1 00:00:01,518 --> 00:00:02,174 >> PREVIOUSLY ON 2 00:00:02,174 --> 00:00:03,520 RUPAUL'S DRAG RACE... 3 00:00:03,520 --> 00:00:04,866 >> DID ANY OF THE ORIGINAL SIX 4 00:00:04,866 --> 00:00:06,006 WIN TWO CHALLENGES? 5 00:00:06,006 --> 00:00:07,179 >> I THINK IT'S BETTER 6 00:00:07,179 --> 00:00:08,525 NOT TO STRUT AROUND AND BE LIKE 7 00:00:08,525 --> 00:00:10,355 A PEACOCK WHEN YOU WIN. 8 00:00:10,355 --> 00:00:11,804 BEN DE LA CREME. 9 00:00:11,804 --> 00:00:13,323 >> YOU'RE GONNA FACE OFF 10 00:00:13,323 --> 00:00:16,016 IN A RAP BATTLE ROYALE. 11 00:00:16,016 --> 00:00:17,017 >> ♪ MY NAME SAYS IT ALL 12 00:00:17,017 --> 00:00:17,672 ♪ AIN'T NO NEED 13 00:00:17,672 --> 00:00:18,639 ♪ TO TRY TO FORCE IT 14 00:00:18,639 --> 00:00:19,536 ♪ LOOK AT MY BODY 15 00:00:19,536 --> 00:00:20,606 ♪ IN THIS BRAND NEW CORSET 16 00:00:20,606 --> 00:00:21,400 >> ♪ IF YOU'RE LOOKING 17 00:00:21,400 --> 00:00:22,056 ♪ FOR A DUDE 18 00:00:22,056 --> 00:00:23,057 ♪ OR IN THE PRECIOUS MOOD 19 00:00:23,057 --> 00:00:23,747 [record scratches] 20 00:00:23,747 --> 00:00:24,472 >> ♪ JUST TAKE A SECOND 21 00:00:24,472 --> 00:00:25,611 ♪ TO SEE HOW THIS GOES 22 00:00:25,611 --> 00:00:26,267 ♪ RHINESTONES-- 23 00:00:26,267 --> 00:00:26,957 UGH. 24 00:00:26,957 --> 00:00:28,028 >> UH-OH. 25 00:00:28,028 --> 00:00:29,374 YOU FREAKED YOURSELF OUT. 26 00:00:29,374 --> 00:00:30,375 >> THIS IS NOT SOMETHING 27 00:00:30,375 --> 00:00:31,652 THAT I'M ACCUSTOMED TO. 28 00:00:31,652 --> 00:00:33,274 I LIP-SYNCH FOR A LIVING. 29 00:00:33,274 --> 00:00:34,655 THAT'S WHAT I DO. 30 00:00:34,655 --> 00:00:35,725 >> COURTNEY ACT, 31 00:00:35,725 --> 00:00:38,624 YOU'RE RESTING ON PRETTY. 32 00:00:38,624 --> 00:00:41,627 DON'T BE A CLICHE, MY DEAR. 33 00:00:41,627 --> 00:00:44,113 ADORE DELANO, YOU ARE THE WINNER 34 00:00:44,113 --> 00:00:45,528 OF THIS WEEK'S CHALLENGE. 35 00:00:45,528 --> 00:00:46,632 [applause] 36 00:00:46,632 --> 00:00:48,600 TRINITY K. BONET, 37 00:00:48,600 --> 00:00:51,051 SHANTE, YOU STAY. 38 00:00:51,051 --> 00:00:54,226 MY DEAR MILK, SASHAY AWAY. 39 00:00:54,226 --> 00:00:56,125 MY DEAR MILK, SASHAY AWAY. >> [silent] 40 00:00:56,125 --> 00:00:59,335 >> [silent] 41 00:00:59,335 --> 00:01:02,614 >> OOH, THAT WAS A TOUGH ONE. 42 00:01:02,614 --> 00:01:03,580 >> HOLY CRAP-OLA. 43 00:01:03,580 --> 00:01:04,581 >> OH, MILK. 44 00:01:04,581 --> 00:01:05,996 >> MILK IS GONE. 45 00:01:05,996 --> 00:01:06,756 >> AW. 46 00:01:06,756 --> 00:01:07,929 >> IT'S MILKIN' TIME. 47 00:01:07,929 --> 00:01:08,585 >> [together] AW. 48 00:01:08,585 --> 00:01:10,035 >> POOR LECHE. 49 00:01:10,035 --> 00:01:11,761 >> I'M IN THE BOTTOM TWO AGAIN, 50 00:01:11,761 --> 00:01:13,625 AND I'M REALLY FRUSTRATED. 51 00:01:13,625 --> 00:01:15,109 IT'S HARD WHEN SO MANY OF THE 52 00:01:15,109 --> 00:01:16,697 CHALLENGES ARE SOMETHING THAT 53 00:01:16,697 --> 00:01:18,112 I'M NOT ACCUSTOMED TO AND 54 00:01:18,112 --> 00:01:20,666 SO MANY OF THE GIRLS HERE ARE. 55 00:01:20,666 --> 00:01:22,254 >> CONGRATULATIONS TO 56 00:01:22,254 --> 00:01:23,117 MISS THING ON HER FIRST BIG WIN. 57 00:01:23,117 --> 00:01:23,807 >> YEAH. 58 00:01:23,807 --> 00:01:24,463 >> YOU DESERVE IT. 59 00:01:24,463 --> 00:01:25,119 >> YOU DESERVE IT. 60 00:01:25,119 --> 00:01:25,809 YOU LOOK FABULOUS. 61 00:01:25,809 --> 00:01:26,810 >> YEAH, MOTHER[bleep]. 62 00:01:26,810 --> 00:01:27,466 YEAH. 63 00:01:27,466 --> 00:01:28,881 >> WHAT AM I, CHOPPED LIVER? 64 00:01:28,881 --> 00:01:29,917 >> YOU WERE IN THE TOP THREE. 65 00:01:29,917 --> 00:01:30,642 CONGRATULATIONS, MADAM. 66 00:01:30,642 --> 00:01:31,781 >> YEAH, CONGRATULATIONS. 67 00:01:31,781 --> 00:01:32,747 >> FINALLY. 68 00:01:32,747 --> 00:01:33,886 >> SHOWING YOUR [bleep] 69 00:01:33,886 --> 00:01:34,611 LITERALLY. 70 00:01:34,611 --> 00:01:35,888 >> MUST BE JELLY. 71 00:01:35,888 --> 00:01:37,925 >> JAM DON'T SHAKE. 72 00:01:37,925 --> 00:01:39,202 >> I PURPOSEFULLY DIDN'T GET IN 73 00:01:39,202 --> 00:01:40,100 THE TOP THREE ON THIS ONE 74 00:01:40,100 --> 00:01:40,893 SO I WOULDN'T HAVE TO STAY ON 75 00:01:40,893 --> 00:01:41,549 MY FEET FOR AS LONG. 76 00:01:41,549 --> 00:01:42,205 >> [together] AW. 77 00:01:42,205 --> 00:01:43,724 >> SURE. 78 00:01:43,724 --> 00:01:45,312 >> SOME OF DE LA'S WINS HAVE 79 00:01:45,312 --> 00:01:46,865 BOOSTED THE SIZE OF HER HEAD. 80 00:01:46,865 --> 00:01:49,661 HOPEFULLY SHE DOESN'T TIP OVER. 81 00:01:49,661 --> 00:01:50,869 >> I WAS KIND OF LIKE A BIT 82 00:01:50,869 --> 00:01:52,629 MIFFED AT RU SAYING THAT I WAS 83 00:01:52,629 --> 00:01:54,493 RELYING ON PRETTY, 'CAUSE I FEEL 84 00:01:54,493 --> 00:01:56,219 LIKE I'VE BEEN GIVING A LOT OF 85 00:01:56,219 --> 00:01:57,565 PERFORMANCE AND THEATRICS 86 00:01:57,565 --> 00:01:58,497 AND OTHER STUFF. 87 00:01:58,497 --> 00:01:59,740 IS RU NOT SEEING 88 00:01:59,740 --> 00:02:02,191 THAT I AM DOING MY BEST? 89 00:02:02,191 --> 00:02:03,709 I MEAN, PERHAPS JUST MY PRETTY 90 00:02:03,709 --> 00:02:04,814 WAS BLINDING HIM, AND THAT'S ALL 91 00:02:04,814 --> 00:02:06,264 HE COULD SEE. 92 00:02:06,264 --> 00:02:07,679 I DEFINITELY THINK 93 00:02:07,679 --> 00:02:08,956 THAT PERFORMANCE 94 00:02:08,956 --> 00:02:09,750 IS MORE IMPORTANT THAN LOOK. 95 00:02:09,750 --> 00:02:10,406 >> IT IS. 96 00:02:10,406 --> 00:02:11,303 >> BUT THAT'S WHAT JUST HAPPENED 97 00:02:11,303 --> 00:02:11,993 WITH MILK. 98 00:02:11,993 --> 00:02:13,271 THEY DIDN'T BEAT MILK UP AS MUCH 99 00:02:13,271 --> 00:02:14,410 FOR THE RAP, BUT THEY BEAT HIM 100 00:02:14,410 --> 00:02:15,549 UP ABOUT THE RUNWAY LOOK, 101 00:02:15,549 --> 00:02:17,378 AND MINE WAS DEAD ON. 102 00:02:17,378 --> 00:02:18,448 BUT ME AND MILK WERE 103 00:02:18,448 --> 00:02:19,139 IN THE BOTTOM. 104 00:02:19,139 --> 00:02:20,001 >> BUT DON'T YOU THINK AT SOME 105 00:02:20,001 --> 00:02:21,141 POINT THEY GET TIRED OF HEARING, 106 00:02:21,141 --> 00:02:22,487 "WELL, THIS ISN'T MY THING. 107 00:02:22,487 --> 00:02:23,177 MAYBE THE NEXT ONE"? 108 00:02:23,177 --> 00:02:24,661 AND IT'S ALWAYS A SITUATION 109 00:02:24,661 --> 00:02:25,455 THAT YOU'RE NOT COMFORTABLE 110 00:02:25,455 --> 00:02:26,456 WITH. 111 00:02:26,456 --> 00:02:27,699 IS IT ALWAYS YOUR EXCUSE? 112 00:02:27,699 --> 00:02:28,458 I MEAN, DO YOU NOT FEEL THAT? 113 00:02:28,458 --> 00:02:29,839 >> I DON'T KNOW. 114 00:02:29,839 --> 00:02:31,806 >> THAT'S ALL THAT I EVER HEAR. 115 00:02:31,806 --> 00:02:33,153 EVERY TIME SHE'S IN FRONT OF THE 116 00:02:33,153 --> 00:02:35,016 JUDGES, SHE GOES INTO THIS LONG 117 00:02:35,016 --> 00:02:36,846 DRAWN-OUT SPEECH ABOUT HOW 118 00:02:36,846 --> 00:02:38,330 SHE TRIES AND HOW THIS IS NOT 119 00:02:38,330 --> 00:02:39,400 HER THING. 120 00:02:39,400 --> 00:02:40,677 I CAN BE SYMPATHETIC TO 121 00:02:40,677 --> 00:02:41,506 A CERTAIN POINT. 122 00:02:41,506 --> 00:02:44,129 IT JUST GETS OLD. 123 00:02:44,129 --> 00:02:46,511 >> IT'S NOT HARD FOR YOU TO 124 00:02:46,511 --> 00:02:48,168 COMPLAIN ABOUT SOMETHING THAT 125 00:02:48,168 --> 00:02:50,100 YOU'RE ALREADY GOOD AT, 126 00:02:50,100 --> 00:02:51,861 SO YOU DON'T KNOW HOW I FEEL. 127 00:02:51,861 --> 00:02:53,311 >> I'M NOT BEING NASTY ABOUT IT. 128 00:02:53,311 --> 00:02:54,174 I JUST THINK THAT DOES HAVE 129 00:02:54,174 --> 00:02:55,761 SOMETHING TO DO WITH IT. 130 00:02:55,761 --> 00:02:57,556 ARE YOU LISTENING? 131 00:02:57,556 --> 00:02:59,179 I'M TRYING TO HELP TRINITY, 132 00:02:59,179 --> 00:02:59,972 BUT IF SHE DOESN'T CHANGE HER 133 00:02:59,972 --> 00:03:01,422 ATTITUDE, SHE'S NOT GONNA LAST 134 00:03:01,422 --> 00:03:03,735 ATTITUDE, SHE'S NOT GONNA LAST LONG IN THIS COMPETITION. 135 00:03:03,735 --> 00:03:05,564 LONG IN THIS COMPETITION. 136 00:03:05,564 --> 00:03:07,601 LONG IN THIS COMPETITION. >> WELL, KISS MY ASS. 137 00:03:07,601 --> 00:03:08,705 >> WELL, KISS MY ASS. 138 00:03:08,705 --> 00:03:09,499 >> ♪ RUPAUL DRAG RACE♪ 139 00:03:09,499 --> 00:03:10,397 >> THE WINNER OF RUPAUL'S 140 00:03:10,397 --> 00:03:11,363 DRAG RACERECEIVES 141 00:03:11,363 --> 00:03:12,433 A SICKENING SUPPLY OF 142 00:03:12,433 --> 00:03:14,124 COLOREVOLUTION COSMETICS 143 00:03:14,124 --> 00:03:17,956 AND A CASH PRIZE OF $100,000. 144 00:03:17,956 --> 00:03:20,027 WITH EXTRA SPECIAL GUEST JUDGES 145 00:03:20,027 --> 00:03:21,787 LAINIE KAZAN 146 00:03:21,787 --> 00:03:23,203 AND LEAH REMINI. 147 00:03:23,203 --> 00:03:24,549 >> ♪ RUPAUL DRAG RACE♪ 148 00:03:24,549 --> 00:03:25,964 >> ♪ MAY THE BEST WOMAN 149 00:03:25,964 --> 00:03:27,586 ♪ BEST WOMAN WIN 150 00:03:27,586 --> 00:03:28,932 ♪ BEST WOMAN WIN [tires screeching] 151 00:03:28,932 --> 00:03:31,383 [tires screeching] 152 00:03:31,383 --> 00:03:33,213 >> GOOD MORN-TING, LA-TIES. 153 00:03:33,213 --> 00:03:35,215 >> GOOD MORN-TING. 154 00:03:35,215 --> 00:03:36,492 >> 14 QUEENS BEGAN THIS 155 00:03:36,492 --> 00:03:37,424 COMPETITION AND ONLY 156 00:03:37,424 --> 00:03:38,908 EIGHT REMAIN. 157 00:03:38,908 --> 00:03:40,047 MILK'S GONE. 158 00:03:40,047 --> 00:03:41,462 GIA'S GONE. 159 00:03:41,462 --> 00:03:44,120 WHO'S GONNA BE NEXT? 160 00:03:44,120 --> 00:03:45,432 [mouthing words] NOT ME. 161 00:03:45,432 --> 00:03:46,087 [Shemail siren wails] 162 00:03:46,087 --> 00:03:47,468 [all exclaiming] 163 00:03:47,468 --> 00:03:50,609 >> OOH, GIRL, YOU GOT SHEMAIL. 164 00:03:50,609 --> 00:03:52,784 A QUEEN'S EMPIRE HAS TO START 165 00:03:52,784 --> 00:03:54,406 WITH A STRONG FOUNDATION, 166 00:03:54,406 --> 00:03:57,444 A SMOKY EYE, AND A CHERRY LIP. 167 00:03:57,444 --> 00:03:58,307 SO PUT YOUR MONEY 168 00:03:58,307 --> 00:03:59,515 WHERE YOUR MUG IS. 169 00:03:59,515 --> 00:04:01,862 HEY, IT'S WORTH IT. 170 00:04:01,862 --> 00:04:03,622 AND SO AM I. 171 00:04:03,622 --> 00:04:05,693 [laughs] 172 00:04:05,693 --> 00:04:06,349 >> OOH. 173 00:04:06,349 --> 00:04:07,039 >> YES. 174 00:04:07,039 --> 00:04:07,695 >> PHOTO SHOOT? 175 00:04:07,695 --> 00:04:09,249 >> HELLO, HELLO, HELLO. 176 00:04:09,249 --> 00:04:09,939 >> all: HEY. 177 00:04:09,939 --> 00:04:10,698 >> HELLO. 178 00:04:10,698 --> 00:04:12,355 >> WOW. 179 00:04:12,355 --> 00:04:13,943 FOR TODAY'S MINI CHALLENGE, 180 00:04:13,943 --> 00:04:16,566 I WANT YOU TO LEND A HAND TO 181 00:04:16,566 --> 00:04:18,775 MICHELLE OBAMA'S "LET'S MOVE" 182 00:04:18,775 --> 00:04:20,467 PROGRAM BY MAKING FRUITS AND 183 00:04:20,467 --> 00:04:24,022 VEGETABLES SEXY AND APPEALING. 184 00:04:24,022 --> 00:04:26,507 [singsong] OH, SCRUFF PIT CREW. 185 00:04:26,507 --> 00:04:29,096 [all grunting rhythmically] 186 00:04:29,096 --> 00:04:30,649 OH, MY GOODNESS, GET A LOAD 187 00:04:30,649 --> 00:04:31,961 OF THAT RUTABAGA. 188 00:04:31,961 --> 00:04:33,169 [laughter] 189 00:04:33,169 --> 00:04:34,619 DELICIOUS. 190 00:04:34,619 --> 00:04:36,345 NOW, YOU NEED TO DRAG OUT 191 00:04:36,345 --> 00:04:38,795 YOUR DIGITS AND THEN HAND MODEL 192 00:04:38,795 --> 00:04:40,970 THIS FARM-FRESH PRODUCE. 193 00:04:40,970 --> 00:04:41,867 I KNOW I WOULD NAIL 194 00:04:41,867 --> 00:04:42,834 THIS MOTHER[bleep]. 195 00:04:42,834 --> 00:04:43,869 [laughter] 196 00:04:43,869 --> 00:04:44,767 LITERALLY. 197 00:04:44,767 --> 00:04:45,699 LET'S MOVE. 198 00:04:45,699 --> 00:04:46,700 [energetic pop music] 199 00:04:46,700 --> 00:04:51,567 ♪ 200 00:04:51,567 --> 00:04:53,258 ALL RIGHT, FIRST UP, 201 00:04:53,258 --> 00:04:54,259 BEN DE LA CREME, 202 00:04:54,259 --> 00:04:56,744 SEATTLE'S PREMIER HAND MODEL. 203 00:04:56,744 --> 00:04:59,402 DOES ANYTHING SATISFY 204 00:04:59,402 --> 00:05:00,990 LIKE A BANANA? 205 00:05:00,990 --> 00:05:04,200 ONE SKIN, TWO SKIN, THREE SKIN, 206 00:05:04,200 --> 00:05:06,098 FOURSKIN. 207 00:05:06,098 --> 00:05:06,996 [laughter] 208 00:05:06,996 --> 00:05:09,067 ARE YOU READY TO BUST 209 00:05:09,067 --> 00:05:10,517 A BUTTERNUT SQUASH? 210 00:05:10,517 --> 00:05:13,347 JOSLYN FOX SHOWING OFF A PAIR 211 00:05:13,347 --> 00:05:14,521 OF CANTALOUPES. 212 00:05:14,521 --> 00:05:16,143 BEFORE YOU BALL IT, 213 00:05:16,143 --> 00:05:17,006 CLEAN IT OUT. 214 00:05:17,006 --> 00:05:18,283 YES. 215 00:05:18,283 --> 00:05:18,939 SPANK IT. 216 00:05:18,939 --> 00:05:20,320 BAD MELON. 217 00:05:20,320 --> 00:05:22,391 THE MIGHTY PEANUT GROWS 218 00:05:22,391 --> 00:05:25,117 UNDERGROUND IN THE RICH SOIL 219 00:05:25,117 --> 00:05:26,947 OF AZUSA, CALIFORNIA. 220 00:05:26,947 --> 00:05:27,879 >> [chuckles] 221 00:05:27,879 --> 00:05:29,190 >> OOH, THAT'S SOME ROUGH 222 00:05:29,190 --> 00:05:30,571 NUT PLAY, GIRL. 223 00:05:30,571 --> 00:05:31,710 >> [laughs] 224 00:05:31,710 --> 00:05:32,780 >> YEAH, SHUCK IT. 225 00:05:32,780 --> 00:05:34,264 MMM, YOU'VE GOT TO 226 00:05:34,264 --> 00:05:35,369 CREAM THAT CORN. 227 00:05:35,369 --> 00:05:36,439 CREAM IT. 228 00:05:36,439 --> 00:05:38,959 THE TRUE CARROT CONNOISSEUR 229 00:05:38,959 --> 00:05:40,581 PREFERS THE LONG, 230 00:05:40,581 --> 00:05:43,273 DEEP IN GIRTH CARROT. 231 00:05:43,273 --> 00:05:45,621 THAT SWEET POTATO IS NICE. 232 00:05:45,621 --> 00:05:47,208 THE DARKER THE SKIN, 233 00:05:47,208 --> 00:05:49,003 THE SWEETER THE POTATO. 234 00:05:49,003 --> 00:05:50,280 UH-HUH! 235 00:05:50,280 --> 00:05:52,904 JUST LIKE DRAG QUEENS, CUCUMBERS 236 00:05:52,904 --> 00:05:55,389 ARE BEST ENJOYED WHEN THEY'RE 237 00:05:55,389 --> 00:05:57,805 YOUNG, BECAUSE OLDER CUCUMBERS 238 00:05:57,805 --> 00:05:58,668 TEND TO GET BITTER. 239 00:05:58,668 --> 00:06:00,912 [laughter] 240 00:06:00,912 --> 00:06:02,948 NICE WORK, LADIES. 241 00:06:02,948 --> 00:06:05,399 THE WINNER IS... 242 00:06:05,399 --> 00:06:07,367 LAGANJA ESTRANJA. 243 00:06:07,367 --> 00:06:08,022 [applause] 244 00:06:08,022 --> 00:06:10,749 CONDRAGULATIONS. 245 00:06:10,749 --> 00:06:13,614 THIS WEEK, THE MAIN CHALLENGE 246 00:06:13,614 --> 00:06:14,753 IS PERSONAL. 247 00:06:14,753 --> 00:06:17,377 I AM LAUNCHING MY FIRST-EVER 248 00:06:17,377 --> 00:06:18,274 MAKEUP LINE... 249 00:06:18,274 --> 00:06:18,930 >> [gasps] 250 00:06:18,930 --> 00:06:20,690 >> RUPAUL'S GLAMAZON 251 00:06:20,690 --> 00:06:22,312 BY COLOREVOLUTION, 252 00:06:22,312 --> 00:06:24,453 AND I'M ENTRUSTING EACH OF YOU 253 00:06:24,453 --> 00:06:26,662 TO HELP ME MARKET IT. 254 00:06:26,662 --> 00:06:29,354 I NEED YOU TO CREATE 30-SECOND 255 00:06:29,354 --> 00:06:31,598 COMMERCIAL CAMPAIGNS THAT TARGET 256 00:06:31,598 --> 00:06:32,909 TODAY'S WOMAN. 257 00:06:32,909 --> 00:06:34,911 YOU'LL BE WORKING IN PAIRS, 258 00:06:34,911 --> 00:06:37,397 AND BECAUSE I OWN 51% OF THIS 259 00:06:37,397 --> 00:06:39,778 DAMN COMPANY, I'LL BE CASTING 260 00:06:39,778 --> 00:06:42,263 YOUR TEAMS. 261 00:06:42,263 --> 00:06:44,024 >> SO WE'RE GONNA BE PAIRED UP 262 00:06:44,024 --> 00:06:46,820 WITH SOMEONE, WHICH IS GOOD, 263 00:06:46,820 --> 00:06:47,890 I GUESS. 264 00:06:47,890 --> 00:06:49,374 DEPENDS ON WHO IT IS. 265 00:06:49,374 --> 00:06:52,515 >> FIRST UP, ADORE AND LAGANJA. 266 00:06:52,515 --> 00:06:54,379 YOU'LL BE MARKETING TOWARD 267 00:06:54,379 --> 00:06:57,278 MEAN GIRLS, SPOILED TEENAGERS 268 00:06:57,278 --> 00:06:59,660 OBSESSED WITH BEAUTY AND TEXTING 269 00:06:59,660 --> 00:07:01,386 AND TWEETING AND TWERKING. 270 00:07:01,386 --> 00:07:03,008 >> SECRETLY I AM EXCITED TO WORK 271 00:07:03,008 --> 00:07:04,354 WITH LAGANJA BECAUSE WHEN WE'RE 272 00:07:04,354 --> 00:07:05,632 NOT COMPETING, WE'RE, LIKE, 273 00:07:05,632 --> 00:07:06,840 REALLY COOL, AND SHE'S 274 00:07:06,840 --> 00:07:08,048 THE COOLEST BITCH EVER. 275 00:07:08,048 --> 00:07:09,601 >> AND BECAUSE LAGANJA WON 276 00:07:09,601 --> 00:07:10,602 THE MINI CHALLENGE, 277 00:07:10,602 --> 00:07:13,018 YOU GET EXTRA TIME ON SET. 278 00:07:13,018 --> 00:07:14,330 >> SICKENING. 279 00:07:14,330 --> 00:07:17,091 >> NEXT, COURTNEY AND JOSLYN. 280 00:07:17,091 --> 00:07:19,439 YOUR TARGET IS HOT MAMAS. 281 00:07:19,439 --> 00:07:20,129 >> both: OOH. 282 00:07:20,129 --> 00:07:22,269 >> I IDOLIZED COURTNEY BEFORE 283 00:07:22,269 --> 00:07:23,684 I CAME INTO THIS COMPETITION. 284 00:07:23,684 --> 00:07:25,514 MEETING HER WAS AN 285 00:07:25,514 --> 00:07:26,584 ACCOMPLISHMENT, SO GETTING TO 286 00:07:26,584 --> 00:07:27,550 WORK WITH HER IS KIND OF 287 00:07:27,550 --> 00:07:28,689 SURREAL. 288 00:07:28,689 --> 00:07:29,656 [heavenly harp music] 289 00:07:29,656 --> 00:07:35,178 >> NEXT, BIANCA AND TRINITY. 290 00:07:35,178 --> 00:07:36,456 >> DIDN'T I SAY TO THE UNIVERSE 291 00:07:36,456 --> 00:07:37,249 THAT I DO NOT WANT TO WORK 292 00:07:37,249 --> 00:07:38,423 WITH TRINITY AGAIN? 293 00:07:38,423 --> 00:07:41,357 THANKS, RU, YOU SHADY BITCH. 294 00:07:41,357 --> 00:07:43,532 >> I'M ASSIGNING YOU GLAMOROUS 295 00:07:43,532 --> 00:07:44,498 WORKING GIRLS, 296 00:07:44,498 --> 00:07:47,777 FROM HOOKERS TO CEOs. 297 00:07:47,777 --> 00:07:48,468 >> I JUST DON'T WANT 298 00:07:48,468 --> 00:07:49,123 TO WORK WITH BIANCA. 299 00:07:49,123 --> 00:07:50,470 I JUST WANT TO WORK BY MYSELF. 300 00:07:50,470 --> 00:07:52,126 I WANT A CHALLENGE WHERE I COULD 301 00:07:52,126 --> 00:07:54,508 JUST THINK ON MY OWN. 302 00:07:54,508 --> 00:07:55,267 >> AND THAT LEAVES 303 00:07:55,267 --> 00:07:56,476 BEN DE LA CREME 304 00:07:56,476 --> 00:07:59,133 AND DARIENNE LAKE. 305 00:07:59,133 --> 00:08:00,721 >> REALLY? 306 00:08:00,721 --> 00:08:01,860 REALLY? 307 00:08:01,860 --> 00:08:03,483 >> YOU'LL TARGET THE COUGAR 308 00:08:03,483 --> 00:08:06,382 DEMO, MATURE LADIES WHO ONLY GET 309 00:08:06,382 --> 00:08:08,488 SEXIER WITH THE PASSING YEARS. 310 00:08:08,488 --> 00:08:09,350 >> I FEEL LIKE THERE'S BEEN 311 00:08:09,350 --> 00:08:10,697 A LITTLE BIT OF TENSION BETWEEN 312 00:08:10,697 --> 00:08:12,768 DARIENNE AND I LATELY, BUT I 313 00:08:12,768 --> 00:08:14,459 THINK THAT SHE'S SUPER-TALENTED, 314 00:08:14,459 --> 00:08:15,909 SO I THINK THIS IS A GOOD 315 00:08:15,909 --> 00:08:17,220 PAIRING. 316 00:08:17,220 --> 00:08:18,808 >> GENTLEMEN, START YOUR 317 00:08:18,808 --> 00:08:21,190 ENGINES, AND MAY THE BEST WOMAN 318 00:08:21,190 --> 00:08:22,881 WIN. 319 00:08:22,881 --> 00:08:23,813 >> ALL RIGHT, WELL, I JUST-- 320 00:08:23,813 --> 00:08:24,504 I'M JUST WRITING, LIKE, 321 00:08:24,504 --> 00:08:25,228 STUPID LITTLE [bleep]... 322 00:08:25,228 --> 00:08:25,884 >> OKAY. 323 00:08:25,884 --> 00:08:27,058 >> SOMETHING VERY BITCHY FOR 324 00:08:27,058 --> 00:08:28,059 THE--FOR THE DEMOGRAPHIC 325 00:08:28,059 --> 00:08:28,715 KIND OF THING. 326 00:08:28,715 --> 00:08:29,854 >> RIGHT, LIKE THE MEAN GIRLS 327 00:08:29,854 --> 00:08:30,682 BUT, LIKE, RICH. 328 00:08:30,682 --> 00:08:32,926 >> RICH, BRATTY WHORES. 329 00:08:32,926 --> 00:08:34,444 >> ADORE AND I HAVE AN ADVANTAGE 330 00:08:34,444 --> 00:08:35,515 BECAUSE WE'VE WORKED TOGETHER 331 00:08:35,515 --> 00:08:37,482 MANY TIMES IN THE OUTSIDE WORLD. 332 00:08:37,482 --> 00:08:38,725 I'M JUST REALLY NERVOUS THAT 333 00:08:38,725 --> 00:08:40,105 ADORE WILL OVERSHADOW ME 334 00:08:40,105 --> 00:08:41,831 AND THAT I WON'T BE THE STAR. 335 00:08:41,831 --> 00:08:44,489 "THIS SASSY, SEXY, SICKENING 336 00:08:44,489 --> 00:08:45,179 PRODUCT..." 337 00:08:45,179 --> 00:08:47,319 >> [chuckles] 338 00:08:47,319 --> 00:08:48,528 MM. 339 00:08:48,528 --> 00:08:49,459 >> WE COULD SAY, "NOW THAT 340 00:08:49,459 --> 00:08:50,288 WE GOT OUR HANDS ON 341 00:08:50,288 --> 00:08:51,600 THIS BITCHING MAKEUP..." 342 00:08:51,600 --> 00:08:53,049 >> [laughs] 343 00:08:53,049 --> 00:08:54,292 [bleep]. 344 00:08:54,292 --> 00:08:55,707 SO LAGANJA HAS IDEAS, 345 00:08:55,707 --> 00:08:57,537 AND I MEAN, I WAS RAISED RIGHT, 346 00:08:57,537 --> 00:08:58,952 SO ALL I CAN DO IS NERVOUS LAUGH 347 00:08:58,952 --> 00:08:59,953 AT THEM BECAUSE I DON'T KNOW 348 00:08:59,953 --> 00:09:00,919 HOW TO RESPOND TO THEM. 349 00:09:00,919 --> 00:09:01,782 I'M NOT GONNA SAY, "NO, BITCH, 350 00:09:01,782 --> 00:09:02,956 THAT'S AN AWFUL IDEA. 351 00:09:02,956 --> 00:09:03,784 MINE IS BETTER." 352 00:09:03,784 --> 00:09:04,509 BUT THAT WAS THE TRUTH 353 00:09:04,509 --> 00:09:05,683 OF THE SITUATION. 354 00:09:05,683 --> 00:09:06,822 >> "ALL THE HOT BOYS WILL BE 355 00:09:06,822 --> 00:09:09,410 KISSING THESE COATED LIPS," 356 00:09:09,410 --> 00:09:10,239 OR SOMETHING LIKE-- 357 00:09:10,239 --> 00:09:11,274 >> UM... 358 00:09:11,274 --> 00:09:11,930 I DON'T KNOW. 359 00:09:11,930 --> 00:09:13,380 I WANT TO BE MORE MEAN. 360 00:09:13,380 --> 00:09:14,933 LIKE, "SORRY, STACY, 361 00:09:14,933 --> 00:09:16,832 BUT YOUR BOYFRIEND'S MINE NOW." 362 00:09:16,832 --> 00:09:17,557 >> SO, LIKE, I'M PUTTING ON 363 00:09:17,557 --> 00:09:18,247 THE LIP GLOSS, LIKE, 364 00:09:18,247 --> 00:09:18,937 "I CAN SLEEP 365 00:09:18,937 --> 00:09:21,768 "I CAN SLEEP WITH ANYONE I CHOOSE." 366 00:09:21,768 --> 00:09:23,804 WITH ANYONE I CHOOSE." 367 00:09:23,804 --> 00:09:25,357 >> SO I'M PICTURING US MAYBE 368 00:09:25,357 --> 00:09:26,945 TO BE, LIKE, DRUNK LUSHES. 369 00:09:26,945 --> 00:09:27,601 >> OH, OKAY. 370 00:09:27,601 --> 00:09:28,291 >> YOU KNOW, LIKE-- 371 00:09:28,291 --> 00:09:28,947 >> HAVE PINOT GRIGIO 372 00:09:28,947 --> 00:09:29,603 IN THE AFTERNOON. 373 00:09:29,603 --> 00:09:30,293 >> YEAH, PINOT GRIGIO 374 00:09:30,293 --> 00:09:30,949 IN THE AFTERNOON. 375 00:09:30,949 --> 00:09:32,675 >> OKAY, OKAY. 376 00:09:32,675 --> 00:09:34,021 >> I CANNOT EVEN WRAP MY BRAIN 377 00:09:34,021 --> 00:09:35,713 AROUND IT AT THIS MOMENT THAT 378 00:09:35,713 --> 00:09:37,473 I'M ACTUALLY DOING THIS THING 379 00:09:37,473 --> 00:09:38,992 WITH COURTNEY ACT HERSELF. 380 00:09:38,992 --> 00:09:40,821 SHE HAS SO MUCH RESPECT FOR ME, 381 00:09:40,821 --> 00:09:41,753 AND I, OF COURSE, HAVE THE 382 00:09:41,753 --> 00:09:43,652 UTMOST RESPECT FOR HER. 383 00:09:43,652 --> 00:09:45,239 I THINK, LIKE, WE SHOULD DO 384 00:09:45,239 --> 00:09:46,413 MAKEOVERS, LIKE... 385 00:09:46,413 --> 00:09:47,448 >> DOES ONE OF US WANT TO BE... 386 00:09:47,448 --> 00:09:48,346 >> IN DRAG. 387 00:09:48,346 --> 00:09:49,243 >> LIKE, A BEFORE, AND ONE OF US 388 00:09:49,243 --> 00:09:50,141 WANT TO BE AFTER? 389 00:09:50,141 --> 00:09:51,763 >> IMAGINE IF YOU'RE 390 00:09:51,763 --> 00:09:53,040 THE BEFORE? 391 00:09:53,040 --> 00:09:54,421 >> BUT THE PROBLEM IS NO ONE 392 00:09:54,421 --> 00:09:55,387 WOULD EVER BELIEVE THAT YOU WERE 393 00:09:55,387 --> 00:09:57,666 THE AFTER, RIGHT? 394 00:09:57,666 --> 00:10:00,634 [laughs] 395 00:10:00,634 --> 00:10:01,531 >> COMING UP... 396 00:10:01,531 --> 00:10:02,602 HOW ARE YOU GONNA SELL 397 00:10:02,602 --> 00:10:03,637 YOUR WORKING GIRL? 398 00:10:03,637 --> 00:10:04,327 >> I'M JUST GONNA PUT 399 00:10:04,327 --> 00:10:04,983 MY BEST FOOT FORWARD. 400 00:10:04,983 --> 00:10:05,777 >> I DON'T WANT TO HEAR, 401 00:10:05,777 --> 00:10:06,571 "I'M JUST GONNA," 402 00:10:06,571 --> 00:10:08,159 BECAUSE YOU'VE SAID THAT BEFORE, 403 00:10:08,159 --> 00:10:09,056 AND YOU KNOW WHAT? 404 00:10:09,056 --> 00:10:10,195 >> I'M NOT GOING TO SIT HERE AND 405 00:10:10,195 --> 00:10:11,403 SELL YOU ANY PROMISES, BECAUSE I 406 00:10:11,403 --> 00:10:12,646 DON'T KNOW EXACTLY WHAT'S GONNA 407 00:10:12,646 --> 00:10:14,855 DON'T KNOW EXACTLY WHAT'S GONNA HAPPEN WHEN I GET OUT THERE. 408 00:10:14,855 --> 00:10:17,617 HAPPEN WHEN I GET OUT THERE. 409 00:10:17,617 --> 00:10:19,619 HAPPEN WHEN I GET OUT THERE. >> [laughs] 410 00:10:19,619 --> 00:10:22,104 >> [laughs] 411 00:10:22,104 --> 00:10:24,693 >> [laughs] 412 00:10:24,693 --> 00:10:26,004 >> OKAY, GIRL, EVERY BITCH PROP 413 00:10:26,004 --> 00:10:27,868 WE'VE EVER NEEDED--DOGS, MAKEUP, 414 00:10:27,868 --> 00:10:28,558 CELL PHONE-- 415 00:10:28,558 --> 00:10:29,698 WE'RE GONNA GIVE IT TO THEM. 416 00:10:29,698 --> 00:10:30,491 >> YELLS. 417 00:10:30,491 --> 00:10:31,872 >> TODAY OUR MAIN CHALLENGE IS 418 00:10:31,872 --> 00:10:33,391 TO COME UP WITH A CONCEPT AND 419 00:10:33,391 --> 00:10:35,289 SHOOT A 30-SECOND COMMERCIAL 420 00:10:35,289 --> 00:10:37,360 FOR RUPAUL'S GLAMAZON 421 00:10:37,360 --> 00:10:40,294 BY COLOREVOLUTION. 422 00:10:40,294 --> 00:10:41,330 >> HELLO, HELLO, HELLO. 423 00:10:41,330 --> 00:10:41,986 >> all: HELLO. 424 00:10:41,986 --> 00:10:43,056 >> HELLO, HELLO, HELLO. 425 00:10:43,056 --> 00:10:45,127 >> IS THIS THE GLAMAZON 426 00:10:45,127 --> 00:10:46,369 SCHOOL OF MODELING? 427 00:10:46,369 --> 00:10:47,681 >> WHY, YES, IT IS. 428 00:10:47,681 --> 00:10:49,303 >> [laughs] 429 00:10:49,303 --> 00:10:50,615 DE LA AND DARIENNE. 430 00:10:50,615 --> 00:10:51,305 >> both: HI. 431 00:10:51,305 --> 00:10:53,653 >> YOU ALL ARE MARKETING TO? 432 00:10:53,653 --> 00:10:54,515 >> both: COUGARS. 433 00:10:54,515 --> 00:10:55,793 >> NOW, DO YOU KNOW ANY COUGARS? 434 00:10:55,793 --> 00:10:57,173 >> WE ARE COUGARS. 435 00:10:57,173 --> 00:10:58,209 >> I'M TOO YOUNG AND PRETTY 436 00:10:58,209 --> 00:10:58,865 TO BE A COUGAR. 437 00:10:58,865 --> 00:10:59,900 >> [laughs] 438 00:10:59,900 --> 00:11:00,936 >> SO... 439 00:11:00,936 --> 00:11:01,937 >> AND A LOT OF, YOU KNOW, 440 00:11:01,937 --> 00:11:04,525 COUGARS ARE DELUSIONAL. 441 00:11:04,525 --> 00:11:05,734 >> RIGHT, RIGHT. 442 00:11:05,734 --> 00:11:07,459 SO WHAT DO YOU HAVE PLANNED? 443 00:11:07,459 --> 00:11:09,979 >> WELL, WHY DON'T YOU START, 444 00:11:09,979 --> 00:11:10,670 'CAUSE WE HAVE SOME OF 445 00:11:10,670 --> 00:11:11,325 THE NOTES HERE? 446 00:11:11,325 --> 00:11:11,981 >> OKAY. 447 00:11:11,981 --> 00:11:12,913 >> WE'RE DEFINITELY THINKING 448 00:11:12,913 --> 00:11:14,777 SORT OF THAT-- 449 00:11:14,777 --> 00:11:15,847 OH, NO, I'LL LET YOU START. 450 00:11:15,847 --> 00:11:17,193 >> "WHY DON'T YOU START? 451 00:11:17,193 --> 00:11:17,849 UHH..." 452 00:11:17,849 --> 00:11:20,645 [laughter] 453 00:11:20,645 --> 00:11:21,819 >> SO HOW'S IT GOING 454 00:11:21,819 --> 00:11:23,683 WORKING WITH DE LA? 455 00:11:23,683 --> 00:11:26,202 >> WE'RE WORKING TOGETHER 456 00:11:26,202 --> 00:11:27,687 AS MUCH AS POSITIVE AND NEGATIVE 457 00:11:27,687 --> 00:11:28,929 CAN, YOU KNOW--BUT, NO. 458 00:11:28,929 --> 00:11:30,103 >> [laughs] 459 00:11:30,103 --> 00:11:30,828 >> WHAT DO YOU MEAN? 460 00:11:30,828 --> 00:11:32,243 >> WE'RE VERY MAGNETIC. 461 00:11:32,243 --> 00:11:34,901 OPPOSITES DO ATTRACT, SO... 462 00:11:34,901 --> 00:11:36,626 >> SO ARE YOU OPPOSITES? 463 00:11:36,626 --> 00:11:37,697 >> I DON'T THINK WE ARE. 464 00:11:37,697 --> 00:11:38,698 >> I THINK WE HAVE DIFFERENT 465 00:11:38,698 --> 00:11:40,941 >> I THINK WE HAVE DIFFERENT WORKING STYLES, BUT... 466 00:11:40,941 --> 00:11:42,771 WORKING STYLES, BUT... 467 00:11:42,771 --> 00:11:44,220 >> ALL RIGHT. 468 00:11:44,220 --> 00:11:45,256 SO TELL ME ABOUT 469 00:11:45,256 --> 00:11:46,671 YOUR MARKETING CAMPAIGN. 470 00:11:46,671 --> 00:11:47,361 >> WE'RE MARKETING TO 471 00:11:47,361 --> 00:11:48,846 THE MODERN COUGAR AND 472 00:11:48,846 --> 00:11:51,331 THE COUGAR'S BODY AS A TEMPLE 473 00:11:51,331 --> 00:11:53,298 THAT HAS PROBABLY UNDERGONE 474 00:11:53,298 --> 00:11:53,954 SOME RENOVATIONS... 475 00:11:53,954 --> 00:11:54,644 >> SURE. 476 00:11:54,644 --> 00:11:55,645 >> THAT COULD USE A FRESH COAT 477 00:11:55,645 --> 00:11:57,337 OF PAINT TO COVER SOME OF 478 00:11:57,337 --> 00:11:59,442 THE NEWLY REWORKED FOUNDATION. 479 00:11:59,442 --> 00:12:00,581 >> OKAY. 480 00:12:00,581 --> 00:12:02,929 THIS PRODUCT IS VERY, VERY NEAR 481 00:12:02,929 --> 00:12:04,862 AND DEAR TO MY HEART, SO I WANT 482 00:12:04,862 --> 00:12:06,415 YOU TO RESPECT THE PRODUCT. 483 00:12:06,415 --> 00:12:07,174 >> both: YEAH. 484 00:12:07,174 --> 00:12:08,589 >> I'M ABSOLUTELY POSITIVE 485 00:12:08,589 --> 00:12:10,522 IT'S GONNA TURN OUT FANTASTIC. 486 00:12:10,522 --> 00:12:11,178 >> ALL RIGHT, GOOD. 487 00:12:11,178 --> 00:12:12,870 JUST SELL MY MAKEUP. 488 00:12:12,870 --> 00:12:13,560 >> YES. 489 00:12:13,560 --> 00:12:14,388 >> ALL RIGHT, GET BACK TO WORK. 490 00:12:14,388 --> 00:12:15,044 >> THANKS. 491 00:12:15,044 --> 00:12:15,735 >> THANK YOU, RU. 492 00:12:15,735 --> 00:12:16,977 >> ALL RIGHT. 493 00:12:16,977 --> 00:12:18,047 HEY, TRINITY. 494 00:12:18,047 --> 00:12:18,738 HEY, BIANCA. 495 00:12:18,738 --> 00:12:19,393 >> HELLO. 496 00:12:19,393 --> 00:12:20,222 >> HI, HI, HI. 497 00:12:20,222 --> 00:12:21,464 >> SO HOW ARE YOU GONNA SELL 498 00:12:21,464 --> 00:12:22,603 MY PRODUCT? 499 00:12:22,603 --> 00:12:24,122 >> I AM A CEO WITH FOUR 500 00:12:24,122 --> 00:12:25,745 CHILDREN, AND SHE'S A HOOKER. 501 00:12:25,745 --> 00:12:26,746 >> [laughs] 502 00:12:26,746 --> 00:12:27,677 >> I'M ON MY WAY TO A MEETING, 503 00:12:27,677 --> 00:12:28,333 AND SHE'S ON HER WAY 504 00:12:28,333 --> 00:12:28,989 TO A CUSTOMER. 505 00:12:28,989 --> 00:12:29,679 >> UH-HUH. 506 00:12:29,679 --> 00:12:30,439 >> AND AS I'M EXPLAINING THE 507 00:12:30,439 --> 00:12:33,994 PRODUCT, SHE TELLS THE WORLD... 508 00:12:33,994 --> 00:12:34,754 >> "CHILD, I'M"-- 509 00:12:34,754 --> 00:12:35,893 [sighs] 510 00:12:35,893 --> 00:12:36,894 "CHILD, I'M ON THESE STREETS 511 00:12:36,894 --> 00:12:37,998 ALL NIGHT, AND IT'S VERY 512 00:12:37,998 --> 00:12:38,758 IMPORTANT THAT I KEEP 513 00:12:38,758 --> 00:12:40,552 MY SASSY, SEXY LOOK UP. 514 00:12:40,552 --> 00:12:41,761 I USE MY RUPAUL-- 515 00:12:41,761 --> 00:12:44,280 I USE MY RUPAUL'S... 516 00:12:44,280 --> 00:12:46,351 I USE MY RUPAUL'S... GLAMAZON BY COLOREVOLUTION." 517 00:12:46,351 --> 00:12:48,733 GLAMAZON BY COLOREVOLUTION." 518 00:12:48,733 --> 00:12:49,596 >> YOU KNOW, THE JUDGES HAVE 519 00:12:49,596 --> 00:12:50,252 CALLED YOU OUT 520 00:12:50,252 --> 00:12:51,356 ON YOUR CONFIDENCE BEFORE. 521 00:12:51,356 --> 00:12:52,254 HOW ARE YOU GONNA TURN 522 00:12:52,254 --> 00:12:53,255 THAT AROUND? 523 00:12:53,255 --> 00:12:53,911 >> I'M JUST GONNA PUT 524 00:12:53,911 --> 00:12:54,601 MY BEST FOOT FORWARD. 525 00:12:54,601 --> 00:12:55,395 >> I DON'T WANT TO HEAR, 526 00:12:55,395 --> 00:12:56,603 "I'M JUST GONNA"... 527 00:12:56,603 --> 00:12:57,259 >> I'M--I'M-- 528 00:12:57,259 --> 00:12:58,950 >> BECAUSE YOU'VE SAID THAT 529 00:12:58,950 --> 00:12:59,848 BEFORE, AND YOU KNOW WHAT? 530 00:12:59,848 --> 00:13:01,056 >> I'M NOT GOING TO SIT HERE AND 531 00:13:01,056 --> 00:13:02,264 SELL YOU ANY PROMISES, BECAUSE I 532 00:13:02,264 --> 00:13:03,541 DON'T KNOW EXACTLY WHAT'S GONNA 533 00:13:03,541 --> 00:13:07,545 HAPPEN WHEN I GET OUT THERE. 534 00:13:07,545 --> 00:13:08,753 >> AM I THE FIRST PERSON 535 00:13:08,753 --> 00:13:10,859 TO CALL YOU OUT ON THIS ISSUE 536 00:13:10,859 --> 00:13:12,412 WITH PROJECTING AND BEING 537 00:13:12,412 --> 00:13:13,102 MORE OUT THERE? 538 00:13:13,102 --> 00:13:13,793 >> THIS IS-- 539 00:13:13,793 --> 00:13:14,863 IT'S HONESTLY ALL NEW TO ME. 540 00:13:14,863 --> 00:13:16,036 I'VE NEVER HAD A PROBLEM 541 00:13:16,036 --> 00:13:16,865 WITH THE WAY THAT I TALK 542 00:13:16,865 --> 00:13:17,797 OR COMMUNICATION OR ANYTHING. 543 00:13:17,797 --> 00:13:19,453 >> BUT IT'S MORE THAN JUST 544 00:13:19,453 --> 00:13:20,144 THE WAY THAT YOU TALK. 545 00:13:20,144 --> 00:13:21,421 IT'S A PROJECTION THING, 546 00:13:21,421 --> 00:13:22,077 YOU KNOW. 547 00:13:22,077 --> 00:13:23,941 I'M TRYING TO DRAG, PUN 548 00:13:23,941 --> 00:13:25,770 INTENDED, YOURSELF OUT, 'CAUSE 549 00:13:25,770 --> 00:13:27,013 WHEN I SEE YOU LIP-SYNCH, 550 00:13:27,013 --> 00:13:27,703 I SEE IT THERE. 551 00:13:27,703 --> 00:13:28,359 IT'S THERE. 552 00:13:28,359 --> 00:13:29,118 >> EXACTLY. 553 00:13:29,118 --> 00:13:30,085 >> YOU HAVE TO TRANSFER 554 00:13:30,085 --> 00:13:31,638 THAT EXACT SAME FIRE 555 00:13:31,638 --> 00:13:32,777 INTO OTHER AREAS. 556 00:13:32,777 --> 00:13:34,020 I KNOW YOU HAVE IT. 557 00:13:34,020 --> 00:13:35,435 IT'S JUST YOU HAVE TO FIGURE OUT 558 00:13:35,435 --> 00:13:36,298 IF YOU'RE WILLING TO LET THAT 559 00:13:36,298 --> 00:13:38,334 WALL DOWN. 560 00:13:38,334 --> 00:13:39,473 I'M COUNTING ON YOU TO HELP 561 00:13:39,473 --> 00:13:40,129 DRAG IT OUT OF HER. 562 00:13:40,129 --> 00:13:40,820 >> I'MA DO IT. 563 00:13:40,820 --> 00:13:41,751 I'MA DO IT. 564 00:13:41,751 --> 00:13:42,545 WE'RE GONNA WORK IT OUT. 565 00:13:42,545 --> 00:13:43,236 YOU GOT IT. 566 00:13:43,236 --> 00:13:43,892 >> AND GET BACK TO WORK. 567 00:13:43,892 --> 00:13:44,927 >> WE'LL DO IT. WE'LL DO IT. 568 00:13:44,927 --> 00:13:46,446 COME ON, WE CAN DO THIS. 569 00:13:46,446 --> 00:13:47,827 SO ALL I'M DOING IS ENCOURAGING 570 00:13:47,827 --> 00:13:48,586 THIS BITCH. 571 00:13:48,586 --> 00:13:50,001 I KNOW SHE HAS WHAT IT TAKES 572 00:13:50,001 --> 00:13:51,175 TO DO THESE CHALLENGES. 573 00:13:51,175 --> 00:13:53,833 TO DO THESE CHALLENGES. SHE JUST NEEDS TO APPLY HERSELF. 574 00:13:53,833 --> 00:13:57,457 SHE JUST NEEDS TO APPLY HERSELF. 575 00:13:57,457 --> 00:14:00,322 >> LAGANJA AND ADORE. 576 00:14:00,322 --> 00:14:01,910 >> WE'RE ABOUT TO SHOOT OUR 577 00:14:01,910 --> 00:14:04,188 COMMERCIAL FOR RUPAUL'S GLAMAZON 578 00:14:04,188 --> 00:14:05,603 BY COLOREVOLUTION. 579 00:14:05,603 --> 00:14:07,916 >> OUR MEAN TEAM GIRLS. 580 00:14:07,916 --> 00:14:08,778 >> AND I THINK WE LOOK 581 00:14:08,778 --> 00:14:09,538 [bleep] COOL. 582 00:14:09,538 --> 00:14:10,711 LIKE, IF WE WENT TO SCHOOL, 583 00:14:10,711 --> 00:14:12,196 WE WOULD RULE THAT SCHOOL. 584 00:14:12,196 --> 00:14:14,267 >> SELL ME SOME COSMETICS. 585 00:14:14,267 --> 00:14:15,440 >> YES, GOD. 586 00:14:15,440 --> 00:14:17,684 YOU KNOW, I MAY NOT BE AS FUNNY 587 00:14:17,684 --> 00:14:18,512 AS ADORE. 588 00:14:18,512 --> 00:14:20,342 HER PERSONALITY REALLY DOES 589 00:14:20,342 --> 00:14:21,274 SHINE THROUGH. 590 00:14:21,274 --> 00:14:23,310 I JUST REALLY WANT THE JUDGES TO 591 00:14:23,310 --> 00:14:25,416 SEE THAT I DO HAVE SOMETHING 592 00:14:25,416 --> 00:14:26,348 SPECIAL AND UNIQUE. 593 00:14:26,348 --> 00:14:28,488 >> ALL RIGHT, LADIES, ACTION. 594 00:14:28,488 --> 00:14:29,730 >> I KNOW ALL THE LOSERS SITTING 595 00:14:29,730 --> 00:14:30,870 ALONE AT LUNCH RIGHT NOW 596 00:14:30,870 --> 00:14:32,872 ARE FEELING SO MUCH SAFER. 597 00:14:32,872 --> 00:14:33,976 >> SORRY, STACY, 598 00:14:33,976 --> 00:14:36,323 BUT YOUR BOYFRIEND IS MINE NOW. 599 00:14:36,323 --> 00:14:37,462 >> AND CUT. 600 00:14:37,462 --> 00:14:39,326 LAGANJA, I'M WONDERING IF... 601 00:14:39,326 --> 00:14:39,982 [in valley girl voice] 602 00:14:39,982 --> 00:14:41,018 WE COULD JUST HAVE A LITTLE BIT 603 00:14:41,018 --> 00:14:42,260 MORE OF, YOU KNOW... 604 00:14:42,260 --> 00:14:42,916 >> OH, MY GOD. 605 00:14:42,916 --> 00:14:44,435 >> OH, LIKE MY RACHEL ZOE VOICE. 606 00:14:44,435 --> 00:14:46,886 >> NO. 607 00:14:46,886 --> 00:14:48,301 >> NOTHING CAN SATISFY OUR RICH 608 00:14:48,301 --> 00:14:49,889 TASTES IN ADVANCED PRODUCTS. 609 00:14:49,889 --> 00:14:51,718 >> BUT NOW, THANKS TO RUPAUL'S 610 00:14:51,718 --> 00:14:54,824 GLAMAZON BY COLOREVOLUTION, 611 00:14:54,824 --> 00:14:56,723 OUR FACES STAND OUT AMONGST THE 612 00:14:56,723 --> 00:14:58,759 OUR FACES STAND OUT AMONGST THE TROLLS IN OUR HIGH SCHOOL HALL. 613 00:14:58,759 --> 00:15:01,279 TROLLS IN OUR HIGH SCHOOL HALL. 614 00:15:01,279 --> 00:15:05,111 >> OKAY, MOVING ON. 615 00:15:05,111 --> 00:15:05,905 BLOW PICTURE. 616 00:15:05,905 --> 00:15:06,906 OH, YEAH. 617 00:15:06,906 --> 00:15:08,908 NOW, SPIN BACK TO CAMERA. 618 00:15:08,908 --> 00:15:09,563 YES. 619 00:15:09,563 --> 00:15:10,702 LOOK OVER THAT SHOULDER 620 00:15:10,702 --> 00:15:12,670 AT THE CAMERA. 621 00:15:12,670 --> 00:15:14,223 TOGETHER. 622 00:15:14,223 --> 00:15:15,121 YEAH. 623 00:15:15,121 --> 00:15:15,915 >> [laughs] 624 00:15:15,915 --> 00:15:16,881 >> OKAY, ONE, TWO, THREE, 625 00:15:16,881 --> 00:15:17,882 LOOK OVER THE SHOULDER. 626 00:15:17,882 --> 00:15:18,918 >> [sputters] 627 00:15:18,918 --> 00:15:20,022 >> WE LOST AN EARRING. 628 00:15:20,022 --> 00:15:20,920 >> WORK TOGETHER. 629 00:15:20,920 --> 00:15:22,404 TURN THE OTHER WAY. 630 00:15:22,404 --> 00:15:25,648 [both laughing] 631 00:15:25,648 --> 00:15:26,304 CUT. 632 00:15:26,304 --> 00:15:26,960 [laughs] 633 00:15:26,960 --> 00:15:28,962 THAT'S A WRAP, LADIES. 634 00:15:28,962 --> 00:15:30,964 ALL RIGHT, COME ON DOWN. 635 00:15:30,964 --> 00:15:32,448 HOT MAMAS. 636 00:15:32,448 --> 00:15:34,450 >> WILL YOU BE OUR MAILMAN? 637 00:15:34,450 --> 00:15:36,763 AND THIS IS YOUR PACKAGE. 638 00:15:36,763 --> 00:15:38,903 >> [laughs] 639 00:15:38,903 --> 00:15:41,043 SO YOU ARE SOME STAY-AT-HOME 640 00:15:41,043 --> 00:15:43,287 MOMS LOOKING FOR SOME GLAMOUR, 641 00:15:43,287 --> 00:15:44,184 IS THAT RIGHT? 642 00:15:44,184 --> 00:15:45,427 >> WE'VE MODELED OUR CHARACTERS 643 00:15:45,427 --> 00:15:46,946 ON THE REAL HOUSEWIVES 644 00:15:46,946 --> 00:15:47,774 OF AMERICA. 645 00:15:47,774 --> 00:15:48,878 >> SO WHAT CITY WOULD 646 00:15:48,878 --> 00:15:50,535 YOUR HOUSEWIVES BE FROM? 647 00:15:50,535 --> 00:15:53,745 >> GLAMAZONIA. 648 00:15:53,745 --> 00:15:55,506 [snorts] 649 00:15:55,506 --> 00:15:57,473 >> ALL RIGHT, ACTION. 650 00:15:57,473 --> 00:15:58,750 >> YOU KNOW, I WAS WATCHING THAT 651 00:15:58,750 --> 00:15:59,959 RUPAUL'S DRAG RACE, 652 00:15:59,959 --> 00:16:01,443 AND I DIDN'T REALIZE 653 00:16:01,443 --> 00:16:03,410 THAT RUPAUL IS A MAN. 654 00:16:03,410 --> 00:16:04,618 >> I'VE BEEN WEARING RUPAUL'S 655 00:16:04,618 --> 00:16:06,103 GLAMAZON BY COLOREVOLUTION 656 00:16:06,103 --> 00:16:06,827 FOR MONTHS. 657 00:16:06,827 --> 00:16:07,483 >> OH. 658 00:16:07,483 --> 00:16:08,450 >> AS A MATTER OF FACT, I HAVE 659 00:16:08,450 --> 00:16:10,624 >> AS A MATTER OF FACT, I HAVE A SPECIAL DELIVERY ON THE WAY. 660 00:16:10,624 --> 00:16:14,145 A SPECIAL DELIVERY ON THE WAY. 661 00:16:14,145 --> 00:16:16,872 >> AND SO WHAT'S GONNA--WHEN 662 00:16:16,872 --> 00:16:20,013 DOES THE MAILMAN COME IN? 663 00:16:20,013 --> 00:16:21,497 ALL RIGHT, I WILL YELL 664 00:16:21,497 --> 00:16:24,500 "DING-DONG," AND WHOEVER'S HOUSE 665 00:16:24,500 --> 00:16:27,055 IT IS IS GONNA SAY, "COME IN." 666 00:16:27,055 --> 00:16:28,780 OKAY, READY? 667 00:16:28,780 --> 00:16:29,436 >> SURE. 668 00:16:29,436 --> 00:16:30,092 >> SURE. 669 00:16:30,092 --> 00:16:32,025 >> OKAY, AND ACTION. 670 00:16:32,025 --> 00:16:33,578 >> AS A MATTER OF FACT, I HAVE 671 00:16:33,578 --> 00:16:35,063 A SPECIAL DELIVERY ON THE WAY. 672 00:16:35,063 --> 00:16:35,753 [chuckles] 673 00:16:35,753 --> 00:16:39,757 >> DING-DONG. 674 00:16:39,757 --> 00:16:42,691 AND THEN YOU SAY-- 675 00:16:42,691 --> 00:16:46,246 >> NICE PACKAGE. 676 00:16:46,246 --> 00:16:47,972 >> "COME IN." 677 00:16:47,972 --> 00:16:49,491 >> COME IN. 678 00:16:49,491 --> 00:16:50,492 >> NOW, DO YOU THINK I SHOULD BE 679 00:16:50,492 --> 00:16:51,148 SAYING "COME IN," 680 00:16:51,148 --> 00:16:53,943 SAYING "COME IN," SINCE HE'S DELIVERING-- 681 00:16:53,943 --> 00:16:55,842 SINCE HE'S DELIVERING-- 682 00:16:55,842 --> 00:16:57,671 >> WE KIND OF NAILED IT. 683 00:16:57,671 --> 00:16:59,535 COURTNEY, FIRST TIME, 684 00:16:59,535 --> 00:17:01,641 COURTNEY, FIRST TIME, EVERY TIME. 685 00:17:01,641 --> 00:17:03,022 EVERY TIME. 686 00:17:03,022 --> 00:17:04,126 >> GET THE MOST KICK WITH 687 00:17:04,126 --> 00:17:06,680 >> GET THE MOST KICK WITH A SEXY HIGH-GLOSS LIP SHINE. 688 00:17:06,680 --> 00:17:09,442 A SEXY HIGH-GLOSS LIP SHINE. 689 00:17:09,442 --> 00:17:11,478 A SEXY HIGH-GLOSS LIP SHINE. >> [laughs] 690 00:17:11,478 --> 00:17:14,102 >> [laughs] 691 00:17:14,102 --> 00:17:16,035 >> [laughs] 692 00:17:16,035 --> 00:17:17,795 WELL, LOOK WHO'S HERE. 693 00:17:17,795 --> 00:17:18,830 >> HI, THERE, RU. 694 00:17:18,830 --> 00:17:19,797 HI, MICHELLE. 695 00:17:19,797 --> 00:17:20,867 >> JUST LIKE JENNIFER COOLIDGE 696 00:17:20,867 --> 00:17:21,937 AND JENNIFER TILLY. 697 00:17:21,937 --> 00:17:23,628 >> MEETS COURTNEY STODDEN, YES. 698 00:17:23,628 --> 00:17:25,389 >> I AM A BEAUTIFUL WOMAN, 699 00:17:25,389 --> 00:17:27,908 AND I FEEL PRETTY. 700 00:17:27,908 --> 00:17:30,359 >> AND...ACTION. 701 00:17:30,359 --> 00:17:32,568 >> FEEL SASSY WITH SHADOWS 702 00:17:32,568 --> 00:17:33,466 THAT ACCENTUATE 703 00:17:33,466 --> 00:17:35,502 YOUR NEWLY LIFTED LID. 704 00:17:35,502 --> 00:17:37,056 >> GET THE MOST KICK 705 00:17:37,056 --> 00:17:38,091 OUT OF YOUR COLLAGEN WITH 706 00:17:38,091 --> 00:17:40,611 OUT OF YOUR COLLAGEN WITH A SEXY HIGH-GLOSS LIP SHINE. 707 00:17:40,611 --> 00:17:43,131 A SEXY HIGH-GLOSS LIP SHINE. 708 00:17:43,131 --> 00:17:47,135 >> [laughs] 709 00:17:47,135 --> 00:17:49,413 >> [laughs] ALL RIGHT, AND CUT. 710 00:17:49,413 --> 00:18:01,425 ALL RIGHT, AND CUT. 711 00:18:01,425 --> 00:18:02,081 CUT. 712 00:18:02,081 --> 00:18:03,496 ALL RIGHT, WE NEED TO WRAP YOURS 713 00:18:03,496 --> 00:18:04,980 IN A WAY WHERE JASON CAN 714 00:18:04,980 --> 00:18:07,810 TAKE IT OFF EASIER. 715 00:18:07,810 --> 00:18:08,915 >> YOUR HEAD'S GOTTEN BIGGER 716 00:18:08,915 --> 00:18:10,986 SINCE LAST TIME YOU DID THIS. 717 00:18:10,986 --> 00:18:14,058 >> WELL, YOU'RE ONE TO TALK. 718 00:18:14,058 --> 00:18:15,059 >> [sighs] 719 00:18:15,059 --> 00:18:16,060 >> ACTION. 720 00:18:16,060 --> 00:18:17,130 >> WOW. 721 00:18:17,130 --> 00:18:17,820 >> OH, SHE'S GORGEOUS. 722 00:18:17,820 --> 00:18:18,545 >> [gasps] 723 00:18:18,545 --> 00:18:19,408 >> I WONDER HOW THEY GOT 724 00:18:19,408 --> 00:18:20,444 THAT BEAUTIFUL. 725 00:18:20,444 --> 00:18:22,342 >> IT MUST BE THAT GLAMAZON. 726 00:18:22,342 --> 00:18:23,171 >> OH, YES. 727 00:18:23,171 --> 00:18:24,551 >> YES. 728 00:18:24,551 --> 00:18:26,139 CUT. 729 00:18:26,139 --> 00:18:27,313 >> OUR AD IS MORE 730 00:18:27,313 --> 00:18:29,246 TONGUE-IN-CHEEK BUT DEFINITELY 731 00:18:29,246 --> 00:18:31,593 HAS THE POTENTIAL TO SELL MAKEUP 732 00:18:31,593 --> 00:18:33,733 HAS THE POTENTIAL TO SELL MAKEUP TO SOME OTHER CRAZY DRAG QUEENS. 733 00:18:33,733 --> 00:18:35,493 TO SOME OTHER CRAZY DRAG QUEENS. 734 00:18:35,493 --> 00:18:36,770 >> HELLO. 735 00:18:36,770 --> 00:18:37,875 >> ALL RIGHT, THESE ARE 736 00:18:37,875 --> 00:18:38,807 THE WORKING GIRLS. 737 00:18:38,807 --> 00:18:39,842 >> UH-HUH. 738 00:18:39,842 --> 00:18:40,878 >> I HAVE NO IDEA WHAT'S ABOUT 739 00:18:40,878 --> 00:18:41,534 TO HAPPEN. 740 00:18:41,534 --> 00:18:42,362 TRINITY STRUGGLES WITH 741 00:18:42,362 --> 00:18:44,088 HER DELIVERY AND CONFIDENCE, 742 00:18:44,088 --> 00:18:46,055 SO I'M [bleep] SCARED. 743 00:18:46,055 --> 00:18:47,229 >> ACTION. 744 00:18:47,229 --> 00:18:49,093 >> I AM THE CEO OF A MAJOR 745 00:18:49,093 --> 00:18:51,544 CORPORATION AND THE MOTHER OF 746 00:18:51,544 --> 00:18:54,719 TWO, AND I USE RUPAUL'S GLAMAZON 747 00:18:54,719 --> 00:18:56,894 BY COLOREVOLUTION. 748 00:18:56,894 --> 00:18:57,826 >> CUT. 749 00:18:57,826 --> 00:18:58,620 FANTASTIC. 750 00:18:58,620 --> 00:18:59,448 WE'RE GONNA DO THE SAME THING 751 00:18:59,448 --> 00:19:00,415 WITH YOU, OKAY? 752 00:19:00,415 --> 00:19:02,451 >> YOU'VE GOT THIS, RIGHT, GIRL? 753 00:19:02,451 --> 00:19:04,902 >> I'M [bleep] PETRIFIED BECAUSE 754 00:19:04,902 --> 00:19:05,834 RU AND MICHELLE WILL BE 755 00:19:05,834 --> 00:19:08,319 DIRECTING ME TODAY, AND I JUST 756 00:19:08,319 --> 00:19:09,493 DON'T SEEM TO DO WELL 757 00:19:09,493 --> 00:19:10,149 WHEN THEY'RE SITTIN' 758 00:19:10,149 --> 00:19:11,115 RIGHT IN FRONT OF ME. 759 00:19:11,115 --> 00:19:12,116 >> ACTION. 760 00:19:12,116 --> 00:19:13,980 >> I AM A PROFESSIONAL HO, 761 00:19:13,980 --> 00:19:14,981 CLIENT FROM CLIENT, 762 00:19:14,981 --> 00:19:15,982 JUMPING OUT OF CAR DO'S. 763 00:19:15,982 --> 00:19:17,121 >> JUMPING OUT OF CONDOS? 764 00:19:17,121 --> 00:19:18,157 >> CAR DO'S. 765 00:19:18,157 --> 00:19:18,985 >> CONDOS? 766 00:19:18,985 --> 00:19:20,297 >> NO, CAR DOORS. 767 00:19:20,297 --> 00:19:20,987 >> OKAY. 768 00:19:20,987 --> 00:19:21,643 CAR DO'S. 769 00:19:21,643 --> 00:19:22,402 >> I THINK I'M TRYING TO JUST 770 00:19:22,402 --> 00:19:23,092 SAY IT FAST ENOUGH 771 00:19:23,092 --> 00:19:24,335 'CAUSE IT SAYS 30 SECONDS. 772 00:19:24,335 --> 00:19:25,094 >> ALL RIGHT, BUT WE HAVE TO 773 00:19:25,094 --> 00:19:26,544 UNDERSTAND YOU, BABY. 774 00:19:26,544 --> 00:19:27,614 >> REMEMBER, TRINITY, 775 00:19:27,614 --> 00:19:29,029 YOU KNOW YOU CAN DO THIS. 776 00:19:29,029 --> 00:19:30,341 YOU GOT THIS, BITCH. 777 00:19:30,341 --> 00:19:31,929 >> BIANCA TOLD ME EARLIER, 778 00:19:31,929 --> 00:19:32,654 "YOU'RE GONNA BE FINE. 779 00:19:32,654 --> 00:19:33,517 YOU'RE GONNA BE ABLE TO DO THIS, 780 00:19:33,517 --> 00:19:34,311 YOU KNOW." 781 00:19:34,311 --> 00:19:35,519 I DECIDED THAT I WOULD 782 00:19:35,519 --> 00:19:37,383 JUST CHANEL MY INNER BIANCA 783 00:19:37,383 --> 00:19:38,867 AND JUST BLURT IT ALL OUT 784 00:19:38,867 --> 00:19:40,524 AND JUST HAVE FUN WITH IT, 785 00:19:40,524 --> 00:19:41,214 'CAUSE IF NOT, 786 00:19:41,214 --> 00:19:42,146 BIANCA GONNA KILL ME. 787 00:19:42,146 --> 00:19:43,389 [chuckles] 788 00:19:43,389 --> 00:19:45,218 I AM A PROFESSIONAL HO, 789 00:19:45,218 --> 00:19:46,426 FROM CLIENT TO CLIENT, 790 00:19:46,426 --> 00:19:47,772 JUMPING OUT OF CAR DOORS. 791 00:19:47,772 --> 00:19:49,360 BUT, WITH RUPAUL'S GLAMAZON 792 00:19:49,360 --> 00:19:52,846 BY COLOREVOLUTION-- 793 00:19:52,846 --> 00:19:54,365 >> [laughs] 794 00:19:54,365 --> 00:19:55,608 TRINITY DID A REALLY GOOD JOB 795 00:19:55,608 --> 00:19:56,264 TODAY. 796 00:19:56,264 --> 00:19:57,644 THANK GOD. 797 00:19:57,644 --> 00:19:59,301 I JUST HOPE THAT IT'S GOOD 798 00:19:59,301 --> 00:20:00,785 ENOUGH TO KEEP US SAFE. 799 00:20:00,785 --> 00:20:02,822 ENOUGH TO KEEP US SAFE. >> THAT'S A WRAP, LADIES. 800 00:20:02,822 --> 00:20:06,653 >> THAT'S A WRAP, LADIES. 801 00:20:06,653 --> 00:20:07,723 >> IT'S TIME TO GET 802 00:20:07,723 --> 00:20:09,587 BLACK AND WHITE. 803 00:20:09,587 --> 00:20:10,830 >> TODAY IS ELIMINATION DAY, 804 00:20:10,830 --> 00:20:12,280 AND OUR RUNWAY THEME 805 00:20:12,280 --> 00:20:14,109 IS BLACK AND WHITE. 806 00:20:14,109 --> 00:20:14,868 >> WHAT KIND OF RUNWAY LOOKS 807 00:20:14,868 --> 00:20:16,076 ARE Y'ALL SERVING TODAY? 808 00:20:16,076 --> 00:20:17,492 >> I'M SERVING SOME KLAUS NOMI 809 00:20:17,492 --> 00:20:18,182 REALNESS. 810 00:20:18,182 --> 00:20:19,563 IT'S A VERY DIFFERENT LOOK 811 00:20:19,563 --> 00:20:20,840 FOR COURTNEY. 812 00:20:20,840 --> 00:20:21,530 ALTHOUGH I DID NOTICE 813 00:20:21,530 --> 00:20:22,669 THAT JOSLYN-- 814 00:20:22,669 --> 00:20:23,429 >> WITH HER LIGHT PURPLE-- 815 00:20:23,429 --> 00:20:24,602 >> OH, JOSLYN. 816 00:20:24,602 --> 00:20:26,294 [laughs] 817 00:20:26,294 --> 00:20:28,848 JOSLYN AND I ARE SERVING, LIKE, 818 00:20:28,848 --> 00:20:30,021 THE SAME... 819 00:20:30,021 --> 00:20:31,368 >> TUXEDO MENSWEAR. 820 00:20:31,368 --> 00:20:32,714 >> TUXEDO MENSWEAR LOOK. 821 00:20:32,714 --> 00:20:34,647 >> SO IF YOU TWO BOTH LANDED 822 00:20:34,647 --> 00:20:36,442 IN THE BOTTOM TWO PERFORMING 823 00:20:36,442 --> 00:20:37,339 AGAINST EACH OTHER 824 00:20:37,339 --> 00:20:38,685 IN SIMILAR OUTFITS... 825 00:20:38,685 --> 00:20:39,341 [gasps] 826 00:20:39,341 --> 00:20:40,169 OH, MY. 827 00:20:40,169 --> 00:20:41,170 >> JOSLYN WOULD GO HOME. 828 00:20:41,170 --> 00:20:42,724 [dramatic gong] 829 00:20:42,724 --> 00:20:43,932 >> 'CAUSE SHE'S A SECOND-RATE 830 00:20:43,932 --> 00:20:44,588 COURTNEY, YEAH. 831 00:20:44,588 --> 00:20:46,175 >> I THINK IT WAS LOW-RENT. 832 00:20:46,175 --> 00:20:47,384 >> SHADY. 833 00:20:47,384 --> 00:20:48,730 >> IT'S CLEAR THAT COURTNEY DOES 834 00:20:48,730 --> 00:20:51,388 NOT SEE ME AT THE SAME LEVEL 835 00:20:51,388 --> 00:20:52,216 AS HER. 836 00:20:52,216 --> 00:20:53,769 THIS IS SOMEBODY THAT I IDOLIZE, 837 00:20:53,769 --> 00:20:56,116 AND I'M A LITTLE DISAPPOINTED. 838 00:20:56,116 --> 00:20:57,394 >> ON THAT NOTE... 839 00:20:57,394 --> 00:20:58,498 >> LET'S GET PRETTY THEN, OKAY? 840 00:20:58,498 --> 00:20:59,188 >> YEAH. 841 00:20:59,188 --> 00:21:01,743 >> COME ON, Y'ALL. 842 00:21:01,743 --> 00:21:02,433 >> WHAT ARE YOU DOING? 843 00:21:02,433 --> 00:21:04,021 >> MY EYEBROWS. 844 00:21:04,021 --> 00:21:04,746 >> OH. 845 00:21:04,746 --> 00:21:05,747 >> WHAT ARE YOU DOING? 846 00:21:05,747 --> 00:21:06,437 >> WHY YOU DOING IT 847 00:21:06,437 --> 00:21:08,853 ALL IN MY HAIR-REA? 848 00:21:08,853 --> 00:21:09,923 >> UM-- 849 00:21:09,923 --> 00:21:10,683 >> I'M JUST KIDDING. 850 00:21:10,683 --> 00:21:11,994 IT'S ALL RIGHT. 851 00:21:11,994 --> 00:21:12,650 >> I MEAN, 852 00:21:12,650 --> 00:21:13,720 I KNOW IT'S ALL RIGHT. 853 00:21:13,720 --> 00:21:14,618 >> DO YOU THINK THEY PAIRED US 854 00:21:14,618 --> 00:21:15,550 UP 'CAUSE THEY WERE KINDA LIKE, 855 00:21:15,550 --> 00:21:16,689 "OH, DARIENNE, YOU GOT A BIG 856 00:21:16,689 --> 00:21:18,518 BODY, AND BEN'S GOT A BIG HEAD." 857 00:21:18,518 --> 00:21:19,519 [laughter] 858 00:21:19,519 --> 00:21:20,900 >> YOU LOVE TO SAY THAT. 859 00:21:20,900 --> 00:21:21,625 I DON'T KNOW IF THAT'S 860 00:21:21,625 --> 00:21:22,281 REALLY TRUE. 861 00:21:22,281 --> 00:21:23,178 >> NO, IT'S JUST BECAUSE YOU 862 00:21:23,178 --> 00:21:24,662 MADE THAT COMMENT, LIKE, AFTER-- 863 00:21:24,662 --> 00:21:25,732 ABOUT THE WHOLE WINNING TWICE, 864 00:21:25,732 --> 00:21:26,388 AND I WAS JUST LIKE, 865 00:21:26,388 --> 00:21:27,182 "OH, OKAY." 866 00:21:27,182 --> 00:21:28,425 >> SHE TOLD ME SHE HATED YOU. 867 00:21:28,425 --> 00:21:30,289 [laughter] 868 00:21:30,289 --> 00:21:31,255 >> I REALLY FEEL SOME 869 00:21:31,255 --> 00:21:33,084 PSYCHIC ENERGY BETWEEN DE LA 870 00:21:33,084 --> 00:21:33,740 AND DARIENNE. 871 00:21:33,740 --> 00:21:35,570 I DON'T KNOW WHAT'S GOING ON, 872 00:21:35,570 --> 00:21:36,674 BUT I FEEL LIKE THERE'S SOME 873 00:21:36,674 --> 00:21:37,986 TYPE OF TENSION THAT YOU CAN CUT 874 00:21:37,986 --> 00:21:41,265 WITH A CHEESE KNIFE. 875 00:21:41,265 --> 00:21:42,473 >> HOW ARE YOU DOING, GIRL-LINA? 876 00:21:42,473 --> 00:21:43,371 >> I FEEL GOOD. 877 00:21:43,371 --> 00:21:44,717 I THINK WE WORKED WELL TOGETHER. 878 00:21:44,717 --> 00:21:45,718 >> WE DID WORK WELL TOGETHER. 879 00:21:45,718 --> 00:21:46,581 WE DIDN'T KILL EACH OTHER. 880 00:21:46,581 --> 00:21:47,271 >> [laughs] 881 00:21:47,271 --> 00:21:48,237 >> SO THAT WAS GOOD. 882 00:21:48,237 --> 00:21:48,893 YOU KNOW WE DIDN'T SEE 883 00:21:48,893 --> 00:21:49,791 EYE-TO-EYE TO BEGIN WITH. 884 00:21:49,791 --> 00:21:50,619 >> 'CAUSE I DIDN'T KNOW YOU. 885 00:21:50,619 --> 00:21:51,310 >> RIGHT. 886 00:21:51,310 --> 00:21:52,172 >> I JUST FELT LIKE YOUR PURPOSE 887 00:21:52,172 --> 00:21:53,035 HERE WAS JUST TO COME HERE 888 00:21:53,035 --> 00:21:54,313 AND BE EVIL AND MEAN. 889 00:21:54,313 --> 00:21:55,935 >> I APOLOGIZE IF I EVER 890 00:21:55,935 --> 00:21:57,833 CAME ACROSS THAT WAY. 891 00:21:57,833 --> 00:21:58,938 I WAS ANGRY WITH HER BECAUSE 892 00:21:58,938 --> 00:22:00,871 HER WORK ETHIC AND HER ATTITUDE 893 00:22:00,871 --> 00:22:02,251 WASN'T THE SAME AS MINE, WHICH 894 00:22:02,251 --> 00:22:03,805 I LEARNED YOU CAN STILL WORK 895 00:22:03,805 --> 00:22:05,151 WITH PEOPLE IF THEY COME FROM 896 00:22:05,151 --> 00:22:06,186 A DIFFERENT PLACE. 897 00:22:06,186 --> 00:22:07,326 IT'S NOT ONLY MY WAY 898 00:22:07,326 --> 00:22:08,016 OR THE HIGHWAY. 899 00:22:08,016 --> 00:22:09,638 I'M LEARNING PATIENCE, BITCH. 900 00:22:09,638 --> 00:22:11,226 >> I'M ALSO OBVIOUSLY LEARNING 901 00:22:11,226 --> 00:22:13,090 THAT I HAVE WAYS I GUESS I NEED 902 00:22:13,090 --> 00:22:13,953 TO JUST WORK ON. 903 00:22:13,953 --> 00:22:15,023 >> I REALLY THINK TRINITY HAS 904 00:22:15,023 --> 00:22:15,713 COME A LONG WAY, 905 00:22:15,713 --> 00:22:17,819 AND SHE'S TOTALLY OPENED UP. 906 00:22:17,819 --> 00:22:19,096 SHE SHOULD REALLY BE PROUD 907 00:22:19,096 --> 00:22:19,752 OF HERSELF. 908 00:22:19,752 --> 00:22:20,477 I'M PROUD OF HER. 909 00:22:20,477 --> 00:22:21,650 >> THIS IS HONESTLY THE FIRST 910 00:22:21,650 --> 00:22:22,962 TIME IN A LONG TIME I FEEL LIKE 911 00:22:22,962 --> 00:22:24,101 I'M WITH A GROUP OF GIRLS WHO 912 00:22:24,101 --> 00:22:25,136 HAVE TAKEN THE TIME OUT TO 913 00:22:25,136 --> 00:22:25,861 UNDERSTAND ME... 914 00:22:25,861 --> 00:22:26,483 >> YEAH. 915 00:22:26,483 --> 00:22:27,587 >> AND BE PATIENT WITH ME. 916 00:22:27,587 --> 00:22:28,554 I DEFINITELY AM COMFORTABLE 917 00:22:28,554 --> 00:22:29,244 WITH YOU GIRLS. 918 00:22:29,244 --> 00:22:30,279 >> I AM GLAD, YOU STANK BITCH. 919 00:22:30,279 --> 00:22:32,937 >> AND I'M GLAD THAT THIS IS MY 920 00:22:32,937 --> 00:22:33,869 SEASON SIX SISTERS... 921 00:22:33,869 --> 00:22:34,525 >> THERE YOU GO. 922 00:22:34,525 --> 00:22:35,215 >> AND IT'S GONNA BE-- 923 00:22:35,215 --> 00:22:36,044 >> NOW, DON'T CALL ME COLLECT, 924 00:22:36,044 --> 00:22:36,700 AND IF YOU GO TO JAIL, 925 00:22:36,700 --> 00:22:37,356 I KNOW SOMEBODY THAT CAN 926 00:22:37,356 --> 00:22:38,046 GET YOU OUT. 927 00:22:38,046 --> 00:22:40,082 GET YOU OUT. >> [laughing] 928 00:22:40,082 --> 00:22:42,775 >> [laughing] 929 00:22:42,775 --> 00:22:43,776 [energetic pop music] 930 00:22:43,776 --> 00:22:49,678 ♪ 931 00:22:49,678 --> 00:22:52,405 ♪ >> [laughs] 932 00:22:52,405 --> 00:22:55,719 >> [laughs] 933 00:22:55,719 --> 00:22:57,134 >> ♪ COVER GIRL 934 00:22:57,134 --> 00:22:59,378 ♪ PUT THE BASS IN YOUR WALK 935 00:22:59,378 --> 00:23:01,000 ♪ HEAD TO TOE 936 00:23:01,000 --> 00:23:04,383 ♪ LET YOUR WHOLE BODY TALK 937 00:23:04,383 --> 00:23:05,522 ♪ AND WHAT 938 00:23:05,522 --> 00:23:06,799 [applause] 939 00:23:06,799 --> 00:23:08,766 WELCOME TO THE MAIN STAGE OF 940 00:23:08,766 --> 00:23:10,389 RUPAUL'S DRAG RACE. 941 00:23:10,389 --> 00:23:12,011 A WOMAN WHO'S NEVER MET 942 00:23:12,011 --> 00:23:13,668 A LIP LINER SHE DIDN'T LIKE... 943 00:23:13,668 --> 00:23:14,358 >> [laughs] 944 00:23:14,358 --> 00:23:15,704 >> MICHELLE VISAGE. 945 00:23:15,704 --> 00:23:18,258 >> TASTE THE RAINBOW, BABY DOLL. 946 00:23:18,258 --> 00:23:20,537 >> NEVER TESTED ON ANIMALS, 947 00:23:20,537 --> 00:23:21,848 SANTINO RICE. 948 00:23:21,848 --> 00:23:23,540 >> TENS ACROSS THE BOARD, RU. 949 00:23:23,540 --> 00:23:24,472 >> FROM MY BIG FAT 950 00:23:24,472 --> 00:23:25,611 GREEK WEDDING, 951 00:23:25,611 --> 00:23:26,922 LAINIE KAZAN IS HERE. 952 00:23:26,922 --> 00:23:27,578 HELLO. 953 00:23:27,578 --> 00:23:28,890 >> HELLO, DARLING. 954 00:23:28,890 --> 00:23:30,788 YOU LOOK MAGNIFICENT. 955 00:23:30,788 --> 00:23:31,858 >> THANK YOU. 956 00:23:31,858 --> 00:23:34,516 >> AND THE QUEEN OF QUEENS 957 00:23:34,516 --> 00:23:36,276 LEAH REMINI IS HERE. 958 00:23:36,276 --> 00:23:38,417 WE ARE SO HAPPY YOU'RE HERE, 959 00:23:38,417 --> 00:23:39,487 AND I CAN'T BELIEVE I LET YOU 960 00:23:39,487 --> 00:23:40,971 SIT NEXT TO MICHELLE VISAGE. 961 00:23:40,971 --> 00:23:44,008 [laughter] 962 00:23:44,008 --> 00:23:45,424 THIS WEEK OUR QUEENS WERE 963 00:23:45,424 --> 00:23:46,908 CHALLENGED TO CREATE A 964 00:23:46,908 --> 00:23:49,428 PITCH-PERFECT COSMETICS CAMPAIGN 965 00:23:49,428 --> 00:23:51,015 FOR RUPAUL'S GLAMAZON 966 00:23:51,015 --> 00:23:53,673 BY COLOREVOLUTION, AND TONIGHT 967 00:23:53,673 --> 00:23:55,468 THEY'RE HITTING THE RUNWAY 968 00:23:55,468 --> 00:23:57,850 SERVING BLACK AND WHITE DRAMA, 969 00:23:57,850 --> 00:23:58,747 MAMA. 970 00:23:58,747 --> 00:24:01,232 GENTLEMEN, START YOUR ENGINES, 971 00:24:01,232 --> 00:24:03,511 AND MAY THE BEST WOMAN WIN. 972 00:24:03,511 --> 00:24:05,720 >> THE LIPSTICK SHOULD STAY ON. 973 00:24:05,720 --> 00:24:06,410 >> YES. 974 00:24:06,410 --> 00:24:08,723 >> WELL, I DIDN'T GET THAT. 975 00:24:08,723 --> 00:24:11,173 >> I THOUGHT YOU WERE DEFINITELY 976 00:24:11,173 --> 00:24:12,623 STONED. 977 00:24:12,623 --> 00:24:14,660 STONED. >> [laughs] 978 00:24:14,660 --> 00:24:17,007 >> [laughs] 979 00:24:17,007 --> 00:24:19,596 >> [laughs] 980 00:24:19,596 --> 00:24:20,942 ♪ NOW SISSY THAT WALK 981 00:24:20,942 --> 00:24:24,704 UP FIRST, LAGANJA ESTRANJA. 982 00:24:24,704 --> 00:24:25,878 >> THAT'S WHERE MY HAIR WENT. 983 00:24:25,878 --> 00:24:27,086 >> UH-HUH. 984 00:24:27,086 --> 00:24:28,467 >> I AM SERVING A LIZARD 985 00:24:28,467 --> 00:24:29,813 CALLED LAGANJA. 986 00:24:29,813 --> 00:24:31,884 MAMA, Y'ALL CAN'T TAKE IT. 987 00:24:31,884 --> 00:24:33,230 >> PEEK-A-RU, I CAN SEE 988 00:24:33,230 --> 00:24:34,473 YOUR BLACKBERRY. 989 00:24:34,473 --> 00:24:35,853 >> [laughs] 990 00:24:35,853 --> 00:24:37,337 VERY I DREAM OF JEANNIE. 991 00:24:37,337 --> 00:24:39,098 >> OH, YES. 992 00:24:39,098 --> 00:24:40,858 ADORE DELANO. 993 00:24:40,858 --> 00:24:42,101 >> CRUELLA DELANO. 994 00:24:42,101 --> 00:24:43,447 >> YES. 995 00:24:43,447 --> 00:24:44,655 >> THIS IS HOW I LOOK. 996 00:24:44,655 --> 00:24:46,554 THIS IS HOW I WORK MY BODY. 997 00:24:46,554 --> 00:24:47,624 I'M SERVING THEM DEAD DOG 998 00:24:47,624 --> 00:24:48,521 REALNESS. 999 00:24:48,521 --> 00:24:50,040 >> YOU KNOW, THERE IS TWO SIDES 1000 00:24:50,040 --> 00:24:50,730 TO EVERY STORY. 1001 00:24:50,730 --> 00:24:51,628 >> [laughs] 1002 00:24:51,628 --> 00:24:52,456 IT AIN'T ALL JUST 1003 00:24:52,456 --> 00:24:53,319 BLACK AND WHITE. 1004 00:24:53,319 --> 00:24:54,320 THERE IS A GRAY AREA. 1005 00:24:54,320 --> 00:24:55,701 >> [laughs] 1006 00:24:55,701 --> 00:24:58,704 BLAME IT ON BIANCA DEL RIO. 1007 00:24:58,704 --> 00:25:01,189 >> AW, THAT'S SO ROMANTIC. 1008 00:25:01,189 --> 00:25:02,846 >> POOF, THERE IT IS. 1009 00:25:02,846 --> 00:25:04,503 >> I AM SERVING UP SKUNK 1010 00:25:04,503 --> 00:25:06,332 CINDERELLA REALNESS. 1011 00:25:06,332 --> 00:25:07,436 THIS IS MY ELEMENT. 1012 00:25:07,436 --> 00:25:08,507 I LIKE A GOOD BALL GOWN, 1013 00:25:08,507 --> 00:25:09,197 AND MY [bleep] 1014 00:25:09,197 --> 00:25:10,854 AIN'T FROM OFF THE RACK. 1015 00:25:10,854 --> 00:25:11,889 >> IT'S VERY DRAG 1016 00:25:11,889 --> 00:25:12,821 INAUGURATION BALL. 1017 00:25:12,821 --> 00:25:13,512 >> IT IS. 1018 00:25:13,512 --> 00:25:14,167 [laughs] 1019 00:25:14,167 --> 00:25:15,721 >> THAT IS QUITE AN IMPRESSIVE 1020 00:25:15,721 --> 00:25:18,137 TULLE, I MIGHT ADD. 1021 00:25:18,137 --> 00:25:20,898 UP NEXT, TRINITY K. BONET. 1022 00:25:20,898 --> 00:25:22,521 >> all: OOH. 1023 00:25:22,521 --> 00:25:23,487 >> THEY LOOK LIKE DOMINOS. 1024 00:25:23,487 --> 00:25:24,143 >> TOTALLY. 1025 00:25:24,143 --> 00:25:24,799 >> [laughs] 1026 00:25:24,799 --> 00:25:25,834 >> YES, HONEY, SHE WILL DELIVER 1027 00:25:25,834 --> 00:25:26,525 IN 30 MINUTES, 1028 00:25:26,525 --> 00:25:27,249 OR YOUR PIZZA IS FREE. 1029 00:25:27,249 --> 00:25:28,147 >> WHOA. 1030 00:25:28,147 --> 00:25:29,528 >> [laughs] 1031 00:25:29,528 --> 00:25:31,046 >> I LOOK ABSOLUTELY FABULOUS. 1032 00:25:31,046 --> 00:25:32,151 I'M SERVING YOU 1033 00:25:32,151 --> 00:25:33,704 JACK OF ALL TRADES 1034 00:25:33,704 --> 00:25:35,534 NIGHT AT THE CASINO PITS. 1035 00:25:35,534 --> 00:25:37,432 >> SHE'S ROLLING SNAKE EYES. 1036 00:25:37,432 --> 00:25:38,985 >> DOMI-NO, SHE BETTER DO. 1037 00:25:38,985 --> 00:25:39,641 >> ♪ UH-OH 1038 00:25:39,641 --> 00:25:40,573 ♪ NOW SISSY THAT WALK 1039 00:25:40,573 --> 00:25:41,919 >> BEN DE LA CREME. 1040 00:25:41,919 --> 00:25:43,162 >> OH, MY GOODNESS. 1041 00:25:43,162 --> 00:25:43,852 LOOK AT THOSE TIT-TITAS. 1042 00:25:43,852 --> 00:25:44,922 >> OOH, OOH. 1043 00:25:44,922 --> 00:25:45,992 >> NOW, THAT'S 1044 00:25:45,992 --> 00:25:47,718 AN HOURGLASS FIGURE. 1045 00:25:47,718 --> 00:25:49,582 >> I'M SERVING SOME EVIL QUEEN. 1046 00:25:49,582 --> 00:25:51,342 I'M FEELING THE FANTASY. 1047 00:25:51,342 --> 00:25:52,067 >> I DON'T KNOW WHAT IT IS 1048 00:25:52,067 --> 00:25:54,173 AROUND HER NECK, BUT IF IT SNOWS 1049 00:25:54,173 --> 00:25:56,209 TONIGHT, IT'S GOING ON MY TIRE. 1050 00:25:56,209 --> 00:25:57,728 [laughter] 1051 00:25:57,728 --> 00:25:59,109 DARIENNE LAKE. 1052 00:25:59,109 --> 00:25:59,765 >> BLAM. 1053 00:25:59,765 --> 00:26:02,699 >> I OWN 51% OF THIS COMPANY. 1054 00:26:02,699 --> 00:26:03,631 >> I'M SERVING YOU BLACK AND 1055 00:26:03,631 --> 00:26:05,529 WHITE PAGEANT ELEGANZA. 1056 00:26:05,529 --> 00:26:07,013 I WANT YOUR EYES TO CROSS. 1057 00:26:07,013 --> 00:26:08,359 >> THAT'S A BAZOOM. 1058 00:26:08,359 --> 00:26:09,015 [laughs] 1059 00:26:09,015 --> 00:26:11,915 >> DARIENNE LAKE, JUMP RIGHT IN. 1060 00:26:11,915 --> 00:26:13,572 DON'T FORGET YOUR MOTORBOAT. 1061 00:26:13,572 --> 00:26:14,331 BRR-RR-RR-RR. 1062 00:26:14,331 --> 00:26:15,712 >> [laughs] 1063 00:26:15,712 --> 00:26:16,747 >> COURTNEY ACT. 1064 00:26:16,747 --> 00:26:17,437 >> OH. 1065 00:26:17,437 --> 00:26:18,542 >> OH, MY GOODNESS. 1066 00:26:18,542 --> 00:26:20,199 >> TALK ABOUT SERVING FISH. 1067 00:26:20,199 --> 00:26:21,096 >> YEAH, HONEY, SHE'S SERVING 1068 00:26:21,096 --> 00:26:22,132 RAINBOW TROUT. 1069 00:26:22,132 --> 00:26:22,995 >> AW. 1070 00:26:22,995 --> 00:26:24,341 >> KLAUS NOMI MALONE. 1071 00:26:24,341 --> 00:26:25,307 >> YEAH. 1072 00:26:25,307 --> 00:26:26,136 [laughs] 1073 00:26:26,136 --> 00:26:26,792 >> WOW. 1074 00:26:26,792 --> 00:26:27,482 >> I'VE GOT MY FISH 1075 00:26:27,482 --> 00:26:28,138 ON THE PLATTER. 1076 00:26:28,138 --> 00:26:30,727 I AM SERVING IT TO THOSE JUDGES. 1077 00:26:30,727 --> 00:26:32,521 IT'S ALL COME TOGETHER, AND I 1078 00:26:32,521 --> 00:26:33,868 FEEL LIKE I'VE GOT IT RIGHT. 1079 00:26:33,868 --> 00:26:35,007 >> THE INVITATION SAID 1080 00:26:35,007 --> 00:26:36,042 BLACK TIE ONLY. 1081 00:26:36,042 --> 00:26:36,802 DIDN'T SAY ANYTHING 1082 00:26:36,802 --> 00:26:37,906 ABOUT PANTS, THOUGH. 1083 00:26:37,906 --> 00:26:38,597 >> NO. 1084 00:26:38,597 --> 00:26:40,633 >> [laughs] 1085 00:26:40,633 --> 00:26:42,566 >> JOSLYN FOX. 1086 00:26:42,566 --> 00:26:44,085 ABRACADABRA. 1087 00:26:44,085 --> 00:26:44,741 >> OOH, WHOO. 1088 00:26:44,741 --> 00:26:45,431 >> POOF. 1089 00:26:45,431 --> 00:26:46,190 >> PRESTO. 1090 00:26:46,190 --> 00:26:47,502 >> JUST A LITTLE NECKTIE. 1091 00:26:47,502 --> 00:26:49,297 >> I'M SERVING MENSWEAR. 1092 00:26:49,297 --> 00:26:50,678 I'M SHOWING SOME SKIN, BUT I 1093 00:26:50,678 --> 00:26:52,334 STILL GOT THAT MASCULINITY 1094 00:26:52,334 --> 00:26:53,370 AND FEMININITY. 1095 00:26:53,370 --> 00:26:54,578 I'M LOVING IT. 1096 00:26:54,578 --> 00:26:55,579 >> both: BAM. 1097 00:26:55,579 --> 00:26:56,511 >> WHAT? 1098 00:26:56,511 --> 00:26:58,582 >> THAT ASS IS SO PERFECT. 1099 00:26:58,582 --> 00:26:59,618 >> I THINK SHE'S STRAPPED 1100 00:26:59,618 --> 00:27:00,964 FOR CASH 1101 00:27:00,964 --> 00:27:01,965 AND FABRIC. 1102 00:27:01,965 --> 00:27:02,621 >> [laughs] 1103 00:27:02,621 --> 00:27:04,105 >> ♪ NOW SISSY THAT WALK 1104 00:27:04,105 --> 00:27:05,865 >> WELCOME, LADIES, IT'S TIME 1105 00:27:05,865 --> 00:27:08,247 TO DEBUT YOUR CAMPAIGNS. 1106 00:27:08,247 --> 00:27:10,111 FIRST UP, BIANCA DEL RIO 1107 00:27:10,111 --> 00:27:12,423 AND TRINITY K. BONET 1108 00:27:12,423 --> 00:27:14,702 TARGETING THE WORKING GIRL. 1109 00:27:14,702 --> 00:27:16,324 LET'S TAKE A LOOK. 1110 00:27:16,324 --> 00:27:18,015 >> I'M THE CEO OF A MAJOR 1111 00:27:18,015 --> 00:27:20,259 CORPORATION AND THE MOTHER OF 1112 00:27:20,259 --> 00:27:21,950 TWO, SO IN ORDER TO KEEP 1113 00:27:21,950 --> 00:27:23,365 MY SICKENING APPEARANCE, 1114 00:27:23,365 --> 00:27:25,298 I USE RUPAUL'S GLAMAZON 1115 00:27:25,298 --> 00:27:28,163 BY COLOREVOLUTION. 1116 00:27:28,163 --> 00:27:30,027 I AM SO MUCH FINER WITH 1117 00:27:30,027 --> 00:27:32,271 THIS GLAMOROUS LIQUID LINER. 1118 00:27:32,271 --> 00:27:33,997 >> I AM A PROFESSIONAL HO, 1119 00:27:33,997 --> 00:27:35,274 FROM CLIENT TO CLIENT, 1120 00:27:35,274 --> 00:27:36,413 JUMPING OUT OF CAR DOORS. 1121 00:27:36,413 --> 00:27:38,001 CAN'T EVEN KEEP MY LIPSTICK ON. 1122 00:27:38,001 --> 00:27:39,381 BUT WITH RUPAUL'S GLAMAZON 1123 00:27:39,381 --> 00:27:41,590 BY COLOREVOLUTION... 1124 00:27:41,590 --> 00:27:42,522 BAM! 1125 00:27:42,522 --> 00:27:44,663 WITH THIS GLOSS, I AM THE BOSS. 1126 00:27:44,663 --> 00:27:45,629 >> SO WHETHER YOU'RE 1127 00:27:45,629 --> 00:27:47,079 A CORPORATE CEO-- 1128 00:27:47,079 --> 00:27:49,115 >> OR A PROFESSIONAL HO. 1129 00:27:49,115 --> 00:27:50,289 >> both: YOU DESERVE 1130 00:27:50,289 --> 00:27:52,532 A GLAMOROUS GLOW. 1131 00:27:52,532 --> 00:27:54,673 [laughter] 1132 00:27:54,673 --> 00:27:56,398 >> NOW, GET BACK TO WORK, Y'ALL. 1133 00:27:56,398 --> 00:27:57,054 >> OKAY. 1134 00:27:57,054 --> 00:27:57,710 [car horn honks] 1135 00:27:57,710 --> 00:27:59,367 >> [laughs] 1136 00:27:59,367 --> 00:28:01,058 [applause] 1137 00:28:01,058 --> 00:28:03,233 SO HOW WAS IT WORKING TOGETHER? 1138 00:28:03,233 --> 00:28:04,303 >> MY GAY MOTHER PASSED AWAY, 1139 00:28:04,303 --> 00:28:05,131 LIKE, TWO YEARS AGO, 1140 00:28:05,131 --> 00:28:06,754 AND HER NAME WAS BIANCA, AND SHE 1141 00:28:06,754 --> 00:28:08,583 REMINDS ME SO MUCH OF MY MOTHER. 1142 00:28:08,583 --> 00:28:09,653 LIKE, JUST SHUT UP 1143 00:28:09,653 --> 00:28:10,378 AND DO WHAT I SAY. 1144 00:28:10,378 --> 00:28:11,068 >> [laughs] 1145 00:28:11,068 --> 00:28:11,828 >> AND SHE JUST TOLD ME, 1146 00:28:11,828 --> 00:28:12,518 JUST EMBRACE ALL 1147 00:28:12,518 --> 00:28:13,312 THE OPPORTUNITIES I HAVE. 1148 00:28:13,312 --> 00:28:14,209 HAVE FUN WITH IT. 1149 00:28:14,209 --> 00:28:16,487 >> WELL, THE RUNWAY--I THINK YOU 1150 00:28:16,487 --> 00:28:18,455 ARE BOTH EXQUISITE, 1151 00:28:18,455 --> 00:28:20,146 AND THE INFOMERCIAL WAS FUNNY. 1152 00:28:20,146 --> 00:28:21,147 I THOUGHT YOUR ACTING 1153 00:28:21,147 --> 00:28:22,597 WAS REALLY GOOD. 1154 00:28:22,597 --> 00:28:24,185 >> WELL, TRINITY, TO ME, MISSED 1155 00:28:24,185 --> 00:28:25,807 THE BOAT IN A PERFECT JOKE 1156 00:28:25,807 --> 00:28:27,222 FOR YOU BECAUSE YOU HAVE 1157 00:28:27,222 --> 00:28:28,016 LIP GLOSS ON. 1158 00:28:28,016 --> 00:28:28,707 YOU WERE SELLING 1159 00:28:28,707 --> 00:28:29,362 WORKING GIRLS, RIGHT? 1160 00:28:29,362 --> 00:28:30,018 >> RIGHT, RIGHT. 1161 00:28:30,018 --> 00:28:30,709 >> DON'T YOU WANT TO KNOW 1162 00:28:30,709 --> 00:28:31,433 IT'S GONNA STAY ON AFTER 1163 00:28:31,433 --> 00:28:32,089 YOU DO YOUR STUFF? 1164 00:28:32,089 --> 00:28:33,056 >> WELL, THAT'S WHAT SHE SAID. 1165 00:28:33,056 --> 00:28:34,126 >> SHE DIDN'T SAYIT SAY IT. 1166 00:28:34,126 --> 00:28:35,644 >> SHE SAID JUMPING 1167 00:28:35,644 --> 00:28:36,507 FROM CAR TO CAR-- 1168 00:28:36,507 --> 00:28:37,405 >> I DON'T KNOW WHAT SHE'S DOING 1169 00:28:37,405 --> 00:28:38,440 IN CAR--THIS COULD BE THIS. 1170 00:28:38,440 --> 00:28:39,545 >> SHE HAS HER LIPSTICK ON 1171 00:28:39,545 --> 00:28:40,719 'CAUSE SHE'S A PROFESSIONAL HO. 1172 00:28:40,719 --> 00:28:41,720 >> SO THE LIPSTICK SHOULD 1173 00:28:41,720 --> 00:28:42,375 STAY ON! 1174 00:28:42,375 --> 00:28:43,342 >> SHE SAID IT LASTS 1175 00:28:43,342 --> 00:28:43,998 THROUGH ALL THAT. 1176 00:28:43,998 --> 00:28:45,033 >> I WANT TO KNOW, DID IT 1177 00:28:45,033 --> 00:28:46,655 STAY ON THROUGH THE TRICK 1178 00:28:46,655 --> 00:28:47,518 OR NOT? 1179 00:28:47,518 --> 00:28:48,381 >> YES! 1180 00:28:48,381 --> 00:28:49,348 >> WELL, I DIDN'T GET THAT. 1181 00:28:49,348 --> 00:28:49,969 >> [laughs] 1182 00:28:49,969 --> 00:28:50,659 >> ALL RIGHT THEN. 1183 00:28:50,659 --> 00:28:51,522 >> YOU TWO MUST KNOW EACH OTHER. 1184 00:28:51,522 --> 00:28:52,178 >> YES. 1185 00:28:52,178 --> 00:28:52,834 >> YOU THINK? 1186 00:28:52,834 --> 00:28:54,180 [laughter] 1187 00:28:54,180 --> 00:28:55,526 >> ALL RIGHT, NEXT UP, 1188 00:28:55,526 --> 00:28:57,252 LAGANJA ESTRANJA 1189 00:28:57,252 --> 00:28:59,116 AND ADORE DELANO 1190 00:28:59,116 --> 00:29:01,809 TARGETING MEAN TEEN GIRLS. 1191 00:29:01,809 --> 00:29:03,983 LET'S TAKE A LOOK. 1192 00:29:03,983 --> 00:29:05,019 >> WE USED TO THINK WE HAD ALL 1193 00:29:05,019 --> 00:29:06,917 THE MAKEUP THAT MONEY COULD BUY. 1194 00:29:06,917 --> 00:29:09,023 >> BUT NOW, THANKS TO RUPAUL'S 1195 00:29:09,023 --> 00:29:10,990 GLAMAZON BY COLOREVOLUTION, 1196 00:29:10,990 --> 00:29:13,337 OUR FACES STAND OUT AMONGST THE 1197 00:29:13,337 --> 00:29:15,305 TROLLS IN OUR HIGH SCHOOL HALLS. 1198 00:29:15,305 --> 00:29:16,927 >> I KNOW ALL THE LOSERS SITTING 1199 00:29:16,927 --> 00:29:18,584 ALONE AT LUNCH RIGHT NOW ARE 1200 00:29:18,584 --> 00:29:20,379 FEELING SO MUCH SAFER 'CAUSE 1201 00:29:20,379 --> 00:29:21,794 WE'RE TOO BUSY PAINTING OUR OWN 1202 00:29:21,794 --> 00:29:23,416 FACES INSTEAD OF THEIRS-- 1203 00:29:23,416 --> 00:29:25,108 WITH THIS LONG-LASTING MASCARA, 1204 00:29:25,108 --> 00:29:25,971 OF COURSE. 1205 00:29:25,971 --> 00:29:27,489 >> SORRY, STACY, BUT YOUR 1206 00:29:27,489 --> 00:29:29,560 BOYFRIEND IS NOW MINE. 1207 00:29:29,560 --> 00:29:30,630 HE JUST CAN'T RESIST THIS 1208 00:29:30,630 --> 00:29:32,529 VITAMIN-INFUSED LIP GLOSS. 1209 00:29:32,529 --> 00:29:33,806 BECAUSE WHOEVER SAID BEAUTY 1210 00:29:33,806 --> 00:29:34,980 WAS ON THE INSIDE... 1211 00:29:34,980 --> 00:29:36,153 >> IS UGLY. 1212 00:29:36,153 --> 00:29:38,328 [laughter] 1213 00:29:38,328 --> 00:29:39,605 [applause] 1214 00:29:39,605 --> 00:29:40,675 >> I THINK YOU SOLD IT. 1215 00:29:40,675 --> 00:29:43,333 IT WAS SHOCKINGLY IRREVERENT 1216 00:29:43,333 --> 00:29:45,266 BUT ASPIRATIONAL. 1217 00:29:45,266 --> 00:29:46,543 >> I WANT TO BUY THE PRODUCT, 1218 00:29:46,543 --> 00:29:47,199 AND THAT'S THE MOST 1219 00:29:47,199 --> 00:29:48,131 IMPORTANT THING. 1220 00:29:48,131 --> 00:29:49,373 >> I THINK YOUR COSTUME-- 1221 00:29:49,373 --> 00:29:52,169 IT'S A LITTLE TACKY LOOKING. 1222 00:29:52,169 --> 00:29:53,136 >> YOUR HAIR IS UNEVEN. 1223 00:29:53,136 --> 00:29:54,793 IT'S FLOPPING, AND THE CROTCH 1224 00:29:54,793 --> 00:29:56,518 IS A LITTLE LOW FOR ME. 1225 00:29:56,518 --> 00:29:57,761 I ABSOLUTELY LOVE 1226 00:29:57,761 --> 00:29:58,417 THE WAY YOU LOOK, ADORE. 1227 00:29:58,417 --> 00:29:59,073 >> YAY. 1228 00:29:59,073 --> 00:29:59,970 >> YOUR WAIST IS CINCHED. 1229 00:29:59,970 --> 00:30:00,660 YOU HAVE LEGS. 1230 00:30:00,660 --> 00:30:01,938 YOU'RE NOT CUTTING THEM OFF. 1231 00:30:01,938 --> 00:30:03,663 LET'S, LIKE, SAVOR THIS MOMENT. 1232 00:30:03,663 --> 00:30:05,113 >> I'M A REAL DRAG QUEEN. 1233 00:30:05,113 --> 00:30:05,804 >> YES. 1234 00:30:05,804 --> 00:30:08,013 >> [laughs] 1235 00:30:08,013 --> 00:30:10,187 >> NOT MY FAVORITE AD. 1236 00:30:10,187 --> 00:30:11,982 >> I HAVE NO IDEA WHO YOU ARE. 1237 00:30:11,982 --> 00:30:14,364 >> AM I ON ANOTHER SHOW? 1238 00:30:14,364 --> 00:30:16,400 >> AM I ON ANOTHER SHOW? >> [laughs] 1239 00:30:16,400 --> 00:30:18,920 >> [laughs] 1240 00:30:18,920 --> 00:30:20,784 >> [laughs] 1241 00:30:20,784 --> 00:30:22,993 NEXT UP, BEN DE LA CREME 1242 00:30:22,993 --> 00:30:24,236 AND DARIENNE LAKE 1243 00:30:24,236 --> 00:30:25,858 TARGETING COUGARS. 1244 00:30:25,858 --> 00:30:28,274 [roars] 1245 00:30:28,274 --> 00:30:30,794 >> THE SIGNS OF AGE--COSMETIC 1246 00:30:30,794 --> 00:30:32,520 SURGERY CAN HELP YOU REBUILD 1247 00:30:32,520 --> 00:30:34,315 YOUR FOUNDATION. 1248 00:30:34,315 --> 00:30:35,937 >> BUT NO RENOVATION IS COMPLETE 1249 00:30:35,937 --> 00:30:37,974 WITHOUT A FRESH COAT OF PAINT. 1250 00:30:37,974 --> 00:30:40,700 >> SHH, YOUR SECRET IS SAFE 1251 00:30:40,700 --> 00:30:42,150 WITH RUPAUL'S GLAMAZON 1252 00:30:42,150 --> 00:30:43,842 BY COLOREVOLUTION. 1253 00:30:43,842 --> 00:30:45,809 >> FEEL SASSY WITH SHADOWS 1254 00:30:45,809 --> 00:30:46,775 THAT ACCENTUATE 1255 00:30:46,775 --> 00:30:49,537 THAT NEWLY LIFTED LID. 1256 00:30:49,537 --> 00:30:50,607 >> GET THE MOST KICK 1257 00:30:50,607 --> 00:30:52,298 OUT OF YOUR COLLAGEN WITH 1258 00:30:52,298 --> 00:30:55,957 A HIGH-GLOSS LIP SHINE. 1259 00:30:55,957 --> 00:30:58,615 >> BLUSH HELPS TO ACCENTUATE 1260 00:30:58,615 --> 00:31:00,168 CHEEKBONES AND DISTRACT 1261 00:31:00,168 --> 00:31:01,860 FROM UNSIGHTLY SCARS. 1262 00:31:01,860 --> 00:31:03,723 YOUR BODY IS A TEMPLE. 1263 00:31:03,723 --> 00:31:07,072 NOW,"PRAY," COUGAR, "PRAY." 1264 00:31:07,072 --> 00:31:08,901 [applause] 1265 00:31:08,901 --> 00:31:10,316 >> I FEEL LIKE IT'S MORE OF 1266 00:31:10,316 --> 00:31:12,767 A P.S.A. FOR PLASTIC SURGERY. 1267 00:31:12,767 --> 00:31:15,045 >> I THOUGHT IT WAS ABOUT EITHER 1268 00:31:15,045 --> 00:31:16,253 SURGERY OR DRUGS. 1269 00:31:16,253 --> 00:31:16,909 >> [laughs] 1270 00:31:16,909 --> 00:31:17,876 >> I THOUGHT YOU WERE 1271 00:31:17,876 --> 00:31:19,463 DEFINITELY STONED. 1272 00:31:19,463 --> 00:31:22,639 [laughter] 1273 00:31:22,639 --> 00:31:25,021 >> BEN DE LA, MY ISSUE IS I FEEL 1274 00:31:25,021 --> 00:31:26,436 LIKE EVERY TIME WE'RE HIDING 1275 00:31:26,436 --> 00:31:28,058 BEHIND ANOTHER COSTUME. 1276 00:31:28,058 --> 00:31:29,818 I HAVE NO IDEA WHO YOU ARE, 1277 00:31:29,818 --> 00:31:31,061 AND I WANT TO GET TO KNOW MORE 1278 00:31:31,061 --> 00:31:34,237 OF WHO YOU ARE AS A PERSON. 1279 00:31:34,237 --> 00:31:35,824 >> NEXT UP, COURTNEY ACT 1280 00:31:35,824 --> 00:31:37,757 AND JOSLYN FOX TARGETING 1281 00:31:37,757 --> 00:31:40,070 STAY-AT-HOME HOT MAMAS. 1282 00:31:40,070 --> 00:31:41,900 LET'S TAKE A LOOK. 1283 00:31:41,900 --> 00:31:42,728 >> I WAS WATCHING THAT 1284 00:31:42,728 --> 00:31:44,040 RUPAUL'S DRAG RACE, 1285 00:31:44,040 --> 00:31:45,558 AND I DIDN'T REALIZE THAT 1286 00:31:45,558 --> 00:31:47,526 THAT RUPAUL IS A MAN. 1287 00:31:47,526 --> 00:31:48,665 >> OH, YOU STUPID BITCH, 1288 00:31:48,665 --> 00:31:50,011 OF COURSE RUPAUL IS A MAN. 1289 00:31:50,011 --> 00:31:50,701 [laughter] 1290 00:31:50,701 --> 00:31:51,944 AND I'VE BEEN WEARING RUPAUL'S 1291 00:31:51,944 --> 00:31:53,497 GLAMAZON BY COLOREVOLUTION 1292 00:31:53,497 --> 00:31:54,153 FOR MONTHS. 1293 00:31:54,153 --> 00:31:54,843 >> OH. 1294 00:31:54,843 --> 00:31:55,741 >> AS A MATTER OF FACT, I HAVE 1295 00:31:55,741 --> 00:31:57,294 A SPECIAL DELIVERY ON THE WAY. 1296 00:31:57,294 --> 00:31:58,088 [ding-dong] 1297 00:31:58,088 --> 00:32:00,228 >> COME IN. 1298 00:32:00,228 --> 00:32:01,781 NICE PACKAGE. 1299 00:32:01,781 --> 00:32:02,851 >> AND THE MAKEUP DOESN'T LOOK 1300 00:32:02,851 --> 00:32:03,507 TOO BAD EITHER. 1301 00:32:03,507 --> 00:32:04,715 >> [laughs] 1302 00:32:04,715 --> 00:32:06,752 IF IT CAN MAKE A MAN LIKE RUPAUL 1303 00:32:06,752 --> 00:32:08,098 LOOK LIKE A GLAMAZON-- 1304 00:32:08,098 --> 00:32:09,410 >> both: IMAGINE WHAT IT CAN DO 1305 00:32:09,410 --> 00:32:10,929 FOR A STAY-AT-HOME MOM 1306 00:32:10,929 --> 00:32:13,310 LIKE YOU...OR US. 1307 00:32:13,310 --> 00:32:16,313 LIKE YOU...OR US. [laughter] 1308 00:32:16,313 --> 00:32:19,696 [laughter] 1309 00:32:19,696 --> 00:32:20,352 [applause] 1310 00:32:20,352 --> 00:32:21,008 >> WHAT WAS IT LIKE 1311 00:32:21,008 --> 00:32:21,698 WORKING TOGETHER? 1312 00:32:21,698 --> 00:32:22,457 >> WE'VE GOT, LIKE, 1313 00:32:22,457 --> 00:32:23,286 A LITTLE SISTER VIBE GOING. 1314 00:32:23,286 --> 00:32:23,976 SHE'S THE LITTLE SISTER. 1315 00:32:23,976 --> 00:32:24,804 >> I'M THE LOW-RENT VERSION 1316 00:32:24,804 --> 00:32:26,634 OF COURTNEY, SO SHE SAYS. 1317 00:32:26,634 --> 00:32:27,497 >> I MAY HAVE USED 1318 00:32:27,497 --> 00:32:29,119 THAT TERM ONCE. 1319 00:32:29,119 --> 00:32:31,501 >> YOU DIDN'T KNOW THAT GLAMAZON 1320 00:32:31,501 --> 00:32:33,227 BY COLOREVOLUTION WAS MAKEUP 1321 00:32:33,227 --> 00:32:34,469 UNTIL THE END. 1322 00:32:34,469 --> 00:32:35,746 >> BUT, COURTNEY, TONIGHT 1323 00:32:35,746 --> 00:32:37,886 I THINK THIS KLAUS NOMI COCKTAIL 1324 00:32:37,886 --> 00:32:39,819 WAITRESS LOOK IS AMAZING. 1325 00:32:39,819 --> 00:32:41,131 IT'S GORGEOUS. 1326 00:32:41,131 --> 00:32:44,652 >> JOSLYN, ARE YOU SERIOUS? 1327 00:32:44,652 --> 00:32:45,964 YOU JUST WORE THIS IN BLUE, 1328 00:32:45,964 --> 00:32:46,723 AND WE JUST TOLD YOU 1329 00:32:46,723 --> 00:32:48,207 THERE WAS SO MUCH GOING ON, 1330 00:32:48,207 --> 00:32:49,933 AND NOW YOU WORE IT AGAIN. 1331 00:32:49,933 --> 00:32:51,348 WHEN YOU TURN AROUND, 1332 00:32:51,348 --> 00:32:53,247 THE HAIRLINE--IT'S BOY. 1333 00:32:53,247 --> 00:32:54,351 >> I COULDN'T GIVE A CRAP 1334 00:32:54,351 --> 00:32:55,042 ABOUT THE HAIR. 1335 00:32:55,042 --> 00:32:57,561 I WAS MESMERIZED BY THE ASS. 1336 00:32:57,561 --> 00:32:59,046 >> ALL RIGHT, LADIES, WHILE YOU 1337 00:32:59,046 --> 00:33:01,565 UNWIND IN THE UNTUCKED LOUNGE, 1338 00:33:01,565 --> 00:33:02,635 THE JUDGES AND I WILL 1339 00:33:02,635 --> 00:33:04,775 DELIBERATE. 1340 00:33:04,775 --> 00:33:06,536 ALL RIGHT, JUST BETWEEN US 1341 00:33:06,536 --> 00:33:08,779 AD EXECUTIVES, WHAT'D YOU THINK? 1342 00:33:08,779 --> 00:33:09,849 LET'S START WITH LAGANJA 1343 00:33:09,849 --> 00:33:12,921 ESTRANJA AND ADORE DELANO. 1344 00:33:12,921 --> 00:33:13,922 >> I THINK AS A GROUP 1345 00:33:13,922 --> 00:33:15,476 LAGANJA AND ADORE HAD 1346 00:33:15,476 --> 00:33:16,995 THE BEST AD FOR ME. 1347 00:33:16,995 --> 00:33:18,341 I REALLY THOUGHT IT WAS FUNNY. 1348 00:33:18,341 --> 00:33:20,446 THEY SOLD THE MAKEUP PRODUCT. 1349 00:33:20,446 --> 00:33:21,654 >> WHILE BEING BULLIES. 1350 00:33:21,654 --> 00:33:22,931 >> BUT THAT WAS THEIR CHARACTER, 1351 00:33:22,931 --> 00:33:23,587 MICHELLE. 1352 00:33:23,587 --> 00:33:25,279 >> BUT--YEAH, IT'S PUSHED SO FAR 1353 00:33:25,279 --> 00:33:26,107 THAT IT'S FUNNY. 1354 00:33:26,107 --> 00:33:27,522 >> BUT WITH THAT SAID, I THINK 1355 00:33:27,522 --> 00:33:28,937 ADORE WAS THE STRONGER ONE OF 1356 00:33:28,937 --> 00:33:30,698 THE TWO AND PULLED LAGANJA 1357 00:33:30,698 --> 00:33:31,354 THROUGH. 1358 00:33:31,354 --> 00:33:32,631 >> ALL RIGHT, NEXT UP, 1359 00:33:32,631 --> 00:33:34,322 BIANCA DEL RIO 1360 00:33:34,322 --> 00:33:36,428 AND TRINITY K. BONET-NAY. 1361 00:33:36,428 --> 00:33:38,326 >> I THINK ON THE RUNWAY, 1362 00:33:38,326 --> 00:33:39,500 THEY WERE THE MOST BEAUTIFUL, 1363 00:33:39,500 --> 00:33:40,535 THE BEST. 1364 00:33:40,535 --> 00:33:41,743 >> AS FAR AS THE INFOMERCIAL 1365 00:33:41,743 --> 00:33:44,091 GOES, THEY GOT THE JOB DONE. 1366 00:33:44,091 --> 00:33:45,230 I FEEL LIKE WE SAW A SIDE OF 1367 00:33:45,230 --> 00:33:46,127 TRINITY WE HAVEN'T BEEN ABLE 1368 00:33:46,127 --> 00:33:46,817 TO SEE. 1369 00:33:46,817 --> 00:33:48,336 WE GOT TO SEE TRINITY SPEAKING 1370 00:33:48,336 --> 00:33:49,648 UP AND REALLY ENJOYING IT, 1371 00:33:49,648 --> 00:33:50,925 AND THAT WAS REFRESHING. 1372 00:33:50,925 --> 00:33:52,168 >> NOT MY FAVORITE AD. 1373 00:33:52,168 --> 00:33:54,480 THE BEFORE AND AFTERS--IT WASN'T 1374 00:33:54,480 --> 00:33:56,758 THAT BIG OF A TRANSFORMATION 1375 00:33:56,758 --> 00:33:57,414 FOR ME. 1376 00:33:57,414 --> 00:33:58,070 >> I DIDN'T EVEN KNOW 1377 00:33:58,070 --> 00:33:58,760 UNTIL THIS MOMENT. 1378 00:33:58,760 --> 00:34:00,141 [laughter] 1379 00:34:00,141 --> 00:34:01,246 >> ALL RIGHT, LET'S MOVE ON. 1380 00:34:01,246 --> 00:34:02,247 BEN DE LA CREME 1381 00:34:02,247 --> 00:34:03,731 AND DARIENNE LAKE. 1382 00:34:03,731 --> 00:34:05,215 >> WELL, THE COMMERCIAL--I MEAN, 1383 00:34:05,215 --> 00:34:08,701 IT WAS A VERY STRANGE ATTACK 1384 00:34:08,701 --> 00:34:09,668 ON THE PRODUCT. 1385 00:34:09,668 --> 00:34:10,324 [laughter] 1386 00:34:10,324 --> 00:34:11,187 >> VERY STRANGE ATTACK ON THE-- 1387 00:34:11,187 --> 00:34:12,119 >> IN FACT, I DIDN'T KNOW WHAT 1388 00:34:12,119 --> 00:34:13,775 THE PRODUCT WAS, YOU KNOW? 1389 00:34:13,775 --> 00:34:15,053 >> IT WAS A BUTCHERING. 1390 00:34:15,053 --> 00:34:15,743 >> I DIDN'T KNOW THEY WERE 1391 00:34:15,743 --> 00:34:16,399 SELLING MAKEUP. 1392 00:34:16,399 --> 00:34:17,124 I FELT LIKE IT WAS 1393 00:34:17,124 --> 00:34:18,194 ALL ABOUT THE SURGERY. 1394 00:34:18,194 --> 00:34:19,160 THE FACES THEY WERE PULLING 1395 00:34:19,160 --> 00:34:20,679 WERE NOT ATTRACTIVE AT ALL. 1396 00:34:20,679 --> 00:34:21,818 WE LOVE THOSE FACES, 1397 00:34:21,818 --> 00:34:22,543 BUT NOT WHEN YOU'RE TRYING 1398 00:34:22,543 --> 00:34:23,854 TO SELL COSMETICS. 1399 00:34:23,854 --> 00:34:25,856 >> TONIGHT ON THE RUNWAY, I DID 1400 00:34:25,856 --> 00:34:28,066 NOT FANCY BEN DE LA CREME. 1401 00:34:28,066 --> 00:34:29,791 THE HAIR LOOKED LIKE A PENIS 1402 00:34:29,791 --> 00:34:31,069 WRAPPED IN A BANDAGE. 1403 00:34:31,069 --> 00:34:32,380 [laughter] 1404 00:34:32,380 --> 00:34:33,830 IT WAS VERY WEIRD. 1405 00:34:33,830 --> 00:34:34,865 >> AND I DO NOT KNOW 1406 00:34:34,865 --> 00:34:36,108 WHO DE LA IS AT ALL 1407 00:34:36,108 --> 00:34:37,730 EXCEPT A COSTUME QUEEN. 1408 00:34:37,730 --> 00:34:39,249 I FEEL LIKE TO BE AMERICA'S NEXT 1409 00:34:39,249 --> 00:34:40,802 DRAG SUPERSTAR, WE NEED TO KNOW 1410 00:34:40,802 --> 00:34:42,080 THAT THAT PERSON IS UNDERNEATH 1411 00:34:42,080 --> 00:34:43,081 ALL OF THAT. 1412 00:34:43,081 --> 00:34:44,841 >> LET'S TALK ABOUT COURTNEY ACT 1413 00:34:44,841 --> 00:34:46,498 AND JOSLYN FOX. 1414 00:34:46,498 --> 00:34:47,947 >> COURTNEY WAS REALLY FUN ON 1415 00:34:47,947 --> 00:34:48,741 THE RUNWAY TONIGHT. 1416 00:34:48,741 --> 00:34:50,398 I LOVE THE LOOK SHE WAS GIVING. 1417 00:34:50,398 --> 00:34:52,020 >> JOSLYN--I CAN'T EVEN 1418 00:34:52,020 --> 00:34:52,676 BELIEVE-- 1419 00:34:52,676 --> 00:34:53,919 >> BUT I THINK YOU CAN 1420 00:34:53,919 --> 00:34:54,713 BELIEVE SHE WOULD WEAR THAT. 1421 00:34:54,713 --> 00:34:55,369 >> WELL, THAT'S TRUE. 1422 00:34:55,369 --> 00:34:56,059 THAT'S TRUE. 1423 00:34:56,059 --> 00:34:56,715 >> AREN'T YOU FROM SOUTH 1424 00:34:56,715 --> 00:34:57,405 PLAINFIELD, NEW JERSEY? 1425 00:34:57,405 --> 00:34:58,268 >> HOLLA. 1426 00:34:58,268 --> 00:34:59,166 >> [laughs] 1427 00:34:59,166 --> 00:35:00,822 >> THE POINT, IS YOU JUST WORE 1428 00:35:00,822 --> 00:35:02,100 WHAT YOU WORE LAST WEEK, AFTER 1429 00:35:02,100 --> 00:35:03,480 WE SO HARSHLY CRITIQUED YOU, 1430 00:35:03,480 --> 00:35:04,723 IN ANOTHER COLOR? 1431 00:35:04,723 --> 00:35:05,965 AND THEN PUT YOUR BOY HAIR ON? 1432 00:35:05,965 --> 00:35:07,415 >> I DON'T KNOW WHY WHEN PEOPLE 1433 00:35:07,415 --> 00:35:09,176 GET CHARACTERS LIKE STAY-AT-HOME 1434 00:35:09,176 --> 00:35:10,832 MOM, THAT AUTOMATICALLY MEANS 1435 00:35:10,832 --> 00:35:11,833 THAT THEY HAVE TO BE 1436 00:35:11,833 --> 00:35:12,731 VERY MATRONLY. 1437 00:35:12,731 --> 00:35:13,387 >> I THOUGHT THEY LOOKED 1438 00:35:13,387 --> 00:35:14,077 STUNNING. 1439 00:35:14,077 --> 00:35:14,767 >> NO, THEY DIDN'T. 1440 00:35:14,767 --> 00:35:16,114 >> THEY DIDN'T OVERDO IT. 1441 00:35:16,114 --> 00:35:17,598 >> I THOUGHT COURTNEY WAS SO, 1442 00:35:17,598 --> 00:35:18,254 LIKE, DUMBED DOWN. 1443 00:35:18,254 --> 00:35:19,082 >> SHE WAS DRAB. 1444 00:35:19,082 --> 00:35:20,083 >> I THOUGHT THEY LOOKED 1445 00:35:20,083 --> 00:35:20,739 STUNNING. 1446 00:35:20,739 --> 00:35:21,395 >> WELL, SHE DOES THIS 1447 00:35:21,395 --> 00:35:22,085 REALNESS THING. 1448 00:35:22,085 --> 00:35:22,775 THAT'S WHAT SHE WAS DOING 1449 00:35:22,775 --> 00:35:23,431 IN THE COMMERCIAL. 1450 00:35:23,431 --> 00:35:24,122 >> RIGHT. 1451 00:35:24,122 --> 00:35:24,777 >> I DON'T WANT REAL. 1452 00:35:24,777 --> 00:35:25,433 I WANT A DRAG QUEEN. 1453 00:35:25,433 --> 00:35:26,745 >> OKAY, BUT THAT WASN'T 1454 00:35:26,745 --> 00:35:28,126 THEIR COMMERCIAL. 1455 00:35:28,126 --> 00:35:29,092 >> [laughs] 1456 00:35:29,092 --> 00:35:30,921 >> JESUS, MARY, AND JOSEPH, 1457 00:35:30,921 --> 00:35:32,440 AM I ON ANOTHER SHOW? 1458 00:35:32,440 --> 00:35:34,132 >> NOW, LEAH, YOU LIKE THIS AD. 1459 00:35:34,132 --> 00:35:35,098 TELL US WHY. 1460 00:35:35,098 --> 00:35:36,168 >> I ACTUALLY DIDN'T. 1461 00:35:36,168 --> 00:35:37,618 [laughter] 1462 00:35:37,618 --> 00:35:38,515 [RuPaul claps twice] 1463 00:35:38,515 --> 00:35:40,276 >> SILENCE. 1464 00:35:40,276 --> 00:35:41,863 I'VE MADE MY DECISION. 1465 00:35:41,863 --> 00:35:46,213 BRING BACK MY GLAMAZONS. 1466 00:35:46,213 --> 00:35:48,249 BRING BACK MY GLAMAZONS. [laughs] 1467 00:35:48,249 --> 00:35:50,872 [laughs] 1468 00:35:50,872 --> 00:35:52,943 >> [laughs] 1469 00:35:52,943 --> 00:35:54,566 WELCOME BACK, LADIES. 1470 00:35:54,566 --> 00:35:57,396 I'VE MADE SOME DECISIONS. 1471 00:35:57,396 --> 00:36:01,228 ADORE AND LAGANJA, THIS WEEK 1472 00:36:01,228 --> 00:36:05,784 YOU MEAN GIRLS RULED THE SCHOOL. 1473 00:36:05,784 --> 00:36:06,819 CONDRAGULATIONS, YOU'RE THE 1474 00:36:06,819 --> 00:36:08,304 WINNER OF THIS WEEK'S CHALLENGE. 1475 00:36:08,304 --> 00:36:08,994 [applause] 1476 00:36:08,994 --> 00:36:11,514 >> OH, MY GOD, I'M SHOCKED. 1477 00:36:11,514 --> 00:36:12,308 >> SO AM I. 1478 00:36:12,308 --> 00:36:13,171 [record scratches] 1479 00:36:13,171 --> 00:36:15,173 >> OH. 1480 00:36:15,173 --> 00:36:16,829 PUSH HER, PLEASE, FOR ME. 1481 00:36:16,829 --> 00:36:18,521 >> SUCH A NASTY BITCH. 1482 00:36:18,521 --> 00:36:19,936 >> YOU'LL EACH RECEIVE 1483 00:36:19,936 --> 00:36:22,214 A SICKENING SUPPLY OF PRODUCTS 1484 00:36:22,214 --> 00:36:24,354 FROM LATHER, CLEAN SKIN 1485 00:36:24,354 --> 00:36:25,735 FOR RADIANT LIFE. 1486 00:36:25,735 --> 00:36:26,529 >> YES. 1487 00:36:26,529 --> 00:36:27,771 >> I LOVE IT. 1488 00:36:27,771 --> 00:36:29,048 >> YOU MAY STEP TO THE BACK 1489 00:36:29,048 --> 00:36:31,258 OF THE STAGE. 1490 00:36:31,258 --> 00:36:32,673 BIANCA DEL RIO, 1491 00:36:32,673 --> 00:36:35,331 TRINITY K. BONET, 1492 00:36:35,331 --> 00:36:38,989 YOU'RE SAFE. 1493 00:36:38,989 --> 00:36:40,232 BEN DE LA CREME, 1494 00:36:40,232 --> 00:36:41,544 DARIENNE LAKE, 1495 00:36:41,544 --> 00:36:43,960 YOUR KOOKY COUGARS GOT LOST 1496 00:36:43,960 --> 00:36:46,721 IN THE LIPSTICK JUNGLE. 1497 00:36:46,721 --> 00:36:49,586 COURTNEY ACT, JOSLYN FOX, 1498 00:36:49,586 --> 00:36:51,726 YOUR HOT MOMMAS DIDN'T BRING IT 1499 00:36:51,726 --> 00:36:53,935 HOME TO DADDY. 1500 00:36:53,935 --> 00:36:57,387 COURTNEY ACT, JOSLYN FOX, 1501 00:36:57,387 --> 00:36:59,424 COURTNEY ACT, JOSLYN FOX, YOU'RE SAFE. 1502 00:36:59,424 --> 00:37:01,874 YOU'RE SAFE. 1503 00:37:01,874 --> 00:37:04,014 BEN DE LA CREME, DARIENNE LAKE, 1504 00:37:04,014 --> 00:37:04,808 I'M SORRY, MY DEARS, 1505 00:37:04,808 --> 00:37:08,329 BUT YOU ARE UP FOR ELIMINATION. 1506 00:37:08,329 --> 00:37:10,228 >> I'VE BEEN ON THE TOP SO MUCH 1507 00:37:10,228 --> 00:37:12,057 IN THIS COMPETITION, I CAN'T 1508 00:37:12,057 --> 00:37:13,576 BELIEVE THAT THIS MIGHT BE 1509 00:37:13,576 --> 00:37:14,853 MY LAST NIGHT HERE. 1510 00:37:14,853 --> 00:37:17,683 >> TWO QUEENS STAND BEFORE ME. 1511 00:37:17,683 --> 00:37:19,789 LADIES, THIS IS YOUR LAST CHANCE 1512 00:37:19,789 --> 00:37:22,826 TO IMPRESS ME AND SAVE YOURSELF 1513 00:37:22,826 --> 00:37:25,243 FROM ELIMINATION. 1514 00:37:25,243 --> 00:37:27,279 THE TIME HAS COME 1515 00:37:27,279 --> 00:37:29,454 FOR YOU TO LIP-SYNC 1516 00:37:29,454 --> 00:37:33,941 [echoing] FOR YOUR LIFE. 1517 00:37:33,941 --> 00:37:35,701 GOOD LUCK, 1518 00:37:35,701 --> 00:37:38,256 GOOD LUCK, AND DON'T [bleep] IT UP. 1519 00:37:38,256 --> 00:37:42,225 AND DON'T [bleep] IT UP. 1520 00:37:42,225 --> 00:37:44,814 >> ♪ THE COMMON ROAD 1521 00:37:44,814 --> 00:37:47,092 ♪ SEEMS JUST LIKE A DREAM 1522 00:37:47,092 --> 00:37:50,578 ♪ IT'S A MYSTERY TO ME 1523 00:37:50,578 --> 00:37:52,546 ♪ FILLS ME WITHIN 1524 00:37:52,546 --> 00:37:55,273 ♪ WHEN WE'RE TOGETHER 1525 00:37:55,273 --> 00:37:58,517 ♪ OH, BABY, CAN'T YOU SEE 1526 00:37:58,517 --> 00:37:59,207 ♪ I 1527 00:37:59,207 --> 00:38:01,831 >> MISS DARIENNE IS TURNING IT, 1528 00:38:01,831 --> 00:38:02,487 'CAUSE YOU KNOW 1529 00:38:02,487 --> 00:38:03,419 GOOD-GOD-DAMN-WELL 1530 00:38:03,419 --> 00:38:04,903 MISS DARIENNE HAD THIS SONG 1531 00:38:04,903 --> 00:38:07,043 ON CASSETTE WHEN IT CAME OUT. 1532 00:38:07,043 --> 00:38:08,389 SHE KNOWS THE WORDS. 1533 00:38:08,389 --> 00:38:09,321 SHE KNOWS THE MOVEMENT. 1534 00:38:09,321 --> 00:38:11,012 I'M BANKING ON THAT BITCH. 1535 00:38:11,012 --> 00:38:12,048 >> ♪ I'M GONNA TAKE YOU 1536 00:38:12,048 --> 00:38:13,912 ♪ IN MY ARMS 1537 00:38:13,912 --> 00:38:14,602 >> [laughs] 1538 00:38:14,602 --> 00:38:16,984 >> ♪ YOU'RE TAKING ME 1539 00:38:16,984 --> 00:38:20,884 ♪ TO THE POINT OF NO RETURN 1540 00:38:20,884 --> 00:38:22,438 ♪ OH, OH, OH 1541 00:38:22,438 --> 00:38:24,888 ♪ IT TOOK SO LONG 1542 00:38:24,888 --> 00:38:27,132 ♪ WELL, I TREASURE NOW 1543 00:38:27,132 --> 00:38:30,411 ♪ THE LOVE YOU GAVE TO ME 1544 00:38:30,411 --> 00:38:32,827 ♪ I 1545 00:38:32,827 --> 00:38:35,071 ♪ I'D LIKE TO FEEL THE PASSION 1546 00:38:35,071 --> 00:38:36,935 ♪ TO THE POINT OF NO RETURN 1547 00:38:36,935 --> 00:38:38,108 >> DE LA IS JUST CATCHING EVERY 1548 00:38:38,108 --> 00:38:40,041 BEAT AND WALKING BACK AND FORTH. 1549 00:38:40,041 --> 00:38:41,146 SHE'S PEELING OUT OF HER CLOTHES 1550 00:38:41,146 --> 00:38:42,803 AND FEELING HER LADYLIKE WAYS... 1551 00:38:42,803 --> 00:38:43,873 >> ♪ I'M GONNA TAKE YOU 1552 00:38:43,873 --> 00:38:46,393 ♪ IN MY ARMS 1553 00:38:46,393 --> 00:38:47,670 ♪ YOU'RE TAKING ME... 1554 00:38:47,670 --> 00:38:48,878 >> [laughs] 1555 00:38:48,878 --> 00:38:51,121 >> ♪ TO THE POINT OF NO RETURN 1556 00:38:51,121 --> 00:38:55,298 ♪ HEY, HEY, HEY, YEAH 1557 00:38:55,298 --> 00:38:57,335 ♪ HEY, HEY, HEY, YEAH >> [laughs] 1558 00:38:57,335 --> 00:39:01,477 >> [laughs] 1559 00:39:01,477 --> 00:39:04,514 >> [laughs] [laughter] 1560 00:39:04,514 --> 00:39:09,933 [laughter] 1561 00:39:09,933 --> 00:39:12,936 >> ♪ YOU'RE TAKING ME 1562 00:39:12,936 --> 00:39:14,697 ♪ TO THE POINT OF NO RETURN 1563 00:39:14,697 --> 00:39:16,215 ♪ NO HOLDING BACK 1564 00:39:16,215 --> 00:39:20,530 ♪ NO, NO HOLDING BACK 1565 00:39:20,530 --> 00:39:22,014 >> [laughs] 1566 00:39:22,014 --> 00:39:25,501 [applause] 1567 00:39:25,501 --> 00:39:28,538 OH, MY GOD. 1568 00:39:28,538 --> 00:39:31,507 OH, MY GOD. LADIES, I'VE MADE MY DECISION. 1569 00:39:31,507 --> 00:39:37,513 LADIES, I'VE MADE MY DECISION. 1570 00:39:37,513 --> 00:39:39,342 DARIENNE LAKE, 1571 00:39:39,342 --> 00:39:41,379 DARIENNE LAKE, SHANTE, YOU STAY. 1572 00:39:41,379 --> 00:39:44,209 SHANTE, YOU STAY. 1573 00:39:44,209 --> 00:39:46,487 SHANTE, YOU STAY. YOU MAY JOIN THE OTHER GIRLS. 1574 00:39:46,487 --> 00:39:49,801 YOU MAY JOIN THE OTHER GIRLS. 1575 00:39:49,801 --> 00:39:52,044 BEN DE LA CREME, I KNOW THIS 1576 00:39:52,044 --> 00:39:53,770 DIDN'T TURN OUT THE WAY YOU HAD 1577 00:39:53,770 --> 00:39:56,601 PLANNED, BUT I HOPE IT MAKES YOU 1578 00:39:56,601 --> 00:40:01,468 AN EVEN FIERCER QUEEN, 1579 00:40:01,468 --> 00:40:03,504 AN EVEN FIERCER QUEEN, BECAUSE YOUR TIME HERE... 1580 00:40:03,504 --> 00:40:07,508 BECAUSE YOUR TIME HERE... 1581 00:40:07,508 --> 00:40:09,545 BECAUSE YOUR TIME HERE... IS NOT OVER. 1582 00:40:09,545 --> 00:40:12,168 IS NOT OVER. 1583 00:40:12,168 --> 00:40:15,343 I WANT TO SEE MORE. 1584 00:40:15,343 --> 00:40:18,450 BY THE POWER VESTED IN ME 1585 00:40:18,450 --> 00:40:22,005 BY ME, 1586 00:40:22,005 --> 00:40:24,905 SHANTE, YOU STAY. 1587 00:40:24,905 --> 00:40:26,044 >> YEAH. 1588 00:40:26,044 --> 00:40:27,321 >> WHOO-OO! 1589 00:40:27,321 --> 00:40:30,117 [applause] 1590 00:40:30,117 --> 00:40:31,705 >> THERE'S NOTHING I WANT MORE 1591 00:40:31,705 --> 00:40:33,534 THAN TO FIGURE OUT HOW 1592 00:40:33,534 --> 00:40:36,226 TO SHOW YOU EXACTLY WHO I AM. 1593 00:40:36,226 --> 00:40:37,262 THANK YOU. 1594 00:40:37,262 --> 00:40:40,507 [applause] 1595 00:40:40,507 --> 00:40:42,992 >> CONDRAGULATIONS, MY QUEENS. 1596 00:40:42,992 --> 00:40:44,994 NOW, REMEMBER, IF YOU CAN'T LOVE 1597 00:40:44,994 --> 00:40:46,823 YOURSELF, HOW IN THE HELL 1598 00:40:46,823 --> 00:40:47,997 YOU GONNA LOVE SOMEBODY ELSE? 1599 00:40:47,997 --> 00:40:49,101 CAN I GET A AMEN IN HERE? 1600 00:40:49,101 --> 00:40:51,138 >> all: AMEN. 1601 00:40:51,138 --> 00:40:51,794 >> ALL RIGHT, 1602 00:40:51,794 --> 00:40:53,347 NOW LET THE MUSIC PLAY. 1603 00:40:53,347 --> 00:40:55,349 [electronic music] 1604 00:40:55,349 --> 00:40:57,109 >> ♪ I WANT TO DANCE, DANCE 1605 00:40:57,109 --> 00:40:58,904 ♪ I WANT TO DANCE, DANCE 1606 00:40:58,904 --> 00:41:00,803 ♪ I WANT TO DANCE, DANCE 1607 00:41:00,803 --> 00:41:02,839 ♪ I WANT TO DANCE, DANCE ♪ DANCE WITH YOU