNOW, I'M HAPPY, TOO. 101 00:04:11,467 --> 00:04:12,967 - I'M HAPPY THAT YOU'RE NOT TORMENTING YOURSELF, 102 00:04:12,967 --> 00:04:14,367 AND YOU CAN GO AND TALK TO SOMEONE. 103 00:04:14,367 --> 00:04:18,600 AND NOW YOU'RE GONNA, LIKE... YOU CAN BREATHE. 104 00:04:18,600 --> 00:04:20,200 THERE'S A RELIEF. 105 00:04:20,200 --> 00:04:21,834 THERE'S A RELIEF FOR JULIE, THERE'S A RELIEF FOR ME, 106 00:04:21,834 --> 00:04:25,900 BECAUSE SHE WASN'T REALLY ON THE WAY THAT SHE USED TO BE. 107 00:04:25,900 --> 00:04:28,734 SHE WAS A LITTLE BIT SCATTERED 108 00:04:28,734 --> 00:04:31,300 AND SHE WAS PREOCCUPIED 109 00:04:31,300 --> 00:04:33,200 AND SHE HAD SOMETHING WEIGHING ON HER. 110 00:04:33,200 --> 00:04:35,100 - WHAT'S GOING ON? 111 00:04:35,100 --> 00:04:37,200 - I JUST WANTED TO LET YOU ALL KNOW-- 112 00:04:37,200 --> 00:04:41,500 I TOLD BETHENNY, BUT-- THAT I'M GOING TO BE 113 00:04:41,500 --> 00:04:43,834 LEAVING NEW YORK AT THE END OF THE YEAR. 114 00:04:43,834 --> 00:04:46,200 - NO WAY. YOU'RE [bleep] ME. 115 00:04:46,200 --> 00:04:47,433 - WHY? - WHY WOULD--I WOULD NEVER-- 116 00:04:47,433 --> 00:04:48,800 - WHY--WHERE ARE YOU GOING? 117 00:04:48,800 --> 00:04:50,066 - WHAT DO YOU MEAN? - TO PITTSBURGH. 118 00:04:50,066 --> 00:04:51,266 - WHY? 119 00:04:51,266 --> 00:04:52,800 - 'CAUSE I WANT TO START MY LIFE THERE. 120 00:04:52,800 --> 00:04:54,200 I WANT TO START MY LIFE WITH DREW. 121 00:04:54,200 --> 00:04:56,533 I WANT A--I JUST-- I NEED A BREAK, JASE. 122 00:04:56,533 --> 00:04:58,300 I'M BURNT. 123 00:04:58,300 --> 00:04:59,500 AND I DON'T WANT TO START... 124 00:04:59,500 --> 00:05:02,834 MY BURNING OUT TO START AFFECTING OTHERS. 125 00:05:02,834 --> 00:05:07,133 - I DON'T WANT YOU TO LEAVE. 126 00:05:07,133 --> 00:05:08,667 DON'T GO. - NO. 127 00:05:08,667 --> 00:05:11,133 I'LL BE BACK ALL THE TIME. - WE LOVE DREW, BUT DON'T GO. 128 00:05:11,133 --> 00:05:13,867 WELL, YOU MADE A TOUGH DECISION, BUT... 129 00:05:13,867 --> 00:05:17,000 IF THIS IS WHAT YOU WANT TO DO, 130 00:05:17,000 --> 00:05:18,700 YOU'VE GOT TO FOLLOW YOUR HEART, RIGHT? 131 00:05:18,700 --> 00:05:20,100 - YEAH. 132 00:05:20,100 --> 00:05:21,100 - I'M MIXED, I'M SO HAPPY-- 133 00:05:21,100 --> 00:05:22,767 BY THE WAY, I KNOW I TORTURED YOU-- 134 00:05:22,767 --> 00:05:24,133 - I'M HAPPY FOR THE DECISION SHE MADE. 135 00:05:24,133 --> 00:05:26,200 - I'M VERY HAPPY, BECAUSE YOU'VE BEEN SO TORTURED. 136 00:05:26,200 --> 00:05:28,467 AND I KNOW WHAT THAT FEELS LIKE. 137 00:05:28,467 --> 00:05:30,033 - YEAH. 138 00:05:30,033 --> 00:05:32,533 - NOW, ON TO YOU. ARE YOU CRYING, TOO? 139 00:05:32,533 --> 00:05:34,233 - 'CAUSE I LOVE JULIE. - AWW. 140 00:05:34,233 --> 00:05:36,800 [laughter] - AW, JESUS. 141 00:05:36,800 --> 00:05:39,333 - JACKIE'S NOT CRYING. 142 00:05:39,333 --> 00:05:41,200 - PERFECT. STEP ONE, NO FEELINGS. 143 00:05:41,200 --> 00:05:42,567 - [laughs] - AH, YES. 144 00:05:42,567 --> 00:05:44,834 - I DON'T FEEL ANYTHING. - YOU'RE GONNA BE PERFECT. 145 00:05:44,834 --> 00:05:46,900 - JACKIE HAS HER OWN WAY OF DEALING WITH THINGS. 146 00:05:46,900 --> 00:05:49,066 SHE'S ONE OF THOSE PEOPLE THAT HOLDS THINGS INSIDE. 147 00:05:49,066 --> 00:05:51,133 AND THEN ONE DAY IT COMES OUT IN HER OWN WAY, 148 00:05:51,133 --> 00:05:52,533 IN HER OWN PRIVATE LIFE. 149 00:05:52,533 --> 00:05:53,867 EVERYBODY WINS. EVERYBODY WINS. 150 00:05:53,867 --> 00:05:57,533 YOU'RE HAPPY. YOU MOVE HOME TO WHERE YOU WANT TO BE. 151 00:05:57,533 --> 00:05:59,066 - WINNING. - WINNING. 152 00:05:59,066 --> 00:06:01,133 - YOU GET HER JOB. - WHAT DO I GET? 153 00:06:01,133 --> 00:06:02,633 - WHAT DO YOU WANT? 154 00:06:02,633 --> 00:06:04,133 SHE WENT FOR WHAT SHE WANTED, SHE GOT IT. 155 00:06:04,133 --> 00:06:05,567 SHE WENT FOR WHAT SHE WANTED, SHE GOT IT. 156 00:06:05,567 --> 00:06:07,600 WE KNOW I'VE GONE FOR WHAT I WANTED--I'VE GOT IT. 157 00:06:07,600 --> 00:06:11,467 YOU HAVE TO GO FOR WHAT YOU WANT AND GO GET IT. 158 00:06:11,467 --> 00:06:15,800 WHEN YOU DECIDE WHAT YOU WANT-- - WE'LL TALK ABOUT IT LATER. 159 00:06:15,800 --> 00:06:17,600 - PERFECT. - OKAY? 160 00:06:17,600 --> 00:06:18,834 - WE'LL TALK ABOUT IT LATER. 161 00:06:18,834 --> 00:06:20,000 JASON'S GONE BACK AND FORTH 162 00:06:20,000 --> 00:06:24,166 EVEN MORE ON WHETHER HE WANTS TO WORK WITH ME 163 00:06:24,166 --> 00:06:25,467 AND WHETHER HE WANTS TO BE PART OF THIS BUSINESS. 164 00:06:25,467 --> 00:06:28,066 WOULD JASON BE ABLE TO TAKE THE LEAP OF FAITH 165 00:06:28,066 --> 00:06:30,667 AND LEAVE HIS JOB AND HIS SALARY? 166 00:06:30,667 --> 00:06:32,700 I DON'T KNOW IF HE WOULD BE WILLING TO DO THAT. 167 00:06:32,700 --> 00:06:34,667 LOOK, IT'S TERRIFYING TO BOTH OF US. 168 00:06:34,667 --> 00:06:36,533 IT'S ALL VERY SCARY. 169 00:06:36,533 --> 00:06:37,900 IS THIS CAUSE FOR CELEBRATION 170 00:06:37,900 --> 00:06:39,100 OR ARE WE SUPPOSED TO, LIKE, BE SAD? 171 00:06:39,100 --> 00:06:40,100 SHOULD WE HAVE A DRINK? - I'M MOURNING. 172 00:06:40,100 --> 00:06:41,100 - BE HAPPY. WHAT ARE YOU TA-- 173 00:06:41,100 --> 00:06:42,200 I'M HAPPY. - I'M MOURNING. 174 00:06:42,200 --> 00:06:43,734 I LOVE MY JULIE. I'M MOURNING. 175 00:06:43,734 --> 00:06:45,433 - I KNOW. SO WHAT, ARE WE HAVING A COCKTAIL, 176 00:06:45,433 --> 00:06:47,700 OR ARE WE WEARING ALL BLACK? 177 00:06:47,700 --> 00:06:49,033 WHAT ARE WE DOING? - WE'RE HAVING A COCKTAIL. 178 00:06:49,033 --> 00:06:51,433 - NO, NO, IT'S A GOOD DAY. - OKAY. 179 00:06:51,433 --> 00:06:53,233 - MAGGIE HAS A NEW JOB. - IT'S ALL RIGHT. 180 00:06:53,233 --> 00:06:55,533 - JACKIE'S GONNA BE THE HEAD BALL-BUSTER. 181 00:06:55,533 --> 00:06:57,266 - IN SHOCK RIGHT AWAY. - [laughing and muttering] 182 00:06:57,266 --> 00:06:59,834 - JACKIE'S GONNA BE THE HEAD BALL-BUSTER. 183 00:06:59,834 --> 00:07:02,400 JACKIE TOLD THE WALL STREET JOURNAL THAT I WAS ASLEEP. 184 00:07:02,400 --> 00:07:03,767 DID YOU CRY THE DAY THAT 185 00:07:03,767 --> 00:07:06,066 YOU TOLD THE WALL STREET JOURNAL I WAS ASLEEP? 186 00:07:06,066 --> 00:07:08,100 - CRY LAUGHING, YEAH. - [laughs] 187 00:07:08,100 --> 00:07:09,333 - ARE YOU KIDDING? 188 00:07:09,333 --> 00:07:10,533 - WELL, I'M JUST GOING TO WARN YOU, 189 00:07:10,533 --> 00:07:12,867 YOU'RE EVENTUALLY GOING TO GET YELLED AT. 190 00:07:12,867 --> 00:07:14,200 - JACKIE AND I ALREADY HAD 191 00:07:14,200 --> 00:07:15,333 THIS "YOU'RE GONNA GET YELLED AT" CONVERSATION. 192 00:07:15,333 --> 00:07:16,433 - THIS ISN'T BALLET. 193 00:07:16,433 --> 00:07:17,533 WELL, BALLET, THEY'RE BITCHES ABOUT-- 194 00:07:17,533 --> 00:07:19,066 - OH, MY GOD, THEY'RE TERRIBLE. 195 00:07:19,066 --> 00:07:20,433 - OKAY, SO THINK ABOUT THIS LIKE BALLET. 196 00:07:20,433 --> 00:07:22,400 - OH, THEN MAYBE SHE HAS TOUGHER SKIN THAN I THINK. 197 00:07:22,400 --> 00:07:23,834 - THOSE ARE BALLET BITCHES UP IN THERE. 198 00:07:23,834 --> 00:07:25,133 EVERYBODY'S GOING TO MOVE UP. 199 00:07:25,133 --> 00:07:26,900 JACKIE WILL BE TAKING JULIE'S PLACE, 200 00:07:26,900 --> 00:07:28,633 AND MAGGIE WILL BE TAKING JACKIE'S PLACE. 201 00:07:28,633 --> 00:07:30,533 MAGGIE'S AN EMOTIONAL GIRL 202 00:07:30,533 --> 00:07:32,834 AND WEARS HER HEART ON HER SLEEVE. 203 00:07:32,834 --> 00:07:36,266 IT MAKES ME SOMETIMES A LITTLE BIT NERVOUS, BECAUSE... 204 00:07:36,266 --> 00:07:38,200 IT'S THE BEGINNING, SHE HASN'T EVEN BEEN HERE THAT LONG, 205 00:07:38,200 --> 00:07:40,734 AND SHE'S ALREADY VERY UPSET AND CRYING OVER JULIE. 206 00:07:40,734 --> 00:07:45,166 AND I DON'T KNOW THAT SHE CAN HANDLE 207 00:07:45,166 --> 00:07:46,667 HOW TOUGH IT CAN GET AROUND HERE. 208 00:07:46,667 --> 00:07:49,633 OKAY. TO MAGGIE'S FIRST FAMILY DINNER. 209 00:07:49,633 --> 00:07:50,700 - THANK YOU. 210 00:07:50,700 --> 00:07:53,700 - AND TO EVERYBODY COMING TO MEXICO. 211 00:07:53,700 --> 00:07:55,100 - NO WAY. - OOH. 212 00:07:55,100 --> 00:07:56,667 - YES, WE'RE GOING TO CABO. - NO WAY. 213 00:07:56,667 --> 00:07:58,000 - YES. - YEP. 214 00:07:58,000 --> 00:08:01,567 - OH, MY GOD. - YEAH. 215 00:08:01,567 --> 00:08:02,633 - OH, MY GOSH. 216 00:08:02,633 --> 00:08:04,367 NO WAY. - YES! 217 00:08:04,367 --> 00:08:05,667 EVERYONE'S COMING TO MEXICO. 218 00:08:05,667 --> 00:08:08,033 I WANTED TO INVITE ALL THE GIRLS TO MEXICO, 219 00:08:08,033 --> 00:08:10,367 BECAUSE I KNOW THAT THEY'VE NEVER BEEN 220 00:08:10,367 --> 00:08:11,867 ON A VACATION LIKE THIS, AND THEY WOULD LOVE IT. 221 00:08:11,867 --> 00:08:13,934 I WANT TO REWARD JULIE FOR 222 00:08:13,934 --> 00:08:16,700 ALL OF THE HARD WORK THAT SHE'S PUT IN. 223 00:08:16,700 --> 00:08:20,400 AND IT'S A WAY TO MOTIVATE AND GET JACKIE EXCITED 224 00:08:20,400 --> 00:08:22,100 AND GIVE HER A LITTLE BIT OF REWARD 225 00:08:22,100 --> 00:08:23,800 BEFORE SHE GETS THROWN INTO THE FIRE. 226 00:08:23,800 --> 00:08:27,767 GIVE MAGGIE A LITTLE TASTE OF FUN AND VACATION 227 00:08:27,767 --> 00:08:30,433 BEFORE SHE REALLY GETS INTO THE TRENCHES. 228 00:08:30,433 --> 00:08:33,600 - OH, MY GOD. [giggling] 229 00:08:33,600 --> 00:08:34,800 - YOU EXCITED? - YEAH. 230 00:08:34,800 --> 00:08:36,700 - HALF TERRIFIED AND HALF EXCITED. 231 00:08:36,700 --> 00:08:39,667 - DON'T BE TERRIFIED. - IT'S GONNA BE AWESOME. 232 00:08:39,667 --> 00:08:40,934 - COMING UP... 233 00:08:40,934 --> 00:08:42,500 EVERY TIME I MAKE A BUSINESS DEAL OR A DECISION, 234 00:08:42,500 --> 00:08:43,967 I DO TALK TO JASON. 235 00:08:43,967 --> 00:08:46,066 BUT WE HAVEN'T TAKEN THE FULL STEP OF WORKING TOGETHER. 236 00:08:46,066 --> 00:08:47,700 - IS THAT SOMETHING YOU'RE GOING TO DO? 237 00:08:47,700 --> 00:08:49,133 - IT'S GOOD FOR THE BUSINESS, 238 00:08:49,133 --> 00:08:51,967 BUT I DON'T KNOW THAT IT'S GOOD FOR THE RELATIONSHIP. 239 00:09:09,967 --> 00:09:11,934 - WHAT'S EVERYONE GETTING? YOU HAVE DIFFERENT THINGS? 240 00:09:11,934 --> 00:09:13,133 - WELL, BASICALLY, THE WAY IT'S SET UP, 241 00:09:13,133 --> 00:09:15,166 IS, AS YOU CAN SEE, IT'S A BAR THEME. 242 00:09:15,166 --> 00:09:17,300 AND SO ALL OF OUR DRINKS ARE NAMED AFTER HAIRSTYLES. 243 00:09:17,300 --> 00:09:20,066 SO EVERYBODY--YOU CAN GET A COSMO, YOU CAN GET A MAI TAI. 244 00:09:20,066 --> 00:09:22,333 - ALL YOUR HAIRSTYLES ARE NAMED AFTER DRINKS? 245 00:09:22,333 --> 00:09:23,533 - THAT'S CORRECT. 246 00:09:23,533 --> 00:09:24,667 - SO AM I GOING FIRST? - YEAH. 247 00:09:24,667 --> 00:09:27,500 - MY PARTNERSHIP WITH THE HAIR SALON... 248 00:09:27,500 --> 00:09:30,734 IT'S NOT THAT I HAVE TO DRUM UP BUSINESS. 249 00:09:30,734 --> 00:09:32,033 IT'S THAT I HAVE TO PROTECT 250 00:09:32,033 --> 00:09:33,967 THE BUSINESS THAT I'VE ALREADY BUILT, 251 00:09:33,967 --> 00:09:35,700 AND THAT COSTS MONEY. 252 00:09:35,700 --> 00:09:39,000 ON ANY GIVEN DAY, IN A HALF AN HOUR, 253 00:09:39,000 --> 00:09:43,800 I COULD SPEND $150,000 JUST ON ONE TINY LEGAL SITUATION. 254 00:09:43,800 --> 00:09:45,633 ALL RIGHT. 255 00:09:45,633 --> 00:09:46,834 - DO YOU WANT IT-- 256 00:09:46,834 --> 00:09:48,266 - ARE YOU PAYING ATTENTION FOR THE PONY? 257 00:09:48,266 --> 00:09:49,967 - I CAN BLOW OUT HAIR ALL DAY LONG, 258 00:09:49,967 --> 00:09:51,567 BUT IT'S GOING TO TAKE ME A WHILE TO GET A GOOD PONY. 259 00:09:51,567 --> 00:09:52,934 - RIGHT. - WHY? 260 00:09:52,934 --> 00:09:55,066 - BECAUSE YOU'VE GOT TO GET ALL THOSE RIDGES IN. 261 00:09:55,066 --> 00:09:58,333 - THE SIGNATURE OF SKINNY GIRL IS HER PONYTAIL. 262 00:09:58,333 --> 00:10:00,166 AND IT HAS TO BE PERFECT, LIKE BOOP! 263 00:10:00,166 --> 00:10:01,800 - DON'T MOVE. - NO? 264 00:10:01,800 --> 00:10:04,233 - I DON'T KNOW. - IF IT WAS ME, 265 00:10:04,233 --> 00:10:07,667 I WOULD PREFER A LITTLE LOOSE TEXTURE, WHATEVER. 266 00:10:07,667 --> 00:10:09,400 - YEAH. - BUT KNOWING HER, 267 00:10:09,400 --> 00:10:10,934 SHE ALWAYS-- IT'S VERY LIKE-- 268 00:10:10,934 --> 00:10:13,133 - SHE'LL WANT IT MORE SLEEKED? 269 00:10:13,133 --> 00:10:17,066 - LET ME LOOK. 270 00:10:17,066 --> 00:10:19,600 I LIKE THE PART BACK HERE, BUT I FEEL LIKE... 271 00:10:19,600 --> 00:10:20,834 - DO YOU WANT THIS SLICKER? 272 00:10:20,834 --> 00:10:21,900 - DO IT AGAIN. I WANT TO DO IT AGAIN. 273 00:10:21,900 --> 00:10:23,033 - OH, MY GOD, DO IT AGAIN? 274 00:10:23,033 --> 00:10:24,266 - WHY ARE PONYTAILS NOT EASY? 275 00:10:24,266 --> 00:10:25,734 DON'T YOU JUST PUT IT UP? 276 00:10:25,734 --> 00:10:27,100 - 'CAUSE IT'S SO SIMPLE AND IT HAS TO BE, LIKE, CLEAN. 277 00:10:27,100 --> 00:10:29,433 - YOU'RE NOT INTO IT. 278 00:10:29,433 --> 00:10:30,734 - I'M NOT INTO THE FRONT. 279 00:10:30,734 --> 00:10:32,633 IT'S EASIER FOR ME TO JUST SAY IT AND NOT-- 280 00:10:32,633 --> 00:10:34,100 - YEAH, YEAH. - YOU KNOW WHAT I MEAN? 281 00:10:34,100 --> 00:10:36,567 - WHY DON'T YOU TRY DOING IT AND LET HER TELL YOU WHAT TO DO? 282 00:10:36,567 --> 00:10:38,133 - OKAY. - START OVER. 283 00:10:38,133 --> 00:10:40,667 - ONE DAY, YOU'LL HAVE TO COME IN FOR A BLOW OUT. 284 00:10:40,667 --> 00:10:43,467 - YES. - SEE, LIKE-- 285 00:10:43,467 --> 00:10:44,567 - CHEERS. 286 00:10:44,567 --> 00:10:46,533 - IF IT'S SLICK... 287 00:10:50,266 --> 00:10:52,633 - IS IT BAD THAT IT ACTUALLY QUENCHES YOUR THIRST TOO? 288 00:10:52,633 --> 00:10:54,300 - THAT'S WHY IT'S OKAY TO DRINK IT IN THE MORNING. 289 00:10:54,300 --> 00:10:56,900 - WHO DECIDED YOU'RE SUPPOSED TO DRINK COCKTAILS AT 5:00? 290 00:10:56,900 --> 00:10:58,033 WHY CAN'T YOU DRINK IN THE MORNING 291 00:10:58,033 --> 00:10:59,333 AND THEN NOT DRINK AT NIGHT? 292 00:10:59,333 --> 00:11:01,633 - PROBABLY BETTER. - I DON'T LIKE SEX AT NIGHT. 293 00:11:01,633 --> 00:11:03,300 I LIKE SEX IN THE MORNING. - IN THE MORNING, YEAH. 294 00:11:03,300 --> 00:11:04,867 - I HAD SEX THIS MORNING, SO YOU KNOW. 295 00:11:04,867 --> 00:11:06,633 - OH, GREAT. - IT'S BEEN A DRY RUN. 296 00:11:06,633 --> 00:11:08,467 BLOW DRY RUN. 297 00:11:08,467 --> 00:11:10,400 I WAS COMING TO GET A BLOW JOB, 298 00:11:10,400 --> 00:11:11,834 SO I THOUGHT MY HUSBAND SHOULD GET ONE TOO. 299 00:11:11,834 --> 00:11:13,633 JUST KIDDING. 300 00:11:13,633 --> 00:11:16,200 IT'S CUTE. I LIKE IT. 301 00:11:16,200 --> 00:11:17,500 - NOW WE GOT A LITTLE-- - I LIKE IT. 302 00:11:17,500 --> 00:11:18,967 - YOU GOT IT? 303 00:11:18,967 --> 00:11:20,900 - CHEERS TO THE SKINNYGIRL PONYTAIL. 304 00:11:20,900 --> 00:11:22,700 - YEAH, AND YOUR PROMOTION. - I LOVE IT. 305 00:11:22,700 --> 00:11:23,700 - YAY. 306 00:11:23,700 --> 00:11:24,734 - HI. - HEY. 307 00:11:24,734 --> 00:11:26,033 - HOW ARE YOU? - GOOD, HOW ARE YOU? 308 00:11:26,033 --> 00:11:27,066 - GOOD. I'M KATE, FROM PEOPLE MAGAZINE. 309 00:11:27,066 --> 00:11:28,200 - I'VE MET YOU BEFORE. 310 00:11:28,200 --> 00:11:29,200 - I DON'T KNOW IF YOU WANTED TO SIT. 311 00:11:29,200 --> 00:11:30,333 - SURE. 312 00:11:30,333 --> 00:11:31,934 - THEY GOT CHAIRS FOR BOTH OF YOU. 313 00:11:31,934 --> 00:11:33,600 - HI. - HI. 314 00:11:36,633 --> 00:11:39,133 - WE JUST FELT LIKE IT JUST MADE SUCH PERFECT SENSE 315 00:11:39,133 --> 00:11:40,934 TO DO THIS WITH YOU, AND YOU KNOW-- 316 00:11:40,934 --> 00:11:42,066 - I THINK IT'S GREAT. IT'S A PERFECT SYNERGY. 317 00:11:42,066 --> 00:11:43,567 - THE GIRLS LOVE THE ALCOHOL. 318 00:11:43,567 --> 00:11:44,967 - I'M PROUD OF YOU. 319 00:11:44,967 --> 00:11:46,700 - THANK YOU. - I AM. 320 00:11:46,700 --> 00:11:48,934 JUST THIS BUSINESS OF, YOU KNOW, 13 STORES, 321 00:11:48,934 --> 00:11:50,200 I THINK IT'S GOOD. 322 00:11:50,200 --> 00:11:51,800 - SHE SEEMED LIKE SHE WAS REALLY ON HER GAME, 323 00:11:51,800 --> 00:11:54,767 SHE'S BALANCING MOTHERHOOD AND A BUSINESS. 324 00:11:54,767 --> 00:11:56,400 THERE WERE JUST A LOT OF SIMILARITIES. 325 00:11:56,400 --> 00:11:58,233 AND I DON'T MEET THAT MANY WOMEN THAT I CAN RELATE TO 326 00:11:58,233 --> 00:12:00,567 ON THAT LEVEL, AND I LIKED IT. 327 00:12:00,567 --> 00:12:01,600 WHAT DOES YOUR HUSBAND DO? 328 00:12:01,600 --> 00:12:02,734 - WE WORK TOGETHER, 329 00:12:02,734 --> 00:12:03,800 AND WE JUST CAME OUT WITH AN APP, TOO. 330 00:12:03,800 --> 00:12:05,633 - VERY CLEVER. 331 00:12:05,633 --> 00:12:06,934 BECAUSE I'VE BEEN TALKING TO MY HUSBAND 332 00:12:06,934 --> 00:12:08,633 ABOUT WORKING TOGETHER, I DON'T, YOU KNOW. 333 00:12:08,633 --> 00:12:11,166 SO IT'S A FAMILY BUSINESS, TOO. A FAMILY COCKTAIL. 334 00:12:11,166 --> 00:12:13,800 - YOU SHOULD GET YOUR HUSBAND INVOLVED, IT'S FUN. 335 00:12:13,800 --> 00:12:16,233 - I THOUGHT ABOUT IT, I JUST-- WE ALSO WORK FROM HOME. 336 00:12:16,233 --> 00:12:18,467 AND THAT'S--IT'S THE BABY, IT'S MY HUSBAND, 337 00:12:18,467 --> 00:12:20,500 IT'S ME, IT'S-- 338 00:12:20,500 --> 00:12:21,533 - YEAH. - I'M SORRY. 339 00:12:21,533 --> 00:12:23,667 - WHY? - [laughing] 340 00:12:23,667 --> 00:12:25,934 - WAIT, I'M SORRY. I'M INTERVIEWING HER. 341 00:12:35,000 --> 00:12:37,266 - ARE YOU HUNGRY? - I'M HUNGOVER. 342 00:12:37,266 --> 00:12:39,367 - EXCELLENT. - YEAH. 343 00:12:39,367 --> 00:12:40,767 WHAT'S GOOD FOR A HANGOVER? 344 00:12:40,767 --> 00:12:42,900 - I WOULDN'T KNOW BECAUSE I'VE NEVER HAD ONE. 345 00:12:42,900 --> 00:12:45,100 HI, WE'RE GOOD. CAN I HAVE A CLUB SODA? 346 00:12:45,100 --> 00:12:46,200 - YEAH. 347 00:12:46,200 --> 00:12:48,000 - I'LL HAVE A SHOT OF ESPRESSO. 348 00:12:48,000 --> 00:12:49,233 - OKAY, SURE. - JESUS. 349 00:12:49,233 --> 00:12:50,367 WHEN ARE YOU LEAVING? 350 00:12:50,367 --> 00:12:51,700 - I'M SUPPOSED TO LEAVE TOMORROW, 351 00:12:51,700 --> 00:12:52,934 BUT I MIGHT STAY FOR THE WEEKEND. 352 00:12:52,934 --> 00:12:55,033 I'M NOT SURE. IT'S FASHION WEEK, SO... 353 00:12:55,033 --> 00:12:56,266 FUN. 354 00:12:56,266 --> 00:12:57,433 - WHAT DO YOU CARE THAT IT'S FASHION WEEK? 355 00:12:57,433 --> 00:12:59,533 - I WANT TO CHECK OUT SOME NEW FASHIONS. 356 00:12:59,533 --> 00:13:00,633 - OH, REALLY. OF THE MODELS? 357 00:13:00,633 --> 00:13:01,867 IS THAT WHAT IT IS? - MAYBE. 358 00:13:01,867 --> 00:13:03,066 - REALLY? - MAYBE. 359 00:13:03,066 --> 00:13:05,834 - I FEEL LIKE I WAS REALLY GOOD AT BEING SINGLE. 360 00:13:05,834 --> 00:13:08,266 HAVE YOU DONE THAT WHOLE SLEEPING-WITH-MODELS PHASE? 361 00:13:08,266 --> 00:13:09,500 - SLEEPING WITH MODELS? - YEAH. 362 00:13:09,500 --> 00:13:10,500 IS HE GOING TO CALL? 363 00:13:10,500 --> 00:13:12,166 OH, MY GOD, DOES HE LIKE ME? 364 00:13:12,166 --> 00:13:13,834 - GOD, I WISH I HAD. NO. 365 00:13:13,834 --> 00:13:16,500 - MOST WEALTHY MEN WHO LOOK LIKE YOU, AT ONE POINT, 366 00:13:16,500 --> 00:13:18,600 GO THROUGH THAT WHOLE, LIKE, SLEEPING-WITH-MODELS PHASE. 367 00:13:18,600 --> 00:13:21,300 - WELL, I LIVED IN NEBRASKA UNTIL I WAS 26. 368 00:13:21,300 --> 00:13:22,333 - OH, MY GOD, ARE YOU GONNA HOOK UP? 369 00:13:22,333 --> 00:13:23,533 AM I GOING TO SLEEP WITH HIM? 370 00:13:23,533 --> 00:13:25,166 THEY'RE, LIKE, "OH, HE'S CORN-FED, TOO. 371 00:13:25,166 --> 00:13:26,734 AND HE'S, LIKE, NOT JADED AT ALL." 372 00:13:26,734 --> 00:13:27,967 OH, MY GOD. 373 00:13:27,967 --> 00:13:32,567 DADDIES, KEEP YOUR DAUGHTERS LOCKED UP. 374 00:13:32,567 --> 00:13:34,100 - OH, WE NEED TO TRY THOSE BARS REALLY FAST. 375 00:13:34,100 --> 00:13:36,500 - LET ME SEE. 376 00:13:36,500 --> 00:13:37,734 - THESE LOOK AWESOME. 377 00:13:37,734 --> 00:13:39,166 I SHOWED IT TO A BUNCH OF GIRLS 378 00:13:39,166 --> 00:13:40,967 LAST NIGHT AT NOBU, AND THEY WERE-- 379 00:13:40,967 --> 00:13:43,333 - EXCUSE ME? OKAY. 380 00:13:43,333 --> 00:13:44,834 SO, YOU'RE LIKE, "I WORK WITH BETHENNY. 381 00:13:44,834 --> 00:13:45,900 I'M PARTNERS WITH BETHENNY FRANKEL." 382 00:13:45,900 --> 00:13:47,100 - NO, I ACTUALLY DON'T SAY YOUR NAME. 383 00:13:47,100 --> 00:13:48,600 I JUST SAY SKINNYGIRL AND THEY'RE LIKE, 384 00:13:48,600 --> 00:13:50,233 "OH, BETHENNY?" - OH, I GOT IT. 385 00:13:50,233 --> 00:13:51,467 IS IT LIKE BRINGING A PUPPY TO THE PARK? 386 00:13:51,467 --> 00:13:52,567 - YEAH, IT'S PRETTY GOOD. - YEAH. 387 00:13:52,567 --> 00:13:53,633 - THANK YOU. - YOU'RE WELCOME. 388 00:13:53,633 --> 00:13:55,834 - TALK ABOUT THE LOW-HANGING FRUIT. 389 00:13:55,834 --> 00:13:57,433 THIS HUNK OF MEAT IS RUNNING AROUND 390 00:13:57,433 --> 00:13:59,533 USING ME TO GET LAID. 391 00:13:59,533 --> 00:14:01,367 GO TO NOBU, AND YOU'RE, LIKE, "OH, I'M FROM NEBRASKA." 392 00:14:01,367 --> 00:14:03,500 - YOU REALLY THINK SO? - OH, MY GOD. 393 00:14:03,500 --> 00:14:05,767 THE PANTIES DROP. PANTY-DROPPING. 394 00:14:05,767 --> 00:14:08,033 - YOU SHOULD BE SUPPORTING ME THAT I'M OUT LOOKING FOR WOMEN. 395 00:14:08,033 --> 00:14:09,800 - YOU WANT TO GET MARRIED? - I DON'T KNOW. 396 00:14:09,800 --> 00:14:11,066 EVERY TIME YOU GET IN A RELATIONSHIP, 397 00:14:11,066 --> 00:14:12,667 YOU FEEL LIKE YOU'RE GOING OUT ALL THE TIME, 398 00:14:12,667 --> 00:14:14,033 IT'S--IT'S TOUGH. 399 00:14:14,033 --> 00:14:15,433 ESPECIALLY WHEN YOU'RE DOING WHAT WE'RE DOING. 400 00:14:15,433 --> 00:14:16,734 - YOU PROBABLY NEED, LIKE, SOMEONE 401 00:14:16,734 --> 00:14:18,033 WHO'S GOING TO BE INTERESTED IN YOUR BUSINESS, 402 00:14:18,033 --> 00:14:19,166 WHO'S GOING TO BE, YOU KNOW... 403 00:14:19,166 --> 00:14:20,767 - YEAH, I NEVER-- - THE WAY JASON IS. 404 00:14:20,767 --> 00:14:23,533 EVERY TIME I MAKE A BUSINESS DEAL OR DECISION, 405 00:14:23,533 --> 00:14:24,633 I DO TALK TO JASON. 406 00:14:24,633 --> 00:14:26,100 WE DO KIND OF WORK TOGETHER, 407 00:14:26,100 --> 00:14:27,300 BUT WE HAVEN'T TAKEN THE FULL STEP 408 00:14:27,300 --> 00:14:30,633 OF REALLY FULLY, LIKE, FULLY WORKING TOGETHER. 409 00:14:30,633 --> 00:14:32,533 - IS THAT SOMETHING YOU'RE GOING TO DO? 410 00:14:32,533 --> 00:14:33,834 - WE'VE BEEN TALKING ABOUT IT. 411 00:14:33,834 --> 00:14:35,166 I THOUGHT THAT I WOULD'VE DONE IT BY NOW ALREADY, 412 00:14:35,166 --> 00:14:36,900 BUT I WANT TO MAKE SURE IT'S GOOD FOR THE RELATIONSHIP. 413 00:14:36,900 --> 00:14:38,033 IT'S GOOD FOR THE BUSINESS, BUT I DON'T KNOW 414 00:14:38,033 --> 00:14:39,200 THAT IT'S GOOD FOR THE RELATIONSHIP. 415 00:14:39,200 --> 00:14:40,867 - AND THEN EVENTUALLY, IT CAN BECOME MORE ABOUT 416 00:14:40,867 --> 00:14:42,834 THE BUSINESS THAN ABOUT THE RELATIONSHIP. 417 00:14:42,834 --> 00:14:44,900 AND THERE'S NOTHING LEFT OF THE-- 418 00:14:44,900 --> 00:14:46,967 - THE OTHER THING IS HE REALLY LOVES IT. 419 00:14:46,967 --> 00:14:48,633 HE'S NEVER BEEN SO PASSIONATE ABOUT ANYTHING. 420 00:14:48,633 --> 00:14:51,333 - I WOULD LOVE TO GO TO THE BOTTLING COMPANY 421 00:14:51,333 --> 00:14:52,600 AND SEE HOW THEY DO IT. 422 00:14:52,600 --> 00:14:54,867 - THE BOTTLES ARE RUNNING 206 BOTTLES A MINUTE. 423 00:14:54,867 --> 00:14:57,700 - WOW, THERE'S 206 BOTTLES A MINUTE. 424 00:14:57,700 --> 00:14:59,066 - THAT'S CRAZY. 425 00:14:59,066 --> 00:15:00,934 - I HAVE GOOD NEWS. 426 00:15:00,934 --> 00:15:02,533 WE ARE NOW IN 40 STATES. 427 00:15:02,533 --> 00:15:04,667 - 40? OH, MY GOD. 428 00:15:04,667 --> 00:15:05,934 AWESOME. 429 00:15:05,934 --> 00:15:07,300 - AND HE'S NOT ONE OF THOSE PEOPLE 430 00:15:07,300 --> 00:15:09,400 THAT FOUND EXACTLY WHAT THEY'RE REALLY PASSIONATE ABOUT. 431 00:15:09,400 --> 00:15:10,400 - YEAH. - YOU DID. 432 00:15:10,400 --> 00:15:12,066 - IT'S A GOOD THING FOR HIM. 433 00:15:12,066 --> 00:15:14,433 - HE SAYS HE'S LEARNED MORE SINCE WE'VE BEEN TOGETHER 434 00:15:14,433 --> 00:15:16,800 THAN HE HAS HIS ENTIRE LIFE. 435 00:15:16,800 --> 00:15:18,900 SO DATE SOMEONE THAT'S INTERESTED IN YOUR BUSINESS. 436 00:15:18,900 --> 00:15:20,033 SINCE JULIE'S LEAVING, 437 00:15:20,033 --> 00:15:22,133 I'M UNDER A LITTLE BIT OF PRESSURE 438 00:15:22,133 --> 00:15:24,133 DECIDING WHO'S GOING TO DO WHAT. 439 00:15:24,133 --> 00:15:26,100 AND SHOULD JASON HELP ME OUT 440 00:15:26,100 --> 00:15:28,166 AND GET INVOLVED A LITTLE BIT MORE, 441 00:15:28,166 --> 00:15:29,700 OR IS THAT A MISTAKE? 442 00:15:29,700 --> 00:15:31,467 - WHENEVER YOU'RE READY. - OH, THANK YOU. 443 00:15:31,467 --> 00:15:32,767 - THANK YOU. - THANKS SO MUCH FOR COMING IN. 444 00:15:32,767 --> 00:15:34,667 - ALL RIGHT. - HIGH TEN. 445 00:15:34,667 --> 00:15:37,400 LET'S GO. 446 00:15:48,433 --> 00:15:50,433 - OKAY. [gasps] LOOK AT THAT, IT'S A VANITY. 447 00:15:50,433 --> 00:15:52,166 - I KNEW YOU WERE GOING TO LOVE IT. 448 00:15:52,166 --> 00:15:55,200 THIS IS A PLACE THAT WE'RE GOING TO VISIT. 449 00:15:55,200 --> 00:15:58,133 IT'S DEFINITELY, LIKE, A MOMENT. 450 00:15:58,133 --> 00:15:59,333 - LOVE IT. 451 00:15:59,333 --> 00:16:00,767 - THIS IS GORGEOUS. - THAT'S AMAZING. 452 00:16:00,767 --> 00:16:01,934 IS THERE, LIKE, A SIDEBOARD? - 1945. 453 00:16:01,934 --> 00:16:03,567 YES, CERTAINLY. - ISN'T IT GORGEOUS? 454 00:16:03,567 --> 00:16:05,400 THE HARDWARE'S AMAZING. - YEAH, I LOVE IT. 455 00:16:05,400 --> 00:16:07,000 DON'T YOU LOVE THAT? - YES. 456 00:16:07,000 --> 00:16:08,900 THERE IS A DIFFERENCE. THERE'S A BIG DIFFERENCE. 457 00:16:08,900 --> 00:16:11,633 BUT I LIKE THIS KIND OF LITTLE THING. 458 00:16:11,633 --> 00:16:13,667 - IT'S A VERY GOOD CORNER SORT OF MOMENT. 459 00:16:13,667 --> 00:16:14,800 - I LOVE IT. 460 00:16:14,800 --> 00:16:15,867 - AND IT OPENS, AND IT'S STORAGE, 461 00:16:15,867 --> 00:16:17,500 AND IT HAS ALL SORTS OF-- 462 00:16:17,500 --> 00:16:19,133 - PARDON. I KNOW PARDON. 463 00:16:22,500 --> 00:16:25,633 [speaking French] 464 00:16:25,633 --> 00:16:30,266 [continues in French] ..$22,000. 465 00:16:30,266 --> 00:16:31,667 - DON'T LOOK AT THAT FOR NOW, BUT-- 466 00:16:31,667 --> 00:16:34,800 - OKAY, I'M NOT LOOKING. - THIS IS ABOUT RESEARCH. 467 00:16:34,800 --> 00:16:37,700 - NOW WE'RE IN THE HIGH-ROLLER FURNITURE AREA, 468 00:16:37,700 --> 00:16:38,867 AND I DON'T EVEN WANT TO MOVE. 469 00:16:38,867 --> 00:16:40,200 I DON'T WANT TO TOUCH ANYTHING. 470 00:16:40,200 --> 00:16:43,233 I HAVE NEVER REALLY BEEN IN A FURNITURE STORE LIKE THIS. 471 00:16:45,567 --> 00:16:47,567 - I'M--I'M HEARING YOU. - I'M SCARED TO BE IN THAT. 472 00:16:47,567 --> 00:16:49,100 I'M TOO CLUMSY TO BE IN THAT ROOM. 473 00:16:49,100 --> 00:16:50,166 DON'T TAKE ME IN PLACES LIKE THAT AGAIN. 474 00:16:50,166 --> 00:16:51,500 I CAN'T GO IN THERE. 475 00:16:51,500 --> 00:16:54,867 - I JUST THINK YOU SHOULD HAVE A MOMENT OF THAT KIND. 476 00:16:54,867 --> 00:16:56,667 - WHAT? YOU WANT TO HAVE A $43,000 CHAIR MOMENT? 477 00:16:56,667 --> 00:16:58,266 - [laughs] HOW MUCH? 478 00:16:58,266 --> 00:16:59,767 - I'M NERVOUS. THIS IS ANOTHER LEVEL. 479 00:16:59,767 --> 00:17:03,367 LIKE, PEOPLE HAVE $100,000 ARMOIRES. 480 00:17:03,367 --> 00:17:06,066 BUT I DO REALIZE THERE IS A DIFFERENCE, 481 00:17:06,066 --> 00:17:07,900 SO MAYBE AT SOME POINT, WE'LL MEET IN THE MIDDLE. 482 00:17:07,900 --> 00:17:10,133 WE'LL BUY A FEW KEY PIECES FOR THE APARTMENT. 483 00:17:10,133 --> 00:17:12,133 I LIKE THAT MIRROR. - THAT'S GORGEOUS. 484 00:17:12,133 --> 00:17:13,266 - WHAT'S THE FRAME? 485 00:17:13,266 --> 00:17:14,734 - IS IT TACKY TO BE ASKING PRICES HERE? 486 00:17:14,734 --> 00:17:15,867 - NOT AT ALL. 487 00:17:15,867 --> 00:17:17,033 - BECAUSE I'M GOING TO ASK PRICES 488 00:17:17,033 --> 00:17:18,033 BECAUSE THIS IS ALL A LITTLE OVERWHELMING 489 00:17:18,033 --> 00:17:19,533 AND INTIMIDATING TO ME. 490 00:17:19,533 --> 00:17:20,700 - IT SHOULDN'T BE, IT SHOULDN'T BE. 491 00:17:20,700 --> 00:17:22,066 - I JUST SAW A $43,000 CHAIR. 492 00:17:22,066 --> 00:17:23,633 SO I JUST WANT TO KNOW-- 493 00:17:23,633 --> 00:17:25,533 - THAT'S WHAT WE'RE HERE FOR. - THE MIRROR YOUR MOM HAD. 494 00:17:25,533 --> 00:17:26,934 - THE MIRROR IS $76,000. - I KNOW. 495 00:17:26,934 --> 00:17:28,200 HOW MUCH IS IT? - OKAY. 496 00:17:28,200 --> 00:17:29,333 - $76,000. IT DATES FROM 1922. 497 00:17:29,333 --> 00:17:30,600 - AND THAT'S THE LIST? - THAT IS. 498 00:17:30,600 --> 00:17:32,834 - OKAY. I LOVE IT, I LOVE IT A LOT. 499 00:17:32,834 --> 00:17:34,934 HOLY [bleep] BALLS. - IS IT SYCAMORE? 500 00:17:34,934 --> 00:17:37,734 - IT'S IMPORTANT THAT BROOKE KNOWS THAT THERE IS NO LAND 501 00:17:37,734 --> 00:17:40,900 IN WHICH I WILL BE BUYING A $75,000 MIRROR. 502 00:17:40,900 --> 00:17:42,533 HOLY [bleep] BALLS. 503 00:17:42,533 --> 00:17:45,433 I'D RATHER HAVE A FAMILY OF HOARDERS COME INTO MY HOUSE, 504 00:17:45,433 --> 00:17:47,600 RIP MY REFRIGERATOR APART, 505 00:17:47,600 --> 00:17:51,133 AND UNEARTH MY CLOSET THAN BUY A $75,000 MIRROR. 506 00:17:51,133 --> 00:17:54,667 SHE DI--LIKE, SHE DOESN'T KNOW HOW LONG I'VE BEEN POOR 507 00:17:54,667 --> 00:17:56,266 AND HOW LONG, LIKE, I COULDN'T PAY MY RENT, 508 00:17:56,266 --> 00:17:57,667 SO SHE ONLY MET ME ONCE. 509 00:17:57,667 --> 00:17:59,767 BUT WE'RE, LIKE, HIRING HER TO DO MY APARTMENT. 510 00:17:59,767 --> 00:18:01,200 SO SHE THINKS, LIKE, I'M LIKE EVERYBODY ELSE. 511 00:18:01,200 --> 00:18:02,734 - YEAH, YOU KNOW, BLINK AND SPEND THIS MONEY. 512 00:18:02,734 --> 00:18:04,066 - 'CAUSE EVERYBODY ELSE THAT SHE WORKS WITH-- 513 00:18:04,066 --> 00:18:05,266 SHE WORKS WITH MICHAEL J. FOX 514 00:18:05,266 --> 00:18:06,467 AND IVAN REITMAN AND HARRISON FORD. 515 00:18:06,467 --> 00:18:08,233 - WHAT DOES IKEA HAVE THAT LOOKS LIKE THIS? 516 00:18:08,233 --> 00:18:09,367 THAT'S WHAT I'M-- - BUT I KNOW, 517 00:18:09,367 --> 00:18:11,100 BUT I UNDERSTAND, IT DOES LOOK DIFFERENT. 518 00:18:11,100 --> 00:18:12,934 IT LOOKS MORE RICH, AND IT'S A PIECE YOU KEEP FOREVER. 519 00:18:12,934 --> 00:18:16,734 WHEN MY DAUGHTER TAKES A KEY AND SCRATCHES THE FRONT OF IT, 520 00:18:16,734 --> 00:18:18,633 IT'S A PIECE OF [bleep] LIKE EVERYTHING ELSE I OWN. 521 00:18:18,633 --> 00:18:20,567 I WILL BE WEARING A DIAPER, 522 00:18:20,567 --> 00:18:22,066 'CAUSE I WILL BE [bleep] MYSELF EVERY DAY 523 00:18:22,066 --> 00:18:23,300 THAT SOMETHING BAD WILL HAPPEN. 524 00:18:23,300 --> 00:18:25,433 THAT COULD BE... - I LOVE THOSE CABINETS. 525 00:18:25,433 --> 00:18:27,600 - OKAY, THAT COULD BE A BAR. - I LOVE THOSE CABINETS. 526 00:18:27,600 --> 00:18:29,433 - OKAY, I LOVE THAT, TOO. IT'S GONNA BE... 527 00:18:29,433 --> 00:18:30,967 - WELL, THEY'RE A PAIR, WHICH IS SO UNUSUAL. 528 00:18:30,967 --> 00:18:32,066 - YOU HAVE TO BUY THEM TOGETHER? 529 00:18:32,066 --> 00:18:33,533 YOU CAN'T SPLIT THEM UP? - TWINS. 530 00:18:33,533 --> 00:18:36,133 - THEY'RE LIKE TWINS AND THEY--WOW. 531 00:18:36,133 --> 00:18:37,533 WELL, THEY DON'T WANT TO BE WITHOUT EACH OTHER. 532 00:18:37,533 --> 00:18:39,333 - THESE ARE A VERY REASONABLE PRICE, THOUGH. 533 00:18:39,333 --> 00:18:40,333 - WHY WOULD THEY WANT TO LIVE A LIFE WITHOUT EACH OTHER? 534 00:18:40,333 --> 00:18:42,367 - $35,000 FOR THE PAIR. - $35,000 LIST? 535 00:18:42,367 --> 00:18:44,066 - FOR THE PAIR? - FOR THE PAIR, YES. 536 00:18:44,066 --> 00:18:45,467 - IT'S A BARGAIN FINALLY. 537 00:18:45,467 --> 00:18:47,867 $35,000 FOR TWO BARS. 538 00:18:47,867 --> 00:18:49,400 IN THIS WARPED PLANET THAT I'M ON RIGHT NOW, 539 00:18:49,400 --> 00:18:52,433 THAT ACTUALLY SEEMS... REASONABLE. 540 00:18:52,433 --> 00:18:53,567 IT'S A TWO BAR. 541 00:18:53,567 --> 00:18:54,967 - WELL, YOU COULD HAVE THESE AND USE THEM 542 00:18:54,967 --> 00:18:56,300 FOR TWO DIFFERENT PURPOSES. 543 00:18:56,300 --> 00:18:58,800 - JASON WILL STAB SOMEONE, BUT IT'S OKAY. 544 00:18:58,800 --> 00:19:00,433 WE COULD BUILD A BAR IN HERE. - YES. 545 00:19:00,433 --> 00:19:02,066 - SO LET ME JUST TELL YOU SOMETHING: I LOVE THOSE. 546 00:19:02,066 --> 00:19:04,734 THOSE ARE GREAT. - THEY'RE AMAZING. 547 00:19:04,734 --> 00:19:06,600 - PANIC ATTACK. 548 00:19:09,200 --> 00:19:10,333 - COMING UP... 549 00:19:10,333 --> 00:19:12,400 - WE'RE NOT EMPTY NESTERS, 550 00:19:12,400 --> 00:19:13,767 TO BUY, LIKE, THAT QUALITY OF STUFF. 551 00:19:13,767 --> 00:19:15,667 - SO YOU'RE SAYING NOT TO DO IT? 552 00:19:15,667 --> 00:19:17,166 - I'M NOT SAYING NOT TO DO IT-- - SEE? 553 00:19:17,166 --> 00:19:18,266 YOU ALWAYS DO SWITZERLAND. 554 00:19:18,266 --> 00:19:21,266 HAVE A POINT OF VIEW. WHICH WAY? 555 00:19:31,233 --> 00:19:32,333 - IT IS. 556 00:19:32,333 --> 00:19:35,100 IS IT TOO MUCH? - I LIKE IT. 557 00:19:35,100 --> 00:19:37,934 - NO, IT'S COOL, BUT I-I THOUGHT IT WAS A JOKE. 558 00:19:37,934 --> 00:19:40,100 SORRY ABOUT THAT. [laughter] 559 00:19:40,100 --> 00:19:42,500 - I'VE ASKED THE GIRLS TO MODEL THE SKINNYGIRL SHAPEWEAR. 560 00:19:42,500 --> 00:19:44,800 STACEY REALLY GOT WITH THE SKINNYGIRL SEXY 561 00:19:44,800 --> 00:19:46,133 SHAPEWEAR MOOD GOING. 562 00:19:46,133 --> 00:19:48,667 SHE WALKED IN WITH HER LIPS IN CHECK. 563 00:19:48,667 --> 00:19:50,367 WE WERE ALL READY TO GET SEXY. 564 00:19:50,367 --> 00:19:52,667 I LOVED IT. WHAT A GREAT JUMPSTART. 565 00:19:52,667 --> 00:19:53,934 ALL RIGHT, WELL, THESE SHAPEWEAR PEOPLE 566 00:19:53,934 --> 00:19:55,700 ARE GONNA BE HERE SOON, SO I HAVE TO GO. 567 00:19:55,700 --> 00:19:57,233 - LIKE THIS. - YEAH, PERFECT. 568 00:19:57,233 --> 00:19:58,900 THROW IT ON THE PILE AND-- - EH, WE DON'T NEED THAT. 569 00:19:58,900 --> 00:20:00,467 - YOU CAN WEAR THAT SCARF AGAIN. 570 00:20:00,467 --> 00:20:03,667 - MY BUSINESS IS REALLY BIG, AND IT'S NOW GLOBAL. 571 00:20:03,667 --> 00:20:05,266 IT'S INTERNATIONAL. 572 00:20:05,266 --> 00:20:09,400 AND IT'S MULTIPLE BRANDS AND TRADEMARKS AND PATENTS. 573 00:20:09,400 --> 00:20:10,567 IT'S QUITE COSTLY, 574 00:20:10,567 --> 00:20:13,433 AND IT INVOLVES A LOT OF INTRICATE DETAILS 575 00:20:13,433 --> 00:20:15,867 AND PARTNERSHIPS AND OBLIGATIONS AND EXPENSES. 576 00:20:15,867 --> 00:20:17,500 LET'S ALL BRING OUR STUFF OUT THERE. 577 00:20:17,500 --> 00:20:19,734 AND IT'S A BIG MACHINE THAT KEEPS MOVING. 578 00:20:19,734 --> 00:20:22,734 SO, NEXT VENTURE, SKINNYGIRL SHAPEWEAR. 579 00:20:22,734 --> 00:20:24,133 - HI. - HI. 580 00:20:24,133 --> 00:20:26,200 - COME ON IN. HOW ARE YOU? - GOOD. HOW ARE YOU? 581 00:20:26,200 --> 00:20:27,600 - GOOD TO SEE YOU. - GOOD TO SEE YOU, TOO. 582 00:20:27,600 --> 00:20:28,967 - HI, I'M JULIE. - I'M VALERIE. 583 00:20:28,967 --> 00:20:30,500 - NICE TO MEET YOU. - NICE TO MEET YOU. 584 00:20:30,500 --> 00:20:32,266 - SO WE FIGURED WE'D DO THIS OUT IN THE LIVING ROOM. 585 00:20:32,266 --> 00:20:33,600 YOUR GIRLS ARE ALL IN THERE, 586 00:20:33,600 --> 00:20:35,166 BUT I'LL KEEP THEM IN THERE UNTIL WE NEED THEM. 587 00:20:35,166 --> 00:20:37,367 I'LL LINE THEM UP. - OKAY. 588 00:20:37,367 --> 00:20:38,834 - IT'S THE HOTTEST COLOR RIGHT NOW, 589 00:20:38,834 --> 00:20:41,567 AND HE GOES, "NO, I'M INTO THEM, I'M INTO IT." 590 00:20:41,567 --> 00:20:44,166 WELL, I DIDN'T HAVE SEX THE NIGHT I WORE THE LIPS, SO... 591 00:20:44,166 --> 00:20:46,000 - UM... - GUYS DON'T LIKE THIS. 592 00:20:46,000 --> 00:20:49,000 - IT'S A LITTLE JARRING. 593 00:20:49,000 --> 00:20:50,467 - BEAUTIFUL. I KNOW. 594 00:20:50,467 --> 00:20:53,667 - IT LOOKS LIKE IT WAS JUST BUILT FOR... 595 00:20:53,667 --> 00:20:55,533 - P.S. I PUT THAT LIPSTICK ON YOU QUITE A FEW TIMES, 596 00:20:55,533 --> 00:20:57,000 JUST SO YOU KNOW. YOU'VE WORN THIS. 597 00:20:57,000 --> 00:20:58,567 - NOT THIS, THAT. - WHAT IS IT CALLED, MAGENTA? 598 00:20:58,567 --> 00:21:00,333 - THAT ONE. YOU'VE WORN THIS. 599 00:21:00,333 --> 00:21:02,700 - REALLY? LET ME HAVE SOME. 600 00:21:02,700 --> 00:21:03,867 DID I GET ANY? - YEAH. 601 00:21:03,867 --> 00:21:05,367 - PERFECT. - IT LOOKS GOOD. 602 00:21:05,367 --> 00:21:06,967 - YEAH, YOU'RE PERFECT FOR THE LINGERIE SHOOT. 603 00:21:06,967 --> 00:21:08,533 ANYONE ELSE? - NO, IT'S A LITTLE BIT EXTREME. 604 00:21:08,533 --> 00:21:11,367 - JULIE, YOU HAVE TO COME OUT. OTHERWISE, YOU'RE FIRED. 605 00:21:11,367 --> 00:21:12,700 OH, I FORGOT. YOU'RE LEAVING ANYWAY. 606 00:21:12,700 --> 00:21:13,900 YOU'VE GOT TO COME OUT HERE. 607 00:21:13,900 --> 00:21:16,066 [giggles] 608 00:21:16,066 --> 00:21:18,300 THIS IS SO MUCH FUN. THIS IS THE BEST. 609 00:21:18,300 --> 00:21:20,600 EVERYBODY WAS TERRIFIED TO FEEL HALF-NUDE, 610 00:21:20,600 --> 00:21:22,633 BUT THERE IS NOTHING THAT THESE BRAS WON'T DO. 611 00:21:22,633 --> 00:21:23,633 COME OUT HERE. I WANNA SEE THE BUTT. 612 00:21:23,633 --> 00:21:25,033 WALK PROUD. LET ME SEE. 613 00:21:25,033 --> 00:21:26,467 I THINK YOU LOOK GREAT. 614 00:21:26,467 --> 00:21:27,967 - BUT LIKE--BUT WHAT'S THE POINT, THOUGH? 615 00:21:27,967 --> 00:21:29,333 LIKE, I GO PUT JEANS ON? - TURN AROUND. 616 00:21:29,333 --> 00:21:32,500 LET'S SEE THE BUTT. - I'LL JUST PUT JEANS ON. 617 00:21:32,500 --> 00:21:35,567 - THE BUTT IS REALLY GOOD. I HAVE TO BE HONEST... 618 00:21:35,567 --> 00:21:38,433 JULIE, MY COY, SHY ASSISTANT, 619 00:21:38,433 --> 00:21:41,100 WALKED IN IN ASS PADS 620 00:21:41,100 --> 00:21:43,200 AND HOOKER HEELS, HOLDING MY CHILD. 621 00:21:43,200 --> 00:21:44,767 AND IT WAS KIND OF SEXY. 622 00:21:44,767 --> 00:21:47,000 WOW. - FABULOUS. 623 00:21:47,000 --> 00:21:48,633 - YOU LOOK AMAZING. 624 00:21:48,633 --> 00:21:49,934 LET ME SEE WHAT THIS IS ALL ABOUT. 625 00:21:49,934 --> 00:21:51,967 I NEVER SEE YOU, LIKE, FULLY-- 626 00:21:51,967 --> 00:21:53,333 YOU HAVE A GREAT FIGURE. 627 00:21:53,333 --> 00:21:55,333 YOU LOOK HOT. - REALLY? 628 00:21:55,333 --> 00:21:56,934 - YES! TURN AROUND. 629 00:21:56,934 --> 00:21:59,133 - AGREED, YOU DO. - OH, MY GOD! 630 00:21:59,133 --> 00:22:02,400 THAT'S PERFECT. YOU LOOK AMAZING. 631 00:22:02,400 --> 00:22:04,667 STACEY WAS TURNING TRICKS. SHE WAS LOVING IT. 632 00:22:04,667 --> 00:22:06,867 HER LIPSTICK, GOT BOOBS UP. 633 00:22:06,867 --> 00:22:09,467 SHE IS GETTING LAID PROPERLY. 634 00:22:09,467 --> 00:22:12,133 WHO ARE YOU? - I KNOW. 635 00:22:12,133 --> 00:22:13,667 - WHAT'S GOING ON? YOU'RE BACK WITH A GUY NOW? 636 00:22:13,667 --> 00:22:14,834 - YEAH. 637 00:22:14,834 --> 00:22:15,967 - SO YOU'RE HAVING A LOT OF SEX NOW. 638 00:22:15,967 --> 00:22:16,967 - YEAH. - LOOK AT THIS. 639 00:22:16,967 --> 00:22:18,166 - BUT NOT WITH THIS LIPSTICK. 640 00:22:18,166 --> 00:22:19,266 [phone ringing] - NO ONE'S ANSWERING THE PHONE. 641 00:22:19,266 --> 00:22:20,834 - LOOK AT JACKIE. - OH, MY GOD. 642 00:22:20,834 --> 00:22:21,967 - I'LL GET THE PHONE. BETHENNY INCORPORATED-- 643 00:22:21,967 --> 00:22:23,400 WHAT DO WE SAY? HOW DO WE ANSWER THE PHONE? 644 00:22:23,400 --> 00:22:24,400 - WE SAY, "HI, THIS IS JULIE." 645 00:22:24,400 --> 00:22:25,700 - OH. 646 00:22:27,734 --> 00:22:29,000 [laughter] - HI, WE'LL CALL YOU BACK. 647 00:22:29,000 --> 00:22:30,467 JULIE WILL CALL YOU. SOMEBODY WILL CALL YOU BACK. 648 00:22:30,467 --> 00:22:32,867 IT'S--NO, WAIT, COME BACK! YOU'RE LIKE A STRIPPER. 649 00:22:32,867 --> 00:22:34,867 LOOK AT YOU, YOUR ASS LOOKS GREAT. 650 00:22:34,867 --> 00:22:35,867 LOOK AT YOU. - NOW I'M GONNA COME OUT. 651 00:22:35,867 --> 00:22:39,033 - OH, MY GOD! - LOOK AT YOU. 652 00:22:39,033 --> 00:22:41,266 LOOKS GOOD. YOU ALL LOOK AMAZING. 653 00:22:41,266 --> 00:22:42,967 THEY ALL LOOK REALLY GOOD. THEY LOOKED HOT. 654 00:22:42,967 --> 00:22:44,600 THIS WAS A TIME FOR EVERYBODY TO SHOW THEMSELVES, 655 00:22:44,600 --> 00:22:46,367 AND PEOPLE WERE TURNING IT OUT. 656 00:22:46,367 --> 00:22:48,066 IT WAS GOOD. I THINK THAT'S IMPORTANT. 657 00:22:48,066 --> 00:22:49,400 IT'S "I AM WOMAN, HEAR ME ROAR." 658 00:22:49,400 --> 00:22:51,266 CHEERS, EVERYBODY. all: CHEERS. 659 00:22:51,266 --> 00:22:53,233 - TO LOVING YOUR BODY, TO SKINNYGIRL, 660 00:22:53,233 --> 00:22:55,767 AND TO A GREAT PHOTO SHOOT. YOU ALL LOOK AMAZING. 661 00:22:55,767 --> 00:22:58,033 YOU DIDN'T CHEER ME. YOU GOT A NEW BIG ASS, 662 00:22:58,033 --> 00:22:59,600 AND NOW YOU DON'T EVEN CHEER ME ANYMORE. 663 00:22:59,600 --> 00:23:00,600 [laughter] 664 00:23:00,600 --> 00:23:02,400 - [laughing] - AWW. 665 00:23:02,400 --> 00:23:06,233 - WE HAVE TO LEAVE FOR PARENTING MAGAZINE IN ABOUT 45 MINUTES. 666 00:23:06,233 --> 00:23:07,367 - EXCELLENT. 667 00:23:07,367 --> 00:23:08,767 - HOW MANY MINUTES DO YOU GUYS NEED? 668 00:23:08,767 --> 00:23:10,066 AND THEN YOU TELL HER. - 10. 669 00:23:10,066 --> 00:23:11,567 - 10 MINUTES. - 10, AND I NEED 15. 670 00:23:11,567 --> 00:23:12,934 WHERE'S MAGGIE? - WHAT'S UP? 671 00:23:12,934 --> 00:23:16,867 - THE TWO BARS WE SAW AT THE EXPENSIVE FURNITURE PLACE? 672 00:23:16,867 --> 00:23:19,400 THE WOMAN'S SAYING THE PRICE ISN'T HIGH 673 00:23:19,400 --> 00:23:21,066 BECAUSE SHE BOUGHT THEM VERY WELL. 674 00:23:21,066 --> 00:23:23,333 LIKE, THAT'S CRAZY. THAT'S EXPENSIVE, RIGHT? 675 00:23:23,333 --> 00:23:25,333 - THAT'S--THEY'RE REALLY EXPENSIVE. 676 00:23:25,333 --> 00:23:26,700 - I THINK I'LL VOMIT. 677 00:23:26,700 --> 00:23:29,600 HOW DO YOU SPEND $15,000 ON A FURNITURE PIECE? 678 00:23:29,600 --> 00:23:30,900 EVER? WE'RE NOT BUYING THAT. 679 00:23:30,900 --> 00:23:32,600 NO, WE'RE NOT-- YEAH, WE'RE NOT BUYING THAT. 680 00:23:32,600 --> 00:23:34,967 - I THINK $10,000 IS A LOT. 681 00:23:34,967 --> 00:23:36,100 - IF YOU'RE GOING TO KEEP IT FOREVER? 682 00:23:36,100 --> 00:23:38,233 - $32,000 FOR TWO BARS. 683 00:23:38,233 --> 00:23:39,600 THOSE WERE INSANE. THEY WERE INSANE, THOSE BARS. 684 00:23:39,600 --> 00:23:41,467 - IF WE'RE GONNA KEEP IT IN ANY PLACE WE GO, 685 00:23:41,467 --> 00:23:43,367 THEN IT'S AN INVESTMENT. 686 00:23:43,367 --> 00:23:44,734 - BUT THERE'S GOT TO BE A HAPPY MEDIUM. 687 00:23:44,734 --> 00:23:46,166 THERE'S GOT TO BE, LIKE, A $6,000 PIECE OF FURNITURE. 688 00:23:46,166 --> 00:23:48,967 - NO, THAT'S A GOOD POINT. - THAT'S A LOT OF MONEY. 689 00:23:48,967 --> 00:23:51,266 WHEN YOU HAVE REALLY GOOD PIECES, YOU KEEP THEM. 690 00:23:51,266 --> 00:23:53,667 THIS STUFF IS NOT, LIKE, KEEPER STUFF. 691 00:23:53,667 --> 00:23:55,734 IT'S NOT--I DON'T EVEN KNOW THE DIFFERENCE. 692 00:23:55,734 --> 00:23:57,600 WHY ARE WE NOT KEEPING THESE DINING ROOM CHAIRS, THEN? 693 00:23:57,600 --> 00:24:00,300 WHY ARE WE BEING BIG-TIMERS? - I DON'T KNOW. 694 00:24:00,300 --> 00:24:01,900 YOU'VE BEEN MAKING THE DECISIONS, DESIGN-WISE. 695 00:24:01,900 --> 00:24:03,166 - WELL, NO, BUT-- YOU KNOW WHY? 696 00:24:03,166 --> 00:24:05,233 BECAUSE WE DON'T HAVE TWO CHAIRS WITH ARMS, 697 00:24:05,233 --> 00:24:07,066 AND WE DON'T HAVE TWO MORE OF THESE CHAIRS. 698 00:24:07,066 --> 00:24:08,433 WE ONLY HAVE SIX. WE NEED EIGHT. 699 00:24:08,433 --> 00:24:10,767 - YEAH, BUT I'M SURE THE PLACE WE GOT THEM HAS-- 700 00:24:10,767 --> 00:24:12,300 - CRATE & BARREL. I THINK WE LOOKED 701 00:24:12,300 --> 00:24:13,700 AND WE DIDN'T FIND THEM. I'D BE WILLING TO STICK-- 702 00:24:13,700 --> 00:24:15,266 - THEY DISCONTINUED THE CHAIRS? 703 00:24:15,266 --> 00:24:17,333 - WHY DON'T YOU LOOK IT UP? 704 00:24:17,333 --> 00:24:19,000 - WHO? - YOU. 705 00:24:19,000 --> 00:24:21,166 - OKAY. I'M OVER HERE. 706 00:24:21,166 --> 00:24:23,166 - I'M LOOKING AT THE CHAIRS. 707 00:24:23,166 --> 00:24:24,400 - YOU'RE GETTING-- 708 00:24:24,400 --> 00:24:26,166 YOU'RE EXCITED ABOUT THIS WHOLE PROCESS. 709 00:24:26,166 --> 00:24:27,567 - YOU WERE JUST GOING TO SAY, "YOU'RE GETTING CRAZY." 710 00:24:27,567 --> 00:24:28,900 THAT'S EXACTLY WHAT YOU WERE JUST GOING TO SAY. 711 00:24:28,900 --> 00:24:30,367 - I WAS GOING TO SAY YOU'RE GETTING CAUGHT UP IN IT, 712 00:24:30,367 --> 00:24:33,367 BUT "CRAZY" IS GOOD TOO. 713 00:24:33,367 --> 00:24:35,033 - I HAVEN'T PURCHASED ANYTHING YET. 714 00:24:35,033 --> 00:24:37,867 I DON'T KNOW WHAT THE HELL TO DO. 715 00:24:37,867 --> 00:24:40,433 - WELL, THAT'S WHY YOU'RE HIRING A DESIGNER. 716 00:24:40,433 --> 00:24:42,266 - RIGHT, BUT THEY WANT ME TO BUY $32,000-- 717 00:24:42,266 --> 00:24:44,333 THEY WANT ME TO BUY, LIKE, SOME IMPORTANT PIECES. 718 00:24:44,333 --> 00:24:45,900 I DON'T EVEN KNOW WHAT THAT MEANS. 719 00:24:45,900 --> 00:24:48,734 THE FURNITURE THEY SHOWED ME, IT WAS A DIFFERENT LEVEL. 720 00:24:48,734 --> 00:24:52,266 THESE WERE, LIKE, FINE, SUBSTANTIAL--SOME OF THEM. 721 00:24:52,266 --> 00:24:53,800 SOME OF THEM WERE A LITTLE-- - YEAH. 722 00:24:53,800 --> 00:24:55,633 - IT WAS A DIFFERENCE. IT WAS-- 723 00:24:55,633 --> 00:24:56,967 IT'S LIKE LOOKING AT A TV WITHOUT HD. 724 00:24:56,967 --> 00:24:58,233 - NO, I KNOW. - YOU DON'T KNOW, 725 00:24:58,233 --> 00:24:59,300 AND THEN YOU SEE HD. YOU'RE LIKE, 726 00:24:59,300 --> 00:25:00,633 "WHOA, IT'S SO MUCH CLEARER." 727 00:25:00,633 --> 00:25:01,967 - BUT WE'RE NOT EMPTY NESTERS, 728 00:25:01,967 --> 00:25:03,934 THAT OUR KIDS ARE OUT OF THE HOUSE, 729 00:25:03,934 --> 00:25:06,300 TO BUY, LIKE, THAT QUALITY OF STUFF. 730 00:25:06,300 --> 00:25:09,100 - NO, I KNOW. - WE HAVE--SHE'S ALMOST TWO, 731 00:25:09,100 --> 00:25:11,734 AND IF WE THINK OF HAVING ANOTHER CHILD, 732 00:25:11,734 --> 00:25:14,533 WE'RE GOING TO HAVE TWO KIDS IN THAT HOUSE... 733 00:25:14,533 --> 00:25:16,200 - NO, I KNOW. - WITH VERY EXPENSIVE FURNITURE. 734 00:25:16,200 --> 00:25:17,900 - SO YOU'RE SAYING NOT TO DO IT. 735 00:25:17,900 --> 00:25:18,934 - I'M NOT SAYING NOT TO DO IT-- 736 00:25:18,934 --> 00:25:20,500 - SEE? YOU ALWAYS DO SWITZERLAND. 737 00:25:20,500 --> 00:25:22,333 HAVE A POINT OF VIEW. WHICH WAY? 738 00:25:22,333 --> 00:25:26,066 - IF YOU FIND A PIECE THAT YOU ABSOLUTELY LOVE, BUY IT. 739 00:25:26,066 --> 00:25:28,033 - I JUST NEED A LITTLE HELP HERE. 740 00:25:28,033 --> 00:25:31,000 THIS IS ALL NEW TO ME, TOO, SO I JUST WANT TO KIND OF KNOW, 741 00:25:31,000 --> 00:25:32,700 ARE WE SUPPOSED TO BUY EXPENSIVE FURNITURE? 742 00:25:32,700 --> 00:25:35,400 WHERE'S THE LINE AND WHAT ARE WE DOING? 743 00:25:35,400 --> 00:25:38,066 WHAT ARE WE GETTING? LIKE, WHAT'S THE PLAN? 744 00:25:38,066 --> 00:25:40,033 YOU KNOW, YOU JUST WANT A LITTLE BACK AND FORTH. 745 00:25:40,033 --> 00:25:41,934 - REGARDLESS OF WHAT THE PRICE IS-- 746 00:25:41,934 --> 00:25:44,567 I MEAN, HONESTLY, I CAN'T EVEN BELIEVE I'M SAYING THAT-- 747 00:25:44,567 --> 00:25:45,900 GET WHAT YOU LIKE, THOUGH. 748 00:25:45,900 --> 00:25:47,400 - BUT I DON'T EVEN KNOW WHAT I'M DOING. 749 00:25:47,400 --> 00:25:48,500 I'M NOT GOING TO BE THAT PERSON 750 00:25:48,500 --> 00:25:49,934 WHOSE HOUSE YOU COME OVER TO 751 00:25:49,934 --> 00:25:50,934 THAT IT'S GOING TO LOOK PERFECT. 752 00:25:50,934 --> 00:25:52,200 IT'S STILL GONNA LOOK LIKE CRAP. 753 00:25:52,200 --> 00:25:53,767 IT'S JUST WHO I AM. 754 00:25:53,767 --> 00:25:54,934 - IT'S NOT GONNA LOOK LIKE CRAP. 755 00:25:54,934 --> 00:25:56,000 - IT IS. IT'S WHAT HAPPENS TO ME. 756 00:25:56,000 --> 00:25:57,033 - OUR HOUSE DOESN'T LOOK LIKE CRAP. 757 00:25:57,033 --> 00:25:58,300 - IT LOOKS A LITTLE BIT LIKE CRAP 758 00:25:58,300 --> 00:25:59,433 BEFORE HOW MUCH WE GAVE A [bleep] 759 00:25:59,433 --> 00:26:00,600 AND THOUGHT IT WAS GONNA BE PERFECT. 760 00:26:00,600 --> 00:26:02,433 - IT LOOKS GREAT. WE HAVE A LITTLE BABY, 761 00:26:02,433 --> 00:26:04,066 AND, LIKE, THINGS ARE IN ORDER. 762 00:26:04,066 --> 00:26:05,667 LIKE, IT LOOKS GREAT. - NO, IT'S IN ORDER TODAY, 763 00:26:05,667 --> 00:26:08,000 'CAUSE, LIKE, ALL I DO IS CLEAN 24 HOURS A DAY. 764 00:26:08,000 --> 00:26:09,433 BUT--BUT THAT'S-- 765 00:26:09,433 --> 00:26:10,900 - OH, MY GOD, WOE IS YOU. 766 00:26:10,900 --> 00:26:12,467 YOU--ALL YOU DO IS CLEAN? 767 00:26:12,467 --> 00:26:13,734 - IT IS ALL I DO, IS STRAIGHTEN UP. 768 00:26:13,734 --> 00:26:16,100 - ALL YOU DO? I DON'T-- I'M NOT A PART OF THIS? 769 00:26:16,100 --> 00:26:17,333 - YOU DO, BUT I'M OBSESSED. 770 00:26:17,333 --> 00:26:19,166 I'M NOT BLAMING YOU FOR BEING NOT CRAZY. 771 00:26:19,166 --> 00:26:20,834 I JUST--IT'S ALL I DO. 772 00:26:20,834 --> 00:26:23,133 AND BY THE WAY, HE'S ACTUALLY PRETTY GOOD, COMPARED TO MOST. 773 00:26:23,133 --> 00:26:25,533 AND I'M MENTALLY ILL, COMPARED TO MOST. 774 00:26:25,533 --> 00:26:28,200 BUT...I'M NON-STOP. IT'S NON-STOP. 775 00:26:28,200 --> 00:26:29,633 IT'S JUST NON-STOP CLEANING/STRAIGHTENING. 776 00:26:29,633 --> 00:26:31,500 - THE REALITY IS, A BEAUTIFUL TABLE IS 777 00:26:31,500 --> 00:26:35,367 GONNA GET DINGED BY HER... BY US, YOU KNOW? 778 00:26:35,367 --> 00:26:38,233 - MY COFFEE TABLE IS A STORAGE TOY CHEST. 779 00:26:38,233 --> 00:26:40,233 SO IN THE NEXT APARTMENT, I WANT TO HAVE A STYLE. 780 00:26:40,233 --> 00:26:41,533 I WANT TO HAVE A DESIGN. 781 00:26:41,533 --> 00:26:43,567 I WANT TO WALK IN AND BE LIKE, "WOW." 782 00:26:43,567 --> 00:26:46,233 THIS IS, LIKE, AN EXPENSIVE BOWL THAT WE GOT FOR OUR WEDDING. 783 00:26:46,233 --> 00:26:48,367 IT'S PROBABLY, LIKE, A $300 BOWL. 784 00:26:48,367 --> 00:26:51,667 IT'S BEING USED FOR IPOD-- IT'S NOT A CHARGER HOLDER. 785 00:26:51,667 --> 00:26:53,633 - NO, YOU'RE RIGHT. - I WANT TO USE THINGS NICELY. 786 00:26:53,633 --> 00:26:54,900 I JUST-- I'M TRYING TO BE SOMETHING-- 787 00:26:54,900 --> 00:26:56,400 - THAT'S ALL MY STUFF HERE. - YEAH. 788 00:26:56,400 --> 00:26:57,633 THAT'S NOT THE WAY TO USE A CRYSTAL BOWL. 789 00:26:57,633 --> 00:26:59,200 - I UNDERSTAND. - I DON'T KNOW THE REAL REASON. 790 00:26:59,200 --> 00:27:00,667 - NO, YOU'RE RIGHT, I UNDERSTAND. 791 00:27:00,667 --> 00:27:02,467 - BUT I JUST-- I KNOW THIS IS NICE. 792 00:27:02,467 --> 00:27:04,900 - PUT 'EM OVER HERE, TOO. [chuckle] 793 00:27:04,900 --> 00:27:06,934 LET ME JUST CLEAN THOSE FIRST. 794 00:27:06,934 --> 00:27:08,300 - OH, MY GOD, IT'S JUST-- 795 00:27:08,300 --> 00:27:09,700 - I DON'T KNOW WHERE TO PUT THEM. 796 00:27:09,700 --> 00:27:12,900 - THE THING YOU DO-- YOU FIND A HOME FOR YOUR THINGS. 797 00:27:12,900 --> 00:27:13,900 YOU JUST FIND A HOME. 798 00:27:13,900 --> 00:27:15,500 - WHAT I'VE LEARNED IS... 799 00:27:15,500 --> 00:27:18,567 JUST SAY "YES, DEAR," CLEAN IT UP, 800 00:27:18,567 --> 00:27:20,900 AND MAKE HER HAPPY. 801 00:27:28,967 --> 00:27:30,433 - AND WE'RE BACK IN THE MAKEUP CHAIR. 802 00:27:30,433 --> 00:27:32,767 IN A NORMAL WORK WEEK, 803 00:27:32,767 --> 00:27:35,000 I SPEND JUST SHY OF EIGHT HOURS IN THE MAKEUP CHAIR. 804 00:27:35,000 --> 00:27:36,266 - DON'T GO CRAZY WITH THE SPRAY. 805 00:27:36,266 --> 00:27:38,200 I DON'T KNOW WHAT'S HAPPENING TOMORROW. 806 00:27:38,200 --> 00:27:39,633 - THIS IS REALLY LIGHT. - EVERYBODY SAYS IT. 807 00:27:39,633 --> 00:27:40,667 YOU ALL SAY THE SAME THING. YOU'RE ALL LIARS. 808 00:27:40,667 --> 00:27:42,100 - [laughs] - YOU'RE ALL LIARS. 809 00:27:42,100 --> 00:27:45,467 - I DID TELL VERONICA YOUR HAIR DOES BETTER WITHOUT HAIRSPRAY. 810 00:27:45,467 --> 00:27:48,767 - OH, MY GOD, THAT FEELS SO GOOD. 811 00:27:48,767 --> 00:27:51,467 ALL RIGHT, I'M GETTING DRESSED RIGHT NOW. 812 00:27:51,467 --> 00:27:52,867 - THIS IS THE COAT YOU WANT TO WEAR. 813 00:27:52,867 --> 00:27:55,400 - IF IT LOOKS GOOD. JUST LUBE ME UP. 814 00:27:55,400 --> 00:27:57,633 ORGANIC VEGETABLES. 815 00:27:57,633 --> 00:28:00,467 UGH, I JUST RUINED THIS. 816 00:28:00,467 --> 00:28:02,166 THIS IS GARBAGE. LET'S GET RID OF THIS. 817 00:28:02,166 --> 00:28:04,133 THE RICE-- JUST TRY IT, 818 00:28:04,133 --> 00:28:05,266 BUT I DON'T THINK SHE'LL EAT THE RICE. 819 00:28:05,266 --> 00:28:06,967 - BUT TRY IT. - SOUP WOULD BE BETTER, 820 00:28:06,967 --> 00:28:08,400 'CAUSE IT'LL JUST SLIDE DOWN HER THROAT. 821 00:28:08,400 --> 00:28:10,200 - I'M REALLY EXCITED ABOUT THIS OUTFIT. 822 00:28:10,200 --> 00:28:13,400 THIS IS A $40 SKIRT, AND THE SHOES WERE EBAY. 823 00:28:13,400 --> 00:28:14,767 I WANT MY APARTMENT TO BE THIS. 824 00:28:14,767 --> 00:28:16,467 IT'S HIGHS AND LOWS, BUT I GOT IT ALL AT A DISCOUNT. 825 00:28:16,467 --> 00:28:18,266 - ALL RIGHT, BYE. I'LL SEE YOU TOMORROW. 826 00:28:18,266 --> 00:28:19,700 - ALL RIGHT, LOVE YOU. WHERE'S MY BABY? 827 00:28:19,700 --> 00:28:21,100 - VERONICA, THIS IS YOURS. - DON'T FORGET IT. 828 00:28:21,100 --> 00:28:22,734 - SHE'S RIGHT HERE. [Bryn babbling] 829 00:28:22,734 --> 00:28:24,400 - WHAT'S WRONG WITH THIS PICTURE? 830 00:28:24,400 --> 00:28:28,300 BETHENNY'S GOING TO A PARENTING MAGAZINE EVENT, 831 00:28:28,300 --> 00:28:30,500 AND I'M STAYING HOME WITH BRYN. 832 00:28:30,500 --> 00:28:31,967 I MEAN...REALLY? 833 00:28:31,967 --> 00:28:33,734 - HEY, COOKS, YOU TAKE CARE OF BRYN. 834 00:28:33,734 --> 00:28:35,433 SEE YOU IN A LITTLE BIT. 835 00:28:35,433 --> 00:28:36,834 [smooches] LOVE YOU. 836 00:28:36,834 --> 00:28:40,834 OKAY, BYE-BYE. WHERE'S MY JACKET? 837 00:28:40,834 --> 00:28:43,633 MAMA LOVES YOU. 838 00:28:43,633 --> 00:28:45,333 [Bryn raspberries] 839 00:28:45,333 --> 00:28:46,400 - COMING UP: 840 00:28:46,400 --> 00:28:50,033 - JULIE'S LEAVING. - WOW. 841 00:28:50,033 --> 00:28:51,500 - I MEAN, I HAVEN'T REALLY THOUGHT ABOUT IT 842 00:28:51,500 --> 00:28:54,533 UNTIL JUST RIGHT NOW, TO BE HONEST WITH YOU. 843 00:28:59,934 --> 00:29:01,166 - SHE MIGHT BE READY FOR THE POTTY. 844 00:29:01,166 --> 00:29:02,800 [gasps] OH, MY GOD, THIS IS SO CUTE. 845 00:29:02,800 --> 00:29:05,066 - BUT SHE'S GONNA GO AND, LIKE, WALK UP TO IT, 846 00:29:05,066 --> 00:29:06,467 AND BE ABLE TO SIT ON IT. 847 00:29:06,467 --> 00:29:08,800 I THINK WE'RE A LITTLE EARLY ON THE POTTY-TRAINING. 848 00:29:08,800 --> 00:29:10,533 YOU KNOW, WE THINK BRYN'S A GENIUS, 849 00:29:10,533 --> 00:29:12,200 SO MAYBE SHE'LL TAKE TO IT QUICK. 850 00:29:12,200 --> 00:29:15,233 SEE, SHE'LL JUST WALK UP AND THEN SHE'LL... 851 00:29:15,233 --> 00:29:17,266 - I UNDERSTAND. - HOW'S--[laughs] 852 00:29:17,266 --> 00:29:18,400 - DON'T BREAK IT. HOLD ON. 853 00:29:18,400 --> 00:29:19,467 - HOLD ON, GET ME THE NEWSPAPER PLEASE. 854 00:29:19,467 --> 00:29:21,233 - WATCH OUT. UGH, YOU'RE GROSS. 855 00:29:21,233 --> 00:29:22,934 - THERE'S NO PANTY-DROPPER LIKE SEEING YOUR HUSBAND 856 00:29:22,934 --> 00:29:25,166 ON THE PRINCESS POTTY, I CAN TELL YOU THAT. 857 00:29:25,166 --> 00:29:27,166 - IT ACTUALLY PLAYS MUSIC, TOO. 858 00:29:27,166 --> 00:29:28,667 - WELL, THAT'S NOT REALISTIC. 859 00:29:28,667 --> 00:29:30,367 - MAYBE THEY SHOULD ADD THAT FOR GROWN-UPS. 860 00:29:30,367 --> 00:29:31,800 WHEN THE POOP ACTUALLY HITS THE WATER, 861 00:29:31,800 --> 00:29:32,900 IT PLAYS A SONG. 862 00:29:32,900 --> 00:29:34,200 - WHY DOES GOING TO THE BATHROOM NEED, 863 00:29:34,200 --> 00:29:36,533 LIKE, A BIG CHEERING SECTION? 864 00:29:36,533 --> 00:29:38,200 "IT PLAYS FOUR ROYAL TU"-- 865 00:29:38,200 --> 00:29:39,367 OH, 'CAUSE THIS IS LIKE THE ROYAL-- 866 00:29:39,367 --> 00:29:40,600 YOU KNOW HOW PEOPLE CALL IT "THE THRONE"? 867 00:29:40,600 --> 00:29:43,533 THERE SHOULD BE NO PARADE WHEN YOU MAKE--NO. 868 00:29:43,533 --> 00:29:45,000 - YEAH. - ABSOLUTELY NOT. 869 00:29:45,000 --> 00:29:46,834 I DON'T WANT-- [chiming music] 870 00:29:46,834 --> 00:29:48,467 NO. MAYBE THAT'S MY PROBLEM. 871 00:29:48,467 --> 00:29:53,033 NO ONE GAVE ME A LOT OF CREDIT FOR GOING. 872 00:29:53,033 --> 00:29:54,100 [chiming music] 873 00:29:54,100 --> 00:29:55,300 - [laughs] 874 00:29:55,300 --> 00:29:58,000 THAT'S AWE-- HOW IS THAT NOT AWESOME? 875 00:30:12,700 --> 00:30:14,233 - THIS IS THE GROUP FROM BIG CITY MOMS. 876 00:30:14,233 --> 00:30:15,300 - OH, HI, HOW ARE YOU? 877 00:30:15,300 --> 00:30:17,100 I THINK I'VE SEEN YOU GUYS-- 878 00:30:17,100 --> 00:30:20,266 HOW ARE YOU? NICE TO--WHAT'S YOUR NAME? 879 00:30:20,266 --> 00:30:21,667 - GOOD EVENING, EVERYBODY. 880 00:30:21,667 --> 00:30:25,467 WE'RE REALLY EXCITED THIS EVENING TO BE HERE 881 00:30:25,467 --> 00:30:29,467 WITH OUR NOVEMBER COVER MOM, BETHENNY FRANKEL. 882 00:30:29,467 --> 00:30:32,300 BETHENNY IS A GREAT EXPRESSION FOR PARENTING 883 00:30:32,300 --> 00:30:35,066 AND A REFLECTION OF OUR NEW POSITION, 884 00:30:35,066 --> 00:30:36,533 THAT BEING MODERN FAMILIES. 885 00:30:36,533 --> 00:30:39,367 YOU KNOW, SHE'S AN ACCOMPLISHED AUTHOR, 886 00:30:39,367 --> 00:30:42,066 CHEF, OBVIOUSLY AN ACCOMPLISHED BUSINESSWOMAN, 887 00:30:42,066 --> 00:30:43,800 BUT I THINK HER GREATEST PROJECT 888 00:30:43,800 --> 00:30:46,433 THAT SHE'LL ADMIT TO AS WELL IS HER DAUGHTER BRYN. 889 00:30:46,433 --> 00:30:47,667 - I DON'T KNOW IF YOU'VE HEARD, 890 00:30:47,667 --> 00:30:49,800 BUT SHE'S NOT AFRAID TO SPEAK HER MIND... 891 00:30:49,800 --> 00:30:51,100 - HI, EVERYBODY. 892 00:30:51,100 --> 00:30:52,500 - SO WE WANT TO HAVE EVERYBODY ASK SOME QUESTIONS. 893 00:30:52,500 --> 00:30:53,934 - WHAT'S YOUR FAVORITE PART 894 00:30:53,934 --> 00:30:55,767 ABOUT RAISING A CHILD IN NEW YORK CITY? 895 00:30:55,767 --> 00:30:57,000 - YOU JUST GO TAKE THE STROLLER 896 00:30:57,000 --> 00:30:58,600 AND JUST WALK TO A RESTAURANT FOR LUNCH, 897 00:30:58,600 --> 00:31:00,066 AND IT'S LIKE A SHOPPING CART, TOO. 898 00:31:00,066 --> 00:31:01,667 - DO YOU HAVE A FAVORITE ACTIVITY? 899 00:31:01,667 --> 00:31:03,834 - DANCE PARTIES. - I WAS JUST GOING TO SAY, 900 00:31:03,834 --> 00:31:05,533 YOU TOLD ME THAT YOU HAVE MAJOR DANCE-OFFS. 901 00:31:05,533 --> 00:31:06,834 - WE DO DANCE PARTIES. 902 00:31:06,834 --> 00:31:08,734 - YOU'RE RAISING BRYN AS A VEGETARIAN, 903 00:31:08,734 --> 00:31:10,934 AND DO PEOPLE GIVE YOU FLAK FOR THAT? 904 00:31:10,934 --> 00:31:12,467 - I DON'T KNOW WHAT I AM. I DON'T KNOW WHAT SHE IS. 905 00:31:12,467 --> 00:31:13,967 ALL WE'RE DOING IS DOING THE BEST WE CAN 906 00:31:13,967 --> 00:31:15,266 TO MAKE HER AS HEALTHY AS POSSIBLE. 907 00:31:15,266 --> 00:31:17,767 - DOES GINA EVER SEE BRYN ANYMORE? 908 00:31:17,767 --> 00:31:20,133 - I'M SURE GINA WILL RESURFACE. 909 00:31:20,133 --> 00:31:21,967 - GINA WORKED FOR ME LAST SUMMER, 910 00:31:21,967 --> 00:31:24,900 AND SHE TALKED SO MUCH ABOUT EVERYTHING THAT YOU TAUGHT HER. 911 00:31:24,900 --> 00:31:26,266 [laughter] 912 00:31:26,266 --> 00:31:27,367 - SHE HAD SO MANY GREAT THINGS TO SAY ABOUT YOU. 913 00:31:27,367 --> 00:31:28,433 - OH, THAT'S SO FUNNY. 914 00:31:28,433 --> 00:31:30,266 THANKS, GUYS. THANK YOU ONCE AGAIN. 915 00:31:30,266 --> 00:31:31,533 - THANK YOU SO MUCH FOR COMING. 916 00:31:31,533 --> 00:31:33,000 [applause] 917 00:31:33,000 --> 00:31:35,567 - OOH, THERE'S FOOD. - WHAT ARE THOSE? 918 00:31:35,567 --> 00:31:38,633 - THEY'RE TLTs: TEMPE, LETTUCE, TOMATO. 919 00:31:38,633 --> 00:31:41,567 - OH, MY GOD, LET'S DO IT. 920 00:31:41,567 --> 00:31:43,467 NICE EVENT. - THAT WAS CUTE. 921 00:31:43,467 --> 00:31:46,200 - NOT TOO MANY PEOPLE, SO IT WAS NICE. 922 00:31:46,200 --> 00:31:48,333 - I FEEL IT'S CHANGED IN ENERGY LATELY. 923 00:31:48,333 --> 00:31:51,800 - LIKE A GOOD ENERGY CHANGE? - YES, LIKE A CLEANSING. 924 00:31:51,800 --> 00:31:52,934 LIKE A BIG CLEANSING BREATH. 925 00:31:56,266 --> 00:31:58,433 - EVERYONE'S SO EXCITED. - YOUR PARENTS? 926 00:31:58,433 --> 00:32:00,500 - SO EXCITED. THEY'RE GOOD. 927 00:32:00,500 --> 00:32:04,300 - SO WHAT DO YOU THINK ABOUT LIVING AT HOME? 928 00:32:04,300 --> 00:32:06,300 - I--IT'LL DEFINITELY BE DIFFERENT. 929 00:32:06,300 --> 00:32:11,100 BUT I THINK I NEED JUST-- A CHANGE, TO JUST BREATHE. 930 00:32:11,100 --> 00:32:13,100 - I'M VERY INTELLECTUAL ABOUT THINGS, 931 00:32:13,100 --> 00:32:14,967 AND INTELLECTUALLY, I UNDERSTAND 932 00:32:14,967 --> 00:32:17,800 THAT JULIE HAS BEEN TORMENTING AND TORTURING HERSELF 933 00:32:17,800 --> 00:32:21,200 ABOUT THIS DECISION FOR YEARS. 934 00:32:21,200 --> 00:32:22,433 AND I SAW IT COMING, 935 00:32:22,433 --> 00:32:24,266 AND I UNDERSTAND WHERE SHE'S COMING FROM. 936 00:32:24,266 --> 00:32:27,266 - IT'S BITTERSWEET, BUT...I'M EXCITED. 937 00:32:40,233 --> 00:32:41,233 - WHAT'S NEXT? 938 00:32:41,233 --> 00:32:42,533 - MADE YOU A DENTIST APPOINTMENT. 939 00:32:42,533 --> 00:32:43,600 - GOT IT. 940 00:32:43,600 --> 00:32:44,667 - FIGURED OUT TIMES WHEN YOU GUYS 941 00:32:44,667 --> 00:32:46,100 HAVE TO GO TO THE DOCTOR WITH BRYN, 942 00:32:46,100 --> 00:32:47,300 'CAUSE I KNOW IT'S GOT TO FIT IN YOUR SCHEDULE. 943 00:32:47,300 --> 00:32:48,934 - RIGHT. - SO THOSE ARE KIND OF THINGS 944 00:32:48,934 --> 00:32:50,233 THAT, LIKE, I'M GOING TO WRITE DOWN, 945 00:32:50,233 --> 00:32:51,800 PERSONAL THINGS THAT MAYBE YOU AREN'T SO SURE 946 00:32:51,800 --> 00:32:53,333 THAT I TAKE CARE OF SOMETIMES FOR BETHENNY. 947 00:32:53,333 --> 00:32:55,133 - THERE'S A LOT GOING ON RIGHT NOW. 948 00:32:55,133 --> 00:32:58,000 IT'S NOT THE EASIEST TIME TO BE TRANSITIONING, 949 00:32:58,000 --> 00:33:02,266 AND WHEN JULIE'S GONE, JACKIE NEEDS TO BE UP TO SPEED. 950 00:33:02,266 --> 00:33:06,133 GRAB YOUR BOOTSTRAPS AND...GAME ON. 951 00:33:06,133 --> 00:33:08,266 I FEEL LIKE I HAVEN'T BEEN DUMPING THAT STUFF ON YOU. 952 00:33:08,266 --> 00:33:10,133 WHEN WE'RE DONE HERE, YOU'RE GONNA GET 953 00:33:10,133 --> 00:33:13,567 A BIG DUMP IT ON YOU IN A COUPLE OF WEEKS. 954 00:33:13,567 --> 00:33:14,567 - WELL, I'LL MANAGE OUT. 955 00:33:14,567 --> 00:33:15,967 I'LL JUST, LIKE, SET REMINDERS. 956 00:33:15,967 --> 00:33:17,300 - YOU'RE GOOD AT THIS. YOU'LL NEED THE REMINDERS. 957 00:33:17,300 --> 00:33:18,834 - YOU'RE GONNA HAVE A BREAKDOWN, DID YOU KNOW THAT? 958 00:33:18,834 --> 00:33:22,033 - HAVE CONFIDENCE. CONFIDENCE. 959 00:33:22,033 --> 00:33:23,233 - BUT I FEEL FOR HER. 960 00:33:23,233 --> 00:33:25,467 LIKE, IT'S BOTH OF YOU DOING THE JOB AND-- 961 00:33:25,467 --> 00:33:27,533 - OH, LIKE IT'S A BREAKDOWN INSIDE OF HER. 962 00:33:27,533 --> 00:33:29,967 - WELL, I DON'T WANT HER TO HAVE A BREAKDOWN INSIDE. 963 00:33:29,967 --> 00:33:31,934 - THERE'S A LOT OF BALLS TO JUGGLE THERE. 964 00:33:31,934 --> 00:33:33,633 THERE'S JUST, LIKE, A LOT OF THINGS THERE. 965 00:33:33,633 --> 00:33:35,900 - I WANT YOU TO KNOW THAT JASON GETTING INVOLVED 966 00:33:35,900 --> 00:33:38,367 IS NOT BECAUSE I DON'T THINK YOU CAN HANDLE IT. 967 00:33:38,367 --> 00:33:40,033 - I DON'T THINK THAT. - OKAY. 968 00:33:40,033 --> 00:33:41,734 - I DON'T THINK THAT. NO, I WAS-- 969 00:33:41,734 --> 00:33:44,700 - YOU ARE GETTING A PROMOTION. 970 00:33:44,700 --> 00:33:46,300 YOU ARE GOING TO HAVE MORE RESPONSIBILITIES. 971 00:33:46,300 --> 00:33:47,567 THAT IS WHAT IS HAPPENING. 972 00:33:47,567 --> 00:33:50,233 IT HAS NOTHING TO DO WITH HOW I FEEL ABOUT YOU 973 00:33:50,233 --> 00:33:52,166 WHEN I SAY "HOLY [bleep]." - MM-HMM. 974 00:33:52,166 --> 00:33:54,500 - IT HAS TO DO WITH... - THERE'S A LOT. 975 00:33:54,500 --> 00:33:56,834 CONSTANTLY, LIKE, JUST HAVING TO JUST STRUCTURE EVERYTHING 976 00:33:56,834 --> 00:33:58,800 IS EXHAUSTING. 977 00:33:58,800 --> 00:34:01,533 BUT I THINK JACKIE'S READY FOR THAT, 978 00:34:01,533 --> 00:34:03,467 SO I'M EXCITED TO SEE, YOU KNOW, WHAT HAPPENS WITH THEM. 979 00:34:03,467 --> 00:34:05,333 - OKAY, WHAT ELSE DO WE HAVE TO DO? 980 00:34:05,333 --> 00:34:09,033 - THE INFLUENCER GIFTS, LIKE, THE NICE SETS, 981 00:34:09,033 --> 00:34:10,767 FOR, UM, CELEBRITIES WE'RE SENDING. 982 00:34:10,767 --> 00:34:12,467 - THE SKINNYGIRL COCKTAIL SET. 983 00:34:12,467 --> 00:34:13,867 - YES. - THEY'RE IN THE BOTTLES. 984 00:34:13,867 --> 00:34:15,633 - OKAY, YOU KNOW HOW TO CREATE ALL THESE LISTS? 985 00:34:15,633 --> 00:34:17,133 LIKE, TOMORROW-- - I WROTE THEM UP. 986 00:34:17,133 --> 00:34:18,200 I WROTE THAT. - SHE DID THEM. 987 00:34:18,200 --> 00:34:19,700 - OH, OKAY, SO IT'S FINE, YEAH. 988 00:34:19,700 --> 00:34:21,734 ALL RIGHT, I DIDN'T KNOW. I DIDN'T KNOW YOU DID IT. 989 00:34:21,734 --> 00:34:24,000 I DON'T KNOW WHAT GOES ON NECESSARILY. 990 00:34:24,000 --> 00:34:25,333 - ALL RIGHT, WE'RE GOOD. 991 00:34:25,333 --> 00:34:27,333 - JACKIE'S FEELING VERY CONFIDENT 992 00:34:27,333 --> 00:34:29,000 THAT EVERYTHING WILL RUN SMOOTHLY. 993 00:34:29,000 --> 00:34:31,400 AND I DO COME FROM A PLACE OF "YES." 994 00:34:31,400 --> 00:34:35,300 HOWEVER, KNOW THYSELF, KNOW THY OFFICE, 995 00:34:35,300 --> 00:34:38,300 KNOW THY LIFE, 996 00:34:38,300 --> 00:34:39,467 AND...THERE'S A STORM A-COMING, 997 00:34:39,467 --> 00:34:42,233 AND WHEN IT DOES, GRAB THE NEAREST TREE, 998 00:34:42,233 --> 00:34:44,300 BECAUSE THE [bleep] WILL HIT THE FAN. 999 00:34:44,300 --> 00:34:46,867 HAS JASON BEEN ON HIS GAME? - YEAH. 1000 00:34:46,867 --> 00:34:48,433 - NOT JUST THE MONEY? EVERYTHING? 1001 00:34:48,433 --> 00:34:50,033 - HE WANTS TO KNOW IT ALL. - YEAH. 1002 00:34:50,033 --> 00:34:52,300 - WE WANT TO TAKE AS MUCH INFORMATION AS SHE KNOWS 1003 00:34:52,300 --> 00:34:54,133 AND JUST RIP IT OUT OF HER SO WE KNOW IT. 1004 00:34:54,133 --> 00:34:57,567 SO...WE'VE BOTH BEEN ASKING A TON OF QUESTIONS. 1005 00:34:57,567 --> 00:34:58,567 WE'LL BE GOOD. - OKAY. 1006 00:34:58,567 --> 00:34:59,900 - OKAY. 1007 00:34:59,900 --> 00:35:01,467 - 'CAUSE I DON'T WANT TO DO ANYTHING ANYMORE. 1008 00:35:01,467 --> 00:35:04,500 IT'S DONE. I'M CHANGING MY LIFE. 1009 00:35:12,166 --> 00:35:13,400 HELLO. 1010 00:35:13,400 --> 00:35:15,467 - HI, HOW ARE YOU? - I'M GOOD. 1011 00:35:15,467 --> 00:35:17,500 - SO WHERE DO YOU WANT TO START? 1012 00:35:17,500 --> 00:35:19,233 - DID YOU EVER MEET JULIE? JULIE IS-- 1013 00:35:19,233 --> 00:35:20,467 - SEVERAL TIMES, YEAH. 1014 00:35:20,467 --> 00:35:22,066 - YEAH, OKAY, JULIE'S LEAVING. 1015 00:35:22,066 --> 00:35:24,467 - WOW. HOW DO YOU FEEL ABOUT IT? 1016 00:35:24,467 --> 00:35:27,266 - I FEEL LIKE I'M KIND OF SHUTTING DOWN A LITTLE BIT. 1017 00:35:27,266 --> 00:35:30,300 LIKE, I'M NOT CC'ING HER ON EVERYTHING, 1018 00:35:30,300 --> 00:35:32,266 AND I'M REALLY TRYING TO JUST, LIKE, PUT IT ON JACKIE 1019 00:35:32,266 --> 00:35:33,600 OR EVERYBODY ELSE, BECAUSE... 1020 00:35:33,600 --> 00:35:35,767 "YOU'RE NOT GOING TO BE DOING THIS, SO JACKIE IS, 1021 00:35:35,767 --> 00:35:37,333 SO, LIKE, JACKIE, LET'S TALK ABOUT THIS." 1022 00:35:37,333 --> 00:35:38,834 YOU KNOW? LIKE, A LITTLE COLD. 1023 00:35:38,834 --> 00:35:41,633 - WHAT DO YOU THINK THAT'S ABOUT? 1024 00:35:41,633 --> 00:35:43,934 - I THINK IT'S A PERSON, YOU KNOW, THAT'S IN MY LIFE 1025 00:35:43,934 --> 00:35:45,633 AND WITH ME ALL THE TIME 1026 00:35:45,633 --> 00:35:48,500 AND, YOU KNOW, IN MY FAMILY AND KNOWS EVERYTHING, 1027 00:35:48,500 --> 00:35:50,600 AND IT'S LIKE LOSING ANOTHER PERSON IN A WAY. 1028 00:35:50,600 --> 00:35:52,633 - SHE'S IN YOUR FAMILY. YEAH. 1029 00:35:52,633 --> 00:35:54,900 - I CAN COMPARTMENTALIZE THIS. LIKE, SHE STILL WILL BE. 1030 00:35:54,900 --> 00:35:57,066 SHE'LL COME TO NEW YORK TO SEE BRYN AND US, 1031 00:35:57,066 --> 00:35:59,033 AND WE'LL HAVE DINNER AND WE'LL GO OUT AND HAVE DRINKS, 1032 00:35:59,033 --> 00:36:02,967 AND...YOU KNOW, AND IT WON'T BE THE WAY THAT IT IS NOW. 1033 00:36:02,967 --> 00:36:05,633 YOU KNOW? BUT PART OF ME'S HAPPY ABOUT IT. 1034 00:36:05,633 --> 00:36:07,600 AND PART OF ME'S GUILTY ABOUT BEING HAPPY ABOUT IT, 1035 00:36:07,600 --> 00:36:09,367 BECAUSE PART OF ME THINKS IT'S THE RIGHT MOVE 1036 00:36:09,367 --> 00:36:11,033 AND SOMETIMES JULIE DRIVES ME CRAZY, 1037 00:36:11,033 --> 00:36:12,133 'CAUSE I DON'T NECESSARILY THINK 1038 00:36:12,133 --> 00:36:14,600 THAT THE JOB IS ALWAYS RIGHT FOR HER. 1039 00:36:14,600 --> 00:36:16,266 AND IT MAKES HER A FRENETIC MESS, 1040 00:36:16,266 --> 00:36:18,100 WHICH MAKES ME A NERVOUS WRECK, 1041 00:36:18,100 --> 00:36:20,567 AND JULIE'S ALWAYS, LIKE, ON THE VERGE OF EXPLODING. 1042 00:36:20,567 --> 00:36:22,133 LIKE... "OKAY, I DID IT!" 1043 00:36:22,133 --> 00:36:23,934 YOU KNOW, AND THAT MAKES ME THAT WAY. 1044 00:36:23,934 --> 00:36:25,734 BUT THAT'S NOT THAT IMPORTANT TO BRING UP RIGHT NOW, 1045 00:36:25,734 --> 00:36:27,300 BECAUSE SHE'S NOT GOING TO BE WORKING FOR ME ANYMORE, 1046 00:36:27,300 --> 00:36:29,900 SO I DON'T NEED TO BE FEELING FRUSTRATED ABOUT THAT ANYMORE. 1047 00:36:29,900 --> 00:36:32,500 BUT I HAD A LOT OF FRUSTRATIONS ABOUT THAT TOO. 1048 00:36:32,500 --> 00:36:33,934 - HOW'S THIS BEEN FOR JASON? 1049 00:36:33,934 --> 00:36:36,934 - HE'S DEFINITELY SAD AND EMOTIONAL ABOUT IT. 1050 00:36:36,934 --> 00:36:39,600 YOU KNOW, PART OF HIM IS EXCITED, 1051 00:36:39,600 --> 00:36:41,467 BECAUSE HE WANTS TO REALLY LEARN THE BUSINESS, 1052 00:36:41,467 --> 00:36:44,467 AND HE WANTS TO HAVE A REASON TO JUMP IN 1053 00:36:44,467 --> 00:36:46,800 AND TAKE RESPONSIBILITY AND OWNERSHIP 1054 00:36:46,800 --> 00:36:48,700 OF A LOT OF THIS STUFF. 1055 00:36:48,700 --> 00:36:49,934 HE WANTS TO MOVE THE NEEDLE. 1056 00:36:49,934 --> 00:36:51,934 HE WANTS TO, YOU KNOW, HAVE RESPONSIBILITY 1057 00:36:51,934 --> 00:36:53,767 FOR SOMETHING THAT MAKES A DIFFERENCE, IN HIS OPINION. 1058 00:36:53,767 --> 00:36:55,834 I'M SAD, BECAUSE IT'S NOSTALGIA, 1059 00:36:55,834 --> 00:36:58,834 AND BECAUSE SHE'S BEEN SUCH A GREAT PART OF THIS. 1060 00:37:01,233 --> 00:37:04,233 - WHAT ARE YOU THINKING? 1061 00:37:07,333 --> 00:37:08,533 - I MEAN, I HAVEN'T REALLY THOUGHT ABOUT IT 1062 00:37:08,533 --> 00:37:10,100 UNTIL JUST RIGHT NOW, TO BE HONEST WITH YOU, 1063 00:37:10,100 --> 00:37:12,700 AND I REMEMBER WHEN SHE WAS THE ONE 1064 00:37:12,700 --> 00:37:14,233 WHO USED TO BEG ME TO WORK FOR ME. 1065 00:37:14,233 --> 00:37:15,433 SHE'S LIKE, "I'M GOING TO WORK FOR YOU ONE DAY." 1066 00:37:15,433 --> 00:37:19,200 AND I MEAN, I USED TO COOK FOR FREE. 1067 00:37:19,200 --> 00:37:21,700 THEY WERE TOO CHEAP TO PAY ME, 1068 00:37:21,700 --> 00:37:25,533 AND THEY WOULDN'T EVEN PAY FOR ME TO HAVE A SOUS CHEF, 1069 00:37:25,533 --> 00:37:27,967 SO THEY SENT OVER ONE OF THEIR EMPLOYEES 1070 00:37:27,967 --> 00:37:28,967 WHO DIDN'T KNOW HOW TO COOK, 1071 00:37:28,967 --> 00:37:31,800 WHO WAS JULIE, TO HELP ME. 1072 00:37:31,800 --> 00:37:33,567 AND I REMEMBER THE GUY SAYING TO ME-- 1073 00:37:33,567 --> 00:37:35,967 I WAS LIKE, "SHE'S GOING TO WORK FOR ME ONE DAY." 1074 00:37:35,967 --> 00:37:37,633 AND HE WAS LIKE, "DON'T POACH HER." 1075 00:37:37,633 --> 00:37:39,467 AND SHE KEPT COMING TO ME YEAR AFTER YEAR 1076 00:37:39,467 --> 00:37:40,867 TO GET-- TO WORK FOR ME. 1077 00:37:40,867 --> 00:37:44,867 SHE'S LIKE, "YOU'RE GONNA BE SOMETHING SOMEDAY." 1078 00:37:44,867 --> 00:37:48,000 AND I COULDN'T AFFORD--I SAID, "I COULDN'T AFFORD TO HIRE YOU." 1079 00:37:48,000 --> 00:37:49,734 - SHE BELIEVED IN YOU. - [sniffling] 1080 00:37:49,734 --> 00:37:50,900 SHE DID BELIEVE IN ME. 1081 00:37:50,900 --> 00:37:52,133 AND I'D SEE HER AND SHE'D CALL ME, 1082 00:37:52,133 --> 00:37:53,233 AND BE LIKE, "I'LL WORK FOR YOU FOR FREE." 1083 00:37:53,233 --> 00:37:54,934 - WOW. 1084 00:37:54,934 --> 00:37:55,934 - "I'LL HELP YOU, I'LL COME HELP YOU." 1085 00:37:55,934 --> 00:37:57,467 AND SHE'D COME HELP ME. 1086 00:37:57,467 --> 00:37:58,633 AND THEN ONE DAY, SHE CALLED ME 1087 00:37:58,633 --> 00:37:59,633 AND SHE'S LIKE, "I'M READY." 1088 00:37:59,633 --> 00:38:03,133 AND SHE STARTED, AND... 1089 00:38:03,133 --> 00:38:04,767 IT WAS ROUGH IN THE BEGINNING. 1090 00:38:04,767 --> 00:38:08,567 AND SHE JUST WANTED TO DO WELL SO BADLY. 1091 00:38:08,567 --> 00:38:10,000 BUT SHE'S SEEN EVERYTHING. 1092 00:38:10,000 --> 00:38:13,166 I WOULD SAY, NOT EVERYTHING, BUT SHE'S SEEN THE CREST, 1093 00:38:13,166 --> 00:38:15,667 AND I KIND OF FORGOT ABOUT-- NOT FORGOT ABOUT THAT, 1094 00:38:15,667 --> 00:38:17,600 BUT I MEAN, IT'S ALL HAPPENED SO FAST 1095 00:38:17,600 --> 00:38:19,967 AND I'M, LIKE, SUCCESSFUL NOW. IT'S JUST WHAT I AM NOW, 1096 00:38:19,967 --> 00:38:22,800 AND I JUST WASN'T THEN. 1097 00:38:22,800 --> 00:38:25,100 - THE LAST TIME WE MET, YOU WERE TALKING ABOUT 1098 00:38:25,100 --> 00:38:26,533 YOUR FAMILY MOVING TOGETHER, 1099 00:38:26,533 --> 00:38:28,200 AND YOU WERE TALKING ABOUT JULIE AS PART OF THAT FAMILY. 1100 00:38:28,200 --> 00:38:29,233 - ABSOLUTELY. 1101 00:38:29,233 --> 00:38:30,967 - AND DEVELOPING OPPORTUNITIES FOR HER. 1102 00:38:30,967 --> 00:38:32,934 - LOOK, I WANTED THIS FOR HER. 1103 00:38:32,934 --> 00:38:35,800 PART OF ME KNOWS THAT, BECAUSE SHE HAD THIS JOB 1104 00:38:35,800 --> 00:38:37,700 AND SHE CAN USE THIS AS A CALLING CARD, 1105 00:38:37,700 --> 00:38:39,200 SHE CAN GET A JOB ANYWHERE SHE WANTS, 1106 00:38:39,200 --> 00:38:41,233 IF SHE WANTS TO DO THAT IN HER LIFE. 1107 00:38:41,233 --> 00:38:44,200 BUT PART OF ME IS LIKE... 1108 00:38:44,200 --> 00:38:45,433 YOU KNOW, YOU WERE A PART OF SOMETHING, REALLY, 1109 00:38:45,433 --> 00:38:49,066 AND IT'S STILL JUST REALLY THE BEGINNING. 1110 00:38:49,066 --> 00:38:50,867 BUT THAT'S PART OF LIFE, YOU KNOW? 1111 00:38:50,867 --> 00:38:53,333 - BUT TO WHAT EXTENT ARE THERE FEELINGS 1112 00:38:53,333 --> 00:38:55,300 THAT DON'T FIT WITH WHO YOU ARE AS A PERSON 1113 00:38:55,300 --> 00:38:57,800 WHO MADE THIS YOUNG WOMAN THE GODMOTHER OF YOUR DAUGHTER? 1114 00:38:57,800 --> 00:38:58,900 - WELL, THE TRUTH OF THE MATTER IS, 1115 00:38:58,900 --> 00:39:01,500 IF THIS IS AN EXERCISE TO LIKE... 1116 00:39:01,500 --> 00:39:04,667 HELP ME ACCESS MY FEELINGS MORE 1117 00:39:04,667 --> 00:39:08,033 IN MY MARRIAGE, WHICH I'M SURE I'LL-- 1118 00:39:08,033 --> 00:39:09,800 THAT WAS THE BIG REASON I CAME IN HERE-- 1119 00:39:09,800 --> 00:39:11,333 WHICH, I'M SURE ALL ROADS LEAD TO ROME... 1120 00:39:11,333 --> 00:39:12,667 THAT'S WHAT IT IS. - YOU'RE WITH IT. 1121 00:39:12,667 --> 00:39:14,033 - 'CAUSE THE TRUTH OF THE MATTER IS, 1122 00:39:14,033 --> 00:39:16,834 THAT'S, YOU KNOW, WHERE I NEED TO ACCESS MORE FEELINGS. 1123 00:39:16,834 --> 00:39:18,467 - YEP. - IT'S VERY COMPLICATED, 1124 00:39:18,467 --> 00:39:21,066 AND SO MANY THINGS THAT GO THROUGH MY HEAD, YOU KNOW, 1125 00:39:21,066 --> 00:39:23,767 IN MY RELATIONSHIP AND I THINK IN JASON'S TOO. 1126 00:39:23,767 --> 00:39:24,767 - I AGREE WITH YOU, BETHENNY, 1127 00:39:24,767 --> 00:39:26,433 BUT LEARNING ABOUT YOUR FEELINGS 1128 00:39:26,433 --> 00:39:28,400 AND BEING ADEPT AT TOUCHING THEM, 1129 00:39:28,400 --> 00:39:30,500 MOVING THROUGH THEM AND COMING BACK OUT, 1130 00:39:30,500 --> 00:39:32,867 SO THAT THEY'RE NOT AFFECTING WHAT YOU THINK AND DO 1131 00:39:32,867 --> 00:39:34,266 IS SOMETHING THAT'S RELEVANT IN ANY RELATIONSHIP. 1132 00:39:34,266 --> 00:39:35,500 - NO, I UNDERSTAND, I UNDERSTAND. 1133 00:39:35,500 --> 00:39:37,467 - AND ALL ROADS DO LEAD BACK TO ROME WITH JULIE. 1134 00:39:37,467 --> 00:39:38,734 SHE'S AN IMPORTANT PERSON TO YOU, 1135 00:39:38,734 --> 00:39:39,967 AND SO THERE'S ANOTHER GOOD REASON TO BE-- 1136 00:39:39,967 --> 00:39:42,066 SAYING GOOD-BYE TO HER AND MOURNING THE LOSS 1137 00:39:42,066 --> 00:39:46,767 OF A FUTURE YOU HAD ENVISIONED WITH JULIE... 1138 00:39:46,767 --> 00:39:49,767 YOU CAN MOURN THAT OR YOU CAN IGNORE THE FACT THAT... 1139 00:39:49,767 --> 00:39:51,433 - I KNOW. - YOU HAD THAT. 1140 00:39:51,433 --> 00:39:53,066 SO THIS IS A LOSS FOR YOU. 1141 00:39:53,066 --> 00:39:54,834 IT'S NOT JUST THE LOSS OF JULIE TODAY, 1142 00:39:54,834 --> 00:39:56,967 IT'S THE LOSS OF JULIE TOMORROW. 1143 00:39:56,967 --> 00:40:01,433 AND SAYING GOOD-BYE IS A REALLY VALUABLE THING TO DO WELL. 1144 00:40:03,266 --> 00:40:06,000 IT OPENS DOORS. 1145 00:40:20,500 --> 00:40:22,900 - VERY GOOD. - PULL THE SHIRT? 1146 00:40:22,900 --> 00:40:25,367 - MEOW! OH, MY GOD. 1147 00:40:25,367 --> 00:40:27,200 LOOK AT HOW SHE'S WORKING IT. 1148 00:40:27,200 --> 00:40:29,200 IS ANYONE NOTICING WHAT'S GOING ON RIGHT NOW? 1149 00:40:29,200 --> 00:40:31,000 - IT'S SO WEIRD DOING THIS, SEEING HER DO IT-- 1150 00:40:31,000 --> 00:40:32,934 BETHENNY DO IT EVERY DAY. - OH, MY GOD, SONYA. 1151 00:40:32,934 --> 00:40:35,900 SONYA, IT LOOKS GREAT. - NO, I SWEAR. 1152 00:40:35,900 --> 00:40:38,367 - YOU LOOK UNBELIEVABLE. 1153 00:40:38,367 --> 00:40:40,934 - OKAY. - YEAH, THAT'S IT? 1154 00:40:40,934 --> 00:40:41,934 - ARE YOU EXCITED? 1155 00:40:41,934 --> 00:40:43,834 - OH, MY GOD, SO EXCITED. - GOOD. 1156 00:40:43,834 --> 00:40:46,000 - I'M A LITTLE NERVOUS, THOUGH. - I MEAN, YOU SHOULD BE. 1157 00:40:46,000 --> 00:40:47,900 IT'S A TOUGH JOB. - YEAH. 1158 00:40:47,900 --> 00:40:52,600 - BUT YOU'VE HAD A CHANCE TO WATCH AND TAKE IT ALL IN. 1159 00:40:52,600 --> 00:40:54,533 - OH, MY GOD, I'M DYING INSIDE. 1160 00:40:54,533 --> 00:40:58,500 - EVEN IF YOU'RE DYING INSIDE, PRETEND THAT YOU'RE NOT OUTSIDE. 1161 00:40:58,500 --> 00:41:01,433 THAT'S THE NUMBER ONE ADVICE AS AN ASSISTANT. 1162 00:41:01,433 --> 00:41:04,133 I LIKE TO GIVE PEOPLE A CHANCE THAT ARE YOUNGER, 1163 00:41:04,133 --> 00:41:06,100 'CAUSE I THINK THAT I WAS GIVEN A CHANCE 1164 00:41:06,100 --> 00:41:08,367 WHEN I WAS 23 YEARS OLD. 1165 00:41:08,367 --> 00:41:12,233 MY ONLY QUESTION IS, CAN SHE TAKE THE NON-NORMALNESS? 1166 00:41:12,233 --> 00:41:14,367 I MEAN, THERE'S NO STRUCTURE. 1167 00:41:14,367 --> 00:41:15,967 YOU ARE YOUR OWN STRUCTURE. 1168 00:41:15,967 --> 00:41:19,033 - YOU LOOK UNBELIEVABLE. 1169 00:41:19,033 --> 00:41:20,700 HOW OLD IS SHE? - 23. 1170 00:41:20,700 --> 00:41:22,200 - WE'RE GOING TO HAVE 23- AND 24-YEAR-OLDS 1171 00:41:22,200 --> 00:41:24,166 RUNNING THIS BUSINESS? 1172 00:41:24,166 --> 00:41:26,433 THAT'S CRAZY. SO HOW OLD ARE YOU NOW? 1173 00:41:26,433 --> 00:41:28,633 - I'LL BE 29 IN TWO WEEKS. 1174 00:41:28,633 --> 00:41:31,166 - YOU GAVE ME THE BEST YEARS OF YOUR LIFE. 1175 00:41:31,166 --> 00:41:33,467 - [laughs] - YOU DID. 1176 00:41:33,467 --> 00:41:35,133 YOU THINK THESE GIRLS ARE GONNA BE ABLE TO HANDLE THE SCHEDULE? 1177 00:41:35,133 --> 00:41:37,100 THE ONLY THING I WORRY ABOUT IS THE SCHEDULE. 1178 00:41:37,100 --> 00:41:39,333 CALENDAR AND THE SCHEDULE. - YES, YES. 1179 00:41:39,333 --> 00:41:42,667 - I AM STARTING TO REALIZE THAT JULIE'S LEAVING. 1180 00:41:42,667 --> 00:41:46,100 AND I HAVEN'T REALLY HAD THAT LONG OF A TIME 1181 00:41:46,100 --> 00:41:47,433 WITH JACKIE AND MAGGIE. 1182 00:41:47,433 --> 00:41:48,967 AND I AM NERVOUS. 1183 00:41:48,967 --> 00:41:51,734 THESE ARE YOUNG, GREEN GIRLS THAT I'M JUST DECIDING 1184 00:41:51,734 --> 00:41:53,400 THEY'RE GOING TO BE RUNNING EVERYTHING. 1185 00:41:53,400 --> 00:41:54,734 AND THAT'S KIND OF CRAZY, 1186 00:41:54,734 --> 00:41:56,233 BUT I DO TEND TO HAVE FAITH IN PEOPLE. 1187 00:41:56,233 --> 00:41:59,333 - WOW, THERE IT GOES. - THAT LOOKS AMAZING ON YOU. 1188 00:41:59,333 --> 00:42:01,266 YOUR BODY LOOKS UNBELIEVABLE. 1189 00:42:01,266 --> 00:42:04,000 - OH, MY GOD, THAT'S ADORABLE. I DON'T LOOK LIKE THAT. 1190 00:42:04,000 --> 00:42:05,467 - NOW YOU'RE GONNA LOOK LIKE THIS 1191 00:42:05,467 --> 00:42:06,900 AND NOW YOU'RE GONNA GO BACK TO PITTSBURGH. 1192 00:42:06,900 --> 00:42:08,734 WHAT ARE THEY GONNA DO WITH THIS IN PITTSBURGH? 1193 00:42:08,734 --> 00:42:10,100 - I'M GONNA RUN PITTSBURGH. 1194 00:42:10,100 --> 00:42:12,400 - YOU'VE COME A LONG WAY SINCE THAT APARTMENT, 1195 00:42:12,400 --> 00:42:14,266 WHAT YOU USED TO COME IN WEARING IN THAT APARTMENT. 1196 00:42:14,266 --> 00:42:15,967 - ME AND MOLLY? IT WAS HORRIBLE. 1197 00:42:15,967 --> 00:42:17,867 - [cheers] DONE. 1198 00:42:17,867 --> 00:42:18,867 - THE WHOLE BOOK? - DONE. 1199 00:42:18,867 --> 00:42:21,233 YOU HAVE BEEN... AWESOME. 1200 00:42:21,233 --> 00:42:22,967 - IT WAS LIKE-- 1201 00:42:22,967 --> 00:42:24,400 - YOU'D BE WEARING, LIKE, COLLEGE T-SHIRTS. 1202 00:42:24,400 --> 00:42:26,233 - YEAH, LIKE DRINKING T-SHIRTS. - YEAH. 1203 00:42:26,233 --> 00:42:28,500 LIKE, BEER PONG T-SHIRTS. - I KNOW. 1204 00:42:28,500 --> 00:42:29,834 I MEAN, I KNOW. I STILL HAVE THEM. 1205 00:42:29,834 --> 00:42:32,734 [laughs] NO, I KNOW, YOU'RE RIGHT. 1206 00:42:32,734 --> 00:42:34,266 I HAVE COME A LONG WAY. - YOU'VE COME A LONG WAY. 1207 00:42:34,266 --> 00:42:36,266 - UH-HUH. I'VE REALLY GROWN. 1208 00:42:36,266 --> 00:42:38,734 - YOU HAVE. IT'S CRAZY. 1209 00:42:38,734 --> 00:42:40,600 - EVERYBODY, I NEED YOU TO LOOK AT THE CAMERA. 1210 00:42:40,600 --> 00:42:41,934 - LIKE YOU'RE PICKING UP A GUY AT THE BAR 1211 00:42:41,934 --> 00:42:43,100 BUT YOU'RE NOT GONNA LET HIM KNOW YOU LIKE HIM. 1212 00:42:43,100 --> 00:42:44,200 [laughter] 1213 00:42:44,200 --> 00:42:47,734 - IT'S GOOD. REAL GIRLS. 1214 00:42:47,734 --> 00:42:50,433 - AND I THINK... WE DO HAVE IT. 1215 00:42:50,433 --> 00:42:52,800 - GOOD. - THANK YOU. 1216 00:42:52,800 --> 00:42:54,467 - THANK YOU FOR DOING THIS, GETTING ALL DRESSED UP. 1217 00:42:54,467 --> 00:42:55,734 - YEAH. - SO FUN! 1218 00:42:55,734 --> 00:42:57,467 - YOU HAD FUN? - YEAH, IT WAS FUN. 1219 00:42:57,467 --> 00:42:58,867 - I'M THRILLED. - THANK YOU. 1220 00:42:58,867 --> 00:43:02,834 IT'S PERFECT. WHO NEEDS MODELS, RIGHT? 1221 00:43:02,834 --> 00:43:05,967 NEXT ON BETHENNY EVER AFTER: 1222 00:43:05,967 --> 00:43:08,734 I DON'T FEEL PRESSURE ABOUT THE MILLIONS OF DOLLARS 1223 00:43:08,734 --> 00:43:11,367 THAT JIM BEAM HAS INVESTED IN THIS COMPANY. 1224 00:43:11,367 --> 00:43:12,800 I WORRY THAT THEY NEED TO MAINTAIN 1225 00:43:12,800 --> 00:43:17,633 THE INTEGRITY OF MY BRAND, BECAUSE IT FAR EXCEEDS ALCOHOL. 1226 00:43:17,633 --> 00:43:18,734 - SO DID YOU WANT TO DO THE TASTING 1227 00:43:18,734 --> 00:43:19,867 WHERE WE TALK ABOUT THE BOTTLE TOPS? 1228 00:43:19,867 --> 00:43:20,900 - YES, THE TASTING AND THE BOTTLE TOPS. 1229 00:43:20,900 --> 00:43:22,033 - OKAY, LET'S DO IT. 1230 00:43:22,033 --> 00:43:24,967 - I'M HAVING A ROUGH TIME, THOUGH. 1231 00:43:24,967 --> 00:43:28,934 - COME ON, COME ON. IT'S TOO MUCH. 1232 00:43:28,934 --> 00:43:30,600 YOU NEED TO GO AWAY AND HAVE A VACATION. 1233 00:43:30,600 --> 00:43:32,433 - NO, I DO THAT-- IT'S NOT THAT, IT'S NOT THAT. 1234 00:43:32,433 --> 00:43:35,333 IT'S JUST A LOT OF THINGS. IT'S JUST EVERYTHING. 1235 00:43:35,333 --> 00:43:37,667 - THIS RING WILL HAVE PROBABLY 1236 00:43:37,667 --> 00:43:39,600 OVER 250 DIAMONDS WHEN YOU'RE DONE. 1237 00:43:39,600 --> 00:43:41,967 - MY THING IS--YOU KNOW, I'M KIND OF OLD-FASHIONED-- 1238 00:43:41,967 --> 00:43:45,533 IS I WANT HER TO KEEP THE RING THAT I BOUGHT FOR HER 1239 00:43:45,533 --> 00:43:48,533 AND NOW TO CHANGE IT, LESS THAN TWO YEARS? 1240 00:43:51,033 --> 00:43:53,633 - I JUST THINK THAT EVERYTHING IS MY FAULT, 1241 00:43:53,633 --> 00:43:55,367 AND I'M WRONG ABOUT EVERYTHING 1242 00:43:55,367 --> 00:43:57,100 AND THAT I'M THE ONE WHO'S [bleep]ED UP. 1243 00:43:57,100 --> 00:43:58,367 - WHAT YOU'RE SAYING IS THAT 1244 00:43:58,367 --> 00:44:02,367 HE'S UNLUCKY TO HAVE FALLEN IN LOVE WITH YOU. 1245 00:44:02,367 --> 00:44:04,533 - TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1246 00:44:04,533 --> 00:44:05,967 GO TO BRAVOTV.COM.