1 00:00:03,066 --> 00:00:04,567 - PREVIOUSLY ON BETHENNY EVER AFTER... 2 00:00:04,567 --> 00:00:05,734 - GET YOUR TOES BACK. 3 00:00:05,734 --> 00:00:09,066 - IT'S VERY DIFFICULT TO WATCH HIM. 4 00:00:09,066 --> 00:00:11,700 IT LOOKED LIKE HE WAS IN THE MOVIE THE SAW, 5 00:00:11,700 --> 00:00:12,967 AND SOMEONE WAS TORTURING HIM. 6 00:00:12,967 --> 00:00:17,100 - I'M COMPLETELY, 100% ON TOP OF EVERYTHING. 7 00:00:17,100 --> 00:00:18,900 - YOU ARE THE TYPE OF PERSON THAT FEELS-- 8 00:00:18,900 --> 00:00:20,266 THAT EVER GETS, LIKE, LOUD OR SERIOUS. 9 00:00:20,266 --> 00:00:22,433 - WHEN IT COMES TO ME PAYING EXTRA MONEY, 10 00:00:22,433 --> 00:00:24,000 I'M GOING TO GET LOUD. 11 00:00:24,000 --> 00:00:25,667 - I THINK IT SHOULD BE CALLED THE WHITE CRANBERRY COSMO. 12 00:00:25,667 --> 00:00:26,900 - YEAH. ABSOLUTELY. 13 00:00:26,900 --> 00:00:29,100 - SO WHERE IS THE LAUNCH PARTY GOING TO BE? 14 00:00:29,100 --> 00:00:30,333 WHEN IS IT HAPPENING? 15 00:00:30,333 --> 00:00:31,567 - WE'RE LOOKING, LIKE, DENVER, ASPEN-- 16 00:00:31,567 --> 00:00:32,567 LIKE, THERE'S A BUNCH OF DIFFERENT SKI RES-- 17 00:00:32,567 --> 00:00:34,400 - NO DENVER. ASPEN. - OKAY. DONE. 18 00:00:34,400 --> 00:00:35,734 YEAH, OKAY. - WE HAVE TO DO ASPEN. 19 00:00:35,734 --> 00:00:36,734 - OKAY. 20 00:00:36,734 --> 00:00:39,734 [upbeat music] 21 00:00:39,734 --> 00:00:47,033 ♪♪ ♪♪ 22 00:00:56,233 --> 00:00:59,734 - LOOK AT YOU. GO TO THE RIGHT. GOOD GIRL. 23 00:00:59,734 --> 00:01:01,533 HI. - HI! 24 00:01:01,533 --> 00:01:03,734 - SOMEONE'S A BIG GIRL. 25 00:01:03,734 --> 00:01:05,133 - OH, MY GOODNESS. 26 00:01:05,133 --> 00:01:07,400 - SHE'S PUSHING ON HER OWN. - HI, SWEET PEA. 27 00:01:07,400 --> 00:01:08,600 HOW ARE YOU? - I'M GOOD. 28 00:01:08,600 --> 00:01:10,633 SO MANY TIMES HAVE I WALKED AROUND DOWNTOWN 29 00:01:10,633 --> 00:01:12,934 AND JUST GLANCED AT ART 30 00:01:12,934 --> 00:01:15,066 WITH NO PLACE TO PUT IT AND SAID, 31 00:01:15,066 --> 00:01:17,700 "YOU KNOW WHAT? THAT LOOKS REALLY NICE." 32 00:01:17,700 --> 00:01:20,500 I JUST WANT TO HELP A NEW YORK ARTIST ON THE STREET, YOU KNOW, 33 00:01:20,500 --> 00:01:21,500 THAT TYPE OF THING TOO, AND IT'S COOL. 34 00:01:21,500 --> 00:01:22,467 - NO, IT'S FANTASTIC. 35 00:01:22,467 --> 00:01:26,233 [jazz music] 36 00:01:26,233 --> 00:01:27,266 - DO YOU HAVE ANY IDEA HOW MUCH THESE ARE? 37 00:01:27,266 --> 00:01:30,700 LIKE A RANGE? 38 00:01:30,700 --> 00:01:32,100 YOU'RE FREAKING OUT, I KNOW. - THAT'S NOTHING. 39 00:01:32,100 --> 00:01:33,533 - I KNOW. 40 00:01:33,533 --> 00:01:35,000 THESE ARE COOL TOO. LOOK AT THESE PICTURES OF THESE DOORS. 41 00:01:35,000 --> 00:01:36,700 - YEAH, THAT'S VERY, VERY COOL. 42 00:01:36,700 --> 00:01:38,367 - LOOK HOW CHEAP THIS IS. 43 00:01:38,367 --> 00:01:40,266 I WANT TO GET A COUPLE OF THESE. - YEAH. 44 00:01:40,266 --> 00:01:41,433 - I'M BEING SERIOUS. I KNOW YOU THINK I'M BEING RASH, 45 00:01:41,433 --> 00:01:42,500 BUT I'M NOT. I JUST LIKE IT. 46 00:01:42,500 --> 00:01:43,567 - I DON'T THINK YOU'RE BEING RASH. 47 00:01:43,567 --> 00:01:46,300 - THIS ONE, THIS ONE, AND THAT ONE. 48 00:01:46,300 --> 00:01:48,867 BUT DO WE GET A BETTER DEAL 'CAUSE WE'RE GETTING SO MANY? 49 00:01:48,867 --> 00:01:50,033 $400. ALL RIGHT. 50 00:01:50,033 --> 00:01:51,700 I LIKE THAT, YOU KNOW, WE DIDN'T PAY 51 00:01:51,700 --> 00:01:54,900 $300,000 FOR SOME PAINTING THAT WE DON'T EVEN UNDERSTAND. 52 00:01:54,900 --> 00:01:57,700 - OKAY. DID YOU JUST CALL ME "MA'AM"? 53 00:01:57,700 --> 00:02:00,100 - YES. THERE'S NOTHING WRONG WITH THAT. 54 00:02:00,100 --> 00:02:01,166 - "THANK YOU, SIR." 55 00:02:01,166 --> 00:02:02,166 - IF THIS WERE ON MADISON AVENUE 56 00:02:02,166 --> 00:02:04,333 IN A GALLERY, WHATEVER THEY ARE 57 00:02:04,333 --> 00:02:05,633 AND ACTUALLY WHAT THEY'RE MADE OF, 58 00:02:05,633 --> 00:02:06,567 HOW MUCH WOULD THOSE THREE HAVE BEEN? 59 00:02:06,567 --> 00:02:09,333 BE HONEST. 60 00:02:09,333 --> 00:02:10,900 - I MEAN, SEVERAL THOUSAND. 61 00:02:10,900 --> 00:02:12,467 - NEITHER BROOKE NOR MARIETTE 62 00:02:12,467 --> 00:02:18,000 HAVE NEVER TAKEN A CLIENT TO BUY ART OFF THE STREET. 63 00:02:18,000 --> 00:02:22,000 I MEAN, THAT IS-- THAT IS FOREIGN LA-LA LAND. 64 00:02:22,000 --> 00:02:22,967 HI. - HOW ARE YOU? 65 00:02:22,967 --> 00:02:24,066 - HOW ARE YOU? - VERY GOOD. 66 00:02:24,066 --> 00:02:25,800 HOW YOU DOING TODAY? - GOOD TO SEE YOU. 67 00:02:25,800 --> 00:02:27,533 SO THIS IS THE FLAG THAT I LIKE. 68 00:02:27,533 --> 00:02:29,500 - IT'S CALLED LUSCIOUS AMERICA. - RIGHT. 69 00:02:29,500 --> 00:02:31,367 - IT'S, UM, 40 INCHES BY 60 INCHES. 70 00:02:31,367 --> 00:02:32,734 - I LIKE THIS. 71 00:02:32,734 --> 00:02:34,667 DO YOU MAKE A LIMITED NUMBER, OR ARE YOU JUST GONNA MAKE 72 00:02:34,667 --> 00:02:35,967 AS MANY OF THESE AS PEOPLE WANT? 73 00:02:35,967 --> 00:02:38,100 - EVERYTHING IS UNIQUE. I'VE DONE DIFFERENT SIZES. 74 00:02:38,100 --> 00:02:39,200 THIS IS THE LARGEST ONE I'VE EVER DONE. 75 00:02:39,200 --> 00:02:40,600 - OKAY. - I'VE DONE A FEW SMALL ONES. 76 00:02:40,600 --> 00:02:42,767 THE ONES I'VE DONE LARGER JUST HAVE SUCH A BIGGER IMPACT. 77 00:02:42,767 --> 00:02:44,266 - DO YOU LIKE IT? - YES, I DO. 78 00:02:44,266 --> 00:02:46,934 - OKAY, ALL RIGHT. SO LET'S DO IT. 79 00:02:46,934 --> 00:02:48,333 I'M NOT GOING TO CARRY IT HOME TODAY, BUT LET ME-- 80 00:02:48,333 --> 00:02:49,266 LET ME GET YOUR CARD AND INFORMATION. 81 00:02:49,266 --> 00:02:50,567 - YEAH, LET'S TAKE THE CARD. 82 00:02:50,567 --> 00:02:51,734 - WELL, I CAN ACTUALLY DO A SWIPE RIGHT NOW 83 00:02:51,734 --> 00:02:52,567 IF YOU HAVE A CREDIT CARD WITH YOU. 84 00:02:52,567 --> 00:02:53,934 - OKAY. LET'S DO IT. 85 00:02:53,934 --> 00:02:55,066 SO YOU LOVE IT? YOU'RE ENDORSING? 86 00:02:55,066 --> 00:02:56,400 - I DO. I LOVE IT. - WOW, ALL RIGHT, COOL. 87 00:02:56,400 --> 00:02:59,667 - IT'S NOT LIKE YOU WENT TO A HOITY-TOITY GALLERY. 88 00:02:59,667 --> 00:03:00,900 I MEAN, YOU SAW SOMETHING YOU LOVED. 89 00:03:00,900 --> 00:03:02,700 IT'S IN YOUR NEIGHBORHOOD. - RIGHT. 90 00:03:02,700 --> 00:03:04,233 ART IS VERY MUCH LIKE BEING SINGLE. 91 00:03:04,233 --> 00:03:07,133 I LIKE YOU. YOU WANT TO COME HOME WITH ME? 92 00:03:07,133 --> 00:03:09,734 IT'S LIKE THAT, SO THIS AMERICAN FLAG 93 00:03:09,734 --> 00:03:11,633 IS COMING HOME WITH ME. 94 00:03:11,633 --> 00:03:13,367 - AMERICAN EXPRESS LOVES TO HAVE YOU CALL 95 00:03:13,367 --> 00:03:15,867 ANY PURCHASES OVER $1,000. - OH, ALL RIGHT. 96 00:03:15,867 --> 00:03:18,233 - SO YOU CAN USE ANOTHER CARD THAT WON'T MAKE YOU CALL-- 97 00:03:18,233 --> 00:03:20,433 - NO, NO, NO. IT'LL HAVE TO-- I HAVE TO CALL THEM. 98 00:03:20,433 --> 00:03:21,367 I DON'T KNOW WHY IT ALWAYS HAPPENS. 99 00:03:21,367 --> 00:03:22,967 THIS IS REALLY ANNOYING. 100 00:03:22,967 --> 00:03:25,567 FINALLY I CAN SPEND MONEY, AND I CAN'T EVEN DO IT. 101 00:03:25,567 --> 00:03:27,700 - THAT'S AMERICAN EXPRESS FOR YOU. THEY THINK THEY CAN-- 102 00:03:27,700 --> 00:03:29,133 - ALL THE YEARS I COULDN'T AFFORD-- 103 00:03:29,133 --> 00:03:30,867 THEY NEVER CALLED ME TO SAY THERE WAS A PROBLEM WITH CHARGE. 104 00:03:30,867 --> 00:03:33,900 NOW THAT I FINALLY CAN, THEY'RE CALLING ME. 105 00:03:33,900 --> 00:03:36,800 NOW I'M HAVING MY CREDIT QUESTIONED BY A STREET VENDOR. 106 00:03:36,800 --> 00:03:37,967 ONLY IN NEW YORK DOES THAT HAPPEN. 107 00:03:37,967 --> 00:03:39,533 - YOU DON'T HAVE ANOTHER CARD, THOUGH? 108 00:03:39,533 --> 00:03:40,600 - I DO, BUT THIS IS WHAT I'M PUTTING IT ON. 109 00:03:40,600 --> 00:03:41,800 - OH, OKAY. 110 00:03:41,800 --> 00:03:43,233 - ALL RIGHT, WE'LL DEAL WITH IT MONDAY 111 00:03:43,233 --> 00:03:44,467 IN BUSINESS HOURS 'CAUSE THEY'RE NOT ANSWERING. 112 00:03:44,467 --> 00:03:46,567 - IT'S OURS. RED DOT IT. - YEAH, RED DOT IT. 113 00:03:46,567 --> 00:03:47,934 - IT WAS REALLY NICE MEETING YOU. 114 00:03:47,934 --> 00:03:49,166 - THANK YOU SO MUCH, AND GOOD LUCK WITH EVERYTHING. 115 00:03:49,166 --> 00:03:50,100 - THANK YOU. NO, THIS IS EXCITING. 116 00:03:50,100 --> 00:03:51,300 - THANK YOU SO MUCH. 117 00:03:51,300 --> 00:03:54,133 SEE YOU LATER. - WE'RE VERY EXCITED. 118 00:03:54,133 --> 00:03:55,934 - YOU THINK I'M SO, LIKE, UPPER EAST SIDE 119 00:03:55,934 --> 00:03:58,166 LIKE, SQUARE, DON'T YOU? 120 00:03:58,166 --> 00:04:01,333 - NO, I DON'T--I THINK YOU HAVE A LITTLE--A HIDDEN SIDE. 121 00:04:01,333 --> 00:04:03,700 - [laughs] [Bryn speaks gibberish] 122 00:04:03,700 --> 00:04:06,667 [soft pop music] 123 00:04:06,667 --> 00:04:13,867 ♪♪ ♪♪ 124 00:04:13,867 --> 00:04:16,667 [bell ringing] 125 00:04:21,367 --> 00:04:24,967 - BRYN. 126 00:04:24,967 --> 00:04:27,266 LOOK AT HOW COOL MOMMY LOOKS. 127 00:04:27,266 --> 00:04:30,133 WHAT ARE YOU DOING? - HI, BUBBA. 128 00:04:30,133 --> 00:04:32,533 SHE'S STILL IN PAJAMAS? 129 00:04:32,533 --> 00:04:34,533 - TELL MOMMY WHAT YOU'RE EATING. - COUSCOUS. 130 00:04:34,533 --> 00:04:37,033 - COUSCOUS. 131 00:04:37,033 --> 00:04:39,133 - COUSCOUS. - SAY, "I LOVE SUSHI." 132 00:04:39,133 --> 00:04:42,967 - I LOVE SUSHI. - AWW. 133 00:04:42,967 --> 00:04:45,600 - CAN WE SIT? - WHAT'S GOING ON? 134 00:04:45,600 --> 00:04:47,834 - DAWA WILL FEED HER. SIT DOWN. - OH. 135 00:04:47,834 --> 00:04:50,200 DAWA, CAN YOU TAKE OVER? I'M BEING TOLD TO SIT DOWN. 136 00:04:50,200 --> 00:04:53,133 - SHE'S EATING WELL, HUH? AS USUAL. 137 00:04:53,133 --> 00:04:54,400 - SHE IS. SHE ATE ALL THE BEANS. 138 00:04:54,400 --> 00:04:57,433 - THIS IS A-- - WHAT IS THIS FOR? 139 00:04:57,433 --> 00:04:59,233 - AN EARLY CHRISTMAS GIFT. - WHY? 140 00:04:59,233 --> 00:05:02,900 - IT'S SORT OF LIKE AN EARLY OFFICE CHRISTMAS GIFT. 141 00:05:02,900 --> 00:05:04,300 - OH, AN OFFICE-- 142 00:05:04,300 --> 00:05:05,367 OH, IT'S-- - IT'S A CHRISTMAS GIFT. 143 00:05:05,367 --> 00:05:06,700 - SOMETHING TO KEEP MY STUFF ORGANIZED? 144 00:05:06,700 --> 00:05:07,867 - IN A WORD. 145 00:05:07,867 --> 00:05:10,066 - BRYN, LOOK IT. DADDY HAS A PRESENT. 146 00:05:10,066 --> 00:05:12,800 WHOA. 147 00:05:12,800 --> 00:05:15,433 WHOA! [laughs] 148 00:05:15,433 --> 00:05:18,233 WOW. THANK YOU. 149 00:05:18,233 --> 00:05:21,033 THAT'S AWESOME. THANK YOU. 150 00:05:21,033 --> 00:05:24,300 - FOR YOUR NEW DESK AND FOR THE OFFICE. 151 00:05:24,300 --> 00:05:26,467 - WOW. 152 00:05:26,467 --> 00:05:27,734 - ARE YOU READY FOR ALL THIS? - THAT'S SO NICE. 153 00:05:27,734 --> 00:05:29,500 THANK YOU. I GUESS SO. 154 00:05:29,500 --> 00:05:30,834 - WHAT DO YOU THINK? HOW DO YOU FEEL? 155 00:05:30,834 --> 00:05:35,100 - I FEEL GOOD. I FEEL A LITTLE, UH, OVERWHELMED. 156 00:05:35,100 --> 00:05:40,467 I FEEL, UH, A LITTLE APPREHENSIVE OF IT. 157 00:05:40,467 --> 00:05:43,400 BUT EXCITEMENT TAKES OVER ALL THAT STUFF. 158 00:05:43,400 --> 00:05:44,667 - YOU HAVE TO MAKE DECISIONS FOR YOURSELF. 159 00:05:44,667 --> 00:05:46,233 YOU HAVE TO DECIDE. - IT'S NOT AB-- 160 00:05:46,233 --> 00:05:49,033 IT'S ABOUT THAT, AND IT'S ALSO ABOUT US. 161 00:05:49,033 --> 00:05:53,300 AND WORKING TOGETHER IS, YOU KNOW, IT'S A CHALLENGE, 162 00:05:53,300 --> 00:05:55,500 AND IT'S A CHALLENGE ON THE RELATIONSHIP. 163 00:05:55,500 --> 00:05:57,433 IT'S A CHALLENGE ON ME LOOKING AT YOU 164 00:05:57,433 --> 00:06:00,000 AS STILL MY WIFE AND MY LOVER 165 00:06:00,000 --> 00:06:02,033 AND MY FRIEND AND NOT JUST BUSINESS. 166 00:06:02,033 --> 00:06:03,934 SO THAT'S JUST MY FEAR. 167 00:06:03,934 --> 00:06:05,100 - I UNDERSTAND. - YOU KNOW? 168 00:06:05,100 --> 00:06:06,500 - LET ME JUST ASK YOU ANOTHER QUESTION, 169 00:06:06,500 --> 00:06:10,166 'CAUSE, LIKE, I TALKED TO DR. AMADOR ABOUT THIS. 170 00:06:10,166 --> 00:06:14,734 IF YOU DIDN'T WANT TO WORK WITH SKINNYGIRL... 171 00:06:14,734 --> 00:06:16,233 - MM-HMM. 172 00:06:16,233 --> 00:06:19,667 - WHAT WOULD YOU WANT TO DO? - THAT'S A GOOD QUESTION. 173 00:06:19,667 --> 00:06:21,367 - YOU HAVE TO ULTIMATELY DECIDE WHAT YOU WANT TO DO. 174 00:06:21,367 --> 00:06:22,367 I'M NOT SAYING-- - YEAH, THAT'S A GOOD QUESTION. 175 00:06:22,367 --> 00:06:24,300 - AS A FRIEND-- NOT EVEN AS YOUR WIFE-- 176 00:06:24,300 --> 00:06:26,867 AS A FRIEND, AS A PERSON THAT KNOWS YOU, 177 00:06:26,867 --> 00:06:28,934 UM, YOU HAVE TO DO SOMETHING THAT INSPIRES YOU 178 00:06:28,934 --> 00:06:31,367 AND THAT YOU'RE PASSIONATE ABOUT AND NOT THAT'S JUST A JOB 179 00:06:31,367 --> 00:06:35,333 BECAUSE YOU HAVE THE LUXURY OF BEING ABLE TO DO THAT. 180 00:06:35,333 --> 00:06:36,900 SO YOU SHOULD NOT JUST... - YEAH, I KNOW THIS. 181 00:06:36,900 --> 00:06:38,367 - BE DOING SOMETHING THAT YOU JUST DO AND YOU'VE BEEN DOING 182 00:06:38,367 --> 00:06:40,300 FOR YEARS BECAUSE IT JUST PAYS A CHECK. 183 00:06:40,300 --> 00:06:42,300 - IT'S A HARD QUESTION. 184 00:06:42,300 --> 00:06:44,066 I'M SURE, IF YOU ASK A LOT OF PEOPLE THAT, 185 00:06:44,066 --> 00:06:45,166 IT'S A HARD QUESTION. 186 00:06:45,166 --> 00:06:47,166 TO NOT ONLY DO WHAT YOU LOVE 187 00:06:47,166 --> 00:06:49,233 AND PAY YOUR BILLS, YOU KNOW, 188 00:06:49,233 --> 00:06:51,367 WHEN YOU HAVE A FAMILY, YOU HAVE A BABY. 189 00:06:51,367 --> 00:06:53,600 IT'S DIFFERENT FOR US. I GET IT. 190 00:06:53,600 --> 00:06:56,567 BUT STILL AS A MAN, THOUGH, THERE'S A PRIDE. 191 00:06:56,567 --> 00:06:58,800 I MEAN, I WANT TO-- 192 00:06:58,800 --> 00:07:01,633 I WANT TO EARN WHAT I DO AND WHAT I MAKE AND WHAT-- 193 00:07:01,633 --> 00:07:03,800 YOU KNOW WHAT I MEAN? IT'S A BIG ADJUSTMENT. 194 00:07:03,800 --> 00:07:06,367 THAT'S WHY IT'S HARD FOR ME TO LEAVE 195 00:07:06,367 --> 00:07:08,266 WHAT'S MINE. 196 00:07:08,266 --> 00:07:10,567 THIS IS MY JOB. THIS IS MY STUFF. 197 00:07:10,567 --> 00:07:12,800 I HAVE CONTROL OVER THIS. 198 00:07:12,800 --> 00:07:14,867 AND BETHENNY HAS HER STUFF. 199 00:07:14,867 --> 00:07:16,500 IT'S A TOUGH THING. 200 00:07:16,500 --> 00:07:17,900 - BUT WHAT DO YOU WANT TO DO WITH YOUR LIFE? 201 00:07:17,900 --> 00:07:19,834 - THAT'S A REALLY GOOD QUESTION. 202 00:07:19,834 --> 00:07:21,166 - WELL, IT'S TIME TO ANSWER IT. 203 00:07:21,166 --> 00:07:23,533 - I-I CAN'T GIVE YOU AN ANSWER RIGHT NOW. 204 00:07:23,533 --> 00:07:27,033 - OKAY. 205 00:07:27,033 --> 00:07:28,467 WELL, IF YOU DON'T-- 206 00:07:28,467 --> 00:07:30,133 IF YOU DON'T NEED THIS, THEN YOU DON'T NEED IT. 207 00:07:30,133 --> 00:07:31,233 IF YOU NEED IT, THEN YOU NEED IT. 208 00:07:31,233 --> 00:07:32,400 - WH-- [chuckles] I LOVE IT. 209 00:07:32,400 --> 00:07:33,800 - NO, YOU KNOW WHAT I'M SAYING? - YEAH. 210 00:07:33,800 --> 00:07:36,300 - IT'S REALLY-- IT'S UP TO YOU, BUT... 211 00:07:36,300 --> 00:07:39,233 I DON'T WANT THERE TO BE MIXED MESSAGES FOR EVERYBODY HERE. 212 00:07:39,233 --> 00:07:40,400 - NO, I UNDERSTAND. 213 00:07:40,400 --> 00:07:41,667 - I WANT US TOGETHER TO MAKE A DECISION. 214 00:07:41,667 --> 00:07:42,900 LIKE, TO BE LIKE, "IS THIS WHAT WE'RE DOING? 215 00:07:42,900 --> 00:07:44,166 IS THIS NOT WHAT WE'RE DOING?" - MM-HMM. 216 00:07:44,166 --> 00:07:45,734 - BECAUSE, IF IT'S NOT WHAT WE'RE DOING, 217 00:07:45,734 --> 00:07:47,233 THEN SOMEONE ELSE SHOULD BE DOING IT, 218 00:07:47,233 --> 00:07:48,400 AND THAT SHOULD BE THEIR JOB. 219 00:07:48,400 --> 00:07:51,100 - I THANK YOU FOR THIS. - OH, NO. 220 00:07:51,100 --> 00:07:52,166 - AND I'M SURE IT WILL COME INTO USE. 221 00:07:52,166 --> 00:07:53,333 - IF NOT, YOU CAN GIVE IT TO JACKIE. 222 00:07:53,333 --> 00:07:54,367 - [chuckles] 223 00:07:54,367 --> 00:07:55,667 - NO, S-- I'M BEING 100% SERIOUS. 224 00:07:55,667 --> 00:07:57,734 - SHE ALREADY GOT A IPAD. 225 00:07:57,734 --> 00:08:01,867 - IT'S IF, YOU KNOW-- IT'S FOR THE OFFICE, SO... 226 00:08:01,867 --> 00:08:03,834 IF YOU NEED IT, YOU NEED IT. 227 00:08:03,834 --> 00:08:06,834 IF YOU DON'T, YOU DON'T. 228 00:08:19,467 --> 00:08:20,467 - HI. - HI. 229 00:08:20,467 --> 00:08:21,467 - HOW ARE YOU? 230 00:08:21,467 --> 00:08:22,900 - I'M GOOD. 231 00:08:22,900 --> 00:08:24,767 - I'D LIKE A REFUND FOR MY LAST THERAPY SESSION, PLEASE. 232 00:08:24,767 --> 00:08:26,300 - YOU WANT A REFUND FOR YOUR LAST SESSION? 233 00:08:26,300 --> 00:08:27,367 - YES, YES. - OKAY. 234 00:08:27,367 --> 00:08:29,400 - WELL, FOR AT LEAST A PART OF IT. 235 00:08:29,400 --> 00:08:31,200 - WHICH PART? - THE PART WHEN YOU SAID 236 00:08:31,200 --> 00:08:33,400 IT WAS JUST, LIKE, SO SIMPLE WITH JASON 237 00:08:33,400 --> 00:08:36,667 ABOUT, UH, THE DECISION. 238 00:08:36,667 --> 00:08:39,633 - I MEAN, WHAT-- IT DOESN'T FEEL SIMPLE. 239 00:08:39,633 --> 00:08:41,734 - SO I HAD BEEN THINKING THIS WHOLE TIME 240 00:08:41,734 --> 00:08:44,633 THAT HE WAS TOTALLY SURE, 241 00:08:44,633 --> 00:08:48,467 BECAUSE HE'S BEEN WORKING ON MY STUFF A TON. 242 00:08:48,467 --> 00:08:50,467 HE'S BEEN KIND OF REALLY TRANSITIONING 243 00:08:50,467 --> 00:08:54,066 AND LEARNING ALL THE BOOKS AND ALL THIS STUFF, 244 00:08:54,066 --> 00:08:55,667 THE ENTIRE INFRASTRUCTURE OF THE BUSINESS. 245 00:08:55,667 --> 00:08:59,433 SO I'M THINKING, "OKAY, HE REALLY WANTS TO BE PART OF THIS, 246 00:08:59,433 --> 00:09:02,700 "AND I'M THE ONE WHO REALLY HAS TO RIP THE BAND-AID OFF 247 00:09:02,700 --> 00:09:04,367 AND BE LIKE, 'OKAY. WE'RE DOING THIS.'" 248 00:09:04,367 --> 00:09:07,533 SO I GOT HIM A NICE LAPTOP COMPUTER, 249 00:09:07,533 --> 00:09:09,367 AND HE WAS LIKE, "THANK YOU. THIS IS GREAT." 250 00:09:09,367 --> 00:09:10,867 AND I WAS LIKE, "ALL RIGHT, SO, LIKE, WE'RE DOING THIS." 251 00:09:10,867 --> 00:09:13,600 AND HE WAS LIKE, "WELL, YOU KNOW, IT'S REALLY COMPLICATED, 252 00:09:13,600 --> 00:09:16,467 "AND, YOU KNOW, I HESITATE BECAUSE OF YOU AND I 253 00:09:16,467 --> 00:09:18,734 AND ALL OF THIS." AND I WAS LIKE-- 254 00:09:18,734 --> 00:09:21,266 - DID YOU EVER FIND OUT WHY HE'S HESITANT? 255 00:09:21,266 --> 00:09:23,500 - HE'S HESITANT ABOUT IF THINGS DIDN'T WORK OUT WITH US, 256 00:09:23,500 --> 00:09:25,600 HE'S [bleep]ED, HE LEFT HIS JOB WITH HIS 401(k), 257 00:09:25,600 --> 00:09:28,667 AND NOW HE'S SITTING HERE WORKING WITH ME. 258 00:09:28,667 --> 00:09:30,667 AND ALSO HE'S-- HE'S HESITANT 259 00:09:30,667 --> 00:09:34,033 ABOUT, UH, DAMAGING OUR RELATIONSHIP 260 00:09:34,033 --> 00:09:36,166 BECAUSE THERE WILL BE NO DIVISION 261 00:09:36,166 --> 00:09:38,066 BETWEEN WORK AND RELATIONSHIP. - RIGHT. 262 00:09:38,066 --> 00:09:40,200 - HOWEVER, THERE ALREADY ISN'T, 263 00:09:40,200 --> 00:09:42,266 SO WE EITHER SOLVE THE PROBLEM ONE WAY OR THE OTHER. 264 00:09:42,266 --> 00:09:44,033 EITHER WE SEPARATE-- AND THIS IS WHAT I DO, 265 00:09:44,033 --> 00:09:45,867 AND THIS IS WHAT YOU DO-- 266 00:09:45,867 --> 00:09:48,433 OR YOU COME OVER TO THE DARK SIDE. 267 00:09:48,433 --> 00:09:51,567 AND EVERYTHING IN LIFE 268 00:09:51,567 --> 00:09:52,734 CAN'T JUST COME EASILY. YOU GOTTA-- 269 00:09:52,734 --> 00:09:53,900 YOU GOTTA TAKE SOME CHANCES IN LIFE, 270 00:09:53,900 --> 00:09:55,300 AND IT'S GOING TO BE SCARY. 271 00:09:55,300 --> 00:09:56,734 AND I CAN'T DO THAT FOR YOU. 272 00:09:56,734 --> 00:10:00,867 I-I CAN ONLY TELL YOU, AS A FRIEND, WHAT I THINK. 273 00:10:00,867 --> 00:10:04,433 AND IT MAY BE TOO MUCH, BUT HE-- 274 00:10:04,433 --> 00:10:06,967 I SAID, "I THINK THAT YOU'RE NOT RESPECTING YOURSELF 275 00:10:06,967 --> 00:10:09,200 BY NOT DOING WHAT YOU REALLY WANT TO DO." 276 00:10:09,200 --> 00:10:10,967 I DON'T KNOW, IT-- I REALLY DISAGREE WITH YOU. 277 00:10:10,967 --> 00:10:12,633 I THINK IT IS COMPLICATED. - MM-HMM. 278 00:10:12,633 --> 00:10:14,600 I THINK IT'S REALLY SIMPLE. 279 00:10:14,600 --> 00:10:16,633 - SO TELL ME WHY YOU THINK IT'S SIMPLE. 280 00:10:16,633 --> 00:10:18,133 - I THINK IT'S SIMPLE BECAUSE I THINK, 281 00:10:18,133 --> 00:10:20,467 IF YOU'RE REALLY LISTENING TO EACH OTHER 282 00:10:20,467 --> 00:10:25,300 AND CONVEYING GENUINE RESPECT AND CURIOSITY, 283 00:10:25,300 --> 00:10:26,834 YOU CAN WORK OUT A LOT OF THINGS. 284 00:10:26,834 --> 00:10:30,533 AND WHAT I HEAR YOU TALK ABOUT WHEN YOU TALK ABOUT JASON, 285 00:10:30,533 --> 00:10:33,433 WHETHER IT'S IN YOUR LOVE LIFE OR YOUR WORK LIFE WITH HIM, 286 00:10:33,433 --> 00:10:35,233 IS A LOT OF NOT LISTENING TO EACH OTHER 287 00:10:35,233 --> 00:10:37,233 AND A LACK OF RESPECT, AT LEAST BY YOUR ACCOUNT. 288 00:10:37,233 --> 00:10:38,266 I WASN'T IN THE ROOM. 289 00:10:38,266 --> 00:10:40,200 BUT YOU'RE SAYING HE HESITATED, 290 00:10:40,200 --> 00:10:42,667 AND WHAT YOU--WHAT YOU DID, BETHENNY, IS LAUNCHED INTO, 291 00:10:42,667 --> 00:10:44,300 "LET ME EXPLAIN SOMETHING TO YOU. 292 00:10:44,300 --> 00:10:46,633 YOU SHOULD BE LEAVING WHAT YOU'RE DOING," 293 00:10:46,633 --> 00:10:48,667 IS ONE OF THE QUOTES THAT-- - YOU'RE RIGHT. 294 00:10:48,667 --> 00:10:51,333 - YOU WENT INTO REACTING TO WHAT HE SAID 295 00:10:51,333 --> 00:10:52,667 BY GIVING HIM LOTS OF ADVICE. 296 00:10:52,667 --> 00:10:57,133 BUT I DIDN'T HEAR THAT HE ASKED YOU FOR ADVICE. 297 00:10:57,133 --> 00:10:59,266 THAT'S THE PART I'M TALKING ABOUT THAT IS SIMPLE. 298 00:10:59,266 --> 00:11:01,800 WHICH IS WHEN YOU FOCUS-- WHEN YOU'RE INTERACTING 299 00:11:01,800 --> 00:11:04,133 WITH EACH OTHER, WHEN YOU'RE TALKING TO EACH OTHER-- 300 00:11:04,133 --> 00:11:05,467 ON CONVEYING RESPECT. 301 00:11:05,467 --> 00:11:07,767 AND THE BEST WAY TO CONVEY RESPECT IS TO LISTEN 302 00:11:07,767 --> 00:11:12,333 TO THE OTHER PERSON RATHER THAN REACT TO IT 303 00:11:12,333 --> 00:11:15,300 BY TELLING THEM, "YOU SHOULD DO THIS. I THINK YOU'RE--" 304 00:11:15,300 --> 00:11:16,800 - OKAY. - YOU SEE WHERE I'M GOING? 305 00:11:16,800 --> 00:11:18,000 - RIGHT, I GUESS SO. 306 00:11:18,000 --> 00:11:19,600 SO I GUESS I SHOULD JUST, LIKE, LET HIM 307 00:11:19,600 --> 00:11:22,266 DO WHAT HE NEEDS TO DO AND HELP AS MUCH AS HE WANTS TO HELP. 308 00:11:22,266 --> 00:11:23,734 AND IF HE DOESN'T WANT TO RIP OFF THE BAND-AID, 309 00:11:23,734 --> 00:11:26,433 THEN HE DOESN'T HAVE TO DO THAT UNTIL HE WANTS TO. 310 00:11:26,433 --> 00:11:30,500 YEAH, MAYBE I'VE BEEN PUSHING HIM. 311 00:11:34,533 --> 00:11:35,800 COMING UP... 312 00:11:35,800 --> 00:11:37,166 IT'S THE END OF AN ERA. 313 00:11:37,166 --> 00:11:38,834 - IT'S GOING TO BE FINE. - I'M IN FULL-ON DENIAL. 314 00:11:38,834 --> 00:11:40,734 - DENIAL. DENIAL. 315 00:11:40,734 --> 00:11:42,433 I WAS LIKE, "OH, I FEEL GREAT." 316 00:11:42,433 --> 00:11:43,967 - THINKING ABOUT WHAT IT'S GOING TO BE LIKE EVERY DAY. 317 00:11:43,967 --> 00:11:45,400 LIKE, YOU'RE NOT GOING TO WALK IN AND, LIKE, 318 00:11:45,400 --> 00:11:47,900 SAY HI TO COOKIE EVERY MORNING. 319 00:12:00,500 --> 00:12:02,000 - YOU THOUGHT I WAS THEMED OUT ON THAT BOAT? 320 00:12:02,000 --> 00:12:03,300 WAIT TILL THE LAST ONE. 321 00:12:03,300 --> 00:12:04,900 - WHY, YOU'RE GOING TO THEME IT OUT? 322 00:12:04,900 --> 00:12:07,100 - WHY NOT? - ARE YOU REALLY? 323 00:12:07,100 --> 00:12:08,333 - I'M A SNOW BUNNY. [laughter] 324 00:12:08,333 --> 00:12:09,900 - ARE YOU REALLY? 325 00:12:09,900 --> 00:12:11,433 - I LOVE BEING SO PUFFY AND FAT 326 00:12:11,433 --> 00:12:13,367 THAT, LIKE, YOU CAN'T FIT THROUGH DOORS, 327 00:12:13,367 --> 00:12:14,667 LIKE, IN THE SNOW. 328 00:12:14,667 --> 00:12:17,333 LIKE, AND YOU FALL, AND IT DOESN'T MATTER. 329 00:12:17,333 --> 00:12:19,266 LIKE, I LOVE THE SNOW. I REALLY DO. 330 00:12:19,266 --> 00:12:22,200 - BEAM'S BEEN UNBELIEVABLE. THEY LET ME FLY. 331 00:12:22,200 --> 00:12:23,567 WHEN I TOLD THEM, 332 00:12:23,567 --> 00:12:25,700 "WE HAVE TO DO THE LAUNCH IN ASPEN," 333 00:12:25,700 --> 00:12:29,800 THEY ARE LIKE ON-LAND COMBAT. 334 00:12:29,800 --> 00:12:32,266 EVERY TIME SOMETHING LIKE THIS HAPPENS, I REALIZE, 335 00:12:32,266 --> 00:12:34,066 "THANK JESUS THAT I DID THIS DEAL." 336 00:12:34,066 --> 00:12:38,633 BECAUSE THEY CAN JUST FACILITATE AND OPERATE LIKE THIS. 337 00:12:38,633 --> 00:12:39,767 AND I LOVE THAT. 338 00:12:39,767 --> 00:12:41,233 [door shuts] OH, HI. 339 00:12:41,233 --> 00:12:43,433 - WHAT'S GOING ON IN HERE? - WHEN ARE YOU COMING TO ASPEN? 340 00:12:43,433 --> 00:12:45,266 - FRIDAY. - FRIDAY THE 2ND. 341 00:12:45,266 --> 00:12:47,300 - WHAT TIME DO YOU LEAVE ON WEDNESDAY, AFTERNOON? 342 00:12:47,300 --> 00:12:48,900 - LIKE, 3:00. - OH, THAT'S GOOD. 343 00:12:48,900 --> 00:12:50,333 - AND THEN THE BABY-- THEN I CAN HANG OUT 344 00:12:50,333 --> 00:12:51,867 WITH THE BABY DURING THE DAY ON THURSDAY. 345 00:12:51,867 --> 00:12:54,367 IF WE DO SKI, IT'S GOING TO BE FOR AN HOUR, TWO HOURS, NOTHING. 346 00:12:54,367 --> 00:12:56,500 AND, UM-- - JACKIE SKIS? YOU SKI, JACKIE? 347 00:12:56,500 --> 00:12:57,667 - WELL, SNOWB-- 348 00:12:57,667 --> 00:12:59,133 I CALL SNOWBOARDING "SKIING." DO YOU CALL IT-- 349 00:12:59,133 --> 00:13:01,433 DO YOU SAY "BOARD"? I SAY "SKI." 350 00:13:01,433 --> 00:13:02,967 BUT YOU'RE, LIKE, YOUNGER. - SNOWBOARDING. 351 00:13:02,967 --> 00:13:04,166 WHY WOULDN'T YOU SAY, "I'M GOING SNOWBOARDING"? 352 00:13:04,166 --> 00:13:05,633 - IT'S A LONGER WORD. I JUST SAY "SKI." 353 00:13:05,633 --> 00:13:08,567 IT'S LIKE SKIING MEANS GOING ON A MOUNTAIN IN THE SNOW TO ME. 354 00:13:08,567 --> 00:13:10,166 LIKE, I STILL CALL SNOWBOARDING "SKIING." 355 00:13:10,166 --> 00:13:11,667 [deep voice] I'M GONNA GO BOARDING. I'M GONNA SHRED IT UP. 356 00:13:11,667 --> 00:13:13,433 - I DIDN'T SAY "BOARDING." I CALLED IT "SNOWBOARDING." 357 00:13:13,433 --> 00:13:15,233 - NO, I KNOW, I JUST DON'T-- IT'S JUST ONE OF THE THINGS. 358 00:13:15,233 --> 00:13:17,400 - OH, YOUR LINGO. I GOT YOU. - I DO. 359 00:13:17,400 --> 00:13:19,500 - I'M SAD THAT I'M NOT GOING, BUT THAT'S JUST SO NOT ME. 360 00:13:19,500 --> 00:13:20,667 - OH, YOU HAVE FRESHMANITIS. YOU'RE SO OUT OF HERE. 361 00:13:20,667 --> 00:13:21,667 YOU DON'T EVEN CARE. 362 00:13:21,667 --> 00:13:23,467 - NO, NO, I DO CARE. IT MAKES ME SAD. 363 00:13:23,467 --> 00:13:24,600 IT MAKES ME SAD THAT I'M NOT GOING. 364 00:13:24,600 --> 00:13:25,667 - NOT FRESHMANITIS, SENIORITIS. SENIORITIS. 365 00:13:25,667 --> 00:13:26,834 - YEAH, I WAS LIKE, "FRESHMANITIS?" 366 00:13:26,834 --> 00:13:27,934 - SHE HAS SENIORITIS. YOU HAVE SENIORITIS. 367 00:13:27,934 --> 00:13:29,834 100%. - [laughs] 368 00:13:29,834 --> 00:13:31,633 - YOU KNOW, YOU'RE GONNA-- - YOU'RE OUT OF HERE. 369 00:13:31,633 --> 00:13:33,500 - SHE COULD GIVE A RAT'S ASS. - NO, I CARE. 370 00:13:33,500 --> 00:13:35,000 STOP. - OH, MY GOD. 371 00:13:35,000 --> 00:13:38,433 SUCH SENIORITIS. IT'S RIDICULOUS. 372 00:13:38,433 --> 00:13:41,400 [upbeat music] 373 00:13:41,400 --> 00:13:45,300 ♪♪ ♪♪ 374 00:13:45,300 --> 00:13:48,400 HOW MANY TIMES HAVE WE EVER GONE OUT TO LUNCH IN FIVE YEARS? 375 00:13:48,400 --> 00:13:50,200 - NEVER. - THAT'S CRAZY 376 00:13:50,200 --> 00:13:52,000 THAT IT TOOK ALL THIS TIME TO GO TO LUNCH NOW. 377 00:13:52,000 --> 00:13:53,000 - I KNOW. 378 00:13:53,000 --> 00:13:54,600 - CHEERS. - CHEERS. 379 00:13:54,600 --> 00:13:56,567 - LAST LADIES-- WE'RE LADIES WHO LUNCH TODAY. 380 00:13:56,567 --> 00:13:58,967 HOW ABOUT THIS? I NEVER LUNCH. - WE DON'T DO THIS. 381 00:13:58,967 --> 00:14:00,233 LIKE, THIS IS RIDICULOUS. - I NEVER-- 382 00:14:00,233 --> 00:14:02,266 I DON'T LUNCH AS A VERB. 383 00:14:02,266 --> 00:14:04,467 - NO, YOU, LIKE, RUN TO PITA GRILL, AND THEN YOU LEAVE. 384 00:14:04,467 --> 00:14:06,867 AND I'M SITTING THERE, PAY, AND THEN WE'RE, LIKE, EATING HUMMUS. 385 00:14:06,867 --> 00:14:08,600 - EXACTLY. - THAT'S HOW WE EAT LUNCH. 386 00:14:08,600 --> 00:14:09,867 - AND I WAS-- I'VE BEEN, LIKE, 387 00:14:09,867 --> 00:14:12,233 CONCERNED THAT, YOU KNOW, LIKE, I'VE CHANGED. 388 00:14:12,233 --> 00:14:15,133 LIKE, "HAVE I CHANGED? AND AM I, LIKE--" 389 00:14:15,133 --> 00:14:16,734 - NO. YOU HAVE--THAT'S ONE THING THAT PEOPLE ASK. 390 00:14:16,734 --> 00:14:18,500 "WELL, HAS THE MONEY CHANGED BETHENNY?" 391 00:14:18,500 --> 00:14:22,533 AND I'M LIKE, "WELL, I MEAN, WE, LIKE, RECYCLE BAGS, BUT, LIKE--" 392 00:14:22,533 --> 00:14:25,133 [laughter] YOU KNOW. 393 00:14:25,133 --> 00:14:28,467 NO, BUT, LIKE, NOT CHANGED YOU AS A PERSON. 394 00:14:28,467 --> 00:14:31,867 LIKE, YOU CAN AL--YOU ALWAYS HAD THAT BITCHY SIDE TO YOU. 395 00:14:31,867 --> 00:14:33,934 THERE WAS NEVER-- THAT WAS ALWAYS. 396 00:14:33,934 --> 00:14:35,400 YOU STILL-- YOU ARE WHO YOU ARE. 397 00:14:35,400 --> 00:14:38,033 - YOU KNOW WE'RE CLOSE WHEN YOU CAN SAY SOMETHING LIKE THAT 398 00:14:38,033 --> 00:14:40,800 AND NO REACTION. 399 00:14:40,800 --> 00:14:44,600 ARE YOU GOING TO MISS MY INAPPROPRIATENESS? 400 00:14:44,600 --> 00:14:47,767 - MM-HMM. GONNA MISS A LOT OF THINGS. 401 00:14:47,767 --> 00:14:50,233 IT'S GOING TO BE REALLY WEIRD. I, LIKE, LIVE WITH YOU. 402 00:14:50,233 --> 00:14:52,300 - I KNOW. 403 00:14:52,300 --> 00:14:53,533 I AM SOME ANIMAL, THOUGH. 404 00:14:53,533 --> 00:14:55,066 I DON'T KNOW WHERE THAT EVEN CAME FROM. 405 00:14:55,066 --> 00:14:56,900 YOU KNOW WHAT, EVERYBODY'S AN ANIMAL. 406 00:14:56,900 --> 00:14:58,400 YOU'RE NOT REALLY AN ANIMAL. 407 00:14:58,400 --> 00:15:01,767 YOU ARE IN YOUR OWN WAY. JACKIE'S AN ANIMAL. 408 00:15:01,767 --> 00:15:05,300 JACKIE'S GOT A WARPED, DEMENTED SIDE LIKE I DO. 409 00:15:05,300 --> 00:15:06,767 - UH-HUH. 410 00:15:06,767 --> 00:15:08,567 YOU GUYS ARE SIMILAR. 411 00:15:08,567 --> 00:15:10,166 - OH, MY GOD, HOW ABOUT THE FIRST DAY 412 00:15:10,166 --> 00:15:11,500 THAT YOU WERE NOT THERE, 413 00:15:11,500 --> 00:15:13,633 AND THE WALL STREET JOURNAL CAME TO INTERVIEW ME 414 00:15:13,633 --> 00:15:14,934 ABOUT MY BUSINESS, 415 00:15:14,934 --> 00:15:16,333 AND JACKIE TOLD THE WALL STREET JOURNAL 416 00:15:16,333 --> 00:15:17,433 THAT I WAS SLEEPING? 417 00:15:17,433 --> 00:15:18,700 I WAS LIKE, "WHAT DO YOU MEAN, YOU TOLD 418 00:15:18,700 --> 00:15:20,233 THE WALL STREET JOURNAL I WAS SLEEPING?" 419 00:15:20,233 --> 00:15:23,200 AND SHE [bleep] HERSELF. 420 00:15:23,200 --> 00:15:24,867 LITERALLY, I THINK SHE HAD TO CHANGE HER PANTS. 421 00:15:24,867 --> 00:15:27,033 WHO TELLS THE WALL STREET JOURNAL YOU'RE SLEEPING? 422 00:15:27,033 --> 00:15:29,734 - NO, I'D PROBABLY SAID TO HER, "NEVER WAKE HER UP." 423 00:15:29,734 --> 00:15:31,166 - OH, NO. YEAH. - THAT'S PROBABLY WHY. 424 00:15:31,166 --> 00:15:32,367 THAT'S PROBABLY WHY. - NO, 'CAUSE I NEVER SLEEP. 425 00:15:32,367 --> 00:15:33,800 AND I WASN'T EVEN SLEEPING. 426 00:15:33,800 --> 00:15:36,600 WHAT ABOUT WHEN YOU SENT ME TO AN INTERVIEW WITH NO PANTS? 427 00:15:36,600 --> 00:15:39,066 AND THEY--ONLY-- IT WAS A NECK-UP INTERVIEW, 428 00:15:39,066 --> 00:15:41,300 SO I JUST DID THE INTERVIEW WITH NO PANTS. 429 00:15:41,300 --> 00:15:42,967 - THAT WAS HER. THAT WASN'T ME. 430 00:15:42,967 --> 00:15:44,700 - OH, I'M SURE. 431 00:15:44,700 --> 00:15:45,800 - NO, SHE DID THE CHECKLIST. 432 00:15:45,800 --> 00:15:47,066 - OKAY, I HAD NO PANTS. - AND SHE WAS-- 433 00:15:47,066 --> 00:15:48,166 - I WENT IN AN INTERVIEW. 434 00:15:48,166 --> 00:15:49,600 I WAS LIKE, "IT'S FINE. IT WAS HEAD-UP." 435 00:15:49,600 --> 00:15:50,834 - THAT'S WHY I DIDN'T KNOW WHY YOU WERE CALLING ME 436 00:15:50,834 --> 00:15:52,000 WHEN I WAS, LIKE, OUT RUNNING AN ERRAND. 437 00:15:52,000 --> 00:15:54,166 I WAS LIKE, "WHAT COULD POSSIBLY BE WRONG?" 438 00:15:54,166 --> 00:15:56,066 - AN INTERVIEW WITH NO PANTS. 439 00:15:56,066 --> 00:15:57,433 I DON'T EVEN KNOW WHAT WE WERE DOING. 440 00:15:57,433 --> 00:15:58,934 IT'S THAT KIND OF VIBE. 441 00:15:58,934 --> 00:16:00,800 JULIE SAID IT BEST, "GET ON THE TRAIN, 442 00:16:00,800 --> 00:16:03,000 OR GET OUT OF THE WAY." - AND I REMEMBER THE DAY-- 443 00:16:03,000 --> 00:16:06,900 MY FIRST DAY AT WORK, AND IT WAS LIKE THIS WHOLE DIFFERENT WORLD. 444 00:16:06,900 --> 00:16:08,233 BUT, LIKE, WE USUALLY JUST FLY BY THE SEAT OF OUR PANTS, 445 00:16:08,233 --> 00:16:09,600 AND NOW IT'S NOT LIKE THAT ANYMORE. 446 00:16:09,600 --> 00:16:12,066 - NO, YOU HAVE A STRUCTURE. WHAT SOMEONE SAID TO ME RECENTLY 447 00:16:12,066 --> 00:16:13,767 WAS THAT JULIE'S THE WOMAN BEHIND THE WOMAN, 448 00:16:13,767 --> 00:16:16,500 THAT I DON'T KNOW WHAT GOES ON. 449 00:16:16,500 --> 00:16:19,600 AND YOU'RE JUST DEALING WITH IT, LIKE, MAKING IT EASIER. 450 00:16:19,600 --> 00:16:22,633 LOOK AT HOW MUCH YOU'VE GROWN UP, 451 00:16:22,633 --> 00:16:25,600 LIKE, YOU--I MEAN, JUST THE WAY YOU--THE WAY YOU FEEL... 452 00:16:25,600 --> 00:16:26,900 - I KNOW, I KNOW. - THE WAY YOU LOOK... 453 00:16:26,900 --> 00:16:28,300 THE WAY YOU'RE CONFIDENT-- - I JUST HAVE GROWN UP. 454 00:16:28,300 --> 00:16:31,166 - YOU'VE CHANGED SO MUCH. YOU'VE TOTALLY GROWN. 455 00:16:31,166 --> 00:16:34,066 I MEAN, YOU WERE NOT REALLY, LIKE, A WOMAN WHEN I MET YOU. 456 00:16:34,066 --> 00:16:35,433 YOU WERE, LIKE, STILL IN COLLEGE. 457 00:16:35,433 --> 00:16:36,834 - YEAH, YEAH. I WAS IN MY EARLY 20s. 458 00:16:36,834 --> 00:16:38,300 - YOU KNOW WHAT I MEAN? 459 00:16:38,300 --> 00:16:40,567 - TO REFLECT ON ALL THE KNOWLEDGE THAT I'VE GAINED 460 00:16:40,567 --> 00:16:43,100 IN BEING HER ASSISTANT, IN BEING HER FRIEND, 461 00:16:43,100 --> 00:16:45,166 IN BEING BRYN'S GODMOTHER, I MEAN, IT'S-- 462 00:16:45,166 --> 00:16:47,767 IT'S THINGS THAT--IT TAKES ME A WHILE TO EVEN PUT INTO WORDS. 463 00:16:47,767 --> 00:16:51,967 IT'S JUST AN EXPERIENCE THAT WE WENT THROUGH TOGETHER, 464 00:16:51,967 --> 00:16:54,567 AND NO ONE ELSE WILL BE ABLE TO TAKE THAT AWAY FROM US. 465 00:16:54,567 --> 00:16:56,433 - IT'S THE END OF AN ERA. 466 00:16:56,433 --> 00:16:58,400 - IT IS. - IT REALLY IS. 467 00:16:58,400 --> 00:17:01,100 BUT YOU KNOW WHAT, CHANGE IS GOOD. 468 00:17:01,100 --> 00:17:02,767 I'M IN FULL-ON DENIAL. - I MEAN, IT'S GONNA BE FINE. 469 00:17:02,767 --> 00:17:03,934 DENIAL. - NO, I KNOW, BUT, LIKE-- 470 00:17:03,934 --> 00:17:07,300 - DENIAL. DENIAL. 471 00:17:07,300 --> 00:17:08,500 YOU'VE BEEN REALLY AMAZING ABOUT IT ALL, 472 00:17:08,500 --> 00:17:10,667 BUT IT WAS JUST RECENTLY THAT I REALIZED 473 00:17:10,667 --> 00:17:12,934 IT'S ALL FULL-ON DENIAL. I WAS LIKE, "OH, I FEEL GREAT." 474 00:17:12,934 --> 00:17:16,367 IT'S GOING TO BE OKAY. 475 00:17:16,367 --> 00:17:18,066 - I KNOW. I'M THINKING ABOUT IT'S-- 476 00:17:18,066 --> 00:17:19,600 I AM THINKING ABOUT [bleep] UP IN MY HEAD. 477 00:17:19,600 --> 00:17:20,934 I'M THINKING ABOUT WHAT IT'S GOING TO BE LIKE EVERY DAY. 478 00:17:20,934 --> 00:17:22,133 LIKE, YOU'RE NOT GOING TO WALK IN 479 00:17:22,133 --> 00:17:25,600 AND, LIKE, SAY HI TO COOKIE EVERY MORNING 480 00:17:25,600 --> 00:17:29,367 AND GET COFFEE AND, LIKE, IT'S JUST GOING TO BE DIFFERENT. 481 00:17:29,367 --> 00:17:30,567 LIKE, I WAS IN THE OFFICE WITH JACKIE YESTERDAY, 482 00:17:30,567 --> 00:17:32,233 AND YOU WEREN'T THERE, AND IT WAS QUIET. 483 00:17:32,233 --> 00:17:35,000 IT WAS WEIRD. 484 00:17:35,000 --> 00:17:36,533 IT'S GOING TO BE VERY WEIRD. 485 00:17:36,533 --> 00:17:38,033 I DIDN'T--I DIDN'T THINK IT WAS GOING TO BE WE-- 486 00:17:38,033 --> 00:17:41,166 I DON'T KNOW WHY I DIDN'T THINK THAT, IT'S GOING TO BE WEIRD. 487 00:17:41,166 --> 00:17:44,133 [somber music] 488 00:17:44,133 --> 00:17:52,166 ♪♪ ♪♪ 489 00:17:54,834 --> 00:17:57,800 [upbeat music] 490 00:17:57,800 --> 00:18:04,800 ♪♪ ♪♪ 491 00:18:04,800 --> 00:18:07,200 OH, MY GOD, I'M SO MAD AT MYSELF! 492 00:18:07,200 --> 00:18:08,934 HOW COULD I GET RID OF COWBOY HATS? 493 00:18:08,934 --> 00:18:11,800 WHY DO I HAVE OBSESSIVE PURGING? 494 00:18:11,800 --> 00:18:13,500 - YOU HAVE THE ONE FROM CABO. 495 00:18:13,500 --> 00:18:15,033 - WHAT ARE YOU-- WHAT ARE WE DOING NOW? 496 00:18:15,033 --> 00:18:17,600 WHAT DID--WHAT WAS YOUR SOLUTION TO THE COWBOY HAT PROBLEM? 497 00:18:17,600 --> 00:18:20,367 - I-I DON'T HAVE ONE. 498 00:18:20,367 --> 00:18:22,333 WELL, NOW YOU HAVE A REASON TO GO ON EBAY. 499 00:18:22,333 --> 00:18:24,667 - THANK YOU. WHERE DO YOU COME FROM? 500 00:18:24,667 --> 00:18:26,867 HI, DAWA. 501 00:18:26,867 --> 00:18:28,734 WHAT'S MY DAYTIME "WALK AROUND ASPEN" LOOK? IS IT THIS? 502 00:18:28,734 --> 00:18:31,934 - YEAH. - IS THIS WHO I AM? 503 00:18:36,133 --> 00:18:38,633 FIRST ONE? - FIRST ONE. 504 00:18:38,633 --> 00:18:40,600 - DAWA DOESN'T PUT YOU ON THE WORST DRESSED LIST. 505 00:18:40,600 --> 00:18:42,066 LIKE, SHE'S NOT GOING TO MESS AROUND AND LIE 506 00:18:42,066 --> 00:18:44,133 WITH THE DALAI LAMA LOOKING OVER HER SHOULDER. 507 00:18:44,133 --> 00:18:46,066 LOVE IT. DAWA? 508 00:18:47,934 --> 00:18:49,333 IS THIS ANOTHER-- - I LOVE THAT COLOR. 509 00:18:49,333 --> 00:18:51,767 LET DAWA SEE. - ONE TO TEN. 510 00:18:51,767 --> 00:18:55,433 WHAT WAS THAT? FOUR. 511 00:18:55,433 --> 00:18:56,967 DAWA. 512 00:18:56,967 --> 00:19:00,033 - YEAH, TERRIBLE. - I CAN'T EVEN ST-- 513 00:19:00,033 --> 00:19:01,367 YOU LIKE IT? 514 00:19:01,367 --> 00:19:02,300 IT'S GOOD? - YEAH. 515 00:19:02,300 --> 00:19:03,300 - IT'S THAT NERVOUS LAUGH. 516 00:19:03,300 --> 00:19:04,533 SHE'LL MAKE A NERVOUS LAUGH. 517 00:19:04,533 --> 00:19:06,333 SHE'LL BE LIKE-- [laughs nervously] 518 00:19:06,333 --> 00:19:08,233 I'M LIKE, "IT'S OKAY, TELL ME. I'M UGLY, I KNOW. 519 00:19:08,233 --> 00:19:10,166 THIS--A PROBLEM. IT'S OKAY, BRING IT." 520 00:19:15,967 --> 00:19:17,533 - [laughs nervously] 521 00:19:17,533 --> 00:19:19,600 - YOU LIKE IT? - YEAH. 522 00:19:19,600 --> 00:19:22,433 - YOU DO? I'M PRETTY COOL. 523 00:19:22,433 --> 00:19:23,867 HALLOWEEN. [laughter] 524 00:19:23,867 --> 00:19:26,233 OH, I'M GOOD NOW. I NOW HAVE A FASHION GURU. 525 00:19:26,233 --> 00:19:28,400 HALLOWEEN. SHE'S GREAT. YOU'RE GETTING A RAISE. 526 00:19:28,400 --> 00:19:30,100 AWESOME. HALLOWEEN. 527 00:19:30,100 --> 00:19:33,200 THANKS, DAWA. I APPRECIATE IT. 528 00:19:33,200 --> 00:19:36,500 COMING UP... 529 00:19:36,500 --> 00:19:38,533 - [whispers] OH, MY GOD. I LOVE THE AIR. 530 00:19:38,533 --> 00:19:40,133 - WHAT TIME IS IT ANYWAY, BY THE WAY? 531 00:19:40,133 --> 00:19:43,000 - IT'S, UH, 11:15. - IT'S 1:00 IN NEW YORK. 532 00:19:43,000 --> 00:19:45,934 - I DON'T NEED TO JUSTIFY. IT'S 11:15 HERE... 533 00:19:45,934 --> 00:19:47,900 AND I'M HAVING A COCKTAIL. 534 00:19:53,900 --> 00:19:56,900 [upbeat music] 535 00:19:56,900 --> 00:20:04,967 ♪♪ ♪♪ 536 00:20:17,033 --> 00:20:18,667 - READY? - READY. 537 00:20:18,667 --> 00:20:20,867 - [gasps] GET MAMA! - READY. 538 00:20:20,867 --> 00:20:24,033 - AAH! - AAH! 539 00:20:24,033 --> 00:20:26,166 all: AAH! 540 00:20:27,867 --> 00:20:29,300 - OH! - OH, WOW. 541 00:20:29,300 --> 00:20:31,500 - WE'RE HOME! 542 00:20:31,500 --> 00:20:34,266 [Bryn coos] 543 00:20:34,266 --> 00:20:35,900 LOOK IT, BRYN! - WOW. 544 00:20:35,900 --> 00:20:39,500 - BRYN, THAT'S THE MOUNTAIN. 545 00:20:39,500 --> 00:20:41,500 THAT'S THE SNOW, MY LITTLE SNOW BUNNY. 546 00:20:41,500 --> 00:20:42,900 - OH, MY GOSH. - OH, MY GOD. 547 00:20:42,900 --> 00:20:44,734 - LOOK AT THIS. - HERE ARE THE BOARDS. 548 00:20:44,734 --> 00:20:46,734 - THIS IS THE BOARD. IT'S BIGGER. 549 00:20:46,734 --> 00:20:48,767 - SO COOL. - CAME OUT REALLY NICE. 550 00:20:48,767 --> 00:20:50,133 I HAVE TO SAY. - THEY'RE AWESOME. 551 00:20:50,133 --> 00:20:51,900 - I WAS LIKE-- - JACKET. 552 00:20:51,900 --> 00:20:53,300 - I WAS BEING A LITTLE ORNERY-- - JACKET. 553 00:20:53,300 --> 00:20:54,734 - JACKET? - OH, WE'LL GET YOUR JACKET OFF. 554 00:20:54,734 --> 00:20:57,667 OKAY. LOOK, BRYN, THAT'S A GONDOLA. 555 00:20:57,667 --> 00:21:00,133 WE CAN TAKE A RIDE ON THERE. SAY "GONDOLA." 556 00:21:00,133 --> 00:21:02,066 GONDOLA. - "GONDEEDA." 557 00:21:02,066 --> 00:21:05,800 - EXACTLY. - GOOD JOB. 558 00:21:05,800 --> 00:21:07,400 - LOOK WHAT YOU'RE GOING TO WEAR. 559 00:21:07,400 --> 00:21:09,900 LOOK AT THE OUTFIT FOR HER. 560 00:21:09,900 --> 00:21:12,767 THEY DON'T PLAY. BRYN, THEY DON'T PLAY AT ALL. 561 00:21:12,767 --> 00:21:15,900 - WOW. - LOOK, AND THEN ANOTHER OUTFIT. 562 00:21:15,900 --> 00:21:17,166 - JACKET. 563 00:21:17,166 --> 00:21:19,533 - YOU HAVE A JACKET, SWEET BABY GIRL. 564 00:21:19,533 --> 00:21:21,734 THIS IS FOR JASON. 565 00:21:21,734 --> 00:21:24,633 MATT HESSE'S COMING HERE, AND HE IS GOING TO HAVE TO LEARN 566 00:21:24,633 --> 00:21:26,767 HOW TO MERCHANDISE AND HOW TO COME CORRECT. 567 00:21:26,767 --> 00:21:29,667 'CAUSE HE'S GOING TO TRY TO GLOM OFF OF THIS WHOLE BEAM THING, 568 00:21:29,667 --> 00:21:31,300 WHICH I DON'T BLAME HIM, 569 00:21:31,300 --> 00:21:35,633 BUT HE BETTER COME AND REALIZE HOW IT'S DONE IN THE BIG-TIME. 570 00:21:35,633 --> 00:21:37,100 WE'VE COME A LONG WAY, BABY. 571 00:21:37,100 --> 00:21:39,700 WE USED TO GO TO CHINATOWN 572 00:21:39,700 --> 00:21:43,133 TO GET THE SKINNYGIRL T-SHIRTS PRINTED OURSELVES FOR EVENTS, 573 00:21:43,133 --> 00:21:44,567 AND NOW WE SHOW UP TO HOTEL ROOMS, 574 00:21:44,567 --> 00:21:48,600 AND THERE ARE FLEECES AND VESTS 575 00:21:48,600 --> 00:21:51,300 AND THE CUSTOM SNOWBOARD THAT I DESIGNED. 576 00:21:51,300 --> 00:21:53,400 AND I MEAN, THIS IS LEGIT. 577 00:21:53,400 --> 00:21:55,734 IT'S TIME TO GO TO SLEEP, BABY. 578 00:21:55,734 --> 00:21:56,934 - IT IS SO GORGEOUS. 579 00:21:56,934 --> 00:21:59,500 - [whispers] OH, MY GOD. I LOVE THE AIR. 580 00:21:59,500 --> 00:22:02,100 - UH, WHAT TIME IS IT ANYWAY, BY THE WAY? 581 00:22:02,100 --> 00:22:04,700 - IT'S, UH, 11:15. - IT IS ONLY 11:00 A.M.? 582 00:22:04,700 --> 00:22:06,700 - IT'S 1:00 IN NEW YORK. 583 00:22:06,700 --> 00:22:07,967 - IT IS 1:00 IN NEW YORK, BUT I DON'T EVEN BELIEVE 584 00:22:07,967 --> 00:22:09,000 IN THAT WHOLE "IT'S 5:00 SOMEWHERE." 585 00:22:09,000 --> 00:22:10,467 I DON'T NEED TO JUSTIFY. 586 00:22:10,467 --> 00:22:13,900 IT'S 11:15 HERE, AND I'M HAVING A COCKTAIL. 587 00:22:13,900 --> 00:22:16,266 NONE OF US WOULD BE HERE IF IT WEREN'T FOR ME 588 00:22:16,266 --> 00:22:17,567 DRINKING COCKTAILS AND ENJOYING THEM. 589 00:22:17,567 --> 00:22:18,734 - THAT'S VERY TRUE. 590 00:22:18,734 --> 00:22:20,000 - AND THAT'S THE GOD'S HONEST TRUTH. 591 00:22:20,000 --> 00:22:22,433 I PROBABLY WOULDN'T HAVE HAD A BABY 592 00:22:22,433 --> 00:22:24,033 BECAUSE I PROBABLY WOULDN'T HAVE GOTTEN KNOCKED UP, 593 00:22:24,033 --> 00:22:26,300 SO THERE ARE A LOT OF POSITIVE THINGS ABOUT ME 594 00:22:26,300 --> 00:22:29,000 LIKING TO DRINK AT 11:15 IN THE MORNING, 595 00:22:29,000 --> 00:22:30,567 NOT TO MENTION THIS IS DELIGHTFUL. CHEERS. 596 00:22:30,567 --> 00:22:32,367 - CHEERS. - TO ASPEN. 597 00:22:32,367 --> 00:22:35,667 - CHEERS. [glasses clink] 598 00:22:35,667 --> 00:22:38,633 [lively music] 599 00:22:38,633 --> 00:22:43,700 ♪♪ ♪♪ 600 00:22:43,700 --> 00:22:45,867 - YOU NEED SOCKS. - I KNOW. 601 00:22:45,867 --> 00:22:47,033 THERE ARE SOME SOCKS IN THAT PILE 602 00:22:47,033 --> 00:22:49,300 OUT THERE ON THE RIGHT BY THAT CLUB CHAIR. 603 00:22:49,300 --> 00:22:50,300 LIKE, ON THE RIGHT. 604 00:22:50,300 --> 00:22:52,734 BRING YOUR JUGS OUT, JESUS. 605 00:22:52,734 --> 00:22:54,233 OKAY. 606 00:22:54,233 --> 00:22:56,667 CAMERA, LIPSTICK, EVERYTHING. 607 00:22:56,667 --> 00:22:58,934 - MAMA. - OKAY. 608 00:22:58,934 --> 00:23:01,333 DON'T WORRY. WHO CARES? SHE LOVES MAKEUP. 609 00:23:03,133 --> 00:23:04,934 - NO WORRIES. NO WORRIES. 610 00:23:04,934 --> 00:23:06,133 CAN YOU HELP ME, BRYN? 611 00:23:06,133 --> 00:23:07,834 - LOOK AT HER FACE. - OH, MY GOD. 612 00:23:07,834 --> 00:23:09,400 - PUT IT ON YOUR LIPS, BUBBA. 613 00:23:09,400 --> 00:23:12,800 OH, MY GOD, YOU ARE SILL-- 614 00:23:12,800 --> 00:23:15,166 YOU'RE TOO PRETTY FOR MAKEUP, I TELL YOU WHAT. 615 00:23:15,166 --> 00:23:16,133 YOU'RE TOO PRETTY FOR MAKE-- 616 00:23:16,133 --> 00:23:17,600 NO MORE. - NO MORE. 617 00:23:17,600 --> 00:23:20,133 - OKAY, AND MY PURSE--I DON'T KNOW WHAT I DID WITH THAT. 618 00:23:20,133 --> 00:23:22,233 I'M A DISASTER RIGHT NOW. 619 00:23:22,233 --> 00:23:24,000 DISAST-- - SO ARE WE. 620 00:23:24,000 --> 00:23:26,133 - OKAY. - SO ARE WE. 621 00:23:26,133 --> 00:23:27,133 - SO ARE WE. - SO ARE WE. 622 00:23:27,133 --> 00:23:28,500 MY PURSE. 623 00:23:28,500 --> 00:23:30,000 KISSY MOMMY. SAY, "KISSY MOMMY." 624 00:23:30,000 --> 00:23:30,967 - MOMMY. 625 00:23:30,967 --> 00:23:32,567 - ALL RIGHT, WE GOT EVERYTHING. 626 00:23:32,567 --> 00:23:35,467 - YOU GOT MY HOOKER BOOTS? - I DO. 627 00:23:37,433 --> 00:23:40,400 [techno music] 628 00:23:40,400 --> 00:23:43,233 ♪♪ ♪♪ 629 00:23:43,233 --> 00:23:45,500 - THIS EVENT IS IMPORTANT BECAUSE THIS IS 630 00:23:45,500 --> 00:23:46,767 THE LAUNCH OF THE THIRD... 631 00:23:46,767 --> 00:23:47,934 WHOO! 632 00:23:47,934 --> 00:23:49,166 SKINNYGIRL READY-TO-DRINK COCKTAIL. 633 00:23:49,166 --> 00:23:52,367 BEAM WILL HAVE SOME OF THEIR TOP SALESPEOPLE HERE. 634 00:23:52,367 --> 00:23:55,600 THEY WILL HAVE PEOPLE FROM THEIR CORPORATE OFFICES, 635 00:23:55,600 --> 00:23:57,266 SALES REPS. 636 00:23:57,266 --> 00:23:58,633 THERE WILL BE PRESS HERE. 637 00:23:58,633 --> 00:24:01,433 YOU NEED THE PROPER LAUNCH 638 00:24:01,433 --> 00:24:04,633 JUST TO SET THE TONE, JUST TO LET THE CUSTOMERS KNOW, 639 00:24:04,633 --> 00:24:07,400 "WE'RE REALLY EXCITED. WE'RE PUTTING THIS MUCH MONEY 640 00:24:07,400 --> 00:24:10,166 "AND MARKETING BEHIND THIS PRODUCT AND THIS BRAND. 641 00:24:10,166 --> 00:24:11,567 SO YOU SHOULD BE EXCITED." 642 00:24:11,567 --> 00:24:13,166 IT JUST-- IT JUST SETS THE TONE, 643 00:24:13,166 --> 00:24:14,800 AND IT-- IT GETS IT GOING. 644 00:24:14,800 --> 00:24:19,233 I CAN'T EVEN TELL YOU HOW MANY MEMORIES I HAVE FROM HERE. 645 00:24:19,233 --> 00:24:21,100 - SO PRETTY. 646 00:24:21,100 --> 00:24:23,500 - IT'S JUST FUN TO COME BACK, AND I WAS SO DEAD BROKE 647 00:24:23,500 --> 00:24:24,667 WHEN I USED TO COME. 648 00:24:24,667 --> 00:24:26,200 IT WAS ALWAYS, LIKE, STAYING WITH SOMEONE 649 00:24:26,200 --> 00:24:28,133 OR FINAGLING IT OR FIGURING OUT A TICKET. 650 00:24:28,133 --> 00:24:31,100 AND, YOU KNOW, I HAD NOTHING TO DO IN L.A., 651 00:24:31,100 --> 00:24:33,367 SO I'D FIGURE OUT HOW I COULD STAY HERE LONGER 652 00:24:33,367 --> 00:24:34,734 AND STAY WITH PEOPLE. - THAT'S CRAZY. 653 00:24:34,734 --> 00:24:36,233 - AND IT'S JUST FUNNY TO COME BACK ON THESE TERMS. 654 00:24:36,233 --> 00:24:39,066 - IT'S SO CRAZY BECAUSE, LIKE, 655 00:24:39,066 --> 00:24:43,300 YOU'RE SO, LIKE, DIFFERENT NOW BUSINESS-WISE, YOU KNOW? 656 00:24:43,300 --> 00:24:46,433 LIKE, YOU WANT TO COME IN, GO IN, GO OUT, YOU KNOW? 657 00:24:46,433 --> 00:24:48,166 YOU WANT TO DO YOUR BUSINESS. YOU WANT TO, LIKE-- 658 00:24:48,166 --> 00:24:49,367 - OH, I USED TO BE LIKE, "HOW CAN I STAY?" 659 00:24:49,367 --> 00:24:50,500 - YEAH. IT'S-- 660 00:24:50,500 --> 00:24:51,800 - HOWEVER, IT'S FUNNY THAT YOU SAY THAT 661 00:24:51,800 --> 00:24:53,233 BECAUSE I'M SUPPOSED TO GO TO L.A. ON MONDAY, 662 00:24:53,233 --> 00:24:54,266 AND YOU SEE ME TRYING TO STAY TILL TUESDAY. 663 00:24:54,266 --> 00:24:55,734 WHENEVER I'M HERE, I WANT TO STAY. 664 00:24:55,734 --> 00:24:57,300 - WELL, YOU PROBABLY HAVE GOOD MEMORIES HERE, SO THAT'S WHY. 665 00:24:57,300 --> 00:25:00,266 - I'VE NEVER SAID BEFORE, "THOSE WERE THE GOOD OLD DAYS." 666 00:25:00,266 --> 00:25:02,000 THOSE WERE THE GOOD OLD DAYS. 667 00:25:02,000 --> 00:25:03,834 AND I MISS THAT. 668 00:25:03,834 --> 00:25:06,066 AND IT'S A TIME THAT I'LL NEVER GO BACK TO AGAIN. 669 00:25:06,066 --> 00:25:07,266 IT'S A MOMENT IN TIME. 670 00:25:07,266 --> 00:25:08,767 AND I CAN SMELL IT, I CAN TASTE IT, 671 00:25:08,767 --> 00:25:11,734 I CAN TOTALLY REMEMBER IT-- LOVE. LOVE IT. 672 00:25:21,233 --> 00:25:23,200 HI. 673 00:25:23,200 --> 00:25:24,667 - SKINNYGIRL WHITE CRANBERRY COSMO? 674 00:25:24,667 --> 00:25:26,767 - I SURE WOULD, DARLING, THANK YOU. 675 00:25:26,767 --> 00:25:27,867 HI. 676 00:25:27,867 --> 00:25:29,066 - HOW ARE YOU? - GOOD, HOW ARE YOU? 677 00:25:29,066 --> 00:25:31,633 IT'S BEAUTIFUL. IT LOOKS GREAT, DOESN'T IT? 678 00:25:31,633 --> 00:25:33,433 IT'S SO GREAT. - YEAH. 679 00:25:33,433 --> 00:25:34,667 - AND WHO'S HERE? WHO'S EVERYBODY-- 680 00:25:34,667 --> 00:25:36,333 - SO WE HAVE PRESS PEOPLE HERE. WE HAVE BINNERS. 681 00:25:36,333 --> 00:25:38,333 UM, WE HAVE SOME BEAM PEOPLE, SOME OF OUR RETAILERS, 682 00:25:38,333 --> 00:25:40,333 UM, AND OUR DISTRIBUTORS ARE HERE. 683 00:25:40,333 --> 00:25:41,567 - ARE YOU GLAD WE DECIDED TO DO IT IN ASPEN? 684 00:25:41,567 --> 00:25:42,767 - I AM. I'M SO GLAD. 685 00:25:42,767 --> 00:25:44,567 - EVEN THOUGH IT'S LESS OF A PRESS-CENTRAL CITY? 686 00:25:44,567 --> 00:25:46,367 - IT'S FINE. IT'S R-- IT'S SPOT-ON. 687 00:25:46,367 --> 00:25:47,800 - IT'S THIS. - YEAH, EXACTLY. 688 00:25:47,800 --> 00:25:49,500 SO IT'S THE PERFECT LOCATION, YOU KNOW? 689 00:25:49,500 --> 00:25:51,467 - YEAH. - AND JUST LIKE-- 690 00:25:51,467 --> 00:25:54,033 IT'S THE HOLIDAY COCKTAIL. EVERYTHING TIES IN, YOU KNOW? 691 00:25:54,033 --> 00:25:55,967 - THAT'S PERFECT. - THE CITY LOOKS GORGEOUS. 692 00:25:55,967 --> 00:25:57,900 I MEAN, THE GONDOLA RIDE UP-- HOW CRAZY WAS THAT? 693 00:25:57,900 --> 00:25:59,166 - IT'S AMAZING. IT'S AMAZING. 694 00:25:59,166 --> 00:26:00,967 OH, JASON WOULD LOVE THIS. - I KNOW. 695 00:26:00,967 --> 00:26:02,633 - JASON SEES SO MANY THINGS WITH ME, BUT YEAH, 696 00:26:02,633 --> 00:26:04,734 HE WOULD HAVE LOVED THIS. - HE WOULD HAVE LOVED THIS, SO-- 697 00:26:04,734 --> 00:26:06,100 - I'M GOING TO LAY OFF A LITTLE BIT. 698 00:26:06,100 --> 00:26:07,333 I ACTUALLY THOUGHT THIS IS WHAT 699 00:26:07,333 --> 00:26:09,600 HE WANTED BECAUSE HE HAD SAID THAT SO MANY TIMES, 700 00:26:09,600 --> 00:26:13,233 BUT SOMETIMES WHEN SOMETHING BECOMES REALLY REAL, 701 00:26:13,233 --> 00:26:14,934 YOU GET A LITTLE BIT NERVOUS. 702 00:26:14,934 --> 00:26:16,567 AND I THINK THAT'S WHERE JASON IS RIGHT NOW, 703 00:26:16,567 --> 00:26:17,834 SO I AM STEPPING BACK. 704 00:26:17,834 --> 00:26:19,300 BUT I'M HERE FOR BUSINESS. 705 00:26:19,300 --> 00:26:21,633 I HAVE TO DO WHAT I HAVE TO DO. 706 00:26:21,633 --> 00:26:23,200 AND IF IT'S BOOZING AND SCHMOOZING... 707 00:26:23,200 --> 00:26:25,066 CHEERS. THEN SO BE IT. 708 00:26:25,066 --> 00:26:27,800 - GOOD TO SEE YOU. - AH, I KNOW. 709 00:26:27,800 --> 00:26:29,133 - IS THIS OKAY FOR YOU? - IT'S A TEN. 710 00:26:29,133 --> 00:26:31,133 - NOW I GET A B-PLUS? - NO, IT'S AN A-PLUS. 711 00:26:31,133 --> 00:26:32,400 - THAT'S GOOD. - IT'S AN A-PLUS. 712 00:26:32,400 --> 00:26:34,166 PERFECT. ABSOLUTELY PERFECT. THERE'S NOTHING TO SAY. 713 00:26:34,166 --> 00:26:37,667 BEAM AND I DEFINITELY HAVE OUR DIFFERENCES, 714 00:26:37,667 --> 00:26:41,033 BUT WHEN PUSH COMES TO SHOVE, THEY EXECUTE, 715 00:26:41,033 --> 00:26:44,967 AND THIS IS PRECISELY WHY I GOT INTO BUSINESS WITH THEM. 716 00:26:44,967 --> 00:26:45,900 THIS LAUNCH. 717 00:26:45,900 --> 00:26:47,600 SEAMLESS, PERFECT, 718 00:26:47,600 --> 00:26:50,200 WHAT IT NEEDED TO BE. 719 00:26:50,200 --> 00:26:51,400 - THESE TWO LADIES-- - HI. 720 00:26:51,400 --> 00:26:53,266 - HI, BETHENNY. LESLIE. - HOW ARE YOU? 721 00:26:53,266 --> 00:26:54,533 NICE TO MEET YOU. - MINNESOTA. 722 00:26:54,533 --> 00:26:55,633 - HELLO. - HI, HOW ARE YOU? 723 00:26:55,633 --> 00:26:57,533 - HI. VERY WELL. THANK YOU. 724 00:26:57,533 --> 00:26:59,066 - ARE YOU GUYS THE ONE-- I HEARD ABOUT THE LETTER. 725 00:26:59,066 --> 00:27:00,133 WHO WROTE THE LETTER? WHO'S THE BOSS? 726 00:27:00,133 --> 00:27:01,734 - I DID, I DID. - SHE DID. 727 00:27:01,734 --> 00:27:03,066 - OH. - AND THIS IS MY BOSS. 728 00:27:03,066 --> 00:27:04,700 - OH, THAT'S SO NICE. - SHE'S AMAZING. 729 00:27:04,700 --> 00:27:06,700 HOW OFTEN DO YOU GET TO WORK FOR A FEMALE BOSS 730 00:27:06,700 --> 00:27:08,734 AND REALLY ENJOY YOUR JOB? 731 00:27:08,734 --> 00:27:10,033 - I DON'T KNOW, I DON'T THINK YOU COULD 732 00:27:10,033 --> 00:27:11,166 ASK MY ASSISTANT THAT QUESTION, THOUGH. 733 00:27:11,166 --> 00:27:12,500 WE'LL GET HER OVER HERE, 734 00:27:12,500 --> 00:27:14,333 AND WE'LL SEE WHAT SHE HAS TO SAY ABOUT THAT. 735 00:27:14,333 --> 00:27:17,667 JACKIE! - OH, NO! 736 00:27:17,667 --> 00:27:20,300 - I'D LIKE YOU TO KNOW THAT THE REASON THAT THEY'RE HERE-- 737 00:27:20,300 --> 00:27:22,567 THIS IS HER BOSS, AND SHE WROTE A LETTER 738 00:27:22,567 --> 00:27:24,300 ABOUT HOW WONDERFUL SHE IS. 739 00:27:24,300 --> 00:27:26,100 - I'LL WRITE A LETTER. 740 00:27:26,100 --> 00:27:28,000 - FYI, I THINK YOU'RE SUPPOSED TO WRITE A LETTER. 741 00:27:28,000 --> 00:27:30,333 - WHAT WOULD THE LETTER SAY? WHAT WOULD THE LETTER SAY? 742 00:27:30,333 --> 00:27:32,300 - THANK YOU FOR EMPLOYING ME, 743 00:27:32,300 --> 00:27:35,934 UH, TAKING ME TO ASPEN, CABO, YOU KNOW, 744 00:27:35,934 --> 00:27:38,200 GETTING TO DRINK ON THE JOB-- 745 00:27:38,200 --> 00:27:39,600 THERE'S MANY THINGS THAT I COULD TH-- 746 00:27:39,600 --> 00:27:41,600 - "THANK YOU FOR CABO AND ASPEN." 747 00:27:41,600 --> 00:27:44,033 IT'S LIKE A SPOILED CHILD. - I LOVE YOU. 748 00:27:44,033 --> 00:27:47,033 - I DON'T KNOW WHAT IS GOING ON. 749 00:27:47,033 --> 00:27:49,667 I DON'T KNOW. THIS WOMAN'S, LIKE, POURING HER HEART OUT 750 00:27:49,667 --> 00:27:53,667 ABOUT INSPIRATION AND CHANGING MY LIFE AND ADMIRATION, 751 00:27:53,667 --> 00:27:55,433 AND JACKIE'S LIKE, "I GOT TO WEAR A BIKINI, 752 00:27:55,433 --> 00:27:57,767 "SNOWBOARD FOR FREE, AND DRINK BOOZE. 753 00:27:57,767 --> 00:27:59,367 THANKS FOR THE MEMORIES." 754 00:27:59,367 --> 00:28:01,834 AND IT'S JUST LIKE, "REALLY? THIS IS WHAT I'M DOING?" 755 00:28:01,834 --> 00:28:03,133 THIS IS SOME SCHOLARSHIP PROGRAM. 756 00:28:03,133 --> 00:28:06,400 - I WILL WRITE YOU A BEAUTIFUL LETTER. 757 00:28:06,400 --> 00:28:08,367 - COMING UP... BEEN A WHILE. 758 00:28:08,367 --> 00:28:10,166 WHOO! 759 00:28:16,967 --> 00:28:19,967 [pop music] 760 00:28:19,967 --> 00:28:24,100 ♪♪ ♪♪ 761 00:28:24,100 --> 00:28:25,800 - ALL RIGHT. 762 00:28:25,800 --> 00:28:27,066 - I'M EXCITED TO WEAR A HELMET KIND OF 763 00:28:27,066 --> 00:28:28,533 BECAUSE I JUST FEEL LIKE I'M GOING TO BE 764 00:28:28,533 --> 00:28:30,967 A LITTLE LESS STRESSED ABOUT, LIKE, FALLING, YOU KNOW. 765 00:28:30,967 --> 00:28:32,166 IF YOU DO FALL AND, LIKE-- - WHY? 766 00:28:32,166 --> 00:28:33,500 DO YOU GET STRESSED? DO YOU GET WORRIED? 767 00:28:33,500 --> 00:28:34,667 DON'T G-- YOU CAN'T 'CAUSE-- 768 00:28:34,667 --> 00:28:36,567 - NO, NO, NO, NO, NO. JUST LIKE-- 769 00:28:36,567 --> 00:28:37,767 I GET NERVOUS, I WANT TO WEAR A HELMET. 770 00:28:37,767 --> 00:28:39,100 - NO, I'M GLAD YOU'RE WEARING A HELMET. 771 00:28:39,100 --> 00:28:40,300 - THIS IS SOMETHING I WEAR TO START. 772 00:28:40,300 --> 00:28:42,066 - BUT DON'T GET NERVOUS BECAUSE I ALWAYS SAY, 773 00:28:42,066 --> 00:28:43,633 "HE WHO HESITATES IS LOST." 774 00:28:43,633 --> 00:28:44,934 - I KNOW. 775 00:28:44,934 --> 00:28:47,300 - JACKIE, YOU COULD SNOWBOARD IN A SUIT OF ARMOR. 776 00:28:47,300 --> 00:28:48,834 I AM LOSING ASSISTANTS. 777 00:28:48,834 --> 00:28:50,300 THEY ARE DROPPING LIKE FLIES, 778 00:28:50,300 --> 00:28:52,667 SO PROTECT YOURSELF BEFORE YOU WRECK YOURSELF. 779 00:28:52,667 --> 00:28:55,533 YOUR LIFE CHANGES SO MUCH WHEN YOU HAVE A KID 780 00:28:55,533 --> 00:28:58,734 AND WHEN YOU WORK LIKE THIS THAT I'M NOT EVEN MYSELF ANYMORE. 781 00:28:58,734 --> 00:29:01,433 LIKE, FOR ME TO NOT HAVE DONE THIS IN SO MANY YEARS 782 00:29:01,433 --> 00:29:04,000 IS, LIKE, RIDI--IT'S JUST LIKE IT DOESN'T MAKE ANY SENSE. 783 00:29:04,000 --> 00:29:05,100 THIS USED TO BE PART OF MY LIFE. 784 00:29:05,100 --> 00:29:06,133 - REALLY? - YEAH. 785 00:29:06,133 --> 00:29:07,367 - IT'LL BE GOOD. - I HAS-- 786 00:29:07,367 --> 00:29:09,266 IT'S BEEN A WHILE. 787 00:29:09,266 --> 00:29:11,066 I HOPE I STILL GOT IT. 788 00:29:11,066 --> 00:29:12,867 - I'M SURE YOU DO. - WE'LL SEE. 789 00:29:12,867 --> 00:29:14,967 I'VE BEEN SO BUSY, I HAVEN'T GONE SNOWBOARDING 790 00:29:14,967 --> 00:29:18,500 IN SEVERAL YEARS, AND THAT BUMS ME OUT. 791 00:29:18,500 --> 00:29:19,700 IT USED TO BE SUCH A PART OF MY LIFE, 792 00:29:19,700 --> 00:29:21,600 AND NOW I HAVEN'T EVEN GONE. 793 00:29:21,600 --> 00:29:24,100 IT'S JUST WHIPPING BY. 794 00:29:24,100 --> 00:29:27,000 DIFFERENT RESPONSIBILITIES. IT'S JUST A DIFFERENT TIME. 795 00:29:27,000 --> 00:29:27,967 - HI, HOW ARE YOU? - HI. 796 00:29:27,967 --> 00:29:29,033 - HOW ARE YOU GUYS DOING? 797 00:29:29,033 --> 00:29:30,333 - GOOD. - GOOD. HOW ARE YOU? 798 00:29:30,333 --> 00:29:31,533 - NOT TOO BAD. 799 00:29:31,533 --> 00:29:32,767 - WE NEED TO JUST GET OUR BINDINGS FITTED 800 00:29:32,767 --> 00:29:35,333 AND A HELMET. - OH, YEAH, FOR SURE. 801 00:29:35,333 --> 00:29:37,033 UH, JUST HANG OUT RIGHT HERE, AND WE'LL-- 802 00:29:37,033 --> 00:29:38,867 - I LIKE HANGING OUT. I WANT TO LOOK AT GLASSES. 803 00:29:38,867 --> 00:29:39,834 - YEAH. SET THE BOARDS DOWN. 804 00:29:39,834 --> 00:29:41,333 - SKINNYGIRL? - YES. 805 00:29:41,333 --> 00:29:44,000 - IS THAT THAT SANGRIA? 806 00:29:44,000 --> 00:29:46,900 I KNOW WHAT'S UP. - YOU DO KNOW WHAT'S UP. 807 00:29:46,900 --> 00:29:48,667 WE'LL BRING YOU OVER A BOTTLE. - YEAH, PERFECT. 808 00:29:48,667 --> 00:29:50,500 - BRING OVER TWO! - WE'LL BRING OVER THREE. 809 00:29:50,500 --> 00:29:51,700 - ALL RIGHT. - LOOK AT THE CUTE BOYS. 810 00:29:51,700 --> 00:29:53,066 OH, MY GOD, I FEEL SO OLD. 811 00:29:53,066 --> 00:29:54,800 I'M GONNA MAYBE KILL MYSELF TODAY ON THE MOUNTAIN. 812 00:29:57,567 --> 00:29:59,367 YOU GUYS ARE ALL JUST LITTLE TOYS FOR PEOPLE LIKE ME. 813 00:29:59,367 --> 00:30:00,834 - PUTTING US IN YOUR POCKETS IS FINE. 814 00:30:00,834 --> 00:30:01,967 - I UNDERSTAND. 815 00:30:01,967 --> 00:30:03,834 - COOL. WE SIZE UP THE BINDINGS AND EVERYTHING? 816 00:30:03,834 --> 00:30:04,967 - YEAH, LET'S DO IT. 817 00:30:04,967 --> 00:30:07,867 - LET'S DO IT. STEP INTO IT BACK HERE. 818 00:30:07,867 --> 00:30:09,433 - YEAH? I THOUGHT YOU WERE GOING TO SAY SOMETHING ELSE. 819 00:30:09,433 --> 00:30:11,600 I WAS GOING TO BE LIKE, "THAT'S FOR ANOTHER DAY." 820 00:30:11,600 --> 00:30:12,600 - WE CAN WORK ON THAT LATER. 821 00:30:12,600 --> 00:30:15,834 - YOU NEED A WAX. 822 00:30:15,834 --> 00:30:17,767 - DO YOU KNOW HOW TO WORK THOSE BOOTS? 823 00:30:17,767 --> 00:30:20,700 - NO, NO, I'M AN OL--BY THE WAY, YOU KNOW HOW OLD I FEEL TODAY? 824 00:30:20,700 --> 00:30:22,467 I WANNA KILL SOMEBODY. - OLD? 825 00:30:22,467 --> 00:30:24,567 - WELL, BECAUSE THE BOOTS THAT I KNOW FROM MY DAY 826 00:30:24,567 --> 00:30:25,800 WERE NOT LIKE THIS. 827 00:30:25,800 --> 00:30:27,100 - HOW LONG YOU GUYS IN TOWN FOR? 828 00:30:27,100 --> 00:30:28,533 - I'LL BE IN TOWN MAYBE TILL TUESDAY. 829 00:30:28,533 --> 00:30:30,066 - TILL TUESDAY? - YOU'RE WELCOME TO MEET US 830 00:30:30,066 --> 00:30:31,133 FOR APRES-SKI. - PLENTY OF TIME. 831 00:30:31,133 --> 00:30:32,400 WELL, WE GOTTA MEET ON THE GONDOLA FIRST. 832 00:30:32,400 --> 00:30:33,633 THAT'S WHERE THE ROMANCE HAPPENS. 833 00:30:33,633 --> 00:30:36,667 - OH, REALLY? OKAY. WELL, THEN I'M IN. 834 00:30:36,667 --> 00:30:38,367 I DEFINITELY MISS ASPEN. 835 00:30:38,367 --> 00:30:40,400 - WELL, LET'S TURN YOU AROUND AND STRAP YOU IN. 836 00:30:40,400 --> 00:30:43,266 YOU KNOW WHAT YOU'RE DOING? YOU'RE NOT ON THE BEACH, HONEY. 837 00:30:43,266 --> 00:30:44,367 - DO I LOOK LIKE I'M ON THE BEACH? 838 00:30:44,367 --> 00:30:45,900 - WELL, I DON'T KNOW. - LISTEN. 839 00:30:45,900 --> 00:30:47,900 - THESE DAYS WITH YOU OLD WOMEN-- 840 00:30:47,900 --> 00:30:49,400 - WELL, OH, WOW, THAT WAS REALLY THE WAY TO MY HEART. 841 00:30:49,400 --> 00:30:53,066 [groans] I MEAN, REALLY? 842 00:30:53,066 --> 00:30:55,433 THIS IS TERMS I'M COMING BACK ON? 843 00:30:55,433 --> 00:30:57,367 AND THERE'S NOTHING YOU CAN DO. 844 00:30:57,367 --> 00:31:00,266 LIKE, I WANT TO TAKE THAT CLOCK AND SHOVE IT UP SOMEONE'S ASS. 845 00:31:00,266 --> 00:31:02,934 HOW OLD ARE YOU GUYS? - ANY AGE YOU WANT US TO BE. 846 00:31:02,934 --> 00:31:05,033 - OH, I LIKE IT. I LIKE IT. - HOW OLD DO I LOOK? 847 00:31:05,033 --> 00:31:06,333 - I'VE BEEN IN HERE FIVE MINUTES. 848 00:31:06,333 --> 00:31:07,600 YOU GUYS ARE ALREADY AT MY FEET, YOU UNDERSTAND ME? 849 00:31:07,600 --> 00:31:08,767 - THAT'S HOW IT WORKS IN THIS STORE. 850 00:31:08,767 --> 00:31:11,800 - THIS IS WHAT HAPPENS. 851 00:31:11,800 --> 00:31:14,233 YES, I AGREE. 852 00:31:14,233 --> 00:31:15,233 THEY WILL BE. 853 00:31:15,233 --> 00:31:17,166 EVEN BACK IN MY HEYDAY, 854 00:31:17,166 --> 00:31:18,900 THESE WOULD NOT HAVE BEEN THE GUYS 855 00:31:18,900 --> 00:31:21,266 THAT I WOULD'VE HOOKED UP WITH, BUT I WOULD'VE FLIRTED. 856 00:31:21,266 --> 00:31:22,734 JACKIE. 857 00:31:22,734 --> 00:31:24,367 THIS IS WHAT I CALL PUPPY BREATH. 858 00:31:24,367 --> 00:31:27,066 PUPPY BREATH. 859 00:31:27,066 --> 00:31:30,033 [upbeat music] 860 00:31:30,033 --> 00:31:38,033 ♪♪ ♪♪ 861 00:31:40,667 --> 00:31:42,000 I DON'T EVEN KNOW IF I HAVE A PA-- 862 00:31:42,000 --> 00:31:43,100 DO WE HAVE PASSES? 863 00:31:43,100 --> 00:31:44,633 - YEP, I HAVE THEM. - OKAY. 864 00:31:44,633 --> 00:31:46,600 - YOU HAVE, LIKE, A SEASON PASS? 865 00:31:46,600 --> 00:31:48,033 - NO, NOT HERE. - OH. 866 00:31:48,033 --> 00:31:49,033 GO AHEAD. NEXT ONE? 867 00:31:49,033 --> 00:31:50,233 OKAY. 868 00:31:50,233 --> 00:31:53,500 - THANK YOU. OH, GOD. 869 00:31:53,500 --> 00:31:55,400 - GOT EVERYTHING? - NO. YEAH. 870 00:31:55,400 --> 00:31:57,500 I GOT MY MITTENS. - OKAY. 871 00:31:57,500 --> 00:32:00,934 I AM EXCITED! I REALLY AM EXCITED. I AM EXCITED. 872 00:32:00,934 --> 00:32:02,633 - HOW LONG HAS IT BEEN SINCE YOU WERE IN THE SNOW? 873 00:32:02,633 --> 00:32:05,367 - UH, YEARS. FIVE YEARS, EASY. 874 00:32:05,367 --> 00:32:08,066 WHEN I'M INTO ONE THING, I'M LIKE, "MAXIMIZE, MAXIMIZE." 875 00:32:08,066 --> 00:32:09,934 I HAVE SO MANY PARTNERS, SO MANY PRODUCTS. 876 00:32:09,934 --> 00:32:12,166 LIKE, UTILIZE AND MAXIMIZE. 877 00:32:12,166 --> 00:32:14,400 MATT HESSE, WE ARE GOING TO BE IN ASPEN. 878 00:32:14,400 --> 00:32:16,233 WE ARE SPENDING A LOT OF MONEY. 879 00:32:16,233 --> 00:32:18,133 YOU DON'T HAVE TO PAY TO FLY ANYBODY THERE. 880 00:32:18,133 --> 00:32:19,700 THIS IS WHERE THE BIG FISH ARE, 881 00:32:19,700 --> 00:32:22,900 SO JUMP ON AND GET YOUR [bleep] TOGETHER. 882 00:32:22,900 --> 00:32:24,533 - YOU ARE LOOKING GOOD! 883 00:32:24,533 --> 00:32:26,400 WHOO! NICE! 884 00:32:26,400 --> 00:32:28,000 - LET'S ALL DO IT TOGETHER. - LET'S GO. 885 00:32:28,000 --> 00:32:29,333 - YEAH, LET'S GO. - YOU KNOW? 886 00:32:29,333 --> 00:32:32,133 I HAVE SNOW BOYFRIENDS ALREADY. ONE DAY. 887 00:32:32,133 --> 00:32:33,834 BACK IN THE SADDLE. 888 00:32:33,834 --> 00:32:35,233 - JUST GRAB THE TIP, STRETCH IT OUT. 889 00:32:35,233 --> 00:32:37,066 - LISTEN, I'M A BIG FAN OF GRABBING THE TIP. 890 00:32:37,066 --> 00:32:39,500 - FEEL IT RIGHT HERE. OH! - A BIG FAN OF THE TIP. 891 00:32:39,500 --> 00:32:41,500 - THIS IS WHERE I FEEL COMFORTABLE. 892 00:32:41,500 --> 00:32:42,934 - YOU'RE AT HOME. 893 00:32:42,934 --> 00:32:44,300 WE LIVE THE DREAM EIGHT DAYS A WEEK. 894 00:32:44,300 --> 00:32:46,100 - I KNOW. - BUT THERE'S ONLY SEVEN! 895 00:32:46,100 --> 00:32:48,333 SO HOW DOES THAT WORK? - [cackles] 896 00:32:48,333 --> 00:32:50,433 - OH, MY GOD. BEAVIS AND BUTT-HEAD. 897 00:32:50,433 --> 00:32:52,500 - FIRST CHAIR, LAST CALL. - I LIKE IT. 898 00:32:52,500 --> 00:32:54,300 - YEAH. - THAT'S HOW WE ROLL. 899 00:32:54,300 --> 00:32:56,333 - OH, THESE BOYS 900 00:32:56,333 --> 00:32:59,266 ARE GETTING A LOT OF PUSSY. 901 00:32:59,266 --> 00:33:01,200 A LOT. 902 00:33:01,200 --> 00:33:02,667 MAYBE DAILY. 903 00:33:02,667 --> 00:33:04,000 OKAY, OKAY, OKAY. 904 00:33:04,000 --> 00:33:05,667 - OH, OH! - ALL RIGHT, YOU READY? 905 00:33:05,667 --> 00:33:06,800 - SHE'S UP THERE WORKING. 906 00:33:06,800 --> 00:33:07,967 - COME ON, JACK. 907 00:33:07,967 --> 00:33:09,533 LET'S DO IT. 908 00:33:09,533 --> 00:33:12,433 ALL RIGHTY. 909 00:33:12,433 --> 00:33:14,734 WHERE ARE WE GOING? 910 00:33:14,734 --> 00:33:17,667 [lively music] 911 00:33:17,667 --> 00:33:21,867 ♪♪ ♪♪ 912 00:33:21,867 --> 00:33:23,133 WHOO! 913 00:33:23,133 --> 00:33:24,200 BEEN A WHILE. 914 00:33:24,200 --> 00:33:26,200 GOT A LITTLE BUMP. 915 00:33:29,266 --> 00:33:32,133 THE BOMB! WHOO! 916 00:33:34,233 --> 00:33:37,567 WHOO! CAN'T COUNT ME OUT. 917 00:33:37,567 --> 00:33:42,600 I'M AN OLD BAG, BUT I CAN HANG. 918 00:33:42,600 --> 00:33:46,367 WHOO! 919 00:33:46,367 --> 00:33:48,400 - SEVEN YEARS. YOU HADN'T BEEN ON A BOARD FOR SEVEN YEARS? 920 00:33:48,400 --> 00:33:50,300 I DON'T BELIEVE THAT. I DON'T BELIEVE YOU. 921 00:33:50,300 --> 00:33:52,100 - LISTEN, I MAY NOT BE ABLE TO HANG IN THE CLUB, 922 00:33:52,100 --> 00:33:53,100 BUT I CAN HANG ON THE MOUNTAIN. 923 00:33:53,100 --> 00:33:54,934 HOW ARE YOU? 924 00:33:54,934 --> 00:33:57,533 - GOOD, HOW ARE THE RUNS? - AMA--OH, THIS IS GREAT. 925 00:33:57,533 --> 00:33:59,667 HAVE A LOT OF PEOPLE BEEN COMING BY? 926 00:33:59,667 --> 00:34:01,700 - WE HAD A BUNCH OF PEOPLE HERE, LIKE, AN HOUR AGO. 927 00:34:01,700 --> 00:34:02,867 - REALLY? - YEAH. 928 00:34:02,867 --> 00:34:04,166 - AS SOON AS WE SET UP, WE GOT REALLY SLAMMED. 929 00:34:04,166 --> 00:34:05,300 WE'RE ALMOST THROUGH ALL THE SAMPLES ALREADY. 930 00:34:05,300 --> 00:34:07,633 - HOW'S THE MOUNTAIN? 931 00:34:07,633 --> 00:34:09,000 - AMAZING. - YEAH, IT'S SWEET, HUH? 932 00:34:09,000 --> 00:34:10,266 - YOU GUYS WERE LOOKING GOOD. 933 00:34:10,266 --> 00:34:12,367 - OH, YEAH, IT WAS AWESOME. - HEY, IS JASON HERE? 934 00:34:12,367 --> 00:34:14,367 - HE'S COMING. - HE'S--YEAH. 935 00:34:14,367 --> 00:34:17,166 - IS HE HERE? - HE SHOULD BE HERE ANY MINUTE. 936 00:34:17,166 --> 00:34:18,700 - LOOK AT HOW CUTE YOU ALL ARE IN YOUR COLORS. 937 00:34:18,700 --> 00:34:20,100 - WHOO! - I LIKE IT. 938 00:34:20,100 --> 00:34:21,767 - LIKE A BAG FULL OF TROPICAL SKITTLES. 939 00:34:21,767 --> 00:34:24,266 - I LIKE IT. I'VE GOT A POSSE. 940 00:34:24,266 --> 00:34:26,800 I'VE BEEN HERE ONE DAY, I ALREADY HAVE A POSSE. 941 00:34:26,800 --> 00:34:29,367 TOP THAT, YOUNG BITCHES. 942 00:34:29,367 --> 00:34:31,133 YOU GUYS GOT A LOT OF GAME IN TOWN? 943 00:34:31,133 --> 00:34:32,367 - MORE THAN MONOPOLY. 944 00:34:32,367 --> 00:34:35,166 - YEAH, IT'S LIKE TAKING CANDY FROM A BABY? 945 00:34:35,166 --> 00:34:37,467 - WE JUST LIKE TO HANG OUT. - YEAH. 946 00:34:37,467 --> 00:34:38,900 - USUALLY THE OLDER LADIES OR THE YOUNGER LADIES? 947 00:34:38,900 --> 00:34:40,133 OR IT'S REALLY-- 948 00:34:40,133 --> 00:34:41,400 YOU DON'T DISCRIMINATE? - ALL OF THE ABOVE. 949 00:34:41,400 --> 00:34:43,333 - THEY--THEY PICK US. WE JUST KIND OF HANG OUT. 950 00:34:43,333 --> 00:34:45,533 - DID YOU COME TO SNOWBOARD, MAKE MONEY, OR GET LAID? 951 00:34:45,533 --> 00:34:47,400 - ALL OF THE ABOVE. - I LIKE IT. 952 00:34:47,400 --> 00:34:48,400 - WE AREN'T DOING MUCH OF THE MONEY MAKING THOUGH. 953 00:34:48,400 --> 00:34:49,333 - OH! AND THAT'S MY BABY. 954 00:34:49,333 --> 00:34:51,133 - HI! - HI! 955 00:34:51,133 --> 00:34:52,400 MWAH. - WHAT'S GOING ON? 956 00:34:52,400 --> 00:34:54,433 - THAT'S MY BABY. THIS IS BEAVIS, BUTT-HEAD, 957 00:34:54,433 --> 00:34:55,467 AND WE HAVEN'T FIGURED OUT HIS NAME YET. 958 00:34:55,467 --> 00:34:56,467 - OH, HEY, GUYS. 959 00:34:56,467 --> 00:34:58,133 - I GOT FLIRTED WITH AND EVERYTHING. 960 00:34:58,133 --> 00:35:01,533 IT IS ON. 961 00:35:03,166 --> 00:35:05,533 JASON DEFINITELY APPRECIATES A GOOD FLIRT. 962 00:35:05,533 --> 00:35:07,467 FLIRTING WITH THESE GUYS-- IT'S LIKE FLIRTING 963 00:35:07,467 --> 00:35:08,934 WITH THE RHESUS MONKEYS AT THE ZOO. 964 00:35:08,934 --> 00:35:11,166 - DID YOU GO DOWN THE MOUNTAIN WITH THOSE GUYS TOO? 965 00:35:11,166 --> 00:35:12,934 - YEAH, THEY CAME AND FOUND US. - YOU GUYS RACE AND STUFF, OR-- 966 00:35:12,934 --> 00:35:14,934 - YEAH, THEY'RE OUR, LIKE, YOUNG BOY TOY FRIENDS. 967 00:35:14,934 --> 00:35:16,600 - OH, GREAT. - YOU KNOW WHAT I MEAN? 968 00:35:16,600 --> 00:35:18,100 - DID YOU REALLY WANT ME TO COME? 969 00:35:18,100 --> 00:35:19,300 I COULD'VE STAYED IN NEW YORK. 970 00:35:19,300 --> 00:35:21,100 - NO, IT'S MORE-- IT'S JUST LIKE 971 00:35:21,100 --> 00:35:22,600 A SORT OF REMEMBERING YOUR YOUTH. 972 00:35:22,600 --> 00:35:24,033 - IT MAKES YOU FEEL GOOD, HUH? - YEAH. 973 00:35:24,033 --> 00:35:25,433 - YOU FEEL GOOD. LOOK AT YOURSELF. 974 00:35:25,433 --> 00:35:26,900 - YEAH. - YOU WANT TO HAVE LUNCH? 975 00:35:26,900 --> 00:35:28,767 LET'S GO GET HER SOME LUNCH. - YEAH, LET'S GO EAT SOME-- 976 00:35:28,767 --> 00:35:30,133 YOU WANT TO GET SOME-- SIT SOMEWHERE? 977 00:35:30,133 --> 00:35:32,567 - YEAH. - LET'S GO HAVE APRES-SKI. 978 00:35:32,567 --> 00:35:34,800 HAVE A BITE TO EAT. - WHAT DOES THAT MEAN? 979 00:35:34,800 --> 00:35:36,767 - AFTER SKI. IT'S LIKE A HAPPY HOUR AFTER SKIING. 980 00:35:36,767 --> 00:35:38,266 - I DIDN'T KNOW EITHER. I'D NEVER HEARD IT. 981 00:35:38,266 --> 00:35:40,867 - AND WHY WOULD YOU EVEN SAY "AFTER APRES-SKI"? 982 00:35:40,867 --> 00:35:43,300 LIKE, ARE YOU DONE SKIING? LET'S JUST GO. 983 00:35:43,300 --> 00:35:45,967 - ANYWAY, IN OTHER NEWS-- 984 00:35:45,967 --> 00:35:47,934 - [chuckles] LET'S GO APRES-SKI. 985 00:35:47,934 --> 00:35:50,300 - I'M DUE BACK ON PLANET EARTH NOW, 986 00:35:50,300 --> 00:35:54,834 SO YOU KNOW, LET'S GO-- ALL RIGHT. 987 00:35:54,834 --> 00:35:57,834 [upbeat music] 988 00:35:57,834 --> 00:36:05,333 ♪♪ ♪♪ 989 00:36:05,333 --> 00:36:07,033 HI, HOW ARE YOU? 990 00:36:07,033 --> 00:36:08,800 [overlapping chatter] 991 00:36:08,800 --> 00:36:10,934 [sighs] 992 00:36:10,934 --> 00:36:13,066 - SO THIS IS WHAT--YOU SKI, AND THEN YOU COME HERE? 993 00:36:13,066 --> 00:36:16,133 - LOOK IT, "APRES." - OH, MY GOD. 994 00:36:16,133 --> 00:36:17,133 - NO WAY. 995 00:36:17,133 --> 00:36:19,166 - OH, MY-- [laughter] 996 00:36:19,166 --> 00:36:20,934 - THE TRANSLATION IS APRES-- 997 00:36:20,934 --> 00:36:22,800 DOES IT MEAN "AFTER SKI"? - AFTER. 998 00:36:22,800 --> 00:36:24,200 - OR JUST "AFTER" IN GENERAL? - AFTER. 999 00:36:24,200 --> 00:36:25,667 - AFTER. - SO YOU COULD BRING APRES TO-- 1000 00:36:25,667 --> 00:36:27,066 - APRES-GOLF. 1001 00:36:27,066 --> 00:36:29,900 - 'CAUSE IT'S JUST FOR AFTER-- AFTER ANYTHING. 1002 00:36:29,900 --> 00:36:33,266 OH, YOU SHOOK IT. I LIKE IT SHAKEN, ERIC. 1003 00:36:33,266 --> 00:36:34,867 I FLIRT IN ASPEN. - DO YOU? 1004 00:36:34,867 --> 00:36:36,600 THEY PROBABLY LOVE YOU. - OH, MY GOD. 1005 00:36:36,600 --> 00:36:38,300 - EVERY YOUNG GUY LOVES A COUGAR. 1006 00:36:38,300 --> 00:36:41,867 - EVERY YOUNG GUY LOVES A WHAT? - OH, LOOK AT THAT. 1007 00:36:41,867 --> 00:36:43,233 - YEAH, I KNOW THAT'S GOING TO BE AN INSULT. 1008 00:36:43,233 --> 00:36:45,100 - OOPS. CHEERS, EVERYONE. 1009 00:36:45,100 --> 00:36:46,834 - I'M GOING TO TAKE MY FOOT OUT OF MY MOUTH. 1010 00:36:46,834 --> 00:36:48,600 - [sighs] 1011 00:36:48,600 --> 00:36:51,734 YOU'RE THE ONLY ONE I LIKE RIGHT NOW, JUST SO YOU KNOW. 1012 00:36:51,734 --> 00:36:53,867 - WHAT ARE THEY, 20-- EARLY 20s, THESE BOYS? 1013 00:36:53,867 --> 00:36:55,433 - 21, YEAH. 1014 00:36:55,433 --> 00:36:56,934 - LISTEN, YOU'RE NOT GOING TO GET YOURSELF OUT OF THIS HOLE. 1015 00:36:56,934 --> 00:36:58,834 THAT'D BE LIKE ME SAYING, 1016 00:36:58,834 --> 00:37:00,934 "EVERY YOUNG WOMAN LIKES HANGING BALL SACKS." 1017 00:37:00,934 --> 00:37:02,133 - WHAT? 1018 00:37:02,133 --> 00:37:03,967 - YOUR OLD, WRINKLY, HANGING BALL SACK. 1019 00:37:03,967 --> 00:37:06,166 - MY BALLS DON'T HANG AND AREN'T WRINKLY. 1020 00:37:06,166 --> 00:37:07,700 - I'M NOT A COUGAR. 1021 00:37:07,700 --> 00:37:08,867 - HEY, GUYS. 1022 00:37:08,867 --> 00:37:10,133 - WHAT'S UP? - HEY. HOW ARE YOU? 1023 00:37:10,133 --> 00:37:12,367 - HEY, MAN. - NICE SEEING YOU. 1024 00:37:12,367 --> 00:37:13,533 - I'VE HEARD THAT YOU'RE, LIKE, 1025 00:37:13,533 --> 00:37:15,934 A SNEAKY, SUPER GOOD SNOWBOARDER. 1026 00:37:15,934 --> 00:37:17,467 - WHY SNEAKY, THOUGH? 1027 00:37:17,467 --> 00:37:20,266 - BECAUSE YOU SAID YOU HADN'T GONE IN SEVEN YEARS, I HEARD. 1028 00:37:20,266 --> 00:37:21,667 - I HAVEN'T, BUT-- 1029 00:37:21,667 --> 00:37:24,500 - YOU WERE LIKE, WHOO. AND I WAS LIKE, "OH, MY GOD." 1030 00:37:24,500 --> 00:37:27,000 - JACKIE WAS GIVING ME A LOT OF PROPS FOR TODAY, 1031 00:37:27,000 --> 00:37:28,100 WHICH WAS VERY SWEET. 1032 00:37:28,100 --> 00:37:30,000 SHE WAS LIKE MY MOUNTAIN PUBLICIST. 1033 00:37:30,000 --> 00:37:31,367 DO I HAVE ANYTHING I HAVE TO DO IN MARCH THAT YOU KNOW? 1034 00:37:31,367 --> 00:37:32,567 - NOT RIGHT NOW. 1035 00:37:32,567 --> 00:37:34,533 - YOU'RE ON IT, KID. YOU'RE ON IT. 1036 00:37:34,533 --> 00:37:35,934 - I'M N--I HAVE TO GET USED TO THIS CALENDAR IN MY HEAD. 1037 00:37:35,934 --> 00:37:37,633 - BY THE WAY, THIS IS THE NEW TEAM. 1038 00:37:37,633 --> 00:37:39,033 THE SKINNYGIRL HEADQUARTERS. 1039 00:37:39,033 --> 00:37:44,100 I GOTTA WORK WITH MY-- MY TEAMMATE OVER HERE. 1040 00:37:44,100 --> 00:37:46,600 - IT'S NOT THE BEST IDEA. IT WAS JUST THE ONLY IDEA. 1041 00:37:46,600 --> 00:37:47,900 - [laughs] - IT'S NOT THE BEST IDEA. 1042 00:37:47,900 --> 00:37:48,867 I AGREE. 1043 00:37:48,867 --> 00:37:50,600 - IT WAS JUST THE ONLY IDEA. 1044 00:37:50,600 --> 00:37:52,233 - YOU'RE NOT-- - THAT'S HILARIOUS. 1045 00:37:52,233 --> 00:37:53,266 - WE'RE THINKING ABOUT IT. - WE'RE THINKING ABOUT IT. 1046 00:37:53,266 --> 00:37:54,934 - REALLY? - YEAH. 1047 00:37:54,934 --> 00:37:58,300 - WE'RE BOTH VERY APPREHENSIVE, AND EACH HAS GOOD REASONS. 1048 00:37:58,300 --> 00:38:00,900 - SEE WHAT THIS GLASS IS DOING? IT'S LIKE THAT. 1049 00:38:00,900 --> 00:38:02,367 - IT'S SHAKING, IT'S SHAKING. - IT'S SHAKY GROUND? 1050 00:38:02,367 --> 00:38:03,934 - IT'S LIKE THAT'S WHAT'S GOING ON. 1051 00:38:03,934 --> 00:38:06,500 JASON IS WAFFLING. 1052 00:38:06,500 --> 00:38:08,367 I'M NOT BITING. I'M NOT ENGAGING. 1053 00:38:08,367 --> 00:38:09,533 I'M NOT INVOLVED. 1054 00:38:09,533 --> 00:38:11,700 THAT WAS JUST THE LYRICS TO A SONG, 1055 00:38:11,700 --> 00:38:14,200 AS FAR AS I'M CONCERNED. KEEP IT MOVING. 1056 00:38:14,200 --> 00:38:15,934 THIS BUSINESS IS SO ALL-ENCOMPASSING 1057 00:38:15,934 --> 00:38:17,633 AND IT'S ALL WE ALL TALK ABOUT 1058 00:38:17,633 --> 00:38:20,667 THAT YOU KIND OF--IT'S LIKE A BEAST YOU GOTTA RIDE. 1059 00:38:20,667 --> 00:38:22,467 IT'S LIKE A WAVE. YOU GOTTA RIDE IT, 1060 00:38:22,467 --> 00:38:23,867 OR YOU GET CLOBBERED BY IT. - YEAH. 1061 00:38:23,867 --> 00:38:25,266 - PARTY TIME. - OH, MY GOD. 1062 00:38:25,266 --> 00:38:26,600 - OH, YAY! 1063 00:38:26,600 --> 00:38:27,700 - IS THE PARTY OVER HERE? - YAY. 1064 00:38:27,700 --> 00:38:29,033 THESE ARE MY-- - THESE ARE YOUR BOYS? 1065 00:38:29,033 --> 00:38:30,333 - THESE ARE MY BOYS. - TWISTY. 1066 00:38:30,333 --> 00:38:31,367 - WHAT'S UP, GUYS? - THESE ARE MY BOYS. 1067 00:38:31,367 --> 00:38:33,100 - BUT I THOUGHT YOU WERE HER HUSBAND. 1068 00:38:33,100 --> 00:38:35,166 I DIDN'T KNOW WHAT WAS GOING ON. - YO, YO, YO, YO, RELAX. 1069 00:38:35,166 --> 00:38:37,467 - HE'S RIDING UP ROCKS. - RELAX. 1070 00:38:37,467 --> 00:38:39,834 WELL, NOW SHE HAS BOYFRIENDS TOO, SO-- 1071 00:38:39,834 --> 00:38:42,266 - IT'S COMMON IN THIS TOWN. 1072 00:38:42,266 --> 00:38:44,367 YOU DON'T DATE. YOU JUST LOSE YOUR TURN. 1073 00:38:44,367 --> 00:38:45,400 [laughter] 1074 00:38:50,333 --> 00:38:51,967 - SEE, WE'RE ON THE COUGAR TRAIN. 1075 00:38:51,967 --> 00:38:55,233 THE COUGAR TRAIN. - TILL YOU FINALLY DIVORCE-- 1076 00:38:55,233 --> 00:38:56,367 - HE DIDN'T SAY IT TO ME. 1077 00:38:56,367 --> 00:38:58,467 - WOULD SHE BE CONSIDERED A COUGAR OR NO? 1078 00:38:58,467 --> 00:39:01,066 - [chuckles] - HOW--HOW OLD ARE YOU? 1079 00:39:01,066 --> 00:39:02,600 I WAS THINKING, WHEN YOU CAME IN THE SHOP, 1080 00:39:02,600 --> 00:39:05,600 I'M THINKING 36, BUT... - OH, GOOD. 1081 00:39:05,600 --> 00:39:08,934 - UH, SOMEBODY SAID--MENTIONED ABOUT 40, SO I'M GOING 42, 43. 1082 00:39:08,934 --> 00:39:11,867 - LISTEN, YOU HAD ME AT 36. 1083 00:39:11,867 --> 00:39:14,367 THEN HE SAID, "YOU WERE IN YOUR 40s." 1084 00:39:14,367 --> 00:39:19,734 LET ME TELL YOU ABOUT WOMEN WHO ARE OVER 40--41, 42. 1085 00:39:19,734 --> 00:39:21,800 THEY DON'T WANT TO HEAR "SSSSS." 1086 00:39:21,800 --> 00:39:24,834 41. - 41, OKAY. 1087 00:39:24,834 --> 00:39:26,467 [laughter] 1088 00:39:28,734 --> 00:39:30,900 - WELL, I DID, I DID. I WENT-- 1089 00:39:30,900 --> 00:39:32,200 YOU LOSE. 1090 00:39:32,200 --> 00:39:33,867 - THIS IS WHAT GUYS ARE REALLY THINKING ABOUT. 1091 00:39:33,867 --> 00:39:36,934 - I DON'T WANT HER HANGING OUT WITH ANY GUYS LIKE YOU GUYS. 1092 00:39:36,934 --> 00:39:38,900 all: CHEERS. 1093 00:39:38,900 --> 00:39:41,500 - TO APRES-SKI. - CHEERS TO SKINNYGIRL. 1094 00:39:41,500 --> 00:39:43,300 - CHEERS TO SKINNYGIRL. - WHOO-HOO! 1095 00:39:43,300 --> 00:39:44,367 - CHEERS, FELLAS. 1096 00:39:44,367 --> 00:39:46,100 - YOU WERE THE HIGHLIGHT OF OUR DAY, 1097 00:39:46,100 --> 00:39:48,767 EXCEPT FOR MY HUSBAND AND BABY SHOWING UP. 1098 00:39:50,700 --> 00:39:51,934 COMING UP... 1099 00:39:51,934 --> 00:39:53,367 WE'RE GOING TO THE LEFT, JASON. 1100 00:39:53,367 --> 00:39:54,900 - OH, [bleep]. WHOA! 1101 00:40:01,000 --> 00:40:02,000 - HI. - HOW YOU DOING, SWEETHEART? 1102 00:40:02,000 --> 00:40:03,400 - GOOD, HOW ARE YOU? - EXCELLENT. 1103 00:40:05,266 --> 00:40:06,233 - OH, YOU WANT ME TO MAKE ONE. - YES. 1104 00:40:06,233 --> 00:40:07,367 - YES! - OH, ALL RIGHT. 1105 00:40:07,367 --> 00:40:08,533 ALL RIGHT, ALL RIGHT, ALL RIGHT. - I LIKE IT. 1106 00:40:08,533 --> 00:40:09,900 - OH, MY GOD, I GOTTA MAKE A DRINK. 1107 00:40:09,900 --> 00:40:12,567 - TELL HER WE NEED TO SEE A LITTLE BIT MORE CLEAVAGE. 1108 00:40:12,567 --> 00:40:14,433 - OH, YEAH? HEY, BETHENNY. 1109 00:40:14,433 --> 00:40:15,834 WHY AREN'T YOU WEARING A LOW-CUT SHIRT? 1110 00:40:15,834 --> 00:40:18,567 GIVE ME A LITTLE MORE CLEAVAGE. - LESS IS MORE. 1111 00:40:18,567 --> 00:40:20,400 - YOU GIVE HER [bleep] A LOT OR WHAT? 1112 00:40:20,400 --> 00:40:22,000 - OH, YEAH. - YOU GIVE HER A LOT OF [bleep]. 1113 00:40:22,000 --> 00:40:23,066 - SHE GIVES IT-- - YEAH. 1114 00:40:23,066 --> 00:40:24,600 - SHE GIVES IT TO ME ALL THE TIME. 1115 00:40:24,600 --> 00:40:26,000 - YEAH, I'M SURE SHE GIVES IT BACK JUST PLENTY. 1116 00:40:26,000 --> 00:40:28,433 - MY BALLS ARE IN A VICE. 1117 00:40:28,433 --> 00:40:30,233 - PHEW, HOW'S THAT WORKING OUT FOR YOU? 1118 00:40:30,233 --> 00:40:32,300 - COME ON, GET INTO IT. - I'M GETTING THIRSTY OVER HERE. 1119 00:40:32,300 --> 00:40:33,567 - OVER THE SHOULDER. - SHAKE IT! 1120 00:40:33,567 --> 00:40:35,433 - YOU WOULD NEVER LAST AS A BARTENDER IN ASPEN. 1121 00:40:35,433 --> 00:40:37,433 NEVER LAST. 1122 00:40:37,433 --> 00:40:40,333 - [laughs] 1123 00:40:40,333 --> 00:40:41,767 - THIS IS A SPECIAL EDITION ASPEN. 1124 00:40:41,767 --> 00:40:44,100 CHEERS TO ASPEN. IT WAS AN AMAZING-- 1125 00:40:44,100 --> 00:40:45,967 - CHEERS! 1126 00:40:51,333 --> 00:40:52,266 - LET'S DO IT. 1127 00:40:52,266 --> 00:40:54,200 - YOU EXCITED? - I AM. 1128 00:40:54,200 --> 00:40:56,100 - I'M EXCITED. 1129 00:40:56,100 --> 00:40:57,934 - I'M A LITTLE SCARED FOR THIS DROP-OFF RIGHT HERE. 1130 00:40:57,934 --> 00:40:59,834 - I HAVE TO RIDE IN A-- 1131 00:40:59,834 --> 00:41:02,000 - IS THIS THE FIRST TIME YOU GUYS HAVE SKIED TOGETHER? 1132 00:41:02,000 --> 00:41:05,400 - YEAH, I'VE NEVER SEEN HER ON A SNOWBOARD. I'M PSYCHED. 1133 00:41:05,400 --> 00:41:07,400 IT LOOKS INTIMIDATING, THOUGH, FOR SURE. 1134 00:41:07,400 --> 00:41:09,734 LOOK AT THIS. - THIS IS THE HAR-- 1135 00:41:09,734 --> 00:41:11,867 I THINK THIS IS THE HARDER MOUNTAIN OF THE THREE OVER HERE. 1136 00:41:11,867 --> 00:41:14,767 - BY THE WAY, IF WE GO DOWN, I MEAN, THIS IS-- 1137 00:41:14,767 --> 00:41:16,600 THIS IS SKINNYGIRL HEADQUARTERS RIGHT HERE. 1138 00:41:16,600 --> 00:41:18,100 - IT CERTAINLY IS. 1139 00:41:18,100 --> 00:41:19,867 THAT WOULD REALLY BE TRUE. IT'D BE--IT'D BE-- 1140 00:41:19,867 --> 00:41:21,033 - SERIOUSLY. 1141 00:41:21,033 --> 00:41:22,300 - I DON'T KNOW IF I HAVE A WILL FOR MY BUSINESS. 1142 00:41:22,300 --> 00:41:24,266 - NO BUENO. 1143 00:41:24,266 --> 00:41:26,000 - I SHOULD HAVE A WILL FOR MY BUSINESS. FORGET MY LIFE. 1144 00:41:26,000 --> 00:41:28,934 - THERE'S NO RIGHT AND LEFT, IS THERE? 1145 00:41:28,934 --> 00:41:29,967 - YES, THERE IS. 1146 00:41:29,967 --> 00:41:31,233 - WHOO-HOO-HOO. 1147 00:41:31,233 --> 00:41:32,800 - [grunts] 1148 00:41:34,967 --> 00:41:38,200 BUT WHICH ONE'S WHICH? 1149 00:41:38,200 --> 00:41:39,934 HOW DO YOU KNOW? 1150 00:41:39,934 --> 00:41:43,100 - PUT THEM DOWN 'CAUSE I DON'T EVEN KNOW. 1151 00:41:43,100 --> 00:41:44,867 YEAH, THAT'S THAT. THAT'S RIGHT. 1152 00:41:44,867 --> 00:41:46,266 - PUT YOUR TOE IN FIRST. - THAT'S RIGHT? 1153 00:41:46,266 --> 00:41:49,433 - YEAH. - YEP. 1154 00:41:49,433 --> 00:41:52,100 TOE IN. - YEAH. 1155 00:41:52,100 --> 00:41:53,266 - THINGS ARE REALLY GOOD RIGHT NOW. 1156 00:41:53,266 --> 00:41:54,500 WE ARE JUST IN A REALLY GOOD SPACE. 1157 00:41:54,500 --> 00:41:56,734 - LET'S DO IT. 1158 00:41:56,734 --> 00:42:00,300 [lively music] 1159 00:42:00,300 --> 00:42:02,467 OKAY. 1160 00:42:02,467 --> 00:42:03,767 JUST STRAIGHT? 1161 00:42:03,767 --> 00:42:05,600 - YEP, JUST FOLLOW US. FOLLOW US. 1162 00:42:05,600 --> 00:42:07,300 FOLLOW ME. 1163 00:42:09,200 --> 00:42:11,133 - WHOO! - DO YOU LIKE-- 1164 00:42:11,133 --> 00:42:12,700 YOU HAPPY? 1165 00:42:12,700 --> 00:42:15,900 - GREAT. 1166 00:42:15,900 --> 00:42:18,700 I DON'T LIKE THIS CLIFF ON THE SIDE. 1167 00:42:18,700 --> 00:42:20,266 I'M TRYING TO CATCH UP. 1168 00:42:20,266 --> 00:42:22,166 - WE'RE GOING TO THE LEFT, JASON. 1169 00:42:22,166 --> 00:42:23,834 - LEFT? THAT'S A LITTLE STEEP. 1170 00:42:23,834 --> 00:42:25,433 - YOU'RE GOOD, JASON. 1171 00:42:25,433 --> 00:42:27,934 - WHOO! 1172 00:42:30,367 --> 00:42:32,967 OH, [bleep]. 1173 00:42:32,967 --> 00:42:34,967 WHOA! 1174 00:42:34,967 --> 00:42:37,500 - WHOO! 1175 00:42:37,500 --> 00:42:42,066 - WHOO! 1176 00:42:43,734 --> 00:42:46,133 - I THINK THAT I'M GOING TO TAKE DR. AMADOR'S ADVICE 1177 00:42:46,133 --> 00:42:50,467 AND REALLY LISTEN, BREATHE, TAKE IT IN... 1178 00:42:50,467 --> 00:42:52,467 WHOO! NOT JUMP ON ANYTHING AND JUST-- 1179 00:42:52,467 --> 00:42:55,500 I'M GOING TO LET IT HAPPEN. LET'S JUST PLAY THIS ONE OUT. 1180 00:42:55,500 --> 00:42:57,967 HE CAN DECIDE WHEN HE'S READY. 1181 00:42:57,967 --> 00:42:59,700 - AW, MAN. 1182 00:42:59,700 --> 00:43:02,400 - [sighs] WHOO! 1183 00:43:02,400 --> 00:43:05,100 YOU DID GREAT. - I LOVED IT. 1184 00:43:05,100 --> 00:43:06,400 - YOU LOVED IT? - YEAH. 1185 00:43:06,400 --> 00:43:07,667 - YOU DID GREAT. - THANKS. 1186 00:43:07,667 --> 00:43:08,967 - [sighs] 1187 00:43:08,967 --> 00:43:13,667 WE ARE IRONICALLY IN A VALLEY, BUT WE ARE AT A PEAK. 1188 00:43:13,667 --> 00:43:15,433 AWESOME. GOOD JOB. - OH, MAN. 1189 00:43:15,433 --> 00:43:17,000 - NICE JOB. - HUH? 1190 00:43:17,000 --> 00:43:18,934 - I'M TIRED. - WE'RE OLD, KID. 1191 00:43:18,934 --> 00:43:20,834 WE'RE OLD. 1192 00:43:23,533 --> 00:43:26,600 NEXT ON BETHENNY EVER AFTER... 1193 00:43:26,600 --> 00:43:28,233 both: HOLA! 1194 00:43:28,233 --> 00:43:30,233 - I DON'T KNOW IF SHE'S A GENIUS 1195 00:43:30,233 --> 00:43:32,533 OR IF SHE'S COMPLETELY BEHIND. 1196 00:43:32,533 --> 00:43:33,867 I DON'T KNOW. 1197 00:43:33,867 --> 00:43:35,467 BUT SHE'S PERFECT. 1198 00:43:35,467 --> 00:43:36,834 SHE'S VERY UNLIKE ME. 1199 00:43:36,834 --> 00:43:39,166 I'VE KNOWN LOUIE FOR ABOUT SEVEN OR EIGHT YEARS, 1200 00:43:39,166 --> 00:43:40,667 AND HE WAS BEST FRIENDS WITH MY FATHER. 1201 00:43:40,667 --> 00:43:42,934 OH, MY GOD, LOUIE, HE'S NEVER CONNECTED TO ANYONE IN HIS LIFE. 1202 00:43:42,934 --> 00:43:45,133 - I CAN'T EVEN FATHOM THAT. I KNOW YOU CAN'T EITHER, 1203 00:43:45,133 --> 00:43:46,333 HAVING A DAUGHTER, I'M SURE. 1204 00:43:46,333 --> 00:43:47,633 - YOU KNOW, IT'S EASY TO SAY, 1205 00:43:47,633 --> 00:43:49,000 'CAUSE YOU'RE A JOHNNY-COME-LATELY 1206 00:43:49,000 --> 00:43:51,867 WITH THE SITUATION-- - NO, NO, I... 1207 00:43:51,867 --> 00:43:53,934 - BUT THANK YOU. I MEAN, REALLY. 1208 00:43:53,934 --> 00:43:55,500 YOU'VE BEEN-- YOU'VE DONE A LOT. 1209 00:43:55,500 --> 00:43:57,266 - WELL, IT'S FOR US, YOU-- YOU KNOW YOU DO YOUR THINGS, 1210 00:43:57,266 --> 00:43:58,533 I DO MY THINGS. 1211 00:43:58,533 --> 00:44:00,433 AND THAT'S WHY WE'RE A GOOD TEAM. 1212 00:44:00,433 --> 00:44:02,266 RIGHT? 1213 00:44:02,266 --> 00:44:04,266 - TO LEARN MORE ABOUT BETHENNY EVER AFTER, 1214 00:44:04,266 --> 00:44:05,900 GO TO BRAVOTV.COM.