1 00:00:03,171 --> 00:00:04,004 >> PREVIOUSLY ON RUPAUL'S DRAG 2 00:00:04,004 --> 00:00:04,772 RACE... 3 00:00:04,772 --> 00:00:07,108 >> COCO MONTRESE. 4 00:00:07,108 --> 00:00:08,342 >> ALYSSA EDWARDS. 5 00:00:08,342 --> 00:00:10,010 THE PAGEANT TORE OUR FRIENDSHIP 6 00:00:10,010 --> 00:00:10,844 APART. 7 00:00:10,844 --> 00:00:11,812 ALYSSA AND I WILL HAVE OUR 8 00:00:11,812 --> 00:00:13,747 MOMENT LATER. 9 00:00:13,814 --> 00:00:15,449 >> JINKX, ON THE RUNWAY, I THINK 10 00:00:15,449 --> 00:00:16,250 YOU SHOULD HAVE PREPARED MORE 11 00:00:16,250 --> 00:00:17,718 THAN ONE LOOK. 12 00:00:17,718 --> 00:00:18,752 >> EVERY WEEK I'VE DONE 13 00:00:18,752 --> 00:00:19,653 A DIFFERENT LOOK. 14 00:00:19,653 --> 00:00:20,621 >> BULLSHIT. 15 00:00:20,621 --> 00:00:22,923 JINKX, SHE'S ALL COMEDY AND NO 16 00:00:22,923 --> 00:00:25,093 GLAMOUR. 17 00:00:25,093 --> 00:00:27,095 >> YOU WILL BE CREATING YOUR OWN 18 00:00:27,095 --> 00:00:30,030 SIGNATURE FRAGRANCE. 19 00:00:30,030 --> 00:00:31,765 >> MY FRAGRANCE IS CALLED 20 00:00:31,765 --> 00:00:32,900 ALYSSA'S SECRET. 21 00:00:32,900 --> 00:00:36,204 >> WHAT IS ALYSSA'S SECRET? 22 00:00:36,204 --> 00:00:38,206 >> SON OF A BITCH. 23 00:00:38,206 --> 00:00:39,873 >> CAN WE SEE YOUR BACKGROUND? 24 00:00:39,873 --> 00:00:41,409 >> NEW YORK CITY. 25 00:00:41,409 --> 00:00:42,543 >> UH, THAT'S TOKYO. 26 00:00:42,543 --> 00:00:44,011 >> OH, IS IT? 27 00:00:44,011 --> 00:00:44,878 >> I HAVE A CRUSH ON 28 00:00:44,878 --> 00:00:45,846 IVY WINTERS. 29 00:00:45,846 --> 00:00:48,716 >> [gasps] 30 00:00:48,716 --> 00:00:50,551 >> RED, FOR FILTH. 31 00:00:50,551 --> 00:00:53,487 ARE YOU RED-Y FOR ME? 32 00:00:53,487 --> 00:00:55,156 >> ALASKA, YOU'RE THE WINNER OF 33 00:00:55,156 --> 00:00:56,957 THIS CHALLENGE. 34 00:00:56,957 --> 00:00:58,826 >> HA-HA! 35 00:00:58,826 --> 00:01:01,095 >> ALYSSA EDWARDS, SHANTE, YOU 36 00:01:01,095 --> 00:01:02,730 STAY. 37 00:01:02,730 --> 00:01:06,934 IVY, SASHAY AWAY. 38 00:01:16,244 --> 00:01:19,813 >> AW, IVY WINTERS. 39 00:01:19,813 --> 00:01:21,415 >> "I LOVE YOU GIRLS SO MUCH. 40 00:01:21,415 --> 00:01:23,384 YOU ALWAYS HAVE A FRIEND IN ME." 41 00:01:23,384 --> 00:01:24,752 >> GIRL, SHE IS AN AMAZING 42 00:01:24,752 --> 00:01:25,419 PERSON. 43 00:01:25,419 --> 00:01:26,154 >> YEAH. 44 00:01:26,154 --> 00:01:27,788 >> AMAZING, AMAZING. 45 00:01:27,855 --> 00:01:29,657 IVY AND I WERE REALLY CONNECTING 46 00:01:29,657 --> 00:01:31,825 AND REALLY FEELING VERY CLOSE. 47 00:01:31,892 --> 00:01:33,294 AND THE PERSON WHO'S BEEN SUCH 48 00:01:33,294 --> 00:01:37,798 A GOOD FRIEND TO ME IS NOW GONE. 49 00:01:37,798 --> 00:01:38,766 >> COCO, NOW I KNOW WHAT IT 50 00:01:38,766 --> 00:01:39,600 FEELS LIKE TO BE IN THE BOTTOM, 51 00:01:39,600 --> 00:01:41,502 TWICE. 52 00:01:41,502 --> 00:01:43,003 >> WAS IT HORRIFYING BEING UP 53 00:01:43,003 --> 00:01:44,338 THERE AGAIN? 54 00:01:44,338 --> 00:01:45,739 >> NO, I'M A PERFORMER, BABY. 55 00:01:45,739 --> 00:01:46,740 THIS IS WHAT I DO. 56 00:01:46,740 --> 00:01:48,075 SO IF I HAVE TO LIP SYNC FOR MY 57 00:01:48,075 --> 00:01:49,810 LIFE ALL THE WAY TO THE FINAL, 58 00:01:49,810 --> 00:01:50,744 I'LL DO WHAT I GOT TO DO. 59 00:01:50,744 --> 00:01:51,612 >> SO WHAT YOU'RE SAYING TO ME 60 00:01:51,612 --> 00:01:52,913 IS, "WELL, IT DOESN'T MATTER 61 00:01:52,913 --> 00:01:53,681 ABOUT THE CHALLENGES. 62 00:01:53,681 --> 00:01:55,283 IF I FALL SHORT EVERY TIME, 63 00:01:55,283 --> 00:01:56,684 I'LL JUST LIP SYNC MY WAY BACK." 64 00:01:56,684 --> 00:01:57,385 >> I'M CONFIDENT ABOUT 65 00:01:57,385 --> 00:01:58,085 PERFORMANCE. 66 00:01:58,085 --> 00:01:59,453 I'M NOT CONFIDENT IN MY ACTING. 67 00:01:59,453 --> 00:02:01,121 THAT HORRIBLE COLOGNE COMMERCIAL 68 00:02:01,121 --> 00:02:02,456 AND THAT KATY PERRY AND THAT-- 69 00:02:02,456 --> 00:02:03,557 >> BUT THOSE ARE OUR CHALLENGES. 70 00:02:03,557 --> 00:02:04,258 >> LISTEN, LET ME EXPLAIN 71 00:02:04,258 --> 00:02:04,925 SOMETHING TO YOU. 72 00:02:04,925 --> 00:02:06,227 >> NO, YOU'RE NOT MY MAMA, DON'T 73 00:02:06,227 --> 00:02:08,095 EXPLAIN NOTHING TO ME, SWEETIE. 74 00:02:08,162 --> 00:02:09,530 >> SOME PEOPLE SHOULD JUST CALL 75 00:02:09,530 --> 00:02:10,298 A SPADE A SPADE AND SAY, 76 00:02:10,298 --> 00:02:12,433 "HEY, I LIKE COMPETITION. 77 00:02:12,433 --> 00:02:13,634 I JUST DON'T LIKE THE WORK THAT 78 00:02:13,634 --> 00:02:15,736 COMES ALONG WITH IT." 79 00:02:15,803 --> 00:02:17,405 >> COCO, YOU AND I NEED TO TALK 80 00:02:17,405 --> 00:02:18,906 ABOUT SOMETHING TOO. 81 00:02:18,906 --> 00:02:19,807 SOMETHING THAT KEEPS GETTING 82 00:02:19,807 --> 00:02:21,875 SAID TO ME AND TO ALASKA. 83 00:02:21,875 --> 00:02:23,911 I FEEL LIKE I'VE BEEN LABELED AS 84 00:02:23,911 --> 00:02:25,813 A COMEDY QUEEN IN A BELITTLING 85 00:02:25,813 --> 00:02:27,147 WAY, AND-- 86 00:02:27,147 --> 00:02:28,649 >> OH, MY GOD. 87 00:02:28,649 --> 00:02:29,783 >> THERE'S A DOUBLE STANDARD 88 00:02:29,783 --> 00:02:31,018 GOING ON RIGHT NOW. 89 00:02:31,018 --> 00:02:32,152 WHEN I DO WELL IN THE 90 00:02:32,152 --> 00:02:33,887 CHALLENGES, THEY JUST KIND OF 91 00:02:33,887 --> 00:02:35,656 ROLL THEIR EYES BECAUSE 92 00:02:35,656 --> 00:02:37,358 I DON'T HAVE THEIR RESPECT. 93 00:02:37,358 --> 00:02:39,193 I AM WORKING JUST AS HARD AS 94 00:02:39,193 --> 00:02:40,428 ANYONE ELSE HERE AT EVERYTHING. 95 00:02:40,428 --> 00:02:41,195 >> JINKX-- 96 00:02:41,195 --> 00:02:42,630 >> AND TO SAY THAT YOU'RE JUST A 97 00:02:42,630 --> 00:02:44,265 COMEDY QUEEN IS BELITTLING... 98 00:02:44,265 --> 00:02:44,965 >> JINKX-- 99 00:02:44,965 --> 00:02:45,699 >> SOMETHING I HAVE MADE MY 100 00:02:45,699 --> 00:02:47,501 WHOLE CAREER ON--I AM TALKING. 101 00:02:47,501 --> 00:02:48,902 IT IS SOMETHING I WORK VERY HARD 102 00:02:48,902 --> 00:02:49,803 AT. 103 00:02:49,803 --> 00:02:50,604 >> HOW MANY TIMES HAVE Y'ALL 104 00:02:50,604 --> 00:02:51,572 CALLED US PAGEANT QUEENS? 105 00:02:51,572 --> 00:02:52,473 >> JINKX, I TOLD YOU THE SAME 106 00:02:52,473 --> 00:02:53,641 THING WHEN YOU BRUNG THIS UP. 107 00:02:53,641 --> 00:02:54,942 THAT YOU SAID "PAGEANT QUEEN." 108 00:02:54,942 --> 00:02:56,977 >> THAT'S ALL I HAD TO SAY. 109 00:02:56,977 --> 00:02:58,512 >> THESE PAGEANT GIRLS KEEP 110 00:02:58,512 --> 00:02:59,913 TELLING ME, "I DON'T WANT TO BE 111 00:02:59,913 --> 00:03:01,014 A PAGEANT GIRL FOR THE REST OF 112 00:03:01,014 --> 00:03:01,682 MY LIFE." 113 00:03:01,682 --> 00:03:03,217 WELL, THEN, FUCKING STOP CALLING 114 00:03:03,217 --> 00:03:04,485 ME THE COMEDY QUEEN. 115 00:03:04,485 --> 00:03:06,420 I'M SICK OF THAT. 116 00:03:06,420 --> 00:03:07,821 >> OF COURSE, THE PAGEANT GIRLS 117 00:03:07,821 --> 00:03:09,890 ARE GOING TO DISCOUNT THE COMEDY 118 00:03:09,890 --> 00:03:10,558 FREAKS. 119 00:03:10,558 --> 00:03:12,860 THE BEST REVENGE IS JUST TO DO 120 00:03:12,860 --> 00:03:17,731 BETTER. 121 00:03:17,731 --> 00:03:18,499 >> * RUPAUL DRAG RACE 122 00:03:18,499 --> 00:03:19,500 >> THE WINNER OF RUPAUL'S 123 00:03:19,500 --> 00:03:20,901 DRAG RACE RECEIVES A SICKENING 124 00:03:20,901 --> 00:03:22,135 SUPPLY OF COLOREVOLUTION 125 00:03:22,135 --> 00:03:23,804 COSMETICS, A LUXURY TRIP 126 00:03:23,804 --> 00:03:26,139 COURTESY OF ALANDCHUCK.TRAVEL, 127 00:03:26,139 --> 00:03:27,908 HEADLINE LOGOS DRAG RACE TOUR 128 00:03:27,908 --> 00:03:29,710 FEATURING ABSOLUT VODKA-- 129 00:03:29,710 --> 00:03:30,911 COCKTAILS PERFECTED-- 130 00:03:30,911 --> 00:03:34,482 AND A CASH PRIZE OF $100,000. 131 00:03:34,482 --> 00:03:36,317 AND TONIGHT, EXTRA SPECIAL GUEST 132 00:03:36,317 --> 00:03:38,686 JUDGES, MARIA CONCHITA ALONSO 133 00:03:38,686 --> 00:03:40,721 AND JAMIE-LYNN SIGLER. 134 00:03:40,788 --> 00:03:42,222 >> * MAY THE BEST WOMAN 135 00:03:42,222 --> 00:03:45,225 * BEST WOMAN WIN 136 00:03:47,628 --> 00:03:49,196 >> YAY. 137 00:03:49,196 --> 00:03:50,564 [overlapping chatter] 138 00:03:50,564 --> 00:03:52,300 >> GOOD "MORNTING." 139 00:03:52,300 --> 00:03:53,401 >> THIS MORNING, I'M KIND OF ON 140 00:03:53,401 --> 00:03:54,602 PINS AND NEEDLES. 141 00:03:54,602 --> 00:03:55,603 EVERYONE ELSE IS JUST OUT FOR 142 00:03:55,603 --> 00:03:56,637 THEMSELVES. 143 00:03:56,637 --> 00:03:59,640 I HOPE WE GET TO DO A CHALLENGE 144 00:03:59,640 --> 00:04:01,842 AND NOT BE IN A GROUP. 145 00:04:01,909 --> 00:04:02,943 [siren blares] 146 00:04:02,943 --> 00:04:04,845 >> OOH, GIRL! 147 00:04:04,845 --> 00:04:06,680 YOU'VE GOT SHE-MAIL. 148 00:04:06,680 --> 00:04:08,115 LIKE SANDS THROUGH THE 149 00:04:08,115 --> 00:04:10,884 HOURGLASS, SO ARE YOUR DAYS AT 150 00:04:10,884 --> 00:04:12,986 RUPAUL'S DRAG RACE. 151 00:04:12,986 --> 00:04:14,288 ESCANDALO! 152 00:04:14,288 --> 00:04:15,556 TO BECOME AMERICA'S NEXT DRAG 153 00:04:15,556 --> 00:04:18,258 SUPERSTAR, YOU NEED TO DELIVER 154 00:04:18,258 --> 00:04:19,893 THE DRAMA, MAMA. 155 00:04:19,893 --> 00:04:22,596 ADIOS, MUCHACHAS. 156 00:04:22,596 --> 00:04:24,798 >> all: OOH. 157 00:04:24,798 --> 00:04:26,099 >> HELLO, HELLO, HELLO. 158 00:04:26,099 --> 00:04:28,702 [overlapping greetings] 159 00:04:28,702 --> 00:04:30,103 FOR TODAY'S MINI-CHALLENGE, 160 00:04:30,103 --> 00:04:32,172 WE'RE GOING TO PLAY 161 00:04:32,172 --> 00:04:34,007 THE CRYING GAME... 162 00:04:34,007 --> 00:04:34,775 >> OH, NO. 163 00:04:34,775 --> 00:04:38,879 >> WHERE YOU NEED TO CRY ON CUE. 164 00:04:38,879 --> 00:04:40,614 TEARS. 165 00:04:40,614 --> 00:04:44,084 SO PUT ON SOME MASCARA AND MEET 166 00:04:44,084 --> 00:04:47,087 ME IN THE SHARING CIRCLE. 167 00:04:52,726 --> 00:04:56,096 ALASKA, CRY ME A RIVER. 168 00:04:56,096 --> 00:04:58,366 >> SEBASTIAN AND I WERE WED, 169 00:04:58,366 --> 00:05:01,735 BUT SUDDENLY, LAST SUMMER, 170 00:05:01,735 --> 00:05:03,571 EVERYTHING CHANGED. 171 00:05:03,571 --> 00:05:05,172 >> IT WAS MY FIRST DANCE RECITAL 172 00:05:05,172 --> 00:05:06,440 EVER. 173 00:05:06,440 --> 00:05:08,376 I WAVED BYE TO GRANDMA. 174 00:05:08,376 --> 00:05:09,276 BYE. 175 00:05:09,276 --> 00:05:11,845 >> I KNEW THAT ONE DAY I WANTED 176 00:05:11,845 --> 00:05:13,547 TO BECOME A WOMAN. 177 00:05:13,547 --> 00:05:15,282 [sobs] 178 00:05:15,282 --> 00:05:16,450 >> I KNOW THIS WILL BE HARD TO 179 00:05:16,450 --> 00:05:18,586 BELIEVE, SEEING AS I'M THE MOST 180 00:05:18,586 --> 00:05:20,821 POLISHED, PRETTIEST DRAG QUEEN 181 00:05:20,821 --> 00:05:22,656 HERE. 182 00:05:22,656 --> 00:05:23,791 >> BEING AN ORANGE COUNTY 183 00:05:23,791 --> 00:05:27,027 HOUSEWIFE...IS NOT AS GLAMOROUS 184 00:05:27,027 --> 00:05:28,529 AS IT SEEMS. 185 00:05:28,529 --> 00:05:29,530 MY HUSBAND, HE WAS ADDICTED TO 186 00:05:29,530 --> 00:05:31,465 SEX. 187 00:05:31,465 --> 00:05:33,934 >> IT GETS SO HARD BEING CALLED 188 00:05:33,934 --> 00:05:34,702 THE BEARDED LADY. 189 00:05:34,702 --> 00:05:36,737 [sobs] 190 00:05:36,737 --> 00:05:38,972 >> SEPARATE ROOMS ON OUR SECOND 191 00:05:38,972 --> 00:05:40,641 HONEYMOON. 192 00:05:40,641 --> 00:05:41,909 [sobbing] 193 00:05:41,909 --> 00:05:43,544 OH, GOD. 194 00:05:43,544 --> 00:05:45,846 >> THERE'S NOTHING MORE SAD THAN 195 00:05:45,846 --> 00:05:48,081 THE TEARS OF A DRAG QUEEN. 196 00:05:48,081 --> 00:05:49,650 >> MAYBE IT'S JUST TIME FOR ME 197 00:05:49,650 --> 00:05:55,022 TO GO HOME TO SEATTLE. 198 00:05:55,088 --> 00:05:55,823 >> JINKX WAS SUPPOSED TO BE 199 00:05:55,823 --> 00:05:57,157 MAKING ME CRY, BUT SHE WAS 200 00:05:57,157 --> 00:05:58,258 MAKING ME LAUGH. 201 00:05:58,258 --> 00:05:59,292 [laughs] 202 00:05:59,359 --> 00:06:02,930 >> [sobs] 203 00:06:02,930 --> 00:06:05,733 >> I GAVE THAT MAN EVERYTHING 204 00:06:05,733 --> 00:06:08,436 I HAD. 205 00:06:08,436 --> 00:06:11,905 >> DETOX. 206 00:06:11,905 --> 00:06:12,940 >> UM, I'M NOT GONNA LIE. 207 00:06:12,940 --> 00:06:13,907 I'M HAVING A HARD TIME WITH THIS 208 00:06:13,907 --> 00:06:16,009 CHALLENGE. 209 00:06:16,009 --> 00:06:17,678 IT'S HARD FOR ME TO EVEN TRY TO 210 00:06:17,678 --> 00:06:18,679 BE IN CHARACTER RIGHT NOW. 211 00:06:18,679 --> 00:06:19,747 I REALLY WANT TO BE JUST 212 00:06:19,747 --> 00:06:20,914 COMPLETELY HONEST AND JUST SAY 213 00:06:20,914 --> 00:06:24,217 HOW DIFFICULT THIS IS. 214 00:06:24,217 --> 00:06:26,186 [sniffles] 215 00:06:26,186 --> 00:06:27,254 I LOST MY BOYFRIEND TWO YEARS 216 00:06:27,254 --> 00:06:29,457 AGO... 217 00:06:29,457 --> 00:06:31,559 AND LOOKING AROUND THE ROOM AND 218 00:06:31,559 --> 00:06:33,293 SEEING MOURNFUL-LOOKING 219 00:06:33,293 --> 00:06:35,863 CHARACTERS, AND I FEEL LIKE I 220 00:06:35,863 --> 00:06:36,897 FELT THE DAY THAT I SAW HIM 221 00:06:36,897 --> 00:06:37,765 DEAD. 222 00:06:37,765 --> 00:06:39,166 AND IT'S REALLY HARD FOR ME TO 223 00:06:39,166 --> 00:06:40,701 TRY TO STAY OUT OF THAT RIGHT 224 00:06:40,701 --> 00:06:42,035 NOW. 225 00:06:42,035 --> 00:06:43,937 [sniffles] 226 00:06:43,937 --> 00:06:44,705 [sobs] 227 00:06:44,705 --> 00:06:46,006 I'M NOT USED TO BEING SO 228 00:06:46,006 --> 00:06:47,508 VULNERABLE AND LOOKING SO 229 00:06:47,508 --> 00:06:48,709 VULNERABLE, AND I FEEL VERY 230 00:06:48,709 --> 00:06:54,414 UNCOMFORTABLE. 231 00:06:54,414 --> 00:06:56,484 >> THANK YOU FOR SHARING YOUR 232 00:06:56,484 --> 00:06:59,453 STORY. 233 00:06:59,520 --> 00:07:01,622 >> I'M SO GLAD THAT SHE IS 234 00:07:01,622 --> 00:07:02,389 SHARING HER STORY. 235 00:07:02,389 --> 00:07:03,323 IT'S NEVER EASY. 236 00:07:03,323 --> 00:07:04,357 BUT SOMETHING THAT EVERY TIME 237 00:07:04,357 --> 00:07:05,826 YOU TALK ABOUT, WILL MAKE IT 238 00:07:05,826 --> 00:07:06,727 EASIER. 239 00:07:06,794 --> 00:07:10,764 >> OKAY, GIRLS, NO MORE TEARS. 240 00:07:10,764 --> 00:07:12,666 LADIES, THANKS AGAIN FOR 241 00:07:12,666 --> 00:07:13,701 SHARING. 242 00:07:13,701 --> 00:07:15,869 THE TWO WINNERS OF TODAY'S 243 00:07:15,869 --> 00:07:19,039 MINI-CHALLENGE ARE DETOX AND 244 00:07:19,039 --> 00:07:20,173 ALYSSA. 245 00:07:20,173 --> 00:07:21,141 CONDRAGULATIONS. 246 00:07:21,141 --> 00:07:22,409 [applause] 247 00:07:22,409 --> 00:07:24,845 FOR THIS WEEK'S MAIN CHALLENGE, 248 00:07:24,845 --> 00:07:26,814 YOU'LL BE STARRING IN TWO 249 00:07:26,814 --> 00:07:29,483 PRIMETIME SOAPS. 250 00:07:29,483 --> 00:07:32,285 AND YOU'LL BE DOING IT... 251 00:07:32,285 --> 00:07:35,088 TELENOVELA STYLE. 252 00:07:35,155 --> 00:07:36,323 >> SON OF A BITCH. 253 00:07:36,323 --> 00:07:37,991 AND IT'S ANOTHER ACTING 254 00:07:37,991 --> 00:07:38,592 CHALLENGE. 255 00:07:38,659 --> 00:07:42,162 >> ONE SCRIPT IS CASA DE LOCAS. 256 00:07:42,162 --> 00:07:43,396 HOUSE OF THE CRAZIES. 257 00:07:43,396 --> 00:07:47,968 THE OTHER, ELLA NO ES DAMA. 258 00:07:47,968 --> 00:07:50,237 SHE'S NO LADY. 259 00:07:50,237 --> 00:07:52,205 DETOX AND ALYSSA. 260 00:07:52,205 --> 00:07:54,041 FIRST, YOU NEED TO PICK YOUR 261 00:07:54,041 --> 00:07:55,108 CAST. 262 00:07:55,108 --> 00:07:56,109 DETOX. 263 00:07:56,109 --> 00:07:56,977 >> ROXXXY. 264 00:07:56,977 --> 00:07:57,978 >> COMO? 265 00:07:57,978 --> 00:07:59,146 [laughter] 266 00:07:59,146 --> 00:08:00,147 >> ALYSSA. 267 00:08:00,147 --> 00:08:02,449 >> JINKX. 268 00:08:02,449 --> 00:08:03,717 >> ALL RIGHT, DETOX. 269 00:08:03,717 --> 00:08:04,718 >> YOU KNOW I LOVE YOU, COCO, 270 00:08:04,718 --> 00:08:07,688 BUT I HAVE TO REFORM ROLASKATOX. 271 00:08:07,688 --> 00:08:09,356 >> POR QUE? 272 00:08:09,356 --> 00:08:11,224 AY, DIOS MIO. 273 00:08:11,224 --> 00:08:12,325 [laughter] 274 00:08:12,325 --> 00:08:14,828 >> UH-OH, I DON'T WANT THE 275 00:08:14,828 --> 00:08:17,197 JUDGES TO SEE ME RELYING ON 276 00:08:17,197 --> 00:08:20,133 THE CRUTCH OF A CLIQUE. 277 00:08:20,133 --> 00:08:21,702 >> SO THAT MEANS, COCO, YOU'RE 278 00:08:21,702 --> 00:08:24,504 WITH ALYSSA. 279 00:08:24,504 --> 00:08:26,674 >> AFTER ALL THAT DRAMA WITH 280 00:08:26,674 --> 00:08:29,442 COCO, ME, AND JINKX, WE'RE ALL 281 00:08:29,442 --> 00:08:31,511 ON THE SAME TEAM. 282 00:08:31,511 --> 00:08:33,413 GO TEAM ALYSSA. 283 00:08:33,413 --> 00:08:36,149 >> CABALLEROS, START YOUR 284 00:08:36,149 --> 00:08:37,585 ENGINES. 285 00:08:37,585 --> 00:08:41,088 AND MAY THE BEST MUJER WIN. 286 00:08:41,088 --> 00:08:44,257 [all shouting el grito] 287 00:08:45,993 --> 00:08:47,595 >> THIS IS THE FIRST TIME THAT 288 00:08:47,595 --> 00:08:49,396 MEMBERS OF ROLASKATOX ARE 289 00:08:49,396 --> 00:08:52,065 WORKING TOGETHER SINCE I SORT OF 290 00:08:52,065 --> 00:08:53,601 DECIDED THAT WE SHOULD ALL BE 291 00:08:53,601 --> 00:08:54,902 FREE AGENTS. 292 00:08:54,968 --> 00:08:55,869 >> [Italian accent] WE ARE NOW 293 00:08:55,869 --> 00:08:56,937 R-R-R-RICH! 294 00:08:56,937 --> 00:08:58,538 >> YOU'RE SO ITALIAN. 295 00:08:58,538 --> 00:09:00,173 >> MUY R-R-R-RICO. 296 00:09:00,173 --> 00:09:05,512 [both laughing] 297 00:09:05,512 --> 00:09:06,179 >> THAT WAS PERFECT. 298 00:09:06,179 --> 00:09:08,882 >> NO, IT'S TERRIBLE. 299 00:09:08,882 --> 00:09:10,550 >> SOMETIMES DETOX'S SENSE OF 300 00:09:10,550 --> 00:09:13,754 HUMOR GETS IN THE WAY OF TAKING 301 00:09:13,754 --> 00:09:14,755 THE THINGS THAT NEED TO BE TAKEN 302 00:09:14,755 --> 00:09:17,290 SERIOUSLY SERIOUS. 303 00:09:17,290 --> 00:09:18,959 >> MICHELLE ALREADY WARNED YOU. 304 00:09:18,959 --> 00:09:20,894 CLIQUES CAN BE DANGEROUS. 305 00:09:20,894 --> 00:09:22,495 THAT REUNION OF ROLASKATOX MIGHT 306 00:09:22,495 --> 00:09:25,599 BE BROKEN UP REAL FAST. 307 00:09:25,666 --> 00:09:26,934 >> COMING UP... 308 00:09:26,934 --> 00:09:28,936 YOU CAST COCO AS THE UGLY, 309 00:09:28,936 --> 00:09:29,937 STUPID MAID? 310 00:09:29,937 --> 00:09:31,605 >> YES. 311 00:09:31,605 --> 00:09:33,941 >> YOU LOOK BEAUTIFUL, DETOX. 312 00:09:33,941 --> 00:09:34,942 >> AH! 313 00:09:34,942 --> 00:09:36,710 >> [laughing] 314 00:09:39,179 --> 00:09:42,415 >> [laughing] 315 00:09:42,415 --> 00:09:43,483 >> OH, MY GOD, THAT'S 316 00:09:43,483 --> 00:09:44,417 SICKENING, MISS THING! 317 00:09:44,417 --> 00:09:45,886 YOU HAVE TO USE IT. 318 00:09:45,886 --> 00:09:47,554 >> TODAY'S MAIN CHALLENGE IS 319 00:09:47,554 --> 00:09:49,690 SERVING UP TELENOVELA REALNESS. 320 00:09:49,690 --> 00:09:50,691 OH, MY GOD, I LOVE IT. 321 00:09:50,691 --> 00:09:51,925 [trills] 322 00:09:51,992 --> 00:09:54,427 >> all: VAYA CON DIOS. 323 00:09:54,427 --> 00:09:56,329 >> TELENOVELA IS VERY LOUD AND 324 00:09:56,329 --> 00:09:57,497 IN YOUR FACE AND DRAMATIC. 325 00:09:57,497 --> 00:09:58,799 >> MUERTE. 326 00:09:58,799 --> 00:10:03,103 >> AND I AM CARRYING HIS BABY. 327 00:10:06,373 --> 00:10:10,243 >> [whispering indistinctly] 328 00:10:14,915 --> 00:10:16,283 >> ALYSSA'S NOT AN ACTRESS, 329 00:10:16,283 --> 00:10:17,851 BUT I GUESS LIKE SHE SAID, "I'LL 330 00:10:17,851 --> 00:10:19,252 BE BAD IN EVERY CHALLENGE AND 331 00:10:19,252 --> 00:10:20,954 JUST GET BY ON THE LIP SYNC." 332 00:10:21,021 --> 00:10:22,890 >> I HAVE THE SAME DISEASE! 333 00:10:22,890 --> 00:10:24,624 I'M GONNA BE REAL DRAMA THERE. 334 00:10:24,624 --> 00:10:25,358 >> YOU GOT TO REALLY, LIKE, 335 00:10:25,358 --> 00:10:26,359 BRING IT IN, 'CAUSE YOU RUSHING 336 00:10:26,359 --> 00:10:27,995 IT LIKE, "I HAVE THE SAME 337 00:10:27,995 --> 00:10:30,363 DISEASE!" 338 00:10:30,430 --> 00:10:32,432 >> I THINK COCO IS DEFINITELY 339 00:10:32,432 --> 00:10:34,001 TRYING TO THROW ME OFF MY GAME, 340 00:10:34,001 --> 00:10:38,739 AND I HAVE TO ZONE HER OUT. 341 00:10:38,806 --> 00:10:40,307 >> HOLA, HOLA, HOLA. 342 00:10:40,307 --> 00:10:41,441 [overlapping greetings] 343 00:10:41,441 --> 00:10:44,311 DONDE ESTA EL DRAMA? 344 00:10:44,311 --> 00:10:46,880 >> all: AQUI, AQUI, AQUI, AQUI. 345 00:10:46,880 --> 00:10:49,116 >> HELLO, TEAM ALYSSA. 346 00:10:49,116 --> 00:10:53,186 >> LA CASA DE LOCAS. 347 00:10:53,186 --> 00:10:54,121 >> YEAH. 348 00:10:54,121 --> 00:10:55,956 SO WHAT ROLE ARE YOU PLAYING, 349 00:10:55,956 --> 00:10:56,890 ALYSSA? 350 00:10:56,890 --> 00:10:59,026 >> I AM PLAYING A GLAMOROUS 351 00:10:59,026 --> 00:11:00,593 WOMAN OF THE HOUSE. 352 00:11:00,593 --> 00:11:01,461 THE RULER. 353 00:11:01,461 --> 00:11:02,429 >> UH-HUH. 354 00:11:02,429 --> 00:11:05,966 >> AND JINKX IS MY 18-YEAR-OLD 355 00:11:05,966 --> 00:11:06,867 VIRGINAL DAUGHTER. 356 00:11:06,867 --> 00:11:09,737 SO YOU CAST COCO AS THE UGLY, 357 00:11:09,737 --> 00:11:10,871 STUPID MAID? 358 00:11:10,871 --> 00:11:13,306 >> YES. 359 00:11:13,306 --> 00:11:14,574 >> COCO, IN THE PAST, YOU AND 360 00:11:14,574 --> 00:11:15,909 ALYSSA HAVE HAD YOUR 361 00:11:15,909 --> 00:11:16,877 DIFFERENCES. 362 00:11:16,877 --> 00:11:18,045 HAVE YOU GUYS WORKED THROUGH 363 00:11:18,045 --> 00:11:18,712 THAT? 364 00:11:18,712 --> 00:11:22,115 >> NO. 365 00:11:22,115 --> 00:11:23,050 >> WELL, I'M JUST TRYING TO 366 00:11:23,050 --> 00:11:24,417 GAUGE HOW CLOSE YOU GUYS WERE 367 00:11:24,417 --> 00:11:26,419 AND HOW BIG THIS RIFF WAS. 368 00:11:26,419 --> 00:11:28,121 >> WE WERE CLOSE. 369 00:11:28,121 --> 00:11:29,156 >> I'M THINKING THE TURNING 370 00:11:29,156 --> 00:11:30,523 POINT WITH ANNE BANCROFT 371 00:11:30,523 --> 00:11:31,725 AND SHIRLEY MACLAINE. 372 00:11:31,725 --> 00:11:32,893 >> LET'S DO TYRA BANKS AND NAOMI 373 00:11:32,893 --> 00:11:33,560 CAMPBELL. 374 00:11:33,560 --> 00:11:35,195 >> OH, OKAY. 375 00:11:35,195 --> 00:11:37,464 >> OH, I'M TYRA BANKS. 376 00:11:37,464 --> 00:11:38,265 >> CAN I HEAR A LITTLE BIT OF 377 00:11:38,265 --> 00:11:38,932 IT? 378 00:11:38,932 --> 00:11:42,435 >> MAMACITA, MAMACITA, PABLO 379 00:11:42,435 --> 00:11:45,438 ASKED ME TO MAR-R-R-RY HIM. 380 00:11:45,438 --> 00:11:46,639 >> WAIT A MINUTE, IS SHE ITALIAN 381 00:11:46,639 --> 00:11:47,507 OR IS SHE-- 382 00:11:47,507 --> 00:11:48,942 >> OH, IS IT COMING OFF ITALIAN? 383 00:11:48,942 --> 00:11:50,077 >> YEAH, A LITTLE BIT. 384 00:11:50,077 --> 00:11:50,878 >> HAVE I BEEN ITALIAN THIS 385 00:11:50,878 --> 00:11:51,544 WHOLE TIME? 386 00:11:51,544 --> 00:11:53,280 [laughter] 387 00:11:53,280 --> 00:11:54,614 >> IF YOU HEAR THE NAMES OF 388 00:11:54,614 --> 00:12:00,453 FOOD, YOU WILL VIOLENTLY ORGASM. 389 00:12:00,453 --> 00:12:01,321 READ MY LINES. 390 00:12:01,321 --> 00:12:03,456 [laughs] 391 00:12:03,456 --> 00:12:04,724 >> YOU GOT A LOT OF LINES TO 392 00:12:04,724 --> 00:12:05,893 MEMORIZE. 393 00:12:05,893 --> 00:12:07,060 YOU KNOW, WE'RE DOWN TO SIX 394 00:12:07,060 --> 00:12:09,696 GIRLS NOW, AND THE STAKES ARE 395 00:12:09,696 --> 00:12:11,765 VERY HIGH, ALL RIGHT? 396 00:12:11,765 --> 00:12:12,699 >> THANK YOU. 397 00:12:12,699 --> 00:12:13,533 >> I'M GONNA LET YOU GET BACK TO 398 00:12:13,533 --> 00:12:14,201 IT. 399 00:12:14,201 --> 00:12:14,868 ADIOS. 400 00:12:14,868 --> 00:12:15,535 >> THANKS, RU. 401 00:12:15,535 --> 00:12:16,603 >> ADIOS. 402 00:12:16,603 --> 00:12:18,038 >> TEAM DETOX. 403 00:12:18,038 --> 00:12:19,072 OH, MY GOODNESS. 404 00:12:19,072 --> 00:12:20,007 >> HI, RU. 405 00:12:20,007 --> 00:12:21,274 >> SO YOU'RE PLAYING THE YOUNG 406 00:12:21,274 --> 00:12:22,342 INGENUE. 407 00:12:22,342 --> 00:12:23,510 >> YES, I AM THE VIRGINAL 408 00:12:23,510 --> 00:12:25,145 18-YEAR-OLD. 409 00:12:25,145 --> 00:12:25,946 I THINK WE KNOW WHY I'M 410 00:12:25,946 --> 00:12:26,980 A VIRGIN. 411 00:12:26,980 --> 00:12:28,816 [laughter] 412 00:12:28,816 --> 00:12:30,884 >> NOW, DETOX, YOU REUNITED 413 00:12:30,884 --> 00:12:31,985 ROLASKATOX. 414 00:12:31,985 --> 00:12:32,652 >> UH-HUH. 415 00:12:32,652 --> 00:12:34,922 >> IS THAT A GOOD IDEA? 416 00:12:34,922 --> 00:12:36,689 COULD IT BE A LITTLE BIT OF 417 00:12:36,689 --> 00:12:37,991 A EASY CRUTCH? 418 00:12:37,991 --> 00:12:39,492 >> WE JUST ARE SO FULL OF 419 00:12:39,492 --> 00:12:41,161 PERSONALITY, AND WE HAVE A LOT 420 00:12:41,161 --> 00:12:41,829 OF FUN WORKING TOGETHER. 421 00:12:41,829 --> 00:12:42,695 >> WELL, YOU KNOW, IT'S GREAT TO 422 00:12:42,695 --> 00:12:44,431 HAVE FUN, BUT YOU ALSO NEED TO 423 00:12:44,431 --> 00:12:47,534 TAKE THIS CHALLENGE SERIOUSLY. 424 00:12:47,534 --> 00:12:49,036 NOW, ALASKA, WHAT ARE YOU 425 00:12:49,036 --> 00:12:50,237 WORRIED ABOUT IN THIS CHALLENGE? 426 00:12:50,237 --> 00:12:51,872 >> IF EVERY LINE IS OVER 427 00:12:51,872 --> 00:12:54,007 THE TOP, THEN IT'S LIKE, 428 00:12:54,007 --> 00:12:55,075 THE REALLY, LIKE, ZINGER LINES 429 00:12:55,075 --> 00:12:56,176 LOSE THEIR-- 430 00:12:56,176 --> 00:12:57,277 >> I HAVE TO TAKE THIS OFF. 431 00:12:57,277 --> 00:13:00,848 [laughter] 432 00:13:00,848 --> 00:13:02,749 >> NOW, DETOX, ON THE MAIN 433 00:13:02,749 --> 00:13:04,551 STAGE, THE CRITICISM YOU GET IS 434 00:13:04,551 --> 00:13:06,887 THAT WE'RE GETTING "D" PLUS. 435 00:13:06,887 --> 00:13:08,555 WE WANT "A" PLUS FROM YOU. 436 00:13:08,555 --> 00:13:09,890 AND I'M JUST INTERESTED THAT 437 00:13:09,890 --> 00:13:11,892 YOU'RE GOING TO TAKE IT TO THAT 438 00:13:11,892 --> 00:13:14,895 PLACE WEARING A MASK. 439 00:13:14,895 --> 00:13:15,795 >> WHATCHU TALKIN' 'BOUT, 440 00:13:15,795 --> 00:13:17,230 WILLIS? 441 00:13:17,230 --> 00:13:18,431 >> THIS IS GETTING DOWN TO 442 00:13:18,431 --> 00:13:19,399 THE WIRE. 443 00:13:19,399 --> 00:13:20,800 SOMEBODY'S GONNA GO HOME. 444 00:13:20,800 --> 00:13:21,634 AND YOU GOT TO MAKE SURE IT'S 445 00:13:21,634 --> 00:13:22,302 NOT YOU. 446 00:13:22,302 --> 00:13:22,970 >> RIGHT. 447 00:13:22,970 --> 00:13:24,504 >> YOU GOT A LOT OF WORK TO DO. 448 00:13:24,504 --> 00:13:26,006 GET AT IT. 449 00:13:26,006 --> 00:13:27,674 >> ALL RIGHT, LADIES, GATHER 450 00:13:27,674 --> 00:13:28,575 AROUND. 451 00:13:28,575 --> 00:13:30,377 IN A MOMENT, YOU'LL HEAD TO THE 452 00:13:30,377 --> 00:13:32,980 TELENOVELA SET, AND TOMORROW ON 453 00:13:32,980 --> 00:13:36,083 THE MAIN STAGE, THE CATEGORY IS 454 00:13:36,083 --> 00:13:40,353 LATINA GLAMOROSA EXTRAVAGANZA. 455 00:13:40,353 --> 00:13:41,421 >> OOH. 456 00:13:41,421 --> 00:13:42,622 >> SEÑORITAS. 457 00:13:42,622 --> 00:13:45,058 GOOD LUCK AND DON'T FUCK 458 00:13:45,058 --> 00:13:46,960 IT UP. 459 00:13:46,960 --> 00:13:50,297 BYE, ESES. 460 00:13:50,297 --> 00:13:51,131 >> HER CRITIQUE WAS ABOUT THIS 461 00:13:51,131 --> 00:13:52,199 MASK. 462 00:13:52,199 --> 00:13:54,734 I DON'T FEEL IT ANYMORE. 463 00:13:54,734 --> 00:13:57,037 >> GIRL, I'VE BEEN READ TOO MANY 464 00:13:57,037 --> 00:13:58,405 TIMES FOR WEARING MASKS. 465 00:13:58,405 --> 00:14:00,307 >> YEAH. 466 00:14:00,307 --> 00:14:01,408 >> I'VE BEEN WORKING WITH THIS 467 00:14:01,408 --> 00:14:02,775 MASK THE WHOLE DAY. 468 00:14:02,775 --> 00:14:03,810 >> I ALWAYS LISTEN TO CRITIQUES, 469 00:14:03,810 --> 00:14:04,912 AND SHE TOLD US THAT FOR A 470 00:14:04,912 --> 00:14:05,678 REASON. 471 00:14:05,678 --> 00:14:06,513 >> I THINK THAT PEOPLE ARE 472 00:14:06,513 --> 00:14:07,915 TAKING THIS WHOLE MASK THING 473 00:14:07,915 --> 00:14:10,750 A LITTLE BIT TOO SERIOUSLY. 474 00:14:10,750 --> 00:14:12,319 >> SO WE'RE GOOD ON COSTUMES? 475 00:14:12,319 --> 00:14:14,221 >> UH, PRETTY MUCH. 476 00:14:14,221 --> 00:14:14,955 >> DO YOU THINK I SHOULD WEAR 477 00:14:14,955 --> 00:14:16,556 THIS DRESS, JINKX? 478 00:14:16,556 --> 00:14:17,824 THE GOLD ONE. 479 00:14:17,824 --> 00:14:19,026 >> NOW SHE'S JUST GOING THROUGH 480 00:14:19,026 --> 00:14:20,260 MY WARDROBE. 481 00:14:20,260 --> 00:14:21,361 >> I DON'T KNOW WHAT'S GOING ON 482 00:14:21,361 --> 00:14:22,129 WITH ALYSSA. 483 00:14:22,129 --> 00:14:23,596 SHE'S OVER IN JINKX'S WARDROBE, 484 00:14:23,596 --> 00:14:24,697 TRYING TO FIND SOMETHING TO WEAR 485 00:14:24,697 --> 00:14:26,299 FOR THE CHALLENGE? 486 00:14:26,299 --> 00:14:28,201 GOOD LUCK WITH THAT. 487 00:14:34,574 --> 00:14:36,109 >> OW, FUCK! 488 00:14:36,109 --> 00:14:37,410 >> WHAT ARE YOU DOING? 489 00:14:37,410 --> 00:14:38,778 >> I JUST STABBED MYSELF. 490 00:14:38,845 --> 00:14:41,114 GIRL, ALL TEA ALL SHADE, 491 00:14:41,114 --> 00:14:42,882 THE DRESS DOESN'T FIT. 492 00:14:45,518 --> 00:14:46,453 >> [sighs] 493 00:14:46,453 --> 00:14:47,387 >> YOU'VE GOT A TON OF-- 494 00:14:47,387 --> 00:14:49,957 >> BULL FANTASY FAT. 495 00:14:49,957 --> 00:14:52,359 >> ALYSSA, FOR A PAGEANT GIRL, 496 00:14:52,359 --> 00:14:53,193 SHE SURE DIDN'T BRING NO 497 00:14:53,193 --> 00:14:54,161 CLOTHES. 498 00:14:54,161 --> 00:14:55,762 I THINK IT'S TIME FOR HER TO GO. 499 00:14:55,762 --> 00:14:56,696 AND I DON'T THINK I'M THE ONLY 500 00:14:56,696 --> 00:15:00,233 ONE THAT FEELS THAT WAY. 501 00:15:00,300 --> 00:15:01,301 >> COMING UP... 502 00:15:01,301 --> 00:15:04,972 MEET YOUR HANDSOME LEADING MAN. 503 00:15:04,972 --> 00:15:05,905 >> WHAT? 504 00:15:05,905 --> 00:15:07,307 >> [screams] 505 00:15:07,307 --> 00:15:11,211 >> [moans] 506 00:15:11,211 --> 00:15:13,981 >> THAT'S YOUR ORGASM, ALYSSA? 507 00:15:13,981 --> 00:15:15,848 >> HAVE YOU EVER HAD ONE? 508 00:15:15,848 --> 00:15:17,717 >> [laughing] 509 00:15:20,220 --> 00:15:23,223 >> [laughing] 510 00:15:27,394 --> 00:15:28,695 >> TEAM DETOX. 511 00:15:28,695 --> 00:15:29,762 HOLA, COMO ESTA? 512 00:15:29,762 --> 00:15:30,797 >> OH! 513 00:15:30,797 --> 00:15:32,332 >> MY GROUP IS JUST ABOUT TO 514 00:15:32,332 --> 00:15:34,534 START SHOOTING OUR TELENOVELA, 515 00:15:34,534 --> 00:15:35,768 AND WE'RE READY TO BLOW IT OUT 516 00:15:35,768 --> 00:15:37,337 OF THE FUCKING PARK. 517 00:15:37,404 --> 00:15:39,806 >> WELCOME TO THIS LAVISH SET, 518 00:15:39,806 --> 00:15:42,142 FURNISHED BY FORM DECOR. 519 00:15:42,209 --> 00:15:45,178 AND SAY HELLO TO MARIA CONCHITA 520 00:15:45,178 --> 00:15:46,179 ALONSO. 521 00:15:46,179 --> 00:15:47,647 >> QUE BONITAS. 522 00:15:47,647 --> 00:15:48,748 [overlapping greetings] 523 00:15:48,815 --> 00:15:50,717 >> AND, LADIES, MEET YOUR 524 00:15:50,717 --> 00:15:54,354 HANDSOME LEADING MAN-- 525 00:15:54,354 --> 00:15:56,389 WILMER VALDERRAMA. 526 00:15:56,389 --> 00:15:57,124 >> WHAT? 527 00:15:57,124 --> 00:15:58,025 [screaming] 528 00:15:58,025 --> 00:15:58,791 SHUT UP! 529 00:15:58,858 --> 00:16:01,194 >> HE IS SO GORGEOUS. 530 00:16:01,194 --> 00:16:02,795 I WANT TO HAVE HIS BABIES. 531 00:16:02,862 --> 00:16:03,963 >> ALL RIGHT. 532 00:16:03,963 --> 00:16:05,032 ACCION. 533 00:16:05,032 --> 00:16:06,766 >> DIEGO. 534 00:16:06,766 --> 00:16:08,568 QUE PASO? 535 00:16:08,568 --> 00:16:09,836 >> HE IS DEAD. 536 00:16:09,836 --> 00:16:12,739 AND NOW WE MUST DETERMINE WHICH 537 00:16:12,739 --> 00:16:15,775 ONE OF US KILLED HIM. 538 00:16:15,775 --> 00:16:17,444 >> I COULDN'T KILL HIM. 539 00:16:17,444 --> 00:16:21,848 DIEGO LOVED ME. 540 00:16:21,848 --> 00:16:25,918 AND... 541 00:16:25,918 --> 00:16:27,854 I GAVE HIM MY VIRGINITY. 542 00:16:27,854 --> 00:16:30,290 [all gasping] 543 00:16:30,290 --> 00:16:32,159 AND-- 544 00:16:32,159 --> 00:16:32,892 >> CUT. 545 00:16:32,892 --> 00:16:36,263 TRY TO KEEP THE PACE UP. 546 00:16:36,263 --> 00:16:37,064 ACCION. 547 00:16:37,064 --> 00:16:40,067 >> BRING US THE POISON. 548 00:16:52,912 --> 00:16:55,048 [glass clinking] 549 00:16:55,115 --> 00:16:57,717 OUR POISON BIT IS GOING ON 550 00:16:57,717 --> 00:17:01,121 A LONG TIME. 551 00:17:01,721 --> 00:17:02,855 ROXXXY AND I ARE SORT OF 552 00:17:02,855 --> 00:17:05,558 STANDING THERE LIKE-- 553 00:17:05,558 --> 00:17:06,526 >> CUT. 554 00:17:06,526 --> 00:17:07,360 WHEN YOU'RE SERVING IT, YOU 555 00:17:07,360 --> 00:17:08,328 DON'T REALLY HAVE TO BE SERVING 556 00:17:08,328 --> 00:17:09,996 THREE BECAUSE WE CAN'T SEE THAT 557 00:17:09,996 --> 00:17:10,963 YOU'RE GOING ONE, TWO, THREE. 558 00:17:10,963 --> 00:17:11,931 >> OKAY. 559 00:17:11,931 --> 00:17:13,933 >> SO TO MAKE IT FASTER, JUST-- 560 00:17:13,933 --> 00:17:14,667 YOU KNOW? 561 00:17:14,667 --> 00:17:16,203 >> OH, OKAY, SO--OKAY. 562 00:17:16,203 --> 00:17:17,370 >> LADIES, LET'S GET INTO YOUR 563 00:17:17,370 --> 00:17:18,705 POSITIONS. 564 00:17:18,705 --> 00:17:20,640 NOW, ROXXXY, ARE YOU INCHING 565 00:17:20,640 --> 00:17:22,575 OVER TO WILMER'S CROTCH? 566 00:17:22,575 --> 00:17:23,643 >> ONLY MY HAND, BUT YOU CAN'T 567 00:17:23,643 --> 00:17:24,377 SEE IT, RIGHT? 568 00:17:24,377 --> 00:17:26,213 [laughter] 569 00:17:26,213 --> 00:17:27,514 >> HORN DOG. 570 00:17:27,514 --> 00:17:28,315 >> ACTION. 571 00:17:28,315 --> 00:17:28,981 >> [gasps] 572 00:17:28,981 --> 00:17:29,816 >> [grunts] 573 00:17:29,816 --> 00:17:30,883 >> [gasps] 574 00:17:30,883 --> 00:17:32,352 >> AGH! 575 00:17:32,352 --> 00:17:33,786 >> CUT. 576 00:17:33,786 --> 00:17:35,088 THE SLAPPING LOOKED A LITTLE-- 577 00:17:35,088 --> 00:17:36,589 YOU KNOW. 578 00:17:36,589 --> 00:17:39,159 >> both: [grunt] 579 00:17:39,159 --> 00:17:40,627 >> AGH! 580 00:17:40,627 --> 00:17:41,594 >> CUT. 581 00:17:41,594 --> 00:17:42,362 OKAY. 582 00:17:42,362 --> 00:17:44,030 LADIES, YOU'RE FINE. 583 00:17:44,030 --> 00:17:44,697 >> WHAT? 584 00:17:44,697 --> 00:17:45,765 >> THANK YOU VERY MUCH. 585 00:17:45,832 --> 00:17:49,469 >> BYE, WILMER. 586 00:17:49,469 --> 00:17:50,670 >> TEAM ALYSSA. 587 00:17:50,737 --> 00:17:51,671 COMO ESTA? 588 00:17:51,671 --> 00:17:52,839 >> MUY BIEN. 589 00:17:52,839 --> 00:17:53,473 >> SI. 590 00:17:53,540 --> 00:17:54,741 >> WE'RE PREPARED, AND WE ARE 591 00:17:54,741 --> 00:17:56,075 PREPARED TO TAKE THIS SET BY 592 00:17:56,075 --> 00:17:58,245 STORM AND REALLY DELIVER 593 00:17:58,245 --> 00:17:59,312 THE DRAMA. 594 00:17:59,379 --> 00:18:00,447 >> ACCION. 595 00:18:00,447 --> 00:18:02,182 >> [gasps] 596 00:18:02,182 --> 00:18:04,251 >> IT IS I WHO CAST THE SPELL. 597 00:18:04,251 --> 00:18:08,255 >> YOU ARE MUY ESTUPIDA IF YOU 598 00:18:08,255 --> 00:18:09,689 THINK YOU ARE GOING TO TAKE OVER 599 00:18:09,689 --> 00:18:13,059 OUR FAMILIA. 600 00:18:13,126 --> 00:18:15,495 I AM SERVING UP SOME SOFIA 601 00:18:15,495 --> 00:18:18,598 "VERGAR-R-A-RASA" REALNESS. 602 00:18:18,665 --> 00:18:20,167 WHEN I'M NOT TALKING, I WANT TO 603 00:18:20,167 --> 00:18:21,868 BE REACTING TO WHAT OTHER PEOPLE 604 00:18:21,868 --> 00:18:24,437 ARE SAYING. 605 00:18:24,437 --> 00:18:27,807 >> MARIA, I HAVE SOME BAD NEWS. 606 00:18:27,807 --> 00:18:30,710 IF YOU HEAR THE NAMES OF FOOD, 607 00:18:30,710 --> 00:18:34,514 YOU WILL ORGASM SO VIOLENTLY. 608 00:18:34,514 --> 00:18:35,482 >> CHIMICHANGA. 609 00:18:35,482 --> 00:18:37,083 >> AH, OH! 610 00:18:37,083 --> 00:18:40,019 AY, AY, SI, SI! 611 00:18:40,019 --> 00:18:41,988 SI, SI! 612 00:18:41,988 --> 00:18:43,956 >> NACHO GRANDE! 613 00:18:43,956 --> 00:18:44,757 >> AH! 614 00:18:44,757 --> 00:18:45,658 >> AY, AY! 615 00:18:45,658 --> 00:18:47,059 >> OH, OH! 616 00:18:47,059 --> 00:18:48,261 [gasping] 617 00:18:48,261 --> 00:18:49,296 >> CUT. 618 00:18:49,296 --> 00:18:51,631 WHEN JINKXY IS DOING THE ORGASM, 619 00:18:51,631 --> 00:18:52,699 ALYSSA, YOU NEED TO AT LEAST 620 00:18:52,699 --> 00:18:54,133 MATCH WHAT JINKX IS DOING. 621 00:18:54,133 --> 00:18:54,767 >> OKAY. 622 00:18:54,834 --> 00:18:56,536 >> AH, COME ON, ALYSSA, I 623 00:18:56,536 --> 00:18:57,970 REALLY, REALLY WANT YOU TO PULL 624 00:18:58,037 --> 00:18:58,938 THIS OFF. 625 00:18:58,938 --> 00:19:00,106 WE ARE A TEAM. 626 00:19:00,106 --> 00:19:01,073 >> AND IT'S SUPPOSED TO BE AN 627 00:19:01,073 --> 00:19:02,342 ORGASM, SO, YOU KNOW-- 628 00:19:02,342 --> 00:19:03,310 >> YEAH. 629 00:19:03,310 --> 00:19:04,511 I WAS TRYING TO BE LIKE 630 00:19:04,511 --> 00:19:06,313 A 48-YEAR-OLD HAVING IT. 631 00:19:06,313 --> 00:19:07,480 >> YEAH, BUT YOU ALSO WANT TO 632 00:19:07,480 --> 00:19:08,715 STEAL THE SCENE, YOU KNOW. 633 00:19:08,715 --> 00:19:10,116 >> YEAH, OKAY. 634 00:19:10,116 --> 00:19:11,918 >> CHIMICHANGA. 635 00:19:11,918 --> 00:19:13,286 >> [moaning exaggeratedly] 636 00:19:13,286 --> 00:19:18,090 >> [whimpering] 637 00:19:18,090 --> 00:19:19,226 >> WHOEVER ALYSSA IS SLEEPING 638 00:19:19,226 --> 00:19:21,561 WITH IS APPARENTLY NOT DOING 639 00:19:21,561 --> 00:19:22,562 THEIR JOB. 640 00:19:22,562 --> 00:19:24,231 >> [sobbing] 641 00:19:24,231 --> 00:19:24,931 NO! 642 00:19:24,931 --> 00:19:26,499 >> AND CUT. 643 00:19:26,499 --> 00:19:30,670 THAT'S YOUR ORGASM, ALYSSA? 644 00:19:30,670 --> 00:19:33,373 >> HAVE YOU EVER HAD ONE? 645 00:19:33,373 --> 00:19:34,874 >> YEAH. 646 00:19:34,874 --> 00:19:36,443 I'M FEELING SO INSECURE, AND 647 00:19:36,443 --> 00:19:38,511 IT'S FRUSTRATING BECAUSE I WANT 648 00:19:38,511 --> 00:19:39,679 TO BE SO FIERCE AND SO 649 00:19:39,679 --> 00:19:42,982 SICKENING, AND I'M NOT. 650 00:19:42,982 --> 00:19:43,883 [beep] 651 00:19:43,883 --> 00:19:45,285 >> ACTION. 652 00:19:45,285 --> 00:19:46,419 >> HAVE YOU SEEN MARIA OR HER 653 00:19:46,419 --> 00:19:47,420 MOTHER? 654 00:19:47,420 --> 00:19:49,021 >> NO ESTA AQUI. 655 00:19:49,021 --> 00:19:50,623 >> CUT. 656 00:19:50,623 --> 00:19:51,558 >> NO ESTAN. 657 00:19:51,558 --> 00:19:52,225 >> NO ESTAN. 658 00:19:52,225 --> 00:19:52,892 >> AQUI. 659 00:19:52,892 --> 00:19:53,560 >> AQUI. 660 00:19:53,560 --> 00:19:54,227 >> YES. 661 00:19:54,227 --> 00:19:57,430 >> NO ESTAN QUI. 662 00:19:57,430 --> 00:20:00,199 THEY ARE-- 663 00:20:00,199 --> 00:20:01,301 OH, MY GOD. 664 00:20:01,301 --> 00:20:02,802 WILMER. 665 00:20:02,802 --> 00:20:06,138 OOH. 666 00:20:06,138 --> 00:20:07,039 >> CUT. 667 00:20:07,039 --> 00:20:08,040 >> I LOOKED AT HIM, AND I FORGOT 668 00:20:08,040 --> 00:20:09,909 MY LINE. 669 00:20:09,909 --> 00:20:10,910 >> WOULD YOU LIKE TO HAVE DINNER 670 00:20:10,910 --> 00:20:13,746 WITH ME? 671 00:20:13,746 --> 00:20:16,749 >> [purrs] 672 00:20:16,749 --> 00:20:19,719 I FORGOT MY LINE, RU. 673 00:20:19,719 --> 00:20:20,853 >> THAT'S NOT GONNA DO ANYTHING 674 00:20:20,853 --> 00:20:22,355 FOR US AS A GROUP. 675 00:20:22,355 --> 00:20:24,491 I'M NERVOUS BECAUSE I DON'T WANT 676 00:20:24,491 --> 00:20:26,859 MY VERY BEST TO BE OVERSHADOWED 677 00:20:26,859 --> 00:20:29,061 BY SOMEONE ELSE'S VERY WORST. 678 00:20:29,061 --> 00:20:31,264 >> THAT'S A WRAP. 679 00:20:31,331 --> 00:20:32,332 [energetic salsa music] 680 00:20:32,332 --> 00:20:34,367 * 681 00:20:34,367 --> 00:20:35,368 >> OOH. 682 00:20:35,368 --> 00:20:36,503 >> GET READY FOR THE KRAKEN. 683 00:20:36,569 --> 00:20:37,737 >> GET READY FOR THE KRAKEN, 684 00:20:37,737 --> 00:20:38,605 DARLING. 685 00:20:38,605 --> 00:20:41,441 >> COMING INTO TONIGHT'S 686 00:20:41,441 --> 00:20:42,842 ELIMINATION, WE'RE ALL ON PINS 687 00:20:42,842 --> 00:20:45,278 AND NEEDLES, BECAUSE WE DO NOT 688 00:20:45,278 --> 00:20:46,813 KNOW WHAT THE EDITED, FINISHED 689 00:20:46,813 --> 00:20:49,482 PRODUCT IS GONNA LOOK LIKE. 690 00:20:49,482 --> 00:20:50,917 LOOK, SOMEONE'S GONNA GO HOME, 691 00:20:50,917 --> 00:20:52,285 SO I NEED TO GET MY WIGS READY. 692 00:20:52,285 --> 00:20:53,453 >> ALYSSA, IF YOU WEAR ONE MORE 693 00:20:53,453 --> 00:20:54,754 DO, BITCH, WHERE YOU WHIP IT OFF 694 00:20:54,754 --> 00:20:55,622 TO ONE SIDE-- 695 00:20:55,622 --> 00:20:56,656 >> GIRL, IF YOU WEAR ONE MORE 696 00:20:56,656 --> 00:20:57,690 STRETCH COSTUME, GIRL-- 697 00:20:57,690 --> 00:20:58,358 >> [gasps] 698 00:20:58,358 --> 00:20:59,158 >> GO WORK ON YOUR OUTFITS, 699 00:20:59,158 --> 00:20:59,992 'CAUSE I THINK YOU'RE RUNNING 700 00:20:59,992 --> 00:21:00,860 OUT. 701 00:21:00,860 --> 00:21:01,894 >> OOH! 702 00:21:01,894 --> 00:21:02,995 >> IT'S DONE. 703 00:21:02,995 --> 00:21:03,830 >> WAIT, WAIT, WAIT, ALYSSA, DO 704 00:21:03,830 --> 00:21:05,197 YOU HAVE ENOUGH STUFF TO GET 705 00:21:05,197 --> 00:21:06,032 THROUGH THE REST OF THE 706 00:21:06,032 --> 00:21:06,899 COMPETITION? 707 00:21:06,899 --> 00:21:07,900 >> GIRL, YES, MA'AM. 708 00:21:07,900 --> 00:21:09,402 AND I CAN SEW IF I HAVE TO SEW. 709 00:21:09,402 --> 00:21:10,903 >> ALYSSA, YOU AIN'T GONNA HAVE 710 00:21:10,903 --> 00:21:11,971 TO SEW 'CAUSE YOU'LL BE GOIN' 711 00:21:11,971 --> 00:21:13,573 IN EVERYBODY ELSE'S WARDROBE. 712 00:21:13,573 --> 00:21:14,341 >> OH! 713 00:21:14,341 --> 00:21:15,475 >> AH! 714 00:21:15,475 --> 00:21:16,376 >> HOLD ON NOW, BUT LET'S GET 715 00:21:16,376 --> 00:21:17,377 SOMETHING CLEAR. 716 00:21:17,377 --> 00:21:18,645 THAT WAS FOR THE CHALLENGE. 717 00:21:18,645 --> 00:21:19,579 BABY, I AIN'T NEVER WORE NONE OF 718 00:21:19,579 --> 00:21:20,747 Y'ALL'S STUFF ON THE RUNWAY. 719 00:21:20,747 --> 00:21:22,415 I AIN'T NEVER HAD TO, AND I 720 00:21:22,415 --> 00:21:23,783 NEVER WILL. 721 00:21:23,783 --> 00:21:24,517 >> GIRL, IF YOU HAD AS MUCH 722 00:21:24,517 --> 00:21:26,185 ENERGY IN YOUR ORGASM YESTERDAY 723 00:21:26,185 --> 00:21:27,186 AS YOU GOT RIGHT NOW, WE WOULD 724 00:21:27,186 --> 00:21:28,054 HAVE BEEN FINE. 725 00:21:28,054 --> 00:21:30,390 >> OOH! 726 00:21:30,390 --> 00:21:31,724 >> COCO THINKS SHE'S SMART. 727 00:21:31,724 --> 00:21:32,692 I THINK IT'S A PART OF COCO'S 728 00:21:32,692 --> 00:21:34,561 CHARACTER TO TAKE LOW BLOWS. 729 00:21:34,561 --> 00:21:36,028 WHEN ALL THE PAGEANT STUFF WENT 730 00:21:36,028 --> 00:21:39,899 DOWN, SHE DID THE SAME THING. 731 00:21:39,899 --> 00:21:40,633 >> ARE YOU SCARED GOING INTO 732 00:21:40,633 --> 00:21:41,668 THIS RUNWAY? 733 00:21:41,668 --> 00:21:42,902 >> I FEEL CONFIDENT WITH MY LOOK 734 00:21:42,902 --> 00:21:44,270 TODAY BECAUSE IT'S A CLEAR 735 00:21:44,270 --> 00:21:45,905 CONCEPT FROM HEAD TO TOE. 736 00:21:45,905 --> 00:21:47,740 I'M GONNA DO DIA DE LOS MUERTOS. 737 00:21:47,740 --> 00:21:49,742 I'M GONNA DO SKELETON MAKEUP. 738 00:21:49,742 --> 00:21:52,479 >> JINKX MONSOON, THE BUFFOON. 739 00:21:52,479 --> 00:21:54,447 WHAT ARE YOU THINKING, GIRL? 740 00:21:54,447 --> 00:21:55,181 YOU'RE GOING OUT THERE AS 741 00:21:55,181 --> 00:21:57,049 SKELETOR? 742 00:21:57,049 --> 00:21:58,117 ONE JUDGE DID SAY, I THINK IT 743 00:21:58,117 --> 00:22:00,353 WAS MICHELLE, THAT YOU'RE KIND 744 00:22:00,353 --> 00:22:01,554 OF COSTUME-Y. 745 00:22:01,554 --> 00:22:02,389 >> I REALLY WANT TO WEAR THIS 746 00:22:02,389 --> 00:22:03,322 COSTUME. 747 00:22:03,322 --> 00:22:04,824 >> BUT IT'S A RISK. 748 00:22:04,824 --> 00:22:05,992 >> IF IT DOESN'T LAND, IT'S LIKE 749 00:22:05,992 --> 00:22:07,059 ME TELLING JOKES. 750 00:22:07,059 --> 00:22:07,960 THEN IT WAS, IT WAS A COMPLETE 751 00:22:07,960 --> 00:22:11,030 MISS. 752 00:22:13,900 --> 00:22:15,802 >> ARE YOU SINGLE RIGHT NOW? 753 00:22:15,802 --> 00:22:17,537 >> I STARTED TRYING TO, LIKE, 754 00:22:17,537 --> 00:22:18,805 KIND OF DATE A LITTLE BIT. 755 00:22:18,805 --> 00:22:19,472 >> YEAH. 756 00:22:19,472 --> 00:22:23,275 >> AFTERWARDS, UM-- 757 00:22:23,275 --> 00:22:26,846 OPENING UP ABOUT MY EX-BOYFRIEND 758 00:22:26,846 --> 00:22:28,147 IS STILL REALLY DIFFICULT. 759 00:22:28,147 --> 00:22:30,216 OUR RELATIONSHIP WAS SO 760 00:22:30,216 --> 00:22:31,951 TUMULTUOUS, ESPECIALLY TOWARDS 761 00:22:31,951 --> 00:22:33,285 THE END. 762 00:22:33,285 --> 00:22:34,454 WHEN I ENDED UP TRYING TO BREAK 763 00:22:34,454 --> 00:22:36,188 UP WITH HIM, HE GOT REALLY CRAZY 764 00:22:36,188 --> 00:22:38,057 AND STARTED STALKING ME, AND 765 00:22:38,057 --> 00:22:39,191 WAS, LIKE, THREATENING MY LIFE 766 00:22:39,191 --> 00:22:39,892 AND, LIKE, TELLING ME... 767 00:22:39,892 --> 00:22:40,560 >> WHAT? 768 00:22:40,560 --> 00:22:41,461 >> HE WAS GONNA FIND ME. 769 00:22:41,461 --> 00:22:42,495 THEN, TWO WEEKS LATER, HE WAS 770 00:22:42,495 --> 00:22:45,398 DEAD, SO-- 771 00:22:45,398 --> 00:22:48,000 I SAW THE BODY. 772 00:22:48,000 --> 00:22:49,536 I GOT TO THE HOUSE, AND THERE HE 773 00:22:49,536 --> 00:22:50,703 WAS. 774 00:22:50,703 --> 00:22:51,704 [somber music] 775 00:22:51,704 --> 00:22:55,475 * 776 00:22:55,475 --> 00:22:56,509 THERE'S NOT A DAY THAT GOES BY 777 00:22:56,509 --> 00:22:58,010 THAT I DON'T THINK ABOUT HIM. 778 00:22:58,010 --> 00:23:03,049 * 779 00:23:03,049 --> 00:23:06,052 BUT IT WAS TOUGH, GIRL. 780 00:23:06,052 --> 00:23:07,754 IT WAS SO HARD. 781 00:23:07,754 --> 00:23:08,588 >> I JUST WANT YOU TO KNOW THAT 782 00:23:08,588 --> 00:23:11,691 I ALWAYS WILL LOVE YOU. 783 00:23:11,691 --> 00:23:12,559 >> LETTING ROXXXY KNOW A LITTLE 784 00:23:12,559 --> 00:23:14,827 BIT MORE ABOUT IT WAS NICE, 785 00:23:14,827 --> 00:23:15,762 BECAUSE I'VE NEVER GONE TO 786 00:23:15,762 --> 00:23:17,029 A THERAPIST. 787 00:23:17,029 --> 00:23:17,797 I'VE NEVER REALLY TALKED TO 788 00:23:17,797 --> 00:23:19,265 ANYBODY ABOUT THE WAY THAT 789 00:23:19,265 --> 00:23:20,366 I FEEL. 790 00:23:20,366 --> 00:23:22,034 AND I THINK THIS EXPERIENCE IS 791 00:23:22,034 --> 00:23:23,369 JUST BRINGING ROXXXY AND I 792 00:23:23,369 --> 00:23:26,639 CLOSER TOGETHER. 793 00:23:26,706 --> 00:23:27,574 >> COMING UP... 794 00:23:27,574 --> 00:23:29,542 >> I HAVE NO FREAKIN' CLUE WHAT 795 00:23:29,542 --> 00:23:31,310 YOU SAID IN THAT NOVELA. 796 00:23:31,310 --> 00:23:32,545 >> I DON'T GET IT. 797 00:23:32,545 --> 00:23:33,379 I DON'T GET WHAT IT'S SUPPOSED 798 00:23:33,379 --> 00:23:34,814 TO BE. 799 00:23:34,814 --> 00:23:36,716 >> [laughing] 800 00:23:39,151 --> 00:23:41,220 >> [laughing] 801 00:23:41,220 --> 00:23:42,221 [dramatic music] 802 00:23:42,221 --> 00:23:44,657 * 803 00:23:44,657 --> 00:23:46,626 >> [laughing] 804 00:23:46,626 --> 00:23:50,196 [RuPaul's Cover Girl] 805 00:23:50,196 --> 00:23:51,297 * COVER GIRL 806 00:23:51,297 --> 00:23:53,633 * PUT THE BASS IN YOUR WALK 807 00:23:53,633 --> 00:23:55,167 * HEAD TO TOE 808 00:23:55,167 --> 00:23:58,705 * LET YOUR WHOLE BODY TALK 809 00:23:58,705 --> 00:23:59,972 * AND WHAT? 810 00:23:59,972 --> 00:24:01,908 WELCOME TO THE MAIN STAGE OF 811 00:24:01,908 --> 00:24:03,510 RUPAUL'S DRAG RACE. 812 00:24:03,576 --> 00:24:05,077 MICHELLE VISAGE. 813 00:24:05,077 --> 00:24:06,045 HOLA, MAMA. 814 00:24:06,045 --> 00:24:08,515 >> HOLA, MI CORAZON. 815 00:24:08,515 --> 00:24:09,415 >> SHAKE THE DICE AND STEAL 816 00:24:09,415 --> 00:24:10,650 THE RICE AND BEANS. 817 00:24:10,650 --> 00:24:11,718 SANTINO. 818 00:24:11,718 --> 00:24:13,853 >> YA TU SABES. 819 00:24:13,853 --> 00:24:15,855 >> AY CARAMBA, IT'S MARIA 820 00:24:15,855 --> 00:24:17,690 CONCHITA ALONSO. 821 00:24:17,757 --> 00:24:19,025 YOU LOOK GORGEOUS. 822 00:24:19,025 --> 00:24:20,392 >> GRACIAS. 823 00:24:20,392 --> 00:24:23,496 >> AND A SEXY SEÑORITA WHO'S NO 824 00:24:23,496 --> 00:24:26,232 STRANGER TO PRIMETIME DRAMA. 825 00:24:26,298 --> 00:24:28,367 FROM GUYS WITH KIDS, 826 00:24:28,367 --> 00:24:29,802 JAMIE-LYNN SIGLER. 827 00:24:29,869 --> 00:24:31,137 YOU LOOK SO PRETTY TONIGHT. 828 00:24:31,137 --> 00:24:32,905 >> NOT AS PRETTY AS YOU. 829 00:24:32,905 --> 00:24:34,340 >> THIS WEEK, OUR QUEENS WERE 830 00:24:34,340 --> 00:24:36,643 CHALLENGED TO DELIVER THE DRAMA 831 00:24:36,643 --> 00:24:38,578 IN TWO TELENOVELAS. 832 00:24:38,578 --> 00:24:40,513 AND TONIGHT, THEY'RE READY 833 00:24:40,513 --> 00:24:42,414 TO MAKE US GAG ON THEIR 834 00:24:42,414 --> 00:24:46,485 LATINA GLAMOROSA ELEGANZA. 835 00:24:46,485 --> 00:24:48,755 GENTLEMEN, START YOUR ENGINES, 836 00:24:48,755 --> 00:24:51,724 AND MAY THE BEST WOMAN WIN. 837 00:24:51,724 --> 00:24:52,525 [RuPaul's I Bring the Beat] 838 00:24:52,525 --> 00:24:55,027 >> * COMMENCE SHAKE DOWN 839 00:24:55,094 --> 00:24:56,929 >> UP FIRST, DETOX. 840 00:24:56,929 --> 00:24:58,998 I'M BULLISH ON THAT LOOK. 841 00:24:59,065 --> 00:25:00,533 >> I'M SERVING UP MARIACHI 842 00:25:00,533 --> 00:25:01,467 REALNESS. 843 00:25:01,467 --> 00:25:02,769 OH, AY, DIOS MIOS. 844 00:25:02,769 --> 00:25:04,003 [shouts el grito] 845 00:25:04,003 --> 00:25:05,337 >> [laughing] 846 00:25:05,337 --> 00:25:07,439 I BET SHE'S GOT SOME 847 00:25:07,439 --> 00:25:09,175 COCK-AND-BULL STORY. 848 00:25:09,241 --> 00:25:11,343 ROXXXY ANDREWS. 849 00:25:11,343 --> 00:25:13,946 CHECK OUT THOSE CHICHIS. 850 00:25:14,013 --> 00:25:14,881 >> HEY, I'M THE ONLY LATINA 851 00:25:14,881 --> 00:25:17,149 LEFT, SO I HAVE TO REPRESENT. 852 00:25:17,149 --> 00:25:17,984 >> I CAN SEE HER 853 00:25:17,984 --> 00:25:18,851 COOCHIE-COOCHIE. 854 00:25:18,851 --> 00:25:19,886 >> OKAY. 855 00:25:19,952 --> 00:25:23,122 >> THE 49TH STATE, ALASKA. 856 00:25:23,122 --> 00:25:24,056 >> AY, CARAMBA. 857 00:25:24,123 --> 00:25:26,325 >> I'M SHAKING MY MARACAS. 858 00:25:26,325 --> 00:25:27,960 I BOUGHT CHA-CHA HEELS FOR 859 00:25:27,960 --> 00:25:29,261 CHRISTMAS. 860 00:25:29,261 --> 00:25:30,797 >> I GOT TO TEACH YOU HOW TO 861 00:25:30,797 --> 00:25:31,831 PLAY THE MARACAS. 862 00:25:31,831 --> 00:25:32,565 >> [laughs] 863 00:25:32,565 --> 00:25:35,001 >> MUCHO MUCHACHA. 864 00:25:35,067 --> 00:25:37,737 ALYSSA EDWARDS. 865 00:25:37,737 --> 00:25:38,771 >> VERY DRAMATIC, HUH? 866 00:25:38,838 --> 00:25:41,407 >> SHE'S A SPANISH FLY GIRL. 867 00:25:41,407 --> 00:25:43,342 >> UM, TONIGHT, I'M SERVING 868 00:25:43,342 --> 00:25:45,477 LATIN FISH DRAMA. 869 00:25:45,477 --> 00:25:46,545 >> LOOK AT THAT LEGWORK. 870 00:25:46,545 --> 00:25:47,213 >> YES. 871 00:25:47,213 --> 00:25:48,214 >> HYPEREXTENSION. 872 00:25:48,214 --> 00:25:50,549 >> SERVING TEX-MEX. 873 00:25:50,617 --> 00:25:52,752 COCO MONTRESE. 874 00:25:52,752 --> 00:25:54,153 >> OOH. 875 00:25:54,153 --> 00:25:55,554 >> LOCO FOR COCO. 876 00:25:55,622 --> 00:25:57,123 >> I'M GIVING THE JUDGES DOROTHY 877 00:25:57,123 --> 00:26:00,727 DANDRIDGE LATINA GLAMOUR, BABY. 878 00:26:00,727 --> 00:26:03,095 >> HER NAME WAS LOLA FALANA. 879 00:26:03,095 --> 00:26:04,997 >> LOLA, DO YOU WANNA? 880 00:26:05,064 --> 00:26:07,399 >> JINKX MONSOON. 881 00:26:07,466 --> 00:26:08,200 [gasps] 882 00:26:08,200 --> 00:26:09,836 >> DRAG OF THE DEAD. 883 00:26:09,836 --> 00:26:12,605 >> I FEEL FAN-FUCKING-TASTIC. 884 00:26:12,605 --> 00:26:15,441 LOOKING SPOOKY AND SEXY ALL AT 885 00:26:15,441 --> 00:26:17,143 THE SAME TIME. 886 00:26:17,143 --> 00:26:18,277 >> YOU KNOW, JINKX IS LIKE ALL 887 00:26:18,277 --> 00:26:19,912 THE OTHER SUPERMODELS, 888 00:26:19,912 --> 00:26:21,347 JUST SKIN AND BONES. 889 00:26:21,347 --> 00:26:23,515 >> [laughs] YES. 890 00:26:23,515 --> 00:26:25,384 >> BUENAS NOCHES, LADIES. 891 00:26:25,384 --> 00:26:26,786 LET'S TAKE A LOOK AT YOUR 892 00:26:26,786 --> 00:26:28,520 TELENOVELAS. 893 00:26:28,520 --> 00:26:32,224 FIRST UP, ELLA NO ES DAMA. 894 00:26:32,291 --> 00:26:33,292 [melodramatic music] 895 00:26:33,292 --> 00:26:37,429 * 896 00:26:37,496 --> 00:26:39,331 >> WE MUST DETERMINE WHICH ONE 897 00:26:39,331 --> 00:26:41,634 OF US KILLED HIM. 898 00:26:41,634 --> 00:26:43,435 >> [gasps] 899 00:26:43,435 --> 00:26:44,170 [gasps] 900 00:26:44,170 --> 00:26:45,071 >> [gasps] 901 00:26:45,071 --> 00:26:47,406 [all gasping] 902 00:26:47,406 --> 00:26:49,575 I COULDN'T KILL HIM. 903 00:26:49,575 --> 00:26:51,610 I GAVE HIM MY VIRGINITY! 904 00:26:51,610 --> 00:26:52,344 >> [gasps] 905 00:26:52,344 --> 00:26:53,079 >> [gasps] 906 00:26:53,079 --> 00:26:55,081 >> AND... 907 00:26:55,081 --> 00:26:57,950 I'M CARRYING HIS BABY. 908 00:26:57,950 --> 00:26:58,718 >> AH! 909 00:26:58,718 --> 00:27:00,086 AGH! 910 00:27:00,086 --> 00:27:01,921 DIEGO LOVED ME. 911 00:27:01,921 --> 00:27:02,922 >> [gasps] 912 00:27:02,922 --> 00:27:04,256 >> HE DIDN'T MIND THAT I WAS 913 00:27:04,256 --> 00:27:05,224 OLD. 914 00:27:05,224 --> 00:27:09,361 AND I AM CARRYING HIS BABY. 915 00:27:09,361 --> 00:27:10,529 AGH! 916 00:27:10,529 --> 00:27:12,598 >> HOW COULD DIEGO LOVE YOU, 917 00:27:12,598 --> 00:27:14,633 WHEN HE LOVED ME? 918 00:27:14,633 --> 00:27:17,469 AND I AM CARRYING HIS BABY DOS. 919 00:27:17,469 --> 00:27:18,537 >> [gasps] 920 00:27:18,537 --> 00:27:19,706 >> THERE IS ONLY ONE THING LEFT 921 00:27:19,706 --> 00:27:21,473 FOR US TO DO. 922 00:27:21,473 --> 00:27:23,743 BRING US THE POISON. 923 00:27:23,743 --> 00:27:25,745 >> [gasps] 924 00:27:30,482 --> 00:27:32,451 >> all: VAYA CON DIOS. 925 00:27:32,451 --> 00:27:34,553 >> [sobbing] 926 00:27:34,553 --> 00:27:36,789 >> all: [choking] 927 00:27:41,493 --> 00:27:42,294 [gasp] 928 00:27:42,294 --> 00:27:45,998 [choking] 929 00:27:45,998 --> 00:27:47,333 [gasp] 930 00:27:47,333 --> 00:27:50,269 [exhale] 931 00:27:50,269 --> 00:27:51,270 [ominous music] 932 00:27:51,270 --> 00:27:58,077 * 933 00:27:58,077 --> 00:28:00,346 >> SO STUPID. 934 00:28:00,346 --> 00:28:03,549 >> YOU'RE TELLING ME. 935 00:28:03,549 --> 00:28:04,817 >> OH, MY BROTHER. 936 00:28:04,817 --> 00:28:05,551 THE BEAUTIFUL DRAG QUEEN. 937 00:28:05,551 --> 00:28:08,387 >> [grunting] 938 00:28:08,387 --> 00:28:09,822 >> NO ERES UNA DAMA. 939 00:28:09,822 --> 00:28:10,622 >> I'VE BEEN WORKING HERE FIVE 940 00:28:10,622 --> 00:28:11,290 YEARS. 941 00:28:11,290 --> 00:28:12,158 YOU'D THINK THEY'D NOTICE THIS 942 00:28:12,158 --> 00:28:14,493 ADAM'S APPLE FROM NOW, HUH? 943 00:28:14,493 --> 00:28:16,528 WE WILL NOW BE VERY RICH. 944 00:28:16,528 --> 00:28:18,697 MUY RICO! 945 00:28:18,697 --> 00:28:20,699 >> both: [laugh evilly] 946 00:28:25,738 --> 00:28:28,775 [laughter and applause] 947 00:28:28,775 --> 00:28:31,744 >> NEXT UP, CASA DE LOCAS. 948 00:28:31,811 --> 00:28:32,812 [peaceful guitar music] 949 00:28:32,812 --> 00:28:35,614 * 950 00:28:35,681 --> 00:28:38,818 >> I HAVE BAD NEWS. 951 00:28:38,818 --> 00:28:40,686 HILDA... 952 00:28:40,686 --> 00:28:43,856 GET OUT, YOU UGLY, STUPID MAID. 953 00:28:46,058 --> 00:28:48,627 MARIA, YOU HAVE A RARE, FATAL 954 00:28:48,627 --> 00:28:49,361 CONDITION. 955 00:28:49,361 --> 00:28:50,729 >> OH! 956 00:28:50,729 --> 00:28:52,064 >> IF YOU HEAR THE NAMES OF 957 00:28:52,064 --> 00:28:54,100 FOOD, YOU WILL ORGASM SO 958 00:28:54,100 --> 00:28:58,771 VIOLENTLY THAT YOU WILL-- 959 00:28:58,771 --> 00:29:01,273 [gasps] 960 00:29:01,273 --> 00:29:03,209 I HAVE THE SAME DISEASE. 961 00:29:03,209 --> 00:29:04,543 >> [gasps] 962 00:29:04,543 --> 00:29:07,246 [screaming] NOOO! 963 00:29:07,246 --> 00:29:08,080 [normal voice] NOW THAT YOU 964 00:29:08,080 --> 00:29:09,381 MENTION IT, WE NEVER TALK ABOUT 965 00:29:09,381 --> 00:29:10,049 FOOD. 966 00:29:10,049 --> 00:29:12,084 >> [laughing] 967 00:29:12,084 --> 00:29:13,085 [ominous music] 968 00:29:13,085 --> 00:29:15,221 * 969 00:29:15,221 --> 00:29:17,756 IT IS I WHO PUT THE CURSE ON 970 00:29:17,756 --> 00:29:19,758 LA CASA DE LOCAS. 971 00:29:19,758 --> 00:29:21,027 >> [gasps] 972 00:29:21,027 --> 00:29:22,895 >> [hisses] 973 00:29:22,895 --> 00:29:24,263 HILDA! 974 00:29:24,263 --> 00:29:27,900 YOU ARE MUY ESTUPIDA IF YOU 975 00:29:27,900 --> 00:29:29,201 THINK YOU ARE GOING TO TAKE OVER 976 00:29:29,201 --> 00:29:31,070 OUR FAMILIA! 977 00:29:31,070 --> 00:29:32,138 >> CHIMICHANGA! 978 00:29:32,138 --> 00:29:35,808 [Alyssa and Jinkx moaning] 979 00:29:35,808 --> 00:29:38,444 SI, SI! 980 00:29:38,444 --> 00:29:42,348 Y... FISH TACO! 981 00:29:42,348 --> 00:29:44,650 [Alyssa and Jinkx moaning] 982 00:29:44,650 --> 00:29:45,517 >> NO! 983 00:29:45,517 --> 00:29:46,518 >> YES! 984 00:29:46,518 --> 00:29:47,553 >> NO! 985 00:29:47,553 --> 00:29:48,254 >> YES! 986 00:29:48,254 --> 00:29:49,321 [chokes] 987 00:29:49,321 --> 00:29:52,591 >> [gasping] 988 00:29:55,061 --> 00:29:57,496 >> IS MARIA OR SU MADRE HERE? 989 00:29:57,496 --> 00:30:00,466 >> NO ESTAN AQUI. 990 00:30:00,466 --> 00:30:02,701 MAYBE I CAN HELP YOU WITH 991 00:30:02,701 --> 00:30:04,036 SOMETHING? 992 00:30:04,036 --> 00:30:04,904 >> WOULD YOU LIKE TO HAVE DINNER 993 00:30:04,904 --> 00:30:09,275 WITH ME? 994 00:30:09,275 --> 00:30:12,278 >> I THOUGHT YOU'D NEVER ASK. 995 00:30:15,281 --> 00:30:16,648 >> [laughs awkwardly] 996 00:30:16,648 --> 00:30:18,250 [scattered applause] 997 00:30:18,250 --> 00:30:19,351 >> NOW, THIS WEEK YOU'VE WORKED 998 00:30:19,351 --> 00:30:20,252 IN GROUPS. 999 00:30:20,252 --> 00:30:22,688 BUT TONIGHT, YOU'LL BE JUDGED AS 1000 00:30:22,688 --> 00:30:24,690 INDIVIDUALS. 1001 00:30:24,690 --> 00:30:25,491 IT'S TIME FOR THE JUDGES' 1002 00:30:25,491 --> 00:30:27,126 CRITIQUES. 1003 00:30:27,193 --> 00:30:28,160 COMING UP... 1004 00:30:28,160 --> 00:30:30,762 >> I THINK YOU WERE INTIMIDATED. 1005 00:30:30,762 --> 00:30:31,597 >> THAT DRESS IS PROBABLY ONE OF 1006 00:30:31,597 --> 00:30:34,066 THE WORST I'VE EVER SEEN IN FIVE 1007 00:30:34,066 --> 00:30:35,567 SEASONS. 1008 00:30:35,567 --> 00:30:37,569 >> [laughing] 1009 00:30:40,206 --> 00:30:41,874 >> [laughing] 1010 00:30:41,874 --> 00:30:43,075 ALL RIGHT, IT'S TIME FOR 1011 00:30:43,075 --> 00:30:45,411 THE JUDGES' CRITIQUES. 1012 00:30:45,411 --> 00:30:47,579 STARTING WITH...DETOX. 1013 00:30:47,579 --> 00:30:48,915 >> I'M NOT SURE ABOUT THE 1014 00:30:48,915 --> 00:30:49,748 SOMBRERO. 1015 00:30:49,748 --> 00:30:52,151 IT'S SO CAMPY, AND THE OUTFIT IS 1016 00:30:52,151 --> 00:30:53,285 SO NOT. 1017 00:30:53,285 --> 00:30:54,453 >> ON TO THE TELENOVELA. 1018 00:30:54,453 --> 00:30:56,055 THE VILLAIN HAS TO HAVE THE 1019 00:30:56,055 --> 00:30:58,024 BIGGEST PRESENCE, SO I WANTED 1020 00:30:58,024 --> 00:30:59,091 YOU TO JUST HAVE SOMETHING 1021 00:30:59,091 --> 00:31:01,260 A LITTLE BIT GREATER. 1022 00:31:01,260 --> 00:31:03,762 >> NEXT UP, ROXXXY ANDREWS. 1023 00:31:03,762 --> 00:31:05,264 >> TONIGHT ON THE RUNWAY, YOUR 1024 00:31:05,264 --> 00:31:07,233 MAKEUP LOOKS AMAZING. 1025 00:31:07,233 --> 00:31:08,834 MORE SO THAN EVER BEFORE. 1026 00:31:08,834 --> 00:31:09,801 >> THIS IS THE LEAST AMOUNT OF 1027 00:31:09,801 --> 00:31:10,836 MAKEUP I'VE WORN EVER. 1028 00:31:10,836 --> 00:31:11,670 >> [laughs] 1029 00:31:11,670 --> 00:31:12,538 >> YOU LOOK STUNNING. 1030 00:31:12,538 --> 00:31:13,539 >> THANK YOU SO MUCH. 1031 00:31:13,539 --> 00:31:15,441 >> AND THE TELENOVELA, FROM THE 1032 00:31:15,441 --> 00:31:16,642 WAY YOU MOVED YOUR BODY TO YOUR 1033 00:31:16,642 --> 00:31:18,044 HIGH-PITCHED VOICE, THE WAY YOU 1034 00:31:18,044 --> 00:31:18,978 MOVED YOUR HEAD WHEN YOU GOT 1035 00:31:18,978 --> 00:31:19,778 SLAPPED. 1036 00:31:19,778 --> 00:31:21,047 YOU TOOK THAT ROLE, AND YOU DID 1037 00:31:21,047 --> 00:31:22,281 GREAT THINGS WITH IT, AND I WAS 1038 00:31:22,281 --> 00:31:23,983 REALLY IMPRESSED. 1039 00:31:23,983 --> 00:31:25,884 >> UP NEXT, ALASKA. 1040 00:31:25,884 --> 00:31:26,652 >> HI. 1041 00:31:26,652 --> 00:31:27,653 >> TONIGHT ON THE RUNWAY, YOU 1042 00:31:27,653 --> 00:31:30,322 GAVE US ANOTHER UPBEAT WALK, 1043 00:31:30,322 --> 00:31:31,958 AND IT WORKS FOR YOU. 1044 00:31:31,958 --> 00:31:33,225 >> CRUELLA DE VIL. 1045 00:31:33,225 --> 00:31:35,161 THAT'S WHAT I SAW WHEN YOU WERE 1046 00:31:35,161 --> 00:31:36,462 ACTING, WHICH YOU DID A VERY 1047 00:31:36,462 --> 00:31:37,763 GOOD JOB. 1048 00:31:37,829 --> 00:31:38,664 >> I THINK YOU'RE REALLY, REALLY 1049 00:31:38,664 --> 00:31:39,365 GIFTED. 1050 00:31:39,365 --> 00:31:40,066 I COULD TAKE NOTES FROM YOU, 1051 00:31:40,066 --> 00:31:40,732 FOR SURE. 1052 00:31:40,732 --> 00:31:41,700 >> THANK YOU. 1053 00:31:41,700 --> 00:31:44,470 >> UP NEXT, ALYSSA EDWARDS. 1054 00:31:44,470 --> 00:31:45,938 >> ALYSSA, I HAVE NO FREAKIN' 1055 00:31:45,938 --> 00:31:48,174 CLUE WHAT YOU SAID IN THAT 1056 00:31:48,174 --> 00:31:48,907 NOVELA. 1057 00:31:48,907 --> 00:31:49,575 >> [gasps] 1058 00:31:49,575 --> 00:31:51,343 >> YOU TURNED INTO DRACULA 1059 00:31:51,343 --> 00:31:52,378 A FEW TIMES. 1060 00:31:52,378 --> 00:31:53,812 I WAS LIKE, WHAT? 1061 00:31:53,812 --> 00:31:55,114 >> TONIGHT, THAT DRESS IS 1062 00:31:55,114 --> 00:31:56,615 PROBABLY ONE OF THE WORST 1063 00:31:56,615 --> 00:31:58,350 DRESSES I'VE EVER SEEN ON THIS 1064 00:31:58,350 --> 00:32:01,120 RUNWAY IN FIVE SEASONS. 1065 00:32:01,120 --> 00:32:03,222 IT IS SUCH A MESS. 1066 00:32:03,222 --> 00:32:03,889 I DON'T GET IT. 1067 00:32:03,889 --> 00:32:05,157 I DON'T GET WHAT IT'S SUPPOSED 1068 00:32:05,157 --> 00:32:05,924 TO BE. 1069 00:32:05,924 --> 00:32:06,892 >> OKAY, WHEN YOU GO TO THE 1070 00:32:06,892 --> 00:32:08,594 CLUBS, EVERY SINGLE, EACH AND 1071 00:32:08,594 --> 00:32:10,329 EVERY NIGHT, YOU DON'T ASK THE 1072 00:32:10,329 --> 00:32:11,730 GIRLS, "DID YOU SEW THAT? 1073 00:32:11,730 --> 00:32:12,931 DID YOU MAKE THAT? 1074 00:32:12,931 --> 00:32:14,100 WERE YOU FUNNY THE OTHER NIGHT 1075 00:32:14,100 --> 00:32:14,900 TO GET HERE?" 1076 00:32:14,900 --> 00:32:16,335 BUT IF YOU SAY TONIGHT, LIP SYNC 1077 00:32:16,335 --> 00:32:17,503 FOR YOUR LIFE, I'M GONNA LIP 1078 00:32:17,503 --> 00:32:19,071 SYNC FOR MY LIFE, AND IF I'M 1079 00:32:19,071 --> 00:32:20,106 ABLE TO STAY, I'LL DO IT EVERY 1080 00:32:20,106 --> 00:32:21,773 DAMN WEEK BECAUSE I AM AN 1081 00:32:21,773 --> 00:32:24,343 ENTERTAINER. 1082 00:32:24,343 --> 00:32:25,311 >> ALYSSA, EVERY LAST ONE OF 1083 00:32:25,311 --> 00:32:26,545 THESE GIRLS ARE AMAZING 1084 00:32:26,545 --> 00:32:27,713 PERFORMERS. 1085 00:32:27,713 --> 00:32:28,981 >> I DIDN'T DISCREDIT NOBODY. 1086 00:32:28,981 --> 00:32:30,882 >> IT COMES ACROSS AS IF, "I'M 1087 00:32:30,882 --> 00:32:32,451 THE BEST ENTERTAINER UP HERE, 1088 00:32:32,451 --> 00:32:33,485 AND IF I HAVE TO LIP SYNC FOR MY 1089 00:32:33,485 --> 00:32:34,653 LIFE EVERY NIGHT, I'LL LIP SYNC 1090 00:32:34,653 --> 00:32:35,554 MY WAY ALL THE WAY TO THE 1091 00:32:35,554 --> 00:32:36,388 CROWN." 1092 00:32:36,388 --> 00:32:38,957 THAT'S NOT WHAT THIS IS ABOUT. 1093 00:32:38,957 --> 00:32:41,027 >> ALYSSA, WE KNOW YOU GOT IT. 1094 00:32:41,027 --> 00:32:43,262 YOUR CHARACTERISTICS ARE FUNNY, 1095 00:32:43,262 --> 00:32:44,696 YOU'RE BEAUTIFUL, YOU'RE THE 1096 00:32:44,696 --> 00:32:45,797 TOTAL PACKAGE. 1097 00:32:45,797 --> 00:32:47,533 I'M JUST NOT SURE IF YOU KNOW 1098 00:32:47,533 --> 00:32:49,501 HOW TO CONNECT THE PIECES. 1099 00:32:49,501 --> 00:32:50,736 YOU KNOW? 1100 00:32:50,802 --> 00:32:51,737 >> THANK YOU. 1101 00:32:51,737 --> 00:32:52,404 >> ALL RIGHT. 1102 00:32:52,404 --> 00:32:55,507 THANKS, ALYSSA. 1103 00:32:55,507 --> 00:32:57,509 NEXT UP, JINKX MONSOON. 1104 00:32:57,576 --> 00:32:59,511 >> UM... 1105 00:32:59,511 --> 00:33:02,081 YOU CONFUSE ME SOMETIMES. 1106 00:33:02,081 --> 00:33:03,615 AND THAT'S A GOOD THING. 1107 00:33:03,615 --> 00:33:04,316 >> [laughs] 1108 00:33:04,316 --> 00:33:05,751 >> KEEP ME ON MY DAMN TOES. 1109 00:33:05,751 --> 00:33:07,153 >> I WAS REALLY SHOCKED BY YOUR 1110 00:33:07,153 --> 00:33:09,121 OUTFIT TONIGHT, BUT I LOVE IT. 1111 00:33:09,121 --> 00:33:10,622 I THINK IT'S REALLY FUN. 1112 00:33:10,622 --> 00:33:12,024 >> IN THE TELENOVELA, YOU WERE 1113 00:33:12,024 --> 00:33:13,459 PERFECTION. 1114 00:33:13,459 --> 00:33:14,693 YOUR CHANGE OF EMOTION ON A 1115 00:33:14,693 --> 00:33:17,129 DIME, TO YOU HUMPING THE COUCH 1116 00:33:17,129 --> 00:33:17,796 WHEN YOU WERE HAVING YOUR 1117 00:33:17,796 --> 00:33:18,597 ORGASM. 1118 00:33:18,597 --> 00:33:19,931 >> [moaning] 1119 00:33:19,931 --> 00:33:20,632 [gasping] 1120 00:33:20,632 --> 00:33:21,567 [squeals] 1121 00:33:21,567 --> 00:33:23,635 YOU DID THE BEST ORGASM! 1122 00:33:23,635 --> 00:33:25,904 >> [laughing] 1123 00:33:25,904 --> 00:33:28,006 >> NEXT UP, COCO MONTRESE. 1124 00:33:28,006 --> 00:33:28,774 >> HI, RU. 1125 00:33:28,774 --> 00:33:29,441 >> YOUR LOOK TONIGHT ON THE 1126 00:33:29,441 --> 00:33:31,110 RUNWAY, I LOVE IT. 1127 00:33:31,110 --> 00:33:33,011 IT'S A BEAUTIFUL MANGO COLOR. 1128 00:33:33,011 --> 00:33:34,680 YOU WORKED THAT JUMPSUIT. 1129 00:33:34,680 --> 00:33:35,347 GREAT CHOICE. 1130 00:33:35,347 --> 00:33:37,216 IN THE TELENOVELA, I WAS LEFT 1131 00:33:37,216 --> 00:33:38,384 WANTING MORE. 1132 00:33:38,384 --> 00:33:40,252 >> I THINK YOU WERE A LITTLE BIT 1133 00:33:40,252 --> 00:33:42,788 INTIMIDATED WHEN YOU GOT NEXT 1134 00:33:42,788 --> 00:33:44,923 TO WILMER. 1135 00:33:44,923 --> 00:33:46,425 >> THANK YOU, LADIES. 1136 00:33:46,425 --> 00:33:48,026 I THINK WE'VE HEARD ENOUGH. 1137 00:33:48,026 --> 00:33:49,828 WHILE YOU ENJOY AN ABSOLUT 1138 00:33:49,828 --> 00:33:51,263 COCKTAIL IN THE INTERIOR 1139 00:33:51,263 --> 00:33:53,565 ILLUSIONS LOUNGE, THE JUDGES AND 1140 00:33:53,565 --> 00:33:56,402 I WILL DELIBERATE. 1141 00:33:56,402 --> 00:33:59,271 YOU MAY LEAVE THE STAGE. 1142 00:33:59,271 --> 00:34:01,340 ALL RIGHT, JUST BETWEEN US 1143 00:34:01,340 --> 00:34:04,110 CHICAS, WHAT DO YOU THINK? 1144 00:34:04,110 --> 00:34:05,944 LET'S START WITH DETOX. 1145 00:34:05,944 --> 00:34:07,313 >> TONIGHT ON THE RUNWAY, THIS 1146 00:34:07,313 --> 00:34:09,047 REALLY WASN'T DETOX'S BEST 1147 00:34:09,047 --> 00:34:09,915 EFFORT. 1148 00:34:09,915 --> 00:34:11,850 AND I EXPECT MORE FROM HER. 1149 00:34:11,850 --> 00:34:13,419 >> WELL, SHE SLAPPED VERY GOOD. 1150 00:34:13,419 --> 00:34:14,486 [laughs] 1151 00:34:14,486 --> 00:34:15,521 >> WHICH IS VERY IMPORTANT 1152 00:34:15,521 --> 00:34:16,355 IN A TELENOVELA. 1153 00:34:16,355 --> 00:34:17,022 >> YES. 1154 00:34:17,022 --> 00:34:17,789 >> SHE WAS FUNNY-ISH WITH BABY 1155 00:34:17,789 --> 00:34:19,725 DOS BUT COULD HAVE BEEN SO MUCH 1156 00:34:19,725 --> 00:34:20,392 BIGGER. 1157 00:34:20,392 --> 00:34:21,127 LIKE, THAT WAS A WASTED 1158 00:34:21,127 --> 00:34:22,027 OPPORTUNITY. 1159 00:34:22,027 --> 00:34:24,029 >> ROXXXY ANDREWS. 1160 00:34:24,029 --> 00:34:24,963 >> SHE LOOKED SO PRETTY WITH 1161 00:34:24,963 --> 00:34:26,265 THAT BLACK HAIR, AND HER MAKEUP 1162 00:34:26,265 --> 00:34:27,699 LOOKED GORGEOUS. 1163 00:34:27,699 --> 00:34:28,834 AND HER BODY SHAPE WITH THE 1164 00:34:28,834 --> 00:34:29,935 CINCH WAIST. 1165 00:34:29,935 --> 00:34:31,303 SHE JUST MELTED MY LOINS. 1166 00:34:31,303 --> 00:34:32,003 >> WELL, I LOVED SEEING HER 1167 00:34:32,003 --> 00:34:33,272 CINCHED IN LIKE THAT. 1168 00:34:33,272 --> 00:34:34,606 AND THE HAIR, AND SHE DREW ON 1169 00:34:34,606 --> 00:34:35,641 THE LATIN CURLS. 1170 00:34:35,641 --> 00:34:36,742 >> OH, ON THE FACE. 1171 00:34:36,742 --> 00:34:37,609 THAT'S SO CUTE. 1172 00:34:37,609 --> 00:34:39,611 YEAH. AND IN THE TELENOVELA. 1173 00:34:39,611 --> 00:34:40,512 >> SHE WAS STRONG. 1174 00:34:40,512 --> 00:34:41,247 EVERYTHING SHE DID, 1175 00:34:41,247 --> 00:34:42,948 THE PHYSICALITY, HER VOICE, 1176 00:34:42,948 --> 00:34:43,815 THE PITCH. 1177 00:34:43,815 --> 00:34:44,650 SHE STOOD OUT. 1178 00:34:44,650 --> 00:34:46,017 >> ROXXXY REDEEMED HERSELF THIS 1179 00:34:46,017 --> 00:34:47,853 WEEK FROM THE PAST TWO WEEKS OF 1180 00:34:47,853 --> 00:34:49,355 KIND OF LETTING US DOWN. 1181 00:34:49,355 --> 00:34:50,822 >> ALASKA. 1182 00:34:50,822 --> 00:34:53,125 >> ELLA NO ES DAMA REALLY WAS 1183 00:34:53,125 --> 00:34:54,393 THE BETTER OF THE TWO 1184 00:34:54,393 --> 00:34:56,895 TELENOVELAS BECAUSE OF ALASKA. 1185 00:34:56,895 --> 00:34:57,896 >> IT WAS A VERY LAYERED 1186 00:34:57,896 --> 00:34:58,564 PERFORMANCE. 1187 00:34:58,564 --> 00:34:59,665 SHE'S A GIFTED COMEDIAN. 1188 00:34:59,665 --> 00:35:00,932 >> TONIGHT ON THE RUNWAY, 1189 00:35:00,932 --> 00:35:02,734 THE DRESS LOOKED REALLY CHEAP. 1190 00:35:02,734 --> 00:35:03,469 BUT SHE GAVE US A LITTLE MORE 1191 00:35:03,469 --> 00:35:04,136 ASS. 1192 00:35:04,136 --> 00:35:04,870 >> YES. 1193 00:35:04,870 --> 00:35:05,737 >> AND YOU LIKE THAT. 1194 00:35:05,737 --> 00:35:07,573 >> HELL, YEAH, I LIKE MORE ASS. 1195 00:35:07,573 --> 00:35:09,107 [laughter] 1196 00:35:09,107 --> 00:35:11,510 >> ALYSSA EDWARDS. 1197 00:35:11,510 --> 00:35:13,212 WHAT DID YOU THINK OF HER OUTFIT 1198 00:35:13,212 --> 00:35:14,146 ON THE RUNWAY? 1199 00:35:14,146 --> 00:35:15,581 >> WHOEVER MADE THAT FOR HER IS 1200 00:35:15,581 --> 00:35:16,715 FIRED. 1201 00:35:16,715 --> 00:35:18,184 >> THANKS A LOT, GRANDMA. 1202 00:35:18,184 --> 00:35:20,386 >> [laughing] 1203 00:35:20,386 --> 00:35:21,887 >> AND WHAT'D YOU THINK OF HER 1204 00:35:21,887 --> 00:35:22,854 IN THE TELENOVELA? 1205 00:35:22,854 --> 00:35:24,556 >> THAT ROLE COULD HAVE BEEN SO, 1206 00:35:24,556 --> 00:35:26,625 SO BIG AND FUNNY, BECAUSE SHE'S 1207 00:35:26,625 --> 00:35:28,227 SO INTRIGUING TO ME. 1208 00:35:28,227 --> 00:35:29,428 >> HOW IS IT THAT SHE DOESN'T 1209 00:35:29,428 --> 00:35:31,129 KNOW HOW TO HAM IT UP IN FRONT 1210 00:35:31,129 --> 00:35:31,830 OF A CAMERA? 1211 00:35:31,830 --> 00:35:33,499 >> SHE DOESN'T KNOW WHAT SHE'S 1212 00:35:33,499 --> 00:35:34,433 GOT. 1213 00:35:34,433 --> 00:35:35,767 >> SHE WAS ALREADY TALKING 1214 00:35:35,767 --> 00:35:36,635 ABOUT, LIKE, HAVING TO LIP SYNC 1215 00:35:36,635 --> 00:35:38,069 FOR HER LIFE TONIGHT. 1216 00:35:38,069 --> 00:35:39,505 >> IF THAT INNER DIALOGUE IS 1217 00:35:39,505 --> 00:35:41,039 SAYING, YOU KNOW, I'M GONNA FAIL 1218 00:35:41,039 --> 00:35:42,107 AT THIS OR I'M NOT ANY GOOD AT 1219 00:35:42,107 --> 00:35:43,809 THIS, WELL, HELLO, THAT'S WHAT 1220 00:35:43,809 --> 00:35:44,510 YOU GET, YOU KNOW. 1221 00:35:44,510 --> 00:35:45,211 >> YES. 1222 00:35:45,211 --> 00:35:46,545 >> JINKXY MONSOON. 1223 00:35:46,545 --> 00:35:48,180 >> SHE IS A VERY GOOD ACTRESS. 1224 00:35:48,180 --> 00:35:49,381 SHE'S BEAUTIFUL. 1225 00:35:49,381 --> 00:35:50,282 SHE'S FUNNY. 1226 00:35:50,282 --> 00:35:51,116 >> SHE TOOK THAT SCRIPT, AND SHE 1227 00:35:51,116 --> 00:35:52,318 MADE IT HER OWN. 1228 00:35:52,318 --> 00:35:53,519 >> THAT TAKES A REALLY TALENTED 1229 00:35:53,519 --> 00:35:54,486 PERSON TO BE ABLE TO DO THAT. 1230 00:35:54,486 --> 00:35:57,088 >> SHE LOOKED FLAWLESS IN THAT 1231 00:35:57,088 --> 00:35:57,789 TELENOVELA. 1232 00:35:57,789 --> 00:35:58,524 >> YEAH. 1233 00:35:58,524 --> 00:36:00,192 >> THE DIA DE LOS MUERTOS. 1234 00:36:00,192 --> 00:36:01,227 IT WAS SHOCKING. 1235 00:36:01,227 --> 00:36:02,261 I THINK SHE LOOKED FIERCE THE 1236 00:36:02,261 --> 00:36:03,094 WAY SHE DID IT. 1237 00:36:03,094 --> 00:36:05,931 >> I LOVED THE COJONES IT TOOK 1238 00:36:05,931 --> 00:36:07,899 TO DO THAT, AND IT REALLY DID 1239 00:36:07,899 --> 00:36:10,502 CATCH ME BY SURPRISE. 1240 00:36:10,502 --> 00:36:11,870 COCO MONTRESE. 1241 00:36:11,870 --> 00:36:12,738 >> I THOUGHT SHE LOOKED 1242 00:36:12,738 --> 00:36:13,539 GORGEOUS. 1243 00:36:13,539 --> 00:36:14,606 I MEAN, THIS IS HER COLOR, 1244 00:36:14,606 --> 00:36:16,408 THE SHAPE, EVEN THE CHEAPISH 1245 00:36:16,408 --> 00:36:17,576 FLOWERS. 1246 00:36:17,576 --> 00:36:18,610 IN THE NOVELA, I THINK THERE 1247 00:36:18,610 --> 00:36:19,711 WERE A LOT OF WEIRD CHOICES 1248 00:36:19,711 --> 00:36:21,179 AND MISSED OPPORTUNITIES. 1249 00:36:21,179 --> 00:36:23,014 A LOT OF LITERAL ACTING OUT, 1250 00:36:23,014 --> 00:36:24,616 WHICH IS, LIKE, CARDINAL SIN 1251 00:36:24,616 --> 00:36:25,751 NUMBER ONE. 1252 00:36:25,751 --> 00:36:27,253 >> I WANTED HER TO STAND OUT SO 1253 00:36:27,253 --> 00:36:28,220 MUCH MORE. 1254 00:36:28,220 --> 00:36:29,955 IT FELT AS IF HER ROLE WAS 1255 00:36:29,955 --> 00:36:31,523 INSIGNIFICANT UNTIL THE END WHEN 1256 00:36:31,523 --> 00:36:33,024 YOU REALIZED WHAT IT WAS, AND 1257 00:36:33,024 --> 00:36:34,726 THEN YOU JUST WISHED THAT IT WAS 1258 00:36:34,726 --> 00:36:36,795 MORE THAN THAT. 1259 00:36:36,795 --> 00:36:38,530 >> SILENCE. 1260 00:36:38,530 --> 00:36:39,865 I'VE MADE MY DECISION. 1261 00:36:39,865 --> 00:36:43,569 BRING BACK MY GIRLS. 1262 00:36:43,635 --> 00:36:45,637 >> [laughing] 1263 00:36:48,206 --> 00:36:50,342 >> [laughing] 1264 00:36:50,409 --> 00:36:51,843 >> WELCOME BACK, LADIES. 1265 00:36:51,843 --> 00:36:55,247 I'VE MADE SOME DECISIONS. 1266 00:36:55,247 --> 00:36:57,549 ROXXXY ANDREWS, AS TERESA THE 1267 00:36:57,549 --> 00:37:01,086 VIRGIN, YOU REALLY GAVE IT UP. 1268 00:37:01,086 --> 00:37:02,421 YOU'RE SAFE. 1269 00:37:02,421 --> 00:37:04,823 >> THANK YOU. 1270 00:37:04,823 --> 00:37:08,960 >> ALASKA... 1271 00:37:08,960 --> 00:37:09,861 YOU'RE SAFE. 1272 00:37:09,861 --> 00:37:11,863 >> THANK YOU. 1273 00:37:15,100 --> 00:37:17,969 >> JINKX MONSOON, THIS WEEK, 1274 00:37:17,969 --> 00:37:20,572 YOU CAME, YOU SAW... 1275 00:37:20,572 --> 00:37:23,108 AND YOU CAME AGAIN. 1276 00:37:23,108 --> 00:37:24,075 YOU'RE THE WINNER OF THIS WEEK'S 1277 00:37:24,075 --> 00:37:25,544 CHALLENGE. 1278 00:37:25,544 --> 00:37:26,978 [applause] 1279 00:37:26,978 --> 00:37:27,779 >> THANK YOU. 1280 00:37:27,779 --> 00:37:30,749 >> YOU'VE WON A PAIR OF FAUX FUR 1281 00:37:30,749 --> 00:37:34,252 COATS FROM FABULOUS-FURS. 1282 00:37:34,320 --> 00:37:36,355 >> IT'S MUY MAGNIFICO. 1283 00:37:36,422 --> 00:37:38,324 I AM THE FIRST ONE TO WIN TWO 1284 00:37:38,324 --> 00:37:42,361 CHALLENGES IN THIS COMPETITION. 1285 00:37:42,361 --> 00:37:44,095 >> ALYSSA EDWARDS, YOUR 1286 00:37:44,095 --> 00:37:46,898 PERFORMANCE IN THE TELENOVELA 1287 00:37:46,898 --> 00:37:48,834 DID NOT HAVE US SCREAMING IN 1288 00:37:48,834 --> 00:37:50,969 ECSTASY. 1289 00:37:50,969 --> 00:37:51,770 I'M SORRY, MY DEAR, BUT YOU ARE 1290 00:37:51,770 --> 00:37:54,272 UP FOR ELIMINATION. 1291 00:37:54,272 --> 00:37:55,707 >> [sighs] 1292 00:37:55,707 --> 00:37:57,943 >> COCO MONTRESE, AS HILDA THE 1293 00:37:57,943 --> 00:38:00,579 MAID, YOU WERE A LITTLE... 1294 00:38:00,579 --> 00:38:02,948 DUSTY. 1295 00:38:02,948 --> 00:38:06,151 DETOX, AS CONSUELA THE MAID, 1296 00:38:06,151 --> 00:38:11,222 YOU...DIDN'T CLEAN UP. 1297 00:38:11,222 --> 00:38:14,059 COCO MONTRESE... 1298 00:38:14,059 --> 00:38:14,893 I'M SORRY, MY DEAR, BUT YOU ARE 1299 00:38:14,893 --> 00:38:18,163 UP FOR ELIMINATION. 1300 00:38:18,163 --> 00:38:19,164 >> OOH. 1301 00:38:19,164 --> 00:38:20,165 [tense music] 1302 00:38:20,165 --> 00:38:23,735 * 1303 00:38:23,735 --> 00:38:24,870 >> DETOX, YOU MAY JOIN THE OTHER 1304 00:38:24,870 --> 00:38:29,040 GIRLS. 1305 00:38:29,040 --> 00:38:30,809 TWO QUEENS STAND BEFORE ME. 1306 00:38:30,809 --> 00:38:33,845 LADIES, THIS IS YOUR LAST CHANCE 1307 00:38:33,845 --> 00:38:38,016 TO IMPRESS ME AND SAVE YOURSELF 1308 00:38:38,016 --> 00:38:40,852 FROM ELIMINATION. 1309 00:38:40,852 --> 00:38:42,721 THE TIME HAS COME FOR YOU TO 1310 00:38:42,721 --> 00:38:45,724 LIP SYNC FOR YOUR LIFE. 1311 00:38:49,127 --> 00:38:50,028 >> FROM THE FIRST DAY I WALKED 1312 00:38:50,028 --> 00:38:52,030 INTO THE WORKROOM AND I SAW HER 1313 00:38:52,030 --> 00:38:54,633 FACE, I WANTED TO STEP ON THAT 1314 00:38:54,633 --> 00:38:57,002 STAGE ACROSS FROM HER AND GET 1315 00:38:57,002 --> 00:38:58,470 VINDICATION. 1316 00:38:58,470 --> 00:39:00,038 >> AFTER ALL THE DRAMA WITH OUR 1317 00:39:00,038 --> 00:39:02,641 LAST PAGEANT EXPERIENCE, WE BOTH 1318 00:39:02,641 --> 00:39:03,809 WANT THIS CROWN. 1319 00:39:03,809 --> 00:39:05,744 THIS WILL BE THE TIEBREAKER. 1320 00:39:05,744 --> 00:39:08,514 >> GOOD LUCK, AND DON'T FUCK 1321 00:39:08,514 --> 00:39:11,517 IT UP. 1322 00:39:14,986 --> 00:39:16,988 >> * HE'S A COLD-HEARTED SNAKE * 1323 00:39:16,988 --> 00:39:17,656 >> * GIRL 1324 00:39:17,656 --> 00:39:19,891 >> * LOOK INTO HIS EYES 1325 00:39:19,891 --> 00:39:20,892 * UH-OH 1326 00:39:20,892 --> 00:39:22,628 * HE'S BEEN TELLING LIES * 1327 00:39:22,628 --> 00:39:24,396 * HE'S A LOVER BOY AT PLAY * 1328 00:39:24,396 --> 00:39:25,130 >> * GIRL 1329 00:39:25,130 --> 00:39:26,865 >> * HE DON'T PLAY BY RULES * 1330 00:39:26,865 --> 00:39:27,799 >> * OH OH 1331 00:39:27,799 --> 00:39:29,100 >> * OH OH 1332 00:39:29,100 --> 00:39:30,035 * GIRL, DON'T PLAY * 1333 00:39:30,035 --> 00:39:30,902 * THE FOOL NOW 1334 00:39:30,902 --> 00:39:31,703 * HOW COME HOW COME HE CAN 1335 00:39:31,703 --> 00:39:32,404 * HE CAN TELL-A TELL-A 1336 00:39:32,404 --> 00:39:33,271 * YOU'RE-A YOU'RE-A * 1337 00:39:33,271 --> 00:39:34,105 * ALWAYS ALWAYS NUMBER NUMBER 1338 00:39:34,105 --> 00:39:34,806 * ONE WITHOUT A DOUBT 1339 00:39:34,806 --> 00:39:35,641 * WHEN-A WHEN-A HE IS HE IS 1340 00:39:35,641 --> 00:39:36,408 >> I'M MAKING SURE THE JUDGES 1341 00:39:36,408 --> 00:39:37,776 SEE EVERY WORD THAT'S COMING 1342 00:39:37,776 --> 00:39:39,344 OUT OF MY MOUTH, AS IF I WAS 1343 00:39:39,344 --> 00:39:42,648 PAULA ABDUL HERSELF. 1344 00:39:42,648 --> 00:39:43,515 >> * YOU COULD FIND SOMEBODY 1345 00:39:43,515 --> 00:39:45,617 * BETTER, GIRL 1346 00:39:45,617 --> 00:39:46,452 * LET ME TELL YA 1347 00:39:46,452 --> 00:39:49,421 * HE'S C-COLD AS ICE * 1348 00:39:49,421 --> 00:39:50,822 >> THAT SPINNING JUMP INTO 1349 00:39:50,822 --> 00:39:51,623 THE SPLIT? 1350 00:39:51,623 --> 00:39:53,492 I MEAN, COME ON. 1351 00:39:53,559 --> 00:39:54,693 >> COCO'S SPINNING VERY 1352 00:39:54,693 --> 00:39:55,360 BEAUTIFUL. 1353 00:39:55,360 --> 00:39:56,762 HER OUTFIT WORKS PERFECTLY FOR 1354 00:39:56,762 --> 00:39:58,196 THE DANCE MOVES. 1355 00:39:58,196 --> 00:40:00,231 MISS THING, SHE IS EVERYTHING. 1356 00:40:00,298 --> 00:40:02,100 >> * C-C-C-COLD-HEARTED 1357 00:40:02,100 --> 00:40:04,936 * S-S-S-SNAKE 1358 00:40:04,936 --> 00:40:05,737 >> [laughing] 1359 00:40:05,737 --> 00:40:06,404 >> * COLD-HEARTED 1360 00:40:06,404 --> 00:40:07,773 * S-S-S-S-NAKE 1361 00:40:07,773 --> 00:40:09,508 * HE'S A COLD-HEARTED SNAKE * 1362 00:40:09,508 --> 00:40:10,576 >> THE LIP-SYNC IS JAW-DROPPING. 1363 00:40:10,576 --> 00:40:14,145 IT'S GONNA BE NECK AND NECK. 1364 00:40:14,145 --> 00:40:14,980 >> * GIRL, DON'T PLAY * 1365 00:40:14,980 --> 00:40:16,782 * THE FOOL 1366 00:40:16,782 --> 00:40:19,050 [cheers and applause] 1367 00:40:19,050 --> 00:40:21,520 >> [howls] 1368 00:40:21,520 --> 00:40:25,123 >> WOW. 1369 00:40:25,123 --> 00:40:27,559 LADIES... 1370 00:40:27,559 --> 00:40:30,295 I'VE MADE MY DECISION. 1371 00:40:32,898 --> 00:40:34,399 COCO MONTRESE... 1372 00:40:34,399 --> 00:40:37,335 SHANTE, YOU STAY. 1373 00:40:37,335 --> 00:40:39,738 >> [exhales heavily] 1374 00:40:39,738 --> 00:40:41,106 COCO, YOU MAY JOIN THE OTHER 1375 00:40:41,106 --> 00:40:42,040 GIRLS. 1376 00:40:42,040 --> 00:40:42,874 >> THANK YOU. 1377 00:40:42,874 --> 00:40:43,942 >> CONGRATULATIONS. 1378 00:40:43,942 --> 00:40:45,343 >> [inaudible] 1379 00:40:45,343 --> 00:40:48,313 >> [sighs] 1380 00:40:48,313 --> 00:40:50,181 >> ALYSSA EDWARDS, THE NEXT 1381 00:40:50,181 --> 00:40:51,783 TIME YOU LOOK IN THE MIRROR, 1382 00:40:51,783 --> 00:40:53,785 I HOPE YOU SEE WHAT I SEE-- 1383 00:40:53,785 --> 00:40:55,453 A TRIPLE THREAT. 1384 00:40:55,453 --> 00:40:58,724 A DANCER, A BEAUTY QUEEN, AND 1385 00:40:58,724 --> 00:41:03,028 ONE FIERCE-ASS "ENTERTAINTER". 1386 00:41:03,028 --> 00:41:06,732 NOW, SASHAY AWAY. 1387 00:41:06,732 --> 00:41:07,699 >> THANK YOU. 1388 00:41:07,699 --> 00:41:08,667 >> THANK YOU. 1389 00:41:08,667 --> 00:41:10,569 [applause, maracas rattling] 1390 00:41:10,569 --> 00:41:13,304 >> CONGRATULATIONS, COCO. 1391 00:41:13,304 --> 00:41:15,306 DEUCES. 1392 00:41:15,306 --> 00:41:16,608 I CANNOT SAY THAT I'M 1393 00:41:16,608 --> 00:41:18,944 HEARTBROKEN, BECAUSE I GAVE IT 1394 00:41:18,944 --> 00:41:20,078 MY ALL. 1395 00:41:20,078 --> 00:41:22,781 AND TO SAY THAT I AM IN THE TOP 1396 00:41:22,781 --> 00:41:25,350 SIX OF AMERICA'S FINEST IN THIS 1397 00:41:25,350 --> 00:41:27,252 ART FORM IS A PRIVILEGE, AND 1398 00:41:27,252 --> 00:41:28,219 IT'S AN HONOR. 1399 00:41:28,219 --> 00:41:30,556 ALWAYS AND FOREVER... 1400 00:41:30,556 --> 00:41:34,926 [echoing] ALYSSA EDWARDS! 1401 00:41:34,993 --> 00:41:37,763 >> CONDRAGULATIONS, MY FEROCIOUS 1402 00:41:37,763 --> 00:41:38,930 FIVE. 1403 00:41:38,930 --> 00:41:40,398 NOW, REMEMBER, IF YOU CAN'T LOVE 1404 00:41:40,398 --> 00:41:41,900 YOURSELF, HOW IN THE HELL YOU 1405 00:41:41,900 --> 00:41:42,801 GONNA LOVE SOMEBODY ELSE? 1406 00:41:42,801 --> 00:41:44,069 CAN I GET AN AMEN UP IN HERE? 1407 00:41:44,069 --> 00:41:46,237 >> all: AMEN. 1408 00:41:46,237 --> 00:41:47,973 >> LET THE MUSIC PLAY. 1409 00:41:47,973 --> 00:41:51,176 [RuPaul's The Beginning] 1410 00:41:51,176 --> 00:41:52,410 >> * RIGHT, RIGHT 1411 00:41:52,410 --> 00:41:53,745 * GET IT, GET IT 1412 00:41:53,745 --> 00:41:55,914 * G-G-GET IT, GET IT RIGHT 1413 00:41:55,914 --> 00:41:58,183 * THIS IS THE BEGINNING 1414 00:41:58,183 --> 00:41:59,417 * THE BEGINNING 1415 00:41:59,417 --> 00:42:00,919 * THIS IS THE BEGINNING 1416 00:42:00,919 --> 00:42:03,922 * OF THE REST OF YOUR LIFE