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(CHEERING AND APPLAUSE)
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Doctor Who Proms, 201 3. Boom.
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It's like this huge Doctor Who
50th anniversary celebration.
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MATT SMITH: A wonderful choir,
a wonderful orchestra.
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Ben Foster's the most handsome conductor
on the planet.
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DALEK: Alert! Alert!
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JENNA COLEMAN: We have the Daleks,
Weeping Angels, Cybermen...
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When they come in,
I can hear the screams behind me.
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And I do have to turn
around and just enjoy it.
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Everybody's extremely excited,
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and I just think it's going
to be a really great show.
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MARK AYRES: I mean, who would not want
to perform in this?
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This is one of the iconic concert halls
of the world.
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The rest of the year, we do very lovely
concerts that are very straightforward,
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because there are no monsters,
there's no Doctor Who.
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One of my New Year's resolutions
was to go and watch more live music,
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so this is kind of a spectacular way
to do it.
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BEN FOSTER: I keep meeting
people outside, and they say,
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''I'm learning the violin, ''
or ''I'm learning the trombone, ''
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and you think, ''Great. ''
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And I hope that coming to a concert
like this will inspire them
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to want to be in orchestras.
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Hello. Welcome to BBC Proms.
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MATT: When you're sat in the auditorium,
there's nothing really like it.
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I looked at some of the kids,
and they're like...
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It's cool, man.
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It's amazing how the songs really
do stick with you.
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Like, Doctor Who is so about the drama,
29
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and the music is such a huge part
of the show.
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I've always written very lyrical themes.
31
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They always feel
like they're from the heart, I think.
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I'm trying to just grab people
and sing big choruses of love.
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Murray Gold is a genius.
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And the number of melodies
that man has come up with
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that are utterly haunting,
utterly memorable...
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I've become quite attached
to some of the music in this show,
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because, you know,
I find it very moving.
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And also, I look at Karen
and Arthur and Jenna, you know,
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acting and doing their best,
and then all this soaring
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sort of emotive music
swelling up around you.
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It kind of stirs me, I guess.
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It's one of the things
I'm going to miss the most, definitely.
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(AUDIENCE APPLAUDING)
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(WOMAN VOCALISING)
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(CHORUS VOCALISING)
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(ORCHESTRA STOPS)
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(AUDIENCE CHEERING)
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(ORCHESTRA PLAYING)
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(AUDIENCE CHEERING)
50
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(AUDIENCE CHEERING)
51
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(AUDIENCE CHEERING)
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DOCTOR: Hello, Stonehenge!
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Who takes the Pandorica
takes the universe.
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But bad news, everyone,
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'cause guess who? Ha!
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00:10:00,007 --> 00:10:02,396
Listen, you lot,
you're all whizzing about,
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It's really very distracting.
58
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Could you all just stay still a minute?
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Because I am talking!
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The question of the hour is,
who's got Pandorica?
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Answer, I do. Next question,
who's coming to take it from me?
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Come on! Look at me, no plan,
no backup, no weapons worth a damn.
63
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Oh, and something else,
I don't have anything to lose!
64
00:10:32,127 --> 00:10:35,483
So if you're sitting up there
in your silly little spaceship,
65
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with all your silly little guns
66
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and you've got any plans
on taking the Pandorica tonight,
67
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just remember
who's standing in your way.
68
00:10:44,927 --> 00:10:49,125
Remember every black day
I ever stopped you,
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and then, and then!
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Do the smart thing.
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Let somebody else try first.
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Trust me.
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I'm the Doctor.
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(ORCHESTRA STOPS)
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(AUDIENCE CHEERING)
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CLARA: That was really disappointing.
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-I know, I'm sorry.
-How could you not get tickets?
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00:11:51,487 --> 00:11:53,955
I didn't realise it would be so popular.
79
00:11:54,047 --> 00:11:55,719
-Well, you must know somebody.
-Eh? Why?
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00:11:55,807 --> 00:11:57,877
Doctor, it's a concert about you.
81
00:11:57,967 --> 00:11:59,764
And I've got the perfect way
to get us in.
82
00:12:01,367 --> 00:12:02,356
What's that?
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00:12:02,447 --> 00:12:03,926
A Hyperscape Body Swap ticket,
84
00:12:04,007 --> 00:12:07,317
valid for all entertainment events
in the history of the universe.
85
00:12:07,407 --> 00:12:08,999
-Body swap?
-Exactly.
86
00:12:09,087 --> 00:12:11,521
We just scrape off this little bit
of foil here,
87
00:12:11,607 --> 00:12:14,644
and right now, two people sitting
in the Albert Hall get deleted.
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00:12:14,727 --> 00:12:17,241
-Deleted?
-Yes, we just appear in their seats.
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00:12:17,687 --> 00:12:20,599
-But what about the deleted people?
-Oh, they get deleted.
90
00:12:21,007 --> 00:12:24,636
Otherwise we'd be sitting in their laps.
And they wouldn't want that at all.
91
00:12:24,727 --> 00:12:27,525
I mean, imagine if some young fellow
out there suddenly gets you in his lap.
92
00:12:27,607 --> 00:12:29,006
DOCTOR: He'd be furious.
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-By ''deleted'' you mean...
-They just get sent outside.
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00:12:32,207 --> 00:12:34,767
They materialise perfectly
safely a few streets away.
95
00:12:34,847 --> 00:12:36,041
-Oh, okay.
-Naked.
96
00:12:36,127 --> 00:12:37,242
Naked?
97
00:12:37,327 --> 00:12:39,363
DOCTOR: Yes. We get their clothes too.
98
00:12:39,447 --> 00:12:41,039
It's all part of the Body Swap service.
99
00:12:41,127 --> 00:12:43,357
But they're gonna miss the concert.
That's not very fair.
100
00:12:43,447 --> 00:12:46,757
Ah, they get compensated,
a nice packet of biscuits.
101
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Jammie Dodgers, probably.
Also a billion billion pounds,
102
00:12:49,567 --> 00:12:52,684
immortality, X-ray vision, a spacebus,
an electric camel,
103
00:12:52,767 --> 00:12:54,359
a house that's bigger on the inside...
104
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(SNAPS FINGERS) And the outside.
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The legal right to marry 1 5 people
of their own choosing and a pardon.
106
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-CLARA: A pardon?
-For being naked in the street.
107
00:13:01,127 --> 00:13:02,526
Okay, that sounds fair.
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-Shall we?
-Go on.
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Doctor?
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Hello, Albert Hall!
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DOCTOR: We made it!
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(AUDIENCE CHEERING)
113
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Well, how wonderful to be here.
114
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And my TARDIS made it. And a piano.
How exciting!
115
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If Ludwig Van could see me now.
116
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Hello, choir! Hello, orchestra!
117
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Oh, and it's Ben Foster.
Ben, did you get my present?
118
00:13:54,287 --> 00:13:57,245
Excellent. It may come in handy
in the case of alien invasion.
119
00:13:59,327 --> 00:14:01,761
Let's leave it to the real maestro,
shall we?
120
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Oh, where's Clara? Clara?
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Whoo! Doctor?
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(AUDIENCE CHEERING)
123
00:14:09,287 --> 00:14:12,882
You promised we'd be in the audience,
not in the orchestra.
124
00:14:12,967 --> 00:14:15,083
I don't know how to play
the double bass.
125
00:14:15,167 --> 00:14:17,556
Yes, yes. Sorry. Well, don't panic.
126
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But at least the costume
went all right.
127
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Tails and a bow-tie. Jackpot!
128
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(GASPS)
129
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-Your hair.
-(GASPS)
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-What happened to your hair?
-Oh, no. That must be the ticket.
131
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Oh, never trust a tout,
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especially when he's from Space Vegas.
Actually, that reminds me,
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I've got to take you there.
It's the ultimate planet for excitement.
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00:14:36,847 --> 00:14:40,522
Right, then. Now, then.
Orchestra, are we ready, ready, ready?
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00:14:47,607 --> 00:14:48,881
-Doctor? Concentrate.
-Yes?
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00:14:48,967 --> 00:14:52,596
Can we take our seats,
because everybody is waiting?
137
00:14:54,407 --> 00:14:55,601
Right, yes, of course.
138
00:14:55,687 --> 00:14:57,723
Ladies and gentlemen of the orchestra,
my sincere apologies.
139
00:14:57,807 --> 00:15:00,605
Ladies and gentlemen of the audience,
sorry for interrupting this Prom.
140
00:15:00,687 --> 00:15:02,359
Benjamin, please, take this.
141
00:15:02,927 --> 00:15:05,316
Right. Gosh, there's a lot of you,
isn't there? It's time to run.
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00:15:05,567 --> 00:15:06,682
Whoa!
143
00:15:06,767 --> 00:15:08,803
-CLARA: Wrong way.
-Okay. Bye.
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(AUDIENCE CHEERING)
145
00:15:17,527 --> 00:15:21,645
My role is Madame Vastra,
who is a Silurian.
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She's a humanoid reptile.
147
00:15:25,247 --> 00:15:27,397
And she helps...
148
00:15:27,487 --> 00:15:31,526
Her,Jenny and Strax help back up
the Doctor in some of his adventures.
149
00:15:33,167 --> 00:15:35,965
Well, I did the very first one of these
about five years ago,
150
00:15:36,047 --> 00:15:38,800
as a Sontaran, but I wasn't
actually on stage talking to people,
151
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I was running around in the crowd
scaring people.
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So this is actually being on stage
in front of the big
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Royal Albert Hall audience will be
very exciting.
154
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I've been doing all of the prosthetics
since the show came back.
155
00:15:58,207 --> 00:16:00,323
These events are always fantastic fun.
156
00:16:00,407 --> 00:16:04,685
Just to hear the reaction from the kids
as the Cybermen stomp on,
157
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it's absolutely fantastic.
158
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(AUDIENCE CHEERING)
159
00:16:09,847 --> 00:16:10,996
This is new, this is my microphone.
160
00:16:11,087 --> 00:16:14,079
Because obviously I'm going to be
on stage, speaking to the audience.
161
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And, yes, working out where
Commander Strax... Oh, God.
162
00:16:16,487 --> 00:16:19,684
Looks like he's had a facial piercing,
which is rather disturbing.
163
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NEVE McINTOSH:
We were in rehearsing yesterday,
164
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and listening to the orchestra play
and the choir,
165
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and watching the screens.
166
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It's just... It's going to be awesome.
167
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Huge. Five, six thousand people,
all going crazy.
168
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(AUDIENCE CHEERING)
169
00:16:49,327 --> 00:16:50,555
Hello, everyone.
170
00:16:53,767 --> 00:16:57,237
Welcome to this very special
Doctor Who Prom.
171
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My name is Vastra.
172
00:17:01,047 --> 00:17:02,719
(CROWD CHEERING)
173
00:17:07,967 --> 00:17:11,323
-Madam, we appear to be surrounded.
-Yes.
174
00:17:11,727 --> 00:17:14,002
There are thousands
of puny humans everywhere.
175
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Strax, Strax, these are
all the Doctor's friends.
176
00:17:20,367 --> 00:17:21,641
(AUDIENCE CHEERING)
177
00:17:24,047 --> 00:17:29,041
Very well, if you say so, madam.
But I'll be keeping my eye on them.
178
00:17:30,367 --> 00:17:33,484
For now, I'll stand down
the Sontaran battle fleet.
179
00:17:33,567 --> 00:17:35,319
VASTRA: Yes, a very good idea, Strax.
180
00:17:36,127 --> 00:17:40,279
Today we're all here to celebrate
our friend, the Doctor.
181
00:17:40,527 --> 00:17:42,563
(AUDIENCE CHEERING)
182
00:17:44,727 --> 00:17:47,241
I am told that you humans
have been following
183
00:17:47,327 --> 00:17:51,206
the Doctor's adventures
for almost five decades.
184
00:17:55,207 --> 00:17:57,926
Some us have known him much longer.
185
00:18:00,127 --> 00:18:02,721
All of the music that you will be
hearing in this concert
186
00:18:02,807 --> 00:18:04,718
has been heard in Doctor Who.
187
00:18:04,807 --> 00:18:09,437
Most of it is by the Doctor's
personal composer, Mr Murray Gold.
188
00:18:16,487 --> 00:18:18,239
-Don't wander off. I mean it.
-(GASPING)
189
00:18:18,327 --> 00:18:21,956
DOCTOR: Otherwise you'll wander off,
and the next thing you know,
190
00:18:22,047 --> 00:18:25,403
somebody's going to have
to start rescuing somebody.
191
00:18:26,127 --> 00:18:27,355
Sweet dreams.
192
00:18:29,127 --> 00:18:30,560
(ORCHESTRA PLAYING)
193
00:19:56,607 --> 00:19:57,596
(SCREAMING)
194
00:20:02,167 --> 00:20:03,600
(AUDIENCE SCREAMING)
195
00:22:59,287 --> 00:23:00,356
(ORCHESTRA STOPS)
196
00:23:00,487 --> 00:23:02,478
(AUDIENCE CHEERING)
197
00:23:10,167 --> 00:23:12,965
That was Cyber Shard.
198
00:23:13,447 --> 00:23:15,324
I hope no one was deleted.
199
00:23:16,807 --> 00:23:20,163
When the Doctor invited Clara
on her first trip in the TARDIS,
200
00:23:20,247 --> 00:23:23,523
she asked to be shown something awesome.
201
00:23:23,927 --> 00:23:26,395
We are going to take you
on that same journey,
202
00:23:26,487 --> 00:23:30,924
to the Rings of Akhaten
to witness the Festival of Offerings.
203
00:23:31,007 --> 00:23:34,920
Please welcome our two singers,
the Queen of Years, Kerry Ingram,
204
00:23:35,007 --> 00:23:36,679
and Allan Clayton.
205
00:24:03,847 --> 00:24:08,602
# Rest now
206
00:24:09,767 --> 00:24:15,125
# My warrior
207
00:24:18,727 --> 00:24:26,361
# Lay down, my king
208
00:24:28,047 --> 00:24:34,077
# Sleep now, eternal
209
00:24:35,367 --> 00:24:41,397
# Sleep, my precious thing
210
00:24:43,887 --> 00:24:49,120
# Rest now
211
00:24:49,567 --> 00:24:54,960
# My warrior
212
00:24:58,687 --> 00:25:05,286
# Rest now, my king
213
00:25:08,127 --> 00:25:11,278
# Rest now
214
00:25:11,367 --> 00:25:18,045
# Your hardship is over #
215
00:25:24,327 --> 00:25:25,442
Come on, then.
216
00:25:26,527 --> 00:25:27,755
Take mine.
217
00:25:29,127 --> 00:25:32,164
Take my memories.
218
00:25:32,767 --> 00:25:35,361
But I hope you've got a big appetite.
219
00:25:36,647 --> 00:25:40,037
Because I've... (GRUNTING)
...lived...a long life.
220
00:25:40,127 --> 00:25:43,722
And I have seen a few things.
221
00:25:43,807 --> 00:25:47,277
I walked away
from the Last Great Time War,
222
00:25:47,847 --> 00:25:50,645
I marked the passing of the Time Lords.
223
00:25:50,727 --> 00:25:54,766
I saw the birth of the universe
and I watched as time ran out,
224
00:25:54,847 --> 00:25:57,407
until nothing remained. Just me!
225
00:25:59,367 --> 00:26:03,485
And I have watched universes freeze
and creations burn.
226
00:26:03,567 --> 00:26:04,795
And I know things.
227
00:26:04,887 --> 00:26:06,878
Secrets that must never be told.
228
00:26:06,967 --> 00:26:11,722
Knowledge that will make
parasite Gods blaze!
229
00:26:11,807 --> 00:26:14,275
So, come on, then!
230
00:26:14,367 --> 00:26:18,155
Take it! Take it all, baby!
231
00:26:18,247 --> 00:26:22,126
Have it! You have it all!
232
00:26:22,287 --> 00:26:26,599
# Live
233
00:26:26,687 --> 00:26:29,281
# Wake up
234
00:26:29,367 --> 00:26:33,076
# Wake up
235
00:26:34,287 --> 00:26:40,681
#And let the cloak of life
236
00:26:41,287 --> 00:26:45,724
# Cling to your bones
237
00:26:46,967 --> 00:26:52,485
# Wake up
238
00:26:54,207 --> 00:27:00,840
# Live, wake up
239
00:27:01,687 --> 00:27:05,726
# Wake up
240
00:27:06,167 --> 00:27:12,606
#And let the cloak of life
241
00:27:12,687 --> 00:27:17,966
# Cling to your bones
242
00:27:18,447 --> 00:27:22,520
# Cling to your bones
243
00:27:22,607 --> 00:27:26,725
# Wake up
244
00:27:26,807 --> 00:27:31,722
# Wake up
245
00:27:33,807 --> 00:27:38,483
# Live
246
00:27:38,567 --> 00:27:42,401
# Wake up
247
00:27:42,487 --> 00:27:45,684
# Wake up
248
00:27:46,207 --> 00:27:52,840
#And let the cloak of life
249
00:27:53,327 --> 00:27:58,242
# Cling to your bones
250
00:27:58,327 --> 00:28:02,764
# Cling to your bones
251
00:28:02,847 --> 00:28:06,681
# Wake up
252
00:28:06,767 --> 00:28:11,602
# Wake up
253
00:28:13,807 --> 00:28:18,562
# Live
254
00:28:18,647 --> 00:28:24,995
# Wake up, wake up
255
00:28:26,287 --> 00:28:33,159
#And let the cloak of life
256
00:28:33,247 --> 00:28:38,241
# Cling to your bones
257
00:28:38,327 --> 00:28:42,400
# Cling to your bones
258
00:28:42,807 --> 00:28:46,641
# Wake up
259
00:28:46,767 --> 00:28:52,205
# Wake up
260
00:28:53,927 --> 00:28:58,284
# Live
261
00:28:58,727 --> 00:29:04,996
# Wake up, wake up
262
00:29:06,087 --> 00:29:10,877
# Wake up #
263
00:29:21,487 --> 00:29:22,966
(ORCHESTRA STOPS)
264
00:29:23,047 --> 00:29:25,038
(AUDIENCE CHEERING)
265
00:29:38,367 --> 00:29:40,005
STRAX: Strax to Sontar.
266
00:29:40,087 --> 00:29:43,079
Strax to Sontar. Strax to Sontar.
267
00:29:46,287 --> 00:29:49,996
Field report D-956/2.
268
00:29:51,047 --> 00:29:53,083
I am in a large room
269
00:29:53,167 --> 00:29:55,601
surrounded by thousands of human scum,
270
00:29:55,687 --> 00:29:58,326
who have gathered to celebrate
the Doctor.
271
00:29:59,607 --> 00:30:01,802
A group of them are playing music,
272
00:30:01,887 --> 00:30:05,323
but nothing compared to the glory
of our Sontaran music.
273
00:30:06,047 --> 00:30:08,038
Others stand, ready for battle.
274
00:30:09,087 --> 00:30:11,726
Most are too puny and weak
275
00:30:11,807 --> 00:30:15,436
and have found seats
to rest their pathetic bodies.
276
00:30:17,367 --> 00:30:18,356
Wait.
277
00:30:18,567 --> 00:30:21,081
Intel just in suggests
the Doctor's enemies
278
00:30:21,167 --> 00:30:23,397
are gathering and preparing to attack.
279
00:30:24,127 --> 00:30:26,880
This next piece may provide
further clues.
280
00:30:27,887 --> 00:30:29,240
Strax signing off.
281
00:30:32,807 --> 00:30:34,479
(AUDIENCE CHEERING)
282
00:30:47,407 --> 00:30:49,204
DOCTOR: There are some corners
of the universe
283
00:30:49,287 --> 00:30:51,482
which have bred
the most terrible things,
284
00:30:51,567 --> 00:30:54,559
things which act against
everything that we believe in.
285
00:30:54,647 --> 00:30:56,399
-(AUDIENCE CHEERING)
-They must be fought.
286
00:30:57,567 --> 00:30:59,125
(ORCHESTRA PLAYING)
287
00:31:50,367 --> 00:31:52,085
(AUDIENCE CHEERING)
288
00:33:35,327 --> 00:33:36,442
(HISSING)
289
00:34:09,487 --> 00:34:12,240
-(ORCHESTRA STOPS)
-(AUDIENCE CHEERING)
290
00:34:21,367 --> 00:34:23,358
(AUDIENCE CHEERING)
291
00:34:24,487 --> 00:34:25,636
Hello.
292
00:34:27,967 --> 00:34:29,639
Are we having a nice time?
293
00:34:32,927 --> 00:34:35,600
I can't hear you.
I said, ''Are we having a nice time?''
294
00:34:38,327 --> 00:34:40,682
Now, in case you're wondering,
my name is Matt Smith,
295
00:34:40,767 --> 00:34:41,836
and I play the Doctor.
296
00:34:41,927 --> 00:34:45,044
As you all know, this is a very
special year for Doctor Who.
297
00:34:45,127 --> 00:34:46,196
Fifty years!
298
00:34:46,287 --> 00:34:47,845
(AUDIENCE CHEERING)
299
00:34:47,967 --> 00:34:49,844
Amazing. It's amazing.
300
00:34:49,927 --> 00:34:51,963
And I can't think of a better way
to celebrate
301
00:34:52,047 --> 00:34:53,480
than to be here with all of you.
302
00:34:53,567 --> 00:34:57,446
One of the great joys of playing
this extraordinary, legendary Time Lord
303
00:34:57,527 --> 00:35:01,042
is the support and knowledge and love
and brilliance of you guys, the fans.
304
00:35:01,127 --> 00:35:02,765
You really make the show what it is.
305
00:35:02,847 --> 00:35:05,361
So, thank you from the bottom
of my heart, you are...
306
00:35:05,447 --> 00:35:06,880
(AUDIENCE CHEERING)
307
00:35:06,967 --> 00:35:08,241
MATT: The best.
308
00:35:08,327 --> 00:35:11,842
But now, it is time for more
of Murray Gold's brilliant music.
309
00:35:11,927 --> 00:35:13,963
The next piece made its debut last year,
310
00:35:14,047 --> 00:35:15,560
in Asylum Of The Daleks,
311
00:35:15,647 --> 00:35:18,161
together with a rather
enigmatic new character.
312
00:35:18,247 --> 00:35:21,478
It's as delicate as a souffl
and one of my personal favourites.
313
00:35:21,567 --> 00:35:23,523
Here is The Impossible Girl.
314
00:35:24,247 --> 00:35:25,646
(AUDIENCE CHEERING)
315
00:35:35,487 --> 00:35:38,285
MURRAY GOLD: Once I'd seen her face,
I wanted to write something bright,
316
00:35:38,367 --> 00:35:40,005
optimistic, happy.
317
00:35:40,567 --> 00:35:44,799
She's a fresh face, so I wanted to get
that feeling across in the music.
318
00:35:50,447 --> 00:35:52,961
FOSTER: Impossible Girl
was this theme that was introduced
319
00:35:53,047 --> 00:35:54,878
to represent Clara's character.
320
00:35:54,967 --> 00:35:58,801
It's hesitant and it's spiralling
and mysterious, in a way,
321
00:35:58,887 --> 00:36:00,639
which is how we first met her.
322
00:36:01,087 --> 00:36:03,601
There's something so fairy-tale
about that music,
323
00:36:03,687 --> 00:36:07,396
and hopefully that's what, you know,
connects the audience.
324
00:36:11,047 --> 00:36:14,164
FOSTER: The use of character themes
is absolutely essential.
325
00:36:14,247 --> 00:36:17,956
It gives the audience a reference
musically and identifies characters.
326
00:36:18,047 --> 00:36:19,765
And I think audiences catch onto that.
327
00:36:21,207 --> 00:36:24,836
JENNA: It's amazing how the songs
really do stick with you.
328
00:36:24,927 --> 00:36:26,997
I love Clara's Impossible Girl theme,
329
00:36:27,087 --> 00:36:29,806
and it's kind of something
for me to keep. I love it.
330
00:36:30,647 --> 00:36:33,684
(ORCHESTRA PLAYING)
331
00:40:07,407 --> 00:40:08,442
(ORCHESTRA STOPS)
332
00:40:09,007 --> 00:40:11,043
(AUDIENCE CHEERING)
333
00:40:23,487 --> 00:40:25,045
Hello, everyone.
334
00:40:25,367 --> 00:40:26,925
(AUDIENCE CHEERING)
335
00:40:36,687 --> 00:40:39,918
Wow! What amazing memories you all have.
336
00:40:40,327 --> 00:40:41,726
(AUDIENCE LAUGHING)
337
00:40:41,807 --> 00:40:44,116
Even though most of you
weren't even born.
338
00:40:45,407 --> 00:40:47,875
My name is Peter Davison.
(LAUGHING)
339
00:40:48,047 --> 00:40:49,844
(CROWD CHEERING)
340
00:40:54,207 --> 00:40:55,560
This is fun!
341
00:40:57,327 --> 00:40:59,636
I'm so pleased to be with you today
for this special celebration
342
00:40:59,727 --> 00:41:01,160
of 50 years of Doctor Who.
343
00:41:01,287 --> 00:41:04,165
And I'm especially excited
to be introducing this next sequence
344
00:41:04,447 --> 00:41:08,565
that looks back to the classic era,
my era of Doctor Who.
345
00:41:09,247 --> 00:41:10,566
Thank you.
346
00:41:11,567 --> 00:41:15,958
The classic series of Doctor Who
ran for 26 years, from 1 963.
347
00:41:16,567 --> 00:41:20,276
Obviously, I'm quite late on
in those 26 years.
348
00:41:20,767 --> 00:41:22,997
Not 1 963, I'm not that old.
(CHUCKLING)
349
00:41:24,007 --> 00:41:25,759
Actually, I'm almost that old.
350
00:41:25,847 --> 00:41:26,916
(AUDIENCE LAUGHING)
351
00:41:27,007 --> 00:41:30,920
This sequence includes music
by Tristram Cary, Martin Slavin,
352
00:41:31,007 --> 00:41:34,761
Malcolm Clarke, Dudley Simpson,
Paddy Kingsland, Peter Howell
353
00:41:34,847 --> 00:41:36,360
and Mark Ayres.
354
00:41:37,607 --> 00:41:39,040
(AUDIENCE CHEERING)
355
00:41:40,967 --> 00:41:44,004
And it begins with the iconic
sound of the TARDIS
356
00:41:44,087 --> 00:41:45,725
created by Brian Hodgson,
357
00:41:45,887 --> 00:41:48,799
with the help of his mother's
front door key and a piano string.
358
00:41:49,447 --> 00:41:52,166
Please don't try this at home.
359
00:41:53,167 --> 00:41:55,158
And then made more weird
and more wonderful
360
00:41:55,247 --> 00:41:58,159
in the now legendary BBC
Radiophonic Workshop.
361
00:41:58,527 --> 00:42:01,041
To perform this classic
Doctor Who medley,
362
00:42:01,287 --> 00:42:04,882
the BBC National Orchestra of Wales
is joined by two of these composers,
363
00:42:05,047 --> 00:42:07,038
Mark Ayres and Peter Howell.
364
00:42:07,287 --> 00:42:10,563
Please give them a huge classic
round of applause.
365
00:42:10,647 --> 00:42:12,000
(AUDIENCE CHEERING)
366
00:42:19,247 --> 00:42:22,603
We were asked to put together
a short suite, eight minutes we've got,
367
00:42:22,727 --> 00:42:26,197
to tell the story of classic Doctor Who
from 1 96 3 to 1 989,
368
00:42:26,687 --> 00:42:27,881
which is quite a tall order.
369
00:42:27,967 --> 00:42:30,879
There's sort of, five or six very
well known, I hope,
370
00:42:30,967 --> 00:42:32,764
pieces of incidental music
from Doctor Who,
371
00:42:33,167 --> 00:42:36,921
which we have arranged and
Ben Foster has orchestrated it all up.
372
00:42:37,327 --> 00:42:39,283
FOSTER: It was a passion of mine
that we did something
373
00:42:39,367 --> 00:42:40,880
with Radiophonic for the 50th,
374
00:42:41,127 --> 00:42:43,766
'cause this music meant everything
to me as a child.
375
00:42:45,407 --> 00:42:47,284
Peter was also my tutor
at the film school,
376
00:42:47,367 --> 00:42:49,722
so to be able to go up
to my old tutor and say,
377
00:42:49,887 --> 00:42:52,242
''Bar 54, it's not quite working.''
378
00:42:52,447 --> 00:42:53,482
So, I had a good time with that.
379
00:42:54,727 --> 00:42:57,605
HOWELL: It's several firsts
all at once, really.
380
00:42:57,687 --> 00:43:00,838
I've never played synth
with an orchestra. (CHUCKLING)
381
00:43:01,287 --> 00:43:04,996
And I certainly never imagined
doing it at the Albert Hall.
382
00:43:05,087 --> 00:43:07,237
AYRES: It's really nice for us
to be asked to join in. (CHUCKLING)
383
00:43:07,447 --> 00:43:09,642
It's a great opportunity, yes.
384
00:43:10,207 --> 00:43:11,959
FOSTER: We've had
a terrific time doing it.
385
00:43:12,047 --> 00:43:13,605
And I hope that the audience feel
386
00:43:13,687 --> 00:43:16,201
that we've rightly celebrated
their contribution to the show.
387
00:43:18,087 --> 00:43:21,841
DAVISON: I watched Doctor Who
from its opening episode.
388
00:43:22,087 --> 00:43:23,918
And the music from the
Radiophonic Workshop
389
00:43:24,007 --> 00:43:27,636
is hugely sort of emotional,
and seemed to fit it like a glove.
390
00:43:27,967 --> 00:43:29,878
It was sort of slightly
science fictiony music,
391
00:43:30,647 --> 00:43:31,875
which was unusual then.
392
00:43:34,327 --> 00:43:38,605
This is classical music.
This Radiophonic Workshop is wonderful,
393
00:43:38,887 --> 00:43:41,526
important music that people
should hear again.
394
00:43:46,407 --> 00:43:47,999
(MUSIC PLAYING)
395
00:43:50,847 --> 00:43:53,407
(TARDIS WHOOSHING)
396
00:44:11,687 --> 00:44:13,245
(AUDIENCE CHEERING)
397
00:44:19,647 --> 00:44:20,762
(SHOUTING)
398
00:44:26,127 --> 00:44:27,480
(AUDIENCE CHEERING)
399
00:44:32,127 --> 00:44:34,004
DALEK: You will go ahead of us
400
00:44:34,207 --> 00:44:36,801
and follow my directions.
401
00:44:37,167 --> 00:44:38,759
(MUSIC PLAYING)
402
00:45:00,087 --> 00:45:02,442
(AUDIENCE CHEERING)
403
00:45:32,607 --> 00:45:35,917
You shall be obeying us.
404
00:45:36,407 --> 00:45:37,760
(ELECTRONIC WHIRRING)
405
00:46:00,727 --> 00:46:02,206
(ORCHESTRA PLAYING)
406
00:46:10,927 --> 00:46:12,280
Where are we going?
407
00:46:12,887 --> 00:46:14,798
Are you talking philosophically
or geographically?
408
00:46:14,967 --> 00:46:16,559
-Philosophically.
-Then we're going to lunch.
409
00:46:16,767 --> 00:46:17,882
(CHUCKLING)
410
00:46:18,087 --> 00:46:19,998
I know a little place
that does a wonderful bouillabaisse.
411
00:46:20,087 --> 00:46:21,122
Do you like bouillabaisse?
412
00:46:21,207 --> 00:46:22,481
ROMANA: Bouillabaisse? Yum-yum.
413
00:47:30,087 --> 00:47:31,315
Doctor?
414
00:47:32,487 --> 00:47:33,602
Doctor?
415
00:47:35,767 --> 00:47:36,802
Doctor?
416
00:47:37,087 --> 00:47:38,236
(AUDIENCE CHEERING)
417
00:47:38,647 --> 00:47:39,636
Doctor?
418
00:47:40,127 --> 00:47:41,116
Doctor?
419
00:47:41,287 --> 00:47:42,276
Doctor?
420
00:47:42,647 --> 00:47:43,841
Doctor?
421
00:47:43,927 --> 00:47:44,996
Doctor?
422
00:47:48,207 --> 00:47:49,322
Doctor?
423
00:47:49,807 --> 00:47:50,922
It's the end.
424
00:47:52,527 --> 00:47:54,483
But the moment has been prepared for.
425
00:47:55,807 --> 00:47:57,035
(ORCHESTRA PLAYING)
426
00:48:06,607 --> 00:48:08,404
NYSSA: He was the Doctor all the time.
427
00:48:20,567 --> 00:48:21,716
(SYNTHESISER PLAYING)
428
00:48:54,447 --> 00:48:55,766
(ORCHESTRA PLAYING)
429
00:49:27,047 --> 00:49:28,162
(AUDIENCE CHEERING)
430
00:49:52,527 --> 00:49:54,006
DOCTOR: All my travellings throughout
the universe,
431
00:49:54,087 --> 00:49:55,520
I have battled against evil,
432
00:49:55,927 --> 00:49:58,282
against power-mad conspirators.
433
00:49:59,407 --> 00:50:01,045
I should have stayed here.
434
00:50:01,487 --> 00:50:03,921
Daleks, Sontarans, Cybermen,
435
00:50:04,487 --> 00:50:06,523
they're still in the nursery
compared to us.
436
00:50:06,727 --> 00:50:08,604
Ten million years of absolute power,
437
00:50:08,727 --> 00:50:11,161
that's what it takes
to be really corrupt.
438
00:50:13,407 --> 00:50:14,806
PERI: What's happened?
439
00:50:15,447 --> 00:50:16,880
Change, my dear.
440
00:50:17,567 --> 00:50:20,001
And it seems not a moment
too soon.
441
00:50:25,207 --> 00:50:27,641
ACE: She's my mum,
and I don't love her.
442
00:50:27,807 --> 00:50:28,956
(AUDIENCE CHEERING)
443
00:50:30,487 --> 00:50:31,840
What's wrong with me?
444
00:50:33,127 --> 00:50:34,845
Why can't I stop hating her?
445
00:50:35,047 --> 00:50:36,446
You love the baby.
446
00:50:36,767 --> 00:50:38,883
I didn't know she was my mum.
447
00:50:40,127 --> 00:50:41,116
Love and hate.
448
00:50:41,967 --> 00:50:43,286
Frightening feelings,
449
00:50:44,247 --> 00:50:46,602
especially when they're trapped,
struggling beneath the surface.
450
00:51:44,127 --> 00:51:45,879
(AUDIENCE CHEERING)
451
00:51:59,247 --> 00:52:00,566
DALEK: Attention.
452
00:52:01,007 --> 00:52:02,565
Attention, humans.
453
00:52:04,407 --> 00:52:09,845
This Royal Albert Hall is now
under Dalek control.
454
00:52:10,207 --> 00:52:12,596
The building is surrounded.
455
00:52:12,967 --> 00:52:16,437
There is no escape from the Daleks.
456
00:52:16,767 --> 00:52:20,237
You must obey or be exterminated.
457
00:52:20,487 --> 00:52:23,877
Exterminate. Exterminate. Exterminate.
458
00:52:25,887 --> 00:52:29,436
-What is that device you are holding?
-(ELECTRONIC WHIRRING)
459
00:52:29,807 --> 00:52:31,445
What is that strange noise?
460
00:52:31,767 --> 00:52:34,281
Explain yourself.
Keep away from me now.
461
00:52:34,447 --> 00:52:36,722
Ah! Alert. Alert.
462
00:52:36,967 --> 00:52:39,162
The conductor is overacting.
463
00:52:39,287 --> 00:52:40,515
Alert. Alert.
464
00:52:40,847 --> 00:52:43,600
Daleks are allergic to overacting.
465
00:52:44,847 --> 00:52:45,962
Ah!
466
00:52:46,447 --> 00:52:49,883
This celebration of the predator
467
00:52:50,007 --> 00:52:52,567
is offensive to the Daleks
468
00:52:53,167 --> 00:52:55,123
and must be cleansed.
469
00:52:55,607 --> 00:52:57,279
Orchestra,
470
00:52:57,607 --> 00:53:01,725
you are now all slaves of the Daleks.
471
00:53:02,127 --> 00:53:05,403
You will play special Dalek music.
472
00:53:05,847 --> 00:53:08,156
You will obey.
473
00:53:09,007 --> 00:53:10,486
Conductor,
474
00:53:11,487 --> 00:53:14,957
remain on that platform
and stop overacting.
475
00:53:15,127 --> 00:53:16,446
(AUDIENCE LAUGHING)
476
00:53:17,767 --> 00:53:21,521
Resist us
and you will be exterminated.
477
00:53:22,767 --> 00:53:27,318
Behold the might of the Dalek Empire.
478
00:53:28,047 --> 00:53:33,041
Humans, will you obey
the Daleks forever?
479
00:53:33,607 --> 00:53:35,086
AUDIENCE: No.
480
00:53:36,167 --> 00:53:37,839
Answer correctly.
481
00:53:38,767 --> 00:53:39,961
AUDIENCE: No.
482
00:53:40,287 --> 00:53:44,121
Let me hear you say,
''Exterminate. ''
483
00:53:44,567 --> 00:53:46,762
AUDIENCE: Exterminate.
484
00:53:47,527 --> 00:53:49,916
I cannot hear you.
485
00:53:50,247 --> 00:53:51,566
(AUDIENCE LAUGHING)
486
00:53:53,127 --> 00:53:54,560
Say it again.
487
00:53:54,927 --> 00:53:57,236
AUDIENCE: Exterminate.
488
00:53:58,247 --> 00:54:01,717
You would all make very good Daleks.
489
00:54:02,967 --> 00:54:05,561
In that case, Ben Foster,
490
00:54:05,807 --> 00:54:07,525
actor of the year.
491
00:54:07,767 --> 00:54:09,041
(AUDIENCE LAUGHING)
492
00:54:10,927 --> 00:54:12,997
If you value your life,
493
00:54:13,847 --> 00:54:15,200
you will begin.
494
00:54:15,567 --> 00:54:19,446
Begin or be exterminated.
495
00:54:20,647 --> 00:54:23,081
(AUDIENCE CHEERING)
496
00:54:25,447 --> 00:54:26,880
(ORCHESTRA PLAYING)
497
00:54:40,567 --> 00:54:42,159
(CHOIR SINGING)
498
00:59:55,127 --> 00:59:56,606
(AUDIENCE CHEERING)
499
01:00:16,767 --> 01:00:17,916
Hello.
500
01:00:18,007 --> 01:00:19,042
(AUDIENCE LAUGHING)
501
01:00:19,127 --> 01:00:21,004
I'm Carole Ann Ford.
502
01:00:21,407 --> 01:00:22,635
(AUDIENCE CHEERING)
503
01:00:26,367 --> 01:00:30,599
I played the Doctor's
first screen companion,
504
01:00:31,127 --> 01:00:33,402
his granddaughter, Susan Foreman.
505
01:00:33,527 --> 01:00:34,801
(AUDIENCE CHEERING)
506
01:00:39,607 --> 01:00:43,919
Now, I first met the Doctor's oldest
and most despised enemy,
507
01:00:44,007 --> 01:00:47,477
the Daleks, nearly 50 years ago,
508
01:00:48,167 --> 01:00:50,522
with the great William Hartnell.
509
01:00:50,967 --> 01:00:52,241
(AUDIENCE CHEERING)
510
01:00:56,007 --> 01:01:00,159
Who'd have thought this celebration
would be happening 50 years on?
511
01:01:00,327 --> 01:01:01,362
MAN: It's amazing.
512
01:01:01,447 --> 01:01:03,438
It is amazing, isn't it?
It is amazing.
513
01:01:04,327 --> 01:01:05,521
-Amazing.
-(AUDIENCE CHEERING)
514
01:01:11,167 --> 01:01:15,046
Well, this next piece brought
the most recent series to a close,
515
01:01:15,407 --> 01:01:18,479
and left us with one of Doctor Who's
greatest cliff-hangers.
516
01:01:19,007 --> 01:01:21,646
I don't know about you,
but I can't wait till November,
517
01:01:21,927 --> 01:01:23,724
and Matt won't tell me a thing.
518
01:01:23,807 --> 01:01:25,001
(AUDIENCE LAUGHING)
519
01:01:25,807 --> 01:01:31,120
Anyway, for now, here is
The Name of the Doctor.
520
01:01:31,287 --> 01:01:32,959
(AUDIENCE CHEERING)
521
01:01:36,687 --> 01:01:38,006
(ORCHESTRA PLAYING)
522
01:03:03,447 --> 01:03:04,596
(AUDIENCE CHEERING)
523
01:03:12,207 --> 01:03:13,845
I have information,
524
01:03:14,807 --> 01:03:16,126
valuable information.
525
01:03:16,287 --> 01:03:17,845
VASTRA: Are you bargaining
for your life?
526
01:03:17,927 --> 01:03:18,962
The Doctor.
527
01:03:20,367 --> 01:03:22,517
The Doctor has a secret, you know?
528
01:03:23,407 --> 01:03:25,637
He has one he will take
to the grave.
529
01:03:28,847 --> 01:03:30,439
And it is discovered.
530
01:04:03,887 --> 01:04:05,081
(AUDIENCE CHEERING)
531
01:07:59,007 --> 01:08:00,076
Run.
532
01:08:00,927 --> 01:08:02,679
Run, you clever boy.
533
01:08:03,847 --> 01:08:05,041
And remember me.
534
01:09:10,927 --> 01:09:12,918
(AUDIENCE CHEERING)
535
01:09:27,327 --> 01:09:28,316
So,
536
01:09:29,247 --> 01:09:31,158
what does it all mean, eh?
537
01:09:31,767 --> 01:09:34,156
Only another four months
till we find out.
538
01:09:34,607 --> 01:09:36,245
-(AUDIENCE LAUGHING)
-All right, all right. Stop it.
539
01:09:36,327 --> 01:09:37,521
Stop teasing.
540
01:09:37,607 --> 01:09:38,835
I know, that's my job.
541
01:09:38,927 --> 01:09:41,680
So, that was music from
The Name of the Doctor,
542
01:09:41,767 --> 01:09:46,045
Steven Moffat's enigmatic and brilliant
finale to Series 7.
543
01:09:46,487 --> 01:09:48,796
I'm sure I remember him saying,
''No more cliff-hangers. ''
544
01:09:49,287 --> 01:09:50,276
Yeah.
545
01:09:50,367 --> 01:09:52,642
Sadly, time is racing,
and we're fast approaching
546
01:09:52,727 --> 01:09:55,366
the end of the 50th anniversary
celebration of Doctor Who.
547
01:09:55,447 --> 01:09:57,085
But before we say goodbye...
548
01:09:57,367 --> 01:09:58,880
MATT: Would you like to hear some more?
549
01:09:59,367 --> 01:10:00,516
AUDIENCE: Yes.
550
01:10:00,687 --> 01:10:01,961
Good, they would like
to hear some more.
551
01:10:02,047 --> 01:10:03,526
Well, you're in for a treat.
552
01:10:03,767 --> 01:10:05,803
To end this very special
Doctor Who Prom,
553
01:10:05,887 --> 01:10:07,605
we're going to take you back,
554
01:10:07,767 --> 01:10:11,442
back in time
to the 23rd of November 1 963,
555
01:10:11,647 --> 01:10:14,036
when the very first episode
of Doctor Who was broadcast
556
01:10:14,127 --> 01:10:15,685
on BBC television.
557
01:10:15,807 --> 01:10:19,925
It introduced to the world
one of the most iconic theme tunes
558
01:10:20,087 --> 01:10:23,124
ever written in the history
of the universe.
559
01:10:23,367 --> 01:10:24,641
(AUDIENCE CHEERING)
560
01:10:27,287 --> 01:10:31,166
Composed by Ron Grainer and
arranged by Delia Derbyshire
561
01:10:31,247 --> 01:10:33,807
in BBC's legendary
Radiophonic Workshop,
562
01:10:33,927 --> 01:10:36,316
it was unlike anything anyone
had heard before.
563
01:10:36,527 --> 01:10:38,757
We'll end the concert
with Murray Gold's latest version
564
01:10:38,927 --> 01:10:41,441
of the greatest theme tune
of all time.
565
01:10:41,887 --> 01:10:43,036
Enjoy.
566
01:10:43,487 --> 01:10:44,761
(AUDIENCE CHEERING)
567
01:10:49,487 --> 01:10:50,681
(ORCHESTRA PLAYING DOCTOR WHO THEME)
568
01:12:28,207 --> 01:12:29,526
(AUDIENCE CHEERING)
569
01:13:44,327 --> 01:13:45,919
Exterminate!