1 00:00:02,700 --> 00:00:03,367 >> PREVIOUSLY ON 2 00:00:03,367 --> 00:00:04,333 RUPAUL'S DRAG RACE... 3 00:00:04,333 --> 00:00:08,567 LADIES, THE PASSWORD IS... 4 00:00:08,567 --> 00:00:10,000 SNATCH GAME. 5 00:00:10,000 --> 00:00:12,633 [cheers and applause] 6 00:00:12,633 --> 00:00:13,633 >> I MIGHT NOT BE THE BIGGEST 7 00:00:13,633 --> 00:00:15,033 STAR HERE, BUT I GOT THE BIGGEST 8 00:00:15,033 --> 00:00:16,567 KNOCKERS, OKAY? 9 00:00:16,567 --> 00:00:17,967 [guffaws] 10 00:00:17,967 --> 00:00:18,633 >> I JUST WANT TO SAY TO 11 00:00:18,633 --> 00:00:20,067 LADY GAGA THAT I AM THE ONLY 12 00:00:20,067 --> 00:00:21,167 BOSS HERE. 13 00:00:21,167 --> 00:00:21,867 >> THIS WAS A REAL HEAVY 14 00:00:21,867 --> 00:00:22,967 DIANA ROSS. 15 00:00:22,967 --> 00:00:23,933 >> [imitates fart] 16 00:00:23,933 --> 00:00:25,333 >> OH, MY GOODNESS. 17 00:00:25,333 --> 00:00:26,500 >> I DON'T KNOW WHY THEY BOOK ME 18 00:00:26,500 --> 00:00:28,967 ON THESE CHICKENSHIT GIGS. 19 00:00:29,033 --> 00:00:30,233 >> CONDRAGULATIONS. 20 00:00:30,233 --> 00:00:31,100 YOU ARE THE WINNER OF THIS 21 00:00:31,100 --> 00:00:31,800 CHALLENGE. 22 00:00:31,800 --> 00:00:33,733 [applause] 23 00:00:33,733 --> 00:00:34,900 IT'S VERY IMPORTANT FOR YOU TO 24 00:00:34,900 --> 00:00:36,300 UNDERSTAND WE'RE LOOKING FOR 25 00:00:36,300 --> 00:00:37,100 THE TOP. 26 00:00:37,100 --> 00:00:39,100 BRING YOUR "A" GAME. 27 00:00:39,100 --> 00:00:40,867 >> I WILL. 28 00:00:40,867 --> 00:00:43,900 >> MILAN, SHANTE, YOU STAY. 29 00:00:43,900 --> 00:00:48,533 KENYA MICHAELS, SASHAY AWAY. 30 00:00:48,600 --> 00:00:49,267 [cheers and applause] 31 00:00:49,267 --> 00:00:50,833 AND TONIGHT... 32 00:00:50,833 --> 00:00:54,100 OH, OH, OH, OH. 33 00:00:54,167 --> 00:00:56,500 THE DOLLS GET WET. 34 00:00:56,500 --> 00:00:57,867 AND WILD. 35 00:00:57,867 --> 00:01:00,433 OHHH! 36 00:01:00,433 --> 00:01:01,700 WITH EXTRA-SPECIAL GUEST JUDGES 37 00:01:01,700 --> 00:01:04,467 NCIS STAR PAULEY PERRETTE AND 38 00:01:04,467 --> 00:01:07,400 KELLY OSBOURNE. 39 00:01:07,400 --> 00:01:08,900 THE WINNER OF RUPAUL'S DRAG RACE 40 00:01:08,900 --> 00:01:10,967 WILL RECEIVE A LIFETIME SUPPLY 41 00:01:10,967 --> 00:01:12,467 OF NIX COSMETICS, 42 00:01:12,467 --> 00:01:14,133 A ONE-OF-A-KIND TRIP COURTESY OF 43 00:01:14,133 --> 00:01:16,300 ALANDCHUCK.TRAVEL, HEADLINE 44 00:01:16,300 --> 00:01:18,133 LOGO'S DRAG RACE TOUR FEATURING 45 00:01:18,133 --> 00:01:20,133 ABSOLUT VODKA, COCKTAILS 46 00:01:20,133 --> 00:01:22,300 PERFECTED, AND A CASH PRIZE OF 47 00:01:22,300 --> 00:01:24,700 $100,000. 48 00:01:24,700 --> 00:01:27,933 AND MAY THE BEST WOMAN WIN. 49 00:01:28,067 --> 00:01:30,067 >> * RUPAUL DRAG RACE 50 00:01:30,067 --> 00:01:30,800 >> * GENTLEMEN 51 00:01:30,800 --> 00:01:32,067 >> * START YOUR ENGINES 52 00:01:32,067 --> 00:01:33,767 >> * RUPAUL'S DRAG RACE * 53 00:01:33,767 --> 00:01:35,467 >> * MAY THE BEST WOMAN WIN 54 00:01:35,467 --> 00:01:37,633 >> * RU-RU-RUPAUL DRAG RACE 55 00:01:37,633 --> 00:01:38,533 >> * GENTLEMEN 56 00:01:38,533 --> 00:01:39,600 >> * START YOUR ENGINES 57 00:01:39,600 --> 00:01:40,733 >> * RUPAUL'S DRAG RACE * 58 00:01:40,733 --> 00:01:42,267 >> * MAY THE BEST WOMAN 59 00:01:42,267 --> 00:01:48,133 * BEST WOMAN WIN 60 00:01:48,133 --> 00:01:49,500 >> I'M GETTING THE HANGERS. 61 00:01:49,500 --> 00:01:50,900 >> OH. 62 00:01:50,900 --> 00:01:51,900 >> WE'RE BACK IN THE WORKROOM 63 00:01:51,900 --> 00:01:53,567 THIS MORNING, AND KENYA'S NOT 64 00:01:53,567 --> 00:01:54,667 HERE ANYMORE, AND IT'S SAD, 65 00:01:54,667 --> 00:01:56,300 'CAUSE MY BEST FRIEND'S GONE. 66 00:01:56,367 --> 00:01:57,833 >> "PHI PHI, I LOVE YOU. 67 00:01:57,833 --> 00:01:58,900 SISTERS FOREVER." 68 00:01:58,900 --> 00:02:01,833 >> all: AWW. 69 00:02:01,833 --> 00:02:02,733 >> YOU SENT BOTH OF 70 00:02:02,733 --> 00:02:03,667 THE PUERTO RICAN GIRLS. 71 00:02:03,667 --> 00:02:04,567 >> I KNOW. 72 00:02:04,567 --> 00:02:05,367 >> YOU AIN'T NEVER GONNA BE 73 00:02:05,367 --> 00:02:06,533 IN WEST SIDE STORY AGAIN. 74 00:02:06,533 --> 00:02:07,667 [laughter] 75 00:02:07,667 --> 00:02:08,800 NOT EVEN A TOURING PRODUCTION, 76 00:02:08,800 --> 00:02:09,567 BITCH. 77 00:02:09,567 --> 00:02:10,233 >> OH, MY GOSH. 78 00:02:10,233 --> 00:02:11,933 >> UH-UH. 79 00:02:11,933 --> 00:02:13,600 >> BYE, KENYA. I LOVE YOU. 80 00:02:13,600 --> 00:02:15,333 UH! THIS HURTS. 81 00:02:15,333 --> 00:02:16,500 >> THINGS GOT EMOTIONAL ON 82 00:02:16,500 --> 00:02:17,733 THE RUNWAY LAST WEEK. 83 00:02:17,800 --> 00:02:18,833 TODAY, WE'VE HAD A LITTLE TIME, 84 00:02:18,833 --> 00:02:22,133 YOU KNOW, TO HEAL UP, REFOCUS. 85 00:02:22,200 --> 00:02:24,133 I'M SO, SO HAPPY THAT I WON 86 00:02:24,133 --> 00:02:24,800 THE SNATCH GAME. 87 00:02:24,800 --> 00:02:27,267 IT WAS ALMOST OVERSHADOWED BY 88 00:02:27,267 --> 00:02:29,267 HOW SAD WE WERE, AND IT WAS HARD 89 00:02:29,267 --> 00:02:30,200 FOR ME TO CELEBRATE, BUT I DID 90 00:02:30,200 --> 00:02:31,233 CELEBRATE YESTERDAY. 91 00:02:31,233 --> 00:02:33,600 [laughter] 92 00:02:33,600 --> 00:02:34,333 >> I'LL BE HONEST. 93 00:02:34,333 --> 00:02:35,300 I FELT LIKE MY DRAG WAS 94 00:02:35,300 --> 00:02:36,267 MISUNDERSTOOD. 95 00:02:36,267 --> 00:02:37,933 LIKE, I'M SO ACROSS THE BOARD. 96 00:02:37,933 --> 00:02:38,933 I LIKE TO TEETER-TOTTER IN THE 97 00:02:38,933 --> 00:02:39,800 BOY WORLD. 98 00:02:39,800 --> 00:02:40,733 >> I THINK TEETER-TOTTERING IN 99 00:02:40,733 --> 00:02:42,133 THE BOY WORLD WORKS WHEN YOU'RE 100 00:02:42,133 --> 00:02:44,067 SUPER FEMININE. 101 00:02:44,067 --> 00:02:45,067 IT'S HARD FOR A DRAG QUEEN TO 102 00:02:45,067 --> 00:02:46,267 TEETER-TOTTER IN THE BOY WORLD 103 00:02:46,267 --> 00:02:50,500 WHILE STILL BEING THAT DRAG. 104 00:02:50,567 --> 00:02:51,700 >> I HAVE ALWAYS HAD TO DEAL 105 00:02:51,700 --> 00:02:53,300 WITH PEOPLE'S PERCEPTION OF WHAT 106 00:02:53,300 --> 00:02:55,300 DRAG IS, BUT I HAVE TO REMAIN 107 00:02:55,300 --> 00:02:56,567 TRUE TO MYSELF. 108 00:02:56,567 --> 00:02:57,633 I'M NOT GONNA COMPROMISE. 109 00:02:57,700 --> 00:02:59,133 >> WE KNOW THAT YOU ARE 110 00:02:59,133 --> 00:03:00,200 AN ACCOMPLISHED ACTOR. 111 00:03:00,200 --> 00:03:01,067 NOW WERE THOSE TEARS REAL, 112 00:03:01,067 --> 00:03:01,667 WILLAM? 113 00:03:01,667 --> 00:03:02,800 >> THOSE WERE REAL, YEAH. 114 00:03:02,800 --> 00:03:04,567 I CAN CRY ON CUE, BUT I WOULDN'T 115 00:03:04,567 --> 00:03:06,133 HAVE CRIED UGLY LIKE THAT. 116 00:03:06,133 --> 00:03:07,067 >> SHE WAS ACTING. 117 00:03:07,067 --> 00:03:07,867 THAT WAS NOT REAL. 118 00:03:07,867 --> 00:03:09,967 THIS BITCH IS FAKING IT. 119 00:03:09,967 --> 00:03:11,300 >> MY LASHES WERE FALLING OFF. 120 00:03:11,300 --> 00:03:12,233 >> I DIDN'T KNOW SATAN COULD 121 00:03:12,233 --> 00:03:14,133 CRY. 122 00:03:14,133 --> 00:03:15,133 [alarm wails] 123 00:03:15,133 --> 00:03:16,367 >> all: OOH. 124 00:03:16,367 --> 00:03:18,700 >> GIRL, YOU GOT SHE MAIL. 125 00:03:18,700 --> 00:03:19,833 GREETINGS. 126 00:03:19,833 --> 00:03:22,133 MY NAME'S RUPAUL, AND I'LL BE 127 00:03:22,133 --> 00:03:23,500 YOUR CRUISE DIRECTOR. 128 00:03:23,500 --> 00:03:24,933 COME ABOARD. 129 00:03:24,933 --> 00:03:26,300 WE'RE EXPECTING YOU... 130 00:03:26,300 --> 00:03:28,367 TO MAKE WAVES. 131 00:03:28,367 --> 00:03:29,233 OKAY? 132 00:03:29,233 --> 00:03:30,533 BIG WAVES. 133 00:03:30,533 --> 00:03:32,167 HOLLA! 134 00:03:32,167 --> 00:03:34,567 'CAUSE SOMETIMES, TO AVOID BEING 135 00:03:34,567 --> 00:03:36,933 STONEWALLED, A GIRL'S GOT TO 136 00:03:36,933 --> 00:03:40,267 ROCK THE BOAT. 137 00:03:40,267 --> 00:03:41,567 >> all: WHAT? 138 00:03:41,567 --> 00:03:43,167 >> I DON'T GET IT. 139 00:03:43,167 --> 00:03:44,733 >> HELLO, HELLO, HELLO. 140 00:03:44,733 --> 00:03:46,800 >> GOOD MORNING, RU. 141 00:03:46,800 --> 00:03:48,133 >> NOW YOU ALL HAVE BEEN WORKING 142 00:03:48,133 --> 00:03:50,533 SO HARD THAT I'VE DECIDED TO 143 00:03:50,533 --> 00:03:52,467 GIVE YOU A BREAK. 144 00:03:52,467 --> 00:03:54,133 A SPRING BREAK. 145 00:03:54,133 --> 00:03:55,300 [cheers and applause] 146 00:03:55,300 --> 00:03:57,133 >> TRAMP STAMPS. 147 00:03:57,133 --> 00:03:58,800 >> TODAY'S MINI CHALLENGE IS 148 00:03:58,800 --> 00:04:00,600 YOUR CHANCE TO SOAK IN THE SUN 149 00:04:00,600 --> 00:04:02,867 AND LET IT ALL HANG OUT 150 00:04:02,867 --> 00:04:05,067 IN AN ALL-AMERICAN WET T-SHIRT 151 00:04:05,067 --> 00:04:05,933 CONTEST. 152 00:04:05,933 --> 00:04:06,933 >> [howls] 153 00:04:06,933 --> 00:04:08,133 [applause] 154 00:04:08,133 --> 00:04:09,700 >> NOW JUST OUTSIDE IS A THIRSTY 155 00:04:09,700 --> 00:04:11,300 CROWD OF SPRING BREAKERS. 156 00:04:11,300 --> 00:04:13,400 EACH OF YOU NEEDS TO "WET" THEIR 157 00:04:13,400 --> 00:04:15,167 APPETITE, WEARING A GLAMAZON 158 00:04:15,167 --> 00:04:17,800 T-SHIRT AND A PAIR OF YOUR NEW 159 00:04:17,800 --> 00:04:19,367 BOSOM BUDDIES...SILICONE 160 00:04:19,367 --> 00:04:20,833 BREASTPLATES COURTESY OF 161 00:04:20,833 --> 00:04:23,500 BOOBSFORQUEENS.COM. 162 00:04:23,500 --> 00:04:24,533 AND THE QUEEN THAT GETS THE 163 00:04:24,533 --> 00:04:26,367 BIGGEST REACTION FROM THE CROWD 164 00:04:26,367 --> 00:04:27,533 WILL WIN. 165 00:04:27,533 --> 00:04:29,333 [cheers and applause] 166 00:04:29,333 --> 00:04:30,600 JELLY. 167 00:04:30,667 --> 00:04:31,833 >> THIS IS MONEY IN THE BANK. 168 00:04:31,833 --> 00:04:32,833 I GOT THIS. 169 00:04:32,900 --> 00:04:34,700 >> YOU HAVE 30 MINUTES TO STYLE 170 00:04:34,700 --> 00:04:36,900 AND STUFF YOUR T-SHIRT. 171 00:04:36,900 --> 00:04:38,367 I'LL SEE YOU OUTSIDE. 172 00:04:38,367 --> 00:04:39,233 LET'S GO. 173 00:04:39,233 --> 00:04:42,267 >> BOOBS! 174 00:04:42,267 --> 00:04:44,267 >> HOLY MOLY. 175 00:04:44,267 --> 00:04:49,100 >> SHOW ME YOUR TITS. 176 00:04:49,167 --> 00:04:51,433 >> PLAYING GIRLYISH AND BOUNCY 177 00:04:51,433 --> 00:04:53,400 AND SEXY IS SOMETHING REALLY 178 00:04:53,400 --> 00:04:54,433 FOREIGN TO ME. 179 00:04:54,433 --> 00:04:56,133 >> WHAT AND WHAT AND WHERE IS 180 00:04:56,133 --> 00:05:00,200 THE BODY, BABY? 181 00:05:00,267 --> 00:05:02,167 >> MY LOOK IS, "GOD, I WANT TO 182 00:05:02,167 --> 00:05:03,600 GO TO MIAMI, BUT I CAN ONLY 183 00:05:03,600 --> 00:05:05,267 AFFORD FORT LAUDERDALE." 184 00:05:05,333 --> 00:05:07,867 >> MAMA CHAD LOOKS LIKE A MILF. 185 00:05:07,933 --> 00:05:09,667 CHAD, DAMN. 186 00:05:09,667 --> 00:05:10,767 IT'S CALLED FOREVER 21, NOT 187 00:05:10,767 --> 00:05:14,267 FOREVER 41. 188 00:05:14,267 --> 00:05:16,067 >> LET'S GO TO THE BEACH. 189 00:05:16,067 --> 00:05:21,067 [cheers and applause] 190 00:05:21,067 --> 00:05:22,900 >> WELCOME TO SPRING BREAK AT 191 00:05:22,900 --> 00:05:24,400 DRAGTONA BEACH. 192 00:05:24,400 --> 00:05:27,567 [cheers and applause] 193 00:05:27,567 --> 00:05:29,300 ARE YOU READY TO GET WET AND 194 00:05:29,300 --> 00:05:32,367 WILD? 195 00:05:32,433 --> 00:05:33,700 FIRST UP, FROM THE BIG APPLE, 196 00:05:33,700 --> 00:05:38,700 LONDON, PARIS...MILAN. 197 00:05:38,700 --> 00:05:41,900 SHE'S GOT TWO BIG APPLES. 198 00:05:41,967 --> 00:05:44,367 OH. 199 00:05:44,367 --> 00:05:46,333 SHE NOT SHY. 200 00:05:46,333 --> 00:05:49,167 SHE IS MOPPING THE FLOOR. 201 00:05:49,233 --> 00:05:51,500 CHAD MICHAELS. 202 00:05:51,567 --> 00:05:55,533 OH, OH, DROP IT LIKE IT'S HOT. 203 00:05:55,533 --> 00:05:56,733 >> MY TITS ARE BIG, MY HAIR IS 204 00:05:56,733 --> 00:05:59,133 BIG, AND MY ASS LOOKS GOOD. 205 00:05:59,133 --> 00:06:00,100 I'M JUST FEELING LIKE A DRAG 206 00:06:00,100 --> 00:06:02,433 COUGAR. 207 00:06:02,500 --> 00:06:06,800 >> IT'S JIGGLY CALIENTE. 208 00:06:06,867 --> 00:06:08,233 HER MILKSHAKE BRINGS ALL THE 209 00:06:08,233 --> 00:06:10,967 BOYS TO THE YARD. 210 00:06:10,967 --> 00:06:14,167 TOUCH ALL OF THIS JIGGLY. 211 00:06:14,233 --> 00:06:16,967 SHARON NEEDLES. 212 00:06:17,067 --> 00:06:18,400 [laughs] 213 00:06:18,400 --> 00:06:19,833 >> I'M NOT ONE OF THOSE FISHY 214 00:06:19,833 --> 00:06:20,767 QUEENS. 215 00:06:20,767 --> 00:06:22,400 I NEVER WANT TO CREATE A 216 00:06:22,400 --> 00:06:24,333 CHARACTER THAT SOMEONE WOULD 217 00:06:24,333 --> 00:06:25,567 WANT TO FUCK. 218 00:06:25,567 --> 00:06:28,133 I LIKE TO MOCK SEXINESS. 219 00:06:28,133 --> 00:06:31,567 [exclamations] 220 00:06:31,567 --> 00:06:33,300 >> SHE'S A REGULAR DANNY THOMAS 221 00:06:33,300 --> 00:06:35,567 WITH THAT SPIT TAKE. 222 00:06:35,633 --> 00:06:38,867 PHI PHI O'HARA! 223 00:06:38,933 --> 00:06:40,400 UH-OH. 224 00:06:40,400 --> 00:06:41,933 OH, MY GOODNESS. 225 00:06:41,933 --> 00:06:44,600 OH, OUCH, OUCH, OUCH. 226 00:06:44,600 --> 00:06:46,233 >> I WAS SHAKING MY BOOBS, AND 227 00:06:46,233 --> 00:06:47,833 ALL OF A SUDDEN MY BOOBS CAME 228 00:06:47,833 --> 00:06:48,800 OFF. 229 00:06:48,800 --> 00:06:50,400 >> SHE'S COMING UNDONE. 230 00:06:50,400 --> 00:06:51,267 >> AND THEN THEY POURED THE 231 00:06:51,267 --> 00:06:52,233 WATER, AND THEN ALL OF A SUDDEN 232 00:06:52,233 --> 00:06:54,267 MY WIG FELL OFF, AND IT WAS 233 00:06:54,267 --> 00:06:55,067 A MESS. 234 00:06:55,067 --> 00:06:56,500 >> PHI PHI, DO YOU HAVE ALL YOUR 235 00:06:56,500 --> 00:06:57,500 BODY PARTS? 236 00:06:57,500 --> 00:06:59,233 [laughter] 237 00:06:59,300 --> 00:07:02,200 WILLAM, HOLLYWOOD HONEY. 238 00:07:02,267 --> 00:07:04,667 OH, SQUIRT. SQUIRT IT. 239 00:07:04,667 --> 00:07:06,767 I HOPE THAT LOTION'S WATER 240 00:07:06,767 --> 00:07:07,533 PROOF. 241 00:07:07,533 --> 00:07:09,233 >> I FEEL AMAZING BECAUSE I KNOW 242 00:07:09,233 --> 00:07:10,300 I LOOK GREAT. 243 00:07:10,300 --> 00:07:12,067 I WAS SERVING 'EM SEX, AND I 244 00:07:12,067 --> 00:07:17,067 JUST SOAKED IT UP. 245 00:07:17,067 --> 00:07:18,133 >> OH, MY GOD, SHE'S DRIVING 246 00:07:18,133 --> 00:07:21,133 THE CROWD CRAZY. 247 00:07:21,133 --> 00:07:22,767 SHE'S A DIRTY, DIRTY GIRL, THAT 248 00:07:22,767 --> 00:07:24,300 WILLAM. 249 00:07:24,367 --> 00:07:25,900 EVERYTHING TASTES GOOD ON 250 00:07:25,900 --> 00:07:27,367 A DIDA RITZ. 251 00:07:27,433 --> 00:07:29,500 SHE'S SOAKING WET. 252 00:07:29,500 --> 00:07:33,267 OH, OH, OH, OH. 253 00:07:33,267 --> 00:07:35,167 CHOCOLATE MILK. 254 00:07:35,233 --> 00:07:36,167 PUT YOUR HANDS TOGETHER FOR 255 00:07:36,167 --> 00:07:38,567 LATRICE ROYALE. 256 00:07:38,633 --> 00:07:39,833 YOU NEED SOME COOLING DOWN, 257 00:07:39,833 --> 00:07:41,933 GIRL. 258 00:07:41,933 --> 00:07:45,900 OH! 259 00:07:45,900 --> 00:07:47,467 >> YOU KNOW MY ALTER EGO IS 260 00:07:47,467 --> 00:07:48,933 A STRIPPER. 261 00:07:48,933 --> 00:07:50,300 I'M LOVING EVERY BIT OF IT. 262 00:07:50,300 --> 00:07:51,133 >> GIVE IT UP FOR 263 00:07:51,133 --> 00:07:51,967 LATRICE ROYALE. 264 00:07:51,967 --> 00:07:55,700 THANK YOU, LATRICE. 265 00:07:55,700 --> 00:07:58,700 YOU WERE ALL WET AND WILD. 266 00:07:58,700 --> 00:08:00,067 DAMN! 267 00:08:00,067 --> 00:08:02,067 ONE OF Y'ALL REALLY WORKED 268 00:08:02,067 --> 00:08:04,067 THE CROWD INTO A LATHER. 269 00:08:04,067 --> 00:08:05,067 CAN I GET A DRUM ROLL? 270 00:08:05,067 --> 00:08:08,067 [drum roll] 271 00:08:08,067 --> 00:08:10,367 THE TITULAR WINNER OF TODAY'S 272 00:08:10,367 --> 00:08:13,767 MINI CHALLENGE IS... 273 00:08:13,767 --> 00:08:14,500 WILLAM. 274 00:08:14,500 --> 00:08:17,567 >> YEAH! 275 00:08:17,567 --> 00:08:19,600 >> YES. 276 00:08:19,600 --> 00:08:20,267 I WON. 277 00:08:20,267 --> 00:08:21,133 YOU KNOW, IT'S KIND OF A HOBBY 278 00:08:21,133 --> 00:08:21,733 OF MINE. 279 00:08:21,733 --> 00:08:22,833 THANK YOU, GOD, FOR ALL THIS 280 00:08:22,833 --> 00:08:23,833 BOD. 281 00:08:23,833 --> 00:08:25,700 >> CONDRAGULATIONS, WILLAM. 282 00:08:25,700 --> 00:08:29,733 SPRING BREAK 2012! 283 00:08:29,733 --> 00:08:31,167 NOW THAT SPRING BREAK IS OVER, 284 00:08:31,167 --> 00:08:33,533 IT'S TIME FOR A LITTLE HERSTORY 285 00:08:33,533 --> 00:08:34,533 LESSON. 286 00:08:34,533 --> 00:08:36,700 BACK IN 1969, AT THE STONEWALL 287 00:08:36,700 --> 00:08:39,133 RIOTS, IT WAS A DRAG QUEEN WHO 288 00:08:39,133 --> 00:08:40,733 HAD THE CHARISMA, UNIQUENESS, 289 00:08:40,733 --> 00:08:43,200 NERVE, AND TALENT TO DIG HER 290 00:08:43,200 --> 00:08:45,767 HEELS IN AND START A REVOLUTION. 291 00:08:45,767 --> 00:08:47,133 AND EVERY YEAR SINCE, DRAG 292 00:08:47,133 --> 00:08:48,667 QUEENS HAVE BEEN THE SHINING 293 00:08:48,667 --> 00:08:50,900 STARS OF PRIDE CELEBRATIONS 294 00:08:50,900 --> 00:08:52,567 AROUND THE WORLD. 295 00:08:52,567 --> 00:08:53,967 FOR THIS WEEK'S MAIN CHALLENGE, 296 00:08:53,967 --> 00:08:55,233 YOU'LL BE STYLING 297 00:08:55,233 --> 00:08:57,700 A FASHION-FORWARD LOOK FOR OUR 298 00:08:57,700 --> 00:08:59,733 VERY OWN PRIDE PARADE. 299 00:08:59,733 --> 00:09:01,367 NOW THE THEME FOR THIS YEAR'S 300 00:09:01,367 --> 00:09:04,200 PRIDE IS HOPE FLOATS. 301 00:09:04,200 --> 00:09:05,567 IN ADDITION TO YOUR OUTFITS, 302 00:09:05,567 --> 00:09:07,600 YOU'LL NEED TO DESIGN PARADE 303 00:09:07,600 --> 00:09:10,867 FLOATS, USING THESE COLORFUL 304 00:09:10,867 --> 00:09:12,400 ACCESSORIES. 305 00:09:12,400 --> 00:09:14,333 [laughter] 306 00:09:14,333 --> 00:09:16,800 SHIPS AHOY. 307 00:09:16,800 --> 00:09:17,900 EACH OF YOU WILL BE ASSIGNED 308 00:09:17,900 --> 00:09:19,633 A DIFFERENT BOAT BASED ON THE 309 00:09:19,633 --> 00:09:21,467 EIGHT COLORS OF THE ORIGINAL 310 00:09:21,467 --> 00:09:22,667 RAINBOW FLAG. 311 00:09:22,667 --> 00:09:23,933 WILLAM, YOU WON THE MINI 312 00:09:23,933 --> 00:09:25,433 CHALLENGE, SO YOU GET TO ASSIGN 313 00:09:25,433 --> 00:09:27,467 THE COLOR THEMES, USING THESE 314 00:09:27,467 --> 00:09:29,067 HANKIES. 315 00:09:29,067 --> 00:09:30,133 >> I WANT BLUE. 316 00:09:30,133 --> 00:09:31,667 INDIGO BLUE. 317 00:09:31,667 --> 00:09:32,567 I THINK THIS IS THE FAIREST WAY 318 00:09:32,567 --> 00:09:34,267 TO DO IT. 319 00:09:34,267 --> 00:09:36,833 >> JIGGLY GETS ORANGE. 320 00:09:36,833 --> 00:09:39,267 PHI PHI GETS VIOLET. 321 00:09:39,267 --> 00:09:40,700 DIDA GETS RED. 322 00:09:40,700 --> 00:09:42,800 TURQUOISE FOR LATRICE. 323 00:09:42,800 --> 00:09:46,133 PINK FOR CHAD MICHAELS. 324 00:09:46,133 --> 00:09:47,900 YELLOW FOR MILAN. 325 00:09:47,900 --> 00:09:50,900 AND GREEN FOR SHARON NEEDLES. 326 00:09:50,900 --> 00:09:52,300 NOW, LADIES, YOU CAN USE YOUR 327 00:09:52,300 --> 00:09:54,700 OWN DRAG, PLUS MATERIALS 328 00:09:54,700 --> 00:09:56,300 PROVIDED BY MICHAEL LEVINE 329 00:09:56,300 --> 00:09:57,467 FABRICS. 330 00:09:57,467 --> 00:09:59,233 YOUR ENSEMBLE NEEDS TO BE SUPER 331 00:09:59,233 --> 00:10:01,833 CHIC AND TAKE PRIDE OVER THE 332 00:10:01,833 --> 00:10:04,000 RAINBOW AND ON TO THE RUNWAY. 333 00:10:04,000 --> 00:10:08,333 GENTLEMEN, START YOUR ENGINES. 334 00:10:08,333 --> 00:10:10,700 AND MAY THE BEST WOMAN WIN. 335 00:10:10,700 --> 00:10:11,367 >> YAY. 336 00:10:11,367 --> 00:10:12,867 >> OH, MY GOD. 337 00:10:12,867 --> 00:10:17,067 >> OH, LOOK, SHAMROCKS. 338 00:10:17,067 --> 00:10:18,367 >> THIS IS THE UGLIEST COLOR 339 00:10:18,367 --> 00:10:20,000 EVER. 340 00:10:20,000 --> 00:10:21,367 >> I LOVE ORANGE. 341 00:10:21,367 --> 00:10:22,800 >> IT DOESN'T LOOK GOOD ON ME. 342 00:10:22,800 --> 00:10:24,133 I WENT FROM BAKED POTATO TO 343 00:10:24,133 --> 00:10:25,600 SWEET POTATO. 344 00:10:25,600 --> 00:10:26,600 >> JIGGLY, WHAT ARE YOU DOING? 345 00:10:26,600 --> 00:10:27,267 WHAT IS THE CONCEPT OF YOUR 346 00:10:27,267 --> 00:10:28,033 COSTUME? 347 00:10:28,033 --> 00:10:30,633 >> AS OF RIGHT NOW, I HAVE 348 00:10:30,633 --> 00:10:32,467 NO CLUE. 349 00:10:32,467 --> 00:10:33,567 I'M NOT GOOD AT THE CREATIVE 350 00:10:33,567 --> 00:10:34,400 STUFF. 351 00:10:34,400 --> 00:10:35,900 THIS IS THE CHALLENGE WHERE I 352 00:10:35,900 --> 00:10:37,233 COULD SINK TO HELL. 353 00:10:37,233 --> 00:10:38,333 I WANT TO INCORPORATE THIS 354 00:10:38,333 --> 00:10:39,233 SOMEHOW. 355 00:10:39,233 --> 00:10:40,267 BUT THEN I JUST DON'T WANT IT TO 356 00:10:40,267 --> 00:10:42,400 LOOK LIKE A THANKSGIVING FLOAT. 357 00:10:42,400 --> 00:10:43,167 AND IT'S GONNA LOOK LIKE A 358 00:10:43,167 --> 00:10:43,833 TURKEY. 359 00:10:43,833 --> 00:10:44,633 >> YEAH, YOU DON'T WANT TO LOOK 360 00:10:44,633 --> 00:10:45,700 LIKE A TURKEY. 361 00:10:45,700 --> 00:10:46,867 YOU DON'T WANT THAT TO HAPPEN. 362 00:10:46,867 --> 00:10:51,067 >> FUCK, I'M SCREWED. 363 00:10:51,133 --> 00:10:52,000 >> COMING UP... 364 00:10:52,000 --> 00:10:52,967 >> I HAVE DIGNITY LOOKS AND 365 00:10:52,967 --> 00:10:54,133 PAYCHECK LOOKS. 366 00:10:54,133 --> 00:10:55,800 DIGNITY IS WHEN I WILL NOT BEND 367 00:10:55,800 --> 00:10:57,833 FOR ANYONE. 368 00:10:57,833 --> 00:10:58,667 >> HONESTLY, WE'RE DOING 369 00:10:58,667 --> 00:10:59,833 A FUTURE THING, BUT I WANTED TO 370 00:10:59,833 --> 00:11:01,367 TRY TO DO A FLASHBACK TO THE 371 00:11:01,367 --> 00:11:02,133 FUTURE. 372 00:11:02,133 --> 00:11:03,433 >> BUT WE'RE ASKING YOU TO BE 373 00:11:03,433 --> 00:11:05,600 FASHION-FORWARD. 374 00:11:05,600 --> 00:11:07,600 [laughing] 375 00:11:10,133 --> 00:11:13,267 >> [laughing] 376 00:11:13,267 --> 00:11:14,133 >> TODAY OUR MAIN CHALLENGE IS 377 00:11:14,133 --> 00:11:15,767 WE HAVE TO CREATE A PRIDE PARADE 378 00:11:15,767 --> 00:11:17,767 FLOAT WITH A MATCHING OUTFIT 379 00:11:17,767 --> 00:11:18,667 IN ONE OF THE COLORS FROM 380 00:11:18,667 --> 00:11:20,133 THE PRIDE FLAG. 381 00:11:20,133 --> 00:11:22,133 >> ORIGINALLY, FOR THE OLD GAY 382 00:11:22,133 --> 00:11:24,133 RAINBOW FLAG, GREEN STOOD FOR 383 00:11:24,133 --> 00:11:25,200 NATURE. 384 00:11:25,267 --> 00:11:26,367 THERE'S NOTHING NATURAL ABOUT 385 00:11:26,367 --> 00:11:27,600 ME. 386 00:11:27,600 --> 00:11:28,533 >> YOU MADE A SNAKE. 387 00:11:28,533 --> 00:11:29,667 ARE YOU DOING A GARDEN OF EDEN 388 00:11:29,667 --> 00:11:30,733 THEME BOAT? 389 00:11:30,733 --> 00:11:32,200 >> UM, MORE LIKE A MEDUSA. 390 00:11:32,200 --> 00:11:33,200 LIKE, LOOK AT ME, AND I'LL TURN 391 00:11:33,200 --> 00:11:34,633 YOU INTO STONEWALL. 392 00:11:34,633 --> 00:11:37,567 >> OH, YEAH. 393 00:11:37,567 --> 00:11:38,467 >> SO WHO HERE KNOWS WHAT 394 00:11:38,467 --> 00:11:39,600 STONEWALL IS? 395 00:11:39,600 --> 00:11:41,367 >> STONEWALL WAS IN JUNE OF '69, 396 00:11:41,367 --> 00:11:42,467 AND THE COPS DECIDED TO GO IN 397 00:11:42,467 --> 00:11:43,700 AND CAUSE SOME TROUBLE. 398 00:11:43,700 --> 00:11:44,700 >> THEY WERE JUST, YOU KNOW, 399 00:11:44,700 --> 00:11:45,700 GIVING THIS ONE PARTICULAR BAR 400 00:11:45,700 --> 00:11:47,067 ALL KINDS OF HELL. 401 00:11:47,067 --> 00:11:48,333 THEY JUST PUT THEIR FOOT DOWN. 402 00:11:48,333 --> 00:11:49,100 THEY WEREN'T GONNA TAKE IT 403 00:11:49,100 --> 00:11:49,900 ANYMORE. 404 00:11:49,900 --> 00:11:50,833 >> I HEARD, IF YOU WORE WOMEN'S 405 00:11:50,833 --> 00:11:52,800 CLOTHING OR MAKEUP, THEY WOULD 406 00:11:52,800 --> 00:11:53,967 DOUSE YOUR HEAD IN THE MOP 407 00:11:53,967 --> 00:11:55,600 BUCKETS OF NIGHTCLUBS. 408 00:11:55,600 --> 00:11:56,267 >> WOW. 409 00:11:56,267 --> 00:11:56,967 >> YOU HAD TO WEAR AT LEAST 410 00:11:56,967 --> 00:11:58,833 THREE ARTICLES OF CLOTHING THAT 411 00:11:58,833 --> 00:11:59,700 WERE ASSIGNED TO YOUR GENDERS 412 00:11:59,700 --> 00:12:00,967 AT ALL TIME, OR YOU COULD BE 413 00:12:00,967 --> 00:12:03,633 ARRESTED. 414 00:12:03,633 --> 00:12:04,400 >> I GREW UP IN A RELIGIOUS 415 00:12:04,400 --> 00:12:05,833 HOUSEHOLD, AND THAT BEING GAY 416 00:12:05,833 --> 00:12:06,933 WAS JUST NOT SOMETHING THAT 417 00:12:06,933 --> 00:12:07,633 WAS ACCEPTED. 418 00:12:07,633 --> 00:12:08,867 BUT THIS CHALLENGE DOES HELP ME 419 00:12:08,867 --> 00:12:10,300 RETHINK MY PERSPECTIVE BECAUSE 420 00:12:10,300 --> 00:12:12,467 IT MAKES ME VERY PROUD TO KNOW 421 00:12:12,467 --> 00:12:13,933 THAT OTHER QUEENS HAVE PAVED 422 00:12:13,933 --> 00:12:14,633 THE WAY. 423 00:12:14,633 --> 00:12:15,933 >> CHAD, WHAT WAS IT LIKE TO BE 424 00:12:15,933 --> 00:12:16,700 THERE? 425 00:12:16,700 --> 00:12:18,233 YOU WERE, WHAT, 29 AT THE TIME? 426 00:12:18,233 --> 00:12:23,167 [laughter] 427 00:12:23,167 --> 00:12:28,267 >> [spits] 428 00:12:28,267 --> 00:12:30,133 FUCKING SWALLOWED GLITTER. 429 00:12:30,133 --> 00:12:31,700 >> YOU'VE SWALLOWED WORSE. 430 00:12:31,700 --> 00:12:32,700 WE'RE GONNA HAVE DINNER SOON. 431 00:12:32,700 --> 00:12:33,967 STOP EATING THE GLITTER. 432 00:12:33,967 --> 00:12:35,867 >> STUPID-ASS BITCH. 433 00:12:35,867 --> 00:12:37,333 >> GODDAMN IT, JIGGLY. 434 00:12:37,333 --> 00:12:41,967 >> FUCK YOU. 435 00:12:41,967 --> 00:12:42,700 >> OH, MY GOD. 436 00:12:42,700 --> 00:12:43,900 I LOVE MY BOAT ALREADY. 437 00:12:43,900 --> 00:12:45,867 I WANT TO GO ON MY BOAT SO BAD. 438 00:12:45,867 --> 00:12:46,933 >> YOU FUCKING CUNT. 439 00:12:46,933 --> 00:12:48,233 >> [laughs] 440 00:12:48,233 --> 00:12:50,400 I DECIDE TO DO ALL-OVER PATTERN 441 00:12:50,400 --> 00:12:52,867 OF STARS, OR STICKERS, THAT HAVE 442 00:12:52,867 --> 00:12:54,067 MY FACE ON THEM. 443 00:12:54,067 --> 00:12:55,267 THE THEME IS HOPE FLOATS, AND 444 00:12:55,267 --> 00:12:57,067 I'VE ALWAYS HOPED TO BE A STAR. 445 00:12:57,067 --> 00:12:57,700 >> THAT'S YOU? 446 00:12:57,700 --> 00:12:58,867 >> YES, IT'S ME. 447 00:12:58,933 --> 00:13:00,433 >> YOU DIRTY BITCH. 448 00:13:00,433 --> 00:13:03,867 >> NARCISSISTIC MUCH? 449 00:13:03,933 --> 00:13:05,333 >> HELLO, HELLO, HELLO. 450 00:13:05,333 --> 00:13:07,067 >> all: HI, RU. 451 00:13:07,067 --> 00:13:07,700 >> IT LOOKS LIKE 452 00:13:07,700 --> 00:13:09,933 A KYLIE MINOGUE CONCERT EXPLODED 453 00:13:09,933 --> 00:13:11,400 IN HERE. 454 00:13:11,400 --> 00:13:12,867 >> [chuckles] 455 00:13:12,867 --> 00:13:14,667 >> JIGGLY CALIENTE. 456 00:13:14,667 --> 00:13:15,367 >> HELLO. 457 00:13:15,367 --> 00:13:16,067 >> MAY I CALL YOU JIGGLY? 458 00:13:16,067 --> 00:13:16,867 >> YES, YOU MAY. 459 00:13:16,867 --> 00:13:17,533 >> OH, GOOD. 460 00:13:17,533 --> 00:13:18,667 WHAT WE'RE LOOKING FOR IS 461 00:13:18,667 --> 00:13:19,767 FASHION-FORWARD. 462 00:13:19,767 --> 00:13:20,633 YOU KNOW, THE THEME IS HOPE 463 00:13:20,633 --> 00:13:21,800 FLOATS. 464 00:13:21,800 --> 00:13:23,200 WHAT STATEMENT ARE YOU GOING TO 465 00:13:23,200 --> 00:13:26,267 MAKE? 466 00:13:26,267 --> 00:13:28,167 >> I--THE STATEMENT I WANT TO 467 00:13:28,167 --> 00:13:31,900 MAKE IS THAT, UM... 468 00:13:31,900 --> 00:13:34,067 DREAMS ARE POSSIBLE. 469 00:13:34,067 --> 00:13:35,267 >> HUH. 470 00:13:35,267 --> 00:13:36,100 NOW WHAT ARE YOUR PLANS TO 471 00:13:36,100 --> 00:13:37,400 DECORATE YOUR BOAT? 472 00:13:37,400 --> 00:13:39,967 >> UM, I PLAN ON ADDING THE 473 00:13:39,967 --> 00:13:42,800 TRIMMINGS, THE FABRICS, AND THEN 474 00:13:42,800 --> 00:13:44,867 I'M GONNA ADD THE FLOWERS AND 475 00:13:44,867 --> 00:13:46,067 OTHER KNICKKNACKS. 476 00:13:46,067 --> 00:13:48,933 >> YEAH. 477 00:13:48,933 --> 00:13:50,867 >> RU IS NOT BUYING MY SHIT. 478 00:13:50,867 --> 00:13:51,533 I KNOW IT. 479 00:13:51,533 --> 00:13:52,633 I CAN SEE IT IN HER EYES. 480 00:13:52,633 --> 00:13:54,833 >> I DON'T WANT TO WORRY YOU, 481 00:13:54,833 --> 00:13:56,100 BUT YOU DO SEEM A LITTLE BIT 482 00:13:56,100 --> 00:13:57,133 BEHIND. 483 00:13:57,133 --> 00:13:58,667 WE'RE LOOKING FOR AN EXPRESSION 484 00:13:58,667 --> 00:14:00,067 OF JIGGLY. 485 00:14:00,067 --> 00:14:00,800 >> DEFINITELY. 486 00:14:00,800 --> 00:14:01,467 >> ALL RIGHT. 487 00:14:01,467 --> 00:14:02,400 GET BACK TO WORK. 488 00:14:02,400 --> 00:14:04,133 >> THANK YOU. 489 00:14:04,133 --> 00:14:07,067 >> HOW AM I GONNA DO THIS? 490 00:14:07,067 --> 00:14:08,067 >> DIDA RITZ. 491 00:14:08,067 --> 00:14:09,167 >> HI, RU. 492 00:14:09,167 --> 00:14:10,133 >> SO WHAT ARE YOU GONNA DO? 493 00:14:10,133 --> 00:14:11,133 >> I'M GOING FOR A '70s, REALLY 494 00:14:11,133 --> 00:14:12,367 HIPPIE VIBE. 495 00:14:12,367 --> 00:14:14,133 VERY LOVE, PEACE, AND HARMONY. 496 00:14:14,133 --> 00:14:16,167 MY WHOLE CONCEPT IS A JUMPSUIT. 497 00:14:16,167 --> 00:14:17,167 >> WITH A BLOUSE. 498 00:14:17,167 --> 00:14:18,167 >> MAYBE WITH A BLOUSE, MAYBE 499 00:14:18,167 --> 00:14:18,833 NOT. 500 00:14:18,833 --> 00:14:20,400 I DON'T KNOW YET. 501 00:14:20,400 --> 00:14:22,133 >> WE'RE LOOKING TO SEE THE BEST 502 00:14:22,133 --> 00:14:24,300 DIDA THAT THERE IS. 503 00:14:24,300 --> 00:14:25,833 WE WANT FASHION-FORWARD, YOU 504 00:14:25,833 --> 00:14:26,567 KNOW? 505 00:14:26,567 --> 00:14:27,233 >> MM-HMM. 506 00:14:27,233 --> 00:14:28,133 >> I'LL SEE YOU OUT ON 507 00:14:28,133 --> 00:14:28,967 THE PARADE ROUTE. 508 00:14:28,967 --> 00:14:31,433 >> THANK YOU, RU. 509 00:14:31,433 --> 00:14:33,533 >> WELL, WELL, WELL, WILLAM. 510 00:14:33,533 --> 00:14:35,133 >> IT'S STARSHIP WILLAM. 511 00:14:35,133 --> 00:14:36,267 >> WOW. 512 00:14:36,267 --> 00:14:37,233 >> IN YOUR BOOK YOU HAD A QUOTE 513 00:14:37,233 --> 00:14:38,900 THAT SAID, "EVEN WHEN I WAS 514 00:14:38,900 --> 00:14:40,200 DOWN, I TREATED MYSELF AS 515 00:14:40,200 --> 00:14:40,867 A STAR. 516 00:14:40,867 --> 00:14:41,533 EVENTUALLY THE REST OF 517 00:14:41,533 --> 00:14:42,400 THE WORLD WOULD CATCH UP." 518 00:14:42,400 --> 00:14:43,167 AND I WROTE THAT ON MY LITTLE 519 00:14:43,167 --> 00:14:44,933 BINDER IN EIGHTH GRADE. 520 00:14:44,933 --> 00:14:46,433 I'VE ADOPTED THAT THEORY TOO. 521 00:14:46,433 --> 00:14:47,233 I'VE ALWAYS TREATED MYSELF LIKE 522 00:14:47,233 --> 00:14:48,667 A STAR AND JUST KNEW IT WAS 523 00:14:48,667 --> 00:14:50,400 GONNA HAPPEN. 524 00:14:50,400 --> 00:14:52,567 >> WE GOT ON YOUR CASE LAST WEEK 525 00:14:52,567 --> 00:14:54,067 ABOUT BEING MORE VULNERABLE, AND 526 00:14:54,067 --> 00:14:55,400 THAT STORY'S VERY VULNERABLE. 527 00:14:55,400 --> 00:14:57,133 WHAT DO YOU PLAN ON WEARING IF 528 00:14:57,133 --> 00:14:57,800 ANYTHING? 529 00:14:57,800 --> 00:14:58,533 >> DO YOU REMEMBER THAT EPISODE 530 00:14:58,533 --> 00:14:59,633 OF SEX AND THE CITY WHERE CARRIE 531 00:14:59,633 --> 00:15:00,867 FELL DOWN ON THE RUNWAY? 532 00:15:00,867 --> 00:15:01,633 >> YES. 533 00:15:01,633 --> 00:15:03,167 >> DOLCE & GABBANA COAT. 534 00:15:03,167 --> 00:15:04,533 OH, WELL, LOOK WHO'S GOT IT. 535 00:15:04,533 --> 00:15:05,867 >> IS THAT THE EXACT ONE? 536 00:15:05,867 --> 00:15:06,667 >> IT'S NOT THE ONE SHE WORE. 537 00:15:06,667 --> 00:15:07,333 >> I SEE. 538 00:15:07,333 --> 00:15:08,133 >> BECAUSE, YOU KNOW, SHE'S SO 539 00:15:08,133 --> 00:15:08,967 MUCH BIGGER THAN ME. 540 00:15:08,967 --> 00:15:09,767 >> [laughs] 541 00:15:09,767 --> 00:15:10,767 I'M GONNA LET YOU GET BACK TO 542 00:15:10,767 --> 00:15:11,433 WORK HERE. 543 00:15:11,433 --> 00:15:12,500 BYE. 544 00:15:12,500 --> 00:15:14,600 LONDON, PARIS, MILAN. 545 00:15:14,600 --> 00:15:15,867 >> HI, RU. 546 00:15:15,867 --> 00:15:18,133 >> SO TELL ME ABOUT THIS BOAT. 547 00:15:18,133 --> 00:15:19,133 >> MY INSPIRATION FOR THIS, 548 00:15:19,133 --> 00:15:20,700 HONESTLY, I MEAN, WE'RE DOING A 549 00:15:20,700 --> 00:15:21,933 FUTURE THING, BUT I WANTED TO 550 00:15:21,933 --> 00:15:23,433 TRY TO DO A FLASHBACK TO THE 551 00:15:23,433 --> 00:15:24,633 FUTURE. 552 00:15:24,633 --> 00:15:25,933 >> A FLASHBACK TO THE FUTURE. 553 00:15:25,933 --> 00:15:26,800 >> YES. 554 00:15:26,800 --> 00:15:28,133 >> BUT WE'RE ASKING YOU TO BE 555 00:15:28,133 --> 00:15:30,933 FASHION-FORWARD. 556 00:15:30,933 --> 00:15:31,667 NOW YOU LIVE IN NEW YORK CITY, 557 00:15:31,667 --> 00:15:33,100 THE MOST FASHIONABLE CITY... 558 00:15:33,100 --> 00:15:33,767 >> I DO. 559 00:15:33,767 --> 00:15:34,433 >> IN THE U.S. 560 00:15:34,433 --> 00:15:35,300 WHERE DO YOUR COSTUMES COME 561 00:15:35,300 --> 00:15:36,067 FROM? 562 00:15:36,067 --> 00:15:37,067 >> UM, USUALLY I HAVE PEOPLE 563 00:15:37,067 --> 00:15:37,933 MAKE THEM FOR ME. 564 00:15:37,933 --> 00:15:38,600 >> I SEE. 565 00:15:38,600 --> 00:15:39,600 >> 'CAUSE A LOT OF MY COSTUMES 566 00:15:39,600 --> 00:15:40,867 ARE CHARACTERS. 567 00:15:40,867 --> 00:15:42,167 LIKE THE HOUSEWIFE OR THAT LOOKS 568 00:15:42,167 --> 00:15:44,167 LIKE THE LADY NEXT-DOOR. 569 00:15:44,167 --> 00:15:45,200 >> YOU DON'T WANT THE AUDIENCE 570 00:15:45,200 --> 00:15:46,967 TO KNOW WHO YOU ARE. 571 00:15:46,967 --> 00:15:47,833 YOU WANT THEM TO SEE 572 00:15:47,833 --> 00:15:48,667 A CHARACTER. 573 00:15:48,667 --> 00:15:50,300 BUT WE WANT TO KNOW WHO YOU ARE. 574 00:15:50,300 --> 00:15:51,633 >> NO, I DEFINITELY WANT THEM TO 575 00:15:51,633 --> 00:15:53,100 KNOW WHO I AM. 576 00:15:53,100 --> 00:15:53,967 >> BECAUSE YOU HAVE LIP-SYNCHED 577 00:15:53,967 --> 00:15:55,067 TWICE. 578 00:15:55,067 --> 00:15:56,067 >> I HAVE. 579 00:15:56,067 --> 00:15:58,133 >> MAKE THAT MILAN COME OUT. 580 00:15:58,133 --> 00:15:58,800 >> OKAY. 581 00:15:58,800 --> 00:15:59,467 >> GET BACK TO WORK. 582 00:15:59,467 --> 00:16:00,233 >> THANK YOU. 583 00:16:00,233 --> 00:16:02,167 >> ALL RIGHT. 584 00:16:02,167 --> 00:16:04,067 PHI PHI O'HARA. 585 00:16:04,067 --> 00:16:04,833 >> HI, RU. 586 00:16:04,833 --> 00:16:05,500 >> HOW ARE YA? 587 00:16:05,500 --> 00:16:06,267 >> I'M GOOD. HOW ARE YOU? 588 00:16:06,267 --> 00:16:07,267 >> GOOD. 589 00:16:07,267 --> 00:16:08,067 SO WHAT ARE YOU WORKING ON? 590 00:16:08,067 --> 00:16:09,567 >> I HAVE A ONE-ARMED CAT SUIT 591 00:16:09,567 --> 00:16:10,433 RIGHT NOW. 592 00:16:10,433 --> 00:16:12,067 >> IS THAT URANUS ON... 593 00:16:12,067 --> 00:16:13,267 >> IT IS MY-RANUS. 594 00:16:13,267 --> 00:16:14,133 >> OKAY. 595 00:16:14,133 --> 00:16:15,067 >> YEAH. 596 00:16:15,067 --> 00:16:16,433 >> THE THEME IS HOPE FLOATS. 597 00:16:16,433 --> 00:16:18,133 I WANT TO KNOW ABOUT YOUR 598 00:16:18,133 --> 00:16:19,767 DARKEST HOUR AND HOW YOU WERE 599 00:16:19,767 --> 00:16:22,700 ABLE TO GET OVER THAT. 600 00:16:22,700 --> 00:16:25,233 >> WELL, AS A KID, I HAD--I GREW 601 00:16:25,233 --> 00:16:26,833 UP IN A REALLY ABUSIVE, LIKE, 602 00:16:26,833 --> 00:16:27,833 HOUSEHOLD. 603 00:16:27,833 --> 00:16:29,200 AND IT WASN'T A VERY GOOD 604 00:16:29,200 --> 00:16:30,267 CHILDHOOD. 605 00:16:30,267 --> 00:16:32,900 AND IT TOOK 16 YEARS FOR US TO 606 00:16:32,900 --> 00:16:34,500 FIGURE IT OUT, BUT WE DID. 607 00:16:34,500 --> 00:16:36,567 IT FEELS GOOD TO LEAVE ALL THAT 608 00:16:36,567 --> 00:16:37,567 STUFF BACK THERE. 609 00:16:37,567 --> 00:16:39,567 CHICAGO'S A FRESH START FOR ME. 610 00:16:39,567 --> 00:16:41,067 I GET TO LIVE THE LIFE THAT 611 00:16:41,067 --> 00:16:42,233 I WANT TO LIVE. 612 00:16:42,233 --> 00:16:43,100 >> SO YOU'VE COME A LONG WAY, 613 00:16:43,100 --> 00:16:43,900 BABY. 614 00:16:43,900 --> 00:16:44,700 >> YEAH. 615 00:16:44,700 --> 00:16:45,800 >> YOU PULLED YOURSELF UP OUT 616 00:16:45,800 --> 00:16:48,167 OF SOME REALLY DARK PLACES. 617 00:16:48,167 --> 00:16:49,767 THIS IS YOUR CHANCE TO SHINE. 618 00:16:49,767 --> 00:16:51,167 I'M COUNTING ON YOU TO PULL 619 00:16:51,167 --> 00:16:51,833 THROUGH. 620 00:16:51,833 --> 00:16:52,500 >> OKAY. 621 00:16:52,500 --> 00:16:53,567 >> OKAY, YOU'VE DONE IT BEFORE. 622 00:16:53,567 --> 00:16:54,600 YOU CAN DO IT AGAIN. 623 00:16:54,600 --> 00:16:55,267 >> I WILL. 624 00:16:55,267 --> 00:16:56,467 >> ALL RIGHT. GET TO WORK. 625 00:16:56,467 --> 00:16:57,133 >> YES. 626 00:16:57,133 --> 00:16:57,867 >> ALL RIGHT. 627 00:16:57,867 --> 00:17:00,733 AT EASE. 628 00:17:00,733 --> 00:17:02,133 >> ALL RIGHT, LADIES, GATHER 629 00:17:02,133 --> 00:17:03,667 ROUND. 630 00:17:03,667 --> 00:17:05,533 TOMORROW ON THE MAIN STAGE, 631 00:17:05,533 --> 00:17:07,433 WE'LL BE CELEBRATING PRIDE WITH 632 00:17:07,433 --> 00:17:10,067 OUR EXTRA-SPECIAL GUEST JUDGES-- 633 00:17:10,067 --> 00:17:12,667 FASHIONISTA AND TV STAR, MY GOOD 634 00:17:12,667 --> 00:17:14,667 PAL KELLY OSBOURNE WILL BE HERE. 635 00:17:14,667 --> 00:17:15,767 >> OH, MY GOD. 636 00:17:15,767 --> 00:17:17,933 [cheers and applause] 637 00:17:17,933 --> 00:17:19,200 >> I LOVE KELLY OSBOURNE. 638 00:17:19,200 --> 00:17:20,500 EVEN--TO EVEN GET READ BY HER, 639 00:17:20,500 --> 00:17:21,333 I DON'T CARE. 640 00:17:21,333 --> 00:17:22,133 IT'S AN HONOR. 641 00:17:22,133 --> 00:17:23,133 SHE'S SICKENING. 642 00:17:23,133 --> 00:17:25,167 >> AND A WOMAN WHO'S NO STRANGER 643 00:17:25,167 --> 00:17:26,933 TO THE NAVY. 644 00:17:26,933 --> 00:17:29,600 FROM NCIS, PAULEY PERRETTE WILL 645 00:17:29,600 --> 00:17:30,267 BE HERE. 646 00:17:30,267 --> 00:17:31,133 >> OH, MY GOSH! 647 00:17:31,133 --> 00:17:32,933 [applause] 648 00:17:32,933 --> 00:17:33,633 >> WOW. 649 00:17:33,633 --> 00:17:34,567 >> HOW MANY TIMES DID YOU WORK 650 00:17:34,567 --> 00:17:35,300 WITH HER, WILLAM? 651 00:17:35,300 --> 00:17:37,767 >> JUST ONCE, SO FUCK OFF. 652 00:17:37,767 --> 00:17:39,333 [laughter] 653 00:17:39,333 --> 00:17:40,933 >> NOW, LADIES, REMEMBER...IT 654 00:17:40,933 --> 00:17:42,767 AIN'T THE SIZE OF YOUR BOAT BUT 655 00:17:42,767 --> 00:17:46,200 THE MOTION IN YOUR OCEAN, OKAY? 656 00:17:46,200 --> 00:17:47,233 >> OKAY. 657 00:17:47,233 --> 00:17:48,267 >> GOOD LUCK. 658 00:17:48,267 --> 00:17:50,233 AND DON'T FUCK IT UP. 659 00:17:50,233 --> 00:17:51,067 >> YES, MA'AM. 660 00:17:51,067 --> 00:17:51,667 >> OKAY. ALL RIGHT. 661 00:17:51,667 --> 00:17:52,400 SEE YOU LATER. 662 00:17:52,400 --> 00:17:54,367 >> BYE, RU. 663 00:17:54,433 --> 00:17:55,500 >> COMING UP... 664 00:17:55,500 --> 00:17:57,867 >> * MY BOAT IS THE BEST 665 00:17:57,867 --> 00:18:00,133 * MY BOAT IS PRETTY 666 00:18:00,133 --> 00:18:01,133 >> YOU'RE SICKENING, BITCH. 667 00:18:01,133 --> 00:18:01,833 >> SICKENING? 668 00:18:01,833 --> 00:18:03,533 MORE LIKE ABSOLUTELY DISGUSTING. 669 00:18:03,533 --> 00:18:04,667 >> THANK YOU. 670 00:18:04,667 --> 00:18:06,667 >> [laughing] 671 00:18:08,933 --> 00:18:13,700 >> [laughing] 672 00:18:13,700 --> 00:18:16,167 >> * ARTS AND CRAFTS DAY 673 00:18:16,167 --> 00:18:17,100 >> OUR CHALLENGE TODAY IS TO 674 00:18:17,100 --> 00:18:19,700 MAKE FABULOUS, FASHION-FORWARD 675 00:18:19,700 --> 00:18:21,500 OUTFITS AND GAY PRIDE FLOATS. 676 00:18:21,567 --> 00:18:22,700 SO, WITH THIS CHALLENGE, 677 00:18:22,700 --> 00:18:24,067 YOU HAVE TO HAVE A CRAFTY EYE. 678 00:18:24,067 --> 00:18:25,067 YOU HAVE TO BE CREATIVE WITH 679 00:18:25,067 --> 00:18:26,267 YOUR FLOAT AND YOUR COSTUME. 680 00:18:26,267 --> 00:18:27,400 THIS COMPETITION'S REALLY GONNA 681 00:18:27,400 --> 00:18:28,633 SHOW WHO CAN KEEP UP WITH 682 00:18:28,633 --> 00:18:31,167 THE BIG GIRLS. 683 00:18:31,167 --> 00:18:32,633 FUCK. 684 00:18:32,633 --> 00:18:34,067 >> FUCK. 685 00:18:34,067 --> 00:18:36,100 I DID IT ALL WRONG. 686 00:18:36,100 --> 00:18:36,900 FUCK. 687 00:18:36,900 --> 00:18:37,600 >> OH, MY GOD. 688 00:18:37,600 --> 00:18:40,300 NOW I JUST FUCKED IT UP. 689 00:18:40,300 --> 00:18:41,800 >> BUT THAT'S PRETTY. 690 00:18:41,800 --> 00:18:43,267 GIRL, YOU'RE GONNA WIN. 691 00:18:43,267 --> 00:18:44,600 >> YOU CAN KISS MY ASS. 692 00:18:44,600 --> 00:18:45,367 >> [laughs] 693 00:18:45,367 --> 00:18:46,833 >> UGH. 694 00:18:46,900 --> 00:18:48,833 IT IS VERY HARD TO CREATE AN 695 00:18:48,833 --> 00:18:50,500 OUTFIT FROM SCRATCH IN A DAY AND 696 00:18:50,500 --> 00:18:52,300 DECORATE A BOAT. 697 00:18:52,367 --> 00:18:53,800 IT'S DAMN NEAR IMPOSSIBLE. 698 00:18:53,800 --> 00:18:56,100 MY GOD, THIS MAKING A BOAT CRAP 699 00:18:56,100 --> 00:18:58,833 IS JUST--IS NOT THE TYPE OF 700 00:18:58,833 --> 00:19:00,667 DRESS... 701 00:19:00,667 --> 00:19:03,067 ALL RIGHTY. 702 00:19:03,067 --> 00:19:04,133 >> YOU OKAY? 703 00:19:04,133 --> 00:19:04,900 >> NO. 704 00:19:04,900 --> 00:19:05,667 >> SHE DOESN'T KNOW HER IDEA 705 00:19:05,667 --> 00:19:06,467 FOR HER BOAT. 706 00:19:06,467 --> 00:19:07,533 >> YOU HAVE A BUNCH OF STUFF 707 00:19:07,533 --> 00:19:08,600 OVER THERE, AND YOU HAVE A LOT 708 00:19:08,600 --> 00:19:09,433 OF GOOD STUFF TOO. 709 00:19:09,433 --> 00:19:10,233 OPEN STUFF UP. 710 00:19:10,233 --> 00:19:11,067 LOOK AT THE TEXTURES. 711 00:19:11,067 --> 00:19:11,733 LOOK AT ALL THAT STUFF AND JUST 712 00:19:11,733 --> 00:19:12,967 PLAY WITH IT. 713 00:19:12,967 --> 00:19:14,500 JIGGLY'S JUST OUT OF HER ELEMENT 714 00:19:14,500 --> 00:19:15,800 BEING ON THIS COMPETITION. 715 00:19:15,800 --> 00:19:17,500 SHE IS SO FAR BEHIND, AND IT'S 716 00:19:17,500 --> 00:19:19,500 JUST LIKE, GIRL, JUST GET YOUR 717 00:19:19,500 --> 00:19:22,433 CRAP DONE. 718 00:19:22,500 --> 00:19:23,433 >> THE HARDEST PART ABOUT THIS 719 00:19:23,433 --> 00:19:24,667 CHALLENGE IS NOT TELLING 720 00:19:24,667 --> 00:19:25,600 EVERYBODY ELSE THAT I'M GONNA 721 00:19:25,600 --> 00:19:26,500 WIN. 722 00:19:26,567 --> 00:19:28,133 >> WOW, THAT IS REALLY COOL. 723 00:19:28,133 --> 00:19:28,967 >> YEAH, I MEAN, IT LOOKS 724 00:19:28,967 --> 00:19:31,133 EGOTISTICAL, BUT IT'S GOT A 725 00:19:31,133 --> 00:19:32,467 MESSAGE, LIKE, "I'M GONNA HANDLE 726 00:19:32,467 --> 00:19:34,067 MYSELF LIKE I'M GONNA BE 727 00:19:34,067 --> 00:19:35,300 SOMEBODY SOMEDAY." 728 00:19:35,300 --> 00:19:36,100 >> YOU'RE SICKENING, BITCH. 729 00:19:36,100 --> 00:19:37,100 YOU'RE SICKENING. 730 00:19:37,100 --> 00:19:38,100 >> SICKENING? 731 00:19:38,100 --> 00:19:39,867 MORE LIKE ABSOLUTELY DISGUSTING. 732 00:19:39,867 --> 00:19:40,533 >> REALLY? 733 00:19:40,533 --> 00:19:41,367 >> YEAH, BITCH. 734 00:19:41,367 --> 00:19:42,633 >> THANK YOU. 735 00:19:42,633 --> 00:19:44,100 >> SO HAS ANYBODY EVER DONE, 736 00:19:44,100 --> 00:19:45,733 LIKE, PRIDE PERFORMANCES OR 737 00:19:45,733 --> 00:19:47,400 PRIDE SHOWS? 738 00:19:47,400 --> 00:19:48,733 >> BITCH, I PUT MY GAY PRIDE 739 00:19:48,733 --> 00:19:49,767 TIME IN, HONEY. 740 00:19:49,767 --> 00:19:51,867 IN MY YEARS. 741 00:19:51,867 --> 00:19:52,833 >> IN PITTSBURGH, THEY DON'T 742 00:19:52,833 --> 00:19:54,233 ASK ME EVER TO DO PRIDE. 743 00:19:54,233 --> 00:19:55,333 I MEAN, MAYBE THEY JUST THINK 744 00:19:55,333 --> 00:19:56,967 MY ACT IS RESERVED FOR NIGHTTIME 745 00:19:56,967 --> 00:19:57,900 ONLY. 746 00:19:57,900 --> 00:19:58,867 >> MAYBE IT'S BECAUSE SHE'S 747 00:19:58,867 --> 00:19:59,667 A SPOOKY BITCH. 748 00:19:59,667 --> 00:20:00,700 >> I LIKE SPOTLIGHTS, NOT 749 00:20:00,700 --> 00:20:02,867 SUNLIGHT. 750 00:20:02,867 --> 00:20:03,667 >> I'M FROM TEXAS, SO TEXAS IS 751 00:20:03,667 --> 00:20:05,200 NOT ABOUT THE WHOLE BEING GAY 752 00:20:05,200 --> 00:20:05,900 THING. 753 00:20:05,900 --> 00:20:07,067 I REMEMBER, WHEN I FIRST WENT 754 00:20:07,067 --> 00:20:09,067 OUT TO THE GAY CLUBS, THERE WAS 755 00:20:09,067 --> 00:20:10,067 A LOT OF, LIKE, GAY BASHING, 756 00:20:10,067 --> 00:20:11,500 AND, LIKE, GUYS WOULD COME BY 757 00:20:11,500 --> 00:20:12,633 WITH, LIKE, BASEBALL BATS. 758 00:20:12,633 --> 00:20:14,600 LIKE, MOVING TO CHICAGO, I CAN 759 00:20:14,600 --> 00:20:16,067 HOLD SOMEONE'S HAND WALKING DOWN 760 00:20:16,067 --> 00:20:17,067 THE STREET OR I CAN BE 761 00:20:17,067 --> 00:20:17,900 AFFECTIONATE. 762 00:20:17,900 --> 00:20:19,067 IN TEXAS YOU CAN'T DO THAT. 763 00:20:19,067 --> 00:20:20,833 >> DAMN. 764 00:20:20,833 --> 00:20:21,700 >> IS THE NEW YORK DRAG 765 00:20:21,700 --> 00:20:23,567 COMMUNITY ALL IN MANHATTAN? 766 00:20:23,567 --> 00:20:24,533 >> THE NEW YORK DRAG COMMUNITY 767 00:20:24,533 --> 00:20:25,700 IS SORT OF EVERYWHERE. 768 00:20:25,700 --> 00:20:26,800 DEFINITELY CERTAIN AREAS WHERE 769 00:20:26,800 --> 00:20:27,733 THERE'S CERTAIN DRAGS YOU CAN 770 00:20:27,733 --> 00:20:28,533 SEE. 771 00:20:28,533 --> 00:20:29,333 THERE'S THE SINGING GIRLS, 772 00:20:29,333 --> 00:20:30,733 THERE'S THE CAMPY GIRLS, THERE'S 773 00:20:30,733 --> 00:20:31,867 THE GRUNGE GIRLS... 774 00:20:31,867 --> 00:20:33,067 >> SO WHAT ARE YOU? 775 00:20:33,067 --> 00:20:34,633 LIKE, WHAT'S YOUR... 776 00:20:34,633 --> 00:20:35,567 >> I'M A FLOATER. 777 00:20:35,567 --> 00:20:37,567 MY STYLE KIND OF BOUNCES AROUND. 778 00:20:37,633 --> 00:20:38,933 I DON'T WANT TO BE PIGEONHOLED 779 00:20:38,933 --> 00:20:41,333 AS JUST A DRAG QUEEN. 780 00:20:41,400 --> 00:20:42,400 I THINK IT'S IMPORTANT FOR 781 00:20:42,400 --> 00:20:44,667 PEOPLE TO SEE THAT THERE IS 782 00:20:44,667 --> 00:20:47,067 AN ARTIST ON STAGE. 783 00:20:47,067 --> 00:20:48,233 >> I HAVE DIGNITY LOOKS AND 784 00:20:48,233 --> 00:20:50,233 PAYCHECK LOOKS. 785 00:20:50,233 --> 00:20:51,333 DIGNITY IS WHEN I WILL NOT BEND 786 00:20:51,333 --> 00:20:54,067 FOR ANYONE, AND I DON'T CARE IF 787 00:20:54,067 --> 00:20:54,833 I MAKE A DOLLAR. 788 00:20:54,833 --> 00:20:55,600 I'M DOING WHAT I'M DOING. 789 00:20:55,600 --> 00:20:56,267 >> RIGHT. 790 00:20:56,267 --> 00:20:56,967 >> AND THERE'S TIMES THE 791 00:20:56,967 --> 00:20:57,733 ELECTRIC'S ABOUT TO SHUT OFF, 792 00:20:57,733 --> 00:20:59,267 SO I DRESS UP LIKE LADY GAGA. 793 00:20:59,267 --> 00:21:00,233 >> RIGHT. 794 00:21:00,233 --> 00:21:04,567 [laughter] 795 00:21:04,567 --> 00:21:05,667 >> JIGGLY, IS THAT A MEN'S SHIRT 796 00:21:05,667 --> 00:21:07,067 OR A WOMEN'S SHIRT? 797 00:21:07,067 --> 00:21:08,167 YOUR HANGER STRAP IS SHOWING, 798 00:21:08,167 --> 00:21:10,067 AND I ALREADY KNOW THE ANSWER. 799 00:21:10,067 --> 00:21:11,633 YOUR CROSS-DRESSER! 800 00:21:11,633 --> 00:21:12,867 WE'RE SUPPOSED TO BE BOYS TODAY, 801 00:21:12,867 --> 00:21:14,167 AND YOU'RE CROSS-DRESSING. 802 00:21:14,167 --> 00:21:15,800 >> REALLY, GIRL? REALLY? 803 00:21:15,867 --> 00:21:17,567 HER SLICK-ASS COMMENTS ARE GONNA 804 00:21:17,567 --> 00:21:18,800 DRIVE ME CRAZY. 805 00:21:18,867 --> 00:21:21,100 >> * WATCHING MY BOAT 806 00:21:21,100 --> 00:21:21,833 >> SHUT UP. 807 00:21:21,833 --> 00:21:23,633 >> YOU SHUT UP. 808 00:21:23,633 --> 00:21:24,767 >> UGLY BITCH. 809 00:21:24,767 --> 00:21:26,067 >> YOU SHUT YOUR UGLY BOAT 810 00:21:26,067 --> 00:21:27,133 MOUTH. 811 00:21:27,133 --> 00:21:28,633 >> OH, YOU HAVE SOMETHING TO 812 00:21:28,633 --> 00:21:29,300 SAY, BITCH? 813 00:21:29,300 --> 00:21:30,300 >> YEAH, YOUR BOAT'S UGLY. 814 00:21:30,300 --> 00:21:31,067 >> NARCISSISTIC WHORE. 815 00:21:31,067 --> 00:21:32,233 >> YOUR BOAT'S UGLY. 816 00:21:32,233 --> 00:21:32,967 >> I DON'T CARE. 817 00:21:32,967 --> 00:21:35,067 MY BOAT COULD BE UGLY, BITCH. 818 00:21:35,067 --> 00:21:35,833 YOUR FACE IS UGLY. 819 00:21:35,833 --> 00:21:36,533 >> YOUR BOAT DON'T FLOAT. 820 00:21:36,533 --> 00:21:37,800 YOUR BOAT DON'T FLOAT. 821 00:21:37,800 --> 00:21:38,600 >> COME HERE AND SAY THAT, 822 00:21:38,600 --> 00:21:39,600 BITCH, 'CAUSE I WILL INJECT THIS 823 00:21:39,600 --> 00:21:40,500 SHIT RIGHT IN YOUR CHEEKS, 824 00:21:40,500 --> 00:21:41,167 HO. 825 00:21:41,167 --> 00:21:41,833 >> OHH. 826 00:21:41,833 --> 00:21:42,500 DON'T TALK TO ME LIKE 827 00:21:42,500 --> 00:21:43,267 CHAD MICHAELS. 828 00:21:43,267 --> 00:21:44,433 YOU KNOW HOW PASSIONATE HE IS 829 00:21:44,433 --> 00:21:45,967 ABOUT SILICONE WORK. 830 00:21:45,967 --> 00:21:47,200 >> [as Cher] SHUT UP, STUPID. 831 00:21:47,267 --> 00:21:48,700 WILLAM RUNS HIS MOUTH A LOT. 832 00:21:48,700 --> 00:21:50,100 IT'S KIND OF LIKE A SPIGOT YOU 833 00:21:50,100 --> 00:21:51,067 CAN'T TURN OFF. 834 00:21:51,067 --> 00:21:51,933 AND IT STARTED TO GET ON MY 835 00:21:51,933 --> 00:21:52,700 NERVES. 836 00:21:52,700 --> 00:21:54,267 I'M CHER, BITCH. 837 00:21:54,267 --> 00:21:55,467 >> YOU GUYS, YOU KNOW WHAT MY 838 00:21:55,467 --> 00:21:56,800 BOAT REMINDS ME OF? 839 00:21:56,800 --> 00:21:57,600 >> WHAT? 840 00:21:57,600 --> 00:21:59,067 >> A WINNER. 841 00:21:59,067 --> 00:22:00,200 [laughter] 842 00:22:00,200 --> 00:22:03,133 * MY BOAT IS THE BEST 843 00:22:03,133 --> 00:22:05,633 * MY BOAT IS PRETTY 844 00:22:05,633 --> 00:22:06,733 >> SELFISH BITCH, LEARN YOUR 845 00:22:06,733 --> 00:22:07,400 WORDS. 846 00:22:07,400 --> 00:22:08,767 YOU WILL BE IN THE BOTTOM TWO. 847 00:22:08,767 --> 00:22:10,833 >> * I WANT SOME BREASTS 848 00:22:10,833 --> 00:22:13,067 >> BITCH. 849 00:22:13,067 --> 00:22:15,367 [alarm goes off] 850 00:22:25,533 --> 00:22:28,133 >> ANCHORS AWEIGH, BITCHES. 851 00:22:28,133 --> 00:22:29,467 >> CLUCK-CLUCK, LADIES. 852 00:22:29,467 --> 00:22:30,133 >> SO MUCH TO DO. 853 00:22:30,133 --> 00:22:31,300 >> LET'S GET TO WORK. 854 00:22:31,300 --> 00:22:32,067 >> I WAS HAVING PANIC ATTACKS 855 00:22:32,067 --> 00:22:33,933 ABOUT THIS DAMN SNAKE. 856 00:22:33,933 --> 00:22:34,633 >> THE MOOD IN THE WORKROOM 857 00:22:34,633 --> 00:22:35,800 RIGHT NOW IS INTENSE. 858 00:22:35,800 --> 00:22:36,600 QUEENS ARE HUSTLING, GLUING, 859 00:22:36,600 --> 00:22:38,367 GOING CRAZY. 860 00:22:38,367 --> 00:22:39,300 IT'S INSANE RIGHT NOW 861 00:22:39,300 --> 00:22:43,433 IN THE WORKROOM. 862 00:22:43,433 --> 00:22:44,200 >> DOES THIS LOOK LIKE A FUCKING 863 00:22:44,200 --> 00:22:45,700 ANCHOR YET? 864 00:22:45,700 --> 00:22:47,433 I ENDED UP WITH THE FINAL 865 00:22:47,433 --> 00:22:50,800 CONCEPT FOR MY BOAT LAST MINUTE. 866 00:22:50,800 --> 00:22:52,700 NOW I JUST GOT TO FINISH IT. 867 00:22:52,700 --> 00:22:53,767 SHARON? 868 00:22:53,767 --> 00:22:54,433 >> YEAH? 869 00:22:54,433 --> 00:22:55,100 >> DOES THIS LOOK LIKE AN 870 00:22:55,100 --> 00:22:55,767 ANCHOR? 871 00:22:55,767 --> 00:22:56,433 >> IT KIND OF LOOKS LIKE 872 00:22:56,433 --> 00:22:57,200 A DICK. 873 00:22:57,200 --> 00:23:00,467 >> IT DOES LOOK LIKE A PENIS. 874 00:23:00,467 --> 00:23:01,300 >> WHAT'S THE THEME OF YOUR 875 00:23:01,300 --> 00:23:01,967 BOAT? 876 00:23:01,967 --> 00:23:02,733 >> THE WHOLE "IT GETS BETTER, 877 00:23:02,733 --> 00:23:04,533 LOVE YOU FOR YOU." 878 00:23:04,533 --> 00:23:05,933 VERY SAINT-TROPEZ. 879 00:23:05,933 --> 00:23:07,667 BRIGHT COLORS. 880 00:23:07,667 --> 00:23:09,600 VERY SAINT-TROPEZ. 881 00:23:09,600 --> 00:23:10,767 SO I'M JUST, LIKE, SCRAMBLING 882 00:23:10,767 --> 00:23:12,500 FOR TIME. 883 00:23:12,500 --> 00:23:14,167 >> JIGGLY'S IS STILL A MESS. 884 00:23:14,167 --> 00:23:15,800 SHE KEPT ADDING CRAP UPON CRAP 885 00:23:15,800 --> 00:23:17,533 ON TOP OF MORE CRAP, SO IT JUST 886 00:23:17,533 --> 00:23:20,167 LOOKED LIKE A BIG PILE OF CRAP. 887 00:23:20,167 --> 00:23:22,267 >> I'M JUST GONNA TRY TO GO FOR 888 00:23:22,267 --> 00:23:25,500 OBVIOUS THINGS--SUNLIGHT, 889 00:23:25,500 --> 00:23:27,733 YELLOW, YOU KNOW, HAPPINESS. 890 00:23:27,733 --> 00:23:28,400 >> RIGHT. 891 00:23:28,400 --> 00:23:29,500 >> I'M GONNA GET A LITTLE GRADE 892 00:23:29,500 --> 00:23:31,067 SCHOOL AT MOMENTS. 893 00:23:31,067 --> 00:23:31,867 >> THERE ISN'T GONNA BE NOTHING 894 00:23:31,867 --> 00:23:33,200 ABOUT GRADE SCHOOL ON MY BOAT. 895 00:23:33,200 --> 00:23:34,500 MY BOAT'S GONNA BE AN ALL-ADULT 896 00:23:34,500 --> 00:23:35,667 FUNCTION. 897 00:23:35,667 --> 00:23:36,867 >> IF I WOULD HAVE MADE MILAN'S 898 00:23:36,867 --> 00:23:38,067 BOAT, I WOULDN'T HAVE PUT 899 00:23:38,067 --> 00:23:39,467 THE MILAN INVASION ON IT. 900 00:23:39,467 --> 00:23:40,133 I WOULD HAVE BLAMED IT ON 901 00:23:40,133 --> 00:23:40,800 SOMEONE ELSE. 902 00:23:40,800 --> 00:23:41,867 LIKE, "I DIDN'T DO THIS BOAT. 903 00:23:41,867 --> 00:23:43,200 NO, THIS IS HER BOAT. 904 00:23:43,200 --> 00:23:45,733 THAT GIRL'S BOAT, NOT MY BOAT." 905 00:23:54,067 --> 00:23:54,867 >> I'M LOOKING AROUND THE ROOM, 906 00:23:54,867 --> 00:23:56,233 AND I'M IN DRAG, EVERYBODY ELSE 907 00:23:56,233 --> 00:23:57,767 IS PRACTICALLY DONE AND IN DRAG, 908 00:23:57,767 --> 00:23:59,633 AND JIGGLY'S STILL STAPLING AND 909 00:23:59,633 --> 00:24:00,767 GLUING STUFF TO HER FLOAT, AND 910 00:24:00,767 --> 00:24:02,267 I'M LIKE, "HELLO, YOU ONLY HAVE, 911 00:24:02,267 --> 00:24:03,667 LIKE, MINUTES LEFT UNTIL YOU 912 00:24:03,667 --> 00:24:04,767 COULD BE IN DRAG AND ON THAT 913 00:24:04,767 --> 00:24:06,333 RUNWAY." 914 00:24:06,333 --> 00:24:07,767 >> IT'S SINK OR SWIM. 915 00:24:07,767 --> 00:24:09,333 YOU BETTER BE READY, AND YOU 916 00:24:09,333 --> 00:24:10,333 BETTER CARE. 917 00:24:10,400 --> 00:24:12,867 >> JIGGLY IS A HOT MESS. 918 00:24:12,933 --> 00:24:14,533 GOOD LUCK, GIRL. 919 00:24:14,533 --> 00:24:16,100 >> OH, SHIT. 920 00:24:16,100 --> 00:24:18,767 WHERE THE FUCK ARE MY TITS? 921 00:24:18,833 --> 00:24:19,567 >> COMING UP... 922 00:24:19,567 --> 00:24:20,833 >> YOUR BOAT--IT LOOKS A LITTLE 923 00:24:20,833 --> 00:24:22,433 BIT PINATA-LIKE. 924 00:24:22,433 --> 00:24:23,833 >> WHAT YOU HAVE ON, IT'S NOT 925 00:24:23,833 --> 00:24:25,867 PARTICULARLY AN EVENT. 926 00:24:25,867 --> 00:24:26,733 >> BUT SHE WAS THE ONLY ONE UP 927 00:24:26,733 --> 00:24:27,867 THERE WITH A CAMEL TOE. 928 00:24:27,867 --> 00:24:29,067 >> I DIDN'T GO THERE. 929 00:24:29,067 --> 00:24:31,067 [laughter] 930 00:24:33,633 --> 00:24:35,633 >> [laughing] 931 00:24:39,067 --> 00:24:42,067 [laughing] 932 00:24:44,500 --> 00:24:45,733 >> * COVER GIRL 933 00:24:45,733 --> 00:24:48,067 * PUT THE BASS IN YOUR WALK 934 00:24:48,067 --> 00:24:49,133 * HEAD TO TOE 935 00:24:49,133 --> 00:24:53,500 * LET YOUR WHOLE BODY TALK 936 00:24:53,500 --> 00:24:54,467 * WHAT 937 00:24:54,467 --> 00:24:56,433 >> WELCOME TO THE MAIN STAGE OF 938 00:24:56,433 --> 00:24:58,600 RUPAUL'S DRAG RACE. 939 00:24:58,600 --> 00:24:59,867 HEY, GUYS. 940 00:24:59,867 --> 00:25:01,367 >> HEY, GORGEOUS. 941 00:25:01,367 --> 00:25:03,533 >> MICHELLE VISAGE, ARE YOU 942 00:25:03,533 --> 00:25:05,067 PROUD OF OUR GIRLS? 943 00:25:05,100 --> 00:25:06,667 >> I AM PROUD TO BE AN AMERICAN, 944 00:25:06,667 --> 00:25:08,667 AND I AM PROUD OF OUR GIRLS. 945 00:25:08,667 --> 00:25:10,233 >> [laughs] 946 00:25:10,233 --> 00:25:12,233 BILLY B., ARE YOU READY TO SEE 947 00:25:12,233 --> 00:25:13,467 OUR GIRLS? 948 00:25:13,467 --> 00:25:14,833 >> I AM SO READY. 949 00:25:14,833 --> 00:25:16,400 >> KELLY OSBOURNE. 950 00:25:16,400 --> 00:25:17,167 >> HI, RU. 951 00:25:17,167 --> 00:25:18,833 >> NOW YOU'VE BEEN GRAND MARSHAL 952 00:25:18,833 --> 00:25:20,067 OF GAY PRIDE HERE IN 953 00:25:20,067 --> 00:25:21,167 LOS ANGELES. 954 00:25:21,167 --> 00:25:22,533 >> YES, WITH MY MAMA. 955 00:25:22,533 --> 00:25:23,400 >> WELL, YOU'LL FEEL RIGHT AT 956 00:25:23,400 --> 00:25:24,333 HOME HERE. 957 00:25:24,333 --> 00:25:25,967 >> I ALREADY DO. 958 00:25:25,967 --> 00:25:27,433 >> PAULEY PERRETTE, WELCOME 959 00:25:27,433 --> 00:25:28,233 ABOARD. 960 00:25:28,300 --> 00:25:29,333 >> THANK YOU. 961 00:25:29,333 --> 00:25:30,200 HAPPY TO BE HERE. 962 00:25:30,200 --> 00:25:31,867 >> I LOVE A PARADE. 963 00:25:31,867 --> 00:25:32,533 DON'T YOU? 964 00:25:32,533 --> 00:25:33,367 >> YES. 965 00:25:33,367 --> 00:25:34,767 >> THIS WEEK OUR QUEENS WERE 966 00:25:34,767 --> 00:25:36,167 CHALLENGED TO DESIGN PRIDE 967 00:25:36,167 --> 00:25:37,367 FLOATS. 968 00:25:37,367 --> 00:25:38,567 NOW THEY'RE READY TO PARADE 969 00:25:38,567 --> 00:25:40,567 THEM DOWN THE RUNWAY. 970 00:25:40,567 --> 00:25:42,067 ARE YOU READY TO SEE THEIR TRUE 971 00:25:42,067 --> 00:25:43,167 COLORS? 972 00:25:43,167 --> 00:25:44,600 >> HELL, YEAH. 973 00:25:44,600 --> 00:25:46,200 >> GENTLEMEN, START YOUR 974 00:25:46,200 --> 00:25:48,500 ENGINES, AND MAY THE BEST WOMAN 975 00:25:48,500 --> 00:25:49,667 WIN. 976 00:25:49,733 --> 00:25:57,067 >> * WELCOME TO THE JUNGLE 977 00:25:57,067 --> 00:25:59,800 >> CHAD MICHAELS. AHOY. 978 00:25:59,800 --> 00:26:01,267 >> GLAMOROUS. 979 00:26:01,267 --> 00:26:02,467 >> SHE'S SHOWBOATING. 980 00:26:02,467 --> 00:26:04,333 >> MY OUTFIT IS FASHION-FORWARD 981 00:26:04,333 --> 00:26:06,100 SHOWGIRL--ALWAYS BEAUTIFUL, 982 00:26:06,100 --> 00:26:08,600 ALWAYS PAINTED, NEARLY NAKED. 983 00:26:08,600 --> 00:26:10,333 >> STARBOOTY! 984 00:26:10,333 --> 00:26:11,933 >> SHE'S SERVING THE DEADLIEST 985 00:26:11,933 --> 00:26:13,233 CATCH... 986 00:26:13,233 --> 00:26:14,767 >> SNAPPER. 987 00:26:14,767 --> 00:26:17,800 >> DIDA RITZ IN RED. 988 00:26:17,800 --> 00:26:20,333 OH, I LOVE A HAREM PANT. 989 00:26:20,333 --> 00:26:21,400 >> I'M SERVING FLOAT 990 00:26:21,400 --> 00:26:22,433 COUTURENESS. 991 00:26:22,433 --> 00:26:23,567 I'M NOT LETTING THIS BOAT GET 992 00:26:23,567 --> 00:26:24,433 IN MY WAY. 993 00:26:24,433 --> 00:26:26,067 I ALWAYS LEAVE MY MARK. 994 00:26:26,067 --> 00:26:27,100 HONEY, I PEE ON THE RUNWAY. 995 00:26:27,100 --> 00:26:28,100 TRUST. 996 00:26:28,100 --> 00:26:30,333 >> RED SKY AT NIGHT, SAILORS' 997 00:26:30,333 --> 00:26:32,300 DELIGHT. 998 00:26:32,300 --> 00:26:34,600 NICE AFT. 999 00:26:34,600 --> 00:26:37,367 UP NEXT, JIGGLY CALIENTE IN MY 1000 00:26:37,367 --> 00:26:39,667 FAVORITE COLOR, ORANGE. 1001 00:26:39,667 --> 00:26:41,100 >> TANGERINE DREAM. 1002 00:26:41,100 --> 00:26:42,300 >> YES. 1003 00:26:42,300 --> 00:26:43,167 >> I LOOK GOOD. 1004 00:26:43,167 --> 00:26:44,400 MY WRAP IS FLOWING. 1005 00:26:44,400 --> 00:26:45,600 MY HAIR'S FLOWING. 1006 00:26:45,600 --> 00:26:46,500 MY MAKEUP IS RIGHT. 1007 00:26:46,500 --> 00:26:47,600 MY LIPS LOOK RIGHT. 1008 00:26:47,600 --> 00:26:49,467 I LOOK SICKENING, BITCH. 1009 00:26:49,467 --> 00:26:50,467 >> MM, IT REMINDS ME OF 1010 00:26:50,467 --> 00:26:52,100 ORANGE JULIUS. 1011 00:26:52,100 --> 00:26:54,900 OR IT'D BE ORANGE JIGGLY-US. 1012 00:26:54,900 --> 00:26:56,167 MILAN. 1013 00:26:56,167 --> 00:26:57,700 >> HELLO, SUNSHINE. 1014 00:26:57,700 --> 00:26:59,100 >> I'M FEELING PROUD OF WHAT 1015 00:26:59,100 --> 00:27:00,600 I CREATED. 1016 00:27:00,600 --> 00:27:02,533 MY FLOAT IS THE MILAN INVASION. 1017 00:27:02,533 --> 00:27:05,267 IT'S INSPIRED BY FIRE ISLAND. 1018 00:27:05,267 --> 00:27:06,500 >> BOATLOAD OF WIGS. 1019 00:27:06,500 --> 00:27:07,500 >> IT'S NICE TO HAVE EXTRA WIGS, 1020 00:27:07,500 --> 00:27:08,167 THOUGH. 1021 00:27:08,167 --> 00:27:09,233 >> IT IS, 'CAUSE, IF YOU END UP 1022 00:27:09,233 --> 00:27:10,467 ON GILLIGAN'S ISLAND AND YOU 1023 00:27:10,467 --> 00:27:11,900 WANT TO DO SHOWS, WELL... 1024 00:27:11,900 --> 00:27:13,533 >> HELLO. 1025 00:27:13,533 --> 00:27:16,833 >> OOH, SHARON NEEDLES. 1026 00:27:16,833 --> 00:27:17,667 >> SHE IS FROM THE GARDEN OF 1027 00:27:17,667 --> 00:27:18,500 EDEN. 1028 00:27:18,500 --> 00:27:19,833 >> DOES HER SNAKE HAVE ONE EYE 1029 00:27:19,833 --> 00:27:20,833 OR TWO? 1030 00:27:20,833 --> 00:27:22,900 >> I WAS REALLY SERVING THEM 1031 00:27:22,900 --> 00:27:25,067 SOME SNAKE REALNESS. 1032 00:27:25,067 --> 00:27:26,967 I CAN STRIKE AT ANY TIME. 1033 00:27:26,967 --> 00:27:28,967 >> OH, OH, OH, OH. 1034 00:27:28,967 --> 00:27:31,233 I LOVE! 1035 00:27:31,233 --> 00:27:35,067 >> LATRICE ROYALE IN TURQUOISE. 1036 00:27:35,067 --> 00:27:36,767 >> THE GODDESS OF THE SEA. 1037 00:27:36,767 --> 00:27:37,800 >> WOW. 1038 00:27:37,800 --> 00:27:39,200 LOOK AT ALL THAT WATER. 1039 00:27:39,200 --> 00:27:41,067 >> I JUST WANT IT ALL TO HANG 1040 00:27:41,067 --> 00:27:42,167 OUT TODAY. 1041 00:27:42,167 --> 00:27:43,167 I HAVE THIS HAIR THAT I BAKED 1042 00:27:43,167 --> 00:27:46,333 AND SCULPTED AND HAND-PAINTED. 1043 00:27:46,333 --> 00:27:47,500 >> LOVE THOSE LIPS. 1044 00:27:47,500 --> 00:27:48,400 >> SHE FELL FACE-FIRST AT 1045 00:27:48,400 --> 00:27:49,367 CLAIRE'S. 1046 00:27:49,367 --> 00:27:50,433 >> [laughs] 1047 00:27:50,433 --> 00:27:51,867 >> NOW THAT IS A POSEIDON 1048 00:27:51,867 --> 00:27:54,167 ADVENTURE. 1049 00:27:54,167 --> 00:27:55,467 >> WILLAM. 1050 00:27:55,467 --> 00:27:57,067 OH, DEAR. 1051 00:27:57,067 --> 00:27:59,767 SHE'S A LOW RIDER. 1052 00:27:59,767 --> 00:28:01,133 >> CHECK THAT OUT. 1053 00:28:01,133 --> 00:28:02,600 >> DROPPING ANCHOR. 1054 00:28:02,600 --> 00:28:04,733 LAND HO. 1055 00:28:04,733 --> 00:28:06,767 >> OH, MY GOD. 1056 00:28:06,767 --> 00:28:08,800 PERMISSION TO COME ABOARD. 1057 00:28:08,800 --> 00:28:10,533 >> OOH, GIRL, I'M DUSTED. 1058 00:28:10,533 --> 00:28:11,900 >> MY COSTUME'S RIGHT, MY BODY'S 1059 00:28:11,900 --> 00:28:12,667 RIGHT. 1060 00:28:12,667 --> 00:28:14,067 THIS CHALLENGE IS RIGHT UP MY 1061 00:28:14,067 --> 00:28:15,533 LAGOON. 1062 00:28:15,533 --> 00:28:16,333 >> SHE'S SHOWING US HER 1063 00:28:16,333 --> 00:28:17,633 STARBOARD SIDE. 1064 00:28:17,633 --> 00:28:18,600 STICK IT IN THE PORTHOLE, 1065 00:28:18,600 --> 00:28:20,400 WILLAM. 1066 00:28:20,400 --> 00:28:22,500 >> PHI PHI O'HARA. 1067 00:28:22,500 --> 00:28:24,400 >> LIKE A FLOAT WARRIOR. 1068 00:28:24,400 --> 00:28:26,300 >> OOH, LOVE IS A BATTLESHIP. 1069 00:28:26,300 --> 00:28:27,567 >> MY LOOK I'M CHANNELING IS 1070 00:28:27,567 --> 00:28:29,333 FASHION-FORWARD SCI-FI. 1071 00:28:29,333 --> 00:28:30,200 I'M TRYING TO GIVE THEM 1072 00:28:30,200 --> 00:28:31,400 A BAD-ASS BITCH. 1073 00:28:31,400 --> 00:28:32,933 >> IT'S THE PHI-PHI-TANIC. 1074 00:28:32,933 --> 00:28:33,967 >> SHE'S GOING DOWN WITH 1075 00:28:33,967 --> 00:28:35,200 THE SHIP. 1076 00:28:35,200 --> 00:28:36,067 >> LOVE IT. 1077 00:28:36,067 --> 00:28:39,900 >> PURPLE FOR PASSION. 1078 00:28:39,900 --> 00:28:40,900 COMING UP... 1079 00:28:40,900 --> 00:28:41,767 >> FUCK YOU FOR HAVING THE 1080 00:28:41,767 --> 00:28:43,400 MOST AMAZING BODY EVER. 1081 00:28:43,400 --> 00:28:44,233 >> THANK YOU. 1082 00:28:44,233 --> 00:28:45,467 >> THE BOAT, YOU SAID YOU WANTED 1083 00:28:45,467 --> 00:28:46,933 TO GIVE IT SOME CLASS. 1084 00:28:46,933 --> 00:28:49,400 IT'S, LIKE, SIXTH-GRADE CLASS. 1085 00:28:49,400 --> 00:28:51,400 >> [laughing] 1086 00:28:53,633 --> 00:28:56,200 >> [laughing] 1087 00:28:56,267 --> 00:28:58,567 MY COLORFUL QUEENS, I LOVE 1088 00:28:58,567 --> 00:28:59,633 A PARADE. 1089 00:28:59,633 --> 00:29:01,400 BUT NOW IT'S TIME FOR 1090 00:29:01,400 --> 00:29:03,300 THE JUDGES' CRITIQUES. 1091 00:29:03,300 --> 00:29:05,633 FIRST UP, CHAD MICHAELS. 1092 00:29:05,633 --> 00:29:06,467 NOW WHAT DOES YOUR FLOAT SAY 1093 00:29:06,467 --> 00:29:07,433 ABOUT YOU? 1094 00:29:07,433 --> 00:29:08,667 >> OBVIOUSLY WITH THE STRIPES ON 1095 00:29:08,667 --> 00:29:09,900 MY COSTUME AND THE STRIPES ON 1096 00:29:09,900 --> 00:29:11,967 MY BOAT, I'M A DRAG COUGAR. 1097 00:29:11,967 --> 00:29:13,067 [laughter] 1098 00:29:13,067 --> 00:29:13,700 RRARGH. 1099 00:29:13,700 --> 00:29:15,267 I BASICALLY WANTED TO GO WITH 1100 00:29:15,267 --> 00:29:16,367 CLASSIC SHOWGIRL, BUT 1101 00:29:16,367 --> 00:29:17,367 FASHION-FORWARD. 1102 00:29:17,433 --> 00:29:18,500 >> CAN YOU TURN AROUND SO I CAN 1103 00:29:18,500 --> 00:29:20,067 SEE YOUR BUTT, PLEASE? 1104 00:29:20,067 --> 00:29:20,933 THAT'S MY FAVORITE PART OF YOUR 1105 00:29:20,933 --> 00:29:21,667 WHOLE COSTUME. 1106 00:29:21,667 --> 00:29:22,367 I LOVE IT. 1107 00:29:22,367 --> 00:29:23,133 >> THANK YOU. 1108 00:29:23,200 --> 00:29:24,900 >> TO ME, IT IS TRADITIONALLY 1109 00:29:24,900 --> 00:29:25,533 SHOWGIRL. 1110 00:29:25,600 --> 00:29:27,133 THERE'S NOT SOMETHING SO FRESH 1111 00:29:27,133 --> 00:29:29,300 AND MODERN ABOUT IT. 1112 00:29:29,300 --> 00:29:31,433 >> NEXT UP, DIDA RITZ. 1113 00:29:31,433 --> 00:29:32,500 WOW, AND YOUR HAIR IS ALL BIG 1114 00:29:32,500 --> 00:29:33,600 AND EVERYTHING. 1115 00:29:33,600 --> 00:29:34,467 >> TAKE A LITTLE BIT OF ADVICE 1116 00:29:34,467 --> 00:29:35,633 AND PUT IT TO USE. 1117 00:29:35,700 --> 00:29:37,133 >> YOU HAVE THE CUTEST FACE. 1118 00:29:37,200 --> 00:29:38,467 SO ADORABLE. 1119 00:29:38,467 --> 00:29:40,100 >> YOU DO HAVE A PRETTY FACE. 1120 00:29:40,100 --> 00:29:41,833 SOMETIMES I THINK THAT YOU MIGHT 1121 00:29:41,833 --> 00:29:43,400 RELY ON IT TOO MUCH. 1122 00:29:43,400 --> 00:29:45,333 WHAT YOU HAVE ON, IT'S NOT 1123 00:29:45,333 --> 00:29:47,433 PARTICULARLY AN EVENT. 1124 00:29:47,433 --> 00:29:48,400 YOU ALWAYS SEEM SORT OF 1125 00:29:48,400 --> 00:29:50,767 PEDESTRIAN. 1126 00:29:50,767 --> 00:29:51,933 >> YOUR BOAT, IT LOOKS A LITTLE 1127 00:29:51,933 --> 00:29:53,433 BIT PINATA-LIKE. 1128 00:29:53,500 --> 00:29:54,367 YOU KNOW, YOU WANT MORE. 1129 00:29:54,367 --> 00:29:56,267 IT IS A PARADE. 1130 00:29:56,333 --> 00:29:58,367 >> JIGGLY CALIENTE. 1131 00:29:58,367 --> 00:30:00,133 TELL US ABOUT YOUR FLOAT. 1132 00:30:00,133 --> 00:30:01,233 >> RIGHT NOW, THERE'S A LOT OF 1133 00:30:01,233 --> 00:30:03,533 GAY YOUTH BEING BULLED. 1134 00:30:03,533 --> 00:30:05,400 I DECIDED TO USE "LOVE YOU FOR 1135 00:30:05,400 --> 00:30:06,133 YOU." 1136 00:30:06,133 --> 00:30:07,567 I WANTED TO CLASS IT UP A BIT, 1137 00:30:07,567 --> 00:30:10,467 MAKE IT VERY SAINT-TROPEZ. 1138 00:30:10,467 --> 00:30:13,000 'CAUSE MY OUTFIT IS REALLY 1139 00:30:13,000 --> 00:30:14,433 A SWIMSUIT. 1140 00:30:14,433 --> 00:30:15,333 >> OH, WOW. 1141 00:30:15,333 --> 00:30:16,500 >> OH, YEAH. 1142 00:30:16,500 --> 00:30:18,000 >> VERY SAINT-TROPEZ. 1143 00:30:18,000 --> 00:30:18,800 >> I'M REALLY HAPPY YOU TOOK 1144 00:30:18,800 --> 00:30:19,767 YOUR CAPE OFF. 1145 00:30:19,767 --> 00:30:20,800 I WAS DYING TO SEE WHAT WAS 1146 00:30:20,800 --> 00:30:21,733 UNDERNEATH THERE, AND IT'S 1147 00:30:21,733 --> 00:30:22,900 ADORABLE. 1148 00:30:22,900 --> 00:30:24,000 >> IT'S THE BIG REVEAL. 1149 00:30:24,000 --> 00:30:25,100 >> YOU SHOULD HAVE WALKED 1150 00:30:25,100 --> 00:30:26,300 THE RUNWAY WITHOUT THE CAPE. 1151 00:30:26,300 --> 00:30:28,333 THE BOAT, YOU SAID YOU WANTED TO 1152 00:30:28,333 --> 00:30:30,000 GIVE IT SOME CLASS. 1153 00:30:30,000 --> 00:30:33,200 IT'S, LIKE, SIXTH-GRADE CLASS. 1154 00:30:33,200 --> 00:30:35,533 >> NEXT UP, LONDON, PARIS, 1155 00:30:35,533 --> 00:30:36,333 MILAN. 1156 00:30:36,333 --> 00:30:37,167 >> BASICALLY I WANTED TO 1157 00:30:37,167 --> 00:30:38,233 REPRESENT THE HISTORY OF THE 1158 00:30:38,233 --> 00:30:39,867 DRAG PERFORMANCE INVASION ON 1159 00:30:39,867 --> 00:30:41,567 FIRE ISLAND WITH THE GIRLS WHO 1160 00:30:41,567 --> 00:30:43,400 HAVE LONG PASSED WHO HAVE PAVED 1161 00:30:43,400 --> 00:30:45,433 THE WAY FOR ME TO GO FORWARD IN 1162 00:30:45,433 --> 00:30:46,100 THE FUTURE. 1163 00:30:46,100 --> 00:30:47,167 AND I NAMED IT 1164 00:30:47,167 --> 00:30:48,400 THE MILAN INVASION BECAUSE IT'S 1165 00:30:48,400 --> 00:30:51,467 ME, AND I'M INVADING THE WORLD. 1166 00:30:51,467 --> 00:30:53,033 >> I KNOW ALL ABOUT FIRE ISLAND. 1167 00:30:53,033 --> 00:30:54,133 THE THING IS, THE BOAT DIDN'T 1168 00:30:54,133 --> 00:30:55,133 REALLY READ THAT. 1169 00:30:55,133 --> 00:30:57,000 IT WAS HARD TO UNDERSTAND. 1170 00:30:57,000 --> 00:30:58,200 >> YOU KNOW, EVERYONE ELSE SORT 1171 00:30:58,200 --> 00:30:59,633 OF HAD A REAL MESSAGE ABOUT 1172 00:30:59,633 --> 00:31:01,633 PRIDE, AND THE BIGGEST THING 1173 00:31:01,633 --> 00:31:03,433 ABOUT YOUR BOAT IS THAT YOU MADE 1174 00:31:03,433 --> 00:31:04,800 IT ABOUT YOU. 1175 00:31:04,800 --> 00:31:07,067 IT SORT OF OFFENDED ME. 1176 00:31:07,067 --> 00:31:08,400 >> SHARON NEEDLES. 1177 00:31:08,400 --> 00:31:10,133 YOU'VE GOT A LITTLE SNAKE STORY 1178 00:31:10,133 --> 00:31:11,633 LINE GOING ON THERE, DON'T YOU? 1179 00:31:11,633 --> 00:31:13,800 >> THE ORIGINAL GREEN COLOR IN 1180 00:31:13,800 --> 00:31:15,067 THE RAINBOW FLAG STOOD FOR 1181 00:31:15,067 --> 00:31:15,900 NATURE. 1182 00:31:15,900 --> 00:31:16,600 >> YEAH. 1183 00:31:16,600 --> 00:31:17,867 >> 'CAUSE ALL GAYS WERE HIPPIES 1184 00:31:17,867 --> 00:31:19,067 IN THE '70s. 1185 00:31:19,067 --> 00:31:20,067 [laughter] 1186 00:31:20,067 --> 00:31:22,067 I USED THE SNAKE BECAUSE THEY'RE 1187 00:31:22,067 --> 00:31:24,433 FEARED FOR THE WRONG REASONS. 1188 00:31:24,433 --> 00:31:25,600 AND I'VE ALWAYS BEEN FEARED FOR 1189 00:31:25,600 --> 00:31:26,700 THE WRONG REASONS. 1190 00:31:26,700 --> 00:31:28,567 >> I'M SO INTO YOUR HAND SNAKE. 1191 00:31:28,567 --> 00:31:29,367 >> MY HAND WORKS GREAT ON 1192 00:31:29,367 --> 00:31:30,600 A SNAKE. 1193 00:31:30,600 --> 00:31:31,900 >> I THINK YOU LOOK BEAUTIFUL. 1194 00:31:31,900 --> 00:31:33,700 YOUR BOAT ON THE OTHER HAND 1195 00:31:33,700 --> 00:31:36,067 LOOKS LIKE IT SANK A FEW YEARS 1196 00:31:36,067 --> 00:31:37,733 AGO AND IT'S COVERED IN MOSS. 1197 00:31:37,733 --> 00:31:40,067 IT SORT OF LOST BOAT TO ME. 1198 00:31:40,067 --> 00:31:42,067 IT JUST BECAME THIS BIG GREEN 1199 00:31:42,067 --> 00:31:44,333 THING. 1200 00:31:44,333 --> 00:31:45,400 >> ALL RIGHT, NEXT UP, 1201 00:31:45,400 --> 00:31:46,733 LATRICE ROYALE. 1202 00:31:46,733 --> 00:31:49,833 LADY TURQU-AHH. 1203 00:31:49,833 --> 00:31:50,667 >> I LOVE ANYTHING THAT 1204 00:31:50,667 --> 00:31:52,133 SPARKLES, AND YOU SPARKLE FROM 1205 00:31:52,133 --> 00:31:53,700 HEAD TO TOE, AND I LOVE IT. 1206 00:31:53,700 --> 00:31:54,767 >> MY LIPS ARE GONNA CRACK. 1207 00:31:54,767 --> 00:31:55,667 >> TONIGHT YOU'RE GIVING US 1208 00:31:55,667 --> 00:31:57,100 NEFERTITI MEETS URSULA THE SEA 1209 00:31:57,100 --> 00:31:57,900 WITCH. 1210 00:31:57,900 --> 00:31:58,633 >> YES! 1211 00:31:58,633 --> 00:31:59,400 >> I'M GONNA CHALLENGE YOU ON 1212 00:31:59,400 --> 00:32:00,433 ONE THING, LATRICE. 1213 00:32:00,433 --> 00:32:01,100 >> TELL ME. 1214 00:32:01,100 --> 00:32:01,767 >> THE BOOTS. 1215 00:32:01,767 --> 00:32:02,433 >> [sighs] 1216 00:32:02,433 --> 00:32:03,400 >> GIRL, WE SEEN 'EM QUITE A BIT 1217 00:32:03,400 --> 00:32:04,133 NOW. 1218 00:32:04,133 --> 00:32:04,833 >> ARE YOU SAYING THOSE BOOTS 1219 00:32:04,833 --> 00:32:06,100 WEREN'T MADE FOR BOATING? 1220 00:32:06,100 --> 00:32:07,833 [laughter] 1221 00:32:07,833 --> 00:32:10,433 >> YOU REALLY ARE AN EVENT. 1222 00:32:10,433 --> 00:32:12,500 IT'S A BEAUTIFUL, SIMPLE BOAT, 1223 00:32:12,500 --> 00:32:14,633 AND IT HAS A CHICNESS THAT YOU 1224 00:32:14,633 --> 00:32:17,400 ALWAYS SEEM TO HAVE. 1225 00:32:17,400 --> 00:32:18,333 IT'S A GOOD JOB. 1226 00:32:18,333 --> 00:32:19,267 >> THANK YOU. 1227 00:32:19,267 --> 00:32:21,067 >> NEXT UP, WILLAM. 1228 00:32:21,067 --> 00:32:22,067 >> I'M GIVING YOU MARITIME 1229 00:32:22,067 --> 00:32:23,167 REALNESS WITH THE STARSHIP 1230 00:32:23,167 --> 00:32:24,167 WILLAM. 1231 00:32:24,167 --> 00:32:24,833 [laughter] 1232 00:32:24,833 --> 00:32:27,067 AMENITIES INCLUDE WI-FI. 1233 00:32:27,067 --> 00:32:28,133 THERE'S A PARTY DECK AND 1234 00:32:28,133 --> 00:32:29,200 A BUSINESS CENTER. 1235 00:32:29,200 --> 00:32:31,167 [laughter] 1236 00:32:31,167 --> 00:32:33,533 >> WHY IS PRIDE IMPORTANT? 1237 00:32:33,533 --> 00:32:34,600 >> I GOT MARRIED IN CALIFORNIA 1238 00:32:34,600 --> 00:32:36,500 WHEN IT WAS LEGAL, AND THEN NOW, 1239 00:32:36,500 --> 00:32:38,067 ALL OF A SUDDEN, IT'S NOT. 1240 00:32:38,067 --> 00:32:40,367 PROP 8 GOT MY ASS DOWN HARD. 1241 00:32:40,367 --> 00:32:41,467 SO I LOVE THAT I GOT TO DO 1242 00:32:41,467 --> 00:32:42,433 A PRIDE CHALLENGE, AND THIS IS 1243 00:32:42,433 --> 00:32:44,800 DOLCE & GABBANA, SO I LOVE IT. 1244 00:32:44,800 --> 00:32:46,833 >> SO THE COAT IS DOLCE, AND 1245 00:32:46,833 --> 00:32:48,467 THE SWIMSUIT IS GAULTIER. 1246 00:32:48,467 --> 00:32:50,067 IT'S CHIC, IT'S FASHIONABLE, 1247 00:32:50,067 --> 00:32:51,500 IT'S MODERN. 1248 00:32:51,500 --> 00:32:53,067 THE BOAT LOOKS LIKE IT WAS 1249 00:32:53,067 --> 00:32:54,833 PROFESSIONALLY DONE EVEN. 1250 00:32:54,833 --> 00:32:56,333 YOU GIVE VERY GOOD MAST-HEAD. 1251 00:32:56,333 --> 00:32:58,300 [laughter] 1252 00:32:58,300 --> 00:32:59,867 >> AND, P.S., FUCK YOU FOR 1253 00:32:59,867 --> 00:33:01,067 HAVING THE MOST AMAZING BODY 1254 00:33:01,067 --> 00:33:01,800 EVER. 1255 00:33:01,800 --> 00:33:03,867 [laughter] 1256 00:33:03,867 --> 00:33:05,800 >> THANK YOU, HOUSE OF WILLAM. 1257 00:33:05,800 --> 00:33:06,467 ALL RIGHT, UP NEXT, 1258 00:33:06,467 --> 00:33:08,200 PHI PHI O'HARA. 1259 00:33:08,200 --> 00:33:09,900 >> I JUST THOUGHT PURPLE WARRIOR 1260 00:33:09,900 --> 00:33:12,067 PRINCESS WHEN YOU CAME OUT. 1261 00:33:12,067 --> 00:33:13,233 >> I LOVE YOUR BOAT A LOT. 1262 00:33:13,233 --> 00:33:14,533 I LOVE THE WAY YOU COORDINATED 1263 00:33:14,533 --> 00:33:16,733 THE OUTFIT WITH THE BOAT. 1264 00:33:16,733 --> 00:33:18,400 AND YOUR MAKEUP--YOU'RE ON 1265 00:33:18,400 --> 00:33:19,400 THE RIGHT TRACK. 1266 00:33:19,400 --> 00:33:20,133 >> I THINK YOU'RE LIKE A 1267 00:33:20,133 --> 00:33:21,500 LONG-LOST KARDASHIAN SISTER. 1268 00:33:21,500 --> 00:33:22,600 YOU'RE SO BEAUTIFUL. 1269 00:33:22,600 --> 00:33:23,333 >> THANK YOU. 1270 00:33:23,333 --> 00:33:24,433 >> MY ONE CRITIQUE IS JUST WATCH 1271 00:33:24,433 --> 00:33:27,067 OUT FOR YOUR BODY SHAPE STILL. 1272 00:33:27,067 --> 00:33:28,067 RIGHT, IF YOU'RE GONNA BE WIDE 1273 00:33:28,067 --> 00:33:29,167 THERE, THEN YOU GOT TO GIVE US 1274 00:33:29,167 --> 00:33:30,533 MORE HIPS, SO JUST PAY ATTENTION 1275 00:33:30,533 --> 00:33:31,533 TO IT, BUT YOU LOOK STUNNING 1276 00:33:31,533 --> 00:33:32,800 TONIGHT, BABY. 1277 00:33:32,800 --> 00:33:34,067 KEEP THIS UP. 1278 00:33:34,067 --> 00:33:35,233 >> OKAY. I WILL. 1279 00:33:35,233 --> 00:33:36,133 >> ALL RIGHT, LADIES, I THINK 1280 00:33:36,133 --> 00:33:37,433 WE'VE HEARD ENOUGH. 1281 00:33:37,433 --> 00:33:39,133 NOW WHILE YOU UNTUCK IN 1282 00:33:39,133 --> 00:33:41,267 THE INTERIOR ILLUSIONS LOUNGE, 1283 00:33:41,267 --> 00:33:42,467 THE JUDGES AND I WILL 1284 00:33:42,467 --> 00:33:43,533 DELIBERATE. 1285 00:33:43,533 --> 00:33:45,767 YOU MAY LEAVE THE STAGE. 1286 00:33:45,767 --> 00:33:48,600 NOW JUST BETWEEN US GIRLS, 1287 00:33:48,600 --> 00:33:49,600 WHAT DO YOU THINK? 1288 00:33:49,600 --> 00:33:52,067 LATRICE ROYALE. 1289 00:33:52,067 --> 00:33:52,833 >> LATRICE, I THINK, IS THE REAL 1290 00:33:52,833 --> 00:33:53,833 DEAL. 1291 00:33:53,833 --> 00:33:55,800 THE BOAT WAS VERY CHIC... 1292 00:33:55,800 --> 00:33:58,300 >> THE MAKEUP WAS TRULY ARTWORK. 1293 00:33:58,300 --> 00:34:00,067 THOSE FRIGGIN' BOOTS. 1294 00:34:00,067 --> 00:34:00,800 >> OH, MY GOD, THEY'RE LIKE 1295 00:34:00,800 --> 00:34:02,833 GOTH LESBIAN HIKING BOOTS. 1296 00:34:02,833 --> 00:34:03,667 I WILL BURN THEM. 1297 00:34:03,667 --> 00:34:04,967 >> ALL RIGHT, LET'S MOVE ON. 1298 00:34:04,967 --> 00:34:06,133 PHI PHI O'HARA. 1299 00:34:06,133 --> 00:34:07,167 >> BEFORE, I HAD A PROBLEM WITH 1300 00:34:07,167 --> 00:34:08,800 THE MAKEUP EVERY SINGLE TIME. 1301 00:34:08,800 --> 00:34:09,833 TODAY WAS THE BEST THAT IT'S 1302 00:34:09,833 --> 00:34:10,633 BEEN. 1303 00:34:10,633 --> 00:34:12,067 >> SHE IS LISTENING, AND I THINK 1304 00:34:12,067 --> 00:34:13,233 THE MORE WE CRITIQUE HER, 1305 00:34:13,233 --> 00:34:14,867 THE MORE SHE'LL GET IT. 1306 00:34:14,867 --> 00:34:15,900 >> ON DOWN THE LINE WE GO TO 1307 00:34:15,900 --> 00:34:16,900 JIGGLY. 1308 00:34:16,900 --> 00:34:18,100 >> I WOULD HAVE LOVED ALL OF IT 1309 00:34:18,100 --> 00:34:19,600 HAD SHE TAKEN HER CAPE OFF. 1310 00:34:19,600 --> 00:34:21,067 IT LOOKED LIKE A TENT. 1311 00:34:21,067 --> 00:34:21,733 >> IT ALMOST LOOKED LIKE SHE WAS 1312 00:34:21,733 --> 00:34:23,067 WALKING IN A STRAITJACKET. 1313 00:34:23,067 --> 00:34:23,800 >> IT'S BECAUSE SHE COULD BARELY 1314 00:34:23,800 --> 00:34:24,433 FIT IN THE BOAT. 1315 00:34:24,433 --> 00:34:25,667 >> HOW VERY DARE YOU? 1316 00:34:25,667 --> 00:34:26,333 >> WHAT? 1317 00:34:26,333 --> 00:34:27,400 >> BIG IS BEAUTIFUL. 1318 00:34:27,400 --> 00:34:28,533 >> LOVE JIGGLY. 1319 00:34:28,533 --> 00:34:30,300 TONIGHT IT WAS AN EPIC FAIL. 1320 00:34:30,300 --> 00:34:31,600 >> CHAD MICHAELS, THE PINK 1321 00:34:31,600 --> 00:34:32,533 COUGAR. 1322 00:34:32,533 --> 00:34:34,067 >> CHAD CAN DO NO WRONG, BUT, 1323 00:34:34,067 --> 00:34:35,067 SEE, NOW I'M STARTING TO HAVE 1324 00:34:35,067 --> 00:34:36,167 A PROBLEM WITH THAT. 1325 00:34:36,167 --> 00:34:38,367 I WANT TO SEE CHAD BE HUMAN 1326 00:34:38,367 --> 00:34:39,600 AND NOT ROBOTIC. 1327 00:34:39,600 --> 00:34:40,600 >> I HAVE TO AGREE WITH YOU. 1328 00:34:40,600 --> 00:34:41,667 I WOULD LIKE TO SEE HER A LITTLE 1329 00:34:41,667 --> 00:34:43,067 BIT MORE MESSY. 1330 00:34:43,067 --> 00:34:44,067 >> SHARON NEEDLES. 1331 00:34:44,067 --> 00:34:45,400 >> MY MOTHER'S MAIDEN NAME. 1332 00:34:45,400 --> 00:34:46,200 >> YOUR MOTHER'S MAIDEN NAME IS 1333 00:34:46,200 --> 00:34:46,867 NEEDLES? 1334 00:34:46,867 --> 00:34:47,833 >> SHARON NEEDLES. 1335 00:34:47,833 --> 00:34:48,667 >> [laughs] 1336 00:34:48,667 --> 00:34:49,567 >> I LOVED HER WHOLE SNAKE 1337 00:34:49,567 --> 00:34:50,433 THING. 1338 00:34:50,433 --> 00:34:52,300 >> SHE'S VERY H.R. PUFNSTUF. 1339 00:34:52,300 --> 00:34:53,200 [laughter] 1340 00:34:53,200 --> 00:34:54,333 >> I LOVE THE FACT THAT SHE-- 1341 00:34:54,333 --> 00:34:55,433 SHE DIDN'T HAVE PERFECT HAIR. 1342 00:34:55,433 --> 00:34:56,500 IT WAS A BIT MESSY. 1343 00:34:56,500 --> 00:34:57,333 ALL THE STUFF THAT WE DON'T LIKE 1344 00:34:57,333 --> 00:34:59,067 ABOUT SHARON NEEDLES WE LOVE 1345 00:34:59,067 --> 00:35:00,200 ABOUT CHAD, AND ALL THE STUFF WE 1346 00:35:00,200 --> 00:35:01,200 DON'T LIKE ABOUT CHAD WE LOVE 1347 00:35:01,200 --> 00:35:01,967 ABOUT SHARON NEEDLES, SO THEY 1348 00:35:01,967 --> 00:35:03,133 NEED TO KIND OF, LIKE, TAKE TIPS 1349 00:35:03,133 --> 00:35:04,067 FROM EACH OTHER. 1350 00:35:04,067 --> 00:35:05,533 >> ALL RIGHT, MILAN. 1351 00:35:05,533 --> 00:35:06,700 >> I THINK SHE THINKS SHE'S 1352 00:35:06,700 --> 00:35:09,100 MORE REAL THAN SHE REALLY IS. 1353 00:35:09,100 --> 00:35:10,467 >> LIKE, SHE DON'T NEED PADDING. 1354 00:35:10,467 --> 00:35:11,167 >> EXACTLY. 1355 00:35:11,167 --> 00:35:11,833 >> AND HER BODY LANGUAGE IS 1356 00:35:11,833 --> 00:35:13,067 TOTALLY "DUDE IN A DRESS." 1357 00:35:13,067 --> 00:35:14,067 >> IF SHE LIP-SYNCHS TONIGHT AND 1358 00:35:14,067 --> 00:35:16,067 THAT WIG COMES OFF, STOP IT 1359 00:35:16,067 --> 00:35:16,667 ALREADY. 1360 00:35:16,667 --> 00:35:17,600 >> RIGHT. 1361 00:35:17,600 --> 00:35:18,600 >> ALL RIGHT, WILLAM. 1362 00:35:18,600 --> 00:35:20,067 >> DOES ANYONE REALLY LOOK LIKE 1363 00:35:20,067 --> 00:35:20,700 THAT? 1364 00:35:20,700 --> 00:35:22,067 MY GOD. 1365 00:35:22,067 --> 00:35:23,367 >> HOW DARE THEY HAVE BETTER 1366 00:35:23,367 --> 00:35:24,133 LEGS THAN ME! 1367 00:35:24,133 --> 00:35:26,067 HOW VERY DARE THEY! 1368 00:35:26,067 --> 00:35:27,267 >> NOW, BILLY, YOU REALLY LIKED 1369 00:35:27,267 --> 00:35:29,267 THE DESIGN OF THE FLOAT. 1370 00:35:29,267 --> 00:35:30,500 >> IT WAS SO WELL DONE. 1371 00:35:30,500 --> 00:35:32,400 IT WASN'T AS VULGAR AS MILAN'S 1372 00:35:32,400 --> 00:35:33,267 WAS. 1373 00:35:33,267 --> 00:35:34,100 >> THE FACT THAT SHE GOT OUT OF 1374 00:35:34,100 --> 00:35:35,533 IT AND THEN MADE A PERFORMANCE 1375 00:35:35,533 --> 00:35:36,600 OUT OF IT WAS ALSO VERY 1376 00:35:36,600 --> 00:35:37,433 ENTERTAINING. 1377 00:35:37,433 --> 00:35:39,067 >> ALL RIGHT, DIDA RITZ. 1378 00:35:39,067 --> 00:35:39,733 >> THE OUTFIT WAS VERY 1379 00:35:39,733 --> 00:35:42,633 PEDESTRIAN, VERY MALL-LIKE. 1380 00:35:42,633 --> 00:35:43,467 >> IF DIDA DIDN'T WEAR 1381 00:35:43,467 --> 00:35:44,233 A T-SHIRT, I WOULD BE SAYING 1382 00:35:44,233 --> 00:35:45,267 SOMETHING COMPLETELY DIFFERENT. 1383 00:35:45,267 --> 00:35:46,067 >> RIGHT. 1384 00:35:46,067 --> 00:35:46,767 >> DOES SHE DESERVE TO BE IN 1385 00:35:46,767 --> 00:35:47,600 THE BOTTOM TWO BECAUSE OF 1386 00:35:47,600 --> 00:35:48,267 THE T-SHIRT? 1387 00:35:48,267 --> 00:35:49,067 >> YEAH! 1388 00:35:49,067 --> 00:35:50,067 >> A T-SHIRT IS HALF YOUR 1389 00:35:50,067 --> 00:35:50,667 OUTFIT. 1390 00:35:50,667 --> 00:35:51,800 >> SHE WAS THE ONLY ONE UP THERE 1391 00:35:51,800 --> 00:35:52,733 WITH A CAMEL TOE. 1392 00:35:52,733 --> 00:35:53,433 >> HELLO! 1393 00:35:53,433 --> 00:35:54,133 >> VERY HOT. 1394 00:35:54,133 --> 00:35:55,167 >> I DIDN'T GO THERE. 1395 00:35:55,167 --> 00:35:56,200 [laughter] 1396 00:35:56,200 --> 00:35:57,067 >> YOU ALWAYS HAVE TO GO THERE, 1397 00:35:57,067 --> 00:35:57,833 DARLING. 1398 00:35:57,833 --> 00:35:59,067 ESPECIALLY WHEN THEY'RE TUCKING. 1399 00:35:59,067 --> 00:36:00,667 [laughter] 1400 00:36:00,667 --> 00:36:02,400 >> SILENCE! 1401 00:36:02,400 --> 00:36:03,867 I'VE MADE MY DECISION. 1402 00:36:03,867 --> 00:36:06,533 BRING BACK... 1403 00:36:06,533 --> 00:36:08,400 MY GIRLS. 1404 00:36:08,467 --> 00:36:10,467 [laughing] 1405 00:36:12,633 --> 00:36:15,100 >> [laughs] 1406 00:36:15,167 --> 00:36:16,900 WELCOME BACK, LADIES. 1407 00:36:16,900 --> 00:36:18,433 IT WAS THE LATE, GREAT DRAG 1408 00:36:18,433 --> 00:36:21,300 QUEEN AND CIVIL RIGHTS PIONEER 1409 00:36:21,300 --> 00:36:23,433 MARSHA P. JOHNSON WHO FOUGHT 1410 00:36:23,433 --> 00:36:25,133 BACK WHEN THE POLICE RAIDED 1411 00:36:25,133 --> 00:36:26,467 STONEWALL. 1412 00:36:26,467 --> 00:36:28,667 TO HONOR HER LEGACY, IT'S UP TO 1413 00:36:28,667 --> 00:36:33,433 YOU TO KEEP ON BREAKING THROUGH. 1414 00:36:33,433 --> 00:36:35,133 BASED ON YOUR PRIDE-FILLED 1415 00:36:35,133 --> 00:36:37,200 PRESENTATIONS, I'VE MADE SOME 1416 00:36:37,200 --> 00:36:39,233 DECISIONS. 1417 00:36:39,233 --> 00:36:43,367 CHAD MICHAELS, YOU'RE SAFE. 1418 00:36:43,367 --> 00:36:47,333 >> THANK YOU. 1419 00:36:47,333 --> 00:36:49,767 >> LATRICE ROYALE... 1420 00:36:49,767 --> 00:36:54,733 YOU'RE SAFE. 1421 00:36:54,733 --> 00:36:58,600 SHARON NEEDLES, YOU'RE SAFE. 1422 00:36:58,600 --> 00:37:03,633 >> THANK YOU. 1423 00:37:03,633 --> 00:37:05,833 >> WILLAM, YOU NAVIGATED THIS 1424 00:37:05,833 --> 00:37:08,267 CHALLENGE BEAUTIFULLY, AND WE 1425 00:37:08,267 --> 00:37:11,333 WERE SWEPT AWAY. 1426 00:37:11,333 --> 00:37:12,300 CONDRAGULATIONS, YOU ARE 1427 00:37:12,300 --> 00:37:13,567 THE WINNER OF THIS CHALLENGE. 1428 00:37:13,567 --> 00:37:16,067 [applause] 1429 00:37:16,067 --> 00:37:18,233 YOU WILL RECEIVE A CRUISE, 1430 00:37:18,233 --> 00:37:21,067 COURTESY OF ALANDCHUCK.TRAVEL. 1431 00:37:21,067 --> 00:37:21,833 >> I'M OKAY WITH THAT. 1432 00:37:21,833 --> 00:37:23,133 >> [laughs] 1433 00:37:23,200 --> 00:37:25,067 >> IT FEELS CORRECT TO WIN. 1434 00:37:25,067 --> 00:37:26,933 WHEN IT'S RIGHT, IT'S RIGHT. 1435 00:37:27,067 --> 00:37:28,733 YES, GIRL! 1436 00:37:28,733 --> 00:37:32,067 >> PHI PHI O'HARA... 1437 00:37:32,067 --> 00:37:32,733 YOU'RE SAFE. 1438 00:37:32,733 --> 00:37:36,933 >> THANK YOU. 1439 00:37:36,933 --> 00:37:39,067 >> JIGGLY CALIENTE... 1440 00:37:39,067 --> 00:37:41,333 YOUR MESSAGE WAS UPLIFTING, 1441 00:37:41,333 --> 00:37:43,300 BUT YOUR FLOAT LEFT US WITH 1442 00:37:43,300 --> 00:37:45,700 A SINKING FEELING. 1443 00:37:45,700 --> 00:37:46,933 I'M SORRY, MY DEAR, BUT YOU ARE 1444 00:37:46,933 --> 00:37:50,067 UP FOR ELIMINATION. 1445 00:37:50,100 --> 00:37:51,100 >> FUCK. 1446 00:37:51,100 --> 00:37:52,867 I CANNOT GO THIS FAR AND GET 1447 00:37:52,867 --> 00:37:53,800 SENT HOME. 1448 00:37:53,800 --> 00:37:56,567 ARE YOU FUCKING KIDDING ME? 1449 00:37:56,633 --> 00:37:58,967 >> DIDA RITZ, YOU'RE JUST 1450 00:37:58,967 --> 00:38:01,133 FINDING YOUR SEA LEGS, BUT HAS 1451 00:38:01,133 --> 00:38:04,533 THE SHIP ALREADY SAILED? 1452 00:38:04,533 --> 00:38:07,433 MILAN, YOU SET A COURSE FOR 1453 00:38:07,433 --> 00:38:09,733 FABULOUS, BUT YOUR MESSAGE GOT 1454 00:38:09,733 --> 00:38:12,567 LOST AT SEA. 1455 00:38:12,567 --> 00:38:15,400 DIDA RITZ... 1456 00:38:15,400 --> 00:38:18,133 I'M THROWING YOU A LIFELINE. 1457 00:38:18,133 --> 00:38:22,467 YOU'RE SAFE. 1458 00:38:22,467 --> 00:38:27,233 >> THANK YOU. 1459 00:38:27,233 --> 00:38:28,367 >> MILAN, MY DEAR, I'M SORRY, 1460 00:38:28,367 --> 00:38:30,600 BUT YOU ARE UP FOR ELIMINATION. 1461 00:38:30,600 --> 00:38:33,067 >> UGH, I'M IN THE BOTTOM AGAIN. 1462 00:38:33,067 --> 00:38:34,467 BUT WHEN IT'S TIME FOR ME TO 1463 00:38:34,467 --> 00:38:35,767 BRING IT, I WANT TO BRING IT. 1464 00:38:35,833 --> 00:38:37,167 BECAUSE IT'S A COMPETITION AND 1465 00:38:37,167 --> 00:38:39,500 I'M HERE TO WIN. 1466 00:38:39,567 --> 00:38:41,833 >> TWO QUEENS STAND BEFORE ME. 1467 00:38:41,833 --> 00:38:45,067 LADIES, THIS IS YOUR LAST CHANCE 1468 00:38:45,067 --> 00:38:47,333 TO IMPRESS ME AND SAVE YOURSELF 1469 00:38:47,333 --> 00:38:50,167 FROM ELIMINATION. 1470 00:38:50,167 --> 00:38:52,067 THE TIME HAS COME FOR YOU TO 1471 00:38:52,067 --> 00:38:58,533 LIP-SYNC FOR YOUR LIFE. 1472 00:38:58,600 --> 00:39:00,933 GOOD LUCK, AND DON'T FUCK IT 1473 00:39:00,933 --> 00:39:01,767 UP. 1474 00:39:01,767 --> 00:39:03,067 >> IT DOESN'T MATTER IF YOU 1475 00:39:03,067 --> 00:39:07,067 LOVE HIM OR CAPITAL H-I-M. 1476 00:39:07,067 --> 00:39:11,167 * 1477 00:39:11,167 --> 00:39:12,433 * MY MAMA TOLD ME 1478 00:39:12,433 --> 00:39:14,600 * WHEN I WAS YOUNG 1479 00:39:14,600 --> 00:39:18,067 * WE ARE ALL BORN SUPERSTARS 1480 00:39:18,067 --> 00:39:19,700 * SO HOLD YOUR HEAD UP, GIRL 1481 00:39:19,700 --> 00:39:21,067 * AND YOU'LL GO FAR * 1482 00:39:21,067 --> 00:39:24,900 * LISTEN TO ME WHEN I SAY 1483 00:39:24,900 --> 00:39:26,633 * I'M BEAUTIFUL IN MY WAY * 1484 00:39:26,633 --> 00:39:28,700 * 'CAUSE GOD MAKES NO MISTAKES * 1485 00:39:28,700 --> 00:39:30,700 * I'M ON THE RIGHT TRACK, BABY * 1486 00:39:30,700 --> 00:39:32,467 * I WAS BORN THIS WAY 1487 00:39:32,467 --> 00:39:34,067 >> I'M FEELING FEROCIOUS. 1488 00:39:34,067 --> 00:39:35,867 I'M READY TO ATTACK. 1489 00:39:35,867 --> 00:39:38,200 I'M GIVING THEM 110%. 1490 00:39:38,200 --> 00:39:39,667 >> * I WAS BORN THIS WAY 1491 00:39:39,667 --> 00:39:40,433 * BORN THIS WAY 1492 00:39:40,433 --> 00:39:41,133 * OOH, THERE AIN'T * 1493 00:39:41,133 --> 00:39:42,067 * NO OTHER WAY 1494 00:39:42,067 --> 00:39:42,667 * BABY 1495 00:39:42,667 --> 00:39:44,167 >> JIGGLY IS WORKING IT. 1496 00:39:44,167 --> 00:39:46,467 SHE IS FEELING HERSELF DOWN. 1497 00:39:46,533 --> 00:39:47,200 TRYING TO SAVE HER ASS RIGHT 1498 00:39:47,200 --> 00:39:47,800 NOW. 1499 00:39:47,867 --> 00:39:48,733 >> * DON'T BE A DRAG * 1500 00:39:48,733 --> 00:39:52,067 * JUST BE A QUEEN 1501 00:39:52,067 --> 00:39:53,500 [judges cheer] 1502 00:39:53,500 --> 00:39:55,067 * LEFT YOU OUTCAST, BULLIED 1503 00:39:55,067 --> 00:39:55,900 * OR TEASED 1504 00:39:55,900 --> 00:39:56,767 * REJOICE AND LOVE YOURSELF 1505 00:39:56,767 --> 00:39:57,500 * TODAY 1506 00:39:57,500 --> 00:39:58,167 * 'CAUSE BABY * 1507 00:39:58,167 --> 00:39:59,433 * YOU WERE BORN THIS WAY 1508 00:39:59,433 --> 00:40:00,367 * NO MATTER GAY, STRAIGHT 1509 00:40:00,367 --> 00:40:01,033 * OR BI 1510 00:40:01,033 --> 00:40:03,167 * LESBIAN, TRANSGENDERED LIFE 1511 00:40:03,167 --> 00:40:04,833 >> MILAN, GIRL. 1512 00:40:04,900 --> 00:40:06,300 THAT'S CLEARLY A DUDE. 1513 00:40:06,367 --> 00:40:08,467 >> * I'M BEAUTIFUL IN MY WAY * 1514 00:40:08,467 --> 00:40:10,500 * 'CAUSE GOD MAKES NO MISTAKES * 1515 00:40:10,500 --> 00:40:12,667 * I'M ON THE RIGHT TRACK, BABY * 1516 00:40:12,667 --> 00:40:15,000 * I WAS BORN THIS WAY 1517 00:40:15,000 --> 00:40:16,533 >> BABY, YOU WERE BORN THIS WAY. 1518 00:40:16,533 --> 00:40:17,767 >> * I'M ON THE RIGHT TRACK * 1519 00:40:17,767 --> 00:40:18,500 * BABY 1520 00:40:18,500 --> 00:40:19,233 >> YOU WERE BORN--YOU WERE BORN 1521 00:40:19,233 --> 00:40:20,000 THIS WAY. 1522 00:40:20,000 --> 00:40:22,000 >> * I WAS BORN THIS WA-AY 1523 00:40:22,000 --> 00:40:23,833 * I WAS BORN THIS WA-AY 1524 00:40:23,833 --> 00:40:26,067 * I'M ON THE RIGHT TRACK, BABY * 1525 00:40:26,067 --> 00:40:30,533 * I WAS BORN THIS WA-AY 1526 00:40:30,533 --> 00:40:31,400 >> YEAH! 1527 00:40:31,400 --> 00:40:38,300 [cheers and applause] 1528 00:40:38,300 --> 00:40:40,100 >> LADIES... 1529 00:40:40,100 --> 00:40:45,400 I'VE MADE MY DECISION. 1530 00:40:45,400 --> 00:40:48,267 JIGGLY CALIENTE... 1531 00:40:48,267 --> 00:40:53,767 SHANTE, YOU STAY. 1532 00:40:53,767 --> 00:40:54,833 JIGGLY, YOU MAY JOIN THE OTHER 1533 00:40:54,833 --> 00:40:56,167 GIRLS. 1534 00:40:56,167 --> 00:41:01,067 >> THANK YOU. 1535 00:41:01,067 --> 00:41:04,767 >> LONDON, PARIS, MILAN. 1536 00:41:04,767 --> 00:41:07,767 THE WORLD IS CALLING. 1537 00:41:07,767 --> 00:41:10,400 NOW, SASHAY AWAY. 1538 00:41:10,400 --> 00:41:15,400 >> THANK YOU. 1539 00:41:15,400 --> 00:41:17,633 IT WAS MY MOMENT TO STOP, AND SO 1540 00:41:17,633 --> 00:41:20,067 NOW I TAKE ON THE NEXT JOURNEY. 1541 00:41:20,067 --> 00:41:21,067 HAVE FUN. 1542 00:41:21,067 --> 00:41:22,200 REALIZE THAT YOUR PURPOSE HERE 1543 00:41:22,200 --> 00:41:24,067 IS TO BE AN AMBASSADOR, TO TEACH 1544 00:41:24,067 --> 00:41:25,600 A MESSAGE OF HOPE AND LOVE, 1545 00:41:25,600 --> 00:41:27,533 AND, EVERY NOW AND THEN, BE THE 1546 00:41:27,533 --> 00:41:31,067 BITCH OUT OF THE COMPETITION. 1547 00:41:31,067 --> 00:41:33,333 >> MY LUCKY SEVEN. 1548 00:41:33,333 --> 00:41:35,200 DON'T BE A DRAG. 1549 00:41:35,200 --> 00:41:36,700 JUST BE A QUEEN. 1550 00:41:36,767 --> 00:41:38,933 AND, REMEMBER, IF YOU CAN'T LOVE 1551 00:41:38,933 --> 00:41:41,300 YOURSELF, HOW IN THE HELL YOU 1552 00:41:41,300 --> 00:41:42,300 GONNA LOVE SOMEBODY ELSE? 1553 00:41:42,300 --> 00:41:43,500 CAN I GET A AMEN UP IN HERE? 1554 00:41:43,500 --> 00:41:44,667 >> all: AMEN. 1555 00:41:44,667 --> 00:41:45,633 >> ALL RIGHT, NOW LET THE MUSIC 1556 00:41:45,633 --> 00:41:46,733 PLAY. 1557 00:41:46,733 --> 00:41:47,733 [upbeat music] 1558 00:41:47,733 --> 00:41:54,367 * 1559 00:41:54,367 --> 00:41:56,733 >> * THIS IS THE BEGINNING 1560 00:41:56,733 --> 00:41:57,800 * THE BEGINNING 1561 00:41:57,800 --> 00:41:59,600 * THIS IS THE BEGINNING 1562 00:41:59,600 --> 00:42:02,733 * OF THE REST OF YOUR LIFE