1 00:00:03,166 --> 00:00:04,834 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,834 --> 00:00:06,367 EVERY TIME I MAKE A BUSINESS DEAL, 3 00:00:06,367 --> 00:00:07,800 OR A DECISION, I DO TALK TO JASON. 4 00:00:07,800 --> 00:00:08,934 BUT WE HADN'T TAKEN THE FULL STEP 5 00:00:08,934 --> 00:00:11,033 OF REALLY FULLY WORKING TOGETHER. 6 00:00:11,033 --> 00:00:12,433 - IS THAT SOMETHING YOU'RE GONNA DO? 7 00:00:12,433 --> 00:00:13,967 - I THOUGHT WE WOULD'VE DONE IT BY NOW, RIGHT? 8 00:00:13,967 --> 00:00:15,667 BUT I WANT TO MAKE SURE IT'S GOOD FOR THE RELATIONSHIP. 9 00:00:15,667 --> 00:00:17,133 IT'S GOOD FOR THE BUSINESS, BUT I DON'T KNOW THAT IT'S GOOD 10 00:00:17,133 --> 00:00:18,133 FOR THE RELATIONSHIP. 11 00:00:18,133 --> 00:00:19,433 - I HAVE DECIDED 12 00:00:19,433 --> 00:00:23,834 TO MOVE HOME TO PITTSBURGH AT THE END OF THE YEAR. 13 00:00:23,834 --> 00:00:26,633 - NO WAY. YOU'RE [bleep] ME. 14 00:00:28,967 --> 00:00:30,200 - ARE YOU EXCITED? 15 00:00:30,200 --> 00:00:31,900 - OH, MY GOD, SO EXCITED. - GOOD. 16 00:00:31,900 --> 00:00:33,000 - I'M A LITTLE NERVOUS, THOUGH. 17 00:00:33,000 --> 00:00:34,400 - IT'S A TOUGH JOB. - YEAH. 18 00:00:34,400 --> 00:00:35,433 - I THINK THESE GIRLS ARE GONNA BE ABLE TO HANDLE THE SCHEDULE. 19 00:00:35,433 --> 00:00:37,100 ONLY THING I WORRY ABOUT IS A SCHEDULE. 20 00:00:37,100 --> 00:00:38,467 - YES. - HOW OLD IS SHE? 21 00:00:38,467 --> 00:00:39,734 - 23. 22 00:00:39,734 --> 00:00:41,200 - WE'RE GONNA HAVE 23-AND 24-YEAR-OLDS 23 00:00:41,200 --> 00:00:43,667 RUNNING THIS BUSINESS? 24 00:00:43,667 --> 00:00:45,100 THAT'S CRAZY. 25 00:00:45,100 --> 00:00:46,967 SHE WENT FOR WHAT SHE WANTED, SHE GOT IT. 26 00:00:46,967 --> 00:00:48,400 SHE WENT FOR WHAT SHE WANTED, SHE GOT IT. 27 00:00:48,400 --> 00:00:50,166 WE KNOW I'VE GONE FOR WHAT I WANTED, I'VE GOT IT. 28 00:00:50,166 --> 00:00:54,266 YOU HAVE TO GO FOR WHAT YOU WANT AND GO GET IT. 29 00:00:54,266 --> 00:00:57,233 [upbeat music] 30 00:00:57,233 --> 00:01:03,233 ♪♪ ♪♪ 31 00:01:17,367 --> 00:01:20,367 [doorbell ringing] - HI. 32 00:01:20,367 --> 00:01:21,433 - HI, BROOKE. 33 00:01:21,433 --> 00:01:23,000 BROOKE, YOU WANT SOME EGGS? 34 00:01:23,000 --> 00:01:24,467 - NO, I'M GOOD, THANK YOU. 35 00:01:24,467 --> 00:01:26,633 - YOU SURE? I MAKE GOOD OMELETS. 36 00:01:26,633 --> 00:01:27,700 YOU HAD BREAKFAST? 37 00:01:27,700 --> 00:01:28,800 - I DID. 38 00:01:28,800 --> 00:01:30,233 - I WANT YOU TO LOOK AT HOW I LIVE, 39 00:01:30,233 --> 00:01:31,200 SO YOU REALLY UNDERSTAND WHAT WE'RE DOING. 40 00:01:31,200 --> 00:01:32,500 - RIGHT. 41 00:01:32,500 --> 00:01:35,367 - LIKE, I WANT YOU TO GET WHAT'S GOING ON. 42 00:01:35,367 --> 00:01:36,900 - YEAH, THAT STORE NEXT TO GEORGE SMITH, 43 00:01:36,900 --> 00:01:38,200 I'VE NEVER WORKED WITH THEM BEFORE... 44 00:01:38,200 --> 00:01:39,200 - IT'S BEAUTIFUL. - BUT THEY HAVE SOME REALLY 45 00:01:39,200 --> 00:01:40,700 COOL--IT'S NOT CHEAP, THOUGH. 46 00:01:40,700 --> 00:01:42,667 - NOTHING'S CHEAP. YOU ARE NOT CHEAP, BROOKE. 47 00:01:42,667 --> 00:01:46,433 YOU ARE THE MOST EXPENSIVE HABIT I COULD POSSIBLY HAVE. 48 00:01:46,433 --> 00:01:47,667 ON TOP OF PACKING FOR MEXICO, 49 00:01:47,667 --> 00:01:49,367 I'M RUNNING MY BUSINESS, 50 00:01:49,367 --> 00:01:51,900 TAKING CARE OF MY BABY, 51 00:01:51,900 --> 00:01:54,734 AND, OH, BY THE WAY, I'M DOING A GUT RENOVATION. 52 00:01:54,734 --> 00:01:57,333 I'M AN AMAZING MULTITASKER. 53 00:01:57,333 --> 00:01:59,433 - I'M GONNA TAKE SOME NOTES. - YOU'RE THE MINUTES PERSON. 54 00:01:59,433 --> 00:02:01,233 - I AM THE MEETING MINUTES. 55 00:02:01,233 --> 00:02:04,033 - ACCORDING TO THAT WOMAN FROM THE ARMORY, 56 00:02:04,033 --> 00:02:05,633 THOSE CABINETS ARE STILL AVAILABLE. 57 00:02:05,633 --> 00:02:07,867 - I KNOW, AND SHE SAID THEY'RE WELL-PRICED AT $33,000. 58 00:02:07,867 --> 00:02:10,800 - THERE ARE TWO OTHER DESIGNERS WHO ARE INTERESTED, THOUGH. 59 00:02:10,800 --> 00:02:13,300 - MOMMY! - OH, NO, NO, NO. 60 00:02:13,300 --> 00:02:14,700 WHY IS SHE COUGHING? I DON'T LIKE THE COUGH. 61 00:02:14,700 --> 00:02:17,133 WE HAD THE COXSACKIE, BUT IT'S NOT THE COUGH. 62 00:02:17,133 --> 00:02:19,066 PLEASE, GO TAKE A NAP, SUNSHINE BABY. 63 00:02:19,066 --> 00:02:20,100 WHAT TIME IS IT? 64 00:02:20,100 --> 00:02:21,367 - 11:15. 65 00:02:21,367 --> 00:02:22,967 - OH, MY GOD, IT'S SO PAST YOUR NAP TIME. 66 00:02:22,967 --> 00:02:25,600 - MAMA. - NO, NO, BABY, BUT I LOVE YOU. 67 00:02:25,600 --> 00:02:28,467 - MAYBE SHE WANTS TO SIT IN ON THE MEETING. 68 00:02:28,467 --> 00:02:30,033 SO WHERE DO YOU WANT TO START? 69 00:02:30,033 --> 00:02:31,500 - FROM THE BEGINNING. 70 00:02:31,500 --> 00:02:32,734 WALK IN THE APARTMENT. 71 00:02:32,734 --> 00:02:34,100 - SO WE'RE AT THE FRONT DOOR. 72 00:02:34,100 --> 00:02:36,500 THIS WAS ONE OF THE BENCHES THAT YOU SAW. 73 00:02:36,500 --> 00:02:38,033 - GREAT, IT'S A BENCH, AND IT'S GONNA BE REASONABLE 74 00:02:38,033 --> 00:02:39,033 IF IT'S AT HICKORY. 75 00:02:39,033 --> 00:02:40,233 - RIGHT. - PICK IT, DONE. 76 00:02:40,233 --> 00:02:41,934 - I LOVE THIS. WE'RE MAKING DECISIONS. 77 00:02:41,934 --> 00:02:43,133 NOW, WHAT ABOUT THIS? 78 00:02:43,133 --> 00:02:44,333 - $3,000 FOR A-- 79 00:02:44,333 --> 00:02:46,333 - $2,360 FOR THE PAIR. 80 00:02:46,333 --> 00:02:47,533 - AX 'EM. 81 00:02:47,533 --> 00:02:49,400 YOU KNOW YOU WANT EGGS. - IT'S A SHAME, THOUGH, 82 00:02:49,400 --> 00:02:50,467 'CAUSE THEY'RE REALLY NICE. 83 00:02:50,467 --> 00:02:51,600 [baby fussing] - YOU HAVE TO NAP. 84 00:02:51,600 --> 00:02:52,633 JUST TAKE A TEN-MINUTE NAP. 85 00:02:52,633 --> 00:02:55,133 - SO WE HAVE TO FIND BEDSIDE TABLES. 86 00:02:55,133 --> 00:02:58,767 - BROOKE IS THE ULTIMATE SPENDER OF OTHER PEOPLE'S MONEY. 87 00:02:58,767 --> 00:03:00,033 WHAT DOES SHE CARE? 88 00:03:00,033 --> 00:03:01,900 SHE'S NOT REALLY THINKING ABOUT IT FOR HER. 89 00:03:01,900 --> 00:03:04,066 WOULDN'T IT BE GREAT TO JUST BE LIKE, "OH, HERE, GO BUY THIS 90 00:03:04,066 --> 00:03:06,767 $7,000 COMFORTER." 91 00:03:06,767 --> 00:03:08,133 SO YOU'VE GOT TO WATCH. 92 00:03:08,133 --> 00:03:09,800 - THIS IS ABOUT BALANCE. 93 00:03:09,800 --> 00:03:10,967 - OKAY, SO LET'S FIND-- 94 00:03:10,967 --> 00:03:12,033 - THIS IS ABOUT BALANCE IN YOUR APARTMENT... 95 00:03:12,033 --> 00:03:13,066 - RIGHT. 96 00:03:13,066 --> 00:03:14,600 - THIS IS ABOUT BALANCE IN YOUR LIFE. 97 00:03:14,600 --> 00:03:16,633 - SO WHERE AM I SUPPOSED TO SPEND THE BIG MONEY ON THINGS? 98 00:03:16,633 --> 00:03:17,834 ISN'T IT ARTWORK? 99 00:03:17,834 --> 00:03:18,867 AND THIS WAS THAT BAR. 100 00:03:18,867 --> 00:03:20,633 THIS IS $3,000, THIS IS WHAT THIS IS. 101 00:03:20,633 --> 00:03:23,233 THIS IS--THIS IS NOT $9,000 LESS THAN THAT OTHER ONE. 102 00:03:23,233 --> 00:03:24,800 AS FAR AS VISUALS, IT'S AS NICE. 103 00:03:24,800 --> 00:03:27,433 SO I LIKE THIS. A LOT. 104 00:03:27,433 --> 00:03:29,266 - WAS IT FLASHY IN PERSON? 105 00:03:29,266 --> 00:03:30,500 - IT WAS EXACTLY--HERE'S PERSON. THAT'S IT. 106 00:03:30,500 --> 00:03:31,667 THAT'S WHAT IT LOOKS-- - I LOVE IT. 107 00:03:31,667 --> 00:03:34,066 - JULIE AND JACKIE, COME HERE FOR A SEC. 108 00:03:34,066 --> 00:03:35,300 WHAT DO YOU THINK ABOUT THIS? 109 00:03:35,300 --> 00:03:37,400 DOING ONE NORMAL COUCH, 110 00:03:37,400 --> 00:03:38,800 AND ONE BENCH. 111 00:03:38,800 --> 00:03:40,600 I THINK IT'S NICE TO HAVE TWO DIFFERENT THINGS. 112 00:03:40,600 --> 00:03:41,767 - I KIND OF LIKE THAT, 'CAUSE THEN IF YOU DO ENTERTAIN, 113 00:03:41,767 --> 00:03:43,667 PEOPLE CAN SIT ON BOTH SIDES, AND, LIKE, TALK. 114 00:03:43,667 --> 00:03:44,767 - OH, THAT'S A GOOD POINT. 115 00:03:44,767 --> 00:03:46,400 - DONE. THANK YOU, JULIE. YOU'RE EXCUSED. 116 00:03:46,400 --> 00:03:48,100 PERFECT, WE'RE GETTING THAT. - [laughing] 117 00:03:48,100 --> 00:03:49,700 - JULIE, DO YOU WANT A JOB? 118 00:03:49,700 --> 00:03:52,433 - JULIE'S LEAVING US. 119 00:03:52,433 --> 00:03:54,734 SHE'S MOVING HOME WITH HER BOYFRIEND. 120 00:03:54,734 --> 00:03:56,667 - WHEN IS THAT HAPPENING? 121 00:03:56,667 --> 00:03:57,667 - RIGHT NOW. 122 00:03:57,667 --> 00:04:00,100 - MY GOD. 123 00:04:00,100 --> 00:04:01,800 I'LL HAVE MY DOCTOR CALL IN A PRESCRIPTION RIGHT NOW 124 00:04:01,800 --> 00:04:03,266 FOR MY ULCER. 125 00:04:03,266 --> 00:04:06,100 IT'S NOW GROWING AS WE SPEAK AT THIS TABLE. 126 00:04:06,100 --> 00:04:08,533 - BROOKE IS DRAMATIC. 127 00:04:08,533 --> 00:04:09,967 SHE'S HAVING ANXIETY ABOUT JULIE LEAVING, 128 00:04:09,967 --> 00:04:11,934 BECAUSE SHE FEELS LIKE THAT'S HER POINT PERSON. 129 00:04:11,934 --> 00:04:14,767 NOW SHE'S GOING TO HAVE TO DEAL WITH ME DIRECTLY, 130 00:04:14,767 --> 00:04:16,567 WHICH IS A WHOLE DIFFERENT MEGILLAH. 131 00:04:16,567 --> 00:04:18,633 - I MEAN, I THINK I NEED TO HAVE ANOTHER MEETING, 132 00:04:18,633 --> 00:04:20,834 AND THAT'S, LIKE, ALREADY CAUSING ME, LIKE-- 133 00:04:20,834 --> 00:04:22,266 - MASSIVE ANXIETY? - AGITA. 134 00:04:22,266 --> 00:04:23,533 - I KNOW. 135 00:04:23,533 --> 00:04:24,967 - LIKE, IF I THOUGHT I HAD AN ULCER LAST WEEK, 136 00:04:24,967 --> 00:04:27,266 I THINK I DEFINITELY AM GOING TO GET ONE NEXT WEEK. 137 00:04:29,667 --> 00:04:33,000 - LET'S GET SOME SEDATIVES FOR BROOKE, ANYBODY? 138 00:04:34,667 --> 00:04:37,767 [upbeat music] 139 00:04:37,767 --> 00:04:43,633 ♪♪ ♪♪ 140 00:04:45,533 --> 00:04:47,500 - HEY. - HI, HOW ARE YOU? 141 00:04:47,500 --> 00:04:48,767 - HI. - GOOD TO SEE YOU. 142 00:04:48,767 --> 00:04:49,834 - HOW ARE YOU? - OH, YOU LOOK NICE. 143 00:04:49,834 --> 00:04:50,700 - THANK YOU. - I ORDERED YOU ONE. 144 00:04:50,700 --> 00:04:51,667 - HOW ARE YOU? 145 00:04:51,667 --> 00:04:52,667 - GOOD. I'M REALLY GOOD. 146 00:04:52,667 --> 00:04:54,266 - HI. - HI. 147 00:04:54,266 --> 00:04:55,867 - SO I'M HERE AT THE JIM BEAM MEETING, AND WE'RE DISCUSSING 148 00:04:55,867 --> 00:04:59,667 SKINNYGIRL COCKTAILS AND WHERE IT'S GOING. 149 00:04:59,667 --> 00:05:03,133 EVEN THOUGH JULIE'S LEAVING, I STILL INCLUDE HER IN MEETINGS, 150 00:05:03,133 --> 00:05:05,700 BECAUSE THEY'RE INVALUABLE OPPORTUNITIES TO LEARN 151 00:05:05,700 --> 00:05:08,700 INFORMATION WHEREVER SHE'S GOING IN THE FUTURE, 152 00:05:08,700 --> 00:05:12,233 AND I ALSO WANT THE WHOLE TEAM TO BE THERE 153 00:05:12,233 --> 00:05:14,800 BECAUSE EVERYONE NEEDS TO LEARN AS MUCH AS POSSIBLE. 154 00:05:14,800 --> 00:05:17,867 - SO, AS YOU KNOW, SKINNYGIRL IS THE MARKET LEADER, 155 00:05:17,867 --> 00:05:19,734 AND WE'RE THE FASTEST-GROWING READY-TO-DRINK ON THE MARKET. 156 00:05:19,734 --> 00:05:22,300 BUT WHAT THAT MEANS IS THAT THERE'S A WHOLE HOST 157 00:05:22,300 --> 00:05:24,767 OF CHEATER BRANDS THAT ARE TRYING TO NIP AT OUR HEELS 158 00:05:24,767 --> 00:05:26,300 AND REALLY GET A PIECE OF THE PIE. 159 00:05:26,300 --> 00:05:27,467 - THAT'S WHAT WE CALL THEM, "CHEATER BRANDS"? 160 00:05:27,467 --> 00:05:28,867 - CHEATER BRANDS. - I LOVE IT, YEAH. 161 00:05:28,867 --> 00:05:30,367 [all laughing] 162 00:05:30,367 --> 00:05:31,600 WE'VE GOT TO BE WAY AHEAD OF EVERYBODY, 163 00:05:31,600 --> 00:05:33,633 THAT'S THE ONLY BIG GOAL. 164 00:05:33,633 --> 00:05:35,500 - AND MOVING INTO MARKETING ACTIVATION. 165 00:05:35,500 --> 00:05:36,900 SO WE JUST WANTED TO SHOW YOU HOW WE'VE TAKEN 166 00:05:36,900 --> 00:05:38,900 KIND OF THE LOOK AND FEEL OF THE BRAND, YOU KNOW, THE MARGARITA, 167 00:05:38,900 --> 00:05:40,900 AND KIND OF TRANSITIONED IT OVER TO COCKTAILS. 168 00:05:40,900 --> 00:05:42,400 - I CANNOT BELIEVE WE'RE STILL USING THIS PICTURE. 169 00:05:42,400 --> 00:05:44,000 THAT DRESS WAS $27. 170 00:05:44,000 --> 00:05:46,200 NO, I LOVE IT. THE DRESS WAS $27-- 171 00:05:46,200 --> 00:05:48,633 - YOU SHOULD AUCTION IT. DO YOU HAVE IT? 172 00:05:48,633 --> 00:05:51,367 - WE KEPT IT. IT WILL GO IN, LIKE, YOU KNOW, 173 00:05:51,367 --> 00:05:52,834 THE SMITHSONIAN ALCOHOL DEPARTMENT. 174 00:05:52,834 --> 00:05:54,934 [laughter] I WAS SHOOTING THE COVER 175 00:05:54,934 --> 00:05:57,500 OF MY BOOK, AND WE WERE LIKE, "JUST DO ONE MORE." 176 00:05:57,500 --> 00:05:59,266 - I'M LIKE, YEAH, IT'S EVERYWHERE, SO... 177 00:05:59,266 --> 00:06:00,333 - I KNOW, NO, IT'S A FUNNY STORY. 178 00:06:00,333 --> 00:06:02,367 JUST I WANT TO ASK ONE QUESTION. 179 00:06:02,367 --> 00:06:03,734 THE NEW BOTTLE THAT YOU SENT THE OTHER DAY, 180 00:06:03,734 --> 00:06:04,934 IS THAT FINAL, OR NO, WE CAN STILL CHANGE IT? 181 00:06:04,934 --> 00:06:06,100 - THAT'S IN THE MARKET. 182 00:06:06,100 --> 00:06:07,533 SO THAT WAS OUR QUICK CHANGE ON IT. 183 00:06:07,533 --> 00:06:09,600 THE MORE WE FROST IT, THE WORSE IT GETS, AND IT MAKES THE... 184 00:06:09,600 --> 00:06:10,867 - CAN WE FROST IT IN A COLOR? 185 00:06:10,867 --> 00:06:13,166 - THE PROBLEM IS IS THE LIQUID'S SO DARK-- 186 00:06:13,166 --> 00:06:14,567 - IT LOOKS LIKE PEE-PEE A LITTLE BIT. 187 00:06:14,567 --> 00:06:16,467 - I KNOW, SO IT WAS LIKE, GET OUT OF THE GREEN BOTTLE, 188 00:06:16,467 --> 00:06:18,066 SO IT DOESN'T LOOK LIKE GASOLINE AND PEE. 189 00:06:18,066 --> 00:06:19,533 YOU KNOW, AND SO IT'S LIKE, GET INTO THE WHITER BOTTLE, 190 00:06:19,533 --> 00:06:21,834 WHICH GIVES IT THAT GOLDEN GLOW TO IT, SO-- 191 00:06:21,834 --> 00:06:23,800 - GOLDEN GLOW, GREAT. - THANK YOU, GOLDEN GLOW. 192 00:06:23,800 --> 00:06:25,467 - GOLDEN GLOW IS NOT HOW WE'RE GONNA MARKET IT, 193 00:06:25,467 --> 00:06:26,834 'CAUSE THEN WE'RE BACK TO PEE-PEE. 194 00:06:26,834 --> 00:06:29,000 I DON'T FEEL PRESSURE ABOUT THE MILLIONS OF DOLLARS 195 00:06:29,000 --> 00:06:31,767 THAT JIM BEAM HAS INVESTED IN THIS COMPANY. 196 00:06:31,767 --> 00:06:33,867 I WORRY THAT THEY NEED TO MAINTAIN THE INTEGRITY 197 00:06:33,867 --> 00:06:37,734 OF MY BRAND BECAUSE IT FAR EXCEEDS ALCOHOL. 198 00:06:37,734 --> 00:06:38,900 - SO DO YOU WANT TO DO THE TASTING 199 00:06:38,900 --> 00:06:40,166 WHILE WE TALK ABOUT THE BOTTLE TOPS? 200 00:06:40,166 --> 00:06:42,033 - YES, TASTING AND BOTTLE TOPS. - OKAY, LET'S DO IT. 201 00:06:42,033 --> 00:06:43,100 - I'VE SENT THEM LISTS 202 00:06:43,100 --> 00:06:44,633 OF FLAVORS THAT I WOULD LIKE TO TRY. 203 00:06:44,633 --> 00:06:47,667 SO THEY HAVE TO GO BACK AND FORMULATE, 204 00:06:47,667 --> 00:06:50,467 AND MAKE SURE THAT THEY CAN MAKE THOSE VISIONS A REALITY, 205 00:06:50,467 --> 00:06:51,767 AND THAT THEY'LL ACTUALLY TASTE GOOD. 206 00:06:51,767 --> 00:06:53,266 AND SOME WORK OUT BETTER THAN OTHERS. 207 00:06:53,266 --> 00:06:55,200 NOT ALL FLAVORS ARE EASY TO CREATE, 208 00:06:55,200 --> 00:06:58,033 AND IT'S A LONG AND ARDUOUS PROCESS. 209 00:06:58,033 --> 00:07:01,266 - SO WHAT WE HAVE HERE, WE HAVE A LINEUP OF COSMOS. 210 00:07:01,266 --> 00:07:03,834 THE NEXT LINEUP, SOME IDEAS OF WHERE WE CAN TAKE THE MARGARITA. 211 00:07:03,834 --> 00:07:07,400 - MM-HMM. - THIS IS SO COOL. 212 00:07:07,400 --> 00:07:09,700 - AND THEN OUR THIRD ONE IS PLAYING IN THAT ISLAND CATEGORY, 213 00:07:09,700 --> 00:07:11,567 WHAT DOES SKINNYGIRL LOOK LIKE WITH RUM? 214 00:07:11,567 --> 00:07:13,266 IF YOU START ON YOUR TOP LEFT... - OKAY. 215 00:07:13,266 --> 00:07:18,066 - WE HAVE TWO DIFFERENT VERSIONS OF A WHITE CRANBERRY. 216 00:07:18,066 --> 00:07:19,433 - I THINK I LIKE THE FIRST ONE THE BEST. 217 00:07:19,433 --> 00:07:20,967 - YEAH. ABSOLUTELY. 218 00:07:20,967 --> 00:07:23,266 - THE SECOND ONE TA-- ASPIRINY. 219 00:07:23,266 --> 00:07:24,500 ALL RIGHT. 220 00:07:24,500 --> 00:07:26,000 - SO WE HAVE A PINK LEMONADE COSMO, 221 00:07:26,000 --> 00:07:28,066 AND THEN THE LAST ONE HERE, ON YOUR TOP RIGHT, 222 00:07:28,066 --> 00:07:29,567 IS A RASPBERRY LIME. 223 00:07:29,567 --> 00:07:30,667 - I DO NOT REALLY LIKE IT. 224 00:07:30,667 --> 00:07:31,967 - NOT A FAN? - NOT THE FIRST ONE. 225 00:07:31,967 --> 00:07:33,033 - [laughing] OKAY. 226 00:07:33,033 --> 00:07:36,433 SO NOW THE BLOOD ORANGE MARGARITA? 227 00:07:36,433 --> 00:07:38,467 - NO, THERE'S SOMETHING FUNKY IN IT. 228 00:07:38,467 --> 00:07:40,600 NO. - ALL RIGHT. 229 00:07:40,600 --> 00:07:41,867 - NOW WE'RE IN MY FAVORITE NEXT CATEGORY, 230 00:07:41,867 --> 00:07:42,967 THE RUM CATEGORY. 231 00:07:42,967 --> 00:07:44,200 - WELL, YOU KNOW WHAT, YOU'RE IN STORE, 232 00:07:44,200 --> 00:07:46,800 'CAUSE I HAVE A PINA COLADA RIGHT HERE. 233 00:07:46,800 --> 00:07:48,533 - I'M IN MEXICO ALREADY. 234 00:07:48,533 --> 00:07:50,967 IT IS VERY--IT'S REALLY GREAT. 235 00:07:50,967 --> 00:07:54,000 - THE PURPOSE OF THE MEETING IS TO DETERMINE NEW FLAVORS 236 00:07:54,000 --> 00:07:56,467 AND WHETHER I WANT TO GET BEHIND THAT AND PROMOTE IT. 237 00:07:56,467 --> 00:07:57,567 ALL RIGHT, SO THE THING IS 238 00:07:57,567 --> 00:07:58,700 THAT WE NEED TO LAUNCH A COSMO. 239 00:07:58,700 --> 00:08:00,200 WE NEED TO HAVE A VODKA DRINK RIGHT AWAY, 240 00:08:00,200 --> 00:08:01,934 BECAUSE EVERYBODY'S ON OUR HEELS, 241 00:08:01,934 --> 00:08:03,800 AND WE NEED TO BE WAY AHEAD OF IT. 242 00:08:03,800 --> 00:08:06,333 SO WE NEED TO LAUNCH THIS. 243 00:08:06,333 --> 00:08:08,200 THIS IS--THIS IS GREAT. 244 00:08:08,200 --> 00:08:09,700 THIS IS EXACTLY WHAT IT'S SUPPOSED TO BE. 245 00:08:09,700 --> 00:08:11,066 AND I THINK IT SHOULD BE CALLED THE WHITE CRANBERRY COSMO. 246 00:08:11,066 --> 00:08:12,233 - YEAH, ABSOLUTELY. 247 00:08:12,233 --> 00:08:14,300 - SO WHERE IS THE LAUNCH PARTY GONNA BE, 248 00:08:14,300 --> 00:08:15,700 WHEN'S IT HAPPENING? 249 00:08:15,700 --> 00:08:18,367 - WE'RE LOOKING AT ALL THE, LIKE, YOU KNOW, DIFFERENT 250 00:08:18,367 --> 00:08:20,333 SKI TYPE OF RESORTS WHERE WE COULD HAVE 251 00:08:20,333 --> 00:08:21,734 KIND OF A HOLIDAY-- - WE COULD DO ASPEN. 252 00:08:21,734 --> 00:08:23,667 - WE COULD DO THAT. THAT'S ONE IN THE MIX. 253 00:08:23,667 --> 00:08:25,367 WE'RE LOOKING, LIKE, DENVER OR ASPEN, LIKE, 254 00:08:25,367 --> 00:08:27,333 THERE'S A BUNCH OF DIFFERENT-- - NO DENVER. ASPEN. 255 00:08:27,333 --> 00:08:28,533 - OKAY, ALL RIGHT, WE'LL WORK-- 256 00:08:28,533 --> 00:08:29,867 - IT'S MORE LIKE WHITE SNOW BUNNY, 257 00:08:29,867 --> 00:08:31,567 WHITE CRANBERRY--WHAT? 258 00:08:31,567 --> 00:08:32,900 - I'VE NEVER BEEN TO THERE. 259 00:08:32,900 --> 00:08:34,734 - I HAVEN'T EITHER, BUT WE CAN-- YEAH, WELL, I MEAN-- 260 00:08:34,734 --> 00:08:35,734 - YOU'VE NEVER BEEN TO ASPEN? - I HAVE. 261 00:08:35,734 --> 00:08:36,867 - HAVE YOU? 262 00:08:36,867 --> 00:08:38,934 WHO'S BEEN TO ASPEN? RAISE YOUR HAND. 263 00:08:38,934 --> 00:08:40,367 WHAT DO YOU THINK? 264 00:08:40,367 --> 00:08:42,633 - IT'S A FABULOUS PLACE. I WOULD DEFINITELY DO IT THERE. 265 00:08:42,633 --> 00:08:43,934 - OKAY, WELL, DONE. WE DON'T-- 266 00:08:43,934 --> 00:08:45,700 LET'S DO ASPEN. WE HAVE TO DO ASPEN. 267 00:08:45,700 --> 00:08:47,266 - OKAY, SO WE'LL JUST-- - AND I LIKE TO SNOWBOARD. 268 00:08:47,266 --> 00:08:48,567 WE CAN HAVE A SKINNYGIRL SNOWBOARD 269 00:08:48,567 --> 00:08:49,734 AND SKINNYGIRL OUTFITS. 270 00:08:49,734 --> 00:08:51,266 - YOU SNOWBOARD? - YES, FOR YEARS. 271 00:08:51,266 --> 00:08:52,734 - OH, OKAY, GOOD. 272 00:08:52,734 --> 00:08:54,400 - YOU HAVEN'T SNOWBOARDED SINCE I STARTED WORKING FOR YOU. 273 00:08:54,400 --> 00:08:55,467 - I KNOW, BECAUSE I HAVEN'T... 274 00:08:55,467 --> 00:08:56,767 I HAVEN'T, LIKE... I HAVEN'T LIVED. 275 00:08:56,767 --> 00:08:57,767 I HAVEN'T DONE ANYTHING 276 00:08:57,767 --> 00:08:59,467 SINCE YOU STARTED WORKING FOR ME. 277 00:08:59,467 --> 00:09:00,767 I HAVEN'T, I DON'T DO ANYTHING. - THAT'S TRUE. 278 00:09:00,767 --> 00:09:01,967 - ALL RIGHT, SO MOVING ALONG. - OKAY. 279 00:09:01,967 --> 00:09:03,867 - SO WHEN CAN WE LAUNCH THIS? 280 00:09:03,867 --> 00:09:06,233 - SO THE IDEA FOR ALL OF THESE WAS TO LAUNCH, LIKE, 281 00:09:06,233 --> 00:09:07,266 APRIL NEXT YEAR. 282 00:09:07,266 --> 00:09:08,667 - APRIL NEXT YEAR, 0-12? 283 00:09:08,667 --> 00:09:10,467 BUT WE NEED SOMETHING NOW. IT'S BEEN TOO MUCH TIME. 284 00:09:10,467 --> 00:09:12,367 - WELL, IF WE CAN GET APPROVALS ON IT, 285 00:09:12,367 --> 00:09:13,967 WE CAN POTENTIALLY DO IT FOR HOLIDAY. 286 00:09:13,967 --> 00:09:16,266 IT'S JUST, WE'D HAVE TO PULL OFF MIRACLES TO GET IT DONE. 287 00:09:16,266 --> 00:09:17,900 - AND WE GET LITTLE CRANBERRIES ON THE TOP. 288 00:09:17,900 --> 00:09:20,266 - YEAH, THERE YOU GO. SAY--SO, YEAH, I MEAN, 289 00:09:20,266 --> 00:09:21,734 WE'LL WORK THROUGH IT. I JUST CAN'T GUARANTEE IT, SO-- 290 00:09:21,734 --> 00:09:22,900 - WE CAN DO IT. WE CAN DO IT. 291 00:09:22,900 --> 00:09:24,400 - I THINK WE CAN PULL IT OFF. 292 00:09:24,400 --> 00:09:25,934 - ALL RIGHT, SO WE'RE LAUNCHING THIS IN--FOR HOLIDAY. 293 00:09:25,934 --> 00:09:27,000 - OKAY. 294 00:09:27,000 --> 00:09:29,767 - HOW DO YOU LIKE YOUR NEW JOB, MAGGIE? 295 00:09:29,767 --> 00:09:31,000 COMING UP... 296 00:09:31,000 --> 00:09:33,367 - ARE WE PLANNING ON THAT ENTIRE WALL BEING A MOSAIC? 297 00:09:33,367 --> 00:09:35,934 - NO, I THINK JUST THE FLOOR SHOULD BE THE MOSAIC. 298 00:09:35,934 --> 00:09:37,433 - ...IN THE SHOWER. - TELL HER ASS. 299 00:09:37,433 --> 00:09:39,800 - WALLS AND FLOORS? - WHAT IF I DISAGREE WITH HER? 300 00:09:39,800 --> 00:09:41,734 - DISAGREE WITH HER! 301 00:09:46,900 --> 00:09:50,800 [upbeat music] 302 00:09:50,800 --> 00:09:53,900 [horns honking] 303 00:09:57,834 --> 00:09:59,900 - HI. - HI, BETHENNY, HOW ARE YOU? 304 00:09:59,900 --> 00:10:01,367 - HI, I'M BETHENNY. 305 00:10:01,367 --> 00:10:02,834 - JOHN, FROM ABC STONE, TORONTO. 306 00:10:02,834 --> 00:10:03,967 - NICE TO MEET YOU. YOU'RE THE STONE GUY? 307 00:10:03,967 --> 00:10:05,000 - YES, I AM. 308 00:10:05,000 --> 00:10:06,600 - ALL RIGHT, SO WHAT SHOULD WE DO? 309 00:10:06,600 --> 00:10:08,967 - WE'RE LOOKING AT SLABS AND STONE TODAY. 310 00:10:08,967 --> 00:10:10,300 - RIGHT, RIGHT, THIS IS FOR, LIKE, THE COUNTER-- 311 00:10:10,300 --> 00:10:11,400 - THIS IS FOR THE COUNTER TOPS, 312 00:10:11,400 --> 00:10:12,400 THIS IS FOR WHAT'S IN THE SHOWER. 313 00:10:12,400 --> 00:10:14,967 - WE ARE BUYING SLABS OF MARBLE 314 00:10:14,967 --> 00:10:17,734 FOR A PLACE THAT SEEMS LIKE WE'LL NEVER MOVE INTO. 315 00:10:17,734 --> 00:10:18,900 I THOUGHT WE WENT TO WATERWORKS 316 00:10:18,900 --> 00:10:21,033 AND WE WERE KIND OF DONE, CHECK IT OFF. 317 00:10:21,033 --> 00:10:22,867 I WOULDN'T BE OPPOSED TO SOMETHING LIKE THIS. 318 00:10:22,867 --> 00:10:24,300 THIS IS TOO FANCY FOR ME. 319 00:10:24,300 --> 00:10:25,467 THIS MAKES ME FEEL LIKE I'M PICKING OUT FLATWARE, 320 00:10:25,467 --> 00:10:26,433 FOR SOME REASON. 321 00:10:26,433 --> 00:10:27,500 I WANT TO BE THIS PERSON. 322 00:10:27,500 --> 00:10:28,533 - OH, YOU WANT TO BE THAT PERSON. 323 00:10:28,533 --> 00:10:29,734 - I DON'T WANT TO BE THAT PERSON. 324 00:10:29,734 --> 00:10:31,800 IT FEELS LIKE I'M GOING THROUGH THE MOTIONS, 325 00:10:31,800 --> 00:10:34,633 BUT THERE REALLY IS NO APARTMENT. 326 00:10:34,633 --> 00:10:36,367 - YEAH, THAT'S BEAUTIFUL. 327 00:10:36,367 --> 00:10:37,467 - I LOVE THAT. 328 00:10:37,467 --> 00:10:39,533 - ALL OF THIS CAME FROM THE SAME CUT? 329 00:10:39,533 --> 00:10:40,700 - NO, TWO DIFFERENT CUTS. 330 00:10:40,700 --> 00:10:42,433 SAME AREA OF THE WORLD, TWO DIFFERENT CUTS. 331 00:10:42,433 --> 00:10:43,633 - YEAH, IT HAS TO MATCH. 332 00:10:43,633 --> 00:10:45,433 BECAUSE THE STUFF WE PICKED UP FOR THE TILE 333 00:10:45,433 --> 00:10:46,500 IS ALSO GONNA BE ON THE FACE OF THE TUB. 334 00:10:46,500 --> 00:10:47,800 - THAT'S CORRECT. 335 00:10:47,800 --> 00:10:49,667 - SO THEN THE SLAB IS GONNA BE ON THE BACK OF THE TUB, 336 00:10:49,667 --> 00:10:50,800 ON THE WALL. - RIGHT. 337 00:10:50,800 --> 00:10:52,400 - AND THEN-- - WELL, YOU JUST SAID SOMETHING. 338 00:10:52,400 --> 00:10:55,133 SO YOU'RE SAYING TO ME NOW THAT THE GOMEZ TWINS ARE PUTTING-- 339 00:10:55,133 --> 00:10:56,233 - WE'VE GOTTA CALL THE GOMEZ TWINS. 340 00:10:56,233 --> 00:10:57,433 THERE'S JUST NO WAY TO DEAL WITH THIS. 341 00:10:57,433 --> 00:10:58,433 - SLABS ON THE WALL OF THE SHOWER? 342 00:10:58,433 --> 00:10:59,934 - WHY AREN'T THEY HERE? 343 00:10:59,934 --> 00:11:00,934 - I DON'T KNOW. I DON'T KNOW WHY THEY'RE NOT HERE. 344 00:11:00,934 --> 00:11:02,300 LET ME JUST CALL THEM. 345 00:11:02,300 --> 00:11:04,667 LIKE, I THOUGHT WE DECIDED EVERYTHING YESTERDAY WITH THEM, 346 00:11:04,667 --> 00:11:06,300 AND, LIKE, NOW IS ANOTHER CONVERSATION. 347 00:11:06,300 --> 00:11:08,567 HEY, YOU GOTTA GET BROOKE GOMEZ TO CALL ME TODAY. 348 00:11:08,567 --> 00:11:10,400 BECAUSE WHAT WE DECIDED AT WATERWORKS AFFECTS 349 00:11:10,400 --> 00:11:13,667 WHAT WE'RE DOING TODAY, AND THIS IS LIKE... 350 00:11:13,667 --> 00:11:14,700 A CIRCLE JERK. 351 00:11:14,700 --> 00:11:16,533 BYE. OKAY, SHE'LL CALL US. 352 00:11:16,533 --> 00:11:18,033 ALL RIGHT. 353 00:11:18,033 --> 00:11:19,834 - ONCE YOU'VE PICKED THIS OUT, IT GOES TO PRO DESIGN, 354 00:11:19,834 --> 00:11:22,467 AND THEN DAVID, IN HIS FACTORY, IS GOING TO ACTUALLY-- 355 00:11:22,467 --> 00:11:24,066 - WAIT, I DON'T--I KNOW-- YOU WORK HERE? 356 00:11:24,066 --> 00:11:25,266 - NO, THAT'S DAVID, YOUR TILE MAN. 357 00:11:25,266 --> 00:11:26,867 HE'S THE GUY DOING ALL YOUR TILE WORK. 358 00:11:26,867 --> 00:11:27,934 - HE'S BEEN ON SITE WITH US, DON'T YOU RECOGNIZE DAVID? 359 00:11:27,934 --> 00:11:29,066 - YEAH, NO, I DO. I WAS LIKE, "WHAT--" 360 00:11:29,066 --> 00:11:30,333 HE NEEDS TO GET INVOLVED IN THE CONVERSATION. 361 00:11:30,333 --> 00:11:31,734 HOW ARE YOU? GOOD TO SEE YOU AGAIN. 362 00:11:31,734 --> 00:11:34,033 - THIS IS THE MAN WHO'S ACTUALLY PHYSICALLY DOING THE LABOR. 363 00:11:34,033 --> 00:11:35,767 - YOU'RE PUTTING IT IN. DO YOU LIKE THAT? 364 00:11:35,767 --> 00:11:37,066 - HE'S GONNA TAKE THIS STONE AND CUT THIS FOR YOU. 365 00:11:37,066 --> 00:11:38,200 HE'S GOT A MILLION-DOLLAR SAW-- 366 00:11:38,200 --> 00:11:39,467 - I THINK I DO... 367 00:11:39,467 --> 00:11:41,433 - NOBODY'S LISTENING TO ME. 368 00:11:41,433 --> 00:11:43,367 - HE'S GOT A MILLION-DOLLAR SAW. - NOBODY'S LISTENING TO ME. 369 00:11:43,367 --> 00:11:45,000 - AND HE'S GOT 'EM-- AND YOU HATE THAT. 370 00:11:45,000 --> 00:11:46,467 - HE'S GOT A MILLION DOLLAR SAW, AND HE'S GONNA LASER CUT THIS 371 00:11:46,467 --> 00:11:48,266 IN HIS FACTORY FOR YOU, AND YOU'RE GONNA GO THERE 372 00:11:48,266 --> 00:11:49,834 AND ACTUALLY TELL HIM, "I HATE THIS PART." 373 00:11:49,834 --> 00:11:51,533 - AND HE HAS TO KNOW WHAT WE PICKED AT WATERWORKS TOO, 374 00:11:51,533 --> 00:11:53,300 THE TILES AND STUFF? - HE'S GOT TO KNOW EVERYTHING. 375 00:11:53,300 --> 00:11:54,734 - YEAH, I NEED TO KNOW EVERYTHING. 376 00:11:54,734 --> 00:11:57,300 - HE IS THE MAN-- - ♪ NOBODY'S WORKING TOGETHER ♪ 377 00:11:57,300 --> 00:12:00,467 YOU NEED TO TALK TO THE PEOPLE--THE GOMEZ TWINS. 378 00:12:00,467 --> 00:12:03,567 IT NEVER CEASES TO AMAZE ME HOW PEOPLE CAN'T COMMUNICATE. 379 00:12:03,567 --> 00:12:05,333 IT'S HOW YOU BUILD A BUSINESS, 380 00:12:05,333 --> 00:12:06,567 IT'S HOW YOU OPERATE IN BUSINESS. 381 00:12:06,567 --> 00:12:08,767 YOU JUST CONNECT. 382 00:12:08,767 --> 00:12:10,266 WE NEED TO HAVE A HUB AND A CENTER, 383 00:12:10,266 --> 00:12:12,300 AND I THINK I'M THAT CENTER NOW. 384 00:12:12,300 --> 00:12:13,500 HOLD ON, THIS COULD BE THEM. 385 00:12:13,500 --> 00:12:15,667 HELLO? - HI, BETHENNY, IT'S BROOKE. 386 00:12:15,667 --> 00:12:16,800 - OH, BROOKE, HOLD ON! 387 00:12:16,800 --> 00:12:18,800 BROOKE'S HERE. BROOKE? OKAY. 388 00:12:18,800 --> 00:12:21,300 SO WE'RE PICKING OUT SLABS FOR THE THREE VANITIES 389 00:12:21,300 --> 00:12:22,834 IN THE BATHROOM, CORRECT? 390 00:12:22,834 --> 00:12:26,467 - WELL, YOU WANT TO REALLY MATCH THE FLOOR, SO-- 391 00:12:26,467 --> 00:12:27,700 - WELL, THEN, HOW COULD YOU THINK THAT THESE GUYS 392 00:12:27,700 --> 00:12:29,200 WERE GOING TO KNOW WHAT THE FLOOR WAS 393 00:12:29,200 --> 00:12:31,333 IF YOU DIDN'T TELL THEM WHAT WE ALREADY PICKED OUT? 394 00:12:31,333 --> 00:12:33,300 LIKE, I COME IN HERE, AND THEY'RE LIKE, 395 00:12:33,300 --> 00:12:34,800 "WHAT DO YOU MEAN YOU ALREADY PICKED OUT FLOOR?" 396 00:12:34,800 --> 00:12:37,000 WE'RE COMING IN HERE WASTING PEOPLE'S TIME. 397 00:12:37,000 --> 00:12:38,934 SO-- - I KNOW. WE ISSUED THE-- 398 00:12:38,934 --> 00:12:40,767 WE JUST APPROVED EVERYTHING LAST NIGHT. 399 00:12:40,767 --> 00:12:42,166 - HERE'S THE OTHER THING, 400 00:12:42,166 --> 00:12:44,400 ARE WE DOING THE MOSAIC IN THE WALL OF THE MASTER SHOWER? 401 00:12:44,400 --> 00:12:46,166 - NO, WE'RE DOING A SLAB. 402 00:12:46,166 --> 00:12:48,266 - THEY SAY WHAT SHE-- WE'RE DOING ALL SLAB 403 00:12:48,266 --> 00:12:49,266 IN THE MASTER BATH, SO HAVE YOUR ARGUMENT 404 00:12:49,266 --> 00:12:50,600 ABOUT THE MOSAIC. 405 00:12:50,600 --> 00:12:53,433 - OKAY, IN THE MASTER SHOWER, ARE WE PLANNING ON 406 00:12:53,433 --> 00:12:55,400 THAT ENTIRE WALL BEING A MOSAIC? 407 00:12:55,400 --> 00:12:57,600 - NO, I THINK THAT THE FLOOR SHOULD BE THE MOSAIC. 408 00:12:57,600 --> 00:13:00,133 - SO THE FLOOR IS NOT GOING TO BE A CANTED SLAB? 409 00:13:00,133 --> 00:13:01,400 - NO. 410 00:13:01,400 --> 00:13:03,300 - I NEED TO KNOW WHAT SLAB ON THE WALLS. 411 00:13:03,300 --> 00:13:04,467 - IF YOU DISAGREE, SPEAK YOUR PIECE, GET IT OUT, 412 00:13:04,467 --> 00:13:05,900 I DON'T WANT TO HEAR IT LATER. 413 00:13:05,900 --> 00:13:07,367 - BROOKE, BROOKE, IT'S STEVEN. JUST TELL ME SOMETHING. 414 00:13:07,367 --> 00:13:08,633 ALL I NEED TO KNOW IS... - SAY IT TO HER. 415 00:13:08,633 --> 00:13:09,867 - WHERE AM I PUTTING SLABS? 416 00:13:09,867 --> 00:13:11,166 AM I PUTTING SLABS... - SPEAK YOUR PIECE. 417 00:13:11,166 --> 00:13:12,233 - ON COUNTER TOPS? - YOU'RE LOOKING FOR SLABS 418 00:13:12,233 --> 00:13:13,467 FOR COUNTER TOPS. 419 00:13:13,467 --> 00:13:15,567 - MEN VERSUS THE WOMEN, THIS IS WHAT'S GOING ON. 420 00:13:15,567 --> 00:13:17,934 IT'S THE WOMEN, AND THESE TWO MEN, I TELL YOU RIGHT NOW. 421 00:13:17,934 --> 00:13:21,133 - BUT SHE SAID THAT YOU-- - TELL HER ASS. 422 00:13:21,133 --> 00:13:23,133 TELL HER, DON'T TELL ME. 423 00:13:23,133 --> 00:13:25,333 - WHAT IF I DISAGREE WITH HER? - DISAGREE WITH HER! 424 00:13:25,333 --> 00:13:26,633 LET'S DO IT. 425 00:13:26,633 --> 00:13:29,667 AT HOME AND IN MY OFFICE, I'VE ALWAYS BEEN 426 00:13:29,667 --> 00:13:32,667 IN SOME SORT OF DECISIVE POSITION. 427 00:13:32,667 --> 00:13:34,934 AND YET, AGAIN, IN THE RENOVATION PROCESS, 428 00:13:34,934 --> 00:13:36,633 I FEEL LIKE THERE'S A LOT OF WAFFLING, 429 00:13:36,633 --> 00:13:38,300 AND I HAVE TO REEL EVERYONE IN AND BE LIKE, 430 00:13:38,300 --> 00:13:40,066 "OKAY, THIS IS WHAT WE'RE DOING." 431 00:13:40,066 --> 00:13:42,367 OTHERWISE WE'LL BE HERE ALL DAY, AND WE DON'T HAVE TIME. 432 00:13:42,367 --> 00:13:44,567 - I DON'T HAVE THE PLAN IN FRONT OF ME, MARK, 433 00:13:44,567 --> 00:13:47,567 AND I'M WITH A CLIENT FROM BEL AIR RIGHT NOW, SO I-- 434 00:13:47,567 --> 00:13:48,900 - UH, MAKE AN EXECUTIVE DECISION. 435 00:13:48,900 --> 00:13:50,533 THANK YOU, WE'RE GOOD. - WE'RE GOOD, THANK YOU. 436 00:13:50,533 --> 00:13:52,734 WE'LL PUT SLAB ON THE WALL. - DONE, WE'RE DOING SLAB, OKAY. 437 00:13:52,734 --> 00:13:54,633 - THERE'S GONNA BE A NICHE-- - THE WHOLE SHOWER WILL BE SLAB, 438 00:13:54,633 --> 00:13:55,800 IT'LL BE BEAUTIFUL. 439 00:13:55,800 --> 00:13:58,567 - THIS UNITED NATIONS SUMMIT IS ALL ABOUT 440 00:13:58,567 --> 00:14:00,734 A PIECE OF MARBLE TO BE ON MY VANITY. 441 00:14:00,734 --> 00:14:03,200 WE'VE GOT A LOT OF OTHER [bleep] TO DEAL WITH. 442 00:14:03,200 --> 00:14:04,533 - ALL RIGHT, UNDERSTOOD, WE'VE GOT THAT. 443 00:14:04,533 --> 00:14:05,767 - OKAY. 444 00:14:05,767 --> 00:14:07,767 I'D LIKE--CAN WE PRAY TO THIS STATUE? 445 00:14:07,767 --> 00:14:09,333 I JUST WANT TO SAY ONE PRAYER. 446 00:14:09,333 --> 00:14:13,000 I JUST WANT TO PRAY THAT EVERYBODY GETS ALONG. 447 00:14:13,000 --> 00:14:15,033 THAT WE GET INTO THE APARTMENT, 448 00:14:15,033 --> 00:14:16,767 AND THAT THERE IS SOMEBODY THAT CAN DRIVE 449 00:14:16,767 --> 00:14:19,233 THIS WHOLE PROCESS HOME. 450 00:14:19,233 --> 00:14:22,266 - YOU DON'T PRAY TO OBJECTS ANYMORE, YOU'RE NOT EGYPTIAN. 451 00:14:22,266 --> 00:14:25,834 - I'M PRAYING TO THE SILENT SOUL OF THE RISE OF MARS, ALL RIGHT? 452 00:14:25,834 --> 00:14:27,200 LET ME BE, LET ME BE. 453 00:14:27,200 --> 00:14:28,233 NAMASTE. 454 00:14:28,233 --> 00:14:29,467 GOOD JOB, THANK YOU, EVERYONE. 455 00:14:29,467 --> 00:14:31,266 - THANK YOU. - THANK YOU, LET'S DO IT. 456 00:14:31,266 --> 00:14:32,800 - NAMASTE. - NOW WE'VE JUST GOT TO 457 00:14:32,800 --> 00:14:34,300 MAKE SURE WE FINALIZE DESIGNS. AND, MARK, YOU'RE THE COP. 458 00:14:34,300 --> 00:14:35,633 - NAMASTE. - ALL RIGHT, IS SOMEBODY 459 00:14:35,633 --> 00:14:37,633 GOING TO PUT THIS DOWN ON PAPER? 460 00:14:37,633 --> 00:14:40,600 [light instrumental music] 461 00:14:40,600 --> 00:14:46,600 ♪♪ ♪♪ 462 00:14:48,500 --> 00:14:50,066 - SO WE'LL DROP OFF THIS RING, - OKAY. 463 00:14:50,066 --> 00:14:53,633 AND CHECK OUT SOME GOODIES FOR HER BIRTHDAY. 464 00:14:53,633 --> 00:14:56,567 - OH, MY GOD, I HATE THIS TIME OF YEAR. 465 00:14:56,567 --> 00:14:59,000 ESPECIALLY FROM LAST YEAR. - A LITTLE STRESSED? 466 00:14:59,000 --> 00:15:01,734 - OH, MY GOD, I JUST SO DON'T LOOK FORWARD TO IT. 467 00:15:01,734 --> 00:15:03,033 SO I'LL BE HONEST, 468 00:15:03,033 --> 00:15:06,700 THE BIRTHDAY WAS VERY MUCH A DISASTER LAST YEAR. 469 00:15:06,700 --> 00:15:09,967 SHE DIDN'T WANT US TO MAKE A BIG DEAL ABOUT IT, 470 00:15:09,967 --> 00:15:12,000 BUT I'M YOUR HUSBAND NOW, 471 00:15:12,000 --> 00:15:14,233 SO I'M GOING TO MAKE A BIG DEAL ABOUT YOUR BIRTHDAY. 472 00:15:14,233 --> 00:15:15,633 - [crying] SORRY I'M BEING WEIRD. 473 00:15:15,633 --> 00:15:17,700 I DON'T LIKE MY BIRTHDAY, 474 00:15:17,700 --> 00:15:19,367 AND EVERYBODY'S MADE SUCH A BIG DEAL OF IT. 475 00:15:19,367 --> 00:15:21,934 - OKAY, WE WON'T CELEBRATE YOUR BIRTHDAY ANYMORE, I'M SORRY. 476 00:15:21,934 --> 00:15:23,333 - [crying] 477 00:15:23,333 --> 00:15:25,800 - I'D LIKE TO CHANGE THAT THIS YEAR. 478 00:15:25,800 --> 00:15:27,800 SO WE'RE DECIDING TO GO TO CABO 479 00:15:27,800 --> 00:15:31,633 AND JUST HAVE A NICE RELAXING WEEK THERE 480 00:15:31,633 --> 00:15:32,900 AND KIND OF RECONNECT. 481 00:15:32,900 --> 00:15:36,000 IT'S BEEN A LITTLE BIT OF A ROUGH ROAD FOR US, 482 00:15:36,000 --> 00:15:39,000 AS HUSBAND AND WIFE, AND I THINK 483 00:15:39,000 --> 00:15:41,433 IT'S SOMETHING THAT WE REALLY, REALLY NEED. 484 00:15:41,433 --> 00:15:44,033 THIS TIME AGAIN. ANOTHER YEAR? 485 00:15:44,033 --> 00:15:46,333 - OH, MY GOD. - LAST YEAR WAS A MELTDOWN 486 00:15:46,333 --> 00:15:49,700 FOR 40, FOR, YOU KNOW, A PARTY THAT SHE DIDN'T 487 00:15:49,700 --> 00:15:51,600 NECESSARILY WANT, SO... - YEAH. 488 00:15:51,600 --> 00:15:53,166 - I'M GONNA LISTEN THIS YEAR, 489 00:15:53,166 --> 00:15:54,500 AND, YOU KNOW, HOPEFULLY GET HER SOMETHING NICE 490 00:15:54,500 --> 00:15:55,533 WITH THE HELP OF YOU GUYS. 491 00:15:55,533 --> 00:15:57,200 - YEAH, WE'D LOVE TO HELP YOU. 492 00:15:57,200 --> 00:15:58,700 - WE'LL BE IN MEXICO, SO... 493 00:15:58,700 --> 00:16:00,233 - THAT'S COOL. 494 00:16:00,233 --> 00:16:03,667 - I DID BRING HER RING, 'CAUSE I KNOW SHE WAS TALKING TO YOU 495 00:16:03,667 --> 00:16:05,767 A LITTLE BIT ABOUT A NEW SETTING. 496 00:16:05,767 --> 00:16:06,967 - THERE ARE THINGS THAT WE CAN DO TO BRING OUT 497 00:16:06,967 --> 00:16:08,633 ALL THE BEAUTY OF EACH STONE INDIVIDUALLY. 498 00:16:08,633 --> 00:16:11,333 - SEE, THIS IS KIND OF MY THOUGHT WITH THIS WHOLE THING, 499 00:16:11,333 --> 00:16:12,266 WE'RE NOT EVEN MARRIED TWO YEARS... 500 00:16:12,266 --> 00:16:13,333 - RIGHT. 501 00:16:13,333 --> 00:16:14,633 - AND SHE WANTS TO CHANGE THE SETTING. 502 00:16:14,633 --> 00:16:17,767 MY THING IS, YOU KNOW, I'M KIND OF OLD-FASHIONED. 503 00:16:17,767 --> 00:16:21,133 I WANT HER TO KEEP THE RING THAT I BOUGHT FOR HER, 504 00:16:21,133 --> 00:16:23,266 AND NOW TO CHANGE IT... LESS THAN TWO YEARS? 505 00:16:23,266 --> 00:16:26,467 - I MEAN, AT LEAST SHE'S NOT SAYING THE DIAMOND'S TOO SMALL. 506 00:16:26,467 --> 00:16:28,133 SO THE MOUNTING, YOU KNOW, THE SETTING ITSELF, 507 00:16:28,133 --> 00:16:29,133 IT DOESN'T CHANGE THE MEANING AT ALL. 508 00:16:29,133 --> 00:16:30,266 - YEAH, I LIKE-- 509 00:16:30,266 --> 00:16:32,333 SEE, I LIKE THIS DAGGER, I KIND OF 510 00:16:32,333 --> 00:16:35,133 EQUATE THIS TO HER SHARP TONGUE. [all chuckling] 511 00:16:35,133 --> 00:16:37,600 WHICH SOMETIMES GETS HER IN TROUBLE. 512 00:16:37,600 --> 00:16:39,533 - WE CAN KEEP SOME SHARPNESS TO THE RING. 513 00:16:39,533 --> 00:16:40,734 - WHAT ABOUT THE PRONGS? 514 00:16:40,734 --> 00:16:42,934 ARE THEY ALL GONNA BE DIAMONDED OUT TOO? 515 00:16:42,934 --> 00:16:43,967 - OH, YEAH. I MEAN, IF YOU'RE GONNA DO IT, 516 00:16:43,967 --> 00:16:45,100 YOU DO IT RIGHT. - OF COURSE. 517 00:16:45,100 --> 00:16:47,333 - YOU DO DIAMONDS EVERYWHERE. 518 00:16:47,333 --> 00:16:49,033 I MEAN, THIS RING WILL HAVE PROBABLY 519 00:16:49,033 --> 00:16:51,300 OVER 250 DIAMONDS WHEN YOU'RE DONE. 520 00:16:51,300 --> 00:16:53,033 - AND SOMEONE NEEDS THAT MANY DIAMONDS? 521 00:16:53,033 --> 00:16:54,867 - [laughing] BETHENNY DOES, YEAH. 522 00:16:54,867 --> 00:16:58,233 - 250 DIAMONDS AROUND THIS STONE 523 00:16:58,233 --> 00:17:01,400 THAT WE'VE ONLY HAD FOR TWO YEARS NOW? 524 00:17:01,400 --> 00:17:04,500 I-I-I'M AT A LOSS. 525 00:17:04,500 --> 00:17:06,166 ALL RIGHT, SO LET'S PLACEHOLD THIS. 526 00:17:06,166 --> 00:17:08,000 SHE MENTIONED NECKLACES. 527 00:17:08,000 --> 00:17:10,800 - ONE OF KRISTEN'S FAVORITE PIECES... 528 00:17:10,800 --> 00:17:12,633 - THIS ONE IS...YEAH. - YEAH, THAT'S PRETTY COOL. 529 00:17:12,633 --> 00:17:15,200 - THIS ONE'S GOT THAT POINT FOR THE SHARP TONGUE 530 00:17:15,200 --> 00:17:17,567 LIKE YOU WERE SAYING. [laughter] 531 00:17:17,567 --> 00:17:19,667 - MIGHT BE A LITTLE TOO SHARP. - OR IF SHE GETS MAD, SHE CAN... 532 00:17:19,667 --> 00:17:21,667 - YEAH, SHE'LL JAB ME WITH IT. 533 00:17:21,667 --> 00:17:23,500 - THIS IS PART OF THE NYMPHO COLLECTION, 534 00:17:23,500 --> 00:17:25,367 AND IT'S JUST ULTRA-SEXY, AND LIKE... 535 00:17:25,367 --> 00:17:26,700 - THE NYMPHO COLLECTION? - YEAH. 536 00:17:26,700 --> 00:17:28,767 - BETHENNY'S ALL ABOUT COMMUNICATING, 537 00:17:28,767 --> 00:17:31,900 BUT WE HAVEN'T BEEN COMMUNICATING WELL, 538 00:17:31,900 --> 00:17:34,967 SO THIS COULD BE 539 00:17:34,967 --> 00:17:38,367 A NICE COMMUNICATING STARTER. 540 00:17:38,367 --> 00:17:39,633 - IT'S VERY EYE-CATCHING. IT'S STUNNING. 541 00:17:39,633 --> 00:17:40,967 - YEAH, I LIKE IT. 542 00:17:40,967 --> 00:17:43,800 - ESPECIALLY GOING TO MEXICO, A NICE TAN, YELLOW GOLD, 543 00:17:43,800 --> 00:17:45,400 IT'S GONNA LOOK GREAT. - OH, SHE'S GONNA WEAR IT 544 00:17:45,400 --> 00:17:47,734 BEYOND MEXICO, WE'RE NOT JUST BUYING JEWELRY FOR THE OCCASION. 545 00:17:47,734 --> 00:17:48,734 - TRUE, TRUE. 546 00:17:48,734 --> 00:17:50,633 - SEE, THIS IS THE THING, TOO, IS 547 00:17:50,633 --> 00:17:52,967 SHE'S EXPECTING THIS, AND I GO WITH THAT? 548 00:17:52,967 --> 00:17:56,967 SHE'LL LOVE IT, BUT I THINK THERE'LL BE THAT "BUT." 549 00:17:56,967 --> 00:17:59,066 LAST YEAR WAS A COMPLETE DISAPPOINTMENT, 550 00:17:59,066 --> 00:18:02,567 SO, I DON'T KNOW IF I WANT TO DISAPPOINT HER AGAIN. 551 00:18:02,567 --> 00:18:04,400 - YOU CAN'T--YOU CAN'T GO... - I CAN'T GO WRONG, RIGHT? 552 00:18:04,400 --> 00:18:07,100 - WELL, I WOULD SAY YOU CAN'T GO WRONG, BUT MAYBE YOU CAN. 553 00:18:07,100 --> 00:18:09,300 I DON'T KNOW. - NO, YOU CAN'T GO WRONG. 554 00:18:09,300 --> 00:18:11,500 YOU CAN'T GO WRONG. - OH, YES I CAN. 555 00:18:14,567 --> 00:18:15,567 - COMING UP... 556 00:18:15,567 --> 00:18:16,567 ANY BOYS? 557 00:18:16,567 --> 00:18:18,033 - OH, YES, DARLING. 558 00:18:18,033 --> 00:18:19,533 I'M LOOKING FOR EITHER COMPLEXION FOR THE CONNECTION... 559 00:18:19,533 --> 00:18:20,500 - YOU LIKE THE WHITE DUDE. 560 00:18:20,500 --> 00:18:21,834 - OR A GOOD BLACK DUDE. 561 00:18:21,834 --> 00:18:23,633 - SO YOU'RE LOOKING FOR SOMEONE WHITE OR BLACK. 562 00:18:23,633 --> 00:18:25,834 YOU'RE VERY LIMITED. 563 00:18:30,900 --> 00:18:33,934 [upbeat music] 564 00:18:33,934 --> 00:18:41,934 ♪♪ ♪♪ 565 00:18:41,934 --> 00:18:44,066 - BRYN, TELL ME WHO'S COMING OVER. 566 00:18:44,066 --> 00:18:46,133 [doorbell ringing] 567 00:18:46,133 --> 00:18:47,400 THIS IS CRAZY. 568 00:18:47,400 --> 00:18:49,166 - HELLO. - [laughing] 569 00:18:49,166 --> 00:18:51,300 - WOW, 570 00:18:51,300 --> 00:18:53,567 SEXY LADY! 571 00:18:53,567 --> 00:18:57,033 GINA AND I KEEP IN TOUCH, SPORADICALLY. 572 00:18:57,033 --> 00:19:00,734 SHE'S VERY BUSY WITH HER DEMANDS FOR HER EMPLOYERS 573 00:19:00,734 --> 00:19:02,567 AND TALKING ON THE PHONE AND WAKING UP LATE. 574 00:19:02,567 --> 00:19:05,333 BUT WE DO GET TOGETHER A COUPLE TIMES A YEAR, 575 00:19:05,333 --> 00:19:08,500 AND WHEN WE DO, IT IS FUN AND EMOTIONAL. 576 00:19:08,500 --> 00:19:10,900 I'M--YOU LIKE IT. 577 00:19:10,900 --> 00:19:12,433 WOW! 578 00:19:12,433 --> 00:19:13,967 - YOU LOOK GOOD, GINA. - YOU LOOK GOOD. 579 00:19:13,967 --> 00:19:15,233 - Y'ALL ARE GONNA MAKE ME CRY, PLEASE. 580 00:19:15,233 --> 00:19:16,266 - LOOK AT THE BOO-BOO. - YOU'RE NOT GONNA CRY, 581 00:19:16,266 --> 00:19:17,333 PUT YOUR STUFF DOWN. - BOO-BOO. 582 00:19:17,333 --> 00:19:19,166 - SAY, "I LOVE GINA." 583 00:19:19,166 --> 00:19:20,667 - I LOVE...GINA. 584 00:19:20,667 --> 00:19:23,667 - AW, AWW. CAN I? - GO TO GINA. 585 00:19:23,667 --> 00:19:26,400 - OH, MY GOD. - OH, MY GOSH. 586 00:19:26,400 --> 00:19:28,000 - [baby talk] 587 00:19:28,000 --> 00:19:30,000 - I LOVE YOU, DARLING. 588 00:19:30,000 --> 00:19:31,900 I TALK ABOUT YOU ALL THE TIME. 589 00:19:31,900 --> 00:19:33,000 - GINA. - THIS IS GINA! 590 00:19:33,000 --> 00:19:34,333 - OH, MY GOD. 591 00:19:34,333 --> 00:19:36,367 I WAS SO NERVOUS, I SAID, "OH, MY GOD, 592 00:19:36,367 --> 00:19:37,433 I WONDER IF SHE'S GONNA COME TO ME." 593 00:19:37,433 --> 00:19:38,700 - OF COURSE SHE IS. - MAMA. 594 00:19:38,700 --> 00:19:40,734 - SHE LOOKS LIKE HER DADA. - I KNOW, BABA. 595 00:19:40,734 --> 00:19:41,800 - YOU LOOK LIKE YOUR DADA. - OH, YOU KNOW-- 596 00:19:41,800 --> 00:19:43,333 GINA, DO YOU KNOW DAWA? DAWA, COME HERE. 597 00:19:43,333 --> 00:19:45,033 - COME HERE, DAWA, THIS IS DAWA. 598 00:19:45,033 --> 00:19:46,166 - THIS IS THE CRAZY GINA. 599 00:19:46,166 --> 00:19:47,200 - HELLO. - HI. 600 00:19:47,200 --> 00:19:49,567 - AH, DAWA'S NOT CRAZY. 601 00:19:49,567 --> 00:19:51,266 DAWA'S NOT CRA--WELL, I THINK SHE IS WITH HER GIRLFRIENDS. 602 00:19:51,266 --> 00:19:52,367 RIGHT? - YES. 603 00:19:52,367 --> 00:19:54,066 - DO YOU GET CRAZY WITH YOUR GIRLFRIENDS? 604 00:19:54,066 --> 00:19:56,767 - [chuckles] YEAH, SOMETIMES. - YEAH? 605 00:19:56,767 --> 00:19:58,900 - BABA, WHERE'S COOKIE? 606 00:19:58,900 --> 00:20:00,333 WHERE IS COOKIE? 607 00:20:00,333 --> 00:20:02,200 - WHERE'S THE BOO-BOO? - YOU ARE BEAUTIFUL. 608 00:20:02,200 --> 00:20:03,700 - THANK YOU. 609 00:20:03,700 --> 00:20:06,066 - THAT'S FROM MY HEART, BEAUTIFUL, ALWAYS BEAUTIFUL. 610 00:20:06,066 --> 00:20:07,333 - SAY--BRYN, SAY "THANK YOU." 611 00:20:07,333 --> 00:20:09,066 - DANK OO. 612 00:20:09,066 --> 00:20:11,000 - YOU LOOK LIKE A DADA. - YES, BABY. 613 00:20:11,000 --> 00:20:13,734 - YOU LOOK GOOD MS. BETH. - OH, THANK YOU. 614 00:20:13,734 --> 00:20:15,433 YOU WANT SOMETHING TO DRINK? WHAT DO YOU WANT? 615 00:20:15,433 --> 00:20:17,400 COME SIT DOWN. - OH, I'LL TAKE A VODKA. 616 00:20:17,400 --> 00:20:19,033 - REALLY? OH, YOU DRINK NOW! - NO, NO. 617 00:20:19,033 --> 00:20:21,100 - OH, I WAS GONNA SAY. 618 00:20:21,100 --> 00:20:22,467 GINA, GINA, GINA. 619 00:20:22,467 --> 00:20:26,934 HOW DO YOU DESCRIBE ALL THAT IS GINA? 620 00:20:26,934 --> 00:20:28,500 GINA. 621 00:20:28,500 --> 00:20:29,500 - OH! 622 00:20:29,500 --> 00:20:31,000 - YOU'RE A FREQUENT STONER? 623 00:20:31,000 --> 00:20:33,200 - STONE YOUR ASS! I'LL STONE. 624 00:20:33,200 --> 00:20:34,533 - LOOK AT THIS NUN OVER HERE. 625 00:20:34,533 --> 00:20:37,133 - I'M TALKING TO MY GIRL GLORIA. 626 00:20:37,133 --> 00:20:39,500 - OH, EXCUSE ME, I DIDN'T MEAN TO INTERRUPT, CONTINUE. 627 00:20:39,500 --> 00:20:40,800 - I'LL CALL YOU BACK A SECOND, OKAY? 628 00:20:40,800 --> 00:20:43,567 DO YOU WAX THE VAGINAS ALSO? 629 00:20:47,133 --> 00:20:50,533 - SHE WAS THIS LUNATIC LIVING IN THE OTHER ROOM 630 00:20:50,533 --> 00:20:51,800 THAT WE HAD TO PUT UP WITH. 631 00:20:51,800 --> 00:20:53,100 SAY, "WHAT'S UP, GINA?" 632 00:20:53,100 --> 00:20:54,633 - WHAT'S UP? 633 00:20:54,633 --> 00:20:56,633 - OH, YOU SO FRESH. - AH. 634 00:20:56,633 --> 00:20:58,000 SO HOW ARE YOU? 635 00:20:58,000 --> 00:21:00,166 SO, ON A JOB NOW? 636 00:21:00,166 --> 00:21:02,100 - YES, IT'S, UH, SIX MONTHS. FIVE MONTHS, FIVE MONTHS. 637 00:21:02,100 --> 00:21:03,066 - YOU'VE BEEN THERE FOR FIVE MONTHS? 638 00:21:03,066 --> 00:21:04,433 - MM-HM. - HOW IS IT? 639 00:21:04,433 --> 00:21:06,567 - GREAT. I HAVE TO SAY, I'M BLESSED WITH HAVING 640 00:21:06,567 --> 00:21:08,300 ANOTHER BABY THAT'S GOOD LIKE HER. 641 00:21:08,300 --> 00:21:09,300 - REALLY? - HONESTLY SPEAKING. 642 00:21:09,300 --> 00:21:10,700 - REALLY? 643 00:21:10,700 --> 00:21:12,934 - NO, DRESSES TO DRESS UP, AND, YOU KNOW, STUFF LIKE THAT. 644 00:21:12,934 --> 00:21:15,200 - WE DO HAVE A SOFT SPOT FOR GINA. 645 00:21:15,200 --> 00:21:19,166 SHE WAS THE BABY NURSE TO OUR BELOVED ANGEL, BRYN. 646 00:21:19,166 --> 00:21:22,300 AND...THAT MAKES HER EVERYTHING. 647 00:21:22,300 --> 00:21:24,467 - THE THING THAT YOU SENT ME, THAT WAS FROM YOUR LINE? 648 00:21:24,467 --> 00:21:26,333 - THE SHAPEWEAR? - YEAH. THAT'S YOUR LINE? 649 00:21:26,333 --> 00:21:28,133 - YEAH. - BUT IT COULDN'T FIT. 650 00:21:28,133 --> 00:21:29,367 - WHY, WHAT DO YOU NEED, A BIGGER SIZE? 651 00:21:29,367 --> 00:21:31,734 - SMALLER SIZE. - YOU NEED A SMALLER SIZE! 652 00:21:31,734 --> 00:21:33,867 - YES. - MY BAD, GISELE. 653 00:21:33,867 --> 00:21:35,633 OH, MY GOD, YOU WERE EXPENSIVE TO FEED. 654 00:21:35,633 --> 00:21:37,000 YOU WERE LIKE HOUSING A HORSE. - YEAH? 655 00:21:37,000 --> 00:21:39,100 - OH, MY GOD, YOU HAD-- - I ATE GOOD FOOD. 656 00:21:39,100 --> 00:21:42,066 - I KNOW, BUT WE--IT WAS LIKE A FULL-TIME JOB, FEEDING YOU. 657 00:21:42,066 --> 00:21:45,333 THIS WOLF--LOOK AT THE FOOD SHE HAS EVERYWHERE. 658 00:21:45,333 --> 00:21:47,133 SHE HAS, LIKE, PIG'S FEET IN THIS FRIDGE. 659 00:21:47,133 --> 00:21:48,400 - YOU THINK? 660 00:21:48,400 --> 00:21:49,600 - YEAH. OH, YOU'RE SO PICKY. 661 00:21:49,600 --> 00:21:50,800 "I DON'T EAT MANGOS, I ONLY-- 662 00:21:50,800 --> 00:21:52,266 THIS TOILET PAPER GIVES ME A RASH." 663 00:21:52,266 --> 00:21:53,500 I MEAN, YOU WERE A PAIN IN THE ASS. 664 00:21:53,500 --> 00:21:54,934 BUT I LOVE YA. - I LIKE WHAT I LIKE. 665 00:21:54,934 --> 00:21:56,233 YOU KNOW, YOU LIKE WHAT YOU LIKE. 666 00:21:56,233 --> 00:21:57,333 - I KNOW, MOM. 667 00:21:57,333 --> 00:21:58,800 DO THEY HAVE THE RIGHT KIND OF TOILET PAPER 668 00:21:58,800 --> 00:22:01,200 IN THE HOUSE YOU'RE AT NOW? 669 00:22:01,200 --> 00:22:02,633 THEY DO? 670 00:22:02,633 --> 00:22:03,867 - I TOLD HER. 671 00:22:03,867 --> 00:22:05,967 SO I HAVE THE RIGHT KIND OF TOILET PAPER. 672 00:22:05,967 --> 00:22:07,333 - SO YOU DON'T GET A RASH ON YOUR WOO-WOO. 673 00:22:07,333 --> 00:22:08,934 - NO, NO RASH ON THE WOO-WOO. 674 00:22:08,934 --> 00:22:10,433 - SHE'S COMING OVER ASKING FOR STUFF ALREADY. 675 00:22:10,433 --> 00:22:12,433 THE SHAPEWEAR WAS TOO BIG YOU SENT HER. 676 00:22:12,433 --> 00:22:14,500 - YEAH. - WE DIDN'T--WHAT SIZE? 677 00:22:14,500 --> 00:22:17,867 - UM...I THINK IT WAS A LARGE. 678 00:22:17,867 --> 00:22:19,767 - SORRY. - AND WAY TOO BIG. 679 00:22:19,767 --> 00:22:21,867 MS. JACKIE. - HOW ARE YOU? 680 00:22:21,867 --> 00:22:23,000 - YOU'RE LOOKING FINE. 681 00:22:23,000 --> 00:22:24,200 - SHE LIKES THE STUFF THAT SUCKS IT IN, 682 00:22:24,200 --> 00:22:25,200 ALTHOUGH SHE'S GOT IT ALL SUCKED IN. 683 00:22:25,200 --> 00:22:26,667 SHE LIKES THE, LIKE, SHAPING. 684 00:22:26,667 --> 00:22:27,900 - OH, I'VE GOT TO LOOK GOOD FOR THE BOYS. 685 00:22:27,900 --> 00:22:29,633 - WHAT ABOUT THE CAMIS? - YEAH, WHAT'S--ANY BOYS? 686 00:22:29,633 --> 00:22:32,767 - THE CAMI. - I SAW ONE... 687 00:22:32,767 --> 00:22:34,066 NICE LOOKING CHAP. 688 00:22:34,066 --> 00:22:35,367 - OH, YEAH, WHAT HAPPENED-- YOUR HUSBAND? 689 00:22:35,367 --> 00:22:37,000 NOTHING, HAVEN'T-- NOTHING, DONE, DONE, DONE? 690 00:22:37,000 --> 00:22:39,000 - OH, I TALK TO HIM. WHEN HE SEE ME, I MAKE SURE 691 00:22:39,000 --> 00:22:40,367 I WALK AND SHAKE MY ASS. 692 00:22:40,367 --> 00:22:42,200 - RIGHT, BUT--RIGHT. BUT YOU'RE DONE NOW. 693 00:22:42,200 --> 00:22:43,700 - OH, YES, DARLING. 694 00:22:43,700 --> 00:22:46,033 I'M LOOKING FOR EITHER COMPLEXION FOR THE CONNECTION, 695 00:22:46,033 --> 00:22:49,066 OR A GOOD BLACK DUDE. MUSTN'T BE GAY. 696 00:22:49,066 --> 00:22:50,867 - SO YOU'RE LOOKING FOR SOMEONE WHITE OR BLACK. 697 00:22:50,867 --> 00:22:53,433 YOU'RE VERY LIMITED. - SHE GOES, "HE MUSTN'T BE GAY." 698 00:22:53,433 --> 00:22:54,734 - YOU'RE LOOKING FOR SOMEONE WHITE, OR BLACK. 699 00:22:54,734 --> 00:22:56,266 - BUT ALL THE GUYS, OR ALL THE ONES I SEEN IS GAY. 700 00:22:56,266 --> 00:22:57,600 - WHERE ARE YOU SEEING ALL THESE GAY MEN? 701 00:22:57,600 --> 00:22:59,333 WHERE ARE YOU HANGING OUT, IN CHELSEA? 702 00:22:59,333 --> 00:23:00,700 - NO. BUT THERE'S A CUTE LOOKING ONE THAT I SAW. 703 00:23:00,700 --> 00:23:02,834 - DO YOU DRIVE, GINA? - YOU SAW A GUY WHERE? 704 00:23:02,834 --> 00:23:05,367 - WELL, I'M WORKING WITH HIM. BUT HE'S ALREADY TAKEN. 705 00:23:05,367 --> 00:23:07,000 - WHAT DOES THAT MEAN? YOU'RE WORKING WITH HIM? 706 00:23:07,000 --> 00:23:08,700 - THE BOSS, THE BOSS, THE BOSS. 707 00:23:08,700 --> 00:23:10,500 - OH, THE FATHER OF THE CHILD YOU'RE TAKING CARE OF. 708 00:23:10,500 --> 00:23:12,533 AND IT FIGURES! - A FINE LOOKING GUY, YOU KNOW? 709 00:23:12,533 --> 00:23:15,500 BUT, YOU KNOW, YOU HAVE TO KEEP YOUR RESPECT, YOU KNOW? 710 00:23:15,500 --> 00:23:17,166 - RIGHT, YEAH. - YOU KNOW, I WOULD HOPE SO. 711 00:23:17,166 --> 00:23:18,767 - HE LOOKS FINE, THOUGH. 712 00:23:18,767 --> 00:23:21,633 HE'S WALKING UP THE STAIRS SOMETIMES, AND I'M LIKE... 713 00:23:21,633 --> 00:23:23,500 GUY LOOKS GOOD. 714 00:23:23,500 --> 00:23:25,900 MMM-MMM-MMM. LOOKS GOOD. 715 00:23:25,900 --> 00:23:27,400 - I WOULD IMAGINE YOU COULD FIND-- 716 00:23:27,400 --> 00:23:30,834 THERE'S ONE WHITE STRAIGHT GUY IN THE STATE OF NEW YORK 717 00:23:30,834 --> 00:23:32,266 THAT WOULD BE WILLING TO SLEEP WITH YOU 718 00:23:32,266 --> 00:23:33,633 IN THE BOOTY SHAPER. 719 00:23:33,633 --> 00:23:35,033 - THIS IS THE BUTT FLOSS? 720 00:23:35,033 --> 00:23:37,066 - IT'S THE BUTT FLOSS. - I CALL IT THE BUTT FLOSS. 721 00:23:37,066 --> 00:23:38,333 - YEAH, SO THAT'S YOURS. - THE BUTT FLOSS. 722 00:23:38,333 --> 00:23:40,033 - OKAY, DAWA, SEE? THIS IS WHAT USED TO HAPPEN. 723 00:23:40,033 --> 00:23:41,266 - THAT'S A LARGE, THOUGH. 724 00:23:41,266 --> 00:23:42,200 - WE COULDN'T HANDLE HER FOR TOO LONG, 725 00:23:42,200 --> 00:23:43,600 SO STAY JUST THE WAY YOU ARE. 726 00:23:43,600 --> 00:23:44,700 IT WAS A LOT. 727 00:23:44,700 --> 00:23:46,033 - THIS IS A MEDIUM. I DON'T KNOW. 728 00:23:46,033 --> 00:23:47,800 - SO, GINA, SHE'S LEAVING. DID YOU KNOW THIS? 729 00:23:47,800 --> 00:23:50,266 IT'S REALLY NOT EVEN-- I'M IN FULL DENIAL. 730 00:23:50,266 --> 00:23:51,300 IT'S LIKE WHEN YOU'RE-- 731 00:23:51,300 --> 00:23:52,333 - I THOUGHT OF THAT THE OTHER DAY. 732 00:23:52,333 --> 00:23:53,633 I DECIDED THAT'S WHAT IT WAS. 733 00:23:53,633 --> 00:23:55,166 IT'S ALL RIGHT, I'M IN FULL DENIAL TOO, SO... 734 00:23:55,166 --> 00:23:56,767 - SO YOU'LL CALL ME IF YOU'RE GETTING MARRIED. 735 00:23:56,767 --> 00:23:58,567 WHEN YOU'RE GETTING MARRIED, I'D LIKE TO COME. 736 00:23:58,567 --> 00:23:59,800 A BLACK CHICK COULD COME DOWN TO PENNSYLVANIA, 737 00:23:59,800 --> 00:24:01,600 YOU KNOW. - WHAT THE HELL'D SHE JUST SAY? 738 00:24:01,600 --> 00:24:03,033 A BLACK CHICK? WHAT DID YOU JUST SAY? 739 00:24:03,033 --> 00:24:05,000 - SHE'S GETTING MARRIED. I'LL COME TO HER WEDDING. 740 00:24:05,000 --> 00:24:06,834 A BLACK CHICK COULD COME DOWN TO PENNSYLVANIA. 741 00:24:06,834 --> 00:24:08,533 - DO YOU THINK THEY ONLY HAVE WHITE PEOPLE IN PENNSYLVANIA? 742 00:24:08,533 --> 00:24:09,900 NO, THERE ARE BLACK PEOPLE. THERE'S A COUPLE. 743 00:24:09,900 --> 00:24:12,266 THERE'S A BAKER'S DOZEN... - PITTSBURGH. 744 00:24:12,266 --> 00:24:15,433 - THERE NOW OF BLACK PEOPLE. 745 00:24:15,433 --> 00:24:16,600 - I MISSED YOU. 746 00:24:16,600 --> 00:24:18,667 - GOD LOVE HER, YOU CAN'T LIVE WITH HER, 747 00:24:18,667 --> 00:24:20,166 AND YOU CAN'T LIVE WITH HER. 748 00:24:20,166 --> 00:24:22,066 BYE, DAWA, THANK YOU. 749 00:24:22,066 --> 00:24:24,667 - BYE. OKAY, NICE MEETING YOU HERE, BABY. 750 00:24:24,667 --> 00:24:26,734 - SHE'S VERY PLEASANT. 751 00:24:26,734 --> 00:24:27,900 QUIET. 752 00:24:27,900 --> 00:24:29,033 - WHAT DO YOU THINK? 753 00:24:29,033 --> 00:24:33,133 WE WERE IN CULTURE SHOCK AFTER YOU. 754 00:24:33,133 --> 00:24:35,300 SHE'S NEVER PICKED UP A TELEPHONE ONE TIME. 755 00:24:35,300 --> 00:24:36,667 DO YOU KNOW WHAT IT'S LIKE? 756 00:24:36,667 --> 00:24:38,000 LIKE, GET OFF THE-- 757 00:24:38,000 --> 00:24:39,300 NOT ONCE. SHE'S NEVER ON THE PHONE. 758 00:24:39,300 --> 00:24:41,600 AND NEVER TURNS ON THE TV. 759 00:24:41,600 --> 00:24:42,934 I KNOW YOU THINK IT'S WEIRD. 760 00:24:42,934 --> 00:24:44,533 NO MATTER HOW MUCH I'VE TRIED TO CORRUPT HER, 761 00:24:44,533 --> 00:24:47,667 SHE REFUSES TO, LIKE, NOT BE AN APPROPRIATE EMPLOYEE. 762 00:24:47,667 --> 00:24:50,433 YOU WERE--YOU CORRUPTED ME. 763 00:24:50,433 --> 00:24:53,600 - GINA IS NO FLOWER. 764 00:24:53,600 --> 00:24:55,133 - TRUE THAT. 765 00:24:55,133 --> 00:24:56,633 BUT BETHENNY IS NOT EITHER. 766 00:24:56,633 --> 00:24:58,934 - AND I WAS JUST GONNA SAY THAT. 767 00:24:58,934 --> 00:25:00,467 BUT I MISS THE FUN IN THIS HOUSE, DO YOU KNOW? 768 00:25:00,467 --> 00:25:02,000 NOBODY'S HOUSE, 769 00:25:02,000 --> 00:25:04,734 NOBODY'S HOUSE IS, YOU KNOW, 770 00:25:04,734 --> 00:25:07,400 SINGS AND HAVE FUN, AND, YOU KNOW. 771 00:25:07,400 --> 00:25:09,600 EVERYBODY ELSE, IT'S TOTALLY DIFFERENT, YOU KNOW? 772 00:25:09,600 --> 00:25:10,767 - I BELIEVE YOU. 773 00:25:10,767 --> 00:25:13,166 - WHAT ARE WE GONNA DO WITHOUT MS. JULIE? 774 00:25:13,166 --> 00:25:14,633 - SHE'S MOVING HOME TO PITTSBURGH 775 00:25:14,633 --> 00:25:18,033 IN WITH HER PARENTS. 776 00:25:19,700 --> 00:25:21,767 - SO IT'S ONLY JACKIE YOU'RE GONNA HAVE? 777 00:25:21,767 --> 00:25:24,166 - AND MAYBE JASON. 778 00:25:24,166 --> 00:25:26,734 - OH, OKAY, WELL, YEAH, YOU KNOW, HE'S... 779 00:25:26,734 --> 00:25:28,734 - I DON'T MEAN AS MY HUSBAND, I MEAN AS PART OF THE JOB. 780 00:25:28,734 --> 00:25:30,200 I MEAN, YES, AS MY HUSBAND, BUT I'M SAYING-- 781 00:25:30,200 --> 00:25:31,400 - HUSBAND, YEAH, BUT PART OF THE JOB. 782 00:25:31,400 --> 00:25:32,700 - YEAH. 783 00:25:32,700 --> 00:25:34,867 WHICH IS ITS OWN WHOLE THING. SO WE'LL SEE. 784 00:25:34,867 --> 00:25:35,867 IT'S A LITTLE CRAZY. 785 00:25:35,867 --> 00:25:37,233 I HAVE NO ONE TO TALK TO ANYMORE. 786 00:25:37,233 --> 00:25:38,734 WHEN YOU WERE HERE THAT WAS ONE THING, 787 00:25:38,734 --> 00:25:40,266 I DID TALK TO YOU ABOUT THIS KIND OF STUFF. 788 00:25:40,266 --> 00:25:42,033 - YOU DON'T DO GOOD WITH CHANGES. 789 00:25:42,033 --> 00:25:43,734 - NO. 790 00:25:43,734 --> 00:25:46,166 - AND YOU CRY TOO MUCH. 791 00:25:46,166 --> 00:25:48,800 - I HAVEN'T CRIED THAT MUCH LATELY, BUT I'M ABOUT TO. 792 00:25:48,800 --> 00:25:50,700 - OH, GOD, DON'T DO THIS. 793 00:25:53,200 --> 00:25:56,100 IT'S TOO MUCH. 794 00:25:56,100 --> 00:25:59,533 - [crying] - YOU'RE DOING GREAT. 795 00:25:59,533 --> 00:26:02,700 - I'M HAVING A ROUGH TIME, THOUGH. 796 00:26:02,700 --> 00:26:04,800 - OH, MY GOD, COME ON, COME ON. 797 00:26:04,800 --> 00:26:07,133 COME HERE. 798 00:26:07,133 --> 00:26:10,000 [banging in background] 799 00:26:10,000 --> 00:26:12,000 - DON'T MAKE ME CRY, PLEASE. 800 00:26:12,000 --> 00:26:14,100 - OH...[mumbles] 801 00:26:14,100 --> 00:26:16,800 - PLEASE, PLEASE. - I'M HAVING A ROUGH TIME. 802 00:26:16,800 --> 00:26:18,700 - IT'S A WHOLE LOT. 803 00:26:22,233 --> 00:26:23,700 - YOU'RE DOING GREAT. 804 00:26:23,700 --> 00:26:25,600 - I DON'T EVEN KNOW WHAT I'M DOING. 805 00:26:25,600 --> 00:26:27,633 - YOU'RE TIRED, YOU'RE EXHAUSTED. 806 00:26:27,633 --> 00:26:29,667 - IT'S SO BEYOND THAT. 807 00:26:29,667 --> 00:26:34,233 SO BEYOND TIRED. [baby laughing] 808 00:26:34,233 --> 00:26:35,967 - IT'S TOO MUCH. 809 00:26:35,967 --> 00:26:37,533 YOU NEED TO GO AWAY. 810 00:26:37,533 --> 00:26:39,400 - IT'S, NO, I DO THAT, IT'S NOT THAT, IT'S NOT THAT. 811 00:26:39,400 --> 00:26:40,433 - IT'S JUST TOO MUCH. - IT'S LIKE--IT'S NOT-- 812 00:26:40,433 --> 00:26:41,700 IT'S JUST, IT'S NOT EVEN THAT. 813 00:26:41,700 --> 00:26:44,233 IT'S JUST OTHER THINGS. IT'S JUST EVERYTHING. 814 00:26:48,800 --> 00:26:50,967 - IT'S ALL GOING ON, TOO MUCH AT ONE TIME. 815 00:26:50,967 --> 00:26:52,166 - YEAH. 816 00:26:52,166 --> 00:26:54,200 SO...ALL RIGHT, GO OUT TO DAUGHTER WITH YOUR-- 817 00:26:54,200 --> 00:26:55,200 GO OUT TO DINNER WITH YOUR DAUGHTER. 818 00:26:55,200 --> 00:26:59,533 - OKAY, THANK YOU. 819 00:26:59,533 --> 00:27:00,533 - YOU'RE MOST WELCOME. 820 00:27:00,533 --> 00:27:02,166 I LOVE YOU, GINA. 821 00:27:02,166 --> 00:27:03,433 - THANK YOU VERY MUCH, MY DEAR. 822 00:27:03,433 --> 00:27:06,300 - THANK YOU. 823 00:27:06,300 --> 00:27:09,233 UGH. 824 00:27:09,233 --> 00:27:12,066 - BOO-BOO. BYE, BRYN! 825 00:27:12,066 --> 00:27:13,066 BYE-BYE. - BYE-BYE. 826 00:27:13,066 --> 00:27:17,000 - I LOVE YOU. 827 00:27:17,000 --> 00:27:18,333 BYE. 828 00:27:18,333 --> 00:27:19,400 [door closes] 829 00:27:24,867 --> 00:27:26,700 - COMING UP... 830 00:27:26,700 --> 00:27:28,166 - I DON'T REALLY DISCUSS ANYTHING WITH ANY OF MY FRIENDS 831 00:27:28,166 --> 00:27:30,967 OR ANYTHING, LIKE, I AM JUST FEELING MORE AND MORE ALONE. 832 00:27:30,967 --> 00:27:34,633 - BY ISOLATING YOURSELF, YOU'RE GONNA BE MISERABLE. 833 00:27:41,934 --> 00:27:44,900 [upbeat music] 834 00:27:44,900 --> 00:27:47,233 ♪♪ ♪♪ 835 00:27:47,233 --> 00:27:48,467 - LET ME TEACH YOU SOMETHING. 836 00:27:48,467 --> 00:27:51,567 YOU'VE GOT TO CLIMB UP THIS, OKAY? 837 00:27:51,567 --> 00:27:54,567 COOKIE IS 11 1/2 YEARS OLD, 838 00:27:54,567 --> 00:27:57,133 AND SHE CAN'T REALLY JUMP UP ON THE BED OR THE COUCH 839 00:27:57,133 --> 00:27:58,967 AS EASILY AS BEFORE. 840 00:27:58,967 --> 00:28:01,500 SO WE BOUGHT HER THESE LITTLE DOGGIE STEPS. 841 00:28:01,500 --> 00:28:05,100 YOU CAN TEACH AN OLD DOG NEW TRICKS. 842 00:28:05,100 --> 00:28:06,934 GO UP THE FIRST, UP THE STAIRS. 843 00:28:06,934 --> 00:28:09,400 UP THE STA--YAY! TREAT. 844 00:28:09,400 --> 00:28:11,066 OKAY? LET'S TRY THIS AGAIN. 845 00:28:11,066 --> 00:28:13,400 GOOD GIRL. GOOD GIRL, ONE MORE. 846 00:28:13,400 --> 00:28:15,333 GOOD GIRL, ONE MORE. 847 00:28:15,333 --> 00:28:16,967 ONE MORE, GOOD GIRL. 848 00:28:16,967 --> 00:28:18,934 YAY, COOK-- WELL, YOU ALMOST DID IT. 849 00:28:18,934 --> 00:28:20,867 THAT WAS GOOD. ONE LAST ONE. 850 00:28:20,867 --> 00:28:22,033 COOKS. 851 00:28:22,033 --> 00:28:23,767 COME HERE, COME HERE. 852 00:28:23,767 --> 00:28:25,734 COME HERE, IT'S GONNA WORK. 853 00:28:25,734 --> 00:28:29,000 NOT EVEN A TREAT? ONE MORE. 854 00:28:29,000 --> 00:28:32,233 OH, LORDY. 855 00:28:32,233 --> 00:28:36,000 COOKS. IT'S STEPS. 856 00:28:40,000 --> 00:28:42,967 [upbeat music] 857 00:28:42,967 --> 00:28:50,967 ♪♪ ♪♪ 858 00:28:59,567 --> 00:29:01,633 - THIS IS A ROUGH WEEK. 859 00:29:01,633 --> 00:29:03,834 THEY'RE NOT ALL ROSES. 860 00:29:03,834 --> 00:29:06,934 AND I'M HAVING A HARD TIME, I'M OVERWHELMED. 861 00:29:06,934 --> 00:29:10,200 JASON AND I, WE'RE NOT CONNECTING. 862 00:29:10,200 --> 00:29:11,734 IT FEELS SCARY. 863 00:29:11,734 --> 00:29:14,300 AND ON TOP OF EVERYTHING ELSE THAT'S GOING ON, 864 00:29:14,300 --> 00:29:15,734 NOW MATT HESSE'S COMING OVER 865 00:29:15,734 --> 00:29:18,667 TO TEST BARS AND VITAMIN POWER PACKS. 866 00:29:18,667 --> 00:29:19,867 AND IT'S ALL IMPORTANT. 867 00:29:19,867 --> 00:29:22,266 [knock at door] 868 00:29:22,266 --> 00:29:23,734 HI, MATT. 869 00:29:23,734 --> 00:29:24,734 - HEY. 870 00:29:24,734 --> 00:29:26,900 GOOD TO SEE YA, - YOU AS WELL. 871 00:29:26,900 --> 00:29:27,867 - GOOD. 872 00:29:27,867 --> 00:29:30,300 - HI. - HI. 873 00:29:30,300 --> 00:29:32,000 - HOW'S LIVING IN NEW YORK NOW? 874 00:29:32,000 --> 00:29:33,867 - I LOVE IT. IT'S BEEN REALLY GOOD. 875 00:29:33,867 --> 00:29:35,567 I'M STILL TRYING TO FIND MY WAY AROUND, BUT-- 876 00:29:35,567 --> 00:29:37,467 - I STILL DON'T BELIEVE THAT YOU LIVE HERE. 877 00:29:37,467 --> 00:29:39,000 - I DO. 878 00:29:39,000 --> 00:29:41,333 - WHEN JASON'S NOT WORKING AND SOMETHING'S GOING ON, 879 00:29:41,333 --> 00:29:42,967 THEN I LIKE HIM TO BE INVOLVED. 880 00:29:42,967 --> 00:29:46,166 IN THIS BUSINESS, IT'S JUST CREATIVE, 881 00:29:46,166 --> 00:29:50,533 AND EVERY DAY YOU CAN SEE THE FRUITS OF YOUR LABOR. 882 00:29:50,533 --> 00:29:53,033 IT'S JUST VERY DIFFERENT THAN WORKING CORPORATE AMERICA. 883 00:29:53,033 --> 00:29:56,900 - SO WE HAVE TO GO OVER BARS, THE VITAMIN POWER STICKS, 884 00:29:56,900 --> 00:29:59,834 AND THEN YOU HAVE TO GIVE ME YOUR CHANGES, AND THEN 885 00:29:59,834 --> 00:30:01,000 I DON'T THINK YOU'RE GONNA WANT TO CHANGE ANYTHING 886 00:30:01,000 --> 00:30:02,000 ON EITHER ONE OF THESE, THEY'RE-- 887 00:30:02,000 --> 00:30:04,266 - THAT BETTER BE THE CASE, BECAUSE 888 00:30:04,266 --> 00:30:05,700 I'M GOING TO ASPEN WITH BEAM 889 00:30:05,700 --> 00:30:07,166 TO LAUNCH THE WHITE CRANBERRY COSMO, 890 00:30:07,166 --> 00:30:10,967 AND THIS PRODUCT NEEDS TO BE MARKETED IN ASPEN. 891 00:30:10,967 --> 00:30:13,066 LIKE, WE NEED TO HAVE A SKINNYGIRL BOOTH, 892 00:30:13,066 --> 00:30:15,700 GIVING THESE OUT, GIVING OUT THE VITAMIN POWER PACKS. 893 00:30:15,700 --> 00:30:17,433 LIKE, THIS NEEDS TO-- AS SOON AS THESE HAVE LABELS, 894 00:30:17,433 --> 00:30:18,600 IT NEEDS TO BE, LIKE, TOGETHER. 895 00:30:18,600 --> 00:30:20,600 - I MIGHT BE ABLE TO GET A SHORT RUN OF THESE, 896 00:30:20,600 --> 00:30:24,033 OR WE CAN DO, MAYBE, SOME STICKER LABELING 897 00:30:24,033 --> 00:30:25,333 ON THE FIRST RUN? - THAT'S FINE. 898 00:30:25,333 --> 00:30:26,533 STICKER LABELING IS FINE. - STICKER LABELING? 899 00:30:26,533 --> 00:30:27,533 WE CAN DEFINITELY PULL THAT OFF. 900 00:30:27,533 --> 00:30:28,767 - ALL RIGHT. - ALL RIGHT. 901 00:30:28,767 --> 00:30:30,567 SO HERE'S THE MOCK-UP. 902 00:30:30,567 --> 00:30:31,633 - "FLAVOR YOUR WATER, ENRICH YOUR BODY." 903 00:30:31,633 --> 00:30:33,066 - "ENRICH YOUR BODY." 904 00:30:33,066 --> 00:30:36,333 - OKAY, WHAT'S THE INDIVIDUAL PACK GONNA LOOK LIKE? 905 00:30:36,333 --> 00:30:38,734 - SO, THEY'LL BE ABOUT... 906 00:30:38,734 --> 00:30:40,467 HALF THAT SIZE. IT'S-- 907 00:30:40,467 --> 00:30:41,667 - SO LISTEN, THAT GOES IN YOUR PURSE, 908 00:30:41,667 --> 00:30:43,033 IT DISSOLVES IN WATER. 909 00:30:43,033 --> 00:30:44,967 IT'S BETTER TO DO LIKE A REGULAR BOTTLE OF WATER. 910 00:30:44,967 --> 00:30:46,834 I THINK WE SHOULD BE MORE SPECIFIC NEXT TIME, TOO, 911 00:30:46,834 --> 00:30:49,000 ABOUT HOW MUCH WATER. - OKAY. 912 00:30:49,000 --> 00:30:52,033 LET'S TRY THAT ORANGE AND VITALITY. 913 00:30:52,033 --> 00:30:53,367 - OOH, IT'S NICE. - NICE? 914 00:30:53,367 --> 00:30:54,667 - I WOULD DRINK THIS ALL DAY LONG. 915 00:30:54,667 --> 00:30:55,800 - GOOD, RIGHT? - MM-HM. 916 00:30:55,800 --> 00:30:57,133 - NO ARTIFICIAL SWEETENERS, 917 00:30:57,133 --> 00:30:59,200 NO ARTIFICIAL COLORS. - AWESOME, PERFECT, GREAT, DONE. 918 00:30:59,200 --> 00:31:00,200 - ALL RIGHT, COOL. 919 00:31:00,200 --> 00:31:01,867 THIS ONE IS BERRY. 920 00:31:01,867 --> 00:31:03,367 - THAT'S NATURAL COLOR? 921 00:31:03,367 --> 00:31:04,567 - YEAH, YOU KNOW WHAT WE USE? 922 00:31:04,567 --> 00:31:08,967 YOU KNOW WHAT WE USE IS BEET EXTRACT. 923 00:31:08,967 --> 00:31:10,600 - DELIGHTFUL, PERFECT. NO, IT IS DELIGHTFUL. 924 00:31:10,600 --> 00:31:11,834 - NICE. 925 00:31:11,834 --> 00:31:13,600 TWO FOR TWO. - WHICH ONE IS THIS ONE AGAIN? 926 00:31:13,600 --> 00:31:14,533 - THAT ONE IS THE... - HAIR, SKIN, AND NAILS. 927 00:31:14,533 --> 00:31:15,667 - HAIR, SKIN, AND NAILS. 928 00:31:15,667 --> 00:31:16,734 - IT'S TO MAKE YOUR PENIS LONGER. 929 00:31:16,734 --> 00:31:20,533 - MM. HOLD ON. - [chuckling] 930 00:31:20,533 --> 00:31:23,133 - IT'S TRUE, I'VE BEEN DRINKING IT FOR, LIKE, SIX MONTHS AND... 931 00:31:23,133 --> 00:31:24,567 - THINGS ARE GOING WELL? - I'LL DRINK HALF. 932 00:31:24,567 --> 00:31:26,300 YOU CAN SAVE SOME. - YEAH, IT'S AMAZING, AMAZING. 933 00:31:26,300 --> 00:31:27,533 - I'LL BET YOU ANYTHING IT'S NOT. 934 00:31:27,533 --> 00:31:28,567 - YOU WANNA BET? 935 00:31:28,567 --> 00:31:29,667 - I DON'T THINK IT'S-- 936 00:31:29,667 --> 00:31:31,000 - HOW DO YOU KNOW HOW BIG HIS PENIS IS? 937 00:31:31,000 --> 00:31:33,166 - HE JUST--OH, WAIT. I CHECKED BEFORE WE GOT HERE. 938 00:31:33,166 --> 00:31:34,900 - BEFORE WE EVEN--BEFORE WE STARTED WORKING TOGETHER. 939 00:31:34,900 --> 00:31:37,367 - NOW--NOW WE COULD HAVE A PROBLEM. 940 00:31:37,367 --> 00:31:38,600 - QUIT GETTING ME IN TROUBLE. 941 00:31:38,600 --> 00:31:39,633 - YOU AND I ARE NOT GOOD FOR EACH OTHER. 942 00:31:39,633 --> 00:31:40,934 - YEAH, I KNOW. 943 00:31:40,934 --> 00:31:42,233 AND NOW I LIVE HERE, SO WE'RE REALLY SCREWED. 944 00:31:42,233 --> 00:31:44,133 - YEAH, I KNOW. 945 00:31:44,133 --> 00:31:47,433 - I'M AT A POINT WITH BETHENNY AND HER PARTNERS 946 00:31:47,433 --> 00:31:49,166 THAT I SHARE A LITTLE BIT OF INPUT, 947 00:31:49,166 --> 00:31:50,700 BUT I DON'T THINK I'M QUITE THERE YET. 948 00:31:50,700 --> 00:31:53,533 I THINK IT'S BEST FOR ME KIND OF JUST TO STEP BACK, 949 00:31:53,533 --> 00:31:55,600 TAKE IT ALL IN, LEARN, AND WHEREVER I THINK 950 00:31:55,600 --> 00:31:57,867 I COULD ADD VALUE, IS WHERE I DO. 951 00:31:57,867 --> 00:31:59,467 - THESE ARE THE VEGAN BARS. 952 00:31:59,467 --> 00:32:01,600 - OH, SWEET. - OKAY. 953 00:32:01,600 --> 00:32:02,934 LOOK HOW GREAT, THAT THEY'RE SPLIT IN HALF. 954 00:32:02,934 --> 00:32:04,367 - WELL TAKE IT ALL OUT, AND LET'S SEE. 955 00:32:04,367 --> 00:32:05,800 - AND DO THEY BREAK EASILY? THAT'S THE NEXT QUESTION. 956 00:32:05,800 --> 00:32:07,000 - WELL, THAT-- THAT'S NOT DRY YET, 957 00:32:07,000 --> 00:32:08,233 BECAUSE WE JUST MADE IT YESTERDAY, BUT... 958 00:32:08,233 --> 00:32:10,200 - OH, OKAY, YEAH. - THESE THINGS ARE AMAZING. 959 00:32:10,200 --> 00:32:12,633 I'VE EATEN LIKE 45 OF THEM IN THE LAST THREE DAYS. 960 00:32:15,734 --> 00:32:18,133 - EXCELLENT. 961 00:32:18,133 --> 00:32:20,266 REALLY GOOD. - YEAH, IT'S NICE. 962 00:32:20,266 --> 00:32:21,734 - YOU JUST HAD THE BIG NUTS. 963 00:32:21,734 --> 00:32:22,800 - BIG NUTS. 964 00:32:22,800 --> 00:32:24,100 - I KNEW YOU WERE GONNA SAY THAT. 965 00:32:24,100 --> 00:32:25,367 - SHE LIKES BIG BALLS. - WELL, LET'S SEE. 966 00:32:25,367 --> 00:32:26,667 I'M GONNA LET YOU KNOW IF I LIKE BIG NUTS. 967 00:32:26,667 --> 00:32:29,066 - SO, THIS IS THE SMALL NUTS. SEE WHICH ONE YOU LIKE. 968 00:32:29,066 --> 00:32:30,400 ACTUALLY, I'M SURE YOU'LL LIKE THE BIG NUTS. 969 00:32:30,400 --> 00:32:32,667 - HOW MUCH OF A BIG NUT DO YOU NEED IN YOUR MOUTH? 970 00:32:32,667 --> 00:32:34,700 - WOW. - DEPENDS WHO YOU ARE. 971 00:32:34,700 --> 00:32:35,967 - THERE'S A BIG NUT AND A SMALL NUT. 972 00:32:35,967 --> 00:32:37,200 WHAT DO YOU LIKE? 973 00:32:37,200 --> 00:32:38,367 - I HAVE NO COMMENT. 974 00:32:38,367 --> 00:32:40,200 - JUST--YOU HAVE TO COMMENT. THIS IS A TIME. 975 00:32:40,200 --> 00:32:41,433 - I LIKE BIG NUTS. 976 00:32:41,433 --> 00:32:42,667 - YOU LIKE BIG-- I LIKE BIG NUTS, TOO. 977 00:32:42,667 --> 00:32:44,233 BIG NUTS! - BIG NUTS. 978 00:32:44,233 --> 00:32:45,233 - BIG, GIANT NUTS. 979 00:32:45,233 --> 00:32:47,033 - BIG NUTS, LET ME WRITE IT DOWN. 980 00:32:47,033 --> 00:32:49,467 - ALL RIGHT. IT'S THIS--THIS IS IT. 981 00:32:49,467 --> 00:32:50,967 I TOLD YOU, THIS IS GONNA BE VERY, VERY BIG. 982 00:32:50,967 --> 00:32:52,367 VERY BIG. 983 00:32:52,367 --> 00:32:55,200 VERY, VERY, VERY, VERY, VERY BIG. 984 00:33:03,667 --> 00:33:04,934 - HI. - HI. 985 00:33:04,934 --> 00:33:08,033 - HOW ARE YOU? - I'M GOOD, HOW ARE YOU DOING? 986 00:33:08,033 --> 00:33:10,367 - OH, I'M GOOD. 987 00:33:10,367 --> 00:33:12,800 - YOU LOOK TIRED. - I'M NOT THAT TIRED. 988 00:33:12,800 --> 00:33:14,734 I'M, LIKE, WORN OUT, AS A PERSON, 989 00:33:14,734 --> 00:33:17,266 BUT I'M NOT TIRED TIRED. 990 00:33:17,266 --> 00:33:20,800 WE'RE GOING ON A VERY LONG VACATION TO MEXICO. 991 00:33:20,800 --> 00:33:23,233 - WOW. - LIKE 12 DAYS. 992 00:33:23,233 --> 00:33:24,500 FOR MY BIRTHDAY. 993 00:33:24,500 --> 00:33:28,300 - THAT'S GREAT. - IT IS GREAT. 994 00:33:28,300 --> 00:33:31,433 THE HOPE IS, I MEAN, IN MY DREAMS, I WANTED TO, LIKE, 995 00:33:31,433 --> 00:33:37,300 RECONNECT WITH JASON AND JUST HAVE QUIET ALONE-TIME 996 00:33:37,300 --> 00:33:39,433 AWAY FROM WORK, AND NOT BE ON THE BLACKBERRY, 997 00:33:39,433 --> 00:33:41,667 AND NOT BE ON THE, YOU KNOW, COMPUTER, 998 00:33:41,667 --> 00:33:44,033 AND JUST, YOU KNOW, RECONNECT. 999 00:33:44,033 --> 00:33:46,433 WE'VE BEEN THROUGH A LOT OF...STUFF, 1000 00:33:46,433 --> 00:33:48,767 YOU SAW SOME OF IT ON THE BOAT. - MM-HMM. 1001 00:33:48,767 --> 00:33:52,867 AND JUST KIND OF LET GO A LITTLE BIT. 1002 00:33:52,867 --> 00:33:53,900 - WHAT'S GOING THROUGH YOUR MIND, 1003 00:33:53,900 --> 00:33:56,100 RIGHT NOW? 1004 00:33:56,100 --> 00:33:58,900 - I WAS THINKING ABOUT HOW 1005 00:33:58,900 --> 00:34:00,934 IF I FEEL DISCONNECTED, 1006 00:34:00,934 --> 00:34:04,300 THEN I EITHER DISCUSS IT, 1007 00:34:04,300 --> 00:34:08,266 AND IT ENDS UP IN A VERY, YOU KNOW, VERY HEATED ARGUMENT, 1008 00:34:08,266 --> 00:34:10,400 BECAUSE JASON'S NOT REALLY GREAT AT JUST KIND OF 1009 00:34:10,400 --> 00:34:13,233 ALLOWING FOR, LIKE, THINGS TO JUST BE DISCUSSED. 1010 00:34:13,233 --> 00:34:15,233 LIKE, I'M ONE OF THESE PEOPLE THAT COULD JUST-- 1011 00:34:15,233 --> 00:34:17,066 I WANT TO TALK ABOUT IT, I DON'T WANT TO, LIKE-- 1012 00:34:17,066 --> 00:34:18,533 I DON'T NEED TO ELEVATE. 1013 00:34:18,533 --> 00:34:21,433 LIKE, IF I SAY SOMETHING, AND EVEN IF YOU DON'T LOVE IT, 1014 00:34:21,433 --> 00:34:24,200 LIKE, JUST, LIKE, LET IT BREATHE AND LET'S-- 1015 00:34:24,200 --> 00:34:26,367 SO THAT DOESN'T REALLY WORK. 1016 00:34:26,367 --> 00:34:30,834 SO I INSTEAD JUST KIND OF DON'T SAY SOMETHING, AND INTERNALIZE, 1017 00:34:30,834 --> 00:34:32,400 BECAUSE IT'S NOT WORTH IT. - MM-HMM. 1018 00:34:32,400 --> 00:34:34,700 - AND I, LIKE, HOLD IT IN AND HAVE ALL THESE THOUGHTS 1019 00:34:34,700 --> 00:34:37,433 IN MY HEAD, AND THEN I-- I'M FINDING I DON'T REALLY 1020 00:34:37,433 --> 00:34:40,000 DISCUSS ANYTHING WITH ANY OF MY FRIENDS OR ANYTHING. 1021 00:34:40,000 --> 00:34:42,367 LIKE, I AM JUST FEELING MORE AND MORE ALONE. 1022 00:34:42,367 --> 00:34:44,433 I FEEL VERY, VERY ALONE RIGHT NOW, 1023 00:34:44,433 --> 00:34:46,633 LIKE I DON'T HAVE ANYBODY TO TALK TO. 1024 00:34:46,633 --> 00:34:48,500 [sniffles] 1025 00:34:48,500 --> 00:34:51,300 - WHAT DO YOU WANT TO TALK ABOUT? 1026 00:34:51,300 --> 00:34:55,066 - I JUST THINK THAT EVERYTHING IS--MUST BE MY FAULT, 1027 00:34:55,066 --> 00:34:56,700 AND THAT I'M WRONG ABOUT EVERYTHING, 1028 00:34:56,700 --> 00:34:59,967 AND THAT I'M THE ONE WHO'S [bleep] UP... 1029 00:34:59,967 --> 00:35:01,133 BECAUSE OF MY LIFE, 1030 00:35:01,133 --> 00:35:02,400 SO EVERYTHING HAS TO BE MY FAULT, 1031 00:35:02,400 --> 00:35:03,600 SO THERE'S NO POINT IN TALKING ABOUT IT, 1032 00:35:03,600 --> 00:35:04,900 BECAUSE WE ALL KNOW THE ANSWER, THAT IT'S ME, 1033 00:35:04,900 --> 00:35:07,266 AND THAT IT'S MY FAULT, AND THAT EVERYTHING'S-- 1034 00:35:07,266 --> 00:35:10,133 THAT I'M WRONG ABOUT EVERYTHING. 1035 00:35:10,133 --> 00:35:13,100 AND I SAY THAT TO JASON, I SAY, OKAY, LET'S JUST ASSUME 1036 00:35:13,100 --> 00:35:15,433 THAT EVERYTHING'S MY FAULT, AND I'M THE BROKEN ONE, 1037 00:35:15,433 --> 00:35:17,500 'CAUSE I--WE KNOW, BOTH HAVE ESTABLISHED 1038 00:35:17,500 --> 00:35:19,066 THAT I'M THE DAMAGED ONE. 1039 00:35:19,066 --> 00:35:20,533 BUT THEN, I DON'T KNOW WHAT TO DO WITH THAT INFORMATION. 1040 00:35:20,533 --> 00:35:22,934 LIKE, LET'S JUST EVEN SAY THAT THAT'S THE CASE, 1041 00:35:22,934 --> 00:35:24,166 I DON'T EVEN THEN KNOW WHAT TO DO ABOUT IT. 1042 00:35:24,166 --> 00:35:25,700 - MM-HMM. 1043 00:35:25,700 --> 00:35:27,367 WHEN YOU SAY TO SOMEONE, "OKAY, LET'S JUST ASSUME 1044 00:35:27,367 --> 00:35:29,100 "IT'S MY FAULT. 1045 00:35:29,100 --> 00:35:32,367 I'M THE ONE WHO'S ALL [bleep] UP, I'M THE ONE WHO'S AT FAULT," 1046 00:35:32,367 --> 00:35:35,133 WHAT YOU'RE SAYING IN A WAY IS, 1047 00:35:35,133 --> 00:35:37,166 "YOU BEAT ME." 1048 00:35:37,166 --> 00:35:40,433 "YOU'VE BEAT ME DOWN." 1049 00:35:43,633 --> 00:35:47,000 THERE'S SOME TISSUE RIGHT BEHIND YOU. 1050 00:35:51,667 --> 00:35:53,734 CAN WE TALK ABOUT YOUR FEELING OF FEAR 1051 00:35:53,734 --> 00:35:56,200 THAT YOU CAN'T TALK TO HIM? 1052 00:35:56,200 --> 00:35:58,700 - LET'S JUST SAY THAT I'M THE SNAPPIEST, 1053 00:35:58,700 --> 00:36:01,066 WORST PERSON IN THE WORLD. LET'S JUST ASSUME THAT, OKAY? 1054 00:36:01,066 --> 00:36:02,300 - [ahem] OKAY. - IF I HAVE THIS CON-- 1055 00:36:02,300 --> 00:36:03,367 LET'S JUST ASSUME THAT, LET'S TAKE THAT. 1056 00:36:03,367 --> 00:36:05,033 - YOU'RE A BITCH. 1057 00:36:05,033 --> 00:36:08,700 - I'M A TOTAL BITCH, AND I'M MOODY, AND I'M CONTROLLING, 1058 00:36:08,700 --> 00:36:11,233 AND HE WILL SAY TO ME, "BECAUSE YOU ARE DAMAGED, 1059 00:36:11,233 --> 00:36:13,567 "YOU WANT TO PULL ME TO THE PLACE 1060 00:36:13,567 --> 00:36:15,734 "WHERE YOU WANT ME TO BE AS DAMAGED AS YOU ARE 1061 00:36:15,734 --> 00:36:18,367 SO YOU FEEL BETTER ABOUT YOURSELF." 1062 00:36:18,367 --> 00:36:20,233 I'LL BE LIKE, "NO!" 1063 00:36:20,233 --> 00:36:21,800 AND HE'LL BE LIKE, "IT'S REALLY IMPORTANT TO YOU 1064 00:36:21,800 --> 00:36:24,467 THAT I'M NOT PERFECT, LIKE, YOU WANT TO PULL ME DOWN." 1065 00:36:24,467 --> 00:36:26,133 AND I'M LIKE, "I JUST WANT TO TALK ABOUT IT." 1066 00:36:26,133 --> 00:36:28,333 I JUST WANT TO SAY--HE'LL SAY, "YOU'RE SAYING I'M SIMPLE," 1067 00:36:28,333 --> 00:36:29,834 AND LIKE THAT I'M SIM-- AND THAT YOU'RE, AND I'M-- 1068 00:36:29,834 --> 00:36:31,200 AND "YOU'RE LIKE ATTACKING MY FAMILY," 1069 00:36:31,200 --> 00:36:32,633 AND I'M LIKE, "I'M NOT, I'M JUST SAYING 1070 00:36:32,633 --> 00:36:33,967 I WANT TO TALK ABOUT IT," LIKE-- 1071 00:36:33,967 --> 00:36:36,066 BUT, THE NEXT TIME I WON'T WANT TO BRING IT UP, 1072 00:36:36,066 --> 00:36:37,600 BECAUSE IT WILL GET HEATED, AND IT'S JUST-- 1073 00:36:37,600 --> 00:36:39,700 IT'S LIKE, WE'RE NOT-- WE DON'T HEAR EACH OTHER. 1074 00:36:39,700 --> 00:36:41,266 MAYBE, I'M NOT-- 1075 00:36:41,266 --> 00:36:44,967 HE MUST BELIEVE THAT I DON'T HEAR WHAT HE'S SAYING EITHER. 1076 00:36:48,467 --> 00:36:52,233 BUT HE DOES BELIEVE THAT MOST OF THIS IS REALLY ME. 1077 00:36:52,233 --> 00:36:56,900 AND SO, IN TURN, I BELIEVE THAT IT IS, 'CAUSE... 1078 00:36:56,900 --> 00:36:59,500 HE'S THE ONE WHO SEEMS LIKE THE MORE SENSIBLE PERSON 1079 00:36:59,500 --> 00:37:01,567 IN THE RELATIONSHIP. - OKAY, SO LET'S TAKE THAT. 1080 00:37:01,567 --> 00:37:02,667 - I MEAN, THAT'S THE TRUTH. THAT'S HOW I-- 1081 00:37:02,667 --> 00:37:05,133 - SO THEN LET'S TAKE THAT TRUTH. 1082 00:37:05,133 --> 00:37:07,600 YOU'VE--YOU BELIEVE IT'S MOSTLY YOU. 1083 00:37:07,600 --> 00:37:11,800 "IT" BEING THE PROBLEMS BETWEEN YOU AND YOUR HUSBAND. 1084 00:37:11,800 --> 00:37:17,767 SO, WHAT IS IT ABOUT YOU THAT YOU CAN CHANGE? 1085 00:37:17,767 --> 00:37:22,900 - I WOULD HAVE TO BE A DIFFERENT PERSON. 1086 00:37:22,900 --> 00:37:25,000 - YOU FEEL LIKE HE WANTS YOU TO BE SOMEONE YOU'RE NOT. 1087 00:37:25,000 --> 00:37:28,166 - IN WAYS...AND I THINK I WANT HIM TO BE SOMEONE HE'S NOT, TOO. 1088 00:37:28,166 --> 00:37:30,934 - OKAY, FAIR ENOUGH. 1089 00:37:30,934 --> 00:37:33,867 THAT'S A LONELY PLACE. 1090 00:37:33,867 --> 00:37:35,500 RIGHT? 1091 00:37:35,500 --> 00:37:37,500 I THINK WHAT YOU'RE SAYING IS THAT WHEN YOU TRY 1092 00:37:37,500 --> 00:37:41,066 TO CONNECT WITH HIM, 1093 00:37:41,066 --> 00:37:45,300 THE END RESULT LEAVES YOU FEELING LONELY, 1094 00:37:45,300 --> 00:37:47,867 AMONG OTHER THINGS. 1095 00:37:47,867 --> 00:37:49,467 - WHA--VERY--YEAH. - YEAH. 1096 00:37:49,467 --> 00:37:51,233 WHEN YOU SAID, "LOOK, I'M DAMAGED, 1097 00:37:51,233 --> 00:37:54,033 "LET'S ASSUME I'M DAMAGED, LET'S ASSUME I'M THE ONE 1098 00:37:54,033 --> 00:37:55,867 WHO'S BRINGING ALL THE PROBLEMS TO BEAR," 1099 00:37:55,867 --> 00:38:00,367 WHAT YOU'RE ALSO SAYING IS, "I AM COMPLETELY UNLOVABLE." 1100 00:38:00,367 --> 00:38:02,734 THERE'S NOTHING ABOUT ME... - I DON'T--I DON'T... 1101 00:38:02,734 --> 00:38:04,066 - THINK THAT THAT'S TRUE. - WORTH LOVING. 1102 00:38:04,066 --> 00:38:07,333 - I REALLY DON'T. 1103 00:38:07,333 --> 00:38:09,967 - I DON'T THINK THAT'S TRUE ABOUT YOU, EITHER. 1104 00:38:09,967 --> 00:38:12,066 BUT YOU'RE STUCK BETWEEN A ROCK AND A HARD PLACE, 1105 00:38:12,066 --> 00:38:14,066 BECAUSE WHEN YOU TALK TO ME ABOUT YOUR DIFFICULTIES 1106 00:38:14,066 --> 00:38:17,467 IN YOUR MARRIAGE, YOU TELL ME ABOUT YOUR FEELINGS, 1107 00:38:17,467 --> 00:38:22,200 BUT THEN YOU CUT YOURSELF OFF, AND YOU QUICKLY TELL ME, 1108 00:38:22,200 --> 00:38:25,433 "BUT JASON IS GOOD IN THIS WAY, AND THAT WAY," OKAY? 1109 00:38:25,433 --> 00:38:27,266 - OH, YOU DON'T EVEN-- IT GOES SO MUCH FURTHER. 1110 00:38:27,266 --> 00:38:28,767 IN MY HEAD RIGHT NOW, WHAT I WAS JUST THINKING 1111 00:38:28,767 --> 00:38:30,433 AS I WAS PLAYING WITH MY MITTEN, - YEAH, TELL ME. 1112 00:38:30,433 --> 00:38:33,767 - I WAS THINKING ABOUT THE FACT THAT I WILL THINK 1113 00:38:33,767 --> 00:38:38,100 WAY MORE THAN I WILL SAY TO JASON, LIKE, I CAN'T BELIEVE, 1114 00:38:38,100 --> 00:38:39,734 LIKE, THAT I FEEL BADLY 1115 00:38:39,734 --> 00:38:44,133 FOR HIM, BECAUSE... 1116 00:38:44,133 --> 00:38:48,000 [sniffles] 1117 00:38:48,000 --> 00:38:52,133 LIKE, I JUST... 1118 00:38:52,133 --> 00:38:56,000 SOMETIMES FEEL LIKE... 1119 00:38:56,000 --> 00:38:59,433 LIKE I SHOULD SET HIM FREE, BECAUSE HE... 1120 00:38:59,433 --> 00:39:01,567 - CAN I INTERJECT? - [sniffling] 1121 00:39:01,567 --> 00:39:02,767 - NO WONDER YOU DON'T WANT TO TALK ABOUT THIS 1122 00:39:02,767 --> 00:39:06,300 WITH OTHER PEOPLE. 1123 00:39:06,300 --> 00:39:09,000 LOOK AT HOW UNLOVABLE YOU ARE. 1124 00:39:09,000 --> 00:39:11,500 HE'S UNLUCKY TO HAVE FALLEN IN LOVE WITH YOU. 1125 00:39:11,500 --> 00:39:12,633 - I THINK THAT. 1126 00:39:12,633 --> 00:39:14,500 - I KNOW YOU DO. I HEAR IT. 1127 00:39:18,567 --> 00:39:20,300 DO YOU BELIEVE IT? 1128 00:39:20,300 --> 00:39:23,400 DO YOU REALLY BELIEVE IT? 1129 00:39:23,400 --> 00:39:27,567 - IT'S--IN MANY WAYS, YES. 1130 00:39:27,567 --> 00:39:29,333 - YOU'RE STUCK BEHIND ENEMY LINES. 1131 00:39:29,333 --> 00:39:30,967 YOU'RE STUCK BETWEEN YOUR EARS. 1132 00:39:30,967 --> 00:39:32,300 YOU'RE THINKING ABOUT WHAT HE'S THINKING, AND HE'S NOT-- 1133 00:39:32,300 --> 00:39:35,567 YOU KNOW, AND I SEE YOU GOING AROUND AND AROUND, 1134 00:39:35,567 --> 00:39:38,000 AND IT'S ALL SPRINGING FROM THAT DECISION, 1135 00:39:38,000 --> 00:39:39,066 "I'M NOT GONNA TALK ABOUT IT, 1136 00:39:39,066 --> 00:39:41,467 BECAUSE I FEEL DEFEATED IF I EVEN TRY." 1137 00:39:41,467 --> 00:39:44,367 BY ISOLATING YOURSELF, 1138 00:39:44,367 --> 00:39:47,533 YOU'RE GONNA BE MISERABLE. 1139 00:39:54,333 --> 00:39:55,834 - COMING UP... 1140 00:39:55,834 --> 00:39:57,200 - IT'S BEEN, LIKE, ONE OF THE HARDEST YEARS OF MY LIFE. 1141 00:39:57,200 --> 00:39:58,934 - OKAY, SO THAT MAKES YOU HUMAN. 1142 00:39:58,934 --> 00:40:03,100 THE TRUE TEST OF CHARACTER ISN'T HOW YOU ARE ON YOUR BEST DAYS. 1143 00:40:03,100 --> 00:40:04,800 IT'S HOW ARE YOU ON YOUR WORST DAYS, 1144 00:40:04,800 --> 00:40:06,967 OR WHEN THINGS DON'T GO RIGHT. 1145 00:40:18,233 --> 00:40:19,700 - HELLO. - HI, HOW ARE YOU? 1146 00:40:19,700 --> 00:40:21,500 - HOW ARE YOU, BETHENNY? 1147 00:40:21,500 --> 00:40:22,934 IT'S SO NICE TO MEET YOU TOO. - IT'S SO NICE TO MEET YOU. 1148 00:40:22,934 --> 00:40:24,333 - GOOD, THANK YOU. - JACKIE. 1149 00:40:24,333 --> 00:40:26,133 - HEY, HOW ARE YOU? - HI, JACKIE, HOW ARE YOU? 1150 00:40:26,133 --> 00:40:27,400 IT'S NICE TO MEET YOU. 1151 00:40:27,400 --> 00:40:28,533 WE'RE SO EXCITED TO BE WORKING WITH YOU, YEAH. 1152 00:40:28,533 --> 00:40:30,433 - OH, THANK YOU. 1153 00:40:30,433 --> 00:40:32,567 TODAY IS MY SELF MAGAZINE PHOTO SHOOT. 1154 00:40:32,567 --> 00:40:35,567 SELF MAGAZINE ASKED ME TO BE ON THEIR COVER. 1155 00:40:35,567 --> 00:40:37,166 IT'S AN HONOR. IT'S REALLY EXCITING. 1156 00:40:37,166 --> 00:40:38,600 IT'S ANOTHER LEVEL FOR ME, 1157 00:40:38,600 --> 00:40:40,934 AND I'M NOT TAKING IT LIGHTLY. 1158 00:40:40,934 --> 00:40:43,700 - OOH, THIS FEELS LIKE A FRESH, ALL THOSE COLORS, LIKE SPRING, 1159 00:40:43,700 --> 00:40:45,266 LIKE A FRESH SIGN OF THE TIMES. 1160 00:40:45,266 --> 00:40:48,467 - WHERE'S OUR COVER GIRL? - HI. 1161 00:40:48,467 --> 00:40:50,300 - YOU LOOK SO GORGEOUS. - WAIT. 1162 00:40:50,300 --> 00:40:52,433 LUCY DANZIGER IS THE EDITOR-IN-CHIEF 1163 00:40:52,433 --> 00:40:53,934 OF SELF MAGAZINE. 1164 00:40:53,934 --> 00:40:58,100 SHE'S JUST A VERY POWERFUL WOMAN, INSIDE AND OUT, 1165 00:40:58,100 --> 00:40:59,200 AND SHE'S INSPIRING. 1166 00:40:59,200 --> 00:41:00,600 - WE'RE REALLY AN ADVOCATE FOR WOMEN, 1167 00:41:00,600 --> 00:41:02,633 SO WHEN WE ASKED YOU TO BE ON OUR COVER, 1168 00:41:02,633 --> 00:41:04,800 IT'S BECAUSE WE BELIEVE IN YOU, 1169 00:41:04,800 --> 00:41:07,266 AND YOUR MESSAGE, AND WE WANT YOU TO HELP US 1170 00:41:07,266 --> 00:41:09,133 HELP OTHER WOMEN BE THEIR BEST SELVES. 1171 00:41:09,133 --> 00:41:11,100 AND BEING FLAWED IS PART OF THAT. 1172 00:41:11,100 --> 00:41:12,567 - WELL, I'M VERY FLAWED. 1173 00:41:12,567 --> 00:41:14,467 LIKE, IRONICALLY, ALL THESE AMAZING THINGS HAPPENED, 1174 00:41:14,467 --> 00:41:15,967 BUT IT'S BEEN, LIKE, ONE OF THE HARDEST YEARS OF MY LIFE, 1175 00:41:15,967 --> 00:41:18,033 AND YOU'D NEVER BELIEVE THAT. - OKAY, SO THAT MAKES YOU HUMAN. 1176 00:41:18,033 --> 00:41:20,000 IF PEOPLE AREN'T READY TO BE VULNERABLE, AND SAY, 1177 00:41:20,000 --> 00:41:22,633 "I HAVE THESE WEAKNESSES, AND HERE IS HOW I OVERCAME THEM," 1178 00:41:22,633 --> 00:41:24,600 THEN WE CAN NEVER TEACH EACH OTHER. 1179 00:41:24,600 --> 00:41:26,533 - ABSOLUTELY. 1180 00:41:26,533 --> 00:41:29,333 THE LAST COUPLE OF MONTHS HAS BEEN A LOT OF GROWING PAINS, 1181 00:41:29,333 --> 00:41:31,367 PERSONALLY AND PROFESSIONALLY. 1182 00:41:31,367 --> 00:41:33,934 JASON AND I HAVE GONE THROUGH AN EMOTIONAL PERIOD. 1183 00:41:33,934 --> 00:41:37,100 THE TRUTH OF THE MATTER IS, I DO NOT HAVE THE PERFECT MARRIAGE. 1184 00:41:37,100 --> 00:41:38,767 I DON'T KNOW THAT THERE IS SUCH A THING. 1185 00:41:38,767 --> 00:41:40,900 YOU KNOW, EVERYONE'S GOT THEIR STUFF. 1186 00:41:40,900 --> 00:41:42,900 EVERYONE'S JUST TRYING TO FIGURE IT OUT. 1187 00:41:42,900 --> 00:41:44,433 - AND YOU KNOW WHAT? HERE'S THE THING. 1188 00:41:44,433 --> 00:41:47,166 PEOPLE ARE SHOCKED WHEN I SAY, YOU KNOW, "I'VE BEEN FIRED, 1189 00:41:47,166 --> 00:41:50,133 AND I'VE BEEN FOLDED, AND, HEY, I'M BACK." 1190 00:41:50,133 --> 00:41:52,500 YOU'VE GOT TO LEARN HOW TO PICK YOURSELF UP, 1191 00:41:52,500 --> 00:41:55,033 AND DUST YOURSELF OFF, AND GET BACK AT IT, 1192 00:41:55,033 --> 00:41:56,667 WHATEVER YOU BELIEVE IN, YOU KNOW? 1193 00:41:56,667 --> 00:41:58,834 BECAUSE, THERE'S ALWAYS GONNA BE LUMPS. 1194 00:41:58,834 --> 00:42:00,800 - BUT YOU COULDN'T--I COULDN'T HAVE SAID IT BETTER MYSELF. 1195 00:42:00,800 --> 00:42:02,800 - THE TRUE TEST OF CHARACTER 1196 00:42:02,800 --> 00:42:04,734 ISN'T HOW YOU ARE ON YOUR BEST DAYS, 1197 00:42:04,734 --> 00:42:06,800 IT'S HOW ARE YOU ON YOUR WORST DAYS, 1198 00:42:06,800 --> 00:42:08,033 OR WHEN THINGS DON'T GO RIGHT. 1199 00:42:08,033 --> 00:42:09,867 HERE'S HOW I ANSWER CRITICISM, 1200 00:42:09,867 --> 00:42:11,600 HERE'S HOW I'M GONNA CHANGE WHAT I'M DOING, 1201 00:42:11,600 --> 00:42:13,200 OR, HERE'S HOW I'M NOT GONNA CHANGE WHAT I'M DOING, 1202 00:42:13,200 --> 00:42:14,467 'CAUSE I BELIEVE IN WHAT I'M DOING, 1203 00:42:14,467 --> 00:42:16,367 AND I WOULD LIKE YOU TO GET THAT MESSAGE. 1204 00:42:16,367 --> 00:42:17,500 - IT'S TRUE. 1205 00:42:17,500 --> 00:42:18,633 - WE WANT YOU TO DO THAT WITH SELF. 1206 00:42:18,633 --> 00:42:20,300 - IT'S TRUE. - WE--WE BELIEVE IN YOU. 1207 00:42:20,300 --> 00:42:21,500 - IT'S TRUE. 1208 00:42:21,500 --> 00:42:22,967 - WE BELIEVE IN EVERYTHING YOU'RE DOING. 1209 00:42:22,967 --> 00:42:25,000 - OH, SORRY. - WELL, THANK YOU FOR THE WINE. 1210 00:42:25,000 --> 00:42:26,300 OH, YOU'RE WELCOME. THANK YOU FOR THE COVER. 1211 00:42:26,300 --> 00:42:28,066 THAT'S THE BEST OF ALL THESE. - I LIKE THAT. 1212 00:42:28,066 --> 00:42:29,633 - YEAH, LET'S DO IT. 1213 00:42:29,633 --> 00:42:31,400 - I'M GOOD TO GO. READY? 1214 00:42:31,400 --> 00:42:34,834 - YOU LOOK BEAUTIFUL. - THANK YOU. 1215 00:42:34,834 --> 00:42:36,166 - NICE. 1216 00:42:36,166 --> 00:42:38,333 YUP, GOOD. 1217 00:42:38,333 --> 00:42:39,767 NICE. 1218 00:42:39,767 --> 00:42:42,033 VERY NICE. GOOD. 1219 00:42:42,033 --> 00:42:44,867 OH, MY GOD, THAT'S THE BEST SMILE. 1220 00:42:44,867 --> 00:42:47,633 VERY GOOD. 1221 00:42:47,633 --> 00:42:49,233 NICE, GOOD. 1222 00:42:49,233 --> 00:42:50,400 GORGEOUS. 1223 00:42:50,400 --> 00:42:51,567 - OH, MY GOD. 1224 00:42:51,567 --> 00:42:52,734 - WHAT, WE GOT IT? 1225 00:42:52,734 --> 00:42:55,900 - WE LOVE BETHENNY. 1226 00:42:55,900 --> 00:42:58,967 - THANK YOU, I'VE GOT IT. 1227 00:42:58,967 --> 00:43:00,200 - YAY! THANK YOU. 1228 00:43:00,200 --> 00:43:02,934 - THANK YOU. 1229 00:43:02,934 --> 00:43:05,533 THIS IS GONNA BE THE BEST-SELLING COVER IN HISTORY. 1230 00:43:08,166 --> 00:43:10,967 - NEXT ON BETHENNY EVER AFTER... 1231 00:43:14,000 --> 00:43:15,266 - WELCOME TO YOUR SUITE. 1232 00:43:15,266 --> 00:43:17,100 - WOW, WHAT A VIEW. - WOW. 1233 00:43:17,100 --> 00:43:18,200 I JUST WANT SOME-- 1234 00:43:18,200 --> 00:43:20,467 LIKE, I WANT, LIKE, SOME CALM AND PEACE. 1235 00:43:20,467 --> 00:43:21,734 - I WANT THE SAME. 1236 00:43:21,734 --> 00:43:23,500 YOU THINK I WANT TO ARGUE WITH YOU ALL THE TIME? 1237 00:43:23,500 --> 00:43:24,767 - NO. 1238 00:43:24,767 --> 00:43:26,800 - HOUSTON, THIS IS BRYN, AND THAT'S... 1239 00:43:26,800 --> 00:43:27,834 - MEETING BOYFRIENDS ON VACATION, 1240 00:43:27,834 --> 00:43:29,400 THAT'S WHAT THEY'RE FOR. 1241 00:43:29,400 --> 00:43:31,066 LOOK AT THIS, LOOK AT HER GOING IN. 1242 00:43:31,066 --> 00:43:33,066 GET IN THERE. GET IN THERE, BRYN. 1243 00:43:33,066 --> 00:43:34,667 HE HAS SO MUCH ANGER TOWARDS ME, 1244 00:43:34,667 --> 00:43:36,734 HE HAS SO MUCH ANIMOSITY TOWARDS ME, THAT'S THE THING. 1245 00:43:36,734 --> 00:43:38,734 LIKE, I'M LOOKING AT HIM LIKE, "WHY DO YOU HATE ME SO MUCH?" 1246 00:43:38,734 --> 00:43:40,033 HE'S JUST SO ANGRY AT ME. 1247 00:43:40,033 --> 00:43:41,834 HE'LL SAY, "I HOPE YOU GET WHAT YOU DESERVE." 1248 00:43:41,834 --> 00:43:43,600 AND I'M LIKE, "THAT MEANS YOU'RE WISHING ME BAD." 1249 00:43:43,600 --> 00:43:45,266 LIKE, THAT'S BAD, THAT'S NOT GOOD. 1250 00:43:45,266 --> 00:43:48,467 I CAN'T, PHYSICALLY, ARGUE ANY MORE. 1251 00:43:48,467 --> 00:43:50,934 - 'CAUSE IT'S THE SAME NONSENSE. 1252 00:43:50,934 --> 00:43:52,867 - I DON'T SEE THAT CHANGING. 1253 00:43:52,867 --> 00:43:55,033 - WHY AM I HERE DOING THIS? 1254 00:43:55,033 --> 00:43:56,667 - YOU DON'T HAVE TO DO ANYTHING YOU DON'T WANT TO DO. 1255 00:43:56,667 --> 00:43:58,300 I KEEP TELLING YOU, "PLEASE STOP MAKING ME FEEL 1256 00:43:58,300 --> 00:43:59,300 LIKE I'M A BAD PERSON." 1257 00:43:59,300 --> 00:44:00,467 YOU DON'T HAVE TO BE HERE. 1258 00:44:00,467 --> 00:44:02,333 I'M JUST TRYING TO MAKE THE VACATION BETTER. 1259 00:44:02,333 --> 00:44:06,000 TO LEARN MORE ABOUT BETHENNY EVER AFTER, GO TO BRAVOTV.COM.