1 00:00:01,656 --> 00:00:02,312 >> PREVIOUSLY ON 2 00:00:02,312 --> 00:00:03,348 RUPAUL'S DRAG RACE... 3 00:00:03,348 --> 00:00:05,384 YOU'LL BE PERFORMING A GOOD 4 00:00:05,384 --> 00:00:07,800 YOU'LL BE PERFORMING A GOOD OLD-FASHIONED COMEDY SHOW. 5 00:00:07,800 --> 00:00:09,009 OLD-FASHIONED COMEDY SHOW. 6 00:00:09,009 --> 00:00:11,149 >> I AM SO EXCITED TO SEE THE 7 00:00:11,149 --> 00:00:14,428 CAST OF COCOONIS HERE. 8 00:00:14,428 --> 00:00:15,670 >> IT'S VERY DRY. 9 00:00:15,670 --> 00:00:16,533 IT'S ALMOST KIND OF LIKE YOUR 10 00:00:16,533 --> 00:00:19,467 VAGINA, OKAY? 11 00:00:19,467 --> 00:00:21,021 TONIGHT WASN'T A CHARACTER, 12 00:00:21,021 --> 00:00:22,815 AND I DO TALK LIKE THAT, 13 00:00:22,815 --> 00:00:23,471 AND I'M SORRY-- 14 00:00:23,471 --> 00:00:24,748 >> NO, YOU TALK LIKE THIS. 15 00:00:24,748 --> 00:00:26,474 THIS IS HOW YOU TALK. 16 00:00:26,474 --> 00:00:28,097 >> THIS IS ALL TOO MUCH FOR ME. 17 00:00:28,097 --> 00:00:28,890 YOU WIN. 18 00:00:28,890 --> 00:00:30,306 YOU BROKE ME DOWN, I FEEL LIKE 19 00:00:30,306 --> 00:00:31,272 [bleep], AND OBVIOUSLY 20 00:00:31,272 --> 00:00:33,378 I'M ANNOYING. 21 00:00:33,378 --> 00:00:34,482 >> BIANCA DEL RIO, 22 00:00:34,482 --> 00:00:35,828 CONDRAGULATIONS, YOU ARE THE 23 00:00:35,828 --> 00:00:38,590 WINNER OF THIS WEEK'S CHALLENGE. 24 00:00:38,590 --> 00:00:42,180 JOSLYN FOX, SHANTE, YOU STAY. 25 00:00:42,180 --> 00:00:45,735 JOSLYN FOX, SHANTE, YOU STAY. LAGANJA ESTRANJA, SASHAY AWAY. 26 00:00:45,735 --> 00:00:51,258 LAGANJA ESTRANJA, SASHAY AWAY. 27 00:00:51,258 --> 00:00:51,982 >> WOW. 28 00:00:51,982 --> 00:00:53,122 >> HOLY CRAP. 29 00:00:53,122 --> 00:00:56,711 >> GIRL, THIS HAS BEEN A DAY. 30 00:00:56,711 --> 00:00:57,747 >> OH, WHAT DID THIS BITCH LEAVE 31 00:00:57,747 --> 00:00:58,886 ON THE MIRROR? 32 00:00:58,886 --> 00:00:59,576 >> NOT MUCH. 33 00:00:59,576 --> 00:01:00,681 >> THAT'S IT? 34 00:01:00,681 --> 00:01:01,337 >> WELL... 35 00:01:01,337 --> 00:01:02,890 >> WELL, I MEAN, NO, SHE DID SAY 36 00:01:02,890 --> 00:01:04,271 THAT SHE FELT LIKE, YOU KNOW, 37 00:01:04,271 --> 00:01:05,306 THE PEOPLE HERE DID NOT LIKE 38 00:01:05,306 --> 00:01:06,411 HER, SO, I MEAN, WHAT OF MUCH DO 39 00:01:06,411 --> 00:01:07,515 YOU REALLY EXPECT FROM HER? 40 00:01:07,515 --> 00:01:08,275 I MEAN, COME ON. 41 00:01:08,275 --> 00:01:08,999 SHE GONE NOW. 42 00:01:08,999 --> 00:01:09,655 IT IS WHAT IT IS. 43 00:01:09,655 --> 00:01:11,001 IT'S A NEW CHAPTER, SO... 44 00:01:11,001 --> 00:01:11,933 >> I FEEL SORT OF AWKWARD ABOUT 45 00:01:11,933 --> 00:01:12,624 THE WAY IT ENDED. 46 00:01:12,624 --> 00:01:13,280 >> YEAH. 47 00:01:13,280 --> 00:01:14,281 >> IT WAS JUST VERY DARK AND 48 00:01:14,281 --> 00:01:16,214 UGLY, AND THAT WAS NOT CUTE. 49 00:01:16,214 --> 00:01:17,387 IT JUST SUCKS THAT SHE LEFT ON 50 00:01:17,387 --> 00:01:19,424 THAT NOTE, AND WE COULDN'T, 51 00:01:19,424 --> 00:01:21,219 LIKE, REALLY PATCH [bleep] UP. 52 00:01:21,219 --> 00:01:22,151 I COULD HAVE HANDLED IT 53 00:01:22,151 --> 00:01:23,911 COMPLETELY DIFFERENT. 54 00:01:23,911 --> 00:01:24,739 >> IT WASN'T A GREAT WAY TO SAY 55 00:01:24,739 --> 00:01:25,395 GOODBYE. 56 00:01:25,395 --> 00:01:26,224 >> IT WAS NOT. 57 00:01:26,224 --> 00:01:27,190 >> IT WASN'T HER FAULT. 58 00:01:27,190 --> 00:01:28,536 IT WAS BIANCA THAT MADE THE-- 59 00:01:28,536 --> 00:01:30,607 >> OH, IT'S ALWAYS MY FAULT. 60 00:01:30,607 --> 00:01:31,436 >> YOU KNOW WHAT IS YOUR FAULT, 61 00:01:31,436 --> 00:01:32,092 BIANCA? 62 00:01:32,092 --> 00:01:32,782 >> WHAT? 63 00:01:32,782 --> 00:01:33,576 >> WINNING THAT [bleep] 64 00:01:33,576 --> 00:01:34,301 CHALLENGE. 65 00:01:34,301 --> 00:01:36,096 >> YES, AND I STOLE YOUR MOMENT. 66 00:01:36,096 --> 00:01:37,097 >> OH, YOU WON. 67 00:01:37,097 --> 00:01:38,132 >> I'M STEALING EVERYTHING. 68 00:01:38,132 --> 00:01:38,822 >> BAM. 69 00:01:38,822 --> 00:01:39,823 >> THIS WAS TRINITY'S TIME TO 70 00:01:39,823 --> 00:01:40,514 SHINE. 71 00:01:40,514 --> 00:01:41,653 [laughter] 72 00:01:41,653 --> 00:01:42,309 >> BITCH. 73 00:01:42,309 --> 00:01:44,000 >> I DIDN'T GO HOME, AND I GOT 74 00:01:44,000 --> 00:01:46,002 SAFE, AND RU GOT EMOTIONAL. 75 00:01:46,002 --> 00:01:47,314 >> SHE DID. 76 00:01:47,314 --> 00:01:50,558 >> I'M SO SURPRISED THAT THAT 77 00:01:50,558 --> 00:01:52,284 WENT WELL, AND I THINK RU PULLED 78 00:01:52,284 --> 00:01:53,251 SOMETHING OUT OF ME THAT I 79 00:01:53,251 --> 00:01:55,115 DIDN'T KNOW I HAD, AND NOW MY 80 00:01:55,115 --> 00:01:55,943 WHOLE MISSION IS JUST TO WIN 81 00:01:55,943 --> 00:01:57,876 A [bleep] CHALLENGE. 82 00:01:57,876 --> 00:01:59,360 >> HONESTLY, I HAVE TO SAY AS 83 00:01:59,360 --> 00:02:01,121 BADLY AS I KNEW THAT I DID WITH 84 00:02:01,121 --> 00:02:02,260 THIS CHALLENGE, I REALLY DIDN'T 85 00:02:02,260 --> 00:02:02,950 THINK I WAS GONNA BE IN 86 00:02:02,950 --> 00:02:04,124 THE BOTTOM TWO. 87 00:02:04,124 --> 00:02:05,159 >> I REALLY THOUGHT THAT I FELL 88 00:02:05,159 --> 00:02:06,505 KIND OF MIDDLE. 89 00:02:06,505 --> 00:02:07,368 >> JOSLYN'S JUST KIND OF LIKE 90 00:02:07,368 --> 00:02:08,438 COASTING THROUGH THE 91 00:02:08,438 --> 00:02:09,646 COMPETITION. 92 00:02:09,646 --> 00:02:10,716 SHE'S LIKE THE DIDA RITZ OF THIS 93 00:02:10,716 --> 00:02:12,477 SERIES, REALLY. 94 00:02:12,477 --> 00:02:13,995 >> JOSLYN IS NOT AS POLISHED AS 95 00:02:13,995 --> 00:02:14,893 SOME OF THE OTHER QUEENS IN THIS 96 00:02:14,893 --> 00:02:17,275 COMPETITION AT THIS POINT, SO MY 97 00:02:17,275 --> 00:02:18,448 GUESS IS THAT JOSLYN'S NEXT TO 98 00:02:18,448 --> 00:02:20,485 GUESS IS THAT JOSLYN'S NEXT TO GO. 99 00:02:20,485 --> 00:02:22,487 GO. 100 00:02:22,487 --> 00:02:24,489 GO. >> BOBBY PIN. 101 00:02:24,489 --> 00:02:27,561 >> BOBBY PIN. 102 00:02:27,561 --> 00:02:28,596 >> THE WINNER OF RUPAUL'S DRAG 103 00:02:28,596 --> 00:02:29,942 RACERECEIVES A SICKENING 104 00:02:29,942 --> 00:02:31,323 SUPPLY OF COLOREVOLUTION 105 00:02:31,323 --> 00:02:33,187 COSMETICS AND A CASH PRIZE 106 00:02:33,187 --> 00:02:37,087 OF $100,000 WITH EXTRA SPECIAL 107 00:02:37,087 --> 00:02:39,435 GUEST JUDGES, CHAZ BONO, 108 00:02:39,435 --> 00:02:41,575 CHER'S MOM GEORGIA HOLT, 109 00:02:41,575 --> 00:02:43,093 AND STRAIGHT UP FOREVER 110 00:02:43,093 --> 00:02:44,992 YOUR GIRL PAULA ABDUL. 111 00:02:44,992 --> 00:02:46,373 >> ♪ RUPAUL DRAG RACE 112 00:02:46,373 --> 00:02:47,719 ♪ MAY THE BEST WOMAN 113 00:02:47,719 --> 00:02:49,755 ♪ MAY THE BEST WOMAN >> ♪ BEST WOMAN WIN 114 00:02:49,755 --> 00:02:54,277 >> ♪ BEST WOMAN WIN 115 00:02:54,277 --> 00:02:55,002 >> [laughs] 116 00:02:55,002 --> 00:02:55,658 >> OOH. 117 00:02:55,658 --> 00:02:56,348 >> [laughs] 118 00:02:56,348 --> 00:02:57,763 >> IT'S A NEW DAY, AND WE ARE 119 00:02:57,763 --> 00:02:59,558 BACK TO SEVEN GIRLS. 120 00:02:59,558 --> 00:03:00,421 IT'S JUST GONNA KEEP GETTING 121 00:03:00,421 --> 00:03:01,664 HARDER FROM HERE ON OUT. 122 00:03:01,664 --> 00:03:03,183 >> HEY, COME ON, EVERYBODY ELSE. 123 00:03:03,183 --> 00:03:04,425 OH, WAIT, THERE IS NOBODY ELSE. 124 00:03:04,425 --> 00:03:05,115 >> [laughs] 125 00:03:05,115 --> 00:03:06,358 >> AW. 126 00:03:06,358 --> 00:03:07,048 >> all: OOH. 127 00:03:07,048 --> 00:03:09,913 >> OOH, GIRL, YOU GOT SHEMAIL. 128 00:03:09,913 --> 00:03:11,777 THE TOP THREE REASONS TO BECOME 129 00:03:11,777 --> 00:03:13,814 AMERICA'S NEXT DRAG SUPERSTAR. 130 00:03:13,814 --> 00:03:16,092 NUMBER THREE, FREE FOOT SCRUBS 131 00:03:16,092 --> 00:03:17,680 FROM SANTINO. 132 00:03:17,680 --> 00:03:19,302 NUMBER TWO, YOUR [bleep] NOT 133 00:03:19,302 --> 00:03:21,546 ONLY ON FIRE, IT COULD BE SEEN 134 00:03:21,546 --> 00:03:23,237 FROM OUTER SPACE. 135 00:03:23,237 --> 00:03:24,687 AND THE NUMBER ONE REASON, 136 00:03:24,687 --> 00:03:27,276 $100,000, HUNTY. 137 00:03:27,276 --> 00:03:30,624 NOW, HERE'S 138 00:03:30,624 --> 00:03:33,005 RUPAUL. 139 00:03:33,005 --> 00:03:34,075 [both gasp] 140 00:03:34,075 --> 00:03:35,870 >> WE'RE GONNA BOX EACH OTHER. 141 00:03:35,870 --> 00:03:36,699 >> both: WE'RE GONNA WHAT? 142 00:03:36,699 --> 00:03:39,219 >> BOX. 143 00:03:39,219 --> 00:03:41,428 >> HOW DID YOU GET THAT? 144 00:03:41,428 --> 00:03:42,705 >> HELLO, HELLO, HELLO. 145 00:03:42,705 --> 00:03:43,568 >> all: HEY. 146 00:03:43,568 --> 00:03:45,328 >> HELLO, MAMA. 147 00:03:45,328 --> 00:03:46,778 >> MY QUEENS. 148 00:03:46,778 --> 00:03:48,089 NOW, IT'S THAT TIME IN THE 149 00:03:48,089 --> 00:03:50,368 COMPETITION WHEN YOUR CHARISMA, 150 00:03:50,368 --> 00:03:52,784 UNIQUENESS, NERVE, AND TALENT 151 00:03:52,784 --> 00:03:54,786 COULD REALLY USE SOME 152 00:03:54,786 --> 00:03:56,028 FRESH MEAT. 153 00:03:56,028 --> 00:03:56,753 >> [laughs] 154 00:03:56,753 --> 00:03:59,722 >> OH, SCRUFF PIT CREW. 155 00:03:59,722 --> 00:04:00,447 >> all: WOOF, WOOF, 156 00:04:00,447 --> 00:04:02,725 WOOF, WOOF, WOOF. 157 00:04:02,725 --> 00:04:03,967 >> OH, DAMN. 158 00:04:03,967 --> 00:04:06,453 >> all: OH, OH, OH. 159 00:04:06,453 --> 00:04:07,764 >> SOMETIMES IT'S TWO. 160 00:04:07,764 --> 00:04:09,249 SOMETIMES IT'S FOUR, BUT THIS 161 00:04:09,249 --> 00:04:10,180 TIME THERE ARE... 162 00:04:10,180 --> 00:04:11,665 [mouths words] 163 00:04:11,665 --> 00:04:13,701 [mouths words] >> [whistles] 164 00:04:13,701 --> 00:04:15,979 >> [whistles] 165 00:04:15,979 --> 00:04:18,637 >> SAY HELLO TO JOHNNY SCRUFF, 166 00:04:18,637 --> 00:04:20,536 THE FOUNDER OF THE GAY SOCIAL 167 00:04:20,536 --> 00:04:22,123 NETWORK SCRUFF. 168 00:04:22,123 --> 00:04:22,848 >> HELLO, LADIES. 169 00:04:22,848 --> 00:04:23,504 >> all: HI. 170 00:04:23,504 --> 00:04:25,265 >> SO, JOHNNY, THANKS FOR 171 00:04:25,265 --> 00:04:26,576 BRINGING THE GUYS. 172 00:04:26,576 --> 00:04:28,475 ARE THEY ALL ON SCRUFF? 173 00:04:28,475 --> 00:04:29,855 >> WELL, YOU'LL HAVE TO LOG ON 174 00:04:29,855 --> 00:04:31,305 TO FIND OUT, MISS RU. 175 00:04:31,305 --> 00:04:32,720 >> I SURE WILL, THEN. 176 00:04:32,720 --> 00:04:33,825 [laughter] 177 00:04:33,825 --> 00:04:35,413 SO, LADIES, FOR TODAY'S MINI 178 00:04:35,413 --> 00:04:36,862 CHALLENGE, YOU'RE GOING TO 179 00:04:36,862 --> 00:04:40,314 COMPETE IN A GAME OF HUNG MAN. 180 00:04:40,314 --> 00:04:41,971 YOU KNOW, IT'S LIKE HANGMAN BUT 181 00:04:41,971 --> 00:04:45,043 BIGGER AND LONGER AND A LOT 182 00:04:45,043 --> 00:04:45,733 SCRUFFIER. 183 00:04:45,733 --> 00:04:47,632 [laughter] 184 00:04:47,632 --> 00:04:50,600 ALL RIGHT, LADIES, THE CLUE IS 185 00:04:50,600 --> 00:04:53,569 ALL RIGHT, LADIES, THE CLUE IS A HOT WAY TO SERVE FISH. 186 00:04:53,569 --> 00:04:54,811 A HOT WAY TO SERVE FISH. 187 00:04:54,811 --> 00:04:57,711 A. 188 00:04:57,711 --> 00:05:00,058 S. 189 00:05:00,058 --> 00:05:01,093 ANOTHER S. 190 00:05:01,093 --> 00:05:04,096 [laughter] 191 00:05:04,096 --> 00:05:04,890 O. 192 00:05:04,890 --> 00:05:06,271 >> OH. 193 00:05:06,271 --> 00:05:06,892 [buzzer sounds] 194 00:05:06,892 --> 00:05:07,548 >> BIANCA. 195 00:05:07,548 --> 00:05:08,342 >> IS IT CASSEROLE? 196 00:05:08,342 --> 00:05:09,378 >> ANSWER IS... 197 00:05:09,378 --> 00:05:10,171 [bell dings] 198 00:05:10,171 --> 00:05:10,827 >> YEAH. 199 00:05:10,827 --> 00:05:11,483 [cheers and applause] 200 00:05:11,483 --> 00:05:13,347 >> CASSEROLE. 201 00:05:13,347 --> 00:05:16,316 JOHNNY, WHAT IS OUR NEXT CLUE? 202 00:05:16,316 --> 00:05:18,179 JOHNNY, WHAT IS OUR NEXT CLUE? >> CASES OF HISTORY REPEATING. 203 00:05:18,179 --> 00:05:19,319 >> CASES OF HISTORY REPEATING. 204 00:05:19,319 --> 00:05:20,768 >> A. 205 00:05:20,768 --> 00:05:21,804 S. 206 00:05:21,804 --> 00:05:23,046 I WONDER WHERE THIS IS GOING. 207 00:05:23,046 --> 00:05:25,186 [laughter] 208 00:05:25,186 --> 00:05:27,154 S. 209 00:05:27,154 --> 00:05:28,604 B. 210 00:05:28,604 --> 00:05:29,294 [buzzer sounds] 211 00:05:29,294 --> 00:05:30,157 OH, COURTNEY ACT. 212 00:05:30,157 --> 00:05:32,677 >> I THINK IT'S FLASHBACKS, RU. 213 00:05:32,677 --> 00:05:33,333 >> OH. 214 00:05:33,333 --> 00:05:34,506 >> FLASHBACKS. 215 00:05:34,506 --> 00:05:36,577 >> OH, YEAH. OH, YEAH. 216 00:05:36,577 --> 00:05:38,268 >> ALL RIGHT, THE CLUE IS 217 00:05:38,268 --> 00:05:40,754 >> ALL RIGHT, THE CLUE IS WHAT LADY BUNNY HAS. 218 00:05:40,754 --> 00:05:41,271 WHAT LADY BUNNY HAS. 219 00:05:41,271 --> 00:05:42,583 A. 220 00:05:42,583 --> 00:05:43,791 S. 221 00:05:43,791 --> 00:05:44,551 [buzzer sounds] 222 00:05:44,551 --> 00:05:45,724 BIANCA DEL RIO, WHAT'S YOUR 223 00:05:45,724 --> 00:05:46,587 ANSWER? 224 00:05:46,587 --> 00:05:48,071 >> FAT ASS. 225 00:05:48,071 --> 00:05:49,349 >> I'M SORRY, BIANCA. 226 00:05:49,349 --> 00:05:50,108 >> [screams] 227 00:05:50,108 --> 00:05:51,627 >> RIGHT ANSWER IN LIFE. 228 00:05:51,627 --> 00:05:53,145 WRONG ANSWER IN THIS GAME. 229 00:05:53,145 --> 00:05:54,871 [laughter] 230 00:05:54,871 --> 00:05:56,597 SHUT THE FRONT DOOR. 231 00:05:56,597 --> 00:05:57,840 ANOTHER S. 232 00:05:57,840 --> 00:05:59,082 WHAT ARE THE ODDS OF THAT? 233 00:05:59,082 --> 00:06:00,325 THIS GAME IS AMAZING. 234 00:06:00,325 --> 00:06:01,395 [laughter] 235 00:06:01,395 --> 00:06:02,085 [buzzer sounds] 236 00:06:02,085 --> 00:06:03,570 DE LA, WHAT'S YOUR GUESS? 237 00:06:03,570 --> 00:06:04,881 >> NO CLASS? 238 00:06:04,881 --> 00:06:07,263 >> ANSWER IS... 239 00:06:07,263 --> 00:06:08,437 >> YEAH. 240 00:06:08,437 --> 00:06:09,783 >> LADY BUNNY IS LIKE SCHOOL 241 00:06:09,783 --> 00:06:11,543 ON THE WEEKEND, NO CLASS. 242 00:06:11,543 --> 00:06:13,373 [laughter] 243 00:06:13,373 --> 00:06:17,169 [laughter] THE NEXT CLUE IS BIG IN GERMANY. 244 00:06:17,169 --> 00:06:17,860 THE NEXT CLUE IS BIG IN GERMANY. 245 00:06:17,860 --> 00:06:19,171 A. 246 00:06:19,171 --> 00:06:19,965 [buzzer sounds] 247 00:06:19,965 --> 00:06:22,002 >> ADORE HAS BUZZED IN 248 00:06:22,002 --> 00:06:23,279 WITH ONE LETTER. 249 00:06:23,279 --> 00:06:24,867 >> POPULAR IN GERMANY. 250 00:06:24,867 --> 00:06:25,833 DUH. 251 00:06:25,833 --> 00:06:26,972 HASSELHOFF. 252 00:06:26,972 --> 00:06:27,870 >> [gasps] 253 00:06:27,870 --> 00:06:29,389 >> YOU ARE--YEAH. 254 00:06:29,389 --> 00:06:30,355 [cheers and applause] 255 00:06:30,355 --> 00:06:31,045 >> THESE QUEENS ARE GOOD. 256 00:06:31,045 --> 00:06:32,426 >> THESE QUEENS ARE REAL GOOD. 257 00:06:32,426 --> 00:06:33,531 >> REALLY GOOD. 258 00:06:33,531 --> 00:06:34,773 >> HERE'S THE CLUE. 259 00:06:34,773 --> 00:06:36,844 >> HERE'S THE CLUE. SHE GOT A HOT BODY. 260 00:06:36,844 --> 00:06:38,812 SHE GOT A HOT BODY. 261 00:06:38,812 --> 00:06:39,606 [buzzer sounds] 262 00:06:39,606 --> 00:06:41,297 OH, WITH JUST ONE B ON THE 263 00:06:41,297 --> 00:06:43,610 BOARD, WHAT'S YOUR GUESS, DE LA? 264 00:06:43,610 --> 00:06:44,921 >> BUTTERFACE. 265 00:06:44,921 --> 00:06:46,958 >> BUTTERFACE. OOH, LET'S SEE WHAT WE HAVE. 266 00:06:46,958 --> 00:06:47,683 OOH, LET'S SEE WHAT WE HAVE. 267 00:06:47,683 --> 00:06:50,410 [cheers and applause] 268 00:06:50,410 --> 00:06:52,550 YEAH, SHE GOT A HOT BODY BUT HER 269 00:06:52,550 --> 00:06:54,724 FACE-- 270 00:06:54,724 --> 00:06:56,174 ALL RIGHT, BEN DE LA, YOU'RE 271 00:06:56,174 --> 00:06:57,347 THE WINNER. 272 00:06:57,347 --> 00:06:58,866 [cheers and applause] 273 00:06:58,866 --> 00:07:00,903 YOU'VE WON A YEAR SUPPLY OF 274 00:07:00,903 --> 00:07:05,010 EYELASHES FROM EYLURE. 275 00:07:05,010 --> 00:07:06,495 LADIES, AMERICA'S NEXT DRAG 276 00:07:06,495 --> 00:07:08,911 SUPERSTAR NOT ONLY NEEDS TO KNOW 277 00:07:08,911 --> 00:07:11,431 HOW TO SISSY THAT WALK, SHE NEED 278 00:07:11,431 --> 00:07:13,605 TO KNOW HOW TO SISSY THAT TALK. 279 00:07:13,605 --> 00:07:14,537 NOW, FOR THIS WEEK'S MAIN 280 00:07:14,537 --> 00:07:16,539 CHALLENGE, YOU'LL BE HOSTING 281 00:07:16,539 --> 00:07:19,231 YOUR VERY OWN TALK SHOW. 282 00:07:19,231 --> 00:07:21,199 IT'S TIME FOR THE RETURN OF 283 00:07:21,199 --> 00:07:22,580 THE RUPAUL SHOW. 284 00:07:22,580 --> 00:07:23,270 >> YAY. 285 00:07:23,270 --> 00:07:24,271 [cheers and applause] 286 00:07:24,271 --> 00:07:26,480 >> NOW, I BOOKED SOME EXTRA 287 00:07:26,480 --> 00:07:27,861 SPECIAL GUESTS FOR YOU TO 288 00:07:27,861 --> 00:07:29,276 INTERVIEW. 289 00:07:29,276 --> 00:07:30,829 MY PAL CHAZ BONO... 290 00:07:30,829 --> 00:07:32,624 [all gasp] 291 00:07:32,624 --> 00:07:35,765 AND HIS GRANDMOTHER, CHER'S MOM, 292 00:07:35,765 --> 00:07:37,146 SINGER GEORGIA HOLT. 293 00:07:37,146 --> 00:07:38,285 >> OH, MY GOSH. 294 00:07:38,285 --> 00:07:39,389 [applause] 295 00:07:39,389 --> 00:07:41,357 >> I LOVE CHAZ BONO, AND GEORGIA 296 00:07:41,357 --> 00:07:43,566 HOLT--MM, I'M A COUNTRY BOY. 297 00:07:43,566 --> 00:07:45,085 I LOVE MY COUNTRY MUSIC, AND SHE 298 00:07:45,085 --> 00:07:47,708 JUST HAS A VOICE LIKE NO OTHER. 299 00:07:47,708 --> 00:07:50,504 >> I AM GOING TO BE ONE DEGREE 300 00:07:50,504 --> 00:07:55,267 OF SEPARATION AWAY FROM CHER. 301 00:07:55,267 --> 00:07:56,579 >> GENTLEMEN, START YOUR 302 00:07:56,579 --> 00:07:59,375 ENGINES, AND MAY THE BEST WOMAN 303 00:07:59,375 --> 00:08:01,481 ENGINES, AND MAY THE BEST WOMAN WIN. 304 00:08:01,481 --> 00:08:06,624 WIN. 305 00:08:06,624 --> 00:08:07,625 >> I'VE BEEN READ A LOT ON THE 306 00:08:07,625 --> 00:08:09,454 RUNWAY FOR MY LOOKS, SO THE 307 00:08:09,454 --> 00:08:11,042 FIRST THING I'M GONNA DO IS 308 00:08:11,042 --> 00:08:13,078 FIRST THING I'M GONNA DO IS CHOOSE MY LOOK. 309 00:08:13,078 --> 00:08:18,152 CHOOSE MY LOOK. 310 00:08:18,152 --> 00:08:19,084 >> SO I NOTICE THAT EVERYBODY IN 311 00:08:19,084 --> 00:08:19,775 THE ROOM IS WORKING ON 312 00:08:19,775 --> 00:08:20,707 THEIR RESEARCH, 313 00:08:20,707 --> 00:08:22,294 AND JOSLYN RUNS TO HER CLOSET 314 00:08:22,294 --> 00:08:23,986 TO PULL OUT THREE UGLY DRESSES. 315 00:08:23,986 --> 00:08:24,814 REALLY? 316 00:08:24,814 --> 00:08:25,815 I THOUGHT FOR SURE SHE'D HAVE 317 00:08:25,815 --> 00:08:27,230 WORN ONE OF HER NON-BIKINIS. 318 00:08:27,230 --> 00:08:29,474 THIS IS A SPECIAL EVENT. 319 00:08:29,474 --> 00:08:30,544 >> THE JUDGES HAVE BEEN PRETTY 320 00:08:30,544 --> 00:08:31,925 CONSISTENT IN WHAT THEY'VE SAID 321 00:08:31,925 --> 00:08:33,064 TO JOSLYN ABOUT HER RUNWAY 322 00:08:33,064 --> 00:08:35,722 LOOKS, BUT I DON'T THINK SHE'S 323 00:08:35,722 --> 00:08:40,243 GETTING THE NOTE. 324 00:08:40,243 --> 00:08:43,557 >> [bleep], I'M GONNA BE OKAY. 325 00:08:43,557 --> 00:08:45,179 >> COMING UP, WE'LL BE JOINED BY 326 00:08:45,179 --> 00:08:48,113 OUR EXTRA SPECIAL GUEST JUDGE 327 00:08:48,113 --> 00:08:48,873 PAULA ABDUL. 328 00:08:48,873 --> 00:08:50,322 [all gasp] 329 00:08:50,322 --> 00:08:52,497 >> I KNOW THIS PERSON. 330 00:08:52,497 --> 00:08:55,017 >> [bleep] GETTING REAL. 331 00:08:55,017 --> 00:08:56,570 >> [bleep] GETTING REAL. >> [laughs] 332 00:08:56,570 --> 00:08:57,537 >> [laughs] 333 00:08:57,537 --> 00:09:01,920 >> [laughs] 334 00:09:01,920 --> 00:09:03,301 >> OUR MAIN CHALLENGE TODAY IS 335 00:09:03,301 --> 00:09:04,440 TO BE THE GUEST HOST FOR 336 00:09:04,440 --> 00:09:05,821 RUPAUL'S TALK SHOW. 337 00:09:05,821 --> 00:09:07,616 WE HAVE TO INTERVIEW CHAZ BONO 338 00:09:07,616 --> 00:09:09,894 AND GEORGIA HOLT, AND IT IS 339 00:09:09,894 --> 00:09:11,378 A LITTLE BIT INTIMIDATING. 340 00:09:11,378 --> 00:09:12,172 >> CAN YOU IMAGINE HOW MANY 341 00:09:12,172 --> 00:09:13,069 TIMES THEY'VE ANSWERED THESE 342 00:09:13,069 --> 00:09:13,829 SAME QUESTIONS? 343 00:09:13,829 --> 00:09:14,519 >> RIGHT. 344 00:09:14,519 --> 00:09:15,485 >> SO I'M JUST TRYING TO MAKE IT 345 00:09:15,485 --> 00:09:17,936 LIGHT AND AIRY, LIKE A FART. 346 00:09:17,936 --> 00:09:20,283 >> [laughs] 347 00:09:20,283 --> 00:09:21,457 >> HELLO, HELLO, HELLO. 348 00:09:21,457 --> 00:09:22,527 >> all: HI. 349 00:09:22,527 --> 00:09:24,633 >> HOW ARE MY HOSTESS TWINKIES 350 00:09:24,633 --> 00:09:25,323 DOING? 351 00:09:25,323 --> 00:09:26,531 >> RESEARCH. 352 00:09:26,531 --> 00:09:27,912 >> ADORE DELANO, 353 00:09:27,912 --> 00:09:28,844 HOW ARE YOU DOING? 354 00:09:28,844 --> 00:09:30,362 >> OKAY, I'M FREAKING OUT 355 00:09:30,362 --> 00:09:31,467 BECAUSE I WANT IT TO COME 356 00:09:31,467 --> 00:09:32,123 NATURAL. 357 00:09:32,123 --> 00:09:33,331 WHEN I WRITE [bleep] DOWN, 358 00:09:33,331 --> 00:09:34,539 IT GETS LIKE, [gasps] 359 00:09:34,539 --> 00:09:35,229 "OH, GOD, I'M--" 360 00:09:35,229 --> 00:09:35,885 LIKE-- 361 00:09:35,885 --> 00:09:36,645 >> BUT THIS IS THE THING, AND 362 00:09:36,645 --> 00:09:38,370 THIS TIES INTO THE CRITIQUE YOU 363 00:09:38,370 --> 00:09:39,855 GOT LAST WEEK ON THE JUDGE'S 364 00:09:39,855 --> 00:09:41,684 PANEL, WHICH IS THAT IF YOU'RE 365 00:09:41,684 --> 00:09:43,065 PREPARED, YOU'LL BE FINE. 366 00:09:43,065 --> 00:09:44,653 >> RIGHT. 367 00:09:44,653 --> 00:09:46,102 >> ADORE'S REALLY CONFIDENT IN 368 00:09:46,102 --> 00:09:47,552 CERTAIN AREAS, BUT IF IT'S 369 00:09:47,552 --> 00:09:49,312 OUTSIDE OF HER COMFORT ZONE, 370 00:09:49,312 --> 00:09:50,659 SHE KIND OF CRUMBLES. 371 00:09:50,659 --> 00:09:51,763 I DON'T THINK SHE TRUSTS HERSELF 372 00:09:51,763 --> 00:09:52,626 ENOUGH. 373 00:09:52,626 --> 00:09:53,454 >> CAN I HEAR A LITTLE BIT OF 374 00:09:53,454 --> 00:09:54,110 YOUR OPENING? 375 00:09:54,110 --> 00:09:55,629 >> HELLO, EVERYONE, MY NAME IS 376 00:09:55,629 --> 00:09:57,113 ADORE DELANO. 377 00:09:57,113 --> 00:09:58,080 I'LL BE FILLING IN FOR 378 00:09:58,080 --> 00:09:59,771 MISS RUPAUL TONIGHT, SO I'M 379 00:09:59,771 --> 00:10:02,153 GONNA--OH, WHAT? 380 00:10:02,153 --> 00:10:03,672 SO--OKAY, WAIT. 381 00:10:03,672 --> 00:10:04,811 >> I'M A BIT WORRIED. 382 00:10:04,811 --> 00:10:06,847 >> GET BACK TO WORK, ALL RIGHT? 383 00:10:06,847 --> 00:10:09,022 >> THIS IS GONNA BE A HOT MESS. 384 00:10:09,022 --> 00:10:10,402 >> J-J-J-JOSLYN FOX. 385 00:10:10,402 --> 00:10:11,438 >> HEY, RUZIE Q. 386 00:10:11,438 --> 00:10:12,335 >> [laughs] 387 00:10:12,335 --> 00:10:13,405 QUICK QUESTION. 388 00:10:13,405 --> 00:10:14,406 HOW MANY STRAPS ARE YOU GONNA 389 00:10:14,406 --> 00:10:15,684 WEAR FOR THE INTERVIEW? 390 00:10:15,684 --> 00:10:16,374 >> ZERO. 391 00:10:16,374 --> 00:10:19,239 >> [laughs] 392 00:10:19,239 --> 00:10:20,654 BEFORE THIS, DID YOU KNOW 393 00:10:20,654 --> 00:10:22,276 ANYTHING ABOUT CHAZ 394 00:10:22,276 --> 00:10:23,623 OR GEORGIA HOLT? 395 00:10:23,623 --> 00:10:24,451 >> I LOVE CHAZ WITH HIS 396 00:10:24,451 --> 00:10:25,107 TRANSITION. 397 00:10:25,107 --> 00:10:25,763 I THINK HE'S BEEN VERY 398 00:10:25,763 --> 00:10:27,212 FORTHCOMING, AND GEORGIA 399 00:10:27,212 --> 00:10:29,939 I BECAME FAMILIAR WITH AFTER 400 00:10:29,939 --> 00:10:31,251 THE LIFETIME DOCUMENTARY. 401 00:10:31,251 --> 00:10:32,977 YOU KNOW, SHE LOST THE ROLE TO 402 00:10:32,977 --> 00:10:33,702 MARILYN MONROE FOR 403 00:10:33,702 --> 00:10:34,944 THE ASPHALT JUNGLE. 404 00:10:34,944 --> 00:10:36,601 SHE'S SO BEAUTIFUL. 405 00:10:36,601 --> 00:10:37,257 LOVE HER. 406 00:10:37,257 --> 00:10:37,913 >> YES. 407 00:10:37,913 --> 00:10:39,397 SO YOUR BIG OPENING--HAVE YOU 408 00:10:39,397 --> 00:10:40,053 WORKED ON THAT? 409 00:10:40,053 --> 00:10:40,847 >> I HAVE. I HAVE. 410 00:10:40,847 --> 00:10:42,020 PLEASE WELCOME SOMEONE WHO CAME 411 00:10:42,020 --> 00:10:43,781 OUT OF CHER'S VAGINA AND THE 412 00:10:43,781 --> 00:10:48,130 VAGINA CHER CAME OUT OF. 413 00:10:48,130 --> 00:10:49,683 >> I'M JUST A LITTLE WORRIED 414 00:10:49,683 --> 00:10:51,443 ABOUT, YOU KNOW, MAYBE TALKING 415 00:10:51,443 --> 00:10:53,963 ABOUT CHER'S VAGINA COULD 416 00:10:53,963 --> 00:10:56,966 POSSIBLY OFFEND MOTHER AND SON. 417 00:10:56,966 --> 00:10:57,657 >> BUT THAT'S WHERE 418 00:10:57,657 --> 00:10:59,935 THE ENTERTAINMENT LIES. 419 00:10:59,935 --> 00:11:00,694 >> YOU DON'T WANT TO BE THAT 420 00:11:00,694 --> 00:11:02,075 QUEEN THAT PISSED OFF CHER'S 421 00:11:02,075 --> 00:11:03,593 FAMILY. 422 00:11:03,593 --> 00:11:04,491 HELLO? 423 00:11:04,491 --> 00:11:06,217 >> LISTEN, WE'RE DOWN TO JUST 424 00:11:06,217 --> 00:11:08,184 VERY FEW GIRLS, AND, YOU KNOW, 425 00:11:08,184 --> 00:11:10,290 WHEN THE GUMBO GETS THINNED OUT, 426 00:11:10,290 --> 00:11:12,948 IT'S A LITTLE TOUGH. 427 00:11:12,948 --> 00:11:14,604 >> I LIKE GUMBO, SO... 428 00:11:14,604 --> 00:11:17,021 >> [laughs] 429 00:11:17,021 --> 00:11:17,987 YOU'VE GOT YOUR WORK CUT OUT 430 00:11:17,987 --> 00:11:18,747 FOR YOU. 431 00:11:18,747 --> 00:11:19,506 GET BACK TO IT. 432 00:11:19,506 --> 00:11:20,196 >> SOUNDS GOOD. 433 00:11:20,196 --> 00:11:21,094 >> ALL RIGHT. 434 00:11:21,094 --> 00:11:23,441 [laughs] 435 00:11:23,441 --> 00:11:24,787 DE LA. 436 00:11:24,787 --> 00:11:25,477 >> HI, RU. 437 00:11:25,477 --> 00:11:26,789 >> SO THIS IS A BIG CHALLENGE 438 00:11:26,789 --> 00:11:27,479 HERE. 439 00:11:27,479 --> 00:11:28,377 >> IT IS, YEAH. 440 00:11:28,377 --> 00:11:29,689 >> IS THIS CHALLENGE GONNA ALLOW 441 00:11:29,689 --> 00:11:34,072 THE JUDGES TO SEE THE REAL YOU? 442 00:11:34,072 --> 00:11:36,454 >> I-I THINK SO. 443 00:11:36,454 --> 00:11:38,214 I THINK IT'LL BE NICE TO BE ABLE 444 00:11:38,214 --> 00:11:40,769 TO BE BRINGING SOME VERSION OF 445 00:11:40,769 --> 00:11:42,218 THE CHARACTER, BUT THEY CAN HAVE 446 00:11:42,218 --> 00:11:43,150 A GENUINE CONVERSATION AND 447 00:11:43,150 --> 00:11:44,117 REALLY BE LISTENING. 448 00:11:44,117 --> 00:11:46,257 >> RIGHT, AND BECAUSE DE LA IS 449 00:11:46,257 --> 00:11:47,879 A CHARACTER THAT YOU DO, I GET 450 00:11:47,879 --> 00:11:48,949 A SENSE THAT YOU'RE A BIT OF AN 451 00:11:48,949 --> 00:11:49,812 INTROVERT. 452 00:11:49,812 --> 00:11:51,400 >> I TEND TO BE VERY PRIVATE 453 00:11:51,400 --> 00:11:52,297 MYSELF. 454 00:11:52,297 --> 00:11:53,609 >> SO THE QUESTION BECOMES, 455 00:11:53,609 --> 00:11:54,748 WHAT ARE YOU AFRAID OF PEOPLE 456 00:11:54,748 --> 00:11:57,026 SEEING? 457 00:11:57,026 --> 00:12:00,064 >> CERTAINLY, I CAN BE MORE 458 00:12:00,064 --> 00:12:01,859 NEGATIVE, YOU KNOW. 459 00:12:01,859 --> 00:12:03,170 I'VE STRUGGLED WITH DEPRESSION 460 00:12:03,170 --> 00:12:04,689 A LOT IN MY LIFE, NOT FEELING 461 00:12:04,689 --> 00:12:05,932 GOOD ENOUGH, NOT FEELING TOTALLY 462 00:12:05,932 --> 00:12:07,140 CONFIDENT. 463 00:12:07,140 --> 00:12:08,658 THIS CHARACTER IS SOMEBODY WHO 464 00:12:08,658 --> 00:12:10,488 HELPED ME TO BE MORE POSITIVE, 465 00:12:10,488 --> 00:12:13,733 AND I'M HOPING THAT NOW I CAN 466 00:12:13,733 --> 00:12:16,459 HAVE HER LEARN FROM ME HOW TO, 467 00:12:16,459 --> 00:12:17,426 YOU KNOW, HAVE MORE OF THE HEART 468 00:12:17,426 --> 00:12:18,668 THAT I THINK THAT THE JUDGES 469 00:12:18,668 --> 00:12:19,324 ARE DESCRIBING. 470 00:12:19,324 --> 00:12:20,153 >> ABSOLUTELY, I THINK YOU'RE 471 00:12:20,153 --> 00:12:21,706 RIGHT ON THE MONEY THERE. 472 00:12:21,706 --> 00:12:22,742 ALL RIGHT, GET BACK TO WORK. 473 00:12:22,742 --> 00:12:24,985 >> THANK YOU, RU. 474 00:12:24,985 --> 00:12:25,952 >> COURTNEY ACT. 475 00:12:25,952 --> 00:12:26,746 >> HOWDY. HOWDY. 476 00:12:26,746 --> 00:12:27,539 >> HOWDY. HOWDY. 477 00:12:27,539 --> 00:12:28,748 YOU'RE GONNA BE AN INTERVIEW 478 00:12:28,748 --> 00:12:29,472 STAR. 479 00:12:29,472 --> 00:12:30,370 >> I KNOW, ISN'T THAT EXCITING? 480 00:12:30,370 --> 00:12:31,164 >> TALK SHOW. 481 00:12:31,164 --> 00:12:33,235 >> YEAH, I HAD A QUESTION. 482 00:12:33,235 --> 00:12:34,995 I'VE BEEN HAVING SO MUCH FUN IN 483 00:12:34,995 --> 00:12:36,790 THE COMPETITION, AND I ALWAYS 484 00:12:36,790 --> 00:12:37,722 FEEL LIKE, "OH, I'M ON 485 00:12:37,722 --> 00:12:38,412 THE RIGHT TRACK. 486 00:12:38,412 --> 00:12:39,275 I'M DOING A GOOD JOB." 487 00:12:39,275 --> 00:12:39,931 AND THEN WHEN I GET TO 488 00:12:39,931 --> 00:12:41,830 THE JUDGES, I KIND OF GET GOOD 489 00:12:41,830 --> 00:12:43,555 FEEDBACK BUT A BIT KIND OF 490 00:12:43,555 --> 00:12:44,936 LUKEWARM. 491 00:12:44,936 --> 00:12:46,593 AND I WAS JUST WONDERING IF YOU 492 00:12:46,593 --> 00:12:49,561 HAD ANY MAYBE SPECIFIC POINTS 493 00:12:49,561 --> 00:12:50,390 OR THINGS THAT I COULD PAY 494 00:12:50,390 --> 00:12:51,184 ATTENTION TO. 495 00:12:51,184 --> 00:12:52,772 >> YOU'RE VERY POLISHED. 496 00:12:52,772 --> 00:12:53,773 YOU'VE GOT ALL OF THAT, BUT 497 00:12:53,773 --> 00:12:55,844 AMERICA'S NEXT DRAG SUPERSTAR 498 00:12:55,844 --> 00:12:59,019 ALSO HAS SOFT, TENDER PARTS AND 499 00:12:59,019 --> 00:13:01,435 WHO'S ALSO AS HARD AS STEEL. 500 00:13:01,435 --> 00:13:02,091 >> MM. 501 00:13:02,091 --> 00:13:04,576 >> SO FULLY ROUNDED, AND THIS IS 502 00:13:04,576 --> 00:13:06,371 THE PERFECT CHALLENGE TO PUT 503 00:13:06,371 --> 00:13:07,648 THAT TO THE TEST. 504 00:13:07,648 --> 00:13:08,684 >> RU'S ASKING ME TO GIVE 505 00:13:08,684 --> 00:13:10,997 SOMETHING MORE, LIKE HUMANITY 506 00:13:10,997 --> 00:13:14,379 AND VULNERABILITY, SO I NEED TO 507 00:13:14,379 --> 00:13:15,449 WORK OUT HOW I CAN BRING THAT 508 00:13:15,449 --> 00:13:18,625 INTO THE INTERVIEW. 509 00:13:18,625 --> 00:13:20,627 >> TRINITY K. BONET, 510 00:13:20,627 --> 00:13:21,593 OH, MY GOODNESS, THAT 511 00:13:21,593 --> 00:13:22,802 BREAKTHROUGH LAST WEEK. 512 00:13:22,802 --> 00:13:24,769 YOU MUST FEEL ON TOP OF 513 00:13:24,769 --> 00:13:25,425 THE WORLD. 514 00:13:25,425 --> 00:13:26,081 >> I DO. 515 00:13:26,081 --> 00:13:26,771 I DO. 516 00:13:26,771 --> 00:13:28,048 >> WHAT CAN YOU TAKE FROM THAT 517 00:13:28,048 --> 00:13:29,981 BREAKTHROUGH AND APPLY TO THIS 518 00:13:29,981 --> 00:13:30,844 CHALLENGE? 519 00:13:30,844 --> 00:13:33,571 >> I THINK THE ADVANTAGE OF THIS 520 00:13:33,571 --> 00:13:35,193 CHALLENGE IS THAT I GET TO BE 521 00:13:35,193 --> 00:13:37,057 MYSELF AND HAVE MY OWN SENSE OF 522 00:13:37,057 --> 00:13:38,093 PERSONALITY AND PLAY WITH THE 523 00:13:38,093 --> 00:13:39,439 QUESTIONS THE WAY I CHOOSE TO. 524 00:13:39,439 --> 00:13:40,336 >> RIGHT, RIGHT, RIGHT. 525 00:13:40,336 --> 00:13:41,199 >> I'M ACTUALLY REALLY EXCITED 526 00:13:41,199 --> 00:13:42,994 ABOUT THIS. 527 00:13:42,994 --> 00:13:45,065 >> YOU COME VERY CLOSE, BUT YOU 528 00:13:45,065 --> 00:13:46,964 HAVEN'T WON A CHALLENGE YET. 529 00:13:46,964 --> 00:13:48,517 >> NO, AND THAT'S THE GOAL. 530 00:13:48,517 --> 00:13:49,725 RU HAS GIVEN ME QUITE A FEW 531 00:13:49,725 --> 00:13:52,038 CHANCES, SO NOW THAT I FEEL LIKE 532 00:13:52,038 --> 00:13:53,763 I'M IN THE GAME, I REALLY HAVE 533 00:13:53,763 --> 00:13:54,661 TO DO THIS. 534 00:13:54,661 --> 00:13:55,835 >> ALL RIGHT, LADIES, 535 00:13:55,835 --> 00:13:57,284 GATHER ROUND. 536 00:13:57,284 --> 00:13:59,321 NOW, TOMORROW ON THE MAIN STAGE, 537 00:13:59,321 --> 00:14:01,599 WE'LL BE JOINED BY OUR EXTRA 538 00:14:01,599 --> 00:14:03,704 SPECIAL GUEST JUDGE 539 00:14:03,704 --> 00:14:04,878 PAULA ABDUL. 540 00:14:04,878 --> 00:14:06,190 [all gasp] 541 00:14:06,190 --> 00:14:07,812 STRAIGHT UP, Y'ALL. 542 00:14:07,812 --> 00:14:09,538 >> PAULA ABDUL JUDGMENT--I WAS 543 00:14:09,538 --> 00:14:10,850 ON AMERICAN IDOLON SEASON 544 00:14:10,850 --> 00:14:12,575 SEVEN, AND TO KNOW THAT SHE'S 545 00:14:12,575 --> 00:14:14,612 GONNA BE HERE TONIGHT SEEING ME 546 00:14:14,612 --> 00:14:15,855 AS A FULL-FLEDGED BEAUTIFUL 547 00:14:15,855 --> 00:14:17,580 WOMAN OF THE OCEAN, I'M REALLY 548 00:14:17,580 --> 00:14:18,927 EXCITED ABOUT THAT. 549 00:14:18,927 --> 00:14:21,205 LIKE, HI, PAULA, I'M A GIRL NOW. 550 00:14:21,205 --> 00:14:22,689 >> NOW, IN A FEW MOMENTS, 551 00:14:22,689 --> 00:14:24,346 YOU WILL HEAD TO THE STUDIO TO 552 00:14:24,346 --> 00:14:26,210 LAUNCH YOUR TV TALK SHOW 553 00:14:26,210 --> 00:14:27,280 CAREERS. 554 00:14:27,280 --> 00:14:29,592 IT'S GONNA BE A REALLY BIG SHOW, 555 00:14:29,592 --> 00:14:31,629 IT'S GONNA BE A REALLY BIG SHOW, SO DON'T [bleep] IT UP. 556 00:14:31,629 --> 00:14:34,666 SO DON'T [bleep] IT UP. 557 00:14:34,666 --> 00:14:35,771 >> HOW ARE YOU FEELING? 558 00:14:35,771 --> 00:14:36,945 >> I MEAN, YOU KNOW, IT'S A LOT 559 00:14:36,945 --> 00:14:38,360 TO JUGGLE. 560 00:14:38,360 --> 00:14:40,396 TO JUGGLE. HOW ARE YOU FEELING? 561 00:14:40,396 --> 00:14:42,778 HOW ARE YOU FEELING? 562 00:14:42,778 --> 00:14:43,434 >> WHAT'D HE SAY? 563 00:14:43,434 --> 00:14:44,538 >> AND HE SAID THAT I'M VERY 564 00:14:44,538 --> 00:14:45,746 POLISHED, BUT THEY'RE NOT SEEING 565 00:14:45,746 --> 00:14:47,852 POLISHED, BUT THEY'RE NOT SEEING ANY HUMANNESS TO ME. 566 00:14:47,852 --> 00:14:54,203 ANY HUMANNESS TO ME. 567 00:14:54,203 --> 00:14:55,273 >> LIKE, OBVIOUSLY, WE LOVE 568 00:14:55,273 --> 00:14:56,585 PEOPLE WHO ARE, LIKE, GREAT AT 569 00:14:56,585 --> 00:14:58,173 THINGS, BUT WE ALSO LOVE PEOPLE 570 00:14:58,173 --> 00:15:00,175 WHO HAVE WEAKNESSES. 571 00:15:00,175 --> 00:15:01,107 DO YOU KNOW WHAT I'M SAYING? 572 00:15:01,107 --> 00:15:01,935 >> 'CAUSE THAT'S WHAT'S 573 00:15:01,935 --> 00:15:03,488 RELATABLE, BUT YOU'RE AN ALIEN, 574 00:15:03,488 --> 00:15:04,144 SO... 575 00:15:04,144 --> 00:15:05,766 >> [laughs] 576 00:15:05,766 --> 00:15:08,355 >> I KNOW SOMETIMES I CAN BE TOO 577 00:15:08,355 --> 00:15:10,254 POLISHED OR A LITTLE BIT 578 00:15:10,254 --> 00:15:11,531 STEPFORD-Y. 579 00:15:11,531 --> 00:15:12,842 IT'S NOT LIKE I'M NOT WILLING TO 580 00:15:12,842 --> 00:15:15,155 BE VULNERABLE, BUT GENERALLY 581 00:15:15,155 --> 00:15:16,639 SPEAKING, I'M JUST HAPPY 582 00:15:16,639 --> 00:15:17,468 OR HAPPIER. 583 00:15:17,468 --> 00:15:19,366 I CAN'T HELP IT. 584 00:15:19,366 --> 00:15:20,264 THAT'S KIND OF HOW MY BRAIN 585 00:15:20,264 --> 00:15:22,093 WORKS, OR I'VE--THROUGH A LOT OF 586 00:15:22,093 --> 00:15:24,061 MEDITATION, I FIND THAT MY LIFE 587 00:15:24,061 --> 00:15:26,477 IS VERY CAREFREE. 588 00:15:26,477 --> 00:15:27,547 I HAVE, LIKE, A LOT OF PASSION 589 00:15:27,547 --> 00:15:28,824 AND ENJOYMENT. 590 00:15:28,824 --> 00:15:29,929 >> SEE I'M ALREADY ALIENATED 591 00:15:29,929 --> 00:15:31,861 RIGHT NOW TALKING TO YOU. 592 00:15:31,861 --> 00:15:34,278 >> [laughs] 593 00:15:34,278 --> 00:15:35,279 >> COMING UP... 594 00:15:35,279 --> 00:15:36,349 >> HELLO, WELCOME TO 595 00:15:36,349 --> 00:15:38,178 THE RUPAUL SHOW. 596 00:15:38,178 --> 00:15:39,283 >> PLEASE WELCOME SOMEONE WHO 597 00:15:39,283 --> 00:15:41,664 HAS COME OUT TWICE SINCE COMING 598 00:15:41,664 --> 00:15:43,563 OUT OF CHER AND SOMEONE WHO'S 599 00:15:43,563 --> 00:15:46,117 CAME BACK 66 YEARS AFTER CHER 600 00:15:46,117 --> 00:15:50,604 CAME BACK 66 YEARS AFTER CHER CAME OUT OF HER. 601 00:15:50,604 --> 00:15:51,571 CAME OUT OF HER. 602 00:15:51,571 --> 00:15:52,641 CAME OUT OF HER. 603 00:15:52,641 --> 00:15:54,815 >> [laughs] 604 00:15:54,815 --> 00:15:58,198 >> FIVE, FOUR, THREE, TWO... 605 00:15:58,198 --> 00:16:00,131 >> ♪ SO HERE IT COMES 606 00:16:00,131 --> 00:16:02,306 ♪ ROUND AGAIN 607 00:16:02,306 --> 00:16:03,652 ♪ HEART BEAT FAST 608 00:16:03,652 --> 00:16:05,688 ♪ MY HEAD IS SPINNING 609 00:16:05,688 --> 00:16:07,587 >> TODAY'S MAIN CHALLENGE IS TO 610 00:16:07,587 --> 00:16:09,865 GUEST HOST THE RUPAUL SHOW. 611 00:16:09,865 --> 00:16:10,866 >> HELLO, WELCOME TO 612 00:16:10,866 --> 00:16:12,281 THE RUPAUL SHOW. 613 00:16:12,281 --> 00:16:13,973 MY NAME IS ADORE DELANO. 614 00:16:13,973 --> 00:16:15,905 >> I'M THE FOXY JOSLYN FOX. 615 00:16:15,905 --> 00:16:17,114 >> I AM TRINITY K. BONET, 616 00:16:17,114 --> 00:16:18,805 AND I AM FILLING--FILLING IN 617 00:16:18,805 --> 00:16:19,944 FOR RUPAUL TONIGHT. 618 00:16:19,944 --> 00:16:21,670 >> I'M THE FIRST UP TO INTERVIEW 619 00:16:21,670 --> 00:16:23,465 CHAZ BONO AND GEORGIA HOLT. 620 00:16:23,465 --> 00:16:26,364 THIS IS LIVE TV, SO I JUST AM 621 00:16:26,364 --> 00:16:28,815 KIND OF SHAKING IN MY HEELS. 622 00:16:28,815 --> 00:16:30,230 THIS IS SUCH AN HONOR. 623 00:16:30,230 --> 00:16:31,093 LIKE, I'M FREAKING OUT 624 00:16:31,093 --> 00:16:32,232 RIGHT NOW. 625 00:16:32,232 --> 00:16:34,372 JUST SAY--OW, MY RING GOT CAUGHT 626 00:16:34,372 --> 00:16:35,995 INTO MY FISHNET. 627 00:16:35,995 --> 00:16:37,168 [laughs] 628 00:16:37,168 --> 00:16:38,307 LET ME SEE. 629 00:16:38,307 --> 00:16:39,274 HMM. 630 00:16:39,274 --> 00:16:41,552 OH, OKAY. 631 00:16:41,552 --> 00:16:43,485 WELL, LET ME REFER TO MY NOTES. 632 00:16:43,485 --> 00:16:44,865 I'M STILL FRESH. 633 00:16:44,865 --> 00:16:47,696 SORRY. 634 00:16:47,696 --> 00:16:49,422 SO I READ THAT YOU WERE 635 00:16:49,422 --> 00:16:51,286 PERFORMING AT THE AGE OF SEVEN. 636 00:16:51,286 --> 00:16:53,322 WERE YOU, LIKE, THE BIG, LIKE, 637 00:16:53,322 --> 00:16:54,427 CHILDHOOD STAR OF YOUR, 638 00:16:54,427 --> 00:16:55,393 LIKE, COMMUNITY? 639 00:16:55,393 --> 00:16:56,601 >> NO, HONEY, WE WERE BROKE, AND 640 00:16:56,601 --> 00:16:57,602 IT WAS DURING THE DEPRESSION. 641 00:16:57,602 --> 00:16:58,534 >> I LOVE IT. 642 00:16:58,534 --> 00:16:59,294 PARTY. 643 00:16:59,294 --> 00:17:01,020 MY MOM ALWAYS PUSHES ME, AND SO, 644 00:17:01,020 --> 00:17:01,917 LIKE, I WAS WONDERING, WELL, DID 645 00:17:01,917 --> 00:17:02,849 YOU HAVE, LIKE, A STAGE DADDY? 646 00:17:02,849 --> 00:17:03,574 'CAUSE I CALL MY MOM STAGE 647 00:17:03,574 --> 00:17:04,368 MOMMA. 648 00:17:04,368 --> 00:17:05,162 >> I DON'T KNOW HOW TO EXPLAIN 649 00:17:05,162 --> 00:17:05,817 IT TO YOU. 650 00:17:05,817 --> 00:17:06,473 WE HAD NO MONEY. 651 00:17:06,473 --> 00:17:07,129 >> OH. 652 00:17:07,129 --> 00:17:07,819 >> AND THERE WAS NO FOOD. 653 00:17:07,819 --> 00:17:08,475 >> MM-HMM. 654 00:17:08,475 --> 00:17:09,235 >> SO I WOULD GO AND SING, AND 655 00:17:09,235 --> 00:17:10,753 PEOPLE WOULD GIVE ME NICKELS 656 00:17:10,753 --> 00:17:11,444 AND DIMES AND-- 657 00:17:11,444 --> 00:17:14,033 >> RIGHT. 658 00:17:14,033 --> 00:17:15,482 I'M HAVING A REALLY HARD TIME 659 00:17:15,482 --> 00:17:16,897 WITH THIS TALK SHOW [bleep]. 660 00:17:16,897 --> 00:17:17,829 I DIDN'T KNOW SO MUCH GOES 661 00:17:17,829 --> 00:17:18,485 INTO IT. 662 00:17:18,485 --> 00:17:19,245 I THOUGHT YOU JUST MEET YOUR 663 00:17:19,245 --> 00:17:20,108 GUEST. 664 00:17:20,108 --> 00:17:21,350 YOU HAVE A PARTY. 665 00:17:21,350 --> 00:17:23,145 YOU HAVE A CUTE LITTLE MUG. 666 00:17:23,145 --> 00:17:24,215 I'M LIKE, "[bleep] GETTING 667 00:17:24,215 --> 00:17:25,216 REAL." 668 00:17:25,216 --> 00:17:26,528 OH, THAT'S AMAZING, THOUGH. 669 00:17:26,528 --> 00:17:27,598 >> IT WAS DURING THE DEPRESSION. 670 00:17:27,598 --> 00:17:28,254 >> OKAY. 671 00:17:28,254 --> 00:17:28,944 >> YEP, YEAH. 672 00:17:28,944 --> 00:17:29,979 >> THAT'S AMAZING. 673 00:17:29,979 --> 00:17:32,637 THAT'S SO COOL. 674 00:17:32,637 --> 00:17:34,053 >> IN YOUR ORIGINAL BOOK, 675 00:17:34,053 --> 00:17:35,537 FAMILY OUTING,YOU DISCUSSED 676 00:17:35,537 --> 00:17:37,573 HOW AT 13, THAT YOU FELT 677 00:17:37,573 --> 00:17:38,195 DIFFERENT. 678 00:17:38,195 --> 00:17:38,885 >> RIGHT. 679 00:17:38,885 --> 00:17:39,748 >> COULD YOU ELABORATE ON THAT? 680 00:17:39,748 --> 00:17:40,404 >> SURE. 681 00:17:40,404 --> 00:17:42,268 AS MY HORMONES STARTED TO GO, 682 00:17:42,268 --> 00:17:43,407 I HAD AN ATTRACTION TOWARDS 683 00:17:43,407 --> 00:17:45,305 WOMEN, AND SO I NATURALLY JUST 684 00:17:45,305 --> 00:17:47,445 MADE THE ASSUMPTION THAT I MUST 685 00:17:47,445 --> 00:17:48,860 BE GAY, AND THAT MUST BE 686 00:17:48,860 --> 00:17:49,827 WHAT ALL THESE FEELINGS ARE. 687 00:17:49,827 --> 00:17:51,311 >> NOW, OF COURSE, IN 1995, 688 00:17:51,311 --> 00:17:52,105 YOU CAME OUT PUBLICLY. 689 00:17:52,105 --> 00:17:53,313 WHAT WAS YOUR FATHER'S THOUGHT? 690 00:17:53,313 --> 00:17:54,659 >> HE WAS COMFORTABLE, BUT, 691 00:17:54,659 --> 00:17:55,833 YOU KNOW, THE FIRST PERSON IN 692 00:17:55,833 --> 00:17:58,042 THE FAMILY THAT I TALKED TO WAS 693 00:17:58,042 --> 00:17:58,870 MY GRANDMA. 694 00:17:58,870 --> 00:18:00,976 MY GRANDMA. >> REALLY? 695 00:18:00,976 --> 00:18:02,184 >> REALLY? 696 00:18:02,184 --> 00:18:04,566 >> AND, OF COURSE, SHE WAS 697 00:18:04,566 --> 00:18:07,224 AMAZING. 698 00:18:07,224 --> 00:18:08,259 >> AND THEN THE MAGICAL 699 00:18:08,259 --> 00:18:09,398 EXPERIENCE DANCING WITH 700 00:18:09,398 --> 00:18:11,814 THE STARS,HOW WAS THAT? 701 00:18:11,814 --> 00:18:13,437 >> BIANCA TALKED TO ME A LOT AND 702 00:18:13,437 --> 00:18:15,094 KIND OF IGNORED MY GRANDMOTHER 703 00:18:15,094 --> 00:18:16,888 A LITTLE BIT, SO I WAS THROWING 704 00:18:16,888 --> 00:18:19,167 HER THESE KIND OF BALLS OF, 705 00:18:19,167 --> 00:18:20,409 LIKE, "HERE, LET'S INCLUDE HER 706 00:18:20,409 --> 00:18:21,272 IN THIS." 707 00:18:21,272 --> 00:18:22,515 >> WAS IT LIBERATING TO BE 708 00:18:22,515 --> 00:18:23,378 IN THAT MOMENT? 709 00:18:23,378 --> 00:18:24,275 YOU KNOW, LEARNING THE DANCES 710 00:18:24,275 --> 00:18:25,104 AND DEALING WITH ALL OF IT IS 711 00:18:25,104 --> 00:18:26,726 PRETTY GREAT. 712 00:18:26,726 --> 00:18:27,658 OH, GREAT, SO THE STAGE 713 00:18:27,658 --> 00:18:28,935 MANAGER'S TELLING ME I'VE GOT TO 714 00:18:28,935 --> 00:18:30,281 WRAP IT UP, AND I HAVEN'T ASKED 715 00:18:30,281 --> 00:18:31,489 MISS GEORGIA ANYTHING. 716 00:18:31,489 --> 00:18:32,145 THANK YOU, GUYS, 717 00:18:32,145 --> 00:18:34,043 SO, SO VERY MUCH. 718 00:18:34,043 --> 00:18:34,699 [bleep]. 719 00:18:34,699 --> 00:18:36,874 >> [laughs] 720 00:18:36,874 --> 00:18:37,633 >> OH, MY GOD. 721 00:18:37,633 --> 00:18:39,083 I'M SO EXCITED, YOU KNOW. 722 00:18:39,083 --> 00:18:39,808 NOT NERVOUS EXCITED, 723 00:18:39,808 --> 00:18:40,774 BUT REALLY EXCITED. 724 00:18:40,774 --> 00:18:41,637 AND I HAVE A TON OF QUESTIONS 725 00:18:41,637 --> 00:18:42,776 FOR YOU GUYS. 726 00:18:42,776 --> 00:18:45,020 >> WELL, CHAD. 727 00:18:45,020 --> 00:18:46,297 CHAD, I KNOW THAT YOU DO A LOT 728 00:18:46,297 --> 00:18:49,128 IN THE LGBT COMMUNITY. 729 00:18:49,128 --> 00:18:50,750 >> TRINITY KEPT CALLING ME CHAD, 730 00:18:50,750 --> 00:18:53,028 AND GOLDEN RULE: 731 00:18:53,028 --> 00:18:54,133 YOU GOT TO KNOW THE NAME OF THE 732 00:18:54,133 --> 00:18:55,789 PERSON THAT YOU'RE INTERVIEWING. 733 00:18:55,789 --> 00:18:56,756 >> OKAY, SO CHAD, ARE YOU 734 00:18:56,756 --> 00:18:59,655 A BOXER OR BRIEF TYPE OF GUY? 735 00:18:59,655 --> 00:19:01,001 >> THAT, TO ME, WAS A PROBLEM. 736 00:19:01,001 --> 00:19:02,071 >> [laughs] 737 00:19:02,071 --> 00:19:03,970 >> CHAD, IF YOU HAD THE 738 00:19:03,970 --> 00:19:05,937 OPPORTUNITY TO GO OUT ON A-- 739 00:19:05,937 --> 00:19:08,423 ON A DATE WITH MEGAN FOX, 740 00:19:08,423 --> 00:19:11,322 ANGELINA JOLIE, OR-- 741 00:19:11,322 --> 00:19:16,016 I NEED ONE MORE PERSON. 742 00:19:16,016 --> 00:19:17,570 IT WAS KIND OF UNCOMFORTABLE. 743 00:19:17,570 --> 00:19:19,158 I DON'T KNOW IF IT WAS ME 744 00:19:19,158 --> 00:19:20,297 OR IF IT WAS THEM. 745 00:19:20,297 --> 00:19:21,850 THIS INTERVIEW IS WEIRD. 746 00:19:21,850 --> 00:19:23,334 [laughs] 747 00:19:23,334 --> 00:19:25,750 WELL, THANK YOU CHAD BONO 748 00:19:25,750 --> 00:19:27,511 AND GEORGIA HOLT. 749 00:19:27,511 --> 00:19:28,546 >> GEORGIA, OBVIOUSLY, YOU'VE 750 00:19:28,546 --> 00:19:30,514 JUST RELEASED YOUR FIRST 751 00:19:30,514 --> 00:19:31,480 EVER ALBUM. 752 00:19:31,480 --> 00:19:32,619 YOU RECORDED THE ALBUM 30 YEARS 753 00:19:32,619 --> 00:19:34,897 AGO, AND THEN 30 YEARS LATER, 754 00:19:34,897 --> 00:19:36,278 YOU FIND THESE TAPES. 755 00:19:36,278 --> 00:19:37,383 HOW DID THAT HAPPEN? 756 00:19:37,383 --> 00:19:39,143 >> CHER ASKED ME, "MOM, WHAT'D 757 00:19:39,143 --> 00:19:40,179 YOU DO WITH THOSE TAPES?" 758 00:19:40,179 --> 00:19:40,903 AND I SAID, "HONEY, I THINK 759 00:19:40,903 --> 00:19:41,766 THEY'RE IN THE GARAGE." 760 00:19:41,766 --> 00:19:42,422 >> THIS MUST BE A PRETTY 761 00:19:42,422 --> 00:19:43,458 WELL-ORGANIZED GARAGE. 762 00:19:43,458 --> 00:19:44,148 LIKE, 30-- 763 00:19:44,148 --> 00:19:44,976 >> [laughs] 764 00:19:44,976 --> 00:19:46,254 >> I MEAN, I'VE GOT THINGS FROM, 765 00:19:46,254 --> 00:19:47,324 YOU KNOW, TWO YEARS AGO I DON'T 766 00:19:47,324 --> 00:19:47,979 KNOW WHERE THEY ARE. 767 00:19:47,979 --> 00:19:49,360 >> I SAVE EVERYTHING. 768 00:19:49,360 --> 00:19:50,085 >> IT'S NOT AN EPISODE OF 769 00:19:50,085 --> 00:19:51,190 HOARDERSWAITING TO HAPPEN, 770 00:19:51,190 --> 00:19:51,845 I GUESS, OR IS IT? 771 00:19:51,845 --> 00:19:52,501 >> NO. 772 00:19:52,501 --> 00:19:54,607 >> NO. 773 00:19:54,607 --> 00:19:55,918 I KNOW THAT YOU'VE JUST DONE 774 00:19:55,918 --> 00:19:58,266 THE DOCUMENTARY BECOMING CHAZ. 775 00:19:58,266 --> 00:19:58,990 >> MM-HMM. 776 00:19:58,990 --> 00:20:00,682 >> AND WHAT WAS THE DECISION 777 00:20:00,682 --> 00:20:01,407 THAT MADE YOU WANT TO GO 778 00:20:01,407 --> 00:20:02,753 SO PUBLIC WITH SUCH A PERSONAL 779 00:20:02,753 --> 00:20:03,581 THING? 780 00:20:03,581 --> 00:20:04,824 >> YOU KNOW, THERE WAS A NUMBER 781 00:20:04,824 --> 00:20:06,343 OF YEARS WHERE I KNEW I WAS 782 00:20:06,343 --> 00:20:07,861 TRANSGENDER BUT WAS AFRAID TO DO 783 00:20:07,861 --> 00:20:09,000 ANYTHING ABOUT IT. 784 00:20:09,000 --> 00:20:10,381 AND SO IT WAS IMPORTANT FOR ME 785 00:20:10,381 --> 00:20:11,969 TO KIND OF GIVE THAT BACK. 786 00:20:11,969 --> 00:20:13,695 I FIGURED THERE'S OTHER PEOPLE 787 00:20:13,695 --> 00:20:14,868 OUT THERE LIKE ME WHO ARE-- 788 00:20:14,868 --> 00:20:15,973 WHO ARE STUCK. 789 00:20:15,973 --> 00:20:18,217 >> THAT'S SO COOL. 790 00:20:18,217 --> 00:20:19,148 >> COURTNEY CAME ACROSS VERY 791 00:20:19,148 --> 00:20:21,358 PROFESSIONAL AND VERY LIKEABLE. 792 00:20:21,358 --> 00:20:22,497 I THOUGHT SHE HAD A LOT OF 793 00:20:22,497 --> 00:20:23,498 CHARM, DIDN'T YOU THINK, CHAZ? 794 00:20:23,498 --> 00:20:26,017 >> I DID, ABSOLUTELY. 795 00:20:26,017 --> 00:20:26,742 >> [laughs] 796 00:20:26,742 --> 00:20:27,985 >> NO. 797 00:20:27,985 --> 00:20:29,262 I LOVE AUSTRALIAN WOMEN. 798 00:20:29,262 --> 00:20:30,608 A HUGE THING FOR AUSTRALIAN 799 00:20:30,608 --> 00:20:32,369 WOMEN. 800 00:20:32,369 --> 00:20:33,922 >> SO CHAZ, ARE THERE ANY KIND 801 00:20:33,922 --> 00:20:35,544 OF TRAITS THAT YOU WOULD SAY 802 00:20:35,544 --> 00:20:36,925 THAT YOU REALLY KIND OF PULLED 803 00:20:36,925 --> 00:20:38,237 FROM YOUR MOTHER CHER? 804 00:20:38,237 --> 00:20:40,031 >> NO. 805 00:20:40,031 --> 00:20:40,687 >> NO. 806 00:20:40,687 --> 00:20:42,068 [chuckles] 807 00:20:42,068 --> 00:20:43,034 RIGHT. 808 00:20:43,034 --> 00:20:44,967 NOW, BESIDES THE DROP IN THE IQ 809 00:20:44,967 --> 00:20:46,175 AND REMEMBERING TO PUT THE SEAT 810 00:20:46,175 --> 00:20:47,867 DOWN, HAS THEIR BEEN, LIKE, HARD 811 00:20:47,867 --> 00:20:49,075 THINGS THAT YOU'VE HAD TO, LIKE, 812 00:20:49,075 --> 00:20:50,870 ADJUST TO NOW BEING A MAN? 813 00:20:50,870 --> 00:20:53,528 >> NO, NOT REALLY. 814 00:20:53,528 --> 00:20:54,874 >> [laughs] 815 00:20:54,874 --> 00:20:56,841 >> GEORGIA, ARE THERE ANYTHING 816 00:20:56,841 --> 00:20:58,947 ABOUT, LIKE, THE MUSIC TODAY-- 817 00:20:58,947 --> 00:21:01,190 DO YOU--DO YOU CONSIDER, LIKE, 818 00:21:01,190 --> 00:21:02,778 MAYBE DOING A TOUR OF YOUR 819 00:21:02,778 --> 00:21:03,434 ALBUM? 820 00:21:03,434 --> 00:21:04,435 >> [laughs] 821 00:21:04,435 --> 00:21:05,609 NOT AT 87. 822 00:21:05,609 --> 00:21:06,265 >> NO? 823 00:21:06,265 --> 00:21:07,058 >> NO. 824 00:21:07,058 --> 00:21:09,233 >> RIGHT, AND I HAVE ONE MORE 825 00:21:09,233 --> 00:21:12,581 QUESTION FOR YOU, MY DEAR. 826 00:21:12,581 --> 00:21:13,341 ARE YOU 827 00:21:13,341 --> 00:21:16,275 ♪ PURE CHEROKEE 828 00:21:16,275 --> 00:21:17,034 >> [laughs] 829 00:21:17,034 --> 00:21:18,069 I DON'T KNOW, SHE JUST WAS FUN 830 00:21:18,069 --> 00:21:18,725 TO ME. 831 00:21:18,725 --> 00:21:20,555 >> BUT SHE SEEMED TO BE GETTING 832 00:21:20,555 --> 00:21:21,659 THROWN. 833 00:21:21,659 --> 00:21:23,005 JEWELRY SEEMED TO BE FALLING OFF 834 00:21:23,005 --> 00:21:25,214 OF HER, AND SHE SEEMED A LITTLE 835 00:21:25,214 --> 00:21:28,977 PHYSICALLY UNCOMFORTABLE. 836 00:21:28,977 --> 00:21:30,392 >> WELL, GEORGIA, WHAT IS IT 837 00:21:30,392 --> 00:21:32,256 LIKE TO HAVE AN ALBUM THAT YOU 838 00:21:32,256 --> 00:21:34,293 RECORDED 31 YEARS AGO HITTING 839 00:21:34,293 --> 00:21:35,294 THE CHARTS RIGHT NOW? 840 00:21:35,294 --> 00:21:36,709 >> IT FEELS FANTASTIC. 841 00:21:36,709 --> 00:21:38,055 I STARTED IN SINGING WHEN I WAS 842 00:21:38,055 --> 00:21:39,298 SIX DURING THE DEPRESSION. 843 00:21:39,298 --> 00:21:40,402 >> MY GOODNESS. 844 00:21:40,402 --> 00:21:41,921 >> YOU ARE WAY TOO YOUNG TO KNOW 845 00:21:41,921 --> 00:21:43,025 ANYTHING ABOUT THE DEPRESSION. 846 00:21:43,025 --> 00:21:43,923 >> WELL, I'VE EXPERIENCED OTHER 847 00:21:43,923 --> 00:21:45,027 KINDS OF DEPRESSION, BUT-- 848 00:21:45,027 --> 00:21:46,097 [laughter] 849 00:21:46,097 --> 00:21:46,960 >> VERY FUNNY. 850 00:21:46,960 --> 00:21:48,065 >> AND, NOW, CHAZ, YOU ALSO HAVE 851 00:21:48,065 --> 00:21:48,962 A RECENT PROJECT, 852 00:21:48,962 --> 00:21:50,723 INDEPENDENCE DAY. 853 00:21:50,723 --> 00:21:51,862 >> YEAH, WE ACTUALLY CLOSE 854 00:21:51,862 --> 00:21:52,794 TONIGHT. 855 00:21:52,794 --> 00:21:53,588 >> HAVE YOU GOTTEN A CHANCE TO 856 00:21:53,588 --> 00:21:54,692 SEE CHAZ'S MUSICAL AT ALL? 857 00:21:54,692 --> 00:21:55,521 >> I HAVEN'T. 858 00:21:55,521 --> 00:21:56,487 >> IT'S CLOSING NIGHT. 859 00:21:56,487 --> 00:21:57,350 >> I KNOW IT. 860 00:21:57,350 --> 00:21:58,006 I KNOW IT. 861 00:21:58,006 --> 00:21:58,800 >> COULD YOU MAYBE HUM US A FEW 862 00:21:58,800 --> 00:21:59,456 BARS? 863 00:21:59,456 --> 00:22:00,215 >> [laughs] 864 00:22:00,215 --> 00:22:01,009 >> MAYBE GEORGIA WILL JUST-- 865 00:22:01,009 --> 00:22:01,665 MAYBE SHE COULD GET A 866 00:22:01,665 --> 00:22:02,321 SNEAK PEEK RIGHT NOW? 867 00:22:02,321 --> 00:22:03,322 >> VERY FUNNY. 868 00:22:03,322 --> 00:22:04,323 >> I ACTUALLY REALLY LIKE 869 00:22:04,323 --> 00:22:05,047 BEN DE LA CREME. 870 00:22:05,047 --> 00:22:06,083 I THOUGHT SHE ASKED SMART 871 00:22:06,083 --> 00:22:07,498 AND INTERESTING QUESTIONS. 872 00:22:07,498 --> 00:22:08,292 >> THANK YOU BOTH SO MUCH. 873 00:22:08,292 --> 00:22:08,948 >> YOU WERE GOOD. 874 00:22:08,948 --> 00:22:09,604 >> GOOD. WELL-DONE. 875 00:22:09,604 --> 00:22:11,364 >> WELL-DONE. 876 00:22:11,364 --> 00:22:12,365 >> PLEASE WELCOME SOMEONE WHO 877 00:22:12,365 --> 00:22:14,747 HAS COME OUT TWICE SINCE COMING 878 00:22:14,747 --> 00:22:16,507 OUT OF CHER AND SOMEONE WHO'S 879 00:22:16,507 --> 00:22:19,096 CAME BACK 66 YEARS AFTER CHER 880 00:22:19,096 --> 00:22:21,823 CAME OUT OF HER. 881 00:22:21,823 --> 00:22:23,100 I'M SO LOOKING FORWARD TO 882 00:22:23,100 --> 00:22:23,894 GETTING TO KNOW YOU BETTER, 883 00:22:23,894 --> 00:22:24,550 GEORGIA. 884 00:22:24,550 --> 00:22:25,551 I'M A BIG FAN OF YOURS. 885 00:22:25,551 --> 00:22:26,241 >> REALLY? 886 00:22:26,241 --> 00:22:27,207 >> I LOVE YOUR CD. 887 00:22:27,207 --> 00:22:28,277 I'M JUST YOUR YESTERDAY,WILL 888 00:22:28,277 --> 00:22:29,762 THAT END UP ON CHER'S NEW ALBUM? 889 00:22:29,762 --> 00:22:30,487 >> I DON'T KNOW. 890 00:22:30,487 --> 00:22:31,971 SHE DOESN'T REMEMBER RECORDING 891 00:22:31,971 --> 00:22:32,696 HER PART. 892 00:22:32,696 --> 00:22:33,352 >> OKAY. 893 00:22:33,352 --> 00:22:34,042 >> AND I DON'T REMEMBER 894 00:22:34,042 --> 00:22:34,836 RECORDING MY PART. 895 00:22:34,836 --> 00:22:35,699 >> OKAY, WELL, I DON'T REMEMBER 896 00:22:35,699 --> 00:22:36,631 WHAT I HAD FOR BREAKFAST TODAY. 897 00:22:36,631 --> 00:22:37,321 [laughter] 898 00:22:37,321 --> 00:22:39,427 WE'RE EVEN. 899 00:22:39,427 --> 00:22:40,566 NOW, IF IT WEREN'T FOR 900 00:22:40,566 --> 00:22:41,636 A LAST-MINUTE DECISION AT 901 00:22:41,636 --> 00:22:43,085 THE ABORTION CLINIC, THE WORLD 902 00:22:43,085 --> 00:22:46,399 WOULDN'T HAVE KNOWN CHER. 903 00:22:46,399 --> 00:22:47,366 ARE YOU PRO-LIFE? 904 00:22:47,366 --> 00:22:48,401 HAS YOUR STANCE CHANGED AT ALL 905 00:22:48,401 --> 00:22:51,784 THROUGHOUT YOUR LIFETIME? 906 00:22:51,784 --> 00:22:53,820 >> I THINK--I ACTUALLY-- 907 00:22:53,820 --> 00:22:54,683 I DON'T--I REALLY DON'T KNOW 908 00:22:54,683 --> 00:22:55,581 HOW I FEEL. 909 00:22:55,581 --> 00:22:56,927 IT WAS A LITTLE BIT EMBARRASSING 910 00:22:56,927 --> 00:22:58,411 TO ME, AND I'M TRYING TO THINK 911 00:22:58,411 --> 00:23:00,827 OF HOW TO, YOU KNOW, RECOVER. 912 00:23:00,827 --> 00:23:01,690 >> YEAH, IT WAS PUTTING HER ON 913 00:23:01,690 --> 00:23:03,485 THE SPOT IN A WAY THAT YOU 914 00:23:03,485 --> 00:23:04,555 DON'T--YOU KNOW, WHY WOULD YOU 915 00:23:04,555 --> 00:23:06,833 EVER ASK THAT? 916 00:23:06,833 --> 00:23:09,008 >> [laughs] 917 00:23:09,008 --> 00:23:10,389 I FEEL SOME REALLY GOOD RAPPORT 918 00:23:10,389 --> 00:23:12,563 BETWEEN ME, CHAZ, AND GEORGIA. 919 00:23:12,563 --> 00:23:13,426 IT ALMOST FEELS LIKE I'VE KNOWN 920 00:23:13,426 --> 00:23:14,979 THEM ALL MY LIFE, AND THEY HAVE 921 00:23:14,979 --> 00:23:16,256 NO PROBLEM OPENING UP TO ME. 922 00:23:16,256 --> 00:23:17,706 THANK YOU BOTH VERY MUCH. 923 00:23:17,706 --> 00:23:19,087 I'VE GOT THIS ONE IN THE BAG. 924 00:23:19,087 --> 00:23:20,191 [giggles] 925 00:23:20,191 --> 00:23:21,400 THAT'S ALL THE TIME WE HAVE, 926 00:23:21,400 --> 00:23:22,642 AND I'M ALL OUT OF DUCT TAPE. 927 00:23:22,642 --> 00:23:25,611 KEEP IT FOXY. 928 00:23:25,611 --> 00:23:26,405 >> COMING UP... 929 00:23:26,405 --> 00:23:27,371 WHAT ANIMAL ARE YOU? 930 00:23:27,371 --> 00:23:28,234 >> LIKE, A MORTAL KOMBAT 931 00:23:28,234 --> 00:23:30,029 CHARACTER. 932 00:23:30,029 --> 00:23:30,926 >> YOU CAME IN MIDDLE OF THE 933 00:23:30,926 --> 00:23:32,445 PACK TO ME. 934 00:23:32,445 --> 00:23:34,482 PACK TO ME. >> [laughs] 935 00:23:34,482 --> 00:23:45,872 >> [laughs] 936 00:23:45,872 --> 00:23:48,910 >> [laughs] >> [laughs] 937 00:23:48,910 --> 00:23:51,982 >> [laughs] 938 00:23:51,982 --> 00:23:53,293 >> ♪ COVER GIRL 939 00:23:53,293 --> 00:23:55,675 ♪ PUT THE BASS IN YOUR WALK 940 00:23:55,675 --> 00:23:57,159 ♪ HEAD TO TOE 941 00:23:57,159 --> 00:24:00,542 ♪ LET YOUR WHOLE BODY TALK 942 00:24:00,542 --> 00:24:03,131 ♪ AND WHAT? 943 00:24:03,131 --> 00:24:04,926 >> WELCOME TO THE MAIN STAGE OF 944 00:24:04,926 --> 00:24:06,617 RUPAUL'S DRAG RACE. 945 00:24:06,617 --> 00:24:09,827 MICHELLE VISAGE, CAN WE TALK? 946 00:24:09,827 --> 00:24:11,035 >> WE CAN ALWAYS TALK. 947 00:24:11,035 --> 00:24:13,106 >> SANTINO RICE, LET'S HAVE 948 00:24:13,106 --> 00:24:13,866 A KIKI. 949 00:24:13,866 --> 00:24:15,039 >> [laughs] 950 00:24:15,039 --> 00:24:17,421 >> AND CHAZ BONO AND GEORGIA 951 00:24:17,421 --> 00:24:19,458 HOLT, I HOPE MY QUEENS GAVE YOU 952 00:24:19,458 --> 00:24:20,424 THE STAR TREATMENT. 953 00:24:20,424 --> 00:24:21,114 >> THEY DID. 954 00:24:21,114 --> 00:24:21,874 THANK YOU. 955 00:24:21,874 --> 00:24:22,702 >> I FEEL LIKE A HONKY TONK 956 00:24:22,702 --> 00:24:23,392 WOMAN. 957 00:24:23,392 --> 00:24:24,290 [laughter] 958 00:24:24,290 --> 00:24:25,256 THAT'S THE NAME OF YOUR ALBUM, 959 00:24:25,256 --> 00:24:25,981 ISN'T IT, GEORGIA? 960 00:24:25,981 --> 00:24:26,913 >> YES, IT IS. 961 00:24:26,913 --> 00:24:27,811 >> I LOVE LOVE ME TENDER. 962 00:24:27,811 --> 00:24:28,881 IT'S FANTASTIC. 963 00:24:28,881 --> 00:24:29,537 >> THANK YOU. 964 00:24:29,537 --> 00:24:32,850 >> AND A POP ICON WHO IS FOREVER 965 00:24:32,850 --> 00:24:35,094 MY GIRL, THE ONE AND ONLY 966 00:24:35,094 --> 00:24:36,716 PAULA ABDUL. 967 00:24:36,716 --> 00:24:37,717 HI, BABY. 968 00:24:37,717 --> 00:24:38,960 >> I'M SO HAPPY TO BE HERE. 969 00:24:38,960 --> 00:24:40,202 >> NOW, DID YOU KNOW THAT YOU 970 00:24:40,202 --> 00:24:42,411 ARE THE MOST LIP-SYNCHED ARTIST 971 00:24:42,411 --> 00:24:43,896 IN THE HER-STORY OF DRAG RACE? 972 00:24:43,896 --> 00:24:45,518 >> THAT'S FANTASTIC NEWS. 973 00:24:45,518 --> 00:24:46,968 I FEEL HONORED. 974 00:24:46,968 --> 00:24:48,245 >> THIS WEEK WE CHALLENGED OUR 975 00:24:48,245 --> 00:24:50,937 QUEENS TO BECOME TALK SHOW 976 00:24:50,937 --> 00:24:52,870 HOSTESSES WITH THE MOST-ESSES, 977 00:24:52,870 --> 00:24:55,355 AND TONIGHT THEY'RE GOING WILD 978 00:24:55,355 --> 00:24:57,668 ON THE RUNWAY IN THEIR OWN 979 00:24:57,668 --> 00:24:59,498 ANIMAL KINGDOM COUTURE. 980 00:24:59,498 --> 00:25:00,602 I HOPE YOU'RE READY FOR SOME 981 00:25:00,602 --> 00:25:01,603 JUNGLE FEVER. 982 00:25:01,603 --> 00:25:03,398 [laughter] 983 00:25:03,398 --> 00:25:05,642 GENTLEMEN, START YOUR ENGINES, 984 00:25:05,642 --> 00:25:08,092 AND MAY THE BEST WOMAN WIN. 985 00:25:08,092 --> 00:25:09,369 NOW SISSY THAT WALK. 986 00:25:09,369 --> 00:25:13,166 UP FIRST, DARIENNE LAKE. 987 00:25:13,166 --> 00:25:14,029 MICHELLE, I DIDN'T WANT TO SAY 988 00:25:14,029 --> 00:25:15,686 THIS, BUT THERE'S AN ELEPHANT IN 989 00:25:15,686 --> 00:25:16,376 THE ROOM. 990 00:25:16,376 --> 00:25:17,032 >> YES. 991 00:25:17,032 --> 00:25:17,688 >> [laughs] 992 00:25:17,688 --> 00:25:19,000 >> ELEPHANTS ARE LUCKY. 993 00:25:19,000 --> 00:25:20,173 THEY'RE FABULOUS, AND I'M 994 00:25:20,173 --> 00:25:21,761 SERVING YOU ALL OF MY ELEPHANT 995 00:25:21,761 --> 00:25:22,866 GLORY. 996 00:25:22,866 --> 00:25:24,557 >> ALL THAT JUNK IN THAT TRUNK. 997 00:25:24,557 --> 00:25:26,076 >> HORTON HEARS A HO. 998 00:25:26,076 --> 00:25:28,906 >> [laughs] 999 00:25:28,906 --> 00:25:30,770 >> ADORE DELANO. 1000 00:25:30,770 --> 00:25:32,013 NICE GRILL. 1001 00:25:32,013 --> 00:25:33,186 >> YOU KNOW WHAT WOULD GO GREAT 1002 00:25:33,186 --> 00:25:34,256 WITH ADORE'S OUTFIT? 1003 00:25:34,256 --> 00:25:34,947 >> NO. 1004 00:25:34,947 --> 00:25:35,775 >> A CHIANTI AND SOME 1005 00:25:35,775 --> 00:25:36,742 FAVA BEANS. 1006 00:25:36,742 --> 00:25:38,847 [laughter] 1007 00:25:38,847 --> 00:25:39,848 >> I'M [bleep] SERVING 1008 00:25:39,848 --> 00:25:41,505 ANIMAL KINGDOM COUTURE. 1009 00:25:41,505 --> 00:25:43,231 I'M FEELING REALLY SEXY. 1010 00:25:43,231 --> 00:25:44,922 >> SILENCE OF THE QUEENS. 1011 00:25:44,922 --> 00:25:45,785 >> I THINK SHE'S MASKING 1012 00:25:45,785 --> 00:25:46,648 A LOT OF PAIN. 1013 00:25:46,648 --> 00:25:49,133 [laughter] 1014 00:25:49,133 --> 00:25:50,169 BEN DE LA CREME. 1015 00:25:50,169 --> 00:25:50,859 >> OH. 1016 00:25:50,859 --> 00:25:51,550 >> OOH. 1017 00:25:51,550 --> 00:25:53,310 >> WAITER, THERE'S A FLY ON MY 1018 00:25:53,310 --> 00:25:54,104 RUNWAY. 1019 00:25:54,104 --> 00:25:55,139 [laughter] 1020 00:25:55,139 --> 00:25:56,071 >> BE AFRAID. 1021 00:25:56,071 --> 00:25:56,727 >> YES. 1022 00:25:56,727 --> 00:25:57,417 >> BE VERY AFRAID. 1023 00:25:57,417 --> 00:25:58,073 >> YES. 1024 00:25:58,073 --> 00:25:58,936 >> I'M JUST BUZZING DOWN 1025 00:25:58,936 --> 00:26:00,144 THE RUNAWAY. 1026 00:26:00,144 --> 00:26:01,594 I'M FEELING THE FANTASY. 1027 00:26:01,594 --> 00:26:02,457 >> SHE'S GOT SOME FLY 1028 00:26:02,457 --> 00:26:03,216 CHOREOGRAPHY. 1029 00:26:03,216 --> 00:26:05,874 >> YEAH, SHE'S A FLY GIRL. 1030 00:26:05,874 --> 00:26:07,324 SHE BUGGING. 1031 00:26:07,324 --> 00:26:09,568 >> NEXT UP, BIANCA DEL RIO, 1032 00:26:09,568 --> 00:26:11,155 CHEETAH GIRL. 1033 00:26:11,155 --> 00:26:12,571 >> CAN A QUEEN REALLY CHANGE HER 1034 00:26:12,571 --> 00:26:13,710 SPOTS? 1035 00:26:13,710 --> 00:26:15,401 >> YOU KNOW THE SAYING, BIG CATS 1036 00:26:15,401 --> 00:26:16,505 ARE DANGEROUS, BUT A LITTLE 1037 00:26:16,505 --> 00:26:17,852 PUSSY NEVER HURT ANYBODY. 1038 00:26:17,852 --> 00:26:18,956 >> THAT IS SOME POINTER SISTERS 1039 00:26:18,956 --> 00:26:19,681 HAIR RIGHT THERE. 1040 00:26:19,681 --> 00:26:20,337 >> [laughs] 1041 00:26:20,337 --> 00:26:20,993 SHE'S SO EXCITED. 1042 00:26:20,993 --> 00:26:22,442 >> HMM. 1043 00:26:22,442 --> 00:26:24,824 >> NEXT UP, JOSLYN FOX. 1044 00:26:24,824 --> 00:26:26,032 SHE'S A RED FOX. 1045 00:26:26,032 --> 00:26:27,068 >> SHE'S A COCK. 1046 00:26:27,068 --> 00:26:28,207 >> YES, SHE IS. 1047 00:26:28,207 --> 00:26:29,070 >> [laughs] 1048 00:26:29,070 --> 00:26:30,036 >> OH. 1049 00:26:30,036 --> 00:26:30,692 >> OH. 1050 00:26:30,692 --> 00:26:31,590 >> HOLLA. 1051 00:26:31,590 --> 00:26:33,177 I'VE GOT MY TALONS AND MY 1052 00:26:33,177 --> 00:26:35,076 FEATHERS, AND I'M SHOWING OFF 1053 00:26:35,076 --> 00:26:36,456 SOME SKIN, AND I'M FEELING 1054 00:26:36,456 --> 00:26:37,181 REALLY GOOD ABOUT IT. 1055 00:26:37,181 --> 00:26:38,735 >> I THINK IT'S SOME KIND OF 1056 00:26:38,735 --> 00:26:40,529 JUNGLE PUSSYCAT. 1057 00:26:40,529 --> 00:26:42,531 [laughter] 1058 00:26:42,531 --> 00:26:44,188 FROM ATLANTA, GEORGIA, 1059 00:26:44,188 --> 00:26:45,845 TRINITY K. BONET, 1060 00:26:45,845 --> 00:26:47,122 THE PHOENIX. 1061 00:26:47,122 --> 00:26:47,847 >> SHE'S AWFULLY PLUCKED 1062 00:26:47,847 --> 00:26:48,607 TONIGHT. 1063 00:26:48,607 --> 00:26:49,608 >> YES. 1064 00:26:49,608 --> 00:26:50,850 >> I AM GIVING YOU BIRDS OF 1065 00:26:50,850 --> 00:26:51,851 A FEATHER FLOCK TOGETHER 1066 00:26:51,851 --> 00:26:53,612 RHYTHMS, AND I LOOK ABSOLUTELY 1067 00:26:53,612 --> 00:26:54,854 FABULOUS. 1068 00:26:54,854 --> 00:26:56,338 >> DRESSED TO QUILL. 1069 00:26:56,338 --> 00:26:57,788 YOU BETTER SISSY THAT SQUAWK. 1070 00:26:57,788 --> 00:27:00,308 [laughter] 1071 00:27:00,308 --> 00:27:02,310 NEXT UP, COURTNEY ACT. 1072 00:27:02,310 --> 00:27:03,000 >> OH. 1073 00:27:03,000 --> 00:27:03,725 >> MM. 1074 00:27:03,725 --> 00:27:04,968 >> OH, MY GOODNESS. 1075 00:27:04,968 --> 00:27:06,625 HEAVEN MUST BE MISSING AN ANGEL. 1076 00:27:06,625 --> 00:27:07,556 >> MM-HMM. 1077 00:27:07,556 --> 00:27:08,557 >> LOOK AT THE SIZE OF THOSE 1078 00:27:08,557 --> 00:27:09,248 WINGS. 1079 00:27:09,248 --> 00:27:10,145 >> YES. 1080 00:27:10,145 --> 00:27:11,975 PREPARE FOR TAKEOFF. 1081 00:27:11,975 --> 00:27:14,184 >> I'M GIVING SOME REGAL EAGLE. 1082 00:27:14,184 --> 00:27:15,910 I WANT TO SEE THIS ON BLOGS. 1083 00:27:15,910 --> 00:27:18,188 I WANT TO SEE THIS ON FACEBOOK. 1084 00:27:18,188 --> 00:27:19,120 AIN'T NOBODY GONNA TOP THIS 1085 00:27:19,120 --> 00:27:19,983 [bleep]. 1086 00:27:19,983 --> 00:27:21,570 >> MM, THINK I'VE DIED AND GONE 1087 00:27:21,570 --> 00:27:22,226 TO HEAVEN. 1088 00:27:22,226 --> 00:27:22,882 >> UH-HUH. 1089 00:27:22,882 --> 00:27:23,572 >> YEAH. 1090 00:27:23,572 --> 00:27:24,573 >> BABY, THESE GIRLS ARE GIVING 1091 00:27:24,573 --> 00:27:25,851 PRODUCTION VALUE. 1092 00:27:25,851 --> 00:27:26,541 >> OKAY. 1093 00:27:26,541 --> 00:27:28,612 >> [laughs] 1094 00:27:28,612 --> 00:27:30,027 >> WELCOME, LADIES. 1095 00:27:30,027 --> 00:27:30,994 IT'S TIME FOR THE JUDGE'S 1096 00:27:30,994 --> 00:27:32,029 CRITIQUES. 1097 00:27:32,029 --> 00:27:34,238 FIRST UP, DARIENNE LAKE. 1098 00:27:34,238 --> 00:27:35,274 >> WELL, DARIENNE, IT'S COLDER 1099 00:27:35,274 --> 00:27:36,724 IN HERE THAN I THOUGHT IT WAS. 1100 00:27:36,724 --> 00:27:37,794 >> OOH. 1101 00:27:37,794 --> 00:27:38,967 [laughter] 1102 00:27:38,967 --> 00:27:39,899 >> TONIGHT YOUR LOOK IS 1103 00:27:39,899 --> 00:27:40,831 INSPIRED. 1104 00:27:40,831 --> 00:27:41,970 I LOVE THE GREY HAIR, AND YOUR 1105 00:27:41,970 --> 00:27:42,868 FACE LOOKS GORGEOUS. 1106 00:27:42,868 --> 00:27:44,663 AS FAR AS THE TALK SHOW GOES, 1107 00:27:44,663 --> 00:27:46,906 YOU SEEMED REALLY NERVOUS. 1108 00:27:46,906 --> 00:27:47,631 >> REALLY? 1109 00:27:47,631 --> 00:27:48,287 >> YOU DID. 1110 00:27:48,287 --> 00:27:49,288 >> YEAH, I GOT THE SENSE THAT 1111 00:27:49,288 --> 00:27:51,359 YOU WERE A LITTLE BIT AWKWARD. 1112 00:27:51,359 --> 00:27:52,671 YOU CAME IN MIDDLE OF THE PACK 1113 00:27:52,671 --> 00:27:53,775 TO ME. 1114 00:27:53,775 --> 00:27:54,673 >> ALL RIGHT, NEXT UP, 1115 00:27:54,673 --> 00:27:56,295 ADORE DELANO. 1116 00:27:56,295 --> 00:27:57,089 >> HI. 1117 00:27:57,089 --> 00:27:58,918 >> WHAT WILD LIFE ANIMAL ARE YOU 1118 00:27:58,918 --> 00:27:59,919 REPRESENTING? 1119 00:27:59,919 --> 00:28:01,472 >> LIKE, A PANTHER, BUT I ALSO 1120 00:28:01,472 --> 00:28:02,128 WANTED TO LOOK LIKE 1121 00:28:02,128 --> 00:28:03,509 A MORTAL KOMBAT CHARACTER. 1122 00:28:03,509 --> 00:28:05,028 >> I'M NOT LOVING THIS LOOK. 1123 00:28:05,028 --> 00:28:06,754 LOVE THE FACE. 1124 00:28:06,754 --> 00:28:07,858 I LOVE YOUR MAKEUP. 1125 00:28:07,858 --> 00:28:09,204 I LOVE YOU, BUT ALL THESE 1126 00:28:09,204 --> 00:28:11,862 PIECES--IT'S JUST NOT ELEVATING 1127 00:28:11,862 --> 00:28:12,932 IT UP ENOUGH. 1128 00:28:12,932 --> 00:28:14,554 >> I'M HEARING YOU CONVERSE. 1129 00:28:14,554 --> 00:28:16,453 I'M GOING, "I KNOW THIS PERSON." 1130 00:28:16,453 --> 00:28:17,937 >> SEASON SEVEN AMERICAN-- 1131 00:28:17,937 --> 00:28:19,490 >> YES, AMERICAN IDOL. 1132 00:28:19,490 --> 00:28:21,285 IT'S NICE TO SEE YOU, BUT WHAT 1133 00:28:21,285 --> 00:28:22,804 I'D LIKE IS TO NOT SEE 1134 00:28:22,804 --> 00:28:23,494 THIS MASK. 1135 00:28:23,494 --> 00:28:25,013 IT'S COUNTERPRODUCTIVE TO 1136 00:28:25,013 --> 00:28:26,877 THE AMAZING PERSONALITY 1137 00:28:26,877 --> 00:28:28,499 THAT I REMEMBER SO WELL. 1138 00:28:28,499 --> 00:28:30,018 >> YOU JUST SEEMED REALLY 1139 00:28:30,018 --> 00:28:31,606 NERVOUS DURING OUR INTERVIEW. 1140 00:28:31,606 --> 00:28:32,400 >> I WAS. 1141 00:28:32,400 --> 00:28:33,297 >> IT JUST SEEMED LIKE YOU WERE 1142 00:28:33,297 --> 00:28:34,954 REALLY STRUGGLING THROUGH IT. 1143 00:28:34,954 --> 00:28:36,369 >> ALL RIGHT, NEXT UP, 1144 00:28:36,369 --> 00:28:37,612 BEN DE LA CREME, 1145 00:28:37,612 --> 00:28:39,752 ♪ FLY, FLY, FLY, FLY 1146 00:28:39,752 --> 00:28:40,926 [laughs] 1147 00:28:40,926 --> 00:28:42,375 >> I THINK YOU DID A GREAT JOB 1148 00:28:42,375 --> 00:28:43,307 WITH THE INTERVIEWS. 1149 00:28:43,307 --> 00:28:44,930 YOU WERE REALLY UP-TO-DATE ON 1150 00:28:44,930 --> 00:28:46,932 EVERYTHING THAT BOTH OF US WERE 1151 00:28:46,932 --> 00:28:47,622 DOING. 1152 00:28:47,622 --> 00:28:48,416 YOU WERE KIND OF LIKE A BREATH 1153 00:28:48,416 --> 00:28:49,417 OF FRESH AIR. 1154 00:28:49,417 --> 00:28:50,176 >> THERE'S A SENSE OF 1155 00:28:50,176 --> 00:28:51,522 SOMETHING'S BEEN DROPPED, 1156 00:28:51,522 --> 00:28:53,732 AND IT'S SO MUCH MORE ENDEARING. 1157 00:28:53,732 --> 00:28:55,216 >> ALL RIGHT, NEXT UP, BLAME IT 1158 00:28:55,216 --> 00:28:56,942 ON BIANCA DEL RIO. 1159 00:28:56,942 --> 00:28:58,012 >> ALWAYS BLAMING ME. 1160 00:28:58,012 --> 00:28:59,254 [laughter] 1161 00:28:59,254 --> 00:29:01,325 >> I LOVE HOW YOU DID THE BODY 1162 00:29:01,325 --> 00:29:02,913 PAINT AND THE FACE PAINT TO 1163 00:29:02,913 --> 00:29:03,603 MATCH WITH THE DRESS. 1164 00:29:03,603 --> 00:29:04,535 I THINK IT LOOKS GREAT. 1165 00:29:04,535 --> 00:29:05,191 >> THANK YOU. 1166 00:29:05,191 --> 00:29:06,606 >> BUT WITH THE INTERVIEW, YOU 1167 00:29:06,606 --> 00:29:08,229 WEREN'T REALLY FOCUSING ON THE 1168 00:29:08,229 --> 00:29:09,299 OTHER PERSON THAT WAS THERE, 1169 00:29:09,299 --> 00:29:10,093 WHICH WAS MY GRANDMA. 1170 00:29:10,093 --> 00:29:11,059 >> I HAD SOME QUESTIONS FOR MISS 1171 00:29:11,059 --> 00:29:12,267 GEORGIA THAT I WANTED TO ASK, 1172 00:29:12,267 --> 00:29:13,199 BUT TIME MANAGEMENT DEFINITELY 1173 00:29:13,199 --> 00:29:13,855 WAS AN ISSUE. 1174 00:29:13,855 --> 00:29:14,649 >> IS THERE A QUESTION YOU'D 1175 00:29:14,649 --> 00:29:16,133 LIKE TO ASK GEORGIA NOW? 1176 00:29:16,133 --> 00:29:17,272 >> WELL, I WANTED TO ASK THEM IF 1177 00:29:17,272 --> 00:29:18,895 THEY BELIEVE IN LIFE AFTER LOVE. 1178 00:29:18,895 --> 00:29:20,759 [laughter] 1179 00:29:20,759 --> 00:29:21,483 >> THANK YOU, BIANCA. 1180 00:29:21,483 --> 00:29:22,208 >> THANK YOU. 1181 00:29:22,208 --> 00:29:24,521 >> NEXT UP, JOSLYN FOX ON THE 1182 00:29:24,521 --> 00:29:25,177 RUNWAY. 1183 00:29:25,177 --> 00:29:25,833 >> [laughs] 1184 00:29:25,833 --> 00:29:26,661 >> WHAT ANIMAL ARE YOU? 1185 00:29:26,661 --> 00:29:28,111 >> I'M A GLAM-AZONIAN WARRIOR 1186 00:29:28,111 --> 00:29:29,457 PRINCESS. 1187 00:29:29,457 --> 00:29:30,113 I'M FRIENDS WITH ALL THE 1188 00:29:30,113 --> 00:29:31,873 ANIMALS, AND THEN I TAKE 'EM 1189 00:29:31,873 --> 00:29:32,874 AND I SKIN 'EM ALIVE. 1190 00:29:32,874 --> 00:29:33,944 I'M THE DIANE SAWYER OF THE 1191 00:29:33,944 --> 00:29:37,706 JUNGLE. 1192 00:29:37,706 --> 00:29:39,294 >> I'M NOT SEEING WHAT I WANT 1193 00:29:39,294 --> 00:29:40,606 FROM YOU WITH THIS. 1194 00:29:40,606 --> 00:29:43,091 IT'S NOT QUITE ANIMAL ENOUGH. 1195 00:29:43,091 --> 00:29:44,472 >> NOW, ONTO THE TALK SHOW. 1196 00:29:44,472 --> 00:29:45,887 YOU HAD ME WITH YOU, THEN 1197 00:29:45,887 --> 00:29:48,717 DECIDED TO GO ALL HARD NEWS. 1198 00:29:48,717 --> 00:29:49,788 >> HOW DO YOU FEEL ABOUT 1199 00:29:49,788 --> 00:29:51,651 ABORTION? 1200 00:29:51,651 --> 00:29:54,068 >> UH... 1201 00:29:54,068 --> 00:29:56,346 >> WE DO NOT DISCUSS THESE 1202 00:29:56,346 --> 00:29:57,243 THINGS. 1203 00:29:57,243 --> 00:29:58,797 REALLY UNCOMFORTABLE AS A VIEWER 1204 00:29:58,797 --> 00:29:59,970 WATCHING THAT. 1205 00:29:59,970 --> 00:30:02,007 >> YOU SAY YOUR CHARACTER SKINS 1206 00:30:02,007 --> 00:30:03,387 ANIMALS ALIVE. 1207 00:30:03,387 --> 00:30:04,837 WELL, IT FELT LIKE YOU WERE 1208 00:30:04,837 --> 00:30:07,426 WELL, IT FELT LIKE YOU WERE SKINNING YOUR GUESTS ALIVE. 1209 00:30:07,426 --> 00:30:13,639 SKINNING YOUR GUESTS ALIVE. 1210 00:30:13,639 --> 00:30:15,814 >> [laughs] 1211 00:30:15,814 --> 00:30:18,230 >> WE DO NOT DISCUSS THESE 1212 00:30:18,230 --> 00:30:18,955 THINGS. 1213 00:30:18,955 --> 00:30:20,473 REALLY UNCOMFORTABLE AS A VIEWER 1214 00:30:20,473 --> 00:30:21,336 WATCHING THAT. 1215 00:30:21,336 --> 00:30:22,855 >> GEORGIA, WERE YOU OFFENDED? 1216 00:30:22,855 --> 00:30:24,270 >> I WAS UNEASY. 1217 00:30:24,270 --> 00:30:25,582 IT MADE ME UNEASY. 1218 00:30:25,582 --> 00:30:26,997 >> THAT WILL GO DOWN AS ONE OF 1219 00:30:26,997 --> 00:30:27,929 MY BIGGEST MISTAKES I'VE EVER 1220 00:30:27,929 --> 00:30:30,276 MADE BECAUSE I JUST ADORE YOU, 1221 00:30:30,276 --> 00:30:31,312 AND IT BREAKS MY HEART, 1222 00:30:31,312 --> 00:30:32,175 AND I WILL NEVER FORGIVE MYSELF 1223 00:30:32,175 --> 00:30:34,211 AND I WILL NEVER FORGIVE MYSELF IF I IN ANY WAY OFFENDED YOU. 1224 00:30:34,211 --> 00:30:35,557 IF I IN ANY WAY OFFENDED YOU. 1225 00:30:35,557 --> 00:30:36,213 >> THANK YOU, HONEY. 1226 00:30:36,213 --> 00:30:36,869 THANK YOU. 1227 00:30:36,869 --> 00:30:37,905 EVERYTHING YOU SAID WAS VERY 1228 00:30:37,905 --> 00:30:39,354 SWEET, AND I APPRECIATE IT. 1229 00:30:39,354 --> 00:30:40,977 I THOUGHT YOU WERE REALLY GREAT 1230 00:30:40,977 --> 00:30:43,980 UP UNTIL THAT ONE REMARK. 1231 00:30:43,980 --> 00:30:45,844 >> NEXT UP, COURTNEY ACT. 1232 00:30:45,844 --> 00:30:46,534 >> HOWDY. 1233 00:30:46,534 --> 00:30:48,156 >> I AM SECURE ENOUGH IN MY 1234 00:30:48,156 --> 00:30:50,572 HETEROSEXUALITY TO SAY WOW. 1235 00:30:50,572 --> 00:30:51,435 >> [laughs] 1236 00:30:51,435 --> 00:30:52,126 >> YOU LOOK REALLY CUTE. 1237 00:30:52,126 --> 00:30:52,816 >> [laughs] 1238 00:30:52,816 --> 00:30:53,575 >> I LIKE HANCOCK. 1239 00:30:53,575 --> 00:30:56,164 [laughter] 1240 00:30:56,164 --> 00:30:57,648 >> THE SECOND I SAW YOU ON 1241 00:30:57,648 --> 00:30:59,927 CAMERA, I WAS ENGAGED, AND I 1242 00:30:59,927 --> 00:31:01,790 FELT LIKE YOU WERE A GIRLFRIEND, 1243 00:31:01,790 --> 00:31:03,792 AND THAT'S REALLY IMPORTANT TO 1244 00:31:03,792 --> 00:31:05,208 A VIEWER TO FEEL LIKE THEY CAN 1245 00:31:05,208 --> 00:31:06,381 RELATE TO YOU. 1246 00:31:06,381 --> 00:31:08,970 >> NEXT STOP, TRINITY K. BONET. 1247 00:31:08,970 --> 00:31:10,730 >> YOUR WHOLE LOOK, EVERYTHING 1248 00:31:10,730 --> 00:31:11,800 IS SO WELL THOUGHT OUT. 1249 00:31:11,800 --> 00:31:12,905 EVERY LITTLE DETAIL-- 1250 00:31:12,905 --> 00:31:14,148 JUST GORGEOUS. 1251 00:31:14,148 --> 00:31:17,737 >> AS FAR AS THE TALK SHOW, 1252 00:31:17,737 --> 00:31:19,187 RULE NUMBER ONE, WHEN YOU HAVE 1253 00:31:19,187 --> 00:31:20,809 A GUEST, YOU NEED TO KNOW 1254 00:31:20,809 --> 00:31:21,569 THEIR NAME. 1255 00:31:21,569 --> 00:31:23,778 YOU KEPT CALLING CHAZ "CHAD", 1256 00:31:23,778 --> 00:31:24,883 AND THAT IN AND OF ITSELF 1257 00:31:24,883 --> 00:31:26,056 WAS UNCOMFORTABLE. 1258 00:31:26,056 --> 00:31:26,919 >> WHEN MY NERVES GET THE BEST 1259 00:31:26,919 --> 00:31:28,748 OF ME, IT TAKES A TOLL. 1260 00:31:28,748 --> 00:31:29,922 >> TRINITY, HONEY, I STARTED 1261 00:31:29,922 --> 00:31:33,063 WORKING ON TELEVISION IN 1949, 1262 00:31:33,063 --> 00:31:34,409 BUT DOING THE SHOW TODAY, I WAS 1263 00:31:34,409 --> 00:31:36,791 NERVOUS, AND I'M AN OLD PRO, 1264 00:31:36,791 --> 00:31:37,585 YOU KNOW? 1265 00:31:37,585 --> 00:31:39,345 SO YOU'LL GET OVER IT, 1266 00:31:39,345 --> 00:31:41,313 AND YOU'LL BECOME SO PROUD. 1267 00:31:41,313 --> 00:31:42,245 >> THAT'S GOOD ADVICE. 1268 00:31:42,245 --> 00:31:43,108 THANK YOU. 1269 00:31:43,108 --> 00:31:44,523 >> MM-HMM. 1270 00:31:44,523 --> 00:31:45,938 >> I THINK WE'VE HEARD ENOUGH. 1271 00:31:45,938 --> 00:31:48,285 WHILE YOU UNWIND IN THE UNTUCKED 1272 00:31:48,285 --> 00:31:50,011 LOUNGE, THE JUDGES AND I 1273 00:31:50,011 --> 00:31:52,841 WILL DELIBERATE. 1274 00:31:52,841 --> 00:31:54,843 ALL RIGHT, JUST BETWEEN US 1275 00:31:54,843 --> 00:31:56,673 CHATTY CATHYS, WHAT DO YOU 1276 00:31:56,673 --> 00:31:57,432 THINK? 1277 00:31:57,432 --> 00:32:00,263 LET'S START WITH DARIENNE LAKE. 1278 00:32:00,263 --> 00:32:01,540 >> I LOVED HER COSTUME, BUT HER 1279 00:32:01,540 --> 00:32:02,817 INTERVIEW--I THINK THAT THE 1280 00:32:02,817 --> 00:32:03,852 NERVES GOT TO HER. 1281 00:32:03,852 --> 00:32:05,544 I REMEMBER THAT SHE GAVE A CHER 1282 00:32:05,544 --> 00:32:07,132 IMPERSONATION, AND IT WAS LIKE 1283 00:32:07,132 --> 00:32:08,202 YOU COULD HEAR CRICKETS. 1284 00:32:08,202 --> 00:32:09,203 [laughter] 1285 00:32:09,203 --> 00:32:10,549 >> YEAH, I MEAN, GIVE ME, 1286 00:32:10,549 --> 00:32:11,722 YOU KNOW, CHAD MICHAELS OR... 1287 00:32:11,722 --> 00:32:12,516 >> TOTALLY. 1288 00:32:12,516 --> 00:32:13,414 >> DON'T WASTE YOUR TIME. 1289 00:32:13,414 --> 00:32:14,553 >> ALL RIGHT, NEXT UP, 1290 00:32:14,553 --> 00:32:16,175 ADORE DELANO. 1291 00:32:16,175 --> 00:32:18,039 >> I WAS HOPING TO SEE THAT SAME 1292 00:32:18,039 --> 00:32:21,008 SASSINESS AND SMART MOUTH THAT 1293 00:32:21,008 --> 00:32:22,526 I CAME TO FALL IN LOVE WITH ON 1294 00:32:22,526 --> 00:32:24,390 AMERICAN IDOL,BUT I DIDN'T GET 1295 00:32:24,390 --> 00:32:25,150 TO SEE IT TODAY. 1296 00:32:25,150 --> 00:32:26,185 >> SHE WAS SO NERVOUS, 1297 00:32:26,185 --> 00:32:27,462 SHE COULDN'T GROUND HERSELF. 1298 00:32:27,462 --> 00:32:28,705 I THINK SHE PROBABLY SHOULD 1299 00:32:28,705 --> 00:32:30,327 HAVE HAD HER NOTES WRITTEN 1300 00:32:30,327 --> 00:32:31,294 SO THAT SHE WOULDN'T BE 1301 00:32:31,294 --> 00:32:32,053 CONFUSED. 1302 00:32:32,053 --> 00:32:33,399 I CAN'T REMEMBER WHAT I SAID 1303 00:32:33,399 --> 00:32:34,262 10 SECONDS AGO. 1304 00:32:34,262 --> 00:32:37,438 [laughter] 1305 00:32:37,438 --> 00:32:39,164 >> SHE EPITOMIZES THAT YOUNG KID 1306 00:32:39,164 --> 00:32:41,200 WHO HASN'T QUITE CONNECTED THE 1307 00:32:41,200 --> 00:32:43,616 DOTS WITH HER TALENT, HER 1308 00:32:43,616 --> 00:32:45,101 INTELLECT, AND THIS CHALLENGE 1309 00:32:45,101 --> 00:32:46,205 REALLY SHOWED THAT, YOU KNOW. 1310 00:32:46,205 --> 00:32:48,621 YOU MAKE ONE MISSTEP, AND-- 1311 00:32:48,621 --> 00:32:49,622 >> AND THEN MERLE COMES BACK? 1312 00:32:49,622 --> 00:32:51,003 [laughter] 1313 00:32:51,003 --> 00:32:52,177 IS THAT WHAT YOU'RE TELLING ME? 1314 00:32:52,177 --> 00:32:53,557 >> ALL RIGHT, LET'S MOVE ON TO 1315 00:32:53,557 --> 00:32:55,180 BEN DE LA CREME. 1316 00:32:55,180 --> 00:32:56,284 >> I THOUGHT HER COSTUME 1317 00:32:56,284 --> 00:32:57,458 WAS INCREDIBLE. 1318 00:32:57,458 --> 00:32:59,287 SHE EVIDENTLY HAS STUDIED FLIES 1319 00:32:59,287 --> 00:33:00,495 WALKING ACROSS THE FLOOR, 1320 00:33:00,495 --> 00:33:02,325 BECAUSE SHE DID IT PERFECT. 1321 00:33:02,325 --> 00:33:04,258 >> YEAH, WE'RE SEEING BEN DE LA 1322 00:33:04,258 --> 00:33:04,948 NOW. 1323 00:33:04,948 --> 00:33:05,604 >> MM. 1324 00:33:05,604 --> 00:33:06,501 >> THERE'S THIS WALL THAT'S BEEN 1325 00:33:06,501 --> 00:33:07,882 KIND OF KNOCKED DOWN, AND THAT 1326 00:33:07,882 --> 00:33:09,539 TRANSLATED IN HER TALK SHOW. 1327 00:33:09,539 --> 00:33:10,643 DESPITE WEARING THE MOST HIDEOUS 1328 00:33:10,643 --> 00:33:11,990 COLOR EVER CREATED... 1329 00:33:11,990 --> 00:33:13,474 >> [laughs] 1330 00:33:13,474 --> 00:33:15,062 >> SHE WAS FANTASTIC. 1331 00:33:15,062 --> 00:33:16,339 >> ALL RIGHT, LET'S MOVE ON. 1332 00:33:16,339 --> 00:33:18,237 BIANCA DEL RIO. 1333 00:33:18,237 --> 00:33:19,859 >> THE THING ABOUT BIANCA IS, 1334 00:33:19,859 --> 00:33:22,793 SHE'S SO SMART AND PROFESSIONAL 1335 00:33:22,793 --> 00:33:24,968 THAT SHE MADE IT ABOUT THAT, AND 1336 00:33:24,968 --> 00:33:26,452 SHE FORGOT ALL THE THINGS THAT 1337 00:33:26,452 --> 00:33:27,626 YOU ACTUALLY HAVE TO DO WHEN YOU 1338 00:33:27,626 --> 00:33:28,730 DO A TALK SHOW, LIKE LISTEN TO 1339 00:33:28,730 --> 00:33:29,386 THE PEOPLE THAT YOU'RE 1340 00:33:29,386 --> 00:33:30,146 INTERVIEWING. 1341 00:33:30,146 --> 00:33:31,975 >> YEAH, IT PROBABLY COMES WITH 1342 00:33:31,975 --> 00:33:33,770 BIANCA DEL RIO BEING MORE OF A 1343 00:33:33,770 --> 00:33:36,186 NIGHT CLUB HOST WHERE IF YOU ASK 1344 00:33:36,186 --> 00:33:37,153 A QUESTION TO THE AUDIENCE, 1345 00:33:37,153 --> 00:33:38,085 YOU REALLY DON'T CARE WHAT THEY 1346 00:33:38,085 --> 00:33:38,775 HAVE TO SAY. 1347 00:33:38,775 --> 00:33:39,741 [laughs] 1348 00:33:39,741 --> 00:33:41,053 >> BUT THAT JUST TAKES A LITTLE 1349 00:33:41,053 --> 00:33:41,881 BIT OF PRACTICE. 1350 00:33:41,881 --> 00:33:43,435 SHE'S GOT ALL THE IMPORTANT 1351 00:33:43,435 --> 00:33:45,299 INGREDIENTS TO DO THIS WELL IF 1352 00:33:45,299 --> 00:33:46,093 SHE WANTS TO DO THIS 1353 00:33:46,093 --> 00:33:46,955 PROFESSIONALLY. 1354 00:33:46,955 --> 00:33:48,026 >> ALL RIGHT, UP NEXT, 1355 00:33:48,026 --> 00:33:49,268 JOSLYN FOX. 1356 00:33:49,268 --> 00:33:50,373 >> THERE WAS NO ANIMAL 1357 00:33:50,373 --> 00:33:51,339 INTERPRETATION IN THAT 1358 00:33:51,339 --> 00:33:52,237 WHATSOEVER. 1359 00:33:52,237 --> 00:33:53,514 SHE STUCK SOME FEATHERS ON HER 1360 00:33:53,514 --> 00:33:54,204 HEAD AND-- 1361 00:33:54,204 --> 00:33:55,309 >> CALLED IT MACARONI. 1362 00:33:55,309 --> 00:33:56,620 >> OKAY? 1363 00:33:56,620 --> 00:33:58,036 AND I DON'T GIVE A FRIAR TUCK 1364 00:33:58,036 --> 00:33:58,691 WHO YOU ARE... 1365 00:33:58,691 --> 00:33:59,347 >> [laughs] 1366 00:33:59,347 --> 00:34:00,314 >> YOU DON'T BE SHOWING ME THAT 1367 00:34:00,314 --> 00:34:01,832 WITH A MEATY TUCK LIKE THAT. 1368 00:34:01,832 --> 00:34:02,902 >> THAT WAS A MEATY TUCK. 1369 00:34:02,902 --> 00:34:04,042 >> AS A TALK SHOW HOST, THE 1370 00:34:04,042 --> 00:34:06,147 BIGGEST THING WITH HER HOSTING 1371 00:34:06,147 --> 00:34:08,046 WAS HER LACK OF TACT, ESPECIALLY 1372 00:34:08,046 --> 00:34:10,048 WITH A SENSITIVE ISSUE. 1373 00:34:10,048 --> 00:34:11,739 >> BUT WHAT I DO APPRECIATE IS 1374 00:34:11,739 --> 00:34:13,258 THE FACT THAT WHEN WE DID BRING 1375 00:34:13,258 --> 00:34:14,259 THAT UP TO HER TODAY, SHE WAS 1376 00:34:14,259 --> 00:34:15,777 TEARFUL ABOUT IT, AND I FELT 1377 00:34:15,777 --> 00:34:17,055 THAT THAT WAS VERY GENUINE 1378 00:34:17,055 --> 00:34:17,745 OF HER. 1379 00:34:17,745 --> 00:34:19,057 >> ALL RIGHT, UP NEXT, 1380 00:34:19,057 --> 00:34:20,058 COURTNEY ACT. 1381 00:34:20,058 --> 00:34:21,369 >> DO THE OTHER QUEENS JUST 1382 00:34:21,369 --> 00:34:23,337 [bleep] BACKSTAGE WHEN SHE PUTS 1383 00:34:23,337 --> 00:34:25,063 ON WHAT SHE'S GONNA PUT ON FOR 1384 00:34:25,063 --> 00:34:25,925 THE RUNWAY? 1385 00:34:25,925 --> 00:34:27,720 BECAUSE THAT IS SO IMPRESSIVE. 1386 00:34:27,720 --> 00:34:29,584 >> AS FAR AS THE TALK SHOW GOES, 1387 00:34:29,584 --> 00:34:30,689 I THOUGHT SHE DID A GOOD JOB, 1388 00:34:30,689 --> 00:34:32,760 BUT THEN ONE MINUTE IN, SHE JUST 1389 00:34:32,760 --> 00:34:34,210 PLUMMETED ENERGY-WISE. 1390 00:34:34,210 --> 00:34:35,521 >> I DIDN'T FEEL THE ENERGY DIP, 1391 00:34:35,521 --> 00:34:36,177 HONESTLY. 1392 00:34:36,177 --> 00:34:37,040 >> NOR DID I. 1393 00:34:37,040 --> 00:34:38,145 >> IT WAS CONVERSATIONAL. 1394 00:34:38,145 --> 00:34:39,007 IT JUST WORKED. 1395 00:34:39,007 --> 00:34:39,732 >> I AGREE. 1396 00:34:39,732 --> 00:34:41,665 I JUST THOUGHT SHE WAS VERY, 1397 00:34:41,665 --> 00:34:43,495 VERY LIKEABLE AND FUN. 1398 00:34:43,495 --> 00:34:45,083 >> I WOULD SAY THAT HER 1399 00:34:45,083 --> 00:34:46,808 AND BEN DE LA CREME WERE MY TWO 1400 00:34:46,808 --> 00:34:48,569 FAVORITE, JUST NECK AND NECK. 1401 00:34:48,569 --> 00:34:49,639 >> ALL RIGHT, LET'S MOVE ON 1402 00:34:49,639 --> 00:34:51,503 TO TRINITY K. BONET. 1403 00:34:51,503 --> 00:34:52,469 >> LOVED HER RUNWAY LOOK. 1404 00:34:52,469 --> 00:34:53,815 IT ALL WORKED TOGETHER. 1405 00:34:53,815 --> 00:34:55,679 >> BUT IT'S NOT STRONG ENOUGH TO 1406 00:34:55,679 --> 00:34:57,957 MAKE UP FOR HOW ABYSMAL HER 1407 00:34:57,957 --> 00:34:59,097 TALK SHOW WENT FOR HER. 1408 00:34:59,097 --> 00:34:59,787 >> RIGHT. 1409 00:34:59,787 --> 00:35:00,753 WITH THE BIGGEST FAUX PAS OF 1410 00:35:00,753 --> 00:35:02,238 ALL, NOT KNOWING THE GUEST'S 1411 00:35:02,238 --> 00:35:02,928 NAME. 1412 00:35:02,928 --> 00:35:04,930 >> HELLO, SHE CALLED HIM CHAD. 1413 00:35:04,930 --> 00:35:06,104 >> [laughs] 1414 00:35:06,104 --> 00:35:07,174 >> SO RULE NUMBER ONE, KNOW YOUR 1415 00:35:07,174 --> 00:35:07,864 GUEST'S NAME. 1416 00:35:07,864 --> 00:35:09,245 >> ALL RIGHT, SILENCE. 1417 00:35:09,245 --> 00:35:11,247 I'VE MADE MY DECISION. 1418 00:35:11,247 --> 00:35:14,353 I'VE MADE MY DECISION. BRING BACK MY GIRLS. 1419 00:35:14,353 --> 00:35:19,634 BRING BACK MY GIRLS. 1420 00:35:19,634 --> 00:35:22,120 >> [laughs] 1421 00:35:22,120 --> 00:35:24,122 WELCOME BACK, LADIES. 1422 00:35:24,122 --> 00:35:26,124 WELCOME BACK, LADIES. I'VE MADE SOME DECISIONS. 1423 00:35:26,124 --> 00:35:28,160 I'VE MADE SOME DECISIONS. 1424 00:35:28,160 --> 00:35:31,543 I'VE MADE SOME DECISIONS. BIANCA DEL RIO, YOU ARE SAFE. 1425 00:35:31,543 --> 00:35:34,753 BIANCA DEL RIO, YOU ARE SAFE. 1426 00:35:34,753 --> 00:35:37,031 BIANCA DEL RIO, YOU ARE SAFE. BEN DE LA CREME, YOU ARE SAFE. 1427 00:35:37,031 --> 00:35:41,173 BEN DE LA CREME, YOU ARE SAFE. 1428 00:35:41,173 --> 00:35:43,451 COURTNEY ACT, AS A TALK SHOW 1429 00:35:43,451 --> 00:35:46,799 HOST, YOU WERE UNFLAPPABLE, 1430 00:35:46,799 --> 00:35:48,870 AND ON THE MAIN STAGE, 1431 00:35:48,870 --> 00:35:51,459 YOU SOARED. 1432 00:35:51,459 --> 00:35:52,909 CONDRAGULATIONS, YOU ARE THE 1433 00:35:52,909 --> 00:35:54,635 WINNER OF THIS WEEK'S CHALLENGE. 1434 00:35:54,635 --> 00:35:55,291 >> THANK YOU. 1435 00:35:55,291 --> 00:35:56,361 [applause] 1436 00:35:56,361 --> 00:35:58,984 >> YOU'VE WON A WIG WARDROBE 1437 00:35:58,984 --> 00:36:01,020 FROM OUTFITTERS WIG AND A YEAR 1438 00:36:01,020 --> 00:36:04,955 SUPPLY OF HAIR CARE FROM AQUAGE. 1439 00:36:04,955 --> 00:36:06,957 SUPPLY OF HAIR CARE FROM AQUAGE. >> SECOND WIN. 1440 00:36:06,957 --> 00:36:07,958 >> SECOND WIN. 1441 00:36:07,958 --> 00:36:10,961 >> DARIENNE LAKE... 1442 00:36:10,961 --> 00:36:12,998 >> DARIENNE LAKE... YOU ARE SAFE. 1443 00:36:12,998 --> 00:36:16,795 YOU ARE SAFE. 1444 00:36:16,795 --> 00:36:18,452 ADORE DELANO. 1445 00:36:18,452 --> 00:36:21,006 YOU, MY DEAR, ARE ONE WILD 1446 00:36:21,006 --> 00:36:23,353 CHILD, BUT IN THIS WEEK'S 1447 00:36:23,353 --> 00:36:25,597 CHALLENGE, YOU WERE EATEN 1448 00:36:25,597 --> 00:36:28,462 ALIVE. 1449 00:36:28,462 --> 00:36:29,635 I'M SORRY, MY DEAR, BUT YOU ARE 1450 00:36:29,635 --> 00:36:31,672 I'M SORRY, MY DEAR, BUT YOU ARE UP FOR ELIMINATION. 1451 00:36:31,672 --> 00:36:33,743 UP FOR ELIMINATION. 1452 00:36:33,743 --> 00:36:35,883 TRINITY K. BONET. 1453 00:36:35,883 --> 00:36:38,265 ON THE RUNWAY, YOU ARE A 1454 00:36:38,265 --> 00:36:41,199 FIERCE, FEATHERED FIREBIRD. 1455 00:36:41,199 --> 00:36:43,580 UNFORTUNATELY, ON THE TALK SHOW, 1456 00:36:43,580 --> 00:36:46,342 YOU LAID AN EGG. 1457 00:36:46,342 --> 00:36:49,448 JOSLYN FOX, YOUR RUNWAY LOOK IS 1458 00:36:49,448 --> 00:36:52,037 A BUNGLE IN THE JUNGLE. 1459 00:36:52,037 --> 00:36:54,177 IN THE CHALLENGE, YOU PUT YOUR 1460 00:36:54,177 --> 00:36:56,214 IN THE CHALLENGE, YOU PUT YOUR HIGH-HEELED FOOT IN YOUR MOUTH. 1461 00:36:56,214 --> 00:36:57,767 HIGH-HEELED FOOT IN YOUR MOUTH. 1462 00:36:57,767 --> 00:37:00,114 JOSLYN FOX... 1463 00:37:00,114 --> 00:37:02,599 YOU'RE SAFE. 1464 00:37:02,599 --> 00:37:07,259 JOIN THE OTHER GIRLS. 1465 00:37:07,259 --> 00:37:08,571 TRINITY, I'M SORRY, MY DEAR, 1466 00:37:08,571 --> 00:37:10,642 TRINITY, I'M SORRY, MY DEAR, BUT YOU ARE UP FOR ELIMINATION. 1467 00:37:10,642 --> 00:37:13,023 BUT YOU ARE UP FOR ELIMINATION. 1468 00:37:13,023 --> 00:37:14,818 >> I'M FREAKING OUT BECAUSE I'VE 1469 00:37:14,818 --> 00:37:16,337 SEEN TRINITY SEND A LOT OF 1470 00:37:16,337 --> 00:37:17,925 BITCHES HOME WITH HER LIP SYNC 1471 00:37:17,925 --> 00:37:18,753 SINCE SHE TURNS IT THE [bleep] 1472 00:37:18,753 --> 00:37:19,616 OUT. 1473 00:37:19,616 --> 00:37:21,687 I FEEL LIKE I'M GONNA FAINT. 1474 00:37:21,687 --> 00:37:23,758 >> LADIES, PRIOR TO TONIGHT, 1475 00:37:23,758 --> 00:37:25,104 YOU WERE ASKED TO PREPARE 1476 00:37:25,104 --> 00:37:27,003 A LIP-SYNCH PERFORMANCE OF 1477 00:37:27,003 --> 00:37:31,249 VIBEOLOGYBY PAULA ABDUL. 1478 00:37:31,249 --> 00:37:33,492 THIS IS YOUR LAST CHANCE TO 1479 00:37:33,492 --> 00:37:36,046 IMPRESS ME AND SAVE YOURSELF 1480 00:37:36,046 --> 00:37:40,327 FROM ELIMINATION. 1481 00:37:40,327 --> 00:37:43,088 THE TIME HAS COME FOR YOU 1482 00:37:43,088 --> 00:37:47,161 THE TIME HAS COME FOR YOU TO LIP-SYNCH FOR YOUR LIFE. 1483 00:37:47,161 --> 00:37:49,577 TO LIP-SYNCH FOR YOUR LIFE. 1484 00:37:49,577 --> 00:37:52,131 GOOD LUCK, AND DON'T 1485 00:37:52,131 --> 00:37:54,341 [bleep] IT UP. 1486 00:37:54,341 --> 00:37:59,311 >> ♪ OOH, YEAH 1487 00:37:59,311 --> 00:38:00,588 ♪ OOH 1488 00:38:00,588 --> 00:38:02,590 ♪ WORK IT, BABY 1489 00:38:02,590 --> 00:38:04,799 ♪ GIVE ME THAT VIBE 1490 00:38:04,799 --> 00:38:06,422 ♪ YOU GOT THAT VIBEOLOGY 1491 00:38:06,422 --> 00:38:08,562 ♪ THAT V-I-B-E-OLOGY 1492 00:38:08,562 --> 00:38:09,701 ♪ YOUR BODY IS PUMPED 1493 00:38:09,701 --> 00:38:10,702 ♪ NEXT TO ME 1494 00:38:10,702 --> 00:38:12,738 ♪ YA GOT THAT SENSUALITY 1495 00:38:12,738 --> 00:38:13,394 ♪ AND, OH, I 1496 00:38:13,394 --> 00:38:14,913 ♪ LOVE WHAT YOU DO 1497 00:38:14,913 --> 00:38:15,914 ♪ WHEN YOU DO 1498 00:38:15,914 --> 00:38:16,604 ♪ WHAT YOU DO 1499 00:38:16,604 --> 00:38:17,985 ♪ YOU GOT ME PUMPED 1500 00:38:17,985 --> 00:38:19,055 ♪ IN THE GROOVE 1501 00:38:19,055 --> 00:38:20,298 ♪ WHEN YOU MOVE 1502 00:38:20,298 --> 00:38:21,575 ♪ I'M IN A FUNKY WAY 1503 00:38:21,575 --> 00:38:22,886 ♪ OH AH AH 1504 00:38:22,886 --> 00:38:25,095 ♪ HORNY HORNS 1505 00:38:25,095 --> 00:38:26,511 ♪ OW! 1506 00:38:26,511 --> 00:38:29,099 ♪ YEAH, YEAH 1507 00:38:29,099 --> 00:38:30,791 ♪ AH, GIVE ME THAT VIBE 1508 00:38:30,791 --> 00:38:33,103 ♪ I'M IN A FUNKY WAY 1509 00:38:33,103 --> 00:38:34,691 ♪ GIVE ME THAT 1510 00:38:34,691 --> 00:38:36,555 ♪ VIBEOLOGY 1511 00:38:36,555 --> 00:38:37,970 ♪ VIBEOLOGY 1512 00:38:37,970 --> 00:38:39,731 NOW YOU ASK WHAT DOES IT MEAN? 1513 00:38:39,731 --> 00:38:40,870 WHY, IT'S THE STUDY OF THE 1514 00:38:40,870 --> 00:38:43,182 CHEMISTRY BETWEEN YOU AND ME. 1515 00:38:43,182 --> 00:38:45,184 ♪ YOU GOT THAT VIBEOLOGY 1516 00:38:45,184 --> 00:38:47,221 ♪ THAT V-I-B-E-OLOGY 1517 00:38:47,221 --> 00:38:48,360 ♪ YOUR BODY IS PUMPED 1518 00:38:48,360 --> 00:38:49,430 ♪ NEXT TO ME 1519 00:38:49,430 --> 00:38:51,190 ♪ YOU GOT THAT SENSUALITY 1520 00:38:51,190 --> 00:38:51,984 ♪ AND, OH, I 1521 00:38:51,984 --> 00:38:53,538 ♪ LOVE WHAT YOU DO 1522 00:38:53,538 --> 00:38:54,573 ♪ WHEN YOU DO 1523 00:38:54,573 --> 00:38:55,298 ♪ WHAT YOU DO 1524 00:38:55,298 --> 00:38:56,610 ♪ YOU GOT ME PUMPED 1525 00:38:56,610 --> 00:38:57,680 ♪ IN THE GROOVE 1526 00:38:57,680 --> 00:38:58,991 ♪ WHEN YOU MOVE 1527 00:38:58,991 --> 00:39:00,199 ♪ I'M IN A FUNKY WAY 1528 00:39:00,199 --> 00:39:01,477 ♪ OH AH AH 1529 00:39:01,477 --> 00:39:02,478 ♪ HORNY HORNS 1530 00:39:02,478 --> 00:39:04,411 >> ♪ VIBEOLOGY 1531 00:39:04,411 --> 00:39:05,584 >> ♪ OH, THE VIBES 1532 00:39:05,584 --> 00:39:06,689 ♪ THE VIBES 1533 00:39:06,689 --> 00:39:08,656 >> ♪ VIBEOLOGY 1534 00:39:08,656 --> 00:39:10,451 >> ♪ AY 1535 00:39:10,451 --> 00:39:12,246 ♪ AY 1536 00:39:12,246 --> 00:39:14,110 ♪ AY AY AY 1537 00:39:14,110 --> 00:39:15,145 >> ♪ GO, PAULA 1538 00:39:15,145 --> 00:39:16,181 ♪ GO, PAULA 1539 00:39:16,181 --> 00:39:17,078 ♪ GO, GO 1540 00:39:17,078 --> 00:39:17,838 ♪ GO, PAULA 1541 00:39:17,838 --> 00:39:20,427 >> ♪ OW! 1542 00:39:20,427 --> 00:39:23,257 ♪ VIBEOLOGY 1543 00:39:23,257 --> 00:39:23,913 >> YEAH! 1544 00:39:23,913 --> 00:39:25,328 >> THAT WAS GOOD [bleep]. 1545 00:39:25,328 --> 00:39:26,950 >> THAT WAS THE BEST! 1546 00:39:26,950 --> 00:39:27,917 >> WOW. 1547 00:39:27,917 --> 00:39:31,472 [laughs] 1548 00:39:31,472 --> 00:39:32,818 >> LADIES, I'VE MADE 1549 00:39:32,818 --> 00:39:34,372 >> LADIES, I'VE MADE MY DECISION. 1550 00:39:34,372 --> 00:39:39,618 MY DECISION. 1551 00:39:39,618 --> 00:39:42,449 ADORE DELANO... 1552 00:39:42,449 --> 00:39:43,898 SHANTE, YOU STAY. 1553 00:39:43,898 --> 00:39:46,384 >> THANK YOU. 1554 00:39:46,384 --> 00:39:48,109 >> YOU MAY JOIN THE OTHER GIRLS. 1555 00:39:48,109 --> 00:39:50,146 >> YOU MAY JOIN THE OTHER GIRLS. >> THANK YOU. 1556 00:39:50,146 --> 00:39:54,909 >> THANK YOU. 1557 00:39:54,909 --> 00:39:57,256 >> GORGEOUS, TALENTED, 1558 00:39:57,256 --> 00:39:58,637 AND FIERCE. 1559 00:39:58,637 --> 00:40:01,122 THE HOLY TRINITY. 1560 00:40:01,122 --> 00:40:03,401 >> THANK YOU SO MUCH, AND LET ME 1561 00:40:03,401 --> 00:40:05,920 TAKE THIS TIME TO SAY THAT I AM 1562 00:40:05,920 --> 00:40:06,990 FILLED WITH JOY RIGHT NOW 1563 00:40:06,990 --> 00:40:08,267 BECAUSE I HAVE THE OPPORTUNITY 1564 00:40:08,267 --> 00:40:10,166 TO TAKE EVERYTHING THAT YOU HAVE 1565 00:40:10,166 --> 00:40:12,720 GIVEN ME AND APPLY IT TO MY LIFE 1566 00:40:12,720 --> 00:40:14,273 AND START MY NEW JOURNEY, 1567 00:40:14,273 --> 00:40:15,620 AND I THANK YOU FROM THE BOTTOM 1568 00:40:15,620 --> 00:40:16,552 OF MY HEART. 1569 00:40:16,552 --> 00:40:17,932 THANK YOU SO MUCH. 1570 00:40:17,932 --> 00:40:19,417 >> THANK YOU. 1571 00:40:19,417 --> 00:40:20,970 NOW, FLY, MY QUEEN, 1572 00:40:20,970 --> 00:40:23,213 AND SASHAY AWAY. 1573 00:40:23,213 --> 00:40:26,838 [applause] 1574 00:40:26,838 --> 00:40:29,116 >> BYE. 1575 00:40:29,116 --> 00:40:31,049 THIS IS NOT A DEFEAT FOR ME. 1576 00:40:31,049 --> 00:40:32,084 TO ALL MY COMPETITORS, 1577 00:40:32,084 --> 00:40:35,053 YOU BITCHES BETTER BRING IT AND 1578 00:40:35,053 --> 00:40:35,847 SHINE BRIGHT LIKE I KNOW YOU 1579 00:40:35,847 --> 00:40:38,574 ALL CAN. 1580 00:40:38,574 --> 00:40:40,230 >> CONDRAGULATIONS, MY SICKENING 1581 00:40:40,230 --> 00:40:41,542 SIX. 1582 00:40:41,542 --> 00:40:44,372 IT'S THE PROMISE OF A NEW DAY. 1583 00:40:44,372 --> 00:40:46,133 NOW, REMEMBER, IF YOU CAN'T LOVE 1584 00:40:46,133 --> 00:40:47,617 YOURSELF, HOW IN THE HELL YOU 1585 00:40:47,617 --> 00:40:48,791 GONNA LOVE SOMEBODY ELSE? 1586 00:40:48,791 --> 00:40:50,171 CAN I GET AN AMEN IN HERE? 1587 00:40:50,171 --> 00:40:50,827 >> all: AMEN. 1588 00:40:50,827 --> 00:40:52,311 >> ALL RIGHT, NOW, LET THE MUSIC 1589 00:40:52,311 --> 00:40:55,038 PLAY. 1590 00:40:55,038 --> 00:40:56,799 >> ♪ I WANT TO DANCE, DANCE 1591 00:40:56,799 --> 00:40:58,766 ♪ I WANT TO DANCE, DANCE 1592 00:40:58,766 --> 00:41:01,251 ♪ I WANT TO DANCE, DANCE 1593 00:41:01,251 --> 00:41:03,253 ♪ I WANT TO DANCE, DANCE ♪ DANCE WITH YOU