1 00:00:01,001 --> 00:00:02,071 >> PREVIOUSLY ON RUPAUL'S DRAG 2 00:00:02,071 --> 00:00:02,933 RACE... 3 00:00:02,933 --> 00:00:04,245 >> WHEN I WAS 17, I APPEARED ON 4 00:00:04,245 --> 00:00:05,419 AMERICAN IDOL. 5 00:00:05,419 --> 00:00:07,455 >> I WAS A FINALIST ON THE FIRST 6 00:00:07,455 --> 00:00:09,147 SEASON OF AUSTRALIAN IDOL. 7 00:00:09,147 --> 00:00:10,631 >> OH, WE'RE PLAYING THAT THIS 8 00:00:10,631 --> 00:00:11,735 YEAR, BITCH? 9 00:00:11,735 --> 00:00:12,633 >> FOR THIS WEEK'S MAIN 10 00:00:12,633 --> 00:00:14,048 CHALLENGE, YOU'LL BE SCREEN 11 00:00:14,048 --> 00:00:16,568 TESTING FOR DRAG RACE ME TO 12 00:00:16,568 --> 00:00:19,605 HELL. 13 00:00:19,605 --> 00:00:20,813 ACTION. 14 00:00:20,813 --> 00:00:26,267 [all screaming] 15 00:00:26,267 --> 00:00:27,441 DID YOU GUYS REHEARSE AS A 16 00:00:27,441 --> 00:00:28,821 TEAM BEFORE YOU CAME ON? 17 00:00:28,821 --> 00:00:30,237 >> YEAH. 18 00:00:30,237 --> 00:00:32,929 >> LIZA MINNELLI LIES. 19 00:00:32,929 --> 00:00:34,689 >> DARIENNE LAKE, YOU ARE THE 20 00:00:34,689 --> 00:00:35,863 WINNER OF THIS WEEK'S MAIN 21 00:00:35,863 --> 00:00:36,691 CHALLENGE. 22 00:00:36,691 --> 00:00:37,692 >> WHAT? 23 00:00:37,692 --> 00:00:39,867 >> APRIL CARRION, SHANTE, YOU 24 00:00:39,867 --> 00:00:41,420 STAY. 25 00:00:41,420 --> 00:00:46,425 STAY. >> VIVACIOUS, SASHAY AWAY. 26 00:00:46,425 --> 00:00:50,774 >> VIVACIOUS, SASHAY AWAY. 27 00:00:50,774 --> 00:00:53,432 >> OOH, THAT WAS A CLOSE ONE. 28 00:00:53,432 --> 00:00:55,434 >> I KNOW, GIRL. 29 00:00:55,434 --> 00:00:56,263 >> UGH! 30 00:00:56,263 --> 00:00:57,678 >> VIVACIOUS JUST GOT 31 00:00:57,678 --> 00:01:00,681 ELIMINATED, AND I'M [bleep] GLAD 32 00:01:00,681 --> 00:01:01,854 TO GET ANOTHER BITCH OUT OF HERE 33 00:01:01,854 --> 00:01:03,442 BECAUSE HONEY, WE NEED TO START 34 00:01:03,442 --> 00:01:05,686 KNOCKIN' 'EM ONE BY ONE. 35 00:01:05,686 --> 00:01:07,515 >> THANK YOU, MS. VIVACIOUS. 36 00:01:07,515 --> 00:01:09,069 YOU WILL BE MISSED. 37 00:01:09,069 --> 00:01:11,450 I'M DETERMINED TO SHOW RU THAT I 38 00:01:11,450 --> 00:01:13,556 AM WORTHY OF BEING HERE. 39 00:01:13,556 --> 00:01:15,730 THESE BITCHES BETTER GET READY 40 00:01:15,730 --> 00:01:17,456 'CAUSE I'VE JUST GOTTEN A WAKEUP 41 00:01:17,456 --> 00:01:18,733 CALL. 42 00:01:18,733 --> 00:01:19,872 >> PARTY. 43 00:01:19,872 --> 00:01:21,219 >> [groans] 44 00:01:21,219 --> 00:01:23,048 >> OY, MAMI, OY. 45 00:01:23,048 --> 00:01:23,876 >> [moaning] 46 00:01:23,876 --> 00:01:25,568 >> YES, WHO'S SERVING? 47 00:01:25,568 --> 00:01:26,465 >> ARE YOU IN A WHITE SNAKE 48 00:01:26,465 --> 00:01:27,294 VIDEO? 49 00:01:27,294 --> 00:01:28,191 WHAT ARE YOU DOING OVER THERE? 50 00:01:28,191 --> 00:01:29,399 >> I'M FEELING MY OATS. 51 00:01:29,399 --> 00:01:31,470 LET ME FEEL MY OATS. 52 00:01:31,470 --> 00:01:32,782 >> WHEN I FIRST MET GIA, I 53 00:01:32,782 --> 00:01:33,955 DIDN'T LIKE HER. 54 00:01:33,955 --> 00:01:35,405 >> YOU LADYBOY? 55 00:01:35,405 --> 00:01:36,613 YOU LADYBOY? 56 00:01:36,613 --> 00:01:37,890 >> NOW SHE'S KIND OF GROWN ON 57 00:01:37,890 --> 00:01:41,101 ME...LIKE A RASH. 58 00:01:41,101 --> 00:01:42,481 BEING FISH IS NOT GONNA WIN 59 00:01:42,481 --> 00:01:43,793 THIS COMPETITION. 60 00:01:43,793 --> 00:01:45,001 >> DON'T BE COMIN' OVER HERE NOW 61 00:01:45,001 --> 00:01:46,589 BECAUSE YOU ALL SAFE AND STUFF. 62 00:01:46,589 --> 00:01:47,590 NOW YOU THROWIN' IN MY 63 00:01:47,590 --> 00:01:48,453 MOTHER[bleep] PIT. 64 00:01:48,453 --> 00:01:49,661 >> SUBTITLES. 65 00:01:49,661 --> 00:01:51,732 SHE'S FISH, BUT SHE'S GONNA BE 66 00:01:51,732 --> 00:01:57,738 SHE'S FISH, BUT SHE'S GONNA BE FLOATIN' ON TOP...DEAD. 67 00:01:57,738 --> 00:01:58,946 FLOATIN' ON TOP...DEAD. 68 00:01:58,946 --> 00:02:00,120 >> RUPAUL DRAG RACE 69 00:02:00,120 --> 00:02:01,190 >> THE WINNER OF RUPAUL'S DRAG 70 00:02:01,190 --> 00:02:02,363 RACERECEIVES A SICKENING 71 00:02:02,363 --> 00:02:03,571 SUPPLY OF COLOREVOLUTION 72 00:02:03,571 --> 00:02:05,539 COSMETICS AND A CASH PRIZE OF 73 00:02:05,539 --> 00:02:07,886 $100,000. 74 00:02:07,886 --> 00:02:09,819 WITH EXTRA SPECIAL GUEST JUDGES, 75 00:02:09,819 --> 00:02:12,477 LUCIAN PIANE AND SHERYL LEE 76 00:02:12,477 --> 00:02:13,305 RALPH. 77 00:02:13,305 --> 00:02:14,306 >> RUPAUL DRAG RACE 78 00:02:14,306 --> 00:02:15,342 MAY THE BEST WOMAN 79 00:02:15,342 --> 00:02:20,209 BEST WOMAN WIN 80 00:02:20,209 --> 00:02:22,590 >> OOH, YES, HONEY, CLAP FOR THE 81 00:02:22,590 --> 00:02:23,488 KIDS. 82 00:02:23,488 --> 00:02:24,385 AH! 83 00:02:24,385 --> 00:02:25,352 >> IT'S A BRAND NEW DAY IN THE 84 00:02:25,352 --> 00:02:26,180 WORKROOM. 85 00:02:26,180 --> 00:02:27,319 EVERYBODY'S FEELING OUR OATS, 86 00:02:27,319 --> 00:02:28,493 GRAINS, WHEATS, THINS, 87 00:02:28,493 --> 00:02:29,321 EVERYTHING. 88 00:02:29,321 --> 00:02:30,667 WE'RE READY FOR ALL THE TWISTED 89 00:02:30,667 --> 00:02:32,186 AND SICK LITTLE CHALLENGES THAT 90 00:02:32,186 --> 00:02:34,361 RU HAS IN STORE FOR US. 91 00:02:34,361 --> 00:02:35,948 >> SO WHO'S EXCITED FOR TODAY? 92 00:02:35,948 --> 00:02:36,777 >> ME, ME, ME. 93 00:02:36,777 --> 00:02:37,743 >> I WAS TILL I HEARD YOUR 94 00:02:37,743 --> 00:02:38,572 VOICE. 95 00:02:38,572 --> 00:02:39,400 >> OH, BITCH. 96 00:02:39,400 --> 00:02:40,229 >> GIRL. 97 00:02:40,229 --> 00:02:41,091 >> HERE SHE GOES. 98 00:02:41,091 --> 00:02:41,920 [alarm blares] 99 00:02:41,920 --> 00:02:44,233 >> OOH, GIRL. 100 00:02:44,233 --> 00:02:45,786 HEY, DREAM GIRLS. 101 00:02:45,786 --> 00:02:46,442 >> HI. 102 00:02:46,442 --> 00:02:47,305 >> NOW THAT YOU'VE HAD YOUR 103 00:02:47,305 --> 00:02:49,686 SPRING AWAKENING, IT'S TIME TO 104 00:02:49,686 --> 00:02:51,861 STRAP ON YOUR KINKY BOOTS AND 105 00:02:51,861 --> 00:02:54,104 FORM A CHORUS LINE. 106 00:02:54,104 --> 00:02:56,245 AND IT BETTER BE WICKED GOOD. 107 00:02:56,245 --> 00:02:58,454 OTHERWISE, IT'S BYE-BYE, BIRDIE. 108 00:02:58,454 --> 00:02:59,455 [giggles] 109 00:02:59,455 --> 00:03:00,870 >> COME ON, MUSICAL THEATER! 110 00:03:00,870 --> 00:03:01,698 [cheers and applause] 111 00:03:01,698 --> 00:03:03,010 YES! 112 00:03:03,010 --> 00:03:04,218 >> HELLO, HELLO, HELLO. 113 00:03:04,218 --> 00:03:07,463 >> all: HI! 114 00:03:07,463 --> 00:03:09,568 >> NOW THIS WEEK, IN THE MOST 115 00:03:09,568 --> 00:03:12,261 AMBITIOUS CHALLENGE IN DRAG RACE 116 00:03:12,261 --> 00:03:14,711 HISTORY, YOU'LL BE PERFORMING 117 00:03:14,711 --> 00:03:17,058 LIVE IN THE ORIGINAL PRODUCTION 118 00:03:17,058 --> 00:03:20,165 OF SHADE: THE RUSICAL. 119 00:03:20,165 --> 00:03:22,754 [cheers and applause] 120 00:03:22,754 --> 00:03:24,307 >> I LOVE MUSICAL THEATER. 121 00:03:24,307 --> 00:03:25,929 IT'S JUST SO CAMPY AND CHEESY 122 00:03:25,929 --> 00:03:27,931 AND ME! 123 00:03:27,931 --> 00:03:28,967 >> NOW, YOU'LL BE WORKING IN TWO 124 00:03:28,967 --> 00:03:29,899 GROUPS. 125 00:03:29,899 --> 00:03:31,211 BEN DE LA CREME AND ADORE 126 00:03:31,211 --> 00:03:33,903 DELANO, YOU GET TO CHOOSE YOUR 127 00:03:33,903 --> 00:03:37,907 CAST MATES AND ASSIGN THE ROLES. 128 00:03:37,907 --> 00:03:38,977 BACK ROLLS. 129 00:03:38,977 --> 00:03:39,840 [laughter] 130 00:03:39,840 --> 00:03:41,393 >> I'LL START OFF WITH MISS 131 00:03:41,393 --> 00:03:42,394 COURTNEY ACT. 132 00:03:42,394 --> 00:03:43,223 >> [gasps] 133 00:03:43,223 --> 00:03:44,845 >> I'M GONNA GO WITH MILK. 134 00:03:44,845 --> 00:03:45,673 >> MISS 135 00:03:45,673 --> 00:03:46,640 HOW-TO-SUCCEED-IN-BITCHINESS- 136 00:03:46,640 --> 00:03:47,848 WITHOUT-REALLY-TRYING, BIANCA 137 00:03:47,848 --> 00:03:48,676 DEL RIO. 138 00:03:48,676 --> 00:03:50,091 >> AH, YOU'RE SO CLEVER. 139 00:03:50,091 --> 00:03:52,922 >> MISS LAGANJA ESTRANJA. 140 00:03:52,922 --> 00:03:54,406 >> EVERYTHING'S COMING UP ROSES 141 00:03:54,406 --> 00:03:55,649 DARLING. 142 00:03:55,649 --> 00:03:56,581 >> DE LA? 143 00:03:56,581 --> 00:03:57,651 >> MISS DARIENNE LAKE. 144 00:03:57,651 --> 00:03:59,135 >> OH, THANK YOU. 145 00:03:59,135 --> 00:04:03,208 >> MS. JOSLYN FOX. 146 00:04:03,208 --> 00:04:06,004 >> HMM. 147 00:04:06,004 --> 00:04:07,074 GIA, MY PET. 148 00:04:07,074 --> 00:04:09,076 >> OH, YOU! 149 00:04:09,076 --> 00:04:10,905 >> MISS APRIL. 150 00:04:10,905 --> 00:04:12,286 >> AND THAT MEANS TRINITY K. 151 00:04:12,286 --> 00:04:14,150 BONET, YOU'RE WITH BEN DE LA 152 00:04:14,150 --> 00:04:15,255 CREME'S TEAM. 153 00:04:15,255 --> 00:04:16,670 [applause] 154 00:04:16,670 --> 00:04:18,258 >> YAY, I GOT PICKED LAST AGAIN. 155 00:04:18,258 --> 00:04:20,260 NO BIGGIE. 156 00:04:20,260 --> 00:04:21,675 IT IS WHAT IT IS. 157 00:04:21,675 --> 00:04:23,193 >> LATER TODAY, YOU'LL BE 158 00:04:23,193 --> 00:04:25,126 WORKING WITH THE COMPOSER OF 159 00:04:25,126 --> 00:04:27,370 SHADE: THE RUSICAL,LUCIAN 160 00:04:27,370 --> 00:04:28,233 PIANE. 161 00:04:28,233 --> 00:04:29,683 [applause] 162 00:04:29,683 --> 00:04:32,030 LADIES, I EXPECT PERFORMANCES 163 00:04:32,030 --> 00:04:34,895 WORTHY OF THE GREAT WHITE WAY. 164 00:04:34,895 --> 00:04:37,104 BUT THEN AGAIN, WHY IT GOT TO BE 165 00:04:37,104 --> 00:04:37,932 WHITE? 166 00:04:37,932 --> 00:04:38,933 [laughter] 167 00:04:38,933 --> 00:04:41,281 THEATER PEOPLE, START YOUR 168 00:04:41,281 --> 00:04:43,248 ENGINES, AND MAY THE BEST 169 00:04:43,248 --> 00:04:45,768 WOMAN WIN. 170 00:04:45,768 --> 00:04:47,908 >> ALL RIGHT, LADIES, LET'S MAKE 171 00:04:47,908 --> 00:04:48,978 SOME MAGIC. 172 00:04:48,978 --> 00:04:50,980 MY GOAL AS A LEADER IS TO 173 00:04:50,980 --> 00:04:52,119 FIGURE OUT HOW TO UTILIZE 174 00:04:52,119 --> 00:04:54,259 EVERYONE IN THE GROUP BEST. 175 00:04:54,259 --> 00:04:56,226 INGENUE QUEEN PENNY. 176 00:04:56,226 --> 00:04:57,297 WE'RE JUST ALL ASSUMING YOU'RE 177 00:04:57,297 --> 00:04:58,125 PENNY, RIGHT? 178 00:04:58,125 --> 00:04:58,953 I MEAN, THAT'S WHAT-- 179 00:04:58,953 --> 00:04:59,782 [chuckles] 180 00:04:59,782 --> 00:05:01,197 >> I'M HAPPY TO PLAY PENNY. 181 00:05:01,197 --> 00:05:02,440 >> COURTNEY'S THE OBVIOUS PENNY. 182 00:05:02,440 --> 00:05:03,993 THAT'S JUST WHAT'S GONNA HAPPEN. 183 00:05:03,993 --> 00:05:06,064 PAGEANT QUEENS, COMEDY QUEENS. 184 00:05:06,064 --> 00:05:07,065 I JUST KEEP THINKIN' IT WOULD BE 185 00:05:07,065 --> 00:05:07,962 HYSTERICAL TO SEE YOU PLAY A 186 00:05:07,962 --> 00:05:08,791 PAGEANT QUEEN. 187 00:05:08,791 --> 00:05:09,723 >> NO, THAT'S FINE WITH ME. 188 00:05:09,723 --> 00:05:10,827 >> TRINITY, DOES BEING A PAGEANT 189 00:05:10,827 --> 00:05:11,794 QUEEN OR A COMEDY QUEEN SEEM 190 00:05:11,794 --> 00:05:12,829 INTERESTING TO YOU? 191 00:05:12,829 --> 00:05:13,623 >> YOU KNOW I DON'T WANT TO BE A 192 00:05:13,623 --> 00:05:14,659 [bleep] UP, SO I'D RATHER JUST 193 00:05:14,659 --> 00:05:16,626 KIND OF PLAY IT SAFE. 194 00:05:16,626 --> 00:05:17,317 >> YOU PREFER TO BE A PAGEANT 195 00:05:17,317 --> 00:05:18,283 QUEEN? 196 00:05:18,283 --> 00:05:19,146 >> YEAH. 197 00:05:19,146 --> 00:05:20,320 >> YEAH, OKAY. 198 00:05:20,320 --> 00:05:22,322 >> TRINITY, SHE ALWAYS SEEMS 199 00:05:22,322 --> 00:05:23,184 OVER IT. 200 00:05:23,184 --> 00:05:24,807 NOTHING EXCITES HER. 201 00:05:24,807 --> 00:05:25,635 >> DO WE WANT TO HAVE A 202 00:05:25,635 --> 00:05:26,464 SING-THROUGH? 203 00:05:26,464 --> 00:05:27,327 >> YEAH, YEAH, YEAH. 204 00:05:27,327 --> 00:05:28,155 >> OKAY. 205 00:05:28,155 --> 00:05:29,467 >> WELL I'M GONNA BE THE 206 00:05:29,467 --> 00:05:31,952 GREATEST STAR AND NOTHING 207 00:05:31,952 --> 00:05:35,127 AND NO ONE WILL KEEP ME DOWN 208 00:05:35,127 --> 00:05:37,613 >> JUST A MIRACLE 209 00:05:37,613 --> 00:05:41,237 IN FRONT OF YOU 210 00:05:41,237 --> 00:05:42,238 >> THERE'S A BIT OF PRESSURE 211 00:05:42,238 --> 00:05:45,345 BECAUSE ADORE IS A SINGER AS 212 00:05:45,345 --> 00:05:46,173 WELL. 213 00:05:46,173 --> 00:05:47,519 >> I WILL SHOW YOU 214 00:05:47,519 --> 00:05:49,003 I'LL TEACH YOU 215 00:05:49,003 --> 00:05:52,697 >> LET ME BE YOUR STAR 216 00:05:52,697 --> 00:05:54,008 >> BE 217 00:05:54,008 --> 00:05:55,872 >> AHH 218 00:05:55,872 --> 00:05:57,564 >> BOTH ADORE AND COURTNEY ARE 219 00:05:57,564 --> 00:05:59,013 AMAZING SINGERS. 220 00:05:59,013 --> 00:06:00,946 SHADE: THE RUSICALHAS NOW 221 00:06:00,946 --> 00:06:03,328 BECOME THE BATTLE OF THE IDOLS. 222 00:06:03,328 --> 00:06:06,918 >> WHEN YOU LOVE ME 223 00:06:06,918 --> 00:06:10,542 >> I'M GONNA TAKE HER DOWN. 224 00:06:10,542 --> 00:06:13,096 >> GIA, HER VOICE IS LIKE NAILS 225 00:06:13,096 --> 00:06:14,304 ON A CHALKBOARD. 226 00:06:14,304 --> 00:06:17,929 >> WE ARE THE COMEDY QUEENS. 227 00:06:17,929 --> 00:06:19,896 >> EEEEHHH! 228 00:06:19,896 --> 00:06:20,932 >> TRINITY IS GETTIN' A LITTLE 229 00:06:20,932 --> 00:06:21,760 RUDE. 230 00:06:21,760 --> 00:06:22,761 >> CAN WE DO IT? 231 00:06:22,761 --> 00:06:23,935 'CAUSE IT'S A LOT DIFFERENT. 232 00:06:23,935 --> 00:06:26,178 >> CALM DOWN, BEYONCE. 233 00:06:26,178 --> 00:06:27,490 >> CALM DOWN, BEYONCE. >> [laughs] 234 00:06:27,490 --> 00:06:30,562 >> [laughs] 235 00:06:30,562 --> 00:06:33,185 >> [laughs] 236 00:06:33,185 --> 00:06:34,359 >> all: AND WE ARE 237 00:06:34,359 --> 00:06:37,845 THE QUEENS 238 00:06:37,845 --> 00:06:39,295 >> [laughs] 239 00:06:39,295 --> 00:06:40,986 >> OUR CHALLENGE IS TO PERFORM 240 00:06:40,986 --> 00:06:43,126 IN THE WORLD PREMIERE OF SHADE: 241 00:06:43,126 --> 00:06:44,438 THE RUSICAL. 242 00:06:44,438 --> 00:06:46,682 WE HAVE TO ACT, SING, AND DANCE, 243 00:06:46,682 --> 00:06:48,753 AND DO IT ALL LIVE, MAMA. 244 00:06:48,753 --> 00:06:49,581 >> OKAY. 245 00:06:49,581 --> 00:06:50,996 NOW WE CAN GO THROUGH, LIKE, 246 00:06:50,996 --> 00:06:51,825 WHO'S WHO. 247 00:06:51,825 --> 00:06:52,653 >> OKAY. 248 00:06:52,653 --> 00:06:53,585 >> THAT SAYS GOOD PENNY AND BAD 249 00:06:53,585 --> 00:06:54,414 PENNY. 250 00:06:54,414 --> 00:06:55,691 FISH OIL HAS TURNED PENNY INTO A 251 00:06:55,691 --> 00:06:57,589 HORRIBLE DIVA BITCH. 252 00:06:57,589 --> 00:06:59,522 BAD PENNY IS CLEARLY ME. 253 00:06:59,522 --> 00:07:00,558 COURTNEY IS DEFINITELY GOOD 254 00:07:00,558 --> 00:07:01,421 PENNY. 255 00:07:01,421 --> 00:07:02,732 SHE'S VERY DISNEY AND I'M VERY 256 00:07:02,732 --> 00:07:04,907 COURTNEY LOVE. 257 00:07:04,907 --> 00:07:07,185 AMANDA, PRETTY BUT BUTCH QUEEN. 258 00:07:07,185 --> 00:07:08,255 >> I DON'T WANT TO BE A BUTCH 259 00:07:08,255 --> 00:07:09,083 QUEEN. 260 00:07:09,083 --> 00:07:10,084 >> OKAY, NO, I DON'T WANNA MAKE 261 00:07:10,084 --> 00:07:10,913 HER A BUTCH QUEEN AGAIN. 262 00:07:10,913 --> 00:07:12,432 >> I COULD BE BERTHA, BUT BERTHA 263 00:07:12,432 --> 00:07:14,295 IS LIKE A BIG GIRL, SO WOULD 264 00:07:14,295 --> 00:07:15,400 I--I DON'T KNOW, JUST PAD 265 00:07:15,400 --> 00:07:16,228 MYSELF, I GUESS? 266 00:07:16,228 --> 00:07:17,229 >> JUST PAD YOURSELF TO HIGH 267 00:07:17,229 --> 00:07:18,230 HEAVENS. 268 00:07:18,230 --> 00:07:19,300 >> I AM HAPPY 'CAUSE I DIDN'T 269 00:07:19,300 --> 00:07:20,923 GET THE BUTCH CARD, SO THANK GOD 270 00:07:20,923 --> 00:07:23,028 FOR THAT...[mutters] YEAH. 271 00:07:23,028 --> 00:07:24,064 >> both: WE ARE THE 272 00:07:24,064 --> 00:07:26,963 COMEDY QUEENS 273 00:07:26,963 --> 00:07:29,138 HUMOR ALWAYS JUSTIFIES 274 00:07:29,138 --> 00:07:31,865 THE MEANS 275 00:07:31,865 --> 00:07:34,557 >> GIA, HER VOICE IS LIKE NAILS 276 00:07:34,557 --> 00:07:35,869 ON A CHALKBOARD. 277 00:07:35,869 --> 00:07:36,801 >> both: WE ARE THE 278 00:07:36,801 --> 00:07:39,320 COMEDY QUEENS 279 00:07:39,320 --> 00:07:41,391 >> GIA'S VOICE IS KIND OF LIKE 280 00:07:41,391 --> 00:07:44,912 IF FRAN DRESCHER GOT STEAMROLLED 281 00:07:44,912 --> 00:07:46,949 BY, LIKE, A DYING DUCK. 282 00:07:46,949 --> 00:07:49,158 EEEEHHHH! 283 00:07:49,158 --> 00:07:52,955 >> both: ME, EE, EE 284 00:07:52,955 --> 00:07:56,130 >> EEE-HE-HE 285 00:07:56,130 --> 00:07:57,615 >> HELLO, HELLO, HELLO. 286 00:07:57,615 --> 00:07:59,548 >> all: HI! 287 00:07:59,548 --> 00:08:01,619 >> HOW ARE MY MUSICAL THEATER 288 00:08:01,619 --> 00:08:02,482 QUEENS? 289 00:08:02,482 --> 00:08:04,863 >> FABULOUS. 290 00:08:04,863 --> 00:08:07,141 >> WELL, TEAM BEN DE LA CREME, 291 00:08:07,141 --> 00:08:08,177 WHO'S PLAYING WHO? 292 00:08:08,177 --> 00:08:10,386 WELL, OUR INGENUE PENNY WILL BE 293 00:08:10,386 --> 00:08:11,836 PLAYED BY MISS COURTNEY ACT. 294 00:08:11,836 --> 00:08:12,733 >> YOU'RE GOOD PENNY. 295 00:08:12,733 --> 00:08:13,562 >> YEAH. 296 00:08:13,562 --> 00:08:14,666 >> ARE YOU PREPARED TO SING THE 297 00:08:14,666 --> 00:08:16,150 CRAP OUT OF THIS PART? 298 00:08:16,150 --> 00:08:16,979 >> I AM. 299 00:08:16,979 --> 00:08:17,876 MY LATEST THING I'VE BEEN 300 00:08:17,876 --> 00:08:19,153 WORKING ON IS WHISTLE TONE. 301 00:08:19,153 --> 00:08:20,258 >> OH, LIKE MARIAH. 302 00:08:20,258 --> 00:08:21,086 >> YEAH. 303 00:08:21,086 --> 00:08:22,709 >> [squeals] 304 00:08:22,709 --> 00:08:23,710 [glass shattering effect] 305 00:08:23,710 --> 00:08:25,505 >> NOW TRINITY, YOU SEEM QUIET. 306 00:08:25,505 --> 00:08:28,266 HAVE YOU DONE MUSICAL THEATER? 307 00:08:28,266 --> 00:08:30,371 >> UH, IN JUNIOR HIGH. 308 00:08:30,371 --> 00:08:31,545 >> YEAH, BUT SHE PLAYED A TREE, 309 00:08:31,545 --> 00:08:32,512 SO-- 310 00:08:32,512 --> 00:08:33,374 >> OH, OKAY. 311 00:08:33,374 --> 00:08:34,203 >> JUST LIKE THE ACTING 312 00:08:34,203 --> 00:08:35,169 CHALLENGE, YOU KNOW, THIS IS NEW 313 00:08:35,169 --> 00:08:35,998 FOR ME TOO. 314 00:08:35,998 --> 00:08:37,171 SO, YOU KNOW, I'MA GIVE IT MY 315 00:08:37,171 --> 00:08:40,761 BEST AND...YOU KNOW. 316 00:08:40,761 --> 00:08:42,073 I'M A DRAG QUEEN. 317 00:08:42,073 --> 00:08:43,005 I LIP-SYNCH. 318 00:08:43,005 --> 00:08:44,765 I DON'T SING LIVE. 319 00:08:44,765 --> 00:08:46,215 >> THIS IS REALLY ONE OF THOSE 320 00:08:46,215 --> 00:08:47,423 CHALLENGES WHERE YOU HAVE TO 321 00:08:47,423 --> 00:08:49,529 WORK TOGETHER, AND AT THE SAME 322 00:08:49,529 --> 00:08:52,428 TIME, STAND OUT AS THE STAR THAT 323 00:08:52,428 --> 00:08:53,256 YOU ARE. 324 00:08:53,256 --> 00:08:54,085 >> YEAH. 325 00:08:54,085 --> 00:08:54,913 >> SO GET TO IT, LADIES. 326 00:08:54,913 --> 00:08:55,742 >> THANK YOU. 327 00:08:55,742 --> 00:08:57,571 >> THANKS. 328 00:08:57,571 --> 00:08:59,539 >> WELL, TEAM ADORE, HELLO. 329 00:08:59,539 --> 00:09:00,609 >> all: HELLO. 330 00:09:00,609 --> 00:09:01,920 >> I'M SO EXCITED. 331 00:09:01,920 --> 00:09:03,473 >> IT'S GONNA BE A PARTY. 332 00:09:03,473 --> 00:09:04,992 >> NOW ADORE, WHAT CHARACTER ARE 333 00:09:04,992 --> 00:09:05,821 YOU PLAYING? 334 00:09:05,821 --> 00:09:06,684 >> I AM PLAYING BAD PENNY. 335 00:09:06,684 --> 00:09:07,650 >> NOW, THAT'S A BIG SINGING 336 00:09:07,650 --> 00:09:08,513 ROLE, ISN'T IT? 337 00:09:08,513 --> 00:09:09,341 >> IT IS. 338 00:09:09,341 --> 00:09:10,308 >> THAT'S SOMETHING YOU SHOULD 339 00:09:10,308 --> 00:09:11,136 EXCEL AT. 340 00:09:11,136 --> 00:09:11,965 >> IT SHOULD BE COOL. 341 00:09:11,965 --> 00:09:12,966 >> WELL, WHY DO YOU DOUBT 342 00:09:12,966 --> 00:09:14,277 YOURSELF LIKE THAT? 343 00:09:14,277 --> 00:09:15,934 LAST WEEK, THE NOTE FOR YOU 344 00:09:15,934 --> 00:09:17,695 WAS TO BE PREPARED WHEN YOU HIT 345 00:09:17,695 --> 00:09:18,558 THE SET. 346 00:09:18,558 --> 00:09:20,387 YOU HAVE TO DO YOUR HOMEWORK. 347 00:09:20,387 --> 00:09:22,631 >> I'M PRETTY NERVOUS 'CAUSE I 348 00:09:22,631 --> 00:09:24,805 REALLY, REALLY WANT THE JUDGES 349 00:09:24,805 --> 00:09:26,289 TO SEE THAT I'M NOT A FILLER 350 00:09:26,289 --> 00:09:27,325 BITCH. 351 00:09:27,325 --> 00:09:28,602 >> SO YOU THREE ARE THE 352 00:09:28,602 --> 00:09:29,465 SHOWGIRLS. 353 00:09:29,465 --> 00:09:30,293 >> YES. 354 00:09:30,293 --> 00:09:31,122 >> NOW, WHO ARE YOU PLAYING? 355 00:09:31,122 --> 00:09:32,226 >> I'M THE BUTCH QUEEN. 356 00:09:32,226 --> 00:09:34,297 >> YOU'RE A BUTCH QUEEN? 357 00:09:34,297 --> 00:09:35,195 WHERE ARE YOU GONNA DRAW YOUR 358 00:09:35,195 --> 00:09:36,023 INSPIRATION? 359 00:09:36,023 --> 00:09:37,128 >> BIANCA DEL RIO. 360 00:09:37,128 --> 00:09:37,956 [laughter] 361 00:09:37,956 --> 00:09:39,302 >> WHOO! 362 00:09:39,302 --> 00:09:41,166 >> YES, MA'AM! 363 00:09:41,166 --> 00:09:42,305 >> WAY DOWN. 364 00:09:42,305 --> 00:09:43,548 >> OKAY! 365 00:09:43,548 --> 00:09:45,585 >> I CANNOT WAIT TO SEE IT. 366 00:09:45,585 --> 00:09:47,138 ALL RIGHT. 367 00:09:47,138 --> 00:09:48,622 >> GATHER ROUND, THESPIANS. 368 00:09:48,622 --> 00:09:51,038 PEOPLE, PLACES, PEOPLE. 369 00:09:51,038 --> 00:09:53,006 TOMORROW AFTER YOUR MUSICAL 370 00:09:53,006 --> 00:09:54,870 DEBUT, THE DRESS CODE FOR THE 371 00:09:54,870 --> 00:09:58,011 MAIN STAGE IS TONY AWARDS 372 00:09:58,011 --> 00:09:59,978 GLAMOUR. 373 00:09:59,978 --> 00:10:01,324 NOW, AS WE SAY IN THE 374 00:10:01,324 --> 00:10:04,362 THEATER, DARLING, "BREAK A LEG 375 00:10:04,362 --> 00:10:05,846 AND DON'T [bleep] IT UP." 376 00:10:05,846 --> 00:10:09,850 AND DON'T [bleep] IT UP." >> ALL RIGHT. 377 00:10:09,850 --> 00:10:11,714 >> ALL RIGHT. 378 00:10:11,714 --> 00:10:13,371 >> IT'S OUR TEAM'S TURN TO COME 379 00:10:13,371 --> 00:10:15,166 IN AND REHEARSE WITH LUCIAN. 380 00:10:15,166 --> 00:10:16,650 I HAVE DONE SOME MUSICAL THEATER 381 00:10:16,650 --> 00:10:19,446 IN MY PAST, SO PIECE OF CAKE. 382 00:10:19,446 --> 00:10:20,343 >> HELLO, LADIES. 383 00:10:20,343 --> 00:10:21,172 >> all: HI. 384 00:10:21,172 --> 00:10:22,207 >> THIS IS DENISE. 385 00:10:22,207 --> 00:10:23,036 >> HEY. 386 00:10:23,036 --> 00:10:23,864 >> all: HI. 387 00:10:23,864 --> 00:10:24,693 >> SHE'S OUR CELEBRITY 388 00:10:24,693 --> 00:10:26,211 CHOREOGRAPHER AND MY SISTER. 389 00:10:26,211 --> 00:10:27,040 >> OH. 390 00:10:27,040 --> 00:10:27,903 >> AND OVER HERE, WE HAVE OUR 391 00:10:27,903 --> 00:10:30,630 LADY J, TRANS ICON AND PIANIST 392 00:10:30,630 --> 00:10:31,941 TO THE STARS. 393 00:10:31,941 --> 00:10:32,770 >> HI, GUYS. 394 00:10:32,770 --> 00:10:34,185 >> all: HI. 395 00:10:34,185 --> 00:10:35,117 >> OKAY, SO WHY DON'T YOU SING 396 00:10:35,117 --> 00:10:36,359 OUT A LITTLE BIT, OKAY? 397 00:10:36,359 --> 00:10:37,291 HERE WE GO. 398 00:10:37,291 --> 00:10:40,122 >> AND YOU AND YOU 399 00:10:40,122 --> 00:10:43,470 YOU'RE GONNA LOVE ME 400 00:10:43,470 --> 00:10:44,471 YOU'RE GONNA LOVE 401 00:10:44,471 --> 00:10:46,576 [high note] ME 402 00:10:46,576 --> 00:10:47,474 >> OKAY. 403 00:10:47,474 --> 00:10:48,958 THERE AT THE END, MAKE SURE YOUR 404 00:10:48,958 --> 00:10:50,857 LAST NOTE IS THE MOST IMPRESSIVE 405 00:10:50,857 --> 00:10:51,685 ONE. 406 00:10:51,685 --> 00:10:52,962 YOU CAN MAKE IT YOUR MOMENT, YOU 407 00:10:52,962 --> 00:10:53,791 KNOW? 408 00:10:53,791 --> 00:10:54,792 >> I THINK I'M GONNA BE HELD TO 409 00:10:54,792 --> 00:10:55,931 A HIGHER STANDARD ON THIS ONE, 410 00:10:55,931 --> 00:10:57,726 AND WHEN YOU'RE LIVE ON STAGE, 411 00:10:57,726 --> 00:10:59,141 YOU'VE GOT ONE CHANCE. 412 00:10:59,141 --> 00:11:03,041 DON'T [bleep] IT UP. 413 00:11:03,041 --> 00:11:04,560 >> WE ARE THE COMEDY-- 414 00:11:04,560 --> 00:11:05,457 >> both: WE ARE THE 415 00:11:05,457 --> 00:11:06,320 COMEDY QUEENS 416 00:11:06,320 --> 00:11:07,805 >> OH, CUTE. 417 00:11:07,805 --> 00:11:08,875 >> DON'T LISTEN TO THEM 418 00:11:08,875 --> 00:11:10,152 'CAUSE THEY'RE ALL FULL 419 00:11:10,152 --> 00:11:10,980 OF BEANS 420 00:11:10,980 --> 00:11:11,878 >> LITERALLY. 421 00:11:11,878 --> 00:11:13,017 >> CUT, CUT, CUT. 422 00:11:13,017 --> 00:11:14,466 >> WHEN YOU SAY LITERALLY, YOU 423 00:11:14,466 --> 00:11:15,640 UNDERSTAND WHAT THE JOKE IS 424 00:11:15,640 --> 00:11:16,572 THERE? 425 00:11:16,572 --> 00:11:19,023 >> UM, NOT REALLY. 426 00:11:19,023 --> 00:11:21,404 >> IT'S A FART JOKE. 427 00:11:21,404 --> 00:11:23,372 IT'S BECAUSE IT SMELLS--SMELLS 428 00:11:23,372 --> 00:11:27,687 BAD, SO, UH, IF YOU CAN PLAY UP 429 00:11:27,687 --> 00:11:29,309 THE COMEDY OF IT, THEN THAT WILL 430 00:11:29,309 --> 00:11:30,241 SELL. 431 00:11:30,241 --> 00:11:31,794 YOU GUYS RIGHT NOW ARE NOT 432 00:11:31,794 --> 00:11:33,693 REALLY FUNNY AT ALL. 433 00:11:33,693 --> 00:11:35,418 >> [bleep] 434 00:11:35,418 --> 00:11:36,247 >> OKAY. 435 00:11:36,247 --> 00:11:37,558 REAL QUICK, SO PAGEANT QUEENS, 436 00:11:37,558 --> 00:11:38,490 CAN I SHOW YOU YOUR MOVEMENT 437 00:11:38,490 --> 00:11:39,319 REAL QUICK... 438 00:11:39,319 --> 00:11:40,147 >> YES, MA'AM. 439 00:11:40,147 --> 00:11:41,183 >> FOR THIS SECTION? OKAY. 440 00:11:41,183 --> 00:11:42,874 YOU'RE GONNA STEP FORWARD ON THE 441 00:11:42,874 --> 00:11:44,220 LEFT LEG TO STRUT. 442 00:11:44,220 --> 00:11:45,256 OKAY? SO YOU HAVE-- 443 00:11:45,256 --> 00:11:46,429 >> I'M SORRY, I'M SORRY, I'M 444 00:11:46,429 --> 00:11:47,258 SORRY. 445 00:11:47,258 --> 00:11:48,880 I NEED TO KNOW WHEN SHE SAID... 446 00:11:48,880 --> 00:11:49,985 >> SO IT GOES BOOM. 447 00:11:49,985 --> 00:11:51,089 >> WHEN SHE SAID "WHO ARE YOU--" 448 00:11:51,089 --> 00:11:53,609 >> WE ARE THE PAGEANT QUEEN 449 00:11:53,609 --> 00:11:54,714 >> DOES THAT MAKE SENSE? 450 00:11:54,714 --> 00:11:55,715 >> CAN WE DO IT? 451 00:11:55,715 --> 00:11:57,026 'CAUSE IT'S A LOT DIFFERENT WHEN 452 00:11:57,026 --> 00:11:58,407 YOU'RE TRYING TO--AND THEN FALL 453 00:11:58,407 --> 00:11:59,408 BACK INTO IT AND MAKE SURE I'M 454 00:11:59,408 --> 00:12:00,236 NOT OFF. 455 00:12:00,236 --> 00:12:01,272 >> WELL, THAT'S HOW WE GET TO 456 00:12:01,272 --> 00:12:02,238 RUN IT SO THAT YOU CAN TRY IT. 457 00:12:02,238 --> 00:12:03,239 >> TRINITY IS GETTIN' A LITTLE 458 00:12:03,239 --> 00:12:04,068 RUDE. 459 00:12:04,068 --> 00:12:05,103 IT AIN'T DENISE'S FAULT THAT 460 00:12:05,103 --> 00:12:06,346 TRINITY CAN'T GET THE MOVES. 461 00:12:06,346 --> 00:12:08,244 TRINITY CAN'T GET THE MOVES. CALM DOWN, BEYONCE. 462 00:12:08,244 --> 00:12:12,352 CALM DOWN, BEYONCE. 463 00:12:12,352 --> 00:12:14,319 CALM DOWN, BEYONCE. >> SO...[humming] TURN 464 00:12:14,319 --> 00:12:17,184 >> SO...[humming] TURN 465 00:12:17,184 --> 00:12:22,465 >> SO...[humming] TURN [background chatter] 466 00:12:22,465 --> 00:12:26,676 [background chatter] 467 00:12:26,676 --> 00:12:28,713 >> WE'RE GOIN' DOWN, AND NOT IN 468 00:12:28,713 --> 00:12:29,541 A GOOD WAY. 469 00:12:29,541 --> 00:12:30,370 >> SORRY. 470 00:12:30,370 --> 00:12:32,648 >> SORRY. IF I SUCK, I SUCK. 471 00:12:32,648 --> 00:12:33,787 IF I SUCK, I SUCK. 472 00:12:33,787 --> 00:12:36,721 >> AND FINALLY I'M THE STAR 473 00:12:36,721 --> 00:12:38,516 >> NO I'M THE STAR 474 00:12:38,516 --> 00:12:42,002 >> NO I'M THE STAR 475 00:12:42,002 --> 00:12:43,935 >> TAKE A SECOND AND CALM DOWN. 476 00:12:43,935 --> 00:12:45,040 >> BECAUSE YOU DON'T DO ANYTHING 477 00:12:45,040 --> 00:12:45,972 WRONG. I APOLOGIZE THAT I OPEN-- 478 00:12:45,972 --> 00:12:48,698 >> I DIDN'T SAY THAT, BITCH. 479 00:12:48,698 --> 00:12:49,803 >> I DIDN'T SAY THAT, BITCH. >> [laughs] 480 00:12:49,803 --> 00:12:52,806 >> [laughs] 481 00:12:52,806 --> 00:12:56,534 >> [laughs] 482 00:12:56,534 --> 00:12:58,225 >> THIS WEEK'S CHALLENGE IS TO 483 00:12:58,225 --> 00:13:01,953 PERFORM IN SHADE: THE RUSICAL. 484 00:13:01,953 --> 00:13:03,058 >> HELLO, LADIES. 485 00:13:03,058 --> 00:13:04,714 >> all: HI. 486 00:13:04,714 --> 00:13:08,373 >> ALL RIGHT, SO LET'S GO. 487 00:13:08,373 --> 00:13:10,893 >> JUST A MIRACLE 488 00:13:10,893 --> 00:13:15,484 IN FRONT OF YOU OHH 489 00:13:15,484 --> 00:13:16,761 >> WHY ARE YOU AFRAID? 490 00:13:16,761 --> 00:13:17,589 AREN'T YOU THE SINGER? 491 00:13:17,589 --> 00:13:19,453 >> SPIT IT OUT, ADORE. 492 00:13:19,453 --> 00:13:21,041 >> IT'S REALLY INTIMIDATING TO 493 00:13:21,041 --> 00:13:22,422 HAVE THE PERSON WHO ACTUALLY 494 00:13:22,422 --> 00:13:24,113 WROTE THIS IN FRONT OF YOU WHILE 495 00:13:24,113 --> 00:13:26,046 YOU'RE BUTCHERING THE LYRICS. 496 00:13:26,046 --> 00:13:27,116 >> I KNOW THAT ALL THOSE WORDS, 497 00:13:27,116 --> 00:13:27,945 IT'S A LOT. 498 00:13:27,945 --> 00:13:28,877 YOU HAVE TO GET ALL THAT DOWN 499 00:13:28,877 --> 00:13:30,223 'CAUSE WHEN YOU GET LOST, IT 500 00:13:30,223 --> 00:13:31,258 IMMEDIATELY SHOWS IN YOUR EYES. 501 00:13:31,258 --> 00:13:32,087 >> I KNOW. 502 00:13:32,087 --> 00:13:32,915 >> YOU LOOK ABSOLUTELY 503 00:13:32,915 --> 00:13:33,778 TERRIFIED. 504 00:13:33,778 --> 00:13:34,675 >> THIS IS THE CHANCE BASICALLY 505 00:13:34,675 --> 00:13:36,056 FOR ME TO PROVE MYSELF. 506 00:13:36,056 --> 00:13:37,817 I'VE GOT TO GET IT TOGETHER. 507 00:13:37,817 --> 00:13:40,820 >> AND FINALLY I'M THE STAR 508 00:13:40,820 --> 00:13:42,511 >> NO I'M THE STAR 509 00:13:42,511 --> 00:13:43,512 >> [deep voice] NO I'M 510 00:13:43,512 --> 00:13:46,411 THE STAR 511 00:13:46,411 --> 00:13:48,068 [chuckles] 512 00:13:48,068 --> 00:13:49,345 >> YOU HAVE A VERY UNIQUE TONE 513 00:13:49,345 --> 00:13:50,174 TO YOUR VOICE. 514 00:13:50,174 --> 00:13:51,658 >> I'VE BEEN TOLD THAT. 515 00:13:51,658 --> 00:13:52,693 I LIKE TO THINK THAT I HAVE A 516 00:13:52,693 --> 00:13:54,178 RATHER DISTINCTIVE VOICE. 517 00:13:54,178 --> 00:13:55,420 [laughs] 518 00:13:55,420 --> 00:13:56,766 I'VE EMBRACED IT. 519 00:13:56,766 --> 00:13:59,424 >> TWO, THREE, FOUR... 520 00:13:59,424 --> 00:14:01,254 >> WELL I'M NOT GONNA STICK 521 00:14:01,254 --> 00:14:02,669 AROUND AND BE A PART 522 00:14:02,669 --> 00:14:03,532 OF HER SHOW 523 00:14:03,532 --> 00:14:05,568 >> OKAY, STOP FOR ONE SECOND. 524 00:14:05,568 --> 00:14:07,018 THAT SORT OF RHYTHMIC 525 00:14:07,018 --> 00:14:08,364 TALK-SINGING THAT YOU'RE DOING 526 00:14:08,364 --> 00:14:09,987 RIGHT NOW IS NOT COMING OFF THAT 527 00:14:09,987 --> 00:14:11,505 GREAT. 528 00:14:11,505 --> 00:14:13,024 >> AY, DIOS MIO. 529 00:14:13,024 --> 00:14:16,027 >> all: CENTER STAGE 530 00:14:16,027 --> 00:14:17,339 >> AND FINALLY 531 00:14:17,339 --> 00:14:20,204 [off-key] I'M THE STAR 532 00:14:20,204 --> 00:14:21,688 >> APRIL, YOU DON'T HAVE TO 533 00:14:21,688 --> 00:14:22,931 NECESSARILY SCREAM IT OUT LIKE 534 00:14:22,931 --> 00:14:23,793 THAT. 535 00:14:23,793 --> 00:14:26,382 >> AND FINALLY I'M THE STAR 536 00:14:26,382 --> 00:14:28,212 >> WELL, YOU JUST WENT UP AGAIN. 537 00:14:28,212 --> 00:14:29,765 >> I NEED TO PROVE THAT I CAN 538 00:14:29,765 --> 00:14:31,629 PULL THIS FOR ME AND FOR MY 539 00:14:31,629 --> 00:14:35,253 TEAM, SO I CAN'T BE A DOWNWARD 540 00:14:35,253 --> 00:14:36,634 DEBBIE. 541 00:14:36,634 --> 00:14:38,084 I DON'T KNOW WHAT HER NAME IS. 542 00:14:38,084 --> 00:14:40,707 >> SHOWGIRLS, YOUR ACT IS GOING 543 00:14:40,707 --> 00:14:42,467 TO BE THE SINK-OR-SWIM THING OF 544 00:14:42,467 --> 00:14:43,434 THIS WHOLE TEAM. 545 00:14:43,434 --> 00:14:45,643 >> THIS IS A HUGE CHALLENGE. 546 00:14:45,643 --> 00:14:48,370 LIKE ONE PERSON'S OFF, WE ALL 547 00:14:48,370 --> 00:14:51,442 FALL LIKE DOMINOES. 548 00:14:51,442 --> 00:14:54,065 >> TRINITY IS DEFINITELY NOT 549 00:14:54,065 --> 00:14:55,895 100% HERE. 550 00:14:55,895 --> 00:14:58,104 IS SHE FRUSTRATED SEXUALLY? 551 00:14:58,104 --> 00:15:00,900 I HAVE NO IDEA, BUT GUESS WHAT? 552 00:15:00,900 --> 00:15:02,936 WE HAVE ABOUT THIS MUCH TIME AND 553 00:15:02,936 --> 00:15:04,904 ABOUT THIS MUCH WORK TO DO, SO 554 00:15:04,904 --> 00:15:06,353 BITCH, GET INTO IT. 555 00:15:06,353 --> 00:15:09,736 >> ALL RIGHT, FROM THE TOP. 556 00:15:09,736 --> 00:15:11,117 >> TURN AROUND. 557 00:15:11,117 --> 00:15:12,187 >> NO, YOU'RE COMING WITH ME 558 00:15:12,187 --> 00:15:13,636 MISSY. 559 00:15:13,636 --> 00:15:14,465 >> BOOM. 560 00:15:14,465 --> 00:15:15,397 >> I'M YOU. 561 00:15:15,397 --> 00:15:16,536 DO YOU THE DIFFICULTNESS IN 562 00:15:16,536 --> 00:15:17,917 DOING IT BACKWARDS AND THEN 563 00:15:17,917 --> 00:15:18,814 TRYING TO TURN AROUND AT THE 564 00:15:18,814 --> 00:15:19,849 SAME TIME? 565 00:15:19,849 --> 00:15:20,920 IT'S REALLY, REALLY FAST. 566 00:15:20,920 --> 00:15:21,886 >> SHE HAS TO BE HERE-- 567 00:15:21,886 --> 00:15:22,956 >> IT TOOK YOU TOO LONG TO MOVE. 568 00:15:22,956 --> 00:15:23,853 I'M TELLING YOU. 569 00:15:23,853 --> 00:15:24,716 YOU'RE SUPPOSED TO HIT IT. 570 00:15:24,716 --> 00:15:25,545 YOU HAVE TO TRY TO-- 571 00:15:25,545 --> 00:15:26,373 >> CONSIDERING THIS HAS BEEN 572 00:15:26,373 --> 00:15:27,961 YOUR PROBLEM AREA, TAKE A SECOND 573 00:15:27,961 --> 00:15:29,169 AND CALM DOWN. 574 00:15:29,169 --> 00:15:32,690 I WALK TO HER, AND I SAY "TURN 575 00:15:32,690 --> 00:15:33,587 AROUND." 576 00:15:33,587 --> 00:15:34,864 I WOULD SUGGEST YOU FIGURE OUT 577 00:15:34,864 --> 00:15:36,073 WHAT YOU NEED TO DO PRIOR TO 578 00:15:36,073 --> 00:15:37,177 TELLING ME WHAT I'M NOT DOING 579 00:15:37,177 --> 00:15:38,040 RIGHT. 580 00:15:38,040 --> 00:15:38,972 >> YOU'RE ABSOLUTELY RIGHT, 581 00:15:38,972 --> 00:15:39,904 BIANCA, BECAUSE YOU DON'T DO 582 00:15:39,904 --> 00:15:40,732 ANYTHING WRONG. 583 00:15:40,732 --> 00:15:41,561 I APOLOGIZE THAT I... 584 00:15:41,561 --> 00:15:42,493 >> I DIDN'T SAY THAT, BITCH. 585 00:15:42,493 --> 00:15:43,494 >> OPENED MY MOUTH, AND THAT'S 586 00:15:43,494 --> 00:15:44,495 WHY I DON'T SAY ANYTHING IN THE 587 00:15:44,495 --> 00:15:48,257 FIRST PLACE. 588 00:15:48,257 --> 00:15:49,569 >> COVER GIRL 589 00:15:49,569 --> 00:15:50,950 >> all: PUT THAT BASS 590 00:15:50,950 --> 00:15:51,778 IN YOUR WALK 591 00:15:51,778 --> 00:15:52,779 >> COME ON! 592 00:15:52,779 --> 00:15:53,780 >> COME ON, GIRL. 593 00:15:53,780 --> 00:15:55,230 >> TODAY ON THE MAIN STAGE, OUR 594 00:15:55,230 --> 00:15:56,541 RUNWAY LOOK IS TONY AWARDS 595 00:15:56,541 --> 00:15:58,371 GLAMOUR, AND WE'RE PERFORMING IN 596 00:15:58,371 --> 00:15:59,959 SHADE: THE RUSICAL. 597 00:15:59,959 --> 00:16:02,478 WE HAVE TO SING LOTS, ALTHOUGH 598 00:16:02,478 --> 00:16:03,445 YOU'VE SEEN SOME OF THE PEOPLE 599 00:16:03,445 --> 00:16:04,998 IN MY GROUP. 600 00:16:04,998 --> 00:16:06,068 >> YOU READY TO SERVE SOME 601 00:16:06,068 --> 00:16:07,242 PAGEANT REALNESS OUT THERE? 602 00:16:07,242 --> 00:16:08,346 >> YES, GOD, BITCH, UGH. 603 00:16:08,346 --> 00:16:09,175 >> OKAY? 604 00:16:09,175 --> 00:16:10,107 >> I'M GONNA GET ME A TONY 605 00:16:10,107 --> 00:16:10,970 TONIGHT. 606 00:16:10,970 --> 00:16:12,074 >> WHAT'S A TONY? 607 00:16:12,074 --> 00:16:14,076 >> WHAT'S A TONY? [record scratch] 608 00:16:14,076 --> 00:16:16,009 [record scratch] 609 00:16:16,009 --> 00:16:18,322 >> SO YOU WERE ON THE IDOL OF 610 00:16:18,322 --> 00:16:19,288 THE AMERICAN. 611 00:16:19,288 --> 00:16:20,876 >> YES. 612 00:16:20,876 --> 00:16:21,704 AND YOU WERE ON THE 613 00:16:21,704 --> 00:16:22,843 IDOL OF THE AUSTRALIAN. 614 00:16:22,843 --> 00:16:23,879 >> I WAS. 615 00:16:23,879 --> 00:16:25,846 I WENT ALONG THE FIRST DAY AND, 616 00:16:25,846 --> 00:16:27,676 UM--AS A BOY--AND I GOT KNOCKED 617 00:16:27,676 --> 00:16:28,504 BACK. 618 00:16:28,504 --> 00:16:29,471 AND SO THEN I WENT BACK THE NEXT 619 00:16:29,471 --> 00:16:31,128 DAY IN DRAG, AND I MADE IT 620 00:16:31,128 --> 00:16:32,094 THROUGH TO THE FINALS. 621 00:16:32,094 --> 00:16:32,957 >> HOLY CRAP. 622 00:16:32,957 --> 00:16:34,717 >> I WAS THE FIRST OUT GAY 623 00:16:34,717 --> 00:16:36,340 PERSON AND THE FIRST PERSON IN 624 00:16:36,340 --> 00:16:38,480 DRAG TO BE ON ANY IDOLFRANCHISE 625 00:16:38,480 --> 00:16:39,308 ANYWHERE IN THE WORLD. 626 00:16:39,308 --> 00:16:41,000 >> I WISH I COULD'VE DID THAT. 627 00:16:41,000 --> 00:16:42,139 >> YEAH, BUT ADORE, DON'T YOU 628 00:16:42,139 --> 00:16:43,554 FEEL LIKE YOU WERE SORT OF THE 629 00:16:43,554 --> 00:16:44,624 AMERICAN COUNTERPART OF, LIKE, 630 00:16:44,624 --> 00:16:46,729 THE FIRST REAL SORT OF GAY 631 00:16:46,729 --> 00:16:48,179 PERSON ON AMERICAN IDOL? 632 00:16:48,179 --> 00:16:49,836 >> UM, YEAH, BUT I WAS KIND OF 633 00:16:49,836 --> 00:16:51,148 ADVISED TO JUST NOT BE SO OUT 634 00:16:51,148 --> 00:16:52,149 THERE. 635 00:16:52,149 --> 00:16:53,391 >> SO YOU ACTUALLY HAD TO, LIKE, 636 00:16:53,391 --> 00:16:54,220 KIND OF KEEP YOURSELF-- 637 00:16:54,220 --> 00:16:55,048 >> TONE IT DOWN A LITTLE. 638 00:16:55,048 --> 00:16:55,911 >> YEAH. 639 00:16:55,911 --> 00:16:56,739 >> RIGHT. 640 00:16:56,739 --> 00:16:57,740 >> SOME PEOPLE WEREN'T LIKING 641 00:16:57,740 --> 00:16:58,845 IT. 642 00:16:58,845 --> 00:17:01,296 >> MY MOM TOLD ME TO BUTCH IT UP 643 00:17:01,296 --> 00:17:02,538 BECAUSE SHE DIDN'T WANT THEM 644 00:17:02,538 --> 00:17:06,715 MAKING FUN OF ME. 645 00:17:06,715 --> 00:17:07,888 SHE SHOULD'VE JUST LET ME GO OUT 646 00:17:07,888 --> 00:17:09,925 THERE WITH PINK HAIR. 647 00:17:09,925 --> 00:17:14,826 THAT WOULD'VE BEEN COOL. 648 00:17:14,826 --> 00:17:16,380 >> GIA, WHAT WERE SOME OF YOUR 649 00:17:16,380 --> 00:17:17,588 TALENTS AS A CHILD BESIDES 650 00:17:17,588 --> 00:17:18,416 TUCKING YOUR WEENIE IN THE 651 00:17:18,416 --> 00:17:19,452 MIDDLE OF THE NIGHT? 652 00:17:19,452 --> 00:17:20,280 >> [laughs] 653 00:17:20,280 --> 00:17:21,419 >> I ACTUALLY WAS DOING THE 654 00:17:21,419 --> 00:17:23,490 DANCE FORM OF KABUKI THEATER 655 00:17:23,490 --> 00:17:25,596 SINCE I WAS FIVE YEARS OLD. 656 00:17:25,596 --> 00:17:27,494 IN JAPAN, KABUKI THEATER IS ALL 657 00:17:27,494 --> 00:17:29,151 MEN, BUT WE WOULDN'T, LIKE, GET 658 00:17:29,151 --> 00:17:30,980 TUCKED AND, LIKE, PUT BOOBS ON 659 00:17:30,980 --> 00:17:31,809 AND STUFF LIKE THAT. 660 00:17:31,809 --> 00:17:33,983 IN MY CULTURE, IT'S NOT A GAY 661 00:17:33,983 --> 00:17:36,124 THING, SO EVEN STRAIGHT MEN DO 662 00:17:36,124 --> 00:17:36,986 IT. 663 00:17:36,986 --> 00:17:37,815 IT'S AN ART. 664 00:17:37,815 --> 00:17:38,747 THIS IS LIKE WHEN I WOULD DO, 665 00:17:38,747 --> 00:17:39,782 LIKE, THE BOY ROLES. 666 00:17:39,782 --> 00:17:40,818 AND THIS IS ONE I WOULD DO THE 667 00:17:40,818 --> 00:17:41,957 FISH ROLE. 668 00:17:41,957 --> 00:17:42,923 >> NO WAY! 669 00:17:42,923 --> 00:17:43,752 >> LOOKING GOOD. 670 00:17:43,752 --> 00:17:44,994 >> WITH MY THEATER BACKGROUND IN 671 00:17:44,994 --> 00:17:47,652 KABUKI, I DEFINITELY HAVE A GOOD 672 00:17:47,652 --> 00:17:50,103 SENSE OF STAGE PRESENCE AND THE 673 00:17:50,103 --> 00:17:52,416 CHOREOGRAPHY, BUT AT THE SAME 674 00:17:52,416 --> 00:17:54,245 TIME, I'M REALLY HOPING FOR THE 675 00:17:54,245 --> 00:17:55,867 BEST, 'CAUSE SOME OF US AIN'T 676 00:17:55,867 --> 00:17:56,696 SINGERS. 677 00:17:56,696 --> 00:17:58,284 WE DANCERS. 678 00:17:58,284 --> 00:17:59,699 WE DANCERS. >> OW! 679 00:17:59,699 --> 00:18:06,602 >> OW! 680 00:18:06,602 --> 00:18:12,436 >> [laughs] 681 00:18:12,436 --> 00:18:14,023 COVER GIRL 682 00:18:14,023 --> 00:18:16,198 PUT THE BASS IN YOUR WALK 683 00:18:16,198 --> 00:18:17,579 HEAD TO TOE 684 00:18:17,579 --> 00:18:20,099 LET YOUR WHOLE BODY TALK 685 00:18:20,099 --> 00:18:22,101 AND WHAT? 686 00:18:22,101 --> 00:18:23,102 [applause] 687 00:18:23,102 --> 00:18:24,758 >> WELCOME TO THE MAIN STAGE OF 688 00:18:24,758 --> 00:18:27,071 RUPAUL'S DRAG RACE,STAR OF 689 00:18:27,071 --> 00:18:29,108 BREAST SIDE STORY,MICHELLE 690 00:18:29,108 --> 00:18:30,109 VISAGE. 691 00:18:30,109 --> 00:18:32,421 >> YES, AND AREN'T YOU AMAZING 692 00:18:32,421 --> 00:18:33,526 IN TECHNICOLOR? 693 00:18:33,526 --> 00:18:34,561 >> [laughs] 694 00:18:34,561 --> 00:18:36,632 AND FROM THE BOOK OF MORON, 695 00:18:36,632 --> 00:18:37,909 SANTINO RICE. 696 00:18:37,909 --> 00:18:39,463 [laughter] 697 00:18:39,463 --> 00:18:41,223 >> MY POSSE'S ON BROADWAY, RU. 698 00:18:41,223 --> 00:18:43,294 >> WELL, MY POSSE'S ON FIRE. 699 00:18:43,294 --> 00:18:45,434 [laughter] 700 00:18:45,434 --> 00:18:47,574 AND OUR VERY OWN MUSIC MAN, 701 00:18:47,574 --> 00:18:48,920 LUCIAN PIANE. 702 00:18:48,920 --> 00:18:50,439 HOW WAS IT WORKING WITH MY 703 00:18:50,439 --> 00:18:51,992 BROADWAY BABIES? 704 00:18:51,992 --> 00:18:53,925 >> YOU ARE SURE IN FOR A TREAT. 705 00:18:53,925 --> 00:18:55,306 >> I'LL BE THE JUDGE OF THAT. 706 00:18:55,306 --> 00:18:56,652 [laughs] 707 00:18:56,652 --> 00:18:59,379 AND THE LEGENDARY STAR OF STAGE 708 00:18:59,379 --> 00:19:02,071 AND SCREEN, THE O.G. DREAM GIRL, 709 00:19:02,071 --> 00:19:03,797 SHERYL LEE RALPH. 710 00:19:03,797 --> 00:19:06,006 >> DARLING, LOOK AT YOU. 711 00:19:06,006 --> 00:19:07,456 I LOVE EVERYTHING ABOUT YOU. 712 00:19:07,456 --> 00:19:09,389 >> I AM SO EXCITED TO HAVE YOU 713 00:19:09,389 --> 00:19:10,218 HERE. 714 00:19:10,218 --> 00:19:12,151 THIS WEEK, WE CHALLENGED OUR 715 00:19:12,151 --> 00:19:13,635 LEADING LADIES TO TREAD THE 716 00:19:13,635 --> 00:19:15,499 BOARDS IN A MUSICAL COMEDY 717 00:19:15,499 --> 00:19:17,880 EXTRAVAGANZA, SHADE: THE 718 00:19:17,880 --> 00:19:18,985 RUSICAL. 719 00:19:18,985 --> 00:19:20,538 NOW THEY'RE READY TO MAKE THEIR 720 00:19:20,538 --> 00:19:22,540 OFF-OFF-OFF-OFF-OFF-OFF 721 00:19:22,540 --> 00:19:24,680 BROADWAY DEBUT. 722 00:19:24,680 --> 00:19:26,889 GENTLEMEN, START YOUR ENGINES. 723 00:19:26,889 --> 00:19:30,893 AND MAY THE BEST WOMAN WIN. 724 00:19:30,893 --> 00:19:32,378 >> YOU GOT A LITTLE LOST. 725 00:19:32,378 --> 00:19:34,000 >> YOU WERE WAY OFF. 726 00:19:34,000 --> 00:19:35,657 >> IT'S LIKE YOU HAVE A BEARD ON 727 00:19:35,657 --> 00:19:37,590 YOUR FOREHEAD. 728 00:19:37,590 --> 00:19:39,592 YOUR FOREHEAD. >> [laughs] 729 00:19:39,592 --> 00:19:44,873 >> [laughs] 730 00:19:44,873 --> 00:19:47,738 >> ACT ONE, SHADE: THE RUSICAL. 731 00:19:47,738 --> 00:19:49,774 LET'S GO. 732 00:19:49,774 --> 00:19:51,949 >> IN THE CITY OF DRAG QUEENS, 733 00:19:51,949 --> 00:19:53,606 THERE'S A FINE LINE BETWEEN 734 00:19:53,606 --> 00:19:56,091 BEING SHADY, AND BEING A LADY. 735 00:19:56,091 --> 00:19:57,506 THIS IS PENNY. 736 00:19:57,506 --> 00:19:58,887 WHICH WILL SHE CHOOSE? 737 00:19:58,887 --> 00:20:02,891 >> I JUST GOT OFF THE BUS 738 00:20:02,891 --> 00:20:06,722 I DON'T DRINK OR EAT OR CUSS 739 00:20:06,722 --> 00:20:08,897 >> YOU'RE NEW IN TOWN 740 00:20:08,897 --> 00:20:11,210 >> IT'S TIME TO KNUCKLE DOWN 741 00:20:11,210 --> 00:20:12,211 >> both: START SWIMMING TO 742 00:20:12,211 --> 00:20:14,592 THE TOP BEFORE YOU DROWN 743 00:20:14,592 --> 00:20:16,629 >> WHO ARE YOU? 744 00:20:16,629 --> 00:20:17,630 >> both: WE ARE THE 745 00:20:17,630 --> 00:20:18,734 PAGEANT QUEENS 746 00:20:18,734 --> 00:20:20,633 >> OH, FANCY! 747 00:20:20,633 --> 00:20:21,772 >> both: WE'RE ELEGANT 748 00:20:21,772 --> 00:20:23,739 MACHINES 749 00:20:23,739 --> 00:20:25,776 IN GOWNS WE STRUT 750 00:20:25,776 --> 00:20:27,605 WE DON'T NEED CORNY SMUT 751 00:20:27,605 --> 00:20:28,434 >> both: WHAT? 752 00:20:28,434 --> 00:20:29,607 >> LET'S HOLD BACK AND 753 00:20:29,607 --> 00:20:31,230 SEE WHICH WAY SHE LEANS 754 00:20:31,230 --> 00:20:32,576 >> WHO ARE YOU? 755 00:20:32,576 --> 00:20:34,233 >> both: WE ARE THE 756 00:20:34,233 --> 00:20:35,234 COMEDY QUEENS 757 00:20:35,234 --> 00:20:36,752 >> OH, CUTE. 758 00:20:36,752 --> 00:20:38,306 >> HUMOR ALWAYS 759 00:20:38,306 --> 00:20:41,274 JUSTIFIES THE MEANS 760 00:20:41,274 --> 00:20:42,551 >> WHILE SHE'S THERE TELLING 761 00:20:42,551 --> 00:20:43,380 A JOKE 762 00:20:43,380 --> 00:20:44,243 >> UGH! 763 00:20:44,243 --> 00:20:45,278 >> I'M RIGHT BEHIND YOU 764 00:20:45,278 --> 00:20:46,141 POKE 765 00:20:46,141 --> 00:20:46,969 >> OH! 766 00:20:46,969 --> 00:20:48,074 >> both: DON'T LISTEN TO 767 00:20:48,074 --> 00:20:49,248 THEM 'CAUSE THEY'RE ALL 768 00:20:49,248 --> 00:20:50,076 FULL OF BEANS 769 00:20:50,076 --> 00:20:50,904 >> LITERALLY. 770 00:20:50,904 --> 00:20:51,836 >> WHO'S THAT? 771 00:20:51,836 --> 00:20:52,665 >> WAIT! 772 00:20:52,665 --> 00:20:54,253 SHE'S THE SHADY QUEEN 773 00:20:54,253 --> 00:20:55,115 HORRID QUEEN 774 00:20:55,115 --> 00:20:56,255 NO ONE WANTS TO SEE HER 775 00:20:56,255 --> 00:20:57,428 >> ON HER OWN, ALL ALONE 776 00:20:57,428 --> 00:20:58,774 NO ONE WANTS TO BE HER 777 00:20:58,774 --> 00:21:00,120 >> LISTEN UP, PRETTY PUP 778 00:21:00,120 --> 00:21:01,121 >> SHE'S ON HER WAY 779 00:21:01,121 --> 00:21:02,019 TO SIX FEET 780 00:21:02,019 --> 00:21:03,745 >> both: UNDERGROUND 781 00:21:03,745 --> 00:21:05,194 >> YES AND NOTHING NICE 782 00:21:05,194 --> 00:21:06,023 NOTHING GOOD EVER 783 00:21:06,023 --> 00:21:07,162 GOES HER WAY SO 784 00:21:07,162 --> 00:21:08,025 >> MISS OFF A BUS 785 00:21:08,025 --> 00:21:08,853 [mumbles] US 786 00:21:08,853 --> 00:21:09,820 EVEN RU WOULD SAY SO 787 00:21:09,820 --> 00:21:10,717 >> WHO? 788 00:21:10,717 --> 00:21:11,718 >> [all gasp] RUPAUL! 789 00:21:11,718 --> 00:21:12,547 >> OH. 790 00:21:12,547 --> 00:21:14,273 >> all: TURN AROUND 791 00:21:14,273 --> 00:21:16,378 WE ARE THE BETTER QUEENS 792 00:21:16,378 --> 00:21:17,586 THE SAFER QUEENS 793 00:21:17,586 --> 00:21:18,898 THE LIGHTER QUEENS 794 00:21:18,898 --> 00:21:20,279 THE BRIGHTER QUEENS 795 00:21:20,279 --> 00:21:21,694 THE WISER QUEENS 796 00:21:21,694 --> 00:21:22,867 ADVISOR QUEENS 797 00:21:22,867 --> 00:21:24,075 THE ONES WHO YOU 798 00:21:24,075 --> 00:21:25,318 SHOULD STICK WITH 799 00:21:25,318 --> 00:21:26,871 >> PENNY. 800 00:21:26,871 --> 00:21:29,184 YOU REALLY WANT TO BE A STAR? 801 00:21:29,184 --> 00:21:30,496 >> YEAH, I DO. 802 00:21:30,496 --> 00:21:31,359 >> all: NO! 803 00:21:31,359 --> 00:21:32,256 >> DON'T DO IT. 804 00:21:32,256 --> 00:21:33,533 >> DON'T GO. 805 00:21:33,533 --> 00:21:36,191 >> SHE'S A MAN WITH ONE EYE! 806 00:21:36,191 --> 00:21:37,261 >> THERE'S A HOLE 807 00:21:37,261 --> 00:21:38,089 IN YOUR HEART 808 00:21:38,089 --> 00:21:40,264 THERE'S A PLACE IN YOUR SOUL 809 00:21:40,264 --> 00:21:41,955 A PASSION SO STRONG 810 00:21:41,955 --> 00:21:43,888 IT MAKES YOUR BLOOD BOIL 811 00:21:43,888 --> 00:21:46,063 ALL YOUR DREAMS COME ALIVE 812 00:21:46,063 --> 00:21:48,203 ALL YOUR WISHES WILL GROW 813 00:21:48,203 --> 00:21:49,894 IF YOU TAKE A SWIG 814 00:21:49,894 --> 00:21:51,896 OF THIS FISH OIL 815 00:21:51,896 --> 00:21:52,725 DRINK FOR ME 816 00:21:52,725 --> 00:21:53,553 [laughter] 817 00:21:53,553 --> 00:21:54,451 >> OH, I'D REALLY LIKE TO, 818 00:21:54,451 --> 00:21:55,314 BUT I SHOULDN'T, I-- 819 00:21:55,314 --> 00:21:56,763 >> DRINK FOR ME! 820 00:21:56,763 --> 00:21:58,282 >> I DO WANT TO BE A BIG, BIG 821 00:21:58,282 --> 00:21:59,283 STAR. 822 00:21:59,283 --> 00:22:01,147 >> DRINK FOR ME 823 00:22:01,147 --> 00:22:02,182 >> all: DON'T DO IT 824 00:22:02,182 --> 00:22:03,287 DON'T DO IT 825 00:22:03,287 --> 00:22:04,875 >> DRINK FOR ME 826 00:22:04,875 --> 00:22:06,014 >> YOU'LL LOSE IT 827 00:22:06,014 --> 00:22:07,947 YOU'LL LOSE IT 828 00:22:07,947 --> 00:22:09,983 >> WELL, I'M GONNA BE 829 00:22:09,983 --> 00:22:12,296 THE GREATEST STAR AND 830 00:22:12,296 --> 00:22:14,333 NOTHING AND NO ONE'S GONNA 831 00:22:14,333 --> 00:22:15,989 KEEP ME DOWN 832 00:22:15,989 --> 00:22:17,715 AND YOU AND YOU 833 00:22:17,715 --> 00:22:19,890 AND ALL OF YOU 834 00:22:19,890 --> 00:22:24,481 I'LL MAKE YOU LOVE ME 835 00:22:24,481 --> 00:22:25,654 >> all: DON'T DO IT 836 00:22:25,654 --> 00:22:26,828 DON'T DO IT 837 00:22:26,828 --> 00:22:27,967 >> OH, I CAN'T GET IT OPEN. 838 00:22:27,967 --> 00:22:28,830 >> HERE. 839 00:22:28,830 --> 00:22:29,796 >> all: DON'T DO IT 840 00:22:29,796 --> 00:22:31,039 DON'T DO IT 841 00:22:31,039 --> 00:22:33,455 >> WATCH ME BE YOUR STAR 842 00:22:33,455 --> 00:22:37,701 >> NO T, NO SHADE 843 00:22:37,701 --> 00:22:42,844 [applause] 844 00:22:42,844 --> 00:22:44,155 >> OH, ACT TWO IS ABOUT TO 845 00:22:44,155 --> 00:22:47,987 BEGIN. 846 00:22:47,987 --> 00:22:50,403 >> THANKS TO FISH OIL, OUR GOOD 847 00:22:50,403 --> 00:22:52,854 LITTLE PENNY BECAME ONE BAD 848 00:22:52,854 --> 00:22:57,479 PENNY, BUT SHE GOT HER FAME. 849 00:22:57,479 --> 00:22:58,860 >> 'CAUSE I'M THE 850 00:22:58,860 --> 00:23:00,827 BIGGEST STAR 851 00:23:00,827 --> 00:23:03,554 AND I'M GOIN' FAR 852 00:23:03,554 --> 00:23:06,143 JUST A MIRACLE 853 00:23:06,143 --> 00:23:09,111 IN FRONT OF YOU 854 00:23:09,111 --> 00:23:11,942 OH, AND IF YOU DON'T BELIEVE 855 00:23:11,942 --> 00:23:14,393 I WILL SHOW YOU 856 00:23:14,393 --> 00:23:15,739 I'LL TEACH YOU 857 00:23:15,739 --> 00:23:17,396 I'LL SCHOOL YOU 858 00:23:17,396 --> 00:23:18,569 I'LL BEAT YOU 859 00:23:18,569 --> 00:23:21,365 AND PUNCH YOU AND CRUNCH YOU 860 00:23:21,365 --> 00:23:24,575 I'LL TAKE YOU AND MAKE YOU 861 00:23:24,575 --> 00:23:27,164 THANK ME 862 00:23:27,164 --> 00:23:32,480 WHEN YOU LOVE ME 863 00:23:32,480 --> 00:23:35,621 THAT'S HOW YOU DO IT, BACK 864 00:23:35,621 --> 00:23:36,484 ROLES. 865 00:23:36,484 --> 00:23:38,451 [laughter] 866 00:23:38,451 --> 00:23:39,314 >> D'YOU SEE 867 00:23:39,314 --> 00:23:41,212 WHAT SHE SAID TO ME 868 00:23:41,212 --> 00:23:42,213 >> BACK ROLES. 869 00:23:42,213 --> 00:23:43,767 >> HEARD IT. 870 00:23:43,767 --> 00:23:44,630 >> CAN YOU BELIEVE 871 00:23:44,630 --> 00:23:45,458 CAN YOU BELIEVE 872 00:23:45,458 --> 00:23:47,184 SHE EVEN SAID THAT 873 00:23:47,184 --> 00:23:48,150 >> YES, SHE REALLY DID 874 00:23:48,150 --> 00:23:49,324 >> OH, YEAH, SHE REALLY 875 00:23:49,324 --> 00:23:51,015 REALLY WENT THERE 876 00:23:51,015 --> 00:23:52,223 >> WELL, I'M NOT GONNA STICK 877 00:23:52,223 --> 00:23:53,777 AROUND AND BE A PART 878 00:23:53,777 --> 00:23:54,709 OF HER SHOW 879 00:23:54,709 --> 00:23:56,055 >> BUT YOU HAVE TO. 880 00:23:56,055 --> 00:23:57,401 >> GIRL, THE PAYCHECK. 881 00:23:57,401 --> 00:23:58,506 >> OH, RIGHT. 882 00:23:58,506 --> 00:24:00,646 >> both: MM-HMM. 883 00:24:00,646 --> 00:24:02,441 >> NO I'LL NEVER 884 00:24:02,441 --> 00:24:05,133 LOVE ANYONE ELSE 885 00:24:05,133 --> 00:24:07,238 LIKE I LOVE MYSELF 886 00:24:07,238 --> 00:24:09,517 OH NO NO NO NO NO 887 00:24:09,517 --> 00:24:14,211 I'LL NEVER LOVE ANYONE ELSE 888 00:24:14,211 --> 00:24:15,937 >> AY, DIOS MIO! 889 00:24:15,937 --> 00:24:17,248 SHE'S GOING DOWN! 890 00:24:17,248 --> 00:24:18,629 TOO MUCH FISH OIL! 891 00:24:18,629 --> 00:24:20,942 >> NOW'S OUR CHANCE! 892 00:24:20,942 --> 00:24:21,977 >> all: WATCH US RISE 893 00:24:21,977 --> 00:24:23,600 TO THE TOP 'CAUSE WE'RE THE 894 00:24:23,600 --> 00:24:25,153 FRESH FISH ON THE SCENE 895 00:24:25,153 --> 00:24:26,810 WE'RE THE NEW GIRLS IN TOWN 896 00:24:26,810 --> 00:24:28,467 WE'RE STEPPIN' RIGHT OVER 897 00:24:28,467 --> 00:24:29,468 THIS QUEEN 898 00:24:29,468 --> 00:24:30,434 SHE'S BEEN THROWING 899 00:24:30,434 --> 00:24:31,400 SOME SHADE 900 00:24:31,400 --> 00:24:33,437 AND NOW WE DON'T GIVE A DAMN 901 00:24:33,437 --> 00:24:35,474 TAKE AWAY HER FISH OIL 902 00:24:35,474 --> 00:24:37,096 AND THERE AIN'T NOTHIN' LEFT 903 00:24:37,096 --> 00:24:37,924 THERE, MA'AM 904 00:24:37,924 --> 00:24:38,753 >> WHOO! 905 00:24:38,753 --> 00:24:40,824 >> CENTER STAGE 906 00:24:40,824 --> 00:24:42,066 ANOTHER CHAPTER 907 00:24:42,066 --> 00:24:45,553 TIME TO TURN THE PAGE 908 00:24:45,553 --> 00:24:48,556 >> AND FINALLY I'M THE STAR 909 00:24:48,556 --> 00:24:50,247 >> NO, I'M THE STAR 910 00:24:50,247 --> 00:24:52,491 >> NO, I'M THE STAR 911 00:24:52,491 --> 00:24:53,319 >> NO, GIRL. 912 00:24:53,319 --> 00:24:56,080 [overlapping arguing] 913 00:24:56,080 --> 00:24:58,497 >> OH, THE SHADE! 914 00:24:58,497 --> 00:25:02,086 THE SHADE OF IT ALL! 915 00:25:02,086 --> 00:25:04,433 LOOK AT YOURSELF 916 00:25:04,433 --> 00:25:07,506 SHADY LADIES 917 00:25:07,506 --> 00:25:09,266 YOU SHOULD BE ASHAMED 918 00:25:09,266 --> 00:25:10,405 >> [laughter] 919 00:25:10,405 --> 00:25:12,407 >> OF WHAT YOU'VE BECOME 920 00:25:12,407 --> 00:25:15,755 OH, I NEVER THOUGHT 921 00:25:15,755 --> 00:25:18,344 THAT YOU WOULD DO THIS 922 00:25:18,344 --> 00:25:21,209 SO LET ME REMIND YOU 923 00:25:21,209 --> 00:25:24,384 OF JUST ONE THING 924 00:25:24,384 --> 00:25:26,525 TAKE EACH OTHER'S HANDS 925 00:25:26,525 --> 00:25:29,528 AND COME TOGETHER 926 00:25:29,528 --> 00:25:32,669 'CAUSE WE ARE EACH OTHER'S 927 00:25:32,669 --> 00:25:35,361 FAMILY 928 00:25:35,361 --> 00:25:41,091 ALL 2,603,040 SISTERS 929 00:25:41,091 --> 00:25:45,198 THIS IS OUR LAND 930 00:25:45,198 --> 00:25:52,723 AND WE ARE THE QUEENS 931 00:25:52,723 --> 00:25:54,760 >> all: TIME TO TAKE A STAND 932 00:25:54,760 --> 00:25:56,555 AND COME TOGETHER 933 00:25:56,555 --> 00:25:57,556 >> HA HA HA, YES! 934 00:25:57,556 --> 00:25:58,971 >> WE COME TOGETHER 935 00:25:58,971 --> 00:26:00,697 >> WE ARE EACH OTHER'S 936 00:26:00,697 --> 00:26:02,699 FAMILY 937 00:26:02,699 --> 00:26:04,114 >> WE'RE A FAMILY 938 00:26:04,114 --> 00:26:08,152 >> ALL 2,603,040 939 00:26:08,152 --> 00:26:09,637 SISTERS 940 00:26:09,637 --> 00:26:13,502 THIS IS OUR LAND 941 00:26:13,502 --> 00:26:16,126 AND WE ARE THE QUEENS 942 00:26:16,126 --> 00:26:17,058 >> both: SO EVEN IF YOU'RE 943 00:26:17,058 --> 00:26:18,577 A PAGEANT QUEEN.... 944 00:26:18,577 --> 00:26:20,475 >> both: OR A COMEDY QUEEN... 945 00:26:20,475 --> 00:26:22,166 >> both: A FISHY QUEEN... 946 00:26:22,166 --> 00:26:23,547 >> A SHADY QUEEN... 947 00:26:23,547 --> 00:26:26,481 >> all: OR JUST A BIG DAMN GIRL. 948 00:26:26,481 --> 00:26:31,486 >> WE ARE A FAMILY. 949 00:26:31,486 --> 00:26:37,423 THAT RULES 950 00:26:37,423 --> 00:26:38,873 [laughter and applause] 951 00:26:38,873 --> 00:26:39,736 >> BRAVA! 952 00:26:39,736 --> 00:26:41,220 >> BRAVA! BRAVA! 953 00:26:41,220 --> 00:26:44,223 >> BRAVA! BRAVA! >> BRAVA! 954 00:26:44,223 --> 00:26:47,640 >> BRAVA! 955 00:26:47,640 --> 00:26:50,332 >> [laughs] 956 00:26:50,332 --> 00:26:52,369 NOW SISSY THAT WALK. 957 00:26:52,369 --> 00:26:55,821 BIANCA DEL RIO... 958 00:26:55,821 --> 00:26:59,031 TRINITY K. BONET... 959 00:26:59,031 --> 00:27:01,378 DARIENNE LAKE... 960 00:27:01,378 --> 00:27:04,484 G-G-G-GIA... 961 00:27:04,484 --> 00:27:07,453 BEN DE LA CREME... 962 00:27:07,453 --> 00:27:10,490 COURTNEY ACT... 963 00:27:10,490 --> 00:27:13,493 LAGANJA ESTRANJA... 964 00:27:13,493 --> 00:27:16,358 APRIL CARRION... 965 00:27:16,358 --> 00:27:19,292 JOSLYN FOX... 966 00:27:19,292 --> 00:27:22,502 MILK... 967 00:27:22,502 --> 00:27:24,332 ADORE DELANO. 968 00:27:24,332 --> 00:27:26,334 UH-OH, NOW SISSY THAT WALK. 969 00:27:26,334 --> 00:27:28,025 WELCOME, LADIES. 970 00:27:28,025 --> 00:27:29,544 THIS WEEK, YOU COMPETED IN 971 00:27:29,544 --> 00:27:32,167 TEAMS, BUT TONIGHT, YOU'LL BE 972 00:27:32,167 --> 00:27:34,756 JUDGED AS INDIVIDUALS. 973 00:27:34,756 --> 00:27:37,310 BIANCA DEL RIO, 974 00:27:37,310 --> 00:27:39,934 MILK, 975 00:27:39,934 --> 00:27:42,764 LAGANJA ESTRANJA, 976 00:27:42,764 --> 00:27:44,801 GIA GUNN, 977 00:27:44,801 --> 00:27:49,771 JOSLYN FOX... 978 00:27:49,771 --> 00:27:54,707 YOU ARE ALL SAFE. 979 00:27:54,707 --> 00:27:58,159 YOU ARE ALL SAFE. YOU MAY LEAVE THE STAGE. 980 00:27:58,159 --> 00:28:00,575 YOU MAY LEAVE THE STAGE. 981 00:28:00,575 --> 00:28:03,923 LADIES, YOU REPRESENT THE BEST 982 00:28:03,923 --> 00:28:05,649 AND THE WORST OF THE WEEK. 983 00:28:05,649 --> 00:28:06,650 IT'S TIME FOR THE JUDGES' 984 00:28:06,650 --> 00:28:10,309 REVIEWS...STARTING WITH TRINITY 985 00:28:10,309 --> 00:28:12,035 K. BONET. 986 00:28:12,035 --> 00:28:13,415 >> YOU LOOK BEAUTIFUL TONIGHT. 987 00:28:13,415 --> 00:28:14,554 I LIKE THE WAY THE GOWN 988 00:28:14,554 --> 00:28:16,695 ACCENTUATES YOUR HIPLINE. 989 00:28:16,695 --> 00:28:18,317 >> I DID LIKE YOUR CHARACTER IN 990 00:28:18,317 --> 00:28:20,146 THE MUSICAL, BUT I'M NOT ABLE TO 991 00:28:20,146 --> 00:28:21,630 UNDERSTAND YOU. 992 00:28:21,630 --> 00:28:24,703 IT'S KIND OF A MUSH MOUTH THING. 993 00:28:24,703 --> 00:28:26,739 WE HEARD BIANCA, AND THEN WE'D 994 00:28:26,739 --> 00:28:27,809 LOSE YOUR LINE. 995 00:28:27,809 --> 00:28:28,672 >> IT'S ALL A LEARNING 996 00:28:28,672 --> 00:28:29,500 EXPERIENCE. 997 00:28:29,500 --> 00:28:30,709 >> YES, YES, BUT YOU ARE IN THE 998 00:28:30,709 --> 00:28:31,813 OLYMPICS OF DRAG. 999 00:28:31,813 --> 00:28:34,678 >> BUT EVERY STAR WAS CRAP 1000 00:28:34,678 --> 00:28:35,783 BEFORE THEY BECAME THE [bleep]. 1001 00:28:35,783 --> 00:28:37,750 >> LET ME TELL YOU SOMETHING. 1002 00:28:37,750 --> 00:28:40,132 PUT A CORK IN IT. 1003 00:28:40,132 --> 00:28:41,996 LITERALLY. 1004 00:28:41,996 --> 00:28:43,825 GET A CORK, PUT IT IN YOUR 1005 00:28:43,825 --> 00:28:44,688 MOUTH. 1006 00:28:44,688 --> 00:28:46,310 SPEAK WITH THAT CORK IN THE 1007 00:28:46,310 --> 00:28:47,139 MOUTH. 1008 00:28:47,139 --> 00:28:48,796 IT WILL DO WONDERS FOR 1009 00:28:48,796 --> 00:28:51,764 ENUNCIATION. 1010 00:28:51,764 --> 00:28:54,594 >> NEXT UP, DARIENNE LAKE. 1011 00:28:54,594 --> 00:28:55,768 >> LOOK AT YOU ALL PRETTY IN 1012 00:28:55,768 --> 00:28:57,321 YOUR POND SCUM GREEN. 1013 00:28:57,321 --> 00:28:58,150 >> [laughs] 1014 00:28:58,150 --> 00:29:00,462 OH, THANK YOU VERY MUCH. 1015 00:29:00,462 --> 00:29:02,499 >> AS FAR AS YOUR COMEDY QUEEN 1016 00:29:02,499 --> 00:29:05,916 GOES, YOU GOT A LITTLE LOST. 1017 00:29:05,916 --> 00:29:07,676 >> IT IS A LITTLE HARD TO KIND 1018 00:29:07,676 --> 00:29:10,058 OF CONTINUE ON WITH A FIRE SIREN 1019 00:29:10,058 --> 00:29:12,026 BEING SQUASHED IN YOUR EAR. 1020 00:29:12,026 --> 00:29:13,061 >> THAT'S GIA YOU'RE TALKING 1021 00:29:13,061 --> 00:29:13,924 ABOUT, RIGHT? 1022 00:29:13,924 --> 00:29:14,891 >> UH, YEAH, YEAH. 1023 00:29:14,891 --> 00:29:16,064 >> WELL, WHAT YOU THINK SHE'S 1024 00:29:16,064 --> 00:29:17,100 SAFE AND YOU'RE HERE? 1025 00:29:17,100 --> 00:29:18,204 >> 'CAUSE I THINK I'M ONE OF THE 1026 00:29:18,204 --> 00:29:19,240 TOP THREE? 1027 00:29:19,240 --> 00:29:20,759 [laughs] 1028 00:29:20,759 --> 00:29:23,623 >> ALL RIGHT, MOVING ON. 1029 00:29:23,623 --> 00:29:24,763 >> BEN DE LA CREME. 1030 00:29:24,763 --> 00:29:25,936 >> LET'S TALK ABOUT THE WAY YOU 1031 00:29:25,936 --> 00:29:26,765 LOOK. 1032 00:29:26,765 --> 00:29:28,870 I BELIEVE THAT LESS IS ALWAYS 1033 00:29:28,870 --> 00:29:29,733 BEST. 1034 00:29:29,733 --> 00:29:30,699 LOOK IN THE MIRROR, TAKE A 1035 00:29:30,699 --> 00:29:32,874 LITTLE BIT OF SOMETHING AWAY. 1036 00:29:32,874 --> 00:29:33,737 >> OH! 1037 00:29:33,737 --> 00:29:34,738 >> THAT'S WHAT I'M TALKING 1038 00:29:34,738 --> 00:29:35,566 ABOUT! 1039 00:29:35,566 --> 00:29:37,189 NOW YOU ARE WORKIN' IT. 1040 00:29:37,189 --> 00:29:38,638 >> I DID LIKE YOUR CHARACTER IN 1041 00:29:38,638 --> 00:29:40,088 THE MUSICAL, BUT I FELT THAT YOU 1042 00:29:40,088 --> 00:29:41,538 COULD'VE TAKEN IT FURTHER. 1043 00:29:41,538 --> 00:29:43,057 >> I LOVED YOUR PORTRAYAL OF THE 1044 00:29:43,057 --> 00:29:45,059 VILLAIN, LOVED YOUR EVIL BETTIE 1045 00:29:45,059 --> 00:29:47,061 PAGE LOOK, AND YOUR VOICE TOO. 1046 00:29:47,061 --> 00:29:48,545 >> THANK YOU SO MUCH. 1047 00:29:48,545 --> 00:29:50,616 >> UP NEXT, COURTNEY ACT. 1048 00:29:50,616 --> 00:29:52,411 >> THE ILLUSION IS WORKIN' FOR 1049 00:29:52,411 --> 00:29:53,239 ME. 1050 00:29:53,239 --> 00:29:54,068 >> [chuckles] 1051 00:29:54,068 --> 00:29:55,724 >> A-MA-ZING. 1052 00:29:55,724 --> 00:29:58,141 AND YOU CAN REALLY SING. 1053 00:29:58,141 --> 00:29:59,798 [shrilly] FABULOUS. 1054 00:29:59,798 --> 00:30:01,489 >> YOU ARE A STAR. 1055 00:30:01,489 --> 00:30:02,317 >> THANK YOU. 1056 00:30:02,317 --> 00:30:03,629 >> BUT I WAS ACTUALLY REALLY 1057 00:30:03,629 --> 00:30:05,251 NERVOUS IN REHEARSALS BECAUSE 1058 00:30:05,251 --> 00:30:06,874 YOU WERE MISSING CUES. 1059 00:30:06,874 --> 00:30:11,119 >> I WAS MUFFLING TWO WORDS, BUT 1060 00:30:11,119 --> 00:30:13,812 I NAILED IT ON THE NIGHT. 1061 00:30:13,812 --> 00:30:16,469 >> NEXT UP, ADORE DELANO. 1062 00:30:16,469 --> 00:30:17,988 >> TONIGHT, THE DRESS FOR ME 1063 00:30:17,988 --> 00:30:19,127 COULD BE LONGER. 1064 00:30:19,127 --> 00:30:20,680 IT COULD GO TO THE FLOOR. 1065 00:30:20,680 --> 00:30:23,062 >> WHY IS YOUR WAIST NOT CINCHED 1066 00:30:23,062 --> 00:30:24,339 WHEN I JUST TALKED TO YOU ABOUT 1067 00:30:24,339 --> 00:30:25,444 THIS? 1068 00:30:25,444 --> 00:30:26,583 >> BECAUSE I DON'T HAVE, LIKE, A 1069 00:30:26,583 --> 00:30:27,411 "CINCHER" CINCHER, ONLY A-- 1070 00:30:27,411 --> 00:30:28,619 >> BORROW A WAIST CINCHER AND 1071 00:30:28,619 --> 00:30:30,173 GIVE ME THE SILHOUETTE I NEED 1072 00:30:30,173 --> 00:30:32,485 FROM YOU, ADORE DELANO. 1073 00:30:32,485 --> 00:30:33,832 >> I'M A BETTER DRAG QUEEN THAN 1074 00:30:33,832 --> 00:30:35,454 I'M COMING OFF, I SWEAR. 1075 00:30:35,454 --> 00:30:36,351 >> [laughs] 1076 00:30:36,351 --> 00:30:38,112 >> I LOVED YOUR VOICE. 1077 00:30:38,112 --> 00:30:39,976 I THOUGHT THAT YOU COULD COMPETE 1078 00:30:39,976 --> 00:30:41,460 IN AMERICAN IDOL. 1079 00:30:41,460 --> 00:30:42,288 >> I DID. 1080 00:30:42,288 --> 00:30:43,117 >> SEE THAT? 1081 00:30:43,117 --> 00:30:44,359 I GOT THAT IMMEDIATELY. 1082 00:30:44,359 --> 00:30:45,291 >> PARTY. 1083 00:30:45,291 --> 00:30:46,465 >> HA! PARTY. 1084 00:30:46,465 --> 00:30:48,018 [laughter] 1085 00:30:48,018 --> 00:30:50,020 >> NEXT UP APRIL CARRION. 1086 00:30:50,020 --> 00:30:52,436 >> WELL, YOUR FACE IS ALWAYS 1087 00:30:52,436 --> 00:30:54,093 BEAT FOR THE GODS, BUT I THINK 1088 00:30:54,093 --> 00:30:55,543 YOU'RE SHADING'S A LITTLE DARK 1089 00:30:55,543 --> 00:30:56,716 TOWARDS YOUR HAIRLINE. 1090 00:30:56,716 --> 00:30:58,166 >> IT'S LIKE YOU HAVE A BEARD ON 1091 00:30:58,166 --> 00:30:59,719 YOUR FOREHEAD. 1092 00:30:59,719 --> 00:31:02,205 >> APRIL, I KNOW YOU TRIED 1093 00:31:02,205 --> 00:31:03,723 REALLY, REALLY HARD ON THIS 1094 00:31:03,723 --> 00:31:06,243 CHALLENGE, BUT YOU WERE WAY OFF. 1095 00:31:06,243 --> 00:31:08,590 >> BEING THE BIG GIRL, IT'S NOT 1096 00:31:08,590 --> 00:31:10,420 JUST ABOUT SIZE. 1097 00:31:10,420 --> 00:31:12,525 IT'S MORE OF AN ATTITUDE, AND 1098 00:31:12,525 --> 00:31:14,734 YOU DIDN'T DELIVER THE ATTITUDE. 1099 00:31:14,734 --> 00:31:15,943 YOU PUT SOME PADDING IN AND 1100 00:31:15,943 --> 00:31:16,944 THOUGHT THAT IT WOULD TRANSLATE, 1101 00:31:16,944 --> 00:31:19,291 AND IT DIDN'T. 1102 00:31:19,291 --> 00:31:20,568 >> THANK YOU, LADIES. 1103 00:31:20,568 --> 00:31:22,639 WHILE YOU UNTUCK IN THE FORUM 1104 00:31:22,639 --> 00:31:24,399 DECOR LOUNGE, THE JUDGES AND I 1105 00:31:24,399 --> 00:31:26,781 WILL DELIBERATE. 1106 00:31:26,781 --> 00:31:28,127 ALL RIGHT, NOW JUST BETWEEN US 1107 00:31:28,127 --> 00:31:29,094 DREAM GIRLS... 1108 00:31:29,094 --> 00:31:29,922 >> MM. 1109 00:31:29,922 --> 00:31:32,200 >> LET'S TALK OFF-BROADWAY. 1110 00:31:32,200 --> 00:31:33,892 LET'S START WITH TRINITY K. 1111 00:31:33,892 --> 00:31:35,065 BONET. 1112 00:31:35,065 --> 00:31:36,032 >> DICTION, DICTION. 1113 00:31:36,032 --> 00:31:36,895 I WANT TO KNOW WHAT YOU'RE 1114 00:31:36,895 --> 00:31:37,757 SAYING! 1115 00:31:37,757 --> 00:31:39,207 >> NOW WHEN TRINITY'S IN DRAG, 1116 00:31:39,207 --> 00:31:40,829 SHE WEARS TEMPORARY TEETH. 1117 00:31:40,829 --> 00:31:41,969 WE CALL 'EM FLIPPERS IN THE 1118 00:31:41,969 --> 00:31:42,831 BUSINESS. 1119 00:31:42,831 --> 00:31:44,592 I'M WONDERING COULD THAT BE THE 1120 00:31:44,592 --> 00:31:46,732 REASON SHE'S UNABLE TO PRONOUNCE 1121 00:31:46,732 --> 00:31:47,906 HER LYRICS? 1122 00:31:47,906 --> 00:31:49,459 >> FLIPPER OR NO FLIPPER, YOU'VE 1123 00:31:49,459 --> 00:31:51,150 GOT TO WORK WITH WHAT YOU'VE 1124 00:31:51,150 --> 00:31:51,979 GOT. 1125 00:31:51,979 --> 00:31:52,841 >> THAT'S TRUE. 1126 00:31:52,841 --> 00:31:53,670 >> YES. 1127 00:31:53,670 --> 00:31:54,947 >> AND BE OPEN TO LISTENING TO 1128 00:31:54,947 --> 00:31:55,810 SOMEBODY. 1129 00:31:55,810 --> 00:31:56,949 YOU DON'T HAVE TO GET ALL 1130 00:31:56,949 --> 00:31:58,606 UGH FACE. 1131 00:31:58,606 --> 00:31:59,745 AIN'T NOBODY GOT TIME FOR THAT. 1132 00:31:59,745 --> 00:32:02,196 [laughter] 1133 00:32:02,196 --> 00:32:03,714 >> DARIENNE LAKE. 1134 00:32:03,714 --> 00:32:05,130 >> SHE SEEMED TO GET A LITTLE 1135 00:32:05,130 --> 00:32:08,029 BIT LOST IN THE SAUCE WHEREAS 1136 00:32:08,029 --> 00:32:11,136 GIA, FOGHORN OR NOT, WAS GIVING 1137 00:32:11,136 --> 00:32:13,172 IT ALL WITH EASE. 1138 00:32:13,172 --> 00:32:14,933 DARIENNE DISAPPEARED FROM ME. 1139 00:32:14,933 --> 00:32:16,175 >> THE THUNDER FROM DOWN UNDER, 1140 00:32:16,175 --> 00:32:17,004 COURTNEY ACT. 1141 00:32:17,004 --> 00:32:18,971 >> I INSTANTLY WAS TRANSPORTED 1142 00:32:18,971 --> 00:32:20,386 INTO A BROADWAY HOUSE. 1143 00:32:20,386 --> 00:32:21,318 >> YES. 1144 00:32:21,318 --> 00:32:22,354 >> AND I TOTALLY BOUGHT IT FROM 1145 00:32:22,354 --> 00:32:24,045 HEAD TO TOE, BUT THERE WERE SOME 1146 00:32:24,045 --> 00:32:25,702 CLUNKERS THAT SHE HIT. 1147 00:32:25,702 --> 00:32:27,255 >> I DIDN'T REALLY MIND ANY OF 1148 00:32:27,255 --> 00:32:28,256 THE NOTES THAT MIGHT'VE BEEN A 1149 00:32:28,256 --> 00:32:29,395 LITTLE OFF. 1150 00:32:29,395 --> 00:32:30,845 SHE REALLY NAILED THIS 1151 00:32:30,845 --> 00:32:31,673 PERFORMANCE. 1152 00:32:31,673 --> 00:32:33,020 >> I LOVED THAT FRESH FROM 1153 00:32:33,020 --> 00:32:35,194 KANSAS, FRESH-OFF-THE-BUS LOOK 1154 00:32:35,194 --> 00:32:36,023 OF HERS. 1155 00:32:36,023 --> 00:32:37,265 SHE WAS [shrilly] FABULOUS. 1156 00:32:37,265 --> 00:32:38,439 >> BEN DE LA CREME. 1157 00:32:38,439 --> 00:32:40,027 >> KNEW THE CHOREOGRAPHY, KNEW 1158 00:32:40,027 --> 00:32:42,029 ALL THE WORDS, LOOKED GOOD DOING 1159 00:32:42,029 --> 00:32:42,891 IT. 1160 00:32:42,891 --> 00:32:43,927 >> I REALLY LOVE HER BODY 1161 00:32:43,927 --> 00:32:45,377 LANGUAGE AS WELL. 1162 00:32:45,377 --> 00:32:46,378 >> YOU CAN TELL BY LOOKIN' AT 1163 00:32:46,378 --> 00:32:47,689 HER, THIS IS HER SHTICK. 1164 00:32:47,689 --> 00:32:48,518 >> YEAH. 1165 00:32:48,518 --> 00:32:49,415 >> BUT SHE ONLY TOOK IT HALFWAY 1166 00:32:49,415 --> 00:32:50,244 TO TONI BRAXTON. 1167 00:32:50,244 --> 00:32:51,072 >> [laughs] 1168 00:32:51,072 --> 00:32:52,039 >> SHE DIDN'T TAKE IT ALL THE 1169 00:32:52,039 --> 00:32:52,901 WAY. 1170 00:32:52,901 --> 00:32:53,730 >> ADORE DELANO. 1171 00:32:53,730 --> 00:32:55,352 >> ADORE HAS A BEAUTIFUL VOICE, 1172 00:32:55,352 --> 00:32:57,734 BUT SHE CAN BE A LITTLE SLOPPY. 1173 00:32:57,734 --> 00:33:00,288 >> ADORE WAS THE MVP FOR ME. 1174 00:33:00,288 --> 00:33:02,497 HER VOICE AND THE TONES THAT 1175 00:33:02,497 --> 00:33:03,843 WERE COMING OUT OF HER MOUTH 1176 00:33:03,843 --> 00:33:05,190 MADE ME LOOK AT HER IN A WHOLE 1177 00:33:05,190 --> 00:33:06,985 'NOTHER LIGHT OF BEING LIKE, 1178 00:33:06,985 --> 00:33:08,987 "WOW, THIS IS A REAL TALENT." 1179 00:33:08,987 --> 00:33:11,127 >> LAST BUT NOT LEAST, APRIL 1180 00:33:11,127 --> 00:33:12,024 CARRION. 1181 00:33:12,024 --> 00:33:13,508 >> SHE'S BEAUTIFUL, AND SHE 1182 00:33:13,508 --> 00:33:14,993 TRIED REALLY HARD. 1183 00:33:14,993 --> 00:33:16,995 UNFORTUNATELY, SHE DID NOT 1184 00:33:16,995 --> 00:33:18,306 EMBODY THE BIG GIRL ROLE. 1185 00:33:18,306 --> 00:33:19,307 >> WELL, THAT'S--THAT'S THE 1186 00:33:19,307 --> 00:33:20,860 STANDOUT ROLE OF THAT TRIO. 1187 00:33:20,860 --> 00:33:21,689 >> YES, IT IS. 1188 00:33:21,689 --> 00:33:23,346 >> AND IT HAS TO DELIVER. 1189 00:33:23,346 --> 00:33:25,279 THAT WAS THE PROBLEM. 1190 00:33:25,279 --> 00:33:26,694 >> SILENCE. 1191 00:33:26,694 --> 00:33:28,868 I'VE MADE MY DECISION, GUYS AND 1192 00:33:28,868 --> 00:33:29,800 DOLLS. 1193 00:33:29,800 --> 00:33:33,218 NOW, BRING BACK MY GIRLS. 1194 00:33:33,218 --> 00:33:35,220 NOW, BRING BACK MY GIRLS. [laughs] 1195 00:33:35,220 --> 00:33:38,016 [laughs] 1196 00:33:38,016 --> 00:33:39,845 >> [laughs] 1197 00:33:39,845 --> 00:33:41,674 WELCOME BACK, LADIES. 1198 00:33:41,674 --> 00:33:44,677 I'VE MADE SOME DECISIONS. 1199 00:33:44,677 --> 00:33:47,542 THE NOMINEES FOR BEST ACTRESS IN 1200 00:33:47,542 --> 00:33:52,202 A RUSICAL ARE: COURTNEY ACT AS 1201 00:33:52,202 --> 00:33:56,137 GOOD PENNY, BEN DE LA CREME AS 1202 00:33:56,137 --> 00:34:00,935 SHADY LADY, ADORE DELANO AS BAD 1203 00:34:00,935 --> 00:34:01,867 PENNY. 1204 00:34:01,867 --> 00:34:03,075 >> [titters] 1205 00:34:03,075 --> 00:34:04,421 >> MAY I HAVE THE ENVELOPE, 1206 00:34:04,421 --> 00:34:10,013 PLEASE? 1207 00:34:10,013 --> 00:34:11,946 THE WINNER OF THIS WEEK'S MAIN 1208 00:34:11,946 --> 00:34:15,329 CHALLENGE IS... 1209 00:34:15,329 --> 00:34:17,055 [gasps] 1210 00:34:17,055 --> 00:34:18,159 COURTNEY ACT. 1211 00:34:18,159 --> 00:34:19,126 [applause] 1212 00:34:19,126 --> 00:34:20,299 >> THANK YOU. 1213 00:34:20,299 --> 00:34:21,576 THANK YOU. 1214 00:34:21,576 --> 00:34:23,164 AND THANK YOU. 1215 00:34:23,164 --> 00:34:25,787 >> YOU'VE WON TWO VIP PACKAGES 1216 00:34:25,787 --> 00:34:28,100 FOR THE TONY-WINNING BROADWAY 1217 00:34:28,100 --> 00:34:30,275 MUSICAL KINKY BOOTS. 1218 00:34:30,275 --> 00:34:31,586 >> OOH! 1219 00:34:31,586 --> 00:34:33,968 >> LADIES, YOU MAY JOIN THE 1220 00:34:33,968 --> 00:34:38,973 >> LADIES, YOU MAY JOIN THE OTHER GIRLS. 1221 00:34:38,973 --> 00:34:40,250 OTHER GIRLS. 1222 00:34:40,250 --> 00:34:42,356 >> DARIENNE LAKE, YOUR COMEDY 1223 00:34:42,356 --> 00:34:44,047 QUEEN ROUTINE DIDN'T REALLY 1224 00:34:44,047 --> 00:34:46,808 SHTICK WITH THE JUDGES. 1225 00:34:46,808 --> 00:34:49,501 TRINITY K. BONET, YOUR PAGEANT 1226 00:34:49,501 --> 00:34:51,641 QUEEN PERFORMANCE WAS NOT YOUR 1227 00:34:51,641 --> 00:34:54,264 CROWNING GLORY. 1228 00:34:54,264 --> 00:34:56,370 APRIL CARRION, IN THE ROLE OF 1229 00:34:56,370 --> 00:34:58,717 THE BIG GIRL, YOU MAY HAVE 1230 00:34:58,717 --> 00:35:00,167 BITTEN OFF MORE THAN YOU COULD 1231 00:35:00,167 --> 00:35:02,410 CHEW. 1232 00:35:02,410 --> 00:35:08,382 DARIENNE LAKE, YOU ARE SAFE. 1233 00:35:08,382 --> 00:35:13,732 YOU MAY JOIN THE OTHER GIRLS. 1234 00:35:13,732 --> 00:35:17,115 TRINITY, APRIL, I'M SORRY, MY 1235 00:35:17,115 --> 00:35:18,909 DEARS, BUT YOU ARE UP FOR 1236 00:35:18,909 --> 00:35:20,808 ELIMINATION. 1237 00:35:20,808 --> 00:35:23,190 TWO QUEENS STAND BEFORE ME. 1238 00:35:23,190 --> 00:35:27,470 LADIES, THIS IS YOUR LAST CHANCE 1239 00:35:27,470 --> 00:35:30,266 TO IMPRESS ME AND SAVE YOURSELF 1240 00:35:30,266 --> 00:35:33,752 FROM ELIMINATION. 1241 00:35:33,752 --> 00:35:35,892 THE TIME HAS COME. 1242 00:35:35,892 --> 00:35:39,654 YOU'RE GOING TO LIP-SYNCH...FOR 1243 00:35:39,654 --> 00:35:43,900 YOUR LIFE. 1244 00:35:43,900 --> 00:35:46,937 GOOD LUCK, AND DON'T [bleep] IT 1245 00:35:46,937 --> 00:35:48,146 UP. 1246 00:35:48,146 --> 00:35:50,838 >> I'M EVERY WOMAN 1247 00:35:50,838 --> 00:35:54,221 IT'S ALL IN ME 1248 00:35:54,221 --> 00:35:56,844 ANYTHING YOU WANT DONE BABY 1249 00:35:56,844 --> 00:35:58,639 I'LL DO IT NATURALLY 1250 00:35:58,639 --> 00:36:02,160 WHOA WHOA WHOA 1251 00:36:02,160 --> 00:36:05,232 I CAN SENSE YOUR NEEDS 1252 00:36:05,232 --> 00:36:07,406 LIKE RAIN ONTO THE SEEDS 1253 00:36:07,406 --> 00:36:09,201 I CAN MAKE A RHYME 1254 00:36:09,201 --> 00:36:11,686 OF CONFUSION IN YOUR MIND 1255 00:36:11,686 --> 00:36:12,929 AND WHEN IT COMES DOWN TO-- 1256 00:36:12,929 --> 00:36:13,757 >> I AM SERVING. 1257 00:36:13,757 --> 00:36:15,000 I AM OWNING THAT SONG. 1258 00:36:15,000 --> 00:36:16,484 OH, GOSPEL. 1259 00:36:16,484 --> 00:36:17,347 OH, CHURCH. 1260 00:36:17,347 --> 00:36:18,866 I'MA BRING JES--I'MA BRING ALL 1261 00:36:18,866 --> 00:36:19,832 THE SAINTS. 1262 00:36:19,832 --> 00:36:22,663 >> I'M EVERY WOMAN 1263 00:36:22,663 --> 00:36:25,942 IT'S ALL IN ME 1264 00:36:25,942 --> 00:36:27,530 I CAN READ YOUR THOUGHTS 1265 00:36:27,530 --> 00:36:28,531 RIGHT NOW 1266 00:36:28,531 --> 00:36:29,670 EVERY ONE FROM A TO Z 1267 00:36:29,670 --> 00:36:30,947 >> I'M GIVING YOU A PIECE OF 1268 00:36:30,947 --> 00:36:31,775 TRINITY. 1269 00:36:31,775 --> 00:36:33,191 I'M CHANNELING MY INNER CHAKA. 1270 00:36:33,191 --> 00:36:34,744 I'M GIVIN' IT ALL I GOT. 1271 00:36:34,744 --> 00:36:38,023 >> I AIN'T BRAGGIN' 1272 00:36:38,023 --> 00:36:39,266 'CAUSE I'M THE ONE 1273 00:36:39,266 --> 00:36:40,128 YOU JUST ASK-- 1274 00:36:40,128 --> 00:36:42,441 >> TRINITY IS LIP-SYNCHING THE 1275 00:36:42,441 --> 00:36:43,718 HOUSE DOWN WITH BOOTS. 1276 00:36:43,718 --> 00:36:44,788 I DON'T KNOW WHAT THAT MEANS BUT 1277 00:36:44,788 --> 00:36:45,720 SHE'S DOING IT. 1278 00:36:45,720 --> 00:36:50,208 >> AHH 1279 00:36:50,208 --> 00:36:52,762 >> APRIL IS HUNGRY FOR THIS. 1280 00:36:52,762 --> 00:36:55,282 >> I'M EVERY WOMAN 1281 00:36:55,282 --> 00:36:57,215 ANYTHING YOU WANT DONE 1282 00:36:57,215 --> 00:36:59,147 I'M EVERY WOMAN 1283 00:36:59,147 --> 00:37:01,149 WHOA-OA-OA 1284 00:37:01,149 --> 00:37:04,152 I'M EVERY WOMAN 1285 00:37:04,152 --> 00:37:04,981 [applause] 1286 00:37:04,981 --> 00:37:05,809 >> OH. 1287 00:37:05,809 --> 00:37:06,638 >> GREAT JOB. 1288 00:37:06,638 --> 00:37:07,466 >> NICE. 1289 00:37:07,466 --> 00:37:11,056 [cheers and applause] 1290 00:37:11,056 --> 00:37:14,059 >> NOW, THAT IS WHAT I CALL A 1291 00:37:14,059 --> 00:37:16,613 LIP SYNC. 1292 00:37:16,613 --> 00:37:24,172 NOW I'VE MADE MY DECISION. 1293 00:37:24,172 --> 00:37:27,141 TRINITY K. BONET, SHANTE, YOU 1294 00:37:27,141 --> 00:37:30,489 STAY. 1295 00:37:30,489 --> 00:37:35,494 STAY. YOU MAY JOIN THE OTHER GIRLS. 1296 00:37:35,494 --> 00:37:37,151 YOU MAY JOIN THE OTHER GIRLS. 1297 00:37:37,151 --> 00:37:41,259 APRIL, MY FIERCE, BEAUTIFUL 1298 00:37:41,259 --> 00:37:47,230 QUEEN, KEEP CALM AND CARRY ON. 1299 00:37:47,230 --> 00:37:51,683 NOW, SASHAY AWAY. 1300 00:37:51,683 --> 00:37:55,307 [applause] 1301 00:37:55,307 --> 00:37:58,586 >> LOVE YOU. 1302 00:37:58,586 --> 00:38:01,209 I GAVE MY ALL. 1303 00:38:01,209 --> 00:38:04,005 I KNOW RU SAW MY EFFORT AND JUST 1304 00:38:04,005 --> 00:38:05,006 MY PASSION. 1305 00:38:05,006 --> 00:38:06,732 I WISH I COULD'VE GONE FURTHER 1306 00:38:06,732 --> 00:38:08,493 AND JUST BROUGHT THAT CROWN TO 1307 00:38:08,493 --> 00:38:10,667 PUERTO RICO, BUT THIS CAN ONLY 1308 00:38:10,667 --> 00:38:13,946 MAKE ME STRONGER. 1309 00:38:13,946 --> 00:38:17,847 >> MY TOP TEN QUEENS, HERE'S TO 1310 00:38:17,847 --> 00:38:19,987 THE LADIES WHO TALK. 1311 00:38:19,987 --> 00:38:22,161 IF YOU CAN'T LOVE YOURSELF, HOW 1312 00:38:22,161 --> 00:38:23,266 IN THE HELL YOU GONNA LOVE 1313 00:38:23,266 --> 00:38:24,094 SOMEBODY ELSE? 1314 00:38:24,094 --> 00:38:25,199 CAN I GET A AMEN IN HERE? 1315 00:38:25,199 --> 00:38:26,787 >> all: AMEN! 1316 00:38:26,787 --> 00:38:30,860 >> I'LL DRINK TO THAT. 1317 00:38:30,860 --> 00:38:32,620 >> I WANNA DANCE DANCE 1318 00:38:32,620 --> 00:38:34,484 I WANNA DANCE DANCE 1319 00:38:34,484 --> 00:38:36,831 I WANNA DANCE DANCE 1320 00:38:36,831 --> 00:38:38,971 I WANNA DANCE DANCE DANCE WITH YOU