1 00:00:02,667 --> 00:00:03,667 >> PREVIOUSLY ON RUPAUL'S DRAG 2 00:00:03,667 --> 00:00:04,333 RACE.... 3 00:00:04,333 --> 00:00:05,500 YOU'LL BE LAUNCHING YOUR VERY 4 00:00:05,500 --> 00:00:07,433 OWN DRAGAZINE. 5 00:00:07,500 --> 00:00:09,033 >> SEX SELLS, PEOPLE, SEX 6 00:00:09,033 --> 00:00:10,033 SELLS. 7 00:00:10,033 --> 00:00:10,900 >> HA HA. 8 00:00:10,900 --> 00:00:12,400 I'M A SUCCESSFUL DRAG QUEEN. 9 00:00:12,400 --> 00:00:14,267 I'M NOT LIKE SOME CLUB QUEEN 10 00:00:14,267 --> 00:00:16,067 WHO HAS TO SHOW FOR A DOLLAR. 11 00:00:16,067 --> 00:00:17,533 >> YOU HAVE TO SPOT ME. 12 00:00:17,533 --> 00:00:18,700 >> THAT LOOKS LIKE A MAN. 13 00:00:18,700 --> 00:00:19,933 I LOOK LIKE SHARON IN THAT ONE. 14 00:00:19,933 --> 00:00:20,933 >> OUCH. 15 00:00:20,933 --> 00:00:23,500 >> YOUR DRAGAZINE COVER IS 16 00:00:23,500 --> 00:00:25,167 POSSIBLY THE WORST ONE. 17 00:00:25,167 --> 00:00:26,433 I HATE THE FONT. 18 00:00:26,433 --> 00:00:27,333 >> ME TOO. 19 00:00:27,333 --> 00:00:28,833 >> THE EYES SCARE ME. 20 00:00:28,833 --> 00:00:30,233 >> THEY'RE MY TRADEMARK. 21 00:00:30,233 --> 00:00:32,100 >> IT CREEPS ME OUT. 22 00:00:32,100 --> 00:00:33,733 >> PHI PHI O'HARA, YOU ARE 23 00:00:33,733 --> 00:00:34,533 THE WINNER OF THIS WEEK'S 24 00:00:34,533 --> 00:00:35,333 CHALLENGE. 25 00:00:35,333 --> 00:00:37,133 >> [laughs] 26 00:00:37,133 --> 00:00:39,167 AH, FINALLY! 27 00:00:39,167 --> 00:00:42,200 >> WILLAM, SHANTE, YOU STAY. 28 00:00:42,200 --> 00:00:44,567 JIGGLY CALIENTE, MAY I CALL YOU 29 00:00:44,567 --> 00:00:45,300 JIGGLY? 30 00:00:45,300 --> 00:00:46,733 >> YES. 31 00:00:46,733 --> 00:00:49,533 >> SASHAY AWAY. 32 00:00:49,600 --> 00:00:51,967 AND TONIGHT, YOU'LL BE COMPETING 33 00:00:51,967 --> 00:00:55,333 AS A COUPLE...OF FRENEMIES. 34 00:00:55,400 --> 00:00:57,467 THE JIG IS UP. 35 00:00:57,467 --> 00:00:59,700 IF PHI PHI O'HARA WAS THE LAST 36 00:00:59,700 --> 00:01:01,400 LADY-BOY ON EARTH, WOULD YOU 37 00:01:01,400 --> 00:01:03,633 KAI KAI WITH HER? 38 00:01:03,633 --> 00:01:06,067 AND A SHOCKING TWIST... 39 00:01:06,067 --> 00:01:09,200 >> [vomiting] 40 00:01:09,200 --> 00:01:10,467 >> IT'S REALLY NOT CUTE. 41 00:01:10,467 --> 00:01:12,133 >> WITH EXTRA-SPECIAL GUEST 42 00:01:12,133 --> 00:01:14,167 JUDGES PAMELA ANDERSON AND 43 00:01:14,167 --> 00:01:15,700 JENNIFER TILLY. 44 00:01:15,700 --> 00:01:16,600 [cheers and applause] 45 00:01:16,600 --> 00:01:17,367 THE WINNER OF 46 00:01:17,367 --> 00:01:19,433 RUPAUL'S DRAG RACE WILL RECEIVE 47 00:01:19,433 --> 00:01:20,667 A LIFETIME SUPPLY OF NYX 48 00:01:20,667 --> 00:01:23,067 COSMETICS, A ONE-OF-A-KIND TRIP 49 00:01:23,067 --> 00:01:25,433 COURTESY OF ALANDCHUCK.TRAVEL, 50 00:01:25,433 --> 00:01:27,467 HEADLINE LOGO'S DRAG RACE TOUR, 51 00:01:27,467 --> 00:01:29,133 FEATURING ABSOLUT VODKA-- 52 00:01:29,133 --> 00:01:30,533 COCKTAILS PERFECTED-- 53 00:01:30,533 --> 00:01:33,867 AND A CASH PRIZE OF $100,000. 54 00:01:33,867 --> 00:01:36,833 AND MAY THE BEST WOMAN WIN. 55 00:01:36,833 --> 00:01:37,833 [upbeat techno music] 56 00:01:37,833 --> 00:01:39,467 >> * RUPAUL DRAG RACE * 57 00:01:39,467 --> 00:01:40,133 * GENTLEMEN 58 00:01:40,133 --> 00:01:41,867 * START YOUR ENGINES 59 00:01:41,867 --> 00:01:43,267 * RUPAUL DRAG RACE * 60 00:01:43,267 --> 00:01:45,133 * MAY THE BEST WOMAN WIN 61 00:01:45,133 --> 00:01:46,967 * RU-RU-RUPAUL DRAG RACE * 62 00:01:46,967 --> 00:01:47,700 * GENTLEMEN 63 00:01:47,700 --> 00:01:49,167 * START YOUR ENGINES 64 00:01:49,167 --> 00:01:50,633 * RUPAUL DRAG RACE * 65 00:01:50,633 --> 00:01:51,900 * MAY THE BEST WOMAN 66 00:01:51,900 --> 00:01:53,200 * BEST WOMAN WIN 67 00:01:53,200 --> 00:01:54,500 [tires squealing] 68 00:01:57,267 --> 00:02:00,300 >> * JESUS IS A BISCUIT 69 00:02:00,300 --> 00:02:02,300 >> * THAT'LL STOP YOU UP * 70 00:02:02,300 --> 00:02:03,133 >> * HEY 71 00:02:03,133 --> 00:02:05,533 WALKING IN TODAY TO JIGGLY BEING 72 00:02:05,533 --> 00:02:07,633 GONE IS OBVIOUSLY MIND-BOGGLING 73 00:02:07,633 --> 00:02:08,633 'CAUSE THERE'S ONLY SIX PEOPLE 74 00:02:08,633 --> 00:02:09,300 LEFT. 75 00:02:09,300 --> 00:02:11,667 >> [singing] 76 00:02:11,733 --> 00:02:13,633 >> YO, THAT'S A LOT OF LIPSTICK. 77 00:02:13,633 --> 00:02:15,800 >> "TO MY BITCHES, LOVE YOU ALL 78 00:02:15,800 --> 00:02:18,133 TO DEATH, JIGGLY CALIENTE." 79 00:02:18,133 --> 00:02:19,267 AT LEAST THE LIPSTICK'S ON THE 80 00:02:19,267 --> 00:02:20,367 MIRROR AND NOT ON HER TEETH FOR 81 00:02:20,367 --> 00:02:21,233 ONCE. 82 00:02:21,233 --> 00:02:23,833 BYE, GIRL, BYE. 83 00:02:23,833 --> 00:02:24,867 THAT WAS MY FIRST TIME IN THE 84 00:02:24,867 --> 00:02:26,167 BOTTOM TWO. 85 00:02:26,167 --> 00:02:27,567 I WASN'T HAPPY TO BE UP THERE, 86 00:02:27,567 --> 00:02:29,167 AND I KNOW I WAS TRYING TO BE 87 00:02:29,167 --> 00:02:30,233 PRETTY AT LEAST. 88 00:02:30,233 --> 00:02:31,500 >> DID IT HUMBLE YOU? 89 00:02:31,500 --> 00:02:33,833 >> IT DIDN'T ADD ANY HUMILITY TO 90 00:02:33,833 --> 00:02:34,600 ME. 91 00:02:34,600 --> 00:02:37,067 >> HUMBLE PIE IS WHAT WILLAM 92 00:02:37,067 --> 00:02:38,133 SHOULD BE. 93 00:02:38,133 --> 00:02:40,433 IF IT WAS ANYBODY ELSE OTHER 94 00:02:40,433 --> 00:02:41,933 THAN JIGGLY, SHE WOULD HAVE WENT 95 00:02:41,933 --> 00:02:43,133 HOME LAST NIGHT. 96 00:02:43,133 --> 00:02:44,467 >> HERE YOU WERE SO PISSY AND 97 00:02:44,467 --> 00:02:45,567 FUSSY UP THERE, GIRL. 98 00:02:45,567 --> 00:02:46,333 OOH! 99 00:02:46,333 --> 00:02:47,500 >> ANY WAY TO KEEP MY DRESS 100 00:02:47,500 --> 00:02:48,967 MOVING AND TO KEEP ME SPARKLING 101 00:02:48,967 --> 00:02:49,767 A LITTLE BIT. 102 00:02:49,767 --> 00:02:51,167 >> MEW MEW DOESN'T MAKE TALENT, 103 00:02:51,167 --> 00:02:52,633 HONEY. 104 00:02:52,700 --> 00:02:53,967 >> MY LAST PERFORMANCE WASN'T MY 105 00:02:53,967 --> 00:02:55,633 BEST, BUT IT WAS ENOUGH TO KEEP 106 00:02:55,633 --> 00:02:56,233 ME HERE. 107 00:02:56,300 --> 00:02:57,767 >> YOU GIRLS TOLD ME TO TAKE 108 00:02:57,767 --> 00:02:59,200 THOSE DAMN WHITE CONTACTS OUT OF 109 00:02:59,200 --> 00:03:01,067 MY EYES BEFORE RUNWAY, AND I 110 00:03:01,067 --> 00:03:02,067 DIDN'T. 111 00:03:02,067 --> 00:03:03,133 I SAID I WANTED 'EM. 112 00:03:03,133 --> 00:03:04,467 THEY LOOKED PRETTY. 113 00:03:04,467 --> 00:03:05,633 AND THEY TOTALLY GOT ME. 114 00:03:05,633 --> 00:03:06,933 SO NOW I HAVE TO, LIKE, SERVE UP 115 00:03:06,933 --> 00:03:08,633 SOME GIRLY-GIRL NONSENSE. 116 00:03:08,633 --> 00:03:09,367 >> LIKE, CAN YOU LEAVE YOUR 117 00:03:09,367 --> 00:03:11,133 GOTHIC AND YOUR VAMPIRE, LIKE, 118 00:03:11,133 --> 00:03:12,767 THAT TYPE OF LOOK ASIDE, AND 119 00:03:12,767 --> 00:03:13,633 JUST DO, LIKE, GLAMOROUS, 120 00:03:13,633 --> 00:03:14,300 PRETTY? 121 00:03:14,300 --> 00:03:17,200 >> BUT I THINK I AM GLAMOROUS. 122 00:03:17,200 --> 00:03:18,333 CAN I DO A LEMMING LOOK? 123 00:03:18,333 --> 00:03:19,567 SURE, I CAN THROW MYSELF OFF OF 124 00:03:19,567 --> 00:03:20,500 A CLIFF WITH YOU, BUT I DON'T 125 00:03:20,500 --> 00:03:21,400 WANT TO. 126 00:03:21,400 --> 00:03:23,167 >> WELL, CONGRATULATIONS, WHORE. 127 00:03:23,167 --> 00:03:23,833 >> YEAH. 128 00:03:23,833 --> 00:03:24,600 >> PHI PHI. 129 00:03:24,600 --> 00:03:25,633 >> TWO CHALLENGES AGO, I WAS IN 130 00:03:25,633 --> 00:03:27,767 THE BOTTOM THREE, AND NOW I'M IN 131 00:03:27,767 --> 00:03:28,533 THE TOP. 132 00:03:28,533 --> 00:03:29,600 >> SO, PHI PHI, WHAT TOOK YOU 133 00:03:29,600 --> 00:03:30,900 SO LONG? 134 00:03:30,900 --> 00:03:31,833 [alarm wails] 135 00:03:31,833 --> 00:03:32,967 >> OOH! 136 00:03:32,967 --> 00:03:35,467 >> GIRL, YOU'VE GOT SHE-MAIL. 137 00:03:35,467 --> 00:03:38,133 YOU KNOW, THERE ARE TWO THINGS I 138 00:03:38,133 --> 00:03:39,833 DON'T LIKE ABOUT YOU. 139 00:03:39,833 --> 00:03:40,900 WHAT? 140 00:03:40,900 --> 00:03:41,567 YOUR FACE. 141 00:03:41,567 --> 00:03:43,067 [gasps] 142 00:03:43,067 --> 00:03:45,700 LADIES, KEEP YOUR FRIENDS CLOSE 143 00:03:45,700 --> 00:03:48,067 AND YOU FRENEMIES EVEN CLOSER, 144 00:03:48,067 --> 00:03:50,333 'CAUSE IN THIS COMPETITION, EVEN 145 00:03:50,333 --> 00:03:52,367 THE MIRROR HAS TWO FACES. 146 00:03:52,367 --> 00:03:53,967 YEAH, AND ONE OF 'EM IS CRACKED. 147 00:03:53,967 --> 00:03:55,233 SHUT UP! 148 00:03:55,233 --> 00:03:56,433 OH, YOU SHUT UP! 149 00:03:56,433 --> 00:03:57,667 I'M NOT LISTENING TO YOU. 150 00:03:57,667 --> 00:03:58,767 LA LA LA LA LA LA LA. 151 00:03:58,767 --> 00:04:00,200 BITCH, I'LL BE WAITING FOR YOUR 152 00:04:00,200 --> 00:04:01,400 ASS IN THE PARKING LOT. 153 00:04:01,400 --> 00:04:02,167 BITCH. 154 00:04:02,167 --> 00:04:05,600 [laughter] 155 00:04:05,600 --> 00:04:06,967 HELLO, HELLO, HELLO. 156 00:04:06,967 --> 00:04:07,733 >> HI, RU! 157 00:04:07,733 --> 00:04:08,833 >> RUPAUL! 158 00:04:08,833 --> 00:04:10,767 >> LADIES, IN A COMPETITION, 159 00:04:10,767 --> 00:04:11,967 PEOPLE CAN SAY ONE THING TO YOUR 160 00:04:11,967 --> 00:04:14,867 FACE AND THEN TALK SMACK BEHIND 161 00:04:14,867 --> 00:04:15,733 YOUR BACK. 162 00:04:15,733 --> 00:04:18,067 SOMETIMES IT'S HARD TO KNOW WHO 163 00:04:18,067 --> 00:04:19,833 YOUR REAL FRIENDS ARE. 164 00:04:19,833 --> 00:04:21,833 FOR TODAY'S MINI CHALLENGE, I'M 165 00:04:21,833 --> 00:04:23,267 NOT LOOKING FOR A WINNER OR A 166 00:04:23,267 --> 00:04:24,067 LOSER. 167 00:04:24,067 --> 00:04:26,067 I'M LOOKING FOR THE TRUTH, AND 168 00:04:26,067 --> 00:04:27,867 YOU CAN'T HANDLE THE TRUTH, 169 00:04:27,867 --> 00:04:29,300 GIRL. 170 00:04:29,300 --> 00:04:32,600 ONE BY ONE, YOU'LL BE HOOKED TO 171 00:04:32,600 --> 00:04:35,167 A LIE DETECTOR, A LITTLE LADY 172 00:04:35,167 --> 00:04:37,700 GO BY THE NAME OF "POLLY GRAPH." 173 00:04:37,700 --> 00:04:38,833 KNOW HER? 174 00:04:38,833 --> 00:04:40,867 I THOUGHT YOU DID. 175 00:04:40,867 --> 00:04:41,967 >> I'M WORRIED SHE'S GONNA ASK 176 00:04:41,967 --> 00:04:42,733 ME SOME QUESTIONS I DON'T WANT 177 00:04:42,733 --> 00:04:44,133 TO ANSWER. 178 00:04:44,133 --> 00:04:47,067 >> TIME TO SPILL IT, GIRLS. 179 00:04:47,067 --> 00:04:48,667 [laughter] 180 00:04:48,667 --> 00:04:49,667 [suspenseful music] 181 00:04:49,667 --> 00:04:53,767 * 182 00:04:53,767 --> 00:04:55,667 WELCOME, DARLING. 183 00:04:55,667 --> 00:04:57,500 NOW, I'M GOING TO ASK YOU A 184 00:04:57,500 --> 00:04:58,867 SERIES OF QUESTIONS. 185 00:04:58,867 --> 00:05:00,933 YOU ANSWER EACH WITH A SIMPLE 186 00:05:00,933 --> 00:05:02,800 YES OR A NO. 187 00:05:02,800 --> 00:05:03,800 IS THAT CLEAR? 188 00:05:03,800 --> 00:05:05,067 >> YES. 189 00:05:05,067 --> 00:05:06,933 >> JOHN, ARE YOU ALL SET? 190 00:05:06,933 --> 00:05:08,300 >> I AM. 191 00:05:08,300 --> 00:05:10,933 >> ARE YOU NOW OR HAVE YOU EVER 192 00:05:10,933 --> 00:05:13,500 BEEN A BIOLOGICAL WOMAN? 193 00:05:13,500 --> 00:05:16,267 >> NO. 194 00:05:16,267 --> 00:05:18,233 >> HAVE YOU EVER WORN WOMEN'S 195 00:05:18,233 --> 00:05:19,267 CLOTHING? 196 00:05:19,267 --> 00:05:21,200 >> YES. 197 00:05:21,200 --> 00:05:23,367 >> DO YOU SLEEP IN THE NUDE? 198 00:05:23,367 --> 00:05:25,200 >> NO. 199 00:05:25,200 --> 00:05:28,067 >> JUST AS I SUSPECTED. 200 00:05:28,067 --> 00:05:30,067 >> IF SHARON NEEDLES WERE THE 201 00:05:30,067 --> 00:05:32,567 LAST LADY BOY ON EARTH, WOULD 202 00:05:32,567 --> 00:05:33,900 YOU KAI KAI WITH HER? 203 00:05:33,900 --> 00:05:35,633 >> NO. 204 00:05:35,633 --> 00:05:37,967 >> IF PHI PHI O'HARA WAS THE 205 00:05:37,967 --> 00:05:39,967 LAST LADY BOY ON EARTH, WOULD 206 00:05:39,967 --> 00:05:41,900 YOU KAI KAI WITH HER? 207 00:05:41,900 --> 00:05:44,467 >> YES. 208 00:05:44,467 --> 00:05:46,667 >> IF WILLAM WERE THE LAST LADY 209 00:05:46,667 --> 00:05:49,200 BOY ON EARTH, WOULD YOU KAI KAI 210 00:05:49,200 --> 00:05:49,933 WITH HER? 211 00:05:49,933 --> 00:05:50,633 >> NO. 212 00:05:50,633 --> 00:05:53,400 >> IF LATRICE WERE THE LAST LADY 213 00:05:53,400 --> 00:05:55,767 BOY ON EARTH, WOULD YOU KAI KAI 214 00:05:55,767 --> 00:05:56,500 WITH HER? 215 00:05:56,500 --> 00:05:57,667 >> YES. 216 00:05:57,667 --> 00:05:58,400 >> YES. 217 00:05:58,400 --> 00:06:01,233 >> YES. 218 00:06:01,233 --> 00:06:02,067 >> INTERESTING. 219 00:06:02,067 --> 00:06:03,967 [beeping] 220 00:06:03,967 --> 00:06:06,133 DO YOU THINK WILLAM IS PRETTIER 221 00:06:06,133 --> 00:06:06,833 THAN YOU? 222 00:06:06,833 --> 00:06:07,867 >> YES. 223 00:06:07,867 --> 00:06:09,600 >> NO. 224 00:06:09,600 --> 00:06:11,133 >> NO. 225 00:06:11,133 --> 00:06:12,700 >> HAVE YOU EVER TALKED SHADE 226 00:06:12,700 --> 00:06:14,667 BEHIND CHAD MICHAELS' BACK? 227 00:06:14,667 --> 00:06:16,333 >> NO. 228 00:06:16,333 --> 00:06:19,133 >> DO YOU THINK YOU COULD WIN A 229 00:06:19,133 --> 00:06:20,833 LIP-SYNC FOR YOUR LIFE AGAINST 230 00:06:20,833 --> 00:06:22,367 SHARON NEEDLES? 231 00:06:22,367 --> 00:06:23,833 >> YES. 232 00:06:23,833 --> 00:06:25,767 >> HAVE YOU EVER LIED ABOUT YOUR 233 00:06:25,767 --> 00:06:26,800 AGE? 234 00:06:26,800 --> 00:06:28,833 >> YES. 235 00:06:28,833 --> 00:06:30,867 >> FASCINATING. 236 00:06:30,867 --> 00:06:32,667 >> DO YOU THINK WILLAM IS 237 00:06:32,667 --> 00:06:33,367 ANNOYING? 238 00:06:33,367 --> 00:06:34,900 >> YES. 239 00:06:34,900 --> 00:06:36,133 >> HAVE YOU EVER LOOKED AT THE 240 00:06:36,133 --> 00:06:37,467 PIT CREW WITH LUST IN YOUR 241 00:06:37,467 --> 00:06:38,133 HEART? 242 00:06:38,133 --> 00:06:38,800 >> NO. 243 00:06:38,800 --> 00:06:39,467 >> NO. 244 00:06:39,467 --> 00:06:41,233 >> YES. 245 00:06:41,233 --> 00:06:43,333 >> DO YOU LIKE MY LINE OF IRON 246 00:06:43,333 --> 00:06:44,133 FIST SHOES? 247 00:06:44,133 --> 00:06:45,067 >> YES. 248 00:06:45,067 --> 00:06:45,667 >> YES. 249 00:06:45,667 --> 00:06:46,367 >> YES. 250 00:06:46,367 --> 00:06:48,833 >> YES. 251 00:06:48,833 --> 00:06:50,700 >> LAST QUESTION. 252 00:06:50,700 --> 00:06:53,700 ARE YOU THE FUTURE OF DRAG? 253 00:06:53,700 --> 00:06:54,500 >> YES. 254 00:06:54,500 --> 00:06:55,633 >> YES. 255 00:06:55,633 --> 00:06:58,433 >> YES. 256 00:06:58,433 --> 00:07:00,400 >> YOUR QUESTIONING IS OVER. 257 00:07:00,400 --> 00:07:02,400 I WILL SUPPLY THE FBI WITH A 258 00:07:02,400 --> 00:07:04,600 COPY OF YOUR TRANSCRIPTS. 259 00:07:04,600 --> 00:07:05,600 [dramatic music] 260 00:07:05,600 --> 00:07:07,833 ** 261 00:07:07,833 --> 00:07:10,367 LADIES, THE RESULTS ARE IN. 262 00:07:10,367 --> 00:07:12,433 IN ADDITION TO THE TRUTH, YOUR 263 00:07:12,433 --> 00:07:14,600 ANSWERS REVEALED TO ME A LOT 264 00:07:14,600 --> 00:07:16,067 ABOUT YOUR DIFFERENT PERSONALITY 265 00:07:16,067 --> 00:07:17,433 TYPES. 266 00:07:17,433 --> 00:07:18,500 NOW, I'VE ARRANGED YOU IN TWO 267 00:07:18,500 --> 00:07:19,167 LINES. 268 00:07:19,167 --> 00:07:21,200 LOOK AT THE QUEEN DIRECTLY 269 00:07:21,200 --> 00:07:23,300 ACROSS FROM YOU. 270 00:07:23,300 --> 00:07:25,067 THAT'S THE PERSON YOU HAVE THE 271 00:07:25,067 --> 00:07:28,067 LEAST IN COMMON WITH, SOMEONE 272 00:07:28,067 --> 00:07:29,767 YOU MIGHT NOT EVEN LIKE VERY 273 00:07:29,767 --> 00:07:32,500 MUCH, BUT THAT QUEEN POSSESSES 274 00:07:32,500 --> 00:07:34,167 SKILLS AND TRAITS YOU DON'T 275 00:07:34,167 --> 00:07:37,400 HAVE, AND IN A CRISIS, SHE COULD 276 00:07:37,400 --> 00:07:38,900 SAVE YOUR ASS. 277 00:07:38,900 --> 00:07:40,333 THAT MEANS, DIDA RITZ, YOU'RE 278 00:07:40,333 --> 00:07:42,433 PAIRED WITH CHAD MICHAELS. 279 00:07:42,433 --> 00:07:44,133 WILLAM, YOU'RE PAIRED WITH 280 00:07:44,133 --> 00:07:45,533 LATRICE ROYALE. 281 00:07:45,533 --> 00:07:47,933 >> OH, EVIL. 282 00:07:47,933 --> 00:07:49,933 >> PHI PHI O'HARA, YOU'RE PAIRED 283 00:07:49,933 --> 00:07:51,433 WITH SHARON NEEDLES. 284 00:07:51,433 --> 00:07:54,400 >> PARTY CITY. 285 00:07:54,400 --> 00:07:56,833 >> BUSTED SHOWGIRL. 286 00:07:56,833 --> 00:07:58,067 >> FOR THIS WEEK'S MAIN 287 00:07:58,067 --> 00:07:59,367 CHALLENGE, YOU NEED TO PUT 288 00:07:59,367 --> 00:08:01,233 TOGETHER A NIGHTCLUB ACT 289 00:08:01,233 --> 00:08:04,933 SPONSORED BY NYX COSMETICS, AND 290 00:08:04,933 --> 00:08:06,800 YOU'LL BE COMPETING AS A 291 00:08:06,800 --> 00:08:09,267 COUPLE...OF FRENEMIES. 292 00:08:09,267 --> 00:08:11,300 NOW, EACH PAIR WILL CREATE 293 00:08:11,300 --> 00:08:12,933 COSTUMES, CHOREOGRAPHY, AND 294 00:08:12,933 --> 00:08:15,133 SPECIALTY LYRICS TO THE ORIGINAL 295 00:08:15,133 --> 00:08:17,067 SONG, BETTER THAN YOU. 296 00:08:17,067 --> 00:08:18,800 OH, AND TOMORROW ON THE MAIN 297 00:08:18,800 --> 00:08:20,700 STAGE, YOU'LL BE SINGING IT 298 00:08:20,700 --> 00:08:22,200 LIVE... 299 00:08:22,200 --> 00:08:23,133 >> WHAT? 300 00:08:23,133 --> 00:08:24,467 [laughs] WHAT? 301 00:08:24,467 --> 00:08:26,067 >> NO LIP-SYNCING. 302 00:08:26,067 --> 00:08:27,967 >> I DON'T SING LIVE, BOO-BOO. 303 00:08:27,967 --> 00:08:29,233 THERE'S A REASON WHY I 304 00:08:29,233 --> 00:08:30,133 LIP-SYNC. 305 00:08:30,133 --> 00:08:31,533 >> IN THE TRADITION OF FAMOUS 306 00:08:31,533 --> 00:08:33,800 FRENEMIES LIKE JOAN CRAWFORD AND 307 00:08:33,800 --> 00:08:36,133 BETTE DAVIS, TIME TO MAKE NICE, 308 00:08:36,133 --> 00:08:38,300 GIRLS, OR JUST FAKE IT, 309 00:08:38,300 --> 00:08:40,933 YOU KNOW, LIKE I'M ALWAYS DOING. 310 00:08:40,933 --> 00:08:43,067 [laughter] 311 00:08:43,067 --> 00:08:45,767 GENTLEMEN, START YOUR ENGINES, 312 00:08:45,767 --> 00:08:48,833 AND MAY THE BEST WOMAN WIN. 313 00:08:48,833 --> 00:08:49,533 SEE YA. 314 00:08:49,533 --> 00:08:50,200 [laughs] 315 00:08:50,200 --> 00:08:50,867 >> BYE, RU. 316 00:08:50,867 --> 00:08:51,533 >> BYE. 317 00:08:51,533 --> 00:08:53,533 >> O-M-G. 318 00:08:56,400 --> 00:08:57,767 >> HAVE YOU LISTENED TO IT YET? 319 00:08:57,767 --> 00:08:59,067 >> NO. 320 00:08:59,067 --> 00:09:00,367 >> IT SEEMS LIKE THE MINDSET 321 00:09:00,367 --> 00:09:01,667 AMONGST THE QUEENS IS THAT 322 00:09:01,667 --> 00:09:02,833 YOU'RE ONLY AS GOOD AS YOUR LAST 323 00:09:02,833 --> 00:09:05,133 PERFORMANCE, BUT I'M A SINGER, 324 00:09:05,133 --> 00:09:07,500 I HAVE A BAND, AND I PLAN TO WIN 325 00:09:07,500 --> 00:09:08,567 THIS CHALLENGE, AND I WANT TO 326 00:09:08,567 --> 00:09:09,900 PROVE THAT I'M NOT JUST SOME 327 00:09:09,900 --> 00:09:11,633 LIP-SYNCING QUEEN. 328 00:09:11,633 --> 00:09:12,767 I THINK IT'S KIND OF NATURAL 329 00:09:12,767 --> 00:09:14,400 TOO, BECAUSE MY VOICE IS 330 00:09:14,400 --> 00:09:15,500 PROBABLY AN OCTAVE HIGHER THAN 331 00:09:15,500 --> 00:09:17,467 YOURS, SO IT'LL SOUND GOOD. 332 00:09:17,467 --> 00:09:19,133 * AT LEAST MY DRESSES 333 00:09:19,133 --> 00:09:20,967 *DON'T MAKE 'EM BLIND * 334 00:09:20,967 --> 00:09:22,367 *I DO * 335 00:09:22,367 --> 00:09:23,867 >> [laughs] 336 00:09:23,867 --> 00:09:26,533 OKAY. 337 00:09:26,533 --> 00:09:27,667 >> WHY DON'T WE DO, LIKE, THE 338 00:09:27,667 --> 00:09:31,333 ELPHABA--LIKE, A WICKED THING. 339 00:09:31,333 --> 00:09:33,433 >> OOH, I LIKE DEVIL AND ANGEL. 340 00:09:33,433 --> 00:09:34,900 IT'S BETTER, AND IT'S HOW PEOPLE 341 00:09:34,900 --> 00:09:37,067 SEE US. 342 00:09:37,067 --> 00:09:38,233 >> I'M NOT SURE HOW PHI PHI AND 343 00:09:38,233 --> 00:09:39,867 SHARON ARE GONNA WORK TOGETHER. 344 00:09:39,933 --> 00:09:41,667 THEY'RE THE MOST OPPOSITE, 345 00:09:41,667 --> 00:09:43,567 AND THEY'VE ALSO HAD A LITTLE 346 00:09:43,567 --> 00:09:44,500 TIFF. 347 00:09:44,500 --> 00:09:46,067 SHOULD WE REWIND THAT BACK? 348 00:09:46,133 --> 00:09:47,133 >> TIRED-ASS SHOWGIRL. 349 00:09:47,133 --> 00:09:47,733 FUCK YOU. 350 00:09:47,733 --> 00:09:48,433 >> "TIRED-ASS SHOWGIRL"? 351 00:09:48,433 --> 00:09:49,133 AT LEAST I AM A SHOWGIRL, 352 00:09:49,133 --> 00:09:49,933 BITCH! 353 00:09:49,933 --> 00:09:50,933 GO BACK TO PARTY CITY, WHERE YOU 354 00:09:50,933 --> 00:09:52,633 BELONG! 355 00:09:52,633 --> 00:09:54,267 >> IF THE CHEMISTRY'S NOT THERE, 356 00:09:54,267 --> 00:09:56,367 THEN IT SHOWS THROUGH ON STAGE. 357 00:09:56,367 --> 00:09:57,233 >> OKAY. 358 00:09:57,233 --> 00:09:58,067 >> WE CAN PLAY OFF THAT 359 00:09:58,067 --> 00:09:59,600 SHOWGIRL/PARTY CITY THING. 360 00:09:59,600 --> 00:10:00,633 >> WE CAN JUST MAKE IT PARTY 361 00:10:00,633 --> 00:10:03,700 CITY/BUSTED SHOWGIRL, AS WHO YOU 362 00:10:03,700 --> 00:10:05,700 ARE. 363 00:10:08,367 --> 00:10:09,767 >> THE ONLY THING I'M REALLY 364 00:10:09,767 --> 00:10:11,100 NERVOUS ABOUT ON THIS CHALLENGE 365 00:10:11,167 --> 00:10:13,167 IS, I CAN'T STAND SHARON, AND 366 00:10:13,167 --> 00:10:14,500 THAT PROBABLY WON'T CHANGE. 367 00:10:14,567 --> 00:10:15,467 >> DO YOU WANT TO CALL ME 368 00:10:15,467 --> 00:10:18,367 POST-MORTEM GLAM OR PARTY CITY 369 00:10:18,367 --> 00:10:19,100 SPOOK? 370 00:10:19,100 --> 00:10:20,233 >> I THINK PARTY CITY SPOOK IS 371 00:10:20,233 --> 00:10:21,700 GOOD, 'CAUSE I DON'T WANT TO 372 00:10:21,700 --> 00:10:25,367 CALL YOU GLAMOROUS. 373 00:10:25,367 --> 00:10:27,200 >> I WOULDN'T CONSIDER PHI PHI A 374 00:10:27,200 --> 00:10:28,033 FRENEMY. 375 00:10:28,100 --> 00:10:30,400 I'D CONSIDER HER AN ENEMY. 376 00:10:30,400 --> 00:10:33,833 >> AND THAT'S IT. 377 00:10:33,833 --> 00:10:34,767 >> COMING UP... 378 00:10:34,767 --> 00:10:36,467 >> I'M GONNA HELP GROUND WILLAM 379 00:10:36,467 --> 00:10:37,333 A LITTLE BIT MORE. 380 00:10:37,333 --> 00:10:38,333 >> OH, I'M GONNA TURN HER OUT. 381 00:10:38,333 --> 00:10:39,100 SHE'S GONNA BE A WHORE. 382 00:10:39,100 --> 00:10:40,333 >> OH, DEAR. 383 00:10:40,333 --> 00:10:41,333 >> * MY HEELS 384 00:10:41,333 --> 00:10:42,767 * ALWAYS HEIGHTEN THE MOOD 385 00:10:42,767 --> 00:10:43,433 >> [off-key shouting] 386 00:10:43,433 --> 00:10:46,000 *MY BALLOONS HAVE ATTITUDE * 387 00:10:46,000 --> 00:10:47,000 >> [laughs] 388 00:10:49,667 --> 00:10:51,500 >> [laughs] 389 00:10:51,500 --> 00:10:52,500 [upbeat music] 390 00:10:52,500 --> 00:10:54,400 * 391 00:10:54,400 --> 00:10:55,600 >> * I WEAR HEELS 392 00:10:55,600 --> 00:10:57,300 * THAT HEIGHTEN THE MOOD 393 00:10:57,300 --> 00:10:58,900 >> * I DO IT SO MUCH BETTER 394 00:10:58,900 --> 00:11:00,500 >> * I DO IT SO MUCH BETTER 395 00:11:00,500 --> 00:11:01,633 >> * I DO IT SO MUCH 396 00:11:01,633 --> 00:11:02,500 >> * I DO IT SO MUCH 397 00:11:02,500 --> 00:11:03,533 >> * I DO IT MUCH BETTER 398 00:11:03,533 --> 00:11:04,600 * THAN YOU 399 00:11:04,600 --> 00:11:06,267 SHIT. 400 00:11:06,333 --> 00:11:08,067 >> THIS CHALLENGE IS SO TOUGH 401 00:11:08,067 --> 00:11:09,200 BECAUSE WE BASICALLY HAVE TO 402 00:11:09,200 --> 00:11:11,133 CREATE A NIGHTCLUB ACT, 403 00:11:11,133 --> 00:11:12,767 AND WE'RE SINGING IT LIVE. 404 00:11:12,833 --> 00:11:14,367 * I DO IT SO MUCH BETTER 405 00:11:14,367 --> 00:11:15,533 >> * I DO IT SO MUCH 406 00:11:15,533 --> 00:11:16,533 >> * I DO IT SO MUCH 407 00:11:16,533 --> 00:11:17,300 >> * I DO IT SO MUCH 408 00:11:17,300 --> 00:11:18,233 >> * I DO IT SO MUCH 409 00:11:18,300 --> 00:11:19,933 >> NEITHER DIDA NOR MYSELF SING, 410 00:11:19,933 --> 00:11:22,233 AND IT WAS HARD. 411 00:11:22,300 --> 00:11:25,433 >> both: * I DO 412 00:11:25,433 --> 00:11:28,200 >> WE SOUND LIKE TWO SICK CATS. 413 00:11:28,200 --> 00:11:29,367 >> HELLO, HELLO, HELLO. 414 00:11:29,367 --> 00:11:30,133 >> HELLO. 415 00:11:30,133 --> 00:11:30,800 >> HI. 416 00:11:30,800 --> 00:11:31,467 >> HI, RU. 417 00:11:31,467 --> 00:11:33,667 >> CHAD MICHAELS AND DIDA RITZ. 418 00:11:33,667 --> 00:11:34,733 SO WHAT'S YOUR PLAN? 419 00:11:34,733 --> 00:11:36,467 >> WELL, OUR PLAN IS A CLASSIC 420 00:11:36,467 --> 00:11:38,567 SISTER ACT, TRULY READING EACH 421 00:11:38,567 --> 00:11:40,067 OTHER DOWN THE RUNWAY. 422 00:11:40,067 --> 00:11:41,767 >> LISTEN, THERE ARE TWO OTHER 423 00:11:41,767 --> 00:11:43,133 TEAMS, AND YOU'VE GOT TO HAVE 424 00:11:43,133 --> 00:11:44,367 SOMETHING THAT'S GONNA STAND 425 00:11:44,367 --> 00:11:45,367 OUT. 426 00:11:45,367 --> 00:11:46,933 DIDA, WHAT DO YOU THINK THAT 427 00:11:46,933 --> 00:11:48,800 CHAD HAS THAT YOU DON'T HAVE? 428 00:11:48,800 --> 00:11:49,900 >> I HAVE A BIT MORE OF A KIND 429 00:11:49,900 --> 00:11:51,833 OF YOUNGER, AROUND THE WAY TYPE 430 00:11:51,833 --> 00:11:53,567 OF LOOK WITH MY DRAG. 431 00:11:53,567 --> 00:11:54,667 >> CHAD, WHAT ABOUT YOU? 432 00:11:54,667 --> 00:11:55,667 WHAT DO YOU THINK THAT DIDA HAS 433 00:11:55,667 --> 00:11:57,400 THAT YOU DON'T? 434 00:11:57,400 --> 00:11:58,767 >> SHE'S NOT AFRAID TO, YOU 435 00:11:58,767 --> 00:12:00,167 KNOW, FALL ON HER FACE OR TO 436 00:12:00,167 --> 00:12:01,433 FAIL. 437 00:12:01,433 --> 00:12:03,267 >> I WANT TO BE SURPRISED, I 438 00:12:03,267 --> 00:12:04,333 WANT TO BE ENTERTAINED. 439 00:12:04,333 --> 00:12:05,700 TRUST ME, THEY'RE COMING FOR 440 00:12:05,700 --> 00:12:06,500 YOU. 441 00:12:06,500 --> 00:12:07,167 >> THANKS, RUPAUL. 442 00:12:07,167 --> 00:12:07,833 >> ALL RIGHT. 443 00:12:07,833 --> 00:12:09,300 >> THANK YOU. 444 00:12:09,300 --> 00:12:10,867 >> SHARON NEEDLES, PHI PHI 445 00:12:10,867 --> 00:12:12,333 O'HARA, HOW'S IT GOING? 446 00:12:12,333 --> 00:12:13,467 >> I'VE BEEN WORKING WITH MY 447 00:12:13,467 --> 00:12:14,200 FRENEMY. 448 00:12:14,200 --> 00:12:15,400 I GUESS IT'S GOING OKAY. 449 00:12:15,400 --> 00:12:16,467 >> WHY DO YOU THINK YOU TWO WERE 450 00:12:16,467 --> 00:12:17,600 PAIRED UP? 451 00:12:17,600 --> 00:12:18,933 >> WE KIND OF HATE EACH OTHER. 452 00:12:18,933 --> 00:12:20,200 >> REALLY? 453 00:12:20,200 --> 00:12:21,600 A LOT OF CO-STARS DON'T 454 00:12:21,600 --> 00:12:23,167 PARTICULARLY LIKE EACH OTHER, 455 00:12:23,167 --> 00:12:24,933 BUT SOMEHOW IT CREATES A SORT OF 456 00:12:24,933 --> 00:12:26,600 CHEMISTRY ON-SCREEN THAT 457 00:12:26,600 --> 00:12:27,633 ACTUALLY WORKS. 458 00:12:27,633 --> 00:12:28,833 ARE EITHER OF YOU SINGERS? 459 00:12:28,833 --> 00:12:29,600 >> I AM. 460 00:12:29,600 --> 00:12:30,500 >> YEAH, WE BOTH ARE KIND OF 461 00:12:30,500 --> 00:12:31,167 SINGERS. 462 00:12:31,167 --> 00:12:31,900 >> WOW. 463 00:12:31,900 --> 00:12:33,100 ALL RIGHT, SO DO A LITTLE 464 00:12:33,100 --> 00:12:34,067 PREVIEW ACT FOR ME. 465 00:12:34,067 --> 00:12:35,067 [upbeat music] 466 00:12:35,067 --> 00:12:37,133 ** 467 00:12:37,133 --> 00:12:37,900 OKAY. 468 00:12:37,900 --> 00:12:38,833 >> ALL RIGHT, SO, YOU WANT TO 469 00:12:38,833 --> 00:12:39,800 DO--DO YOU WANT TO PUT OUR 470 00:12:39,800 --> 00:12:41,300 CHOREOGRAPHY WITH IT AS WELL? 471 00:12:41,300 --> 00:12:42,300 >> LET'S SING IT RIGHT NOW. 472 00:12:42,300 --> 00:12:43,167 >> OKAY, OKAY, WE'LL JUST SING 473 00:12:43,167 --> 00:12:44,467 IT, 'CAUSE CHOREOGRAPHY, WE'RE 474 00:12:44,467 --> 00:12:45,700 WORKING ON REAL HARD. 475 00:12:45,700 --> 00:12:46,400 >> OKAY. 476 00:12:46,400 --> 00:12:47,333 >> I'M WHITE, GIRL. 477 00:12:47,333 --> 00:12:48,133 >> OH, DEAR. 478 00:12:48,133 --> 00:12:48,933 >> READY? HERE WE GO. 479 00:12:48,933 --> 00:12:49,767 >> UH-HUH. 480 00:12:49,767 --> 00:12:50,933 >> * MY HEELS 481 00:12:50,933 --> 00:12:52,100 * ALWAYS HEIGHTEN THE MOOD 482 00:12:52,100 --> 00:12:53,100 >> [off-key shouting] 483 00:12:53,100 --> 00:12:57,933 * MY BALLOONS HAVE ATTITUDE 484 00:12:57,933 --> 00:12:58,900 >> * PEOPLE NEVER THINK 485 00:12:58,900 --> 00:12:59,567 * I'M A DUDE * 486 00:12:59,567 --> 00:13:00,300 >> [off-key shouting] 487 00:13:00,300 --> 00:13:01,767 * YOU'RE RIGHT * 488 00:13:01,767 --> 00:13:04,133 >> WOW, WAS THAT HARMONY THERE? 489 00:13:04,133 --> 00:13:05,400 THERE'S A LOT OF STUFF GOING ON 490 00:13:05,400 --> 00:13:06,133 THERE. 491 00:13:06,133 --> 00:13:06,833 >> SHARON REALLY WANTS TO DO 492 00:13:06,833 --> 00:13:08,133 THIS, LIKE, HEAVY METAL VOICE, 493 00:13:08,200 --> 00:13:09,433 AND WE'RE LIKE, OH, HELL NO. 494 00:13:09,433 --> 00:13:10,400 >> I'M GONNA LET YOU GET BACK TO 495 00:13:10,400 --> 00:13:11,167 WORK. 496 00:13:11,233 --> 00:13:12,067 >> OKAY, THANK YOU. 497 00:13:12,067 --> 00:13:12,867 >> GOOD, CAN'T WAIT TO SHOW YOU. 498 00:13:12,867 --> 00:13:14,200 I KNOW I'M GONNA DO A GOOD JOB. 499 00:13:14,200 --> 00:13:15,400 SHARON BETTER NOT FUCK IT UP, 500 00:13:15,400 --> 00:13:17,067 'CAUSE I'M GONNA BE PISSED. 501 00:13:17,067 --> 00:13:18,567 >> WILLAM AND LATRICE. 502 00:13:18,567 --> 00:13:19,433 >> HELLO. 503 00:13:19,433 --> 00:13:20,800 >> DO EITHER OF YOU SING IN YOUR 504 00:13:20,800 --> 00:13:21,767 ACTS? 505 00:13:21,767 --> 00:13:22,933 >> I REGULARLY DO. 506 00:13:22,933 --> 00:13:24,933 MOST OF MY ACT IS WITH A LIVE 507 00:13:24,933 --> 00:13:26,200 BAND. 508 00:13:26,200 --> 00:13:27,800 >> NOW, LATRICE, WHAT DO YOU 509 00:13:27,800 --> 00:13:28,967 THINK WILLAM HAS THAT YOU DON'T 510 00:13:28,967 --> 00:13:30,433 HAVE? 511 00:13:30,433 --> 00:13:31,200 >> WHEN I FIRST MET LITTLE 512 00:13:31,200 --> 00:13:32,600 WILLAM, I WAS NOT FEATURING HER 513 00:13:32,600 --> 00:13:33,900 AT ALL, RIGHT? 514 00:13:33,900 --> 00:13:34,767 SHE WAS NOT THE FEATURE 515 00:13:34,767 --> 00:13:35,500 PRESENTATION. 516 00:13:35,500 --> 00:13:36,867 BUT I'M A QUIET CONFIDENT, WHERE 517 00:13:36,867 --> 00:13:39,133 SHE'S VERY VOCAL ABOUT IT. 518 00:13:39,133 --> 00:13:41,067 >> WHAT DOES LATRICE HAVE THAT 519 00:13:41,067 --> 00:13:41,733 YOU DON'T HAVE? 520 00:13:41,733 --> 00:13:43,133 >> I WOULD LOVE TO HAVE SOME OF 521 00:13:43,133 --> 00:13:44,967 THAT QUIET CONFIDENCE INSTEAD OF 522 00:13:44,967 --> 00:13:46,533 MY CONFIDENCE THAT SOME PEOPLE 523 00:13:46,533 --> 00:13:47,567 MISTAKE FOR COCKINESS. 524 00:13:47,567 --> 00:13:49,167 >> I'M GONNA HELP GROUND WILLAM 525 00:13:49,167 --> 00:13:50,067 A LITTLE BIT MORE. 526 00:13:50,067 --> 00:13:51,167 WE'RE GONNA CALM HER DOWN. 527 00:13:51,167 --> 00:13:52,267 PSS-PSS, PSS-PSS. 528 00:13:52,267 --> 00:13:53,100 >> YEAH. 529 00:13:53,100 --> 00:13:53,933 >> LET YOUR WORK SPEAK FOR 530 00:13:53,933 --> 00:13:55,900 ITSELF. 531 00:13:55,900 --> 00:13:57,667 >> SO WHAT IS THE GIMMICK FOR 532 00:13:57,667 --> 00:13:58,500 YOUR OUTFITS? 533 00:13:58,500 --> 00:13:59,300 >> WE'RE GONNA BE PRETTY IN 534 00:13:59,300 --> 00:14:00,067 PINK. 535 00:14:00,067 --> 00:14:00,700 [laughs] 536 00:14:00,700 --> 00:14:01,467 >> OH, PRETTY IN PINK. 537 00:14:01,467 --> 00:14:02,733 IS THAT ENOUGH OF A GIMMICK? 538 00:14:02,733 --> 00:14:03,900 >> OH, I'M GONNA TURN HER OUT. 539 00:14:03,900 --> 00:14:04,567 >> OH, YEAH? 540 00:14:04,567 --> 00:14:05,367 >> BASICALLY, SHE'S GONNA BE A 541 00:14:05,367 --> 00:14:06,133 WHORE. 542 00:14:06,133 --> 00:14:07,133 >> YOU KIDS HAVE YOUR WORK CUT 543 00:14:07,133 --> 00:14:07,800 OUT FOR YOU. 544 00:14:07,800 --> 00:14:08,600 I'M GONNA LET YOU GET BACK TO 545 00:14:08,600 --> 00:14:09,467 IT. 546 00:14:09,467 --> 00:14:10,133 >> OKEY-DOKE. 547 00:14:10,133 --> 00:14:11,200 >> ALL RIGHT, WONDERFUL. 548 00:14:11,200 --> 00:14:12,133 >> FUCK IT, LET'S JUST DO 549 00:14:12,133 --> 00:14:12,900 WHAT WE WANT TO DO AND DO IT 550 00:14:12,900 --> 00:14:13,633 WELL. 551 00:14:13,633 --> 00:14:15,333 >> [groans] 552 00:14:15,333 --> 00:14:16,533 >> ALL RIGHT, LADIES, GATHER 553 00:14:16,533 --> 00:14:18,133 AROUND. 554 00:14:18,133 --> 00:14:19,900 LATER TODAY, YOU'LL HAVE A 555 00:14:19,900 --> 00:14:21,800 CHANCE TO WORK ON YOUR ACTS WITH 556 00:14:21,800 --> 00:14:23,800 THE COMPOSER OF BETTER THAN YOU, 557 00:14:23,800 --> 00:14:25,433 MY SONGWRITING PARTNER AND 558 00:14:25,433 --> 00:14:27,800 PRODUCER LUCIAN PIANE. 559 00:14:27,800 --> 00:14:28,567 >> VERY COOL. 560 00:14:28,567 --> 00:14:29,967 >> AND TOMORROW ON THE MAIN 561 00:14:29,967 --> 00:14:32,167 STAGE, YOU'LL BE MAKING YOUR NYX 562 00:14:32,167 --> 00:14:34,333 COSMETICS NIGHTCLUB DEBUT IN 563 00:14:34,333 --> 00:14:36,400 FRONT OF OUR EXTRA-SPECIAL GUEST 564 00:14:36,400 --> 00:14:38,467 JUDGES, THE WONDERFUL ACTRESS 565 00:14:38,467 --> 00:14:40,200 AND POKER CHAMPION JENNIFER 566 00:14:40,200 --> 00:14:41,067 TILLY. 567 00:14:41,067 --> 00:14:41,767 >> [gasps] 568 00:14:41,767 --> 00:14:42,533 >> WOW! 569 00:14:42,533 --> 00:14:44,167 >> I LOVE JENNIFER TILLY! 570 00:14:44,167 --> 00:14:46,833 >> ACADEMY AWARD NOMINEE 571 00:14:46,833 --> 00:14:48,067 JENNIFER TILLY. 572 00:14:48,100 --> 00:14:49,433 IT DOESN'T GET BETTER THAN THAT. 573 00:14:49,500 --> 00:14:52,633 >> AND THE ALWAYS FABULOUS 574 00:14:52,633 --> 00:14:54,267 PAMELA ANDERSON WILL BE HERE. 575 00:14:54,267 --> 00:14:55,167 >> SHUT UP! 576 00:14:55,167 --> 00:14:56,100 >> OH, MY GOD! 577 00:14:56,100 --> 00:14:57,833 [laughter] 578 00:14:57,833 --> 00:14:59,100 >> HONEY, I GREW UP WATCHING 579 00:14:59,100 --> 00:15:00,067 PAMELA ANDERSON. 580 00:15:00,067 --> 00:15:00,700 SHE'S SICKENING. 581 00:15:00,700 --> 00:15:02,133 SHE'S THE BLOND BOMBSHELL. 582 00:15:02,133 --> 00:15:05,200 >> AND YOU'LL BE JUDGED AS A 583 00:15:05,200 --> 00:15:06,633 TEAM. 584 00:15:06,633 --> 00:15:08,133 THAT MEANS ONE PAIR WILL BE THE 585 00:15:08,133 --> 00:15:10,500 WINNER AND ONE PAIR WILL HAVE TO 586 00:15:10,500 --> 00:15:13,367 LIP-SYNC FOR THEIR LIVES. 587 00:15:13,367 --> 00:15:14,333 >> WHY? 588 00:15:14,400 --> 00:15:15,900 RUPAUL, WHY ARE YOU DOING THIS 589 00:15:15,900 --> 00:15:17,167 TO US? 590 00:15:17,233 --> 00:15:18,933 >> ALL RIGHT, FRENEMIES. 591 00:15:18,933 --> 00:15:20,667 GOOD LUCK, AND DON'T FUCK IT 592 00:15:20,667 --> 00:15:21,333 UP. 593 00:15:21,333 --> 00:15:22,067 >> THANKS, RU. 594 00:15:22,067 --> 00:15:22,800 >> BYE, RU. 595 00:15:22,800 --> 00:15:23,467 >> BYE, RU. 596 00:15:23,467 --> 00:15:24,833 >> THIS IS CRAZY. 597 00:15:24,833 --> 00:15:25,900 THE FIRST TIME IN HISTORY WE ALL 598 00:15:25,900 --> 00:15:27,167 HAVE TO LIP-SYNC AGAINST EACH 599 00:15:27,167 --> 00:15:27,833 OTHER. 600 00:15:27,833 --> 00:15:28,833 LIKE, THAT COULD BE AN EMOTIONAL 601 00:15:28,833 --> 00:15:30,133 LIP-SYNC. 602 00:15:30,133 --> 00:15:31,333 WHAT DO YOU GUYS THINK ABOUT, 603 00:15:31,333 --> 00:15:32,800 LIKE, HAVING TO LIP-SYNC AGAINST 604 00:15:32,800 --> 00:15:33,833 YOUR TEAMMATE? 605 00:15:33,833 --> 00:15:35,600 >> UH, WELL, THAT'S A WRENCH IN 606 00:15:35,600 --> 00:15:36,667 THE PROGRAM, BUT-- 607 00:15:36,667 --> 00:15:37,667 >> I'M NOT MAKING PLANS TO DO 608 00:15:37,667 --> 00:15:38,467 IT. 609 00:15:38,467 --> 00:15:40,067 >> [laughs] 610 00:15:40,067 --> 00:15:42,167 >> IF WILLAM AND LATRICE GET IN 611 00:15:42,167 --> 00:15:43,733 THE BOTTOM TOGETHER, BYE, 612 00:15:43,733 --> 00:15:44,700 WILLAM. 613 00:15:44,700 --> 00:15:45,933 >> HONEY, 'CAUSE LATRICE KNOW 614 00:15:45,933 --> 00:15:46,667 HOW TO BUCK. 615 00:15:46,667 --> 00:15:47,400 >> GIRL, LATRICE IS GONNA WEAR 616 00:15:47,400 --> 00:15:49,900 HER OUT. 617 00:15:49,900 --> 00:15:51,300 >> PHI PHI'S ROLLING HER EYES 618 00:15:51,300 --> 00:15:52,333 AND TALKING ABOUT ME, AND 619 00:15:52,333 --> 00:15:54,400 EVERYBODY'S SAYING I SUCK, BUT 620 00:15:54,467 --> 00:15:57,200 THEY CAN FUCK THEMSELVES. 621 00:15:57,200 --> 00:15:58,267 >> COMING UP... 622 00:15:58,267 --> 00:15:59,300 >> I WOULD JUST SAY, LIKE, THE 623 00:15:59,300 --> 00:16:00,800 MORE VINDICTIVE YOU CAN BE. 624 00:16:00,800 --> 00:16:02,067 >> OH, WELL, WE'VE GOT THAT 625 00:16:02,067 --> 00:16:03,667 GOING. 626 00:16:03,667 --> 00:16:04,667 >> * THAN YOU 627 00:16:04,667 --> 00:16:08,167 >> * THAN YOU 628 00:16:08,167 --> 00:16:09,300 >> I DON'T WANT TO LOOK LIKE 629 00:16:09,300 --> 00:16:10,400 AN IDIOT. 630 00:16:10,400 --> 00:16:12,467 >> * I DO IT SO MUCH BETTER 631 00:16:12,467 --> 00:16:14,200 >> DON'T CHRISTINA IT OUT. 632 00:16:14,200 --> 00:16:15,633 >> BITCH, SHUT UP. 633 00:16:15,633 --> 00:16:17,133 FUCKING SHIT! 634 00:16:17,133 --> 00:16:18,067 >> [laughs] 635 00:16:20,867 --> 00:16:22,600 >> [laughs] 636 00:16:22,600 --> 00:16:23,600 [upbeat music] 637 00:16:23,600 --> 00:16:24,767 * 638 00:16:24,833 --> 00:16:26,200 >> HI, I'M WILLAM. 639 00:16:26,200 --> 00:16:27,400 >> LATRICE. HOW ARE YOU? 640 00:16:27,400 --> 00:16:28,333 >> HI, NICE TO MEET YOU. 641 00:16:28,333 --> 00:16:29,133 I'M LUCIAN. 642 00:16:29,133 --> 00:16:31,633 >> LUCIAN IS RUPAUL'S PRODUCER. 643 00:16:31,633 --> 00:16:33,133 LIKE, HE'S THE MAN BEHIND THE 644 00:16:33,133 --> 00:16:34,067 MAGIC. 645 00:16:34,067 --> 00:16:35,067 >> SO ARE YOU GUYS READY TO 646 00:16:35,067 --> 00:16:36,167 PERFORM FOR ME, AND THEN WE'LL 647 00:16:36,167 --> 00:16:36,867 TAKE IT FROM THERE? 648 00:16:36,867 --> 00:16:37,933 >> SURE. 649 00:16:37,933 --> 00:16:39,600 >> WE'LL COME OUT TO HERE, DO 650 00:16:39,600 --> 00:16:41,167 THE FIRST LINES. 651 00:16:41,167 --> 00:16:42,567 WE'LL MOVE ON TO THE WHOLE 652 00:16:42,567 --> 00:16:43,533 SHOW, AND THEN ON THE "I'M SO 653 00:16:43,533 --> 00:16:44,433 MUCH BETTER THAN," WE'LL START 654 00:16:44,433 --> 00:16:45,233 WALKING. 655 00:16:45,233 --> 00:16:46,200 >> OH, I THOUGHT-- 656 00:16:46,200 --> 00:16:46,867 >> YOU WALK IN WITH ME. 657 00:16:46,867 --> 00:16:47,567 WHAT, WHAT? 658 00:16:47,567 --> 00:16:48,500 >> YEAH, I THOUGHT WE WERE GONNA 659 00:16:48,500 --> 00:16:49,867 DO OUR LINES AS WE WALK. 660 00:16:49,867 --> 00:16:50,633 >> OH, OKAY, THAT'S EVEN-- 661 00:16:50,633 --> 00:16:51,333 >> 'CAUSE THAT--YEAH. 662 00:16:51,333 --> 00:16:52,067 >> THAT'S FINE. 663 00:16:52,067 --> 00:16:52,800 >> I THINK THAT'S BETTER. 664 00:16:52,800 --> 00:16:53,600 >> OKAY. 665 00:16:53,600 --> 00:16:54,333 >> ARE YOU GUYS READY? 666 00:16:54,333 --> 00:16:55,600 >> WE'RE READY. 667 00:16:55,600 --> 00:16:57,067 >> CUE PLAYBACK. 668 00:16:57,067 --> 00:16:58,067 [upbeat music] 669 00:16:58,067 --> 00:17:00,267 * 670 00:17:00,267 --> 00:17:01,333 >> * I'M LATRICE * 671 00:17:01,333 --> 00:17:02,600 * AND I'M THE WHOLE SHOW * 672 00:17:02,600 --> 00:17:04,400 >> * UM, IT'S A COMPETITION * 673 00:17:04,400 --> 00:17:06,067 * I THOUGHT YOU'D KNOW * 674 00:17:06,067 --> 00:17:07,533 >> * I'M LEGENDARY * 675 00:17:07,533 --> 00:17:09,167 >> * MAKEUP ABUSER 676 00:17:09,167 --> 00:17:10,333 >> ALL RIGHT, MAKE SURE YOU SAY, 677 00:17:10,333 --> 00:17:11,667 "I'M A LEGENDARY," AND THEN-- 678 00:17:11,667 --> 00:17:12,667 >> I'M A LEGENDARY. 679 00:17:12,667 --> 00:17:13,733 >> YEAH, JUST MAKE IT CLEAR THAT 680 00:17:13,733 --> 00:17:14,600 YOU'RE BEING INTERRUPTED. 681 00:17:14,600 --> 00:17:15,800 >> OKAY, GOT YOU. 682 00:17:15,800 --> 00:17:17,067 >> * I'M A LEGENDARY * 683 00:17:17,067 --> 00:17:17,733 >> WAIT. 684 00:17:17,733 --> 00:17:19,133 * 685 00:17:19,133 --> 00:17:20,367 >> * I'M A LEGENDARY * 686 00:17:20,367 --> 00:17:22,133 >> * MAKEUP ABUSER 687 00:17:22,133 --> 00:17:23,700 * BUT I'M THE BEST AT BEING * 688 00:17:23,700 --> 00:17:26,133 >> *NO, YOU'RE A LOSER * 689 00:17:26,133 --> 00:17:27,267 >> * SO 690 00:17:27,267 --> 00:17:28,700 >> * I DO IT SO MUCH BETTER 691 00:17:28,700 --> 00:17:31,200 * THAN 692 00:17:31,200 --> 00:17:33,400 IT'S EVERY MAN FOR THEMSELVES. 693 00:17:33,467 --> 00:17:34,933 IF LATRICE MISSES A LINE, I'M 694 00:17:34,933 --> 00:17:36,533 GONNA STEAMROLL THROUGH IT WITH 695 00:17:36,533 --> 00:17:37,667 MY NEXT LINE. 696 00:17:37,733 --> 00:17:38,400 * 697 00:17:38,400 --> 00:17:39,333 * I DO IT SO MUCH 698 00:17:39,333 --> 00:17:40,133 >> * I DO IT SO MUCH 699 00:17:40,133 --> 00:17:40,933 >> * I DO IT SO MUCH 700 00:17:40,933 --> 00:17:41,800 >> * I DO IT SO MUCH 701 00:17:41,800 --> 00:17:42,933 >> * I DO IT SO MUCH 702 00:17:42,933 --> 00:17:44,467 >> both: * BETTER THAN 703 00:17:44,467 --> 00:17:47,900 * THAN YOU 704 00:17:47,900 --> 00:17:49,933 >> TO BE LATE IS TO BE LEFT. 705 00:17:49,933 --> 00:17:50,833 >> BOOM. 706 00:17:50,833 --> 00:17:51,633 YEAH. 707 00:17:51,633 --> 00:17:52,933 >> I WOULD JUST SAY, LIKE, THE 708 00:17:52,933 --> 00:17:54,833 MORE, LIKE, VINDICTIVE YOU CAN 709 00:17:54,833 --> 00:17:56,067 BE WITH EACH OTHER-- 710 00:17:56,067 --> 00:17:57,200 >> OH, WELL, WE'VE GOT THAT 711 00:17:57,200 --> 00:17:59,367 GOING. 712 00:17:59,367 --> 00:18:01,067 >> * I DO IT SO MUCH BETTER 713 00:18:01,067 --> 00:18:02,700 >> *I DO IT SO MUCH BETTER * 714 00:18:02,700 --> 00:18:04,333 >> * I DO IT SO MUCH BETTER 715 00:18:04,333 --> 00:18:05,967 >> * I DO IT SO MUCH BETTER 716 00:18:05,967 --> 00:18:06,800 >> * I DO IT SO 717 00:18:06,800 --> 00:18:07,667 >> both: * MUCH BETTER 718 00:18:07,667 --> 00:18:08,867 * THAN YOU 719 00:18:08,867 --> 00:18:12,167 * THAN YOU 720 00:18:12,167 --> 00:18:12,900 >> YEAH, YOU ALMOST HAD IT. 721 00:18:12,900 --> 00:18:13,733 I DON'T KNOW WHAT HAPPENED RIGHT 722 00:18:13,733 --> 00:18:14,900 THERE. 723 00:18:14,900 --> 00:18:15,867 >> CAN WE DO IT AGAIN FROM THE 724 00:18:15,867 --> 00:18:17,600 TOP, PLEASE? 725 00:18:17,600 --> 00:18:19,067 >> WILLAM IS SCRAMBLING, AND 726 00:18:19,067 --> 00:18:20,667 SHE'S NOT IN THE RIGHT HEAD 727 00:18:20,667 --> 00:18:21,400 SPACE. 728 00:18:21,400 --> 00:18:23,733 IF EITHER ONE OF US SCREWS UP, 729 00:18:23,733 --> 00:18:25,267 WE'RE BOTH SCREWED. 730 00:18:25,267 --> 00:18:26,067 >> DO YOU HAVE ANY NOTES FOR US, 731 00:18:26,067 --> 00:18:27,200 LIKE, OTHER THAN-- 732 00:18:27,200 --> 00:18:28,133 >> YEAH, YOU GUYS JUST HAVE TO 733 00:18:28,133 --> 00:18:29,567 PRACTICE AND PRACTICE. 734 00:18:29,567 --> 00:18:30,867 >> THANKS. 735 00:18:30,933 --> 00:18:32,567 >> * I DO IT SO MUCH BETTER 736 00:18:32,567 --> 00:18:34,200 >> * I DO IT SO MUCH BETTER 737 00:18:34,200 --> 00:18:35,167 >> * MUCH BETTER 738 00:18:35,167 --> 00:18:37,700 >> * SO--BETTER THAN-- 739 00:18:37,700 --> 00:18:39,833 I KNOW THAT, IN HIS HEAD, LUCIAN 740 00:18:39,833 --> 00:18:41,100 IS READING. 741 00:18:41,167 --> 00:18:42,067 HE'S LIKE, THESE BITCHES ARE 742 00:18:42,067 --> 00:18:43,833 FUCKING MY SONG UP RIGHT NOW. 743 00:18:43,833 --> 00:18:45,533 * BETTER THAN YOU 744 00:18:45,533 --> 00:18:47,067 >> A LITTLE ROUGH ON SOME OF THE 745 00:18:47,067 --> 00:18:47,833 CUES THERE. 746 00:18:47,833 --> 00:18:49,567 IF YOU DON'T GET THE LINES 747 00:18:49,567 --> 00:18:51,067 ACROSS AND YOU GUYS ARE JUST 748 00:18:51,067 --> 00:18:52,867 DOING PHYSICAL COMEDY, IT'LL BE 749 00:18:52,867 --> 00:18:53,833 LIKE, WHY DID SHE FALL DOWN ON 750 00:18:53,833 --> 00:18:54,667 THE STAGE? 751 00:18:54,667 --> 00:18:55,533 OR WHY DID THIS HAPPEN? 752 00:18:55,533 --> 00:18:56,633 REALLY CONCENTRATE ON THE LYRICS 753 00:18:56,633 --> 00:18:58,067 AND GETTING THOSE DOWN, AND 754 00:18:58,067 --> 00:18:59,467 THEN, LIKE, HAVE FUN. 755 00:18:59,467 --> 00:19:00,700 >> THERE'S A CERTAIN LEVEL OF 756 00:19:00,700 --> 00:19:02,667 EXPECTATION FOR ME BECAUSE I'VE 757 00:19:02,667 --> 00:19:03,667 BEEN IN THE BUSINESS FOR 20 758 00:19:03,667 --> 00:19:04,400 YEARS. 759 00:19:04,467 --> 00:19:05,933 I DON'T WANT TO LOOK LIKE AN 760 00:19:05,933 --> 00:19:07,900 IDIOT IN FRONT OF AMERICA. 761 00:19:07,967 --> 00:19:09,067 >> CUE PLAYBACK. 762 00:19:09,067 --> 00:19:10,867 >> * CHEESECAKE, FAKE IT 763 00:19:10,867 --> 00:19:12,467 * PLEASE DON'T BREAK IT * 764 00:19:12,467 --> 00:19:13,633 >> * I'M A LEGENDARY * 765 00:19:13,633 --> 00:19:14,333 >> WAIT. 766 00:19:14,333 --> 00:19:15,067 READY? 767 00:19:15,067 --> 00:19:16,800 >> * I'M A LEGENDARY * 768 00:19:16,800 --> 00:19:18,333 >> * MAKEUP ABUSER 769 00:19:18,333 --> 00:19:20,067 >> CHAD AND DIDA SEEMED A LITTLE 770 00:19:20,067 --> 00:19:21,267 LESS PREPARED. 771 00:19:21,267 --> 00:19:22,900 THEY STRUGGLED A LITTLE BIT WITH 772 00:19:22,900 --> 00:19:26,067 THE TIMING OF THE LYRICS. 773 00:19:26,067 --> 00:19:28,400 >> * A LOSER 774 00:19:28,400 --> 00:19:29,700 >> OKAY, OKAY. 775 00:19:29,700 --> 00:19:30,967 IN A PERFORMANCE LIKE THIS, YOU 776 00:19:30,967 --> 00:19:32,200 GUYS HAVE REALLY GOT TO, LIKE, 777 00:19:32,200 --> 00:19:33,867 STEP IT UP. 778 00:19:33,867 --> 00:19:34,900 >> THE STRESS POINT OF THE 779 00:19:34,900 --> 00:19:36,300 REHEARSAL WAS VOCALIZATION. 780 00:19:36,300 --> 00:19:37,433 YOU THROW THE CHOREOGRAPHY IN 781 00:19:37,433 --> 00:19:38,833 THERE WITH IT, IT'S GETTING A 782 00:19:38,833 --> 00:19:39,900 LITTLE HAIRY. 783 00:19:39,900 --> 00:19:40,833 * THAN YOU 784 00:19:40,833 --> 00:19:44,300 >> * THAN YOU 785 00:19:44,300 --> 00:19:45,500 >> WE HAVE A LITTLE WORK TO DO 786 00:19:45,500 --> 00:19:46,833 HERE. 787 00:19:46,900 --> 00:19:47,900 [upbeat music] 788 00:19:47,900 --> 00:19:49,833 * 789 00:19:49,900 --> 00:19:51,367 >> * I WEAR HEELS 790 00:19:51,367 --> 00:19:53,100 * THAT HEIGHTEN THE MOOD 791 00:19:53,100 --> 00:19:54,533 >> * MY BALLOONS 792 00:19:54,533 --> 00:19:55,900 * HAVE ATTITUDE 793 00:19:55,900 --> 00:19:57,300 >> *I'M A LEGENDARY * 794 00:19:57,300 --> 00:19:59,067 >> * MAKEUP ABUSER 795 00:19:59,067 --> 00:20:00,167 * I DO IT SO MUCH BETTER 796 00:20:00,167 --> 00:20:03,300 >> * I DO IT SO MUCH BETTER 797 00:20:04,633 --> 00:20:06,833 >> YEAH, WE NEED A LITTLE WORK. 798 00:20:06,833 --> 00:20:09,500 UM, UH, I'M A--I GUESS I'M A 799 00:20:09,500 --> 00:20:12,067 LITTLE CONFUSED BY THE OPERA 800 00:20:12,067 --> 00:20:13,167 STUFF. 801 00:20:13,167 --> 00:20:14,133 >> 'CAUSE I'M AN ANGEL, AND I 802 00:20:14,133 --> 00:20:15,200 WANT TO DO LIKE A DISNEY 803 00:20:15,200 --> 00:20:16,467 CHARACTER TYPE OF LOOK. 804 00:20:16,467 --> 00:20:17,933 >> AND I'M A DEVIL. 805 00:20:17,933 --> 00:20:19,667 I'M SUPPOSED TO SCREAM ONE OF MY 806 00:20:19,667 --> 00:20:21,733 "I DO IT SO MUCH BETTER." 807 00:20:21,733 --> 00:20:22,933 >> OKAY. 808 00:20:22,933 --> 00:20:23,667 >> LIKE... 809 00:20:23,667 --> 00:20:25,367 I DO IT SO MUCH BETTER! 810 00:20:25,367 --> 00:20:26,500 >> YEAH, WE'LL SEE. 811 00:20:26,500 --> 00:20:27,900 >> AND THEN BACK TO OUR NORMAL. 812 00:20:27,900 --> 00:20:30,167 >> OH, OKAY. OKAY. 813 00:20:30,167 --> 00:20:31,567 BUT WHY DON'T WE RUN IT AGAIN, 814 00:20:31,567 --> 00:20:32,700 AND YOU--YOU GUYS-- 815 00:20:32,700 --> 00:20:33,900 >> COULD WE JUST SING--JUST DO 816 00:20:33,900 --> 00:20:34,800 IT NORMAL WITH NO GIMMICKS OR 817 00:20:34,800 --> 00:20:36,633 ANYTHING RIGHT NOW? 818 00:20:36,633 --> 00:20:37,633 [upbeat music] 819 00:20:37,633 --> 00:20:39,133 * 820 00:20:39,133 --> 00:20:40,600 >> * I WEAR HEELS 821 00:20:40,600 --> 00:20:42,300 * THAT HEIGHTEN THE MOOD 822 00:20:42,300 --> 00:20:43,633 >> * MY BALLOONS 823 00:20:43,633 --> 00:20:45,533 * HAVE AN ATTITUDE 824 00:20:45,533 --> 00:20:46,833 >> both: * I DO IT 825 00:20:46,833 --> 00:20:48,933 * SO MUCH BETTER THAN YOU 826 00:20:48,933 --> 00:20:51,167 * 827 00:20:51,167 --> 00:20:53,067 >> * I DO IT SO MUCH BETTER 828 00:20:53,067 --> 00:20:54,267 >> * I DO IT SO MUCH BETTER 829 00:20:54,267 --> 00:20:55,167 >> *I DO IT SO MUCH * 830 00:20:55,167 --> 00:20:56,933 >> * I DO IT SO MUCH 831 00:20:56,933 --> 00:20:58,067 >> OKAY, OKAY. 832 00:20:58,067 --> 00:20:59,333 I FEEL LIKE YOU GUYS ARE JUST 833 00:20:59,333 --> 00:21:00,700 TRYING TO SING THIS A LITTLE TOO 834 00:21:00,700 --> 00:21:01,500 MUCH. 835 00:21:01,500 --> 00:21:02,767 THE VOCALS ARE UPSTAGING THE 836 00:21:02,767 --> 00:21:03,567 LYRICS. 837 00:21:03,567 --> 00:21:04,600 YOU DON'T HAVE TO DO THE VOCAL 838 00:21:04,600 --> 00:21:05,967 STUFF A LITTLE BIT. 839 00:21:05,967 --> 00:21:09,333 >> DON'T CHRISTINA IT OUT. 840 00:21:09,400 --> 00:21:12,267 * WHOA-OH-OH-OH 841 00:21:12,267 --> 00:21:13,467 >> BITCH, SHUT UP. 842 00:21:13,533 --> 00:21:14,433 THAT'S FINE. 843 00:21:14,433 --> 00:21:15,600 WE'LL TALK IT. 844 00:21:15,600 --> 00:21:17,200 >> LET'S JUST, LIKE, GO, UH, 845 00:21:17,200 --> 00:21:19,067 THROUGH THE END PART. 846 00:21:19,067 --> 00:21:20,700 >> * I DO IT SO MUCH BETTER 847 00:21:20,700 --> 00:21:21,967 >> * I DO IT SO MUCH BETTER 848 00:21:21,967 --> 00:21:23,100 >> * I DO IT SO MUCH 849 00:21:23,100 --> 00:21:24,067 >> * I DO IT SO MUCH 850 00:21:24,067 --> 00:21:24,800 >> * I DO IT SO MUCH 851 00:21:24,800 --> 00:21:25,833 >> * I DO IT SO MUCH 852 00:21:25,833 --> 00:21:26,867 >> * I DO IT SO MUCH 853 00:21:26,867 --> 00:21:27,700 * BETTER THAN 854 00:21:27,700 --> 00:21:28,733 >> FUCKING SHIT! 855 00:21:28,733 --> 00:21:29,867 >> LET'S TRY THAT AGAIN. 856 00:21:29,867 --> 00:21:31,167 >> * I DO IT SO MUCH BETTER 857 00:21:31,167 --> 00:21:32,800 >> * I DO IT SO MUCH BETTER 858 00:21:32,800 --> 00:21:33,933 >> * I DO IT SO MUCH 859 00:21:33,933 --> 00:21:34,967 >> * I DO IT SO MUCH 860 00:21:34,967 --> 00:21:36,067 >> * I DO IT SO MUCH 861 00:21:36,067 --> 00:21:37,767 >> [groans] 862 00:21:37,767 --> 00:21:39,800 FUCKING SHIT! 863 00:21:39,800 --> 00:21:41,900 SHARON HAS NO RHYTHM, AND IF OUR 864 00:21:41,900 --> 00:21:43,433 RHYTHM IS OFF, THEN THE MUSIC'S 865 00:21:43,433 --> 00:21:44,800 OFF, AND THEN OUR BEATS ARE OFF, 866 00:21:44,800 --> 00:21:45,733 AND THEN IT'S JUST ALL GONNA BE 867 00:21:45,733 --> 00:21:46,733 OFF, AND I'M NOT GONNA BE IN THE 868 00:21:46,733 --> 00:21:48,633 BOTTOM TWO BECAUSE SHARON IS 869 00:21:48,633 --> 00:21:49,533 OFF. 870 00:21:49,533 --> 00:21:51,333 >> IT DOESN'T EVEN FULLY SEEM 871 00:21:51,333 --> 00:21:52,100 LIKE YOU'RE TOTALLY PRESENT 872 00:21:52,100 --> 00:21:52,933 RIGHT NOW. 873 00:21:52,933 --> 00:21:53,767 I DON'T EVEN KNOW WHAT THAT IS. 874 00:21:53,767 --> 00:21:55,233 >> THERE'LL ALWAYS BE TENSION 875 00:21:55,233 --> 00:21:57,433 BETWEEN ME AND PHI PHI. 876 00:21:57,433 --> 00:22:00,167 SHE'S THAT SQUEAKY PRINCESS THAT 877 00:22:00,167 --> 00:22:01,633 JUST NEEDS TO BE WHAPPED OVER 878 00:22:01,633 --> 00:22:03,367 THE HEAD WITH A TWO-BY-FOUR. 879 00:22:03,367 --> 00:22:04,567 >> YOU GUYS HAVE TO BRING YOUR 880 00:22:04,567 --> 00:22:07,300 "A" GAME. 881 00:22:07,367 --> 00:22:08,433 >> COMING UP... 882 00:22:08,433 --> 00:22:09,433 >> YOU GUYS SHOULD HAVE BEEN 883 00:22:09,433 --> 00:22:10,167 FUNNIER. 884 00:22:10,167 --> 00:22:11,467 >> I LOVED THAT YOU WERE TRYING 885 00:22:11,467 --> 00:22:13,167 THE HARMONIES, BUT THEY'RE A 886 00:22:13,167 --> 00:22:14,367 LITTLE BIT OFF. 887 00:22:14,367 --> 00:22:15,933 >> I LOVE THEIR VOICES TOGETHER, 888 00:22:15,933 --> 00:22:17,233 BUT THEN, I'M TONE DEAF. 889 00:22:17,233 --> 00:22:20,067 >> [laughs] 890 00:22:23,100 --> 00:22:24,700 >> [laughs] 891 00:22:24,700 --> 00:22:27,067 * 892 00:22:27,067 --> 00:22:28,233 >> DOWN THE RABBIT HOLE, 893 00:22:28,233 --> 00:22:29,233 DARLING. 894 00:22:29,233 --> 00:22:31,367 >> * I DO IT SO MUCH BETTER 895 00:22:31,367 --> 00:22:32,367 *THAN YOU * 896 00:22:32,367 --> 00:22:33,067 >> NO, YOU DON'T. 897 00:22:33,100 --> 00:22:34,667 >> IT IS SHOWTIME, LADIES AND 898 00:22:34,667 --> 00:22:35,300 GENTLEMEN! 899 00:22:35,367 --> 00:22:38,167 WE HAVE TO PERFORM DUETS. 900 00:22:38,167 --> 00:22:39,433 NOT LIP-SYNCING. 901 00:22:39,433 --> 00:22:41,233 NOT RECORDED IN A STUDIO. 902 00:22:41,233 --> 00:22:43,233 LIVE, BITCHES. 903 00:22:47,167 --> 00:22:48,867 >> DO YOU NOTICE THAT WILLAM IS 904 00:22:48,867 --> 00:22:50,067 LOW ENERGY TODAY? 905 00:22:50,067 --> 00:22:51,467 >> SHE SEEMS REALLY QUIET, GIRL. 906 00:22:51,533 --> 00:22:52,767 >> USUALLY WILLAM HAS THESE 907 00:22:52,767 --> 00:22:54,300 ONE-LINERS THAT SHE JUST SHOOTS 908 00:22:54,300 --> 00:22:56,067 OUT AND THROWS, BUT SHE'S NOT 909 00:22:56,100 --> 00:22:57,733 SPEAKING TO ANYONE AND... 910 00:22:57,733 --> 00:22:59,067 SHE JUST DOESN'T SEEM LIKE 911 00:22:59,067 --> 00:23:01,300 HERSELF. 912 00:23:01,300 --> 00:23:02,333 >> HOW ARE YOU FEELING TODAY? 913 00:23:02,333 --> 00:23:03,100 YOU ALL RIGHT? 914 00:23:03,100 --> 00:23:03,800 >> WHAT? 915 00:23:03,800 --> 00:23:05,200 >> YOU KNOW, YOU FEELIN' OKAY? 916 00:23:05,200 --> 00:23:06,900 >> UM, YEAH. 917 00:23:06,900 --> 00:23:08,633 IT HAS NOTHING TO DO WITH THIS. 918 00:23:08,633 --> 00:23:12,067 >> NOTHIN'? 919 00:23:12,067 --> 00:23:14,433 I'M A LITTLE WORRIED BECAUSE 920 00:23:14,433 --> 00:23:16,800 WE'RE BEING JUDGED AS A COUPLE. 921 00:23:16,800 --> 00:23:19,533 THIS DEFINITELY COULD AFFECT OUR 922 00:23:19,533 --> 00:23:20,500 PERFORMANCE. 923 00:23:20,500 --> 00:23:21,467 I THINK YOU SEEM REALLY 924 00:23:21,467 --> 00:23:22,400 DISTRACTED TODAY. 925 00:23:22,400 --> 00:23:23,333 >> NO, I'M NOT. 926 00:23:23,333 --> 00:23:24,067 I'M FINE. 927 00:23:24,067 --> 00:23:24,867 ONCE--ONCE THE RED LIGHT'S ON, 928 00:23:24,867 --> 00:23:25,600 I'M THERE. 929 00:23:25,600 --> 00:23:26,467 >> OKAY, ALL RIGHT. 930 00:23:26,467 --> 00:23:27,900 >> DON'T WORRY. 931 00:23:27,900 --> 00:23:31,067 >> [clears throat] 932 00:23:31,067 --> 00:23:31,967 >> I'M JUST GONNA HAM IT UP 933 00:23:31,967 --> 00:23:33,400 ONSTAGE. 934 00:23:33,400 --> 00:23:35,333 WHEN RU SAYS, "YOU GUYS ARE THE 935 00:23:35,333 --> 00:23:36,367 WINNER OF THIS CHALLENGE"-- 936 00:23:36,367 --> 00:23:37,833 >> I'LL LIKE YOU PERMANENTLY IF 937 00:23:37,833 --> 00:23:40,167 WE WIN THIS TOGETHER. 938 00:23:40,167 --> 00:23:41,633 >> YEAH, WE FUMBLED YESTERDAY ON 939 00:23:41,700 --> 00:23:43,400 THE RUNWAY, BUT WE UNDERSTAND 940 00:23:43,400 --> 00:23:44,433 THAT THIS IS AN IMPORTANT 941 00:23:44,433 --> 00:23:46,400 CHALLENGE, SO PUT ALL 942 00:23:46,400 --> 00:23:47,067 DIFFERENCES ASIDE. 943 00:23:47,067 --> 00:23:48,067 LET'S WIN THIS CHALLENGE. 944 00:23:48,067 --> 00:23:49,067 OH, MY GOD, YOU'RE A SHOWGIRL 945 00:23:49,067 --> 00:23:49,700 NOW. 946 00:23:49,700 --> 00:23:50,567 >> OH, MY-- 947 00:23:50,567 --> 00:23:51,900 >> YOU'RE LIKE ME! 948 00:23:51,900 --> 00:23:53,200 >> PHI PHI AND SHARON, 949 00:23:53,200 --> 00:23:54,900 SURPRISINGLY, ARE GETTING ALONG. 950 00:23:54,900 --> 00:23:56,633 IS THIS FOR REAL? 951 00:23:56,633 --> 00:23:58,267 >> SHARON IS A SHOWGIRL! 952 00:23:58,267 --> 00:23:59,767 >> I'M JUST TEMPORARILY PLAYING 953 00:23:59,767 --> 00:24:01,533 THE ROLE OF A PHI PHI. 954 00:24:01,533 --> 00:24:03,267 I'M GETTING TO LIKE PHI PHI A 955 00:24:03,267 --> 00:24:04,667 LITTLE MORE, BUT NOW IT'S JUST 956 00:24:04,667 --> 00:24:08,633 UPGRADED TO HATE. 957 00:24:08,700 --> 00:24:10,433 [clatter] 958 00:24:10,433 --> 00:24:11,767 >> WHO IS SLAMMING THE FUCKING 959 00:24:11,767 --> 00:24:13,867 COUNTER WHILE I'M DOING LIQUID? 960 00:24:13,867 --> 00:24:15,700 >> GIRL, THE COUNTER MOVES. 961 00:24:15,700 --> 00:24:17,067 >> NO, SOMEONE JUST SLAMMED 962 00:24:17,067 --> 00:24:18,067 SOMETHING SHUT TWICE. 963 00:24:18,067 --> 00:24:19,067 >> WELL, EVERYONE TIPTOE AROUND 964 00:24:19,067 --> 00:24:20,533 WILLAM'S LIQUID. 965 00:24:20,533 --> 00:24:22,067 >> SHUT THE FUCK UP. 966 00:24:22,067 --> 00:24:23,667 >> * LA LA LA LA LA LA LA 967 00:24:23,667 --> 00:24:25,133 * LATRICE 968 00:24:25,133 --> 00:24:25,967 >> * TRICE 969 00:24:25,967 --> 00:24:27,400 >> * LA LA LA LA LA LA LA 970 00:24:27,400 --> 00:24:30,133 * LATRICE 971 00:24:30,133 --> 00:24:31,633 >> I MISS MY DRAG FAMILY NOW SO 972 00:24:31,633 --> 00:24:32,733 BAD. 973 00:24:32,733 --> 00:24:33,700 I WORK WITH SOME OF THE 974 00:24:33,700 --> 00:24:35,067 WEIRDEST, MOST INTERESTING 975 00:24:35,067 --> 00:24:37,133 PERFORMERS, I THINK, IN AMERICA. 976 00:24:37,133 --> 00:24:38,367 IF WE'RE NOT FREAKING 'EM OUT, 977 00:24:38,367 --> 00:24:39,433 WE'RE NOT WORKING IT OUT. 978 00:24:39,433 --> 00:24:41,100 THAT IS JUST THE NAME OF THE 979 00:24:41,100 --> 00:24:42,433 GAME IN THE HOUSE OF HAUNT. 980 00:24:42,433 --> 00:24:44,267 >> IF WE GO TOO LONG WITHOUT 981 00:24:44,267 --> 00:24:45,333 SEEING AND TALKING WITH EACH 982 00:24:45,333 --> 00:24:46,767 OTHER, WE HAVE A POTLUCK DINNER 983 00:24:46,767 --> 00:24:48,067 AT MY HOUSE AND EVERYBODY COMES 984 00:24:48,067 --> 00:24:48,900 OVER FOR DRINKS. 985 00:24:48,900 --> 00:24:50,367 >> I WANT TO COME OVER TO DINNER 986 00:24:50,367 --> 00:24:51,067 AT YOUR HOUSE. 987 00:24:51,067 --> 00:24:51,833 >> ME TOO, BITCH. 988 00:24:51,833 --> 00:24:52,667 >> ABSOLUTELY. 989 00:24:52,667 --> 00:24:54,367 'CAUSE WE COOK THE HOUSE DOWN, 990 00:24:54,367 --> 00:24:55,100 HONEY. 991 00:24:55,100 --> 00:24:55,833 >> I ALWAYS THOUGHT I WAS SO 992 00:24:55,833 --> 00:24:57,267 FUCKING INTERESTING BEFORE I 993 00:24:57,267 --> 00:24:59,400 CAME HERE BUT, LIKE, YOUR GUYS' 994 00:24:59,400 --> 00:25:00,767 LIVES SOUND, LIKE, SO MUCH MORE 995 00:25:00,767 --> 00:25:01,633 FUN. 996 00:25:01,633 --> 00:25:03,167 I HAVEN'T COME FROM A DRAG 997 00:25:03,233 --> 00:25:04,600 FAMILY BECAUSE I DIDN'T COME UP 998 00:25:04,600 --> 00:25:05,900 THROUGH THE CLUB SYSTEM LIKE 999 00:25:05,900 --> 00:25:06,767 MOST PEOPLE HAVE. 1000 00:25:06,833 --> 00:25:09,167 I'VE BEEN ON TV MOST OF MY LIFE 1001 00:25:09,167 --> 00:25:10,333 FOR THE PAST TEN YEARS. 1002 00:25:10,333 --> 00:25:12,500 I AM A LITTLE WEAK IN THE FRIEND 1003 00:25:12,500 --> 00:25:13,933 DEPARTMENT BECAUSE OF IT. 1004 00:25:13,933 --> 00:25:14,933 >> I CAN'T BELIEVE YOU DON'T 1005 00:25:14,933 --> 00:25:15,833 HAVE, LIKE, A STRONG DRAG 1006 00:25:15,833 --> 00:25:16,800 FAMILY. 1007 00:25:16,800 --> 00:25:17,667 >> NO. 1008 00:25:17,667 --> 00:25:18,333 >> I NEED THEM. 1009 00:25:18,333 --> 00:25:21,067 >> I COULDN'T LIVE WITHOUT THEM. 1010 00:25:21,067 --> 00:25:26,867 * 1011 00:25:26,867 --> 00:25:29,567 >> [laughs] 1012 00:25:29,567 --> 00:25:32,233 [RuPaul's Cover Girl] 1013 00:25:32,233 --> 00:25:33,133 >> * COVER GIRL 1014 00:25:33,133 --> 00:25:35,733 * PUT THE BASS IN YOUR WALK 1015 00:25:35,733 --> 00:25:36,867 * HEAD TO TOE 1016 00:25:36,867 --> 00:25:40,067 * LET YOUR WHOLE BODY TALK 1017 00:25:40,067 --> 00:25:42,267 AND WHAT? 1018 00:25:42,267 --> 00:25:43,900 >> HEY, GUYS. 1019 00:25:43,900 --> 00:25:44,800 >> HEY, BABY. 1020 00:25:44,800 --> 00:25:46,800 >> WELCOME TO THE MAIN STAGE OF 1021 00:25:46,800 --> 00:25:48,400 RUPAUL'S DRAG RACE. 1022 00:25:48,467 --> 00:25:51,067 IT'S MY EVIL TWIN, MICHELLE 1023 00:25:51,067 --> 00:25:52,067 VISAGE. 1024 00:25:52,067 --> 00:25:54,067 >> YES, AND A BIG DOMO ARIGATO 1025 00:25:54,067 --> 00:25:55,067 TO YOU. 1026 00:25:55,067 --> 00:25:55,900 >> [laughs] 1027 00:25:55,900 --> 00:25:58,133 LUCIAN PIANE, MY PARTNER IN 1028 00:25:58,133 --> 00:25:59,133 CRIME. 1029 00:25:59,200 --> 00:26:00,400 >> HEY, IT'S SO GOOD TO SEE YOU. 1030 00:26:00,400 --> 00:26:01,300 >> HOW ARE MY GIRLS? 1031 00:26:01,300 --> 00:26:02,067 >> THEY'RE REALLY AMAZING. 1032 00:26:02,067 --> 00:26:02,800 >> DID YOU SLEEP WITH ANY OF 1033 00:26:02,800 --> 00:26:03,567 THEM? 1034 00:26:03,567 --> 00:26:04,300 >> TWO OF THEM. 1035 00:26:04,300 --> 00:26:05,367 >> [laughs] 1036 00:26:05,433 --> 00:26:07,067 JENNIFER TILLY. 1037 00:26:07,067 --> 00:26:08,433 YOU'RE LOOKING BEAUTIFUL 1038 00:26:08,433 --> 00:26:09,133 TONIGHT. 1039 00:26:09,200 --> 00:26:10,633 >> WELL, THANK YOU. 1040 00:26:10,633 --> 00:26:12,333 THE MONKEY GLANDS ARE WORKING. 1041 00:26:12,333 --> 00:26:13,667 >> [laughs] 1042 00:26:13,667 --> 00:26:14,900 AND PAMELA ANDERSON. 1043 00:26:14,967 --> 00:26:16,133 HEY, SOUL SISTER. 1044 00:26:16,133 --> 00:26:17,100 >> I FINALLY MADE IT. 1045 00:26:17,100 --> 00:26:18,067 THANKS FOR HAVING ME. 1046 00:26:18,067 --> 00:26:18,967 YOU LOOK GORGEOUS. 1047 00:26:18,967 --> 00:26:20,167 >> THIS OLD THING. 1048 00:26:20,167 --> 00:26:21,233 >> [laughs] 1049 00:26:21,233 --> 00:26:22,833 >> THIS WEEK, THE QUEENS WERE 1050 00:26:22,833 --> 00:26:24,667 CHALLENGED TO PERFORM A DUET 1051 00:26:24,667 --> 00:26:26,833 WITH THEIR BEST FRENEMIES. 1052 00:26:26,833 --> 00:26:29,233 TONIGHT, ON THE MAIN STAGE, 1053 00:26:29,233 --> 00:26:30,367 THEY'RE GONNA MAKE THEIR LIVE 1054 00:26:30,367 --> 00:26:32,067 NIGHTCLUB DEBUT. 1055 00:26:32,067 --> 00:26:33,800 ARE YOU READY FOR SOME DOUBLE 1056 00:26:33,800 --> 00:26:34,800 TROUBLE? 1057 00:26:34,800 --> 00:26:37,500 GENTLEMEN, START YOUR ENGINES, 1058 00:26:37,500 --> 00:26:40,067 AND MAY THE BEST WOMAN WIN. 1059 00:26:40,067 --> 00:26:41,067 [upbeat music] 1060 00:26:41,067 --> 00:26:42,800 * 1061 00:26:42,867 --> 00:26:46,233 FIRST UP, LATRICE AND WILLAM. 1062 00:26:46,300 --> 00:26:47,500 >> *I'M LATRICE * 1063 00:26:47,500 --> 00:26:48,900 * AND I'M THE WHOLE SHOW * 1064 00:26:48,900 --> 00:26:49,567 >> * UH-UH 1065 00:26:49,567 --> 00:26:50,700 * IT'S A COMPETITION * 1066 00:26:50,700 --> 00:26:52,367 * I THOUGHT YOU'D KNOW * 1067 00:26:52,367 --> 00:26:53,133 >> * WELL, AT LEAST 1068 00:26:53,133 --> 00:26:55,600 * MY MUSTACHE DON'T SHOW * 1069 00:26:55,600 --> 00:26:57,433 >> both: * I DO IT SO MUCH 1070 00:26:57,433 --> 00:26:59,067 * BETTER THAN YOU 1071 00:26:59,067 --> 00:27:00,100 >> * EXCUSE ME, SIR 1072 00:27:00,100 --> 00:27:01,067 >> * UH-HUH 1073 00:27:01,067 --> 00:27:03,200 I FEEL GOOD VIBES COMING FROM 1074 00:27:03,200 --> 00:27:04,167 THIS. 1075 00:27:04,167 --> 00:27:05,067 >> both: * I DO 1076 00:27:05,067 --> 00:27:06,600 >> WILLAM IS IN IT TO WIN IT. 1077 00:27:06,600 --> 00:27:07,767 I'M IN IT TO WIN IT. 1078 00:27:07,767 --> 00:27:09,200 LET'S DO THIS DAMN THING. 1079 00:27:09,200 --> 00:27:10,233 * YOUR LIP-SYNC 1080 00:27:10,233 --> 00:27:11,433 * IS ALWAYS BEHIND 1081 00:27:11,433 --> 00:27:12,333 >> [laughs] 1082 00:27:12,333 --> 00:27:13,267 >> * AT LEAST MY DRESSES 1083 00:27:13,267 --> 00:27:15,100 * DON'T MAKE THEM BLIND * 1084 00:27:15,100 --> 00:27:17,300 >> both: * I DO IT SO MUCH 1085 00:27:17,300 --> 00:27:19,133 * BETTER THAN YOU 1086 00:27:19,133 --> 00:27:19,833 >> * OOH 1087 00:27:19,833 --> 00:27:20,633 >> SHIT! 1088 00:27:20,633 --> 00:27:21,433 [laughter] 1089 00:27:21,433 --> 00:27:22,800 >> * I'M A LEGENDARY * 1090 00:27:22,800 --> 00:27:24,333 >> * MAKEUP ABUSER 1091 00:27:24,333 --> 00:27:26,300 * I'M THE BEST * 1092 00:27:26,300 --> 00:27:27,967 >> OH! 1093 00:27:27,967 --> 00:27:29,767 >> * AT BEING A LOSER 1094 00:27:29,767 --> 00:27:30,500 >> [laughs] 1095 00:27:30,500 --> 00:27:32,067 >> ALL THE JOKES LAND, BUT ANY 1096 00:27:32,067 --> 00:27:33,567 CHANCE TO BE ONSTAGE IS A CHANCE 1097 00:27:33,567 --> 00:27:34,633 TO SHINE. 1098 00:27:34,633 --> 00:27:36,233 *I DO IT SO MUCH BETTER * 1099 00:27:36,233 --> 00:27:37,367 >> * I DO IT SO MUCH BETTER 1100 00:27:37,367 --> 00:27:39,133 >> * I DO IT SO MUCH BETTER 1101 00:27:39,133 --> 00:27:40,067 >> * I DO IT SO MUCH BETTER 1102 00:27:40,067 --> 00:27:40,733 >> WHOO! 1103 00:27:40,733 --> 00:27:41,633 >> * I DO IT SO MUCH 1104 00:27:41,633 --> 00:27:42,467 >> * I DO IT SO MUCH 1105 00:27:42,467 --> 00:27:43,333 >> * I DO IT SO MUCH 1106 00:27:43,333 --> 00:27:45,067 >> both: * BETTER THAN 1107 00:27:45,067 --> 00:27:47,433 * THAN YOU 1108 00:27:47,433 --> 00:27:48,333 >> [laughs] 1109 00:27:48,333 --> 00:27:49,667 >> both: * SO MUCH BETTER 1110 00:27:49,667 --> 00:27:51,067 * THAN YOU 1111 00:27:51,067 --> 00:27:51,600 >> WHOO! 1112 00:27:51,600 --> 00:27:52,800 >> YEAH! 1113 00:27:52,867 --> 00:27:54,600 >> PHI PHI O'HARA AND SHARON 1114 00:27:54,600 --> 00:27:55,633 NEEDLES. 1115 00:27:55,700 --> 00:27:57,067 >> * I WEAR HEELS 1116 00:27:57,067 --> 00:27:58,567 * THAT HEIGHTEN THE MOOD 1117 00:27:58,567 --> 00:28:01,733 >> * MY BALLOONS HAVE ATTITUDE 1118 00:28:01,733 --> 00:28:03,167 >> * PEOPLE NEVER THINK 1119 00:28:03,167 --> 00:28:04,400 * THAT I'M A DUDE * 1120 00:28:04,400 --> 00:28:05,233 >> * YEAH, RIGHT 1121 00:28:05,233 --> 00:28:07,333 >> both: * I DO IT SO MUCH 1122 00:28:07,333 --> 00:28:10,233 * BETTER THAN YOU 1123 00:28:10,233 --> 00:28:11,167 >> *YOU LITTLE DEVIL, YOU * 1124 00:28:11,167 --> 00:28:12,200 >> * I DO 1125 00:28:12,200 --> 00:28:13,833 * 1126 00:28:13,833 --> 00:28:14,967 * LET'S STATE FACTS * 1127 00:28:14,967 --> 00:28:16,933 * YOU'RE ORANGE, NOT TAN * 1128 00:28:16,933 --> 00:28:18,167 >> * THIS COMING FROM 1129 00:28:18,167 --> 00:28:19,867 *MISS MARILYN MANSON? * 1130 00:28:19,867 --> 00:28:21,500 >> * WELL, I'D RATHER BE PALE * 1131 00:28:21,500 --> 00:28:22,667 * THAN HAVE A TAN IN A CAN 1132 00:28:22,667 --> 00:28:23,433 >> * WHAT? 1133 00:28:23,433 --> 00:28:25,067 >> both: *I DO IT SO MUCH * 1134 00:28:25,067 --> 00:28:28,233 * BETTER THAN YOU 1135 00:28:28,233 --> 00:28:30,600 >> I THINK SHE ADDED A TEASPOON 1136 00:28:30,600 --> 00:28:32,767 OR TWO OF CHRISTINA "AGLIERA," 1137 00:28:32,767 --> 00:28:34,333 BUT THAT'S ANOTHER MATTER. 1138 00:28:34,333 --> 00:28:36,067 >> * I'M A LEGENDARY * 1139 00:28:36,067 --> 00:28:37,700 >> * MAKEUP ABUSER 1140 00:28:37,700 --> 00:28:38,900 * I'M THE BEST AT * 1141 00:28:38,900 --> 00:28:41,233 >> * BEING A LOSER 1142 00:28:41,233 --> 00:28:43,100 >> * I DO IT SO MUCH BETTER 1143 00:28:43,100 --> 00:28:44,533 >> * I DO IT SO MUCH BETTER 1144 00:28:44,533 --> 00:28:45,867 >> both: * I DO IT SO MUCH 1145 00:28:45,867 --> 00:28:47,567 * BETTER THAN 1146 00:28:47,567 --> 00:28:51,200 * THAN YOU 1147 00:28:51,200 --> 00:28:52,700 >> I COULD TELL THAT THE JUDGES 1148 00:28:52,700 --> 00:28:54,400 LOOKED A LITTLE BORED. 1149 00:28:54,400 --> 00:28:55,700 I'M GOING TO BE SO PISSED IF 1150 00:28:55,700 --> 00:28:57,400 THIS CHEESY SONG AND DANCE 1151 00:28:57,400 --> 00:28:59,067 NUMBER SENDS ME OUT OF HERE. 1152 00:28:59,067 --> 00:29:00,200 * 1153 00:29:00,200 --> 00:29:01,400 >> both: * SO MUCH BETTER 1154 00:29:01,400 --> 00:29:02,200 * THAN YOU 1155 00:29:02,200 --> 00:29:03,567 >> WHOO! 1156 00:29:03,567 --> 00:29:05,733 >> CHAD MICHAELS, DIDA RITZ. 1157 00:29:05,800 --> 00:29:06,800 >> HELLO, DIDA, DARLING. 1158 00:29:06,800 --> 00:29:07,567 >> HELLO, CHAD. 1159 00:29:07,567 --> 00:29:08,467 HOW ARE YOU? 1160 00:29:08,533 --> 00:29:09,400 >> I'M A LEGEND. 1161 00:29:09,400 --> 00:29:10,133 >> WELL, THAT'S DEBATABLE. 1162 00:29:10,133 --> 00:29:11,500 >> I NEVER. 1163 00:29:11,500 --> 00:29:12,733 >> * I WEAR HEELS 1164 00:29:12,733 --> 00:29:14,300 * THAT HEIGHTEN THE MOOD 1165 00:29:14,300 --> 00:29:17,600 >> * MY BALLOONS HAVE ATTITUDE 1166 00:29:17,600 --> 00:29:18,767 >> * PEOPLE NEVER THINK 1167 00:29:18,767 --> 00:29:20,333 * THAT I'M A DUDE * 1168 00:29:20,333 --> 00:29:21,633 I COULD HEAR MY VOICE KIND OF 1169 00:29:21,633 --> 00:29:23,167 SHAKING A LITTLE BIT. 1170 00:29:23,167 --> 00:29:24,833 RUPAUL IS RIGHT IN FRONT OF YOU. 1171 00:29:24,833 --> 00:29:26,267 DON'T FUCK IT UP! 1172 00:29:26,267 --> 00:29:27,767 >> * WHEN I DO CHER 1173 00:29:27,767 --> 00:29:29,200 * YOU CAN'T TAKE IT * 1174 00:29:29,200 --> 00:29:30,800 >> * WITH ALL THIS CHEESECAKE 1175 00:29:30,800 --> 00:29:32,367 * I CAN'T FAKE IT * 1176 00:29:32,367 --> 00:29:33,867 >> * CHEESECAKE, FAKE IT 1177 00:29:33,867 --> 00:29:34,733 * PLEASE DON'T BREAK IT * 1178 00:29:34,733 --> 00:29:35,767 >> [gasps] 1179 00:29:35,767 --> 00:29:37,733 >> both: * I DO IT SO MUCH 1180 00:29:37,733 --> 00:29:38,967 * BETTER THAN YOU 1181 00:29:38,967 --> 00:29:40,400 >> AND AT LEAST MY FACE MOVES 1182 00:29:40,400 --> 00:29:41,600 WHEN I FROWN. 1183 00:29:41,600 --> 00:29:43,200 * I'M A LEGENDARY * 1184 00:29:43,200 --> 00:29:44,100 >> * MAKEUP ABUSER 1185 00:29:44,100 --> 00:29:44,967 >> OH! SKAG! 1186 00:29:44,967 --> 00:29:45,900 >> * I'M THE BEST * 1187 00:29:45,900 --> 00:29:46,933 >> * AT BEING THE LOSER 1188 00:29:46,933 --> 00:29:48,633 >> OH! 1189 00:29:48,633 --> 00:29:50,600 * I DO IT SO MUCH BETTER 1190 00:29:50,600 --> 00:29:51,900 >> * I DO IT SO MUCH BETTER 1191 00:29:51,900 --> 00:29:53,233 >> * I DO IT SO MUCH 1192 00:29:53,233 --> 00:29:53,933 >> * I DO IT SO 1193 00:29:53,933 --> 00:29:54,767 >> both: * I DO IT SO MUCH 1194 00:29:54,767 --> 00:29:56,600 * BETTER THAN 1195 00:29:56,600 --> 00:30:00,533 * THAN YOU 1196 00:30:00,533 --> 00:30:01,400 >> * SO MUCH 1197 00:30:01,400 --> 00:30:02,533 >> * BETTER THAN YOU 1198 00:30:02,533 --> 00:30:03,333 >> OH! 1199 00:30:03,333 --> 00:30:04,933 DIDA, YOU BITCH! 1200 00:30:04,933 --> 00:30:05,700 OH! 1201 00:30:05,700 --> 00:30:06,733 [laughter] 1202 00:30:06,733 --> 00:30:09,000 >> THANK YOU. 1203 00:30:09,067 --> 00:30:09,900 >> COMING UP... 1204 00:30:09,900 --> 00:30:11,200 >> I FEEL A LITTLE LIKE PAULA 1205 00:30:11,200 --> 00:30:12,267 ABDUL, 'CAUSE I LOVED 1206 00:30:12,267 --> 00:30:12,933 EVERYTHING. 1207 00:30:12,933 --> 00:30:13,633 >> [laughs] 1208 00:30:13,633 --> 00:30:14,500 >> BUT SOMETIMES TOO MUCH 1209 00:30:14,500 --> 00:30:16,167 SHTICK CAN GET IN THE WAY. 1210 00:30:16,167 --> 00:30:17,367 >> THE MICROPHONE WAS A BIT 1211 00:30:17,367 --> 00:30:18,267 CLOSE, LIKE SHE WAS GONNA 1212 00:30:18,267 --> 00:30:18,967 SWALLOW IT. 1213 00:30:18,967 --> 00:30:20,000 >> [laughs] 1214 00:30:22,800 --> 00:30:25,267 >> [laughs] 1215 00:30:25,267 --> 00:30:27,100 >> WELCOME, LADIES. 1216 00:30:27,100 --> 00:30:29,000 THIS WEEK, WE ASKED YOU TO 1217 00:30:29,000 --> 00:30:30,900 COMBINE YOUR STRENGTHS AND 1218 00:30:30,900 --> 00:30:33,633 WEAKNESSES TO CREATE ONE DYNAMIC 1219 00:30:33,633 --> 00:30:36,200 DUO, SO TONIGHT, YOU'LL BE 1220 00:30:36,200 --> 00:30:38,833 JUDGED AS A COUPLE. 1221 00:30:38,833 --> 00:30:41,333 FIRST UP, WILLAM AND LATRICE 1222 00:30:41,333 --> 00:30:42,567 ROYALE. 1223 00:30:42,567 --> 00:30:44,600 TELL US ABOUT YOUR PERFORMANCE. 1224 00:30:44,600 --> 00:30:46,033 >> SHE HAS DEFINITELY GOTTEN ME 1225 00:30:46,033 --> 00:30:47,033 OUT OF MY COMFORT ZONE A LITTLE 1226 00:30:47,033 --> 00:30:47,700 BIT. 1227 00:30:47,700 --> 00:30:48,500 [laughter] 1228 00:30:48,500 --> 00:30:50,467 THIS IS NOT EXACTLY WHAT I WOULD 1229 00:30:50,467 --> 00:30:53,000 DO NORMALLY, BUT ABSOLUTELY 1230 00:30:53,000 --> 00:30:54,800 LOVING THAT I'M SHOWCASING THE 1231 00:30:54,800 --> 00:30:56,600 CURVES AND SWERVES I REPRESENT 1232 00:30:56,600 --> 00:30:57,633 FOR THE BIG GIRLS. 1233 00:30:57,633 --> 00:30:58,467 >> [laughs] 1234 00:30:58,467 --> 00:30:59,800 DO YOU FEEL THAT THIS OUTFIT 1235 00:30:59,800 --> 00:31:01,467 COMPROMISES YOUR CHRISTIANITY? 1236 00:31:01,467 --> 00:31:03,667 >> JESUS IS A BISCUIT, AND I LET 1237 00:31:03,667 --> 00:31:04,833 HIM SOP ME UP, SO-- 1238 00:31:04,833 --> 00:31:05,700 >> YES! 1239 00:31:05,700 --> 00:31:07,933 [laughter] 1240 00:31:08,067 --> 00:31:09,467 >> YOU GUYS LOOK AMAZING. 1241 00:31:09,467 --> 00:31:10,467 I LOVE THE LINGERIE, 1242 00:31:10,467 --> 00:31:11,400 THE STOCKINGS. 1243 00:31:11,400 --> 00:31:12,500 YOUR SHOES ARE KILLER. 1244 00:31:12,567 --> 00:31:13,467 >> OH, THEY'RE VERSACE. 1245 00:31:13,467 --> 00:31:15,133 >> AND THAT PRATFALL. 1246 00:31:15,133 --> 00:31:16,100 I'M USING THAT TRICK. 1247 00:31:16,100 --> 00:31:17,267 THAT WAS SOME VEGAS SHIT. 1248 00:31:17,333 --> 00:31:18,700 >> BUT SOMETIMES TOO MUCH 1249 00:31:18,700 --> 00:31:20,867 SHTICK CAN GET IN THE WAY. 1250 00:31:20,867 --> 00:31:22,700 >> YOU TWO WERE SORT OF LIKE 1251 00:31:22,700 --> 00:31:25,167 A LAUREL AND HARDY OR A JANE 1252 00:31:25,233 --> 00:31:26,800 RUSSELL/MARILYN MONROE SORT OF 1253 00:31:26,800 --> 00:31:27,900 COMBINATION. 1254 00:31:27,900 --> 00:31:29,333 YOU'RE REALLY DIFFERENT, BUT YOU 1255 00:31:29,333 --> 00:31:31,067 WORKED SO WELL TOGETHER AND I 1256 00:31:31,067 --> 00:31:31,867 REALLY ENJOYED IT. 1257 00:31:31,867 --> 00:31:33,067 >> THANK YOU, LADIES. 1258 00:31:33,067 --> 00:31:34,233 >> I JUST HAVE TO SAY ONE THING. 1259 00:31:34,233 --> 00:31:35,067 >> WHAT'S THAT? 1260 00:31:35,067 --> 00:31:36,100 >> AMERICA'S GOT TALENT HAS 1261 00:31:36,100 --> 00:31:37,367 NOTHING ON THIS SHOW. 1262 00:31:37,367 --> 00:31:38,333 >> UH, HEAR, HEAR. 1263 00:31:38,333 --> 00:31:39,567 >> THIS IS A GREAT SHOW, AND 1264 00:31:39,567 --> 00:31:40,767 THERE'S SO MUCH TALENT ON THE 1265 00:31:40,767 --> 00:31:42,133 STAGE, IT'S FUN TO SEE. 1266 00:31:42,133 --> 00:31:43,300 >> THANKS, PAMELA. 1267 00:31:43,300 --> 00:31:45,300 >> NEXT UP, CHAD MICHAELS AND 1268 00:31:45,300 --> 00:31:46,067 DIDA RITZ. 1269 00:31:46,067 --> 00:31:46,767 >> HI, RU. 1270 00:31:46,767 --> 00:31:47,500 >> HI. 1271 00:31:47,500 --> 00:31:49,900 >> SO, DIDA, WHO DID IT BETTER? 1272 00:31:49,900 --> 00:31:50,867 >> UH... 1273 00:31:50,867 --> 00:31:51,533 >> JUST SAY IT, BITCH. 1274 00:31:51,533 --> 00:31:52,200 >> I WILL SAY ME. 1275 00:31:52,200 --> 00:31:52,867 >> THAT'S RIGHT. 1276 00:31:52,867 --> 00:31:53,533 [laughter] 1277 00:31:53,533 --> 00:31:54,533 >> WHAT ABOUT YOU, CHAD? 1278 00:31:54,533 --> 00:31:55,833 >> OF COURSE, DARLING, IT WAS 1279 00:31:55,833 --> 00:31:56,500 ME. 1280 00:31:56,500 --> 00:31:57,233 [laughter] 1281 00:31:57,233 --> 00:31:57,900 >> SORRY. 1282 00:31:57,900 --> 00:31:58,767 [laughter] 1283 00:31:58,767 --> 00:32:00,100 >> I WAS GETTING A CAVITY, 1284 00:32:00,100 --> 00:32:01,267 LISTENING TO YOU TWO. 1285 00:32:01,267 --> 00:32:02,067 [laughter] 1286 00:32:02,067 --> 00:32:03,767 IT WAS SO ROXIE AND VELMA. 1287 00:32:03,767 --> 00:32:04,700 IT WAS VERY CHICAGO, WHICH I 1288 00:32:04,700 --> 00:32:05,433 LOVE. 1289 00:32:05,433 --> 00:32:06,900 >> WELL, I FEEL A LITTLE LIKE 1290 00:32:06,900 --> 00:32:08,200 PAULA ABDUL, 'CAUSE I LOVED 1291 00:32:08,200 --> 00:32:09,067 EVERYTHING. 1292 00:32:09,067 --> 00:32:10,267 [laughter] 1293 00:32:10,267 --> 00:32:11,533 >> DIDA, SOMETIMES WHEN YOU GET 1294 00:32:11,533 --> 00:32:12,533 REALLY, REALLY EXCITED AND 1295 00:32:12,533 --> 00:32:13,400 YOU'RE SINGING AND YOU HAVE SO 1296 00:32:13,400 --> 00:32:14,633 MUCH ENERGY, YOU KIND OF LOSE A 1297 00:32:14,633 --> 00:32:15,933 LITTLE BIT OF THE VOCALS. 1298 00:32:16,067 --> 00:32:17,600 >> I THINK THE JOKES MAY HAVE 1299 00:32:17,600 --> 00:32:19,467 FALLEN A LITTLE FLAT BECAUSE 1300 00:32:19,533 --> 00:32:20,533 YOU COULDN'T HEAR WHAT YOU WERE 1301 00:32:20,533 --> 00:32:22,600 SAYING. 1302 00:32:22,600 --> 00:32:24,733 >> NEXT UP, SHARON NEEDLES AND 1303 00:32:24,733 --> 00:32:26,167 PHI PHI O'HARA. 1304 00:32:26,167 --> 00:32:27,600 HOW DID IT FEEL UP THERE? 1305 00:32:27,600 --> 00:32:28,633 >> ME AND PHI PHI HAVE HAD SOME 1306 00:32:28,633 --> 00:32:30,067 BAD BLOOD HERE. 1307 00:32:30,067 --> 00:32:31,600 I'VE ALWAYS FOUND IT KIND OF 1308 00:32:31,600 --> 00:32:33,600 HARD TO BE ACCEPTED BY GLAMOROUS 1309 00:32:33,600 --> 00:32:35,800 PAGEANTY QUEENS, AND I TOOK A 1310 00:32:35,800 --> 00:32:37,067 LITTLE BIT OF THAT MINDSET INTO 1311 00:32:37,067 --> 00:32:38,067 THIS COMPETITION. 1312 00:32:38,067 --> 00:32:39,300 >> CALLING HER A PAGEANT QUEEN, 1313 00:32:39,300 --> 00:32:40,800 IS THAT A READ? 1314 00:32:40,800 --> 00:32:42,567 >> SHARON, YOU COULD LEARN 1315 00:32:42,567 --> 00:32:44,467 SOMETHING FROM PAGEANT QUEENS. 1316 00:32:44,467 --> 00:32:45,700 YOU'RE NOT LOSING SHARON NEEDLES 1317 00:32:45,700 --> 00:32:46,733 IN THIS GLAM LOOK. 1318 00:32:46,733 --> 00:32:47,833 >> I LOVE THIS HAIR. 1319 00:32:47,833 --> 00:32:48,767 >> IT'S GORGEOUS ON YOU. 1320 00:32:48,767 --> 00:32:49,767 >> I SHOULD HAVE DONE THIS A 1321 00:32:49,767 --> 00:32:51,400 LONG--THIS IS SOME COUNTRY CROCK 1322 00:32:51,400 --> 00:32:52,233 HAIR. 1323 00:32:52,233 --> 00:32:53,400 >> I THINK YOU GUYS WERE GREAT, 1324 00:32:53,400 --> 00:32:54,300 AND YOU LOOK A LITTLE JANICE 1325 00:32:54,300 --> 00:32:55,700 DICKINSON AND YOU'RE ME. 1326 00:32:55,700 --> 00:32:56,600 >> THAT'S WHAT I WAS CHANNELING. 1327 00:32:56,600 --> 00:32:57,467 >> I LOVED IT. 1328 00:32:57,467 --> 00:32:59,067 >> WHEN YOU CAME DOWN TO THE 1329 00:32:59,067 --> 00:33:00,567 BOTTOM OF THE STAGE, I LOVED 1330 00:33:00,567 --> 00:33:01,333 THAT YOU WERE TRYING THE 1331 00:33:01,333 --> 00:33:04,133 HARMONIES, BUT THEY'RE A LITTLE 1332 00:33:04,133 --> 00:33:05,700 BIT OFF. 1333 00:33:05,700 --> 00:33:08,100 >> I DO FEEL LIKE THE COMEDY WAS 1334 00:33:08,100 --> 00:33:09,067 UNDERPLAYED. 1335 00:33:09,067 --> 00:33:10,900 I THINK YOU GUYS SHOULD HAVE 1336 00:33:10,900 --> 00:33:12,100 BEEN FUNNIER. 1337 00:33:12,100 --> 00:33:14,233 >> Y'ALL WERE ALMOST TOO NICE. 1338 00:33:14,233 --> 00:33:15,667 IT'S A FRENEMIES TYPE OF THING. 1339 00:33:15,667 --> 00:33:17,067 YOU KNOW, IT'S KIND OF LIKE, UH, 1340 00:33:17,067 --> 00:33:18,133 YOU'RE CUTTING ON EACH OTHER. 1341 00:33:18,133 --> 00:33:19,600 IT WAS HARD TO EVEN HEAR IF 1342 00:33:19,600 --> 00:33:23,067 THERE WAS ANY SHADE IN THERE. 1343 00:33:23,067 --> 00:33:24,400 >> THANK YOU, LADIES. 1344 00:33:24,400 --> 00:33:26,433 WHILE YOU UNTUCK IN THE INTERIOR 1345 00:33:26,433 --> 00:33:28,600 ILLUSIONS LOUNGE, THE JUDGES AND 1346 00:33:28,600 --> 00:33:30,067 I WILL DELIBERATE. 1347 00:33:30,067 --> 00:33:33,067 YOU MAY LEAVE THE STAGE. 1348 00:33:33,067 --> 00:33:35,067 JUST BETWEEN US GIRLS... 1349 00:33:35,067 --> 00:33:36,067 >> [sighs] 1350 00:33:36,067 --> 00:33:36,800 >> WHAT DO YOU THINK? 1351 00:33:36,800 --> 00:33:38,733 WILLAM AND LATRICE ROYALE. 1352 00:33:38,733 --> 00:33:40,067 >> LATRICE STEPPED OUT OF HER 1353 00:33:40,067 --> 00:33:41,200 COMFORT ZONE, AND IT LOOKED 1354 00:33:41,200 --> 00:33:42,200 GREAT. 1355 00:33:42,200 --> 00:33:43,600 VOCALLY, I THOUGHT WILLAM COULD 1356 00:33:43,600 --> 00:33:44,567 REALLY SING. 1357 00:33:44,567 --> 00:33:46,300 I DID LOVE THEIR SHTICK THAT 1358 00:33:46,300 --> 00:33:48,500 THEY DID, BUT IT KIND OF TOOK 1359 00:33:48,500 --> 00:33:49,767 OVER THE SONG. 1360 00:33:49,767 --> 00:33:51,067 >> A LITTLE LESS MIGHT HAVE BEEN 1361 00:33:51,067 --> 00:33:52,467 A LITTLE BIT MORE IN THIS CASE. 1362 00:33:52,467 --> 00:33:54,167 >> WELL, I THOUGHT THAT THEIR 1363 00:33:54,167 --> 00:33:55,700 ACT WAS VERY POLISHED. 1364 00:33:55,700 --> 00:33:57,133 I REALLY LIKED THE CHOREOGRAPHY. 1365 00:33:57,133 --> 00:33:58,700 I THOUGHT IT WAS VERY SMOOTH AND 1366 00:33:58,700 --> 00:33:59,567 IT WAS VERY WORKED OUT. 1367 00:33:59,567 --> 00:34:02,067 >> NOW, WOULD YOU HAVE THEM OPEN 1368 00:34:02,067 --> 00:34:02,800 FOR YOU IN VEGAS? 1369 00:34:02,800 --> 00:34:03,867 >> YES! 1370 00:34:03,867 --> 00:34:04,800 ESPECIALLY WITH THAT LITTLE-- 1371 00:34:04,800 --> 00:34:05,567 THAT THING AT THE END, WHEN THEY 1372 00:34:05,567 --> 00:34:06,433 THREW THE PURSE AND SHE TRIPPED 1373 00:34:06,433 --> 00:34:07,167 OR WHATEVER. 1374 00:34:07,167 --> 00:34:07,900 >> YEAH, THAT WAS GOOD. 1375 00:34:07,900 --> 00:34:08,667 >> THE PRATFALL WAS GREAT. 1376 00:34:08,667 --> 00:34:11,333 >> CHAD MICHAELS AND DIDA RITZ, 1377 00:34:11,333 --> 00:34:13,467 THE INGENUE AND THE VETERAN. 1378 00:34:13,467 --> 00:34:14,400 >> THE DUO FELT A LITTLE 1379 00:34:14,400 --> 00:34:16,067 LOPSIDED WITH DIDA'S ENERGY 1380 00:34:16,067 --> 00:34:17,333 BEING OVER THE TOP. 1381 00:34:17,333 --> 00:34:19,133 >> SHE WAS SO ENERGIZED, AND 1382 00:34:19,133 --> 00:34:20,233 THAT'S A GREAT THING, BUT THAT 1383 00:34:20,233 --> 00:34:22,067 CAN ALSO BE DETRIMENTAL 1384 00:34:22,067 --> 00:34:22,867 SOMETIMES. 1385 00:34:22,867 --> 00:34:24,067 THE MICROPHONE WAS A BIT CLOSE, 1386 00:34:24,067 --> 00:34:25,167 LIKE SHE GONNA SWALLOW IT. 1387 00:34:25,167 --> 00:34:26,267 >> NOW, IS THAT A BAD THING? 1388 00:34:26,267 --> 00:34:27,300 >> [laughs] 1389 00:34:27,300 --> 00:34:28,067 NOT NORMALLY. 1390 00:34:28,067 --> 00:34:29,067 >> [laughs] 1391 00:34:29,067 --> 00:34:30,200 ALL RIGHT, LET'S MOVE ON TO 1392 00:34:30,200 --> 00:34:32,067 SHARON NEEDLES AND PHI PHI 1393 00:34:32,067 --> 00:34:34,633 O'HARA, THE DEVIL AND THE ANGEL. 1394 00:34:34,633 --> 00:34:35,467 >> THEY STARTED WITH THE 1395 00:34:35,467 --> 00:34:36,500 HARMONIES, AND I WAS LIKE, OH, 1396 00:34:36,500 --> 00:34:37,567 MY GOD, I'M SO IMPRESSED. 1397 00:34:37,567 --> 00:34:38,900 THEY'RE SINGING IN HARMO-- 1398 00:34:38,900 --> 00:34:40,167 UH-OH. 1399 00:34:40,167 --> 00:34:41,067 OH. 1400 00:34:41,067 --> 00:34:42,400 [laughter] 1401 00:34:42,400 --> 00:34:44,133 >> I LOVED THEIR VOICES 1402 00:34:44,133 --> 00:34:44,900 TOGETHER, BUT THEN, I'M TONE 1403 00:34:44,900 --> 00:34:45,700 DEAF. 1404 00:34:45,700 --> 00:34:46,633 [laughter] 1405 00:34:46,633 --> 00:34:48,767 AND I THOUGHT THERE COULD HAVE 1406 00:34:48,767 --> 00:34:49,833 BEEN USED A LITTLE MORE 1407 00:34:49,833 --> 00:34:51,067 CHOREOGRAPHY AT THE BEGINNING, 1408 00:34:51,067 --> 00:34:52,167 BUT I HAVE NO RHYTHM, SO-- 1409 00:34:52,167 --> 00:34:53,067 >> OH! 1410 00:34:53,067 --> 00:34:53,633 [laughs] 1411 00:34:53,633 --> 00:34:54,900 >> YESTERDAY, THERE WAS SOME 1412 00:34:54,900 --> 00:34:56,400 UNDERCURRENT OF TENSION BETWEEN 1413 00:34:56,400 --> 00:34:58,733 THEM AND THEN, TODAY, THEY 1414 00:34:58,733 --> 00:34:59,800 SEEMED LIKE THEY HAD THEIR 1415 00:34:59,800 --> 00:35:00,833 SHTICK TOGETHER. 1416 00:35:00,833 --> 00:35:01,633 THEY KNEW EXACTLY WHAT THEY WERE 1417 00:35:01,633 --> 00:35:03,133 DOING, BUT UNFORTUNATELY, THEIR 1418 00:35:03,133 --> 00:35:04,500 SHTICK DIDN'T HAVE A LOT OF 1419 00:35:04,500 --> 00:35:05,200 SHTICK. 1420 00:35:05,200 --> 00:35:06,200 >> I DID LIKE THEIR OUTFITS. 1421 00:35:06,200 --> 00:35:07,333 I THOUGHT THAT THE ANGEL AND 1422 00:35:07,333 --> 00:35:09,067 DEVIL THING WAS A GOOD IDEA, BUT 1423 00:35:09,067 --> 00:35:10,167 IT DIDN'T REALLY DELIVER, 1424 00:35:10,167 --> 00:35:11,100 BECAUSE YOU COULDN'T EVEN TELL 1425 00:35:11,100 --> 00:35:12,433 ANY JABS WERE BEING THROWN. 1426 00:35:12,433 --> 00:35:13,633 >> ALL RIGHT. 1427 00:35:13,633 --> 00:35:15,700 SILENCE. 1428 00:35:15,700 --> 00:35:17,467 I'VE MADE MY DECISION. 1429 00:35:17,467 --> 00:35:21,500 BRING BACK MY GIRLS. 1430 00:35:21,500 --> 00:35:23,067 [laughs] 1431 00:35:25,867 --> 00:35:28,333 >> [laughs] 1432 00:35:28,333 --> 00:35:29,900 WELCOME BACK, LADIES. 1433 00:35:29,900 --> 00:35:32,067 BASED ON YOUR FRENEMIES 1434 00:35:32,067 --> 00:35:33,600 NIGHTCLUB ACT AND YOUR 1435 00:35:33,600 --> 00:35:35,867 PRESENTATIONS ON THE MAIN STAGE, 1436 00:35:35,867 --> 00:35:38,200 I'VE MADE SOME DECISIONS. 1437 00:35:38,200 --> 00:35:40,067 NOW, YOU WERE ALL TROUPERS, 1438 00:35:40,067 --> 00:35:43,433 BUT TONIGHT, ONE DUO DID IT SO 1439 00:35:43,433 --> 00:35:44,367 MUCH BETTER. 1440 00:35:44,367 --> 00:35:45,367 [suspenseful music] 1441 00:35:45,367 --> 00:35:46,267 * 1442 00:35:46,267 --> 00:35:48,100 THE WINNER OF THIS WEEK'S MAIN 1443 00:35:48,100 --> 00:35:49,533 CHALLENGE IS... 1444 00:35:49,533 --> 00:35:51,967 * 1445 00:35:51,967 --> 00:35:53,833 WILLAM AND LATRICE ROYALE. 1446 00:35:53,833 --> 00:35:56,933 [applause] 1447 00:35:56,933 --> 00:36:00,167 YOU EACH WIN A CUSTOM CORSET 1448 00:36:00,167 --> 00:36:02,200 SKIRT AND BRASSIERE OF 1449 00:36:02,200 --> 00:36:04,833 VERSATILECORSETS.COM. 1450 00:36:04,833 --> 00:36:06,733 >> I DIDN'T EXPECT TO WIN THIS 1451 00:36:06,733 --> 00:36:07,500 CHALLENGE. 1452 00:36:07,500 --> 00:36:09,133 I'M REALLY GLAD I DIDN'T LET MY 1453 00:36:09,133 --> 00:36:10,133 PARTNER DOWN. 1454 00:36:10,200 --> 00:36:12,733 IT'S PRETTY FUCKING COOL. 1455 00:36:12,800 --> 00:36:15,500 >> THAT LEAVES CHAD AND DIDA, 1456 00:36:15,500 --> 00:36:21,333 AND PHI PHI AND SHARON. 1457 00:36:21,333 --> 00:36:24,533 >> [groans] 1458 00:36:24,533 --> 00:36:27,300 >> LADIES, IT'S COME TO A POINT 1459 00:36:27,300 --> 00:36:29,500 IN THE COMPETITION WHERE EVERY 1460 00:36:29,500 --> 00:36:34,400 DECISION IS A PAINFUL ONE. 1461 00:36:34,400 --> 00:36:35,833 PHI PHI O'HARA AND SHARON 1462 00:36:35,833 --> 00:36:37,767 NEEDLES... 1463 00:36:39,467 --> 00:36:44,067 >> [vomiting] 1464 00:36:46,533 --> 00:36:48,567 I FEEL KIND OF, LIKE, GUT 1465 00:36:48,567 --> 00:36:50,467 BUBBLES, AND I FEEL REALLY SICK. 1466 00:36:50,467 --> 00:36:51,933 I DIDN'T WANT TO MAKE RUPAUL 1467 00:36:51,933 --> 00:36:52,533 WAIT. 1468 00:36:52,533 --> 00:36:53,367 I DIDN'T WANT TO MAKE ANY OF THE 1469 00:36:53,367 --> 00:36:54,500 GUEST JUDGES WAIT. 1470 00:36:54,500 --> 00:36:55,733 I'M SORRY. 1471 00:36:55,733 --> 00:36:57,233 SO I TRIED TO THROW UP OFF THE 1472 00:36:57,233 --> 00:36:58,667 STAGE. 1473 00:36:58,733 --> 00:37:00,767 >> IT'S REALLY NOT CUTE. 1474 00:37:00,833 --> 00:37:02,200 >> WILLAM, ARE YOU OKAY TO 1475 00:37:02,200 --> 00:37:04,067 CONTINUE? 1476 00:37:04,067 --> 00:37:05,067 ALL RIGHT. 1477 00:37:05,067 --> 00:37:07,067 PHI PHI O'HARA AND SHARON 1478 00:37:07,067 --> 00:37:09,467 NEEDLES, YOU ARE UP FOR 1479 00:37:09,467 --> 00:37:14,100 ELIMINATION. 1480 00:37:14,100 --> 00:37:16,367 CHAD MICHAELS, DIDA RITZ, YOU 1481 00:37:16,367 --> 00:37:19,367 MAY JOIN THE OTHER GIRLS. 1482 00:37:19,367 --> 00:37:21,167 >> I WAS NICE TO SHARON, AND IT 1483 00:37:21,167 --> 00:37:22,133 BACKFIRED. 1484 00:37:22,133 --> 00:37:22,800 YOU KNOW WHAT? 1485 00:37:22,800 --> 00:37:23,433 I'M DONE. 1486 00:37:23,500 --> 00:37:24,367 I'M NOT PLAYING NICE WITH YOU 1487 00:37:24,367 --> 00:37:25,367 ANYMORE. 1488 00:37:25,433 --> 00:37:27,867 >> TWO QUEENS STAND BEFORE ME. 1489 00:37:27,867 --> 00:37:29,700 LADIES, THIS IS YOUR LAST CHANCE 1490 00:37:29,700 --> 00:37:31,833 TO IMPRESS ME AND SAVE 1491 00:37:31,833 --> 00:37:35,167 YOURSELVES FROM ELIMINATION. 1492 00:37:35,167 --> 00:37:37,067 THE TIME HAS COME FOR YOU TO 1493 00:37:37,067 --> 00:37:41,167 LIP-SYNC FOR YOUR LIFE. 1494 00:37:41,167 --> 00:37:42,167 [dramatic music] 1495 00:37:42,167 --> 00:37:43,533 * 1496 00:37:43,600 --> 00:37:45,067 >> I DON'T WANT TO GO HOME, 1497 00:37:45,067 --> 00:37:46,567 PLAIN AND SIMPLE. 1498 00:37:46,633 --> 00:37:49,500 >> GOOD LUCK, AND DON'T FUCK 1499 00:37:49,500 --> 00:37:50,367 IT UP. 1500 00:37:50,433 --> 00:37:51,733 >> THIS IS RUPAUL. 1501 00:37:51,733 --> 00:37:53,233 >> AND THIS IS MARTHA WASH. 1502 00:37:53,233 --> 00:37:54,067 >> WE ARE REPORTING TO YOU 1503 00:37:54,067 --> 00:37:54,700 LIVE... 1504 00:37:54,700 --> 00:37:56,167 >> FROM OUR WEATHER CENTER. 1505 00:37:56,233 --> 00:37:57,767 HONEY, JUST WHEN YOU THOUGHT 1506 00:37:57,767 --> 00:37:59,133 IT WAS SAFE TO GO BACK 1507 00:37:59,133 --> 00:38:00,133 OUTSIDE... 1508 00:38:00,133 --> 00:38:02,333 >> both: BAM, THE SEQUEL! 1509 00:38:02,333 --> 00:38:03,167 >> * TONIGHT 1510 00:38:03,167 --> 00:38:04,900 * FOR THE FIRST TIME 1511 00:38:04,900 --> 00:38:06,067 >> * THE FIRST TIME 1512 00:38:06,067 --> 00:38:07,800 >> * JUST ABOUT HALF PAST TEN 1513 00:38:07,800 --> 00:38:08,500 >> * HALF PAST TEN 1514 00:38:08,500 --> 00:38:09,233 >> * UH-HUH 1515 00:38:09,233 --> 00:38:11,167 >> * FOR THE FIRST TIME 1516 00:38:11,167 --> 00:38:12,500 * IN HISTORY 1517 00:38:12,500 --> 00:38:13,267 >> * SAY WHAT? 1518 00:38:13,267 --> 00:38:14,133 >> * IT'S GONNA START * 1519 00:38:14,133 --> 00:38:15,633 * RAINING MEN 1520 00:38:15,633 --> 00:38:17,167 >> * ALL RIGHT, GIRL 1521 00:38:17,167 --> 00:38:18,933 >> * IT'S RAINING MEN * 1522 00:38:18,933 --> 00:38:20,067 >> HEY! 1523 00:38:20,067 --> 00:38:20,933 >> *HALLELUJAH * 1524 00:38:20,933 --> 00:38:23,433 * IT'S RAINING MEN * 1525 00:38:23,433 --> 00:38:24,167 * AMEN 1526 00:38:24,167 --> 00:38:24,967 >> OH, FUCK. 1527 00:38:24,967 --> 00:38:26,733 MY WIG WAS HANGING ON BY ONE 1528 00:38:26,733 --> 00:38:27,567 FREAKIN' BOBBY PIN. 1529 00:38:27,567 --> 00:38:28,500 I'M NOT KEEPING THAT BITCH ON 1530 00:38:28,500 --> 00:38:29,167 MY HEAD. 1531 00:38:29,167 --> 00:38:29,933 IT MIGHT AS WELL GO. 1532 00:38:29,933 --> 00:38:30,667 IT'S IN MY WAY. 1533 00:38:30,667 --> 00:38:31,800 >> * ROUGH AND TOUGH 1534 00:38:31,800 --> 00:38:35,867 * AND STRONG AND LEAN 1535 00:38:35,867 --> 00:38:38,200 * GOD BLESS MOTHER NATURE 1536 00:38:38,200 --> 00:38:39,300 >> THAT'S RIGHT, HONEY. 1537 00:38:39,300 --> 00:38:40,467 *AND SHE DID * 1538 00:38:40,467 --> 00:38:43,067 * WHAT SHE HAD TO DO NOW 1539 00:38:43,067 --> 00:38:44,500 >> I'VE WORKED TOO HARD AND I'VE 1540 00:38:44,500 --> 00:38:45,500 GONE TOO FAR INTO THIS 1541 00:38:45,500 --> 00:38:46,833 COMPETITION, AND I'M NOT GONNA 1542 00:38:46,833 --> 00:38:49,067 GET KICKED OFF BECAUSE OF SOME 1543 00:38:49,067 --> 00:38:51,167 SHOWGIRL BARBIE DOLL. 1544 00:38:51,167 --> 00:38:52,233 >> * IT'S RAINING MEN * 1545 00:38:52,233 --> 00:38:55,833 >> * WHAT YOU TALKIN' 'BOUT * 1546 00:38:55,833 --> 00:38:57,133 >> I KNOW HOW PHI PHI DANCES AND 1547 00:38:57,133 --> 00:38:58,067 PERFORMS. 1548 00:38:58,067 --> 00:38:59,067 I WAS SHOCKED TO SEE THAT SHARON 1549 00:38:59,067 --> 00:39:00,333 IS KEEPING UP. 1550 00:39:00,333 --> 00:39:02,233 THIS IS TOUGH TO WATCH, BECAUSE 1551 00:39:02,300 --> 00:39:03,867 YOU DON'T KNOW WHO IS GONNA GO 1552 00:39:03,867 --> 00:39:04,533 HOME. 1553 00:39:04,600 --> 00:39:05,833 >> * RIP OFF THE ROOF 1554 00:39:05,833 --> 00:39:08,067 * AND STAY IN BED 1555 00:39:08,067 --> 00:39:09,267 >> * RIP OFF THE ROOF 1556 00:39:09,267 --> 00:39:10,300 *AND STAY IN BED * 1557 00:39:10,300 --> 00:39:12,667 >> * IT'S RAINING MEN * 1558 00:39:12,667 --> 00:39:14,233 * HALLELUJAH 1559 00:39:14,233 --> 00:39:16,333 * IT'S RAINING MEN * 1560 00:39:16,333 --> 00:39:17,600 * AMEN 1561 00:39:17,600 --> 00:39:19,500 * IT'S RAINING MEN * 1562 00:39:19,500 --> 00:39:21,333 * HALLELUJAH 1563 00:39:21,333 --> 00:39:22,867 * IT'S RAINING MEN * 1564 00:39:22,867 --> 00:39:27,967 [cheers and applause] 1565 00:39:27,967 --> 00:39:28,967 [suspenseful music] 1566 00:39:28,967 --> 00:39:30,400 * 1567 00:39:30,400 --> 00:39:32,833 >> LADIES, I HAVE MADE MY 1568 00:39:32,833 --> 00:39:34,167 DECISION. 1569 00:39:34,167 --> 00:39:36,167 >> I'M VERY FUCKING NERVOUS. 1570 00:39:36,167 --> 00:39:38,567 IT WAS MY FIRST TIME HAVING MY 1571 00:39:38,567 --> 00:39:39,800 FATE DANGLED IN FRONT OF MY 1572 00:39:39,800 --> 00:39:42,267 FACE. 1573 00:39:42,267 --> 00:39:46,133 >> WILLAM, WILL YOU PLEASE STEP 1574 00:39:46,133 --> 00:39:47,067 FORWARD. 1575 00:39:47,067 --> 00:39:48,067 [dramatic music] 1576 00:39:48,067 --> 00:39:56,533 * 1577 00:39:56,533 --> 00:40:00,500 >> WHAT THE HELL IS HAPPENING? 1578 00:40:00,500 --> 00:40:03,800 >> WILLAM, YOU WON TONIGHT 1579 00:40:03,800 --> 00:40:06,067 BECAUSE YOU ARE A BEAUTIFUL AND 1580 00:40:06,067 --> 00:40:11,200 TALENTED QUEEN, BUT IT HAS COME 1581 00:40:11,200 --> 00:40:13,200 TO MY ATTENTION THAT YOU HAVE 1582 00:40:13,200 --> 00:40:16,867 BROKEN THE RULES--RULES THAT ARE 1583 00:40:16,867 --> 00:40:19,233 IN PLACE TO PROTECT THE FAIRNESS 1584 00:40:19,233 --> 00:40:21,067 OF THIS COMPETITION. 1585 00:40:21,067 --> 00:40:24,000 YOUR ACTIONS HAVE CONSEQUENCES, 1586 00:40:24,000 --> 00:40:25,900 AND I'M AFRAID YOU LEAVE ME 1587 00:40:25,900 --> 00:40:27,300 NO CHOICE. 1588 00:40:27,300 --> 00:40:29,200 WILLAM, I HAVE TO ASK YOU TO 1589 00:40:29,200 --> 00:40:31,033 LEAVE THE COMPETITION 1590 00:40:31,033 --> 00:40:33,300 IMMEDIATELY. 1591 00:40:33,300 --> 00:40:36,800 NOW, SASHAY AWAY. 1592 00:40:36,800 --> 00:40:41,900 * 1593 00:40:45,000 --> 00:40:46,667 >> I BROKE THE RULES, BUT I'M A 1594 00:40:46,667 --> 00:40:48,233 BIG BOY DRESSED IN BIG GIRL'S 1595 00:40:48,233 --> 00:40:50,767 CLOTHES, SO REGRET'S KIND OF 1596 00:40:50,767 --> 00:40:51,767 LIKE A FOOL'S GAME. 1597 00:40:51,767 --> 00:40:52,800 I CAN'T CHANGE ANYTHING THAT I 1598 00:40:52,800 --> 00:40:54,367 DID, AND THERE'S NO USE SPENDING 1599 00:40:54,367 --> 00:40:55,600 ANY TIME DWELLING ON IT. 1600 00:40:55,600 --> 00:40:57,433 I STOOD ON STAGE, SICK, WITH A 1601 00:40:57,433 --> 00:40:58,933 24-INCH-WAIST, AND I'M PROUD OF 1602 00:40:58,933 --> 00:41:02,800 MYSELF. 1603 00:41:02,800 --> 00:41:05,300 >> PHI PHI O'HARA, SHARON 1604 00:41:05,300 --> 00:41:08,233 NEEDLES, IN LIGHT OF TONIGHT'S 1605 00:41:08,233 --> 00:41:11,567 EVENTS, YOU GOT LUCKY. 1606 00:41:11,567 --> 00:41:14,767 YOU ARE BOTH SAFE. 1607 00:41:14,767 --> 00:41:17,500 SHANTE, YOU STAY. 1608 00:41:17,500 --> 00:41:20,567 [applause] 1609 00:41:20,567 --> 00:41:25,067 YOU MAY JOIN THE OTHER GIRLS. 1610 00:41:25,067 --> 00:41:27,900 MY FIERCE FIVE, LET THIS BE A 1611 00:41:27,900 --> 00:41:29,700 WARNING TO ALL OF YOU, IN THE 1612 00:41:29,700 --> 00:41:31,233 RACE TO BECOME AMERICA'S NEXT 1613 00:41:31,233 --> 00:41:33,533 DRAG SUPERSTAR, SOMETIMES A 1614 00:41:33,533 --> 00:41:36,100 QUEEN'S WORST ENEMY CAN BE 1615 00:41:36,100 --> 00:41:36,867 HERSELF. 1616 00:41:36,933 --> 00:41:38,767 >> NOW REMEMBER, IF YOU CAN'T 1617 00:41:38,767 --> 00:41:40,167 LOVE YOURSELF, HOW IN THE HELL 1618 00:41:40,167 --> 00:41:41,500 YOU GONNA LOVE SOMEBODY ELSE? 1619 00:41:41,500 --> 00:41:43,367 CAN I GET AN AMEN UP IN HERE? 1620 00:41:43,367 --> 00:41:44,400 >> AMEN. 1621 00:41:44,400 --> 00:41:45,067 >> ALL RIGHT. 1622 00:41:45,067 --> 00:41:46,300 NOW LET THE MUSIC PLAY. 1623 00:41:46,300 --> 00:41:49,567 * 1624 00:41:49,567 --> 00:41:51,700 >> * RIGHT, RIGHT 1625 00:41:51,700 --> 00:41:52,967 * GET-GET-GET IT 1626 00:41:52,967 --> 00:41:54,133 * GET IT RIGHT 1627 00:41:54,133 --> 00:41:56,100 * THIS IS THE BEGINNING 1628 00:41:56,100 --> 00:41:57,633 * THE BEGINNING 1629 00:41:57,633 --> 00:41:58,933 * THIS IS THE BEGINNING 1630 00:41:58,933 --> 00:42:01,967 * OF THE REST OF YOUR LIFE