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>> RUPAUL: Previously, on

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"RuPaul's Drag Race."

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Music makes the people come

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together.

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>> Maybe I think that--

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>> Hold on, hold on, hold on.

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>> Milan kept talking over other

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people.

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>> Eighties, it's about

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[laughs]

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>> It's getting real damn old.

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>> I just put some white powder

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on your face and look gothic.

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That's all we need you to do.

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Sharon, she has one good

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character so she might as well

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use it.

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>> Did you work well with Phi

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Phi?

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>> She definitely didn't bring a

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strong leadership role.

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>> Sharon Needles,

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condragulations.

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>> Yes!

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>> RUPAUL: You are the winner of

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this challenge.

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Dida Ritz, shanté, you stay.

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>> Thank you.

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>> RUPAUL: The Princess, sashay

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away.

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And, tonight.

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Ladies, you are all under

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arrest.

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The dolls do hard time.

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>> Welcome to Tuckahoe Prison

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for Ladies.

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>> RUPAUL: ...and tempers flare.

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>> Tired-ass showgirl.

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>> At least I am a showgirl,

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bitch!

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>> RUPAUL: With extra-special

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guest judges Nicole Sullivan and

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"Will & Grace" co-creator, Max

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Mutchnick.

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>> ALL: Whoo!

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[clapping]

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>> RUPAUL: The winner of

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"RuPaul's Drag Race" will

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receive a lifetime supply of Nyx

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cosmetics, a one-of-a-kind trip

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courtesy of Al and Chuck dot

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Travel, headline Logo's Drag

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Race tour featuring Absolut

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Vodka Cocktails Perfected, and a

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cash prize of $100,000.

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And may the best woman win!

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* RuPaul Drag Race

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* Start your engines

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* RuPaul Drag Race

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* May the best woman win

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* Ru-Ru-RuPaul Drag Race

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* Start your engines

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* RuPaul Drag Race

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* May the best woman,

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best woman win **

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>> Wee!

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>> Open space.

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>> Category is...cheesecake!

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>> I'm sorry, but the Princess

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is in another castle.

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>> "This is the beginning."

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"The only beginning."

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>> Dida, I think you should do

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the honors, since you beat her.

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>> You gave me everything I

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needed, honey.

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>> I'm not gonna lie.

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A lot of it came from anger

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towards the judges.

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I feel like the judges don't

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really know me.

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I just have to show them what

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the entertainer in me is like.

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Next challenge, I have a lot to

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prove.

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>> Sharon Needles, how does it

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feel to have two wins under your

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belt?

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>> I'm proud of myself.

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I showed up here thinking I

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would probably be the first girl

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home.

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I was prepared to like embarrass

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my entire drag family.

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Can't believe how well I'm doing

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here.

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Gettin' kind of used to winning.

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Any time I've ever attempted to

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run in a pageant, I'm always

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last.

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And for any one of those "high

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class", you know, gown and crown

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pageant queens that ever gave me

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a raised eyebrow: Who's laughin'

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now?

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Hah.

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>> PHI PHI O'HARA: I figured

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Sharon would win this challenge

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because I picked a character for

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her that she can excel in.

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Girl, shut up before I smack

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you.

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>> [police siren wails]

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>> RUPAUL: Ooh, girl!

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You got she-mail.

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Friends, you stand on the

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shoulder pads of a long line of

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designing women.

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Golden girls who have traveled

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down the road and back again.

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So, whether you're looking for

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Mr. Big, or just workin' for

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Mr. Jefferson, America's next

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drag superstar needs the will

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and grace to do whatever it

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takes to be absolutely fabulous.

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Now, kiss my grits.

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[giggles]

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>> ALL: [chuckles]

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>> Hello, hello, hello, hello!

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>> ALL: Hi.

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>> RUPAUL: Ladies, you are all

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under arrest.

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>> What are you talkin' about,

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girl?

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>> For today's mini-challenge,

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you'll be posing for a memorable

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mug shot.

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Now, you'll be working in pairs.

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So pick your favorite

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partner-in-crime.

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>> I look down the line and I

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see one person just looking.

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And I'm like [sighs]

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You and me, I guess.

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What did I do that was

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unchristian that I have Madame

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as my default partner?

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>> Oh, and one little detail.

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Instead of doing your own

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makeup, you'll be responsible

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for painting your partner's

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face.

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>> Oh, God!

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>> This couldn't possibly get

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any worse.

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>> Oh, and one more thing.

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You'll be handcuffed to each

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other.

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>> What?

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>> [laughing]

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>> Oh!

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>> I have been to prison.

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I don't plan on goin' into more

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handcuffs.

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>> Oh.

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>> I like this now.

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>> Book 'em, boys.

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>> Not so tight, officer.

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>> Now, you perps will have

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twenty minutes to prep for your

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close-ups before the

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photographers from Polite in

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Public arrive.

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On your mark, get set, paint!

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>> Let's go!

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>> Wah!

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>> Ooh.

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>> Being handcuffed and having

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to paint each other--it's hard.

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>> [laughs]

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>> This is sick.

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>> I need to get something out

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of my bag.

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I have a great idea for a mug

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shot.

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Madame's is like, "Oh, okay, I

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have ideas too."

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I'm like, "We'll use mine."

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Put this blue paint on my face.

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Take it, and like splash it on

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me.

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>> Okay.

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>> William ["Willem"] and

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Madame--they both look like they

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swallowed the Smurfs.

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>> William and Madame LaQueer,

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our first pair of lady

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criminals.

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Wow.

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>> We robbed a bank.

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>> Oh, that's the blue stuff?

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>> It's a dye pack.

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>> Of course!

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It's a dye pack.

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One, two, three, violate the

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penal code!

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Book her...on the cover of

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"Vogue."

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Madame LaQueer is busting out

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all over.

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Toss that salad, girl.

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Honey, you got me scared

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straight.

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Chad Michaels, Sharon Needles,

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we have--

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Oh, oh dear.

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You might need a breathalyzer,

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honey.

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>> It's not my first time at the

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rodeo.

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>> Deliverance!

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Serving time.

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Attica!

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"Excuse my beauty."

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"I was framed!"

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May I call you Missy

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Misdemeanor?

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>> Yes.

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>> Don't drop the soap!

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Serving time.

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Salvation!

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Child, you are serving some

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Raggedy Ann realness.

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It must be 5 o'clock somewhere,

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because you got the shadow,

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girl.

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>> [coughs]

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>> RUPAUL: Acquittal!

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Bad boys.

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What'chu gonna do?

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>> Dat's raight, hawney.

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>> Busted!

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All right, girl.

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If the wig don't fit, you can't

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acquit!

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All right, that's a

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wrap...sheet.

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The verdict is in!

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One pair is guilty of being

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sickening in the first degree.

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The winners of today's

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mini-challenge are William and

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Madame LaQueer.

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>> Whoo!

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>> All right, girl.

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>> [clapping]

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>> Condragulations, girls.

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Hollywood is a tough town.

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One day you're a big star, and

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the next day you can't get

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arrested.

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Today, you get to be both.

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For this week's main challenge,

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you'll be starring in the new TV

266
00:07:27,467 --> 00:07:31,467
sitcom, "Hot in Tuckahoe."

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>> A sitcom challenge is my day

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job.

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Come on.

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I was like, "Sitcoms?"

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"Oh.

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Check."

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>> It's about four best

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squirrel-friends who keep

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getting arrested and sent to

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jail.

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>> [laughs]

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>> MILAN: This acting challenge

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is really exciting for me

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because I have a degree in

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acting.

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This is my moment.

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>> You'll be competing in two

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groups.

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William, Madame LaQueer, since

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you won the mini-challenge,

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you'll be team captains.

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>> Finally!

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I'm not gonna get picked last!

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>> Now, to choose your cast,

291
00:08:04,233 --> 00:08:05,667
you'll be drawing names from

292
00:08:05,667 --> 00:08:07,933
this Iron Fist shoebox, which

293
00:08:07,933 --> 00:08:09,933
normally holds shoes designed by

294
00:08:09,933 --> 00:08:11,533
yours truly.

295
00:08:11,533 --> 00:08:15,533
Madame LaQueer, you go first.

296
00:08:15,533 --> 00:08:17,767
>> Dida Ritz.

297
00:08:17,767 --> 00:08:19,300
>> Cheesecake, yes.

298
00:08:19,300 --> 00:08:20,900
>> Jiggly.

299
00:08:20,900 --> 00:08:23,600
>> Sharon Needles.

300
00:08:23,600 --> 00:08:27,233
>> Latrice.

301
00:08:27,233 --> 00:08:29,333
>> Kenya Michaels.

302
00:08:29,333 --> 00:08:30,700
>> Phi Phi.

303
00:08:30,700 --> 00:08:31,633
>> Milan.

304
00:08:31,633 --> 00:08:33,433
>> Milan goes to Madame LaQueer,

305
00:08:33,433 --> 00:08:35,200
which of course means that Chad

306
00:08:35,200 --> 00:08:38,300
Michaels goes to William's team.

307
00:08:38,300 --> 00:08:40,700
William, Madame LaQueer, you are

308
00:08:40,700 --> 00:08:42,233
in charge of assigning the

309
00:08:42,233 --> 00:08:43,267
parts.

310
00:08:43,267 --> 00:08:45,067
I'll leave you to learn your

311
00:08:45,067 --> 00:08:46,100
lines.

312
00:08:46,100 --> 00:08:48,533
Gentleman, start your engines,

313
00:08:48,533 --> 00:08:52,067
and may the best woman win!

314
00:08:52,067 --> 00:08:52,800
>> All right.

315
00:08:52,800 --> 00:08:53,433
You'll be Karen.

316
00:08:53,433 --> 00:08:54,633
I'll be Charlotte.

317
00:08:54,633 --> 00:08:56,200
You be Julia.

318
00:08:56,200 --> 00:08:58,267
And Marge, the guard.

319
00:08:58,267 --> 00:08:59,867
Kenya is performing Marge, the

320
00:08:59,867 --> 00:09:02,700
guard because it is so funny to

321
00:09:02,700 --> 00:09:05,233
see such a butch so small.

322
00:09:05,233 --> 00:09:06,067
>> DIDA RITZ: Oh my God.

323
00:09:06,067 --> 00:09:07,133
Kenya's so fishy, I don't think

324
00:09:07,133 --> 00:09:09,100
she even know how to be butch.

325
00:09:09,100 --> 00:09:09,700
>> Okay.

326
00:09:09,700 --> 00:09:11,533
We do a quick read.

327
00:09:11,533 --> 00:09:13,300
>> "Welcome to Tuckanoe Prison,

328
00:09:13,300 --> 00:09:14,900
pretty ladies, says here you

329
00:09:14,900 --> 00:09:17,367
were arrested to soliciting a

330
00:09:17,367 --> 00:09:18,433
meenor."

331
00:09:18,433 --> 00:09:19,067
>> Minor.

332
00:09:19,067 --> 00:09:19,667
>> KENYA MICHAELS: Minor.

333
00:09:19,667 --> 00:09:21,167
A minor.

334
00:09:21,167 --> 00:09:22,200
>> When you're in a group

335
00:09:22,200 --> 00:09:23,800
challenge, everyone's work

336
00:09:23,800 --> 00:09:25,467
reflects on you.

337
00:09:25,467 --> 00:09:26,667
Go over this work with me a

338
00:09:26,667 --> 00:09:27,467
couple times.

339
00:09:27,467 --> 00:09:28,300
Tuckahoe.

340
00:09:28,300 --> 00:09:28,867
>> Tockahoe.

341
00:09:28,867 --> 00:09:29,400
Tuckahoe.

342
00:09:29,400 --> 00:09:30,167
>> Slower.

343
00:09:30,167 --> 00:09:31,100
Tuck-a-hoe.

344
00:09:31,100 --> 00:09:31,633
>> Tuckahoe.

345
00:09:31,633 --> 00:09:32,300
Okay.

346
00:09:32,300 --> 00:09:33,100
>> Soliciting.

347
00:09:33,100 --> 00:09:33,667
A minor.

348
00:09:33,667 --> 00:09:34,333
>> Minor.

349
00:09:34,333 --> 00:09:35,700
A minor, okay.

350
00:09:35,700 --> 00:09:36,400
>> You just gonna let her take

351
00:09:36,400 --> 00:09:37,367
over this, or are you gonna--

352
00:09:37,367 --> 00:09:37,767
>> Hm?

353
00:09:37,767 --> 00:09:39,067
>> --let her direct?

354
00:09:39,067 --> 00:09:40,600
>> I dunno.

355
00:09:40,600 --> 00:09:41,667
>> MILAN: Did she ask you if she

356
00:09:41,667 --> 00:09:43,633
could help, or--

357
00:09:43,633 --> 00:09:44,300
>> MADAME LAQUEER: Girl, are you

358
00:09:44,300 --> 00:09:45,167
gonna keep telling me what I'm

359
00:09:45,167 --> 00:09:46,400
going to do with my group?

360
00:09:46,400 --> 00:09:47,433
If she wants to have her own

361
00:09:47,433 --> 00:09:48,600
way, then she can win a

362
00:09:48,600 --> 00:09:49,800
mini-challenge and then direct

363
00:09:49,800 --> 00:09:52,333
the group.

364
00:09:52,333 --> 00:09:53,267
>> RUPAUL: Coming up.

365
00:09:53,267 --> 00:09:54,433
>> "I beg your pardon?"

366
00:09:54,433 --> 00:09:56,300
"But I'm not into horticulture."

367
00:09:56,300 --> 00:09:58,467
What the fuck is horticulture?

368
00:09:58,467 --> 00:09:59,400
>> Get the fuck out of my face.

369
00:09:59,400 --> 00:10:00,067
>> SHARON NEEDLES: That's

370
00:10:00,067 --> 00:10:00,333
because you--

371
00:10:00,333 --> 00:10:01,000
>> Go back and do your only one

372
00:10:01,000 --> 00:10:02,100
look that you got!

373
00:10:02,100 --> 00:10:02,967
>> Oh.

374
00:10:10,367 --> 00:10:10,967
>> I have to wear the tights

375
00:10:10,967 --> 00:10:11,933
with this?

376
00:10:11,933 --> 00:10:12,933
>> Our main challenge today is

377
00:10:12,933 --> 00:10:14,333
acting in a sitcom called "Hot

378
00:10:14,333 --> 00:10:15,533
in Tuckahoe."

379
00:10:15,533 --> 00:10:16,967
He said, "Screw it!"

380
00:10:16,967 --> 00:10:17,900
"I thought I just did!"

381
00:10:17,900 --> 00:10:19,500
>> [laughs]

382
00:10:19,500 --> 00:10:21,067
>> For me, it's a day job.

383
00:10:21,067 --> 00:10:22,833
I'm cool.

384
00:10:22,833 --> 00:10:25,000
>> "Welcome to Tuckahoe Prison

385
00:10:25,000 --> 00:10:26,467
for Ladies."

386
00:10:26,467 --> 00:10:28,667
As soon as I saw that there was

387
00:10:28,667 --> 00:10:31,400
a prison guard, I knew that's

388
00:10:31,400 --> 00:10:32,467
the role for me.

389
00:10:32,467 --> 00:10:34,400
"Well hello, gorgeous."

390
00:10:34,400 --> 00:10:35,600
"I let you hide in my hedge any

391
00:10:35,600 --> 00:10:36,600
day."

392
00:10:36,600 --> 00:10:37,867
>> "I beg your pardon?"

393
00:10:37,867 --> 00:10:40,433
"But I'm not into horticulture."

394
00:10:40,433 --> 00:10:42,133
What the fuck is horticulture?

395
00:10:42,133 --> 00:10:43,233
>> It's the study of plants.

396
00:10:43,233 --> 00:10:44,067
>> Yeah.

397
00:10:44,067 --> 00:10:46,200
>> [laughs]

398
00:10:46,200 --> 00:10:48,100
I don't know what that means.

399
00:10:48,100 --> 00:10:49,300
That's a SAT word.

400
00:10:49,300 --> 00:10:50,367
>> "I'm not into horticulture!"

401
00:10:50,367 --> 00:10:50,933
That's the words you're

402
00:10:50,933 --> 00:10:52,233
punching: "I'm," 'cause that's

403
00:10:52,233 --> 00:10:52,867
you--

404
00:10:52,867 --> 00:10:53,433
>> "But I'm not into

405
00:10:53,433 --> 00:10:54,800
horticulture."

406
00:10:54,800 --> 00:10:56,733
>> "I'm not into horticulture."

407
00:10:56,733 --> 00:10:57,400
What're the most important

408
00:10:57,400 --> 00:10:58,300
words in that sentence?

409
00:10:58,300 --> 00:10:58,900
>> "I beg your pardon?"

410
00:10:58,900 --> 00:10:59,400
>> WILLIAM: No, no, no.

411
00:10:59,400 --> 00:10:59,900
You did it great before.

412
00:10:59,900 --> 00:11:01,467
>> Blegh.

413
00:11:01,467 --> 00:11:03,400
>> I've been on sitcoms, and,

414
00:11:03,400 --> 00:11:05,700
uh, I know about comedy.

415
00:11:05,700 --> 00:11:08,967
Take your note and move on.

416
00:11:08,967 --> 00:11:09,833
>> "Wait, wait, wait, wait,

417
00:11:09,833 --> 00:11:10,500
wait."

418
00:11:10,500 --> 00:11:13,800
"Are we talking about beavers,

419
00:11:13,800 --> 00:11:19,067
or--oh!"

420
00:11:19,067 --> 00:11:20,633
>> Are you doin' an accent?

421
00:11:20,633 --> 00:11:21,333
>> Yes.

422
00:11:21,333 --> 00:11:22,667
A British accent.

423
00:11:22,667 --> 00:11:25,500
>> It's a little distracting.

424
00:11:25,500 --> 00:11:26,067
Like, I think it might be a

425
00:11:26,067 --> 00:11:27,633
little distracting to the techs,

426
00:11:27,633 --> 00:11:30,067
but that's your choice.

427
00:11:30,067 --> 00:11:32,133
>> I'm an actor, and I know how

428
00:11:32,133 --> 00:11:33,767
to portray a character, and

429
00:11:33,767 --> 00:11:35,600
that's actually my strength.

430
00:11:35,600 --> 00:11:37,733
"I asked the young man next to

431
00:11:37,733 --> 00:11:40,900
me for his napkin to wipe my

432
00:11:40,900 --> 00:11:44,400
friend's sticky beaver."

433
00:11:44,400 --> 00:11:46,233
>> Oh, my God.

434
00:11:46,233 --> 00:11:47,667
That's gonna be stupid.

435
00:11:47,667 --> 00:11:48,567
[laughs]

436
00:11:51,667 --> 00:11:53,200
>> Hello, hello, hello!

437
00:11:53,200 --> 00:11:54,933
>> Hi, Mama Ru!

438
00:11:54,933 --> 00:11:56,833
>> I smell Emmy!

439
00:11:56,833 --> 00:11:58,067
>> ALL: [laugh]

440
00:11:58,067 --> 00:11:59,767
>> That's correct, Mama!

441
00:11:59,767 --> 00:12:00,800
>> Hi, kids.

442
00:12:00,800 --> 00:12:02,300
>> Hi.

443
00:12:02,300 --> 00:12:04,733
>> Team William, you have a lot

444
00:12:04,733 --> 00:12:06,233
of TV experience, don't you?

445
00:12:06,233 --> 00:12:06,900
>> WILLIAM: Yeah.

446
00:12:06,900 --> 00:12:07,733
If you name a cop show in the

447
00:12:07,733 --> 00:12:08,900
past ten years, I've probably

448
00:12:08,900 --> 00:12:09,967
been on it.

449
00:12:09,967 --> 00:12:10,800
>> RUPAUL: And what role are you

450
00:12:10,800 --> 00:12:11,333
playing?

451
00:12:11,333 --> 00:12:12,100
>> Karen.

452
00:12:12,100 --> 00:12:13,433
>> Oh, is that the slutty one?

453
00:12:13,433 --> 00:12:15,367
>> She's man-crazy.

454
00:12:15,367 --> 00:12:16,167
>> And why'd you chose that for

455
00:12:16,167 --> 00:12:17,100
yourself?

456
00:12:17,100 --> 00:12:18,733
>> I'm very Samantha, and I was

457
00:12:18,733 --> 00:12:19,900
on "Sex and the City" with

458
00:12:19,900 --> 00:12:21,200
Samantha, so that kind of works.

459
00:12:21,200 --> 00:12:22,267
>> Really?

460
00:12:22,267 --> 00:12:22,900
>> You gotta hear William over

461
00:12:22,900 --> 00:12:23,633
there.

462
00:12:23,633 --> 00:12:24,400
She's like, "Well, I was on 'Sex

463
00:12:24,400 --> 00:12:26,433
in the City', yeah..."

464
00:12:26,433 --> 00:12:27,067
>> What you gotta do.

465
00:12:27,067 --> 00:12:30,267
That's what you gotta do, honey.

466
00:12:30,267 --> 00:12:31,967
>> Latrice, you're playing?

467
00:12:31,967 --> 00:12:33,067
>> Large Marge.

468
00:12:33,067 --> 00:12:33,900
>> The prison guard.

469
00:12:33,900 --> 00:12:35,800
Now, are you playing this from

470
00:12:35,800 --> 00:12:36,500
personal experience?

471
00:12:36,500 --> 00:12:38,167
>> The tables are turned, baby.

472
00:12:38,167 --> 00:12:39,167
>> [laughs]

473
00:12:39,167 --> 00:12:41,467
>> [laughs]

474
00:12:41,467 --> 00:12:42,233
>> All right kids, get back to

475
00:12:42,233 --> 00:12:43,067
work.

476
00:12:43,067 --> 00:12:43,533
I can't wait to see it.

477
00:12:43,533 --> 00:12:44,600
It's already very funny.

478
00:12:44,600 --> 00:12:45,533
>> Thank you.

479
00:12:45,533 --> 00:12:47,433
>> Thanks, Ru.

480
00:12:47,433 --> 00:12:49,667
>> Team Madame LaQueer.

481
00:12:49,667 --> 00:12:50,333
>> Hi.

482
00:12:50,333 --> 00:12:51,067
>> Hey, Ru.

483
00:12:51,067 --> 00:12:51,900
>> Madame, are you a good

484
00:12:51,900 --> 00:12:52,600
director?

485
00:12:52,600 --> 00:12:53,633
>> I wrote and direct a play

486
00:12:53,633 --> 00:12:55,067
myself, twice.

487
00:12:55,067 --> 00:12:56,067
>> Oh boy!

488
00:12:56,067 --> 00:12:57,100
>> RUPAUL: Milan, you're an

489
00:12:57,100 --> 00:12:57,833
actor.

490
00:12:57,833 --> 00:12:58,867
How is Madame LaQueer as a

491
00:12:58,867 --> 00:12:59,767
director?

492
00:12:59,767 --> 00:13:01,100
>> Um, I think she's a little

493
00:13:01,100 --> 00:13:02,633
laidback.

494
00:13:02,633 --> 00:13:04,067
She could be a little bit more,

495
00:13:04,067 --> 00:13:05,333
uh, directorial with her

496
00:13:05,333 --> 00:13:06,833
approach.

497
00:13:06,833 --> 00:13:08,267
But, uh, we seem to be doing a

498
00:13:08,267 --> 00:13:10,133
great job.

499
00:13:10,133 --> 00:13:10,900
>> Okay.

500
00:13:10,900 --> 00:13:13,167
All right, all right.

501
00:13:13,167 --> 00:13:14,733
I'm gonna let you kids get back

502
00:13:14,733 --> 00:13:15,433
to it.

503
00:13:15,433 --> 00:13:16,700
Remember that comedy is

504
00:13:16,700 --> 00:13:17,633
precision.

505
00:13:17,633 --> 00:13:20,167
Find a cohesive rhythm together.

506
00:13:20,167 --> 00:13:20,900
I'm sure you're gonna work it

507
00:13:20,900 --> 00:13:21,967
out.

508
00:13:21,967 --> 00:13:22,400
>> Right.

509
00:13:22,400 --> 00:13:25,267
>> All right.

510
00:13:25,267 --> 00:13:27,633
Gather round, ladykins.

511
00:13:27,633 --> 00:13:28,900
Later, on the set of your

512
00:13:28,900 --> 00:13:31,200
sitcom, we'll be joined by our

513
00:13:31,200 --> 00:13:33,733
extra-special guest judge, the

514
00:13:33,733 --> 00:13:36,467
Emmy-award winning co-creator of

515
00:13:36,467 --> 00:13:38,733
"Will & Grace," Max Mutchnick.

516
00:13:38,733 --> 00:13:40,233
>> Oh.

517
00:13:40,233 --> 00:13:42,733
>> ALL: [claps]

518
00:13:42,733 --> 00:13:44,333
>> Max Mutchnick is a star

519
00:13:44,333 --> 00:13:45,167
maker.

520
00:13:45,167 --> 00:13:48,233
>> Break a leg and don't fuck it

521
00:13:48,233 --> 00:13:49,567
up.

522
00:13:49,567 --> 00:13:51,333
All right, see it later.

523
00:13:56,867 --> 00:13:58,200
>> I couldn't be more thrilled

524
00:13:58,200 --> 00:13:59,833
that Max Mutchnick is here,

525
00:13:59,833 --> 00:14:00,867
because I've auditioned for him

526
00:14:00,867 --> 00:14:02,067
before and I haven't gotten the

527
00:14:02,067 --> 00:14:02,933
job, so I'd like a second

528
00:14:02,933 --> 00:14:03,667
chance.

529
00:14:03,667 --> 00:14:05,100
>> Jail scene, take one.

530
00:14:05,100 --> 00:14:05,733
>> [clacks]

531
00:14:05,733 --> 00:14:06,533
>> Action!

532
00:14:06,533 --> 00:14:08,067
>> Ladies, no one needs to go to

533
00:14:08,067 --> 00:14:09,800
jail for liking nuts.

534
00:14:09,800 --> 00:14:12,833
Why, I have a huge sack!

535
00:14:12,833 --> 00:14:13,600
>> Oh, me first!

536
00:14:13,600 --> 00:14:14,400
Gimme!

537
00:14:14,400 --> 00:14:16,067
>> Ooh, I like 'em honey-coated.

538
00:14:16,067 --> 00:14:17,467
>> Oh, I like mine raw.

539
00:14:17,467 --> 00:14:18,333
>> Wait a secon.

540
00:14:18,333 --> 00:14:18,867
Are we still talking about

541
00:14:18,867 --> 00:14:19,733
peanuts?

542
00:14:19,733 --> 00:14:20,333
>> MAX MUTCHNICK: Cut!

543
00:14:20,333 --> 00:14:22,400
Jiggly, "Wait a second."

544
00:14:22,400 --> 00:14:23,533
>> Wait a second.

545
00:14:23,533 --> 00:14:24,100
Are we still talking about

546
00:14:24,100 --> 00:14:25,067
peanuts?

547
00:14:25,067 --> 00:14:26,233
>> "Wait a second."

548
00:14:26,233 --> 00:14:27,067
Period.

549
00:14:27,067 --> 00:14:28,200
"Are we still talkin' about

550
00:14:28,200 --> 00:14:29,067
peanuts?"

551
00:14:29,067 --> 00:14:31,067
There's a period there.

552
00:14:31,067 --> 00:14:32,700
>> Wait a second.

553
00:14:32,700 --> 00:14:33,400
Are we still talking about

554
00:14:33,400 --> 00:14:35,100
peanuts?

555
00:14:35,100 --> 00:14:37,267
Ew.

556
00:14:37,267 --> 00:14:38,067
>> Oh, me first!

557
00:14:38,067 --> 00:14:38,933
Gimme!

558
00:14:38,933 --> 00:14:39,867
>> William.

559
00:14:39,867 --> 00:14:40,800
>> William ["Willem"]

560
00:14:40,800 --> 00:14:42,867
>> Willem, thank you.

561
00:14:42,867 --> 00:14:43,533
>> It's spelled right on my head

562
00:14:43,533 --> 00:14:45,167
shot, and it's on there, so,

563
00:14:45,167 --> 00:14:46,500
just on the way out.

564
00:14:46,500 --> 00:14:47,600
>> So William, it's just that,

565
00:14:47,600 --> 00:14:48,500
make sure you get all the words

566
00:14:48,500 --> 00:14:49,733
in there.

567
00:14:49,733 --> 00:14:51,667
>> Why don't you correct Ru when

568
00:14:51,667 --> 00:14:53,400
he says William?

569
00:14:53,400 --> 00:14:54,333
>> He's got a hundred-thousand

570
00:14:54,333 --> 00:14:55,167
dollar check.

571
00:14:55,167 --> 00:14:56,667
>> Oh, that's right.

572
00:14:56,667 --> 00:14:57,800
You make a good point.

573
00:14:57,800 --> 00:14:59,700
>> Yeah.

574
00:14:59,700 --> 00:15:01,433
>> Ooh, I like 'em honey-coated.

575
00:15:01,433 --> 00:15:03,067
>> Oh, I like 'em raw.

576
00:15:03,067 --> 00:15:03,833
>> Get those nuts away from my

577
00:15:03,833 --> 00:15:04,867
face!

578
00:15:04,867 --> 00:15:06,667
>> Latrice, have a good time.

579
00:15:06,667 --> 00:15:07,233
>> Okay.

580
00:15:07,233 --> 00:15:07,967
>> "Get those nuts away from my

581
00:15:07,967 --> 00:15:09,633
face," and then look at the

582
00:15:09,633 --> 00:15:10,533
camera.

583
00:15:10,533 --> 00:15:11,633
There you go.

584
00:15:11,633 --> 00:15:13,067
I mean, you give us--I mean,

585
00:15:13,067 --> 00:15:14,367
honey, you could do that for

586
00:15:14,367 --> 00:15:15,467
half an hour and they would

587
00:15:15,467 --> 00:15:16,100
laugh.

588
00:15:16,100 --> 00:15:16,800
>> Oh, I will.

589
00:15:16,800 --> 00:15:17,500
I'm gonna let you have it now.

590
00:15:17,500 --> 00:15:18,567
Okay.

591
00:15:18,567 --> 00:15:19,100
>> [laughs]

592
00:15:19,100 --> 00:15:20,300
There you go.

593
00:15:20,300 --> 00:15:22,467
>> Ha-hahh!

594
00:15:22,467 --> 00:15:24,700
>> Get those nuts away from my

595
00:15:24,700 --> 00:15:26,200
face!

596
00:15:26,200 --> 00:15:28,067
I was really tapping into some

597
00:15:28,067 --> 00:15:30,200
serious acting skills there,

598
00:15:30,200 --> 00:15:32,733
'cause Marge doesn't like nuts.

599
00:15:32,733 --> 00:15:33,800
But Latrice does.

600
00:15:33,800 --> 00:15:35,133
[laughs]

601
00:15:35,133 --> 00:15:36,167
>> That's a series.

602
00:15:36,167 --> 00:15:37,433
Latrice and "Get those nuts away

603
00:15:37,433 --> 00:15:38,867
from my face!"

604
00:15:38,867 --> 00:15:39,900
This fall.

605
00:15:42,200 --> 00:15:43,233
>> RUPAUL: Coming up.

606
00:15:43,233 --> 00:15:46,267
>> Hm, I kinda like the smell.

607
00:15:46,267 --> 00:15:48,200
>> Kenya, you like the smell of

608
00:15:48,200 --> 00:15:49,600
the beaver, so don't hold your

609
00:15:49,600 --> 00:15:50,967
nose.

610
00:15:58,267 --> 00:15:59,733
>> Our main challenge today is

611
00:15:59,733 --> 00:16:01,767
to act in a sitcom called, "Hot

612
00:16:01,767 --> 00:16:03,500
in Tuckahoe."

613
00:16:03,500 --> 00:16:04,667
>> Action.

614
00:16:04,667 --> 00:16:06,667
>> Of all the stupid things.

615
00:16:06,667 --> 00:16:08,433
Rose, why did you show up at the

616
00:16:08,433 --> 00:16:09,733
Justin Bieber concert in this

617
00:16:09,733 --> 00:16:11,400
ridiculous costume?

618
00:16:11,400 --> 00:16:13,200
>> Justin Bie--Oh!

619
00:16:13,200 --> 00:16:14,667
I thought you said we were going

620
00:16:14,667 --> 00:16:17,833
to a just--fuck!

621
00:16:17,833 --> 00:16:19,133
>> You can't do that on TV.

622
00:16:19,133 --> 00:16:20,400
>> No, I know.

623
00:16:20,400 --> 00:16:21,700
I'm really good with dialogue,

624
00:16:21,700 --> 00:16:23,433
it's just a real tongue twister.

625
00:16:23,433 --> 00:16:24,367
>> All right, so you wanna just

626
00:16:24,367 --> 00:16:25,133
pick it up again from--

627
00:16:25,133 --> 00:16:26,067
>> Pick it up again and we'll

628
00:16:26,067 --> 00:16:29,400
have no problems this time.

629
00:16:29,400 --> 00:16:31,100
>> Rose, why did you show up at

630
00:16:31,100 --> 00:16:32,533
the Justin Bieber concert in

631
00:16:32,533 --> 00:16:34,300
this ridiculous costume?

632
00:16:34,300 --> 00:16:36,133
>> Oh, I thought you said we

633
00:16:36,133 --> 00:16:38,333
were gong to a dressed in-beaver

634
00:16:38,333 --> 00:16:40,433
con--God, that's a fucking hard

635
00:16:40,433 --> 00:16:41,833
line.

636
00:16:41,833 --> 00:16:43,233
>> No f-words.

637
00:16:43,233 --> 00:16:44,767
And can we just make sure that

638
00:16:44,767 --> 00:16:46,433
when you do that line, just--

639
00:16:46,433 --> 00:16:47,167
>> Well, it's a hard line.

640
00:16:47,167 --> 00:16:50,467
I'm saying, "dressed in beaver."

641
00:16:50,467 --> 00:16:52,200
>> Sharon keeps talking back.

642
00:16:52,200 --> 00:16:52,967
>> It's kind of a hard thing to

643
00:16:52,967 --> 00:16:53,900
hear.

644
00:16:53,900 --> 00:16:54,767
>> I was like, "Girl, you need

645
00:16:54,767 --> 00:16:56,100
to calm yourself down real

646
00:16:56,100 --> 00:16:57,400
quick."

647
00:16:57,400 --> 00:16:58,467
>> Please don't make me go

648
00:16:58,467 --> 00:17:01,367
through that line again.

649
00:17:01,367 --> 00:17:02,200
>> Action.

650
00:17:02,200 --> 00:17:03,267
>> When was the last time you

651
00:17:03,267 --> 00:17:04,633
washed this thing?

652
00:17:04,633 --> 00:17:06,233
I mean, I nearly gagged at the

653
00:17:06,233 --> 00:17:07,400
stench!

654
00:17:07,400 --> 00:17:12,067
>> Mm, I kinda like the smell.

655
00:17:12,067 --> 00:17:15,700
Remind me of high school gym

656
00:17:15,700 --> 00:17:17,700
class.

657
00:17:17,700 --> 00:17:18,533
>> Cut.

658
00:17:18,533 --> 00:17:20,100
You were doing a one-woman show

659
00:17:20,100 --> 00:17:21,167
out there.

660
00:17:21,167 --> 00:17:21,867
You just seem like a crazy

661
00:17:21,867 --> 00:17:22,600
person that's talking to

662
00:17:22,600 --> 00:17:23,433
yourself.

663
00:17:23,433 --> 00:17:24,300
>> Okay.

664
00:17:24,300 --> 00:17:25,367
>> I nearly gagged on that--on

665
00:17:25,367 --> 00:17:26,800
that stench!

666
00:17:26,800 --> 00:17:30,433
>> Mm, I kinda like the smell!

667
00:17:30,433 --> 00:17:31,267
>> RUPAUL: Cut.

668
00:17:31,267 --> 00:17:33,067
Kenya, you like the smell of the

669
00:17:33,067 --> 00:17:35,467
beaver, so don't hold your nose.

670
00:17:35,467 --> 00:17:38,100
You love the beaver.

671
00:17:38,100 --> 00:17:39,367
>> I wonder why she got so

672
00:17:39,367 --> 00:17:40,167
upset.

673
00:17:40,167 --> 00:17:41,533
>> He was just a big old country

674
00:17:41,533 --> 00:17:42,233
boy.

675
00:17:42,233 --> 00:17:43,067
I mean, that young man look

676
00:17:43,067 --> 00:17:44,400
pretty mature enough to handle a

677
00:17:44,400 --> 00:17:46,567
beaver on his own.

678
00:17:46,567 --> 00:17:48,467
>> Milan, it's mama's boy.

679
00:17:48,467 --> 00:17:49,833
Not country boy.

680
00:17:49,833 --> 00:17:50,567
>> I wonder why she got so

681
00:17:50,567 --> 00:17:51,800
upset.

682
00:17:51,800 --> 00:17:53,233
>> He was just a big old country

683
00:17:53,233 --> 00:17:54,100
boy, but--

684
00:17:54,100 --> 00:17:55,167
>> MAX: Cut!

685
00:17:55,167 --> 00:17:56,533
>> Sorry.

686
00:17:56,533 --> 00:17:57,500
I mean, that young man look

687
00:17:57,500 --> 00:17:59,633
pretty mature enough to handle a

688
00:17:59,633 --> 00:18:02,467
beaver on his own.

689
00:18:02,467 --> 00:18:04,267
>> MAX: Um, Milan?

690
00:18:04,267 --> 00:18:05,600
Milan, you're kind of playing to

691
00:18:05,600 --> 00:18:06,833
stuff out here.

692
00:18:06,833 --> 00:18:08,100
Be in the scene with these

693
00:18:08,100 --> 00:18:09,067
people.

694
00:18:09,067 --> 00:18:10,067
Look at the person that you're

695
00:18:10,067 --> 00:18:11,433
talking to.

696
00:18:11,433 --> 00:18:13,933
>> It is extremely intimidating

697
00:18:13,933 --> 00:18:14,833
to have the creator of "Will &

698
00:18:14,833 --> 00:18:17,067
Grace" critique you.

699
00:18:17,067 --> 00:18:18,267
I thought this evening was kinda

700
00:18:18,267 --> 00:18:19,467
thrilling.

701
00:18:19,467 --> 00:18:23,267
Me and this oversized beaver.

702
00:18:23,267 --> 00:18:25,833
>> Milan's not exciting enough.

703
00:18:25,833 --> 00:18:27,900
I didn't want to see more of

704
00:18:27,900 --> 00:18:28,867
her.

705
00:18:28,867 --> 00:18:31,167
I didn't really care.

706
00:18:31,167 --> 00:18:32,300
>> Action.

707
00:18:32,300 --> 00:18:33,633
>> And then his mother told me

708
00:18:33,633 --> 00:18:35,667
to get my tail out of his face,

709
00:18:35,667 --> 00:18:37,067
and then she really let me have

710
00:18:37,067 --> 00:18:37,667
it!

711
00:18:37,667 --> 00:18:39,067
>> Gee, a sloppy oversized

712
00:18:39,067 --> 00:18:40,800
beaver rubbing against her kid.

713
00:18:40,800 --> 00:18:41,300
>> [laughing]

714
00:18:41,300 --> 00:18:42,067
>> I wonder why she got so

715
00:18:42,067 --> 00:18:43,167
upset!

716
00:18:43,167 --> 00:18:43,667
>> Cut.

717
00:18:43,667 --> 00:18:44,167
Print.

718
00:18:44,167 --> 00:18:45,067
Emmy.

719
00:18:45,067 --> 00:18:47,300
You know how to do a sitcom.

720
00:18:47,300 --> 00:18:48,067
It's what you dream of when

721
00:18:48,067 --> 00:18:49,600
you're writing this kind of

722
00:18:49,600 --> 00:18:50,300
stuff.

723
00:18:50,300 --> 00:18:51,867
You come across an actress who

724
00:18:51,867 --> 00:18:53,233
just takes the stuff, takes it

725
00:18:53,233 --> 00:18:54,433
to a better place.

726
00:18:54,433 --> 00:18:55,667
It's really wonderful to watch.

727
00:18:55,667 --> 00:18:56,600
>> Thank you.

728
00:18:56,600 --> 00:18:57,933
I feel like tears almost coming

729
00:18:57,933 --> 00:18:58,867
'cause I'm doing exactly what I

730
00:18:58,867 --> 00:19:00,567
prayed for, just to redeem

731
00:19:00,567 --> 00:19:01,733
myself.

732
00:19:01,733 --> 00:19:02,667
>> Action!

733
00:19:02,667 --> 00:19:05,300
>> That was so mortifying!

734
00:19:05,300 --> 00:19:06,367
I acshidentually

735
00:19:06,367 --> 00:19:08,133
spilled--ah--ugh.

736
00:19:08,133 --> 00:19:09,967
I acshidentually spilled a

737
00:19:09,967 --> 00:19:12,067
Virgin Mary on Rose, so I

738
00:19:12,067 --> 00:19:13,633
asked-ub-Oh!

739
00:19:13,633 --> 00:19:14,667
>> RUPAUL: Cut.

740
00:19:14,667 --> 00:19:16,233
It's a Bloody Mary, not a Virgin

741
00:19:16,233 --> 00:19:17,100
Mary.

742
00:19:17,100 --> 00:19:18,100
>> Okay.

743
00:19:18,100 --> 00:19:19,567
>> So I asked a gentleman next

744
00:19:19,567 --> 00:19:21,700
to me for a napkin so I can wipe

745
00:19:21,700 --> 00:19:25,467
my friend's hairy beaver.

746
00:19:25,467 --> 00:19:27,367
>> Oh.

747
00:19:27,367 --> 00:19:28,433
Ouch.

748
00:19:28,433 --> 00:19:29,900
>> Wait, wait, wait, wait, wait!

749
00:19:29,900 --> 00:19:32,333
Are we talking about beavers,

750
00:19:32,333 --> 00:19:37,067
or--ew!

751
00:19:37,067 --> 00:19:39,233
>> Can you do the "ew" as

752
00:19:39,233 --> 00:19:40,900
Lucille Ball, though?

753
00:19:40,900 --> 00:19:42,533
[imitates Lucy]

754
00:19:42,533 --> 00:19:44,167
Do it like that.

755
00:19:44,167 --> 00:19:46,067
>> Eww!

756
00:19:46,067 --> 00:19:47,533
>> [imitates Lucy again]

757
00:19:47,533 --> 00:19:48,933
>> Eww!

758
00:19:48,933 --> 00:19:50,100
>> [imitates again]

759
00:19:50,100 --> 00:19:51,933
>> Eww!

760
00:19:51,933 --> 00:19:53,433
>> [imitates again]

761
00:19:53,433 --> 00:19:56,833
>> Ewww.

762
00:19:56,833 --> 00:19:59,100
>> RUPAUL: That is a wrap.

763
00:19:59,100 --> 00:20:01,567
>> [alarm clock buzzes]

764
00:20:08,767 --> 00:20:09,533
>> Mornking.

765
00:20:09,533 --> 00:20:11,133
>> All right.

766
00:20:11,133 --> 00:20:14,300
>> Time to work.

767
00:20:14,300 --> 00:20:15,367
>> So were you guys sweatin' it

768
00:20:15,367 --> 00:20:17,000
up in that jail cell yesterday?

769
00:20:17,000 --> 00:20:18,500
Any flashbacks in there?

770
00:20:18,500 --> 00:20:19,467
>> I'll tell you this.

771
00:20:19,467 --> 00:20:20,567
It was nice to be on the other

772
00:20:20,567 --> 00:20:22,033
side of it for a change, you

773
00:20:22,033 --> 00:20:23,033
know what I mean?

774
00:20:23,033 --> 00:20:24,200
Being in prison gave me that

775
00:20:24,200 --> 00:20:26,033
opportunity to like, think about

776
00:20:26,033 --> 00:20:27,400
what my dreams were.

777
00:20:27,400 --> 00:20:28,100
You know what?

778
00:20:28,100 --> 00:20:29,433
Your choices are to accept it

779
00:20:29,433 --> 00:20:31,367
and move on, or to beat yourself

780
00:20:31,367 --> 00:20:32,667
up over it.

781
00:20:32,667 --> 00:20:34,933
Everybody makes mistakes, but,

782
00:20:34,933 --> 00:20:36,300
bitch, you better look sickening

783
00:20:36,300 --> 00:20:37,833
when you get up.

784
00:20:37,833 --> 00:20:38,700
Sickening!

785
00:20:38,700 --> 00:20:42,433
And make them eat it.

786
00:20:42,433 --> 00:20:43,867
>> Latrice, can you take us to

787
00:20:43,867 --> 00:20:44,467
church?

788
00:20:44,467 --> 00:20:45,067
>> [singing]

789
00:20:45,067 --> 00:20:47,467
Whoa, Jesus is a biscuit!

790
00:20:47,467 --> 00:20:48,933
Let him sop you up!

791
00:20:48,933 --> 00:20:50,533
Jesus is a biscuit!

792
00:20:50,533 --> 00:20:53,767
>> Let him sop you up!

793
00:20:53,767 --> 00:20:54,833
>> We all need a blessing at

794
00:20:54,833 --> 00:20:56,167
this point.

795
00:20:56,167 --> 00:20:57,433
Lord knows I do.

796
00:21:01,767 --> 00:21:04,533
>> Breakin' out the Westwood.

797
00:21:06,633 --> 00:21:07,367
>> All right, this is gonna be

798
00:21:07,367 --> 00:21:08,833
good enough.

799
00:21:08,833 --> 00:21:09,767
It's not a pageant.

800
00:21:09,767 --> 00:21:11,167
>> It's a pageant for my life.

801
00:21:11,167 --> 00:21:12,500
Every day I'm up there I think

802
00:21:12,500 --> 00:21:13,933
pageant.

803
00:21:13,933 --> 00:21:15,133
>> What I said about Phi Phi on

804
00:21:15,133 --> 00:21:16,633
the runway last week makes me

805
00:21:16,633 --> 00:21:17,600
feel bad.

806
00:21:17,600 --> 00:21:18,867
>> Did you work well with Phi

807
00:21:18,867 --> 00:21:19,533
Phi?

808
00:21:19,533 --> 00:21:20,700
>> She definitely didn't bring a

809
00:21:20,700 --> 00:21:22,400
strong leadership role.

810
00:21:22,400 --> 00:21:23,600
Basically, what she said is,

811
00:21:23,600 --> 00:21:24,333
"You're spooky."

812
00:21:24,333 --> 00:21:27,333
"Dress like a monster."

813
00:21:27,333 --> 00:21:29,100
Come talk to me as a man.

814
00:21:29,100 --> 00:21:31,067
>> What's up?

815
00:21:31,067 --> 00:21:32,800
>> Well, I don't know if any of

816
00:21:32,800 --> 00:21:33,833
the other girls have said

817
00:21:33,833 --> 00:21:34,700
anything about it, but I'd

818
00:21:34,700 --> 00:21:36,233
rather have you hear it from me

819
00:21:36,233 --> 00:21:39,267
now before it turns into much

820
00:21:39,267 --> 00:21:41,367
bigger than it was.

821
00:21:41,367 --> 00:21:44,067
But in the last runway, I was

822
00:21:44,067 --> 00:21:45,333
pretty sure I was in the bottom

823
00:21:45,333 --> 00:21:46,233
two--

824
00:21:46,233 --> 00:21:47,067
>> Uh-huh.

825
00:21:47,067 --> 00:21:48,067
>> --so I brought you up, and I

826
00:21:48,067 --> 00:21:49,300
just wanted to let you know.

827
00:21:49,300 --> 00:21:49,967
>> What do you mean, "brought me

828
00:21:49,967 --> 00:21:50,433
up"?

829
00:21:50,433 --> 00:21:51,733
Brought me up how?

830
00:21:51,733 --> 00:21:52,700
>> Well, basically, what I said

831
00:21:52,700 --> 00:21:53,667
was I felt that you kind of

832
00:21:53,667 --> 00:21:56,700
pushed me into, you know, just

833
00:21:56,700 --> 00:21:58,767
doing my spooky look, and that

834
00:21:58,767 --> 00:22:00,067
it was irresponsible and I

835
00:22:00,067 --> 00:22:01,267
thought it was kind of sloppy

836
00:22:01,267 --> 00:22:02,067
just to--

837
00:22:02,067 --> 00:22:02,567
>> Because I told you to do

838
00:22:02,567 --> 00:22:06,900
something that you're good at?

839
00:22:06,900 --> 00:22:07,667
>> RUPAUL: Coming up.

840
00:22:07,667 --> 00:22:09,067
>> I look the fuckin' future of

841
00:22:09,067 --> 00:22:09,500
drag!

842
00:22:09,500 --> 00:22:11,200
You look fuckin' 20 years ago.

843
00:22:11,200 --> 00:22:12,200
>> Go back to party city, where

844
00:22:12,200 --> 00:22:14,267
you belong.

845
00:22:14,267 --> 00:22:15,167
>> She made some piss-poor

846
00:22:15,167 --> 00:22:16,967
casting choices.

847
00:22:25,500 --> 00:22:27,367
>> In the last runway, I was

848
00:22:27,367 --> 00:22:28,500
pretty sure I was in the bottom

849
00:22:28,500 --> 00:22:29,400
two--

850
00:22:29,400 --> 00:22:30,067
>> Uh-huh.

851
00:22:30,067 --> 00:22:31,200
>> So I brought you up.

852
00:22:31,200 --> 00:22:32,667
I felt that you kind of pushed

853
00:22:32,667 --> 00:22:35,367
me into, you know, just doing my

854
00:22:35,367 --> 00:22:37,067
spooky look, and that it was

855
00:22:37,067 --> 00:22:39,067
irresponsible and I thought it

856
00:22:39,067 --> 00:22:40,567
was kind of sloppy just to--

857
00:22:40,567 --> 00:22:41,167
>> Because I told you to do

858
00:22:41,167 --> 00:22:44,567
something that you're good at?

859
00:22:44,567 --> 00:22:46,067
>> Well, I wanted RuPaul to know

860
00:22:46,067 --> 00:22:47,367
that if she wanted to say that I

861
00:22:47,367 --> 00:22:48,633
just kept turning out the same

862
00:22:48,633 --> 00:22:50,500
look, it was because you just

863
00:22:50,500 --> 00:22:51,900
wanted us to be--

864
00:22:51,900 --> 00:22:52,600
>> PHI PHI: As a team leader--

865
00:22:52,600 --> 00:22:53,833
>> --what we always are.

866
00:22:53,833 --> 00:22:54,500
>> You're an adult.

867
00:22:54,500 --> 00:22:55,167
You coulda came up to me and

868
00:22:55,167 --> 00:22:55,867
said, "You know what, I don't

869
00:22:55,867 --> 00:22:57,100
wanna do this."

870
00:22:57,100 --> 00:22:58,367
>> I was being realistic--

871
00:22:58,367 --> 00:22:59,433
>> Realistic is bullshit,

872
00:22:59,433 --> 00:23:00,700
because I picked out a character

873
00:23:00,700 --> 00:23:01,733
for you to sit there and do and

874
00:23:01,733 --> 00:23:02,600
you did it great.

875
00:23:02,600 --> 00:23:03,533
You obviously won the goddamn

876
00:23:03,533 --> 00:23:04,567
challenge.

877
00:23:04,567 --> 00:23:05,300
>> Because--because--

878
00:23:05,300 --> 00:23:06,100
>> Because of me!

879
00:23:06,100 --> 00:23:07,600
Because I told you to go in your

880
00:23:07,600 --> 00:23:09,067
closet and dig out that goddamn

881
00:23:09,067 --> 00:23:11,067
gothic look!

882
00:23:11,067 --> 00:23:12,400
So congratulations!

883
00:23:12,400 --> 00:23:13,200
You're welcome!

884
00:23:13,200 --> 00:23:14,200
Because I was the one that sat

885
00:23:14,200 --> 00:23:15,067
there and picked that out for

886
00:23:15,067 --> 00:23:15,667
you.

887
00:23:15,667 --> 00:23:16,333
>> SHARON: Okay, well if you

888
00:23:16,333 --> 00:23:17,067
think

889
00:23:17,067 --> 00:23:17,833
that I won because of you--

890
00:23:17,833 --> 00:23:18,667
>> Sharon, get out of my face.

891
00:23:18,667 --> 00:23:20,067
>> You--you are wrong.

892
00:23:20,067 --> 00:23:20,467
>> Then what?

893
00:23:20,467 --> 00:23:21,167
What'd you wanna do?

894
00:23:21,167 --> 00:23:21,800
>> It's talent that gets me to

895
00:23:21,800 --> 00:23:22,400
win.

896
00:23:22,400 --> 00:23:23,133
>> PHI PHI: Sharon, you know

897
00:23:23,133 --> 00:23:23,600
what?

898
00:23:23,600 --> 00:23:24,200
You are not even on the same

899
00:23:24,200 --> 00:23:25,767
level as me, so get the fuck out

900
00:23:25,767 --> 00:23:26,267
of my face.

901
00:23:26,267 --> 00:23:26,667
>> That's right!

902
00:23:26,667 --> 00:23:28,267
Because you--that's because--

903
00:23:28,267 --> 00:23:29,767
>> Go and do your only one look

904
00:23:29,767 --> 00:23:30,800
that ya got!

905
00:23:30,800 --> 00:23:32,233
>> SHARON: Oh, I have one look?

906
00:23:32,233 --> 00:23:33,533
Tired-ass showgirl.

907
00:23:33,533 --> 00:23:34,100
Fuck you.

908
00:23:34,100 --> 00:23:34,733
>> Yeah, at least I am a

909
00:23:34,733 --> 00:23:35,967
showgirl, bitch!

910
00:23:35,967 --> 00:23:36,933
Go back to party city, where you

911
00:23:36,933 --> 00:23:39,400
belong!

912
00:23:39,400 --> 00:23:40,367
>> I'm the fuckin' future of

913
00:23:40,367 --> 00:23:41,067
drag!

914
00:23:41,067 --> 00:23:42,600
You look fuckin' 20 years ago.

915
00:23:42,600 --> 00:23:43,900
>> Oh, girl, please.

916
00:23:43,900 --> 00:23:44,933
>> I tried to talk to you like a

917
00:23:44,933 --> 00:23:45,867
sister, and I tried to talk to

918
00:23:45,867 --> 00:23:46,567
you like a grownup.

919
00:23:46,567 --> 00:23:47,467
>> We're not sisters, though!

920
00:23:47,467 --> 00:23:48,233
So I don't want you ever talking

921
00:23:48,233 --> 00:23:51,067
to me!

922
00:23:51,067 --> 00:23:52,067
>> Oh.

923
00:23:52,067 --> 00:23:53,800
Time to go.

924
00:23:53,800 --> 00:23:54,500
>> To sit there and tarnish my

925
00:23:54,500 --> 00:23:56,067
reputation just because she felt

926
00:23:56,067 --> 00:23:58,467
insecure is bullshit.

927
00:23:58,467 --> 00:24:00,867
Bitch, don't come for me.

928
00:24:00,867 --> 00:24:03,067
>> Future of drag.

929
00:24:03,067 --> 00:24:05,733
Fuckin' tired-ass lame shit.

930
00:24:05,733 --> 00:24:06,300
Future.

931
00:24:06,300 --> 00:24:07,400
The future.

932
00:24:10,400 --> 00:24:11,767
>> * Jesus is a biskwit

933
00:24:11,767 --> 00:24:12,733
>> [laughter]

934
00:24:24,333 --> 00:24:26,100
>> [RuPaul singing "Cover

935
00:24:26,100 --> 00:24:27,067
Girl"]

936
00:24:27,067 --> 00:24:29,600
* Cover girl, put the bass in

937
00:24:29,600 --> 00:24:30,833
your walk *

938
00:24:30,833 --> 00:24:32,900
* Head to toe, let your whole

939
00:24:32,900 --> 00:24:35,467
body talk *

940
00:24:35,467 --> 00:24:36,733
* And what?

941
00:24:36,733 --> 00:24:37,500
**

942
00:24:37,500 --> 00:24:39,300
Welcome to the main stage of

943
00:24:39,300 --> 00:24:41,467
"RuPaul's Drag Race."

944
00:24:41,467 --> 00:24:43,467
Hey, it's that girl!

945
00:24:43,467 --> 00:24:45,067
Michelle Visage.

946
00:24:45,067 --> 00:24:46,333
>> You spin me right round,

947
00:24:46,333 --> 00:24:47,067
baby.

948
00:24:47,067 --> 00:24:48,200
>> [giggles]

949
00:24:48,200 --> 00:24:49,467
Hey, Billy B!

950
00:24:49,467 --> 00:24:50,767
What's happenin'?

951
00:24:50,767 --> 00:24:52,367
>> You look sickening.

952
00:24:52,367 --> 00:24:53,500
>> Thank you, darling.

953
00:24:53,500 --> 00:24:54,900
>> Max Mutchnick!

954
00:24:54,900 --> 00:24:56,333
How are you, darling?

955
00:24:56,333 --> 00:24:57,367
>> Thrilled, and you get points

956
00:24:57,367 --> 00:25:00,200
just for gettin' the name right.

957
00:25:00,200 --> 00:25:02,933
And Nicole Sullivan, I'm so glad

958
00:25:02,933 --> 00:25:03,700
you're here.

959
00:25:03,700 --> 00:25:06,433
Now, what would the Vancome lady

960
00:25:06,433 --> 00:25:07,933
say about my makeup?

961
00:25:07,933 --> 00:25:09,233
>> Looks like Little Orphan

962
00:25:09,233 --> 00:25:10,567
Annie sat in the sun a little

963
00:25:10,567 --> 00:25:12,200
too long and got a boob job.

964
00:25:12,200 --> 00:25:14,267
>> [laughs]

965
00:25:14,267 --> 00:25:15,933
Now this week, the queens were

966
00:25:15,933 --> 00:25:17,867
challenged to play classic

967
00:25:17,867 --> 00:25:19,933
sitcom character types, and

968
00:25:19,933 --> 00:25:22,333
tonight, they're all dolled up

969
00:25:22,333 --> 00:25:24,367
for their television premiere.

970
00:25:24,367 --> 00:25:26,333
Gentlemen, start your engines.

971
00:25:26,333 --> 00:25:28,800
And may the best woman win!

972
00:25:32,700 --> 00:25:35,333
Up first, Phi Phi O'Hara.

973
00:25:35,333 --> 00:25:37,500
She's so vaginal in white.

974
00:25:37,500 --> 00:25:39,267
>> If I'm going to red carpet, I

975
00:25:39,267 --> 00:25:40,567
want a gorgeous gown that

976
00:25:40,567 --> 00:25:42,133
everybody's gonna be like, "Ooh,

977
00:25:42,133 --> 00:25:43,167
that's Phi Phi."

978
00:25:43,167 --> 00:25:43,800
>> NICOLE SULLIVAN: I see her

979
00:25:43,800 --> 00:25:44,533
halo.

980
00:25:44,533 --> 00:25:45,633
>> RUPAUL: And that dress has

981
00:25:45,633 --> 00:25:47,633
wings!

982
00:25:47,633 --> 00:25:50,133
Latrice Royale.

983
00:25:50,133 --> 00:25:53,733
I see the Beverly Hillsbilly.

984
00:25:53,733 --> 00:25:55,500
>> I'm blinging, I'm feeling

985
00:25:55,500 --> 00:25:56,500
beautiful.

986
00:25:56,500 --> 00:25:59,067
This is the sheer elegant side

987
00:25:59,067 --> 00:26:00,333
of Latrice.

988
00:26:00,333 --> 00:26:01,700
>> RUPAUL: I think Latrice has a

989
00:26:01,700 --> 00:26:04,300
cable ace award up her sleeve.

990
00:26:04,300 --> 00:26:04,900
>> MICHELLE VISAGE: Or she's

991
00:26:04,900 --> 00:26:05,933
just happy t see ya.

992
00:26:05,933 --> 00:26:07,533
>> RUPAUL: Uh-huh.

993
00:26:07,533 --> 00:26:09,100
Dida Ritz.

994
00:26:09,100 --> 00:26:09,500
Wow.

995
00:26:09,500 --> 00:26:10,767
She's on fire.

996
00:26:10,767 --> 00:26:12,167
>> I'm all about showing body

997
00:26:12,167 --> 00:26:12,967
and leg.

998
00:26:12,967 --> 00:26:14,767
I am working it.

999
00:26:14,767 --> 00:26:15,533
>> NICOLE: She's walking like

1000
00:26:15,533 --> 00:26:17,233
she has somewhere to go.

1001
00:26:17,233 --> 00:26:17,900
>> MICHELLE: She's got a meetin'

1002
00:26:17,900 --> 00:26:20,167
in the ladies' room.

1003
00:26:20,167 --> 00:26:21,233
>> RUPAUL: Madame LaQueer as

1004
00:26:21,233 --> 00:26:23,233
folk.

1005
00:26:23,233 --> 00:26:24,800
>> I'm going for something I

1006
00:26:24,800 --> 00:26:27,700
would actually wear to a event

1007
00:26:27,700 --> 00:26:28,800
premiere.

1008
00:26:28,800 --> 00:26:29,767
>> MAX: Lainie Kazan's sexy

1009
00:26:29,767 --> 00:26:30,900
sister.

1010
00:26:30,900 --> 00:26:31,900
>> Kirstie Alley better watch

1011
00:26:31,900 --> 00:26:34,167
out.

1012
00:26:34,167 --> 00:26:35,467
William.

1013
00:26:35,467 --> 00:26:37,433
Serving a little Taylor Swift.

1014
00:26:37,433 --> 00:26:39,067
>> I chose some Vivienne

1015
00:26:39,067 --> 00:26:40,433
Westwood, 'cause the only thing

1016
00:26:40,433 --> 00:26:41,767
that matters on the carpet is

1017
00:26:41,767 --> 00:26:43,633
"Who are you wearing?"

1018
00:26:43,633 --> 00:26:44,167
>> NICOLE: I love how it

1019
00:26:44,167 --> 00:26:44,833
accidentally fell of the

1020
00:26:44,833 --> 00:26:45,467
shoulder.

1021
00:26:45,467 --> 00:26:46,233
Uh-oh.

1022
00:26:46,233 --> 00:26:46,900
>> RUPAUL: Oh, jeez.

1023
00:26:46,900 --> 00:26:48,300
>> NICOLE: Did my boob fall out?

1024
00:26:48,300 --> 00:26:48,833
>> RUPAUL: Standards and

1025
00:26:48,833 --> 00:26:51,700
practices will hear about this.

1026
00:26:51,700 --> 00:26:53,833
Lil' Kenya Michaels!

1027
00:26:53,833 --> 00:26:56,067
>> MICHELLE: Love Kenya Braxton.

1028
00:26:56,067 --> 00:26:58,133
>> I feel amazing.

1029
00:26:58,133 --> 00:26:59,333
I'm a model.

1030
00:26:59,333 --> 00:27:01,400
This is my moment.

1031
00:27:01,400 --> 00:27:02,067
>> BILLY B: A pineapple

1032
00:27:02,067 --> 00:27:03,067
smoothie.

1033
00:27:03,067 --> 00:27:05,400
>> RUPAUL: Delicious!

1034
00:27:05,400 --> 00:27:06,467
Chad Michaels!

1035
00:27:06,467 --> 00:27:07,667
>> Ooh.

1036
00:27:07,667 --> 00:27:08,500
>> RUPAUL: Very Florence and the

1037
00:27:08,500 --> 00:27:09,467
Machine.

1038
00:27:09,467 --> 00:27:10,433
>> BILLY B: The dog days are

1039
00:27:10,433 --> 00:27:11,500
over.

1040
00:27:11,500 --> 00:27:12,967
>> I'm wearing a tribute to the

1041
00:27:12,967 --> 00:27:15,667
Tudors, the Renaissance, and I

1042
00:27:15,667 --> 00:27:17,100
just felt really gorgeous.

1043
00:27:17,100 --> 00:27:18,267
>> RUPAUL: Take it all in,

1044
00:27:18,267 --> 00:27:20,133
darling.

1045
00:27:20,133 --> 00:27:23,067
Up next, Jiggly Caliente!

1046
00:27:23,067 --> 00:27:23,700
>> MICHELLE: This is Brooklyn

1047
00:27:23,700 --> 00:27:25,067
Prom, bitches.

1048
00:27:25,067 --> 00:27:25,567
>> The girls that are

1049
00:27:25,567 --> 00:27:27,500
edgy--young Hollywood--they

1050
00:27:27,500 --> 00:27:28,733
don't wear evening gowns all the

1051
00:27:28,733 --> 00:27:29,633
time.

1052
00:27:29,633 --> 00:27:31,133
You just gotta look pretty.

1053
00:27:31,133 --> 00:27:32,300
>> RUPAUL: It's always Jiggly in

1054
00:27:32,300 --> 00:27:35,433
Philadelphia.

1055
00:27:35,433 --> 00:27:38,067
London, Paris, Milan.

1056
00:27:38,067 --> 00:27:39,633
All right, Iman.

1057
00:27:39,633 --> 00:27:41,567
She's playing her gold card.

1058
00:27:41,567 --> 00:27:42,433
>> It feels like I've been

1059
00:27:42,433 --> 00:27:43,833
poured in gold.

1060
00:27:43,833 --> 00:27:44,833
And if there was a female

1061
00:27:44,833 --> 00:27:46,233
version of the Oscar, it would

1062
00:27:46,233 --> 00:27:47,533
be me.

1063
00:27:47,533 --> 00:27:48,367
>> NICOLE: She's just a Bond

1064
00:27:48,367 --> 00:27:49,267
girl.

1065
00:27:49,267 --> 00:27:50,767
>> MICHELLE: Octopussy.

1066
00:27:50,767 --> 00:27:53,167
>> RUPAUL: Sharon Needles!

1067
00:27:53,167 --> 00:27:53,733
>> MICHELLE: Here's to the

1068
00:27:53,733 --> 00:27:55,467
ladies who lunch.

1069
00:27:55,467 --> 00:27:56,533
>> I kinda wanted to ham it up

1070
00:27:56,533 --> 00:27:59,133
and dress like an old lady.

1071
00:27:59,133 --> 00:28:00,100
>> RUPAUL: And she's so generous

1072
00:28:00,100 --> 00:28:01,533
with her fans, signing

1073
00:28:01,533 --> 00:28:03,067
autographs.

1074
00:28:03,067 --> 00:28:03,833
>> NICOLE: I think Carol Burnett

1075
00:28:03,833 --> 00:28:06,767
found her diva.

1076
00:28:06,767 --> 00:28:07,400
>> RUPAUL: So glad we have this

1077
00:28:07,400 --> 00:28:10,367
time together.

1078
00:28:10,367 --> 00:28:12,600
Welcome back, bosom buddies.

1079
00:28:12,600 --> 00:28:14,667
Let's tune in to an all-new

1080
00:28:14,667 --> 00:28:17,767
episode of "Hot in Tuckahoe."

1081
00:28:17,767 --> 00:28:19,967
The one with the beaver.

1082
00:28:19,967 --> 00:28:22,367
Starring Team Madame LaQueer.

1083
00:28:22,367 --> 00:28:23,067
>> FEMALE SINGER: * They did the

1084
00:28:23,067 --> 00:28:24,100
time and they're out on parole

1085
00:28:24,100 --> 00:28:24,833
*

1086
00:28:24,833 --> 00:28:25,800
* Now they're the hottest thing

1087
00:28:25,800 --> 00:28:26,600
in Tuckahoe!

1088
00:28:26,600 --> 00:28:27,767
**

1089
00:28:27,767 --> 00:28:29,700
>> Of all the stupid things,

1090
00:28:29,700 --> 00:28:30,933
Rose!

1091
00:28:30,933 --> 00:28:31,733
Why did you show up at the

1092
00:28:31,733 --> 00:28:33,100
Justin Bieber concert in this

1093
00:28:33,100 --> 00:28:34,833
ridiculous costume?

1094
00:28:34,833 --> 00:28:36,833
>> Justin Bie--Oh!

1095
00:28:36,833 --> 00:28:38,100
I thought you said we were going

1096
00:28:38,100 --> 00:28:42,500
to a dress-in-beaver concert.

1097
00:28:42,500 --> 00:28:44,067
>> When was the last time you

1098
00:28:44,067 --> 00:28:45,267
washed this thing?

1099
00:28:45,267 --> 00:28:46,767
I mean, I nearly gagged at the

1100
00:28:46,767 --> 00:28:48,267
stench!

1101
00:28:48,267 --> 00:28:53,433
>> Mm, I kinda like the smell.

1102
00:28:53,433 --> 00:28:56,933
Remind me of high school gym

1103
00:28:56,933 --> 00:28:59,667
class.

1104
00:28:59,667 --> 00:29:02,600
Welcome to Tuckahoe Prison,

1105
00:29:02,600 --> 00:29:04,233
pretty lady.

1106
00:29:04,233 --> 00:29:07,200
Say here you were arrest for

1107
00:29:07,200 --> 00:29:10,567
solicitin' a minor?

1108
00:29:10,567 --> 00:29:13,633
>> Oh, that was so mortifyin'!

1109
00:29:13,633 --> 00:29:17,067
I accidentally spilled my Bloody

1110
00:29:17,067 --> 00:29:21,067
Mary on Rose, so I asked for a

1111
00:29:21,067 --> 00:29:24,500
young man for his napkin for me

1112
00:29:24,500 --> 00:29:26,800
to wipe my friend's sticky

1113
00:29:26,800 --> 00:29:30,067
beaver.

1114
00:29:30,067 --> 00:29:34,933
>> Did somebody say...beaver?

1115
00:29:34,933 --> 00:29:37,200
>> Finally, a big strong man who

1116
00:29:37,200 --> 00:29:40,967
can get us all off.

1117
00:29:40,967 --> 00:29:41,733
>> Now let's all put our heads

1118
00:29:41,733 --> 00:29:44,067
together and get this thing

1119
00:29:44,067 --> 00:29:46,067
licked.

1120
00:29:46,067 --> 00:29:46,700
>> Well, it's not gonna lick

1121
00:29:46,700 --> 00:29:47,733
itself.

1122
00:29:47,733 --> 00:29:50,933
>> And my beaver is dirty!

1123
00:29:50,933 --> 00:29:54,200
>> Are we talkin' about beavers?

1124
00:29:54,200 --> 00:29:55,233
Oh.

1125
00:29:58,067 --> 00:29:59,367
Ew!

1126
00:30:03,467 --> 00:30:04,100
>> MILAN: I think we did a

1127
00:30:04,100 --> 00:30:05,067
pretty good job.

1128
00:30:05,067 --> 00:30:07,633
We delivered.

1129
00:30:07,633 --> 00:30:08,400
>> RUPAUL: Coming up.

1130
00:30:08,400 --> 00:30:09,500
>> The whole package is just a

1131
00:30:09,500 --> 00:30:11,267
little too jarring.

1132
00:30:11,267 --> 00:30:12,500
>> I don't know why you cast

1133
00:30:12,500 --> 00:30:13,767
yourself as that part.

1134
00:30:13,767 --> 00:30:14,633
>> There was nothing butch about

1135
00:30:14,633 --> 00:30:15,733
you.

1136
00:30:22,667 --> 00:30:24,633
>> Team William, it's time for

1137
00:30:24,633 --> 00:30:26,767
another episode of "Hot in

1138
00:30:26,767 --> 00:30:28,267
Tuckahoe."

1139
00:30:28,267 --> 00:30:30,733
You know, the one with the nuts.

1140
00:30:30,733 --> 00:30:31,533
>> FEMALE SINGER: * They did the

1141
00:30:31,533 --> 00:30:32,533
time and they're out on parole

1142
00:30:32,533 --> 00:30:33,233
*

1143
00:30:33,233 --> 00:30:34,167
* Now they're the hottest thing

1144
00:30:34,167 --> 00:30:35,000
in Tuckahoe!

1145
00:30:35,000 --> 00:30:36,333
**

1146
00:30:36,333 --> 00:30:38,467
>> Of all the dumb ideas, Rose!

1147
00:30:38,467 --> 00:30:40,067
What made you think we could

1148
00:30:40,067 --> 00:30:41,500
break into a nut farm in the

1149
00:30:41,500 --> 00:30:42,800
middle of the night?

1150
00:30:42,800 --> 00:30:44,167
>> Well, Julia, I was having

1151
00:30:44,167 --> 00:30:46,567
such a bad day, and the only

1152
00:30:46,567 --> 00:30:47,733
thing I could think of to make

1153
00:30:47,733 --> 00:30:49,067
me feel better was a big

1154
00:30:49,067 --> 00:30:51,633
mouthful of Mr. Happy's Tasty

1155
00:30:51,633 --> 00:30:53,233
Nuts.

1156
00:30:53,233 --> 00:30:54,833
>> Welcome to Tuckahoe Prison

1157
00:30:54,833 --> 00:30:56,233
for Ladies.

1158
00:30:56,233 --> 00:30:58,000
Says here you were caught hidin'

1159
00:30:58,000 --> 00:30:59,733
in the hedges.

1160
00:30:59,733 --> 00:31:03,133
Mm, well hello, gorgeous.

1161
00:31:03,133 --> 00:31:04,400
I like to let you hide in my

1162
00:31:04,400 --> 00:31:06,900
hedges any day.

1163
00:31:06,900 --> 00:31:08,367
>> I beg your pardon, but I am

1164
00:31:08,367 --> 00:31:12,500
not into horticulture!

1165
00:31:12,500 --> 00:31:13,400
>> Hey, guard!

1166
00:31:13,400 --> 00:31:14,733
You seem like a guy that loves

1167
00:31:14,733 --> 00:31:16,867
nuts!

1168
00:31:16,867 --> 00:31:18,067
>> Back off, chick-a-pea.

1169
00:31:18,067 --> 00:31:19,400
I'm allergic to nuts.

1170
00:31:19,400 --> 00:31:20,267
Tried 'em once.

1171
00:31:20,267 --> 00:31:22,533
Almost gagged to death.

1172
00:31:22,533 --> 00:31:26,433
>> Did someone say nuts?

1173
00:31:26,433 --> 00:31:27,700
>> Finally, a big, strong man

1174
00:31:27,700 --> 00:31:29,933
who can get us all off.

1175
00:31:29,933 --> 00:31:31,133
>> No one needs to go to jail

1176
00:31:31,133 --> 00:31:32,467
for liking nuts.

1177
00:31:32,467 --> 00:31:36,067
Why, I have a huge sack...right

1178
00:31:36,067 --> 00:31:36,733
here.

1179
00:31:36,733 --> 00:31:37,433
>> Ooh, me first!

1180
00:31:37,433 --> 00:31:37,900
Gimme!

1181
00:31:37,900 --> 00:31:38,800
>> LATRICE: Hey-hey!

1182
00:31:38,800 --> 00:31:40,700
Get those nuts away from my

1183
00:31:40,700 --> 00:31:41,967
face!

1184
00:31:46,867 --> 00:31:47,433
>> JIGGLY CALIENTE: Wait a

1185
00:31:47,433 --> 00:31:48,433
second.

1186
00:31:48,433 --> 00:31:49,067
Are we still talking about

1187
00:31:49,067 --> 00:31:49,867
peanuts?

1188
00:31:49,867 --> 00:31:54,067
Or...ew!

1189
00:32:03,733 --> 00:32:06,467
>> Ladies, the ratings are in,

1190
00:32:06,467 --> 00:32:09,267
and one team was, in a word,

1191
00:32:09,267 --> 00:32:12,233
"dyn-o-mite."

1192
00:32:12,233 --> 00:32:17,700
The winning team is...Team

1193
00:32:17,700 --> 00:32:18,667
William.

1194
00:32:18,667 --> 00:32:22,733
>> ALL: [clapping]

1195
00:32:22,733 --> 00:32:24,967
>> Condragulations.

1196
00:32:24,967 --> 00:32:29,333
But, one queen in particular was

1197
00:32:29,333 --> 00:32:31,767
serving must-see TV.

1198
00:32:31,767 --> 00:32:32,867
The winner of this week's main

1199
00:32:32,867 --> 00:32:38,067
challenge is...Latrice Royale!

1200
00:32:38,067 --> 00:32:41,133
>> ALL: [clapping]

1201
00:32:41,133 --> 00:32:42,567
>> Condragulations.

1202
00:32:42,567 --> 00:32:44,900
You will win a cruise courtesy

1203
00:32:44,900 --> 00:32:47,300
of Allen and Chuck dot Travel.

1204
00:32:47,300 --> 00:32:48,567
>> Thank you so much.

1205
00:32:48,567 --> 00:32:50,200
I'm finally in the game.

1206
00:32:50,200 --> 00:32:51,067
I get a little bit of

1207
00:32:51,067 --> 00:32:53,300
recognition for what I'm dong.

1208
00:32:53,300 --> 00:32:56,233
That makes me feel incredible.

1209
00:32:56,233 --> 00:32:58,100
>> Team, William, you are all

1210
00:32:58,100 --> 00:32:59,167
safe.

1211
00:32:59,167 --> 00:33:00,833
You may leave the stage.

1212
00:33:00,833 --> 00:33:01,933
>> Let's go.

1213
00:33:05,133 --> 00:33:07,533
>> Team Madame LaQueer, you've

1214
00:33:07,533 --> 00:33:09,567
got some 'splaining to do.

1215
00:33:09,567 --> 00:33:12,067
First up, Lil' Kenya Michaels.

1216
00:33:12,067 --> 00:33:13,467
Now, Kenya, you were playing

1217
00:33:13,467 --> 00:33:15,467
Marge, the butch guard.

1218
00:33:15,467 --> 00:33:16,733
Was that your interpretation of

1219
00:33:16,733 --> 00:33:17,500
butch?

1220
00:33:17,500 --> 00:33:18,833
>> I was trying to be butch.

1221
00:33:18,833 --> 00:33:20,900
I'm trying to look like a man,

1222
00:33:20,900 --> 00:33:22,333
but--

1223
00:33:22,333 --> 00:33:23,233
>> There was nothing butch about

1224
00:33:23,233 --> 00:33:24,067
you.

1225
00:33:24,067 --> 00:33:25,367
>> Runway, it was great.

1226
00:33:25,367 --> 00:33:26,867
You looked beautiful.

1227
00:33:26,867 --> 00:33:28,333
>> NICOLE: So pretty.

1228
00:33:28,333 --> 00:33:30,333
Easygoing, and I lurve the

1229
00:33:30,333 --> 00:33:31,300
dress.

1230
00:33:31,300 --> 00:33:32,367
>> Thank you, Kenya.

1231
00:33:32,367 --> 00:33:33,933
Next up, Milan.

1232
00:33:33,933 --> 00:33:35,067
Now, you're a trained actor,

1233
00:33:35,067 --> 00:33:35,600
aren't you?

1234
00:33:35,600 --> 00:33:36,400
>> Yes, ma'am.

1235
00:33:36,400 --> 00:33:38,233
>> Tonight, you are like a

1236
00:33:38,233 --> 00:33:41,333
stunning black Emmy award.

1237
00:33:41,333 --> 00:33:43,933
AS for your performance, I think

1238
00:33:43,933 --> 00:33:46,100
you got lost, and I think you

1239
00:33:46,100 --> 00:33:48,200
were acting all by yourself.

1240
00:33:48,200 --> 00:33:48,900
>> You needed to take it

1241
00:33:48,900 --> 00:33:49,733
further.

1242
00:33:49,733 --> 00:33:51,133
It's always better to be told to

1243
00:33:51,133 --> 00:33:52,767
take it down than it is to pump

1244
00:33:52,767 --> 00:33:54,167
it up.

1245
00:33:54,167 --> 00:33:55,067
>> Thank you, Milan.

1246
00:33:55,067 --> 00:33:56,633
Madame LaQueer.

1247
00:33:56,633 --> 00:33:57,767
Now, tell me about watching

1248
00:33:57,767 --> 00:33:59,433
yourself in the sitcom.

1249
00:33:59,433 --> 00:34:01,133
>> I think I lost my accent.

1250
00:34:01,133 --> 00:34:01,933
>> What accent were you going

1251
00:34:01,933 --> 00:34:02,733
for?

1252
00:34:02,733 --> 00:34:04,100
Can you give me an example?

1253
00:34:04,100 --> 00:34:05,500
>> Of course, I was going for

1254
00:34:05,500 --> 00:34:07,100
this accent because I'm an

1255
00:34:07,100 --> 00:34:08,467
uptight and pretty woman.

1256
00:34:08,467 --> 00:34:09,600
>> Mm.

1257
00:34:09,600 --> 00:34:10,933
You were working on an accent

1258
00:34:10,933 --> 00:34:12,167
that I don't think worked for

1259
00:34:12,167 --> 00:34:13,067
you.

1260
00:34:13,067 --> 00:34:14,700
I think that you were maybe

1261
00:34:14,700 --> 00:34:16,767
stretching a little bit too far.

1262
00:34:16,767 --> 00:34:17,867
>> RUPAUL: Thank you.

1263
00:34:17,867 --> 00:34:19,933
Next up, Dida Ritz.

1264
00:34:19,933 --> 00:34:21,200
>> I think you could be sexier

1265
00:34:21,200 --> 00:34:22,700
and prettier, and I think it's

1266
00:34:22,700 --> 00:34:24,867
the hair that is the issue.

1267
00:34:24,867 --> 00:34:26,233
>> If you're going bare legged,

1268
00:34:26,233 --> 00:34:27,400
lotion up, girl.

1269
00:34:27,400 --> 00:34:28,533
Lotion up.

1270
00:34:28,533 --> 00:34:29,767
>> MAX: Let's get to the acting

1271
00:34:29,767 --> 00:34:30,800
yesterday.

1272
00:34:30,800 --> 00:34:31,867
You have "it."

1273
00:34:31,867 --> 00:34:33,500
There's a quality--it just comes

1274
00:34:33,500 --> 00:34:34,567
out of you.

1275
00:34:34,567 --> 00:34:35,633
That's something that cannot be

1276
00:34:35,633 --> 00:34:37,300
taught.

1277
00:34:37,300 --> 00:34:37,967
>> RUPAUL: All right, thank you,

1278
00:34:37,967 --> 00:34:38,600
Dida.

1279
00:34:38,600 --> 00:34:39,167
>> Thank you.

1280
00:34:39,167 --> 00:34:40,600
>> Sharon Needles.

1281
00:34:40,600 --> 00:34:41,700
>> Hello, RuPaul.

1282
00:34:41,700 --> 00:34:42,867
>> Here's my concern.

1283
00:34:42,867 --> 00:34:44,333
The whole thing--the whole

1284
00:34:44,333 --> 00:34:45,700
package is just a little too

1285
00:34:45,700 --> 00:34:46,700
jarring.

1286
00:34:46,700 --> 00:34:48,467
>> This isn't the first time

1287
00:34:48,467 --> 00:34:49,800
I've caused concern for being

1288
00:34:49,800 --> 00:34:51,300
too far out of the box.

1289
00:34:51,300 --> 00:34:52,067
>> This is a little bit of what

1290
00:34:52,067 --> 00:34:53,133
happened yesterday.

1291
00:34:53,133 --> 00:34:55,667
You had something to say about

1292
00:34:55,667 --> 00:34:57,533
everything that I had to say.

1293
00:34:57,533 --> 00:34:58,900
I need to know that you're gonna

1294
00:34:58,900 --> 00:35:00,933
take the notes and not going to

1295
00:35:00,933 --> 00:35:02,767
say to me, "This is just who I

1296
00:35:02,767 --> 00:35:04,633
am and take it over leave it."

1297
00:35:04,633 --> 00:35:06,167
That throws up a flag for a guy

1298
00:35:06,167 --> 00:35:08,300
like me.

1299
00:35:08,300 --> 00:35:09,833
>> RUPAUL: Ladies, thank you.

1300
00:35:09,833 --> 00:35:11,800
I think we've heard enough.

1301
00:35:11,800 --> 00:35:14,100
While you untuck in the Interior

1302
00:35:14,100 --> 00:35:15,967
Illusions lounge, the judges and

1303
00:35:15,967 --> 00:35:18,100
I will deliberate.

1304
00:35:18,100 --> 00:35:20,300
You may leave the stage.

1305
00:35:20,300 --> 00:35:23,100
No, just between us goyls, what

1306
00:35:23,100 --> 00:35:24,067
do you think?

1307
00:35:24,067 --> 00:35:25,467
Lil' Kenya Michaels.

1308
00:35:25,467 --> 00:35:27,533
>> I think she's so, so pretty.

1309
00:35:27,533 --> 00:35:29,233
But it's my least favorite thing

1310
00:35:29,233 --> 00:35:30,233
to watch as an actor.

1311
00:35:30,233 --> 00:35:30,867
When they're just really

1312
00:35:30,867 --> 00:35:31,667
consumed with how they look

1313
00:35:31,667 --> 00:35:33,200
instead of how they're acting.

1314
00:35:33,200 --> 00:35:34,133
>> Why were you looking at me

1315
00:35:34,133 --> 00:35:35,900
when you said that?

1316
00:35:35,900 --> 00:35:36,733
Anyway.

1317
00:35:36,733 --> 00:35:38,700
>> I think she was miscast in

1318
00:35:38,700 --> 00:35:40,333
the entire challenge.

1319
00:35:40,333 --> 00:35:42,767
>> Madame LaQueer was the leader

1320
00:35:42,767 --> 00:35:43,633
of that group.

1321
00:35:43,633 --> 00:35:44,567
>> She made some piss-poor

1322
00:35:44,567 --> 00:35:46,167
casting choices.

1323
00:35:46,167 --> 00:35:48,733
>> Let's move on down to Milan.

1324
00:35:48,733 --> 00:35:49,967
>> Kelly Rowland better watch

1325
00:35:49,967 --> 00:35:52,667
out, but so should the crazy

1326
00:35:52,667 --> 00:35:54,267
lady at Coldwater Park.

1327
00:35:54,267 --> 00:35:55,833
This is a person that talks to

1328
00:35:55,833 --> 00:35:58,067
the sky and tells imaginary

1329
00:35:58,067 --> 00:35:59,367
friends to watch out, 'cause

1330
00:35:59,367 --> 00:36:01,100
she's coming.

1331
00:36:01,100 --> 00:36:02,067
>> I was sort of shocked to hear

1332
00:36:02,067 --> 00:36:03,200
that she was trained.

1333
00:36:03,200 --> 00:36:04,333
I was expecting someone who was

1334
00:36:04,333 --> 00:36:05,700
trained a lot would have been a

1335
00:36:05,700 --> 00:36:06,733
lot more at ease.

1336
00:36:06,733 --> 00:36:07,333
>> All right.

1337
00:36:07,333 --> 00:36:09,067
Moving on down to the team

1338
00:36:09,067 --> 00:36:11,267
leader, Madame LaQueer.

1339
00:36:11,267 --> 00:36:12,200
She decided to give herself a

1340
00:36:12,200 --> 00:36:14,100
European accent.

1341
00:36:14,100 --> 00:36:16,067
>> I legitimately thought she

1342
00:36:16,067 --> 00:36:18,100
was Russian.

1343
00:36:18,100 --> 00:36:20,500
>> This actress was not paying

1344
00:36:20,500 --> 00:36:21,633
attention.

1345
00:36:21,633 --> 00:36:23,800
She seems like a sweet lady, but

1346
00:36:23,800 --> 00:36:25,100
not for show business.

1347
00:36:25,100 --> 00:36:25,600
>> All right.

1348
00:36:25,600 --> 00:36:27,700
Moving on to Dida Ritz.

1349
00:36:27,700 --> 00:36:29,467
>> I really was impressed with

1350
00:36:29,467 --> 00:36:30,800
the raw skill.

1351
00:36:30,800 --> 00:36:33,933
Dida has that innate ability to

1352
00:36:33,933 --> 00:36:35,133
sound sitcom.

1353
00:36:35,133 --> 00:36:36,100
>> This is America's next drag

1354
00:36:36,100 --> 00:36:36,900
superstar.

1355
00:36:36,900 --> 00:36:37,533
This is a hundred-thousand

1356
00:36:37,533 --> 00:36:38,100
dollars.

1357
00:36:38,100 --> 00:36:39,067
I should not be having to tell a

1358
00:36:39,067 --> 00:36:40,333
queen her hair needs to be

1359
00:36:40,333 --> 00:36:42,500
bigger and her legs need to have

1360
00:36:42,500 --> 00:36:43,067
lotion.

1361
00:36:43,067 --> 00:36:43,500
>> All right.

1362
00:36:43,500 --> 00:36:45,400
Let's move on to Miss Sharon

1363
00:36:45,400 --> 00:36:46,133
Needles.

1364
00:36:46,133 --> 00:36:47,167
>> My limited sort of exposure

1365
00:36:47,167 --> 00:36:47,967
to her, I thought she was kind

1366
00:36:47,967 --> 00:36:49,067
of quirky and cool.

1367
00:36:49,067 --> 00:36:50,533
>> I don't like the name.

1368
00:36:50,533 --> 00:36:51,733
I don't like the look.

1369
00:36:51,733 --> 00:36:53,433
I don't wanna see a sitcom star

1370
00:36:53,433 --> 00:36:54,967
the little girl from "The Ring."

1371
00:36:54,967 --> 00:36:56,800
>> [laughs]

1372
00:36:56,800 --> 00:36:57,433
All right.

1373
00:36:57,433 --> 00:36:57,967
[claps]

1374
00:36:57,967 --> 00:36:59,133
Silence!

1375
00:36:59,133 --> 00:37:00,800
I've made my decision.

1376
00:37:00,800 --> 00:37:04,067
Bring back my girls.

1377
00:37:11,700 --> 00:37:14,300
>> Welcome back, ladies.

1378
00:37:14,300 --> 00:37:15,300
I've made some serious

1379
00:37:15,300 --> 00:37:17,700
decisions.

1380
00:37:17,700 --> 00:37:20,733
Dida Ritz, you're safe.

1381
00:37:20,733 --> 00:37:21,600
>> Thank you.

1382
00:37:21,600 --> 00:37:22,200
>> RUPAUL: You may join the

1383
00:37:22,200 --> 00:37:23,433
other girls.

1384
00:37:27,267 --> 00:37:29,100
Madame LaQueer.

1385
00:37:29,100 --> 00:37:32,267
The judges were mad about you,

1386
00:37:32,267 --> 00:37:35,467
but not in a good way.

1387
00:37:35,467 --> 00:37:36,600
I'm sorry, my dear, but you're

1388
00:37:36,600 --> 00:37:41,400
up for elimination.

1389
00:37:41,400 --> 00:37:42,233
>> I don't know why I'm in the

1390
00:37:42,233 --> 00:37:43,567
bottom two.

1391
00:37:43,567 --> 00:37:44,567
There are people who actually

1392
00:37:44,567 --> 00:37:46,200
deserve to be in this position

1393
00:37:46,200 --> 00:37:48,967
before me.

1394
00:37:48,967 --> 00:37:55,867
>> Sharon Needles...you're safe.

1395
00:37:55,867 --> 00:37:59,300
>> Thank you.

1396
00:37:59,300 --> 00:38:00,067
>> Is there anything you'd like

1397
00:38:00,067 --> 00:38:01,500
to say?

1398
00:38:01,500 --> 00:38:02,633
>> I've spent my entire

1399
00:38:02,633 --> 00:38:04,433
adulthood creating a situation

1400
00:38:04,433 --> 00:38:05,933
where I didn't have to answer to

1401
00:38:05,933 --> 00:38:07,400
people, and you know, I'll

1402
00:38:07,400 --> 00:38:09,633
really work on taking directions

1403
00:38:09,633 --> 00:38:11,833
in the future.

1404
00:38:11,833 --> 00:38:12,467
>> Sharon, you may join the

1405
00:38:12,467 --> 00:38:13,667
other girls.

1406
00:38:19,933 --> 00:38:25,600
Kenya Michaels...you are safe.

1407
00:38:30,733 --> 00:38:34,400
Milan, I'm sorry but you are up

1408
00:38:34,400 --> 00:38:37,733
for elimination.

1409
00:38:37,733 --> 00:38:39,333
>> Being in the bottom two, it's

1410
00:38:39,333 --> 00:38:42,067
a terrifying rush.

1411
00:38:42,067 --> 00:38:44,067
>> Two queens stand before me.

1412
00:38:44,067 --> 00:38:46,067
Ladies, this is your last chance

1413
00:38:46,067 --> 00:38:48,333
to impress me and save yourself

1414
00:38:48,333 --> 00:38:51,133
from elimination.

1415
00:38:51,133 --> 00:38:54,667
The time has come to lip sync

1416
00:38:54,667 --> 00:38:56,100
for your life.

1417
00:38:59,567 --> 00:39:02,867
Good luck, and don't fuck it up.

1418
00:39:02,867 --> 00:39:04,900
>> [PINK singing "Trouble"]

1419
00:39:04,900 --> 00:39:07,267
* No attorneys to plead my case

1420
00:39:07,267 --> 00:39:08,200
*

1421
00:39:08,200 --> 00:39:10,800
* No opiates to send me into

1422
00:39:10,800 --> 00:39:12,067
outer space *

1423
00:39:12,067 --> 00:39:13,467
* I'm trouble

1424
00:39:13,467 --> 00:39:15,267
* Yeah, trouble now

1425
00:39:15,267 --> 00:39:16,933
* I'm trouble, y'all

1426
00:39:16,933 --> 00:39:18,967
* I got trouble in my town

1427
00:39:18,967 --> 00:39:19,533
* You think you're right

1428
00:39:19,533 --> 00:39:20,167
>> MILAN: Lip-syncing for your

1429
00:39:20,167 --> 00:39:21,567
life, you have to try to take

1430
00:39:21,567 --> 00:39:22,367
the other person down.

1431
00:39:22,367 --> 00:39:25,767
* You can take me for a ride

1432
00:39:25,767 --> 00:39:27,733
>> MILAN: I'm really trying to

1433
00:39:27,733 --> 00:39:29,600
deliver the goods that a drag

1434
00:39:29,600 --> 00:39:31,067
star should deliver.

1435
00:39:31,067 --> 00:39:32,700
* Yeah, trouble now

1436
00:39:32,700 --> 00:39:33,967
>> The Pointer Sisters are the

1437
00:39:33,967 --> 00:39:35,900
girls who just point during

1438
00:39:35,900 --> 00:39:36,967
their lip sync.

1439
00:39:36,967 --> 00:39:38,633
And Madame is just a pointing

1440
00:39:38,633 --> 00:39:39,533
queen.

1441
00:39:39,533 --> 00:39:40,333
She's a Pointer Sister.

1442
00:39:40,333 --> 00:39:41,733
* I'm trouble, y'all

1443
00:39:41,733 --> 00:39:43,733
* I got trouble in my town

1444
00:39:43,733 --> 00:39:47,100
* Yeah, trouble now

1445
00:39:47,100 --> 00:39:49,100
* I got trouble in my town

1446
00:39:49,100 --> 00:39:50,467
* I'm trouble

1447
00:39:50,467 --> 00:39:51,500
>> MADAME: I'm just exploding

1448
00:39:51,500 --> 00:39:53,133
with energy in that moment,

1449
00:39:53,133 --> 00:39:54,300
'cause I don't wanna go home."

1450
00:39:54,300 --> 00:39:56,267
>> [PINK singing "Trouble"]

1451
00:39:56,267 --> 00:39:59,400
* If you see me comin'

1452
00:39:59,400 --> 00:40:00,167
>> Madame LaQueer wasn't doing

1453
00:40:00,167 --> 00:40:02,300
much, and I'm like, "Girl, Milan

1454
00:40:02,300 --> 00:40:03,433
just danced circles around you

1455
00:40:03,433 --> 00:40:04,933
and Swiffered the floor with his

1456
00:40:04,933 --> 00:40:05,800
taint.

1457
00:40:05,800 --> 00:40:07,500
>> [PINK singing "Trouble"]

1458
00:40:07,500 --> 00:40:09,833
* I'm trouble

1459
00:40:09,833 --> 00:40:11,567
* Yeah, trouble now

1460
00:40:11,567 --> 00:40:13,167
* I'm trouble, y'all

1461
00:40:13,167 --> 00:40:15,833
* I got trouble in my town

1462
00:40:15,833 --> 00:40:16,467
>> WILLIAM: I don't understand

1463
00:40:16,467 --> 00:40:17,700
why people their wigs off.

1464
00:40:17,700 --> 00:40:20,300
It's a drag show, not wig wars.

1465
00:40:20,300 --> 00:40:22,433
* I got trouble in my town,

1466
00:40:22,433 --> 00:40:23,933
yeah!

1467
00:40:23,933 --> 00:40:24,900
**

1468
00:40:24,900 --> 00:40:26,033
>> ALL: [cheering]

1469
00:40:26,033 --> 00:40:28,667
[clapping]

1470
00:40:31,067 --> 00:40:33,433
>> Ladies, I have made my

1471
00:40:33,433 --> 00:40:34,500
decision.

1472
00:40:37,700 --> 00:40:41,900
Milan, shanté, you stay.

1473
00:40:46,767 --> 00:40:47,733
Milan, you may join the other

1474
00:40:47,733 --> 00:40:48,967
girls.

1475
00:40:48,967 --> 00:40:50,533
>> Thank you.

1476
00:40:54,167 --> 00:40:56,900
Madame LaQueer, my queen.

1477
00:40:56,900 --> 00:41:00,067
Hold your head high and know

1478
00:41:00,067 --> 00:41:02,467
that you represent Puerto Rico

1479
00:41:02,467 --> 00:41:04,733
at its fiercest.

1480
00:41:04,733 --> 00:41:06,700
>> Thank you so much for this

1481
00:41:06,700 --> 00:41:07,833
opportunity.

1482
00:41:07,833 --> 00:41:09,200
I wouldn't trade it for anything

1483
00:41:09,200 --> 00:41:10,667
in the world.

1484
00:41:10,667 --> 00:41:13,633
>> Now, sashay away.

1485
00:41:17,400 --> 00:41:18,500
>> MADAME: This is history in

1486
00:41:18,500 --> 00:41:19,367
the making.

1487
00:41:19,367 --> 00:41:21,533
I'm proud to be part of it.

1488
00:41:21,533 --> 00:41:22,867
I made it.

1489
00:41:22,867 --> 00:41:24,567
I made my dream come true.

1490
00:41:24,567 --> 00:41:26,200
This is only the beginning.

1491
00:41:28,800 --> 00:41:31,233
>> My prime-time nine.

1492
00:41:31,233 --> 00:41:32,600
Condragulations.

1493
00:41:32,600 --> 00:41:35,967
You are all kings of queens.

1494
00:41:35,967 --> 00:41:37,933
Now remember, if you can't love

1495
00:41:37,933 --> 00:41:40,067
yourself, how in the hell you

1496
00:41:40,067 --> 00:41:40,967
gonna love somebody else?

1497
00:41:40,967 --> 00:41:42,600
Can I get a amen from here?

1498
00:41:42,600 --> 00:41:43,833
>> ALL: Amen.

1499
00:41:43,833 --> 00:41:45,200
>> All right, then let the music

1500
00:41:45,200 --> 00:41:46,700
play!

1501
00:41:46,700 --> 00:41:49,233
>> [RuPaul singing "Rest of Your

1502
00:41:49,233 --> 00:41:50,067
Life"]

1503
00:41:54,067 --> 00:41:56,467
* This is the beginning--the

1504
00:41:56,467 --> 00:41:57,667
beginning *

1505
00:41:57,667 --> 00:41:59,400
* This is the beginning of the

1506
00:41:59,400 --> 00:42:01,900
rest of your life **