1 00:00:00,483 --> 00:00:01,173 >> PREVIOUSLY ON 2 00:00:01,173 --> 00:00:02,036 RUPAUL'S DRAG RACE... 3 00:00:02,036 --> 00:00:03,589 YOU'RE NOT THE FIRST QUEENS TO 4 00:00:03,589 --> 00:00:05,315 ARRIVE. 5 00:00:05,315 --> 00:00:08,146 SEVEN QUEENS CAME, AND ONE HAS 6 00:00:08,146 --> 00:00:11,735 ALREADY SASHAYED AWAY. 7 00:00:11,735 --> 00:00:13,082 >> SERVE THAT FACE, GIRL. 8 00:00:13,082 --> 00:00:15,463 WE'RE LOSING IT. 9 00:00:15,463 --> 00:00:17,465 >> YOU NEED TO CREATE YOUR BEST 10 00:00:17,465 --> 00:00:20,296 LIFE-OF-THE-PARTY COUTURE. 11 00:00:20,296 --> 00:00:21,849 DARIENNE LAKE. 12 00:00:21,849 --> 00:00:23,575 >> A LITTLE BORING HERE. 13 00:00:23,575 --> 00:00:25,439 >> I GET THIS ANGRY VIBE FROM 14 00:00:25,439 --> 00:00:26,405 YOU. 15 00:00:26,405 --> 00:00:29,029 >> I--OKAY. 16 00:00:29,029 --> 00:00:30,927 >> BIANCA DEL RIO, YOU'RE THE 17 00:00:30,927 --> 00:00:32,446 WINNER OF THIS WEEK'S CHALLENGE. 18 00:00:32,446 --> 00:00:33,274 [applause] 19 00:00:33,274 --> 00:00:35,173 >> DARIENNE LAKE, SHANTE. 20 00:00:35,173 --> 00:00:36,864 YOU STAY. 21 00:00:36,864 --> 00:00:41,075 MAGNOLIA CRAWFORD, SASHAY AWAY. 22 00:00:41,075 --> 00:00:43,802 ENJOY THIS MOMENT, BECAUSE THERE 23 00:00:43,802 --> 00:00:47,185 ARE SIX MORE FIERCE QUEENS READY 24 00:00:47,185 --> 00:00:50,188 ARE SIX MORE FIERCE QUEENS READY TO SNATCH THE CROWN. 25 00:00:50,188 --> 00:00:52,638 TO SNATCH THE CROWN. 26 00:00:52,638 --> 00:00:55,469 TO SNATCH THE CROWN. >> OH, [bleep]. 27 00:00:55,469 --> 00:00:59,024 >> OH, [bleep]. 28 00:00:59,024 --> 00:01:01,026 >> I WALK INTO THE WORKROOM, 29 00:01:01,026 --> 00:01:02,165 AND, OH, MY GOD. 30 00:01:02,165 --> 00:01:03,718 IT'S THE OTHER GIRLS. 31 00:01:03,718 --> 00:01:07,067 LOOK AT THESE WHORES. 32 00:01:07,067 --> 00:01:08,861 >> EXCUSE ME? 33 00:01:08,861 --> 00:01:09,655 >> WELL, HELLO. 34 00:01:09,655 --> 00:01:10,449 HUGS. 35 00:01:10,449 --> 00:01:11,657 >> GET ON OVER HERE, MISS THING. 36 00:01:11,657 --> 00:01:12,313 >> HI. 37 00:01:12,313 --> 00:01:13,418 HAPPY MARDI GRAS. 38 00:01:13,418 --> 00:01:14,936 IT'S OUR FIRST TIME TOGETHER 39 00:01:14,936 --> 00:01:15,937 AS A GROUP. 40 00:01:15,937 --> 00:01:17,387 WE'RE ALL JUST KIND OF, LIKE, 41 00:01:17,387 --> 00:01:18,871 SNIFFING AROUND EACH OTHER. 42 00:01:18,871 --> 00:01:19,527 >> WHAT'S YOUR NAME? 43 00:01:19,527 --> 00:01:20,183 >> TRINITY. 44 00:01:20,183 --> 00:01:20,942 >> TRINITY. 45 00:01:20,942 --> 00:01:21,771 BEN DE LA CREME. 46 00:01:21,771 --> 00:01:22,668 >> MY FIRST IMPRESSION OF 47 00:01:22,668 --> 00:01:24,084 BEN DE LA CREME--SHE KIND OF 48 00:01:24,084 --> 00:01:25,326 LOOKS LIKE THE HAMBURGLAR'S 49 00:01:25,326 --> 00:01:26,638 WIFE. 50 00:01:26,638 --> 00:01:28,018 [laughs] 51 00:01:28,018 --> 00:01:28,674 >> MY NAME IS 52 00:01:28,674 --> 00:01:30,849 MISS LAGANJA ESTRANJA, HONEY, 53 00:01:30,849 --> 00:01:31,677 DARLING. 54 00:01:31,677 --> 00:01:33,265 >> LAGANJA, Y'ALL NO TEA. 55 00:01:33,265 --> 00:01:35,233 >> COME ON, NATCH. 56 00:01:35,233 --> 00:01:36,475 >> LAGANJA-- 57 00:01:36,475 --> 00:01:39,685 IRRITATING, YOUNG, FOOLISH. 58 00:01:39,685 --> 00:01:41,101 >> HI, I'M DARIENNE LAKE. 59 00:01:41,101 --> 00:01:42,516 I'M FROM NEW YORK. 60 00:01:42,516 --> 00:01:45,243 >> DARIENNE--YOU KNOW, MY GOD, 61 00:01:45,243 --> 00:01:48,108 THERE'S ROOM FOR EVERYBODY. 62 00:01:48,108 --> 00:01:50,006 LET'S JUST SAY THAT. 63 00:01:50,006 --> 00:01:51,111 >> I'M GLAD I'M NOT THE ONLY 64 00:01:51,111 --> 00:01:52,008 IDOLCONTESTANT HERE. 65 00:01:52,008 --> 00:01:52,664 I WAS ON AMERICA IDOL. 66 00:01:52,664 --> 00:01:53,320 >> I KNOW. 67 00:01:53,320 --> 00:01:54,079 YOU WERE ON AMERICAN IDOL. 68 00:01:54,079 --> 00:01:54,976 >> YES, I KNOW WHO YOU ARE. 69 00:01:54,976 --> 00:01:56,219 >> YOU WERE ON SEASON ONE? 70 00:01:56,219 --> 00:01:57,703 >> NO. 71 00:01:57,703 --> 00:01:58,428 [British accent] "WHAT SEASON 72 00:01:58,428 --> 00:01:59,119 WERE YOU ON? 73 00:01:59,119 --> 00:02:00,465 WERE YOU ON SEASON ONE?" 74 00:02:00,465 --> 00:02:01,742 AND I WAS LIKE, "OH, WE'RE 75 00:02:01,742 --> 00:02:03,709 PLAYING THAT THIS YEAR, BITCH?" 76 00:02:03,709 --> 00:02:05,711 >> WELL, YOU GIRLS... 77 00:02:05,711 --> 00:02:09,922 LOOK GOOD. 78 00:02:09,922 --> 00:02:11,855 >> THERE WAS A SLIGHT PAUSE 79 00:02:11,855 --> 00:02:13,029 THERE. 80 00:02:13,029 --> 00:02:14,548 >> YOU GIRLS... 81 00:02:14,548 --> 00:02:16,619 [coughs] LOOK GOOD. 82 00:02:16,619 --> 00:02:17,792 >> I DIDN'T QUITE COUGH LIKE 83 00:02:17,792 --> 00:02:19,622 A MAN, BUT, YOU KNOW, YOU GUYS 84 00:02:19,622 --> 00:02:21,037 LOOK GOOD. 85 00:02:21,037 --> 00:02:22,245 >> DON'T JUMP THE GUN YET, 86 00:02:22,245 --> 00:02:23,729 MISS KIMORA LEE KARDASHIAN. 87 00:02:23,729 --> 00:02:24,765 SHE NEEDS TO CALM DOWN. 88 00:02:24,765 --> 00:02:25,938 >> MY NAME IS GIA GUNN. 89 00:02:25,938 --> 00:02:27,043 I DON'T JUMP GUNS. 90 00:02:27,043 --> 00:02:28,217 I AM THE BOOM-BOOM GUN, HONEY. 91 00:02:28,217 --> 00:02:29,252 >> OH, IS THAT IT? 92 00:02:29,252 --> 00:02:30,080 IS THAT IT? 93 00:02:30,080 --> 00:02:31,047 YOU CAN HANDLE IT, BUT DON'T 94 00:02:31,047 --> 00:02:31,703 WORRY. 95 00:02:31,703 --> 00:02:32,566 SOME OTHER BITCHES IN HERE KNOW 96 00:02:32,566 --> 00:02:35,500 HOW TO THROW IT, 'KAY, 'KAY? 97 00:02:35,500 --> 00:02:37,433 >> AUNTY, THE STAGE HAS ALREADY 98 00:02:37,433 --> 00:02:38,813 BEEN SET. 99 00:02:38,813 --> 00:02:40,367 BOTH CLIQUES ARE TIGHT WITHIN 100 00:02:40,367 --> 00:02:41,333 THEMSELVES. 101 00:02:41,333 --> 00:02:43,542 THAT BONDING IS DONE. 102 00:02:43,542 --> 00:02:45,095 IT'S GONNA BE... 103 00:02:45,095 --> 00:02:51,516 "GIRLS, HOW YOU DOING?" 104 00:02:51,516 --> 00:02:52,689 [engine revs] 105 00:02:52,689 --> 00:02:53,759 >> RUPAUL DRAG RACE 106 00:02:53,759 --> 00:02:54,415 >> THE WINNER OF 107 00:02:54,415 --> 00:02:55,416 RUPAUL'S DRAG RACERECEIVES 108 00:02:55,416 --> 00:02:56,348 A SICKENING SUPPLY OF 109 00:02:56,348 --> 00:02:58,419 COLOREVOLUTION COSMETICS AND A 110 00:02:58,419 --> 00:03:02,147 CASH PRIZE OF $100,000. 111 00:03:02,147 --> 00:03:04,253 WITH EXTRA-SPECIAL GUEST JUDGES, 112 00:03:04,253 --> 00:03:06,151 GAME OF THRONES'LENA HEADEY 113 00:03:06,151 --> 00:03:07,497 AND LINDA BLAIR. 114 00:03:07,497 --> 00:03:08,498 >> RUPAUL DRAG RACE 115 00:03:08,498 --> 00:03:09,982 >> MAY THE BEST WOMAN 116 00:03:09,982 --> 00:03:11,329 BEST WOMAN WIN 117 00:03:11,329 --> 00:03:13,607 BEST WOMAN WIN [tires screech] 118 00:03:13,607 --> 00:03:17,611 [tires screech] 119 00:03:17,611 --> 00:03:19,889 >> HELLO, HELLO, GOOD MORNING. 120 00:03:19,889 --> 00:03:21,684 >> BACK AGAIN, GIRL. 121 00:03:21,684 --> 00:03:22,823 >> WHO ARE ALL OF THESE OTHER 122 00:03:22,823 --> 00:03:25,205 BOYS WALKING INTO THE WORKROOM? 123 00:03:25,205 --> 00:03:26,447 I'M NOT FEELING SOME OF THE 124 00:03:26,447 --> 00:03:27,586 OTHER QUEENS. 125 00:03:27,586 --> 00:03:29,381 I DON'T LIKE MESSY QUEENS. 126 00:03:29,381 --> 00:03:31,280 I DON'T LIKE CHEAP QUEENS. 127 00:03:31,280 --> 00:03:34,144 AND I DON'T LIKE MANLY QUEENS. 128 00:03:34,144 --> 00:03:35,284 >> SO WHAT DO WE THINK'S GONNA 129 00:03:35,284 --> 00:03:36,457 HAPPEN TODAY? 130 00:03:36,457 --> 00:03:37,527 >> GUESS THERE'LL BE A SHEMAIL 131 00:03:37,527 --> 00:03:38,908 AND NOT THE GIA KIND. 132 00:03:38,908 --> 00:03:40,047 >> OOH. 133 00:03:40,047 --> 00:03:40,841 [laughter] 134 00:03:40,841 --> 00:03:43,119 [woman screams] 135 00:03:43,119 --> 00:03:46,536 >> YOU'VE GOT SHEMAIL. 136 00:03:46,536 --> 00:03:49,884 >> COME ON, SCREAM. 137 00:03:49,884 --> 00:03:52,749 >> RACERS... 138 00:03:52,749 --> 00:03:56,270 WHERE ARE YOU? 139 00:03:56,270 --> 00:03:59,066 I CAN'T FIND YOU. 140 00:03:59,066 --> 00:04:02,759 LISTEN TO ME. 141 00:04:02,759 --> 00:04:05,245 STAY AWAY FROM THE LIGHT. 142 00:04:05,245 --> 00:04:08,903 STAY AWAY FROM THE LIGHT. 143 00:04:08,903 --> 00:04:10,698 BITCH, I SAID GET THE HELL OUT 144 00:04:10,698 --> 00:04:12,459 OF MY LIGHT. 145 00:04:12,459 --> 00:04:13,839 [laughter] 146 00:04:13,839 --> 00:04:15,600 [huffs] THAT'S BETTER. 147 00:04:15,600 --> 00:04:19,259 THEY'RE QUEER! 148 00:04:19,259 --> 00:04:20,398 >> all: OOH. 149 00:04:20,398 --> 00:04:21,295 >> WHAT? 150 00:04:21,295 --> 00:04:22,676 >> HELLO, HELLO, HELLO. 151 00:04:22,676 --> 00:04:24,194 [cheers and applause] 152 00:04:24,194 --> 00:04:26,956 HOW IS MY BLENDED DRAG FAMILY 153 00:04:26,956 --> 00:04:28,095 GETTING ALONG? 154 00:04:28,095 --> 00:04:29,407 >> SICKENING. 155 00:04:29,407 --> 00:04:31,132 >> WELL, WE'LL SEE ABOUT THAT. 156 00:04:31,132 --> 00:04:33,514 NOW, I WANT YOU TO PAIR UP WITH 157 00:04:33,514 --> 00:04:36,276 A QUEEN THAT WAS NOT IN YOUR 158 00:04:36,276 --> 00:04:38,554 ORIGINAL GROUP. 159 00:04:38,554 --> 00:04:41,039 NOW, FOR TODAY'S MINI CHALLENGE, 160 00:04:41,039 --> 00:04:42,937 EACH PAIR NEEDS TO COMBINE 161 00:04:42,937 --> 00:04:45,043 BODIES TO CREATE ONE 162 00:04:45,043 --> 00:04:47,528 LIP-SYNCING, BIKINI-WEARING 163 00:04:47,528 --> 00:04:50,359 BATHING BEAUTY, INSPIRED BY OUR 164 00:04:50,359 --> 00:04:53,051 FRIENDS AT KEY WEST'S FIVE-STAR 165 00:04:53,051 --> 00:04:55,191 ISLAND HOUSE RESORT. 166 00:04:55,191 --> 00:04:58,677 OH, SCRUFF PIT CREW. 167 00:04:58,677 --> 00:05:00,679 [all whooping] 168 00:05:00,679 --> 00:05:03,268 >> AH, YEAH. 169 00:05:03,268 --> 00:05:04,959 >> GO. 170 00:05:04,959 --> 00:05:05,960 [upbeat music] 171 00:05:11,966 --> 00:05:14,072 ALL RIGHT, FIRST UP, 172 00:05:14,072 --> 00:05:15,384 COURTNEY ACT AND 173 00:05:15,384 --> 00:05:17,627 LAGANJA ESTRANJA. 174 00:05:17,627 --> 00:05:19,836 WHO'S TOP, AND WHO'S BOTTOM? 175 00:05:19,836 --> 00:05:21,217 >> both: I'M THE BOTTOM. 176 00:05:21,217 --> 00:05:22,114 >> WHAT? 177 00:05:22,114 --> 00:05:23,115 >> OH, SORRY. 178 00:05:23,115 --> 00:05:25,497 I'M THE TOP. 179 00:05:25,497 --> 00:05:27,637 >> [laughs] 180 00:05:27,637 --> 00:05:31,469 ALL RIGHT, ASSUME THE POSITION. 181 00:05:31,469 --> 00:05:34,023 OH, IS THIS SEAT TAKEN? 182 00:05:34,023 --> 00:05:35,611 HIT IT. 183 00:05:36,991 --> 00:05:39,994 [laughing] 184 00:05:39,994 --> 00:05:44,965 [laughing] 185 00:05:44,965 --> 00:05:46,000 GONNA WALK RIGHT THROUGH 186 00:05:46,000 --> 00:05:47,139 THAT DOOR 187 00:05:47,139 --> 00:05:47,899 HIGH HEELS 188 00:05:47,899 --> 00:05:49,072 ON A HARDWOOD FLOOR 189 00:05:49,072 --> 00:05:50,453 THEY ALL COMING BACK 190 00:05:50,453 --> 00:05:51,247 FOR MORE 191 00:05:51,247 --> 00:05:52,662 IT'S A PARTY TONIGHT 192 00:05:52,662 --> 00:05:53,629 YEAH, YEAH 193 00:05:53,629 --> 00:05:55,424 WHERE MY GIRLS GO 194 00:05:55,424 --> 00:05:57,426 OH, GONNA BE A GOOD SHOW 195 00:05:57,426 --> 00:05:58,219 OH, OH 196 00:05:58,219 --> 00:05:59,669 HEY, GIRL, YOU GO 197 00:05:59,669 --> 00:06:01,257 GON' GON' 198 00:06:01,257 --> 00:06:02,983 GONNA MAKE THAT MONEY 199 00:06:02,983 --> 00:06:04,605 WHERE MY GIRLS AT? 200 00:06:04,605 --> 00:06:07,021 MAKE YOUR HEELS CLAP 201 00:06:07,021 --> 00:06:09,196 WHERE MY GIRLS AT? 202 00:06:09,196 --> 00:06:11,612 MAKE YOUR HEELS CLAP 203 00:06:11,612 --> 00:06:12,993 PEANUT BUTTER HEAD 204 00:06:12,993 --> 00:06:13,994 KISS MY GRITS 205 00:06:13,994 --> 00:06:15,029 YOUR MAMA'S IN THE KITCHEN 206 00:06:15,029 --> 00:06:16,410 BUT HER OVEN ON THE FRITZ 207 00:06:16,410 --> 00:06:17,342 YOUR DAD'S IN JAIL 208 00:06:17,342 --> 00:06:18,343 RAISING HELL 209 00:06:18,343 --> 00:06:19,102 AND YOUR SISTER'S 210 00:06:19,102 --> 00:06:19,793 ON THE CORNER 211 00:06:19,793 --> 00:06:20,966 SELLING SOMETHING FOR SALE 212 00:06:20,966 --> 00:06:22,209 [laughs] 213 00:06:22,209 --> 00:06:23,900 [cheers and applause] 214 00:06:23,900 --> 00:06:26,040 WELL, LADIES, YOU ALL DID 215 00:06:26,040 --> 00:06:28,146 SWIMMINGLY, BUT THE WINNERS 216 00:06:28,146 --> 00:06:30,390 ARE... 217 00:06:30,390 --> 00:06:31,494 MILK AND ADORE. 218 00:06:31,494 --> 00:06:34,014 >> YAY. 219 00:06:34,014 --> 00:06:36,326 >> NOW IT'S TIME TO PUT 220 00:06:36,326 --> 00:06:38,984 THE FEAR IN FIERCE. 221 00:06:38,984 --> 00:06:40,503 FOR THIS WEEK'S MAIN CHALLENGE, 222 00:06:40,503 --> 00:06:42,643 YOU'LL BE SCREEN-TESTING FOR A 223 00:06:42,643 --> 00:06:45,819 NEW HORROR-FILM FRANCHISE, 224 00:06:45,819 --> 00:06:46,820 [deep, scary voice] DRAG RACE ME 225 00:06:46,820 --> 00:06:48,373 TO HELL. 226 00:06:48,373 --> 00:06:50,133 [laughter] 227 00:06:50,133 --> 00:06:52,204 WORKING IN TEAMS OF SIX, YOU'LL 228 00:06:52,204 --> 00:06:55,207 SERVE SCARY-MOVIE REALNESS IN 229 00:06:55,207 --> 00:06:57,209 TWO SICKENING SCENES, 230 00:06:57,209 --> 00:06:59,902 ONE SET IN THE '60s AND ONE 231 00:06:59,902 --> 00:07:01,386 IN THE '80s. 232 00:07:01,386 --> 00:07:03,733 #SCREAMQUEENS. 233 00:07:03,733 --> 00:07:06,218 MILK AND ADORE, YOU ARE TEAM 234 00:07:06,218 --> 00:07:07,150 CAPTAINS. 235 00:07:07,150 --> 00:07:09,567 HERE ARE YOUR SCRIPTS. 236 00:07:09,567 --> 00:07:12,362 PICK YOUR SPOOK SISTERS. 237 00:07:12,362 --> 00:07:15,227 >> MISS BIANCA. 238 00:07:15,227 --> 00:07:16,366 >> I'M SPOOKY. 239 00:07:16,366 --> 00:07:18,817 >> MISS LAGANJA ESTRANJA. 240 00:07:18,817 --> 00:07:20,370 >> COME ON, GIRL, LET'S SCREAM. 241 00:07:20,370 --> 00:07:21,613 >> [laughs] 242 00:07:21,613 --> 00:07:22,752 >> DARIENNE LAKE. 243 00:07:22,752 --> 00:07:24,133 >> OH, THIS IS NOT LIKE GYM 244 00:07:24,133 --> 00:07:24,858 CLASS. 245 00:07:24,858 --> 00:07:25,859 [giggles] 246 00:07:25,859 --> 00:07:26,998 >> DE LA CREME. 247 00:07:26,998 --> 00:07:28,378 >> [laughs] 248 00:07:28,378 --> 00:07:31,209 >> MISS COURTNEY. 249 00:07:31,209 --> 00:07:32,866 >> GIA GUNN. 250 00:07:32,866 --> 00:07:34,454 [laughs] 251 00:07:34,454 --> 00:07:35,627 >> JOSLYN. 252 00:07:35,627 --> 00:07:37,457 >> WE'LL BE A SCREAM. 253 00:07:37,457 --> 00:07:38,458 >> APRIL. 254 00:07:38,458 --> 00:07:42,013 >> OH, YES. 255 00:07:42,013 --> 00:07:44,774 >> TRINITY KARDASHIAN. 256 00:07:44,774 --> 00:07:46,673 >> THAT, OF COURSE, MEANS 257 00:07:46,673 --> 00:07:49,710 VIVACIOUS GOES TO TEAM ADORE. 258 00:07:49,710 --> 00:07:51,091 >> COME, DARLING, COME. 259 00:07:51,091 --> 00:07:52,023 >> OH, YEAH. 260 00:07:52,023 --> 00:07:53,093 >> VERY INTERESTING. 261 00:07:53,093 --> 00:07:54,784 YOU CHOSE THE QUEENS FROM YOUR 262 00:07:54,784 --> 00:07:56,027 ORIGINAL GROUPS. 263 00:07:56,027 --> 00:07:57,580 >> OF COURSE I CHOSE MY GROUP. 264 00:07:57,580 --> 00:07:58,788 THEY'RE THE BEE'S KNEES. 265 00:07:58,788 --> 00:08:00,652 THAT FIRST GROUP HAS SOME PRETTY 266 00:08:00,652 --> 00:08:03,137 BITCHES, BUT I DON'T LIKE 'EM. 267 00:08:03,137 --> 00:08:04,898 >> GENTLEMEN, START YOUR 268 00:08:04,898 --> 00:08:06,727 ENGINES, AND MAY THE BEST 269 00:08:06,727 --> 00:08:08,418 WOMAN... 270 00:08:08,418 --> 00:08:11,421 WOMAN... [screaming] 271 00:08:11,421 --> 00:08:15,564 [screaming] 272 00:08:15,564 --> 00:08:16,357 [cheers and applause] 273 00:08:16,357 --> 00:08:17,842 >> BYE, RU. 274 00:08:17,842 --> 00:08:22,674 >> [screaming] 275 00:08:22,674 --> 00:08:24,262 >> JUST DIE ALREADY. 276 00:08:24,262 --> 00:08:27,023 [laughter] 277 00:08:27,023 --> 00:08:28,749 >> OKAY, EVERYONE... 278 00:08:28,749 --> 00:08:30,302 OH, I LOVE THIS. 279 00:08:30,302 --> 00:08:32,270 I'M A HUGE FAN OF '80s HORROR 280 00:08:32,270 --> 00:08:32,926 MOVIES. 281 00:08:32,926 --> 00:08:34,030 SO, AS SOON AS I FOUND OUT THAT 282 00:08:34,030 --> 00:08:35,238 IT WAS THE '80s VERSION, 283 00:08:35,238 --> 00:08:36,930 I WAS FREAKING OUT. 284 00:08:36,930 --> 00:08:38,034 OKAY, I'M HEATHER. 285 00:08:38,034 --> 00:08:38,794 YOU'RE BECKY. 286 00:08:38,794 --> 00:08:39,553 >> OKAY. 287 00:08:39,553 --> 00:08:40,727 >> YOU'RE THE CRAZY MOTHER. 288 00:08:40,727 --> 00:08:44,524 >> YES. 289 00:08:44,524 --> 00:08:45,386 >> YOU WANT TO BE SCARY HEAD 290 00:08:45,386 --> 00:08:46,871 IN THE BOX? 291 00:08:46,871 --> 00:08:48,355 AT THIS POINT, WE HAVE 292 00:08:48,355 --> 00:08:49,529 LIMITED TIME. 293 00:08:49,529 --> 00:08:50,633 I JUST GOT TO HAND THIS [bleep] 294 00:08:50,633 --> 00:08:51,738 OUT LIKE IT WAS CANDY OUT OF 295 00:08:51,738 --> 00:08:52,739 A PIÑATA. 296 00:08:52,739 --> 00:08:53,878 CATCH IT, BITCH, 'CAUSE YOU'RE 297 00:08:53,878 --> 00:08:54,948 GETTING THE ROLE. 298 00:08:54,948 --> 00:08:56,605 HOLD ON, WHERE AM I? 299 00:08:56,605 --> 00:08:58,123 >> PLEASE DON'T LET ME BE BUTCH. 300 00:08:58,123 --> 00:08:59,159 >> AND THEN YOU BE THE BUTCH 301 00:08:59,159 --> 00:09:01,713 REAL-ESTATE AGENT. 302 00:09:01,713 --> 00:09:04,129 >> YOU COULD DO THAT, NO? 303 00:09:04,129 --> 00:09:05,441 >> YEAH. 304 00:09:05,441 --> 00:09:06,407 STOP. 305 00:09:06,407 --> 00:09:07,305 WHAT THE HELL? 306 00:09:07,305 --> 00:09:09,238 I'M A WORKING LADY. 307 00:09:09,238 --> 00:09:11,447 >> THERE IS NOTHING MANLY ON 308 00:09:11,447 --> 00:09:13,311 APRIL, SO SHE'S GOT SOME 309 00:09:13,311 --> 00:09:15,693 STRETCHING TO DO. 310 00:09:15,693 --> 00:09:18,005 >> SASHAY AWAY. 311 00:09:18,005 --> 00:09:22,803 >> EW, GAG ME WITH A "DALARIAN." 312 00:09:22,803 --> 00:09:23,977 WHAT IS IT? 313 00:09:23,977 --> 00:09:24,667 >> A DELOREAN. 314 00:09:24,667 --> 00:09:25,392 >> DELOREAN. 315 00:09:25,392 --> 00:09:26,117 WHAT'S THAT? 316 00:09:26,117 --> 00:09:27,808 >> IT'S, LIKE, AN '80s CAR. 317 00:09:27,808 --> 00:09:29,741 >> OH, OKAY. 318 00:09:29,741 --> 00:09:32,226 I'VE NEVER HEARD OF A DELOREAN. 319 00:09:32,226 --> 00:09:33,952 FOR ALL I KNOW, IT'S A [bleep] 320 00:09:33,952 --> 00:09:35,367 ANCIENT DILDO. 321 00:09:35,367 --> 00:09:37,887 I HAVE NO IDEA. 322 00:09:37,887 --> 00:09:41,719 >> WELL, NOT MY FATHER... 323 00:09:41,719 --> 00:09:43,065 BECAUSE... 324 00:09:43,065 --> 00:09:46,206 BECAUSE I DON'T HAVE A FATHER. 325 00:09:46,206 --> 00:09:47,897 >> I'M A LITTLE WORRIED BECAUSE 326 00:09:47,897 --> 00:09:48,967 I DON'T KNOW THAT SOME OF MY 327 00:09:48,967 --> 00:09:50,624 TEAMMATES CAN DO THEIR ROLES. 328 00:09:50,624 --> 00:09:52,384 ADORE COULD HAVE DONE BETTER, 329 00:09:52,384 --> 00:09:54,248 BUT SINK OR SWIM, SHE IS THE 330 00:09:54,248 --> 00:09:56,630 LEADER. 331 00:09:56,630 --> 00:09:57,631 >> COMING UP... 332 00:09:57,631 --> 00:09:58,736 ACTION. 333 00:09:58,736 --> 00:10:02,360 ACTION. [all screaming] 334 00:10:02,360 --> 00:10:05,121 [all screaming] 335 00:10:05,121 --> 00:10:06,744 OKAY. 336 00:10:06,744 --> 00:10:08,711 OKAY. [laughing] 337 00:10:08,711 --> 00:10:11,093 [laughing] 338 00:10:11,093 --> 00:10:14,165 >> [laughing] 339 00:10:14,165 --> 00:10:15,269 >> I THINK YOU WOULD BE A GOOD 340 00:10:15,269 --> 00:10:16,408 MRS. BATES. 341 00:10:16,408 --> 00:10:17,513 >> IT DOESN'T MATTER TO ME. 342 00:10:17,513 --> 00:10:18,618 I LIKE ALL OF 'EM. 343 00:10:18,618 --> 00:10:19,549 >> OUR TEAM GETS 344 00:10:19,549 --> 00:10:20,378 DRAG RACE ME TO HELL, 345 00:10:20,378 --> 00:10:22,000 THE ORIGINAL SET IN THE '60s. 346 00:10:22,000 --> 00:10:23,899 I'M EXCITED BECAUSE THE ORIGINAL 347 00:10:23,899 --> 00:10:24,934 IS ALWAYS BETTER THAN 348 00:10:24,934 --> 00:10:25,625 THE SEQUEL. 349 00:10:25,625 --> 00:10:26,626 >> I WAS THINKING MRS. HITCHCOCK 350 00:10:26,626 --> 00:10:28,213 WITH A BRITISH ACCENT 'CAUSE 351 00:10:28,213 --> 00:10:29,456 I'VE GOT AN ACCENT. 352 00:10:29,456 --> 00:10:33,011 I'VE GOT AN ACCENT. >> OKAY, SO SCARY HEAD IN A BOX. 353 00:10:33,011 --> 00:10:37,775 >> OKAY, SO SCARY HEAD IN A BOX. 354 00:10:37,775 --> 00:10:40,398 DARIENNE, SCARY HEAD IN A BOX? 355 00:10:40,398 --> 00:10:41,744 >> SURE. 356 00:10:41,744 --> 00:10:42,503 NOBODY WANTS THIS 357 00:10:42,503 --> 00:10:43,573 "HEAD IN A BOX" ROLE. 358 00:10:43,573 --> 00:10:44,885 IT'S A SMALLER ROLE, AND IT'S 359 00:10:44,885 --> 00:10:47,025 JUST A HEAD IN A BOX, BUT I CAN 360 00:10:47,025 --> 00:10:49,579 DO SOMETHING WITH IT. 361 00:10:49,579 --> 00:10:52,065 DO SOMETHING WITH IT. >> YOU COULD BE SLUTTY SALLY. 362 00:10:52,065 --> 00:10:59,969 >> YOU COULD BE SLUTTY SALLY. 363 00:10:59,969 --> 00:11:01,074 YEAH. 364 00:11:01,074 --> 00:11:03,421 ALL RIGHT, SO I THINK WE'RE 365 00:11:03,421 --> 00:11:04,077 GONNA STICK WITH THESE 366 00:11:04,077 --> 00:11:04,767 CHARACTERS. 367 00:11:04,767 --> 00:11:06,493 >> ALL RIGHT. 368 00:11:06,493 --> 00:11:08,668 >> I REALIZE MY CHARACTER HAS 369 00:11:08,668 --> 00:11:10,670 THE MOST LINES, AND NOW I'M 370 00:11:10,670 --> 00:11:12,430 PISSED... 371 00:11:12,430 --> 00:11:13,603 'CAUSE I GOT TO LEARN A LOT OF 372 00:11:13,603 --> 00:11:16,227 [bleep], AND I AM NOT AN ACTOR. 373 00:11:16,227 --> 00:11:17,849 COME ON, SANDRA DEE-- 374 00:11:17,849 --> 00:11:19,506 OH. COME ON, SANDRA DEE, 375 00:11:19,506 --> 00:11:20,921 IT'S TIME TO PUT--POP YOUR 376 00:11:20,921 --> 00:11:22,302 CHERRY. 377 00:11:22,302 --> 00:11:23,406 >> WHAT IF YOU DID IT, LIKE, 378 00:11:23,406 --> 00:11:24,476 "LET'S GET REAL, GIRL?" 379 00:11:24,476 --> 00:11:25,512 LIKE, "SHUT UP, GIRL. 380 00:11:25,512 --> 00:11:26,444 IT'S JUST ME." 381 00:11:26,444 --> 00:11:27,410 YOU KNOW WHAT I MEAN? 382 00:11:27,410 --> 00:11:28,584 >> OH, YOU WANT ME TO BE BLACK? 383 00:11:28,584 --> 00:11:29,378 >> WELL, I THINK IT'D BE 384 00:11:29,378 --> 00:11:30,620 FUNNIER. 385 00:11:30,620 --> 00:11:31,621 >> THE BLACK GIRL IS PLAYING 386 00:11:31,621 --> 00:11:33,209 GHETTO--HOW ORIGINAL. 387 00:11:33,209 --> 00:11:34,659 >> TRINITY SAID SHE WOULD LIKE 388 00:11:34,659 --> 00:11:35,798 TO LEARN FROM EVERYONE, AND SHE 389 00:11:35,798 --> 00:11:36,696 DOESN'T CONSIDER HERSELF 390 00:11:36,696 --> 00:11:37,731 A PROFESSIONAL ACTRESS. 391 00:11:37,731 --> 00:11:38,974 BUT SHE'S, LIKE, VERY, VERY 392 00:11:38,974 --> 00:11:39,699 DEFENSIVE. 393 00:11:39,699 --> 00:11:40,803 SHE NEVER WANTS TO HEAR IT. 394 00:11:40,803 --> 00:11:41,942 >> ALL RIGHT, LET'S MEMORIZE 395 00:11:41,942 --> 00:11:46,257 THESE LINES, BITCHES. 396 00:11:46,257 --> 00:11:47,258 [spooky music] 397 00:11:51,711 --> 00:11:53,851 >> WELCOME, TEAM MILK. 398 00:11:53,851 --> 00:11:55,956 NOW, THIS IS YOUR SCREEN TEST. 399 00:11:55,956 --> 00:11:58,579 ACT AS IF YOUR LIFE DEPENDED ON 400 00:11:58,579 --> 00:12:00,961 IT, BECAUSE, WELL... 401 00:12:00,961 --> 00:12:02,618 IT DOES. 402 00:12:02,618 --> 00:12:03,619 [dramatic music] 403 00:12:05,138 --> 00:12:06,346 ALL RIGHT, PLACES, PEOPLE. 404 00:12:06,346 --> 00:12:08,520 PEOPLE, PLACES. 405 00:12:08,520 --> 00:12:09,659 OKAY, HERE WE GO. 406 00:12:09,659 --> 00:12:11,800 WE'RE ROLLING AND... 407 00:12:11,800 --> 00:12:12,593 ACTION. 408 00:12:12,593 --> 00:12:14,319 >> OH, MRS. HITCHCOCK, DID YOU 409 00:12:14,319 --> 00:12:16,149 SEE THE FULL MOON TONIGHT? 410 00:12:16,149 --> 00:12:18,323 PRESIDENT KENNEDY SAID ONE DAY 411 00:12:18,323 --> 00:12:19,842 HE'LL PUT A MAN UP THERE. 412 00:12:19,842 --> 00:12:21,292 >> WELL, I'M MORE INTERESTED IN 413 00:12:21,292 --> 00:12:22,707 EXPLORING YOUR FEMININE 414 00:12:22,707 --> 00:12:23,950 MYSTIQUE. 415 00:12:23,950 --> 00:12:25,296 >> [snorts] 416 00:12:25,296 --> 00:12:26,090 >> BIANCA AND COURTNEY IS 417 00:12:26,090 --> 00:12:26,918 FLYING THROUGH THEIR LINES LIKE 418 00:12:26,918 --> 00:12:27,885 THEY'VE BEEN DOING MOVIES FOR 419 00:12:27,885 --> 00:12:29,334 YEARS. 420 00:12:29,334 --> 00:12:30,542 BITCHES. 421 00:12:30,542 --> 00:12:31,820 >> THERE WILL BE BLOOD. 422 00:12:31,820 --> 00:12:32,717 [both screaming] 423 00:12:32,717 --> 00:12:35,582 >> both: NO! 424 00:12:35,582 --> 00:12:36,514 >> AND CUT. 425 00:12:36,514 --> 00:12:37,791 VERY GOOD. 426 00:12:37,791 --> 00:12:39,310 YOU BITCHES HAVE BEEN SLAYED 427 00:12:39,310 --> 00:12:40,207 BEFORE. 428 00:12:40,207 --> 00:12:42,278 [laughter] 429 00:12:42,278 --> 00:12:43,832 >> HELLO? 430 00:12:43,832 --> 00:12:46,179 SALLY, ARE YOU HERE? 431 00:12:46,179 --> 00:12:48,043 >> RING, RING. 432 00:12:48,043 --> 00:12:49,113 >> GASP! 433 00:12:49,113 --> 00:12:49,907 >> [chuckles] 434 00:12:49,907 --> 00:12:51,287 >> JOSLYN IS TOTALLY SELLING 435 00:12:51,287 --> 00:12:52,288 IT--MUCH FUNNIER THAN 436 00:12:52,288 --> 00:12:53,048 I EXPECTED. 437 00:12:53,048 --> 00:12:54,083 >> GASP! 438 00:12:54,083 --> 00:12:55,084 >> GASP! 439 00:12:55,084 --> 00:12:57,362 >> JEEZ, BETTY, IT'S JUST ME. 440 00:12:57,362 --> 00:12:59,433 DON'T FLIP YOUR WIG. 441 00:12:59,433 --> 00:13:00,710 >> THAT'S NOT FUNNY. 442 00:13:00,710 --> 00:13:02,195 EVER SINCE THEY INVENTED BIRTH 443 00:13:02,195 --> 00:13:03,058 CONTROL, YOU-- 444 00:13:03,058 --> 00:13:03,955 >> CUT. 445 00:13:03,955 --> 00:13:05,508 TRINITY, YOU HAVE TO PLAY TO 446 00:13:05,508 --> 00:13:07,303 THE CAMERA, 'CAUSE WE CAN'T SEE 447 00:13:07,303 --> 00:13:09,927 YOU WHEN YOU TURN AROUND. 448 00:13:09,927 --> 00:13:10,997 >> WE'RE GONNA POP YOUR CHERRY 449 00:13:10,997 --> 00:13:12,446 TONIGHT. 450 00:13:12,446 --> 00:13:13,654 THE BOYS ARE COMING OVER. 451 00:13:13,654 --> 00:13:15,070 >> CUT, CUT, CUT, CUT, CUT. 452 00:13:15,070 --> 00:13:16,692 TRINITY, I DON'T KNOW WHY YOUR 453 00:13:16,692 --> 00:13:17,797 BACK IS TURNED. 454 00:13:17,797 --> 00:13:18,556 >> YOU KNOW, THAT WAS MY 455 00:13:18,556 --> 00:13:19,799 CHARACTER KIND OF, LIKE, SASSY 456 00:13:19,799 --> 00:13:20,730 GHETTO. 457 00:13:20,730 --> 00:13:21,939 >> WELL, JUST BE SASSY GHETTO 458 00:13:21,939 --> 00:13:23,630 FACING YOUR CAMERA. 459 00:13:23,630 --> 00:13:25,390 SEE, OVER HERE--YOU KEEP DOING 460 00:13:25,390 --> 00:13:26,288 THIS THING WHERE YOU'RE GOING, 461 00:13:26,288 --> 00:13:27,772 SO AND SO AND SO AND SO AND SO. 462 00:13:27,772 --> 00:13:28,911 AND THEN--SO WE KEEP SEEING 463 00:13:28,911 --> 00:13:29,636 THIS. 464 00:13:29,636 --> 00:13:30,602 WE DON'T WANT TO SEE THAT. 465 00:13:30,602 --> 00:13:31,707 >> I'VE NEVER SEEN RUPAUL 466 00:13:31,707 --> 00:13:32,812 LITERALLY GET OUT HIS SEAT AND 467 00:13:32,812 --> 00:13:34,261 HAVE TO SHOW SOMEBODY WHERE 468 00:13:34,261 --> 00:13:35,711 A CAMERA IS, AND IT REALLY THREW 469 00:13:35,711 --> 00:13:36,677 ME OFF. 470 00:13:36,677 --> 00:13:38,093 SORRY, GUYS. 471 00:13:38,093 --> 00:13:39,784 >> ALL RIGHT, MOVING ON. 472 00:13:39,784 --> 00:13:42,511 >> SASHAY AWAY, AND WHATEVER YOU 473 00:13:42,511 --> 00:13:46,584 >> SASHAY AWAY, AND WHATEVER YOU DO, DON'T LOOK IN THE PINK BOX. 474 00:13:46,584 --> 00:13:48,344 DO, DON'T LOOK IN THE PINK BOX. 475 00:13:48,344 --> 00:13:49,725 >> YOUR MOTHER DARNS SOCKS IN 476 00:13:49,725 --> 00:13:50,450 HELL. 477 00:13:50,450 --> 00:13:52,970 HELL. >> [laughs] 478 00:13:52,970 --> 00:13:57,629 >> [laughs] 479 00:13:57,629 --> 00:13:59,045 >> CUT. 480 00:13:59,045 --> 00:14:01,254 >> TRINITY, WHEN YOU PICK THAT 481 00:14:01,254 --> 00:14:02,289 BOX UP, THERE NEEDS TO BE 482 00:14:02,289 --> 00:14:03,359 A REACTION. 483 00:14:03,359 --> 00:14:05,845 THERE'S A HEAD ON A TABLE WITH 484 00:14:05,845 --> 00:14:07,191 A SATANIC STAR ON IT. 485 00:14:07,191 --> 00:14:09,262 >> GOT YOU. 486 00:14:09,262 --> 00:14:10,470 >> I MAY ACTUALLY PASS OUT IN 487 00:14:10,470 --> 00:14:11,781 THIS BOX IF TRINITY CONTINUES TO 488 00:14:11,781 --> 00:14:12,644 [bleep] UP. 489 00:14:12,644 --> 00:14:14,267 I MAY END UP PUNCHING HER IN HER 490 00:14:14,267 --> 00:14:16,786 BOX IF SHE DOESN'T STOP [bleep] 491 00:14:16,786 --> 00:14:19,789 UP. 492 00:14:19,789 --> 00:14:21,515 >> WELCOME, TEAM ADORE. 493 00:14:21,515 --> 00:14:22,827 >> I'M NOT WORRIED ABOUT THIS 494 00:14:22,827 --> 00:14:24,173 CHALLENGE, BECAUSE I GOT THE 495 00:14:24,173 --> 00:14:26,762 [bleep] STRATEG--STRATEGICALLY, 496 00:14:26,762 --> 00:14:28,315 WHATEVER. 497 00:14:28,315 --> 00:14:29,661 I HAVE IT STRATEGICALLY 498 00:14:29,661 --> 00:14:31,042 STRATEGIZED. 499 00:14:31,042 --> 00:14:32,526 THIS IS GONNA GO GOOD. 500 00:14:32,526 --> 00:14:33,562 I'M A GOOD LEADER. 501 00:14:33,562 --> 00:14:35,046 I'M A LIBRA. 502 00:14:35,046 --> 00:14:36,668 >> APRIL AND LAGANJA, Y'ALL 503 00:14:36,668 --> 00:14:41,846 READY? 504 00:14:41,846 --> 00:14:44,331 >> ALL RIGHT, READY, SET, 505 00:14:44,331 --> 00:14:45,781 ACTION. 506 00:14:45,781 --> 00:14:46,886 >> YEAH. 507 00:14:46,886 --> 00:14:48,715 >> THIS PLACE IS GOING CONDO. 508 00:14:48,715 --> 00:14:51,028 IF YOU DON'T BUY IT, SOME YUPPIE 509 00:14:51,028 --> 00:14:51,994 WILL. 510 00:14:51,994 --> 00:14:53,340 >> YOU HAVE A HEAD FULL FOR 511 00:14:53,340 --> 00:14:54,238 BUSINESS. 512 00:14:54,238 --> 00:14:55,618 LET'S GET PHYSICAL. 513 00:14:55,618 --> 00:14:56,896 >> STOP! 514 00:14:56,896 --> 00:15:01,314 OH, WHAT THE HELL? 515 00:15:01,314 --> 00:15:02,971 >> OKAY. 516 00:15:02,971 --> 00:15:04,075 LET'S CUT. 517 00:15:04,075 --> 00:15:05,594 >> AM I TOO BOYISH? 518 00:15:05,594 --> 00:15:07,907 >> IT'S YOUR CHOICE. 519 00:15:07,907 --> 00:15:09,322 >> OKAY, COOL. 520 00:15:09,322 --> 00:15:10,979 >> PLAYING A BUTCH CHARACTER FOR 521 00:15:10,979 --> 00:15:13,498 A DRAG QUEEN IS A MIND[bleep], 522 00:15:13,498 --> 00:15:14,292 REALLY. 523 00:15:14,292 --> 00:15:16,846 I'M A GAY BOY BEING A WOMAN, 524 00:15:16,846 --> 00:15:20,160 BUT I NEED TO BE BOYISH AS WELL. 525 00:15:20,160 --> 00:15:21,782 >> ALL RIGHT, WE'RE MOVING ON. 526 00:15:21,782 --> 00:15:23,577 >> AY, DIOS MIO. 527 00:15:23,577 --> 00:15:25,925 >> ACTION. 528 00:15:25,925 --> 00:15:27,788 >> HEATHER? 529 00:15:27,788 --> 00:15:28,858 HELLO? 530 00:15:28,858 --> 00:15:30,377 >> RING, RING. 531 00:15:30,377 --> 00:15:31,689 >> WHAT IS THAT? 532 00:15:31,689 --> 00:15:34,554 OH, MY NEW CELL PHONE. 533 00:15:34,554 --> 00:15:35,486 >> CUT. 534 00:15:35,486 --> 00:15:36,694 >> GIA, DON'T FORGET THE GREAT 535 00:15:36,694 --> 00:15:37,384 LINES. 536 00:15:37,384 --> 00:15:39,593 LIKE, "OH, DUH, MY NEW CELL 537 00:15:39,593 --> 00:15:40,594 PHONE." 538 00:15:40,594 --> 00:15:41,733 LIKE, THOSE "DUHS" REALLY GIVE 539 00:15:41,733 --> 00:15:43,114 IT THE '80s FLAIR. 540 00:15:43,114 --> 00:15:43,943 >> OKAY. 541 00:15:43,943 --> 00:15:45,945 >> DUH. 542 00:15:45,945 --> 00:15:48,050 ACTION. 543 00:15:48,050 --> 00:15:50,018 >> LIKE, HELLO? 544 00:15:50,018 --> 00:15:51,088 WHO IS THIS? 545 00:15:51,088 --> 00:15:53,262 WHO IS THIS? WHERE DID YOU GET THIS NUMBER? 546 00:15:53,262 --> 00:15:58,578 WHERE DID YOU GET THIS NUMBER? 547 00:15:58,578 --> 00:16:00,200 >> ADORE, THAT'S YOUR CUE. 548 00:16:00,200 --> 00:16:02,720 >> ADORE, THAT'S YOUR CUE. >> OH, [bleep], YES. 549 00:16:02,720 --> 00:16:08,243 >> OH, [bleep], YES. 550 00:16:08,243 --> 00:16:09,002 YOU'RE GONNA DIE! 551 00:16:09,002 --> 00:16:11,694 YOU'RE GONNA DIE! >> [screaming] 552 00:16:11,694 --> 00:16:16,389 >> [screaming] 553 00:16:16,389 --> 00:16:20,048 >> AND THEN YOU HAVE... 554 00:16:20,048 --> 00:16:22,982 DIALOGUE AFTER THAT. 555 00:16:22,982 --> 00:16:24,776 >> DON'T HAVE A COW, HEATHER. 556 00:16:24,776 --> 00:16:25,812 >> HER NAME'S BECKY. 557 00:16:25,812 --> 00:16:26,916 YOUR NAME'S HEATHER. 558 00:16:26,916 --> 00:16:28,194 >> [bleep]. 559 00:16:28,194 --> 00:16:28,918 >> NO. 560 00:16:28,918 --> 00:16:30,127 DO YOU ALL HAVE YOUR LINES 561 00:16:30,127 --> 00:16:31,507 MEMORIZED? 562 00:16:31,507 --> 00:16:33,889 >> YEAH. 563 00:16:33,889 --> 00:16:36,409 >> LIZA MINNELLI LIES. 564 00:16:36,409 --> 00:16:37,962 >> OKAY. 565 00:16:37,962 --> 00:16:39,791 >> I COULD NOT GO ON THE STAGE 566 00:16:39,791 --> 00:16:41,103 WITHOUT KNOWING MY LINES. 567 00:16:41,103 --> 00:16:43,105 THAT'S JUST UNCALLED FOR. 568 00:16:43,105 --> 00:16:45,004 ADORE IS THE TEAM CAPTAIN, AND 569 00:16:45,004 --> 00:16:47,178 I FEEL SO WORRIED FOR OUR TEAM 570 00:16:47,178 --> 00:16:49,629 'CAUSE SHE'S NOT PROFESSIONAL. 571 00:16:49,629 --> 00:16:51,976 >> WHATEVER YOU DO, DON'T TOUCH 572 00:16:51,976 --> 00:16:55,669 THIS BIG, PINK, FURRY BOX. 573 00:16:55,669 --> 00:16:57,809 NO, DON'T TOUCH MY BEAUTIFUL 574 00:16:57,809 --> 00:16:58,465 DAUGHTER'S-- 575 00:16:58,465 --> 00:17:00,019 >> YOUR MOTHER SCRUBS DOCKS IN-- 576 00:17:00,019 --> 00:17:01,020 >> SORRY, I STEPPED ON YOUR 577 00:17:01,020 --> 00:17:01,779 LINE. 578 00:17:01,779 --> 00:17:03,160 >> CUT, CUT, CUT. 579 00:17:03,160 --> 00:17:04,954 DID YOU GUYS REHEARSE AS A TEAM 580 00:17:04,954 --> 00:17:09,304 BEFORE YOU CAME ON? 581 00:17:09,304 --> 00:17:13,929 I'LL TAKE THAT AS A WHOPPING NO. 582 00:17:13,929 --> 00:17:16,311 >> SO BASICALLY I'M [bleep], 583 00:17:16,311 --> 00:17:18,209 BECAUSE I'M THE TEAM LEADER, 584 00:17:18,209 --> 00:17:22,800 AND EVERYTHING COMES ON MY BACK. 585 00:17:22,800 --> 00:17:23,801 >> COMING UP... 586 00:17:23,801 --> 00:17:25,320 >> MY LIFELONG DREAM IS TO BE 587 00:17:25,320 --> 00:17:26,459 BEYONCE IN VEGAS. 588 00:17:26,459 --> 00:17:27,839 >> AND YOU ARE BEYONCE. 589 00:17:27,839 --> 00:17:30,221 >> OH, I AM. 590 00:17:30,221 --> 00:17:32,120 >> OH, I AM. >> [laughing] 591 00:17:32,120 --> 00:17:34,570 >> [laughing] 592 00:17:34,570 --> 00:17:37,953 >> [laughing] 593 00:17:37,953 --> 00:17:40,162 >> OH, GIRL, SO GOOD TO BE HOME, 594 00:17:40,162 --> 00:17:41,163 EH? 595 00:17:41,163 --> 00:17:44,304 TODAY'S RUNWAY IS OUR BEST DRAG. 596 00:17:44,304 --> 00:17:48,274 MAMA IS LIVING, OKAY? 597 00:17:48,274 --> 00:17:49,447 >> SO WHAT TYPE OF DRAG DO YOU 598 00:17:49,447 --> 00:17:50,207 DO IN NEW YORK? 599 00:17:50,207 --> 00:17:51,760 >> I DO THE--LIKE, THE REALLY 600 00:17:51,760 --> 00:17:53,589 OLD TRADITIONAL CLUBS KID 601 00:17:53,589 --> 00:17:54,832 STYLE OF DRAG. 602 00:17:54,832 --> 00:17:55,591 >> OH. 603 00:17:55,591 --> 00:17:57,006 >> I GREW UP AROUND THE REAL 604 00:17:57,006 --> 00:17:58,422 CLUB KIDS, PEOPLE LIKE 605 00:17:58,422 --> 00:18:00,424 AMANDA LEPORE, LADY BUNNY, AND 606 00:18:00,424 --> 00:18:02,011 LAVINIA, WHO USED TO COME 607 00:18:02,011 --> 00:18:04,600 DRESSED AS A FURNACE WITH FIRE 608 00:18:04,600 --> 00:18:06,257 COMING OUT OF HER MIDSECTION. 609 00:18:06,257 --> 00:18:07,362 THERE WERE NO BOUNDARIES, WHEN 610 00:18:07,362 --> 00:18:08,673 YOU WERE GONNA WALK INTO A CLUB, 611 00:18:08,673 --> 00:18:09,950 WHAT THEY WERE GONNA HAVE ON. 612 00:18:09,950 --> 00:18:12,367 MY COSTUMES ARE VERY ABSTRACT, 613 00:18:12,367 --> 00:18:13,575 AND A LOT OF GIRLS ARE LIKE, 614 00:18:13,575 --> 00:18:14,610 "WELL, MISS THING, THAT LOOK'S 615 00:18:14,610 --> 00:18:15,611 NOT GONNA GET YOU ANYWHERE 616 00:18:15,611 --> 00:18:16,267 WHATSOEVER." 617 00:18:16,267 --> 00:18:17,130 >> WELL, I WAS GONNA ASK YOU 618 00:18:17,130 --> 00:18:17,820 THAT. 619 00:18:17,820 --> 00:18:18,580 YOU NEVER FELT THE NEED TO WANT 620 00:18:18,580 --> 00:18:19,822 TO REVAMP YOURSELF? 621 00:18:19,822 --> 00:18:21,307 >> THE NEWER GENERATION ONLY 622 00:18:21,307 --> 00:18:22,756 KNOW OFF THE FISHY LOOK, BUT 623 00:18:22,756 --> 00:18:24,344 WHEN I WALK INTO A CLUB, ALL 624 00:18:24,344 --> 00:18:25,656 EYES ARE ON ME. 625 00:18:25,656 --> 00:18:26,933 YOU'RE STILL THAT LITTLE GIRL IN 626 00:18:26,933 --> 00:18:28,003 THE CORNER STILL TRYING TO LOOK 627 00:18:28,003 --> 00:18:30,799 LIKE A LADY. 628 00:18:30,799 --> 00:18:33,008 >> MY LIFELONG DREAM IS TO BE 629 00:18:33,008 --> 00:18:34,009 AN ILLUSIONIST IN VEGAS. 630 00:18:34,009 --> 00:18:35,735 I WOULD LOVE TO BE BEYONCE IN 631 00:18:35,735 --> 00:18:36,632 VEGAS. 632 00:18:36,632 --> 00:18:37,771 >> YOU HAVE TO REMEMBER THOSE 633 00:18:37,771 --> 00:18:38,600 GIRLS ARE VERY SEASONED. 634 00:18:38,600 --> 00:18:39,497 THEY'RE NOT TWO YEARS INTO 635 00:18:39,497 --> 00:18:40,153 THE GAME. 636 00:18:40,153 --> 00:18:41,672 THOSE GIRLS ARE, LIKE, 15, 10 637 00:18:41,672 --> 00:18:42,328 YEARS... 638 00:18:42,328 --> 00:18:43,018 >> BUT I MEAN, 639 00:18:43,018 --> 00:18:43,812 THE BRITNEY SPEARS ILLUSIONIST-- 640 00:18:43,812 --> 00:18:44,640 SHE'S NOT 15 YEARS INTO THE 641 00:18:44,640 --> 00:18:45,296 BUSINESS. 642 00:18:45,296 --> 00:18:46,539 >> YEAH, BUT SHE REALLY LOOKS 643 00:18:46,539 --> 00:18:47,609 LIKE BRITNEY. 644 00:18:47,609 --> 00:18:48,679 I HAVEN'T SEEN ANYBODY THAT 645 00:18:48,679 --> 00:18:49,921 LOOKS LIKE BEYONCE. 646 00:18:49,921 --> 00:18:51,130 YOU CAN PAINT TO BE 647 00:18:51,130 --> 00:18:52,234 DIONNE WARWICK. 648 00:18:52,234 --> 00:18:54,029 YOU CAN PAINT TO BE DIANA ROSS, 649 00:18:54,029 --> 00:18:56,376 YOU CAN PAINT TO BE DIANA ROSS, BUT BEYONCE'S JUST PRETTY. 650 00:18:56,376 --> 00:18:59,621 BUT BEYONCE'S JUST PRETTY. 651 00:18:59,621 --> 00:19:00,622 REALLY, BITCH? 652 00:19:00,622 --> 00:19:01,968 BEYONCE IS A HARD ONE TO DO. 653 00:19:01,968 --> 00:19:03,176 YOU CAN DANCE IT. 654 00:19:03,176 --> 00:19:04,798 YOU CAN LIP-SYNCH IT, BUT IF YOU 655 00:19:04,798 --> 00:19:06,145 DON'T REALLY LOOK LIKE HER, 656 00:19:06,145 --> 00:19:06,835 HMM. 657 00:19:06,835 --> 00:19:08,423 AND LET'S FACE IT, TRINITY LOOKS 658 00:19:08,423 --> 00:19:09,527 MORE LIKE SAMMY DAVIS JR. IN 659 00:19:09,527 --> 00:19:10,804 A BEYONCE WIG. 660 00:19:10,804 --> 00:19:11,840 >> AND I COULD JUST START MY OWN 661 00:19:11,840 --> 00:19:12,565 SHOW. 662 00:19:12,565 --> 00:19:13,324 YOU KNOW, MY OWN ILLUSION 663 00:19:13,324 --> 00:19:14,394 SHOW AND TRY TO GET SOME REALLY 664 00:19:14,394 --> 00:19:15,154 GOOD GIRLS THERE. 665 00:19:15,154 --> 00:19:15,844 >> THAT'S THE TICKET. 666 00:19:15,844 --> 00:19:16,741 >> SEE IF IT'LL BUILD UP. 667 00:19:16,741 --> 00:19:18,709 >> YEP, GOT IT ALL FIGURED OUT. 668 00:19:18,709 --> 00:19:19,848 I WAS JUST SAYING THAT WHEN YOU 669 00:19:19,848 --> 00:19:21,125 GO--OH, WHATEVER, GIRL. 670 00:19:21,125 --> 00:19:22,057 YOU'RE GONNA BE THAT [bleep] 671 00:19:22,057 --> 00:19:22,713 SENSITIVE. 672 00:19:22,713 --> 00:19:23,645 >> I'M NOT SENSITIVE AT ALL. 673 00:19:23,645 --> 00:19:24,370 >> OH, I FORGOT. 674 00:19:24,370 --> 00:19:25,164 YOU'RE NOT SENSITIVE. 675 00:19:25,164 --> 00:19:26,026 YOU'RE BEYONCE. 676 00:19:26,026 --> 00:19:28,960 >> OH, I AM. 677 00:19:28,960 --> 00:19:29,961 [dramatic music] 678 00:19:36,313 --> 00:19:39,419 >> [laughing] 679 00:19:39,419 --> 00:19:42,111 >> [laughing] 680 00:19:42,111 --> 00:19:43,458 COVER GIRL 681 00:19:43,458 --> 00:19:45,667 PUT THE BASS IN YOUR WALK 682 00:19:45,667 --> 00:19:46,978 HEAD TO TOE 683 00:19:46,978 --> 00:19:49,947 LET YOUR WHOLE BODY TALK 684 00:19:49,947 --> 00:19:51,811 AND WHAT? 685 00:19:51,811 --> 00:19:53,088 [cheers and applause] 686 00:19:53,088 --> 00:19:54,848 WELCOME TO THE MAIN STAGE OF 687 00:19:54,848 --> 00:19:56,402 RUPAUL'S DRAG RACE. 688 00:19:56,402 --> 00:19:58,473 MICHELLE VISAGE, I KNOW WHAT YOU 689 00:19:58,473 --> 00:19:59,577 DID LAST SUMMER. 690 00:19:59,577 --> 00:20:01,752 >> IT IS GETTING SEVERE UP IN 691 00:20:01,752 --> 00:20:03,063 HERE, MY QUEEN. 692 00:20:03,063 --> 00:20:05,204 >> SANTINO RICE, ARE YOU 693 00:20:05,204 --> 00:20:06,308 DARK-SIDED? 694 00:20:06,308 --> 00:20:07,344 >> [laughs] 695 00:20:07,344 --> 00:20:09,104 >> AND GAME OF THRONES' 696 00:20:09,104 --> 00:20:10,347 LENA HEADEY. 697 00:20:10,347 --> 00:20:11,796 WELCOME, MY QUEEN. 698 00:20:11,796 --> 00:20:12,866 >> THANK YOU. 699 00:20:12,866 --> 00:20:14,696 >> AND THE LEGENDARY 700 00:20:14,696 --> 00:20:16,387 LINDA BLAIR. 701 00:20:16,387 --> 00:20:17,940 I CAN'T BELIEVE YOU'RE HERE. 702 00:20:17,940 --> 00:20:19,494 MY HEAD IS SPINNING. 703 00:20:19,494 --> 00:20:20,598 >> [laughs] 704 00:20:20,598 --> 00:20:22,324 >> THIS WEEK, WE CHALLENGED OUR 705 00:20:22,324 --> 00:20:25,085 SCREAM QUEENS TO HORROR IT UP IN 706 00:20:25,085 --> 00:20:27,087 SCREEN TESTS FOR A CREATURE 707 00:20:27,087 --> 00:20:28,088 DOUBLE FEATURE. 708 00:20:28,088 --> 00:20:30,539 TONIGHT THEY'RE READY TO SLAY 709 00:20:30,539 --> 00:20:33,232 THE RUNWAY IN THEIR BEST DRAG. 710 00:20:33,232 --> 00:20:35,855 GENTLEMEN, START YOUR ENGINES, 711 00:20:35,855 --> 00:20:38,685 AND MAY THE BEST WOMAN WIN. 712 00:20:38,685 --> 00:20:40,135 NOW SISSY THAT WALK 713 00:20:40,135 --> 00:20:42,586 FIRST UP, BIANCA DEL RIO. 714 00:20:42,586 --> 00:20:43,621 >> HOLLYWOOD. 715 00:20:43,621 --> 00:20:44,588 >> THAT'S A COLLAR, HONEY. 716 00:20:44,588 --> 00:20:45,554 >> SHE'S GOT BLING AROUND 717 00:20:45,554 --> 00:20:46,486 THE COLLAR. 718 00:20:46,486 --> 00:20:47,487 >> MY BEST DRAG IS OLD 719 00:20:47,487 --> 00:20:48,833 HOLLYWOOD, AND I'M FEELING LIKE 720 00:20:48,833 --> 00:20:50,041 A BITCH WHO JUST BURIED HER 721 00:20:50,041 --> 00:20:51,250 THIRD HUSBAND. 722 00:20:51,250 --> 00:20:52,181 >> BLACK WIDOW. 723 00:20:52,181 --> 00:20:52,941 SHE MATES. 724 00:20:52,941 --> 00:20:53,666 SHE KILLS. 725 00:20:53,666 --> 00:20:55,254 >> AND THEN SHE WEARS IT. 726 00:20:55,254 --> 00:20:57,256 >> AUSTRALIA'S OWN COURTNEY ACT. 727 00:20:57,256 --> 00:20:58,257 >> AUSSIE PRIDE. 728 00:20:58,257 --> 00:20:59,258 >> IT'S FLAG DAY. 729 00:20:59,258 --> 00:21:00,949 >> IT'S VEGEMITE-Y SEXY. 730 00:21:00,949 --> 00:21:02,019 >> I FEEL LIKE 731 00:21:02,019 --> 00:21:03,434 AN AUSTRALIAN VERSION OF 732 00:21:03,434 --> 00:21:04,987 THE STATUE OF LIBERTY. 733 00:21:04,987 --> 00:21:06,506 I'M WALKING DOWN THE RUNWAY 734 00:21:06,506 --> 00:21:08,577 DOING MY COUNTRY PROUD. 735 00:21:08,577 --> 00:21:09,820 >> LOOK AT THAT GREAT BARRIER 736 00:21:09,820 --> 00:21:10,476 REEF. 737 00:21:10,476 --> 00:21:11,546 >> [laughs] 738 00:21:11,546 --> 00:21:13,099 >> JOSLYN FOX. 739 00:21:13,099 --> 00:21:14,065 NOW SISSY THAT WALK 740 00:21:14,065 --> 00:21:15,653 FOX ON THE RUN. 741 00:21:15,653 --> 00:21:17,103 THAT LOOKS LIKE ONE OF LINDA'S 742 00:21:17,103 --> 00:21:18,346 OUTFITS FROM ROLLER BOOGIE. 743 00:21:18,346 --> 00:21:19,347 >> YEAH. 744 00:21:19,347 --> 00:21:20,727 >> I THINK IT IS. 745 00:21:20,727 --> 00:21:22,798 >> I'M SERVING UP DISCO 746 00:21:22,798 --> 00:21:24,352 PARTY-GIRL REALNESS. 747 00:21:24,352 --> 00:21:26,043 I'VE NEVER BEEN SO CONFIDENT IN 748 00:21:26,043 --> 00:21:27,320 MY ENTIRE LIFE. 749 00:21:27,320 --> 00:21:29,218 >> LA MAY SHANTE. 750 00:21:29,218 --> 00:21:31,842 LA MAY, LA MAY, LA MAY. 751 00:21:31,842 --> 00:21:33,913 TRINITY K. BONET 752 00:21:33,913 --> 00:21:35,880 FROM ATLANTA, G.A. 753 00:21:35,880 --> 00:21:37,330 I THINK I'VE GOT AN ORANGE 754 00:21:37,330 --> 00:21:38,607 CRUSH. 755 00:21:38,607 --> 00:21:40,333 >> MY OUTFIT OF CHOICE IS 756 00:21:40,333 --> 00:21:43,129 A BEAUTIFUL, EXPENSIVE GOWN. 757 00:21:43,129 --> 00:21:44,510 >> TANGERINE DREAM. 758 00:21:44,510 --> 00:21:45,442 >> YES. 759 00:21:45,442 --> 00:21:46,788 LADY MARMALADE. 760 00:21:46,788 --> 00:21:48,272 >> [laughs] 761 00:21:48,272 --> 00:21:49,894 >> MILK. 762 00:21:49,894 --> 00:21:51,206 WOW. 763 00:21:51,206 --> 00:21:52,518 SHE'S GOT A REAL NOSE FOR 764 00:21:52,518 --> 00:21:53,208 FASHION. 765 00:21:53,208 --> 00:21:53,864 >> [laughs] 766 00:21:53,864 --> 00:21:54,520 >> [imitating Pinocchio] 767 00:21:54,520 --> 00:21:55,348 I'M A REAL QUEEN. 768 00:21:55,348 --> 00:21:56,038 [normal voice] 769 00:21:56,038 --> 00:21:57,833 LIAR, LIAR, LIAR. 770 00:21:57,833 --> 00:22:00,974 >> I'M COMING AT YOU WITH A LONG 771 00:22:00,974 --> 00:22:03,425 PINOCCHIO NOSE, LONG LEGS. 772 00:22:03,425 --> 00:22:05,669 I'M JUST A CRAZY-LOOKING 773 00:22:05,669 --> 00:22:06,773 SUPERMODEL. 774 00:22:06,773 --> 00:22:08,257 >> PINOCCHI-HO. 775 00:22:08,257 --> 00:22:10,294 >> AND HER DADDY GEPPET-HO. 776 00:22:10,294 --> 00:22:12,123 [laughter] 777 00:22:12,123 --> 00:22:14,125 >> DARIENNE LAKE. 778 00:22:14,125 --> 00:22:14,954 >> OH. 779 00:22:14,954 --> 00:22:16,335 >> OOH. 780 00:22:16,335 --> 00:22:18,129 >> NOTHING SAYS QUEEN LIKE 781 00:22:18,129 --> 00:22:19,476 A CAPE. 782 00:22:19,476 --> 00:22:20,960 >> [chuckling] THAT'S RIGHT. 783 00:22:20,960 --> 00:22:22,064 >> THERE'S ONE THING THAT 784 00:22:22,064 --> 00:22:22,720 I KNOW. 785 00:22:22,720 --> 00:22:23,963 IT'S BEST DRAG-- 786 00:22:23,963 --> 00:22:25,654 LOTS OF HAIR, LOTS OF LASHES, 787 00:22:25,654 --> 00:22:26,621 LOTS OF SPARKLE. 788 00:22:26,621 --> 00:22:27,829 >> SUPER QUEEN. 789 00:22:27,829 --> 00:22:29,796 >> I BELIEVE SHE COULD FLY. 790 00:22:29,796 --> 00:22:31,591 >> [laughs] 791 00:22:31,591 --> 00:22:33,662 >> APRIL CARRION. 792 00:22:33,662 --> 00:22:34,974 >> APRIL SHOWERS. 793 00:22:34,974 --> 00:22:36,113 >> YES. 794 00:22:36,113 --> 00:22:37,977 >> SHE'S GOT ME ALL WET. 795 00:22:37,977 --> 00:22:39,668 >> I'M LIVING FOR THIS OUTFIT. 796 00:22:39,668 --> 00:22:41,049 I AM SERVING 797 00:22:41,049 --> 00:22:43,465 SINGING IN THE RAINREALNESS. 798 00:22:43,465 --> 00:22:46,088 >> THE FORECAST IS GORGEOUS. 799 00:22:46,088 --> 00:22:47,607 MAKE IT RAIN, GIRL. 800 00:22:47,607 --> 00:22:49,298 MAKE IT RAIN. 801 00:22:49,298 --> 00:22:52,578 LAGANJA ESTRANJA SERVING UP 802 00:22:52,578 --> 00:22:54,200 YOUNG MAGGIE SMITH. 803 00:22:54,200 --> 00:22:55,719 >> I'M FASCINATED BY YOUR HAT, 804 00:22:55,719 --> 00:22:56,547 GIRL. 805 00:22:56,547 --> 00:22:58,377 >> I AM SERVING MADAME BUTTERFLY 806 00:22:58,377 --> 00:22:59,550 TONIGHT. 807 00:22:59,550 --> 00:23:01,932 I FEEL LIKE A PEACH ICE CREAM 808 00:23:01,932 --> 00:23:02,967 CONE. 809 00:23:02,967 --> 00:23:04,244 >> YES, HONEY, THIS IS THE 810 00:23:04,244 --> 00:23:05,280 BUTTERFLY EFFECT. 811 00:23:05,280 --> 00:23:06,315 >> OKAY. 812 00:23:06,315 --> 00:23:07,627 >> SHE'LL NEVER GET THAT DRESS 813 00:23:07,627 --> 00:23:09,457 BACK INTO THE COCOON. 814 00:23:09,457 --> 00:23:11,390 GI-GI-GI-GIA! 815 00:23:11,390 --> 00:23:13,599 NINJA PRINCESS. 816 00:23:13,599 --> 00:23:14,841 >> GROOVE IS IN THE HEART. 817 00:23:14,841 --> 00:23:15,842 >> THAT'S RIGHT. 818 00:23:15,842 --> 00:23:17,844 >> I'M SERVING POWER RANGER 819 00:23:17,844 --> 00:23:20,502 MEETS NINJAS, AND I'M FEELING MY 820 00:23:20,502 --> 00:23:22,297 HEADPIECE BECAUSE I KNOW SHE'S 821 00:23:22,297 --> 00:23:23,436 REAL DIFFERENT. 822 00:23:23,436 --> 00:23:24,886 I LOOK [bleep] EXPENSIVE. 823 00:23:24,886 --> 00:23:26,025 >> OH, THAT'S RIGHT. 824 00:23:26,025 --> 00:23:28,165 SEE, I KNOW SHE'S FROM CHICAGO 825 00:23:28,165 --> 00:23:30,063 WITH THOSE MOVES... 826 00:23:30,063 --> 00:23:31,410 AND ALL THAT ASS. 827 00:23:31,410 --> 00:23:33,860 YES. 828 00:23:33,860 --> 00:23:36,035 ADORE DELANO. 829 00:23:36,035 --> 00:23:37,795 >> MER-WENCH. 830 00:23:37,795 --> 00:23:39,245 >> RED WIG AT NIGHT, 831 00:23:39,245 --> 00:23:41,178 SAILOR'S DELIGHT. 832 00:23:41,178 --> 00:23:42,938 >> I'M REALLY FEELING GOOD ABOUT 833 00:23:42,938 --> 00:23:43,870 THIS RUNWAY. 834 00:23:43,870 --> 00:23:45,424 I'M JUST STRUTTING IT LIKE A 835 00:23:45,424 --> 00:23:47,702 BEAUTIFUL MERMAID STAR. 836 00:23:47,702 --> 00:23:49,151 >> RAGGEDY ANN SURE GREW UP TO 837 00:23:49,151 --> 00:23:50,498 BE A SLUT. 838 00:23:50,498 --> 00:23:54,156 [laughter] 839 00:23:54,156 --> 00:23:55,917 >> BEN DE LA CREME. 840 00:23:55,917 --> 00:23:57,712 WELL, HELLO, KITTY. 841 00:23:57,712 --> 00:23:58,540 >> MEOW, MEOW. 842 00:23:58,540 --> 00:23:59,230 >> [purrs] 843 00:23:59,230 --> 00:24:01,509 >> I'M REALLY JUST GIVING FUN, 844 00:24:01,509 --> 00:24:04,443 LITTLE BIT OF PINUP, A LITTLE 845 00:24:04,443 --> 00:24:06,721 BIT GOOFY, JUST SHOW THEM 846 00:24:06,721 --> 00:24:07,653 THERE'S A LITTLE SEX KITTEN IN 847 00:24:07,653 --> 00:24:08,343 ME. 848 00:24:08,343 --> 00:24:09,344 >> NOW, HONESTLY, DO YOU THINK 849 00:24:09,344 --> 00:24:10,828 THAT BOW CONSTRICTS HER? 850 00:24:10,828 --> 00:24:11,726 [laughter] 851 00:24:11,726 --> 00:24:12,865 >> PLAYBOY CLUB. 852 00:24:12,865 --> 00:24:14,038 >> THAT'S WHY THE DOGS CHASE 853 00:24:14,038 --> 00:24:15,039 THE CAT. 854 00:24:15,039 --> 00:24:17,490 VA-VA-VIVACIOUS. 855 00:24:17,490 --> 00:24:18,457 >> OH. 856 00:24:18,457 --> 00:24:19,561 ONE OF THE STRANGEST THINGS I'VE 857 00:24:19,561 --> 00:24:20,631 EVER SEEN IN MY LIFE. 858 00:24:20,631 --> 00:24:21,598 >> BUT WAIT A MINUTE. 859 00:24:21,598 --> 00:24:23,358 DIDN'T YOU DATE RICK JAMES? 860 00:24:23,358 --> 00:24:25,187 >> [laughs] 861 00:24:25,187 --> 00:24:27,120 >> THIS IS ONE OF VIVACIOUS' 862 00:24:27,120 --> 00:24:28,812 ICONIC PIECES. 863 00:24:28,812 --> 00:24:32,712 I AM SERVING VIVACIOUS DOWN. 864 00:24:32,712 --> 00:24:34,990 >> VERY "GAME OF CONES." 865 00:24:34,990 --> 00:24:36,302 [laughter] 866 00:24:36,302 --> 00:24:37,821 NOW SISSY THAT WALK 867 00:24:37,821 --> 00:24:38,649 COMING UP... 868 00:24:38,649 --> 00:24:39,788 >> I GOT BOY. 869 00:24:39,788 --> 00:24:41,583 >> YOU WERE THE LEAST PREPARED. 870 00:24:41,583 --> 00:24:43,412 >> YOU'RE NOT REALLY EMBRACING 871 00:24:43,412 --> 00:24:44,103 FULLY. 872 00:24:44,103 --> 00:24:45,484 >> I'M A STAR. 873 00:24:45,484 --> 00:24:47,486 >> I'M A STAR. >> [laughing] 874 00:24:47,486 --> 00:24:49,971 >> [laughing] 875 00:24:49,971 --> 00:24:51,731 >> [laughing] 876 00:24:51,731 --> 00:24:53,319 WELCOME, LADIES. 877 00:24:53,319 --> 00:24:56,011 LET'S WATCH THE SCREEN TEST FOR 878 00:24:56,011 --> 00:24:58,324 DRAG RACE ME TO HELL,STARRING 879 00:24:58,324 --> 00:25:01,983 TEAM MILK. 880 00:25:01,983 --> 00:25:03,709 >> OH, MRS. HITCHCOCK, DID YOU 881 00:25:03,709 --> 00:25:05,124 SEE THE FULL MOON TONIGHT? 882 00:25:05,124 --> 00:25:06,401 >> I'M MORE INTERESTED IN 883 00:25:06,401 --> 00:25:08,023 EXPLORING YOUR FEMININE 884 00:25:08,023 --> 00:25:09,128 MYSTIQUE. 885 00:25:09,128 --> 00:25:12,027 >> PEEK-A-RU, I SEE YOU. 886 00:25:12,027 --> 00:25:13,339 >> DID YOU HEAR THAT? 887 00:25:13,339 --> 00:25:14,858 >> ALL I CAN HEAR IS THE BEATING 888 00:25:14,858 --> 00:25:16,204 OF YOUR HEART. 889 00:25:16,204 --> 00:25:17,895 >> OH, MRS. HITCHCOCK, STOP. 890 00:25:17,895 --> 00:25:19,000 STOP. 891 00:25:19,000 --> 00:25:20,311 STOP, OKAY. 892 00:25:20,311 --> 00:25:21,623 WHAT THE HELL? 893 00:25:21,623 --> 00:25:24,350 [maniacal laughter] 894 00:25:24,350 --> 00:25:27,353 [maniacal laughter] [both screaming] 895 00:25:27,353 --> 00:25:31,357 [both screaming] 896 00:25:31,357 --> 00:25:32,841 >> HELLO? 897 00:25:32,841 --> 00:25:34,015 SALLY? 898 00:25:34,015 --> 00:25:34,705 [telephone rings] 899 00:25:34,705 --> 00:25:37,501 GASP! 900 00:25:37,501 --> 00:25:38,537 HELLO? 901 00:25:38,537 --> 00:25:41,160 >> PEEK-A-RU, I SEE YOU. 902 00:25:41,160 --> 00:25:42,541 >> WHO IS THIS? 903 00:25:42,541 --> 00:25:44,577 [maniacal laughter] 904 00:25:44,577 --> 00:25:45,889 >> YOU'RE GONNA DIE. 905 00:25:45,889 --> 00:25:48,443 >> [screams] 906 00:25:48,443 --> 00:25:50,652 >> JEEZ, BETTY, IT'S JUST ME. 907 00:25:50,652 --> 00:25:52,033 >> THAT'S NOT FUNNY. 908 00:25:52,033 --> 00:25:54,207 >> [sighs] COME ON, SANDRA DEE, 909 00:25:54,207 --> 00:25:58,073 LET'S FIND JOHNNY. 910 00:25:58,073 --> 00:25:59,834 >> SASHAY AWAY. 911 00:25:59,834 --> 00:26:01,007 >> GASP! 912 00:26:01,007 --> 00:26:03,285 >> DON'T LOOK IN THE BIG, PINK, 913 00:26:03,285 --> 00:26:05,011 FURRY BOX. 914 00:26:05,011 --> 00:26:06,530 >> I BET AIN'T NOBODY TOUCHED 915 00:26:06,530 --> 00:26:09,568 YOUR BOX IN A LONG TIME. 916 00:26:09,568 --> 00:26:11,052 >> YOUR MOTHER DARNS SOCKS IN 917 00:26:11,052 --> 00:26:12,812 HELL. 918 00:26:12,812 --> 00:26:15,504 >> [screams] 919 00:26:15,504 --> 00:26:17,610 >> LEAVE MY BEAUTIFUL DAUGHTER'S 920 00:26:17,610 --> 00:26:18,680 HEAD ALONE. 921 00:26:18,680 --> 00:26:19,888 >> SHUT UP, MOTHER. 922 00:26:19,888 --> 00:26:22,201 I CAN TAKE CARE OF MYSELF. 923 00:26:22,201 --> 00:26:23,961 >> DON'T SASS ME, GIRL. 924 00:26:23,961 --> 00:26:25,307 MOTHER KNOWS BEST. 925 00:26:25,307 --> 00:26:27,171 >> YOU RUIN EVERYTHING. 926 00:26:27,171 --> 00:26:28,690 >> I'LL NEVER FORGIVE THOSE 927 00:26:28,690 --> 00:26:30,519 GIRLS WHO TEASED YOU AT SCHOOL. 928 00:26:30,519 --> 00:26:33,937 >> MOTHER, I'M NOT A MONSTER. 929 00:26:33,937 --> 00:26:35,421 >> SHOVING YOUR HEAD INTO 930 00:26:35,421 --> 00:26:36,871 THE LOCKERS. 931 00:26:36,871 --> 00:26:39,114 >> MOTHER, SHUT UP. 932 00:26:39,114 --> 00:26:41,013 >> NO, YOU SHUT UP. 933 00:26:41,013 --> 00:26:44,430 >> [screams] 934 00:26:44,430 --> 00:26:47,571 >> NOT MY BEAUTIFUL DAUGHTER! 935 00:26:47,571 --> 00:26:49,677 >> CATCH. 936 00:26:49,677 --> 00:26:52,541 >> YOU KILLED MY BABY. 937 00:26:52,541 --> 00:26:54,716 [crying hysterically] 938 00:26:54,716 --> 00:26:56,787 >> LET'S GO. 939 00:26:56,787 --> 00:26:57,892 >> PEEK-A-RU. 940 00:26:57,892 --> 00:26:59,100 >> GASP! 941 00:26:59,100 --> 00:27:00,688 >> LIKE MY LOOK? 942 00:27:00,688 --> 00:27:03,518 COULDN'T YOU JUST... 943 00:27:03,518 --> 00:27:04,623 DIE? 944 00:27:04,623 --> 00:27:05,382 >> both: NO. 945 00:27:05,382 --> 00:27:06,176 >> NO. 946 00:27:06,176 --> 00:27:06,832 >> OH, NO. 947 00:27:06,832 --> 00:27:11,664 >> [laughs maniacally] 948 00:27:11,664 --> 00:27:15,219 [laughter] 949 00:27:15,219 --> 00:27:16,186 >> NEXT UP, 950 00:27:16,186 --> 00:27:18,671 DRAG RACE ME TO HELL 5, 951 00:27:18,671 --> 00:27:22,675 STARRING TEAM ADORE. 952 00:27:22,675 --> 00:27:24,573 >> THIS PLACE IS GOING CONDO. 953 00:27:24,573 --> 00:27:27,024 IF YOU DON'T BUY IT, SOME YUPPIE 954 00:27:27,024 --> 00:27:27,887 WILL. 955 00:27:27,887 --> 00:27:28,854 >> YOU'VE GOT A BRAIN FOR 956 00:27:28,854 --> 00:27:29,751 BUSINESS. 957 00:27:29,751 --> 00:27:31,408 LET'S GET PHYSICAL. 958 00:27:31,408 --> 00:27:34,376 >> PEEK-A-RU, I SEE YOU. 959 00:27:34,376 --> 00:27:35,136 >> WHAT WAS THAT? 960 00:27:35,136 --> 00:27:35,861 DID YOU HEAR THAT? 961 00:27:35,861 --> 00:27:37,517 >> I JUST HEAR YOUR THROBBING 962 00:27:37,517 --> 00:27:38,622 SUGAR ROLLS. 963 00:27:38,622 --> 00:27:39,554 >> STOP. 964 00:27:39,554 --> 00:27:41,245 OH, WHAT THE HELL? 965 00:27:41,245 --> 00:27:44,076 MAKE MY RIVER RUN. 966 00:27:44,076 --> 00:27:45,111 >> [laughs maniacally] 967 00:27:45,111 --> 00:27:47,458 >> [screams] 968 00:27:47,458 --> 00:27:50,461 >> [screams] [both screaming] 969 00:27:50,461 --> 00:27:55,087 [both screaming] 970 00:27:55,087 --> 00:27:56,053 >> HEATHER? 971 00:27:56,053 --> 00:27:57,676 [cell phone rings] 972 00:27:57,676 --> 00:27:59,160 WHAT THE HELL IS THAT? 973 00:27:59,160 --> 00:28:03,543 OH, MY NEW CELL PHONE. 974 00:28:03,543 --> 00:28:04,959 LIKE, HELLO? 975 00:28:04,959 --> 00:28:07,789 >> PEEK-A-RU, I SEE YOU. 976 00:28:07,789 --> 00:28:09,101 >> WAIT. WHAT? 977 00:28:09,101 --> 00:28:09,757 >> [laughs maniacally] 978 00:28:09,757 --> 00:28:10,861 >> WHO IS THIS? 979 00:28:10,861 --> 00:28:11,586 >> YOU'RE GONNA DIE. 980 00:28:11,586 --> 00:28:13,830 >> [screams] 981 00:28:13,830 --> 00:28:15,279 >> DON'T HAVE A COW. 982 00:28:15,279 --> 00:28:16,764 THE GUYS ARE MEETING US HERE. 983 00:28:16,764 --> 00:28:18,697 >> THAT'S SO NOT FUNNY, HEATHER. 984 00:28:18,697 --> 00:28:19,905 >> YOU'RE JUST BITTER 'CAUSE 985 00:28:19,905 --> 00:28:20,906 YOU'RE STILL A VIRGIN. 986 00:28:20,906 --> 00:28:22,148 >> I'M NOT A VIRGIN. 987 00:28:22,148 --> 00:28:23,080 I'M A VEGAN. 988 00:28:23,080 --> 00:28:24,116 KEEP UP. 989 00:28:24,116 --> 00:28:24,910 I HOPE BRAD'S UP FOR 990 00:28:24,910 --> 00:28:25,876 A THREE-WAY. 991 00:28:25,876 --> 00:28:28,430 A THREE-WAY. >> BITCHIN'. 992 00:28:28,430 --> 00:28:30,950 >> BITCHIN'. 993 00:28:30,950 --> 00:28:33,297 >> SASHAY AWAY. 994 00:28:33,297 --> 00:28:35,886 >> GAG ME WITH A DELOREAN. 995 00:28:35,886 --> 00:28:38,164 >> WHATEVER YOU DO, DON'T LOOK 996 00:28:38,164 --> 00:28:41,236 INSIDE THIS BIG, PINK, FURRY 997 00:28:41,236 --> 00:28:42,824 BOX. 998 00:28:42,824 --> 00:28:44,446 >> WHAT'S YOUR DAMAGE, 999 00:28:44,446 --> 00:28:47,795 >> WHAT'S YOUR DAMAGE, BETTY KRUEGER? 1000 00:28:47,795 --> 00:28:54,802 BETTY KRUEGER? 1001 00:28:54,802 --> 00:28:56,424 >> YOUR MOTHER SCRUBS DOCKS IN 1002 00:28:56,424 --> 00:28:57,114 HELL. 1003 00:28:57,114 --> 00:28:59,358 >> [screams] 1004 00:28:59,358 --> 00:29:00,946 >> DON'T TOUCH MY BEAUTIFUL 1005 00:29:00,946 --> 00:29:02,706 DAUGHTER'S HEAD. 1006 00:29:02,706 --> 00:29:03,845 >> SHUT UP, MOTHER. 1007 00:29:03,845 --> 00:29:05,260 IT'S BECAUSE OF YOU I HAVE BODY 1008 00:29:05,260 --> 00:29:05,985 ISSUES. 1009 00:29:05,985 --> 00:29:07,676 NO BODY, NO FATHER, 1010 00:29:07,676 --> 00:29:09,575 NO WONDER I'M A MAD RAMPAGE 1011 00:29:09,575 --> 00:29:10,852 BITCH MONSTER. 1012 00:29:10,852 --> 00:29:11,853 >> SHUT UP. 1013 00:29:11,853 --> 00:29:14,925 >> [screams] 1014 00:29:14,925 --> 00:29:17,479 >> MY BABY GIRL. 1015 00:29:17,479 --> 00:29:19,378 >> CATCH. 1016 00:29:19,378 --> 00:29:21,345 >> YOU'VE KILLED HER. 1017 00:29:21,345 --> 00:29:24,107 [screams] 1018 00:29:24,107 --> 00:29:25,764 >> LET'S, LIKE, GET OUT OF HERE 1019 00:29:25,764 --> 00:29:26,488 ALREADY. 1020 00:29:26,488 --> 00:29:27,973 >> I KNOW, RIGHT? 1021 00:29:27,973 --> 00:29:29,250 >> PEEK-A-RU. 1022 00:29:29,250 --> 00:29:30,492 >> both: WHAT THE HELL? 1023 00:29:30,492 --> 00:29:32,667 >> THIS IS THE BEGINNING OF 1024 00:29:32,667 --> 00:29:36,636 >> THIS IS THE BEGINNING OF THE REST OF YOUR AFTERLIFE. 1025 00:29:36,636 --> 00:29:44,230 THE REST OF YOUR AFTERLIFE. 1026 00:29:44,230 --> 00:29:46,301 THE REST OF YOUR AFTERLIFE. [laughs maniacally] 1027 00:29:46,301 --> 00:29:50,650 [laughs maniacally] 1028 00:29:50,650 --> 00:29:53,584 [tepid applause] 1029 00:29:53,584 --> 00:29:55,069 >> WOW. 1030 00:29:55,069 --> 00:29:56,380 SOMETHING TELLS ME THAT OUR TEAM 1031 00:29:56,380 --> 00:29:58,727 IS PROBABLY ON THE LOWER END OF 1032 00:29:58,727 --> 00:29:59,901 THE SCALE. 1033 00:29:59,901 --> 00:30:00,695 >> THAT WAS... 1034 00:30:00,695 --> 00:30:03,560 ELECTRIFYING 1035 00:30:03,560 --> 00:30:05,079 >> I FOUND IT A LITTLE FUNNY 1036 00:30:05,079 --> 00:30:06,045 THAT THEIRS WAS IN BLACK AND 1037 00:30:06,045 --> 00:30:08,289 THAT THEIRS WAS IN BLACK AND WHITE AND OURS WAS IN COLOR. 1038 00:30:08,289 --> 00:30:18,506 WHITE AND OURS WAS IN COLOR. 1039 00:30:18,506 --> 00:30:21,785 >> NO. 1040 00:30:21,785 --> 00:30:22,786 >> COMING UP... 1041 00:30:22,786 --> 00:30:25,444 >> THE PERFORMANCE WAS FLAT. 1042 00:30:25,444 --> 00:30:27,515 >> I FEEL LIKE [bleep]. 1043 00:30:27,515 --> 00:30:28,757 >> SILENCE! 1044 00:30:28,757 --> 00:30:30,932 >> SILENCE! [laughing] 1045 00:30:30,932 --> 00:30:33,348 [laughing] 1046 00:30:33,348 --> 00:30:35,212 >> [laughing] 1047 00:30:35,212 --> 00:30:37,766 YOU GIRLS WERE A REAL SCREAM, 1048 00:30:37,766 --> 00:30:40,252 BUT ONE GROUP WAS BLOODY 1049 00:30:40,252 --> 00:30:41,840 FABULOUS. 1050 00:30:41,840 --> 00:30:44,014 TEAM... 1051 00:30:44,014 --> 00:30:46,637 MILK, CONDRAGULATIONS. 1052 00:30:46,637 --> 00:30:48,536 YOU ARE ALL SAFE FROM 1053 00:30:48,536 --> 00:30:51,953 ELIMINATION THIS WEEK. 1054 00:30:51,953 --> 00:30:54,404 TRINITY, ARE YOU ALL RIGHT? 1055 00:30:54,404 --> 00:30:56,406 >> I JUST--FOR A MOMENT, 1056 00:30:56,406 --> 00:30:57,856 I REALLY THOUGHT I PUT YOU GUYS 1057 00:30:57,856 --> 00:31:00,410 DOWN, AND I'M A VIRGIN ACTOR, 1058 00:31:00,410 --> 00:31:02,515 BUT THANK YOU FOR SEEING THAT 1059 00:31:02,515 --> 00:31:03,275 I TRIED. 1060 00:31:03,275 --> 00:31:04,793 >> YOU HAD US SCARED AT FIRST, 1061 00:31:04,793 --> 00:31:06,519 BUT YOU TOOK DIRECTION, AND IT 1062 00:31:06,519 --> 00:31:07,175 SHOWS. 1063 00:31:07,175 --> 00:31:09,695 >> THANK YOU. 1064 00:31:09,695 --> 00:31:12,215 >> DARIENNE LAKE... 1065 00:31:12,215 --> 00:31:13,733 NOW, FORGIVING YOUR TALKING 1066 00:31:13,733 --> 00:31:16,564 HEAD, BODY, AND SOUL, YOU ARE 1067 00:31:16,564 --> 00:31:17,737 THE WINNER OF THIS WEEK'S MAIN 1068 00:31:17,737 --> 00:31:18,393 CHALLENGE. 1069 00:31:18,393 --> 00:31:19,325 >> WHAT? 1070 00:31:19,325 --> 00:31:21,155 >> YOU'VE WON A FIVE-NIGHT STAY 1071 00:31:21,155 --> 00:31:22,881 FOR TWO AT THE FIVE-STAR 1072 00:31:22,881 --> 00:31:26,160 ISLAND HOUSE KEY WEST RESORT. 1073 00:31:26,160 --> 00:31:27,886 TEAM MILK, YOU MAY LEAVE 1074 00:31:27,886 --> 00:31:30,543 THE STAGE. 1075 00:31:30,543 --> 00:31:32,994 TEAM ADORE, IT'S TIME FOR 1076 00:31:32,994 --> 00:31:35,065 THE JUDGES' CRITIQUES. 1077 00:31:35,065 --> 00:31:37,930 LET'S START WITH APRIL CARRION. 1078 00:31:37,930 --> 00:31:38,897 >> HELLO. 1079 00:31:38,897 --> 00:31:40,829 >> I LOVE THE UMBRELLA, LOVE THE 1080 00:31:40,829 --> 00:31:44,626 COLOR, AND I FIND YOU ABSOLUTELY 1081 00:31:44,626 --> 00:31:45,662 BEAUTIFUL. 1082 00:31:45,662 --> 00:31:47,698 >> BUT THE PERFORMANCE AS 1083 00:31:47,698 --> 00:31:50,218 A BUTCH REAL-ESTATE AGENT WAS 1084 00:31:50,218 --> 00:31:51,668 FLAT. 1085 00:31:51,668 --> 00:31:53,152 I DIDN'T REALLY GET BUTCH. 1086 00:31:53,152 --> 00:31:54,602 I GOT BOY. 1087 00:31:54,602 --> 00:31:58,088 >> NEXT UP, LAGANJA ESTRANJA. 1088 00:31:58,088 --> 00:31:59,227 >> HELLO, MAMA RU. 1089 00:31:59,227 --> 00:32:00,849 >> I LOVE YOUR FASCINATOR, 1090 00:32:00,849 --> 00:32:02,127 THE BUTTERFLY HAT. 1091 00:32:02,127 --> 00:32:03,300 IT'S A GOOD LOOK FOR YOU. 1092 00:32:03,300 --> 00:32:05,647 >> IN THE MOVIE, YOU DID OKAY. 1093 00:32:05,647 --> 00:32:07,270 >> BUT YOU WERE CARRYING APRIL 1094 00:32:07,270 --> 00:32:08,029 THROUGH IT. 1095 00:32:08,029 --> 00:32:09,065 WHEN YOU'RE IN THAT SITUATION, 1096 00:32:09,065 --> 00:32:10,929 YOU CAN'T RELY ON THE OTHER 1097 00:32:10,929 --> 00:32:12,620 PERSON TO GIVE YOU THE ENERGY TO 1098 00:32:12,620 --> 00:32:13,448 KEEP YOU GOING. 1099 00:32:13,448 --> 00:32:14,553 YOU HAVE TO FIND IT WITHIN 1100 00:32:14,553 --> 00:32:16,072 YOURSELF. 1101 00:32:16,072 --> 00:32:17,901 >> NEXT UP, GIA GUNN. 1102 00:32:17,901 --> 00:32:19,075 >> I LIKED YOUR PERFORMANCE. 1103 00:32:19,075 --> 00:32:19,938 I THOUGHT IT WAS FUNNY. 1104 00:32:19,938 --> 00:32:21,077 I THOUGHT YOU TOTALLY CHANNELED 1105 00:32:21,077 --> 00:32:21,940 VALLEY VIRGIN. 1106 00:32:21,940 --> 00:32:23,044 >> WELL, IT'S FUNNY, GIA, 1107 00:32:23,044 --> 00:32:24,356 BECAUSE ON THE SET, YOU COULDN'T 1108 00:32:24,356 --> 00:32:25,805 REMEMBER A LOT OF THE DIALOGUE, 1109 00:32:25,805 --> 00:32:27,359 AND IT LOOKED LIKE YOU HAD 1110 00:32:27,359 --> 00:32:28,187 A TECHNIQUE. 1111 00:32:28,187 --> 00:32:29,706 BUT YOU AND I BOTH KNOW THAT 1112 00:32:29,706 --> 00:32:31,708 THERE WAS NO TECHNIQUE, RIGHT? 1113 00:32:31,708 --> 00:32:33,434 [laughter] 1114 00:32:33,434 --> 00:32:36,402 NEXT UP, ADORE DELANO. 1115 00:32:36,402 --> 00:32:37,472 >> ARE YOU CINCHED? 1116 00:32:37,472 --> 00:32:39,095 >> UM, NO. 1117 00:32:39,095 --> 00:32:40,268 >> YEAH. 1118 00:32:40,268 --> 00:32:42,374 >> I HAVE A HOG BODY RIGHT NOW. 1119 00:32:42,374 --> 00:32:44,031 >> SO YOU WERE THE TEAM LEADER. 1120 00:32:44,031 --> 00:32:45,653 >> I WAS. 1121 00:32:45,653 --> 00:32:46,792 >> AND HOW'D YOU ASSIGN 1122 00:32:46,792 --> 00:32:47,931 THE OTHER ROLES? 1123 00:32:47,931 --> 00:32:49,036 >> LIKE THIS. 1124 00:32:49,036 --> 00:32:50,899 YOU HAVE THAT, YOU HAVE THAT, 1125 00:32:50,899 --> 00:32:52,142 AND YOU HAVE THAT. 1126 00:32:52,142 --> 00:32:53,316 >> SO YOU MIGHT WANT TO THINK 1127 00:32:53,316 --> 00:32:54,973 ABOUT THINGS, YOU KNOW, BECAUSE 1128 00:32:54,973 --> 00:32:56,836 THERE IS A GAME BEING PLAYED 1129 00:32:56,836 --> 00:32:57,734 HERE. 1130 00:32:57,734 --> 00:32:59,287 >> AND OF ALL THE GIRLS, 1131 00:32:59,287 --> 00:33:01,496 YOU WERE THE LEAST PREPARED. 1132 00:33:01,496 --> 00:33:03,533 MY GUESS IS THAT BECAUSE YOU'RE 1133 00:33:03,533 --> 00:33:04,879 CHARISMATIC, YOU'VE BEEN ABLE TO 1134 00:33:04,879 --> 00:33:06,881 SAIL BY WITHOUT HAVING TO PUT 1135 00:33:06,881 --> 00:33:07,709 THE WORK IN. 1136 00:33:07,709 --> 00:33:10,195 YOU OWE IT TO YOUR TALENT TO DO 1137 00:33:10,195 --> 00:33:12,783 YOUR HOMEWORK. 1138 00:33:12,783 --> 00:33:14,993 >> I FEEL LIKE [bleep], LIKE, 1139 00:33:14,993 --> 00:33:16,270 IF I, LIKE, LET YOU DOWN. 1140 00:33:16,270 --> 00:33:17,926 I'M CONSTANTLY PROVING MYSELF 1141 00:33:17,926 --> 00:33:19,618 WITHIN THE DRAG COMMUNITY, AND 1142 00:33:19,618 --> 00:33:21,102 I'M HERE TO PROVE TO YOU AND TO 1143 00:33:21,102 --> 00:33:22,621 EVERYBODY I'M A STAR. 1144 00:33:22,621 --> 00:33:24,864 >> STARS PUT IN THE WORK. 1145 00:33:24,864 --> 00:33:26,728 ALL RIGHT, NEXT UP 1146 00:33:26,728 --> 00:33:28,006 BEN DE LA CREME. 1147 00:33:28,006 --> 00:33:29,352 >> YOU DELIVERED A VERY GOOD 1148 00:33:29,352 --> 00:33:31,078 PERFORMANCE IN THE MOVIE. 1149 00:33:31,078 --> 00:33:32,907 YOU HAD JUST ONE OF THE BEST 1150 00:33:32,907 --> 00:33:33,735 SCREAMS. 1151 00:33:33,735 --> 00:33:34,633 >> THANK YOU, BUT I'M WORRIED 1152 00:33:34,633 --> 00:33:35,530 ABOUT YOU SITTING SO CLOSE TO 1153 00:33:35,530 --> 00:33:36,393 MICHELLE'S EARRING. 1154 00:33:36,393 --> 00:33:37,774 [laughter] 1155 00:33:37,774 --> 00:33:39,293 >> [buzzes] 1156 00:33:39,293 --> 00:33:41,398 >> NEXT UP, VIVACIOUS. 1157 00:33:41,398 --> 00:33:43,262 >> SEE, THIS TYPE OF LOOK 1158 00:33:43,262 --> 00:33:44,988 I DON'T HATE BECAUSE I GREW UP 1159 00:33:44,988 --> 00:33:47,025 WITH IT, AND SO DID RU. 1160 00:33:47,025 --> 00:33:47,818 >> SURE. 1161 00:33:47,818 --> 00:33:49,372 >> SO I APPRECIATE WHAT IT IS 1162 00:33:49,372 --> 00:33:50,235 THAT YOU'RE DOING. 1163 00:33:50,235 --> 00:33:51,029 >> RIGHT. 1164 00:33:51,029 --> 00:33:53,341 >> WITH THAT SAID, THE ACTING, 1165 00:33:53,341 --> 00:33:54,618 BECAUSE YOU WERE UNSURE OF WHAT 1166 00:33:54,618 --> 00:33:55,585 YOU WERE SAYING, YOU WEREN'T 1167 00:33:55,585 --> 00:33:56,931 ABLE TO KIND OF GIVE IT ALL YOU 1168 00:33:56,931 --> 00:33:57,794 GOT. 1169 00:33:57,794 --> 00:33:59,451 >> I FEEL LIKE YOU'RE NOT REALLY 1170 00:33:59,451 --> 00:34:01,349 EMBRACING FULLY. 1171 00:34:01,349 --> 00:34:03,558 >> AND IN MY DEFENSE, I HAVE NO 1172 00:34:03,558 --> 00:34:04,732 THEATRICAL BACKGROUND 1173 00:34:04,732 --> 00:34:05,836 WHATSOEVER. 1174 00:34:05,836 --> 00:34:07,114 >> UH, LOOK AT YOURSELF. 1175 00:34:07,114 --> 00:34:08,046 [British accent] WHAT YOU DO FOR 1176 00:34:08,046 --> 00:34:10,186 A LIVING IS THEATER. 1177 00:34:10,186 --> 00:34:11,187 >> ARE YOU HOLDING YOUR 1178 00:34:11,187 --> 00:34:12,429 HEADPIECE BACK SO THAT YOU CAN 1179 00:34:12,429 --> 00:34:13,120 HEAR? 1180 00:34:13,120 --> 00:34:13,810 >> YES. 1181 00:34:13,810 --> 00:34:14,742 >> I THOUGHT YOU WERE DOING THAT 1182 00:34:14,742 --> 00:34:15,846 MARIAH CAREY THING, YOU KNOW, 1183 00:34:15,846 --> 00:34:16,744 WHERE SHE HOLDS HER EAR LIKE 1184 00:34:16,744 --> 00:34:17,434 THAT. 1185 00:34:17,434 --> 00:34:18,090 [sings] 1186 00:34:18,090 --> 00:34:19,747 >> NO, NO, NO, NO, NO, NO. 1187 00:34:19,747 --> 00:34:21,438 >> ALL RIGHT, LADIES, WHILE YOU 1188 00:34:21,438 --> 00:34:23,785 UNWIND IN THE UNTUCKED LOUNGE, 1189 00:34:23,785 --> 00:34:25,028 THE JUDGES AND I WILL 1190 00:34:25,028 --> 00:34:27,065 DELIBERATE. 1191 00:34:27,065 --> 00:34:29,308 ALL RIGHT, NOW, JUST BETWEEN US 1192 00:34:29,308 --> 00:34:32,070 SHE-DEVILS, WHAT DO YOU THINK? 1193 00:34:32,070 --> 00:34:33,450 STARTING WITH APRIL CARRION... 1194 00:34:33,450 --> 00:34:34,727 >> I WOULD LIKE TO HAVE SEEN A 1195 00:34:34,727 --> 00:34:37,075 LITTLE BETTER WORK IN THE FILM. 1196 00:34:37,075 --> 00:34:38,662 >> YEAH, I THINK THAT APRIL WAS 1197 00:34:38,662 --> 00:34:40,008 MISCAST IN THIS ROLE. 1198 00:34:40,008 --> 00:34:41,527 >> ADORE WAS THE TEAM LEADER, 1199 00:34:41,527 --> 00:34:42,977 AND SO, THEREFORE, SHOULD SHE BE 1200 00:34:42,977 --> 00:34:45,013 HELD ACCOUNTABLE FOR HANDING OUT 1201 00:34:45,013 --> 00:34:45,807 THE JOBS? 1202 00:34:45,807 --> 00:34:46,877 >> THAT'S A VERY GOOD POINT. 1203 00:34:46,877 --> 00:34:49,087 ALL RIGHT, MOVING ON TO 1204 00:34:49,087 --> 00:34:50,778 LAGANJA ESTRANJA. 1205 00:34:50,778 --> 00:34:51,951 >> SOMETHING ABOUT HER I LOVE. 1206 00:34:51,951 --> 00:34:53,091 I THINK SHE'S INCREDIBLY 1207 00:34:53,091 --> 00:34:53,781 CHARMING. 1208 00:34:53,781 --> 00:34:55,576 THE ACTING WAS... 1209 00:34:55,576 --> 00:34:56,680 >> SHE DIDN'T SUCK. 1210 00:34:56,680 --> 00:34:57,888 >> I'M SAYING SHE DIDN'T SUCK. 1211 00:34:57,888 --> 00:35:00,098 >> I THINK IT WAS PARTLY BECAUSE 1212 00:35:00,098 --> 00:35:01,444 HER SCREEN PARTNER WAS 1213 00:35:01,444 --> 00:35:02,686 APRIL CARRION. 1214 00:35:02,686 --> 00:35:03,963 EVEN TONGUE KISSING COULDN'T 1215 00:35:03,963 --> 00:35:04,654 SAVE IT. 1216 00:35:04,654 --> 00:35:05,551 >> ALL RIGHT, LET'S MOVE ON. 1217 00:35:05,551 --> 00:35:06,552 GIA GUNN. 1218 00:35:06,552 --> 00:35:07,933 >> I JUST DIDN'T FEEL LIKE IT 1219 00:35:07,933 --> 00:35:09,417 WAS HER BEST DRAG. 1220 00:35:09,417 --> 00:35:10,763 AS FAR AS HER PERFORMANCE, 1221 00:35:10,763 --> 00:35:11,833 IT WAS FLAT. 1222 00:35:11,833 --> 00:35:13,663 >> BUT I DON'T KNOW HOW FAMILIAR 1223 00:35:13,663 --> 00:35:15,182 SOME OF THEM ARE WITH ACTING. 1224 00:35:15,182 --> 00:35:16,838 AGE DOES HAVE TO DO A LITTLE 1225 00:35:16,838 --> 00:35:17,529 BIT WITH IT. 1226 00:35:17,529 --> 00:35:18,392 >> BUT YOU WERE NOMINATED FOR AN 1227 00:35:18,392 --> 00:35:19,772 ACADEMY AWARD AT 12 YEARS OLD. 1228 00:35:19,772 --> 00:35:21,119 >> YES, BUT I'D BEEN WORKING 1229 00:35:21,119 --> 00:35:22,016 SINCE I WAS SIX. 1230 00:35:22,016 --> 00:35:24,536 [laughter] 1231 00:35:24,536 --> 00:35:26,607 >> LET'S GO TO ADORE DELANO. 1232 00:35:26,607 --> 00:35:28,126 >> WELL, I ADORE ADORE. 1233 00:35:28,126 --> 00:35:29,713 SHE'S KIND OF LIKE A DAUGHTER 1234 00:35:29,713 --> 00:35:30,473 I WANT TO SLAP. 1235 00:35:30,473 --> 00:35:31,163 >> [laughs] 1236 00:35:31,163 --> 00:35:32,820 >> SHE WAS KIND OF ILL-PREPARED, 1237 00:35:32,820 --> 00:35:34,132 BUT SHE WAS GOOD. 1238 00:35:34,132 --> 00:35:34,822 >> RIGHT. 1239 00:35:34,822 --> 00:35:35,581 >> THE "BITCHIN'." 1240 00:35:35,581 --> 00:35:37,135 SHE GETS IT, AND I THINK WHEN 1241 00:35:37,135 --> 00:35:38,826 SHE DOES NURTURE HER INNER 1242 00:35:38,826 --> 00:35:40,138 TALENT, SHE'S GONNA BE 1243 00:35:40,138 --> 00:35:40,828 UNSTOPPABLE. 1244 00:35:40,828 --> 00:35:41,829 >> YEAH, BUT THAT MIGHT BE TOO 1245 00:35:41,829 --> 00:35:42,657 LATE. 1246 00:35:42,657 --> 00:35:44,625 NEXT, BEN DE LA CREME. 1247 00:35:44,625 --> 00:35:45,798 >> THIS IS ANOTHER ONE WHO'S 1248 00:35:45,798 --> 00:35:46,454 A STAR. 1249 00:35:46,454 --> 00:35:47,904 >> SHE WAS INCREDIBLE. 1250 00:35:47,904 --> 00:35:49,768 IF DE LA HAD BEEN ON THE WINNING 1251 00:35:49,768 --> 00:35:50,907 TEAM, SHE PROBABLY WOULD HAVE 1252 00:35:50,907 --> 00:35:52,495 BEEN THE WINNER OF THIS WEEK'S 1253 00:35:52,495 --> 00:35:53,323 CHALLENGE. 1254 00:35:53,323 --> 00:35:54,048 >> YEAH. 1255 00:35:54,048 --> 00:35:55,394 ALL RIGHT, MOVING ON. 1256 00:35:55,394 --> 00:35:56,430 VIVACIOUS. 1257 00:35:56,430 --> 00:35:57,845 >> THAT LOOK WAS DATED. 1258 00:35:57,845 --> 00:35:59,467 I DON'T EVEN KNOW IF IT EVEN 1259 00:35:59,467 --> 00:36:01,573 READS LIKE BEING FEMININE. 1260 00:36:01,573 --> 00:36:02,884 >> UNFORTUNATELY, SHE DIDN'T 1261 00:36:02,884 --> 00:36:03,816 BRING IT ON. 1262 00:36:03,816 --> 00:36:05,646 TO BE A TALKING HEAD, YOU GOT TO 1263 00:36:05,646 --> 00:36:07,855 LET IT OUT EVEN IF YOU'RE 1264 00:36:07,855 --> 00:36:09,167 JUST... 1265 00:36:09,167 --> 00:36:10,409 GIVING HEAD. 1266 00:36:10,409 --> 00:36:11,548 >> [laughs] 1267 00:36:11,548 --> 00:36:14,068 >> BUT I DO GIVE HER CREDIT FOR 1268 00:36:14,068 --> 00:36:15,552 STAYING TRUE TO WHO SHE IS. 1269 00:36:15,552 --> 00:36:18,037 >> THAT CAN BE A HINDRANCE IF 1270 00:36:18,037 --> 00:36:20,178 YOU REFUSE TO MOVE BEYOND THAT. 1271 00:36:20,178 --> 00:36:21,351 >> I BEG TO DIFFER. 1272 00:36:21,351 --> 00:36:22,352 SHE LOOKED SAD BECAUSE SHE 1273 00:36:22,352 --> 00:36:23,042 FELT INFERIOR. 1274 00:36:23,042 --> 00:36:24,216 >> AND THEN WHEN SHE LAUGHED... 1275 00:36:24,216 --> 00:36:26,322 [all speaking at once] 1276 00:36:26,322 --> 00:36:27,668 >> SILENCE! 1277 00:36:27,668 --> 00:36:28,979 [gasps] 1278 00:36:28,979 --> 00:36:30,429 I'VE MADE MY DECISION. 1279 00:36:30,429 --> 00:36:32,362 BRING BACK... 1280 00:36:32,362 --> 00:36:33,363 MY GIRLS. 1281 00:36:33,363 --> 00:36:35,227 [squeals] 1282 00:36:35,227 --> 00:36:37,264 [squeals] [laughing] 1283 00:36:37,264 --> 00:36:39,749 [laughing] 1284 00:36:39,749 --> 00:36:41,613 >> [laughing] 1285 00:36:41,613 --> 00:36:43,753 WELCOME BACK, LADIES. 1286 00:36:43,753 --> 00:36:46,204 I'VE MADE SOME DECISIONS. 1287 00:36:46,204 --> 00:36:48,620 BEN DE LA CREME... 1288 00:36:48,620 --> 00:36:49,724 YOU'RE SAFE. 1289 00:36:49,724 --> 00:36:52,244 >> THANK YOU. 1290 00:36:52,244 --> 00:36:54,867 >> VIVACIOUS, CONCERNING YOUR 1291 00:36:54,867 --> 00:36:57,215 HEAD, I'M AFRAID THERE'VE BEEN 1292 00:36:57,215 --> 00:36:59,147 SOME COMPLAINTS. 1293 00:36:59,147 --> 00:37:00,632 I'M SORRY, MY DEAR, BUT YOU'RE 1294 00:37:00,632 --> 00:37:03,635 UP FOR ELIMINATION. 1295 00:37:03,635 --> 00:37:07,328 LAGANJA ESTRANJA... 1296 00:37:07,328 --> 00:37:12,057 YOU'RE SAFE. 1297 00:37:12,057 --> 00:37:15,992 GIA GUNN... 1298 00:37:15,992 --> 00:37:19,961 YOU'RE SAFE. 1299 00:37:19,961 --> 00:37:22,792 ADORE DELANO... 1300 00:37:22,792 --> 00:37:24,966 YOU'VE GOT REAL TALENT... 1301 00:37:24,966 --> 00:37:27,624 BUT DO YOU HAVE THE DISCIPLINE 1302 00:37:27,624 --> 00:37:31,041 IT TAKES TO GO ALL THE WAY? 1303 00:37:31,041 --> 00:37:33,285 APRIL CARRION... 1304 00:37:33,285 --> 00:37:35,805 I HATE TO RAIN ON YOUR PARADE, 1305 00:37:35,805 --> 00:37:38,290 BUT YOUR SCREEN TEST WAS A 1306 00:37:38,290 --> 00:37:41,638 WASHOUT. 1307 00:37:41,638 --> 00:37:45,159 ADORE DELANO... 1308 00:37:45,159 --> 00:37:48,127 YOU'RE SAFE. 1309 00:37:48,127 --> 00:37:50,164 APRIL, MY DEAR, I'M SORRY, 1310 00:37:50,164 --> 00:37:54,651 BUT YOU ARE UP FOR ELIMINATION. 1311 00:37:54,651 --> 00:37:57,516 TWO QUEENS STAND BEFORE ME. 1312 00:37:57,516 --> 00:37:59,656 LADIES... 1313 00:37:59,656 --> 00:38:01,865 THIS IS YOUR LAST CHANCE 1314 00:38:01,865 --> 00:38:04,903 TO IMPRESS ME AND SAVE YOURSELF 1315 00:38:04,903 --> 00:38:07,940 FROM ELIMINATION. 1316 00:38:07,940 --> 00:38:09,079 THE TIME HAS COME... 1317 00:38:09,079 --> 00:38:10,391 [thunder booms] 1318 00:38:10,391 --> 00:38:14,913 [thunder booms] TO LIP-SYNCH FOR YOUR LIFE. 1319 00:38:14,913 --> 00:38:17,640 TO LIP-SYNCH FOR YOUR LIFE. 1320 00:38:17,640 --> 00:38:20,090 GOOD LUCK... 1321 00:38:20,090 --> 00:38:24,094 AND DON'T [bleep] IT UP. 1322 00:38:27,719 --> 00:38:29,790 >> EVERYBODY, EVERYBODY 1323 00:38:29,790 --> 00:38:31,481 GET OUT ON THE FLOOR 1324 00:38:31,481 --> 00:38:33,552 IT CAN GET A LITTLE CRAZY 1325 00:38:33,552 --> 00:38:35,105 WHEN THE KICK HITS THE FLOOR 1326 00:38:35,105 --> 00:38:36,314 MAKE A SCENE 1327 00:38:36,314 --> 00:38:37,315 MAKE A SCENE 1328 00:38:37,315 --> 00:38:39,282 NOBODY CAN IGNORE 1329 00:38:39,282 --> 00:38:40,214 DON'T KNOCK IT 1330 00:38:40,214 --> 00:38:41,215 TILL YOU ROCK IT 1331 00:38:41,215 --> 00:38:43,010 WE CAN'T TAKE IT NO MORE 1332 00:38:43,010 --> 00:38:44,874 BRING THE LIGHTS UP 1333 00:38:44,874 --> 00:38:46,772 BUST THE DOORS DOWN 1334 00:38:46,772 --> 00:38:48,222 DUST YOURSELF OFF 1335 00:38:48,222 --> 00:38:50,431 SHAKE IT UP, SHAKE IT UP 1336 00:38:50,431 --> 00:38:52,191 DJ, SET IT OFF 1337 00:38:52,191 --> 00:38:54,504 TAKE IT UP A NOTCH 1338 00:38:54,504 --> 00:38:57,611 >> VIVACIOUS IS WORKING ME OUT. 1339 00:38:57,611 --> 00:39:00,199 HER STYLE OF DRAG IS SOMETHING 1340 00:39:00,199 --> 00:39:01,718 THAT I ADORE. 1341 00:39:01,718 --> 00:39:02,478 >> SHAKE IT UP 1342 00:39:02,478 --> 00:39:03,858 BRING THE LIGHTS UP 1343 00:39:03,858 --> 00:39:05,550 BUST THE DOORS DOWN 1344 00:39:05,550 --> 00:39:07,103 DUST YOURSELF OFF 1345 00:39:07,103 --> 00:39:08,553 SHAKE IT UP, SHAKE IT UP 1346 00:39:08,553 --> 00:39:09,692 SHAKE IT UP 1347 00:39:09,692 --> 00:39:11,141 DJ, SET IT OFF 1348 00:39:11,141 --> 00:39:13,247 TAKE IT UP A NOTCH 1349 00:39:13,247 --> 00:39:14,559 ALL TOGETHER NOW 1350 00:39:14,559 --> 00:39:16,354 SHAKE IT UP, SHAKE IT UP 1351 00:39:16,354 --> 00:39:18,390 >> APRIL LOOKS LIKE SELENA GOMEZ 1352 00:39:18,390 --> 00:39:19,909 IS RIGHT THERE ON THAT STAGE. 1353 00:39:19,909 --> 00:39:22,360 VIVACIOUS IS NOT MISSING A BEAT. 1354 00:39:22,360 --> 00:39:24,431 SHE IS OWNING THAT STAGE. 1355 00:39:24,431 --> 00:39:25,880 AT THIS POINT, IT IS TOO CLOSE 1356 00:39:25,880 --> 00:39:26,536 TO CALL. 1357 00:39:26,536 --> 00:39:27,365 >> SHAKE IT UP 1358 00:39:27,365 --> 00:39:30,437 SHAKE IT UP 1359 00:39:30,437 --> 00:39:33,647 SHAKE IT UP [applause] 1360 00:39:33,647 --> 00:39:38,928 [applause] 1361 00:39:38,928 --> 00:39:42,103 >> LADIES, I'VE MADE MY 1362 00:39:42,103 --> 00:39:44,554 >> LADIES, I'VE MADE MY DECISION. 1363 00:39:44,554 --> 00:39:49,007 DECISION. 1364 00:39:49,007 --> 00:39:51,250 APRIL CARRION, SHANTE. 1365 00:39:51,250 --> 00:39:55,910 YOU STAY. 1366 00:39:55,910 --> 00:39:57,049 >> THANK YOU. 1367 00:39:57,049 --> 00:40:01,053 >> YOU MAY JOIN THE OTHER GIRLS. 1368 00:40:01,053 --> 00:40:03,608 >> VIVACIOUS... 1369 00:40:03,608 --> 00:40:05,782 WE LOVE YOU. 1370 00:40:05,782 --> 00:40:09,165 KEEP GIVING THEM LIFE, MAMA. 1371 00:40:09,165 --> 00:40:12,444 NOW SASHAY AWAY. 1372 00:40:12,444 --> 00:40:15,102 NOW SASHAY AWAY. [applause] 1373 00:40:15,102 --> 00:40:20,176 [applause] 1374 00:40:20,176 --> 00:40:22,005 >> WHAT I DO SOME MIGHT 1375 00:40:22,005 --> 00:40:24,042 CONSIDER A DYING ART, AND 1376 00:40:24,042 --> 00:40:25,353 LOOK-WISE, I MAY HAVE BEEN 1377 00:40:25,353 --> 00:40:26,631 MISUNDERSTOOD BY SOME OF THE 1378 00:40:26,631 --> 00:40:29,254 QUEENS, BUT THIS IS MY WAY OF 1379 00:40:29,254 --> 00:40:30,911 PRESERVING THE LEGACY OF WHERE 1380 00:40:30,911 --> 00:40:32,153 I CAME FROM. 1381 00:40:32,153 --> 00:40:38,539 RU, MOTHER, THANK YOU FOREVER. 1382 00:40:38,539 --> 00:40:40,852 >> CONDRAGULATIONS, MY KILLER 1383 00:40:40,852 --> 00:40:42,129 QUEENS. 1384 00:40:42,129 --> 00:40:44,131 NOW, REMEMBER, IF YOU CAN'T LOVE 1385 00:40:44,131 --> 00:40:45,719 YOURSELF, HOW IN THE... 1386 00:40:45,719 --> 00:40:46,858 [deep, scary voice] HELL... 1387 00:40:46,858 --> 00:40:47,859 [normal voice] YOU GONNA LOVE 1388 00:40:47,859 --> 00:40:49,170 SOMEBODY ELSE? 1389 00:40:49,170 --> 00:40:50,620 CAN I GET A "AMEN" IN HERE? 1390 00:40:50,620 --> 00:40:51,518 >> all: AMEN. 1391 00:40:51,518 --> 00:40:53,002 >> ALL RIGHT, LET THE MUSIC 1392 00:40:53,002 --> 00:40:53,658 PLAY. 1393 00:40:55,556 --> 00:40:57,455 >> I WANNA DANCE, DANCE 1394 00:40:57,455 --> 00:40:59,284 I WANNA DANCE, DANCE 1395 00:40:59,284 --> 00:41:01,562 I WANNA DANCE, DANCE 1396 00:41:01,562 --> 00:41:04,185 I WANNA DANCE, DANCE DANCE WITH YOU