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>> RUPAUL: Previously on

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"RuPaul's Drag Race."

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The theme for this year's pride

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is hope floats.

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>> [cheering]

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>> Jiggly is a hot mess.

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What the fuck is this?

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>> RUPAUL: Ahoy.

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Orange Jigglyus.

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>> Does her snake have one eye

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or two?

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>> I'm giving you maritime

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realness with the Sasha

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of Willam.

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>> RUPAUL: Milan.

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>> Her body language is totally

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dude in a dress.

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>> Willam, condragulations, you

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are the winner of this

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challenge.

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Jiggly Caliente, shanté, you

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stay.

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Milan, sashay away.

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And tonight get out your library

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card.

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>> Oh!

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>> RUPAUL: The library is open.

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>> You're such a fat slut, after

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sex, you smoke ham.

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>> [laughter]

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>> RUPAUL: And the dolls go

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glossy.

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>> And you have to spot me.

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>> RUPAUL: With extra-special

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guest judges Regina King

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and Pam Tillis.

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The winner of "RuPaul's Drag

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Race" will receive a lifetime

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supply of NYX Cosmetics; a

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one-of-a-kind trip courtesy of

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ALandCHUCK.travel; headline

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Logo's Drag Race Tour featuring

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Absolut Vodka, cocktails

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perfected; and a cash prize

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of $100,000.

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And may the best woman win.

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>> * "RuPaul's Drag Race"

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>> Gentlemen, start your engines

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>> "RuPaul's Drag Race"

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>> May the best woman win

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>> "RuPaul's Drag Race"

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>> Gentlemen, start your engines

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>> "RuPaul's Drag Race"

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>> May the best woman win

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>> Best woman win *

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>> Cluck cluck, ladies.

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>> Where's our hangars?

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>> Uh-oh!

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>> SHARON: Milan's gone, and now

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it's down to the lucky seven.

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>> "Cover girl, why your base

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look like chalk?"

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>> I love Milan, you guys.

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Milan was a class act.

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>> How did it feel to lip sync

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against her, mama?

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Were you scared?

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>> No, 'cause I know Milan is

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good, but then I know I'm good,

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too.

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>> Well...do you think you're

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gonna win the show?

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>> That was an awkwardly long

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pause.

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>> Yeah.

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>> JIGGLY: I was at the bottom

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two twice, so the girls are just

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kind of, like, assuming that I

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ain't shit.

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>> You went from a baked potato

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to a sweet potato.

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>> WILLAM: Sweet potatoes have

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antioxidants.

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>> But they're better.

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>> It's a good fat, as they say.

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>> JIGGLY: Dumb ass bitches.

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I'm gonna fight 'til the end.

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I just want to see her do what I

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did.

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>> Want to see me do a split?

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>> Go ahead, jump into a split.

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>> Can't jump into a split.

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>> Thank you, then shut the fuck

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up, bitch.

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>> All right.

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>> [siren blares]

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>> RUPAUL: Oh, girl, you've got

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shemail.

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Extra, extra, tweet all about

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it.

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Like a rolling stone, today's

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queen on the down low needs to

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be a real hustler, on time, and

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always in style.

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So start spreading the news

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'cause you're gonna wake up in a

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cyber city that never sleeps.

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Hello, hello, hello.

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>> Hi.

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>> My legendary children, in the

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great tradition of "Paris is

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Burning," get out your library

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cards.

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>> [oohing]

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>> Yah!

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>> Because reading is what?

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>> Fundamental.

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>> Oh, god.

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>> Now, for today's

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mini-challenge, you'll take

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turns throwing shade.

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Hashtag the library is open.

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Twenty-first century reading,

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darlings.

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All right, ladies, first up,

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Dida Ritz.

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>> DIDA: I'm gonna try.

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I don't know how to really read

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that well, so...

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Does someone smell that?

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>> What? What is it?

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>> Oh, that's just Sharon

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Needles.

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>> Ah!

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>> Jiggly Caliente, you should

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feel honored.

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The first contestant in

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"RuPaul's Drag Race" history

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with child.

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>> [laughter]

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>> Latrice Royale, you're free

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now.

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You don't have to wear

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the yard sandals anymore.

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>> Ah!

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>> RUPAUL: Jiggly Caliente.

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Darling, what do you see?

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>> Bitches.

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>> RUPAUL: Oh, uh-oh.

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>> Dida, let me start with you,

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boo.

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There's lotion in my purse.

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You need to use 'em on your

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elbows and your knees.

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You look like you been driving

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through flour, baby.

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Mama Chad,

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it's called Forever 21,

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not Forever 41.

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>> Ha ha!

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>> Willam, honey, your face is

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made out of marble--shit don't

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move.

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>> Uh-oh.

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>> PHI PHI: Uh, Jujubee,

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you know, helium

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is for balloons, not your

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stomach.

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Oh, and, you know, Willam, I

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know you're talented at, you

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know, buying shoes, but are you

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talented at, you know, drag?

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You know, Sharon, I love how you

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rock the Party City.

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>> That's where I got your Lady

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Gaga wig.

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>> [laughter]

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>> Phi Phi sucked.

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>> Dida Ritz, I don't know what

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that is, haute couture or hot

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coutorn 'cause there's holes in

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that shirt.

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Phi Phi, you are gorgeous.

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You catch the camera's eye from

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the right, but from the left,

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you snag it.

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>> Oh!

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>> Chad Michaels, you so old,

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you still on myspace.com,

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Chad Michaels.

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>> I was gonna take that down.

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>> Ladies and gentlemen, welcome

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to the RuPaul Ball.

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Tonight in the category of butch

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queen, Dida Ritz.

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>> [laughter]

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>> Jiggly, I love you.

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Come to mother dust, come here.

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Come to me.

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Come to me.

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I won't hurt you.

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Here's my dentist's card.

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>> Oh, wow.

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>> CHAD: Use it.

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Willam Belli.

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Willam Belli loves to live his

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life and thinks that he's Carrie

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Bradshaw, but in the sequel,

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she'll be playing Scary

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Bradshaw.

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>> Uh-oh!

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>> [laughter]

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>> Jiggly Caliente, BMW--

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body made wrong.

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Phi Phi O'Hara, although reading

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is fundamental, darling, you

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might learn how to spell first,

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you illiterate fuck.

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>> [laughter]

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>> Willam, Miss Industry.

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Congratulation on your new role

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as the big bad wolf

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by the hair on your

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chinny-chin-chin.

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Sharon Needles, two words--

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sideshow freak.

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>> Ho ho ho!

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>> Dida Ritz, a lot of you girls

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like to cluck me for painting my

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skin on the gray side, but I was

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inspired by your knees.

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They're the same color as

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Willam's chin.

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Phi Phi O'Hara, what brand of

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make-up do you wear?

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Sherman Williams?

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>> LATRICE: Uh-oh, uh-oh.

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>> That was a weak one.

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>> Jiggly Caliente, you're such

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a fat slut, after sex, you smoke

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ham.

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>> The library is permanently

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shut down.

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Oh, no tea, no shade.

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And the winner is...

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Latrice Royale.

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>> Ah!

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>> RUPAUL: Is the winner.

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Yes.

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Condragulations, darling.

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>> Thank you, mama.

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>> My girls, for this week's

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main challenge, I need you to

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conquer the world of publishing.

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You'll be launching your very

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own dragazines.

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Oh, pit crew.

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As editor-in-chief, you'll each

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be assigned a different title,

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and then it's up to you to

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create a cover, choose the

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articles, and really make it

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your own.

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Now, Latrice, since you won the

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mini-challenge, you get to

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assign the dragazines.

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>> Oh.

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>> She's picking "Battle of the

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Bulge," health and fitness.

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Jiggly Caliente.

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Wow.

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"Tastes Like Chicken."

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For food lovers.

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Dida Ritz.

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Uh-oh, "Sugar Walls."

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Now, this is home decor.

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Willam, editor-in-chief, "Kitty

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Cats."

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Meow! For cat lovers.

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Meow!

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"Kitty Cats."

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>> [laughter]

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>> I love pussy.

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>> Yes, who doesn't?

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"Sashay Away," travel.

286
00:08:28,867 --> 00:08:30,200
Phi Phi O'Hara.

287
00:08:30,200 --> 00:08:30,900
>> Are you trying to say

288
00:08:30,900 --> 00:08:31,600
something?

289
00:08:31,600 --> 00:08:34,367
>> Please do.

290
00:08:34,367 --> 00:08:35,300
>> RUPAUL: And last but not

291
00:08:35,300 --> 00:08:37,900
least for fashion, "Eleganza"

292
00:08:37,900 --> 00:08:41,100
goes to Chad Michaels, which

293
00:08:41,100 --> 00:08:43,467
leaves "What's the T?" celebrity

294
00:08:43,467 --> 00:08:47,567
gossip for Latrice Royale.

295
00:08:47,633 --> 00:08:49,067
All right, ladies, you are on a

296
00:08:49,067 --> 00:08:51,400
tight deadline, so get to work.

297
00:08:51,400 --> 00:08:54,433
Gentlemen, start your engines,

298
00:08:54,433 --> 00:09:01,067
and may the best woman win.

299
00:09:01,067 --> 00:09:02,100
>> DIDA: I think what makes this

300
00:09:02,100 --> 00:09:04,100
challenge so hard is we've not

301
00:09:04,100 --> 00:09:05,667
had to do anything like this.

302
00:09:05,667 --> 00:09:06,700
It kind of separates the

303
00:09:06,767 --> 00:09:08,400
intellectual people from the

304
00:09:08,400 --> 00:09:10,533
not-so-intellectual people.

305
00:09:19,533 --> 00:09:20,800
>> LATRICE: Jiggly does go

306
00:09:20,800 --> 00:09:22,367
right for that snack bin, honey.

307
00:09:22,367 --> 00:09:23,900
It helps her think, I think.

308
00:09:23,900 --> 00:09:25,067
Crunch, crunch.

309
00:09:25,067 --> 00:09:25,900
"Oh, yeah, I got an idea."

310
00:09:25,900 --> 00:09:27,067
Crunch, crunch.

311
00:09:27,067 --> 00:09:28,100
"Health and Fitness."

312
00:09:28,100 --> 00:09:29,067
Ha!

313
00:09:29,067 --> 00:09:30,067
Jiggly.

314
00:09:30,067 --> 00:09:31,200
>> JIGGLY: [burp]

315
00:09:31,200 --> 00:09:32,367
>> Any complaints?

316
00:09:32,367 --> 00:09:33,133
>> JIGGLY: What the fuck do I

317
00:09:33,133 --> 00:09:34,367
know about working out?

318
00:09:34,367 --> 00:09:36,067
>> I know, right?

319
00:09:36,067 --> 00:09:37,067
Ha ha!

320
00:09:37,067 --> 00:09:38,633
>> Shit!

321
00:09:38,633 --> 00:09:39,533
>> See? I'm helping you out,

322
00:09:39,533 --> 00:09:41,067
girl.

323
00:09:41,067 --> 00:09:42,100
>> JIGGLY: Did they send me out

324
00:09:42,100 --> 00:09:43,433
to make this comedy?

325
00:09:43,433 --> 00:09:44,633
>> LATRICE: Never hurts.

326
00:09:44,633 --> 00:09:45,533
You got to grab their attention

327
00:09:45,533 --> 00:09:46,567
using, like, the headlines that

328
00:09:46,567 --> 00:09:48,400
are on your back-to-front cover.

329
00:09:48,400 --> 00:09:49,367
>> SHARON: The thing is that me

330
00:09:49,367 --> 00:09:50,400
and comedy obviously doesn't

331
00:09:50,400 --> 00:09:51,867
mix.

332
00:09:51,867 --> 00:09:52,733
I think I'm just gonna be real

333
00:09:52,733 --> 00:09:54,333
about it.

334
00:09:54,333 --> 00:09:55,267
>> CHAD: I do not suggest you do

335
00:09:55,267 --> 00:09:56,367
this for real.

336
00:09:56,367 --> 00:09:57,200
I'm sorry.

337
00:09:57,200 --> 00:09:58,067
I think you should make it

338
00:09:58,067 --> 00:09:58,833
funny.

339
00:09:58,833 --> 00:10:00,733
Everybody likes to laugh.

340
00:10:00,733 --> 00:10:01,867
That's my advice to you.

341
00:10:01,867 --> 00:10:03,333
>> My only advice with that if

342
00:10:03,333 --> 00:10:04,433
you feel like you can get more

343
00:10:04,433 --> 00:10:06,033
with the serious route or rather

344
00:10:06,033 --> 00:10:07,267
you have a consistent magazine

345
00:10:07,267 --> 00:10:08,867
that you can follow by.

346
00:10:08,867 --> 00:10:10,967
>> Phi Phi, shady.

347
00:10:10,967 --> 00:10:11,800
>> 'Cause if you fuck up funny,

348
00:10:11,800 --> 00:10:12,633
then it's gonna fuck up bad.

349
00:10:12,633 --> 00:10:14,033
>> Exactly.

350
00:10:14,033 --> 00:10:15,033
>> JIGGLY: For me it's hard to

351
00:10:15,033 --> 00:10:16,400
find the funny in weight loss.

352
00:10:16,400 --> 00:10:17,400
Hell, no, no.

353
00:10:17,400 --> 00:10:18,400
I'm gonna be serious, and I'm

354
00:10:18,400 --> 00:10:20,067
gonna do this the right way

355
00:10:20,067 --> 00:10:21,667
emotionally.

356
00:10:21,667 --> 00:10:22,600
>> He's doing it seriously wrong

357
00:10:22,600 --> 00:10:23,700
for his.

358
00:10:23,700 --> 00:10:24,567
>> What?

359
00:10:24,567 --> 00:10:26,400
Are you kidding?

360
00:10:26,400 --> 00:10:27,300
His humor's, like, his strongest

361
00:10:27,300 --> 00:10:28,233
thing.

362
00:10:28,233 --> 00:10:29,033
>> [burps]

363
00:10:29,033 --> 00:10:29,933
>> You know that he's gonna mess

364
00:10:29,933 --> 00:10:32,167
up if he does, like, serious.

365
00:10:32,167 --> 00:10:34,533
I think you should do serious.

366
00:10:34,533 --> 00:10:35,433
I'm tired of Jiggly.

367
00:10:35,500 --> 00:10:36,800
She doesn't belong here.

368
00:10:36,800 --> 00:10:38,300
Send her ass home.

369
00:10:38,367 --> 00:10:39,233
Did you want to help pack his

370
00:10:39,233 --> 00:10:42,367
bags?

371
00:10:42,367 --> 00:10:44,100
Ha ha ha!

372
00:10:44,100 --> 00:10:45,000
>> RUPAUL: Coming up.

373
00:10:45,067 --> 00:10:46,867
Embrace the Jiggly.

374
00:10:46,867 --> 00:10:47,833
It's not rocket science.

375
00:10:47,833 --> 00:10:48,833
>> Oh.

376
00:10:48,833 --> 00:10:49,567
>> Who else would think of

377
00:10:49,567 --> 00:10:50,233
chicken of the month?

378
00:10:50,233 --> 00:10:51,233
>> Well...

379
00:10:51,233 --> 00:10:52,667
>> I believe in my idea, and if

380
00:10:52,667 --> 00:10:53,600
it makes me have to lip sync for

381
00:10:53,600 --> 00:10:55,667
my life, then so be it.

382
00:10:55,667 --> 00:10:57,267
>> RUPAUL: Ha ha!

383
00:11:00,800 --> 00:11:02,100
>> RUPAUL: Ha ha!

384
00:11:06,433 --> 00:11:09,233
>> Ah, you...that...

385
00:11:09,267 --> 00:11:10,200
>> Today we get to be

386
00:11:10,200 --> 00:11:12,467
editors-in-chief of our own

387
00:11:12,467 --> 00:11:13,867
dragazines.

388
00:11:13,933 --> 00:11:15,167
I have "Tastes Like Chicken."

389
00:11:15,167 --> 00:11:16,633
We have to design a cover, pose

390
00:11:16,633 --> 00:11:18,067
for it, and come up with five

391
00:11:18,067 --> 00:11:19,433
catchy headlines.

392
00:11:19,433 --> 00:11:20,433
How to stop over-salting your

393
00:11:20,433 --> 00:11:21,733
foods 'cause I always hear

394
00:11:21,733 --> 00:11:22,733
people talk about that, like

395
00:11:22,733 --> 00:11:23,467
people always salt their food

396
00:11:23,467 --> 00:11:24,467
too much, you know.

397
00:11:24,467 --> 00:11:25,433
I really want to, like, almost

398
00:11:25,433 --> 00:11:26,633
class this up a little bit.

399
00:11:26,633 --> 00:11:27,433
It could easily come off as

400
00:11:27,433 --> 00:11:29,333
offensive.

401
00:11:29,333 --> 00:11:30,167
You know, a black woman on the

402
00:11:30,167 --> 00:11:31,567
cover of a magazine saying--with

403
00:11:31,567 --> 00:11:33,300
a title like that.

404
00:11:33,300 --> 00:11:34,700
>> Ha ha!

405
00:11:34,700 --> 00:11:36,733
Girl, go on!

406
00:11:36,733 --> 00:11:37,667
>> It's like I don't even like

407
00:11:37,667 --> 00:11:40,600
to really eat chicken in public.

408
00:11:40,600 --> 00:11:41,833
>> Girl, really?

409
00:11:41,833 --> 00:11:42,800
>> DIDA: I don't eat watermelon

410
00:11:42,800 --> 00:11:43,667
in public 'cause people

411
00:11:43,667 --> 00:11:44,500
are ignorant and people make

412
00:11:44,500 --> 00:11:45,400
comments.

413
00:11:45,400 --> 00:11:46,333
>> I know, girl, but--

414
00:11:46,333 --> 00:11:48,167
>> It's disrespectful and rude.

415
00:11:48,233 --> 00:11:50,400
>> Five g's, please.

416
00:11:52,767 --> 00:11:53,900
'Cause it's not that serious.

417
00:11:53,900 --> 00:11:54,567
Really?

418
00:11:54,567 --> 00:11:56,500
You're a dude in a wig.

419
00:11:56,500 --> 00:11:58,400
>> Latrice, she set you up.

420
00:11:58,400 --> 00:11:59,233
>> She set me up.

421
00:11:59,233 --> 00:12:00,133
Latrice was trying to dupe a

422
00:12:00,133 --> 00:12:01,067
bitch.

423
00:12:01,067 --> 00:12:02,367
>> Hee hee!

424
00:12:05,233 --> 00:12:06,733
>> Hello, hello, hello.

425
00:12:06,733 --> 00:12:07,567
>> Hi, Ru.

426
00:12:07,567 --> 00:12:08,467
>> Hi.

427
00:12:08,467 --> 00:12:10,400
>> How are my future media

428
00:12:10,400 --> 00:12:11,633
moguls doing?

429
00:12:11,633 --> 00:12:12,833
>> Fabulous.

430
00:12:12,833 --> 00:12:13,933
>> Well, well, busy at work

431
00:12:13,933 --> 00:12:15,200
here.

432
00:12:15,200 --> 00:12:16,133
"Tastes Like Chicken."

433
00:12:16,133 --> 00:12:18,333
How are you gonna convey Dida in

434
00:12:18,333 --> 00:12:19,533
chicken of the month?

435
00:12:19,533 --> 00:12:20,367
>> Well, chicken of the month, I

436
00:12:20,367 --> 00:12:21,167
mean, there's so many different

437
00:12:21,167 --> 00:12:22,333
ways you can cook chicken.

438
00:12:22,333 --> 00:12:23,800
>> LATRICE: Seriously?

439
00:12:23,800 --> 00:12:24,667
I would have took that whole

440
00:12:24,667 --> 00:12:25,700
chicken thing into a whole

441
00:12:25,700 --> 00:12:26,733
different direction.

442
00:12:26,733 --> 00:12:27,400
>> You can broil it,

443
00:12:27,400 --> 00:12:28,133
you can fry it.

444
00:12:28,133 --> 00:12:28,967
>> But how will know this is

445
00:12:28,967 --> 00:12:29,700
Dida?

446
00:12:29,700 --> 00:12:30,600
>> It's me.

447
00:12:30,600 --> 00:12:31,433
Who else would think of chicken

448
00:12:31,433 --> 00:12:32,233
of the month?

449
00:12:32,233 --> 00:12:33,067
I haven't heard Oprah come up

450
00:12:33,067 --> 00:12:33,900
with it yet.

451
00:12:33,900 --> 00:12:34,633
I mean, you're fascinated by

452
00:12:34,633 --> 00:12:35,367
that.

453
00:12:35,367 --> 00:12:36,133
You want to pick up the magazine

454
00:12:36,133 --> 00:12:37,067
and look at it.

455
00:12:37,067 --> 00:12:37,900
>> Well...

456
00:12:37,900 --> 00:12:39,067
>> Chicken of the month for me.

457
00:12:39,067 --> 00:12:42,333
>> Uh-huh, ok.

458
00:12:42,333 --> 00:12:44,300
>> I believe in my idea, and if

459
00:12:44,300 --> 00:12:45,233
it makes me have to lip sync for

460
00:12:45,233 --> 00:12:47,433
my life, then so be it.

461
00:12:47,433 --> 00:12:48,400
>> Phi Phi O'Hara,

462
00:12:48,400 --> 00:12:50,200
"Sashay Away."

463
00:12:50,200 --> 00:12:51,400
So tell me about the cover.

464
00:12:51,400 --> 00:12:53,067
>> Well, I'm channeling the

465
00:12:53,067 --> 00:12:55,200
horny gay, like 69 hot sauce for

466
00:12:55,200 --> 00:12:56,533
hook-up.

467
00:12:56,533 --> 00:12:57,867
>> Now, the challenge is to

468
00:12:57,867 --> 00:13:00,733
combine travel and Phi Phi

469
00:13:00,733 --> 00:13:02,467
O'Hara's aesthetic.

470
00:13:02,467 --> 00:13:03,700
How are you gonna do that?

471
00:13:03,700 --> 00:13:06,267
>> Well, Phi Phi's sexy.

472
00:13:06,267 --> 00:13:07,300
I'm just gonna, you know,

473
00:13:07,300 --> 00:13:08,500
showcase my sexiness.

474
00:13:08,500 --> 00:13:10,133
>> This reminds me of when you

475
00:13:10,133 --> 00:13:12,333
told me you were going to make

476
00:13:12,333 --> 00:13:14,633
Lady Gaga really pop.

477
00:13:14,633 --> 00:13:15,300
Do you remember that

478
00:13:15,300 --> 00:13:16,067
conversation?

479
00:13:16,067 --> 00:13:16,700
>> She popped.

480
00:13:16,700 --> 00:13:17,433
It might not have been in a good

481
00:13:17,433 --> 00:13:19,800
way, but she popped.

482
00:13:19,800 --> 00:13:20,733
>> All right, get to work.

483
00:13:20,733 --> 00:13:22,700
>> All righty, thanks, Ru.

484
00:13:22,700 --> 00:13:23,533
>> RUPAUL: Willam.

485
00:13:23,533 --> 00:13:24,567
>> Hi.

486
00:13:24,567 --> 00:13:26,900
>> Editrix-and-chief of "Sugar

487
00:13:26,900 --> 00:13:28,400
Walls" magazine.

488
00:13:28,400 --> 00:13:30,367
>> I prefer editor-in-queef.

489
00:13:30,367 --> 00:13:31,767
>> RUPAUL: Ha ha!

490
00:13:31,767 --> 00:13:33,133
So now who would you say is your

491
00:13:33,133 --> 00:13:34,833
target audience for "Sugar

492
00:13:34,833 --> 00:13:35,833
Walls"?"

493
00:13:35,833 --> 00:13:41,700
>> Um...women...

494
00:13:41,700 --> 00:13:44,733
men.

495
00:13:44,733 --> 00:13:45,800
>> All of the above?

496
00:13:45,800 --> 00:13:46,700
>> Uh-huh.

497
00:13:46,700 --> 00:13:47,833
>> It's a little broad to just

498
00:13:47,833 --> 00:13:49,500
do men and women.

499
00:13:49,500 --> 00:13:51,067
And you know, there is a certain

500
00:13:51,067 --> 00:13:52,067
aesthetic that you have that's

501
00:13:52,067 --> 00:13:53,233
very clear cut.

502
00:13:53,233 --> 00:13:54,267
That's what we want to see in

503
00:13:54,267 --> 00:13:55,133
this magazine.

504
00:13:55,133 --> 00:13:55,900
>> Yes, ma'am.

505
00:13:55,900 --> 00:13:57,933
>> All right.

506
00:13:57,933 --> 00:14:00,100
Jiggly Caliente.

507
00:14:00,100 --> 00:14:01,067
>> Hey, mama.

508
00:14:01,067 --> 00:14:02,100
>> May I call you Jiggly?

509
00:14:02,100 --> 00:14:02,900
>> Oh, you can call me Jiggly

510
00:14:02,900 --> 00:14:03,900
anytime.

511
00:14:03,900 --> 00:14:05,733
>> Oh. "Battle of the Bulge."

512
00:14:05,733 --> 00:14:06,967
Were you insulted by being

513
00:14:06,967 --> 00:14:08,500
assigned that magazine?

514
00:14:08,500 --> 00:14:10,233
>> Yes. I've done some bad

515
00:14:10,233 --> 00:14:11,733
things to lose weight.

516
00:14:11,733 --> 00:14:12,433
>> Well, what kind of things

517
00:14:12,433 --> 00:14:13,833
have you done?

518
00:14:13,833 --> 00:14:17,833
>> I decided to binge and eat a

519
00:14:17,833 --> 00:14:21,100
lot...throw it all up.

520
00:14:21,100 --> 00:14:22,967
And I would say that it's not

521
00:14:22,967 --> 00:14:25,333
the smartest thing to do, and I

522
00:14:25,333 --> 00:14:26,433
just think that when it comes to

523
00:14:26,433 --> 00:14:27,800
weight loss, it's not a joking

524
00:14:27,800 --> 00:14:28,867
matter.

525
00:14:28,867 --> 00:14:30,567
>> You've been able to process

526
00:14:30,567 --> 00:14:32,067
what people think of you through

527
00:14:32,067 --> 00:14:33,300
your humor.

528
00:14:33,300 --> 00:14:35,067
I mean, you're Jiggly Caliente.

529
00:14:35,067 --> 00:14:36,333
That's your name.

530
00:14:36,333 --> 00:14:37,467
Embrace the Jiggly.

531
00:14:37,467 --> 00:14:38,333
>> I am, mama.

532
00:14:38,333 --> 00:14:39,067
I'm--

533
00:14:39,067 --> 00:14:39,900
>> Do you hear what I'm saying

534
00:14:39,900 --> 00:14:40,600
to you?

535
00:14:40,600 --> 00:14:41,433
>> Yes.

536
00:14:41,433 --> 00:14:42,733
>> You're funny--do that.

537
00:14:42,733 --> 00:14:44,300
It's not rocket science.

538
00:14:44,300 --> 00:14:45,467
>> I'm going to stick to my guns

539
00:14:45,467 --> 00:14:46,400
because this I will not

540
00:14:46,400 --> 00:14:47,567
questioning this.

541
00:14:47,567 --> 00:14:49,067
This is the right way for me.

542
00:14:49,067 --> 00:14:50,533
>> Ok. All right.

543
00:14:50,533 --> 00:14:51,267
Well, you got your work cut out

544
00:14:51,267 --> 00:14:52,167
for you, Jiggly.

545
00:14:52,167 --> 00:14:53,067
>> Yes, I do.

546
00:14:53,067 --> 00:14:55,500
>> Think about it.

547
00:14:55,500 --> 00:14:57,167
Well, Latrice Royale.

548
00:14:57,167 --> 00:14:58,633
Girl, "What's the T?"

549
00:14:58,633 --> 00:15:00,400
>> "What's the T," Ru?

550
00:15:00,400 --> 00:15:01,500
>> RUPAUL: How are you gonna

551
00:15:01,500 --> 00:15:04,067
make your dragazine something

552
00:15:04,067 --> 00:15:06,167
that is relevant in the 21st

553
00:15:06,167 --> 00:15:10,067
century?

554
00:15:10,067 --> 00:15:11,367
>> You're gonna want to buy it

555
00:15:11,367 --> 00:15:12,733
once you see me on the cover

556
00:15:12,733 --> 00:15:14,233
because everyone knows that

557
00:15:14,233 --> 00:15:16,200
Latrice is the true T.

558
00:15:16,200 --> 00:15:17,833
>> Well, the publications at the

559
00:15:17,833 --> 00:15:19,467
grocery store have stars on the

560
00:15:19,467 --> 00:15:21,433
cover, and they have star names

561
00:15:21,433 --> 00:15:24,767
in their articles.

562
00:15:24,767 --> 00:15:25,800
>> Oh.

563
00:15:25,800 --> 00:15:26,700
So I'm gonna go back to my

564
00:15:26,700 --> 00:15:27,833
research department.

565
00:15:27,833 --> 00:15:28,833
>> Yes.

566
00:15:28,833 --> 00:15:29,633
>> I'll get it there.

567
00:15:29,633 --> 00:15:30,400
>> RUPAUL: You get to it.

568
00:15:30,400 --> 00:15:32,133
>> Thank you.

569
00:15:32,133 --> 00:15:33,167
>> All right, dolls, gather

570
00:15:33,167 --> 00:15:34,900
around.

571
00:15:34,900 --> 00:15:36,233
Tomorrow night is the launch of

572
00:15:36,233 --> 00:15:37,800
your dragazines.

573
00:15:37,800 --> 00:15:38,867
We'll be joined by our

574
00:15:38,867 --> 00:15:41,267
extra-special guest judges

575
00:15:41,267 --> 00:15:43,500
platinum-selling country artist

576
00:15:43,500 --> 00:15:45,133
Pam Tillis will be here.

577
00:15:45,133 --> 00:15:46,567
>> Yee-haw!

578
00:15:46,567 --> 00:15:48,067
>> Pam Tillis!

579
00:15:48,067 --> 00:15:50,333
Old school country diva, honey.

580
00:15:50,333 --> 00:15:52,200
>> And an actress I've loved

581
00:15:52,200 --> 00:15:55,300
since she was a child on "227."

582
00:15:55,300 --> 00:15:57,667
The star of TV's "Southland,"

583
00:15:57,667 --> 00:15:59,133
Regina King will be here.

584
00:15:59,133 --> 00:16:01,267
>> Yes! Yes!

585
00:16:01,267 --> 00:16:02,767
I love Regina King.

586
00:16:02,767 --> 00:16:03,500
She's on a show called

587
00:16:03,500 --> 00:16:04,533
"Southland."

588
00:16:04,533 --> 00:16:05,333
Oh, wait!

589
00:16:05,333 --> 00:16:06,267
I was on a show called

590
00:16:06,267 --> 00:16:07,300
"Southland."

591
00:16:07,300 --> 00:16:08,200
>> RUPAUL: On, and one last

592
00:16:08,200 --> 00:16:09,267
thing.

593
00:16:09,267 --> 00:16:11,367
Don't fuck it up.

594
00:16:11,367 --> 00:16:12,500
All right, bye.

595
00:16:12,500 --> 00:16:15,467
>> Bye, Ru.

596
00:16:15,533 --> 00:16:17,067
>> RUPAUL: Coming up

597
00:16:17,067 --> 00:16:18,100
>> WILLAM: Sex sells, people,

598
00:16:18,100 --> 00:16:19,133
sex sells.

599
00:16:19,133 --> 00:16:19,867
>> Hold it, I don't want my

600
00:16:19,867 --> 00:16:20,667
muscles showing.

601
00:16:20,667 --> 00:16:21,700
I got to look like a woman.

602
00:16:21,700 --> 00:16:22,667
>> All right, all right, Sharon,

603
00:16:22,667 --> 00:16:23,600
I don't think this is working.

604
00:16:23,600 --> 00:16:24,600
>> God. You don't know anything

605
00:16:24,600 --> 00:16:26,800
about fashion.

606
00:16:26,800 --> 00:16:28,167
>> RUPAUL: Ha ha!

607
00:16:31,767 --> 00:16:32,967
>> RUPAUL: Ha ha!

608
00:16:38,900 --> 00:16:40,167
>> Hi, gorgeous.

609
00:16:40,167 --> 00:16:41,167
>> Hi. Oh!

610
00:16:41,167 --> 00:16:42,067
Hi, how are you?

611
00:16:42,067 --> 00:16:42,700
>> Good.

612
00:16:42,700 --> 00:16:43,600
I'm Jonathan Clay Harris.

613
00:16:43,600 --> 00:16:45,600
So what are we doing today?

614
00:16:45,600 --> 00:16:46,667
>> Our challenge this week is we

615
00:16:46,667 --> 00:16:47,933
have to develop our own

616
00:16:47,933 --> 00:16:48,833
dragazines, so now we're gonna

617
00:16:48,900 --> 00:16:50,733
pose for our fabulous cover.

618
00:16:50,733 --> 00:16:51,633
My magazine is "Tastes Like

619
00:16:51,633 --> 00:16:53,567
Chicken."

620
00:16:53,567 --> 00:16:55,067
So I want it to be a sexy

621
00:16:55,067 --> 00:16:57,767
magazine, but with chicken.

622
00:16:57,767 --> 00:16:58,533
>> JONATHAN: Yeah, give me some

623
00:16:58,533 --> 00:17:00,800
sexy, sex appeal with that one.

624
00:17:00,800 --> 00:17:02,300
>> DIDA: Oh, my, chicken.

625
00:17:02,300 --> 00:17:04,167
Chicken.

626
00:17:04,167 --> 00:17:05,233
Chicken.

627
00:17:05,233 --> 00:17:05,933
>> JONATHAN: Yeah, work that

628
00:17:05,933 --> 00:17:07,067
chicken.

629
00:17:07,067 --> 00:17:07,767
Show me a little hunger in those

630
00:17:07,767 --> 00:17:09,067
eyes.

631
00:17:09,067 --> 00:17:09,867
>> DIDA: What drag queen do you

632
00:17:09,867 --> 00:17:11,100
know that has taken a head shot

633
00:17:11,100 --> 00:17:13,100
with chicken?

634
00:17:13,100 --> 00:17:14,467
Chicken.

635
00:17:14,467 --> 00:17:15,200
>> JONATHAN: And what are you

636
00:17:15,200 --> 00:17:16,533
serving for dinner tonight?

637
00:17:19,700 --> 00:17:20,600
Look at you, you look gorgeous.

638
00:17:20,600 --> 00:17:21,967
>> Yeah, you, too.

639
00:17:21,967 --> 00:17:23,067
>> Oh, thank you.

640
00:17:23,067 --> 00:17:24,333
>> Have you done porn?

641
00:17:24,333 --> 00:17:25,633
>> Not recently, not that I'm

642
00:17:25,700 --> 00:17:26,467
aware of.

643
00:17:26,467 --> 00:17:27,467
>> You should really

644
00:17:27,467 --> 00:17:29,200
considerate it.

645
00:17:29,200 --> 00:17:30,267
I thought it would be a genius

646
00:17:30,267 --> 00:17:32,967
idea mounting the cat climber,

647
00:17:33,067 --> 00:17:35,067
channeling my inner kitty cat.

648
00:17:35,067 --> 00:17:36,100
>> Just be careful.

649
00:17:39,433 --> 00:17:40,200
>> SHARON: I couldn't trust

650
00:17:40,200 --> 00:17:41,600
myself.

651
00:17:41,600 --> 00:17:42,400
>> All right, all right, Sharon,

652
00:17:42,400 --> 00:17:43,200
I don't think this is working.

653
00:17:43,200 --> 00:17:44,600
Let's go back.

654
00:17:44,600 --> 00:17:45,433
>> SHARON: God, you don't know

655
00:17:45,433 --> 00:17:47,833
anything about fashion.

656
00:17:47,833 --> 00:17:50,533
Ok, we're gonna just do chair.

657
00:17:50,533 --> 00:17:52,467
>> JONATHAN: There you go.

658
00:17:52,467 --> 00:17:55,167
Work that hand, "Eleganza."

659
00:17:55,167 --> 00:17:56,833
>> SHARON: I wanted to seem like

660
00:17:56,833 --> 00:18:00,633
a powerful, bitchy mogul woman.

661
00:18:00,633 --> 00:18:01,600
>> Let's get a little more of

662
00:18:01,600 --> 00:18:02,600
that pussy in there.

663
00:18:02,600 --> 00:18:03,800
There you are.

664
00:18:03,800 --> 00:18:04,967
Beautiful, right there.

665
00:18:04,967 --> 00:18:05,833
>> SHARON: I was totally giving

666
00:18:05,833 --> 00:18:07,400
the camera nothing but legs, and

667
00:18:07,400 --> 00:18:08,833
I was giving them pure cunt

668
00:18:08,833 --> 00:18:09,933
face.

669
00:18:09,933 --> 00:18:11,067
>> JONATHAN: Beautiful.

670
00:18:11,067 --> 00:18:11,900
>> SHARON: I feel sexy in

671
00:18:11,900 --> 00:18:14,233
anything, even a body bag.

672
00:18:14,233 --> 00:18:16,200
>> [camera clicks]

673
00:18:16,267 --> 00:18:17,267
>> JONATHAN: Hello.

674
00:18:17,267 --> 00:18:18,300
How are you?

675
00:18:18,300 --> 00:18:19,433
>> Oh, wow.

676
00:18:19,433 --> 00:18:20,433
>> So what's your magazine cover

677
00:18:20,500 --> 00:18:21,367
that you're doing today?

678
00:18:21,367 --> 00:18:27,567
>> I'm doing, uh, well...

679
00:18:27,567 --> 00:18:28,667
bulge of...

680
00:18:28,667 --> 00:18:29,367
"Battle of the Bulge."

681
00:18:29,367 --> 00:18:31,767
>> "Battle of the Bulge," ok.

682
00:18:31,767 --> 00:18:32,833
Are those RuPaul's Iron Fist

683
00:18:32,833 --> 00:18:33,733
shoes?

684
00:18:33,733 --> 00:18:34,667
>> Yeah, these are RuPaul Iron

685
00:18:34,667 --> 00:18:35,700
Fist shoes.

686
00:18:35,700 --> 00:18:36,733
>> Those are amazing.

687
00:18:36,733 --> 00:18:37,667
>> Aren't they sickening?

688
00:18:37,667 --> 00:18:38,767
>> They're sickening.

689
00:18:38,767 --> 00:18:39,767
>> This is the most exercise I'm

690
00:18:39,767 --> 00:18:40,467
gonna get for the rest of my

691
00:18:40,467 --> 00:18:41,233
life.

692
00:18:41,233 --> 00:18:42,200
>> Oh, no.

693
00:18:42,200 --> 00:18:45,300
Here we go.

694
00:18:45,300 --> 00:18:46,500
Little kill the object.

695
00:18:46,500 --> 00:18:47,867
Here we go.

696
00:18:47,867 --> 00:18:48,667
>> JIGGLY: God, if Phi Phi was

697
00:18:48,667 --> 00:18:49,400
in front of me, I could knock

698
00:18:49,400 --> 00:18:50,333
her ass out.

699
00:18:50,400 --> 00:18:51,267
All that shit she be running her

700
00:18:51,267 --> 00:18:53,400
mouth with.

701
00:18:53,467 --> 00:18:54,367
Please don't trip me.

702
00:18:54,367 --> 00:18:55,700
Come on.

703
00:18:55,700 --> 00:19:00,467
One, two, three.

704
00:19:00,467 --> 00:19:01,367
>> JONATHAN: Ok, once more, here

705
00:19:01,367 --> 00:19:02,933
we go.

706
00:19:08,633 --> 00:19:09,700
>> Doesn't matter.

707
00:19:09,700 --> 00:19:10,500
As long as it looks like it's in

708
00:19:10,500 --> 00:19:12,067
the air.

709
00:19:12,067 --> 00:19:13,267
>> Let's do it again.

710
00:19:13,267 --> 00:19:14,300
Loosen a little bit.

711
00:19:14,300 --> 00:19:15,133
Just mind your face when you're

712
00:19:15,133 --> 00:19:15,933
jumping.

713
00:19:15,933 --> 00:19:16,767
>> I'm cool.

714
00:19:16,767 --> 00:19:20,533
One...

715
00:19:20,533 --> 00:19:22,067
>> JONATHAN: I just didn't think

716
00:19:22,067 --> 00:19:23,333
that it kind of worked with

717
00:19:23,333 --> 00:19:24,367
Jiggly.

718
00:19:24,367 --> 00:19:25,833
She just seemed so completely

719
00:19:25,833 --> 00:19:27,700
uncomfortable with the camera.

720
00:19:27,700 --> 00:19:31,533
>> And you have to spot me.

721
00:19:31,600 --> 00:19:32,800
>> JONATHAN: Her eyes on me just

722
00:19:32,800 --> 00:19:34,133
for a couple frames.

723
00:19:34,133 --> 00:19:34,967
Gorgeous.

724
00:19:34,967 --> 00:19:36,267
Look at those eyes.

725
00:19:36,267 --> 00:19:37,367
>> So my final wardrobe for the

726
00:19:37,367 --> 00:19:38,833
photograph is really kind of a

727
00:19:38,833 --> 00:19:41,400
'40s glam, red carpet dress.

728
00:19:41,467 --> 00:19:42,533
I could see someone like

729
00:19:42,533 --> 00:19:43,733
Veronica Lake wearing it to a

730
00:19:43,733 --> 00:19:45,333
movie premiere.

731
00:19:45,333 --> 00:19:46,067
>> JONATHAN: Add what do the

732
00:19:46,067 --> 00:19:47,267
goggles say about your outfit?

733
00:19:47,267 --> 00:19:48,133
>> The goggles say she's an

734
00:19:48,133 --> 00:19:49,267
adventurer and she's fashion

735
00:19:49,267 --> 00:19:50,333
forward.

736
00:19:50,333 --> 00:19:51,700
>> Well, she looks like it.

737
00:19:51,700 --> 00:19:52,600
>> CHAD: Right now it is

738
00:19:52,600 --> 00:19:53,567
important for me to get out

739
00:19:53,567 --> 00:19:54,933
there and give the judges some

740
00:19:54,933 --> 00:19:56,967
variety, to be a little bit less

741
00:19:56,967 --> 00:19:59,367
polished, to be avant-garde.

742
00:19:59,367 --> 00:20:00,533
I think I'm good.

743
00:20:00,533 --> 00:20:02,200
I think we got it.

744
00:20:02,267 --> 00:20:03,967
>> I want to look like like a

745
00:20:03,967 --> 00:20:06,267
hot Miami piece of ass, like you

746
00:20:06,267 --> 00:20:07,967
want to visit me, all right?

747
00:20:08,033 --> 00:20:08,867
>> Here we go.

748
00:20:08,867 --> 00:20:09,667
You look like it to me.

749
00:20:09,667 --> 00:20:10,467
>> Good.

750
00:20:10,467 --> 00:20:11,433
>> Let's do it.

751
00:20:11,433 --> 00:20:12,800
Miami, honey.

752
00:20:12,800 --> 00:20:13,767
>> PHI PHI: I want to go for a

753
00:20:13,767 --> 00:20:15,067
more sexier side of Phi Phi,

754
00:20:15,133 --> 00:20:16,333
something that I haven't showed

755
00:20:16,333 --> 00:20:17,633
yet, and I want to be, like, a

756
00:20:17,633 --> 00:20:18,867
whore on this magazine and have

757
00:20:18,867 --> 00:20:20,167
a whore headline.

758
00:20:20,233 --> 00:20:21,033
>> JONATHAN: Let's see some sex

759
00:20:21,033 --> 00:20:21,967
in those eyes.

760
00:20:21,967 --> 00:20:23,100
There we go.

761
00:20:23,100 --> 00:20:23,867
>> PHI PHI: I'm throwing you,

762
00:20:23,867 --> 00:20:25,233
like, a Farah Fawcett sexy look,

763
00:20:25,233 --> 00:20:26,100
and you know, I have a drink in

764
00:20:26,100 --> 00:20:26,867
my hand.

765
00:20:26,867 --> 00:20:27,800
I'm holding the umbrella.

766
00:20:27,800 --> 00:20:28,667
Hold it.

767
00:20:28,667 --> 00:20:29,800
I don't want my muscles showing.

768
00:20:29,800 --> 00:20:31,800
I got to look like a woman.

769
00:20:31,800 --> 00:20:32,533
>> You want to look at 'em?

770
00:20:32,533 --> 00:20:33,467
>> Yeah, I feel sexy already, so

771
00:20:33,467 --> 00:20:34,567
let's look at 'em.

772
00:20:34,567 --> 00:20:35,367
I'm prettier than the other

773
00:20:35,367 --> 00:20:36,167
girls, aren't I?

774
00:20:36,167 --> 00:20:36,900
You can say it.

775
00:20:36,900 --> 00:20:37,900
>> JONATHAN: I'm not going to.

776
00:20:37,900 --> 00:20:38,967
>> You should.

777
00:20:38,967 --> 00:20:40,300
Delete that one.

778
00:20:40,300 --> 00:20:41,400
That looks like a man.

779
00:20:41,400 --> 00:20:42,567
I look like Sharon in that one.

780
00:20:42,567 --> 00:20:45,100
>> Ok. Ouch.

781
00:20:45,167 --> 00:20:46,900
Yes, mama, right there.

782
00:20:46,900 --> 00:20:47,967
Good.

783
00:20:47,967 --> 00:20:49,067
Beautiful.

784
00:20:49,067 --> 00:20:51,200
Boys, I want you touching her.

785
00:20:51,267 --> 00:20:52,667
>> LATRICE: So "What's the T?"

786
00:20:52,667 --> 00:20:54,633
is a gossip column magazine.

787
00:20:54,633 --> 00:20:56,133
Of course, I'm featured on the

788
00:20:56,133 --> 00:20:58,433
cover with my boys.

789
00:20:58,500 --> 00:20:59,400
The boys.

790
00:20:59,400 --> 00:21:00,233
It always helps when you have

791
00:21:00,233 --> 00:21:01,400
boys.

792
00:21:01,467 --> 00:21:03,067
Come and join me on the couch.

793
00:21:03,067 --> 00:21:04,533
Let's have a ménage a trois.

794
00:21:04,533 --> 00:21:05,800
The boys of course is just for

795
00:21:05,800 --> 00:21:06,933
my sheer amusement and

796
00:21:06,933 --> 00:21:08,100
pleasure.

797
00:21:08,100 --> 00:21:08,933
Come do something.

798
00:21:08,933 --> 00:21:10,067
Come rub on me.

799
00:21:10,067 --> 00:21:11,267
Let me rub on you.

800
00:21:11,267 --> 00:21:11,933
>> JONATHAN: Latrice,

801
00:21:11,933 --> 00:21:12,600
look at me.

802
00:21:12,600 --> 00:21:14,267
Eyes at me, everyone.

803
00:21:14,267 --> 00:21:15,167
Eyes at me.

804
00:21:15,167 --> 00:21:16,467
Sex in the face.

805
00:21:16,467 --> 00:21:18,400
Look at me.

806
00:21:18,400 --> 00:21:20,067
>> LATRICE: I love my boys, and

807
00:21:20,067 --> 00:21:21,467
That's the T.

808
00:21:24,133 --> 00:21:26,400
>> Sex sells, people, sex sells.

809
00:21:26,400 --> 00:21:28,067
My overall concept is

810
00:21:28,067 --> 00:21:29,400
strip-downed design.

811
00:21:29,400 --> 00:21:31,233
We're gonna need some tape.

812
00:21:31,300 --> 00:21:34,067
Your head is so unprofessional.

813
00:21:34,067 --> 00:21:35,500
I tried to dress the pit crew

814
00:21:35,500 --> 00:21:36,600
with lamps, put lamp shades on

815
00:21:36,600 --> 00:21:38,067
their head, but their heads

816
00:21:38,067 --> 00:21:39,767
aren't even and they wouldn't

817
00:21:39,767 --> 00:21:41,867
let me put nails in them.

818
00:21:41,867 --> 00:21:42,800
And remember to flex, boys.

819
00:21:42,800 --> 00:21:44,300
I don't want you looking puny.

820
00:21:44,300 --> 00:21:45,333
>> JONATHAN: Ha ha!

821
00:21:45,333 --> 00:21:46,967
>> No faces, you don't exist.

822
00:21:46,967 --> 00:21:47,800
>> JONATHAN: Willam was

823
00:21:47,800 --> 00:21:49,600
beautiful and definitely knew

824
00:21:49,600 --> 00:21:50,667
her body.

825
00:21:50,667 --> 00:21:53,233
>> WILLAM: Ha ha!

826
00:21:53,233 --> 00:21:55,067
* I'm the prettiest one

827
00:21:55,067 --> 00:21:56,900
now that Kenya's gone *

828
00:21:56,900 --> 00:21:57,800
>> I thought she was a little

829
00:21:57,800 --> 00:21:58,633
bitchy.

830
00:21:58,633 --> 00:21:59,733
She does look amazing.

831
00:21:59,733 --> 00:22:00,667
>> Please don't address them.

832
00:22:00,667 --> 00:22:01,733
>> JONATHAN: Right.

833
00:22:01,733 --> 00:22:03,533
>> Hi. You can't fuck me.

834
00:22:03,533 --> 00:22:08,433
Ha ha!

835
00:22:08,433 --> 00:22:09,367
>> JONATHAN: Good.

836
00:22:09,367 --> 00:22:10,500
Let's take a look at these.

837
00:22:10,500 --> 00:22:11,667
>> WILLAM: I'm naked, I'm tan,

838
00:22:11,667 --> 00:22:12,933
and I had boys around me.

839
00:22:12,933 --> 00:22:14,400
I'm happy with the photo shoot.

840
00:22:14,400 --> 00:22:15,100
All right, now clean this shit

841
00:22:15,100 --> 00:22:17,167
up.

842
00:22:17,233 --> 00:22:18,367
>> RUPAUL: Coming up.

843
00:22:18,367 --> 00:22:19,233
>> I didn't know what type of

844
00:22:19,233 --> 00:22:20,233
magazine it was.

845
00:22:20,233 --> 00:22:21,500
>> This looks like a porn thing

846
00:22:21,500 --> 00:22:22,733
about to happen.

847
00:22:22,733 --> 00:22:23,800
It really looks like you got

848
00:22:23,800 --> 00:22:25,133
some hookers somewhere.

849
00:22:25,133 --> 00:22:26,200
>> Well, I'm talking about cats.

850
00:22:26,200 --> 00:22:28,267
You're a pervert.

851
00:22:28,267 --> 00:22:29,300
>> RUPAUL: Ha ha!

852
00:22:32,767 --> 00:22:36,967
>> RUPAUL: Ha ha!

853
00:22:37,067 --> 00:22:37,800
>> CHAD: Let me button this

854
00:22:37,800 --> 00:22:38,700
for you.

855
00:22:38,700 --> 00:22:39,533
>> Good morning, mother

856
00:22:39,533 --> 00:22:40,333
cluckers.

857
00:22:40,333 --> 00:22:41,167
>> We're back.

858
00:22:41,167 --> 00:22:42,100
>> We're back.

859
00:22:42,100 --> 00:22:42,967
>> WILLAM: We're back in the

860
00:22:42,967 --> 00:22:44,067
workroom today, and we're

861
00:22:44,067 --> 00:22:45,067
getting ready to present our

862
00:22:45,067 --> 00:22:46,067
magazines on the runway

863
00:22:46,067 --> 00:22:48,467
in our glossy glamour looks.

864
00:22:48,533 --> 00:22:50,067
>> How did your challenge go for

865
00:22:50,067 --> 00:22:51,067
you guys?

866
00:22:51,067 --> 00:22:52,067
>> Mine went well.

867
00:22:52,067 --> 00:22:53,433
>> JIGGLY: I liked mind.

868
00:22:53,433 --> 00:22:54,433
>> CHAD: Well, you have a health

869
00:22:54,433 --> 00:22:55,400
and fitness magazine.

870
00:22:55,400 --> 00:22:56,533
Why would you go serious on

871
00:22:56,533 --> 00:22:57,700
that?

872
00:22:57,700 --> 00:22:58,867
Obviously you were assigned that

873
00:22:58,867 --> 00:23:00,500
magazine to, you know, ham it

874
00:23:00,500 --> 00:23:01,633
up.

875
00:23:01,633 --> 00:23:03,433
>> LATRICE: Ah ha ha!

876
00:23:03,433 --> 00:23:06,433
>> [laughter]

877
00:23:06,433 --> 00:23:07,367
>> JIGGLY: There's more to me

878
00:23:07,367 --> 00:23:08,933
than just being funny and goofy.

879
00:23:09,067 --> 00:23:10,467
Twelve-forty on the SATs.

880
00:23:10,467 --> 00:23:11,367
I need to show that I have

881
00:23:11,367 --> 00:23:12,433
intelligence.

882
00:23:12,500 --> 00:23:13,667
Girl.

883
00:23:13,667 --> 00:23:14,667
>> Latrice, does your family

884
00:23:14,667 --> 00:23:15,500
still live--

885
00:23:15,500 --> 00:23:16,533
Where are you from again?

886
00:23:16,533 --> 00:23:17,567
>> Atlanta.

887
00:23:17,567 --> 00:23:18,367
>> Have you ever been, like,

888
00:23:18,367 --> 00:23:20,367
bullied or whatever by family?

889
00:23:20,367 --> 00:23:21,767
>> From my brother, yeah.

890
00:23:21,767 --> 00:23:22,567
He didn't want no punk for

891
00:23:22,567 --> 00:23:23,467
a brother.

892
00:23:23,467 --> 00:23:24,500
>> My dad did that in front of,

893
00:23:24,500 --> 00:23:25,200
like, his fucking drinking

894
00:23:25,200 --> 00:23:26,267
buddies.

895
00:23:26,267 --> 00:23:27,967
I grew up in a house where I was

896
00:23:27,967 --> 00:23:29,267
beat and made fun of for being

897
00:23:29,267 --> 00:23:30,233
gay.

898
00:23:30,233 --> 00:23:31,400
It was hell.

899
00:23:31,400 --> 00:23:32,500
Family is supposed to love you

900
00:23:32,500 --> 00:23:34,067
no matter what, and if that's

901
00:23:34,067 --> 00:23:35,600
love, I don't want it.

902
00:23:35,600 --> 00:23:36,867
>> You couldn't hold hands,

903
00:23:36,867 --> 00:23:37,967
kiss, look at each other in

904
00:23:37,967 --> 00:23:39,400
Texas without getting called a

905
00:23:39,400 --> 00:23:40,633
faggot or anything.

906
00:23:40,633 --> 00:23:41,733
>> What kills me is that they

907
00:23:41,733 --> 00:23:43,633
want to say that we're the ones

908
00:23:43,633 --> 00:23:45,167
destroying the institution of

909
00:23:45,167 --> 00:23:46,133
marriage.

910
00:23:46,133 --> 00:23:47,067
Please.

911
00:23:47,067 --> 00:23:47,833
>> You know, I've met gay people

912
00:23:47,833 --> 00:23:48,733
that don't agree with gay

913
00:23:48,733 --> 00:23:49,733
marriage.

914
00:23:49,733 --> 00:23:51,500
>> I, ok, here we go since y'all

915
00:23:51,500 --> 00:23:52,233
brought it up.

916
00:23:52,233 --> 00:23:53,067
>> JIGGLY: Uh-oh.

917
00:23:53,067 --> 00:23:54,067
Oh!

918
00:23:54,067 --> 00:23:54,900
>> I just don't want it to be

919
00:23:54,900 --> 00:23:55,767
called marriage.

920
00:23:55,833 --> 00:23:57,167
For me, marriage describes a

921
00:23:57,167 --> 00:23:58,667
straight relationship, and I

922
00:23:58,667 --> 00:23:59,833
think we should be called

923
00:23:59,900 --> 00:24:00,867
something else.

924
00:24:00,867 --> 00:24:02,733
Call it something more fabulous!

925
00:24:02,733 --> 00:24:03,633
>> CHAD: As a gay man, it's just

926
00:24:03,633 --> 00:24:05,067
hard for me to believe that you

927
00:24:05,067 --> 00:24:06,167
don't want equal rights

928
00:24:06,167 --> 00:24:06,900
for yourself.

929
00:24:06,900 --> 00:24:07,967
>> I did not say that.

930
00:24:07,967 --> 00:24:08,867
>> But if it's all the same

931
00:24:08,867 --> 00:24:10,367
thing as marriage, why not call

932
00:24:10,367 --> 00:24:11,500
it that?

933
00:24:11,500 --> 00:24:12,333
>> LATRICE: Because it's not the

934
00:24:12,333 --> 00:24:13,233
same thing to me.

935
00:24:13,233 --> 00:24:14,067
>> WILLAM: Yes, it is.

936
00:24:14,067 --> 00:24:14,800
>> I will be pissed if Latrice

937
00:24:14,800 --> 00:24:15,567
is gonna be the first one

938
00:24:15,567 --> 00:24:16,733
that gets married, too.

939
00:24:16,733 --> 00:24:18,133
>> Tales for the doll.

940
00:24:18,133 --> 00:24:19,867
>> I fully support gay divorce.

941
00:24:19,867 --> 00:24:23,567
>> Ah Ha ha!

942
00:24:29,667 --> 00:24:31,133
>> RUPAUL: Ha ha!

943
00:24:34,633 --> 00:24:36,067
* Cover girl

944
00:24:36,067 --> 00:24:38,100
Put some bass in your walk

945
00:24:38,100 --> 00:24:39,867
Head to toe

946
00:24:39,867 --> 00:24:42,900
let your whole body talk *

947
00:24:42,900 --> 00:24:45,067
And what?

948
00:24:45,067 --> 00:24:46,233
Hey, guys.

949
00:24:46,233 --> 00:24:47,800
>> Hey, gorgeous.

950
00:24:47,800 --> 00:24:49,233
>> Welcome to the main stage of

951
00:24:49,233 --> 00:24:51,067
"RuPaul's Drag Race."

952
00:24:51,067 --> 00:24:53,900
Michelle Visage, you old tool.

953
00:24:53,967 --> 00:24:55,100
>> Whatcha talking about, tool?

954
00:24:55,100 --> 00:24:56,167
>> RUPAUL: Ha ha!

955
00:24:56,167 --> 00:24:57,667
On newsstands everywhere it's

956
00:24:57,667 --> 00:24:59,333
Santino Rice.

957
00:24:59,333 --> 00:25:00,933
>> Looking beautiful as a fresh

958
00:25:00,933 --> 00:25:04,300
bruise, black and blue.

959
00:25:04,300 --> 00:25:06,367
>> Grammy award-winner Pam

960
00:25:06,367 --> 00:25:07,300
Tillis.

961
00:25:07,300 --> 00:25:09,233
I am so excited you're here.

962
00:25:09,233 --> 00:25:11,300
>> You are like a song.

963
00:25:11,300 --> 00:25:12,567
I'm telling you.

964
00:25:12,567 --> 00:25:15,067
[trills] Pretty!

965
00:25:15,067 --> 00:25:16,733
>> And Regina King.

966
00:25:16,733 --> 00:25:18,067
Hey, girl, you look like a cover

967
00:25:18,067 --> 00:25:18,900
girl.

968
00:25:18,900 --> 00:25:22,200
>> Oh, thank you, so do you.

969
00:25:22,267 --> 00:25:23,067
You have to show me how you

970
00:25:23,067 --> 00:25:24,433
create the hair blowing without

971
00:25:24,433 --> 00:25:25,567
the fan look.

972
00:25:25,567 --> 00:25:28,433
>> Ha ha!

973
00:25:28,433 --> 00:25:29,900
This week our queens went to the

974
00:25:29,900 --> 00:25:31,367
presses to launch a new

975
00:25:31,367 --> 00:25:33,567
dragazine, and now they're ready

976
00:25:33,567 --> 00:25:36,200
to pump up your circulation.

977
00:25:36,200 --> 00:25:38,300
Gentlemen, start your engines

978
00:25:38,300 --> 00:25:41,300
and may the best woman win.

979
00:25:41,300 --> 00:25:44,733
* Welcome to the jungle

980
00:25:44,800 --> 00:25:48,067
First up, Sharon Needles in

981
00:25:48,067 --> 00:25:50,300
black and white editorial.

982
00:25:50,367 --> 00:25:51,533
>> MICHELLE: She's black and

983
00:25:51,533 --> 00:25:52,633
white and fierce all over.

984
00:25:52,633 --> 00:25:53,633
>> RUPAUL: This is a glamorous

985
00:25:53,633 --> 00:25:54,667
look for Sharon Needles.

986
00:25:54,667 --> 00:25:55,767
>> REGINA: It is.

987
00:25:55,767 --> 00:25:57,067
>> SHARON: I'm feeling like a

988
00:25:57,067 --> 00:25:58,767
Tim Burton vintage sci-fi

989
00:25:58,767 --> 00:26:00,067
glamazon.

990
00:26:00,067 --> 00:26:01,267
I feel stemmy.

991
00:26:01,267 --> 00:26:02,067
>> PAM: Her butt looks awesome

992
00:26:02,067 --> 00:26:02,733
in that dress.

993
00:26:02,733 --> 00:26:04,600
>> RUPAUL: Yes, thanks, DuPont.

994
00:26:04,600 --> 00:26:05,867
Very "Valley of the Dolls."

995
00:26:05,867 --> 00:26:06,600
>> VISAGE: I was thinking Jackie

996
00:26:06,600 --> 00:26:07,300
Collins.

997
00:26:07,300 --> 00:26:08,200
>> REGINA: Kind of like a

998
00:26:08,200 --> 00:26:08,933
possessed Jackie Collins.

999
00:26:08,933 --> 00:26:10,367
>> RUPAUL: Yes, yes, yes.

1000
00:26:10,433 --> 00:26:12,600
Up next, Dida Ritz.

1001
00:26:12,600 --> 00:26:13,533
>> SANTINO: Not just a cracker.

1002
00:26:13,600 --> 00:26:14,600
>> RUPAUL: No.

1003
00:26:14,600 --> 00:26:15,400
>> PAM: What'd you call me?

1004
00:26:15,400 --> 00:26:16,067
>> REGINA: I love the little

1005
00:26:16,067 --> 00:26:17,300
s-walk.

1006
00:26:17,300 --> 00:26:18,400
>> RUPAUL: Yes. It's a strategic

1007
00:26:18,400 --> 00:26:20,533
walk so a sniper can't get her.

1008
00:26:20,533 --> 00:26:22,400
>> SANTINO: Ha ha!

1009
00:26:22,400 --> 00:26:23,367
>> DIDA: I'm throwing to you

1010
00:26:23,367 --> 00:26:24,933
editor-in-chief realness, old

1011
00:26:24,933 --> 00:26:26,233
Hollywood glamour.

1012
00:26:26,233 --> 00:26:27,400
I feel sexy.

1013
00:26:27,400 --> 00:26:28,533
>> RUPAUL: Tastes like chicken,

1014
00:26:28,533 --> 00:26:29,667
looks like fish.

1015
00:26:29,667 --> 00:26:31,067
>> MICHELLE: Uh-uh.

1016
00:26:31,100 --> 00:26:32,733
>> RUPAUL: Chad Michaels,

1017
00:26:32,733 --> 00:26:34,100
rock-n-roll.

1018
00:26:34,100 --> 00:26:35,067
>> SANTINO: Lita Ford.

1019
00:26:35,067 --> 00:26:36,300
>> PAM: Pat Benatar.

1020
00:26:36,300 --> 00:26:37,233
>> CHAD: Tonight I'm wearing

1021
00:26:37,233 --> 00:26:38,300
something more dangerous.

1022
00:26:38,300 --> 00:26:39,400
My paint is much darker than

1023
00:26:39,400 --> 00:26:40,433
usual.

1024
00:26:40,433 --> 00:26:41,600
I'm loving my short hair.

1025
00:26:41,600 --> 00:26:43,067
I'm feeling fantastic.

1026
00:26:43,067 --> 00:26:44,067
>> RUPAUL: "Guns and Ammo"

1027
00:26:44,067 --> 00:26:45,400
magazine.

1028
00:26:45,400 --> 00:26:46,900
Cover of "Rolling Stone."

1029
00:26:46,900 --> 00:26:47,667
>> PAM: Where is her

1030
00:26:47,667 --> 00:26:48,700
Stratocaster?

1031
00:26:48,700 --> 00:26:51,433
>> RUPAUL: Yes. It's hidden.

1032
00:26:51,500 --> 00:26:52,833
Latrice Royale, "Ebony"

1033
00:26:52,833 --> 00:26:54,133
magazine.

1034
00:26:54,133 --> 00:26:54,833
>> SANTINO: Foldout.

1035
00:26:54,833 --> 00:26:56,367
>> RUPAUL: Yes, honey, this is a

1036
00:26:56,433 --> 00:26:58,433
two-page spread.

1037
00:26:58,433 --> 00:27:00,267
>> LATRICE: I walk out giving my

1038
00:27:00,267 --> 00:27:02,167
glossy glam, very Nubian

1039
00:27:02,167 --> 00:27:03,900
princess, lots of jewels and

1040
00:27:03,900 --> 00:27:06,133
cleavage, and I feel gorgeous.

1041
00:27:06,133 --> 00:27:07,300
>> RUPAUL: She makes glamour

1042
00:27:07,300 --> 00:27:08,633
look real simple.

1043
00:27:08,633 --> 00:27:09,633
>> PAM: I love the jewels down

1044
00:27:09,633 --> 00:27:10,633
the back.

1045
00:27:10,633 --> 00:27:12,167
>> RUPAUL: Yes, gorgeous.

1046
00:27:12,167 --> 00:27:13,200
>> REGINA: Like that character

1047
00:27:13,200 --> 00:27:14,300
from "The Wiz."

1048
00:27:14,367 --> 00:27:16,633
>> RUPAUL: Uh-huh. Up next

1049
00:27:16,633 --> 00:27:18,800
Willam, red carpet ready.

1050
00:27:18,867 --> 00:27:20,233
>> SANTINO: Kylie Minogue.

1051
00:27:20,233 --> 00:27:21,500
>> Kylie Min-yes.

1052
00:27:21,500 --> 00:27:22,633
>> MICHELLE: Just the whole body

1053
00:27:22,633 --> 00:27:23,800
is jeez!

1054
00:27:23,800 --> 00:27:24,800
>> RUPAUL: Uh-huh.

1055
00:27:24,800 --> 00:27:25,600
>> WILLAM: I feel confident on

1056
00:27:25,600 --> 00:27:26,600
the runway.

1057
00:27:26,600 --> 00:27:28,067
I'm just giving them cute girl,

1058
00:27:28,067 --> 00:27:29,733
fish salad realness with a side

1059
00:27:29,733 --> 00:27:30,900
of titty.

1060
00:27:30,900 --> 00:27:32,667
>> RUPAUL: Hollywood starlet.

1061
00:27:32,667 --> 00:27:33,433
>> REGINA: Back action and

1062
00:27:33,433 --> 00:27:34,767
everything.

1063
00:27:34,767 --> 00:27:35,900
>> RUPAUL: I want a lifetime

1064
00:27:35,900 --> 00:27:38,267
subscription.

1065
00:27:38,333 --> 00:27:40,067
Jiggly Caliente.

1066
00:27:40,067 --> 00:27:41,467
>> MICHELLE: Venus de Brooklyn.

1067
00:27:41,467 --> 00:27:42,967
>> PAM: Fill me up, buttercup.

1068
00:27:43,067 --> 00:27:44,267
>> RUPAUL: Uh-huh.

1069
00:27:44,267 --> 00:27:45,067
>> JIGGLY: I want the judges to

1070
00:27:45,067 --> 00:27:47,167
take it all in, catch it.

1071
00:27:47,167 --> 00:27:48,500
Look at all the frosties.

1072
00:27:48,500 --> 00:27:49,567
I want them to try to count how

1073
00:27:49,567 --> 00:27:51,167
many frosties are on this gown.

1074
00:27:51,167 --> 00:27:52,433
I look like a fucking lemon

1075
00:27:52,433 --> 00:27:55,067
drop, a blinging lemon drop.

1076
00:27:55,067 --> 00:27:55,900
>> RUPAUL: That's a pretty

1077
00:27:55,900 --> 00:27:56,600
dress.

1078
00:27:56,600 --> 00:27:57,567
>> MICHELLE: It is gorgeous.

1079
00:27:57,567 --> 00:27:58,600
I love me a train.

1080
00:27:58,600 --> 00:28:00,567
>> Mmm.

1081
00:28:00,567 --> 00:28:01,433
>> MICHELLE: I'm gonna leave

1082
00:28:01,433 --> 00:28:02,800
that alone.

1083
00:28:02,867 --> 00:28:04,667
>> RUPAUL: Phi Phi O'Hara.

1084
00:28:04,667 --> 00:28:05,567
>> REGINA: Oh!

1085
00:28:05,567 --> 00:28:06,667
>> RUPAUL: Wow.

1086
00:28:06,667 --> 00:28:08,367
Serving body in turquoise.

1087
00:28:08,433 --> 00:28:09,067
>> SANTINO: I love the

1088
00:28:09,067 --> 00:28:09,900
proportions.

1089
00:28:09,900 --> 00:28:11,233
I love all that leg.

1090
00:28:11,233 --> 00:28:12,233
Beautiful.

1091
00:28:12,233 --> 00:28:13,067
>> REGINA: Go on and take the

1092
00:28:13,067 --> 00:28:14,067
center stage.

1093
00:28:14,067 --> 00:28:14,900
>> PHI PHI O'HARA: Walking down

1094
00:28:14,900 --> 00:28:16,067
the runway, I'm feeling super

1095
00:28:16,067 --> 00:28:17,133
sexy and flirty, and I'm just

1096
00:28:17,133 --> 00:28:18,133
having a good time out there.

1097
00:28:18,133 --> 00:28:19,067
It's a fishy outfit.

1098
00:28:19,067 --> 00:28:20,067
I look really pretty and I look

1099
00:28:20,067 --> 00:28:20,933
glamorous.

1100
00:28:20,933 --> 00:28:21,867
>> RUPAUL: This is the best Phi

1101
00:28:21,867 --> 00:28:22,867
Phi has ever looked.

1102
00:28:22,867 --> 00:28:24,133
Very "Cosmo," girl.

1103
00:28:24,133 --> 00:28:26,467
No photo shop necessary.

1104
00:28:26,533 --> 00:28:27,767
Coming up.

1105
00:28:27,767 --> 00:28:28,600
>> Touch this.

1106
00:28:28,600 --> 00:28:29,533
Touch all of this.

1107
00:28:29,533 --> 00:28:30,367
>> I'm trying to help.

1108
00:28:30,367 --> 00:28:31,633
>> It looks like a couch from

1109
00:28:31,633 --> 00:28:32,567
rent-a-center.

1110
00:28:32,567 --> 00:28:33,433
>> JIGGLY: Why the hell would I

1111
00:28:33,433 --> 00:28:34,400
write about how to eat a pile of

1112
00:28:34,400 --> 00:28:35,433
chicken?

1113
00:28:35,433 --> 00:28:36,500
>> RUPAUL: Exactly. That's

1114
00:28:36,500 --> 00:28:37,500
funny.

1115
00:28:37,500 --> 00:28:40,467
>> Oh, damn.

1116
00:28:40,467 --> 00:28:41,633
RuPAUL: Ha ha!

1117
00:28:44,767 --> 00:28:46,967
>> RUPAUL: Ha ha!

1118
00:28:47,067 --> 00:28:48,967
Hello, dolls.

1119
00:28:48,967 --> 00:28:51,067
Let's find out whose dragazines

1120
00:28:51,067 --> 00:28:53,400
are fresh and fabulous and whose

1121
00:28:53,400 --> 00:28:56,733
are just Condé nasty.

1122
00:28:56,733 --> 00:28:59,700
Up first, Chad Michaels.

1123
00:28:59,700 --> 00:29:01,333
"Eleganza."

1124
00:29:01,333 --> 00:29:03,200
>> CHAD: I wanted to take the

1125
00:29:03,200 --> 00:29:04,500
theme of "Eleganza", which was

1126
00:29:04,500 --> 00:29:07,233
style, and gear it toward drag

1127
00:29:07,233 --> 00:29:08,333
cougars and the women who love

1128
00:29:08,333 --> 00:29:09,167
them.

1129
00:29:09,233 --> 00:29:10,333
>> I didn't know what type of

1130
00:29:10,333 --> 00:29:11,433
magazine it was.

1131
00:29:11,433 --> 00:29:13,233
It's just all over the place.

1132
00:29:13,233 --> 00:29:14,333
>> SANTINO: It looks like

1133
00:29:14,333 --> 00:29:15,367
something that you would pick up

1134
00:29:15,367 --> 00:29:17,067
for free at the grocery store.

1135
00:29:17,100 --> 00:29:18,600
You look beautiful tonight.

1136
00:29:18,600 --> 00:29:20,267
Love the one-shoulder.

1137
00:29:20,267 --> 00:29:21,733
You look great in black.

1138
00:29:21,733 --> 00:29:22,933
>> CHAD: You guys challenged me

1139
00:29:22,933 --> 00:29:23,867
to dirty it up a little bit, and

1140
00:29:23,867 --> 00:29:25,200
I feel fantastic.

1141
00:29:25,200 --> 00:29:26,333
>> MICHELLE: I love that Chad

1142
00:29:26,333 --> 00:29:27,667
thinks this is dirty.

1143
00:29:27,667 --> 00:29:30,500
I guess it is for Chad.

1144
00:29:30,500 --> 00:29:31,567
>> All right, up next,

1145
00:29:31,567 --> 00:29:32,933
Dida Ritz.

1146
00:29:32,933 --> 00:29:34,233
Tastes Like Chicken.

1147
00:29:34,233 --> 00:29:35,067
>> MICHELLE: Yeah, that's what

1148
00:29:35,067 --> 00:29:36,067
they say.

1149
00:29:36,067 --> 00:29:37,100
>> DIDA: I wanted to add a

1150
00:29:37,100 --> 00:29:38,267
little bit of, you know, glamour

1151
00:29:38,267 --> 00:29:39,467
to it, and my inspiration was

1152
00:29:39,467 --> 00:29:40,700
really the type of women you'd

1153
00:29:40,700 --> 00:29:42,367
see on the Food Network.

1154
00:29:42,367 --> 00:29:44,067
>> PAM: I saw "stop."

1155
00:29:44,067 --> 00:29:45,800
It kind of is at odds with your

1156
00:29:45,800 --> 00:29:47,800
fun look and you fun colors

1157
00:29:47,800 --> 00:29:49,500
and then this negative message.

1158
00:29:49,500 --> 00:29:50,300
>> MICHELLE: I like black hair

1159
00:29:50,300 --> 00:29:51,133
on you.

1160
00:29:51,133 --> 00:29:51,933
It looks very pretty.

1161
00:29:51,933 --> 00:29:52,733
Just next time think more

1162
00:29:52,733 --> 00:29:53,467
volume.

1163
00:29:53,467 --> 00:29:54,567
I keep telling you more volume.

1164
00:29:54,567 --> 00:29:57,367
It's all about the silhouette.

1165
00:29:57,367 --> 00:29:58,900
>> All right, next up, Sharon

1166
00:29:58,900 --> 00:30:00,500
Needles.

1167
00:30:00,500 --> 00:30:02,233
"Kitty Cats." Meow.

1168
00:30:02,233 --> 00:30:03,400
>> SHARON: I wanted to create a

1169
00:30:03,400 --> 00:30:05,200
hep-cat magazine for, like,

1170
00:30:05,200 --> 00:30:07,300
young hipsters that love cats.

1171
00:30:07,300 --> 00:30:08,567
>> REGINA: Oh, you nasty bitch

1172
00:30:08,567 --> 00:30:09,967
you.

1173
00:30:09,967 --> 00:30:11,400
Oh, my god.

1174
00:30:11,400 --> 00:30:13,233
I love the headlines.

1175
00:30:13,233 --> 00:30:14,233
I just want to read it.

1176
00:30:14,233 --> 00:30:15,500
I want to know how many is too

1177
00:30:15,500 --> 00:30:16,533
many.

1178
00:30:16,533 --> 00:30:17,567
>> Well, I'm talking about cats.

1179
00:30:17,567 --> 00:30:19,000
You're a pervert.

1180
00:30:19,000 --> 00:30:20,767
>> REGINA: Oh, I know, I know, I

1181
00:30:20,767 --> 00:30:22,933
know, but the eyes scare me

1182
00:30:22,933 --> 00:30:23,767
and--

1183
00:30:23,767 --> 00:30:25,600
>> They're my trademark.

1184
00:30:25,600 --> 00:30:26,767
>> REGINA: But everything else

1185
00:30:26,767 --> 00:30:29,767
is just so pretty and elegant.

1186
00:30:29,767 --> 00:30:31,533
It, like, creeps me out.

1187
00:30:31,533 --> 00:30:32,667
>> I am still waiting to see

1188
00:30:32,667 --> 00:30:36,733
full-on glam, no eyes, no goth

1189
00:30:36,733 --> 00:30:38,467
Sharon Needles, just once.

1190
00:30:38,467 --> 00:30:41,800
I don't think you'll lose you.

1191
00:30:41,800 --> 00:30:44,367
>> Next up, Latrice Royale.

1192
00:30:44,367 --> 00:30:46,100
"What's the T?"

1193
00:30:46,100 --> 00:30:47,200
>> LATRICE: If my magazine was

1194
00:30:47,200 --> 00:30:48,567
on the newsstand, if you're not

1195
00:30:48,567 --> 00:30:50,000
particularly lusting for me,

1196
00:30:50,000 --> 00:30:50,867
you're definitely gonna pick it

1197
00:30:50,867 --> 00:30:52,033
up for the hot boys that are

1198
00:30:52,033 --> 00:30:53,800
lusting after me, so...

1199
00:30:53,800 --> 00:30:55,033
>> I sort of expected your

1200
00:30:55,033 --> 00:30:56,700
magazine cover to be like,

1201
00:30:56,700 --> 00:30:57,700
"Shh."

1202
00:30:57,700 --> 00:30:58,400
>> REGINA: It looks like the

1203
00:30:58,400 --> 00:30:59,167
name of the magazine

1204
00:30:59,167 --> 00:30:59,900
is Hollywood.

1205
00:30:59,900 --> 00:31:03,100
It looks more like a club flier.

1206
00:31:03,100 --> 00:31:04,267
>> You don't need the pit crew

1207
00:31:04,267 --> 00:31:05,600
boys on there at all.

1208
00:31:05,600 --> 00:31:06,900
It really looks like you got it

1209
00:31:06,900 --> 00:31:08,800
from a hooker somewhere.

1210
00:31:08,800 --> 00:31:09,933
>> SANTINO: This gown that you

1211
00:31:09,933 --> 00:31:12,467
came out in, it's like, ah, it's

1212
00:31:12,467 --> 00:31:13,567
so heavy.

1213
00:31:13,567 --> 00:31:14,800
It looks like a couch from

1214
00:31:14,800 --> 00:31:15,967
rent-a-center.

1215
00:31:15,967 --> 00:31:17,133
>> I think it's a little too

1216
00:31:17,133 --> 00:31:18,233
much jewelry.

1217
00:31:18,233 --> 00:31:20,400
>> Oh, lord, Jesus.

1218
00:31:20,400 --> 00:31:22,267
>> "Showgirls."

1219
00:31:22,267 --> 00:31:23,700
>> Oh, oh!

1220
00:31:23,700 --> 00:31:24,733
>> Oh!

1221
00:31:24,733 --> 00:31:26,333
My bracelet breaks.

1222
00:31:26,333 --> 00:31:28,167
Oh, fuck.

1223
00:31:28,167 --> 00:31:30,100
In front of everybody.

1224
00:31:30,100 --> 00:31:30,833
>> MICHELLE: But already that

1225
00:31:30,833 --> 00:31:31,733
looks better.

1226
00:31:31,733 --> 00:31:34,133
It does.

1227
00:31:34,133 --> 00:31:36,200
>> RUPAUL: Next up, Willam.

1228
00:31:36,200 --> 00:31:37,767
"Sugar Walls."

1229
00:31:37,767 --> 00:31:39,367
>> WILLAM: I love home design,

1230
00:31:39,367 --> 00:31:40,200
and I made one of the pillows on

1231
00:31:40,200 --> 00:31:41,467
the cover.

1232
00:31:41,467 --> 00:31:43,933
A power bottom like that.

1233
00:31:43,933 --> 00:31:44,967
>> I love what you look like

1234
00:31:44,967 --> 00:31:48,067
tonight, but in the beard area,

1235
00:31:48,067 --> 00:31:49,567
I see the shadow again tonight.

1236
00:31:49,567 --> 00:31:50,367
>> Touch this.

1237
00:31:50,367 --> 00:31:51,400
Touch all of this.

1238
00:31:51,400 --> 00:31:52,500
>> I'm trying to help, because

1239
00:31:52,500 --> 00:31:54,100
you're the only one that has it,

1240
00:31:54,100 --> 00:31:55,733
so it really hits hard when it's

1241
00:31:55,733 --> 00:31:57,100
out there.

1242
00:31:57,100 --> 00:31:59,267
>> Your dragazine cover is

1243
00:31:59,267 --> 00:32:01,467
possibly the worst one.

1244
00:32:01,467 --> 00:32:02,533
I hate the font.

1245
00:32:02,533 --> 00:32:03,633
>> Me, too.

1246
00:32:03,633 --> 00:32:04,600
>> Ok.

1247
00:32:04,600 --> 00:32:05,700
>> This looks like a porn thing

1248
00:32:05,700 --> 00:32:06,767
about to happen.

1249
00:32:06,767 --> 00:32:07,667
I'm getting anything but

1250
00:32:07,667 --> 00:32:08,867
decorating from this.

1251
00:32:08,867 --> 00:32:10,167
>> WILLAM: Yeah, I wouldn't have

1252
00:32:10,167 --> 00:32:11,767
hired myself to be that

1253
00:32:11,767 --> 00:32:12,800
designer.

1254
00:32:12,800 --> 00:32:14,200
I love the ideas that I had.

1255
00:32:14,200 --> 00:32:15,133
I wish I had more time to

1256
00:32:15,133 --> 00:32:18,067
execute them and a better staff.

1257
00:32:18,067 --> 00:32:19,167
>> In my career I had to do

1258
00:32:19,167 --> 00:32:20,500
every single part

1259
00:32:20,500 --> 00:32:21,933
of show business, you know,

1260
00:32:21,933 --> 00:32:24,100
edit, produce, you name it, and

1261
00:32:24,100 --> 00:32:25,633
that's what we're really looking

1262
00:32:25,633 --> 00:32:28,500
for.

1263
00:32:28,500 --> 00:32:31,233
Next up, Jiggly Caliente.

1264
00:32:31,233 --> 00:32:32,567
May I call you Jiggly?

1265
00:32:32,567 --> 00:32:33,700
>> No.

1266
00:32:33,700 --> 00:32:36,433
>> Oh! Ha ha ha!

1267
00:32:36,433 --> 00:32:38,167
"Battle of the Bulge."

1268
00:32:38,167 --> 00:32:39,500
>> JIGGLY: I found the funny,

1269
00:32:39,500 --> 00:32:40,800
and I found the silly humor in

1270
00:32:40,800 --> 00:32:41,533
it.

1271
00:32:41,533 --> 00:32:42,433
Battle...

1272
00:32:42,433 --> 00:32:43,467
Ya ya ya!

1273
00:32:43,467 --> 00:32:44,400
>> I think with "Battle of the

1274
00:32:44,400 --> 00:32:45,533
Bulge," you could have really

1275
00:32:45,533 --> 00:32:47,167
taken it anywhere.

1276
00:32:47,167 --> 00:32:48,067
>> RUPAUL: Yeah, because when we

1277
00:32:48,067 --> 00:32:49,933
spoke in the workroom, I was

1278
00:32:49,933 --> 00:32:51,633
going on and on about you should

1279
00:32:51,633 --> 00:32:53,367
approach it with more humor.

1280
00:32:53,367 --> 00:32:55,267
>> I chose those play with words

1281
00:32:55,267 --> 00:32:56,167
instead of the humor 'cause I

1282
00:32:56,167 --> 00:32:57,100
don't know anything about

1283
00:32:57,100 --> 00:32:58,067
fitness.

1284
00:32:58,067 --> 00:32:58,933
What the hell would I write

1285
00:32:58,933 --> 00:33:00,067
about how to eat a pound of

1286
00:33:00,067 --> 00:33:00,967
chicken?

1287
00:33:00,967 --> 00:33:03,067
>> Exactly, that's funny.

1288
00:33:03,067 --> 00:33:05,067
>> Oh, damn.

1289
00:33:05,067 --> 00:33:06,967
>> [laughter]

1290
00:33:06,967 --> 00:33:09,533
>> Next up, Phi Phi O'Hara.

1291
00:33:09,533 --> 00:33:10,833
You got "Sashay Away," the

1292
00:33:10,833 --> 00:33:12,600
travel dragazine.

1293
00:33:12,600 --> 00:33:13,900
Wow.

1294
00:33:13,900 --> 00:33:16,067
Va-va-voom!

1295
00:33:16,067 --> 00:33:17,067
>> This is the best I've ever

1296
00:33:17,067 --> 00:33:18,900
seen you look so far.

1297
00:33:18,900 --> 00:33:19,967
>> Yeah. All the proportions are

1298
00:33:19,967 --> 00:33:21,067
right.

1299
00:33:21,067 --> 00:33:22,333
Cute little outfit.

1300
00:33:22,333 --> 00:33:23,733
Your make-up looks lovely.

1301
00:33:23,733 --> 00:33:24,667
>> Thank you.

1302
00:33:24,667 --> 00:33:25,700
>> What happened?

1303
00:33:25,700 --> 00:33:28,067
Ha ha!

1304
00:33:28,067 --> 00:33:29,067
>> You look gorgeous on the

1305
00:33:29,067 --> 00:33:30,367
cover.

1306
00:33:30,367 --> 00:33:32,333
The color makes me want to go

1307
00:33:32,333 --> 00:33:33,667
wherever you are.

1308
00:33:33,667 --> 00:33:35,167
This looks like an actual

1309
00:33:35,167 --> 00:33:36,200
magazine.

1310
00:33:36,200 --> 00:33:37,500
You picked all the key words to

1311
00:33:37,500 --> 00:33:38,400
highlight.

1312
00:33:38,400 --> 00:33:41,600
"Bathhouse, 69, virginity."

1313
00:33:41,600 --> 00:33:43,067
I would read this inside and

1314
00:33:43,067 --> 00:33:46,533
out.

1315
00:33:46,533 --> 00:33:47,833
>> All right, ladies, while you

1316
00:33:47,833 --> 00:33:49,900
enjoy an Absolut cocktail in the

1317
00:33:49,900 --> 00:33:52,533
Interior Illusions Lounge, the

1318
00:33:52,533 --> 00:33:56,933
judges and I will deliberate.

1319
00:33:56,933 --> 00:33:58,833
All right, just between us

1320
00:33:58,833 --> 00:34:01,833
girls, what do you think?

1321
00:34:01,833 --> 00:34:03,233
Chad Michaels.

1322
00:34:03,233 --> 00:34:05,767
>> The runway really made up for

1323
00:34:05,767 --> 00:34:07,100
the look that's on the cover of

1324
00:34:07,100 --> 00:34:08,367
"Eleganza" magazine, which is

1325
00:34:08,367 --> 00:34:09,733
horrible.

1326
00:34:09,733 --> 00:34:12,200
And it's just not modern or hip.

1327
00:34:12,200 --> 00:34:12,967
>> MICHELLE: If you're looking

1328
00:34:12,967 --> 00:34:13,700
for hip, young, and trendy, you

1329
00:34:13,700 --> 00:34:14,567
ain't gonna find it in Chad

1330
00:34:14,567 --> 00:34:15,733
Michaels.

1331
00:34:15,733 --> 00:34:17,100
>> RUPAUL: Dida Ritz.

1332
00:34:17,100 --> 00:34:18,433
>> I'm just kind of thinking

1333
00:34:18,433 --> 00:34:19,400
she's somewhere in the middle

1334
00:34:19,400 --> 00:34:20,367
today.

1335
00:34:20,367 --> 00:34:21,633
She was cute on the cover.

1336
00:34:21,633 --> 00:34:23,833
>> I never equate fabulous drag

1337
00:34:23,833 --> 00:34:25,433
queens and cute.

1338
00:34:25,433 --> 00:34:26,233
>> Right.

1339
00:34:26,233 --> 00:34:27,467
>> I want to be devastated.

1340
00:34:27,467 --> 00:34:28,567
>> MICHELLE: She comes out like

1341
00:34:28,567 --> 00:34:29,933
a straight line with these big

1342
00:34:29,933 --> 00:34:31,600
football player shoulders with

1343
00:34:31,600 --> 00:34:32,600
flat hair.

1344
00:34:32,600 --> 00:34:33,567
She's a pretty girl, but it

1345
00:34:33,567 --> 00:34:36,067
seems like we're getting stuck

1346
00:34:36,067 --> 00:34:37,333
here a little bit with Dida.

1347
00:34:37,333 --> 00:34:38,267
>> RUPAUL: All right, let's move

1348
00:34:38,267 --> 00:34:39,900
on to Sharon Needles.

1349
00:34:39,900 --> 00:34:41,533
>> I really like her sense of

1350
00:34:41,533 --> 00:34:42,667
comedy.

1351
00:34:42,667 --> 00:34:43,933
There's something really cool

1352
00:34:43,933 --> 00:34:45,067
about her.

1353
00:34:45,067 --> 00:34:47,067
>> Yeah, her dragazine, very

1354
00:34:47,067 --> 00:34:49,167
funny, tongue in cheek, and it

1355
00:34:49,167 --> 00:34:51,367
looks like it reeks of cat piss

1356
00:34:51,367 --> 00:34:52,600
in there.

1357
00:34:52,600 --> 00:34:53,867
>> I did like her dragazine.

1358
00:34:53,867 --> 00:34:54,800
Do I think it's the best?

1359
00:34:54,800 --> 00:34:55,767
Nope.

1360
00:34:55,767 --> 00:34:57,233
>> RUPAUL: Latrice Royale.

1361
00:34:57,233 --> 00:34:58,633
>> The dragazine cover was,

1362
00:34:58,633 --> 00:35:00,467
like, Sydney Biddle Barrows, you

1363
00:35:00,467 --> 00:35:01,333
know?

1364
00:35:01,333 --> 00:35:02,867
It was like a madame's calling

1365
00:35:02,867 --> 00:35:04,333
card.

1366
00:35:04,333 --> 00:35:05,367
>> RUPAUL: Willam and "Sugar

1367
00:35:05,367 --> 00:35:07,500
Walls" dragazine.

1368
00:35:07,500 --> 00:35:08,633
>> She totally missed the mark,

1369
00:35:08,633 --> 00:35:09,900
and I really feel like this was

1370
00:35:09,900 --> 00:35:11,500
probably one of the easiest ones

1371
00:35:11,500 --> 00:35:13,067
to do, and there's something

1372
00:35:13,067 --> 00:35:14,967
about her on stage that's a bit

1373
00:35:14,967 --> 00:35:16,067
robotic.

1374
00:35:16,067 --> 00:35:17,400
It's like she stood there with

1375
00:35:17,400 --> 00:35:20,433
the same exact smile.

1376
00:35:20,433 --> 00:35:21,467
It was kind of creepy.

1377
00:35:21,467 --> 00:35:22,400
I kept, like, looking over to

1378
00:35:22,400 --> 00:35:24,067
see, all right.

1379
00:35:24,067 --> 00:35:25,400
Ok, 20 minutes has passed,

1380
00:35:25,400 --> 00:35:27,833
right, and she was still...

1381
00:35:27,833 --> 00:35:29,300
>> PAM: Yeah, that don't move.

1382
00:35:29,300 --> 00:35:31,200
She's got a major attitude, and

1383
00:35:31,200 --> 00:35:32,833
I like that, though.

1384
00:35:32,833 --> 00:35:34,100
It's good news, bad news.

1385
00:35:34,100 --> 00:35:35,067
Good news, she's a diva.

1386
00:35:35,067 --> 00:35:36,867
Bad news, she's a diva.

1387
00:35:36,867 --> 00:35:38,067
>> RUPAUL: Jiggly Caliente and

1388
00:35:38,067 --> 00:35:40,400
"Battle of the Bulge."

1389
00:35:40,400 --> 00:35:42,133
>> MICHELLE: You know, Jiggly

1390
00:35:42,133 --> 00:35:43,633
seems to be some sort of

1391
00:35:43,633 --> 00:35:45,600
self-sabotager.

1392
00:35:45,600 --> 00:35:46,467
>> Yes.

1393
00:35:46,467 --> 00:35:47,500
>> Maybe she doesn't feel like

1394
00:35:47,500 --> 00:35:49,767
she deserves to be here, and if

1395
00:35:49,767 --> 00:35:51,133
you don't believe it, nobody

1396
00:35:51,133 --> 00:35:53,067
else will.

1397
00:35:53,067 --> 00:35:54,200
>> RUPAUL: Moving on to Phi Phi

1398
00:35:54,200 --> 00:35:56,400
O'Hara and "Sashay Away"

1399
00:35:56,400 --> 00:35:57,667
magazine, this looked like the

1400
00:35:57,667 --> 00:35:59,767
most professional magazine of

1401
00:35:59,767 --> 00:36:00,833
the whole bunch.

1402
00:36:00,833 --> 00:36:02,500
>> It did, but as we're going

1403
00:36:02,500 --> 00:36:03,533
through all of these, I'm

1404
00:36:03,533 --> 00:36:05,267
wondering did it look like the

1405
00:36:05,267 --> 00:36:06,400
most professional because

1406
00:36:06,400 --> 00:36:08,367
everything else was so bad?

1407
00:36:08,367 --> 00:36:09,633
>> RUPAUL: Ha ha!

1408
00:36:09,633 --> 00:36:10,433
>> MICHELLE: I had a problem

1409
00:36:10,433 --> 00:36:11,333
with the fact that she wore a

1410
00:36:11,333 --> 00:36:12,800
blond cap with blond hair.

1411
00:36:12,800 --> 00:36:13,833
She looked like she had a dead

1412
00:36:13,833 --> 00:36:14,833
baby lamb on her head.

1413
00:36:14,833 --> 00:36:16,233
>> And who wants that?

1414
00:36:16,233 --> 00:36:17,367
>> Sharon Needles.

1415
00:36:17,367 --> 00:36:18,433
>> There'd be blood coming out.

1416
00:36:18,433 --> 00:36:20,633
>> Silence. I've made my

1417
00:36:20,633 --> 00:36:22,333
decision.

1418
00:36:22,333 --> 00:36:26,367
Bring back my girls.

1419
00:36:26,433 --> 00:36:27,633
Ha ha!

1420
00:36:30,767 --> 00:36:33,667
>> RUPAUL: Ha ha!

1421
00:36:33,733 --> 00:36:36,133
Welcome back, ladies.

1422
00:36:36,133 --> 00:36:38,133
Based on your dragazines and

1423
00:36:38,133 --> 00:36:39,667
your presentations on the main

1424
00:36:39,667 --> 00:36:42,400
stage, I've made some decisions.

1425
00:36:47,967 --> 00:36:50,333
Phi Phi O'Hara, your travel

1426
00:36:50,333 --> 00:36:52,733
dragozine was a real trip, and

1427
00:36:52,733 --> 00:36:54,600
we're excited that you keep

1428
00:36:54,600 --> 00:36:59,433
taking us to new places.

1429
00:36:59,433 --> 00:37:00,700
You are the winner of this

1430
00:37:00,700 --> 00:37:03,367
week's challenge.

1431
00:37:03,367 --> 00:37:06,367
>> God, thank god.

1432
00:37:06,367 --> 00:37:07,967
>> You've won a cruise to the

1433
00:37:07,967 --> 00:37:09,367
Bahamas courtesy of

1434
00:37:09,367 --> 00:37:12,200
ALandCHUCK.travel.

1435
00:37:12,200 --> 00:37:12,933
>> PHI PHI: Oh, man!

1436
00:37:12,933 --> 00:37:14,633
Ha ha!

1437
00:37:14,633 --> 00:37:16,567
Oh, finally!

1438
00:37:16,567 --> 00:37:17,500
This is my first win and I'm

1439
00:37:17,500 --> 00:37:19,233
really excited because it's nice

1440
00:37:19,233 --> 00:37:20,367
to know that my hard work has

1441
00:37:20,367 --> 00:37:21,267
paid off.

1442
00:37:21,333 --> 00:37:23,233
Those girls better watch out.

1443
00:37:27,633 --> 00:37:32,100
>> Sharon Needles, you are safe.

1444
00:37:32,100 --> 00:37:35,100
Dida Ritz...

1445
00:37:35,100 --> 00:37:36,700
you're safe.

1446
00:37:36,700 --> 00:37:38,100
>> Thank you.

1447
00:37:38,100 --> 00:37:39,267
>> Chad Michaels.

1448
00:37:39,267 --> 00:37:40,300
>> Yes, ma'am.

1449
00:37:40,300 --> 00:37:43,267
>> This week the judges were not

1450
00:37:43,267 --> 00:37:46,733
gagging on your "Eleganza."

1451
00:37:46,733 --> 00:37:52,533
You are safe.

1452
00:37:52,533 --> 00:37:54,267
>> Thank you.

1453
00:37:59,800 --> 00:38:02,700
>> Jiggly Caliente, once again,

1454
00:38:02,700 --> 00:38:06,067
you left us hungry for more.

1455
00:38:06,067 --> 00:38:07,300
I'm sorry, my dear, but you are

1456
00:38:07,300 --> 00:38:11,433
up for elimination.

1457
00:38:11,500 --> 00:38:12,600
>> Again?

1458
00:38:12,600 --> 00:38:13,833
Seriously?

1459
00:38:13,833 --> 00:38:16,433
That's just straight up jack.

1460
00:38:16,500 --> 00:38:21,067
>> RUPAUL: Latrice Royale...

1461
00:38:21,067 --> 00:38:24,667
you're safe.

1462
00:38:24,667 --> 00:38:26,067
Willam, I'm sorry, my dear, but

1463
00:38:26,067 --> 00:38:29,433
you are up for elimination.

1464
00:38:29,433 --> 00:38:30,233
>> WILLAM: When Ru tells me

1465
00:38:30,233 --> 00:38:31,433
about being in the bottom two, I

1466
00:38:31,500 --> 00:38:33,333
feel shaken, and it's a little

1467
00:38:33,333 --> 00:38:35,067
scary.

1468
00:38:35,067 --> 00:38:36,100
>> RUPAUL: Two queens stand

1469
00:38:36,100 --> 00:38:37,067
before me.

1470
00:38:37,067 --> 00:38:38,400
Prior to tonight, you were asked

1471
00:38:38,400 --> 00:38:39,567
to prepare a lip sync

1472
00:38:39,567 --> 00:38:42,167
performance of "Mi Vida Loca"

1473
00:38:42,167 --> 00:38:43,600
by Pam Tillis.

1474
00:38:43,600 --> 00:38:45,400
Ladies, this is your last chance

1475
00:38:45,400 --> 00:38:48,067
to impress me and save yourself

1476
00:38:48,067 --> 00:38:50,267
from elimination.

1477
00:38:50,267 --> 00:38:52,367
The time has come for you to lip

1478
00:38:52,367 --> 00:38:56,167
sync for your life.

1479
00:38:58,467 --> 00:39:00,233
>> I'm gonna fight to the end.

1480
00:39:00,233 --> 00:39:03,200
No way I'm gonna let this skinny

1481
00:39:03,200 --> 00:39:06,633
Botox bitch send my ass home.

1482
00:39:06,633 --> 00:39:09,267
>> Good luck and don't fuck it

1483
00:39:09,267 --> 00:39:10,233
up.

1484
00:39:10,300 --> 00:39:11,067
>> PAM TILLIS: * If you're

1485
00:39:11,067 --> 00:39:11,767
coming with me

1486
00:39:11,767 --> 00:39:15,633
You need nerves of steel

1487
00:39:15,700 --> 00:39:16,967
'Cause I take corners

1488
00:39:16,967 --> 00:39:20,700
on two wheels

1489
00:39:20,700 --> 00:39:26,200
It's a never-ending circus ride

1490
00:39:26,200 --> 00:39:27,267
The faint of heart

1491
00:39:27,267 --> 00:39:31,833
need not apply

1492
00:39:31,833 --> 00:39:36,867
Mi vida loca over and over

1493
00:39:36,867 --> 00:39:42,067
Destiny turns on a dime *

1494
00:39:42,067 --> 00:39:42,967
>> SHARON: I mean, I hate to say

1495
00:39:42,967 --> 00:39:44,867
it, but I think Willam did good.

1496
00:39:44,933 --> 00:39:46,867
She looked very much a young

1497
00:39:46,867 --> 00:39:48,067
country pop star.

1498
00:39:48,067 --> 00:39:49,400
>> PAM: * Welcome to my

1499
00:39:49,400 --> 00:39:56,667
crazy life *

1500
00:39:56,667 --> 00:39:58,267
>> JIGGLY: God damn, you

1501
00:39:58,267 --> 00:39:59,067
couldn't give me a Lil' Kim

1502
00:39:59,067 --> 00:40:00,367
song?

1503
00:40:00,367 --> 00:40:01,367
>> PAM: * Here

1504
00:40:01,367 --> 00:40:02,667
in the firelight *

1505
00:40:02,667 --> 00:40:03,800
>> WILLAM: I really, really

1506
00:40:03,800 --> 00:40:05,100
wished I had panties on,

1507
00:40:05,100 --> 00:40:06,133
but I didn't think

1508
00:40:06,133 --> 00:40:06,967
I'd have to lip sync.

1509
00:40:06,967 --> 00:40:09,333
>> PAM: * Mi vida loca

1510
00:40:09,333 --> 00:40:10,733
>> LATRICE: Jiggly is pretty

1511
00:40:10,733 --> 00:40:12,400
much standing in one spot.

1512
00:40:12,467 --> 00:40:14,067
Not good.

1513
00:40:14,133 --> 00:40:16,267
>> PAM: * Over and over

1514
00:40:16,267 --> 00:40:21,433
Welcome to my crazy life *

1515
00:40:26,633 --> 00:40:33,233
>> [laughter]

1516
00:40:33,233 --> 00:40:36,033
>> Ladies, I've made my

1517
00:40:36,033 --> 00:40:38,900
decision.

1518
00:40:38,900 --> 00:40:43,267
Willam, shanté, you stay.

1519
00:40:43,267 --> 00:40:45,000
>> Thank you.

1520
00:40:45,000 --> 00:40:46,200
Thank you, and I'll always try

1521
00:40:46,200 --> 00:40:47,200
to do my best.

1522
00:40:47,200 --> 00:40:49,433
If I fall short, I'm sorry.

1523
00:40:49,433 --> 00:40:51,267
>> Jiggly Caliente, may I call

1524
00:40:51,267 --> 00:40:52,433
you Jiggly?

1525
00:40:52,433 --> 00:40:54,167
>> Yes.

1526
00:40:54,167 --> 00:40:55,667
>> Good, because after your time

1527
00:40:55,667 --> 00:40:57,300
here, you will be on a

1528
00:40:57,300 --> 00:40:59,067
first-name basis with millions

1529
00:40:59,067 --> 00:41:00,700
of fans.

1530
00:41:00,700 --> 00:41:03,467
Now, sashay away.

1531
00:41:03,467 --> 00:41:06,067
>> Thank you so much.

1532
00:41:06,067 --> 00:41:07,300
I love you.

1533
00:41:10,533 --> 00:41:11,800
Do this.

1534
00:41:11,800 --> 00:41:15,067
>> [laughter]

1535
00:41:15,067 --> 00:41:15,933
>> JIGGLY: I'm disappointed, but

1536
00:41:15,933 --> 00:41:17,467
I know my mom would be so proud

1537
00:41:17,467 --> 00:41:18,600
of me.

1538
00:41:18,600 --> 00:41:20,133
I fucking fought my way, and it

1539
00:41:20,133 --> 00:41:21,967
just didn't happen, but life

1540
00:41:21,967 --> 00:41:23,467
goes on.

1541
00:41:23,467 --> 00:41:25,633
It's all good.

1542
00:41:25,633 --> 00:41:28,533
>> My sensational six, the race

1543
00:41:28,533 --> 00:41:30,200
to become America's next drag

1544
00:41:30,200 --> 00:41:33,633
superstar is still wide open.

1545
00:41:33,633 --> 00:41:35,300
Now remember, if you can't love

1546
00:41:35,367 --> 00:41:37,333
yourself, how in the hell you

1547
00:41:37,333 --> 00:41:38,367
gonna love somebody else?

1548
00:41:38,367 --> 00:41:39,633
Can I get an amen up in here?

1549
00:41:39,633 --> 00:41:40,833
>> Amen!

1550
00:41:40,833 --> 00:41:42,067
>> All right, now let the music

1551
00:41:42,067 --> 00:41:43,067
play.

1552
00:41:43,067 --> 00:41:44,400
>> * This is the beginning

1553
00:41:44,400 --> 00:41:46,433
of the rest of your life *

1554
00:41:46,433 --> 00:41:51,633
>> [music plays]

1555
00:41:51,633 --> 00:41:53,733
>> * D-d-d-do it right

1556
00:41:53,733 --> 00:41:55,700
This is the beginning

1557
00:41:55,700 --> 00:41:57,067
The beginning

1558
00:41:57,067 --> 00:41:59,067
This is the beginning

1559
00:41:59,067 --> 00:42:02,067
Of the rest of your life *