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>> LADIES AND GENTLEMEN, THE

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ONE, THE ONLY...RUPAUL.

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>> * THIS IS THE BEGINNING

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* THE BEGINNING

5
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* THIS IS THE BEGINNING

6
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* OF THE REST OF YOUR LIFE

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* BETTER GET IT, GET IT

8
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* GE-GE-GET IT, GET IT

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* RIGHT, RIGHT

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* GET IT, GET IT

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* GE-GE-GET IT, GET IT

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* RIGHT, RIGHT

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>> THIS IS THE GLAMAZON EDITION

14
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OF RUPAUL'S DRAG RACE.

15
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STUFFED AND TUCKED WITH

16
00:00:34,833 --> 00:00:40,100
EVERYTHING YOU LOVE AND MORE.

17
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>> THERE'S A HOLE IN MY STOMACH!

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>> PLUS, NEVER-BEFORE-SEEN

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FOOTAGE FROM THE YOU BETTER WORK

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ROOM.

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>> YES, I KNOW HOW TO SOP IT UP,

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GIRL!

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>> THEN IT'S CELEBRITIES CAUGHT

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ON TAPE, WITH EXCLUSIVE OUTTAKES

25
00:00:52,700 --> 00:00:54,500
FROM THE JUDGES' PANEL.

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>> I FELT LIKE I WAS MAYBE ABOUT

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TO WATCH SOME SORT OF AN ADULT,

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EROTIC FILM OF SORTS.

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>> OH, DEAR.

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>> AND WATCH OUT, FASHION

31
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POLICE.

32
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WE'RE COUNTING DOWN THE MOST

33
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SICKENING FITS AND FASHIONS

34
00:01:05,267 --> 00:01:07,400
WITH THE ARRESTING CHANEL,

35
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MARIAH, AND PANDORA BOXX.

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>> * THIS IS THE BEGINNING

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* OF THE REST OF YOUR LIFE

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>> SO DON'T GO ANYWHERE.

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THE GLAMAZON EDITION OF

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RUPAUL'S DRAG RACE IS READY TO

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LET YOU HAVE IT, AUNTIE.

42
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CAN I GET AN AMEN UP IN HERE?

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CAMEROON?

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[weakly] ANYBODY?

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HELLOO?

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>> ARE YOU MAKING FUN OF ME,

47
00:01:34,300 --> 00:01:35,767
MICHELLE?

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>> SOME DRAG QUEENS CAN BE SO

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TOUCHY.

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[slap]

51
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[race car engine]

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>> * RUPAUL DRAG RACE

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>> * GENTLEMEN

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* START YOUR ENGINES

55
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>> * RUPAUL'S DRAG RACE *

56
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>> * MAY THE BEST WOMAN WIN

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>> * RU-RU-RUPAUL DRAG RACE

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>> * GENTLEMEN

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* START YOUR ENGINES

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>> * RUPAUL'S DRAG RACE *

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>> * MAY THE BEST WOMAN

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* BEST WOMAN WIN

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WELCOME TO THE GLAMAZON EDITION

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OF RUPAUL'S DRAG RACE.

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THANKS TO YOU, THIS SEASON HAS

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BEEN THE BIGGEST DRAG EVER.

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LET'S FLASH BACK AND SHARE SOME

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EXTRA-SPECIAL FOOTAGE THAT NO

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ONE'S SEEN.

70
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TAKE A LOOK AT THE CASTING TAPES

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THAT TRIED TO SNATCH MY

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ATTENTION, INCLUDING SOME

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FAMILIAR FACES.

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* I'M IN YOUR ARMS *

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* CHAMPION

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* GREATEST OF 'EM ALL *

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>> OH, SHIT, THIS IS THE

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WRONG SONG!

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>> CAN YOU BELIEVE I WALK AROUND

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WITH NO EYEBROWS, CHILD?

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>> GAH! EAT IT, BITCH! AAH!

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>> * EVERYBODY WANTS HER

83
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* MISS SEXY IN THE CITY

84
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* SHE'S ON THE PROWL *

85
00:02:40,233 --> 00:02:42,133
>> WHY DO YOU WANT ME?

86
00:02:42,133 --> 00:02:44,467
UM...LOOK AT ME.

87
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>> I SPLIT, MY BUTT CHEEKS HIT

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THE FLOOR.

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WHO DOES THAT?

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THIS BITCH.

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>> * SASHAY, CHANTE

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* PANTHER ON THE RUNWAY

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* DO IT, DO IT, OH OH

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* ALL THE GIRLS SAY

95
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* WELCOME TO THE JUNGLE

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>> MISS PHI PHI DOES NOT LIKE TO

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LOSE.

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00:03:04,067 --> 00:03:04,767
>> WHAT IS THIS?

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I DON'T EVEN KNOW WHAT THIS

100
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MEANS.

101
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WHY AM I EVEN HERE TODAY?

102
00:03:07,633 --> 00:03:08,467
>> YOU SAID YOU COME IN FOR CHAD

103
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MICHAELS IN RUPAUL'S DRAG RACE.

104
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>> THE FIRST LATIN

105
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PUERTORRIQUENA THAT WIN!

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>> I...WILL...TAKE MY VASELINE

107
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OUT.

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00:03:17,933 --> 00:03:18,667
>> OH, I SEE, SO THIS IS SOME

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SORT OF FREE PUBLIC SERVICE

110
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ANNOUNCEMENT FOR SOME DRAG

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QUEEN.

112
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YOU KNOW WHAT?

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I DON'T HAVE TIME FOR THIS

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SHIT.

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>> I WILL TAKE MY EARRINGS OFF.

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>> I'M GONNA DO WHATEVER IT

117
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TAKES.

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>> I DON'T GIVE UP.

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>> GET RID OF THE PRETTY AND

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KNOCK A BITCH OUT.

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>> THE PRINCESS. NOW, WHEN YOU

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HEAR THAT NAME, YOU'RE THINKING,

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WELL, SHE THINKS PRETTY DAMN

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HIGHLY OF HERSELF.

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>> MY FRIEND WANNA BE ON

126
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RUPAUL'S DRAG RACE 'CAUSE SHE

127
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THIS FRIEND NAME WILLAM WHO'S

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HELLA COOL. [trills]

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>> I GOT CHARISMA, UNIQUENESS,

130
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NERVE, AND TALENT.

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AND AS FAR AS I'M CONCERNED, I'M

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PRETTY SURE THAT'S WHAT YOU'RE

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LOOKING FOR, RU.

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>> I THINK THAT, IN THIS

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BUSINESS, WE ALL SHOULD BE

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SISTERS, WE ALL SHOULD BE

137
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FRIENDS.

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WE'RE ONE OF A KIND, SO WE ALL

139
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SHOULD HAVE OUR BACKS AND

140
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SUPPORT EVERYBODY, AND THAT'S MY

141
00:03:58,400 --> 00:03:59,667
PHILOSOPHY ON THAT.

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>> * FEMALE PHENOMENA

143
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* A GLAMAZON

144
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* SHE'S SO WILD, SO ANIMAL *

145
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* SHE'S GONNA WORK THAT *

146
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* SEXY BODY, SO SEXUAL

147
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* SHE'S LIKE A FEMALE... *

148
00:04:12,500 --> 00:04:13,733
>> I'M GONNA WIN OF THIS

149
00:04:13,733 --> 00:04:15,100
COMPETITION!

150
00:04:15,100 --> 00:04:16,067
>> WIN THE COMPETITION.

151
00:04:16,067 --> 00:04:17,900
>> I CAME TO WIN.

152
00:04:17,900 --> 00:04:19,700
>> * AMAZON NA NA NA

153
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>> I'M A FUCKING OSCAR-WINNER!

154
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I'M OUT OF HERE!

155
00:04:23,533 --> 00:04:25,267
>> OH! HI.

156
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I DIDN'T SEE YOU COME IN THERE.

157
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WELCOME TO MY HOME.

158
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>> THIS ONE'S MY FAVORITE THAT I

159
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MADE.

160
00:04:34,700 --> 00:04:35,767
I ACTUALLY JUST MADE IT.

161
00:04:35,767 --> 00:04:37,767
PINS ON JUST LIKE THIS.

162
00:04:37,767 --> 00:04:39,900
>> HAIRPIECES THAT I MAKE.

163
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I DO BIG HAIR TOO, BUT YOU--OH.

164
00:04:42,933 --> 00:04:44,267
IT'S COMING APART LIKE SHANGELA

165
00:04:44,267 --> 00:04:46,100
HAIR, SOMETHING TO DO WITH THIS.

166
00:04:46,100 --> 00:04:47,400
>> THIS, BELIEVE IT OR NOT, IS A

167
00:04:47,400 --> 00:04:48,667
SHOWER CURTAIN.

168
00:04:48,667 --> 00:04:49,967
AND, BELIEVE ME, IT HAS MANY,

169
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MANY USES.

170
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>> I MADE THIS LITTLE PIECE

171
00:04:51,833 --> 00:04:53,767
RIGHT HERE.

172
00:04:53,767 --> 00:04:55,700
THIS IS FROM WHITE PARTY.

173
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>> I DEFINITELY SEE, LIKE,

174
00:04:56,433 --> 00:04:57,867
BRITNEY SPEARS WEARING SOMETHING

175
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LIKE THIS.

176
00:04:58,567 --> 00:04:59,633
>> YOU'LL SEE MY DOLLY PARTON

177
00:04:59,633 --> 00:05:01,100
HAIR OVER HERE.

178
00:05:01,100 --> 00:05:02,800
>> WELL, HERE WE HAVE A DRAG

179
00:05:02,800 --> 00:05:04,467
QUEEN'S BEST FRIEND--SEQUINS.

180
00:05:04,467 --> 00:05:06,467
OH, THAT JUST BOUNCES OFF OF MY

181
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FACE, AND IT'S JUST MAKING ME

182
00:05:07,633 --> 00:05:09,133
JUST SO SICKENING.

183
00:05:09,133 --> 00:05:11,933
>> THERE'S A HOLE IN MY STOMACH!

184
00:05:11,933 --> 00:05:13,900
I'M A BIG FAN OF, LIKE, PUNK

185
00:05:13,900 --> 00:05:15,133
ROCK, AND I'M NOT TALKING, LIKE,

186
00:05:15,133 --> 00:05:16,833
PAT BENATAR PUNK ROCK, HONEY.

187
00:05:16,833 --> 00:05:18,433
I'M TALKING LIKE JANE WAYNE

188
00:05:18,433 --> 00:05:20,400
COUNTY PUNK ROCK.

189
00:05:20,400 --> 00:05:21,867
[glass shatters]

190
00:05:21,933 --> 00:05:23,400
>> I'LL SEND HER HOME, GIRL.

191
00:05:23,400 --> 00:05:24,067
>> YOU--

192
00:05:24,067 --> 00:05:25,367
>> I CAN LIP-SYNC THE SHIT

193
00:05:25,367 --> 00:05:26,433
OUT OF YOU, GIRL.

194
00:05:26,433 --> 00:05:27,767
>> I MEAN--OH...

195
00:05:27,767 --> 00:05:28,933
>> GIRL.

196
00:05:28,933 --> 00:05:29,767
>> WELL, THAT'S BECAUSE YOU DO

197
00:05:29,767 --> 00:05:31,067
SONGS THAT EVERYONE KNOWS.

198
00:05:31,067 --> 00:05:32,333
>> UH-HUH. UH-HUH.

199
00:05:32,400 --> 00:05:33,633
>> I LOVE HIM MORE THAN

200
00:05:33,633 --> 00:05:34,533
ANYTHING.

201
00:05:34,533 --> 00:05:36,067
AND I DO REMEMBER THAT, BABY.

202
00:05:36,067 --> 00:05:39,267
>> I LOVE YOU TOO, SWEETHEART.

203
00:05:39,267 --> 00:05:40,933
>> LET'S GO ON TV AND BE FAMOUS.

204
00:05:40,933 --> 00:05:42,600
>> I KNOW.

205
00:05:42,600 --> 00:05:44,200
MM, MM.

206
00:05:44,200 --> 00:05:46,233
>> 13 EXCEPTIONAL QUEENS WERE

207
00:05:46,233 --> 00:05:48,300
INVITED TO JOIN THE RACE.

208
00:05:48,300 --> 00:05:49,200
AND WHEN THEY RECEIVED THE GOOD

209
00:05:49,200 --> 00:05:52,600
NEWS, THEIR REACTIONS WERE TRULY

210
00:05:52,600 --> 00:05:53,267
TOUCHING.

211
00:05:53,267 --> 00:05:54,400
[Thus Spake Zarathustra]

212
00:05:54,400 --> 00:06:02,467
*

213
00:06:02,467 --> 00:06:03,933
>> HUH?

214
00:06:03,933 --> 00:06:05,500
I MADE IT?

215
00:06:05,500 --> 00:06:06,533
WHAT--WHAT--LIKE, I'M ON THE

216
00:06:06,533 --> 00:06:07,367
SHOW?

217
00:06:07,367 --> 00:06:08,200
>> WHOO!

218
00:06:08,200 --> 00:06:10,300
>> AAH! HA!

219
00:06:10,300 --> 00:06:11,233
>> [laughing]

220
00:06:11,233 --> 00:06:12,200
>> [gasps]

221
00:06:12,200 --> 00:06:13,333
>> [laughing]

222
00:06:13,333 --> 00:06:14,233
>> SHUT YOUR MOUTH.

223
00:06:14,233 --> 00:06:16,233
>> OH, MY GOD!

224
00:06:16,233 --> 00:06:17,800
THIS IS IT. THIS IS IT!

225
00:06:17,800 --> 00:06:19,300
THIS IS IT!

226
00:06:19,300 --> 00:06:20,100
>> SO I THINK YOU GUYS SHOULD DO

227
00:06:20,100 --> 00:06:21,133
THIS: YOU GUYS SHOULD PROBABLY

228
00:06:21,133 --> 00:06:22,233
FIT ME FOR THE CROWN, 'CAUSE I

229
00:06:22,233 --> 00:06:24,333
PLAN ON TAKING IT HOME.

230
00:06:24,333 --> 00:06:26,533
>> IT'S GONNA BE AN HONOR TO BE

231
00:06:26,533 --> 00:06:28,100
A PART OF THIS PART OF DRAG

232
00:06:28,100 --> 00:06:29,200
HISTORY.

233
00:06:29,200 --> 00:06:30,500
>> I'M SO GRATEFUL, SO, SO

234
00:06:30,500 --> 00:06:31,333
GRATEFUL TO YOU GUYS.

235
00:06:31,333 --> 00:06:33,100
>> WHEW! OH, MY GOD.

236
00:06:33,100 --> 00:06:34,567
I'M GOING TO BE ON FUCKING

237
00:06:34,567 --> 00:06:35,967
RUPAUL'S DRAG RACE.

238
00:06:35,967 --> 00:06:37,067
SEASON 4.

239
00:06:37,067 --> 00:06:37,867
>> SO HOW DOES THAT MAKE YOU

240
00:06:37,867 --> 00:06:40,067
FEEL?

241
00:06:40,067 --> 00:06:41,567
>> YAY. OOH, MY TEETH LOOK GOOD

242
00:06:41,567 --> 00:06:44,167
TOO.

243
00:06:44,167 --> 00:06:46,233
>> ONCE THEY ARRIVED, THESE

244
00:06:46,233 --> 00:06:48,533
GIRLS WASTED NO TIME DOING WHAT

245
00:06:48,533 --> 00:06:49,933
DRAG QUEENS DO BEST--

246
00:06:49,933 --> 00:06:51,433
KI KI!

247
00:06:51,433 --> 00:06:53,433
NOW, I PROUDLY PRESENT THE WORLD

248
00:06:53,433 --> 00:06:54,867
PREMIERE OF...

249
00:06:54,867 --> 00:06:57,133
SHIT MY GIRLS SAY.

250
00:06:57,133 --> 00:07:00,067
>> THE LIBRARY IS NOW OPEN.

251
00:07:00,067 --> 00:07:01,567
>> NO SALE, NO SEARCH, NO SHADE.

252
00:07:01,567 --> 00:07:02,233
>> NO SHADE.

253
00:07:02,233 --> 00:07:03,133
>> NO SHADE.

254
00:07:03,133 --> 00:07:04,300
>> NO SHADE, NO TEA.

255
00:07:04,300 --> 00:07:05,100
>> WORK.

256
00:07:05,100 --> 00:07:05,833
>> NO TEA.

257
00:07:05,833 --> 00:07:06,767
>> NO TEA, NO SHADE.

258
00:07:06,767 --> 00:07:08,233
>> NO TEA, NO SHADE.

259
00:07:08,233 --> 00:07:08,900
>> GIRL...

260
00:07:08,900 --> 00:07:09,800
>> NO, BUT NO SHADE, NO TEA.

261
00:07:09,800 --> 00:07:10,500
>> OOH!

262
00:07:10,500 --> 00:07:12,100
>> OWW!

263
00:07:12,100 --> 00:07:13,533
>> THE CATEGORY IS CHEESECAKE.

264
00:07:13,533 --> 00:07:14,300
>> CHEESECAKE.

265
00:07:14,300 --> 00:07:14,967
>> EAT IT!

266
00:07:14,967 --> 00:07:15,667
>> I WILL NEVER BE LATE FOR

267
00:07:15,667 --> 00:07:16,367
DINNER.

268
00:07:16,367 --> 00:07:17,067
>> EAT IT!

269
00:07:17,067 --> 00:07:17,700
>> BELLA!

270
00:07:17,700 --> 00:07:18,367
>> ARE YOU UPSET BECAUSE YOU

271
00:07:18,367 --> 00:07:20,067
CAN'T HANDLE ALL THIS FISHINESS?

272
00:07:20,067 --> 00:07:21,933
>> BITCH, YOU ARE A FISH!

273
00:07:21,933 --> 00:07:22,600
>> GORGEOUS FISH.

274
00:07:22,600 --> 00:07:24,233
>> EAT IT. EAT IT!

275
00:07:24,233 --> 00:07:25,067
>> I'M PROBABLY GONNA GET READ

276
00:07:25,067 --> 00:07:26,400
FOR PHIL...FOR PHIL...FOR PHIL.

277
00:07:26,400 --> 00:07:27,533
>> BEAT THAT WIG!

278
00:07:27,533 --> 00:07:28,400
>> BEATING THE FACE, GIRL.

279
00:07:28,400 --> 00:07:29,200
>> YEAH, BUT NOT LITERALLY

280
00:07:29,200 --> 00:07:30,433
BEATING MY FACE.

281
00:07:30,433 --> 00:07:31,233
>> I AM TRYING!

282
00:07:31,233 --> 00:07:32,233
>> A POST-APOCOLAKE--

283
00:07:32,233 --> 00:07:33,300
APOCOLAKE.

284
00:07:33,300 --> 00:07:34,467
A POST-APOCOLAKE.

285
00:07:34,467 --> 00:07:35,267
APOCOLAKE.

286
00:07:35,267 --> 00:07:36,400
THAT'S ALL I--THAT'S HOW I SAY

287
00:07:36,400 --> 00:07:38,200
IT.

288
00:07:38,200 --> 00:07:40,900
>> I LOVE BEING A WOMAN.

289
00:07:40,900 --> 00:07:42,433
>> I LOVE PUSSY.

290
00:07:42,433 --> 00:07:43,467
>> YES, WHO DOESN'T?

291
00:07:43,467 --> 00:07:44,267
>> THEY ALL ASSUME THAT I WANT

292
00:07:44,267 --> 00:07:45,267
TO BE A WOMAN, LIKE, AND I

293
00:07:45,267 --> 00:07:45,967
DON'T.

294
00:07:45,967 --> 00:07:46,700
>> YOU GOTTA FIND THE INNER

295
00:07:46,700 --> 00:07:47,567
DIVA.

296
00:07:47,567 --> 00:07:48,633
>> LOOKIN' FABULOUS!

297
00:07:48,633 --> 00:07:49,333
>> WORK IT, GIRL.

298
00:07:49,333 --> 00:07:50,333
>> PUT SOME FOAM AROUND THAT

299
00:07:50,333 --> 00:07:51,067
ASS.

300
00:07:51,067 --> 00:07:52,400
>> WHEN MAKING YOUR ASS, ALWAYS

301
00:07:52,400 --> 00:07:53,967
DRAW THE SHAPE OF AFRICA.

302
00:07:53,967 --> 00:07:54,933
>> THIS IS GONNA LOOK A HOT

303
00:07:54,933 --> 00:07:55,867
MESS.

304
00:07:55,867 --> 00:07:56,867
>> SHOULD I TUCK?

305
00:07:56,867 --> 00:07:57,667
>> ALL YOU HAVE TO DO IS DIP IT

306
00:07:57,667 --> 00:07:58,667
IN SOME APPLE CIDER VINEGAR

307
00:07:58,667 --> 00:08:00,167
AND IT TIGHTENS RIGHT BACK UP.

308
00:08:00,167 --> 00:08:01,067
[kiss]

309
00:08:01,067 --> 00:08:01,867
>> DAYLIGHT IS NO FRIEND OF THE

310
00:08:01,867 --> 00:08:02,600
DRAGOON.

311
00:08:02,600 --> 00:08:03,867
>> DRY THOSE TEARS AND POWDER

312
00:08:03,867 --> 00:08:05,267
THOSE CHEEKBONES, OKAY?

313
00:08:05,267 --> 00:08:06,733
>> THIS IS CALLED CUTTING A

314
00:08:06,733 --> 00:08:07,600
CHEEK.

315
00:08:07,600 --> 00:08:08,367
>> YOU KNOW HOW MUCH GARBAGE

316
00:08:08,367 --> 00:08:09,433
COMES OUT OF THESE OVER-PAINTED

317
00:08:09,433 --> 00:08:10,500
LIPS.

318
00:08:10,500 --> 00:08:11,400
>> YES, MA'AM!

319
00:08:11,400 --> 00:08:12,567
>> GIRL, NO.

320
00:08:12,567 --> 00:08:13,300
>> MY MOUSTACHE IS GONNA START

321
00:08:13,300 --> 00:08:14,133
SHOWING.

322
00:08:14,133 --> 00:08:16,133
>> PEOPLE DON'T EVEN KNOW HOW

323
00:08:16,133 --> 00:08:16,867
MUCH OF A MAN IT TAKES TO BE A

324
00:08:16,867 --> 00:08:18,500
DRAG QUEEN.

325
00:08:18,500 --> 00:08:19,200
>> WHERE THE FUCK ARE MY

326
00:08:19,200 --> 00:08:20,067
TITS?

327
00:08:20,067 --> 00:08:20,767
>> IF YOU HAVE A CAMELTOE,

328
00:08:20,767 --> 00:08:23,133
THAT'S PERFECT.

329
00:08:23,200 --> 00:08:26,067
>> UP NEXT, SCANDALOUS WORKROOM

330
00:08:26,067 --> 00:08:28,833
FOOTAGE, TUCKED AWAY UNTIL NOW.

331
00:08:28,833 --> 00:08:30,267
>> OH, MY GOD!

332
00:08:30,267 --> 00:08:31,933
>> AND LATER, YOU'LL BE GAGGING

333
00:08:31,933 --> 00:08:34,367
ON THE TOP TEN FITS AND FASHIONS

334
00:08:34,367 --> 00:08:35,733
WITH EXTRA-SPECIAL GUESTS

335
00:08:35,733 --> 00:08:38,733
CHANEL, MARIAH, AND PANDORA

336
00:08:38,733 --> 00:08:39,933
BOXX.

337
00:08:39,933 --> 00:08:42,567
PLUS, NAUGHTY, NEVER-BEFORE-SEEN

338
00:08:42,567 --> 00:08:44,233
COMMENTS FROM THE JUDGES.

339
00:08:44,233 --> 00:08:44,967
>> IF WE WERE GONNA GO OUT ON

340
00:08:44,967 --> 00:08:46,133
THE TOWN, I'D PULL YOU ASIDE AND

341
00:08:46,133 --> 00:08:46,867
SAY, "LET'S GO LOOK IN YOUR

342
00:08:46,867 --> 00:08:48,900
CLOSET AND FIND SOMETHING ELSE."

343
00:08:48,900 --> 00:08:50,433
>> [laughs]

344
00:08:53,067 --> 00:08:54,233
>> [laughs]

345
00:08:54,233 --> 00:08:55,333
>> WELCOME BACK.

346
00:08:55,333 --> 00:08:57,400
NOW, I CREATED RUPAUL'S DRAG

347
00:08:57,400 --> 00:08:59,100
RACE TO ELEVATE THE ART OF

348
00:08:59,100 --> 00:09:00,667
DRAG.

349
00:09:00,667 --> 00:09:02,633
BUT I KNOW YOU ALL LOVE IT WHEN

350
00:09:02,633 --> 00:09:04,933
THESE BITCHES GET SHADY.

351
00:09:04,933 --> 00:09:06,900
ROLL THE TAPE.

352
00:09:06,900 --> 00:09:07,667
>> Y'ALL GOT ENOUGH SEWING

353
00:09:07,667 --> 00:09:09,167
MACHINES OVER THERE?

354
00:09:09,167 --> 00:09:10,600
Y'ALL LOOK LIKE A SWEATSHOP.

355
00:09:10,600 --> 00:09:11,900
>> JIGGLY TOO--SHE TALKIN'

356
00:09:11,900 --> 00:09:13,200
ABOUT SHE SAW THIS THING.

357
00:09:13,200 --> 00:09:13,900
>> WHO?

358
00:09:13,900 --> 00:09:14,667
>> HER.

359
00:09:14,667 --> 00:09:15,367
>> THIS BITCH IS SHADY.

360
00:09:15,367 --> 00:09:16,167
>> THAT SMELLY BITCH, SHE GOT

361
00:09:16,167 --> 00:09:17,467
NERVE.

362
00:09:17,467 --> 00:09:18,367
>> WHO, ME?

363
00:09:18,367 --> 00:09:19,433
>> YEAH, YOU, YOU MONSTER.

364
00:09:19,433 --> 00:09:20,967
>> ME? I'M MONSTER?

365
00:09:20,967 --> 00:09:21,633
>> YEAH, YOU.

366
00:09:21,633 --> 00:09:22,800
>> WHO'S THE BIG ONE IN HERE?

367
00:09:22,800 --> 00:09:24,500
>> GIRL, YOU LOOK LIKE A HORSE.

368
00:09:24,500 --> 00:09:25,367
>> ROAR.

369
00:09:25,367 --> 00:09:26,100
>> YOU LOOK LIKE A HORSE.

370
00:09:26,100 --> 00:09:26,867
>> YOU WANNA CALL ME A HORSE,

371
00:09:26,867 --> 00:09:27,567
HONEY, THAT'S FINE.

372
00:09:27,567 --> 00:09:28,667
HORSES HAVE GORGEOUS LEGS,

373
00:09:28,667 --> 00:09:29,700
AND THESE LEGS WILL KICK.

374
00:09:29,700 --> 00:09:30,467
>> YOU LOOK LIKE YOU'VE BEEN

375
00:09:30,467 --> 00:09:31,200
KICKING, ALL RIGHT--

376
00:09:31,200 --> 00:09:32,067
KICKING FLOUR.

377
00:09:32,067 --> 00:09:32,667
PUT SOME LOTION ON THEM

378
00:09:32,667 --> 00:09:33,600
ASHY-ASS KNEES.

379
00:09:33,600 --> 00:09:34,900
>> BITCH, BYE, BOO!

380
00:09:34,900 --> 00:09:36,067
>> YOU UGLY, AND I'M AT PEACE

381
00:09:36,067 --> 00:09:36,900
WITH IT.

382
00:09:36,900 --> 00:09:38,333
[laughter]

383
00:09:38,333 --> 00:09:39,467
>> WILLAM'S SCHOOL FOR BITCHES

384
00:09:39,467 --> 00:09:41,200
IS NOW OPENING, ACCEPTING

385
00:09:41,200 --> 00:09:42,500
ENROLLMENTS FOR THE 2011--

386
00:09:42,500 --> 00:09:44,400
>> I ALREADY GRADUATED.

387
00:09:44,400 --> 00:09:46,833
>> NURSE. LIKE, "OOH, NURSE."

388
00:09:46,833 --> 00:09:47,533
>> NURSE.

389
00:09:47,533 --> 00:09:48,967
>> YEAH, 'CAUSE SHE NEEDS HELP.

390
00:09:48,967 --> 00:09:50,200
AND NURSES HELP PEOPLE.

391
00:09:50,200 --> 00:09:53,967
NURSE.

392
00:09:53,967 --> 00:09:54,767
>> DID THIS BITCH REALLY JUST

393
00:09:54,767 --> 00:09:55,800
COME FOR ME?

394
00:09:55,800 --> 00:09:57,833
>> OOH, NURSE!

395
00:09:57,833 --> 00:09:59,367
>> ALL THAT VENOM INSIDE YOU,

396
00:09:59,367 --> 00:10:00,600
MAMA.

397
00:10:00,600 --> 00:10:01,833
WE NEED TO DO AN EXTRACTION.

398
00:10:01,833 --> 00:10:03,267
>> OUT OF ME?

399
00:10:03,267 --> 00:10:03,933
>> YEAH.

400
00:10:03,933 --> 00:10:05,700
>> YOU THINK I'M EVIL?

401
00:10:05,700 --> 00:10:06,900
>> DIDN'T SHARON LOOK PRETTY

402
00:10:06,900 --> 00:10:07,767
YESTERDAY?

403
00:10:07,767 --> 00:10:08,533
>> WHAT?

404
00:10:08,533 --> 00:10:09,800
>> SHARON. I WAS SHOCKED.

405
00:10:09,800 --> 00:10:10,900
>> [laughs]

406
00:10:10,900 --> 00:10:11,700
>> DON'T THINK ABOUT IT.

407
00:10:11,700 --> 00:10:12,733
WHAT MAKES YOU HAPPY? FOOD?

408
00:10:12,733 --> 00:10:13,867
FOOD MAKES YOU HAPPY, RIGHT?

409
00:10:13,867 --> 00:10:14,533
>> I KNOW YOU HAVE LOW

410
00:10:14,533 --> 00:10:15,333
SELF-ESTEEM, SO I'LL LET YOU

411
00:10:15,333 --> 00:10:16,267
THINK YOU WON.

412
00:10:16,267 --> 00:10:18,167
>> THANK YOU.

413
00:10:18,167 --> 00:10:20,900
>> YOUR ATTITUDE SUCKS.

414
00:10:20,900 --> 00:10:22,867
IT SUCKS, AND YOU SUCK.

415
00:10:22,867 --> 00:10:23,900
>> I CAN'T HEAR YOU.

416
00:10:23,900 --> 00:10:24,667
>> WHAT DID YOU READ ME ABOUT

417
00:10:24,667 --> 00:10:25,467
NOW, YOU BITCH?

418
00:10:25,467 --> 00:10:27,267
>> GIRL, YOU'RE SO INSECURE.

419
00:10:27,267 --> 00:10:28,367
NOBODY WAS EVEN TALKING ABOUT

420
00:10:28,367 --> 00:10:29,233
YOU.

421
00:10:29,233 --> 00:10:30,567
PAINT YOUR FACE.

422
00:10:30,567 --> 00:10:31,333
>> YOU'RE SUCH A RUDE BITCH,

423
00:10:31,333 --> 00:10:32,567
PHI PHI.

424
00:10:32,567 --> 00:10:33,800
>> OH, WELL.

425
00:10:33,800 --> 00:10:34,633
YOU MIGHT NOT HAVE TO DEAL WITH

426
00:10:34,633 --> 00:10:36,000
IT FOR LONG.

427
00:10:36,000 --> 00:10:37,900
>> [chuckling]

428
00:10:37,900 --> 00:10:39,967
>> JUST LIKE GLEE, THERE'S

429
00:10:39,967 --> 00:10:41,500
SOMETHING ABOUT RUPAUL'S DRAG

430
00:10:41,500 --> 00:10:43,467
RACE THAT MAKES A QUEEN JUST

431
00:10:43,467 --> 00:10:45,833
BREAK OUT IN SONG.

432
00:10:45,833 --> 00:10:47,267
>> [deep voice] COMIN' DOWN THE

433
00:10:47,267 --> 00:10:49,400
RUNWAY IN A VELVET GOWN.

434
00:10:49,400 --> 00:10:51,200
* I POUND DOWN THE RUNWAY

435
00:10:51,200 --> 00:10:53,133
* 400 POUNDS

436
00:10:53,133 --> 00:10:54,800
* I'M LATRICE *

437
00:10:54,800 --> 00:10:56,067
>> * SHE'S LATRICE *

438
00:10:56,067 --> 00:10:57,800
>> I'M LATRICE

439
00:10:57,800 --> 00:10:59,067
>> COVER GIRL!

440
00:10:59,067 --> 00:11:01,200
WHY YOUR BASE LOOK LIKE CHALK?

441
00:11:01,200 --> 00:11:03,167
[all howling with laughter]

442
00:11:03,167 --> 00:11:05,133
>> CRUNCHY TOES, BUSTED POSE.

443
00:11:05,133 --> 00:11:06,167
YOU CAN'T WALK.

444
00:11:06,167 --> 00:11:07,533
>> YOU BETTER DO IT, BITCH!

445
00:11:07,533 --> 00:11:09,133
>> WALK.

446
00:11:09,133 --> 00:11:10,933
DON'T WALK.

447
00:11:10,933 --> 00:11:11,600
WALK!

448
00:11:11,600 --> 00:11:12,700
>> SHE IS SO STUPID.

449
00:11:12,700 --> 00:11:13,767
>> DON'T WALK!

450
00:11:13,767 --> 00:11:15,500
[laughter]

451
00:11:15,500 --> 00:11:18,500
>> * SHARON NEEDLES

452
00:11:18,500 --> 00:11:19,867
* DON'T SHARE YOUR NEEDLES *

453
00:11:19,867 --> 00:11:21,933
* WITH SHARON NEEDLES

454
00:11:21,933 --> 00:11:25,700
>> *DON'T SHARE YOUR NEEDLE *

455
00:11:25,700 --> 00:11:28,767
* WITH SHARON NEEDLES

456
00:11:28,767 --> 00:11:29,933
*YOU'LL GET THE *

457
00:11:29,933 --> 00:11:30,633
[smack]

458
00:11:30,633 --> 00:11:31,333
>> [laughs]

459
00:11:31,333 --> 00:11:32,867
>> * OR THE BUTT FLU

460
00:11:32,867 --> 00:11:35,133
* YOU WILL, [cough cough]

461
00:11:35,133 --> 00:11:39,133
* OR MAYBE AH-CHOO

462
00:11:39,133 --> 00:11:41,267
>> * JESUS IS A BISCUIT

463
00:11:41,267 --> 00:11:42,400
>> all: * SOP YOU UP

464
00:11:42,400 --> 00:11:43,400
>> THERE YOU GO!

465
00:11:43,400 --> 00:11:45,333
* JESUS IS A BISCUIT

466
00:11:45,333 --> 00:11:46,767
* WON'T LET HIM SOP YOU UP *

467
00:11:46,767 --> 00:11:48,133
>> DID SHE JUST SAY "A BISCUIT"?

468
00:11:48,133 --> 00:11:48,800
>> YEAH.

469
00:11:48,800 --> 00:11:49,867
>> WHAT'S THAT MEAN, "JESUS IS A

470
00:11:49,867 --> 00:11:51,067
BISCUIT"?

471
00:11:51,067 --> 00:11:52,333
>> LET HIM SOP YOU UP.

472
00:11:52,333 --> 00:11:53,433
>> SOP YOU UP?

473
00:11:53,433 --> 00:11:55,333
>> SOP UP STUFF WITH A BISCUIT.

474
00:11:55,333 --> 00:11:56,567
>> YOU DO?

475
00:11:56,567 --> 00:11:58,200
>> Y'ALL SO WHITE AND

476
00:11:58,200 --> 00:12:00,267
ANGLO-SAXON AND SHIT.

477
00:12:00,267 --> 00:12:01,467
Y'ALL NEVER HEARD OF SOPPING IT

478
00:12:01,467 --> 00:12:02,467
UP WITH A BISCUIT?

479
00:12:02,467 --> 00:12:03,133
>> NO.

480
00:12:03,133 --> 00:12:04,700
>> NO, SERIOUSLY, WHAT'S SOP UP?

481
00:12:04,700 --> 00:12:05,900
>> SOPPING IT UP MEANS YOU,

482
00:12:05,900 --> 00:12:07,800
LIKE, TAKE YOUR SYRUP AND YOUR

483
00:12:07,800 --> 00:12:09,300
BISCUIT OR WHATEVER, AND YOU SOP

484
00:12:09,300 --> 00:12:10,533
IT UP.

485
00:12:10,533 --> 00:12:11,900
YOU KNOW ABOUT SOPPING IT UP--

486
00:12:11,900 --> 00:12:12,633
>> OH, YOU TAKE THE BISCUIT

487
00:12:12,633 --> 00:12:13,867
AFTER--WHEN IT'S ON YOUR PLATE,

488
00:12:13,867 --> 00:12:15,133
AND YOU GO...

489
00:12:15,133 --> 00:12:16,300
>> THAT'S SOPPIN' IT UP!

490
00:12:16,300 --> 00:12:17,667
>> THAT'S SOPPIN' IT--YES, I

491
00:12:17,667 --> 00:12:20,367
KNOW HOW TO SOP IT UP, GIRL!

492
00:12:20,367 --> 00:12:22,067
>> NOW, A LOT OF WHAT HAPPENS

493
00:12:22,067 --> 00:12:24,167
DURING FILMING IS JUST TOO HOT

494
00:12:24,167 --> 00:12:26,067
TO AIR, SO LABEL THESE NEXT

495
00:12:26,067 --> 00:12:29,133
CLIPS N.S.F.W.

496
00:12:29,133 --> 00:12:32,067
NOT SAFE FOR THE WORKROOM.

497
00:12:35,633 --> 00:12:36,567
>> THERE'S A BUNCH OF BOOTIES

498
00:12:36,567 --> 00:12:38,267
BACK HERE.

499
00:12:38,267 --> 00:12:39,667
>> MAMA, SOMEBODY LEFT, LIKE, A

500
00:12:39,667 --> 00:12:41,600
DIRTY KOTEX IN MY STATION.

501
00:12:41,600 --> 00:12:43,133
>> AAH! I THINK PHI PHI MIGHT BE

502
00:12:43,133 --> 00:12:44,100
IN HEAT.

503
00:12:44,100 --> 00:12:45,067
>> GUYS, MY BUTT HURTS.

504
00:12:45,067 --> 00:12:46,567
>> [trilling]

505
00:12:46,567 --> 00:12:48,200
>> IF YOU FART, BITCH, I SWEAR.

506
00:12:48,200 --> 00:12:49,800
'CAUSE YOUSE A GASSY HO.

507
00:12:49,800 --> 00:12:50,533
>> [laughing] I CAN'T.

508
00:12:50,533 --> 00:12:51,567
>> YOU NEVER KNOW WHICH END IT'S

509
00:12:51,567 --> 00:12:52,433
GONNA COME OUT OF.

510
00:12:52,433 --> 00:12:53,467
>> [burps]

511
00:12:53,467 --> 00:12:54,800
>> RICK SANTORUM IS, IF YOU

512
00:12:54,800 --> 00:12:56,733
GOOGLE HIS NAME, THERE IS A

513
00:12:56,733 --> 00:12:58,067
FILTHY, FILTHY DEFINITION THAT

514
00:12:58,067 --> 00:12:59,500
COMES UP, BECAUSE A GAY MAN WAS

515
00:12:59,500 --> 00:13:01,400
SMART ENOUGH TO MAKE IT AN URBAN

516
00:13:01,400 --> 00:13:02,867
DICTIONARY WORD OR SOMETHING.

517
00:13:02,867 --> 00:13:04,333
AND HE HATES GAY PEOPLE.

518
00:13:04,333 --> 00:13:05,267
SO I'M GLAD THAT IT'S CALLED

519
00:13:05,267 --> 00:13:06,267
THAT.

520
00:13:06,267 --> 00:13:07,733
>> OH...MY GOD.

521
00:13:07,733 --> 00:13:10,500
I DID NOT KNOW ALL THIS.

522
00:13:10,500 --> 00:13:12,900
>> THE QUEENS JUST LOVE TO SIT

523
00:13:12,900 --> 00:13:14,667
AROUND THE TABLE DEBATING HOT

524
00:13:14,667 --> 00:13:15,600
TOPICS.

525
00:13:15,600 --> 00:13:18,067
IT'S LIKE THE VIEW, ONLY MORE

526
00:13:18,067 --> 00:13:19,267
LADYLIKE.

527
00:13:19,267 --> 00:13:20,400
HEY, MISS HASSELBECK,

528
00:13:20,400 --> 00:13:22,200
NO TEA, NO SHADE.

529
00:13:22,200 --> 00:13:24,867
WORD UP, GIRL.

530
00:13:24,867 --> 00:13:26,733
>> WHAT PRESIDENT DO YOU THINK

531
00:13:26,733 --> 00:13:28,233
OR HAVE YOU FOUND TO BE THE

532
00:13:28,233 --> 00:13:29,700
BEST OR GOOD-LOOKING?

533
00:13:29,700 --> 00:13:30,833
YOU KNOW, LIKE, THE HOTTEST

534
00:13:30,833 --> 00:13:31,767
PRESIDENT WE'VE HAD?

535
00:13:31,767 --> 00:13:32,833
>> OH, MY MR. OBAMA.

536
00:13:32,833 --> 00:13:33,867
>> YOU THINK HE'S HOT?

537
00:13:33,867 --> 00:13:35,067
>> ABSOLUTELY, HE'S SO HANDSOME.

538
00:13:35,067 --> 00:13:35,900
>> YOU DO HIM? YEAH?

539
00:13:35,900 --> 00:13:36,600
>> ABSOLUTELY, AND THEN I

540
00:13:36,600 --> 00:13:38,067
THINK--

541
00:13:38,067 --> 00:13:38,967
>> BILL CLINTON.

542
00:13:38,967 --> 00:13:39,667
>> BILL CLINTON.

543
00:13:39,667 --> 00:13:40,900
>> THAT'S WHO I GOT MY VOTE.

544
00:13:40,900 --> 00:13:42,267
>> EWW.

545
00:13:42,267 --> 00:13:43,867
>> WHEN HE FIRST STARTED, HE WAS

546
00:13:43,867 --> 00:13:44,800
HOT.

547
00:13:44,800 --> 00:13:46,600
>> BUT PRESIDENT OBAMA, HE'S--

548
00:13:46,600 --> 00:13:47,467
I'VE ALWAYS THOUGHT HE WAS JUST

549
00:13:47,467 --> 00:13:50,133
SO HANDSOME AND SO CHARISMATIC.

550
00:13:50,133 --> 00:13:51,567
>> LINCOLN WAS KIND OF CUTE.

551
00:13:51,567 --> 00:13:52,700
HE WAS REALLY, REALLY--HE WAS

552
00:13:52,700 --> 00:13:54,067
REALLY TALL AND--

553
00:13:54,067 --> 00:13:55,067
>> IN LIKE A WOODSMAN KIND OF

554
00:13:55,067 --> 00:13:55,767
WAY.

555
00:13:55,767 --> 00:13:56,467
>> YEAH, AND HE WORE, LIKE, A

556
00:13:56,467 --> 00:13:57,900
STEAMPUNK'S TOP HAT.

557
00:13:57,900 --> 00:13:59,267
HE LOOKED REALLY PUNK.

558
00:13:59,267 --> 00:14:00,200
>> DIDN'T GEORGE WASHINGTON WEAR

559
00:14:00,200 --> 00:14:00,900
WIGS?

560
00:14:00,900 --> 00:14:01,833
>> HE DID.

561
00:14:01,833 --> 00:14:02,500
>> SO HE COULD DOUBLE OUR

562
00:14:02,500 --> 00:14:03,167
COLLECTION.

563
00:14:03,167 --> 00:14:03,967
>> AND TAFT, IF YOU'RE A CHUBBY

564
00:14:03,967 --> 00:14:05,200
CHASER.

565
00:14:05,200 --> 00:14:06,067
HE WAS ALL RIGHT.

566
00:14:06,067 --> 00:14:06,967
HE'S THE ONE THAT GOT STUCK IN

567
00:14:06,967 --> 00:14:07,733
THE TUB.

568
00:14:07,733 --> 00:14:08,433
>> HUH.

569
00:14:08,433 --> 00:14:09,133
>> WOW.

570
00:14:09,133 --> 00:14:10,133
>> DOING WHAT?

571
00:14:10,133 --> 00:14:11,433
>> THE ONE THING I DIDN'T GET IS

572
00:14:11,433 --> 00:14:13,067
WHAT IS WITH THE WIG WARS WHEN

573
00:14:13,067 --> 00:14:13,933
DRAG QUEENS SNATCH OFF THEIR

574
00:14:13,933 --> 00:14:15,500
WIGS DURING A LIP-SYNC?

575
00:14:15,500 --> 00:14:16,400
>> WELL, I MEAN--

576
00:14:16,400 --> 00:14:17,200
>> LIKE, YOU TOOK OFF A SEQUINED

577
00:14:17,200 --> 00:14:19,167
DRESS, AND YOUR WIG STAYED ON.

578
00:14:19,167 --> 00:14:20,200
AND THEN, ALL OF A SUDDEN, SHE

579
00:14:20,200 --> 00:14:21,300
JUST PULLS HER OFF.

580
00:14:21,300 --> 00:14:22,100
>> WELL, YOU KNOW, I FELT LIKE

581
00:14:22,100 --> 00:14:23,367
YOU'RE IN THE MOMENT, AND THAT

582
00:14:23,367 --> 00:14:24,633
SONG HAS SO MUCH ANGST GOING ON

583
00:14:24,633 --> 00:14:26,367
IN IT, AND I LITERALLY COULDN'T,

584
00:14:26,367 --> 00:14:28,533
LIKE, THE HAIR WAS IN MY FACE.

585
00:14:28,533 --> 00:14:29,733
>> WELL, THAT'S ONE THING.

586
00:14:29,733 --> 00:14:30,500
>> SO I WAS LIKE, "I GOTTA GET

587
00:14:30,500 --> 00:14:31,367
RID OF THIS HAIR, SO THEY CAN

588
00:14:31,367 --> 00:14:32,100
SEE MY LIPS."

589
00:14:32,100 --> 00:14:32,833
>> BUT WHY DID SHE PULL OFF HER

590
00:14:32,833 --> 00:14:34,233
WIG?

591
00:14:34,233 --> 00:14:35,333
>> IT JUST--Y'ALL, THEY GOT

592
00:14:35,333 --> 00:14:36,200
DOWN, GIRL.

593
00:14:36,200 --> 00:14:37,533
THEY GOT DOWN.

594
00:14:37,533 --> 00:14:38,800
>> IT'S LIP SYNC FOR YOUR LIFE.

595
00:14:38,800 --> 00:14:39,533
YOU KNOW?

596
00:14:39,533 --> 00:14:40,633
>> IF THE WIG FALLS OFF, IT

597
00:14:40,633 --> 00:14:42,100
FALLS OFF, BUT I AM NOT

598
00:14:42,100 --> 00:14:42,867
PERSONALLY TAKING THAT BITCH

599
00:14:42,867 --> 00:14:43,700
OFF.

600
00:14:43,700 --> 00:14:44,467
>> IT'S ALL STAYING ON, BITCH,

601
00:14:44,467 --> 00:14:45,133
WHEN I DO IT.

602
00:14:45,133 --> 00:14:45,833
>> ALL THOSE PINS IN THERE--

603
00:14:45,833 --> 00:14:46,600
BITCH, I HAD, LIKE, 40 PINS IN

604
00:14:46,600 --> 00:14:47,367
MY HEAD.

605
00:14:47,367 --> 00:14:49,400
>> THAT'S A DESPERATE CRY FOR

606
00:14:49,400 --> 00:14:50,067
ATTENTION.

607
00:14:50,067 --> 00:14:50,967
>> A LITTLE I AM WHAT I AM,

608
00:14:50,967 --> 00:14:51,767
LA CAGE.

609
00:14:51,767 --> 00:14:52,467
>> YOU KNOW? YEAH.

610
00:14:52,467 --> 00:14:53,900
BUT IT'S, LIKE, UNNECESSARY.

611
00:14:53,900 --> 00:14:54,733
I UNDERSTAND YOU'RE BORN THIS

612
00:14:54,733 --> 00:14:55,633
WAY, BUT...

613
00:14:55,633 --> 00:14:56,300
>> RIGHT.

614
00:14:56,300 --> 00:14:57,733
>> YEAH, RIGHT NOW, YOU GOTTA BE

615
00:14:57,733 --> 00:14:59,300
A WOMAN AND STAY A WOMAN.

616
00:14:59,300 --> 00:15:02,533
AND YOU'RE KILLING MY ILLUSION.

617
00:15:02,533 --> 00:15:03,933
>> WHERE DO YOU STAND ON THESE

618
00:15:03,933 --> 00:15:05,967
VERY IMPORTANT ISSUES?

619
00:15:05,967 --> 00:15:07,333
TWEET YOUR THOUGHTS TO

620
00:15:07,333 --> 00:15:10,333
#DRAG RACE, AND I WILL RETWEET

621
00:15:10,333 --> 00:15:11,600
MY FAVORITES.

622
00:15:11,667 --> 00:15:13,600
COMING UP, NAUGHTY,

623
00:15:13,600 --> 00:15:15,433
NEVER-BEFORE-SEEN OUTTAKES FROM

624
00:15:15,433 --> 00:15:16,967
OUR CELEBRITY JUDGES.

625
00:15:16,967 --> 00:15:18,067
>> I WANT HER TO FONDLE ME.

626
00:15:18,067 --> 00:15:18,667
>> ALL RIGHT.

627
00:15:18,667 --> 00:15:19,400
I'LL FONDLE YOU.

628
00:15:19,400 --> 00:15:21,400
>> PLUS, WE GET UP-CLOSE AND

629
00:15:21,400 --> 00:15:23,067
PERSONAL WITH THE FINAL THREE

630
00:15:23,067 --> 00:15:24,167
QUEENS.

631
00:15:24,167 --> 00:15:26,200
DON'T GO AWAY--THE GLAMAZON

632
00:15:26,200 --> 00:15:27,733
EDITION OF RUPAUL'S DRAG RACE

633
00:15:27,733 --> 00:15:30,700
IS ABOUT TO POP OFF.

634
00:15:30,700 --> 00:15:31,967
HEY!

635
00:15:31,967 --> 00:15:33,833
[laughs]

636
00:15:36,167 --> 00:15:37,967
>> [laughing]

637
00:15:37,967 --> 00:15:39,267
WELCOME BACK TO THE GLAMAZON

638
00:15:39,267 --> 00:15:41,200
EDITION OF RUPAUL'S DRAG RACE.

639
00:15:41,200 --> 00:15:43,300
IT'S TIME TO FLASHBACK TO THE

640
00:15:43,300 --> 00:15:45,500
QUEENS' MOST MEMORABLE MOMENTS.

641
00:15:45,500 --> 00:15:47,067
ALL RIGHT, BOYS.

642
00:15:47,067 --> 00:15:48,900
LET ME SEE WHAT YOU GOT.

643
00:15:48,900 --> 00:15:49,900
[dramatic music]

644
00:15:49,900 --> 00:15:52,500
*

645
00:15:52,500 --> 00:15:54,133
NOW THE FIRST QUEEN TO LEAVE US

646
00:15:54,133 --> 00:15:56,967
WAS SHANGELA LAQUIFA WADLEY.

647
00:15:56,967 --> 00:15:57,900
>> HALLELU!

648
00:15:57,900 --> 00:15:58,967
I'M BACK, BITCHES.

649
00:15:58,967 --> 00:16:00,933
[group groans]

650
00:16:00,933 --> 00:16:02,800
HALLELU IS IN THE BUILDING.

651
00:16:02,800 --> 00:16:04,233
>> AFTER TRYING TO CRASH THE

652
00:16:04,233 --> 00:16:07,300
PARTY ONE MORE TIME, I HAD HER

653
00:16:07,300 --> 00:16:08,800
REMOVED FROM THE COMPETITION...

654
00:16:08,800 --> 00:16:11,200
[cheering]

655
00:16:11,200 --> 00:16:13,633
AND SENT SOME PLACE WHERE THEY'D

656
00:16:13,633 --> 00:16:15,533
REALLY APPRECIATE HER STYLE AND

657
00:16:15,533 --> 00:16:16,900
HUMOR.

658
00:16:16,900 --> 00:16:19,400
>> [screaming]

659
00:16:19,400 --> 00:16:20,733
>> LET'S JUST SAY THE ZOMBIES

660
00:16:20,733 --> 00:16:21,967
ATE HER UP.

661
00:16:21,967 --> 00:16:24,933
>> AAH, HALLELU!

662
00:16:24,933 --> 00:16:29,067
HALLELU!

663
00:16:29,067 --> 00:16:31,267
>> HELLO, HOW Y'ALL DOING?

664
00:16:31,267 --> 00:16:33,233
>> ALISA SUMMERS EXPERIENCED

665
00:16:33,233 --> 00:16:34,667
QUITE A LOT IN HER SHORT TIME

666
00:16:34,667 --> 00:16:35,400
HERE.

667
00:16:35,400 --> 00:16:37,200
SHE BRAVED EXPOSURE TO TOXIC

668
00:16:37,200 --> 00:16:37,900
WASTE.

669
00:16:37,900 --> 00:16:38,800
>> DO WE GET A BARF BAG?

670
00:16:38,800 --> 00:16:39,533
>> AAH!

671
00:16:39,533 --> 00:16:41,933
>> AND A ZOMBIE ATTACK.

672
00:16:41,933 --> 00:16:44,167
BUT HER POST-APOCALYPTIC RUNWAY

673
00:16:44,167 --> 00:16:46,667
COUTURE DIDN'T DEVASTATE OUR

674
00:16:46,667 --> 00:16:47,767
JUDGES...

675
00:16:47,767 --> 00:16:49,733
AND ALISA SUMMERS DID NOT

676
00:16:49,733 --> 00:16:52,633
SURVIVE.

677
00:16:52,633 --> 00:16:54,100
NOW, LASHAUWN BEYOND WAS

678
00:16:54,100 --> 00:16:54,967
SOMETHING UNIQUE TO THIS

679
00:16:54,967 --> 00:16:56,100
COMPETITION...

680
00:16:56,100 --> 00:16:57,733
A SHY DRAG QUEEN.

681
00:16:57,733 --> 00:16:58,733
>> HI, QUEEN ONE.

682
00:16:58,733 --> 00:16:59,767
>> HI.

683
00:16:59,767 --> 00:17:01,300
>> NOW, HER APOCALYP--

684
00:17:01,300 --> 00:17:02,567
HER--HER [indistinct]

685
00:17:02,567 --> 00:17:04,633
>> "POST-APOCOLAKE."

686
00:17:04,633 --> 00:17:06,967
>> HER COUTURE WAS OUT OF THIS

687
00:17:06,967 --> 00:17:07,967
WORLD.

688
00:17:07,967 --> 00:17:10,300
BUT LASHAUWN LACKED NERVE.

689
00:17:10,300 --> 00:17:12,067
AND IT DO TAKE NERVE.

690
00:17:12,067 --> 00:17:13,067
WHAT CAN'T YOU BELIEVE?

691
00:17:13,067 --> 00:17:14,300
>> THAT I'M HERE.

692
00:17:14,300 --> 00:17:15,267
>> BITCH, YOU'RE HERE.

693
00:17:15,267 --> 00:17:16,100
>> YEAH, HONEY, YOU BETTER SNAP

694
00:17:16,100 --> 00:17:16,933
OUT OF IT.

695
00:17:16,933 --> 00:17:19,100
BUT IN WEEK TWO, LASHAUWN WAS

696
00:17:19,100 --> 00:17:22,100
SENT TO THE GREAT BEYOND.

697
00:17:24,067 --> 00:17:25,633
>> all: WHOA.

698
00:17:25,633 --> 00:17:26,700
>> HI.

699
00:17:26,700 --> 00:17:28,400
>> THE PRINCESS, A RESERVED

700
00:17:28,400 --> 00:17:30,233
EXTROVERT, STRUGGLED TO LET HER

701
00:17:30,233 --> 00:17:31,467
SPARKLE SHINE.

702
00:17:31,467 --> 00:17:33,100
>> [singing]

703
00:17:33,100 --> 00:17:34,333
DO YOU FEEL LIKE YOU'VE COME TO

704
00:17:34,333 --> 00:17:35,700
THE END OF YOUR ROAD?

705
00:17:35,700 --> 00:17:36,533
>> AFTER LACKLUSTER

706
00:17:36,533 --> 00:17:39,200
PERFORMANCES, THE JUDGES FELT

707
00:17:39,200 --> 00:17:40,433
THE PRINCESS DIDN'T HAVE ENOUGH

708
00:17:40,433 --> 00:17:41,833
ZING IN HER ZEN.

709
00:17:41,833 --> 00:17:43,733
BUT SHE'LL LIVE FOREVER AS DRAG

710
00:17:43,733 --> 00:17:47,967
RACE ROYALTY.

711
00:17:47,967 --> 00:17:48,733
>> HI, Y'ALL.

712
00:17:48,733 --> 00:17:50,067
[screaming]

713
00:17:50,067 --> 00:17:51,667
>> WHAT'S THE SPANISH WORD FOR

714
00:17:51,667 --> 00:17:52,767
ROLLER COASTER?

715
00:17:52,767 --> 00:17:54,833
I BET MADAME LAQUEER KNOWS,

716
00:17:54,833 --> 00:17:56,400
BECAUSE THAT WAS HER RIDE ON

717
00:17:56,400 --> 00:17:57,700
DRAG RACE.

718
00:17:57,700 --> 00:17:58,933
SHE WON THE WRESTLING

719
00:17:58,933 --> 00:18:00,900
COMPETITION...

720
00:18:00,900 --> 00:18:01,800
>> JIGGLY, GET YOUR BUTT OVER

721
00:18:01,800 --> 00:18:02,533
HERE.

722
00:18:02,533 --> 00:18:03,300
>> [chuckles]

723
00:18:03,300 --> 00:18:04,400
>> BUT WAS ALWAYS THAT LAST

724
00:18:04,400 --> 00:18:05,867
PERSON PICKED FOR TEAMS.

725
00:18:05,867 --> 00:18:06,567
[applause]

726
00:18:06,567 --> 00:18:07,367
>> I DIDN'T WANT TO CHOOSE

727
00:18:07,367 --> 00:18:08,100
MADAME FOR MY TEAM BECAUSE I

728
00:18:08,100 --> 00:18:08,833
DON'T WANT HER.

729
00:18:08,833 --> 00:18:10,067
>> SHE WAS TEAM CAPTAIN FOR THE

730
00:18:10,067 --> 00:18:11,100
SITCOM CHALLENGE.

731
00:18:11,100 --> 00:18:12,567
>> [screams]

732
00:18:12,567 --> 00:18:14,400
>> BUT AFTER A RAZZIE-WORTHY

733
00:18:14,400 --> 00:18:16,533
PERFORMANCE, MADAME LAQUEER HAD

734
00:18:16,533 --> 00:18:19,467
TO SASHAY AWAY.

735
00:18:19,467 --> 00:18:20,800
>> HEY, THERE'S A NEW GIRL IN

736
00:18:20,800 --> 00:18:21,500
TOWN.

737
00:18:21,500 --> 00:18:22,500
LET'S GET TO BUSINESS.

738
00:18:22,500 --> 00:18:25,133
>> NEXT STOP, PARIS, LONDON,

739
00:18:25,133 --> 00:18:26,067
MILAN.

740
00:18:26,067 --> 00:18:27,200
>> MAHOGANY.

741
00:18:27,200 --> 00:18:28,900
>> THIS QUEEN BROUGHT BROADWAY

742
00:18:28,900 --> 00:18:30,800
EXPERIENCE TO THE COMPETITION.

743
00:18:30,800 --> 00:18:32,067
>> THAT YOUNG MAN LOOK PRETTY

744
00:18:32,067 --> 00:18:34,333
MATURE ENOUGH TO HANDLE A BEAVER

745
00:18:34,333 --> 00:18:35,633
ON HIS OWN.

746
00:18:35,633 --> 00:18:37,067
>> UM, MILAN.

747
00:18:37,067 --> 00:18:38,233
YOU'RE KIND OF PLAYING THIS

748
00:18:38,233 --> 00:18:39,067
STUFF OUT HERE.

749
00:18:39,067 --> 00:18:39,833
LOOK AT THE PERSON THAT YOU'RE

750
00:18:39,833 --> 00:18:41,167
TALKING TO.

751
00:18:41,167 --> 00:18:42,367
>> SORRY.

752
00:18:42,367 --> 00:18:44,067
>> HER FIERCE LIP SYNC HELPED

753
00:18:44,067 --> 00:18:45,067
HER STAY IN THE GAME.

754
00:18:45,067 --> 00:18:47,267
BUT THE THIRD TIME, WAS NOT A

755
00:18:47,267 --> 00:18:48,200
CHARM.

756
00:18:48,200 --> 00:18:50,833
AND MILAN WAS SENT BACK TO

757
00:18:50,833 --> 00:18:52,967
BROADWAY.

758
00:18:52,967 --> 00:18:53,667
>> HI.

759
00:18:53,667 --> 00:18:54,633
>> WHAT'S GOOD, LADIES?

760
00:18:54,633 --> 00:18:55,567
>> NEXT UP,

761
00:18:55,567 --> 00:18:59,267
MISS JIGGLY CALIENTE.

762
00:18:59,267 --> 00:19:01,167
>> [singing]

763
00:19:01,167 --> 00:19:03,267
>> AND YES, YOU MAY CALL HER

764
00:19:03,267 --> 00:19:04,500
JIGGLY.

765
00:19:04,500 --> 00:19:06,100
SHE STARTED STRONG, BY WINNING

766
00:19:06,100 --> 00:19:07,533
THE TOXIC PHOTO SHOOT.

767
00:19:07,533 --> 00:19:08,633
>> YEAH!

768
00:19:08,633 --> 00:19:10,067
[cheering]

769
00:19:10,067 --> 00:19:12,100
>> BUT HER HOARDING COUTURE PUT

770
00:19:12,100 --> 00:19:13,900
HER UP FOR ELIMINATION.

771
00:19:13,900 --> 00:19:14,833
>> I'M GETTING MY EYEBALLS

772
00:19:14,833 --> 00:19:16,200
ASSAULTED.

773
00:19:16,200 --> 00:19:17,067
>> HER TOUGH NEW YORK

774
00:19:17,067 --> 00:19:18,200
ATTITUDE...

775
00:19:18,200 --> 00:19:19,233
DO YOU TAKE THE TRAIN AND DRIVE?

776
00:19:19,233 --> 00:19:20,467
>> YES, MAMA, I HAVE TO GET TO

777
00:19:20,467 --> 00:19:21,200
WORK.

778
00:19:21,200 --> 00:19:22,100
>> JIGGLY WILL CUT A BITCH.

779
00:19:22,100 --> 00:19:23,100
>> THANK YOU.

780
00:19:23,100 --> 00:19:25,100
>> SOON GAVE WAY TO SELF-DOUBT.

781
00:19:25,100 --> 00:19:26,300
>> WHAT THE HELL WOULD I WRITE

782
00:19:26,300 --> 00:19:27,400
ABOUT HOW TO EAT A POUND OF

783
00:19:27,400 --> 00:19:28,200
CHICKEN?

784
00:19:28,200 --> 00:19:29,933
>> EXACTLY, THAT'S FUNNY.

785
00:19:29,933 --> 00:19:31,133
>> OH.

786
00:19:31,133 --> 00:19:33,200
DAMN.

787
00:19:33,200 --> 00:19:34,667
>> SHE FOUGHT HARD IN THE LIP

788
00:19:34,667 --> 00:19:35,400
SYNCS.

789
00:19:35,400 --> 00:19:37,767
BUT THE THIRD AND FINAL FACE OFF

790
00:19:37,767 --> 00:19:40,100
WAS THE LAST FOR THIS PLUS-SIZED

791
00:19:40,100 --> 00:19:40,833
BARBIE.

792
00:19:40,833 --> 00:19:41,867
>> DEUCES.

793
00:19:41,867 --> 00:19:44,867
[laughter]

794
00:19:46,700 --> 00:19:48,533
>> WILLAM'S RARE COMBINATION OF

795
00:19:48,533 --> 00:19:50,467
SEXY AND FUNNY MADE HER THE

796
00:19:50,467 --> 00:19:51,600
QUEEN TO BEAT.

797
00:19:51,600 --> 00:19:52,933
>> OOH, A 26, DAMN.

798
00:19:52,933 --> 00:19:54,700
WE GOT SOME BIG GIRLS.

799
00:19:54,700 --> 00:19:56,400
I HOPE THEY DON'T HAVE DIABETES.

800
00:19:56,400 --> 00:19:58,233
>> ALREADY A SUCCESSFUL WORKING

801
00:19:58,233 --> 00:19:59,067
ACTOR...

802
00:19:59,067 --> 00:20:00,533
>> YOU LOOK REALLY FAMILIAR, MA.

803
00:20:00,533 --> 00:20:01,267
>> ME?

804
00:20:01,267 --> 00:20:02,433
YOU MUST HAVE A TELEVISION.

805
00:20:02,433 --> 00:20:04,933
>> SHE NEVER LET US FORGET IT.

806
00:20:04,933 --> 00:20:06,233
>> I WAS ON BOSTON PUBLIC WITH

807
00:20:06,233 --> 00:20:06,900
YOU.

808
00:20:06,900 --> 00:20:07,567
I WAS THE BEST FRIEND OF

809
00:20:07,567 --> 00:20:08,633
CANDACE KANE WHEN SHE DIED.

810
00:20:08,633 --> 00:20:10,000
I DIED ON NIP/TUCK.

811
00:20:10,000 --> 00:20:10,967
CSI: NEW YORK,

812
00:20:10,967 --> 00:20:11,900
WOMEN'S MURDER CLUB.

813
00:20:11,900 --> 00:20:12,767
>> IS THAT WILLAM DROPPING

814
00:20:12,767 --> 00:20:14,500
NAMES OVER THERE?

815
00:20:14,500 --> 00:20:16,200
>> HER ACTING EXPERIENCE SERVED

816
00:20:16,200 --> 00:20:17,800
HER WELL IN THE CHALLENGES...

817
00:20:17,800 --> 00:20:18,933
>> WILLAM, YOU'RE FUNNY.

818
00:20:18,933 --> 00:20:20,467
>> THANK YOU, HIRE ME.

819
00:20:20,467 --> 00:20:22,067
[laughter]

820
00:20:22,067 --> 00:20:23,700
AND SO DID HER SICKENING BODY.

821
00:20:23,700 --> 00:20:24,933
>> I HOPE THAT LOTION'S

822
00:20:24,933 --> 00:20:26,500
WATERPROOF.

823
00:20:26,500 --> 00:20:27,967
>> BUT WHEN I DISCOVERED THAT

824
00:20:27,967 --> 00:20:29,867
OFFSCREEN, WILLAM HAD VIOLATED

825
00:20:29,867 --> 00:20:32,167
SHOW RULES, I HAD NO CHOICE BUT

826
00:20:32,167 --> 00:20:33,933
TO GIVE THIS SEXY DRAG QUEEN

827
00:20:33,933 --> 00:20:36,333
THE HEAVE-HO.

828
00:20:36,333 --> 00:20:38,200
WILLAM, IT HAS COME TO MY

829
00:20:38,200 --> 00:20:40,733
ATTENTION THAT YOU HAVE BROKEN

830
00:20:40,733 --> 00:20:43,033
THE RULES.

831
00:20:43,033 --> 00:20:44,700
WILLAM, I HAVE TO ASK YOU TO

832
00:20:44,700 --> 00:20:46,467
LEAVE THE COMPETITION

833
00:20:46,467 --> 00:20:48,933
IMMEDIATELY.

834
00:20:48,933 --> 00:20:52,933
NOW, SASHAY AWAY.

835
00:20:57,467 --> 00:20:59,367
>> CATEGORY IS...

836
00:20:59,367 --> 00:21:00,667
>> all: CHEESE DAY.

837
00:21:00,667 --> 00:21:02,067
>> OUR NEXT QUEEN WAS A TASTY

838
00:21:02,067 --> 00:21:03,967
SLICE OF CHEESECAKE.

839
00:21:03,967 --> 00:21:05,100
DIDA RITZ.

840
00:21:05,100 --> 00:21:07,200
[cheering]

841
00:21:07,200 --> 00:21:09,067
>> BONJOUR, LADIES.

842
00:21:09,067 --> 00:21:10,367
>> FEISTY AND LOVABLE...

843
00:21:10,367 --> 00:21:11,067
>> HOW YOU DOING?

844
00:21:11,067 --> 00:21:11,833
>> HOW YOU DOING?

845
00:21:11,833 --> 00:21:13,300
>> IT'S NICE TO SEE YOU AGAIN.

846
00:21:13,300 --> 00:21:15,200
>> DIDA WON FANS ON THE RUNWAY.

847
00:21:15,200 --> 00:21:16,933
>> SUPERMODEL.

848
00:21:16,933 --> 00:21:18,833
>> THE JUDGES LIVED FOR HER LONG

849
00:21:18,833 --> 00:21:21,967
LEGS AND CATWALK STOMPING, BUT

850
00:21:21,967 --> 00:21:24,100
FELT HER FASHION SENSE WAS A BIT

851
00:21:24,100 --> 00:21:25,233
PEDESTRIAN.

852
00:21:25,233 --> 00:21:26,967
>> OUTFIT-WISE, I WASN'T MOVED

853
00:21:26,967 --> 00:21:28,333
ONE WAY OR THE OTHER.

854
00:21:28,333 --> 00:21:29,633
>> MY NAME IS DIDA RITZ, I'M

855
00:21:29,633 --> 00:21:30,367
HERE REPRESENTING--

856
00:21:30,367 --> 00:21:31,767
OR RUNNING FOR WIG PARTY.

857
00:21:31,767 --> 00:21:33,533
>> HER PRESIDENTIAL DEBATE DID

858
00:21:33,533 --> 00:21:35,167
NOT WIN HER ANY SUPPORTERS...

859
00:21:35,167 --> 00:21:36,067
>> I THOUGHT YOU WERE THE

860
00:21:36,067 --> 00:21:37,367
WEAKEST DEBATER.

861
00:21:37,367 --> 00:21:38,467
>> AND SHE WAS VOTED OFF THE

862
00:21:38,467 --> 00:21:39,467
SHOW.

863
00:21:39,467 --> 00:21:40,433
BUT HAD THERE BEEN A

864
00:21:40,433 --> 00:21:42,900
WIG-WHIPPING CHALLENGE, DIDA MAY

865
00:21:42,900 --> 00:21:46,600
JUST HAVE GONE ALL THE WAY.

866
00:21:46,600 --> 00:21:47,333
>> WOW.

867
00:21:47,333 --> 00:21:48,700
>> HI, GIRLS.

868
00:21:48,700 --> 00:21:51,067
[cheering]

869
00:21:51,067 --> 00:21:52,767
>> LITTLE KENYA MICHAELS WAS A

870
00:21:52,767 --> 00:21:55,367
TINY QUEEN WHO POSED A BIG

871
00:21:55,367 --> 00:21:56,733
THREAT TO THE OTHER GIRLS.

872
00:21:56,733 --> 00:21:57,500
>> [laughs]

873
00:21:57,500 --> 00:21:58,200
>> SHE'S CUTE.

874
00:21:58,200 --> 00:21:59,467
>> FUCK.

875
00:21:59,467 --> 00:22:01,367
>> KENYA WAS A SPICY FIREBIRD

876
00:22:01,367 --> 00:22:02,333
ON THE RUNWAY...

877
00:22:02,333 --> 00:22:03,700
>> BELLA!

878
00:22:03,700 --> 00:22:05,333
>> AND IN THE WRESTLING RING.

879
00:22:05,333 --> 00:22:06,500
>> PRAISE GOD!

880
00:22:06,500 --> 00:22:08,433
[indistinct yelling]

881
00:22:08,433 --> 00:22:09,533
>> WHAT DID YOU JUST DO?

882
00:22:09,533 --> 00:22:11,300
>> IN THE SNATCH GAME, WE

883
00:22:11,300 --> 00:22:12,767
WEREN'T CRAZY IN LOVE WITH HER

884
00:22:12,767 --> 00:22:14,367
BEYONCE IMPRESSION.

885
00:22:14,367 --> 00:22:16,300
OH!

886
00:22:16,300 --> 00:22:18,067
AND KENYA WAS SENT PACKING.

887
00:22:18,067 --> 00:22:20,900
[kisses]

888
00:22:20,900 --> 00:22:22,067
>> AY!

889
00:22:22,067 --> 00:22:23,667
[cheering]

890
00:22:23,667 --> 00:22:25,933
>> BUT THE JUDGES FELT KENYA HAD

891
00:22:25,933 --> 00:22:27,667
MORE TO OFFER AND INVITED HER

892
00:22:27,667 --> 00:22:29,367
BACK.

893
00:22:29,367 --> 00:22:32,067
BUT WHEN HER MAKEOVER OF A DAD

894
00:22:32,067 --> 00:22:33,367
TURNED INTO A DUD...

895
00:22:33,367 --> 00:22:34,567
>> BEING PREGNANT'S HARD.

896
00:22:34,567 --> 00:22:35,900
>> MACABRE TOO, APPARENTLY.

897
00:22:35,900 --> 00:22:36,600
>> YEAH.

898
00:22:36,600 --> 00:22:38,400
>> IT WAS HASTA LA VISTA FOR

899
00:22:38,400 --> 00:22:40,200
THIS SEXY SENORITA.

900
00:22:40,200 --> 00:22:41,767
[kisses]

901
00:22:41,767 --> 00:22:42,667
[cheering]

902
00:22:42,667 --> 00:22:44,467
>> OW!

903
00:22:44,467 --> 00:22:45,767
EAT IT!

904
00:22:45,767 --> 00:22:48,067
>> SIT BACK, RELAX, AND POUR

905
00:22:48,067 --> 00:22:50,400
YOURSELF AN ICE COLD GLASS OF

906
00:22:50,400 --> 00:22:52,400
MISS LATRICE ROYALE.

907
00:22:52,400 --> 00:22:54,233
>> THE SHADE, THE SHADE OF IT

908
00:22:54,233 --> 00:22:55,767
ALL.

909
00:22:55,767 --> 00:22:57,800
>> HER CURVES AND SWERVES HAD

910
00:22:57,800 --> 00:22:59,733
THE JUDGES CAPTIVATED, AND SO

911
00:22:59,733 --> 00:23:02,167
DID HER BODY SLAMS.

912
00:23:02,167 --> 00:23:03,433
>> AAH!

913
00:23:03,433 --> 00:23:04,300
>> MMM.

914
00:23:04,300 --> 00:23:05,633
WELL, HELLO, GORGEOUS.

915
00:23:05,633 --> 00:23:08,300
>> AS LARGE MARGE, SHE KILLED IT

916
00:23:08,300 --> 00:23:09,700
IN THE SITCOM CHALLENGE.

917
00:23:09,700 --> 00:23:11,667
>> GET THOSE NUTS AWAY FROM MY

918
00:23:11,667 --> 00:23:14,833
FACE.

919
00:23:14,833 --> 00:23:16,733
>> HER FULL-BODIED GRACE AND

920
00:23:16,733 --> 00:23:18,900
SOUL MADE HER A CONTENDER TO WIN

921
00:23:18,900 --> 00:23:20,167
IT ALL.

922
00:23:20,167 --> 00:23:22,267
BUT WHEN HER CANINE COUTURE WENT

923
00:23:22,267 --> 00:23:24,333
TO THE DOGS, LATRICE WAS SENT

924
00:23:24,333 --> 00:23:25,133
HOME.

925
00:23:25,133 --> 00:23:27,633
>> I AM LATRICE ROYALE.

926
00:23:27,633 --> 00:23:29,133
>> BITCHES BETTER BEWARE.

927
00:23:29,133 --> 00:23:30,400
>> all: * LATRICE!

928
00:23:30,400 --> 00:23:31,667
>> ROYALE!

929
00:23:31,667 --> 00:23:34,267
[applause]

930
00:23:34,267 --> 00:23:36,067
>> ALL MY QUEENS ARE SICKENING,

931
00:23:36,067 --> 00:23:36,733
NO?

932
00:23:36,733 --> 00:23:38,900
BUT WHICH ONE IS YOUR FAVORITE?

933
00:23:38,900 --> 00:23:41,300
GO TO NEWNOWNEXT.COM AND VOTE

934
00:23:41,300 --> 00:23:43,167
FOR MISS CONGENIALITY.

935
00:23:43,167 --> 00:23:45,600
DO IT FOR YOUR LIPS.

936
00:23:45,667 --> 00:23:47,367
>> COMING UP NEXT...

937
00:23:47,367 --> 00:23:49,400
NAUGHTY, NEVER BEFORE SEEN

938
00:23:49,400 --> 00:23:50,700
MOMENTS OF OUR CELEBRITY

939
00:23:50,700 --> 00:23:51,633
JUDGES...

940
00:23:51,633 --> 00:23:52,333
>> I'D RATHER GO TO THE

941
00:23:52,333 --> 00:23:53,900
GYNECOLOGIST THAN DO THIS.

942
00:23:53,900 --> 00:23:55,667
>> AND EXCLUSIVE INTERVIEWS OF

943
00:23:55,667 --> 00:23:57,233
OUR TOP THREE QUEENS--

944
00:23:57,233 --> 00:23:59,233
CHAD MICHAELS, PHI PHI O'HARA,

945
00:23:59,233 --> 00:24:00,533
AND SHARON NEEDLES.

946
00:24:00,533 --> 00:24:01,667
THE GLAMAZON EDITION OF

947
00:24:01,667 --> 00:24:03,200
RUPAUL'S DRAG RACE WILL BE

948
00:24:03,200 --> 00:24:04,233
RIGHT BACK.

949
00:24:04,233 --> 00:24:07,133
AND YOU CAN'T STAND IT.

950
00:24:07,133 --> 00:24:08,567
[laughter]

951
00:24:11,133 --> 00:24:12,567
>> [laughter]

952
00:24:12,567 --> 00:24:14,133
WELCOME BACK TO THE GLAMAZON

953
00:24:14,133 --> 00:24:15,967
EDITION OF RUPAUL'S DRAG RACE.

954
00:24:15,967 --> 00:24:17,867
THE BEST SEAT IN TOWN IS THE

955
00:24:17,867 --> 00:24:19,100
JUDGES' TABLE.

956
00:24:19,100 --> 00:24:20,833
WITH MY BEST SQUIRREL FRIEND,

957
00:24:20,833 --> 00:24:22,567
MICHELLE VISAGE, AND MY

958
00:24:22,567 --> 00:24:25,233
JUDGE JUDYS, SANTINO RICE, AND

959
00:24:25,233 --> 00:24:27,067
BILLY "V" BY MY SIDE--

960
00:24:27,067 --> 00:24:29,400
WELL, THINGS CAN GET A LITTLE

961
00:24:29,400 --> 00:24:31,533
BIT STUPID.

962
00:24:31,533 --> 00:24:33,100
>> IF YOU DO THE RESEARCH, YOU

963
00:24:33,100 --> 00:24:33,933
WON'T HAVE THOSE

964
00:24:33,933 --> 00:24:35,533
DEER-IN-HEADLIGHTS MOMENTS.

965
00:24:35,533 --> 00:24:36,533
IT'S ALL THE HELP.

966
00:24:36,533 --> 00:24:37,367
>> DID YOU JUST CALL HER THE

967
00:24:37,367 --> 00:24:39,433
HELP?

968
00:24:39,433 --> 00:24:41,300
>> NO, I SAID I'M HERE TO HELP.

969
00:24:41,300 --> 00:24:42,867
SO I CALLED MYSELF THE HELP.

970
00:24:42,867 --> 00:24:43,567
>> I SEE.

971
00:24:43,567 --> 00:24:44,333
>> IT'S OKAY BECAUSE I CALLED

972
00:24:44,333 --> 00:24:46,067
MYSELF THE HELP, AND I AM A

973
00:24:46,067 --> 00:24:47,433
BLACK MAN...

974
00:24:47,433 --> 00:24:48,567
DRESSED AS A WHITE WOMAN.

975
00:24:48,567 --> 00:24:49,333
>> YES.

976
00:24:49,333 --> 00:24:50,100
>> SOUND FAMILIAR?

977
00:24:50,100 --> 00:24:50,900
>> MM-HMM.

978
00:24:50,900 --> 00:24:52,500
[laughter]

979
00:24:52,500 --> 00:24:53,833
>> I DID THINK OF GREY GARDENS,

980
00:24:53,833 --> 00:24:55,633
THAT SMELL OF CAT PISS.

981
00:24:55,633 --> 00:24:56,867
>> I THOUGHT THAT WAS ME, SO--

982
00:24:56,867 --> 00:24:58,267
[laughter]

983
00:24:58,267 --> 00:24:59,500
>> WHEN I LOOK AT YOU, IT ALMOST

984
00:24:59,500 --> 00:25:01,233
LOOKS LIKE AN AUSTIN POWERS KIND

985
00:25:01,233 --> 00:25:02,800
OF JOKE OR SOMETHING.

986
00:25:02,800 --> 00:25:04,467
IF CLOTHES LOOKED LIKE A COUCH,

987
00:25:04,467 --> 00:25:07,267
OR AN OTTOMAN, OR A LOVESEAT,

988
00:25:07,267 --> 00:25:08,933
YOU JUST WANNA STAY AWAY FROM

989
00:25:08,933 --> 00:25:10,067
IT, YOU KNOW?

990
00:25:10,067 --> 00:25:11,533
[barking]

991
00:25:11,533 --> 00:25:13,333
>> WHAT DID YOU JUST CALL ME?

992
00:25:13,333 --> 00:25:14,900
>> AND NO MATTER WHERE I AM IN

993
00:25:14,900 --> 00:25:16,400
THIS STUDIO, I CAN HEAR HER

994
00:25:16,400 --> 00:25:17,067
LAUGHS.

995
00:25:17,067 --> 00:25:17,900
AND IT'S JUST THE MOST BEAUTIFUL

996
00:25:17,900 --> 00:25:18,633
THING I'VE EVER HEARD.

997
00:25:18,633 --> 00:25:23,633
>> [laughing]

998
00:25:25,133 --> 00:25:26,067
>> EVERY TIME SHE LAUGHS, HER

999
00:25:26,067 --> 00:25:27,333
NUTS GET BIGGER.

1000
00:25:27,333 --> 00:25:28,800
>> THIS SEASON, THE JUDGES'

1001
00:25:28,800 --> 00:25:30,800
PANEL WAS MORE STAR-STUDDED THAN

1002
00:25:30,800 --> 00:25:31,767
EVER.

1003
00:25:31,767 --> 00:25:33,667
THEY WERE LOOKING GOOD, AND

1004
00:25:33,667 --> 00:25:35,333
FEELING GORGEOUS.

1005
00:25:35,333 --> 00:25:36,333
[RuPaul's Covergirl ]

1006
00:25:36,333 --> 00:25:37,067
>> * COVER GIRL

1007
00:25:37,067 --> 00:25:38,300
>> WITH THE TATTOOS, I FELT LIKE

1008
00:25:38,300 --> 00:25:39,300
I WAS MAYBE ABOUT TO WATCH SOME

1009
00:25:39,300 --> 00:25:41,333
SORT OF AN ADULT, EROTIC FILM OF

1010
00:25:41,333 --> 00:25:42,067
SORTS...

1011
00:25:42,067 --> 00:25:43,067
>> OH, DEAR.

1012
00:25:43,067 --> 00:25:44,767
>> WHICH, NOT OPPOSED TO AT ALL.

1013
00:25:44,767 --> 00:25:45,800
>> HELLO.

1014
00:25:45,800 --> 00:25:50,067
WELL, WELCOME TO THE JUNGLE.

1015
00:25:50,067 --> 00:25:53,067
>> * COVER GIRL

1016
00:25:54,433 --> 00:25:55,967
>> AMERICA'S GOT TALENT HAS

1017
00:25:55,967 --> 00:25:58,933
NOTHING ON THIS SHOW.

1018
00:25:58,933 --> 00:26:00,700
>> SHE LOOKS LIKE DIVINE BROWN,

1019
00:26:00,700 --> 00:26:02,067
BUT WE'RE TRYING TO EXCITE

1020
00:26:02,067 --> 00:26:04,500
AMERICA, NOT HUGH GRANT.

1021
00:26:04,500 --> 00:26:06,300
>> * COVER GIRL

1022
00:26:06,300 --> 00:26:07,967
* PUT THE BASS IN YOUR WALK

1023
00:26:07,967 --> 00:26:08,667
>> SHE WAS GOING FOR

1024
00:26:08,667 --> 00:26:10,067
SEX AND THE CITY, AND IT WAS

1025
00:26:10,067 --> 00:26:11,367
MORE LIKE "SEX IN THE ALLEY."

1026
00:26:11,367 --> 00:26:12,200
>> WELL, I'M NOT GONNA TURN THAT

1027
00:26:12,200 --> 00:26:13,067
DOWN EITHER.

1028
00:26:13,067 --> 00:26:15,967
* COVER GIRL

1029
00:26:15,967 --> 00:26:17,200
>> I REALLY WANT A DRAG NAME.

1030
00:26:17,200 --> 00:26:18,900
>> JENNIFER LOVE HEWITT IS THE

1031
00:26:18,900 --> 00:26:20,533
BEST DRAG NAME I HAVE EVER

1032
00:26:20,533 --> 00:26:21,900
HEARD.

1033
00:26:21,900 --> 00:26:23,733
I'M CHANGING MY NAME TO

1034
00:26:23,733 --> 00:26:24,733
RUPAUL LOVE HEWITT.

1035
00:26:24,733 --> 00:26:27,100
>> [laughs]

1036
00:26:27,100 --> 00:26:28,533
[thunder]

1037
00:26:28,533 --> 00:26:29,600
>> NOW, THE CELEBRITIES WEREN'T

1038
00:26:29,600 --> 00:26:31,233
JUST HERE TO LOOK FIERCE.

1039
00:26:31,233 --> 00:26:33,467
ONCE I SCANNED THEIR LIBRARY

1040
00:26:33,467 --> 00:26:35,900
CARDS, THOSE BITCHES WERE READY

1041
00:26:35,900 --> 00:26:38,400
TO READ.

1042
00:26:38,400 --> 00:26:39,433
>> IF WE WERE GONNA GO OUT ON

1043
00:26:39,433 --> 00:26:40,567
THE TOWN, I'D PULL YOU ASIDE AND

1044
00:26:40,567 --> 00:26:41,433
SAY, "LET'S GO LOOK IN YOUR

1045
00:26:41,433 --> 00:26:42,900
CLOSET AND FIND SOMETHING ELSE."

1046
00:26:42,900 --> 00:26:44,733
>> THE WIG LOOKED LIKE A LITTER

1047
00:26:44,733 --> 00:26:46,367
OF KITTENS HAD SUCKED ON IT, AND

1048
00:26:46,367 --> 00:26:47,900
SHE FOUND IT IN THE GARBAGE.

1049
00:26:47,900 --> 00:26:48,633
>> I WOULD LOVE TO HAVE A

1050
00:26:48,633 --> 00:26:49,400
COCKTAIL WITH YOU.

1051
00:26:49,400 --> 00:26:50,600
WHETHER OR NOT I WOULD GET UP TO

1052
00:26:50,600 --> 00:26:51,433
USE THE BATHROOM AND NEVER COME

1053
00:26:51,433 --> 00:26:52,533
BACK, I DON'T KNOW.

1054
00:26:52,533 --> 00:26:53,733
[laughter]

1055
00:26:53,733 --> 00:26:54,667
>> IS THAT A POT SCRUBBER ON

1056
00:26:54,667 --> 00:26:55,700
YOUR HEAD, OR ARE YOU JUST HAPPY

1057
00:26:55,700 --> 00:26:56,400
TO SEE ME?

1058
00:26:56,400 --> 00:26:57,100
>> I WAS WONDERING, AFTER I

1059
00:26:57,100 --> 00:26:57,933
PAINTED MY ROOM, WHERE THE DROP

1060
00:26:57,933 --> 00:26:58,800
CLOTH WENT.

1061
00:26:58,800 --> 00:26:59,700
>> YEAH, THERE IT IS, RIGHT.

1062
00:26:59,700 --> 00:27:00,500
>> THAT'S WHERE IT WAS.

1063
00:27:00,500 --> 00:27:02,300
>> LAST NIGHT, MY LEFTOVERS WERE

1064
00:27:02,300 --> 00:27:03,567
IN THE SHAPE OF ALUMINUM FOIL

1065
00:27:03,567 --> 00:27:04,700
WITH A SWAN, YOU KNOW?

1066
00:27:04,700 --> 00:27:05,433
>> MM-HMM.

1067
00:27:05,433 --> 00:27:06,300
>> AND SOMEBODY PUT YOUR

1068
00:27:06,300 --> 00:27:07,400
LEFTOVERS IN THE SHAPE OF

1069
00:27:07,400 --> 00:27:08,200
JIGGLY.

1070
00:27:08,200 --> 00:27:09,233
>> [laughs]

1071
00:27:09,233 --> 00:27:10,067
>> YOU KNOW, THAT WAS A LITTLE

1072
00:27:10,067 --> 00:27:11,400
JONBENET RAMSEY.

1073
00:27:11,400 --> 00:27:12,667
THAT WAS A LITTLE CREEPY FOR ME.

1074
00:27:12,667 --> 00:27:13,667
>> YOU KNOW, BEFORE, I HAD A

1075
00:27:13,667 --> 00:27:14,700
PROBLEM WITH THE MAKEUP EVERY

1076
00:27:14,700 --> 00:27:15,467
SINGLE TIME.

1077
00:27:15,467 --> 00:27:16,767
TODAY WAS THE BEST THAT IT'S

1078
00:27:16,767 --> 00:27:17,500
BEEN.

1079
00:27:17,500 --> 00:27:18,533
>> NOW, IS THAT A READ?

1080
00:27:18,533 --> 00:27:19,367
>> A LITTLE BIT.

1081
00:27:19,367 --> 00:27:20,633
>> UH-HUH.

1082
00:27:20,633 --> 00:27:23,233
THE CELEBRITIES ALSO REVEALED

1083
00:27:23,233 --> 00:27:25,900
PLENTY OF PERSONAL INFORMATION

1084
00:27:25,900 --> 00:27:28,633
THAT WE TASTEFULLY CHOSE NOT TO

1085
00:27:28,633 --> 00:27:30,633
INCLUDE IN THE SHOW...

1086
00:27:30,633 --> 00:27:32,267
UNTIL NOW.

1087
00:27:32,333 --> 00:27:34,333
I NEED MORE ENERGY ON THE PANEL.

1088
00:27:34,333 --> 00:27:36,233
SO I NEED ABOUT FIVE HAMSTERS.

1089
00:27:36,233 --> 00:27:39,233
ARE THERE ANY IN THE BUILDING?

1090
00:27:44,533 --> 00:27:45,667
>> INCLUDING HER TITS.

1091
00:27:45,667 --> 00:27:46,967
>> [laughs]

1092
00:27:46,967 --> 00:27:48,067
>> ALL RIGHT, WY.

1093
00:27:48,067 --> 00:27:49,500
WINNER OF THE CHALLENGE?

1094
00:27:49,500 --> 00:27:51,633
>> THIS IS VERY HARD FOR ME.

1095
00:27:51,633 --> 00:27:52,667
I FEEL LIKE THEY SHOULD ALL WIN

1096
00:27:52,667 --> 00:27:53,367
SOMETHING.

1097
00:27:53,367 --> 00:27:54,067
I'D RATHER GO TO THE

1098
00:27:54,067 --> 00:27:55,533
GYNECOLOGIST THAN DO THIS.

1099
00:27:55,533 --> 00:27:56,300
>> I'M GONNA GO TO THE

1100
00:27:56,300 --> 00:27:57,767
GYNECOLOGIST WITH YOU AFTER

1101
00:27:57,767 --> 00:27:58,533
THIS.

1102
00:27:58,533 --> 00:27:59,767
>> I LIKE A PAP SMEAR.

1103
00:27:59,767 --> 00:28:00,600
COUNT ME IN.

1104
00:28:00,600 --> 00:28:02,333
>> I LOVE EX-CONS, BUT THAT'S A

1105
00:28:02,333 --> 00:28:03,433
WHOLE NOTHER SHOW.

1106
00:28:03,433 --> 00:28:04,533
>> I'VE GOTTEN IN TROUBLE WITH A

1107
00:28:04,533 --> 00:28:05,733
COUPLE OF THOSE.

1108
00:28:05,733 --> 00:28:07,067
>> I THINK IT CHEAPENS YOU A

1109
00:28:07,067 --> 00:28:08,333
LITTLE BIT, LIKE A HOOKER IN THE

1110
00:28:08,333 --> 00:28:09,300
BRONX.

1111
00:28:09,300 --> 00:28:10,133
>> THEY'RE EXPENSIVE.

1112
00:28:10,133 --> 00:28:11,067
>> OH. OH, ARE THEY?

1113
00:28:11,067 --> 00:28:12,367
JOHN SAID THEY'RE EXPENSIVE.

1114
00:28:12,367 --> 00:28:14,100
>> I HAVE SEEN LARGER QUEENS

1115
00:28:14,100 --> 00:28:15,300
TURN IT OUT.

1116
00:28:15,300 --> 00:28:16,467
>> YES, MISS PERKY.

1117
00:28:16,467 --> 00:28:17,167
>> ARE YOU TALKING ABOUT MY

1118
00:28:17,167 --> 00:28:17,900
CHEST?

1119
00:28:17,900 --> 00:28:18,700
>> YOU'VE BEEN TALKING ABOUT IT

1120
00:28:18,700 --> 00:28:19,433
ALL DAY, YOU'RE SO CUTE.

1121
00:28:19,433 --> 00:28:20,300
GO FORWARD.

1122
00:28:20,300 --> 00:28:21,833
>> I WANT HER FONDLE ME.

1123
00:28:21,833 --> 00:28:22,633
>> I'LL FONDLE YOU.

1124
00:28:22,633 --> 00:28:23,400
>> THERE YOU GO.

1125
00:28:23,400 --> 00:28:24,500
>> PHONE CALL FOR RUPAUL?

1126
00:28:24,500 --> 00:28:25,233
OKAY, YEAH, ALL RIGHT.

1127
00:28:25,233 --> 00:28:26,433
OBAMA'S CALLING ME REAL QUICK,

1128
00:28:26,433 --> 00:28:27,633
HOLD ON.

1129
00:28:29,700 --> 00:28:30,567
SOMEBODY SAID YOU'D BUMPED YOUR

1130
00:28:30,567 --> 00:28:31,500
HEAD EARLIER.

1131
00:28:31,500 --> 00:28:32,900
HOW IS YOUR HEAD?

1132
00:28:32,900 --> 00:28:33,667
>> HAVEN'T HAD ANY COMPLAINTS

1133
00:28:33,667 --> 00:28:34,500
YET.

1134
00:28:34,500 --> 00:28:36,767
[laughter]

1135
00:28:36,833 --> 00:28:37,667
>> UP NEXT...

1136
00:28:37,667 --> 00:28:39,633
YOU'LL BE GAGGING ON THE TOP TEN

1137
00:28:39,633 --> 00:28:41,167
FITS AND FASHIONS WITH EXTRA

1138
00:28:41,167 --> 00:28:44,600
SPECIAL GUESTS CHANEL, MARIAH,

1139
00:28:44,600 --> 00:28:46,267
AND PANDORA BOXX.

1140
00:28:46,267 --> 00:28:48,867
AND A PSYCHIC PREDICTION OF WHO

1141
00:28:48,867 --> 00:28:50,733
WILL BE NAMED AMERICA'S NEXT

1142
00:28:50,733 --> 00:28:52,167
DRAG SUPERSTAR.

1143
00:28:52,167 --> 00:28:53,633
[laughter]

1144
00:28:56,133 --> 00:28:57,400
>> [laughter]

1145
00:28:57,400 --> 00:28:59,133
WELCOME BACK TO THE GLAMAZON

1146
00:28:59,133 --> 00:29:01,400
EDITION OF RUPAUL'S DRAG RACE.

1147
00:29:01,400 --> 00:29:03,233
NOW, THIS SEASON THE RUNWAY WAS

1148
00:29:03,233 --> 00:29:05,267
A FASHION PHENOMENON.

1149
00:29:05,267 --> 00:29:06,700
AND TO HELP ME RATE THE

1150
00:29:06,700 --> 00:29:09,400
RA SHA SHA, I'VE INVITED BACK

1151
00:29:09,400 --> 00:29:11,433
QUEENS FROM ALL SEASONS.

1152
00:29:11,433 --> 00:29:14,200
WELCOME THE SENSATIONAL CHANEL,

1153
00:29:14,200 --> 00:29:17,600
THAT FUNNY FOX PANDORA BOXX, AND

1154
00:29:17,600 --> 00:29:19,333
LAST, BUT NOT LEAST, WE CALL

1155
00:29:19,333 --> 00:29:22,067
THIS QUEEN MARIAH.

1156
00:29:22,067 --> 00:29:23,333
HELLO, LADIES.

1157
00:29:23,333 --> 00:29:24,067
>> HELLO.

1158
00:29:24,067 --> 00:29:24,767
>> HI, RU.

1159
00:29:24,767 --> 00:29:26,267
>> ARE YOU READY TO COUNTDOWN

1160
00:29:26,267 --> 00:29:28,933
THE TOP TEN MOST SICKENING FITS

1161
00:29:28,933 --> 00:29:30,567
AND FASHIONS OF THE RUNWAY?

1162
00:29:30,567 --> 00:29:32,533
>> UH, MY TUCK IS ON FIRE.

1163
00:29:32,533 --> 00:29:34,567
>> LITERALLY.

1164
00:29:34,567 --> 00:29:35,900
>> LET'S GO.

1165
00:29:35,900 --> 00:29:38,567
COMING IN AT NUMBER TEN, MILAN

1166
00:29:38,567 --> 00:29:40,667
SERVING DISCO HAREM CHIC.

1167
00:29:40,667 --> 00:29:42,467
BURN, BABY, BURN.

1168
00:29:42,467 --> 00:29:44,333
>> T.G.I.F.

1169
00:29:44,333 --> 00:29:45,533
SHE CAME OUT LIKE THAT WAS HER

1170
00:29:45,533 --> 00:29:46,633
LAST DANCE.

1171
00:29:46,633 --> 00:29:48,300
>> [laughs]

1172
00:29:48,300 --> 00:29:49,667
>> WHEN SHE WAS DANCING AROUND,

1173
00:29:49,667 --> 00:29:50,733
IT DEFINITELY TOOK SOME FLIGHT

1174
00:29:50,733 --> 00:29:51,800
WITH THE AIR INTO IT.

1175
00:29:51,800 --> 00:29:52,567
IT WAS HOT, LOVE IT.

1176
00:29:52,567 --> 00:29:53,500
>> YES, IS IT SOMETHING YOU

1177
00:29:53,500 --> 00:29:54,200
WOULD WEAR?

1178
00:29:54,200 --> 00:29:55,267
>> NO, BUT I LIKED IT, YEAH.

1179
00:29:55,267 --> 00:29:57,833
>> NO? [laughs]

1180
00:29:57,833 --> 00:29:59,100
AT NUMBER NINE, IT'S

1181
00:29:59,100 --> 00:30:01,567
JIGGLY CALIENTE WORKING HER '80s

1182
00:30:01,567 --> 00:30:02,700
RETRO LOOK.

1183
00:30:02,700 --> 00:30:04,200
>> GREY JELLO NEVER LOOKED SO

1184
00:30:04,200 --> 00:30:04,933
GOOD.

1185
00:30:04,933 --> 00:30:06,567
[laughter]

1186
00:30:06,567 --> 00:30:08,700
THERE WAS THE MISSY ELLIOT VIDEO

1187
00:30:08,700 --> 00:30:10,233
WHERE THEY, LIKE, PUMPED HER

1188
00:30:10,233 --> 00:30:11,200
FULL OF AIR.

1189
00:30:11,200 --> 00:30:11,967
>> RIGHT, RIGHT.

1190
00:30:11,967 --> 00:30:13,033
>> SICKENING, AND THAT GAVE ME,

1191
00:30:13,033 --> 00:30:14,567
VERY MUCH, THAT SORT OF FEEL.

1192
00:30:14,567 --> 00:30:15,800
I LIVE FOR JIGGLY.

1193
00:30:15,800 --> 00:30:19,700
I THINK SHE'S AMAZING.

1194
00:30:19,700 --> 00:30:21,633
IN THE NUMBER EIGHT SPOT, IT'S

1195
00:30:21,633 --> 00:30:23,733
IT'S LATRICE ROYALE IN ROYAL

1196
00:30:23,733 --> 00:30:24,733
BLUE.

1197
00:30:24,733 --> 00:30:26,433
OOH, NOW I LOVE THAT DRESS.

1198
00:30:26,433 --> 00:30:28,067
I LOVE THE COLOR OF THAT BLUE

1199
00:30:28,067 --> 00:30:29,467
WITH THE COLOR OF HER SKIN.

1200
00:30:29,467 --> 00:30:31,133
AND WAS LIVING FOR AN

1201
00:30:31,133 --> 00:30:33,000
ASYMMETRICAL SILHOUETTE.

1202
00:30:33,000 --> 00:30:35,633
>> TRUE, TRUE GODDESS.

1203
00:30:35,633 --> 00:30:37,533
VOLUPTUOUS, BEAUTIFUL.

1204
00:30:37,533 --> 00:30:39,233
I LOVE THAT HER EYE SHADOW

1205
00:30:39,233 --> 00:30:40,367
MATCHED THE GOWN.

1206
00:30:40,367 --> 00:30:42,533
SHE WORE IT IMPECCABLY.

1207
00:30:42,533 --> 00:30:43,367
>> I JUST CAN'T BELIEVE HOW

1208
00:30:43,367 --> 00:30:44,833
BEAUTIFUL MICHAEL CLARKE DUNCAN

1209
00:30:44,833 --> 00:30:45,900
LOOKS...GORGEOUS.

1210
00:30:45,900 --> 00:30:47,267
>> HE'S DONE REALLY WELL FOR

1211
00:30:47,267 --> 00:30:47,967
HIMSELF.

1212
00:30:47,967 --> 00:30:48,767
>> HE REALLY HAS.

1213
00:30:48,767 --> 00:30:50,500
>> YES, HE HAS.

1214
00:30:50,500 --> 00:30:52,933
AT NUMBER SEVEN, PHI PHI O'HARA,

1215
00:30:52,933 --> 00:30:55,400
SURVIVOR OF THE RUPOCALYPSE.

1216
00:30:55,400 --> 00:30:56,767
VERY [indistinct].

1217
00:30:56,767 --> 00:30:58,933
>> IT WAS LIKE WATERWOLD MEETS,

1218
00:30:58,933 --> 00:31:00,933
LIKE, XENA: WARRIOR PRINCESS.

1219
00:31:00,933 --> 00:31:02,600
AND I LOVED THAT WHEN SHE

1220
00:31:02,600 --> 00:31:04,667
WALKED, IT WAS VERY MUCH, LIKE,

1221
00:31:04,667 --> 00:31:06,267
"I KNOW I'M THE SHIT.

1222
00:31:06,267 --> 00:31:07,100
IT'S COOL."

1223
00:31:07,100 --> 00:31:07,933
>> BUSH MEAT NEVER LOOKED SO

1224
00:31:07,933 --> 00:31:08,967
GOOD.

1225
00:31:08,967 --> 00:31:10,100
>> [laughs]

1226
00:31:10,100 --> 00:31:11,400
>> I LIVE FOR THE ATTITUDE, THE

1227
00:31:11,400 --> 00:31:12,900
CONFIDENCE, THE SILHOUETTE.

1228
00:31:12,900 --> 00:31:14,200
IT HAD A PURPOSE.

1229
00:31:14,200 --> 00:31:15,700
AND SHE EXECUTED IT VERY WELL.

1230
00:31:15,700 --> 00:31:16,500
>> YOU DIDN'T THINK IT WAS A

1231
00:31:16,500 --> 00:31:17,767
LITTLE TOO ROADKILL?

1232
00:31:17,767 --> 00:31:19,600
>> IT GAVE ME BEAVER ON THE SIDE

1233
00:31:19,600 --> 00:31:20,333
OF THE ROAD.

1234
00:31:20,333 --> 00:31:21,300
BUT, YOU KNOW, WHO DOESN'T LOVE

1235
00:31:21,300 --> 00:31:22,100
A GOOD BEAVER?

1236
00:31:22,100 --> 00:31:23,067
>> THAT'S TRUE.

1237
00:31:23,067 --> 00:31:23,767
>> ESPECIALLY ON THE SIDE OF THE

1238
00:31:23,767 --> 00:31:24,467
ROAD.

1239
00:31:24,467 --> 00:31:27,100
>> YOU'RE ABSOLUTELY RIGHT.

1240
00:31:27,100 --> 00:31:29,667
NUMBER SIX, DIDA RITZ...

1241
00:31:29,667 --> 00:31:32,467
SERVING GOLD AND GAMS.

1242
00:31:32,467 --> 00:31:34,500
VERY FRITZ LANG METROPOLIS.

1243
00:31:34,500 --> 00:31:36,533
>> THE WALMART VERSION.

1244
00:31:36,533 --> 00:31:38,133
I WOULDN'T PERSONALLY WEAR IT,

1245
00:31:38,133 --> 00:31:39,500
BECAUSE I'M NOT THAT CHEEKY.

1246
00:31:39,500 --> 00:31:41,067
WITH HER SKIN TONE, GOLD IS

1247
00:31:41,067 --> 00:31:42,267
ABSOLUTELY AMAZING.

1248
00:31:42,267 --> 00:31:43,667
HER HAVING LEGS FOR DAYS, SHE

1249
00:31:43,667 --> 00:31:46,067
CAN REALLY PULL OFF A LOOK LIKE

1250
00:31:46,067 --> 00:31:48,967
THAT.

1251
00:31:48,967 --> 00:31:50,500
>> COMING IN AT NUMBER FIVE,

1252
00:31:50,500 --> 00:31:52,600
CHAD MICHAELS' RENAISSANCE

1253
00:31:52,600 --> 00:31:53,600
REALNESS.

1254
00:31:53,600 --> 00:31:54,900
LADY CHATTERLEY.

1255
00:31:54,900 --> 00:31:56,567
>> GORGEOUS, THE DOG DAYS ARE

1256
00:31:56,567 --> 00:31:57,500
GONE.

1257
00:31:57,500 --> 00:31:58,933
>> I THINK SHE WAS JOAN OF ARC

1258
00:31:58,933 --> 00:32:00,433
IN HER FORMER LIFE.

1259
00:32:00,433 --> 00:32:02,300
>> [laughs]

1260
00:32:02,300 --> 00:32:03,667
AT NUMBER FOUR, LITTLE

1261
00:32:03,667 --> 00:32:06,067
KENYA MICHAELS IS PRETTY IN

1262
00:32:06,067 --> 00:32:07,167
PINK.

1263
00:32:07,167 --> 00:32:08,300
OH, LOOK AT HER.

1264
00:32:08,300 --> 00:32:09,133
>> IF NICKI HAD A

1265
00:32:09,133 --> 00:32:11,200
MY SIZE BARBIE, THAT WOULD BE

1266
00:32:11,200 --> 00:32:13,067
HER.

1267
00:32:13,067 --> 00:32:14,133
DEFINITELY.

1268
00:32:14,133 --> 00:32:15,367
>> SHE'S SO ADORABLE.

1269
00:32:15,367 --> 00:32:16,200
SHE'S JUST, LIKE, A LITTLE DOLL.

1270
00:32:16,200 --> 00:32:17,300
I WANNA PICK HER UP AND SQUEEZE

1271
00:32:17,300 --> 00:32:18,300
HER TILL SHE PEES.

1272
00:32:18,300 --> 00:32:19,200
>> [laughs]

1273
00:32:19,200 --> 00:32:20,367
>> I STILL HAVE TO QUESTION IF

1274
00:32:20,367 --> 00:32:22,067
EVERYTHING IS DOWN THERE STILL.

1275
00:32:22,067 --> 00:32:24,333
SHE IS TRUE, TRUE WALMART FISH.

1276
00:32:24,333 --> 00:32:25,233
SHE REALLY IS.

1277
00:32:25,233 --> 00:32:27,833
>> [laughs]

1278
00:32:27,833 --> 00:32:29,233
AT NUMBER THREE, IT'S

1279
00:32:29,233 --> 00:32:31,500
SHARON NEEDLES, SERVING DRASTIC

1280
00:32:31,500 --> 00:32:32,600
PLASTIC CHIC.

1281
00:32:32,600 --> 00:32:34,300
>> WHAT DRAG QUEEN DOES NOT LOVE

1282
00:32:34,300 --> 00:32:35,633
A GOOD BATTERY ACID CHEMICAL

1283
00:32:35,633 --> 00:32:36,400
PEEL?

1284
00:32:36,400 --> 00:32:38,067
>> I LOVE THE "MADONNA TWO WEEKS

1285
00:32:38,067 --> 00:32:39,067
BEFORE THE SUPER BOWL" LOOK.

1286
00:32:39,067 --> 00:32:40,467
>> [laughs]

1287
00:32:40,467 --> 00:32:42,467
>> SHARON HAS SUCH AN INCREDIBLE

1288
00:32:42,467 --> 00:32:43,900
ABILITY TO ME TO TAKE SOMETHING

1289
00:32:43,900 --> 00:32:46,767
SO ODD AND MAKE IT SO CHIC AND

1290
00:32:46,767 --> 00:32:49,733
UGLY-BEAUTIFUL.

1291
00:32:49,733 --> 00:32:51,100
>> THE NUMBER TWO FITS IN

1292
00:32:51,100 --> 00:32:53,800
FASHION IS WILLAM'S TUMMY

1293
00:32:53,800 --> 00:32:54,833
TROUBLES.

1294
00:32:54,833 --> 00:32:58,200
>> [vomiting]

1295
00:33:00,733 --> 00:33:01,933
>> I SAY, "BITCH, THAT'S WHAT

1296
00:33:01,933 --> 00:33:03,100
YOU GET FOR EATING SOLID FOOD."

1297
00:33:03,100 --> 00:33:04,167
>> AGREED.

1298
00:33:04,167 --> 00:33:05,600
>> IT'S OBVIOUS SOMEBODY STILL

1299
00:33:05,600 --> 00:33:07,167
HAS THEIR GAG REFLEX.

1300
00:33:07,167 --> 00:33:08,533
SHE'S GIVING BLONDE TRASH

1301
00:33:08,533 --> 00:33:10,267
EVERYWHERE A BAD NAME.

1302
00:33:10,267 --> 00:33:11,667
>> [laughs]

1303
00:33:11,667 --> 00:33:12,367
>> TARA REID WOULD BE PROUD

1304
00:33:12,367 --> 00:33:13,067
THOUGH.

1305
00:33:13,067 --> 00:33:14,067
>> TARA REID WOULD BE PROUD.

1306
00:33:14,067 --> 00:33:15,067
>> YOU'RE ABSOLUTELY RIGHT ABOUT

1307
00:33:15,067 --> 00:33:17,167
THAT.

1308
00:33:17,167 --> 00:33:19,533
>> AND NOW, IF I MAY, RU, THE

1309
00:33:19,533 --> 00:33:21,867
NUMBER ONE MOST SICKENING FITS

1310
00:33:21,867 --> 00:33:23,533
AND FASHION BELONGS TO--

1311
00:33:23,533 --> 00:33:25,133
OH, YOU KNOW, IT'S NOT JUST ONE.

1312
00:33:25,133 --> 00:33:28,233
IT'S 11 TIMELESS LOOKS.

1313
00:33:28,233 --> 00:33:29,233
>> I THINK I KNOW WHERE THIS IS

1314
00:33:29,233 --> 00:33:29,933
GOING.

1315
00:33:29,933 --> 00:33:31,300
>> AND THE WINNER IS...

1316
00:33:31,300 --> 00:33:32,767
RUPAUL!

1317
00:33:32,767 --> 00:33:33,800
ROLL TAPE.

1318
00:33:33,800 --> 00:33:37,267
[growling]

1319
00:33:37,267 --> 00:33:38,500
OOPS, UH-OH, I THINK I JUST GOT

1320
00:33:38,500 --> 00:33:39,233
FIRED.

1321
00:33:39,233 --> 00:33:40,867
ROLL THE OTHER TAPE.

1322
00:33:40,867 --> 00:33:41,867
[RuPaul's Covergirl plays]

1323
00:33:41,867 --> 00:33:42,700
*

1324
00:33:42,700 --> 00:33:44,067
>> * COVERGIRL

1325
00:33:44,067 --> 00:33:46,433
* PUT THE BASS IN YOUR WALK

1326
00:33:46,433 --> 00:33:47,300
* HEAD TO TOE

1327
00:33:47,300 --> 00:33:49,800
CHANEL, WHICH ONE OF MY OUTFITS

1328
00:33:49,800 --> 00:33:51,133
WAS YOUR FAVORITE?

1329
00:33:51,133 --> 00:33:52,600
>> I HAVE TO SAY WITH THE

1330
00:33:52,600 --> 00:33:54,133
FEATHERS, THE BLUE FEATHERS.

1331
00:33:54,133 --> 00:33:57,100
LIKE, MAY WEST HAD A RUPAUL DRAG

1332
00:33:57,100 --> 00:33:57,833
BABY.

1333
00:33:57,833 --> 00:33:59,467
>> I, OF COURSE, LOVE ABSOLUTELY

1334
00:33:59,467 --> 00:34:00,400
ALL OF THEM.

1335
00:34:00,400 --> 00:34:02,233
>> YES, THAT GOES WITH SAYING.

1336
00:34:02,233 --> 00:34:03,567
>> IT'S A TOSS-UP BETWEEN THE

1337
00:34:03,567 --> 00:34:05,067
BEST LITTLE RUHOUSE IN TEXAS

1338
00:34:05,067 --> 00:34:05,767
LOOK.

1339
00:34:05,767 --> 00:34:06,633
>> YES, YES.

1340
00:34:06,633 --> 00:34:08,067
>> OR THE VERY FLOWING, LIKE,

1341
00:34:08,067 --> 00:34:10,067
BARBIE MEETS MRS. ROPER LOOK.

1342
00:34:10,067 --> 00:34:12,167
>> YES, YES, I LOVE THAT.

1343
00:34:12,167 --> 00:34:13,067
>> GORGEOUS.

1344
00:34:13,067 --> 00:34:14,933
>> GORGEOUS, GORGEOUS.

1345
00:34:14,933 --> 00:34:16,067
I'M NOT GONNA LEAVE YOU OUT,

1346
00:34:16,067 --> 00:34:16,733
MARIAH.

1347
00:34:16,733 --> 00:34:17,567
>> I HAVE TO PICK THE EMERALD

1348
00:34:17,567 --> 00:34:18,333
GREEN.

1349
00:34:18,333 --> 00:34:19,600
I WANTED TO EASE ON DOWN THE

1350
00:34:19,600 --> 00:34:20,967
ROAD, AND SNATCH IT RIGHT OUT OF

1351
00:34:20,967 --> 00:34:21,667
YOUR CLOSET.

1352
00:34:21,667 --> 00:34:22,533
>> OH, MY GOODNESS.

1353
00:34:22,533 --> 00:34:23,833
I'D GIVE IT YOU, BUT I JUST

1354
00:34:23,833 --> 00:34:27,567
DON'T WANT TO SEE IT ON eBAY.

1355
00:34:27,567 --> 00:34:29,800
ALL RIGHT, JUST BETWEEN US

1356
00:34:29,800 --> 00:34:31,467
GIRLS, WHO DO YOU THINK SHOULD

1357
00:34:31,467 --> 00:34:33,300
BE CROWNED AMERICA'S NEXT DRAG

1358
00:34:33,300 --> 00:34:34,733
SUPERSTAR?

1359
00:34:34,733 --> 00:34:35,900
CHANEL?

1360
00:34:35,900 --> 00:34:36,833
>> CHAD MICHAELS.

1361
00:34:36,833 --> 00:34:38,067
HE'S SO SEASONED.

1362
00:34:38,067 --> 00:34:40,400
AND HE'S SO PROFESSIONAL.

1363
00:34:40,400 --> 00:34:42,100
AND HE'S A PERFECTIONIST IN

1364
00:34:42,100 --> 00:34:43,867
EVERY SINGLE THING HE DOES.

1365
00:34:43,867 --> 00:34:44,667
>> PANDORA?

1366
00:34:44,667 --> 00:34:46,433
>> I WOULD REALLY LOVE TO SEE

1367
00:34:46,433 --> 00:34:48,067
SHARON NEEDLES TAKE THE TITLE.

1368
00:34:48,067 --> 00:34:49,067
BECAUSE I THINK SHE'S SO

1369
00:34:49,067 --> 00:34:50,600
DIFFERENT THAN ANY OF THE

1370
00:34:50,600 --> 00:34:52,800
PREVIOUS WINNERS THAT SHE WOULD

1371
00:34:52,800 --> 00:34:54,233
REALLY JUST TAKE IT TO A WHOLE,

1372
00:34:54,233 --> 00:34:56,167
DIFFERENT, CRAZY, SPOOKY LEVEL.

1373
00:34:56,167 --> 00:34:57,067
AND I LOVE IT.

1374
00:34:57,067 --> 00:34:57,700
>> MARIAH?

1375
00:34:57,700 --> 00:34:59,467
>> MY PICK HAS TO BE

1376
00:34:59,467 --> 00:35:00,800
PHI PHI O'HARA.

1377
00:35:00,800 --> 00:35:02,367
SHE'S DEFINITELY HUNGRY.

1378
00:35:02,367 --> 00:35:03,667
SHE HAS THE FIRE.

1379
00:35:03,667 --> 00:35:05,600
THE ATTITUDE IS CHANNELED THE

1380
00:35:05,600 --> 00:35:06,500
RIGHT WAY.

1381
00:35:06,500 --> 00:35:08,133
SHE CAN JUST SEAR RIGHT THROUGH

1382
00:35:08,133 --> 00:35:11,333
THE COMPETITION.

1383
00:35:11,333 --> 00:35:12,667
>> WELL, LADIES, YOU'LL HAVE TO

1384
00:35:12,667 --> 00:35:14,067
WAIT JUST LIKE EVERYONE ELSE TO

1385
00:35:14,067 --> 00:35:16,067
FIND OUT WHO'S CROWNED AMERICA'S

1386
00:35:16,067 --> 00:35:18,133
NEXT DRAG SUPERSTAR.

1387
00:35:18,200 --> 00:35:19,967
UP NEXT...

1388
00:35:19,967 --> 00:35:21,700
WE GET UP CLOSE AND PERSONAL

1389
00:35:21,700 --> 00:35:23,100
WITH OUR FINAL THREE--

1390
00:35:23,100 --> 00:35:25,433
CHAD MICHAELS, PHI PHI O'HARA,

1391
00:35:25,433 --> 00:35:27,700
AND SHARON NEEDLES.

1392
00:35:27,700 --> 00:35:29,600
PLUS, A PSYCHIC PREDICTION OF

1393
00:35:29,600 --> 00:35:31,367
WHO'LL BE AMERICA'S NEXT DRAG

1394
00:35:31,367 --> 00:35:32,567
SUPERSTAR.

1395
00:35:32,567 --> 00:35:33,833
THE GLAMAZON EDITION OF

1396
00:35:33,833 --> 00:35:35,167
RUPAUL'S DRAG RACE WILL BE

1397
00:35:35,167 --> 00:35:36,867
RIGHT BACK.

1398
00:35:36,867 --> 00:35:38,367
[laughter]

1399
00:35:41,133 --> 00:35:42,900
>> [laughter]

1400
00:35:42,900 --> 00:35:43,833
WELCOME BACK TO THE GLAMAZON

1401
00:35:43,833 --> 00:35:47,067
EDITION OF RUPAUL'S DRAG RACE.

1402
00:35:47,067 --> 00:35:49,067
NEXT WEEK, IT'S ATTACK OF THE

1403
00:35:49,067 --> 00:35:51,167
GLAMAZONS, AS CHAD MICHAELS,

1404
00:35:51,167 --> 00:35:52,567
PHI PHI O'HARA, AND

1405
00:35:52,567 --> 00:35:54,867
SHARON NEEDLES BATTLE IT OUT FOR

1406
00:35:54,867 --> 00:35:57,067
THE TITLE OF AMERICA'S NEXT DRAG

1407
00:35:57,067 --> 00:35:59,867
SUPERSTAR, AND WALK AWAY WITH

1408
00:35:59,867 --> 00:36:01,633
A LIFETIME SUPPLY OF

1409
00:36:01,633 --> 00:36:03,067
NICK'S COSMETICS, AND A ONE OF A

1410
00:36:03,067 --> 00:36:04,733
KIND TRIP COURTESY OF

1411
00:36:04,733 --> 00:36:06,767
ALANDCHUCK.TRAVEL.

1412
00:36:06,767 --> 00:36:08,733
HEADLINE LOGO'S DRAG RACE TOUR,

1413
00:36:08,733 --> 00:36:10,733
FEATURING COCKTAILS PERFECTED BY

1414
00:36:10,733 --> 00:36:11,467
ABSOLUT, AND A CASH PRIZE OF

1415
00:36:11,467 --> 00:36:16,267
$100,000 IN THE OVER-THE-TOP

1416
00:36:16,267 --> 00:36:18,600
EXTRAVAGANZA THAT YOU WON'T WANT

1417
00:36:18,600 --> 00:36:19,733
TO MISS.

1418
00:36:19,733 --> 00:36:21,467
THE TIME HAS COME FOR US TO TAKE

1419
00:36:21,467 --> 00:36:23,567
AN UP AND CLOSE PERSONAL LOOK AT

1420
00:36:23,567 --> 00:36:25,333
THE FINAL THREE.

1421
00:36:25,333 --> 00:36:26,767
>> WELL, HELLO, HELLO.

1422
00:36:26,767 --> 00:36:27,500
>> all: HI.

1423
00:36:27,500 --> 00:36:28,567
>> HOW ARE Y'ALL DOING?

1424
00:36:28,567 --> 00:36:30,333
>> A CHICAGO SHOWGIRL,

1425
00:36:30,333 --> 00:36:32,400
PHI PHI O'HARA IS A FEISTY

1426
00:36:32,400 --> 00:36:33,500
FIRECRACKER...

1427
00:36:33,500 --> 00:36:34,700
>> DON'T BE JEALOUS OF MY

1428
00:36:34,700 --> 00:36:35,533
BOOGIE.

1429
00:36:35,533 --> 00:36:37,100
WITH THE WILL TO WIN...

1430
00:36:37,100 --> 00:36:38,100
>> I WANT TO LOOK LIKE A HOT

1431
00:36:38,100 --> 00:36:39,733
MIAMI PIECE OF ASS.

1432
00:36:39,733 --> 00:36:40,567
>> YOU LOOK LIKE IT TO ME.

1433
00:36:40,567 --> 00:36:41,267
>> GOOD.

1434
00:36:41,267 --> 00:36:42,533
>> HUNGRY AND AMBITIOUS...

1435
00:36:42,533 --> 00:36:43,600
>> YOU'RE DAMN RIGHT I'M HUNGRY.

1436
00:36:43,600 --> 00:36:45,100
YOU ALL SHOULD BE HUNGRY.

1437
00:36:45,100 --> 00:36:46,500
>> SHE ALWAYS BRINGS HER

1438
00:36:46,500 --> 00:36:47,500
"A" GAME.

1439
00:36:47,500 --> 00:36:49,333
>> IF THE FINAL SAY-SO HAPPENED

1440
00:36:49,333 --> 00:36:51,733
TODAY, YOU WOULD WIN.

1441
00:36:51,733 --> 00:36:53,200
>> OH, HELL NO!

1442
00:36:53,200 --> 00:36:55,067
>> PHI PHI FIERCE RULED THE

1443
00:36:55,067 --> 00:36:55,933
WRESTLING RING.

1444
00:36:55,933 --> 00:36:56,933
[cheering]

1445
00:36:56,933 --> 00:36:58,733
>> NOW, I'M GONNA SHOW YOU HOW

1446
00:36:58,733 --> 00:37:01,233
TO REALLY BEAT A MUG, BITCH.

1447
00:37:01,233 --> 00:37:03,067
>> AND HER FIGHTING SPIRIT

1448
00:37:03,067 --> 00:37:04,600
CAUSED A FEW RUMBLES IN THE

1449
00:37:04,600 --> 00:37:05,567
WORKROOM AS WELL.

1450
00:37:05,567 --> 00:37:06,633
>> AT LEAST I AM A SHOWGIRL,

1451
00:37:06,633 --> 00:37:07,367
BITCH.

1452
00:37:07,367 --> 00:37:08,467
GO BACK TO PARTY CITY, WHERE YOU

1453
00:37:08,467 --> 00:37:10,267
BELONG.

1454
00:37:10,267 --> 00:37:12,400
BUT PHI PHI ALSO REVEALED A

1455
00:37:12,400 --> 00:37:13,467
SOFTER SIDE.

1456
00:37:13,467 --> 00:37:14,967
>> I WISH I HAD A DAD LIKE HIM

1457
00:37:14,967 --> 00:37:16,633
TO ACCEPT ME FOR EVERYTHING THAT

1458
00:37:16,633 --> 00:37:17,333
I AM.

1459
00:37:17,333 --> 00:37:18,167
>> DO YOU THINK YOUR FATHER WILL

1460
00:37:18,167 --> 00:37:19,267
WATCH THIS SHOW?

1461
00:37:19,267 --> 00:37:20,633
>> PROBABLY NOT.

1462
00:37:20,633 --> 00:37:21,400
AND THAT'S OKAY.

1463
00:37:21,400 --> 00:37:22,267
I'M FINE WITH THAT.

1464
00:37:22,267 --> 00:37:24,933
I HOPE HE VALUES...

1465
00:37:24,933 --> 00:37:26,567
LIKE, WHO I AM.

1466
00:37:26,567 --> 00:37:28,067
I'M A GOOD PERSON.

1467
00:37:28,067 --> 00:37:28,933
>> I REALLY WANT YOU TO HAVE MY

1468
00:37:28,933 --> 00:37:29,967
PHONE CALL.

1469
00:37:29,967 --> 00:37:30,867
I REALLY WANTED TO WIN IT FOR

1470
00:37:30,867 --> 00:37:31,600
YOU.

1471
00:37:31,600 --> 00:37:32,867
>> HONEY, THANK YOU SO MUCH.

1472
00:37:32,867 --> 00:37:35,067
>> YEAH.

1473
00:37:35,067 --> 00:37:36,733
>> PHI PHI O'HARA HAS A MAGIC

1474
00:37:36,733 --> 00:37:38,800
COMBINATION OF TALENT, BEAUTY,

1475
00:37:38,800 --> 00:37:40,200
AND AMBITION.

1476
00:37:40,200 --> 00:37:42,633
BUT, IS IT ENOUGH TO TAKE HER TO

1477
00:37:42,633 --> 00:37:47,200
THE VERY TOP?

1478
00:37:47,200 --> 00:37:48,067
>> MORNING, BITCHES.

1479
00:37:48,067 --> 00:37:48,967
>> WHAT'S UP?

1480
00:37:48,967 --> 00:37:49,933
>> HI, EVERYBODY.

1481
00:37:49,933 --> 00:37:51,267
>> LET'S TURN BACK TIME ON

1482
00:37:51,267 --> 00:37:52,633
MISS CHAD MICHAELS.

1483
00:37:52,633 --> 00:37:55,267
A WORLD-CLASS CHER IMPERSONATOR.

1484
00:37:55,267 --> 00:37:57,700
>> CHER COMES TO HER FOR TIPS.

1485
00:37:57,700 --> 00:37:59,067
>> THIS IS ONE OF MANY NATURAL

1486
00:37:59,067 --> 00:38:00,300
HAIR COLORS THAT I'LL BE WEARING

1487
00:38:00,300 --> 00:38:01,067
TONIGHT.

1488
00:38:01,067 --> 00:38:02,200
[laughter]

1489
00:38:02,200 --> 00:38:05,500
I'M CHER, BITCH.

1490
00:38:05,500 --> 00:38:06,633
>> THROUGHOUT THE COMPETITION...

1491
00:38:06,633 --> 00:38:07,767
>> YOU WANT SOME OF THIS?

1492
00:38:07,767 --> 00:38:09,633
WE GOT PLENTY FOR YOU TOO.

1493
00:38:09,633 --> 00:38:11,667
>> THIS DARK LADY HAS PROVEN...

1494
00:38:11,667 --> 00:38:12,567
>> OH, OH, DROP IT LIKE IT'S

1495
00:38:12,567 --> 00:38:13,467
HOT.

1496
00:38:13,467 --> 00:38:14,633
>> THAT SHE'S MUCH MORE THAN A

1497
00:38:14,633 --> 00:38:15,400
GYPSY.

1498
00:38:15,400 --> 00:38:16,433
>> I AM FROM CALIFORNIA.

1499
00:38:16,433 --> 00:38:17,467
MORE SPECIFICALLY, THE SHADY

1500
00:38:17,467 --> 00:38:19,067
ACRES TRAILER PARK ON DOHENY

1501
00:38:19,067 --> 00:38:20,933
BETWEEN WEHO AND BEVERLY HILLS.

1502
00:38:20,933 --> 00:38:21,700
>> TRAMP...

1503
00:38:21,700 --> 00:38:22,400
>> WHAT A JERK.

1504
00:38:22,400 --> 00:38:23,200
>> AND A THIEF.

1505
00:38:23,200 --> 00:38:24,467
>> WHAT MADE YOU THINK THAT WE

1506
00:38:24,467 --> 00:38:25,400
COULD GET AWAY WITH SNEAKING

1507
00:38:25,400 --> 00:38:27,067
INTO A NUT FARM IN THE MIDDLE OF

1508
00:38:27,067 --> 00:38:29,933
THE NIGHT?

1509
00:38:29,933 --> 00:38:31,533
>> HAVING ACCOMPLISHED SO MUCH

1510
00:38:31,533 --> 00:38:33,333
IN HER CAREER, WILL THE NEXT

1511
00:38:33,333 --> 00:38:35,167
FEATHER IN THIS HALF-BREED'S

1512
00:38:35,167 --> 00:38:36,900
HEADDRESS BE THE TITLE OF

1513
00:38:36,900 --> 00:38:39,900
AMERICA'S NEXT DRAG SUPERSTAR?

1514
00:38:42,133 --> 00:38:44,500
[cheering]

1515
00:38:44,500 --> 00:38:46,500
>> SHARON NEEDLES ARRIVED AS THE

1516
00:38:46,500 --> 00:38:47,967
FREAKY UNDERDOG.

1517
00:38:47,967 --> 00:38:49,167
>> I LOOK SPOOKY, BUT I'M REALLY

1518
00:38:49,167 --> 00:38:50,433
NOT.

1519
00:38:50,433 --> 00:38:52,567
>> AND HER SPOOKY-DRAG PERSONA

1520
00:38:52,567 --> 00:38:54,267
SET HER APART FROM THE START.

1521
00:38:54,267 --> 00:38:55,333
>> OH, SHE'S BLEEDING.

1522
00:38:55,333 --> 00:38:56,067
>> GOODNESS.

1523
00:38:56,067 --> 00:38:57,300
>> SOMEBODY CALL A DENTIST.

1524
00:38:57,300 --> 00:38:58,767
>> SHE DIDN'T HIT OFF WITH THE

1525
00:38:58,767 --> 00:38:59,900
OTHER GIRLS INITIALLY.

1526
00:38:59,900 --> 00:39:01,067
>> I THINK A LOT OF THE GIRLS

1527
00:39:01,067 --> 00:39:02,700
HERE THINK I'M A ONE-TRICK PONY.

1528
00:39:02,700 --> 00:39:04,100
YOU KNOW, I'M JUST A SPOOK,

1529
00:39:04,100 --> 00:39:05,467
MONSTER GIRL.

1530
00:39:05,467 --> 00:39:06,367
>> JUST PUT SOME WHITE POWDER ON

1531
00:39:06,367 --> 00:39:07,067
YOUR FACE AND LOOK GOTHIC.

1532
00:39:07,067 --> 00:39:10,067
THAT'S ALL WE NEED YOU TO DO.

1533
00:39:11,767 --> 00:39:14,067
>> BUT SHARON SOON WON OVER THE

1534
00:39:14,067 --> 00:39:16,367
JUDGES WITH HER EDGY AESTHETIC.

1535
00:39:16,367 --> 00:39:17,667
>> I DIDN'T EVEN GET THE NAME

1536
00:39:17,667 --> 00:39:18,400
RIGHT AWAY.

1537
00:39:18,400 --> 00:39:19,867
>> ALL IN THE PAST, MISS COLE.

1538
00:39:19,867 --> 00:39:20,900
>> OKAY?

1539
00:39:20,900 --> 00:39:22,067
YOU KNOW, SO I'M RIGHT THERE

1540
00:39:22,067 --> 00:39:22,767
WITH YOU, BUT ANYWAY.

1541
00:39:22,767 --> 00:39:25,133
>> ALL RIGHT, WELL, YES.

1542
00:39:25,133 --> 00:39:26,667
>> BUT SHE WAS PLAGUED BY

1543
00:39:26,667 --> 00:39:28,500
NAGGING GUILT OVER HER BOYFRIEND

1544
00:39:28,500 --> 00:39:29,500
BACK HOME.

1545
00:39:29,500 --> 00:39:30,833
>> SHE'S AUDITIONED ALL FOUR

1546
00:39:30,833 --> 00:39:32,500
YEARS, AND THEN I TRY OUT ONE

1547
00:39:32,500 --> 00:39:34,333
TIME AND, YOU KNOW, HERE I AM.

1548
00:39:34,333 --> 00:39:35,633
I FEEL GUILTY ABOUT IT, ALL THE

1549
00:39:35,633 --> 00:39:36,833
TIME.

1550
00:39:36,833 --> 00:39:38,533
>> BUT SHARON ROSE ABOVE AND

1551
00:39:38,533 --> 00:39:39,767
KEPT ON WINNING.

1552
00:39:39,767 --> 00:39:40,767
>> CONDRAGULATIONS.

1553
00:39:40,767 --> 00:39:41,733
CONDRAGULATIONS.

1554
00:39:41,733 --> 00:39:42,500
CONDRAGULATIONS.

1555
00:39:42,500 --> 00:39:43,200
>> YES.

1556
00:39:43,200 --> 00:39:43,900
>> YOU ARE THE WINNER OF THIS

1557
00:39:43,900 --> 00:39:44,600
CHALLENGE.

1558
00:39:44,600 --> 00:39:46,733
[applause]

1559
00:39:46,733 --> 00:39:48,400
SHE SHOWED THE JUDGES THAT SHE

1560
00:39:48,400 --> 00:39:50,200
COULD DIVERSIFY HER DARK-SIDED

1561
00:39:50,200 --> 00:39:51,700
DRAG.

1562
00:39:51,700 --> 00:39:53,833
BUT ALWAYS STAYED TRUE TO HER

1563
00:39:53,833 --> 00:39:55,433
OWN UNIQUE STYLE.

1564
00:39:55,433 --> 00:39:57,300
>> YOU LOOK LIKE YOU CAME OUT OF

1565
00:39:57,300 --> 00:39:58,100
ITALIAN VOGUE.

1566
00:39:58,100 --> 00:39:58,833
>> OOH.

1567
00:39:58,833 --> 00:40:00,767
>> FROM SPOOKY TO UNSPOOKABLE,

1568
00:40:00,767 --> 00:40:02,900
DOES SHARON NEEDLES HAVE THE

1569
00:40:02,900 --> 00:40:05,067
FRIGHT STUFF TO BE AMERICA'S

1570
00:40:05,067 --> 00:40:08,067
NEXT DRAG SUPERSTAR?

1571
00:40:09,667 --> 00:40:11,433
THE TOP THREE GIRLS, THE BEST OF

1572
00:40:11,433 --> 00:40:13,100
THE BEST.

1573
00:40:13,100 --> 00:40:15,433
SO WHICH OF THESE AMAZING QUEENS

1574
00:40:15,433 --> 00:40:17,133
HAS THE CHARISMA, UNIQUENESS,

1575
00:40:17,133 --> 00:40:19,033
NERVE, AND TALENT TO BE

1576
00:40:19,033 --> 00:40:21,800
AMERICA'S NEXT DRAG SUPERSTAR?

1577
00:40:21,800 --> 00:40:24,800
LET'S CONSULT THE STARS.

1578
00:40:24,800 --> 00:40:27,167
TELL US WHAT THE FUTURE HOLDS,

1579
00:40:27,167 --> 00:40:30,267
MADAME VISAGE.

1580
00:40:30,267 --> 00:40:31,400
>> CHAD MICHAELS.

1581
00:40:31,400 --> 00:40:32,700
CHAD MICHAELS IS A PISCES AND

1582
00:40:32,700 --> 00:40:34,133
FISH ALWAYS DO WELL IN THIS

1583
00:40:34,133 --> 00:40:34,833
COMPETITION.

1584
00:40:34,833 --> 00:40:36,600
I PREDICT CHAD MICHAELS WILL BE

1585
00:40:36,600 --> 00:40:39,933
AMERICA'S NEXT DRAG SUPERSTAR.

1586
00:40:39,933 --> 00:40:42,367
>> OH, SPOIL ALERT.

1587
00:40:42,367 --> 00:40:43,433
WELL, WHAT'S THE STORY FOR THE

1588
00:40:43,433 --> 00:40:44,133
OTHERS?

1589
00:40:44,133 --> 00:40:45,967
>> SHARON NEEDLES IS A LEO WITH

1590
00:40:45,967 --> 00:40:47,167
SCORPIO RISING AND PANTIES

1591
00:40:47,167 --> 00:40:48,067
DROPPING.

1592
00:40:48,067 --> 00:40:49,233
I SEE IT NOW.

1593
00:40:49,233 --> 00:40:51,033
SHARON NEEDLES WILL WIN THIS

1594
00:40:51,033 --> 00:40:52,700
COMPETITION.

1595
00:40:52,700 --> 00:40:53,900
>> WAIT A MINUTE, I THOUGHT YOU

1596
00:40:53,900 --> 00:40:55,067
SAID CHAD MICHAELS WAS GONNA

1597
00:40:55,067 --> 00:40:55,767
WIN.

1598
00:40:55,767 --> 00:40:56,767
>> WHAT, YOU--WHAT?

1599
00:40:56,767 --> 00:40:57,533
YOU DON'T QUESTION MADAME

1600
00:40:57,533 --> 00:40:58,667
VISAGE, GIRL.

1601
00:40:58,667 --> 00:41:00,833
HOLD THE CELESTIAL PHONE.

1602
00:41:00,833 --> 00:41:02,067
PHI PHI O'HARA IS A

1603
00:41:02,067 --> 00:41:03,500
DOUBLE-JOINTED VIRGO.

1604
00:41:03,500 --> 00:41:05,067
AS SEE IT AS CLEAR AS A LUCITE

1605
00:41:05,067 --> 00:41:06,133
HOOKER-HEEL.

1606
00:41:06,133 --> 00:41:08,200
PHI PHI O'HARA IS THE WINNER OF

1607
00:41:08,200 --> 00:41:10,233
RUPAUL'S DRAG RACE.

1608
00:41:10,233 --> 00:41:12,067
>> DON'T QUIT YOUR DAY JOB,

1609
00:41:12,067 --> 00:41:13,667
MADAME VISAGE.

1610
00:41:13,667 --> 00:41:14,767
>> WHAT YOU SAY ABOUT MY BOOB

1611
00:41:14,767 --> 00:41:16,133
JOB?

1612
00:41:16,133 --> 00:41:18,567
>> WELL, WHAT IS CRYSTAL CLEAR

1613
00:41:18,567 --> 00:41:20,433
IS THIS COMPETITION HAS NEVER

1614
00:41:20,433 --> 00:41:21,933
BEEN SO CLOSE.

1615
00:41:21,933 --> 00:41:23,667
AND, WITH A CASH PRIZE OF

1616
00:41:23,667 --> 00:41:26,567
$100,000, NEXT WEEK'S FINAL

1617
00:41:26,567 --> 00:41:28,633
CHALLENGE PROMISES TO BE THE

1618
00:41:28,633 --> 00:41:30,567
MOST PRESSURE-FILLED AND

1619
00:41:30,567 --> 00:41:33,633
SURPRISING IN DRAG RACE HISTORY.

1620
00:41:33,700 --> 00:41:36,567
YOU WON'T WANT TO MISS A MOMENT.

1621
00:41:36,567 --> 00:41:38,067
UNTIL NEXT WEEK...

1622
00:41:38,067 --> 00:41:39,500
IF YOU CAN'T LOVE YOURSELF, HOW

1623
00:41:39,500 --> 00:41:40,500
IN THE HELL ARE YOU GONNA LOVE

1624
00:41:40,500 --> 00:41:41,433
SOMEBODY ELSE?

1625
00:41:41,433 --> 00:41:43,133
CAN I GET AN AMEN UP IN HERE?

1626
00:41:43,133 --> 00:41:44,200
>> AMEN.

1627
00:41:44,200 --> 00:41:44,933
>> ALL RIGHT.

1628
00:41:44,933 --> 00:41:46,967
LET THE MUSIC PLAY.

1629
00:41:46,967 --> 00:41:47,967
[RuPaul's The Beginning ]

1630
00:41:47,967 --> 00:41:50,333
*

1631
00:41:50,333 --> 00:41:51,833
>> * GET IT, GET IT

1632
00:41:51,833 --> 00:41:53,967
* G-G-GET IT, GET IT RIGHT

1633
00:41:53,967 --> 00:41:56,200
* THIS IS THE BEGINNING

1634
00:41:56,200 --> 00:41:57,300
* THE BEGINNING

1635
00:41:57,300 --> 00:41:58,867
* THIS IS THE BEGINNING

1636
00:41:58,867 --> 00:42:01,933
* OF THE REST OF YOUR LIFE