1 00:00:03,166 --> 00:00:04,633 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,633 --> 00:00:06,300 WE'RE GONNA MAKE A NEW INSTRUMENT. 3 00:00:06,300 --> 00:00:08,967 INSTEAD OF BREAST IMPLANTS, WE'LL PUT THESE IN THERE. 4 00:00:08,967 --> 00:00:10,100 SO WHEN I MOVE 'EM, THEY MAKE NOISE. 5 00:00:10,100 --> 00:00:12,533 [drumming] NO? 6 00:00:12,533 --> 00:00:13,934 - I LOVE IT. 7 00:00:13,934 --> 00:00:15,400 - THESE ARE A LITTLE ROUGH. 8 00:00:15,400 --> 00:00:17,900 - THE BOAT'S GOING LIKE THIS. 9 00:00:17,900 --> 00:00:19,633 AND OH, MY GOD. 10 00:00:19,633 --> 00:00:21,367 STOP IT WITH THE BOATS. 11 00:00:21,367 --> 00:00:23,233 - I COULDN'T BASE MY LIFE ON, LIKE, WHAT'S GONNA HAPPEN 12 00:00:23,233 --> 00:00:25,233 IN EIGHT MONTHS. - I GIVE YOU CREDIT. 13 00:00:25,233 --> 00:00:28,300 YOU'RE MAKING A DECISION AND GOING FOR IT, YOU KNOW. 14 00:00:28,300 --> 00:00:30,700 SOMETIMES CHANGE IS DIFFICULT. 15 00:00:30,700 --> 00:00:33,100 I DON'T FEEL THREATENED BY WHAT YOU'RE DOING. 16 00:00:33,100 --> 00:00:34,567 - DO NOT FEEL THREATENED. 17 00:00:34,567 --> 00:00:35,667 YOU'RE STARTING TO RESENT ME A LITTLE BIT. YOU ARE. 18 00:00:35,667 --> 00:00:36,767 - YOU'RE RIGHT. 19 00:00:36,767 --> 00:00:37,867 THERE HAS BEEN A LITTLE RESENTMENT. 20 00:00:37,867 --> 00:00:40,000 GENDER ROLES IS A BIG THING WITH US. 21 00:00:40,000 --> 00:00:43,600 AS A MAN, I NEVER THOUGHT I'D BE IN A SITUATION 22 00:00:43,600 --> 00:00:47,734 WHERE MY WIFE FINANCIALLY WAS THIS SUCCESSFUL. 23 00:00:47,734 --> 00:00:49,133 - I JUST WANT YOU TO BE HAPPY. 24 00:00:49,133 --> 00:00:52,133 - I'M TRYING TO BE, BUT I FEEL I'M BEING JUDGED 25 00:00:52,133 --> 00:00:57,900 FOR THE FACT THAT I DIDN'T MAKE IT. 26 00:00:57,900 --> 00:01:00,867 [upbeat music] 27 00:01:00,867 --> 00:01:07,767 ♪♪ ♪♪ 28 00:01:20,266 --> 00:01:22,834 - MORNING. - HI. 29 00:01:22,834 --> 00:01:24,767 - HOW ARE YOU? - I'M GOOD. HOW ARE YOU? 30 00:01:24,767 --> 00:01:26,767 - GOOD. 31 00:01:26,767 --> 00:01:29,900 - UM, DID YOU KNOW MAGGIE QUIT? 32 00:01:29,900 --> 00:01:31,333 - I GOT A TEXT FROM MAGGIE THIS MORNING 33 00:01:31,333 --> 00:01:32,800 THAT SHE WAS GOING TO EMAIL YOU SOMETHING. 34 00:01:32,800 --> 00:01:36,500 - YEAH, UM, THIS IS WHAT I GOT THIS MORNING. 35 00:01:36,500 --> 00:01:37,834 "DEAR BETHENNY, I WANT TO START OFF 36 00:01:37,834 --> 00:01:39,834 "BY SAYING THANK YOU SO MUCH FOR THIS OPPORTUNITY. 37 00:01:39,834 --> 00:01:41,300 "I'M GRATEFUL FOR THE TIME I WAS ABLE 38 00:01:41,300 --> 00:01:43,200 "TO SPEND LEARNING AND WORKING FOR YOUR BUSINESS. 39 00:01:43,200 --> 00:01:45,033 "THANK YOU FOR OPENING UP YOUR FAMILY TO ME. 40 00:01:45,033 --> 00:01:46,900 "WITH THAT BEING SAID, AFTER MUCH CONSIDERATION, 41 00:01:46,900 --> 00:01:48,900 "I'VE DECIDED TO TAKE ANOTHER JOB THAT I WAS OFFERED. 42 00:01:48,900 --> 00:01:51,233 "I WISH YOU AND YOUR FAMILY CONTINUED SUCCESS 43 00:01:51,233 --> 00:01:52,533 IN THE FUTURE." 44 00:01:52,533 --> 00:01:54,800 I JUST DON'T EVEN KNOW WHAT THE HELL HAPPENED. 45 00:01:54,800 --> 00:01:56,433 WE DID INVITE HER ON A VACATION 46 00:01:56,433 --> 00:01:57,834 TO GO PADDLE BOARDING AND ON A BOAT? 47 00:01:57,834 --> 00:01:59,600 IT WASN'T THAT STRESSFUL. 48 00:01:59,600 --> 00:02:01,033 - IF THAT'S WHAT TICKED HER OFF, IT'S GOOD, YOU KNOW? 49 00:02:01,033 --> 00:02:03,400 - [laughs] - LIKE, IF YOU CAN'T DO IT-- 50 00:02:03,400 --> 00:02:05,467 - PADDLE BOARDING CAN BE VERY STRESSFUL. 51 00:02:05,467 --> 00:02:08,867 - I MEAN, I HAS A SERIOUS INJURY. THAT'S WHY I'M QUITTING. 52 00:02:08,867 --> 00:02:10,567 I PREDICTED THE INJURY. 53 00:02:10,567 --> 00:02:13,600 - I PREDICTED THE QUITTING. - [laughs] 54 00:02:13,600 --> 00:02:15,000 - COME HERE. 55 00:02:15,000 --> 00:02:17,934 WHAT? 56 00:02:17,934 --> 00:02:19,667 OKAY, ALL RIGHT, GO OVER THERE. 57 00:02:19,667 --> 00:02:21,600 GO OVER THERE. - I'M SORRY, I'M SO, SO SORRY. 58 00:02:21,600 --> 00:02:23,800 - DON'T BE SORRY. OH, MY GOD. 59 00:02:23,800 --> 00:02:24,934 SHE'S GONNA QUIT TOMORROW, THAT'S FOR SURE. 60 00:02:24,934 --> 00:02:26,200 I DON'T KNOW WHAT EVEN HAPPENED. 61 00:02:26,200 --> 00:02:27,500 DID SHE EVEN TELL YOU GUYS? 62 00:02:27,500 --> 00:02:29,100 - I THINK SHE WAS JUST OVERWHELMED BY-- 63 00:02:29,100 --> 00:02:30,600 BY EVERYTHING, I THINK 64 00:02:30,600 --> 00:02:33,567 THAT SHE MAYBE WASN'T READY FOR THIS INTENSE OF A JOB. 65 00:02:33,567 --> 00:02:34,934 MAYBE SHE NEEDS MORE STRUCTURE. 66 00:02:34,934 --> 00:02:36,300 LIKE, IT'S NOT NORMAL HERE. 67 00:02:36,300 --> 00:02:37,467 AND I THINK THAT MAYBE SHE REALIZED THAT 68 00:02:37,467 --> 00:02:38,667 ON THE VACATION TOO. 69 00:02:38,667 --> 00:02:40,900 WE'RE ALL, LIKE, IN IT ALL THE TIME. 70 00:02:40,900 --> 00:02:44,533 MAYBE I SHOULD HAVE REALIZED THAT MAGGIE WASN'T GOING 71 00:02:44,533 --> 00:02:46,734 TO BE A GOOD FIT, BUT I THOUGHT SHE COULD DO IT. 72 00:02:46,734 --> 00:02:48,266 YOU KNOW, SHE COULDN'T. 73 00:02:48,266 --> 00:02:51,433 THERE WAS MOMENTS WHERE BETHENNY DIDN'T THINK I COULD DO IT. 74 00:02:51,433 --> 00:02:52,600 I DIDN'T LEAVE THOUGH. 75 00:02:52,600 --> 00:02:53,734 I'M HAPPY I CAN SHOW EVERYTHING TO JACKIE, 76 00:02:53,734 --> 00:02:54,767 AND THEN SHE CAN JUST BE IN CHARGE. 77 00:02:54,767 --> 00:02:57,266 AND THEN JASON CAN HOPEFULLY HELP. 78 00:02:57,266 --> 00:02:58,867 I DON'T KNOW WHAT YOU TWO HAVE DISCUSSED. 79 00:02:58,867 --> 00:03:01,266 BUT IF THAT'S WHAT HE'S GONNA DO, 80 00:03:01,266 --> 00:03:02,734 THEN YOU GUYS HAVE TO MAKE THAT DECISION. 81 00:03:02,734 --> 00:03:03,800 AND NO MATTER WHAT, THAT'S WHAT'S HAPPENING. 82 00:03:03,800 --> 00:03:06,200 - I KNOW. I HAVE MADE THAT DECISION. 83 00:03:06,200 --> 00:03:08,266 - BUT NO MATTER WHAT-- - NO, I UNDERSTAND. 84 00:03:08,266 --> 00:03:10,066 HE WANTS TO DO IT WORSE THAN ANYTHING. 85 00:03:10,066 --> 00:03:12,333 AND HE'S INSERTING HIMSELF. 86 00:03:12,333 --> 00:03:14,133 AND SO WHAT IF HE DOESN'T HAVE ANYTHING TO DO 87 00:03:14,133 --> 00:03:15,500 EIGHT HOURS A DAY EVERY DAY? 88 00:03:15,500 --> 00:03:17,000 - HE WILL. - YOU THINK SO? 89 00:03:17,000 --> 00:03:18,400 - YEAH. YES. - EVERY DAY? 90 00:03:18,400 --> 00:03:19,734 HE HAS TO BE INVOLVED IN THE MINUTIA THEN. 91 00:03:19,734 --> 00:03:22,467 THE PROBLEM IS HE DOES SOMETHING, AND THEN HE EMAILS ME 92 00:03:22,467 --> 00:03:23,700 TO LOOK AT THE ENTIRE THING 93 00:03:23,700 --> 00:03:24,700 TO SEE IF IT'S THE RIGHT THING TO DO, 94 00:03:24,700 --> 00:03:26,033 AND I'M LIKE, "JUST DO IT." 95 00:03:26,033 --> 00:03:28,000 JASON CHECKS IN WITH ME 96 00:03:28,000 --> 00:03:29,800 BEFORE HE ULTIMATELY MAKES A DECISION. 97 00:03:29,800 --> 00:03:33,834 IF JASON WERE FULLY, 100% IN, AND WE HAD A DAY-TO-DAY RHYTHM, 98 00:03:33,834 --> 00:03:35,333 THEN I WOULD LET GO A LITTLE BIT. 99 00:03:35,333 --> 00:03:38,600 BUT WHEN YOU'RE DIPPING IN AND OUT, AFTER WORK, 100 00:03:38,600 --> 00:03:41,667 YOU'RE NOT IN THE FLOW, YOU DON'T KNOW THE DYNAMIC. 101 00:03:41,667 --> 00:03:43,500 - WELL, I KNOW, I THINK WE CAN TALK ABOUT IT MORE. 102 00:03:43,500 --> 00:03:46,166 JACKIE AND I PLANNED A MEETING FOR US TO ALL GO OVER-- 103 00:03:46,166 --> 00:03:47,867 - I THINK HE'D BE GREAT. HE'D BE RUNNING-- 104 00:03:47,867 --> 00:03:49,633 HE'D BE YOUR BOSS. I MEAN, THAT'S THE THING. 105 00:03:49,633 --> 00:03:51,800 YOU KNOW, HE'D BE THE PERSON BETWEEN ME AND EVERYBODY ELSE 106 00:03:51,800 --> 00:03:54,800 BECAUSE I DO THINK THERE NEEDS TO BE SOMEONE, 107 00:03:54,800 --> 00:03:56,367 LIKE, RUNNING EVERYTHING, 108 00:03:56,367 --> 00:03:59,433 MAKING SURE EVERYONE'S DOING WHAT THEY NEED TO BE DOING. 109 00:03:59,433 --> 00:04:01,000 EVEN ME, IN A WAY. - I THINK IT'S IMPORTANT 110 00:04:01,000 --> 00:04:02,700 FOR THE PROJECTS, THE DEALS, LIKE THAT KIND OF STUFF. 111 00:04:02,700 --> 00:04:04,333 - I'M TIRED. 112 00:04:04,333 --> 00:04:06,367 I'M REALLY TIRED, AND I'M, LIKE, RETHINKING EVERYTHING. 113 00:04:06,367 --> 00:04:07,667 AND I'M JUST-- I'M TIRED. 114 00:04:07,667 --> 00:04:10,200 - ALL RIGHT. LET'S START THE DAY. 115 00:04:10,200 --> 00:04:14,033 - OKAY, START THE DAY. 116 00:04:14,033 --> 00:04:16,233 - [sighs] 117 00:04:37,400 --> 00:04:38,567 - HI. NOBODY'S HERE. 118 00:04:38,567 --> 00:04:40,233 OH, I LIKE THE POPCORN MACHINE. 119 00:04:40,233 --> 00:04:41,934 THAT'S LIKE A NICE-- - SWEET. 120 00:04:41,934 --> 00:04:43,133 - THIS IS A NICE PLACE. 121 00:04:43,133 --> 00:04:45,066 I DIDN'T THINK THAT TILE PLACES WERE LIKE-- 122 00:04:45,066 --> 00:04:46,033 I THOUGHT THEY WERE MORE INDUSTRIAL. 123 00:04:46,033 --> 00:04:47,567 - IT'S FANCY. 124 00:04:47,567 --> 00:04:49,700 - I'VE BEEN TO WATERWORKS, I'VE BEEN TO A STONE YARD. 125 00:04:49,700 --> 00:04:51,834 THIS IS THE TILE PLACE WHERE I AM GOING 126 00:04:51,834 --> 00:04:53,667 TO TIE IT ALL TOGETHER. 127 00:04:53,667 --> 00:04:55,667 I DON'T WANT THIS TO LOOK LIKE A MAUSOLEUM. 128 00:04:55,667 --> 00:04:56,800 I'VE BEEN IN APARTMENTS WHERE IT'S LIKE, 129 00:04:56,800 --> 00:04:58,133 [raspy] "IT'S ALL MARBLE! 130 00:04:58,133 --> 00:05:00,834 "IT'S MARBLE HEAD-TO-TOE! MARBLE, MARBLE, MARBLE. 131 00:05:00,834 --> 00:05:02,133 YOU SEE THE MARBLE FLOORS? THE MARBLE BA--?" 132 00:05:02,133 --> 00:05:03,400 LIKE, THAT'S NOT ME. 133 00:05:03,400 --> 00:05:06,066 LIKE, I DON'T WANT IT TO BE A MARBLE PALACE. 134 00:05:06,066 --> 00:05:07,567 I JUST WANT TO GET INVOLVED, 135 00:05:07,567 --> 00:05:10,033 AND I WANT THIS BATHROOM TO REPRESENT WHO WE ACTUALLY ARE. 136 00:05:10,033 --> 00:05:11,667 - THIS IS LISA. SHE'S GONNA HELP YOU. 137 00:05:11,667 --> 00:05:12,834 - NICE TO MEET YOU. - PLEASURE TO MEET YOU. 138 00:05:12,834 --> 00:05:13,934 - HOW ARE YOU? - VERY WELL, HOW ARE YOU? 139 00:05:13,934 --> 00:05:15,300 - GOOD. ALL RIGHT, SO WHAT ARE WE DOING? 140 00:05:15,300 --> 00:05:16,934 WHAT ARE WE THINKING? 141 00:05:16,934 --> 00:05:19,533 - THE MOST IMPORTANT THING IS THE MASTER BATH TILES. 142 00:05:19,533 --> 00:05:21,533 - THIS IS OUR OWN COLLECTION. 143 00:05:21,533 --> 00:05:23,800 I IMPORT THIS FROM CROATIA. NOBODY ELSE HAS THIS. 144 00:05:23,800 --> 00:05:25,800 - ARE YOU CROATIAN? - YES. 145 00:05:25,800 --> 00:05:29,066 - IS THAT A BIG THING IN CROATIA? LIKE, TILES? 146 00:05:29,066 --> 00:05:30,533 - NO. - NO, I DIDN'T KNOW. 147 00:05:30,533 --> 00:05:31,834 YOU KNOW WHAT I'M SAYING? - LIKE, I MEAN-- 148 00:05:31,834 --> 00:05:33,066 - LIKE RUSSIANS ARE INTO VODKA, 149 00:05:33,066 --> 00:05:34,400 I DIDN'T KNOW IF CROATIANS ARE INTO TILE. 150 00:05:34,400 --> 00:05:37,633 both: WE LIKE VODKA. - OH, OKAY, VODKA AND TILE. 151 00:05:37,633 --> 00:05:39,133 WE ALSO LIKE WINE AND COGNAC AND EVERYTHING ELSE. 152 00:05:39,133 --> 00:05:41,100 - OKAY. ALL RIGHT, GOOD. 153 00:05:41,100 --> 00:05:43,033 - I KNEW WE SHOULD HAVE BROUGHT SOME ALCOHOL. 154 00:05:43,033 --> 00:05:45,000 - NO, I HAVE PLENTY HERE. - PERFECT. [laughs] 155 00:05:45,000 --> 00:05:47,867 - WE SHOULD DO A SHOT. - YEAH, YEAH, LET'S DO IT. 156 00:05:47,867 --> 00:05:51,834 - ALL RIGHT, PERFECT. AFTER WE PICK OUT OUR TILES. 157 00:05:53,266 --> 00:05:54,500 - LIKE THIS ONE HAS ALL THESE FOSSILS IN IT. 158 00:05:54,500 --> 00:05:55,934 IT'S KIND OF INTERESTING. 159 00:05:55,934 --> 00:05:58,000 - IS THERE ANYTHING ELSE THAT COULD GO WITH THAT FLOOR? 160 00:05:58,000 --> 00:05:59,200 MAYBE YOU HAVE OTHER SLABS? 161 00:05:59,200 --> 00:06:00,233 I JUST WANT-- CAN WE LOOK AROUND? 162 00:06:00,233 --> 00:06:01,467 - SURE. - YOU KNOW. 163 00:06:01,467 --> 00:06:03,033 LIKE, EVEN, I DON'T KNOW ANYTHING. 164 00:06:03,033 --> 00:06:04,367 - I DON'T HATE THAT. - I DON'T HATE THAT EITHER. 165 00:06:04,367 --> 00:06:05,533 THAT'S WHAT I'M SAYING. 166 00:06:05,533 --> 00:06:06,800 LET'S JUST THINK OUTSIDE THE BOX. 167 00:06:06,800 --> 00:06:09,633 - I HATE IT. - IS THERE A PRICE DIFFERENCE? 168 00:06:09,633 --> 00:06:12,533 - THIS HAPPENS TO BE A-- - A VERY GRAINED-- 169 00:06:12,533 --> 00:06:13,700 YEAH, THAT SCARES THE SCARES THE ABSOLUTE [bleep] OUT OF ME. 170 00:06:13,700 --> 00:06:14,800 - YEAH, YEAH, YEAH. 171 00:06:14,800 --> 00:06:16,100 - THAT SCARES THE [bleep] OUT OF ME. 172 00:06:16,100 --> 00:06:17,500 THERE'S SOMETHING ABOUT THIS THAT SCREAMS, LIKE, 173 00:06:17,500 --> 00:06:20,000 "I HAVE A MARBLE BATHROOM." 174 00:06:20,000 --> 00:06:22,333 AND I'M NOT THAT PERSON. DOES THAT MAKE ANY SENSE? 175 00:06:22,333 --> 00:06:23,700 - I KNOW YOU'RE NOT THAT PERSON, 176 00:06:23,700 --> 00:06:25,633 BUT I DON'T WANT YOU TO WALK IN AND BE LIKE, "OH, MY GOD. 177 00:06:25,633 --> 00:06:27,533 "THE COLORS DON'T MATCH. NOW I'M FREAKING OUT. 178 00:06:27,533 --> 00:06:29,900 THE COLORS ARE OFF." - THAT'S WHAT I'M AFRAID OF. 179 00:06:29,900 --> 00:06:31,867 - THIS IS RIDICULOUS THAT WE DON'T HAVE THE WATERWORKS FLOOR 180 00:06:31,867 --> 00:06:34,133 TO SIT IN HERE AND FIND OUT THAT FOR SURE. 181 00:06:34,133 --> 00:06:35,867 WHERE'S STEVE? I MEAN, WE'RE GONNA HA-- 182 00:06:35,867 --> 00:06:38,066 WE'RE NOT WRITING A CHECK UNTIL WE LOOK AT THE WATERWORKS FLOOR 183 00:06:38,066 --> 00:06:40,867 NEXT TO THE SLAB. - I'M TRYING TO GET HIM. 184 00:06:40,867 --> 00:06:42,600 - ALL RIGHT, SO ANYWAY, DO YOU HAVE ANY VODKA? 185 00:06:42,600 --> 00:06:44,000 WHERE'S THE BAR? - OVER THERE. 186 00:06:44,000 --> 00:06:45,333 - ALL RIGHT, LET'S MAKE A COCKTAIL. 187 00:06:45,333 --> 00:06:47,233 - LET'S GO MAKE SOMETHING UP BEFORE WE DECIDE ON THIS. 188 00:06:47,233 --> 00:06:49,834 - OKAY. OH, MY GOD! 189 00:06:49,834 --> 00:06:51,934 - YEAH. - I LOVE IT HERE! 190 00:06:51,934 --> 00:06:54,000 THIS IS THE COOLEST PLACE EVER! - SWEET. 191 00:06:54,000 --> 00:06:55,433 - EVERYBODY SHOULD BE DOING BUSINESS HERE. 192 00:06:55,433 --> 00:06:57,967 I LOVE YOU. OH, MY GOD, YOU GUYS ARE SO-- 193 00:06:57,967 --> 00:07:00,600 YOU LIKE WORKING HERE, HUH? 194 00:07:00,600 --> 00:07:02,500 - STILL SOBER. - HE HAS A BAR IN HIS PLACE. 195 00:07:02,500 --> 00:07:03,900 - YEAH, I TOLD MY HUSBAND. 196 00:07:03,900 --> 00:07:05,767 HE'S WANTED ME TO NOT HAVE A BAR IN MY APARTMENT. 197 00:07:05,767 --> 00:07:07,533 I SAID, "WHAT ARE YOU, CRAZY?" THE BAR BOUGHT THE APARTMENT. 198 00:07:07,533 --> 00:07:08,934 - WE'RE PUTTING ONE IN THE DRESSING ROOM. 199 00:07:08,934 --> 00:07:12,667 - YES, THE NEW IDEA IS I WANT A SMALL BAR IN THE DRESSING ROOM. 200 00:07:12,667 --> 00:07:15,300 - I TOLD MARIETTE ABOUT THAT, AND SHE-- 201 00:07:15,300 --> 00:07:17,166 - I'LL JUST SAY, YOU'RE NOT HAVING TWO BARS. 202 00:07:17,166 --> 00:07:19,367 I'M PRACTICAL, AND YOU WANT EVERYTHING. 203 00:07:19,367 --> 00:07:20,867 - LISTEN. - YOU--I JUST-- 204 00:07:20,867 --> 00:07:22,233 I DON'T WANT TO BE NEGATIVE 205 00:07:22,233 --> 00:07:24,200 'CAUSE YOU SAY I COME FROM-- I HAVE A PLACE OF "NO." 206 00:07:24,200 --> 00:07:25,734 THIS IS UNCHARTED TERRITORY FOR US. 207 00:07:25,734 --> 00:07:26,934 - DON'T WORRY ABOUT IT. 208 00:07:26,934 --> 00:07:28,767 JUST TODAY, JUST TRY SAYING, "YES, HONEY." 209 00:07:28,767 --> 00:07:29,734 - YES, HONEY. - "WHATEVER YOU WANT." 210 00:07:29,734 --> 00:07:31,266 - WHATEVER YOU WANT. - EXACTLY. 211 00:07:31,266 --> 00:07:33,367 I'VE NEVER MADE A BAD DECISION. I WON'T MAKE A BAD DECISION. 212 00:07:33,367 --> 00:07:34,967 - OKAY. - THAT'S ALL YOU NEED TO KNOW. 213 00:07:34,967 --> 00:07:36,633 - PERFECT. - ALL RIGHT. 214 00:07:36,633 --> 00:07:39,200 - WE'RE IN, BROOKE. ALL RIGHT, WHAT DO WE GOT? 215 00:07:39,200 --> 00:07:40,900 - I'M HERE AT YOUR BECKON. 216 00:07:40,900 --> 00:07:42,233 - WE'RE HERE GETTING A COCKTAIL FIRST. 217 00:07:42,233 --> 00:07:43,400 - WE'RE GETTING A COCKTAIL. 218 00:07:43,400 --> 00:07:44,700 HAVE YOU BEEN TO THIS PLACE BEFORE? 219 00:07:44,700 --> 00:07:46,066 - I'VE BEEN TO THIS PLACE BEFORE. 220 00:07:46,066 --> 00:07:48,433 - WHY DIDN'T YOU TELL US ABOUT THE BAR? 221 00:07:48,433 --> 00:07:50,433 - I TOLD YOU THIS PLACE ROCKED. DIDN'T I SAY THIS-- 222 00:07:50,433 --> 00:07:51,934 - NO, YOU DIDN'T. - I DID. 223 00:07:51,934 --> 00:07:54,233 - NO. THIS IS OUR FAVORITE PLACE SO FAR. 224 00:07:54,233 --> 00:07:57,066 - SERIOUSLY, IS THIS A DISCO OR A BAR IN NEW YORK? 225 00:07:57,066 --> 00:07:59,400 - THIS IS THE BEST. [overlapping chatter] 226 00:07:59,400 --> 00:08:01,734 - DID YOU JUST TURN THESE ON? - I'M IN LOVE WITH HIM. 227 00:08:01,734 --> 00:08:03,367 I THINK I MARRIED THE WRONG MAN, JASON. 228 00:08:03,367 --> 00:08:06,233 - I THINK WE SHOULD'VE-- THIS IS MY SOUL MATE. 229 00:08:06,233 --> 00:08:08,100 - I THINK YOU DID MARRY HIM. - I THINK YOU'RE MY SOUL MATE. 230 00:08:08,100 --> 00:08:09,834 I LOVE YOU. CHEERS. 231 00:08:09,834 --> 00:08:11,934 - AND YOU'RE CHEERS-ING ME AFTER THAT? 232 00:08:11,934 --> 00:08:13,367 - [laughs] - BACK TO THE CONVERSATION. 233 00:08:13,367 --> 00:08:16,000 - DON'T YOU THINK THAT HE AND I ARE SOUL MATES? 234 00:08:16,000 --> 00:08:18,166 KIDDING. COME ON. THIS SHOULD BE MY PLACE-- 235 00:08:18,166 --> 00:08:19,567 - YOU AND STEVE ARE SOUL MATES TOO. 236 00:08:19,567 --> 00:08:21,633 CRAZY AND CRAZY. - I KNOW, BUT COME ON. 237 00:08:21,633 --> 00:08:22,934 ARE YOU KIDDING ME? 238 00:08:22,934 --> 00:08:24,266 THIS IS THE GREATEST PLACE IN THE ENTIRE WORLD. 239 00:08:24,266 --> 00:08:27,300 THIS IS A DISCO TILE SHOP. WHAT THE HELL GOES ON HERE? 240 00:08:27,300 --> 00:08:28,667 [coin clacks into tray] 241 00:08:28,667 --> 00:08:29,934 - IT DOESN'T WORK! - HIT IT. 242 00:08:29,934 --> 00:08:31,700 - OH, I GUARANTEE IT WORKS. 243 00:08:31,700 --> 00:08:34,400 ANYWAY, LET'S GO FOCUS, NO? 244 00:08:34,400 --> 00:08:36,567 THIS IS THE COOLEST PLACE EVER. - IT'S BROKEN. 245 00:08:36,567 --> 00:08:39,700 - AND IT DOESN'T MEAN WE HAVE TO GO AWAY FROM THE CALCUTTA-- 246 00:08:39,700 --> 00:08:40,800 - GO WITH YOUR GUT. 247 00:08:40,800 --> 00:08:42,233 RIGHT NOW, IF YOU LOOK AT THE WALL-- 248 00:08:42,233 --> 00:08:45,667 DON'T EVEN THINK THIS OUT. GUT-WISE, WHAT DO YOU LIKE? 249 00:08:45,667 --> 00:08:47,166 - MY FEELING IS I WANT THE CALMEST THING 250 00:08:47,166 --> 00:08:49,200 TO BE ON THE TUB TOP. 251 00:08:49,200 --> 00:08:51,967 - THESE TWO RIGHT HERE. THEY'RE CONFORMED. 252 00:08:51,967 --> 00:08:54,767 - I AGREE. I THINK IT'S A CALMER-- 253 00:08:54,767 --> 00:08:56,834 - THAT'S A NICE STORY. 254 00:08:56,834 --> 00:08:58,800 - I LIKE IT. IT'S A NICE STORY. 255 00:08:58,800 --> 00:08:59,967 - I LOVE THE LOOK. 256 00:08:59,967 --> 00:09:04,533 - DAVID, WHAT PERCENTAGE BETTER OF PR-- 257 00:09:04,533 --> 00:09:07,000 LIKE, IS THIS, LIKE, A MILL-- 80% BETTER PRICE 258 00:09:07,000 --> 00:09:09,133 THEN WE WERE BEFORE? IN GENERAL? 259 00:09:09,133 --> 00:09:12,600 IN MAKING THIS DECISION? - 70% OFF--MATERIAL ONLY. 260 00:09:12,600 --> 00:09:14,800 - IT'S MUCH BETTER. - IT'S 100% BETTER. 261 00:09:14,800 --> 00:09:16,266 - AND A COCKTAIL. - I LOVE HIM. 262 00:09:16,266 --> 00:09:18,400 [laughter] - GIVE HIM A HUG. 263 00:09:18,400 --> 00:09:20,266 GIVE HIM A HUG. 264 00:09:20,266 --> 00:09:24,667 - IT'S 100% BETTER. - OKAY, ALL RIGHT. 265 00:09:24,667 --> 00:09:25,734 - COMING UP... 266 00:09:25,734 --> 00:09:27,500 LOOK AT ME. YOU DON'T WANT THAT. 267 00:09:27,500 --> 00:09:29,200 YOU WANT IT ALWAYS TO BE, LIKE, ELONGATED. 268 00:09:29,200 --> 00:09:32,200 - AND LIFT YOUR HIPS. 269 00:09:49,000 --> 00:09:51,166 - IS THERE ANYWHERE THAT I CAN, LIKE, PUT MY STUFF? 270 00:09:51,166 --> 00:09:53,200 - YEAH. IF YOU NEED TO CHANGE, 271 00:09:53,200 --> 00:09:56,166 THERE'S A CHANGING ROOM TO THE LEFT. 272 00:10:02,867 --> 00:10:07,967 - THANKS, SWEETIE. 273 00:10:07,967 --> 00:10:09,066 HI, NICK. 274 00:10:09,066 --> 00:10:10,266 - HI, BETHENNY. - WHAT'S GOING ON? 275 00:10:10,266 --> 00:10:11,900 - HOW ARE YOU DOING? - HOW ARE YOU? 276 00:10:11,900 --> 00:10:13,800 OH, YOU'VE GOT SPORTY YOGA ATTIRE ON. 277 00:10:13,800 --> 00:10:14,967 - YEAH, THIS ISN'T BAD. 278 00:10:14,967 --> 00:10:16,400 - HAVE YOU EVER DONE YOGA BEFORE? 279 00:10:16,400 --> 00:10:17,567 - NO, DEFINITELY NOT. 280 00:10:17,567 --> 00:10:18,800 - NICK HAS RECENTLY UNLEASHED HIS SKINNYGIRL. 281 00:10:18,800 --> 00:10:20,200 DOESN'T REALLY WORK OUT MUCH. 282 00:10:20,200 --> 00:10:23,100 AND I TOLD HIM I'D BRING HIM TO A YOGA CLASS 283 00:10:23,100 --> 00:10:26,400 AND INTRODUCE HIM TO NAMASTE. 284 00:10:26,400 --> 00:10:28,133 - DO YOU MIND IF I SAY SOMETHING? 285 00:10:28,133 --> 00:10:30,100 AND PLEASE DON'T TAKE OFFENSE. - ARE MY BOOBS HANGING OUT? 286 00:10:30,100 --> 00:10:31,734 - NO, YOU'RE LOOKING VERY GOOD IN THAT TOP. 287 00:10:31,734 --> 00:10:34,300 - OH, THANK YOU, NICK. WOW, ALL RIGHTY. 288 00:10:34,300 --> 00:10:37,000 AND THEN IT BEGINS. 289 00:10:37,000 --> 00:10:38,867 THIS IS YOUR FIRST TIME DOING YOGA, RIGHT? 290 00:10:38,867 --> 00:10:41,467 - YEAH, NEVER DONE IT BEFORE. - FIRST OF ALL, 291 00:10:41,467 --> 00:10:42,834 YOU'LL JUST SIT UP LIKE YOU'RE STANDING UP REALLY TALL. 292 00:10:42,834 --> 00:10:44,333 YOU'LL JUST BE SITTING, BUT YOU'LL FEEL 293 00:10:44,333 --> 00:10:46,567 LIKE YOU'RE STANDING UP REALLY TALL. 294 00:10:46,567 --> 00:10:48,567 - YEP. COOL. - I'VE GOT REALLY BAD POSTURE. 295 00:10:48,567 --> 00:10:49,867 SO IT'S-- - THIS IS GOOD. 296 00:10:49,867 --> 00:10:52,567 THIS LOOKS GOOD RIGHT HERE. - THE WHOLE POINT IS, 297 00:10:52,567 --> 00:10:54,400 YOU DON'T HAVE TO, LIKE, BE AS GOOD AS ANYBODY ELSE. 298 00:10:54,400 --> 00:10:56,066 - I'M GONNA FALL COMPLETELY-- - NO, YOU'RE NOT. 299 00:10:56,066 --> 00:10:57,266 DO YOUR OWN THING. 300 00:10:57,266 --> 00:11:00,233 - WE WILL BEGIN... SITTING UP NICE AND TALL, 301 00:11:00,233 --> 00:11:01,433 JUST BREATHING IN THROUGH THE NOSE. 302 00:11:01,433 --> 00:11:02,600 [slow group inhale] 303 00:11:02,600 --> 00:11:07,066 - AND OUT THE MOUTH. EXHALE. 304 00:11:07,066 --> 00:11:11,567 all: [intoning] OM. 305 00:11:11,567 --> 00:11:14,033 - AND LEFT FINGERTIPS UP TOWARDS THE SKY. 306 00:11:14,033 --> 00:11:16,333 AND THEN YOU'RE GONNA BRING YOUR LEFT FINGERTIPS DOWN 307 00:11:16,333 --> 00:11:17,900 AND JUST COME TO THE OTHER SIDE. 308 00:11:17,900 --> 00:11:20,433 SO YOU'RE STILL FEELING THAT SHOULDER BLADE ON THE BACK, 309 00:11:20,433 --> 00:11:21,900 WITH THE FINGERS REACHING TO THE OTHER SIDE. 310 00:11:21,900 --> 00:11:23,967 - YEP. LITTLE QUICKER NOW. NOW COME THROUGH THE CENTER. 311 00:11:23,967 --> 00:11:26,633 POPPING THE KIDNEYS, BRINGING THE RIB CAGE BACK 312 00:11:26,633 --> 00:11:28,233 AND THEN REACHING TO THE SIDE. 313 00:11:28,233 --> 00:11:30,333 VERY NICE. GOOD. 314 00:11:30,333 --> 00:11:32,133 COME BACK TO CENTER. YOU'RE GONNA COME ONTO ALL FOURS. 315 00:11:32,133 --> 00:11:35,033 AND THEN YOUR KNEES RIGHT UNDERNEATH YOUR HIPS. 316 00:11:35,033 --> 00:11:36,834 - LOOK AT ME. YOU DON'T WANT THAT. 317 00:11:36,834 --> 00:11:39,533 YOU WANT IT ALWAYS TO BE, LIKE, ELONGATED. 318 00:11:39,533 --> 00:11:44,066 - AND LIFT YOUR HIPS UP HIGH TO THE SKY. 319 00:11:44,066 --> 00:11:48,033 SPREAD YOUR PALMS. GOOD. HIGH PLANK POSE. 320 00:11:48,033 --> 00:11:49,967 PUSH-UP POSITION. - PERFECT. 321 00:11:49,967 --> 00:11:52,867 - LOWER CHATURANGA AGAIN. - RIGHT. 322 00:11:52,867 --> 00:11:54,166 - SO JUST BEND THE ELBOWS-- 323 00:11:54,166 --> 00:11:56,900 - NO KNEES DOWN. NO KNEES. - BEND YOUR ELBOWS. 324 00:11:56,900 --> 00:11:58,500 GOOD. UPWARD-FACING DOG. 325 00:11:58,500 --> 00:12:00,433 THIS TIME THIGH BONES OFF OF THE MAT. 326 00:12:00,433 --> 00:12:02,066 WRAP YOUR SHOULDERS BACK AND BEHIND. 327 00:12:02,066 --> 00:12:04,233 GOOD. AND THEN DOWNWARD-FACING DOG. 328 00:12:04,233 --> 00:12:07,000 HIPS UP HIGH. - YOGA IS ALL ABOUT BREATHING. 329 00:12:07,000 --> 00:12:08,333 AND THEN TRY TO DO THE REST. 330 00:12:08,333 --> 00:12:10,900 AND NICK IS TRYING TO DO EVERYTHING. 331 00:12:10,900 --> 00:12:14,433 AND HE'S DEFINITELY NOT BREATHING. 332 00:12:14,433 --> 00:12:15,800 - AND BREATHE OUT. 333 00:12:15,800 --> 00:12:17,000 REACH YOUR FINGERTIPS TOWARDS THE FRONT OF THE ROOM. 334 00:12:17,000 --> 00:12:18,200 PALM FACES DOWN. 335 00:12:18,200 --> 00:12:20,834 BUT PULL YOUR RIGHT HIP CREASE BACK IN SPACE. 336 00:12:20,834 --> 00:12:23,433 GOOD. SO YOU FEEL THE SIDE-BODY STRETCH. 337 00:12:23,433 --> 00:12:25,667 YOUR ARM'S OVER YOUR HEAD. PALM FACES DOWN. 338 00:12:25,667 --> 00:12:27,467 - [all exhale] OKAY. GOOD, GOOD, GOOD. 339 00:12:27,467 --> 00:12:29,800 NOW RELEASE THE RIGHT HAND DOWN. 340 00:12:29,800 --> 00:12:31,533 STEP OUT. HIGH PLANK POSE. 341 00:12:31,533 --> 00:12:35,300 LOWER DOWN, CHATURANGA. 342 00:12:35,300 --> 00:12:38,700 UPWARD-FACING DOG. INHALE AND EXHALE. 343 00:12:38,700 --> 00:12:39,967 DOWNWARD-FACING DOG. 344 00:12:39,967 --> 00:12:44,533 UPWARD-FACING DOG. FULL BREATH IN AND EXHALE. 345 00:12:44,533 --> 00:12:47,000 DOWNWARD-FACING DOG. REALLY, REALLY NICE. 346 00:12:47,000 --> 00:12:48,000 FIND YOUR BREATH AGAIN. 347 00:12:48,000 --> 00:12:51,333 GOOD, GET YOUR TOES BACK. 348 00:12:51,333 --> 00:12:53,367 - IT'S VERY DIFFICULT TO WATCH HIM. 349 00:12:53,367 --> 00:12:56,300 IT LOOKED LIKE HE WAS IN THE MOVIE THE SAW. 350 00:12:56,300 --> 00:12:59,600 I'VE JUST NEVER SEEN THAT STYLE OF YOGA. 351 00:12:59,600 --> 00:13:00,734 - HAVE A SEAT. GOOD. 352 00:13:00,734 --> 00:13:02,367 HOW ARE YOU DOING? 353 00:13:02,367 --> 00:13:04,734 GOOD? YOU LOOK GOOD. YOU LOOK GOOD. OKAY. 354 00:13:04,734 --> 00:13:08,633 HERE...WE...GO. 355 00:13:08,633 --> 00:13:09,867 30, 29, 28, 27, 356 00:13:09,867 --> 00:13:12,700 26, 25, 24, 23, 22, 21... 357 00:13:12,700 --> 00:13:15,834 - I WAS SCARED THAT HE WAS GOING TO BLOW A GASKET-- 358 00:13:15,834 --> 00:13:18,533 AN ANEURYSM, GOD FORBID. 359 00:13:18,533 --> 00:13:20,667 I WAS SCARED THAT HE WAS GONNA HAVE A HEART ATTACK. 360 00:13:20,667 --> 00:13:24,400 - FIVE, FOUR, THREE, TWO, ONE. AND YOU ALL ARE SMILING! 361 00:13:24,400 --> 00:13:26,433 - NICE. - ROCK ON. 362 00:13:26,433 --> 00:13:29,467 FEELING GOOD? NICE. - [scoffs] 363 00:13:29,467 --> 00:13:32,633 - DO ME A FAVOR. LOOK AT ALL THE GIRLS RIGHT NOW. 364 00:13:32,633 --> 00:13:36,166 LOOK AT ALL THE GIRLS. - YEAH. 365 00:13:36,166 --> 00:13:37,266 - RIGHT, AND LOOK AT ALL THE MEN. 366 00:13:37,266 --> 00:13:38,400 THERE'S NOT THAT MUCH COMPETITION. 367 00:13:38,400 --> 00:13:39,567 IT'S A GREAT THING. 368 00:13:39,567 --> 00:13:40,900 IT'S LIKE GOING TO A FROZEN YOGURT STORE. 369 00:13:40,900 --> 00:13:44,867 THERE'S NOT AN UNATTRACTIVE WOMAN IN HERE, IS THERE? 370 00:13:46,467 --> 00:13:48,233 - SO THAT'S MOTIVATION. 371 00:13:48,233 --> 00:13:49,333 THIS IS A YOGA BODY. 372 00:13:49,333 --> 00:13:51,600 - [laughs] - THAT'S A YOGA BODY. 373 00:13:51,600 --> 00:13:53,433 UNDERSTAND, RUBBER BAND? 374 00:13:53,433 --> 00:13:55,567 - I STILL FEEL LIKE IT'S JUST CREEPY TO HIT ON A GIRL 375 00:13:55,567 --> 00:13:57,133 IN A YOGA CLASS. 376 00:13:57,133 --> 00:13:59,066 - I DON'T THINK YOU SHOULD DO IT IN CLASS. 377 00:13:59,066 --> 00:14:00,066 YOU COULD DO IT AFTER CLASS. 378 00:14:00,066 --> 00:14:01,367 - AREN'T YOU, LIKE, VULNERABLE? 379 00:14:01,367 --> 00:14:03,200 YOU'RE IN, LIKE, YOUR PEACEFUL PLACE OR WHATEVER? 380 00:14:03,200 --> 00:14:04,767 - BY THE WAY, MAYBE SHE'D BE HITTING ON YOU. 381 00:14:04,767 --> 00:14:06,233 YOU MIGHT NOT HAVE TO BE THE ONE. 382 00:14:06,233 --> 00:14:10,600 - UH, DOESN'T HAPPEN THAT OFTEN, BUT, SURE. 383 00:14:16,367 --> 00:14:18,867 - [laughs] - WHERE'S ANDREA? 384 00:14:18,867 --> 00:14:20,467 - YES, DEAR. 385 00:14:20,467 --> 00:14:23,333 - LET'S GO INTO THE DRESSING ROOM. 386 00:14:23,333 --> 00:14:26,500 - HERE WE ARE GOING TO HAVE A BANK OF DRAWERS... 387 00:14:26,500 --> 00:14:28,567 AND A CABINET. 388 00:14:28,567 --> 00:14:31,433 AND ABOVE, A CABINET. AND, I THINK, GLASS DOORS. 389 00:14:31,433 --> 00:14:33,166 I'M THINKING, DO YOU WANT TO DISPLAY 390 00:14:33,166 --> 00:14:35,033 SOME OF YOUR EITHER BAGS, HATS, OR SCARVES? 391 00:14:35,033 --> 00:14:37,100 - I THINK SOME THINGS SHOULD BE SEEN 392 00:14:37,100 --> 00:14:38,467 BECAUSE THEN YOU'LL FORGET THAT YOU HAVE THEM. 393 00:14:38,467 --> 00:14:40,533 LIKE COLORFUL SC-- YOU'RE WEARING THAT SCARF TODAY. 394 00:14:40,533 --> 00:14:42,033 YOU HAVE TO THINK ABOUT IT TO ADD IT TO YOUR OUTFIT. 395 00:14:42,033 --> 00:14:43,467 DO YOU AGREE? 396 00:14:43,467 --> 00:14:46,500 FOR A LOT OF PEOPLE WHO AREN'T NEAT, I WOULD SAY NO. 397 00:14:46,500 --> 00:14:48,734 BUT I THINK YOU'RE VERY NEAT. - SHE'S VERY NEAT. 398 00:14:48,734 --> 00:14:51,533 - THIS IS ALL SKIRTS, DIAPERS, SWEATERS. 399 00:14:51,533 --> 00:14:52,867 THE TOOL KITS ARE IN HERE. 400 00:14:52,867 --> 00:14:53,967 BY THE WAY, I HAVE MY GRANDMA BRAS. 401 00:14:53,967 --> 00:14:55,967 YOU HAVE TO HANG THEM. CLUTCHES. TOTES. 402 00:14:55,967 --> 00:14:57,934 THIS IS HATS, HATS. 403 00:14:57,934 --> 00:14:59,367 LOOK, THESE ARE ALL-- I LOVE HATS. 404 00:14:59,367 --> 00:15:00,834 YOU GUYS REALLY THINK I'M THAT NEAT? 405 00:15:00,834 --> 00:15:02,633 YOU SHOULD SEE MY HOUSE. IT'S A DISASTER HALF THE TIME. 406 00:15:02,633 --> 00:15:04,567 IT'S A DISASTER ONLY IN AN OCD WORLD, 407 00:15:04,567 --> 00:15:07,166 NOT IN A NORMAL WORLD. - OH, OKAY. GREAT. 408 00:15:07,166 --> 00:15:10,533 - I'M OCD AND NEAT? - YOU'RE A FOLDER. YOU FOLD. 409 00:15:10,533 --> 00:15:12,133 - I'M A FOLDER, BUT THERE ARE SOMETIMES SCARVES 410 00:15:12,133 --> 00:15:14,667 THAT DON'T FOLD PERFECTLY, THAT RUFFLY SCARF, 411 00:15:14,667 --> 00:15:15,734 AND THEN WHAT DO YOU DO WITH THAT ONE? 412 00:15:15,734 --> 00:15:17,033 EVERYTHING'S LABELED. 413 00:15:17,033 --> 00:15:19,967 MY MAKEUP IS LABELED, MY JEANS ARE LABELED, 414 00:15:19,967 --> 00:15:21,867 MY TITS ARE LABELED. 415 00:15:21,867 --> 00:15:22,867 THAT ONE'S NOT GOING TO GO IN THERE. 416 00:15:22,867 --> 00:15:24,300 - THAT'S GOING TO GO ON-- 417 00:15:24,300 --> 00:15:26,367 TILT-OUT SCARF THAT CAN GO THROUGH THESE LITTLE LOOPS-- 418 00:15:26,367 --> 00:15:29,734 IT'S AN ACCESSORY FOR SCARVES THAT YOU DON'T FOLD. 419 00:15:29,734 --> 00:15:33,500 - I WANT TO BE JUST SHY OF SEVERE MEDICATION 420 00:15:33,500 --> 00:15:35,967 WITH THE ORGANIZATION OF MY LIFE. I DO. 421 00:15:35,967 --> 00:15:37,467 WHERE'S THE VANITY? 422 00:15:37,467 --> 00:15:38,867 - THE VANITY IS GOING TO GO HERE, 423 00:15:38,867 --> 00:15:41,667 BECAUSE IF I PUT YOU IN HERE, YOU'RE AGAINST THE HEAT. 424 00:15:41,667 --> 00:15:42,734 - BUT LET ME ASK YOU THIS. 425 00:15:42,734 --> 00:15:43,734 YOU KNOW THE VANITY WE CURRENTLY HAVE? 426 00:15:43,734 --> 00:15:44,700 MY HUSBAND ACTUALLY MADE IT. 427 00:15:44,700 --> 00:15:47,033 IT HAS THOSE THREE SETS OF BULBS. 428 00:15:47,033 --> 00:15:49,166 WE LIKE IT AND THE MIRROR. WE JUST MIGHT KEEP IT. 429 00:15:49,166 --> 00:15:51,133 - THE ONE FROM YOUR CURRENT OFFICE? 430 00:15:51,133 --> 00:15:52,300 - THE ONE I'M CURRENTLY USING. - WITH-- 431 00:15:52,300 --> 00:15:56,000 - YES. - I THINK THIS ROOM'S QUIET. 432 00:15:56,000 --> 00:15:57,934 AND I THINK THAT'S LOUD. - OKAY. 433 00:15:57,934 --> 00:16:00,400 THEN WE JUST WON'T MENTION IT TO JASON. 434 00:16:00,400 --> 00:16:03,467 - WELL, NO, I DON'T DISLIKE THE VANITY. I JUST THINK... 435 00:16:03,467 --> 00:16:04,533 - OKAY, WELL, I WANT TO KEEP IT WHAT YOU'VE MADE IT. 436 00:16:04,533 --> 00:16:05,800 - THIS IS GONNA BE SUCH A QUIET SPACE. 437 00:16:05,800 --> 00:16:07,033 IT'S A LITTLE AGGRESSIVE. 438 00:16:07,033 --> 00:16:08,300 - IF YOU DON'T NEED THE VANITY IN HERE-- 439 00:16:08,300 --> 00:16:09,533 - NO, I DO NEED A VANITY. - SHE NEEDS SOMETHING. 440 00:16:09,533 --> 00:16:11,233 - YOU'LL GAIN A WHOLE SECTION OF WALL. 441 00:16:11,233 --> 00:16:12,533 - NO, I THINK I NEED A VANITY IN HERE. 442 00:16:12,533 --> 00:16:14,767 NOW THAT I THINK ABOUT IT, IT'S LIKE... 443 00:16:14,767 --> 00:16:16,400 THAT'S MORE OF AN OFFICE VANITY. 444 00:16:16,400 --> 00:16:18,934 I UNDERSTAND WHAT SHE'S TALKING ABOUT. 445 00:16:18,934 --> 00:16:21,400 ONCE I THINK ABOUT IT, I REALIZE, OKAY. 446 00:16:21,400 --> 00:16:23,500 THIS IS LIKE A WHOLE DIFFERENT THING. 447 00:16:23,500 --> 00:16:25,300 - BETTER IN THERE, BUT-- 448 00:16:25,300 --> 00:16:27,133 - YOU'RE USED TO HAVING NO BUDGETS, AREN'T YOU? 449 00:16:27,133 --> 00:16:28,200 TELL THE TRUTH. 450 00:16:28,200 --> 00:16:29,567 - NO BUDGETS? - PRETTY MUCH. 451 00:16:29,567 --> 00:16:32,533 - NO, YOU'RE ABSOLUTELY WRONG. 452 00:16:32,533 --> 00:16:34,967 - BUT NOT, LIKE-- BUT BIG BUDGETS. 453 00:16:34,967 --> 00:16:39,000 - ARE YOU HAPPY? - YEAH, I'M HAPPY. 454 00:16:50,900 --> 00:16:54,533 [sighs] OH, MY GOD. 455 00:16:54,533 --> 00:16:56,400 WE GOT TO START, LIKE... 456 00:16:56,400 --> 00:16:58,700 DONATING AND SELLING AND PLANNING 457 00:16:58,700 --> 00:17:00,633 AND DEALING WITH THE STUFF IN THIS HOUSE. 458 00:17:00,633 --> 00:17:03,567 THE PEOPLE WHO TOLD US THAT WE HAVE TO BE OUT, 459 00:17:03,567 --> 00:17:04,734 THEY WANT TO MOVE INTO HERE, 460 00:17:04,734 --> 00:17:05,867 BUT THEY HAVE TO GET THE WORK DONE. 461 00:17:05,867 --> 00:17:07,367 AND THEY HAVE TO BE OUT OF THEIR PLACE. 462 00:17:07,367 --> 00:17:09,567 SO IN THE MEANTIME, THEY HAVE TO STAY IN A HOTEL. 463 00:17:09,567 --> 00:17:12,400 LET'S SAY WE SPEND $15,000 464 00:17:12,400 --> 00:17:14,900 TO KEEP THEM IN A HOTEL AND NOT HAVE THE AGGRAVATION. 465 00:17:14,900 --> 00:17:17,000 WHAT DO YOU THINK ABOUT SPENDING $15,000? 466 00:17:17,000 --> 00:17:18,433 - I DON'T WANT TO. 467 00:17:18,433 --> 00:17:20,166 I MEAN, THAT'S A LOT OF MONEY THAT WE COULD PUT 468 00:17:20,166 --> 00:17:21,934 TOWARDS FURNITURE, TOWARDS-- 469 00:17:21,934 --> 00:17:25,667 - THE THING IS THAT THERE IS NO PRICE ON STRESS 470 00:17:25,667 --> 00:17:27,633 AND ME HAVING A NERVOUS BREAKDOWN. 471 00:17:27,633 --> 00:17:30,233 THERE'S NO PRICE TO AVOID THAT. - I KNOW. 472 00:17:30,233 --> 00:17:32,166 - THE OTHER PROBLEM IS-- - THIS IS-- 473 00:17:32,166 --> 00:17:34,533 THIS IS WHAT'S AGGRAVATING ME. 474 00:17:34,533 --> 00:17:36,867 'CAUSE YOU KNOW I HAVE ALLIGATOR ARMS. 475 00:17:36,867 --> 00:17:39,233 IT'S--WE ARE PAYING RENT, 476 00:17:39,233 --> 00:17:41,367 WE WOULD BE PAYING ADDITIONAL RENT, 477 00:17:41,367 --> 00:17:43,033 WE'RE PAYING A MORTGAGE. 478 00:17:43,033 --> 00:17:44,367 - EVEN IF WE EXTEND IT, 479 00:17:44,367 --> 00:17:45,533 WHAT IF WE'RE STILL NOT IN THAT NEW APARTMENT? 480 00:17:45,533 --> 00:17:47,133 - I KNOW. [bleep]. 481 00:17:47,133 --> 00:17:49,934 - WHAT IS GOING ON? - I CAN'T GET ANSWERS. 482 00:17:49,934 --> 00:17:51,600 - JASON, YOU GOT TO HANDLE IT THOUGH. 483 00:17:51,600 --> 00:17:52,834 YOU KEEP TELLING ME TO EMAIL PEOPLE. 484 00:17:52,834 --> 00:17:54,033 YOU GOT TO EMAIL PEOPLE. 485 00:17:54,033 --> 00:17:56,600 I'VE BEEN EMAILING PEOPLE THE WHOLE TIME. 486 00:17:56,600 --> 00:17:59,233 BUT WHY DO YOU KEEP TELLING ME THAT I HAVE TO EMAIL? 487 00:17:59,233 --> 00:18:00,500 LIKE I'M GOING TO HAVE THE GOLDEN-- 488 00:18:00,500 --> 00:18:01,934 - FOR SOME REASON, WHEN THEY HEAR IT FROM YOU, 489 00:18:01,934 --> 00:18:03,633 IT'S A DIFFERENT STORY. - THAT'S GONNA HAVE TO CHANGE. 490 00:18:03,633 --> 00:18:07,166 YOU HAVE TO GET THIS DONE. - I'M GETTING--DID I GET-- 491 00:18:07,166 --> 00:18:08,600 - NO, IT'S NOT HAPPENING. IT HAS TO HAPPEN NOW. 492 00:18:08,600 --> 00:18:11,166 - BETHENNY, WHAT MORE CAN I DO? 493 00:18:11,166 --> 00:18:13,633 WHEN SHE SENDS AN EMAIL, PEOPLE ARE GONNA PAY 494 00:18:13,633 --> 00:18:16,500 PROBABLY A LITTLE BIT MORE ATTENTION. 495 00:18:16,500 --> 00:18:18,133 AND I REALIZE THAT. 496 00:18:18,133 --> 00:18:21,266 SO THIS IS ONE OF THOSE THINGS WHERE I NEEDED HER TO DO THAT. 497 00:18:21,266 --> 00:18:24,633 AND IT GETS FRUSTRATING WHEN SHE WAS LIKE, 498 00:18:24,633 --> 00:18:26,734 "I DON'T WANT TO DO IT RIGHT NOW. I DON'T WANT TO DO IT." 499 00:18:26,734 --> 00:18:30,066 BUT I HAVE DEADLINES, AND I HAVE THINGS TO DO FOR US. 500 00:18:30,066 --> 00:18:32,500 SO IT'S-- [groans] 501 00:18:32,500 --> 00:18:34,133 - YOU HAVE TO BE THE LIAISON BETWEEN EVERYBODY 502 00:18:34,133 --> 00:18:36,233 AND TAKE CHARGE. - I HAVE BEEN. 503 00:18:36,233 --> 00:18:38,166 HOW DO YOU THINK WE GOT PERMITS? 504 00:18:38,166 --> 00:18:39,900 HOW DO YOU THINK WE GOT PAST THE BOARD? 505 00:18:39,900 --> 00:18:41,233 NO, AND I THINK YOU'VE DONE AN AMAZING JOB. 506 00:18:41,233 --> 00:18:42,667 I KNOW THAT. I KNOW. I KNOW. 507 00:18:42,667 --> 00:18:44,967 - I'VE BEEN AN INTEGRAL PART IN GETTING IT DONE. 508 00:18:44,967 --> 00:18:46,166 - BUT WHEN YOU TELL ME THAT I HAVE TO SEND EMAILS, 509 00:18:46,166 --> 00:18:49,166 THEN I'M WONDERING WHY I HAVE TO. 510 00:18:49,166 --> 00:18:50,834 - BECAUSE I'M TO THE POINT WHERE, 511 00:18:50,834 --> 00:18:54,467 LIKE, YOU GOT TO STEP IN TOO AND--AND SAY SOMETHING. 512 00:18:54,467 --> 00:18:56,967 I MEAN, YOU'RE SITTING THERE LOOKING AT ME 513 00:18:56,967 --> 00:19:00,400 LIKE I'M DROPPING THE BALL ON THIS. 514 00:19:00,400 --> 00:19:01,667 - NO, I DON'T THINK YOU'RE DROPPING THE BALL. 515 00:19:01,667 --> 00:19:04,266 - I'M COMPLETELY 100% ON TOP OF EVERYTHING. 516 00:19:04,266 --> 00:19:06,200 - I KNOW. I JUST-- YOU'RE NOT THE TYPE 517 00:19:06,200 --> 00:19:08,834 OF PERSON THAT EVER GETS, LIKE, LOUD OR SERIOUS. 518 00:19:08,834 --> 00:19:10,133 YOU'RE VERY DIPLOMATIC. 519 00:19:10,133 --> 00:19:10,900 - YOU DON'T HEAR ME TALK TO THESE PEOPLE. 520 00:19:10,900 --> 00:19:12,700 - I DON'T. 521 00:19:12,700 --> 00:19:13,667 - WHEN IT COMES TO ME PAYING EXTRA MONEY, 522 00:19:13,667 --> 00:19:15,133 I'M GONNA GET LOUD. 523 00:19:15,133 --> 00:19:17,900 - OKAY, SO LET'S HAVE THAT START NOW. 524 00:19:17,900 --> 00:19:19,100 - IT'S BEEN STARTING. 525 00:19:19,100 --> 00:19:20,667 YOU'RE NOT PART OF EVERY CONVERSATION. 526 00:19:20,667 --> 00:19:23,667 SO, LIKE, I DON'T LIKE THE JUDGMENT 527 00:19:23,667 --> 00:19:26,166 OF THINKING THAT I CAN'T HANDLE THIS 528 00:19:26,166 --> 00:19:27,567 OR THAT I'M NOT DOING MY PART. - I'M NOT. 529 00:19:27,567 --> 00:19:29,433 YOU ASKED ME TO GET INVOLVED. THAT'S WHY I'M SAYING-- 530 00:19:29,433 --> 00:19:31,934 YOU ASKED ME TO GET INVOLVED. - I SAID TO SEND ONE EMAIL. 531 00:19:31,934 --> 00:19:35,333 SO THEY KNOW THAT YOU KNOW WHAT'S GOING ON. 532 00:19:35,333 --> 00:19:36,400 THAT'S ALL I WANT THEM TO KNOW. 533 00:19:36,400 --> 00:19:37,834 - WELL, I DID. I SENT AN EMAIL SAYING, 534 00:19:37,834 --> 00:19:40,166 "IF IT DOESN'T HAPPEN, IT'S NOT HAPPENING AT ALL." 535 00:19:40,166 --> 00:19:41,467 - YOU DON'T HAVE TO DO ANOTHER THING. 536 00:19:41,467 --> 00:19:43,433 THAT'S ALL I NEEDED. - OKAY. 537 00:19:43,433 --> 00:19:44,767 LET'S WORRY ABOUT ONE THING. 538 00:19:44,767 --> 00:19:46,266 ALL I WANT TO DO IS HAVE A ROOF OVER MY HEAD. 539 00:19:46,266 --> 00:19:48,100 SO LET'S TRY TO GET TO STAY HERE. 540 00:19:48,100 --> 00:19:49,934 - OKAY. 541 00:19:49,934 --> 00:19:52,734 ALL RIGHT, SO I'LL FIND OUT IF WE COULD EXTEND THE LEASE. 542 00:19:52,734 --> 00:19:56,133 - ALL RIGHTY. 543 00:19:56,133 --> 00:19:58,233 COMING UP... 544 00:19:58,233 --> 00:20:00,066 - SO IF YOU BUST MY BALLS ABOUT BEING A PSYCHIC-- 545 00:20:00,066 --> 00:20:01,834 - YOU DON'T EVEN-- YOU DON'T HAVE BALLS. 546 00:20:01,834 --> 00:20:03,533 - YES, YOU DO. - NO, YOU DON'T. 547 00:20:03,533 --> 00:20:06,934 - I LOVE IT WHEN LESBIAN COUPLES FIGHT OVER ME. 548 00:20:16,734 --> 00:20:19,567 - TEAM MEETING. - TEAM MEETING. 549 00:20:19,567 --> 00:20:20,800 OKAY, LET'S DO IT. 550 00:20:20,800 --> 00:20:24,233 - OKAY, SO THEN JUST KIND OF A LOOSE LOOK 551 00:20:24,233 --> 00:20:26,767 AT, LIKE, WHAT IS DONE IN THE OFFICE. 552 00:20:26,767 --> 00:20:28,934 - WHO IS RESPONSIBLE FOR WHAT? - CORRECT. 553 00:20:28,934 --> 00:20:30,967 I GUESS, SINCE WE'RE ALL HERE NOW, 554 00:20:30,967 --> 00:20:32,633 WE'LL JUST CLARIFY EVERYTHING. 555 00:20:32,633 --> 00:20:36,867 UM, THE BEAM LAUNCH FOR SKINNY MINIS AND PINA COLADA. 556 00:20:36,867 --> 00:20:38,834 - PINA COLADA, NICE. 557 00:20:38,834 --> 00:20:40,100 - I DON'T KNOW WHO'S HANDLING BOOZE. 558 00:20:40,100 --> 00:20:43,567 YOU KNOW WHAT? IT'S GONNA BE YOU. 559 00:20:43,567 --> 00:20:45,567 - THE APARTMENT, THE BOOZE, AND THE FINANCES. 560 00:20:45,567 --> 00:20:47,166 - UH, YOU'RE NOT THE ONLY ONE HANDLING THE APARTMENT, 561 00:20:47,166 --> 00:20:48,667 SO RELAX. 562 00:20:48,667 --> 00:20:51,667 - WHO'S HANDLING THE APARTMENT? - ME TOO. 563 00:20:51,667 --> 00:20:53,066 - WHAT ARE YOU DOING? 564 00:20:53,066 --> 00:20:55,867 - WHERE DO YOU THINK ALL THE FURNITURE-- 565 00:20:55,867 --> 00:20:57,700 W--WHO WENT TO THE QUARRY? YOU? 566 00:20:57,700 --> 00:20:59,266 DON'T EVEN START WITH ME. 567 00:20:59,266 --> 00:21:01,667 - ALL RIGHT, SORRY. - THE MACY'S LAUNCH. 568 00:21:01,667 --> 00:21:04,300 WHICH IS GOING TO BE IN 18 STORES. 569 00:21:04,300 --> 00:21:05,734 - THAT'S THE SHAPEWEAR. - CORRECT. 570 00:21:05,734 --> 00:21:07,967 - NO! IT'S IN 52, I THOUGHT. - 52 STORES, I THOUGHT. 571 00:21:07,967 --> 00:21:10,500 - SORRY, 52. SORRY. - GOT IT. 572 00:21:10,500 --> 00:21:11,600 - I WAS LIKE, "THIS IS WHAT IT'S LIKE, JACKIE. 573 00:21:11,600 --> 00:21:15,767 HAVE FUN." - SORRY, OKAY, SORRY. UM-- 574 00:21:15,767 --> 00:21:17,867 - I AM STARTING TO REALIZE THAT JULIE'S LEAVING. 575 00:21:17,867 --> 00:21:20,734 I'M DEFINITELY NERVOUS. 576 00:21:20,734 --> 00:21:23,033 IT'S JUST THE STAKES ARE SO MUCH HIGHER 577 00:21:23,033 --> 00:21:24,867 THAN WHEN JULIE STARTED WORKING FOR ME. 578 00:21:24,867 --> 00:21:29,934 THE MISTAKES ARE SO MUCH MORE... DAMAGING AND CRUCIAL. 579 00:21:29,934 --> 00:21:33,967 AND I JUST--THERE IS A ZERO MARGIN FOR ERROR RIGHT NOW. 580 00:21:33,967 --> 00:21:36,033 THIS IS TOO MUCH. 581 00:21:36,033 --> 00:21:39,900 SHE CANNOT HELP ME PACK, ONLINE TRAIN, 582 00:21:39,900 --> 00:21:42,700 DO SKINNYGIRL DAILY, DO SKINNYGIRL FACE AND BODY, 583 00:21:42,700 --> 00:21:44,533 DO SKINNYGIRL COCKTAILS, DO SKINNYGIRL SHAPEWEAR, 584 00:21:44,533 --> 00:21:46,033 DO THE BOOK SKINNYDIPPING. 585 00:21:46,033 --> 00:21:48,333 - AND THE SCHEDULE. - DO THE WEBSITE EQUAL, 586 00:21:48,333 --> 00:21:49,433 DO THE SCHEDULE, 587 00:21:49,433 --> 00:21:53,266 DO THE NEW APARTMENT, DO THIS--NO. 588 00:21:53,266 --> 00:21:55,467 - UNLESS YOU'RE GONNA JUMP IN AND GET REALLY INVOLVED, 589 00:21:55,467 --> 00:21:57,200 AND, LIKE, LEAVE YOUR JOB 590 00:21:57,200 --> 00:21:59,367 AND, LIKE, THIS BE YOUR FULL-TIME JOB, 591 00:21:59,367 --> 00:22:00,567 WE HAVE TO HIRE SOMEONE ELSE. - MM-HMM. 592 00:22:00,567 --> 00:22:02,400 - YOU HAVE TO DECIDE. 593 00:22:02,400 --> 00:22:04,000 YOU'VE BEEN SAYING THAT YOU WANT TO NOT BE WHERE YOU ARE... 594 00:22:04,000 --> 00:22:05,400 - MM-HMM. 595 00:22:05,400 --> 00:22:06,600 - AND THAT YOU WANT TO BE PASSIONATE ABOUT SOMETHING 596 00:22:06,600 --> 00:22:07,500 AND THAT YOU ARE PASSIONATE ABOUT THIS. 597 00:22:07,500 --> 00:22:08,734 YOU HAVE TO DECIDE. 598 00:22:08,734 --> 00:22:10,333 - I WANT TO WORK WITH YOU, NOT FOR YOU THOUGH. 599 00:22:10,333 --> 00:22:12,100 AND I DON'T WANT IT TO RUIN OUR RELATIONSHIP. 600 00:22:12,100 --> 00:22:14,000 ULTIMATELY, IT'S MY COMPANY. IT'S ALL MY PR-- 601 00:22:14,000 --> 00:22:15,400 - I UNDERSTAND. - SO YOU ARE-- 602 00:22:15,400 --> 00:22:17,834 ON SOME LEVEL, THAT'S GONNA HAVE TO BE--SIT WITH YOU. 603 00:22:17,834 --> 00:22:19,233 THE TIME HAS COME. 604 00:22:19,233 --> 00:22:21,834 WE JUST NEED TO BE UP TO SPEED. THE TRANSITION NEEDS TO HAPPEN. 605 00:22:21,834 --> 00:22:25,100 AND BUCKLE UP, GRAB YOUR BOOTSTRAPS, 606 00:22:25,100 --> 00:22:27,200 AND GAME ON. 607 00:22:27,200 --> 00:22:30,200 - PEOPLE SAY, "DON'T WORK WITH YOUR SPOUSE." 608 00:22:30,200 --> 00:22:32,700 - YEAH, BUT WE WORK TOGETHER. YOU'RE NOT AN ASSISTANT. 609 00:22:32,700 --> 00:22:34,200 YOU'RE GONNA BE RUNNING EVERYTHING. 610 00:22:34,200 --> 00:22:36,734 BETHENNY IS A PRETTY DAMN GOOD BOSS. 611 00:22:36,734 --> 00:22:39,066 I'M PROUD OF WHAT SHE'S ACCOMPLISHED. 612 00:22:39,066 --> 00:22:40,667 I ENJOY HELPING HER. 613 00:22:40,667 --> 00:22:44,500 BUT TO DO IT FULL-TIME, I'M REALLY CONCERNED 614 00:22:44,500 --> 00:22:48,266 OUR RELATIONSHIP WOULD TURN INTO JUST A WORKING RELATIONSHIP. 615 00:22:48,266 --> 00:22:50,633 AND I WANT TO AVOID THAT AT ALL COSTS. 616 00:22:50,633 --> 00:22:53,100 THIS IS ALL GREAT, WHAT YOU'RE DOING. 617 00:22:53,100 --> 00:22:55,633 - BUT WHAT WE'RE DOING-- WHAT WE'RE ALL DOING. 618 00:22:55,633 --> 00:22:57,934 - BUT I THOUGHT I WORKED FOR YOU. 619 00:22:57,934 --> 00:22:59,667 - WE ALL DO, AND I NEVER MADE IT AN I. 620 00:22:59,667 --> 00:23:02,133 I'VE TOLD JACKIE AND JULIE HOW MUCH THEY'VE CONTRIBUTED 621 00:23:02,133 --> 00:23:04,066 TO EVERYTHING. THERE'S NO QUESTION ABOUT IT. 622 00:23:04,066 --> 00:23:06,800 THIS IS NOT AN I SITUATION. THIS IS A WE SITUATION. 623 00:23:06,800 --> 00:23:09,700 - SO IN THE INTERIM, WE HIRE AN INTERN. 624 00:23:09,700 --> 00:23:11,266 - YOU TELL THEM WE NEED SOMEONE FOR SIX WEEKS 625 00:23:11,266 --> 00:23:13,734 THROUGH THE HOLIDAY SEASON. THAT'S WHAT THIS IS. 626 00:23:13,734 --> 00:23:18,433 AND THEY'LL WANT TO BE HERE TO SEE HOW CRAZY WE ARE. 627 00:23:18,433 --> 00:23:23,200 - AND THEN YOU--YOU. - WE? 628 00:23:23,200 --> 00:23:24,333 [laughs] 629 00:23:24,333 --> 00:23:26,567 - I'LL DROP OFF MY ITINERARY, JACKIE. 630 00:23:26,567 --> 00:23:28,567 - READY? BREAK. - BREAK. 631 00:23:28,567 --> 00:23:29,767 - DID YOU DO THAT IN BASKETBALL? - YEAH. 632 00:23:29,767 --> 00:23:31,834 - YOU LIKE IT? - YEAH, NOT REALLY. 633 00:23:31,834 --> 00:23:35,533 - [laughs] - THAT FELT AWKWARD. 634 00:23:47,934 --> 00:23:50,266 - THIS IS SUCH A STRANGE THING THAT WE'RE GOING HERE. 635 00:23:50,266 --> 00:23:51,400 - IT'S SORT OF FUN THOUGH. 636 00:23:51,400 --> 00:23:52,867 IT'S GOOD TO HAVE A FRIDAY NIGHT OUT. 637 00:23:52,867 --> 00:23:54,333 - I KNOW, BUT WHEN HAVE YOU EVER BEEN HERE? 638 00:23:54,333 --> 00:23:56,000 - I'VE BEEN HERE YEARS AGO. 639 00:23:56,000 --> 00:23:58,367 - THERE'S A LOT GOING ON WITH THE RENOVATION 640 00:23:58,367 --> 00:24:00,100 AND WITH WORK. 641 00:24:00,100 --> 00:24:01,166 SO I NEED A GIRLS' NIGHT OUT. 642 00:24:01,166 --> 00:24:02,633 SO I CALLED JAKE. 643 00:24:02,633 --> 00:24:03,800 [cheers and applause] 644 00:24:03,800 --> 00:24:06,800 [pop music] 645 00:24:06,800 --> 00:24:12,800 [overlapping chatter] 646 00:24:14,767 --> 00:24:17,100 - BEAUTIFUL! - [over mic] I KNOW, BITCH. 647 00:24:17,100 --> 00:24:19,934 [laughter] I MEAN, THANK YOU. 648 00:24:19,934 --> 00:24:22,433 - WELCOME TO LUCKY CHENG'S. - THANK YOU. 649 00:24:22,433 --> 00:24:23,500 - FOLLOW ME. - EVERYONE LOOKS SO CUTE. 650 00:24:23,500 --> 00:24:24,633 - WOW. - WOW. 651 00:24:24,633 --> 00:24:26,467 - HAVE YOU BEEN HERE BEFORE? - I HAVEN'T. 652 00:24:26,467 --> 00:24:27,467 - VERY FESTIVE. 653 00:24:27,467 --> 00:24:28,867 - HI. - HOW ARE YOU? 654 00:24:28,867 --> 00:24:30,166 - I'M GOOD. 655 00:24:30,166 --> 00:24:31,800 I'M GONNA ASSUME THEY DON'T HAVE A COAT CHECK. 656 00:24:31,800 --> 00:24:35,967 - [laughs] I DON'T KNOW IF YOU WANT TO PUT ANYTHING IN IT. 657 00:24:35,967 --> 00:24:37,734 - WE HAVE WALKED INTO THE STAR WARS BAR. 658 00:24:37,734 --> 00:24:39,767 THIS IS GOING ON HERE EVERY NIGHT 659 00:24:39,767 --> 00:24:41,433 WHEN I'M HOME TUCKING MY KID IN. 660 00:24:41,433 --> 00:24:44,000 SO I WANT TO KNOW IF ANYBODY ARE WOMEN 661 00:24:44,000 --> 00:24:46,867 BECAUSE I SAW A BARTENDER, AND SHE WAS-- 662 00:24:46,867 --> 00:24:48,033 - THE ONE WHEN WE FIRST WALKED IN 663 00:24:48,033 --> 00:24:49,333 I THOUGHT WAS LEGITIMATELY A WOMAN. 664 00:24:49,333 --> 00:24:51,100 - I DON'T THINK THERE IS. - NO, THAT'S A WOMAN. 665 00:24:51,100 --> 00:24:53,000 - WE'RE CLEARLY GONNA NEED TO GRILL THE WAITRESS. 666 00:24:53,000 --> 00:24:54,200 - THAT'S A WOMAN. - NO. 667 00:24:54,200 --> 00:24:56,633 - YES IT IS. WHAT DO YOU MEAN, "NO"? 668 00:24:56,633 --> 00:24:58,934 - GOOD EVENING, FOLKS, WELCOME. MY NAME IS TARA. 669 00:24:58,934 --> 00:25:00,800 WELCOME TO LUCKY CHENG'S. - HI, TARA. 670 00:25:00,800 --> 00:25:02,700 - LET ME JUST GO OVER THE MENU WITH YOU GUYS. 671 00:25:02,700 --> 00:25:05,700 IT'S A THREE-COURSE DINNER. - SO LET ME ASK YOU A QUESTION. 672 00:25:05,700 --> 00:25:07,967 - MM-HMM? - SO IS EVERYBODY IN DRAG? 673 00:25:07,967 --> 00:25:09,767 - YES, PRACTICALLY EVERYONE'S IN DRAG. 674 00:25:09,767 --> 00:25:11,333 - PRACTICALLY? - YES. 675 00:25:11,333 --> 00:25:13,400 WE'RE AN EQUAL OPPORTUNITY EMPLOYER, 676 00:25:13,400 --> 00:25:15,867 SO THERE ARE SOME GENETICALLY REAL GIRLS, AS WE LIKE TO SAY. 677 00:25:15,867 --> 00:25:17,200 - I'LL BE GETTING YOUR DRINKS. 678 00:25:17,200 --> 00:25:19,400 - YOU USED TO WORK AT U.S.A. A MILLION YEARS AGO. 679 00:25:19,400 --> 00:25:20,467 - YES, I DID. 680 00:25:20,467 --> 00:25:21,834 - HOW DO YOU KNOW PEOPLE IN COMMON? 681 00:25:21,834 --> 00:25:22,900 - I GO WAY BACK. 682 00:25:22,900 --> 00:25:23,800 - I USED TO BE BABY RU BACK THEN. 683 00:25:23,800 --> 00:25:24,967 - I REMEMBER. 684 00:25:24,967 --> 00:25:27,233 - JAKE HAS BEEN TO SOME DOWN AND DIRTY PLACES 685 00:25:27,233 --> 00:25:28,467 IN HIS PAST. 686 00:25:28,467 --> 00:25:31,133 - LOT OF FUN DRINKS. CHECK THEM OUT, OKAY? 687 00:25:31,133 --> 00:25:32,400 - THANK YOU. - I'LL BE BACK. THANK YOU. 688 00:25:32,400 --> 00:25:33,834 - HE'S GOT SOME BIG JUGS. 689 00:25:33,834 --> 00:25:35,400 WHAT GOES ON DURING THE DAY? 690 00:25:35,400 --> 00:25:37,433 - DO YOU LOVE THAT I KNEW HER? - WHY DO YOU KNOW HER? 691 00:25:37,433 --> 00:25:38,900 - I USED TO GO TO A LOT OF NIGHTCLUBS. 692 00:25:38,900 --> 00:25:42,500 - PRE-BETHENNY, JAKE USED TO TRIP THE LIGHT FANTASTIC. 693 00:25:42,500 --> 00:25:44,700 - THANK YOU. 694 00:25:44,700 --> 00:25:46,333 - I'LL COME BACK AND CHECK ON YOU. THANK YOU. 695 00:25:46,333 --> 00:25:48,667 - CHEERS. I'M EXCITED. 696 00:25:48,667 --> 00:25:49,934 - ME TOO. IT'S FUN. 697 00:25:49,934 --> 00:25:51,100 - HI, GUYS. - HI. 698 00:25:51,100 --> 00:25:52,567 - I'M ANGEL EYEDEALISM, 699 00:25:52,567 --> 00:25:54,667 AND I READ TAROT CARDS AT LUCKY CHENG'S. 700 00:25:54,667 --> 00:25:56,333 - PULL UP A CHAIR. READ 'EM. 701 00:25:56,333 --> 00:25:58,166 - YOU WANNA GET READ? - OF COURSE. 702 00:25:58,166 --> 00:26:00,000 - WHAT'S YOUR SIGN? - WELL, YOU SHOULD KNOW IF-- 703 00:26:00,000 --> 00:26:03,000 I'M NOT A PSYCHIC. DOES IT SAY "PSYCHIC," BITCH? 704 00:26:03,000 --> 00:26:04,300 IT'S TAROT, BITCH. - LISTEN, BITCH, 705 00:26:04,300 --> 00:26:08,533 YOU BETTER MULTITASK. IT'S [bleep] 2011, OKAY? 706 00:26:08,533 --> 00:26:10,400 IT IS ON LIKE DONKEY KONG. 707 00:26:10,400 --> 00:26:13,233 SHE GOES, "LISTEN, BITCH." I LOVE IT. 708 00:26:13,233 --> 00:26:15,533 - I'M NOT A PSYCHIC, OKAY? 709 00:26:15,533 --> 00:26:17,333 - SO IF YOU BUST MY BALLS ABOUT BEING A PSYCHIC-- 710 00:26:17,333 --> 00:26:19,000 - YOU DON'T EVEN-- YOU DON'T HAVE BALLS. 711 00:26:19,000 --> 00:26:20,567 - WHAT IS SHE TRYING TO TELL ME? 712 00:26:20,567 --> 00:26:23,200 - YES, YOU DO. - NO, YOU DON'T. 713 00:26:23,200 --> 00:26:24,934 - YES, YOU DO. - NO, YOU DON'T. 714 00:26:24,934 --> 00:26:26,867 - I LOVE IT WHEN LESBIAN COUPLES FIGHT OVER ME. 715 00:26:26,867 --> 00:26:28,100 - SHE DOESN'T HAVE BALLS. 716 00:26:28,100 --> 00:26:30,533 - SHE JUST CALLED US A LESBIAN COUPLE. 717 00:26:30,533 --> 00:26:32,667 - SHE HAS SOFT, BEAUTIFUL, SUPPLE BREASTS. 718 00:26:32,667 --> 00:26:34,667 - SHE FINALLY SAID SOMETHING NICE TO ME! 719 00:26:34,667 --> 00:26:36,467 - DO YOU HAVE BALLS OR NOT? 720 00:26:36,467 --> 00:26:38,000 - YES, I'VE GOT [bleep] BALLS FOR DAYS. 721 00:26:38,000 --> 00:26:39,567 - I WIN. 722 00:26:39,567 --> 00:26:41,834 - I HAVE BALLS TOO, BUT DO YOU REALLY HAVE BALLS? 723 00:26:41,834 --> 00:26:43,533 - I REALLY HAVE BALLS. - NO, YOU DON'T. 724 00:26:43,533 --> 00:26:45,166 - I WIN! 725 00:26:45,166 --> 00:26:47,800 - I WANT TO TOUCH HER BALLS, IF SHE ALLOWS ME. 726 00:26:47,800 --> 00:26:49,600 - YOU'RE BEING AN IMPOLITE GUEST. 727 00:26:49,600 --> 00:26:52,700 - YOU KNOW WHAT, HOW ABOUT I JUST TEABAG THE BITCH? 728 00:26:52,700 --> 00:26:54,700 I JUST TEABAG HER, OKAY? 729 00:26:54,700 --> 00:26:56,300 - WE JUST TOTALLY LEFT NORMAL. 730 00:26:56,300 --> 00:27:01,200 WE PULLED INTO THE LEFT LANE AND HIT TEABAGGING. 731 00:27:01,200 --> 00:27:03,200 MY FACE HURTS. 732 00:27:03,200 --> 00:27:07,233 - THIS ONE HAS AN "A" CLASS ATTITUDE. 733 00:27:07,233 --> 00:27:08,633 I LOVE THIS PLACE. 734 00:27:08,633 --> 00:27:09,967 - AHA. 735 00:27:09,967 --> 00:27:12,066 THIS FIRST CARD IS YOUR DESIRE. 736 00:27:12,066 --> 00:27:15,600 THE MOON MEANS THAT YOU HAVE SHADY BITCHES AROUND YOU. 737 00:27:15,600 --> 00:27:17,867 AND YOU NEED TO TRUST YOUR INSTINCT 738 00:27:17,867 --> 00:27:21,000 TO SEE WHICH BITCHES IS COOL AND WHICH BITCHES IS SHADY. 739 00:27:21,000 --> 00:27:24,400 - THAT SEEMS VERY LAST YEAR. - I CALL IT THE "TUNA RULE." 740 00:27:24,400 --> 00:27:26,767 BECAUSE NICE GIRLS SMELL LIKE CHICKEN, 741 00:27:26,767 --> 00:27:28,633 AND BAD BITCHES SMELL LIKE TUNA. 742 00:27:28,633 --> 00:27:31,467 - WOW. - TRUST IN YOUR INSTINCTS. 743 00:27:31,467 --> 00:27:33,166 - THAT'S, LIKE, A CAREER CARD. 744 00:27:33,166 --> 00:27:37,834 THIS IS "I TAKE POSITIVE RISK WITH WORK AND CAREER." 745 00:27:37,834 --> 00:27:41,800 AND THE UNIVERSE LOVE BITCHES WHOSE EGGS DROP DOWN 746 00:27:41,800 --> 00:27:44,400 AND TURN INTO BALLS, AND YOU GO AND GET YOUR [bleep]. 747 00:27:44,400 --> 00:27:46,500 - OKAY. - FAIR ENOUGH. 748 00:27:46,500 --> 00:27:47,867 - THERE IT IS. - YOU WILL BE REWARDED. 749 00:27:47,867 --> 00:27:49,500 - THIS BITCH IS RIGHT. 750 00:27:49,500 --> 00:27:52,133 THE UNIVERSE IS REWARDING THIS BITCH WHO GETS [bleep] DONE. 751 00:27:52,133 --> 00:27:53,834 THIS IS MY NEW LANGUAGE NOW. 752 00:27:53,834 --> 00:27:56,100 - THIS IS "I TAKE POSITIVE RISK WITH LOVE." 753 00:27:56,100 --> 00:28:00,400 OPENING UP EMOTIONALLY, LEADS TO AN ABUNDANCE OF LOVE AND SEX. 754 00:28:00,400 --> 00:28:04,300 BUT YOU'VE GOT TO SPREAD YOUR LEGS TO GET THE TURKEY, OKAY? 755 00:28:04,300 --> 00:28:07,100 - WE HAVE FOUND SOMEONE WHO OUT-INAPPROPRIATES US. 756 00:28:07,100 --> 00:28:09,133 - OH. - THIS IS AMAZING. 757 00:28:09,133 --> 00:28:10,834 - YOU'RE NICE GUESTS. 758 00:28:10,834 --> 00:28:12,367 CAN I GET A HUG? - OF COURSE. 759 00:28:12,367 --> 00:28:15,033 - I'M INAPPROPRIATE, BUT... 760 00:28:15,033 --> 00:28:17,000 THERE'S A DIFFERENT LEVEL 761 00:28:17,000 --> 00:28:18,834 AND A DIFFERENT SHADE OF INAPPROPRIATE. 762 00:28:18,834 --> 00:28:20,633 I ROLL OVER IT, I GRAZE. 763 00:28:20,633 --> 00:28:23,533 I DON'T, LIKE, DIVE RIGHT IN AND STAY THERE. 764 00:28:23,533 --> 00:28:25,934 SHE'S, LIKE, RIGHT IN BETWEEN THE LEGS, 765 00:28:25,934 --> 00:28:28,000 AND SHE IS NOT COMING UP FOR AIR. 766 00:28:28,000 --> 00:28:29,600 AND IT'S DIRTY. 767 00:28:29,600 --> 00:28:31,934 SHE'S A LOW-DOWN, DIRTY DOG. 768 00:28:31,934 --> 00:28:35,066 - SO IT GETS DANGEROUS AROUND HERE. 769 00:28:35,066 --> 00:28:36,734 - I CAN TELL, YOU HAVE A BIG, GIANT BALLOON. 770 00:28:36,734 --> 00:28:39,166 - [hisses] I OVERCOMPENSATE PROFESSIONALLY... 771 00:28:39,166 --> 00:28:40,567 - EXCELLENT. 772 00:28:40,567 --> 00:28:42,767 - WHICH IS THE ONLY RESPECTABLE WAY TO DO IT, I THINK. 773 00:28:42,767 --> 00:28:45,300 - IT LOOKS LIKE YOU'RE MAKING OTHER TABLES VERY HAPPY. 774 00:28:45,300 --> 00:28:46,500 - I LIKE THAT. 775 00:28:46,500 --> 00:28:48,433 IS THAT A VERY ROUNDABOUT WAY OF SAYING, 776 00:28:48,433 --> 00:28:50,166 "DON'T PUT SOMETHING ON MY HEAD"? 777 00:28:50,166 --> 00:28:51,300 - NO, NO, NO. YOU CAN PUT SOMETHING ON MY HEAD, 778 00:28:51,300 --> 00:28:52,500 BUT YOU CAN'T PUT SOMETHING ON HERS. 779 00:28:52,500 --> 00:28:53,667 - THAT'S FAIR. - SHE'LL BEAT YOU. 780 00:28:53,667 --> 00:28:55,500 - THE LUCKY CHENG'S SPECIAL. 781 00:28:55,500 --> 00:28:59,367 MORE ABOUT DETAIL THAN SIZE. 782 00:28:59,367 --> 00:29:00,600 NOT A GOOD PICKUP LINE. 783 00:29:00,600 --> 00:29:02,800 - IT'S FUNNY THAT HE KEEPS GOING INTO HIS CROTCH 784 00:29:02,800 --> 00:29:03,834 TO GET THE BALLOONS AND THEN BLOWING THEM UP. 785 00:29:03,834 --> 00:29:05,567 - I KIND OF LIKE IT. 786 00:29:05,567 --> 00:29:08,066 - ART IMITATES LIFE, YOU KNOW, IN MANY DIFFERENT WAYS. 787 00:29:08,066 --> 00:29:11,300 BUT AT LEAST I'M CONSISTENT. 788 00:29:11,300 --> 00:29:13,400 - WHERE AM I? 789 00:29:13,400 --> 00:29:14,667 - AND NICE. - BEAUTIFUL. 790 00:29:14,667 --> 00:29:16,200 - ISN'T SHE? 791 00:29:16,200 --> 00:29:18,166 SHE HAS BEAUTIFUL BREASTS PROUDLY ERECT. 792 00:29:18,166 --> 00:29:20,734 - IS THIS A BONDAGE BALLOON NOW? 793 00:29:20,734 --> 00:29:23,734 - YES. THERE IS A NICE CHICK WITH A [bleep] ON YOUR HEAD, 794 00:29:23,734 --> 00:29:25,500 IN A TASTEFUL WAY. 795 00:29:25,500 --> 00:29:26,567 - YES. IN A TASTEFUL WAY. 796 00:29:26,567 --> 00:29:29,100 - IF I MAY, COULD I SEE YOUR PINKY? 797 00:29:29,100 --> 00:29:30,367 - YES. - A NICE [bleep] RING FOR YOU. 798 00:29:30,367 --> 00:29:31,734 - THANK YOU. 799 00:29:31,734 --> 00:29:32,767 - A LITTLE MORE KATHARINE HEPBURN 800 00:29:32,767 --> 00:29:34,166 BALLOON POP FOR YOU. 801 00:29:34,166 --> 00:29:36,700 - I DON'T WANT TO RUIN THIS, SO WE'RE GONNA JUST-- 802 00:29:36,700 --> 00:29:38,700 - I THINK HE-- - HE'S FUNNY. 803 00:29:38,700 --> 00:29:42,300 DO I THINK THE BALLOON GUY'S ATTRACTIVE? 804 00:29:42,300 --> 00:29:46,900 DON'T LET ME DATE A BALLOON MAKER. 805 00:29:49,133 --> 00:29:50,700 - COMING UP... 806 00:29:50,700 --> 00:29:53,633 NOW THAT JULIE'S LEAVING, JASON REALLY-- 807 00:29:53,633 --> 00:29:55,033 WE'RE REALLY TALKING ABOUT HIM GETTING INVOLVED. 808 00:29:55,033 --> 00:29:56,100 - WHAT MAKES IT COMPLICATED ARE THE FEELINGS 809 00:29:56,100 --> 00:29:57,934 THAT EACH OF YOU HAVE ABOUT IT. 810 00:29:57,934 --> 00:30:00,967 DO YOU HAVE AN EXIT STRATEGY? 811 00:30:05,934 --> 00:30:07,633 - WE GOT TO MAKE SOME DECISIONS TODAY, 812 00:30:07,633 --> 00:30:09,400 AND THEY'RE GONNA SHOW US AROUND. 813 00:30:09,400 --> 00:30:10,700 - BRAVO AV IS COMING BY 814 00:30:10,700 --> 00:30:13,433 TO SET UP A MEDIA SYSTEM FOR MY HOUSE. 815 00:30:13,433 --> 00:30:17,867 - OKAY, WHAT I'D LIKE IS TO HAVE THIS CLOSET FROM 5 FEET UP. 816 00:30:17,867 --> 00:30:19,700 - NOW WE'RE TAKING AWAY ALL MY SKINNYGIRL STORAGE. 817 00:30:19,700 --> 00:30:22,600 - I'M STILL AM TAKING THIS. - BUT YOU MIGHT NOT BECAUSE-- 818 00:30:22,600 --> 00:30:24,533 - HOLD ON, HOLD ON. YOU NEVER LET ME FINISH. 819 00:30:24,533 --> 00:30:25,633 - YOU'RE RIGHT. 820 00:30:25,633 --> 00:30:27,133 - WELCOME TO MY WORLD, SON OF A BITCH. 821 00:30:27,133 --> 00:30:29,967 - TOMMY FROM BRAVO AV CONSULTING HAS NO PROBLEM 822 00:30:29,967 --> 00:30:31,567 GETTING INTO MY FACE. 823 00:30:31,567 --> 00:30:33,000 - AND JASON LIKES IT. 824 00:30:33,000 --> 00:30:35,166 - WHERE IS 5 FOOT UP? - IT'S ABOUT HERE. 825 00:30:35,166 --> 00:30:37,033 - BUT I NEED A LOT OF STORAGE IN THERE. 826 00:30:37,033 --> 00:30:38,100 - I'LL THROW SOME OF YOUR STUFF OUT FOR YOU 827 00:30:38,100 --> 00:30:40,433 AND THEN YOU WON'T NEED AS MUCH. 828 00:30:40,433 --> 00:30:42,533 - I'M GONNA START TAKING SOME POINTERS 829 00:30:42,533 --> 00:30:43,633 FROM THIS GUY A LITTLE BIT MORE. 830 00:30:43,633 --> 00:30:45,500 I THINK EVEN BETHENNY WAS TAKEN BACK. 831 00:30:45,500 --> 00:30:46,867 SO YOU NEED SPACE IN HERE? - YES, PLEASE. 832 00:30:46,867 --> 00:30:48,467 - GO TO THE NEXT ROOM. IS THAT COOL? 833 00:30:48,467 --> 00:30:49,567 - LET'S GO. 834 00:30:49,567 --> 00:30:51,700 - WE JUST FOUND A HOLE IN THE WALL. 835 00:30:51,700 --> 00:30:53,100 SO WE COULD INSET THE TV HERE. 836 00:30:53,100 --> 00:30:54,400 - DO I GET THIS SPACE? - YES. 837 00:30:54,400 --> 00:30:55,600 I COULD LOCATE YOUR GEAR HERE. 838 00:30:55,600 --> 00:30:57,633 WORD TO YO' MAMA. 839 00:30:57,633 --> 00:30:59,300 - YOU'RE GIVING MY MOM A SHOUT-OUT? 840 00:30:59,300 --> 00:31:01,500 LOVE YOU, BABY. LOVE YOU. 841 00:31:01,500 --> 00:31:02,834 - YOU KNOW HOW TO SPEAK TO HER. I LIKE IT. 842 00:31:02,834 --> 00:31:04,867 DIRECT AND LOUD. 843 00:31:11,767 --> 00:31:13,266 - HI. - HI. 844 00:31:13,266 --> 00:31:16,000 - HOW ARE YOU DOING? - I'M DOING GOOD. 845 00:31:16,000 --> 00:31:17,467 - HOW ABOUT YOU? - I'M ALL RIGHT. 846 00:31:17,467 --> 00:31:19,166 - HOW WAS MEXICO? 847 00:31:19,166 --> 00:31:23,700 - UM...HOW WAS MEXICO? 848 00:31:23,700 --> 00:31:26,033 GOOD AND TERRIBLE. 849 00:31:26,033 --> 00:31:28,900 WE HAD A ROCKY START. 850 00:31:28,900 --> 00:31:31,266 WE ARGUE ABOUT A LOT OF THE SAME STUFF. 851 00:31:31,266 --> 00:31:35,700 BUT WE WERE ARGUING AND... 852 00:31:35,700 --> 00:31:39,133 I FEEL THAT I'VE INSTILLED SOME SORT OF FEAR IN JASON 853 00:31:39,133 --> 00:31:40,467 THAT I'M GOING TO RUN. 854 00:31:40,467 --> 00:31:43,633 SO WHEN I WANT TO HAVE A CONVERSATION ABOUT SOMETHING, 855 00:31:43,633 --> 00:31:46,333 HE PUTS HIS GUARD UP AND, WELL, LIKE, 856 00:31:46,333 --> 00:31:47,734 IT ESCALATES. 857 00:31:47,734 --> 00:31:50,000 AND I JUST WANT TO, LIKE... 858 00:31:50,000 --> 00:31:51,266 HAVE A CONVERSATION ABOUT SOMETHING. 859 00:31:51,266 --> 00:31:52,767 - MM-HMM. 860 00:31:52,767 --> 00:31:54,667 - AND I ADMIT MY DELIVERY'S NOT ALWAYS GREAT, YOU KNOW-- 861 00:31:54,667 --> 00:31:55,734 BREAKING NEWS. 862 00:31:55,734 --> 00:31:58,767 BUT, NEVERTHELESS, WE, UH, 863 00:31:58,767 --> 00:32:00,900 WERE ARGUING, AND IT REALLY SUCKED. 864 00:32:00,900 --> 00:32:02,467 BUT THEN IT JUST TURNED. 865 00:32:02,467 --> 00:32:04,467 WE DO HAVE A WAY TO TURN THE SHIP AROUND, 866 00:32:04,467 --> 00:32:05,734 I WILL SAY, WE DO. 867 00:32:05,734 --> 00:32:08,300 LIKE, IT WAS REALLY ULTIMATELY-- 868 00:32:08,300 --> 00:32:11,433 IT WAS ULTIMATELY REALLY, REALLY NICE AND REALLY ENJOYABLE. 869 00:32:11,433 --> 00:32:16,633 NOW THAT JULIE'S LEAVING, JASON REALLY-- 870 00:32:16,633 --> 00:32:18,633 WE'RE REALLY TALKING ABOUT HIM GETTING INVOLVED. 871 00:32:18,633 --> 00:32:20,834 I KNOW YOU AND I HAVE TALKED ABOUT THIS, AND-- 872 00:32:20,834 --> 00:32:22,033 - EVEN MORE. 873 00:32:22,033 --> 00:32:24,500 - THE FULL MONTY. - MM-HMM. 874 00:32:24,500 --> 00:32:26,433 - BECAUSE HE'LL SAY, 875 00:32:26,433 --> 00:32:28,567 "I'M NOT PASSIONATE ABOUT WHAT I'M DOING, AND I'M PASSIONATE 876 00:32:28,567 --> 00:32:31,600 "ABOUT THIS, AND I WANT TO BUILD THIS WITH YOU. 877 00:32:31,600 --> 00:32:34,500 AND THIS IS WHAT I REALLY WANT TO DO." 878 00:32:34,500 --> 00:32:39,467 AND--AND JACKIE WILL NEVER BE ABLE TO DO THIS ON HER OWN. 879 00:32:39,467 --> 00:32:42,767 IT JUST SEEMS, LIKE, IDIOTIC TO GO FIND SOME PERSON 880 00:32:42,767 --> 00:32:45,266 TO DO THAT WHEN THERE'S SOMEONE WHO I LOVE AND CARE ABOUT 881 00:32:45,266 --> 00:32:47,734 WHO WANTS TO DO THAT-- WOULD BE GOOD AT IT. 882 00:32:47,734 --> 00:32:52,233 THE THING IS THAT IT ALREADY AFFECTS OUR RELATIONSHIP. 883 00:32:52,233 --> 00:32:54,300 AND IT FEELS, TO HIM, LIKE HE HAS NOTHING TO DO WITH IT, 884 00:32:54,300 --> 00:32:57,700 LIKE IT'S ALL MY STUFF. 885 00:32:57,700 --> 00:32:58,967 YOU KNOW. 886 00:32:58,967 --> 00:33:02,967 SO I WOULD LIKE TO MAKE IT MORE HIS STUFF. 887 00:33:02,967 --> 00:33:04,967 IT'S VERY COMPLICATED, DOC. 888 00:33:04,967 --> 00:33:08,000 - IS IT? 889 00:33:08,000 --> 00:33:09,400 THIS IS YOUR STUFF. 890 00:33:09,400 --> 00:33:12,200 THIS IS YOUR BUSINESS... - RIGHT. 891 00:33:12,200 --> 00:33:13,667 - THAT HE'S GOING TO GET INVOLVED IN. 892 00:33:13,667 --> 00:33:16,200 IT'S ACTUALLY NOT COMPLICATED AT THAT LEVEL. 893 00:33:16,200 --> 00:33:18,300 WHAT MAKES IT COMPLICATED ARE THE FEELINGS 894 00:33:18,300 --> 00:33:20,100 THAT EACH OF YOU HAVE ABOUT IT. 895 00:33:20,100 --> 00:33:22,433 THE RESENTMENTS THAT HE SOMETIMES HAS. 896 00:33:22,433 --> 00:33:23,700 - MM-HMM. 897 00:33:23,700 --> 00:33:25,033 - THE VARIOUS FEELINGS YOU'VE TALKED ABOUT 898 00:33:25,033 --> 00:33:26,567 IN TERMS OF HIM WORKING IN YOUR BUSINESS. 899 00:33:26,567 --> 00:33:29,400 - I ULTIMATELY THINK HE REALLY DOES THINGS FOR ME, 900 00:33:29,400 --> 00:33:33,567 SO I THINK I HAVE TO DO THIS TYPE OF THING FOR HIM. 901 00:33:33,567 --> 00:33:39,200 IF YOU SEE SOMEONE IN A PLACE WHERE THEY'RE NOT THE HAPPIEST, 902 00:33:39,200 --> 00:33:42,300 AND YOU KNOW THAT THERE'S A WAY THAT YOU CAN MAKE THEM HAPPIER, 903 00:33:42,300 --> 00:33:46,600 AND YOU DON'T THINK THAT MAKING THEM HAPPIER IS GOING 904 00:33:46,600 --> 00:33:48,333 TO DIRECTLY MAKE YOU UNHAPPY, 905 00:33:48,333 --> 00:33:50,967 I DON'T THINK THAT WILL MAKE A DIFFERENCE. 906 00:33:50,967 --> 00:33:53,100 A PART OF OUR STRUGGLES RIGHT NOW ARE 907 00:33:53,100 --> 00:33:58,734 THE "IT'S ALL ABOUT ME AND MY LIFE AND MY CAREER" DYNAMIC. 908 00:33:58,734 --> 00:34:01,500 - ONE OF THE THINGS THAT'S STRESSING YOU GUYS OUT 909 00:34:01,500 --> 00:34:04,000 AS A MARRIED COUPLE IS THAT, YEAH, HE SIGNED ON, 910 00:34:04,000 --> 00:34:06,700 BUT WHO KNEW IT WAS GONNA BECOME THIS INTENSE, THIS BIG, 911 00:34:06,700 --> 00:34:08,700 THIS ENGROSSING, RIGHT? - RIGHT. 912 00:34:08,700 --> 00:34:10,066 - AND THIS IS AN OPPORTUNITY, AMONG OTHER THINGS, 913 00:34:10,066 --> 00:34:11,467 TO BALANCE THAT OUT. 914 00:34:11,467 --> 00:34:15,200 AND SO IT BECOMES MORE ABOUT WHAT EACH OF YOU IS DOING, 915 00:34:15,200 --> 00:34:19,033 EVEN IF IT'S UNDER THE UMBRELLA OF THE BETHENNY-- 916 00:34:19,033 --> 00:34:22,066 - YES, BINGO. YOU GET A TOASTER. 917 00:34:22,066 --> 00:34:23,900 - OKAY. - YES, EXACTLY. 918 00:34:23,900 --> 00:34:26,233 THIS IS THE SOLUTION TO THAT PROBLEM-- 919 00:34:26,233 --> 00:34:27,700 OR AN ATTEMPT TO SOLVE THAT PROBLEM 920 00:34:27,700 --> 00:34:31,934 AND MAKE IT MORE ABOUT "A," US AND "B," HIM. 921 00:34:31,934 --> 00:34:33,800 - PRIOR TO OUR GENERATION, 922 00:34:33,800 --> 00:34:37,667 SUCCESSFUL MEN HAD A WOMAN BEHIND THEM. 923 00:34:37,667 --> 00:34:39,400 YOU KNOW THAT SAYING 924 00:34:39,400 --> 00:34:41,200 "BEHIND EVERY SUCCESSFUL MAN, THERE'S A SUPPORTIVE WOMAN"? 925 00:34:41,200 --> 00:34:44,767 - RIGHT. - AND THAT'S A ROLE. 926 00:34:44,767 --> 00:34:48,400 AND THAT'S A POWERFUL ROLE... 927 00:34:48,400 --> 00:34:50,467 LIKE THE TRADITIONAL '50s HOUSEWIFE, FRANKLY. 928 00:34:50,467 --> 00:34:52,433 AND THERE'S NOTHING DEMEANING ABOUT IT. 929 00:34:52,433 --> 00:34:54,633 THERE'S LOTS OF MEN WHO SUPPORT WIVES 930 00:34:54,633 --> 00:34:56,433 WHO ARE MAKING MORE MONEY THAN THEY ARE, 931 00:34:56,433 --> 00:34:59,800 WHO ARE MORE FINANCIALLY SUCCESSFUL THAN THEY ARE. 932 00:34:59,800 --> 00:35:02,233 AND I SEE GENUINE APPRECIATION FOR THAT. 933 00:35:02,233 --> 00:35:05,567 UM, THAT'S-- - WHAT DO YOU MEAN? 934 00:35:05,567 --> 00:35:06,734 YOU'RE SAYING THAT I GENUINELY APPRECIATE IT. 935 00:35:06,734 --> 00:35:08,800 - YEAH, BECAUSE I JUST HEARD IT IN YOUR VOICE. 936 00:35:08,800 --> 00:35:12,367 - OH, YES. IT JUST FEELS LIKE... 937 00:35:12,367 --> 00:35:14,467 IT'S A PUZZLE, AND THE PIECES ARE RIGHT THERE. 938 00:35:14,467 --> 00:35:16,934 - DO YOU HAVE AN EXIT STRATEGY FOR BOTH OF YOU? 939 00:35:16,934 --> 00:35:18,000 THAT IF IT'S NOT WORKING OUT-- 940 00:35:18,000 --> 00:35:20,100 - UM. - HAVE YOU TALKED ABOUT THAT? 941 00:35:20,100 --> 00:35:22,600 FOR EITHER OF YOU? 942 00:35:22,600 --> 00:35:25,834 - NO. 943 00:35:38,800 --> 00:35:40,133 - YOU LOOK GOOD. 944 00:35:40,133 --> 00:35:41,834 - THE ONE THING THAT I JUST BOUGHT--MY SNACKS. 945 00:35:41,834 --> 00:35:43,000 DON'T STEAL MY SNACKS. 946 00:35:43,000 --> 00:35:44,800 LIKE, GET YOUR OWN SNACKS. 947 00:35:44,800 --> 00:35:47,400 [phone rings] GET YOUR OWN SNACKS. 948 00:35:47,400 --> 00:35:49,767 - I THOUGHT THIS IS OUR HOUSE. 949 00:35:49,767 --> 00:35:52,967 - IT IS, BUT YOU EAT EVERYTHING, AND THERE'S NOTHING LEFT FOR ME. 950 00:35:52,967 --> 00:35:55,000 - WELL, BECAUSE THOSE ARE THINGS I DON'T THINK OF GETTING. 951 00:35:55,000 --> 00:35:56,233 - WELL, YOU SHOULD START THINKING. 952 00:35:56,233 --> 00:35:58,033 YOU'RE A GROWN MAN-- YOU'RE 40 YEARS OLD. 953 00:35:58,033 --> 00:35:59,467 - I TEND TO DO THE SAME THING, SO-- 954 00:35:59,467 --> 00:36:03,834 [phone rings] 955 00:36:03,834 --> 00:36:06,200 - YOU'RE NOT ALLOWED THE REST OF THOSE SNACKS. 956 00:36:06,200 --> 00:36:07,700 - THERE'S NO MORE LEFT. 957 00:36:07,700 --> 00:36:10,200 - WHY DO YOU TAKE EVERYTHING? - IT'S ONE LITTLE BAG. 958 00:36:10,200 --> 00:36:13,400 IT'S, LIKE, A TO-GO BAG-- THOSE LITTLE ONES. 959 00:36:13,400 --> 00:36:15,166 - YOU DON'T LEAVE ANYTHING FOR ANYONE ELSE. 960 00:36:15,166 --> 00:36:18,166 - BY THE WAY, YOU DIDN'T GO AND BUY THIS. 961 00:36:18,166 --> 00:36:20,333 - YESTERDAY. WHAT DO THINK? IT JUST ARRIVED HERE? 962 00:36:20,333 --> 00:36:21,633 A STORK BROUGHT IT, LIKE, GAVE BIRTH TO A BAG OF CHIPS? 963 00:36:21,633 --> 00:36:23,266 - NO, I THOUGHT YOU GRABBED IT AT SOME MEETING. 964 00:36:23,266 --> 00:36:26,900 - NO, I BROUGHT IT-- I BOUGHT IT YESTERDAY AT GNC. 965 00:36:26,900 --> 00:36:29,767 - [chomps] - THANK YOU. 966 00:36:29,767 --> 00:36:32,266 - SO I CAN'T HAVE THEM? - NO. 967 00:36:32,266 --> 00:36:33,600 I DIDN'T BUY THEM FOR YOU. 968 00:36:33,600 --> 00:36:34,767 I BOUGHT THEM FOR MYSELF 'CAUSE I LIKE THEM. 969 00:36:34,767 --> 00:36:36,467 AND YOU EAT EVERYTHING, 970 00:36:36,467 --> 00:36:38,767 AND YOU DON'T LEAVE ANYTHING FOR ANYONE ELSE. 971 00:36:38,767 --> 00:36:41,734 - [chomps] ALL RIGHT, SORRY. 972 00:36:41,734 --> 00:36:43,500 THEY'RE GOOD THOUGH. - I KNOW. 973 00:36:43,500 --> 00:36:45,100 GLAD YOU LIKE THEM. 974 00:36:45,100 --> 00:36:46,400 - WE HAD A GOOD MEETING TODAY. 975 00:36:46,400 --> 00:36:49,100 I MET WITH STEVE OUR CONTRACTOR 976 00:36:49,100 --> 00:36:51,533 AND, UH, ALL THE DEMO GUYS 977 00:36:51,533 --> 00:36:55,000 AND THE PROJECT MANAGER WHO'S GONNA BE ON-SITE EVERY DAY 978 00:36:55,000 --> 00:36:56,433 WORKING IT OUT. 979 00:36:56,433 --> 00:36:57,934 - WHAT DID THESE PEOPLE SAY ABOUT THIS APARTMENT? 980 00:36:57,934 --> 00:36:59,467 I KNOW THAT THEY'RE IN THE SAME SITUATION AS US. 981 00:36:59,467 --> 00:37:01,200 THEY HAVE TO MOVE SOMEWHERE ELSE. 982 00:37:01,200 --> 00:37:03,033 - RIGHT. - SO DID YOU HEAR FROM THEM? 983 00:37:03,033 --> 00:37:04,333 - WELL, JUST THROUGH EMAIL. 984 00:37:04,333 --> 00:37:07,700 BUT THEY'RE OPEN TO US STAYING 985 00:37:07,700 --> 00:37:11,800 AND THEM FINDING ANOTHER-- SOME OTHER ACCOMMODATIONS. 986 00:37:11,800 --> 00:37:13,900 - FOR HOW MUCH MONEY? - THEY DON'T HAVE CHILDREN. 987 00:37:13,900 --> 00:37:17,233 SO THEY'VE BEEN KIND ENOUGH TO SAY "IT COULD BE A DISRUPTION 988 00:37:17,233 --> 00:37:18,333 IN YOUR LIFE," BLAH, BLAH, BLAH. 989 00:37:18,333 --> 00:37:20,333 - SO THEY WOULD LET US STAY HERE? 990 00:37:20,333 --> 00:37:23,300 - THEY WOULD LET US STAY, BUT IT'S--IT'S-- 991 00:37:23,300 --> 00:37:24,834 - THEY'RE CHARGING US. - AND I DON'T BLAME THEM. 992 00:37:24,834 --> 00:37:26,467 THEY DON'T WANT TO COME OUT OF POCKET WITH ANYTHING-- 993 00:37:26,467 --> 00:37:27,834 WITH HOTELS, WHEREVER THEY HAVE TO STAY. 994 00:37:27,834 --> 00:37:29,100 - THEY'RE GONNA STAY IN HOTELS. 995 00:37:29,100 --> 00:37:30,500 - OR STORAGE TO PUT THEIR FURNITURE, WHICH I GET. 996 00:37:30,500 --> 00:37:32,367 - HOW MUCH IS IT GONNA COST US? 997 00:37:32,367 --> 00:37:35,100 - FOR TWO MONTHS, AN EXTRA $10,000. 998 00:37:35,100 --> 00:37:37,600 - ON TOP OF OUR RENT? - YEAH, IT'S A LOT OF MONEY. 999 00:37:37,600 --> 00:37:38,934 - PLUS PAYING OVER THERE. 1000 00:37:38,934 --> 00:37:40,133 - PLUS PAYING THE OTHER APARTMENT. 1001 00:37:40,133 --> 00:37:43,367 - SO IT'S GONNA COST US $10,000 FOR SANITY. 1002 00:37:43,367 --> 00:37:44,834 IT'S A LOT OF MONEY, 1003 00:37:44,834 --> 00:37:46,700 BUT I THINK IT'S GONNA COST THE SAME THING TO GO TO A HOTEL. 1004 00:37:46,700 --> 00:37:48,867 - $300 A NIGHT. - FOR A HOTEL? 1005 00:37:48,867 --> 00:37:51,166 - THAT'S 18 GRAND FOR TWO MONTHS. 1006 00:37:51,166 --> 00:37:53,400 - SO 60 DAYS. 60 TIMES--YEAH. 1007 00:37:53,400 --> 00:37:54,600 - SO-- 1008 00:37:54,600 --> 00:37:57,033 - OH, SO WE'RE SAVING MONEY DOING THIS. 1009 00:37:57,033 --> 00:37:59,333 OH, NO! - BECAUSE YOU ADD YOUR RENT. 1010 00:37:59,333 --> 00:38:01,700 - $18,000. SO WE'RE NOT SAVING MONEY. 1011 00:38:01,700 --> 00:38:03,166 CAN'T GET IN THIS APARTMENT. 1012 00:38:03,166 --> 00:38:05,066 NOTHING IS AS IT SEEMS. 1013 00:38:05,066 --> 00:38:07,100 PEOPLE JUST DON'T DO THINGS ON TIME. 1014 00:38:07,100 --> 00:38:08,633 IN WHAT WORLD IS THIS-- 1015 00:38:08,633 --> 00:38:10,033 IN WHAT UNIVERSE DOES SOMEONE SAY 1016 00:38:10,033 --> 00:38:12,400 "YOUR APARTMENT'S READY ON THIS DAY," AND IT'S JUST NOT? 1017 00:38:12,400 --> 00:38:13,667 I DON'T GET IT. 1018 00:38:13,667 --> 00:38:15,667 I JUST WANT EVERYTHING NOT TO BE SO HYSTERICAL. 1019 00:38:15,667 --> 00:38:17,834 LIKE, ONE TIME I WANT IT NOT TO BE HYSTERICAL. 1020 00:38:17,834 --> 00:38:18,934 I JUST WANT IT NOT TO BE HYSTERICAL. 1021 00:38:18,934 --> 00:38:20,867 - THAT'S OUR LIFE. - NO, IT'S NOT. 1022 00:38:20,867 --> 00:38:25,266 - OUR LIFE IS ALWAYS SOMETHING, WHICH IS, I GUESS, A GOOD THING. 1023 00:38:25,266 --> 00:38:26,900 - COOKIE AND I ARE TIRED. 1024 00:38:26,900 --> 00:38:32,166 - SO I'M GONNA JUST TELL THE WOMAN THAT WE'RE GONNA DO IT. 1025 00:38:32,166 --> 00:38:34,667 - YES, OF COURSE. 1026 00:38:34,667 --> 00:38:38,367 - ALL RIGHT. - LET'S GO DO SOME WORK. 1027 00:38:40,100 --> 00:38:45,667 REST UP, MY DEAR. 1028 00:38:55,367 --> 00:38:56,900 - WOW. [door closes] 1029 00:38:56,900 --> 00:38:58,800 - WHAT DO YOU THINK? - THEY FRAMED THIS OFF. 1030 00:38:58,800 --> 00:39:00,800 THIS IS NOW, LIKE, A SQUARE. - THIS IS COOL, RIGHT? 1031 00:39:00,800 --> 00:39:03,467 REMEMBER HOW IT WAS ROUNDED HERE? 1032 00:39:03,467 --> 00:39:05,700 - YEAH. 1033 00:39:05,700 --> 00:39:06,734 THIS ROOM IS BIGGER NOW. 1034 00:39:06,734 --> 00:39:09,533 THEY GOT MORE SPACE OUT OF THIS BY NOT-- 1035 00:39:09,533 --> 00:39:11,967 JASON IS GOOD AT THE DEVIL IN THE DETAILS. 1036 00:39:11,967 --> 00:39:14,867 HE IS GREAT AT BEING, LIKE, A PROJECT MANAGER. 1037 00:39:14,867 --> 00:39:17,266 HE IS DOING A GREAT JOB. HE'S A GREAT LIAISON. 1038 00:39:17,266 --> 00:39:19,066 - BUDDY. WE STARTED. 1039 00:39:19,066 --> 00:39:20,233 - HI. - I CAN'T BELIEVE IT. 1040 00:39:20,233 --> 00:39:21,500 - HI. - HI. 1041 00:39:21,500 --> 00:39:23,000 - THIS IS WHERE ALL THE LIGHTING'S GONNA BE 1042 00:39:23,000 --> 00:39:25,400 UNDERNEATH THIS, UH-- - BIG CENTER PENNED IN. 1043 00:39:25,400 --> 00:39:26,667 THE HIGH HATS. 1044 00:39:26,667 --> 00:39:29,400 EVERY WEEK WE'VE GOT A NEW LITTLE GAME. 1045 00:39:29,400 --> 00:39:31,567 LAST WEEK WAS DEMO, FRAMING. 1046 00:39:31,567 --> 00:39:33,934 THIS WEEK NOW IS ABOUT AV, ELECTRIC. 1047 00:39:33,934 --> 00:39:35,934 EVERY WEEK WE HAVE A PURPOSE. - SMILE. 1048 00:39:35,934 --> 00:39:37,800 - THIS IS THE FRAMING FOR THE CLOSET. 1049 00:39:37,800 --> 00:39:39,834 COULD WE TAKE THOSE WOOD PIECES AND SHOW HER WHAT-- 1050 00:39:39,834 --> 00:39:41,533 I WANT YOU TO SEE WHEN THE LIGHT GOES AWAY. 1051 00:39:41,533 --> 00:39:44,233 - OKAY. 1052 00:39:44,233 --> 00:39:45,600 - I JUST NEED SOME TAPE. JUST, UH... 1053 00:39:45,600 --> 00:39:46,767 [laughter] 1054 00:39:46,767 --> 00:39:48,734 I WANT TO SHOW THEM WHAT IT LOOKS LIKE. 1055 00:39:48,734 --> 00:39:50,567 - IT'S NOT BAD. - IT'S NOT BAD AT ALL. 1056 00:39:50,567 --> 00:39:52,367 IT STILL FEELS GREAT TO ME. - YEAH. 1057 00:39:52,367 --> 00:39:53,467 - I TOLD YOU, THE LIGHT'S NOT BAD. 1058 00:39:53,467 --> 00:39:54,533 - I KNOW. THEY WERE RIGHT. 1059 00:39:54,533 --> 00:39:56,600 - I WAS WRONG. - [laughs] 1060 00:39:56,600 --> 00:40:00,600 - I WAS SO UNSURE ABOUT PUTTING THIS WALL UP. 1061 00:40:00,600 --> 00:40:03,433 I JUST THOUGHT IT WOULD TAKE AWAY FROM THE LIGHT COMING IN. 1062 00:40:03,433 --> 00:40:05,500 I HATE TO ADMIT IT, 1063 00:40:05,500 --> 00:40:08,867 BUT SHE HAS A PRETTY GOOD EYE WITH THIS. 1064 00:40:14,967 --> 00:40:16,533 - ALL RIGHT, BUT WHAT ABOUT SCHEDULE? 1065 00:40:16,533 --> 00:40:18,333 ARE WE ON SCHEDULE? 1066 00:40:18,333 --> 00:40:19,834 - WE'RE ON SCHEDULE. 1067 00:40:19,834 --> 00:40:22,100 JOEY PICASSO'S GOING TO START NEXT WEEK ON THE PLUMBING. 1068 00:40:22,100 --> 00:40:24,100 AND THEN WHAT'S GONNA HAPPEN IS, 1069 00:40:24,100 --> 00:40:25,734 YOU'RE TAKING STONE FROM A MOUNTAIN, 1070 00:40:25,734 --> 00:40:29,000 AND YOU'RE LITERALLY GONNA LAY IN THIS FULL SHEETS OF MARBLE-- 1071 00:40:29,000 --> 00:40:31,233 - IT'S GONNA BE LIKE A SPA. - COMING FROM A QUARRY. 1072 00:40:31,233 --> 00:40:34,000 - YOU KNOW, THERE'S ONLY SO MUCH THAT I WOULD LIKE 1073 00:40:34,000 --> 00:40:35,967 TO PUT INTO THIS APARTMENT FOR THE VALUE 1074 00:40:35,967 --> 00:40:37,567 AND FOR THE INVESTMENT TO IT. 1075 00:40:37,567 --> 00:40:40,834 AND THAT'S, I THINK, MORE PRACTICAL. 1076 00:40:40,834 --> 00:40:42,533 AND I DON'T KNOW, BETHENNY'S JUST-- 1077 00:40:42,533 --> 00:40:44,533 SHE'S THE CREATIVE. 1078 00:40:44,533 --> 00:40:47,333 THERE'S NO BOUNDARIES FOR BETHENNY. 1079 00:40:47,333 --> 00:40:50,667 NOW TELL HER HOW MUCH IT'S GONNA BE TO PUT IT IN. 1080 00:40:50,667 --> 00:40:54,567 - TAKE THE 60, PUT ANOTHER 75 ON IT. 1081 00:40:54,567 --> 00:40:57,066 WE'RE IN FOR 130 Gs. 1082 00:40:57,066 --> 00:41:00,867 - THERE'S THE GUY YOU BUY THE TILE FROM. 1083 00:41:00,867 --> 00:41:03,900 THEN THERE'S THEY GUY THAT LAYS THE TILE DOWN. 1084 00:41:03,900 --> 00:41:06,900 THERE'S SOMEBODY WHO PROBABLY TAKES CARE OF THE TILE 1085 00:41:06,900 --> 00:41:09,400 AND FEEDS THE TILE AND PETS THE TILE 1086 00:41:09,400 --> 00:41:12,066 AND SLEEPS WITH THE TILE AND SNUGGLES WITH THE TILE AT NIGHT. 1087 00:41:12,066 --> 00:41:13,600 I MEAN, THEY SEE US COMING. 1088 00:41:13,600 --> 00:41:17,300 THERE ARE A LOT OF PEOPLE TO DO A LOT OF DIFFERENT THINGS, 1089 00:41:17,300 --> 00:41:19,433 AND I JUST NEVER HAD ANY IDEA THAT IT WAS THIS INVOLVED. 1090 00:41:19,433 --> 00:41:21,200 THAT'S A LOT OF MONEY. 1091 00:41:21,200 --> 00:41:22,400 - AND THEN ALL THE OTHER LITTLE THINGS, 1092 00:41:22,400 --> 00:41:25,467 THEY START TO ADD UP TOO, SO-- - I KNOW. 1093 00:41:25,467 --> 00:41:27,033 - WE ALL NEED TO WORK WITH EACH OTHER. 1094 00:41:27,033 --> 00:41:28,400 - MAKE A DECISION. 1095 00:41:28,400 --> 00:41:29,667 WE'RE DOING THE BATHROOM. WE'RE GOING FOR IT. 1096 00:41:29,667 --> 00:41:30,767 WE HAVE THE JEWEL BOX. WE HAVE THE TAJ MAHAL. 1097 00:41:30,767 --> 00:41:32,166 WE'RE DOING IT. 1098 00:41:32,166 --> 00:41:35,600 - I'M STILL TRYING TO FIND THE BEST WAY TO COMMUNICATE 1099 00:41:35,600 --> 00:41:38,200 WITH BETHENNY AND TO STAY WITHIN A BUDGET. 1100 00:41:38,200 --> 00:41:40,567 - THE PAINTER'S NOT IN YET. - THE PAINTER'S NOT IN. 1101 00:41:40,567 --> 00:41:42,700 - I HEARD THE PAINTER'S, LIKE, A LOT OF MONEY. 1102 00:41:42,700 --> 00:41:45,934 - THE PAINTER IS NOT CHEAP. THE WALLPAPER IS NOT-- 1103 00:41:45,934 --> 00:41:47,300 - GUYS, NOTHING'S CHEAP IN NEW YORK CITY. 1104 00:41:47,300 --> 00:41:48,667 - AHH. - NEW YORK CITY. 1105 00:41:48,667 --> 00:41:50,000 - I UNDERSTAND. - THIS IS WHAT WE DO. 1106 00:41:50,000 --> 00:41:51,633 - EVERYONE FOCUS. COME ON, LET'S WALK AROUND 1107 00:41:51,633 --> 00:41:52,734 'CAUSE WE'RE NOT GONNA GET ANYTHING DONE. 1108 00:41:52,734 --> 00:41:53,934 - TELL ME ABOUT THIS KITCHEN SINK. 1109 00:41:53,934 --> 00:41:54,967 YOU'RE THE ONE WHO WANTED TO GO HERE. FOCUS. 1110 00:41:54,967 --> 00:41:55,900 - I DON'T CARE ABOUT THE KITCHEN. 1111 00:41:55,900 --> 00:41:57,333 IT'S ALL GOOD. COME ON. - OKAY. 1112 00:41:57,333 --> 00:41:59,133 - IT'S ALL GOOD. NO, SERIOUSLY, WE'RE GOOD THERE. 1113 00:41:59,133 --> 00:42:02,033 - HOW MUCH IS THE PAINT JOB? DO WE KNOW? 1114 00:42:02,033 --> 00:42:04,166 - 50? 70? - THAT'S NOT UNREALISTIC. 1115 00:42:04,166 --> 00:42:05,400 - I KNOW. 1116 00:42:05,400 --> 00:42:07,233 - THE BIGGEST, BIGGEST DECISION YOU MADE 1117 00:42:07,233 --> 00:42:09,800 IS THE BEST DECISION YOU MADE. 1118 00:42:09,800 --> 00:42:11,066 AND THAT'S YOUR CLOSET. - I AGREE. 1119 00:42:11,066 --> 00:42:12,867 THIS IS GOING TO BE THE ENTRANCE TO THE CLOSET. 1120 00:42:12,867 --> 00:42:15,967 - GO WALK IN THERE AND TELL ME IF YOU FEEL SPECIAL. 1121 00:42:15,967 --> 00:42:17,200 AND I'LL TELL YOU YOU'RE WELCOME. 1122 00:42:17,200 --> 00:42:18,767 - IT'S GONNA BE GOOD. 1123 00:42:18,767 --> 00:42:20,934 - HOW DO YOU FEEL? - IT'S GONNA BE GOOD. 1124 00:42:20,934 --> 00:42:21,934 A WINDOW IN A CLOSET? I MEAN, IT'S INSANE. 1125 00:42:21,934 --> 00:42:23,533 - YOU'RE WELCOME. - THANK YOU. 1126 00:42:23,533 --> 00:42:25,900 - A HAPPY WIFE IS A HAPPY HUSBAND. 1127 00:42:25,900 --> 00:42:27,300 - I KNOW. 1128 00:42:27,300 --> 00:42:29,033 - SHE'S NOT HAPPY, YOU'RE NOT HAPPY. 1129 00:42:29,033 --> 00:42:31,066 AND THEN YOU KNOW WHAT HAPPENS? THEN I'M NOT HAPPY. 1130 00:42:31,066 --> 00:42:32,734 - WE'RE DEFINITELY A TEAM ON THIS PROJECT. 1131 00:42:32,734 --> 00:42:35,100 I AM HUNTING, AND JASON IS GATHERING. 1132 00:42:35,100 --> 00:42:36,367 I AM GOING OUT AND FINDING EVERYTHING 1133 00:42:36,367 --> 00:42:37,400 AND CHOOSING EVERYTHING 1134 00:42:37,400 --> 00:42:39,100 AND PICKING EVERY TILE AND EVERY CARPET 1135 00:42:39,100 --> 00:42:41,166 AND EVERYTHING THAT WE WILL LOVE. 1136 00:42:41,166 --> 00:42:44,333 AND HE IS GATHERING. HE IS FACILITATING. 1137 00:42:44,333 --> 00:42:47,567 HE IS ORCHESTRATING. HE IS BEING A LIAISON. 1138 00:42:47,567 --> 00:42:48,900 WE'RE DOING TOTALLY DIFFERENT THINGS. 1139 00:42:48,900 --> 00:42:51,367 BOTH ARE ENTIRELY NECESSARY TO GET IT DONE. 1140 00:42:51,367 --> 00:42:52,867 THIS IS THE DREAM TEAM. 1141 00:42:52,867 --> 00:42:54,266 [overlapping chatter] 1142 00:42:54,266 --> 00:42:56,533 - ALL RIGHT. THANKS, EVERYBODY. 1143 00:42:56,533 --> 00:43:00,266 all: THANK YOU. 1144 00:43:00,266 --> 00:43:03,300 - NEXT ON BETHENNY EVER AFTER... 1145 00:43:03,300 --> 00:43:05,600 BRYN, THAT'S THE MOUNTAIN. 1146 00:43:05,600 --> 00:43:08,333 THAT'S THE SNOW, MY LITTLE SNOW BUNNY. 1147 00:43:08,333 --> 00:43:10,500 WHAT TIME IS IT ANYWAY, BY THE WAY? 1148 00:43:10,500 --> 00:43:12,100 - WE'RE OVER THE LIMIT. - IT'S 1:00 IN NEW YORK. 1149 00:43:12,100 --> 00:43:16,000 - WE'RE HAVING A COCKTAIL. 1150 00:43:16,000 --> 00:43:17,934 YOU GUYS ARE ALL JUST LITTLE TOYS FOR PEOPLE LIKE ME. 1151 00:43:17,934 --> 00:43:19,200 PUTTING US IN YOUR POCKET'S FINE. 1152 00:43:19,200 --> 00:43:20,333 - I UNDERSTAND. 1153 00:43:20,333 --> 00:43:22,000 - WE LIVE THE DREAM EIGHT DAYS A WEEK. 1154 00:43:22,000 --> 00:43:23,367 - I KNOW. 1155 00:43:23,367 --> 00:43:24,400 - BUT THERE'S ONLY SEVEN, SO HOW DOES THAT WORK? 1156 00:43:24,400 --> 00:43:25,867 - [cackles] 1157 00:43:25,867 --> 00:43:27,266 - OH, MY GOD, BEAVIS AND BUTT-HEAD. 1158 00:43:27,266 --> 00:43:29,266 - YOU ARE LOOKING GOOD! WHOO! 1159 00:43:29,266 --> 00:43:31,667 - WHOO! BEEN AWHILE. 1160 00:43:31,667 --> 00:43:35,934 CAN'T COUNT ME OUT. I'M AN OLD BAG, BUT I CAN HANG. 1161 00:43:35,934 --> 00:43:38,433 - THIS IS THE NEW TEAM THAT'S GONNA GO AHEAD FOR YOU. 1162 00:43:38,433 --> 00:43:41,600 - OH, YAY! YAY! - THESE ARE YOUR BOYS? 1163 00:43:41,600 --> 00:43:43,000 - THESE ARE MY BOYS. 1164 00:43:43,000 --> 00:43:44,433 - I THOUGHT YOU WERE HER HUSBAND. 1165 00:43:44,433 --> 00:43:46,834 I DIDN'T KNOW WHAT WAS GOING ON. - NO, NO, NO, RELAX. 1166 00:43:46,834 --> 00:43:49,033 - HE'S RIDING UP ROCKS-- - I'M NOT. 1167 00:43:49,033 --> 00:43:50,967 - FOR YOUR NEW DESK AND FOR THE OFFICE. 1168 00:43:50,967 --> 00:43:52,633 - WOW. THANK YOU. 1169 00:43:52,633 --> 00:43:54,734 - ARE YOU READY FOR ALL THIS? - THAT'S SO NICE. THANK YOU. 1170 00:43:54,734 --> 00:43:55,867 I GUESS SO. 1171 00:43:55,867 --> 00:43:57,200 - WHAT DO YOU WANT TO DO WITH YOUR LIFE? 1172 00:43:57,200 --> 00:43:59,133 - THAT'S A REALLY GOOD QUESTION. 1173 00:43:59,133 --> 00:44:02,467 - WELL, IT'S TIME TO ANSWER IT. 1174 00:44:02,467 --> 00:44:04,433 TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1175 00:44:04,433 --> 00:44:05,867 GO TO BRAVOTV.COM.