1 00:00:03,033 --> 00:00:03,933 >> PREVIOUSLY ON RUPAUL'S DRAG 2 00:00:03,933 --> 00:00:04,700 RACE... 3 00:00:04,700 --> 00:00:07,233 MY TOP THREE, THE BEST OF 4 00:00:07,233 --> 00:00:08,600 THE BEST. 5 00:00:08,667 --> 00:00:11,133 >> MORNING, BITCHES. 6 00:00:11,133 --> 00:00:12,600 >> CHAD MICHAELS, 7 00:00:12,600 --> 00:00:14,433 LADY CHADDERLY. 8 00:00:14,433 --> 00:00:15,100 >> YOU WANT SOME OF THIS? 9 00:00:15,100 --> 00:00:18,233 WE GOT PLENTY FOR YOU TOO! 10 00:00:18,233 --> 00:00:20,000 >> SHE'S SERVING THE DEADLIEST 11 00:00:20,000 --> 00:00:21,000 CATCH. 12 00:00:21,000 --> 00:00:21,867 >> SNAPPER. 13 00:00:21,867 --> 00:00:23,100 I LOVE THE PEEK-A-BOOS. 14 00:00:23,100 --> 00:00:24,067 THEY'RE SAYIN' HI. 15 00:00:24,067 --> 00:00:24,933 >> WE GOTTA GET BACK TO THE 16 00:00:24,933 --> 00:00:26,000 SPRINKLER. 17 00:00:26,000 --> 00:00:26,867 WE GOTTA GET BACK TO THE RUNNING 18 00:00:26,867 --> 00:00:27,733 MAN. 19 00:00:27,733 --> 00:00:29,933 >> EXCUSE MY BEAUTY. 20 00:00:29,933 --> 00:00:31,033 >> I DON'T KNOW WHY THEY BOOK ME 21 00:00:31,033 --> 00:00:33,500 ON THESE CHICKEN SHIT GIGS. 22 00:00:33,500 --> 00:00:34,500 >> [laughing] 23 00:00:34,500 --> 00:00:39,000 >> I'M A FUCKING OSCAR-WINNER. 24 00:00:39,000 --> 00:00:40,000 [cheers and applause] 25 00:00:40,000 --> 00:00:41,633 >> SHARON NEEDLES. 26 00:00:41,633 --> 00:00:43,733 >> THIS IS MY KINDA GHOUL. 27 00:00:43,733 --> 00:00:45,300 >> I MIGHT NOT BE THE BIGGEST 28 00:00:45,300 --> 00:00:46,567 STAR HERE, BUT I GOT THE BIGGEST 29 00:00:46,567 --> 00:00:48,000 KNOCKERS, OKAY? 30 00:00:48,000 --> 00:00:49,500 HA HA HA HA HA! 31 00:00:49,500 --> 00:00:50,967 [laughter] 32 00:00:50,967 --> 00:00:52,600 >> TAKE ME TO YOUR LEADER. 33 00:00:52,600 --> 00:00:53,400 >> YES, JUST A LITTLE PRICK IN 34 00:00:53,400 --> 00:00:55,200 THE MOUTH. 35 00:00:55,200 --> 00:00:57,067 >> OH, YOU NASTY BITCH. 36 00:00:57,067 --> 00:00:58,700 [laughter] 37 00:00:58,700 --> 00:00:59,733 >> I'M THE FUCKING FUTURE OF 38 00:00:59,733 --> 00:01:00,633 DRAG! 39 00:01:00,633 --> 00:01:03,067 WHY? BECAUSE I'M SICKENING! 40 00:01:03,067 --> 00:01:04,067 BITCH! 41 00:01:04,067 --> 00:01:05,133 [laughs] 42 00:01:05,133 --> 00:01:07,133 I'M SHARON NEEDLES, SHARING 43 00:01:07,133 --> 00:01:09,800 RESPONSIBILITY. 44 00:01:09,800 --> 00:01:11,733 >> WELL, HELLO, HELLO. 45 00:01:11,733 --> 00:01:14,200 >> PHI PHI O'HARA, SURVIVOR OF 46 00:01:14,200 --> 00:01:15,400 THE RUPOCALYPSE. 47 00:01:15,400 --> 00:01:16,967 VA-VA-VOOM. 48 00:01:16,967 --> 00:01:17,967 HER LEGS ARE LIKE 49 00:01:17,967 --> 00:01:20,133 PEANUT BUTTER--EASY TO SPREAD. 50 00:01:20,133 --> 00:01:20,867 >> YOU'RE ME. 51 00:01:20,867 --> 00:01:21,800 >> THAT'S WHAT I WAS CHANNELING. 52 00:01:21,800 --> 00:01:22,967 >> I LOVED IT. 53 00:01:22,967 --> 00:01:24,933 >> NOW I'M GONNA SHOW YOU HOW TO 54 00:01:24,933 --> 00:01:26,600 REALLY BEAT A MUG, BITCH! 55 00:01:26,600 --> 00:01:29,067 >> WELL, POO-POO-PI-DOO! 56 00:01:29,067 --> 00:01:30,467 PHI PHI'S THE SHIT. 57 00:01:30,467 --> 00:01:31,567 >> [laughing] 58 00:01:31,567 --> 00:01:32,900 >> HAVE THREE WORDS FOR YOU-- 59 00:01:32,900 --> 00:01:34,700 FAB-U-LOUS. 60 00:01:34,700 --> 00:01:36,733 >> THANK YOU. 61 00:01:36,800 --> 00:01:39,667 >> AND TONIGHT, THE WINNER OF 62 00:01:39,667 --> 00:01:42,400 RUPAUL'S DRAG RACE, AMERICA'S 63 00:01:42,400 --> 00:01:46,267 NEXT DRAG SUPERSTAR, IS... 64 00:01:48,633 --> 00:01:50,400 >> THE WINNER OF RUPAUL'S DRAG 65 00:01:50,400 --> 00:01:52,233 RACE WILL RECEIVE A LIFETIME 66 00:01:52,233 --> 00:01:54,233 SUPPLY OF NYX COSMETICS. 67 00:01:54,233 --> 00:01:55,800 A ONE-OF-A-KIND TRIP, COURTESY 68 00:01:55,800 --> 00:01:57,800 OF ALANDCHUCK.TRAVEL. 69 00:01:57,800 --> 00:01:59,133 HEADLINE LOGO'S DRAG RACE TOUR 70 00:01:59,133 --> 00:02:01,467 FEATURING ABSOLUT VODKA-- 71 00:02:01,467 --> 00:02:02,867 COCKTAILS PERFECTED. 72 00:02:02,867 --> 00:02:04,767 A CUSTOM CROWN DESIGNED BY 73 00:02:04,767 --> 00:02:06,500 MARIANNA HARUTUNIAN. 74 00:02:06,500 --> 00:02:09,867 AND A CASH PRIZE OF $100,000. 75 00:02:09,867 --> 00:02:13,900 AND MAY THE BEST WOMAN WIN! 76 00:02:13,900 --> 00:02:15,533 >> * RUPAUL DRAG RACE 77 00:02:15,533 --> 00:02:16,333 >> * GENTLEMEN 78 00:02:16,333 --> 00:02:17,900 * START YOUR ENGINES 79 00:02:17,900 --> 00:02:19,167 >> * RUPAUL'S DRAG RACE * 80 00:02:19,167 --> 00:02:21,133 >> * MAY THE BEST WOMAN WIN 81 00:02:21,133 --> 00:02:22,800 >> * RU-RU-RUPAUL DRAG RACE 82 00:02:22,800 --> 00:02:23,800 >> * GENTLEMEN 83 00:02:23,800 --> 00:02:25,133 * START YOUR ENGINES 84 00:02:25,133 --> 00:02:26,500 >> * RUPAUL'S DRAG RACE * 85 00:02:26,500 --> 00:02:27,967 >> * MAY THE BEST WOMAN 86 00:02:27,967 --> 00:02:29,933 * BEST WOMAN WIN 87 00:02:34,067 --> 00:02:35,567 >> [monotone] I AM ONE OF THREE. 88 00:02:35,567 --> 00:02:36,833 >> [monotone]I AM TWO OF THREE. 89 00:02:36,833 --> 00:02:38,833 >> I AM THREE OF THREE. 90 00:02:38,833 --> 00:02:41,067 >> all: RESISTANCE IS FUTILE. 91 00:02:41,067 --> 00:02:41,800 >> THIS IS THE TOP THREE, AND I 92 00:02:41,800 --> 00:02:43,367 FEEL REALLY, REALLY GOOD THAT 93 00:02:43,367 --> 00:02:45,067 I'M FINALLY HERE. 94 00:02:45,067 --> 00:02:46,567 I'M SO EXCITED. 95 00:02:46,633 --> 00:02:48,533 >> WE BOW TO YOU, FIERCENESS 96 00:02:48,533 --> 00:02:49,433 DIVA. 97 00:02:49,433 --> 00:02:50,433 >> OHH! 98 00:02:50,433 --> 00:02:52,733 >> YOU ARE OUR EBONY GODDESS. 99 00:02:52,733 --> 00:02:54,833 AND WE WILL SEE YOU AGAIN SOON. 100 00:02:54,833 --> 00:02:55,600 >> BYE, SISTER. 101 00:02:55,600 --> 00:02:57,133 >> * LATRICE! 102 00:02:57,133 --> 00:02:58,533 >> OUR SISTER LATRICE HAD A LOT 103 00:02:58,533 --> 00:02:59,833 OF SPIRIT. 104 00:02:59,900 --> 00:03:01,133 AND I'LL MISS HER. 105 00:03:01,200 --> 00:03:02,333 >> THIS IS ACTUALLY WHO I 106 00:03:02,333 --> 00:03:03,133 THOUGHT WOULD MAKE THE TOP 107 00:03:03,133 --> 00:03:04,067 THREE. 108 00:03:04,067 --> 00:03:04,967 >> WELL, I'LL BE HONEST, I'M 109 00:03:04,967 --> 00:03:06,067 SHOCKED THAT I'M IN THE TOP 110 00:03:06,067 --> 00:03:06,933 THREE. 111 00:03:07,067 --> 00:03:08,267 I MEAN, I CAN'T EVEN WIN A 112 00:03:08,267 --> 00:03:10,867 PAGEANT IN A BAR IN PITTSBURGH. 113 00:03:10,933 --> 00:03:12,600 AND HERE I AM. 114 00:03:12,600 --> 00:03:13,567 >> SO, YOU GUYS, THE RUNWAY WAS 115 00:03:13,567 --> 00:03:15,500 PRETTY ROUGH LAST WEEK. 116 00:03:15,500 --> 00:03:18,133 >> WHICH ONE OF THESE BITCHES 117 00:03:18,133 --> 00:03:20,433 DOES NOT DESERVE TO BE IN 118 00:03:20,433 --> 00:03:21,700 THE TOP THREE? 119 00:03:21,700 --> 00:03:22,467 >> I WOULD SAY PHI PHI. 120 00:03:22,467 --> 00:03:23,933 >> PHI PHI O'HARA. 121 00:03:23,933 --> 00:03:25,533 >> BULLSHIT. 122 00:03:25,533 --> 00:03:26,900 >> ARE YOU GUYS FEELING OKAY 123 00:03:26,900 --> 00:03:28,233 ABOUT EVERYTHING, OR... 124 00:03:28,233 --> 00:03:28,933 >> OH, I STILL HATE BOTH OF 125 00:03:28,933 --> 00:03:30,767 Y'ALL. 126 00:03:30,767 --> 00:03:32,133 >> THERE WAS A MISUNDERSTANDING. 127 00:03:32,133 --> 00:03:33,833 >> WE BASICALLY CAN AGREE TO 128 00:03:33,833 --> 00:03:34,867 DISAGREE. 129 00:03:34,867 --> 00:03:35,700 WHEN IT BOILS DOWN TO IT, 130 00:03:35,700 --> 00:03:36,800 WE LIKE EACH OTHER. 131 00:03:36,800 --> 00:03:39,733 I LIKE YOU, PHI PHI. 132 00:03:39,733 --> 00:03:41,700 NOW GO HOME. 133 00:03:41,700 --> 00:03:43,267 [alarm whirring] 134 00:03:43,267 --> 00:03:45,133 >> OOH...GIRL! 135 00:03:45,133 --> 00:03:46,733 YOU GOT SHE MAIL. 136 00:03:46,733 --> 00:03:50,667 MY QUEENS, THE CHOSEN THREE, 137 00:03:50,667 --> 00:03:52,367 YOU HAVE SURVIVED THE END OF THE 138 00:03:52,367 --> 00:03:55,467 WORLD, BITCH FIGHTS, PREGNANT 139 00:03:55,467 --> 00:03:58,467 DADDIES, AND BOATLOADS OF PROUD 140 00:03:58,467 --> 00:04:00,200 SEAMEN. 141 00:04:00,200 --> 00:04:01,300 DAMN! 142 00:04:01,300 --> 00:04:03,467 BUT YOUR BIGGEST TEST IS YET TO 143 00:04:03,467 --> 00:04:04,467 COME. 144 00:04:04,467 --> 00:04:07,133 WHICH ONE OF MY GIRLS WILL TAKE 145 00:04:07,133 --> 00:04:10,067 A GIANT STEP AND JOIN ME IN MY 146 00:04:10,067 --> 00:04:12,200 ELITE SQUADRON OF FIGHTING 147 00:04:12,200 --> 00:04:14,233 GLAMAZONS. 148 00:04:14,233 --> 00:04:16,800 TODAY, RUPAUL'S DRAG RACE. 149 00:04:16,800 --> 00:04:20,767 TOMORROW, THE WORLD. 150 00:04:20,767 --> 00:04:25,867 [cackling] 151 00:04:25,867 --> 00:04:27,167 [laughter] 152 00:04:37,233 --> 00:04:39,833 >> HELLO, HELLO, HELLO, LADIES. 153 00:04:39,833 --> 00:04:40,800 >> HEY, RU. 154 00:04:40,800 --> 00:04:42,333 >> [laughing] WOW. 155 00:04:42,333 --> 00:04:43,600 MY GIRLS. 156 00:04:43,600 --> 00:04:45,933 NOW, YOUR RESILIENT CHARISMA, 157 00:04:45,933 --> 00:04:47,700 UNIQUENESS, NERVE, AND TALENT 158 00:04:47,700 --> 00:04:49,933 EARNED YOU YOUR PLACE IN THE TOP 159 00:04:49,933 --> 00:04:51,133 THREE. 160 00:04:51,133 --> 00:04:52,900 BUT NOW IT'S TIME FOR THE 161 00:04:52,900 --> 00:04:54,400 ULTIMATE TEST. 162 00:04:54,400 --> 00:04:59,900 FOR YOUR FINAL CHALLENGE... 163 00:04:59,900 --> 00:05:01,933 YOU'LL BE STARRING WITH ME 164 00:05:01,933 --> 00:05:04,133 IN MY NEW MUSIC VIDEO, THE 165 00:05:04,133 --> 00:05:07,333 FASHION ADVENTURE EXTRAVAGANZA, 166 00:05:07,333 --> 00:05:08,900 GLAMAZON. 167 00:05:08,900 --> 00:05:10,400 [laughter and cheers] 168 00:05:10,400 --> 00:05:11,867 >> AH, IT'S SO EXCITING. 169 00:05:11,867 --> 00:05:14,067 >> YOU'LL HAVE TO DANCE, ACT, 170 00:05:14,067 --> 00:05:15,933 STYLE, AND LIP-SYNCH FOR YOUR 171 00:05:15,933 --> 00:05:17,233 LIFE... 172 00:05:17,233 --> 00:05:18,733 AS YOU WORK WITH DIRECTOR 173 00:05:18,733 --> 00:05:20,867 MATHU ANDERSSEN AND 174 00:05:20,867 --> 00:05:23,233 CHOREOGRAPHER CANDIS CAYNE. 175 00:05:23,233 --> 00:05:24,167 >> ALL RIGHT! 176 00:05:24,167 --> 00:05:25,300 >> AWESOME. 177 00:05:25,300 --> 00:05:26,733 >> NOW, SAID IT BEFORE AND I'LL 178 00:05:26,733 --> 00:05:28,233 SAY IT AGAIN. 179 00:05:28,233 --> 00:05:30,533 GENTLEMEN, START YOUR ENGINES. 180 00:05:30,533 --> 00:05:33,400 AND MAY THE BEST WOMAN WIN. 181 00:05:35,867 --> 00:05:37,633 >> HELLO, GIRLS. 182 00:05:37,700 --> 00:05:38,933 CONGRATULATIONS. 183 00:05:38,933 --> 00:05:39,700 >> both: THANK YOU. 184 00:05:39,700 --> 00:05:40,533 >> THANK YOU SO MUCH. 185 00:05:40,533 --> 00:05:41,900 >> MISS CANDIS CAYNE. 186 00:05:41,900 --> 00:05:44,767 SHE'S A FAMOUS SUPERSTAR, AND IS 187 00:05:44,767 --> 00:05:46,400 A FANTASTIC DANCER. 188 00:05:46,400 --> 00:05:47,767 >> DO ANY OF YOU GUYS HAVE ANY 189 00:05:47,767 --> 00:05:49,500 DANCE EXPERIENCE? 190 00:05:49,500 --> 00:05:51,700 >> OKAY. 191 00:05:51,700 --> 00:05:53,300 >> UM, A LITTLE. 192 00:05:53,300 --> 00:05:54,600 >> A LITTLE. OKAY. 193 00:05:54,600 --> 00:05:55,367 WELL, YOU KNOW, THIS IS YOUR 194 00:05:55,367 --> 00:05:56,933 FINAL CHALLENGE. 195 00:05:56,933 --> 00:05:58,967 SO IT IS SUPER IMPORTANT THAT 196 00:05:58,967 --> 00:06:00,100 YOU GUYS BRING IT. 197 00:06:00,100 --> 00:06:01,067 >> OKAY. 198 00:06:01,067 --> 00:06:01,900 >> THE CONCEPT OF MY 199 00:06:01,900 --> 00:06:04,067 CHOREOGRAPHY IS HIGH FASHION 200 00:06:04,067 --> 00:06:06,467 DRAGZILLA PRIMAL GLAMOUR. 201 00:06:06,467 --> 00:06:09,233 YOU TURN, TWO, THREE. 202 00:06:09,233 --> 00:06:11,367 FOUR AND FIVE. 203 00:06:11,367 --> 00:06:13,633 SIX, AND THEN YOU REPEAT THAT, 204 00:06:13,633 --> 00:06:14,833 BUT GOING BACK. 205 00:06:14,833 --> 00:06:17,967 ONE, TWO...SHARON, YOU WANNA GO 206 00:06:17,967 --> 00:06:19,233 THIS WAY. 207 00:06:19,233 --> 00:06:20,567 >> OKAY. YES, RIGHT. 208 00:06:20,567 --> 00:06:24,700 >> SIX, SEVEN, EIGHT! 209 00:06:24,700 --> 00:06:26,733 OKAY, STOP. 210 00:06:26,733 --> 00:06:27,567 YOU'RE SPINNING TWICE. 211 00:06:27,567 --> 00:06:28,367 >> OKAY. 212 00:06:28,367 --> 00:06:29,233 >> SO YOU SHOULD ONLY SPIN ONCE 213 00:06:29,233 --> 00:06:29,900 THERE. 214 00:06:29,900 --> 00:06:30,567 >> GOT IT. SORRY. 215 00:06:30,567 --> 00:06:31,600 CAN YOU TELL I'M SHAKING? 216 00:06:31,600 --> 00:06:32,567 >> IT'S OKAY. IT'S ALL RIGHT. 217 00:06:32,567 --> 00:06:33,900 >> SO WHY DON'T WE START ONE BY 218 00:06:33,900 --> 00:06:34,667 ONE. 219 00:06:34,667 --> 00:06:35,633 WE'LL START WITH YOU, PHI PHI. 220 00:06:35,633 --> 00:06:36,467 >> OKAY. 221 00:06:36,467 --> 00:06:39,133 >> ONE, TWO, THREE, AND FOUR. 222 00:06:39,133 --> 00:06:41,667 FIVE, STOP, HIT, HIT. 223 00:06:41,667 --> 00:06:43,767 PHI PHI, SHE'S GREAT, SHE HAS 224 00:06:43,767 --> 00:06:47,167 THE STEPS, BUT SHE'S ALSO A 225 00:06:47,167 --> 00:06:48,600 LITTLE CHA-CHA. 226 00:06:48,600 --> 00:06:50,067 LET'S TRY YOU, CHAD. 227 00:06:50,067 --> 00:06:52,600 ONE, TWO, THREE, AND FOUR. 228 00:06:52,600 --> 00:06:54,800 FIVE, SIX, SEVEN, EIGHT. 229 00:06:54,800 --> 00:06:58,167 IT'S A LITTLE TOO, UH, GIRLY. 230 00:06:58,167 --> 00:06:59,333 LET'S TRY YOU. 231 00:06:59,333 --> 00:07:00,267 >> ALL RIGHT. 232 00:07:00,267 --> 00:07:01,733 >> IT DOESN'T HAVE TO BE PRETTY. 233 00:07:01,733 --> 00:07:02,400 >> MM-HMM. 234 00:07:02,400 --> 00:07:03,633 THANK GOD. NO. 235 00:07:03,633 --> 00:07:05,467 [laughing] I'M TEASING. 236 00:07:05,467 --> 00:07:08,400 I'M JOKING, I'M JOKING. 237 00:07:08,400 --> 00:07:11,567 ONE, TWO, THREE, AND FOUR. 238 00:07:11,567 --> 00:07:13,067 OKAY, LET ME JUST GO OVER IT 239 00:07:13,067 --> 00:07:13,933 WITH YOU, SO JUST LOOK AT MY 240 00:07:13,933 --> 00:07:15,067 FEET. 241 00:07:15,067 --> 00:07:17,133 I'M MOST WORRIED ABOUT SHARON. 242 00:07:17,133 --> 00:07:19,067 IF YOU DON'T GET THE STEPS DOWN, 243 00:07:19,067 --> 00:07:20,667 YOU CAN'T PERFORM THE VIDEO. 244 00:07:20,667 --> 00:07:22,333 AND THEN ON THIS LEG, YOU GO, 245 00:07:22,333 --> 00:07:24,133 STEP, STEP, STEP. 246 00:07:24,133 --> 00:07:26,733 >> STEP, STEP... 247 00:07:26,733 --> 00:07:27,967 >> OH, GOODNESS. 248 00:07:27,967 --> 00:07:29,267 IT'S JUST SO FAST. 249 00:07:29,267 --> 00:07:31,933 I AM INTIMIDATED THAT THE OTHER 250 00:07:31,933 --> 00:07:33,967 GIRLS ARE PICKING THIS UP A LOT 251 00:07:33,967 --> 00:07:35,067 QUICKER THAN ME. 252 00:07:35,067 --> 00:07:36,933 THIS IS JUST FAR TOO DIFFICULT. 253 00:07:36,933 --> 00:07:37,667 >> I JUST WANT YOU GUYS TO DO 254 00:07:37,667 --> 00:07:39,667 THE BEST YOU CAN DO, OKAY? 255 00:07:39,667 --> 00:07:40,900 >> IT'S HARD. 256 00:07:43,200 --> 00:07:45,500 >> LET'S BEAT THIS FACE, LADIES. 257 00:07:45,500 --> 00:07:47,067 >> NOW IT'S TIME TO CHANGE INTO 258 00:07:47,067 --> 00:07:48,267 OUR BEAUTIFUL MONSTER OUTFITS 259 00:07:48,267 --> 00:07:49,700 FOR THE GLAMAZON VIDEO. 260 00:07:49,700 --> 00:07:51,067 >> AND THIS REALLY IS GONNA BE 261 00:07:51,067 --> 00:07:52,200 THE COOLEST VIDEO. 262 00:07:52,200 --> 00:07:53,533 >> OUR LOOKS FOR THE MUSIC VIDEO 263 00:07:53,533 --> 00:07:56,067 ARE KIND OF A MIXTURE BETWEEN 264 00:07:56,067 --> 00:07:59,433 1950S B-HORROR FILMS MEETS 265 00:07:59,433 --> 00:08:01,200 AN ISSUE OF ITALIAN VOGUE. 266 00:08:01,200 --> 00:08:03,133 WORK. 267 00:08:07,133 --> 00:08:08,267 >> SEE, THAT'S THE SHOT. 268 00:08:08,267 --> 00:08:09,233 >> IT IS TIME, LADIES AND 269 00:08:09,233 --> 00:08:09,900 GENTLEMEN. 270 00:08:09,967 --> 00:08:11,167 WE'RE GONNA START SERVING 271 00:08:11,167 --> 00:08:14,667 GODZILLA REALNESS. 272 00:08:14,667 --> 00:08:15,733 >> AND CUE. 273 00:08:15,733 --> 00:08:18,233 >> * FEMALE PHENOMENON 274 00:08:18,233 --> 00:08:19,667 * GLAMAZON, AH AH AH 275 00:08:19,667 --> 00:08:22,900 * SHE'S SO WILD, SO ANIMAL * 276 00:08:22,900 --> 00:08:24,567 >> AND CUT. 277 00:08:24,567 --> 00:08:26,633 HONEY, HELP THAT GIRL. 278 00:08:26,633 --> 00:08:27,367 SHARON NEEDS TO STAY ON HER 279 00:08:27,367 --> 00:08:28,133 LINE. 280 00:08:28,133 --> 00:08:28,800 >> HUH? 281 00:08:28,800 --> 00:08:30,733 >> YOU'RE DRIFTING IN TO CHAD. 282 00:08:30,733 --> 00:08:33,533 TRY YOUR BEST TO STAY STRAIGHT. 283 00:08:33,533 --> 00:08:35,133 >> IF YOU DRIFT OUT OF IT, THE 284 00:08:35,133 --> 00:08:35,900 SHOT'S KIND OF FUCKED FOR 285 00:08:35,900 --> 00:08:37,367 EVERYONE. 286 00:08:37,367 --> 00:08:38,300 >> ALL RIGHT. 287 00:08:38,300 --> 00:08:40,133 >> ONE, TWO, THREE, FOUR. 288 00:08:40,133 --> 00:08:42,333 FIVE, STOP, HIT, HIT. 289 00:08:42,333 --> 00:08:43,500 >> * DO IT, DO IT 290 00:08:43,500 --> 00:08:45,500 >> POSE. 291 00:08:45,500 --> 00:08:46,467 >> WAS I A LITTLE BETTER? 292 00:08:46,467 --> 00:08:48,067 >> IT WAS ONLY ONE "WAH" AS 293 00:08:48,067 --> 00:08:49,400 OPPOSED TO TWO "WAH." 294 00:08:49,400 --> 00:08:50,767 * WAH WAH 295 00:08:50,767 --> 00:08:53,467 >> IT'S JUST ONE SONG, SHARON. 296 00:08:53,467 --> 00:08:55,367 >> IT NEEDS TO BE TOGETHER. 297 00:08:55,367 --> 00:08:56,900 >> WE CANNOT DROP THE BALL ON 298 00:08:56,900 --> 00:08:58,067 THIS. 299 00:08:58,067 --> 00:08:59,067 >> ACTION. 300 00:08:59,067 --> 00:09:00,567 >> * SHE'S SO WILD * 301 00:09:00,567 --> 00:09:02,900 * SO ANIMAL, SHE... 302 00:09:02,900 --> 00:09:04,867 * 303 00:09:04,867 --> 00:09:05,933 >> [sighs] 304 00:09:05,933 --> 00:09:07,200 >> WE'RE JUMPING SHIP. 305 00:09:07,200 --> 00:09:07,967 YOU'RE SUPPOSED TO GO IN THE 306 00:09:07,967 --> 00:09:09,133 FRONT, SHE GOES IN THE BACK, 307 00:09:09,133 --> 00:09:10,067 I CUT THROUGH THE MIDDLE. 308 00:09:10,067 --> 00:09:12,667 SO IT'S THAT EASY. 309 00:09:12,667 --> 00:09:15,600 >> I FEEL LIKE I'M ON CANDID 310 00:09:15,600 --> 00:09:17,400 CAMERA, AND I'M THE BUTT OF THE 311 00:09:17,400 --> 00:09:18,500 JOKE. 312 00:09:18,500 --> 00:09:19,933 >> LET'S GET THROUGH THE FUCKING 313 00:09:19,933 --> 00:09:20,967 DANCE IN THE HALF AN HOUR THAT 314 00:09:20,967 --> 00:09:22,233 WE'VE GOT TO DO IT IN. 315 00:09:22,233 --> 00:09:23,767 >> [whispering] JESUS CHRIST. 316 00:09:23,767 --> 00:09:25,200 SHARON NEEDS TO GET THIS, AND 317 00:09:25,200 --> 00:09:26,600 SHE NEEDS TO GET IT NOW. 318 00:09:26,600 --> 00:09:29,067 >> OH, FUCK, FUCK ME. 319 00:09:29,067 --> 00:09:30,333 >> THIS IS GONNA BE A CRAP 320 00:09:30,333 --> 00:09:32,600 VIDEO. 321 00:09:37,633 --> 00:09:39,833 >> MEET US IN THE LADIES' ROOM. 322 00:09:39,833 --> 00:09:40,833 >> WHO'S "US"? 323 00:09:40,833 --> 00:09:42,267 [chuckling] 324 00:09:42,267 --> 00:09:43,467 [all gasp] 325 00:09:43,467 --> 00:09:44,933 >> [laughing] 326 00:09:47,067 --> 00:09:48,500 >> [laughing] 327 00:09:52,467 --> 00:09:54,067 >> HI, PHI PHI. 328 00:09:54,067 --> 00:09:54,900 >> HI, CHAN. 329 00:09:54,967 --> 00:09:56,400 >> AFTER THE CHOREOGRAPHY 330 00:09:56,400 --> 00:09:57,933 DEBACLE YESTERDAY, IT'S 331 00:09:57,933 --> 00:09:59,533 IMPORTANT FOR ME TO DO WELL IN 332 00:09:59,533 --> 00:10:02,433 THE REST OF THE MUSIC VIDEO. 333 00:10:02,500 --> 00:10:03,833 >> WHAT'S ON THE MIRROR? 334 00:10:03,833 --> 00:10:05,567 IT SAYS, "MEET US IN THE LADIES' 335 00:10:05,567 --> 00:10:06,467 ROOM." 336 00:10:06,467 --> 00:10:07,933 >> WHO'S "US"? 337 00:10:07,933 --> 00:10:08,833 >> COULD IT BE, LIKE, SOME OF 338 00:10:08,833 --> 00:10:10,633 THE DEPARTED GIRLS? 339 00:10:10,633 --> 00:10:11,900 >> [feigns sobbing] 340 00:10:11,900 --> 00:10:12,933 >> WHAT DO YOU THINK IT IS? 341 00:10:12,933 --> 00:10:14,033 >> I DON'T EVEN KNOW. 342 00:10:14,033 --> 00:10:15,000 >> LET'S GO. 343 00:10:15,000 --> 00:10:16,467 >> LET'S GO CHECK IT OUT. 344 00:10:16,467 --> 00:10:18,100 OH, GOD. 345 00:10:18,100 --> 00:10:20,067 >> [chuckling] 346 00:10:20,067 --> 00:10:21,400 >> [gasps] 347 00:10:21,400 --> 00:10:23,900 >> both: SURPRISE! 348 00:10:23,900 --> 00:10:25,600 [laughter] 349 00:10:25,600 --> 00:10:28,467 >> IT'S TYRA AND RAJA, THE 350 00:10:28,467 --> 00:10:30,033 WINNERS OF SEASON TWO AND THREE. 351 00:10:30,033 --> 00:10:31,100 >> HI, MAMA. 352 00:10:31,167 --> 00:10:32,200 >> HI, BABY. I'M GONNA CRY. 353 00:10:32,200 --> 00:10:33,133 HOLD ON. 354 00:10:33,133 --> 00:10:34,100 >> RAJA AND I HAVE WORKED 355 00:10:34,100 --> 00:10:36,100 TOGETHER FOR TEN-PLUS YEARS. 356 00:10:36,100 --> 00:10:37,667 AND JUST HAVE A LOT OF LOVE FOR 357 00:10:37,667 --> 00:10:38,867 RAJA. 358 00:10:38,867 --> 00:10:40,000 >> HELLO, LADIES. 359 00:10:40,000 --> 00:10:41,033 >> HELLO. 360 00:10:41,100 --> 00:10:42,533 >> WE'VE GOT ONE MORE LITTLE 361 00:10:42,533 --> 00:10:43,733 TWIST TO SHARE WITH YOU. 362 00:10:43,733 --> 00:10:44,900 >> YOU'LL BE ACTING WITH 363 00:10:44,900 --> 00:10:45,967 MISS RUPAUL HERSELF. 364 00:10:45,967 --> 00:10:46,933 >> COOL. 365 00:10:46,933 --> 00:10:48,200 >> IN A FACE-SLAPPING, 366 00:10:48,200 --> 00:10:49,967 GUT-PUNCHING, KICK-ASS SCENE. 367 00:10:49,967 --> 00:10:51,433 >> WORK. 368 00:10:51,433 --> 00:10:53,533 >> OH...AND YOU'LL BE HAVING A 369 00:10:53,533 --> 00:10:55,767 ONE-ON-ONE LUNCH WITH RU. 370 00:10:55,767 --> 00:10:57,733 SO A LITTLE PIECE OF SISTERLY 371 00:10:57,733 --> 00:10:58,900 ADVICE. 372 00:10:58,900 --> 00:11:00,767 >> both: DON'T FUCK IT UP. 373 00:11:04,467 --> 00:11:06,067 >> OH, I'M STARVING, RU. 374 00:11:06,067 --> 00:11:06,833 >> OH, GOOD. 375 00:11:06,833 --> 00:11:07,633 >> HOW ARE YOU? 376 00:11:07,633 --> 00:11:08,433 >> I'M TERRIFIC. 377 00:11:08,433 --> 00:11:09,200 >> YOU LOOK SO BEAUTIFUL. 378 00:11:09,200 --> 00:11:10,400 >> NOW YOU GET TO SEE ME UP 379 00:11:10,400 --> 00:11:11,567 CLOSE AND PERSONAL. 380 00:11:11,567 --> 00:11:12,633 >> [laughs] 381 00:11:12,633 --> 00:11:13,433 AND, BY THE WAY, IF YOU'RE 382 00:11:13,433 --> 00:11:14,933 HUNGRY, JUST HAVE A BITE. 383 00:11:14,933 --> 00:11:15,733 >> WELL, ACTUALLY, I HAVEN'T 384 00:11:15,733 --> 00:11:17,267 EATEN SINCE 1972, RU. 385 00:11:17,267 --> 00:11:18,167 THAT'S HOW I STAY THIN. 386 00:11:18,167 --> 00:11:19,467 >> OH, GOOD FOR YOU. 387 00:11:19,467 --> 00:11:20,167 >> ISN'T THAT GREAT? 388 00:11:20,167 --> 00:11:20,900 >> I WANT TO ASK YOU-- 389 00:11:20,900 --> 00:11:22,167 OVER THE COURSE OF YOUR TIME 390 00:11:22,167 --> 00:11:24,267 HERE, PEOPLE, MICHELLE, TALKED 391 00:11:24,267 --> 00:11:26,400 ABOUT, UM, YOU BEING SO PERFECT. 392 00:11:26,400 --> 00:11:27,167 >> RIGHT. 393 00:11:27,167 --> 00:11:28,367 >> BECAUSE YOU'RE VERY POISED, 394 00:11:28,367 --> 00:11:29,600 AND YOU SAY ALL THE RIGHT 395 00:11:29,600 --> 00:11:30,667 THINGS. 396 00:11:30,667 --> 00:11:32,700 AND I THINK SHE JUST WANTED TO 397 00:11:32,700 --> 00:11:34,700 SEE THAT VULNERABLE EDGE THAT 398 00:11:34,700 --> 00:11:36,900 EVERY SUPERSTAR HAS. 399 00:11:36,900 --> 00:11:38,233 >> I'M ME ALL THE TIME. 400 00:11:38,233 --> 00:11:40,367 AND IF IT'S NOT EDGY ENOUGH, 401 00:11:40,367 --> 00:11:41,667 THEN SO BE IT. 402 00:11:41,667 --> 00:11:42,767 >> NOW, ARE YOUR PARENTS STILL 403 00:11:42,767 --> 00:11:43,767 WITH US? 404 00:11:43,767 --> 00:11:45,100 >> YES, MY PARENTS ARE WITH US. 405 00:11:45,100 --> 00:11:46,500 I ACTUALLY LIVE WITH MY MOM. 406 00:11:46,500 --> 00:11:48,500 EVEN THOUGH MY FATHER IS NEARBY. 407 00:11:48,500 --> 00:11:49,733 BUT, UM, STILL A LITTLE BIT 408 00:11:49,733 --> 00:11:50,700 ESTRANGED. 409 00:11:50,700 --> 00:11:51,867 >> WHY IS THAT? 410 00:11:51,867 --> 00:11:53,933 >> IT'S BEEN A LONG 25 YEARS OF, 411 00:11:53,933 --> 00:11:56,567 UM, ME NOT FORGIVING HIM. 412 00:11:56,567 --> 00:11:58,100 I FELT LIKE MY FATHER REALLY 413 00:11:58,100 --> 00:12:00,700 CHOSE ANOTHER FAMILY OVER-- 414 00:12:00,700 --> 00:12:03,067 OVER ME AND MY MOM. 415 00:12:03,067 --> 00:12:05,167 AND IT'S JUST RECENTLY THAT... 416 00:12:05,167 --> 00:12:06,267 I'M REALIZING HOW MUCH IT 417 00:12:06,267 --> 00:12:07,333 AFFECTED ME. 418 00:12:07,333 --> 00:12:08,600 >> HOW DOES IT MANIFEST? 419 00:12:08,600 --> 00:12:09,633 >> SOMETIMES, IT'S EASY FOR ME 420 00:12:09,633 --> 00:12:10,900 TO DISCONNECT FROM THINGS. 421 00:12:10,900 --> 00:12:13,533 AND NOT...REALLY FACE MY OWN 422 00:12:13,533 --> 00:12:15,400 FEELINGS ABOUT MY FATHER. 423 00:12:15,400 --> 00:12:17,467 >> IS IT POSSIBLE THAT THE 424 00:12:17,467 --> 00:12:19,500 INVULNERABILITY THAT MICHELLE IS 425 00:12:19,500 --> 00:12:20,700 TALKING ABOUT IS EXACTLY WHAT 426 00:12:20,700 --> 00:12:21,767 YOU'RE DESCRIBING? 427 00:12:21,767 --> 00:12:22,667 >> COULD BE. 428 00:12:22,667 --> 00:12:24,433 >> I BET THAT'S WHAT IT IS. 429 00:12:24,433 --> 00:12:27,633 I'M JUST WONDERING IF THAT IS 430 00:12:27,633 --> 00:12:29,600 YOUR BREAKTHROUGH MOMENT IN 431 00:12:29,600 --> 00:12:31,367 TERMS OF NOT ONLY THIS CONTEST, 432 00:12:31,367 --> 00:12:33,733 BUT, YOU KNOW, IN YOUR LIFE. 433 00:12:33,733 --> 00:12:35,067 >> IT COULD VERY WELL BE. 434 00:12:35,067 --> 00:12:36,800 >> THANK YOU SO MUCH, CHAD. 435 00:12:36,800 --> 00:12:37,733 >> THANK YOU, RU, IT'S BEEN 436 00:12:37,733 --> 00:12:39,067 AN HONOR TO BE HERE. 437 00:12:39,067 --> 00:12:40,900 >> TAKE THESE FOR THE ROAD. 438 00:12:40,900 --> 00:12:41,833 >> THANK YOU, DARLING. 439 00:12:41,833 --> 00:12:42,867 I'LL SEE YOU ON THE RUNWAY. 440 00:12:42,867 --> 00:12:43,667 >> ALL RIGHT. 441 00:12:43,667 --> 00:12:45,100 >> ALL RIGHT, MAMA. 442 00:12:45,100 --> 00:12:46,900 >> WHAT'S GOING ON? 443 00:12:46,900 --> 00:12:48,367 >> I'M USED TO BEING A LOSER. 444 00:12:48,367 --> 00:12:50,267 BUT I REALLY HOPE THAT I DO WIN. 445 00:12:50,267 --> 00:12:51,700 I WANNA LET EVERY LOSER OUT 446 00:12:51,700 --> 00:12:52,500 THERE KNOW THAT THERE CAN BE 447 00:12:52,500 --> 00:12:53,933 A GIANT CROWN ON THEIR HEAD. 448 00:12:53,933 --> 00:12:56,800 THERE ARE SO MANY OF MES, 449 00:12:56,800 --> 00:12:57,933 ALL AROUND THE WORLD. 450 00:12:57,933 --> 00:12:59,333 PEOPLE WHO WANT TO EXPRESS 451 00:12:59,333 --> 00:13:00,267 THEMSELVES IN UNCONVENTIONAL 452 00:13:00,267 --> 00:13:02,067 WAYS. 453 00:13:02,067 --> 00:13:04,333 IF I WIN RUPAUL'S DRAG RACE, 454 00:13:04,333 --> 00:13:05,900 IT WILL DEFINITELY SHOW THEM 455 00:13:05,900 --> 00:13:08,933 THAT ANYTHING IS POSSIBLE. 456 00:13:08,933 --> 00:13:09,833 >> LET'S JUST GO OVER SOME OF 457 00:13:09,833 --> 00:13:11,067 IT. 458 00:13:11,067 --> 00:13:13,400 >> ALL I EVER WANTED WAS TO BE 459 00:13:13,400 --> 00:13:15,733 A FEMALE PHENOMENON. 460 00:13:15,733 --> 00:13:16,967 >> [laughing] 461 00:13:16,967 --> 00:13:17,700 I LIKE THE FACT THAT YOU CAN 462 00:13:17,700 --> 00:13:18,633 MODIFY YOUR VOICE, 'CAUSE I'VE 463 00:13:18,633 --> 00:13:19,800 NEVER HAD THAT TALENT. 464 00:13:19,800 --> 00:13:21,167 >> I MODIFY MY VOICE ALL 465 00:13:21,167 --> 00:13:22,167 THE TIME. 466 00:13:22,167 --> 00:13:23,167 >> YEAH. [laughs] 467 00:13:23,167 --> 00:13:24,300 >> GIRL. 468 00:13:24,300 --> 00:13:25,733 >> I'LL BE RU. YOU READY? 469 00:13:25,733 --> 00:13:26,700 >> UH-HUH. 470 00:13:26,700 --> 00:13:27,500 >> YOU SURE? 471 00:13:27,500 --> 00:13:29,067 >> PUNCH HER! HIT HER! GET HER! 472 00:13:29,067 --> 00:13:29,667 >> OHH! 473 00:13:29,667 --> 00:13:31,600 >> HEY! YES! 474 00:13:31,600 --> 00:13:33,300 >> UHH! OH! 475 00:13:33,300 --> 00:13:34,267 >> DAMN BITCH KNOCKED MY 476 00:13:34,267 --> 00:13:35,433 BRACELET OFF. 477 00:13:35,433 --> 00:13:37,833 >> WORK! THAT WAS AWESOME. 478 00:13:37,833 --> 00:13:38,933 >> * LEGENDARY 479 00:13:38,933 --> 00:13:41,800 OHH! 480 00:13:41,800 --> 00:13:43,100 >> PHI PHI, DARLING! 481 00:13:43,100 --> 00:13:44,167 >> YOU LOOK AMAZING. 482 00:13:44,167 --> 00:13:45,700 >> OH, YOU'RE JUST SAYING THAT. 483 00:13:45,700 --> 00:13:46,867 >> NO, FOR REAL. 484 00:13:46,867 --> 00:13:47,533 >> ARE YOU HUNGRY? 485 00:13:47,533 --> 00:13:48,533 >> I'M HUNGRY. 486 00:13:48,533 --> 00:13:49,367 >> WELL, THAT'S WHAT EVERYONE 487 00:13:49,367 --> 00:13:50,300 SAYS--YOU'RE SO HUNGRY AND 488 00:13:50,300 --> 00:13:51,333 AMBITIOUS. 489 00:13:51,333 --> 00:13:52,100 >> I HAVE A DRIVE, AND I HAVE 490 00:13:52,100 --> 00:13:53,467 A STRONG DRIVE, AND I REALLY 491 00:13:53,467 --> 00:13:54,533 WANTED TO PROVE TO YOU GUYS AND 492 00:13:54,533 --> 00:13:55,900 SHOW YOU GUYS, ESPECIALLY YOU, 493 00:13:55,900 --> 00:13:57,800 THAT I CAN DO WHATEVER IT TAKES. 494 00:13:57,800 --> 00:13:59,133 >> DOES THAT COME FROM HAVING AN 495 00:13:59,133 --> 00:14:01,333 ARMY DAD, WHERE YOU FEEL LIKE, 496 00:14:01,333 --> 00:14:03,433 "I WANT DADDY'S APPROVAL"? 497 00:14:03,433 --> 00:14:04,300 >> I MEAN, I HAVEN'T TALKED TO 498 00:14:04,300 --> 00:14:05,667 HIM FOR SEVEN YEARS NOW. 499 00:14:05,667 --> 00:14:06,733 >> WHAT WAS THE LAST THING YOU 500 00:14:06,733 --> 00:14:07,867 SAID TO HIM? 501 00:14:07,867 --> 00:14:09,600 >> IT WAS A FIGHT, ACTUALLY. 502 00:14:09,600 --> 00:14:12,267 I-I DON'T EVEN REMEMBER. 503 00:14:12,267 --> 00:14:14,167 I WAS PUT IN THE HOSPITAL. 504 00:14:14,167 --> 00:14:15,600 >> BY HIM? 505 00:14:15,600 --> 00:14:17,067 >> BY HIM, ON MY 18TH BIRTHDAY, 506 00:14:17,067 --> 00:14:18,333 SO I HAVEN'T... 507 00:14:18,333 --> 00:14:19,867 THERE WASN'T MANY WORDS. 508 00:14:19,867 --> 00:14:20,733 [laughs] SO... 509 00:14:20,733 --> 00:14:22,267 >> WOW. 510 00:14:22,267 --> 00:14:24,167 >> HEH. BUT I'M HERE! 511 00:14:24,167 --> 00:14:26,067 SO--SO IT'S OKAY. 512 00:14:26,067 --> 00:14:27,800 IF ANYTHING, IT TAUGHT ME TO BE, 513 00:14:27,800 --> 00:14:28,600 YOU KNOW, A FIGHTER AND STAY 514 00:14:28,600 --> 00:14:29,533 STRONG AND... 515 00:14:29,533 --> 00:14:31,067 I GUESS, BECAUSE I GREW UP IN 516 00:14:31,067 --> 00:14:32,633 SUCH A SITUATION, I FEEL LIKE 517 00:14:32,633 --> 00:14:34,333 MAYBE IT FELT LIKE IT WAS NORMAL 518 00:14:34,333 --> 00:14:35,533 AT TIMES, BUT... 519 00:14:35,533 --> 00:14:37,900 I SHOULDN'T HAVE FELT THAT WAY. 520 00:14:37,900 --> 00:14:39,367 >> I WANT YOU TO WALK AWAY FROM 521 00:14:39,367 --> 00:14:41,100 THIS LUNCHEON AND REMEMBER THIS 522 00:14:41,100 --> 00:14:43,800 IDEA THAT YOU WOULD DESERVE TO 523 00:14:43,800 --> 00:14:46,467 BE ABUSED OR NOT THOUGHT OF AS 524 00:14:46,467 --> 00:14:48,533 ABSOLUTELY BEAUTIFUL. 525 00:14:48,533 --> 00:14:49,767 NEVER THINK THAT AGAIN. 526 00:14:49,833 --> 00:14:51,233 >> I REALLY FEEL LIKE WE 527 00:14:51,233 --> 00:14:53,600 CONNECTED, AND SHE UNDERSTANDS 528 00:14:53,600 --> 00:14:54,667 A LOT MORE INTO THE HEART OF WHO 529 00:14:54,667 --> 00:14:56,333 I AM. 530 00:14:56,400 --> 00:14:57,633 >> SO, UM, WHAT'S IT BEEN LIKE 531 00:14:57,633 --> 00:14:58,700 SO FAR? 532 00:14:58,700 --> 00:14:59,567 WHO'S YOUR BIGGEST COMPETITION? 533 00:14:59,567 --> 00:15:00,667 >> SHARON NEEDLES. 534 00:15:00,667 --> 00:15:02,233 WE'RE LIKE KINDRED SPIRITS. 535 00:15:02,233 --> 00:15:03,167 >> YEAH. 536 00:15:03,167 --> 00:15:03,967 >> AND, UM... 537 00:15:03,967 --> 00:15:05,200 >> HAVE YOU GUYS KI-KIED? 538 00:15:05,200 --> 00:15:06,167 >> [laughing] NO, WE HAVE NOT 539 00:15:06,167 --> 00:15:07,733 KI-KIED. 540 00:15:07,733 --> 00:15:08,667 >> WHAT'S YOUR RELATIONSHIP LIKE 541 00:15:08,667 --> 00:15:09,867 WITH PHI PHI? 542 00:15:09,867 --> 00:15:11,533 >> SHE'S DEFINITELY COMIN' AFTER 543 00:15:11,533 --> 00:15:15,167 ME. 544 00:15:15,167 --> 00:15:16,667 BUT IT'S OKAY! 545 00:15:16,667 --> 00:15:17,633 YOU KNOW, WE GOT A BIG AGE 546 00:15:17,633 --> 00:15:18,733 DIFFERENCE BETWEEN US. 547 00:15:18,733 --> 00:15:20,767 AND I'VE COMMENTED ON PHI PHI'S 548 00:15:20,767 --> 00:15:22,167 MATURITY LEVEL, BUT I ALSO HAVE 549 00:15:22,167 --> 00:15:23,633 TO REMEMBER SHE'S 25. 550 00:15:23,633 --> 00:15:25,300 AND I REMEMBER WHEN I WAS 25. 551 00:15:25,300 --> 00:15:27,067 >> WELL, I'M 23. 552 00:15:27,067 --> 00:15:27,900 >> YOU'RE THAT YOUNG? 553 00:15:27,900 --> 00:15:28,667 >> YEAH. 554 00:15:28,667 --> 00:15:29,333 >> JESUS CHRIST. 555 00:15:29,333 --> 00:15:30,167 >> ONLY 23. 556 00:15:30,167 --> 00:15:31,800 >> AND LOOK AT YOUR POSITION. 557 00:15:31,800 --> 00:15:34,167 >> THOUGH WE'VE HAD OUR SPATS, 558 00:15:34,167 --> 00:15:36,467 MAYBE I'M NOT TOLERATING THAT 559 00:15:36,467 --> 00:15:38,433 AMAZING KID FOR WHO SHE IS. 560 00:15:38,433 --> 00:15:39,633 >> SO REALLY JUST GO FOR IT AND 561 00:15:39,633 --> 00:15:41,200 BE LARGER THAN LIFE ABOUT IT. 562 00:15:41,200 --> 00:15:42,067 YOU KNOW? 563 00:15:42,067 --> 00:15:42,867 >> YOU PROMISED TO MAKE ME 564 00:15:42,867 --> 00:15:44,100 A PANTHER ON THE RUNWAY. 565 00:15:44,100 --> 00:15:45,367 >> WELL, STAND IN LINE, GIRLY. 566 00:15:45,367 --> 00:15:46,900 >> SLAP HER! 567 00:15:46,900 --> 00:15:48,733 UHH! YEAH! 568 00:15:48,733 --> 00:15:50,467 OHH! THERE YOU GO. 569 00:15:50,467 --> 00:15:54,067 WOOOORK. 570 00:15:54,100 --> 00:15:55,400 >> COMING UP... 571 00:15:55,400 --> 00:15:56,233 >> ACTION. 572 00:15:56,233 --> 00:15:57,567 >> WE'RE HERE TO THROW A WRENCH 573 00:15:57,567 --> 00:15:59,067 IN YOUR PLANS. 574 00:15:59,067 --> 00:16:00,633 AHH! 575 00:16:00,633 --> 00:16:01,800 [clang] 576 00:16:01,800 --> 00:16:03,900 >> TRY NOT TO HIT RUPAUL. 577 00:16:03,900 --> 00:16:05,933 >> [laughing] 578 00:16:08,100 --> 00:16:10,567 >> [laughing] 579 00:16:10,633 --> 00:16:12,233 >> IF I KNEW IT WAS SO FORMAL, 580 00:16:12,233 --> 00:16:13,500 I WOULD HAVE CHANGED. 581 00:16:13,500 --> 00:16:14,367 >> [laughing] 582 00:16:14,367 --> 00:16:15,900 >> YOU LOOK ABSOLUTELY STUNNING. 583 00:16:15,900 --> 00:16:17,633 >> WHY, THANK YOU. 584 00:16:17,633 --> 00:16:18,433 >> EVEN FROM THIS CLOSE, YOU 585 00:16:18,433 --> 00:16:19,567 CAN'T CLOCK A LACE-FRONT, GIRL. 586 00:16:19,567 --> 00:16:20,900 YOU GOTTA LOVE THAT. 587 00:16:20,900 --> 00:16:22,467 [laughing] I'M JUST--I'M LOOKING 588 00:16:22,467 --> 00:16:24,100 FOR A PROBLEM. 589 00:16:24,100 --> 00:16:26,100 >> WELL, THERE ARE SEVERAL. 590 00:16:26,100 --> 00:16:28,833 SO, NOW, SHARON, I KNOW YOU HAVE 591 00:16:28,833 --> 00:16:30,500 PEOPLE BACK IN PITTSBURGH THAT 592 00:16:30,500 --> 00:16:32,600 YOU LOVE AND THAT YOU'RE WORRIED 593 00:16:32,600 --> 00:16:35,133 ABOUT WHAT THIS EXPERIENCE WOULD 594 00:16:35,133 --> 00:16:36,733 DO TO THE RELATIONSHIP. 595 00:16:36,733 --> 00:16:38,133 >> OH, MOST DEFINITELY. 596 00:16:38,133 --> 00:16:39,167 >> WE'RE TALKING ABOUT ALASKA, 597 00:16:39,167 --> 00:16:40,400 AREN'T WE? 598 00:16:40,400 --> 00:16:41,267 >> ALASKA HAS TRIED OUT FOR THIS 599 00:16:41,267 --> 00:16:43,800 COMPETITION ALL FOUR YEARS. 600 00:16:43,867 --> 00:16:45,500 I'VE TRIED OUT FOR THIS 601 00:16:45,500 --> 00:16:47,933 COMPETITION ONCE--THIS YEAR. 602 00:16:48,067 --> 00:16:49,133 I JUST WISH I COULD SPEAK TO 603 00:16:49,133 --> 00:16:50,567 HIM, YOU KNOW, AND JUST...SEE IF 604 00:16:50,567 --> 00:16:51,733 IT WAS OKAY. 605 00:16:51,733 --> 00:16:52,567 >> WHAT WOULD YOU SAY? 606 00:16:52,567 --> 00:16:53,933 I'M ALASKA. 607 00:16:53,933 --> 00:16:54,867 WHAT WOULD YOU SAY? 608 00:16:54,867 --> 00:16:56,400 >> I LOVE YOU SO MUCH AND, IN MY 609 00:16:56,400 --> 00:16:57,600 EYES, YOU'RE THE BIGGEST 610 00:16:57,600 --> 00:16:59,433 SUPERSTAR IN THE UNIVERSE. 611 00:16:59,433 --> 00:17:00,933 I JUST PRAY THIS DOESN'T DO ANY 612 00:17:00,933 --> 00:17:02,367 DAMAGE. 613 00:17:02,367 --> 00:17:03,533 >> I'M GONNA TELL YOU WHAT 614 00:17:03,533 --> 00:17:05,367 ALASKA WOULD SAY. 615 00:17:05,367 --> 00:17:06,967 IT'S FINE. 616 00:17:06,967 --> 00:17:08,600 I WOULD NEVER STAND IN THE WAY 617 00:17:08,600 --> 00:17:10,867 OF YOUR SUCCESS, WHICH IS YOUR 618 00:17:10,867 --> 00:17:12,100 DESTINY. 619 00:17:12,100 --> 00:17:12,800 >> HMM. 620 00:17:12,800 --> 00:17:14,867 >> AND ALASKA HAS A DESTINY. 621 00:17:14,867 --> 00:17:16,333 WE ALL HAVE A JOURNEY THAT-- 622 00:17:16,333 --> 00:17:18,100 AND IT IS UP TO YOU TO SEE IT 623 00:17:18,100 --> 00:17:19,567 THROUGH. 624 00:17:19,567 --> 00:17:21,133 >> RUPAUL GIVES NOTHING MORE 625 00:17:21,133 --> 00:17:22,400 THAN GOOD ADVICE. 626 00:17:22,400 --> 00:17:25,333 BUT I DEFINITELY HAVE A FEAR OF 627 00:17:25,333 --> 00:17:27,500 SUCCESS AND FAME. 628 00:17:27,500 --> 00:17:29,067 IT INTIMIDATES ME. 629 00:17:29,067 --> 00:17:30,767 >> ALL RIGHT, SEE YOU LATER. 630 00:17:30,767 --> 00:17:31,867 >> [mouth full] YES, MA'AM. 631 00:17:35,100 --> 00:17:36,667 >> NEEDLES. 632 00:17:36,667 --> 00:17:38,467 HELLO, MAMA. 633 00:17:38,467 --> 00:17:39,867 WHAT'S WRONG, BABY? 634 00:17:39,867 --> 00:17:42,100 AWW. [chuckles] 635 00:17:42,100 --> 00:17:45,633 IT'S OKAY. IT'S OKAY. 636 00:17:45,633 --> 00:17:47,167 >> TOUCHING LITTLE WITCH. 637 00:17:47,167 --> 00:17:48,233 >> [laughs] 638 00:17:48,233 --> 00:17:49,400 >> GOD! 639 00:17:49,400 --> 00:17:50,633 I KNEW THIS WAS ALL COMING TO AN 640 00:17:50,633 --> 00:17:52,333 END, AND IT WAS THE FIRST TIME I 641 00:17:52,333 --> 00:17:54,867 REALLY REALIZED THAT EVERYTHING 642 00:17:54,867 --> 00:17:56,633 TRULY IS GOING TO BE DIFFERENT. 643 00:17:56,633 --> 00:17:59,067 AND THIS IS A BIG DEAL. 644 00:17:59,067 --> 00:18:02,333 >> OH, JEEZ, LOUISE. 645 00:18:02,333 --> 00:18:03,433 >> WHAT'S GOIN' ON? 646 00:18:03,433 --> 00:18:04,567 >> NOT MUCH. TOP THREE. 647 00:18:04,633 --> 00:18:05,900 >> YEAH! WHOO HOO HOO! 648 00:18:05,900 --> 00:18:07,100 >> I KNOW, IT'S CRAZY. 649 00:18:07,100 --> 00:18:07,933 >> DO YOU THINK THAT YOU BEING 650 00:18:07,933 --> 00:18:08,967 YOUNG HAS BEEN A CHALLENGE FOR 651 00:18:08,967 --> 00:18:10,233 YOU IN THIS COMPETITION? 652 00:18:10,233 --> 00:18:11,567 >> WELL, I'M 25. 653 00:18:11,633 --> 00:18:12,800 I THINK A LOT OF PEOPLE USE THAT 654 00:18:12,800 --> 00:18:13,800 AS KIND OF LIKE A... 655 00:18:13,800 --> 00:18:14,800 LIKE AN EXCUSE, REALLY. 656 00:18:14,800 --> 00:18:16,100 AND I DON'T LET THAT-- 657 00:18:16,100 --> 00:18:17,067 >> WELL, WHEN I DID THE SHOW, 658 00:18:17,067 --> 00:18:17,867 I WAS 21. 659 00:18:17,867 --> 00:18:18,533 >> YEAH. 660 00:18:18,533 --> 00:18:19,500 >> SO DON'T LET ANYONE, LIKE, 661 00:18:19,500 --> 00:18:20,533 HOLD YOU BACK. 662 00:18:20,533 --> 00:18:21,200 >> OH, I HAVEN'T. 663 00:18:21,200 --> 00:18:22,567 >> BEING YOUNG IS BEING FUN. 664 00:18:22,633 --> 00:18:23,833 >> JUST LIKE ME, EVERYBODY WAS 665 00:18:23,833 --> 00:18:24,667 GANGING UP ON TYRA BECAUSE SHE 666 00:18:24,667 --> 00:18:26,133 WAS THE BABY OR THEY FELT LIKE 667 00:18:26,133 --> 00:18:27,333 SHE HAD TOO MUCH ATTITUDE. 668 00:18:27,400 --> 00:18:28,267 SO THE FACT THAT SOMEONE CAN WIN 669 00:18:28,267 --> 00:18:30,133 AT A YOUNG AGE AND STILL BE A 670 00:18:30,133 --> 00:18:31,267 GREAT ROLE MODEL AND AMERICA'S 671 00:18:31,267 --> 00:18:32,533 NEXT DRAG SUPERSTAR, WHY CAN'T 672 00:18:32,533 --> 00:18:33,767 I? 673 00:18:33,767 --> 00:18:35,233 >> NOW SASHAY! 674 00:18:35,233 --> 00:18:36,367 >> UHH! 675 00:18:36,367 --> 00:18:37,200 >> SHANTE! 676 00:18:37,200 --> 00:18:38,133 >> OHH! 677 00:18:38,133 --> 00:18:39,867 >> SHANTE! SHANTE! SHANTE! 678 00:18:39,867 --> 00:18:41,167 >> AAH! 679 00:18:41,167 --> 00:18:43,200 >> * OSCAR 680 00:18:43,200 --> 00:18:44,467 >> WHY DOES THE LITTLE ONE GET 681 00:18:44,467 --> 00:18:45,300 BEAT UP? 682 00:18:45,300 --> 00:18:46,867 UHH! 683 00:18:46,933 --> 00:18:48,333 >> WONDER HOW OL' PHI PHI'S 684 00:18:48,333 --> 00:18:51,867 DOING. 685 00:18:51,867 --> 00:18:52,900 >> IN A WAY, I FEEL BAD ABOUT, 686 00:18:52,900 --> 00:18:55,200 LIKE...SAYING SOME OF THE 687 00:18:55,200 --> 00:18:56,367 SHIT I SAID TO HER. 688 00:18:56,367 --> 00:18:57,833 I FEEL BAD. 689 00:18:57,833 --> 00:18:59,700 >> YEAH, I KNOW. 690 00:18:59,700 --> 00:19:01,300 >> WHO THE FUCK AM I TO TELL 691 00:19:01,300 --> 00:19:02,467 HER TO GROW UP? 692 00:19:03,933 --> 00:19:09,267 >> [humming] 693 00:19:09,267 --> 00:19:11,533 >> HOW WAS IT? 694 00:19:11,533 --> 00:19:13,567 >> IT WENT REALLY, REALLY WELL. 695 00:19:13,567 --> 00:19:14,467 >> I JUST WANT TO SAY SOMETHING 696 00:19:14,467 --> 00:19:15,467 TO YOU. 697 00:19:15,467 --> 00:19:17,133 >> TO ME? 698 00:19:17,133 --> 00:19:19,067 >> [crying] I'M SORRY FOR SAYING 699 00:19:19,067 --> 00:19:21,067 FOR YOU TO GROW UP, BECAUSE... 700 00:19:21,067 --> 00:19:22,400 I KNOW THAT YOU'RE JUST A KID, 701 00:19:22,400 --> 00:19:24,467 AND YOU DESERVE TO BE 25, AND 702 00:19:24,467 --> 00:19:26,533 HAVE FUN AND BE STUPID AND 703 00:19:26,533 --> 00:19:28,767 FLIPPANT AND CRAZY AND BLOW IT 704 00:19:28,767 --> 00:19:30,200 OUT, BECAUSE, BEFORE YOU KNOW 705 00:19:30,200 --> 00:19:31,800 IT, YOU'RE GONNA BE 40. 706 00:19:31,800 --> 00:19:33,200 AND I LOVE YOU FOR WHO YOU ARE. 707 00:19:33,200 --> 00:19:34,133 >> [tearful chuckle] 708 00:19:34,133 --> 00:19:34,967 >> AND EVERYTHING YOU AREN'T. 709 00:19:34,967 --> 00:19:36,433 I'M SORRY. 710 00:19:36,433 --> 00:19:37,100 >> DON'T CRY. 711 00:19:37,100 --> 00:19:38,333 AH, GIVE ME A HUG. MMM. 712 00:19:38,333 --> 00:19:40,900 >> I'M SORRY. 713 00:19:40,900 --> 00:19:41,967 >> I'M SORRY I'M ANNOYING 714 00:19:41,967 --> 00:19:42,700 SOMETIMES. 715 00:19:42,700 --> 00:19:43,367 >> YOU'RE NOT, THOUGH. 716 00:19:43,367 --> 00:19:44,700 YOU'RE NOT. 717 00:19:44,700 --> 00:19:46,200 >> I'M NOT SORRY, BUT I LIKE 718 00:19:46,200 --> 00:19:47,233 YOU. 719 00:19:47,233 --> 00:19:48,233 >> [laughing] SHUT UP. 720 00:19:48,233 --> 00:19:49,533 WE REALLY ARE SISTERS. 721 00:19:49,533 --> 00:19:50,733 NO MATTER HOW DIFFERENT WE 722 00:19:50,733 --> 00:19:52,867 ARE, AND AS MUCH AS WE PROBABLY 723 00:19:52,867 --> 00:19:53,833 DON'T WANT TO ADMIT IT, WE'RE 724 00:19:53,833 --> 00:19:56,367 A FAMILY. 725 00:19:58,467 --> 00:20:00,367 [clapper snaps] 726 00:20:00,367 --> 00:20:01,900 >> GORGEOUS. 727 00:20:01,900 --> 00:20:03,967 >> IT'S TIME TO SHOOT OUR SCENES 728 00:20:03,967 --> 00:20:05,000 WITH RUPAUL. 729 00:20:05,000 --> 00:20:07,633 IT'S VERY EXCITING. 730 00:20:07,700 --> 00:20:09,433 >> HERE WE GO. 731 00:20:09,500 --> 00:20:11,533 FIRST POSITIONS, PLEASE. 732 00:20:11,533 --> 00:20:13,333 IF YOU DON'T DO IT PROPERLY, 733 00:20:13,333 --> 00:20:15,233 THE DOG'S GOING TO DIE. 734 00:20:15,233 --> 00:20:16,233 >> [laughs] 735 00:20:16,233 --> 00:20:18,000 >> ACTION. 736 00:20:18,000 --> 00:20:20,100 [triumphant music] 737 00:20:20,100 --> 00:20:21,533 WHEN YOU HIT YOUR MARKS, 738 00:20:21,533 --> 00:20:23,367 DEFIANT. 739 00:20:23,367 --> 00:20:25,600 >> NOT SO FAST, "RUDE PAUL." 740 00:20:25,600 --> 00:20:28,000 >> YEAH, GET A LOAD OF US, 741 00:20:28,000 --> 00:20:30,467 STUPID-MODEL OF THE WORLD. 742 00:20:30,467 --> 00:20:31,633 >> YEAH, GRANDPA! 743 00:20:31,633 --> 00:20:33,200 WE'RE HERE TO THROW A WRENCH IN 744 00:20:33,200 --> 00:20:34,733 YOUR PLANS. 745 00:20:34,733 --> 00:20:36,133 UHH! 746 00:20:36,133 --> 00:20:37,300 [clang] 747 00:20:37,300 --> 00:20:38,300 >> BITCH, THAT WRENCH CAME AWFUL 748 00:20:38,300 --> 00:20:40,633 CLOSE TO THIS FACE. 749 00:20:40,633 --> 00:20:41,833 >> [laughs] 750 00:20:41,833 --> 00:20:44,567 TRY NOT TO HIT RUPAUL. 751 00:20:44,567 --> 00:20:45,267 ACTION. 752 00:20:45,267 --> 00:20:46,533 >> YOU HAD NO INTENTION OF 753 00:20:46,533 --> 00:20:47,900 GIVING UP YOUR CROWN. 754 00:20:47,900 --> 00:20:49,667 >> YOU'D LOVE TO REPLACE ME, 755 00:20:49,667 --> 00:20:50,900 WOULDN'T YOU? 756 00:20:50,900 --> 00:20:52,700 WELL, TAKE A NUMBER...AND STAND 757 00:20:52,700 --> 00:20:53,367 IN LINE! 758 00:20:53,367 --> 00:20:54,500 >> UHH! 759 00:20:54,500 --> 00:20:55,233 >> AND CUT. 760 00:20:55,233 --> 00:20:57,533 SLAP HER. 761 00:20:57,533 --> 00:20:58,700 I DIDN'T BELIEVE THAT FOR 762 00:20:58,700 --> 00:21:00,233 A SECOND. 763 00:21:00,233 --> 00:21:01,400 [beep] 764 00:21:01,400 --> 00:21:03,167 >> CHAD MICHAELS IS A LITTLE 765 00:21:03,167 --> 00:21:04,100 PRISSY. 766 00:21:04,100 --> 00:21:05,333 >> OUCH! 767 00:21:05,333 --> 00:21:06,467 >> BUT SHE TAKES DIRECTION WELL. 768 00:21:06,467 --> 00:21:07,500 SHE'S SLAPPING YOU. 769 00:21:07,500 --> 00:21:09,567 THAT'S GOTTA HURT. 770 00:21:09,567 --> 00:21:10,933 >> OHH! OH! 771 00:21:10,933 --> 00:21:13,067 OH! UHH... 772 00:21:13,067 --> 00:21:14,267 OH! OOH! 773 00:21:14,267 --> 00:21:15,400 >> BEAUTIFUL! 774 00:21:15,400 --> 00:21:16,867 >> UHH! 775 00:21:16,867 --> 00:21:17,767 >> I VERY MUCH APPRECIATE CHAD'S 776 00:21:17,767 --> 00:21:19,333 EFFORTS. 777 00:21:19,333 --> 00:21:20,233 >> ARE YOU ALL RIGHT, DARLING? 778 00:21:20,233 --> 00:21:21,067 >> I LOVE IT. 779 00:21:21,067 --> 00:21:21,767 >> [laughing] 780 00:21:21,767 --> 00:21:23,533 >> OKAY. WHICH BRINGS US ALONG 781 00:21:23,533 --> 00:21:24,933 TO SHARON NEEDLES. 782 00:21:24,933 --> 00:21:25,867 >> UH-HUH. 783 00:21:25,867 --> 00:21:27,100 >> SELL IT TO ME. 784 00:21:27,100 --> 00:21:28,333 >> WHATEVER HAPPENED TO, 785 00:21:28,333 --> 00:21:30,700 "EVERYBODY SAY LOVE"? 786 00:21:30,700 --> 00:21:31,500 [gasps] 787 00:21:31,500 --> 00:21:32,767 [thud] 788 00:21:32,767 --> 00:21:33,633 >> SHARON, YOU SHOULD PROBABLY 789 00:21:33,633 --> 00:21:34,533 GO, "UHH," FORWARD. 790 00:21:34,533 --> 00:21:35,700 >> GOT IT. 791 00:21:35,700 --> 00:21:36,667 WHATEVER HAPPENED TO, 792 00:21:36,667 --> 00:21:38,633 "EVERYBODY SAY LOVE"? 793 00:21:38,633 --> 00:21:39,633 [gasps] 794 00:21:39,633 --> 00:21:40,767 HYUH! 795 00:21:40,767 --> 00:21:42,933 AH! UGH! 796 00:21:42,933 --> 00:21:44,933 AGH! 797 00:21:44,933 --> 00:21:46,667 >> EVERYBODY SAY LOVE. 798 00:21:46,667 --> 00:21:47,567 >> ANYONE WHO GETS THE 799 00:21:47,567 --> 00:21:49,533 OPPORTUNITY TO HAVE RUPAUL KICK 800 00:21:49,533 --> 00:21:50,833 THE SHIT OUT OF THEM SHOULD 801 00:21:50,833 --> 00:21:52,767 CONSIDER THEMSELVES A VERY LUCKY 802 00:21:52,767 --> 00:21:54,267 INDIVIDUAL. 803 00:21:54,267 --> 00:21:55,633 >> PHI PHI. OKAY. 804 00:21:55,633 --> 00:21:56,700 >> YES, SIR. 805 00:21:56,700 --> 00:21:58,400 >> IT'S YOUR TURN TO SHINE. 806 00:21:58,400 --> 00:22:00,500 >> THIS IS MY LAST TIME THAT 807 00:22:00,500 --> 00:22:01,900 I CAN REALLY IMPRESS RU, 808 00:22:01,900 --> 00:22:03,533 SO I DON'T WANT TO MESS THIS UP. 809 00:22:03,533 --> 00:22:04,533 I WANNA WIN THIS. 810 00:22:04,533 --> 00:22:05,733 >> ACTION. 811 00:22:05,733 --> 00:22:08,100 >> AND YOU, MY PRETTY? 812 00:22:08,100 --> 00:22:11,800 >> RUPAUL, WHAT HAPPENED TO THAT 813 00:22:11,800 --> 00:22:13,267 INNOCENT KID FROM THE BREWSTER 814 00:22:13,267 --> 00:22:14,867 PROJECTS WITH THE PAIR OF HEELS 815 00:22:14,867 --> 00:22:16,467 AND--AND A DREAM? 816 00:22:16,467 --> 00:22:19,233 >> AND CUT. 817 00:22:19,233 --> 00:22:21,100 >> CAN WE RATCHET THAT BACK JUST 818 00:22:21,100 --> 00:22:22,533 A FEW NOTCHES? 819 00:22:22,533 --> 00:22:23,967 IT WAS A LITTLE DOROTHY, 820 00:22:23,967 --> 00:22:25,533 WIZARD OF OZ ON CRACK. 821 00:22:25,533 --> 00:22:26,833 >> [chuckles] OKAY. 822 00:22:26,833 --> 00:22:30,600 WHAT HAPPENED TO THAT SUPERMODEL 823 00:22:30,600 --> 00:22:34,567 OF THE WORLD? 824 00:22:34,567 --> 00:22:37,300 OHH! AAH! OHH! 825 00:22:37,300 --> 00:22:39,300 [groaning] 826 00:22:39,300 --> 00:22:41,100 >> GOOD GIRL, PHI PHI. 827 00:22:41,100 --> 00:22:42,467 LET'S DO IT ONE MORE TIME. 828 00:22:42,467 --> 00:22:43,900 ON YOUR MARKS... 829 00:22:43,900 --> 00:22:45,167 GET SET... 830 00:22:45,167 --> 00:22:46,233 ACTION! 831 00:22:46,233 --> 00:22:47,167 >> WELL, TAKE A NUMBER... 832 00:22:47,167 --> 00:22:48,767 AND STAND IN LINE. 833 00:22:48,767 --> 00:22:50,333 >> OHH! 834 00:22:50,333 --> 00:22:51,600 THIS COMPETITION, IT'S LIKE 835 00:22:51,600 --> 00:22:53,333 GRADUATING HIGH SCHOOL AND GOING 836 00:22:53,333 --> 00:22:54,200 TO YALE. 837 00:22:54,200 --> 00:22:55,133 >> OHH! 838 00:22:55,133 --> 00:22:55,967 >> IT'S TAKEN 18 YEARS TO GET 839 00:22:55,967 --> 00:22:58,600 HERE, AND IT'S VALIDATION AND 840 00:22:58,600 --> 00:22:59,733 REDEMPTION. 841 00:22:59,733 --> 00:23:01,233 >> I LOOKED UP TO YOU. 842 00:23:01,233 --> 00:23:01,900 >> I'VE NEVER WORKED ON 843 00:23:01,900 --> 00:23:04,100 SOMETHING THIS HARD IN MY ENTIRE 844 00:23:04,100 --> 00:23:05,067 LIFE. 845 00:23:05,067 --> 00:23:06,100 THERE'S JUST BEEN UPS AND DOWNS. 846 00:23:06,100 --> 00:23:07,467 I'VE MADE ENEMIES. 847 00:23:07,467 --> 00:23:09,233 I'VE MADE BEST FRIENDS FOR 848 00:23:09,233 --> 00:23:10,367 A LIFETIME. 849 00:23:10,367 --> 00:23:11,200 I JUST FEEL LIKE I COULD CONQUER 850 00:23:11,200 --> 00:23:12,333 ANYTHING NOW. 851 00:23:12,333 --> 00:23:13,400 ANYTHING. 852 00:23:13,400 --> 00:23:14,567 >> SASHAY. 853 00:23:14,567 --> 00:23:15,667 >> OWW! 854 00:23:15,667 --> 00:23:16,933 >> SHANTE! 855 00:23:16,933 --> 00:23:17,833 >> OHH! 856 00:23:17,833 --> 00:23:20,233 TO BE HERE AND BE ABLE TO SHARE 857 00:23:20,233 --> 00:23:21,300 MY STORY AND GROW AS AN 858 00:23:21,300 --> 00:23:22,533 ENTERTAINER, I'M JUST SUPER 859 00:23:22,533 --> 00:23:23,567 HAPPY. 860 00:23:23,567 --> 00:23:24,367 AND I WOULDN'T TRADE THAT FOR 861 00:23:24,367 --> 00:23:25,233 THE WORLD. 862 00:23:25,233 --> 00:23:27,333 >> MAY THE BEST GLAMAZON WIN! 863 00:23:27,333 --> 00:23:28,600 >> I AM AMERICA'S NEXT DRAG 864 00:23:28,600 --> 00:23:29,733 SUPERSTAR. 865 00:23:29,733 --> 00:23:31,567 >> [laughing] 866 00:23:31,567 --> 00:23:32,700 >> MY NAME IS CHAD MICHAELS, 867 00:23:32,700 --> 00:23:33,533 AND I'M AMERICA'S NEXT DRAG 868 00:23:33,533 --> 00:23:34,933 SUPERSTAR. 869 00:23:34,933 --> 00:23:36,800 >> [laughing] 870 00:23:36,800 --> 00:23:38,367 >> OH, NO, YOU DIDN'T. 871 00:23:38,367 --> 00:23:40,400 I AM AMERICA'S NEXT DRAG 872 00:23:40,400 --> 00:23:41,667 SUPERSTAR. 873 00:23:41,667 --> 00:23:43,500 >> * I'M A GLAMAZON * 874 00:23:43,500 --> 00:23:45,700 [coughing] 875 00:23:45,700 --> 00:23:47,100 >> AND CUT. 876 00:23:47,100 --> 00:23:48,100 IT'S A WRAP. 877 00:23:48,100 --> 00:23:49,633 SO THANK YOU, LADIES. 878 00:23:49,633 --> 00:23:50,367 GREAT JOB. 879 00:23:50,367 --> 00:23:51,533 >> THANK YOU, LADIES. 880 00:23:51,533 --> 00:23:53,100 >> AND RUPAUL WILL BE AVAILABLE 881 00:23:53,100 --> 00:23:54,800 FOR ACTUAL BEATINGS LATER. 882 00:23:54,867 --> 00:23:57,400 [laughter] 883 00:23:57,400 --> 00:23:59,400 >> YOUR STOMPING MONSTER WAS 884 00:23:59,400 --> 00:24:00,800 PROBABLY YOUR WEAKEST THING. 885 00:24:00,800 --> 00:24:01,733 I JUST GOT LIKE, "I'M CUTE, I'M 886 00:24:01,733 --> 00:24:03,400 FIERCE, LET ME WALK." 887 00:24:03,400 --> 00:24:04,900 >> YOUR ACTING, IT WAS A LITTLE 888 00:24:04,900 --> 00:24:06,767 BIT OF OVERACTING. 889 00:24:06,767 --> 00:24:08,767 >> [laughing] 890 00:24:11,067 --> 00:24:12,500 >> [laughing] 891 00:24:15,567 --> 00:24:18,633 >> GUYS, IT'S THE LAST DAY! 892 00:24:18,633 --> 00:24:20,400 >> I'M GONNA MISS THIS PLACE. 893 00:24:20,400 --> 00:24:21,300 >> ME TOO. 894 00:24:21,300 --> 00:24:22,233 >> IT'S THE BIG DAY. 895 00:24:22,233 --> 00:24:23,667 IT'S THE LAST DAY HERE. 896 00:24:23,667 --> 00:24:24,733 AND SOMEONE'S GONNA BE CROWNED 897 00:24:24,733 --> 00:24:25,700 TODAY. 898 00:24:25,767 --> 00:24:26,967 >> ONE OF US IS GOING TO BE 899 00:24:26,967 --> 00:24:28,533 AMERICA'S NEXT DRAG SUPERSTAR. 900 00:24:28,533 --> 00:24:29,800 >> ISN'T THAT INSANE? 901 00:24:29,800 --> 00:24:30,600 >> HOW DO YOU FEEL YOU DID ON 902 00:24:30,600 --> 00:24:31,467 YOUR VIDEO? 903 00:24:31,467 --> 00:24:32,700 >> I FEEL GOOD ABOUT IT. 904 00:24:32,700 --> 00:24:34,167 >> CONSISTENTLY THROUGHOUT THIS 905 00:24:34,167 --> 00:24:35,467 ENTIRE CHALLENGE, I FELT LIKE I 906 00:24:35,467 --> 00:24:36,567 DID REALLY WELL, WITH THE 907 00:24:36,567 --> 00:24:37,833 DANCING AND EVERYTHING. 908 00:24:37,833 --> 00:24:39,067 >> I FOUND THE DANCING 909 00:24:39,067 --> 00:24:40,367 CHALLENGING. 910 00:24:40,367 --> 00:24:41,500 STRUCTURED CHOREOGRAPHY IS JUST 911 00:24:41,500 --> 00:24:43,067 HARD ON ME. 912 00:24:43,067 --> 00:24:44,233 >> FROM DAY ONE TILL NOW, 913 00:24:44,233 --> 00:24:45,867 STARRING IN RU'S NEW VIDEO, 914 00:24:45,867 --> 00:24:47,367 GLAMAZON, THIS HAS BEEN 915 00:24:47,367 --> 00:24:51,400 THE JOURNEY OF A LIFETIME. 916 00:24:51,467 --> 00:24:52,900 >> SO HOW DO YOU THINK IT'S 917 00:24:52,900 --> 00:24:54,300 GONNA FEEL TO BE ON THE MAIN 918 00:24:54,300 --> 00:24:55,767 STAGE FOR THE LAST TIME? 919 00:24:55,767 --> 00:24:58,167 >> IT'S GONNA FEEL AMAZING. 920 00:24:58,167 --> 00:24:59,300 >> I'M NERVOUS. 921 00:24:59,300 --> 00:25:00,767 >> I'M NERVOUS TOO. 922 00:25:00,767 --> 00:25:02,433 >> I WORKED SO HARD, AND... 923 00:25:02,433 --> 00:25:03,700 TO BE TOLD I'M NOT GONNA WIN, 924 00:25:03,700 --> 00:25:06,333 IT WOULD JUST KILL ME. 925 00:25:06,333 --> 00:25:07,300 >> I'M, LIKE, SERIOUSLY SHAKING. 926 00:25:07,300 --> 00:25:08,200 >> AH! 927 00:25:08,200 --> 00:25:09,400 >> YOU ALL RIGHT? 928 00:25:09,400 --> 00:25:10,533 >> YEAH. 929 00:25:10,533 --> 00:25:11,300 >> SO WHO DO YOU THINK IS 930 00:25:11,300 --> 00:25:12,300 LIP-SYNCHING FOR THE WIN 931 00:25:12,300 --> 00:25:13,900 TONIGHT, GIRLS? 932 00:25:13,900 --> 00:25:15,300 >> PHI PHI O'HARA. 933 00:25:15,300 --> 00:25:17,100 >> SHARON NEEDLES. 934 00:25:17,100 --> 00:25:18,633 >> CHAD MICHAELS. 935 00:25:18,633 --> 00:25:19,900 >> ONE OF YOU GUYS IS CORRECT. 936 00:25:19,900 --> 00:25:21,267 [laughter] 937 00:25:21,267 --> 00:25:23,133 >> ONLY TWO WILL BE LIP-SYNCHING 938 00:25:23,133 --> 00:25:24,333 FOR THE CROWN. 939 00:25:24,400 --> 00:25:26,500 AND, OHH, I HOPE I'M ONE OF 940 00:25:26,500 --> 00:25:29,700 THEM. 941 00:25:33,100 --> 00:25:35,067 >> [laughing] 942 00:25:38,367 --> 00:25:39,300 >> * COVER GIRL 943 00:25:39,300 --> 00:25:41,800 * PUT THE BASS IN YOUR WALK 944 00:25:41,800 --> 00:25:43,300 * HEAD TO TOE 945 00:25:43,300 --> 00:25:46,533 * LET YOUR WHOLE BODY TALK 946 00:25:46,533 --> 00:25:48,567 * AND WHAT 947 00:25:48,567 --> 00:25:50,067 >> HEY, GUYS! 948 00:25:50,067 --> 00:25:50,733 >> HI. 949 00:25:50,733 --> 00:25:51,633 >> HEY, RU. 950 00:25:51,633 --> 00:25:52,833 >> WELCOME TO THE MAIN STAGE 951 00:25:52,833 --> 00:25:54,700 OF RUPAUL'S DRAG RACE. 952 00:25:54,700 --> 00:25:57,333 THIS EVENING IS EXTRA-SPECIAL. 953 00:25:57,333 --> 00:25:59,867 BECAUSE TONIGHT, IT'S JUST 954 00:25:59,867 --> 00:26:01,067 FAMILY. 955 00:26:01,067 --> 00:26:02,600 MICHELLE VISAGE! 956 00:26:02,667 --> 00:26:04,333 >> HOT MAMA! 957 00:26:04,333 --> 00:26:05,500 >> [laughs] 958 00:26:05,567 --> 00:26:06,800 >> OUR LITTLE GIRLS HAVE ALL 959 00:26:06,800 --> 00:26:07,767 GROWN UP. 960 00:26:07,767 --> 00:26:08,967 >> IT MAKES ME WEEP. 961 00:26:08,967 --> 00:26:10,300 >> SHAKE THE DICE AND STEAL 962 00:26:10,300 --> 00:26:10,967 THE RICE! 963 00:26:10,967 --> 00:26:12,067 HEY, SANTINO. 964 00:26:12,100 --> 00:26:13,100 >> WHEW! I WANT A TASTE OF THAT 965 00:26:13,100 --> 00:26:14,067 HONEY! 966 00:26:14,100 --> 00:26:15,400 >> ANYTIME, HONEY. 967 00:26:15,400 --> 00:26:17,200 NOW, ARE YOU READY TO CROWN 968 00:26:17,200 --> 00:26:18,233 A CHAMPION? 969 00:26:18,233 --> 00:26:19,433 >> HE'S CROWNING AS WE SPEAK. 970 00:26:19,433 --> 00:26:20,967 >> [laughs] 971 00:26:20,967 --> 00:26:22,600 >> THIS WEEK, OUR QUEENS WERE 972 00:26:22,600 --> 00:26:24,767 CHALLENGED TO STAR AS ROMPIN', 973 00:26:24,767 --> 00:26:27,300 STOMPIN' GLAMAZONS IN MY NEW 974 00:26:27,300 --> 00:26:28,433 MUSIC VIDEO. 975 00:26:28,433 --> 00:26:30,467 TONIGHT, THEY'RE READY TO PUMMEL 976 00:26:30,467 --> 00:26:32,733 THE RUNWAY ONE LAST TIME. 977 00:26:32,733 --> 00:26:35,200 GENTLEMEN, START YOUR ENGINES, 978 00:26:35,200 --> 00:26:37,867 AND MAY THE BEST WOMAN WIN! 979 00:26:37,867 --> 00:26:41,300 >> * WELCOME TO THE JUNGLE 980 00:26:41,367 --> 00:26:42,733 >> CHAD MICHAELS! 981 00:26:42,733 --> 00:26:44,333 WOW. 982 00:26:44,333 --> 00:26:46,167 >> THAT'S DONATELLA MICHAELS. 983 00:26:46,233 --> 00:26:47,900 >> VER-SASSY. 984 00:26:47,900 --> 00:26:49,900 >> MY LOOK IS VERSACE-INSPIRED, 985 00:26:49,900 --> 00:26:51,700 BUT IT'S ALSO A LITTLE BIT OF 986 00:26:51,700 --> 00:26:53,433 JANE FONDA BARBARELLA. 987 00:26:53,433 --> 00:26:54,767 IT'S A POWER COSTUME. 988 00:26:54,767 --> 00:26:55,700 >> WHO KNEW SHE WAS A BONDAGE 989 00:26:55,700 --> 00:26:56,767 QUEEN? 990 00:26:56,767 --> 00:26:57,867 >> AH. 991 00:26:57,867 --> 00:26:59,400 >> STRAP IT ON, BABY. 992 00:26:59,400 --> 00:27:01,200 >> SUPER HERO. 993 00:27:01,267 --> 00:27:03,200 SHARON NEEDLES. 994 00:27:03,200 --> 00:27:04,900 >> AH, OH, YES. 995 00:27:04,967 --> 00:27:07,100 >> I'M HUNGRY FOR SOME CALAMARI. 996 00:27:07,100 --> 00:27:08,833 >> SHARON SCISSORHANDS. 997 00:27:08,833 --> 00:27:09,600 >> YOU'RE SQUIDDIN' ME, 998 00:27:09,600 --> 00:27:10,600 MICHELLE. 999 00:27:10,600 --> 00:27:12,333 >> I SQUID YOU NOT, GIRL. 1000 00:27:12,333 --> 00:27:14,800 >> I AM GIVING THEM STRAIGHT UP 1001 00:27:14,800 --> 00:27:16,533 SHARON NEEDLES FIERCENESS. 1002 00:27:16,533 --> 00:27:17,533 FASHION FORWARD TO THE DARK 1003 00:27:17,600 --> 00:27:19,067 SIDE. 1004 00:27:19,100 --> 00:27:20,267 >> I THINK SHE'S OPENING A CAN 1005 00:27:20,267 --> 00:27:22,100 OF WORMS, IF YOU ASK ME. 1006 00:27:22,100 --> 00:27:23,500 >> [laughs] 1007 00:27:23,500 --> 00:27:25,733 >> TOUCH ALL OF THIS OCTOPUSSY, 1008 00:27:25,733 --> 00:27:27,167 HONEY. 1009 00:27:27,167 --> 00:27:28,267 [laughter] 1010 00:27:28,333 --> 00:27:30,200 PHI PHI O'HARA! 1011 00:27:30,200 --> 00:27:31,667 OOH! 1012 00:27:31,667 --> 00:27:34,167 LEOPARD ON THE RUNWAY. 1013 00:27:34,233 --> 00:27:35,867 >> FLINTSTONES2012. 1014 00:27:35,867 --> 00:27:37,067 >> YABBA DABBA DO ME. 1015 00:27:37,067 --> 00:27:38,267 >> [laughs] 1016 00:27:38,267 --> 00:27:39,700 >> I WANTED TO GIVE THAT WILMA 1017 00:27:39,700 --> 00:27:40,500 FLINTSTONE REALNESS. 1018 00:27:40,500 --> 00:27:41,767 I'M FEELIN' SEXY AND I'M SHOWIN' 1019 00:27:41,767 --> 00:27:42,500 BODY. 1020 00:27:42,500 --> 00:27:44,067 I'M JUST HAVING A GREAT TIME. 1021 00:27:44,067 --> 00:27:45,533 >> SHE'S THE SIDE PIECE FRED WAS 1022 00:27:45,533 --> 00:27:46,700 KNOCKIN' BOOTS WITH. 1023 00:27:46,700 --> 00:27:47,867 >> [laughs] 1024 00:27:47,867 --> 00:27:49,267 PHI PHI FLINTSTONE. 1025 00:27:49,267 --> 00:27:53,267 SHE'S GONNA MAKE YOUR BED-ROCK. 1026 00:27:53,267 --> 00:27:55,067 WELCOME, LADIES. 1027 00:27:55,067 --> 00:27:57,467 MY TOP THREE GIRLS. 1028 00:27:57,467 --> 00:27:59,300 LET'S BEGIN BY WATCHING 1029 00:27:59,300 --> 00:28:01,433 THE WORLD TELEVISION PREMIERE 1030 00:28:01,433 --> 00:28:03,367 OF YOUR ACTING SCENE. 1031 00:28:03,367 --> 00:28:05,933 [thunder crashing] 1032 00:28:05,933 --> 00:28:08,300 [electronic blooping] 1033 00:28:08,300 --> 00:28:10,600 NOW THAT I'VE PERFECTED MY SUPER 1034 00:28:10,600 --> 00:28:13,267 SIZE QUEEN GLAMAZON SPRAY, 1035 00:28:13,267 --> 00:28:15,233 MY SINISTER PLAN FOR WORLD 1036 00:28:15,233 --> 00:28:17,467 DOMINATION IS NEARLY COMPLETE! 1037 00:28:17,467 --> 00:28:20,400 [laughing] 1038 00:28:20,400 --> 00:28:21,333 OHH. 1039 00:28:21,333 --> 00:28:24,767 >> NOT SO FAST, "RUDE PAUL"! 1040 00:28:24,767 --> 00:28:25,433 [dramatic music] 1041 00:28:25,433 --> 00:28:29,967 * 1042 00:28:29,967 --> 00:28:31,533 >> GET A LOAD OF US, 1043 00:28:31,533 --> 00:28:33,800 STUPID-MODEL OF THE WORLD. 1044 00:28:33,800 --> 00:28:35,367 >> YEAH, GRANDPA! 1045 00:28:35,367 --> 00:28:37,067 WE'RE HERE TO THROW A WRENCH IN 1046 00:28:37,067 --> 00:28:38,600 YOUR PLANS! 1047 00:28:38,600 --> 00:28:40,700 UHH! 1048 00:28:40,700 --> 00:28:42,233 >> NICE TRY, LADIES. 1049 00:28:42,233 --> 00:28:43,900 BUT YOU LOSE. 1050 00:28:43,900 --> 00:28:45,467 AGAIN. 1051 00:28:45,467 --> 00:28:47,433 [clang] 1052 00:28:47,433 --> 00:28:49,067 >> YOU PROMISED TO MAKE ME 1053 00:28:49,067 --> 00:28:50,933 A PANTHER ON THE RUNWAY! 1054 00:28:50,933 --> 00:28:53,267 BUT ALL YOU DID WAS LOCK ME UP 1055 00:28:53,267 --> 00:28:55,667 IN THAT SMELLY OLD WORKROOM. 1056 00:28:55,667 --> 00:28:56,500 YOU HAD NO INTENTION OF GIVING 1057 00:28:56,500 --> 00:28:58,800 UP YOUR CROWN. 1058 00:28:58,800 --> 00:29:00,200 >> YOU'D LOVE TO REPLACE ME, 1059 00:29:00,200 --> 00:29:01,900 WOULDN'T YOU? 1060 00:29:01,900 --> 00:29:03,067 WELL, TAKE A NUMBER. 1061 00:29:03,067 --> 00:29:05,200 AND STAND IN LINE. 1062 00:29:05,200 --> 00:29:06,667 >> UHH! 1063 00:29:06,667 --> 00:29:08,100 OHH! 1064 00:29:08,100 --> 00:29:09,533 UHH! 1065 00:29:09,533 --> 00:29:11,767 OH! AGH! UHH! 1066 00:29:11,767 --> 00:29:13,300 [whimpers] 1067 00:29:13,300 --> 00:29:15,600 >> YOU LOVE TO MAKE ME HIT YOU. 1068 00:29:15,600 --> 00:29:16,667 >> [whimpers] 1069 00:29:18,867 --> 00:29:20,067 >> COMING UP... 1070 00:29:20,067 --> 00:29:22,467 >> THE WINNER OF RUPAUL'S DRAG 1071 00:29:22,467 --> 00:29:25,200 RACE, AMERICA'S NEXT DRAG 1072 00:29:25,200 --> 00:29:27,800 SUPERSTAR, IS... 1073 00:29:29,733 --> 00:29:31,867 >> [laughing] 1074 00:29:34,067 --> 00:29:36,067 >> [laughing] 1075 00:29:36,133 --> 00:29:37,567 >> YOU'D LOVE TO REPLACE ME, 1076 00:29:37,567 --> 00:29:39,433 WOULDN'T YOU? 1077 00:29:39,433 --> 00:29:40,700 WELL, TAKE A NUMBER, AND 1078 00:29:40,700 --> 00:29:42,533 STAND IN LINE. 1079 00:29:42,533 --> 00:29:43,833 >> UHH! 1080 00:29:43,833 --> 00:29:44,800 OHH! 1081 00:29:44,800 --> 00:29:46,933 AGH! UHH! 1082 00:29:46,933 --> 00:29:49,267 [whimpers] 1083 00:29:49,267 --> 00:29:51,600 >> ALL I EVER WANTED TO DO WAS 1084 00:29:51,600 --> 00:29:53,833 TO BE A FEMALE PHENOMENON. 1085 00:29:53,833 --> 00:29:55,900 I LOOKED UP TO YOU. 1086 00:29:55,900 --> 00:29:58,733 WE ALL LOOKED UP TO YOU. 1087 00:29:58,733 --> 00:30:00,233 WHATEVER HAPPENED TO, "EVERYBODY 1088 00:30:00,233 --> 00:30:02,233 SAY LOVE"? 1089 00:30:02,233 --> 00:30:04,600 >> LOVE. AH, YES. 1090 00:30:04,600 --> 00:30:07,300 I WAS IN LOVE ONCE. 1091 00:30:07,300 --> 00:30:08,667 IT WAS THE WORST 20 MINUTES OF 1092 00:30:08,667 --> 00:30:10,267 MY LIFE. 1093 00:30:10,267 --> 00:30:11,500 >> [gasps] 1094 00:30:11,500 --> 00:30:13,567 HYUH! AH! 1095 00:30:13,567 --> 00:30:15,067 UHH! HYUH! 1096 00:30:15,067 --> 00:30:17,433 OHH! 1097 00:30:17,433 --> 00:30:18,467 [groans] 1098 00:30:18,467 --> 00:30:22,067 >> EVERYBODY SAY LOVE. 1099 00:30:22,067 --> 00:30:25,300 AND YOU, MY PRETTY? 1100 00:30:25,300 --> 00:30:28,067 >> RUPAUL, WHAT HAPPENED TO THAT 1101 00:30:28,067 --> 00:30:29,600 INNOCENT KID FROM THE BREWSTER 1102 00:30:29,600 --> 00:30:32,067 PROJECTS WHO BECAME A SHINING 1103 00:30:32,067 --> 00:30:34,633 EXAMPLE FOR DREAMERS EVERYWHERE? 1104 00:30:34,633 --> 00:30:37,867 WHAT HAPPENED TO THAT SUPERMODEL 1105 00:30:37,867 --> 00:30:40,133 OF THE WORLD? 1106 00:30:40,133 --> 00:30:42,300 >> YOU'RE RIGHT. 1107 00:30:42,300 --> 00:30:44,833 I AM THAT SUPERMODEL OF THE 1108 00:30:44,833 --> 00:30:46,867 WORLD. 1109 00:30:49,733 --> 00:30:51,533 >> OHH! AAH! 1110 00:30:51,533 --> 00:30:55,500 OWW! OWW! UHH! AHH! 1111 00:30:55,500 --> 00:30:57,633 >> NOW...SASHAY... 1112 00:30:57,633 --> 00:30:58,933 >> OHH! 1113 00:30:58,933 --> 00:31:00,133 >> SHANTE! 1114 00:31:00,133 --> 00:31:01,533 >> OHH! 1115 00:31:01,533 --> 00:31:04,633 >> SHANTE, SHANTE, SHANTE! 1116 00:31:04,633 --> 00:31:05,833 >> AAH! 1117 00:31:13,400 --> 00:31:15,200 >> MY SUPER SIZE QUEEN GLAMAZON 1118 00:31:15,200 --> 00:31:17,200 SPRAY SHOULD TAKE EFFECT ANY 1119 00:31:17,200 --> 00:31:18,500 MOMENT. 1120 00:31:18,500 --> 00:31:20,667 FIRST, YOU'LL DESTROY THE WORLD. 1121 00:31:20,667 --> 00:31:23,633 THEN YOU'LL DESTROY EACH OTHER. 1122 00:31:23,633 --> 00:31:25,233 [laughing] 1123 00:31:25,233 --> 00:31:27,500 MAY THE BEST GLAMAZON WIN. 1124 00:31:27,500 --> 00:31:30,733 [cackling] 1125 00:31:34,700 --> 00:31:35,800 [laughter] 1126 00:31:35,800 --> 00:31:37,667 >> ALL RIGHT. 1127 00:31:37,667 --> 00:31:39,433 >> CHAD MICHAELS, PHI PHI 1128 00:31:39,433 --> 00:31:41,367 O'HARA, SHARON NEEDLES... 1129 00:31:41,367 --> 00:31:43,167 IT'S TIME FOR YOUR PERFORMANCES 1130 00:31:43,167 --> 00:31:45,433 IN THE GLAMAZON VIDEO. 1131 00:31:45,433 --> 00:31:46,333 [upbeat music] 1132 00:31:46,333 --> 00:31:49,267 >> [screaming] 1133 00:31:49,267 --> 00:31:52,833 >> * OH, OH, SHE'S A GLAMAZON * 1134 00:31:52,833 --> 00:31:54,500 * SASHAY, SHANTE 1135 00:31:54,500 --> 00:31:56,567 *PANTHER ON THE RUNWAY * 1136 00:31:56,567 --> 00:31:59,133 * DO IT, DO IT, OH OH 1137 00:31:59,133 --> 00:32:00,600 * ALL THE GIRLS SAY 1138 00:32:00,600 --> 00:32:02,467 * SASHAY, SHANTE 1139 00:32:02,467 --> 00:32:04,300 * PANTHER ON THE RUNWAY 1140 00:32:04,300 --> 00:32:06,667 * DO IT, DO IT, OH OH 1141 00:32:06,667 --> 00:32:08,067 * ALL THE BOYS SAY 1142 00:32:08,067 --> 00:32:10,067 >> SHE'S SO BLOODY TALL. 1143 00:32:10,067 --> 00:32:11,900 >> * SHE'S SO WILD * 1144 00:32:11,900 --> 00:32:13,467 * SO ANIMAL 1145 00:32:13,467 --> 00:32:14,567 * SHE'S GONNA WORK THAT * 1146 00:32:14,567 --> 00:32:17,367 * SEXY BODY, SO SEXUAL 1147 00:32:17,367 --> 00:32:18,333 * SHE'S LIKE A FEMALE * 1148 00:32:18,333 --> 00:32:20,200 * PHENOMENON 1149 00:32:20,200 --> 00:32:22,067 * SHE'S A GLAMAZON * 1150 00:32:22,067 --> 00:32:24,333 * FEMALE PHENOMENON 1151 00:32:24,333 --> 00:32:27,067 *AMAZON, AH AH AH * 1152 00:32:27,067 --> 00:32:29,733 [laughter] 1153 00:32:29,733 --> 00:32:31,267 >> WOW, BEAUTIFUL. 1154 00:32:31,333 --> 00:32:32,967 >> THE ONE THING I CAN COUNT ON 1155 00:32:32,967 --> 00:32:34,800 CHAD DOING WELL IS YOU DO THIS 1156 00:32:34,800 --> 00:32:36,267 THING WHERE EVERYTHING HAS 1157 00:32:36,267 --> 00:32:37,067 A FLOURISH. 1158 00:32:37,067 --> 00:32:37,767 >> IT'S ALL THIS, GIRL. 1159 00:32:37,767 --> 00:32:38,900 >> YES! OH, MY GOD! 1160 00:32:38,900 --> 00:32:39,867 I COULD WATCH YOU DO THAT 1161 00:32:39,867 --> 00:32:40,767 FOREVER! 1162 00:32:40,767 --> 00:32:41,433 >> IT'S OLD SCHOOL. 1163 00:32:41,433 --> 00:32:42,567 >> DON'T EVER STOP DOING THAT. 1164 00:32:42,567 --> 00:32:43,433 >> I DON'T THINK I CAN, 'CAUSE 1165 00:32:43,433 --> 00:32:44,400 IT'S, LIKE, ONE OF THREE TRICKS 1166 00:32:44,400 --> 00:32:45,267 THAT I HAVE. 1167 00:32:45,267 --> 00:32:46,567 [laughter] 1168 00:32:46,633 --> 00:32:47,967 >> OLD SCHOOL OR NOT, IT'S 1169 00:32:47,967 --> 00:32:49,967 REALLY REFRESHING TO WATCH YOU. 1170 00:32:49,967 --> 00:32:52,067 >> OH! OHH! 1171 00:32:52,100 --> 00:32:53,367 >> YOU PLAYED WELL WITH RU. 1172 00:32:53,367 --> 00:32:54,900 I THOUGHT YOU WERE VERY 1173 00:32:54,900 --> 00:32:56,067 CONVINCING. 1174 00:32:56,067 --> 00:32:57,200 IT WAS FUNNY, AND I ACTUALLY 1175 00:32:57,200 --> 00:32:58,233 WISH SOME OF THAT 1176 00:32:58,233 --> 00:33:00,133 LIGHTHEARTEDNESS AND YOUR SENSE 1177 00:33:00,133 --> 00:33:01,500 OF HUMOR WOULD HAVE BEEN IN YOUR 1178 00:33:01,500 --> 00:33:03,933 MONSTER STOMPING. 1179 00:33:03,933 --> 00:33:06,333 >> NEXT UP, SHARON NEEDLES. 1180 00:33:06,333 --> 00:33:07,533 >> I'M SO GLAD THAT YOU CAME OUT 1181 00:33:07,533 --> 00:33:08,533 TONIGHT FOR THE FINALE IN YOUR 1182 00:33:08,533 --> 00:33:10,233 CALIFORNIA NATURAL LOOK. 1183 00:33:10,233 --> 00:33:10,933 >> THANK YOU. 1184 00:33:10,933 --> 00:33:11,667 THANK YOU VERY MUCH. 1185 00:33:11,667 --> 00:33:12,600 YEAH, THIS IS SUCCUBUS 1186 00:33:12,600 --> 00:33:13,667 READY TO WEAR. 1187 00:33:13,667 --> 00:33:15,900 >> I LOVE YOUR STOMPING MONSTER. 1188 00:33:15,900 --> 00:33:17,433 VERY CAMPY. 1189 00:33:17,433 --> 00:33:19,433 >> BUT THE CHOREOGRAPHY AND THE 1190 00:33:19,433 --> 00:33:21,533 DANCING, IT WAS A LITTLE ROUGH. 1191 00:33:21,533 --> 00:33:22,500 IT LOOKED A LITTLE SHAKY IN 1192 00:33:22,500 --> 00:33:23,267 PARTS. 1193 00:33:23,267 --> 00:33:24,300 >> WHEN DANCING ISN'T YOUR 1194 00:33:24,300 --> 00:33:26,800 THING, YOU CAN EITHER OWN IT, 1195 00:33:26,800 --> 00:33:28,533 OR YOU CAN REALLY FAIL. 1196 00:33:28,533 --> 00:33:29,500 YOU GOTTA BE READY FOR ANY 1197 00:33:29,500 --> 00:33:31,567 CHALLENGE, YOU KNOW? 1198 00:33:31,567 --> 00:33:33,800 >> ALL RIGHT, PHI PHI O'HARA. 1199 00:33:33,800 --> 00:33:35,100 >> I'LL START WITH YOUR RUNWAY 1200 00:33:35,100 --> 00:33:36,500 LOOK TONIGHT, BECAUSE I LOVE IT. 1201 00:33:36,500 --> 00:33:37,533 >> OH, THANK YOU. 1202 00:33:37,533 --> 00:33:39,333 >> YOUR STOMPING, THAT WAS 1203 00:33:39,333 --> 00:33:40,300 PROBABLY YOUR WEAKEST THING, 1204 00:33:40,300 --> 00:33:41,500 'CAUSE IT LOOKED MORE LIKE YOU 1205 00:33:41,500 --> 00:33:42,633 WERE DOING A RUNWAY. 1206 00:33:42,633 --> 00:33:43,600 I JUST GOT LIKE, "I'M CUTE, I'M 1207 00:33:43,600 --> 00:33:45,200 FIERCE, LET ME WALK." 1208 00:33:45,200 --> 00:33:47,200 >> BUT I THINK YOUR DANCE MOVES 1209 00:33:47,200 --> 00:33:49,067 WERE VERY TIGHT AND ON BEAT. 1210 00:33:49,067 --> 00:33:51,367 YOUR RANGE OF ENERGY WAS REALLY 1211 00:33:51,367 --> 00:33:53,067 UNBELIEVABLE IN THAT VIDEO. 1212 00:33:53,067 --> 00:33:55,067 >> THANK YOU, PHI PHI. 1213 00:33:55,067 --> 00:33:56,633 WHILE YOU AND THE OTHER GIRLS 1214 00:33:56,633 --> 00:33:58,733 UNTUCK IN THE INTERIOR ILLUSIONS 1215 00:33:58,733 --> 00:34:00,733 LOUNGE, THE JUDGES AND I WILL 1216 00:34:00,733 --> 00:34:02,333 DELIBERATE. 1217 00:34:02,333 --> 00:34:03,833 ALL RIGHT, JUST BETWEEN US 1218 00:34:03,833 --> 00:34:06,433 "GOILS," WHAT DO YOU THINK? 1219 00:34:06,433 --> 00:34:07,367 >> OH, RU. 1220 00:34:07,367 --> 00:34:08,800 >> THIS IS IT, AND THEY ALL 1221 00:34:08,800 --> 00:34:10,067 REPRESENT THREE DIFFERENT 1222 00:34:10,067 --> 00:34:11,200 FACTIONS OF DRAG. 1223 00:34:11,200 --> 00:34:13,467 PHI PHI IS THE INGENUE NEWCOMER. 1224 00:34:13,467 --> 00:34:16,067 CHAD, THE PROFESSIONAL DIVA. 1225 00:34:16,067 --> 00:34:17,900 AND SHARON NEEDLES, THE LITTLE 1226 00:34:17,900 --> 00:34:18,767 MONSTER. 1227 00:34:18,767 --> 00:34:19,600 THEY COULD ALL REPRESENT THIS 1228 00:34:19,600 --> 00:34:22,900 COMPETITION SO BRILLIANTLY. 1229 00:34:22,900 --> 00:34:24,100 >> THIS IS A TOUGH ONE, BABY. 1230 00:34:24,100 --> 00:34:25,200 >> LET'S START WITH 1231 00:34:25,200 --> 00:34:26,133 SHARON NEEDLES. 1232 00:34:26,133 --> 00:34:26,833 >> SHARON NEEDLES WAS 1233 00:34:26,833 --> 00:34:27,700 AN UNDERDOG. 1234 00:34:27,700 --> 00:34:28,533 SHE CAME OUT HERE LOOKING LIKE 1235 00:34:28,533 --> 00:34:30,533 NOSFERATU ON THE FIRST SHOW. 1236 00:34:30,533 --> 00:34:31,633 >> SHE WON THAT CHALLENGE. 1237 00:34:31,633 --> 00:34:32,500 >> I KNOW SHE DID, BECAUSE SHE 1238 00:34:32,500 --> 00:34:33,667 DID IT FIERCELY. 1239 00:34:33,667 --> 00:34:35,400 >> SHARON ALWAYS CAME OUT HERE, 1240 00:34:35,400 --> 00:34:37,067 WEEK AFTER WEEK, WITH SOMETHING 1241 00:34:37,067 --> 00:34:39,100 CONCEPTUAL AND CREATIVE. 1242 00:34:39,100 --> 00:34:40,900 AND I THINK THAT SOMETIMES 1243 00:34:40,900 --> 00:34:41,800 PEOPLE ARE SCARED OF THINGS THAT 1244 00:34:41,800 --> 00:34:43,733 ARE UNCONVENTIONAL. 1245 00:34:43,733 --> 00:34:45,467 >> I LIKE THE GOTH, BUT I FEEL 1246 00:34:45,467 --> 00:34:46,800 LIKE, "DO YOU HAVE TO DO IT ALL 1247 00:34:46,800 --> 00:34:47,900 THE TIME?" 1248 00:34:47,900 --> 00:34:49,900 I DON'T KNOW IF THE ENTIRE WORLD 1249 00:34:49,900 --> 00:34:52,067 IS READY FOR SOMEBODY TO WIN 1250 00:34:52,067 --> 00:34:53,333 THIS COMPETITION LIKE 1251 00:34:53,333 --> 00:34:54,467 A SHARON NEEDLES. 1252 00:34:54,467 --> 00:34:55,567 >> WELL, LISTEN, LADY GAGA'S 1253 00:34:55,567 --> 00:34:56,567 DONE IT. 1254 00:34:56,567 --> 00:34:57,833 >> SHARON'S EVEN BEYOND 1255 00:34:57,833 --> 00:34:59,200 LADY GAGA, I THINK. 1256 00:34:59,200 --> 00:35:00,300 >> ALL RIGHT, KIDS. 1257 00:35:00,300 --> 00:35:01,467 CHAD MICHAELS. 1258 00:35:01,467 --> 00:35:03,233 >> THERE IS NOBODY MORE 1259 00:35:03,233 --> 00:35:05,333 QUALIFIED THAN CHAD MICHAELS. 1260 00:35:05,333 --> 00:35:08,333 THE BITCH IS A PROFESSIONAL. 1261 00:35:08,333 --> 00:35:10,233 HER REPRESENTING YOUR SHOW 1262 00:35:10,233 --> 00:35:12,933 WOULD BE EXECUTED PERFECTLY. 1263 00:35:12,933 --> 00:35:14,633 >> IT'S GREAT THAT CHAD PROBABLY 1264 00:35:14,633 --> 00:35:16,600 HAD THOSE VERSACE DRESSES IN HER 1265 00:35:16,600 --> 00:35:20,167 CLOSET FROM...THE EARLY '90s. 1266 00:35:20,167 --> 00:35:21,967 >> YES, A LITTLE OLD SCHOOL, 1267 00:35:21,967 --> 00:35:23,367 BUT CHAD GREW UP IN A DIFFERENT 1268 00:35:23,367 --> 00:35:25,167 TIME PERIOD WHERE DRAG WAS WHAT 1269 00:35:25,167 --> 00:35:26,200 CHAD DOES. 1270 00:35:26,200 --> 00:35:27,467 >> IT'S NOT SO MUCH THE AGE 1271 00:35:27,467 --> 00:35:29,467 THING, 'CAUSE CHAD IS AGELESS. 1272 00:35:29,467 --> 00:35:30,300 >> AGE AIN'T NOTHIN'. 1273 00:35:30,300 --> 00:35:31,933 >> IT'S ABOUT EVOLVING 1274 00:35:31,933 --> 00:35:33,800 CONSTANTLY AND LOOKING AT WHAT'S 1275 00:35:33,800 --> 00:35:35,900 NEXT AND WHAT'S NEW. 1276 00:35:35,900 --> 00:35:36,967 >> PHI PHI O'HARA. 1277 00:35:36,967 --> 00:35:37,967 AT ONE POINT, I THOUGHT SHE WAS 1278 00:35:37,967 --> 00:35:39,467 TOO GREEN, BUT...BOY, HAS SHE 1279 00:35:39,467 --> 00:35:41,733 GROWN, FASTER THAN ANY OTHER 1280 00:35:41,733 --> 00:35:43,700 COMPETITOR WE HAVE EVER SEEN. 1281 00:35:43,700 --> 00:35:44,933 >> AND WHAT SHE LACKS IN 1282 00:35:44,933 --> 00:35:46,267 EXPERIENCE, SHE MAKES UP FOR 1283 00:35:46,267 --> 00:35:47,267 WITH DRIVE. 1284 00:35:47,267 --> 00:35:48,233 >> IF YOU REMEMBER, SHE'S GOTTEN 1285 00:35:48,233 --> 00:35:49,400 SOME HEAT FOR BEING TOO 1286 00:35:49,400 --> 00:35:50,167 AMBITIOUS. 1287 00:35:50,167 --> 00:35:51,167 DO YOU THINK THAT'S A BAD THING? 1288 00:35:51,167 --> 00:35:53,867 >> NO, IT PROBABLY IS WHAT'S 1289 00:35:53,867 --> 00:35:56,167 DRIVING HER CREATIVITY. 1290 00:35:56,167 --> 00:35:57,600 YOU KNOW, YOU SEE IT IN THE WAY 1291 00:35:57,600 --> 00:35:58,700 THAT SHE'S EVOLVED. 1292 00:35:58,700 --> 00:35:59,433 >> AND I FEEL LIKE WITH 1293 00:35:59,433 --> 00:36:01,800 PHI PHI, SHE'S THE NEW 1294 00:36:01,800 --> 00:36:02,800 GENERATION OF DRAG. 1295 00:36:02,800 --> 00:36:05,467 >> SILENCE! 1296 00:36:05,467 --> 00:36:07,433 THIS AIN'T OVER... 1297 00:36:07,433 --> 00:36:09,333 TILL THEY LIP-SYNCH FOR THEIR 1298 00:36:09,333 --> 00:36:11,100 LIVES. 1299 00:36:11,100 --> 00:36:14,533 BRING BACK MY GIRLS. 1300 00:36:14,600 --> 00:36:16,600 >> [laughing] 1301 00:36:19,067 --> 00:36:21,867 >> [laughing] 1302 00:36:21,933 --> 00:36:23,733 >> WELCOME BACK, LADIES. 1303 00:36:23,733 --> 00:36:27,633 THE MOMENT OF TRUTH IS UPON US. 1304 00:36:27,633 --> 00:36:29,500 BASED ON YOUR PERFORMANCE IN 1305 00:36:29,500 --> 00:36:31,233 THE GLAMAZON MUSIC VIDEO 1306 00:36:31,233 --> 00:36:33,400 AND YOUR BODY OF WORK THROUGHOUT 1307 00:36:33,400 --> 00:36:36,067 THIS COMPETITION, I'VE MADE SOME 1308 00:36:36,067 --> 00:36:39,433 DECISIONS. 1309 00:36:39,433 --> 00:36:41,200 CHAD MICHAELS... 1310 00:36:41,200 --> 00:36:44,233 YOU ARE A SEASONED QUEEN. 1311 00:36:44,233 --> 00:36:47,200 BUT DO YOU REPRESENT THE FUTURE 1312 00:36:47,200 --> 00:36:49,533 OF DRAG? 1313 00:36:49,533 --> 00:36:52,067 PHI PHI O'HARA, MY BEAUTIFUL 1314 00:36:52,067 --> 00:36:53,400 QUEEN... 1315 00:36:53,400 --> 00:36:55,600 IN THIS COMPETITION, NO ONE HAS 1316 00:36:55,600 --> 00:36:58,067 EVER GROWN SO FAST. 1317 00:36:58,067 --> 00:37:01,300 BUT...ARE YOU FULLY PREPARED 1318 00:37:01,300 --> 00:37:03,633 FOR THE RESPONSIBILITIES THAT 1319 00:37:03,633 --> 00:37:06,100 COME WITH THE CROWN? 1320 00:37:06,100 --> 00:37:08,200 SHARON NEEDLES...YOU ARE AS 1321 00:37:08,200 --> 00:37:10,600 CHARMING AS YOU ARE SCARY. 1322 00:37:10,600 --> 00:37:13,933 AND YOU SHAKE DRAG TO ITS CORE. 1323 00:37:13,933 --> 00:37:16,500 BUT DO YOU HAVE THE RIGHT STUFF 1324 00:37:16,500 --> 00:37:18,667 TO BE AMERICA'S NEXT DRAG 1325 00:37:18,667 --> 00:37:23,200 SUPERSTAR? 1326 00:37:23,200 --> 00:37:25,600 FOR THE FIRST TIME IN DRAG RACE 1327 00:37:25,600 --> 00:37:29,067 HISTORY, WE ARE BREAKING ALL 1328 00:37:29,067 --> 00:37:31,833 THE RULES. 1329 00:37:31,900 --> 00:37:34,067 >> WHAT? 1330 00:37:34,067 --> 00:37:37,800 >> CHAD...SHARON...PHI PHI... 1331 00:37:37,800 --> 00:37:40,567 THE THREE OF YOU WILL LIP-SYNCH 1332 00:37:40,567 --> 00:37:43,167 FOR YOUR LIVES. 1333 00:37:43,167 --> 00:37:46,600 THREE QUEENS STAND BEFORE ME. 1334 00:37:46,600 --> 00:37:49,800 LADIES, THIS IS YOUR LAST CHANCE 1335 00:37:49,800 --> 00:37:52,233 TO IMPRESS ME AND PROVE TO THE 1336 00:37:52,233 --> 00:37:54,967 WORLD THAT YOU ARE AMERICA'S 1337 00:37:54,967 --> 00:38:00,100 NEXT DRAG SUPERSTAR. 1338 00:38:00,167 --> 00:38:00,900 >> THIS IS EVERYTHING I'VE 1339 00:38:00,900 --> 00:38:02,767 WORKED FOR, ALL COMING TO 1340 00:38:02,767 --> 00:38:04,067 A HEAD IN ONE MOMENT, AND I'M 1341 00:38:04,067 --> 00:38:05,167 GONNA GIVE IT ALL I'VE GOT. 1342 00:38:05,233 --> 00:38:07,933 >> THE TIME HAS COME...FOR YOU 1343 00:38:07,933 --> 00:38:12,667 TO LIP-SYNCH FOR YOUR LIFE. 1344 00:38:15,067 --> 00:38:17,233 >> IT'S JUST A TORNADO OF 1345 00:38:17,233 --> 00:38:17,933 EMOTIONS. 1346 00:38:18,067 --> 00:38:19,333 BUT I'VE NEVER BEEN AFRAID OF 1347 00:38:19,333 --> 00:38:21,400 AN AUDIENCE, AND I'M NOT GONNA 1348 00:38:21,400 --> 00:38:22,667 START NOW. 1349 00:38:22,667 --> 00:38:25,233 >> GOOD LUCK, AND DON'T FUCK 1350 00:38:25,233 --> 00:38:26,533 IT UP. 1351 00:38:26,600 --> 00:38:29,700 * 1352 00:38:29,700 --> 00:38:32,500 >> * EVERYBODY WANTS HER 1353 00:38:32,567 --> 00:38:34,600 * MISS SEXY IN THE CITY 1354 00:38:34,600 --> 00:38:36,167 * SHE'S ON THE PROWL * 1355 00:38:36,167 --> 00:38:38,300 * SHE ROCKED THIS TOWN 1356 00:38:38,300 --> 00:38:40,067 * WHO'S THAT GIRL * 1357 00:38:40,067 --> 00:38:41,900 * A FLY, FEROCIOUS LADY 1358 00:38:41,900 --> 00:38:44,233 * GET UP AND DANCE 1359 00:38:44,233 --> 00:38:45,700 * GET UP, GET UP AND 1360 00:38:45,700 --> 00:38:47,833 * SASHAY, SHANTE 1361 00:38:47,833 --> 00:38:49,867 * PANTHER ON THE RUNWAY 1362 00:38:49,867 --> 00:38:51,233 >> I AM GIVING THEM A LITTLE BIT 1363 00:38:51,233 --> 00:38:53,467 OF SPOOK, A LITTLE BIT OF LAUGH, 1364 00:38:53,467 --> 00:38:57,233 AND A WHOLE LOT OF DIVA ACTION. 1365 00:38:57,233 --> 00:39:00,667 >> * SHE'S SO WILD, SO ANIMAL * 1366 00:39:00,667 --> 00:39:01,400 >> I WANT TO SHOW THE JUDGES 1367 00:39:01,400 --> 00:39:02,633 THAT I'M A TRUE ENTERTAINER. 1368 00:39:02,633 --> 00:39:03,900 I AM AMERICA'S NEXT DRAG 1369 00:39:03,900 --> 00:39:05,467 SUPERSTAR. 1370 00:39:05,467 --> 00:39:06,267 >> * GLAMAZON, AH AH AH 1371 00:39:06,267 --> 00:39:07,733 * LADYBOYS AND GIRLS 1372 00:39:07,733 --> 00:39:08,700 * AND THOSE WHO DREAM 1373 00:39:08,700 --> 00:39:09,500 * TO RULE THE WORLD 1374 00:39:09,500 --> 00:39:11,467 * SMOKY EYES, CHERRY LIPS 1375 00:39:11,467 --> 00:39:12,600 * STILETTOS ON 1376 00:39:12,600 --> 00:39:14,367 * NOW BREAK IT DOWN 1377 00:39:14,367 --> 00:39:18,133 * OH OH, OH HO 1378 00:39:18,133 --> 00:39:20,900 * OH OH, SHE'S A GLAMAZON * 1379 00:39:20,900 --> 00:39:21,933 * GET UP THERE 1380 00:39:21,933 --> 00:39:23,700 * SASHAY, SHANTE 1381 00:39:23,700 --> 00:39:24,367 >> THIS IS MY TIME IN THE 1382 00:39:24,367 --> 00:39:25,333 SPOTLIGHT. 1383 00:39:25,333 --> 00:39:26,333 I'M FEELING PRETTY POWERFUL 1384 00:39:26,333 --> 00:39:28,067 RIGHT NOW. 1385 00:39:28,067 --> 00:39:29,833 >> * ALL THE BOYS SAY 1386 00:39:29,833 --> 00:39:31,500 >> SHE'S SO BLOODY TALL. 1387 00:39:31,500 --> 00:39:33,167 >> * SHE'S SO WILD * 1388 00:39:33,167 --> 00:39:34,767 * SO ANIMAL 1389 00:39:34,767 --> 00:39:35,767 * SHE'S GONNA WORK THAT * 1390 00:39:35,767 --> 00:39:38,567 * SEXY BODY, SO SEXUAL 1391 00:39:38,567 --> 00:39:40,200 * SHE'S LIKE A FEMALE * 1392 00:39:40,200 --> 00:39:41,600 * PHENOMENON 1393 00:39:41,600 --> 00:39:43,167 * SHE'S A GLAMAZON * 1394 00:39:43,167 --> 00:39:45,567 * FEMALE PHENOMENON 1395 00:39:45,567 --> 00:39:48,067 * GLAMAZON, AH AH AH 1396 00:39:48,067 --> 00:39:49,267 >> HOO HOO! 1397 00:39:49,267 --> 00:39:51,533 [cheers and applause] 1398 00:39:51,533 --> 00:39:53,167 [laughing] 1399 00:39:53,167 --> 00:39:54,433 >> I LOVE YOU BITCHES. 1400 00:39:54,433 --> 00:39:55,133 >> LOVE YOU TOO. 1401 00:39:55,133 --> 00:39:59,500 >> BRAVA! BRAVA! 1402 00:39:59,500 --> 00:40:01,133 LADIES... 1403 00:40:01,133 --> 00:40:03,667 I'VE MADE MY DECISION. 1404 00:40:07,100 --> 00:40:09,733 >> CHAD MICHAELS... 1405 00:40:09,733 --> 00:40:13,233 PHI PHI O'HARA... 1406 00:40:13,233 --> 00:40:17,600 SHARON NEEDLES... 1407 00:40:17,600 --> 00:40:20,100 THE WINNER OF RUPAUL'S DRAG 1408 00:40:20,100 --> 00:40:22,333 RACE... 1409 00:40:22,333 --> 00:40:25,800 AMERICA'S NEXT DRAG SUPERSTAR... 1410 00:40:25,800 --> 00:40:30,900 IS... 1411 00:40:30,900 --> 00:40:32,933 GOING TO BE ANNOUNCED NEXT 1412 00:40:32,933 --> 00:40:35,233 WEEK... 1413 00:40:35,233 --> 00:40:39,033 ON RUPAUL'S DRAG RACE: REUNITED. 1414 00:40:43,067 --> 00:40:45,833 >> IS THIS A JOKE? 1415 00:40:45,833 --> 00:40:48,433 >> RUPAUL, YOU CRAFTY LITTLE 1416 00:40:48,433 --> 00:40:49,433 WITCH. 1417 00:40:49,433 --> 00:40:51,300 >> AND I WANT TO HEAR FROM YOU, 1418 00:40:51,300 --> 00:40:52,500 THE VIEWERS. 1419 00:40:52,500 --> 00:40:54,533 WHO SHOULD BE AMERICA'S NEXT 1420 00:40:54,533 --> 00:40:57,100 DRAG SUPERSTAR? 1421 00:40:57,100 --> 00:40:59,800 SHOULD IT BE CHAD MICHAELS? 1422 00:40:59,800 --> 00:41:01,200 SHARON NEEDLES? 1423 00:41:01,200 --> 00:41:03,200 OR PHI PHI O'HARA? 1424 00:41:03,200 --> 00:41:05,067 LET YOUR VOICE BE HEARD. 1425 00:41:05,133 --> 00:41:06,600 TWEET YOUR THOUGHTS TO 1426 00:41:06,600 --> 00:41:08,700 #DRAGRACE. 1427 00:41:08,700 --> 00:41:11,100 LADIES, I'LL SEE YOU AND YOUR 1428 00:41:11,100 --> 00:41:13,533 DRAG SISTERS NEXT WEEK, 1429 00:41:13,600 --> 00:41:15,300 WHERE, TOGETHER, 1430 00:41:15,300 --> 00:41:19,667 WE WILL CELEBRATE OUR NEW QUEEN. 1431 00:41:19,667 --> 00:41:20,900 >> NO MATTER WHAT, I'M STILL 1432 00:41:20,900 --> 00:41:22,133 GONNA WIN THAT CROWN. 1433 00:41:22,133 --> 00:41:23,733 >> THIS IS UNCHARTED TERRITORY. 1434 00:41:23,733 --> 00:41:25,967 THIS HAS NEVER BEEN DONE. 1435 00:41:25,967 --> 00:41:27,200 I DON'T KNOW WHAT'S GONNA 1436 00:41:27,200 --> 00:41:28,200 HAPPEN. 1437 00:41:28,200 --> 00:41:29,500 >> ANY ONE OF US DESERVE THAT 1438 00:41:29,500 --> 00:41:30,500 CROWN. 1439 00:41:30,500 --> 00:41:32,167 MAYBE ME A LITTLE MORE. 1440 00:41:32,233 --> 00:41:34,200 >> NOW, REMEMBER, IF YOU CAN'T 1441 00:41:34,200 --> 00:41:36,067 LOVE YOURSELF, HOW IN THE HELL 1442 00:41:36,067 --> 00:41:37,267 YOU GONNA LOVE SOMEBODY ELSE? 1443 00:41:37,267 --> 00:41:39,267 CAN I GET AN AMEN UP IN HERE? 1444 00:41:39,267 --> 00:41:40,800 >> all: AMEN! 1445 00:41:40,800 --> 00:41:42,600 >> ALL RIGHT, NOW LET THE MUSIC 1446 00:41:42,600 --> 00:41:43,467 PLAY. 1447 00:41:43,467 --> 00:41:44,733 >> * THIS IS THE BEGINNING 1448 00:41:44,733 --> 00:41:46,600 * OF THE RECORD YOU LIKE 1449 00:41:46,600 --> 00:41:50,333 * 1450 00:41:50,333 --> 00:41:51,800 * GET IT, GET IT 1451 00:41:51,800 --> 00:41:54,100 * G-G-GET IT, GET IT RIGHT 1452 00:41:54,100 --> 00:41:55,767 * THIS IS THE BEGINNING 1453 00:41:55,767 --> 00:41:57,600 * THE BEGINNING 1454 00:41:57,600 --> 00:41:59,067 * THIS IS THE BEGINNING OF 1455 00:41:59,067 --> 00:42:02,067 * THE REST OF YOUR LIFE