1 00:00:02,174 --> 00:00:02,933 >> PREVIOUSLY ON 2 00:00:02,933 --> 00:00:03,658 RUPAUL'S DRAG RACE... 3 00:00:03,658 --> 00:00:05,522 THE HOUSE OF RUPAUL IS THROWING 4 00:00:05,522 --> 00:00:08,353 THE HOUSE OF RUPAUL IS THROWING THE FIRST-EVER GLITTER BALL. 5 00:00:08,353 --> 00:00:10,217 THE FIRST-EVER GLITTER BALL. 6 00:00:10,217 --> 00:00:11,597 >> I JUST GET REALLY, LIKE, 7 00:00:11,597 --> 00:00:12,564 DISCOURAGED AND, LIKE, 8 00:00:12,564 --> 00:00:14,324 FRUSTRATED. 9 00:00:14,324 --> 00:00:16,154 >> WHY IS IT YOU HAVEN'T WON 10 00:00:16,154 --> 00:00:17,293 MORE CHALLENGES? 11 00:00:17,293 --> 00:00:19,157 >> NOW I'M STARTING ALL OVER. 12 00:00:19,157 --> 00:00:20,330 I'M [bleep]. 13 00:00:20,330 --> 00:00:21,193 [cries] 14 00:00:21,193 --> 00:00:22,263 >> I DON'T BELIEVE THAT YOU'RE 15 00:00:22,263 --> 00:00:22,953 GONNA RUN ANY BUSINESS 16 00:00:22,953 --> 00:00:23,816 DRESSED LIKE THAT. 17 00:00:23,816 --> 00:00:25,784 IT WAS A COCKTAIL DRESS. 18 00:00:25,784 --> 00:00:27,406 >> ADORE DELANO, 19 00:00:27,406 --> 00:00:28,269 CONDRAGULATIONS. 20 00:00:28,269 --> 00:00:29,167 YOU'RE THE WINNER OF THIS 21 00:00:29,167 --> 00:00:29,857 WEEK'S CHALLENGE. 22 00:00:29,857 --> 00:00:31,686 >> OH, MY GOD. 23 00:00:31,686 --> 00:00:33,240 >> DARIENNE LAKE, 24 00:00:33,240 --> 00:00:35,932 SHANTE, YOU STAY. 25 00:00:35,932 --> 00:00:38,624 SHANTE, YOU STAY. DE LA, SASHAY AWAY. 26 00:00:38,624 --> 00:00:44,251 DE LA, SASHAY AWAY. 27 00:00:44,251 --> 00:00:46,149 >> [sighs] 28 00:00:46,149 --> 00:00:47,288 OH, MY GOD. 29 00:00:47,288 --> 00:00:49,187 OOH. 30 00:00:49,187 --> 00:00:50,429 >> WHAT THE [bleep] IS THAT 31 00:00:50,429 --> 00:00:51,292 ON THE MIRROR? 32 00:00:51,292 --> 00:00:52,535 >> OH, JESUS. 33 00:00:52,535 --> 00:00:54,226 DARIENNE'S SPELLED INCORRECTLY, 34 00:00:54,226 --> 00:00:54,916 BUT THAT'S ALL RIGHT. 35 00:00:54,916 --> 00:00:56,297 >> "DARIENNE, I ONLY HARBOR 36 00:00:56,297 --> 00:00:57,781 ENOUGH RESENTMENT..." 37 00:00:57,781 --> 00:00:58,713 >> both: "TO WRITE A LONG, 38 00:00:58,713 --> 00:00:59,990 POINTLESS MESSAGE..." 39 00:00:59,990 --> 00:01:01,578 >> "THAT YOU'LL HAVE TO CLEAN 40 00:01:01,578 --> 00:01:04,167 AND CLEAN AND CLEAN AND CLEAN." 41 00:01:04,167 --> 00:01:04,857 >> I'M DEFINITELY GONNA 42 00:01:04,857 --> 00:01:07,308 MISS DE LA. 43 00:01:07,308 --> 00:01:08,033 [whispering] NO, I WON'T. 44 00:01:08,033 --> 00:01:09,241 I WON'T. 45 00:01:09,241 --> 00:01:10,173 >> WELL, CONGRATULATIONS, 46 00:01:10,173 --> 00:01:11,312 MISS ADORE. 47 00:01:11,312 --> 00:01:12,900 YOU WON A SEWING CHALLENGE. 48 00:01:12,900 --> 00:01:15,282 >> YEAH, MOTHER[bleep], YEAH. 49 00:01:15,282 --> 00:01:16,076 >> ARE THEY SEEING WHAT 50 00:01:16,076 --> 00:01:16,731 I'M SEEING? 51 00:01:16,731 --> 00:01:18,492 SHE WAS JUST WEARING A WHITE 52 00:01:18,492 --> 00:01:19,907 TUTU WITH A CORSET AND SOME 53 00:01:19,907 --> 00:01:21,253 SPARKLES ON IT. 54 00:01:21,253 --> 00:01:22,703 >> YOU DID GREAT. 55 00:01:22,703 --> 00:01:23,669 >> WELL, APPARENTLY ADORE'S 56 00:01:23,669 --> 00:01:27,225 THE PERFECT BANJEE GIRL. 57 00:01:27,225 --> 00:01:29,227 >> TONIGHT COURTNEY KIND OF 58 00:01:29,227 --> 00:01:31,160 THREW ME UNDER THE MAT. 59 00:01:31,160 --> 00:01:32,920 >> OVER THE LAST FEW WEEKS, 60 00:01:32,920 --> 00:01:34,404 ADORE KIND OF TRIPPED AND 61 00:01:34,404 --> 00:01:36,165 STUMBLED, SO I THINK THAT SHE 62 00:01:36,165 --> 00:01:38,236 WOULD BE THE NEXT ONE TO GO. 63 00:01:38,236 --> 00:01:39,616 >> I REALLY DON'T SEE THE POINT 64 00:01:39,616 --> 00:01:41,101 WHY COURTNEY THREW MY NAME 65 00:01:41,101 --> 00:01:41,894 OUT THERE. 66 00:01:41,894 --> 00:01:43,103 THE QUESTION WAS, "WHO DO YOU 67 00:01:43,103 --> 00:01:44,518 THINK SHOULD GO HOME?" 68 00:01:44,518 --> 00:01:45,898 NOT WHO YOU THOUGHT WAS 69 00:01:45,898 --> 00:01:46,968 GOING TO, BUT TURNED IT 70 00:01:46,968 --> 00:01:48,349 THE [bleep] OUT. 71 00:01:48,349 --> 00:01:49,109 >> YOU DON'T KNOW WHAT THE 72 00:01:49,109 --> 00:01:49,902 JUDGES ARE GONNA THINK. 73 00:01:49,902 --> 00:01:51,559 >> NO, YOU REALLY DON'T KNOW. 74 00:01:51,559 --> 00:01:52,457 THEY WANT MORE, BUT THEN THEY 75 00:01:52,457 --> 00:01:53,734 WANT--MY RUFFLE'S TOO BIG, 76 00:01:53,734 --> 00:01:55,563 AND MY HAT'S TOO MUCH. 77 00:01:55,563 --> 00:01:56,875 I DON'T KNOW. 78 00:01:56,875 --> 00:01:58,980 >> IF I AM BRUTALLY HONEST... 79 00:01:58,980 --> 00:02:01,811 >> SURE, BE BRUTALLY HONEST. 80 00:02:01,811 --> 00:02:03,778 >> I KIND OF WAS THINKING THAT 81 00:02:03,778 --> 00:02:05,055 YOU WOULD TURN OUT SOMETHING 82 00:02:05,055 --> 00:02:08,266 THAT WE HADN'T SEEN. 83 00:02:08,266 --> 00:02:09,370 >> NOT TODAY, SATAN. 84 00:02:09,370 --> 00:02:10,716 NOT TODAY. 85 00:02:10,716 --> 00:02:11,821 HEY, I'M STILL HERE. 86 00:02:11,821 --> 00:02:13,029 I'M GRATEFUL. 87 00:02:13,029 --> 00:02:14,548 >> BIANCA IS A LITTLE RATTLED. 88 00:02:14,548 --> 00:02:16,066 MAYBE WE'RE STARTING TO SEE 89 00:02:16,066 --> 00:02:18,103 A COUPLE OF CRACKS IN THE WALL. 90 00:02:18,103 --> 00:02:19,277 I HOPE SO. 91 00:02:19,277 --> 00:02:20,278 [dramatic music] 92 00:02:20,278 --> 00:02:22,728 ♪ 93 00:02:22,728 --> 00:02:24,730 >> PARTY. 94 00:02:24,730 --> 00:02:25,662 >> ♪ RUPAUL DRAG RACE♪ 95 00:02:25,662 --> 00:02:26,387 >> THE WINNER OF 96 00:02:26,387 --> 00:02:27,733 RUPAUL'S DRAG RACERECEIVES A 97 00:02:27,733 --> 00:02:28,734 SICKENING SUPPLY OF 98 00:02:28,734 --> 00:02:30,736 COLOREVOLUTION COSMETICS AND A 99 00:02:30,736 --> 00:02:33,705 CASH PRIZE OF $100,000. 100 00:02:33,705 --> 00:02:35,120 >> ♪ RUPAUL DRAG RACE♪ 101 00:02:35,120 --> 00:02:36,501 >> ♪ MAY THE BEST WOMAN 102 00:02:36,501 --> 00:02:39,331 >> ♪ MAY THE BEST WOMAN ♪ BEST WOMAN WIN 103 00:02:39,331 --> 00:02:41,851 ♪ BEST WOMAN WIN 104 00:02:41,851 --> 00:02:42,576 >> FOUR. 105 00:02:42,576 --> 00:02:43,646 >> TOP FOUR. 106 00:02:43,646 --> 00:02:44,854 I'M SO EXCITED TO BE IN 107 00:02:44,854 --> 00:02:45,682 THE TOP FOUR. 108 00:02:45,682 --> 00:02:47,443 I'M SO CLOSE TO THE FINISH LINE. 109 00:02:47,443 --> 00:02:48,409 AND YOU COULD GRAB IT, OR IT 110 00:02:48,409 --> 00:02:50,204 COULD JUST SLIP AWAY, SO I WANT 111 00:02:50,204 --> 00:02:51,585 TO GRAB IT. 112 00:02:51,585 --> 00:02:54,726 >> IT'S BEEN A LONG JOURNEY. 113 00:02:54,726 --> 00:02:55,520 [alarm blares] 114 00:02:55,520 --> 00:02:56,176 >> [screams] 115 00:02:56,176 --> 00:02:56,866 >> YAY! 116 00:02:56,866 --> 00:02:57,970 RIGHT WHEN COURTNEY'S TALKING. 117 00:02:57,970 --> 00:03:00,663 >> OOH, GIRL. 118 00:03:00,663 --> 00:03:03,321 MY TOP FOUR, YOU'VE ALL COME SO 119 00:03:03,321 --> 00:03:05,702 FAR, AND THE ONLY THING STANDING 120 00:03:05,702 --> 00:03:07,601 BETWEEN YOU AND THE CROWN 121 00:03:07,601 --> 00:03:08,774 IS YOU. 122 00:03:08,774 --> 00:03:11,605 SO SHOULDERS BACK, TITS OUT, 123 00:03:11,605 --> 00:03:13,331 AND, GIRL, YOU BETTER SISSY 124 00:03:13,331 --> 00:03:14,263 THAT WALK. 125 00:03:14,263 --> 00:03:17,818 >> YES! 126 00:03:17,818 --> 00:03:19,233 >> HELLO, HELLO, HELLO. 127 00:03:19,233 --> 00:03:20,786 [all talking at once] 128 00:03:20,786 --> 00:03:22,167 >> IT'S ME, BEN DE LA CREME. 129 00:03:22,167 --> 00:03:23,099 I'M BACK. 130 00:03:23,099 --> 00:03:24,790 [laughter] 131 00:03:24,790 --> 00:03:26,723 YOU MADE IT TO THE TOP FOUR. 132 00:03:26,723 --> 00:03:27,897 [all cheer] 133 00:03:27,897 --> 00:03:29,761 >> CONDRAGULATIONS. 134 00:03:29,761 --> 00:03:31,556 FOR YOUR FINAL CHALLENGE, YOU'LL 135 00:03:31,556 --> 00:03:34,179 BE STARRING IN THE MUSIC VIDEO 136 00:03:34,179 --> 00:03:35,801 SISSY THAT WALK. 137 00:03:35,801 --> 00:03:37,493 [all cheer] 138 00:03:37,493 --> 00:03:39,253 >> IT'S A TIMELESS TALE OF 139 00:03:39,253 --> 00:03:41,290 AN INNOCENT GIRL WHO SELLS 140 00:03:41,290 --> 00:03:44,154 HER SOUL TO BECOME SISSY, 141 00:03:44,154 --> 00:03:45,673 INTERNATIONAL SUPERMODEL 142 00:03:45,673 --> 00:03:47,157 OF THE WORLD. 143 00:03:47,157 --> 00:03:48,400 >> OH. 144 00:03:48,400 --> 00:03:50,195 >> YOU'LL LEARN SISSY-OGRAPHY 145 00:03:50,195 --> 00:03:51,231 WITH WORLD-RENOWNED 146 00:03:51,231 --> 00:03:53,405 CHOREOGRAPHER JAMAL SIMS. 147 00:03:53,405 --> 00:03:54,234 >> MM. 148 00:03:54,234 --> 00:03:55,131 >> YOU'LL ALSO BE STARRING IN 149 00:03:55,131 --> 00:03:57,375 TWO ACTING SCENES, WHERE YOU'LL 150 00:03:57,375 --> 00:04:00,585 BE IMPROVISING WITH RUPAUL. 151 00:04:00,585 --> 00:04:02,103 OH, AND I HOPE YOU'RE HUNGRY, 152 00:04:02,103 --> 00:04:03,829 BECAUSE YOU'RE EACH INVITED 153 00:04:03,829 --> 00:04:05,245 TO A LITTLE MOTHER-DAUGHTER 154 00:04:05,245 --> 00:04:07,074 LUNCH WITH MAMA RU. 155 00:04:07,074 --> 00:04:09,801 >> all: AWW. 156 00:04:09,801 --> 00:04:11,630 >> AND IN THE END, ONE OF YOU 157 00:04:11,630 --> 00:04:13,529 WILL BE ELIMINATED. 158 00:04:13,529 --> 00:04:15,289 >> OH, BOY. 159 00:04:15,289 --> 00:04:17,464 >> UH, GAME CHANGER. 160 00:04:17,464 --> 00:04:18,741 WE ALL THOUGHT NO ONE ELSE 161 00:04:18,741 --> 00:04:20,467 WAS GOING HOME, LIKE IN PAST 162 00:04:20,467 --> 00:04:22,986 SEASONS, SO, YEAH, 163 00:04:22,986 --> 00:04:23,953 IT'S VERY THAT. 164 00:04:23,953 --> 00:04:26,266 >> SO DON'T [bleep] IT UP. 165 00:04:26,266 --> 00:04:27,577 >> THIS IS IT. 166 00:04:27,577 --> 00:04:29,165 WE HAVE TO DELIVER, OR WE 167 00:04:29,165 --> 00:04:30,097 GO HOME. 168 00:04:30,097 --> 00:04:31,581 >> GENTLEMEN, START YOUR 169 00:04:31,581 --> 00:04:34,377 ENGINES, AND MAY THE BEST WOMAN 170 00:04:34,377 --> 00:04:36,103 ENGINES, AND MAY THE BEST WOMAN WIN. 171 00:04:36,103 --> 00:04:37,829 WIN. 172 00:04:37,829 --> 00:04:38,485 >> LADIES. 173 00:04:38,485 --> 00:04:39,209 >> HI. 174 00:04:39,209 --> 00:04:39,865 >> HI. 175 00:04:39,865 --> 00:04:43,628 >> HOW YOU DOING? 176 00:04:43,628 --> 00:04:45,906 >> OH, HOW YOU DOING? 177 00:04:45,906 --> 00:04:46,734 >> YOU GUYS READY TO LEARN 178 00:04:46,734 --> 00:04:48,011 SOME SISSY-OGRAPHY? 179 00:04:48,011 --> 00:04:48,667 >> YES. 180 00:04:48,667 --> 00:04:49,323 >> I THINK SO. 181 00:04:49,323 --> 00:04:50,048 >> COME WITH ME. 182 00:04:50,048 --> 00:04:51,636 SISSY-OGRAPHY IS ABOUT NOT BEING 183 00:04:51,636 --> 00:04:53,500 AFRAID TO BE SEXY AND HOT 184 00:04:53,500 --> 00:04:55,571 AND FUN AND SASSY. 185 00:04:55,571 --> 00:04:57,504 I'M LOOKING FOR THEM TO GIVE IT. 186 00:04:57,504 --> 00:04:58,539 JUST WATCH ME. 187 00:04:58,539 --> 00:05:00,507 ONE, TWO, AND THREE, FOUR. 188 00:05:00,507 --> 00:05:01,853 WALK--BAH, BAH. 189 00:05:01,853 --> 00:05:03,164 HOO, CLICK. 190 00:05:03,164 --> 00:05:04,442 >> WELL, THAT'S EASY. 191 00:05:04,442 --> 00:05:05,926 >> ALL RIGHT, HERE WE GO. 192 00:05:05,926 --> 00:05:07,203 ADORE, LET'S GO. 193 00:05:07,203 --> 00:05:09,688 GO, ONE, TWO, THREE, AND FOUR. 194 00:05:09,688 --> 00:05:10,758 FIVE, SIX, WHAT? 195 00:05:10,758 --> 00:05:12,070 SEVEN, EIGHT. 196 00:05:12,070 --> 00:05:13,451 COURTNEY, ONE, TWO, 197 00:05:13,451 --> 00:05:14,624 THREE, AND FOUR. 198 00:05:14,624 --> 00:05:17,420 FIVE, SIX, SEVEN, EIGHT. 199 00:05:17,420 --> 00:05:18,179 GOOD. 200 00:05:18,179 --> 00:05:19,146 BIANCA, HERE WE GO. 201 00:05:19,146 --> 00:05:20,043 >> JUST TO LET YOU KNOW, 202 00:05:20,043 --> 00:05:21,804 I HAD A STROKE IN 1972. 203 00:05:21,804 --> 00:05:22,460 >> YOU GOT THIS. 204 00:05:22,460 --> 00:05:23,150 YOU GOT THIS. 205 00:05:23,150 --> 00:05:23,806 >> ALL RIGHT. 206 00:05:23,806 --> 00:05:24,462 >> COME ON WITH IT. 207 00:05:24,462 --> 00:05:26,049 FIVE, SIX, SEVEN, EIGHT. 208 00:05:26,049 --> 00:05:27,188 GO. 209 00:05:27,188 --> 00:05:28,120 >> [bleep], I CAN'T. 210 00:05:28,120 --> 00:05:29,329 AM I GOING DOWN, OR AM I-- 211 00:05:29,329 --> 00:05:30,295 >> LOOK, YOU'RE GONNA START WITH 212 00:05:30,295 --> 00:05:32,159 YOUR CHEST, AND THEN THAT ROLLS 213 00:05:32,159 --> 00:05:33,333 DOWN YOUR BODY. 214 00:05:33,333 --> 00:05:34,782 LET IT--LET IT--YEAH. 215 00:05:34,782 --> 00:05:35,438 YOU SEE THAT? 216 00:05:35,438 --> 00:05:36,128 THERE YOU GO. 217 00:05:36,128 --> 00:05:36,784 >> YEAH. 218 00:05:36,784 --> 00:05:37,889 THAT'S ALL RIGHT? 219 00:05:37,889 --> 00:05:38,683 KEEP GOING. 220 00:05:38,683 --> 00:05:39,442 COME BACK TO ME. 221 00:05:39,442 --> 00:05:40,132 [laughs] 222 00:05:40,132 --> 00:05:40,823 >> BUT LOOK, YOU CAN'T BE 223 00:05:40,823 --> 00:05:41,444 SMILING LIKE THIS. 224 00:05:41,444 --> 00:05:42,307 >> IT'S THAT STROKE. 225 00:05:42,307 --> 00:05:43,481 IT'S THAT--YOU LIKE THIS? 226 00:05:43,481 --> 00:05:45,379 YOU LIKE MY ROLL? 227 00:05:45,379 --> 00:05:47,795 >> BIANCA IS STRUGGLING BECAUSE 228 00:05:47,795 --> 00:05:49,314 SHE'S MORE WORRIED ABOUT BEING 229 00:05:49,314 --> 00:05:50,798 FUNNY TO DEFLECT THE FACT THAT 230 00:05:50,798 --> 00:05:52,352 SHE'S NOT BEING GOOD. 231 00:05:52,352 --> 00:05:53,629 >> [laughs] 232 00:05:53,629 --> 00:05:55,596 >> MISS DARIENNE, READY? 233 00:05:55,596 --> 00:05:56,459 >> YEP. 234 00:05:56,459 --> 00:05:57,322 >> LET'S GO SLOW. 235 00:05:57,322 --> 00:05:57,978 >> YEAH. 236 00:05:57,978 --> 00:05:59,876 >> SO FIVE, SIX, SEVEN, 237 00:05:59,876 --> 00:06:00,774 LET'S GO. 238 00:06:00,774 --> 00:06:03,293 GO, ONE, AND TWO, THREE, FOUR. 239 00:06:03,293 --> 00:06:04,709 NOT RIGHT. 240 00:06:04,709 --> 00:06:05,986 I SEE YOU THINKING, AND WE HAVE 241 00:06:05,986 --> 00:06:07,367 TO LET THAT GO. 242 00:06:07,367 --> 00:06:08,368 NOW ALL TOGETHER. 243 00:06:08,368 --> 00:06:10,922 FIVE, SIX, SEVEN, EIGHT. 244 00:06:10,922 --> 00:06:13,373 AND ONE, TWO, THREE, AND FOUR. 245 00:06:13,373 --> 00:06:15,651 FIVE, SIX, SEVEN, EIGHT. 246 00:06:15,651 --> 00:06:17,929 ONE, TWO, AND THREE, FOUR. 247 00:06:17,929 --> 00:06:20,241 FIVE, SIX, AND SEVEN, EIGHT. 248 00:06:20,241 --> 00:06:21,104 WHAT HAPPENED? 249 00:06:21,104 --> 00:06:21,760 >> I DON'T KNOW. 250 00:06:21,760 --> 00:06:23,072 I JUST--I GOT LOST ON THE FIRST 251 00:06:23,072 --> 00:06:25,385 ONE, AND I WAS LIKE, "OOH, BOY." 252 00:06:25,385 --> 00:06:26,282 >> YOU'RE DEFEATING YOURSELF 253 00:06:26,282 --> 00:06:27,387 BEFORE WE EVEN START. 254 00:06:27,387 --> 00:06:29,354 YOU CAN DO THIS. 255 00:06:29,354 --> 00:06:30,562 >> [sighing] OH, BOY. 256 00:06:30,562 --> 00:06:32,806 >> THIS IS RU'S VIDEO, SO 257 00:06:32,806 --> 00:06:35,533 >> THIS IS RU'S VIDEO, SO WE CANNOT [bleep] IT UP. 258 00:06:35,533 --> 00:06:40,158 WE CANNOT [bleep] IT UP. 259 00:06:40,158 --> 00:06:41,401 >> COURTNEY ACT, GET YOUR ASS 260 00:06:41,401 --> 00:06:42,194 IN HERE. 261 00:06:42,194 --> 00:06:43,126 >> HI, RUPAUL, HOW ARE YOU? 262 00:06:43,126 --> 00:06:44,404 >> I JUST DIDN'T FEEL LIKE 263 00:06:44,404 --> 00:06:46,060 COOKING, SO I ORDERED IN. 264 00:06:46,060 --> 00:06:47,234 >> [chuckles] 265 00:06:47,234 --> 00:06:49,754 >> SO $100,000, AMERICA'S NEXT 266 00:06:49,754 --> 00:06:51,894 DRAG SUPERSTAR, WHY SHOULD YOU 267 00:06:51,894 --> 00:06:52,929 GET THE CROWN? 268 00:06:52,929 --> 00:06:53,999 >> I CAN LOOK GOOD. 269 00:06:53,999 --> 00:06:54,690 I CAN SING GOOD. 270 00:06:54,690 --> 00:06:55,725 I CAN DANCE GOOD. 271 00:06:55,725 --> 00:06:56,554 AND IF THERE'S SOMEBODY ELSE 272 00:06:56,554 --> 00:06:58,314 WHO'S BETTER THAN ME, THEN THEY 273 00:06:58,314 --> 00:07:01,006 SHOULD WIN, BUT I TRULY FEEL 274 00:07:01,006 --> 00:07:03,664 THAT I HAVE BEEN MY BEST, AND 275 00:07:03,664 --> 00:07:05,045 I FEEL THAT I HAVE BEEN THEBEST 276 00:07:05,045 --> 00:07:05,839 AS WELL. 277 00:07:05,839 --> 00:07:06,771 >> YOU'VE BEEN CRITICIZED FOR 278 00:07:06,771 --> 00:07:09,256 RESTING ON PRETTY AND BEING 279 00:07:09,256 --> 00:07:11,051 DIPLOMATIC IN A WAY THAT FELT 280 00:07:11,051 --> 00:07:12,362 SORT OF CANNED. 281 00:07:12,362 --> 00:07:14,813 WHAT ABOUT THE EMOTIONAL, 282 00:07:14,813 --> 00:07:16,988 VULNERABLE SIDE OF COURTNEY ACT? 283 00:07:16,988 --> 00:07:17,644 >> I KNOW. 284 00:07:17,644 --> 00:07:18,438 IT CONCERNS ME THAT IT SEEMS 285 00:07:18,438 --> 00:07:20,647 CANNED, 'CAUSE I TRULY FEEL LIKE 286 00:07:20,647 --> 00:07:22,234 I COME FROM THIS PLACE OF 287 00:07:22,234 --> 00:07:23,857 OBJECTIVITY, AND I FEEL LIKE IN 288 00:07:23,857 --> 00:07:24,823 THE COMPETITION AS WELL, I'M 289 00:07:24,823 --> 00:07:25,928 IN, LIKE, WORK MODE, AND I'M 290 00:07:25,928 --> 00:07:26,963 FOCUSED... 291 00:07:26,963 --> 00:07:27,688 >> RIGHT. 292 00:07:27,688 --> 00:07:28,378 >> ON WORK. 293 00:07:28,378 --> 00:07:30,484 >> WE CAN ALL STAND FOR A LITTLE 294 00:07:30,484 --> 00:07:32,797 BIT MORE HUMANITY, EVEN IF THAT 295 00:07:32,797 --> 00:07:35,972 HUMANITY SEEMS MESSY AND 296 00:07:35,972 --> 00:07:36,904 UNCOMFORTABLE. 297 00:07:36,904 --> 00:07:37,905 I KNOW THAT YOU HAVE THAT 298 00:07:37,905 --> 00:07:38,561 VULNERABILITY. 299 00:07:38,561 --> 00:07:39,700 I CAN SEE IT IN YOUR EYES. 300 00:07:39,700 --> 00:07:41,668 AND I'M VERY PROUD OF YOU. 301 00:07:41,668 --> 00:07:42,876 GIVE 'EM HELL OUT THERE. 302 00:07:42,876 --> 00:07:43,532 >> I WILL. 303 00:07:43,532 --> 00:07:45,568 >> I WILL. THANK YOU. 304 00:07:45,568 --> 00:07:49,572 THANK YOU. 305 00:07:49,572 --> 00:07:50,400 >> SO WHAT ARE YOU, LIKE, 306 00:07:50,400 --> 00:07:51,332 THE MOST WORRIED ABOUT IN 307 00:07:51,332 --> 00:07:54,474 THIS CHALLENGE? 308 00:07:54,474 --> 00:07:55,336 >> I DON'T SEE THE FUNCTION 309 00:07:55,336 --> 00:07:56,130 OF WORRY. 310 00:07:56,130 --> 00:07:58,029 I THINK IT'S ALL REALLY FUN. 311 00:07:58,029 --> 00:07:59,306 >> BUT, I MEAN, IT'S TOP FOUR, 312 00:07:59,306 --> 00:08:00,031 BITCH. 313 00:08:00,031 --> 00:08:01,377 LIKE, ANY TYPE OF, LIKE, THING 314 00:08:01,377 --> 00:08:02,551 CAN HAPPEN THAT CAN, LIKE, SEND 315 00:08:02,551 --> 00:08:03,413 US HOME. 316 00:08:03,413 --> 00:08:04,484 >> WELL, YOU KNOW, RU SAID THAT 317 00:08:04,484 --> 00:08:05,657 SOMETIMES WHEN I TALK, MY 318 00:08:05,657 --> 00:08:07,625 ANSWERS CAN SOUND CANNED, WHICH 319 00:08:07,625 --> 00:08:08,833 KIND OF CAME AS A SHOCK, BECAUSE 320 00:08:08,833 --> 00:08:10,041 I FEEL LIKE EVERYTHING I SAY 321 00:08:10,041 --> 00:08:11,732 KIND OF COMES FROM THE HEART. 322 00:08:11,732 --> 00:08:16,496 AND I HONESTLY DON'T KNOW 323 00:08:16,496 --> 00:08:18,118 ENTIRELY WHAT SHE MEANS, SO I 324 00:08:18,118 --> 00:08:20,016 CAN'T REALLY--I'M NOT GONNA BLOW 325 00:08:20,016 --> 00:08:21,052 MY HEAD UP THINKING ABOUT IT. 326 00:08:21,052 --> 00:08:21,742 I FEEL GOOD. 327 00:08:21,742 --> 00:08:22,467 I FEEL EXCITED. 328 00:08:22,467 --> 00:08:23,123 I'M HAPPY. 329 00:08:23,123 --> 00:08:24,331 I'M DOING A WIG. 330 00:08:24,331 --> 00:08:25,194 >> YOU THINK FOR A MINUTE THAT 331 00:08:25,194 --> 00:08:26,506 IT'S JUST A CAKEWALK. 332 00:08:26,506 --> 00:08:27,265 LOOK WHAT HAPPENED TO ME 333 00:08:27,265 --> 00:08:28,197 THE LAST CHALLENGE. 334 00:08:28,197 --> 00:08:30,302 I SEW, AND THIS BITCH TAKES 335 00:08:30,302 --> 00:08:32,753 THE CAKE. 336 00:08:32,753 --> 00:08:34,893 ALL OF US SHOULD BE NERVOUS. 337 00:08:34,893 --> 00:08:36,343 SOMEBODY'S GOING HOME, AND WITH 338 00:08:36,343 --> 00:08:37,517 THAT CONFIDENCE, IT MIGHT 339 00:08:37,517 --> 00:08:40,796 BE HER. 340 00:08:40,796 --> 00:08:41,728 >> COMING UP... 341 00:08:41,728 --> 00:08:42,418 >> [bleep]. 342 00:08:42,418 --> 00:08:43,315 >> SHE NEEDS TO IMPRESS 343 00:08:43,315 --> 00:08:44,869 THE JUDGES, AND I DON'T KNOW 344 00:08:44,869 --> 00:08:45,732 IF SHE CAN. 345 00:08:45,732 --> 00:08:47,630 >> [bleep]. 346 00:08:47,630 --> 00:08:49,770 >> [bleep]. >> [laughing] 347 00:08:49,770 --> 00:08:52,186 >> [laughing] 348 00:08:52,186 --> 00:08:55,638 >> [laughing] 349 00:08:55,638 --> 00:08:57,260 WHY, DARIENNE LAKE. 350 00:08:57,260 --> 00:08:58,192 >> HI, RU. HELLO, GORGEOUS. 351 00:08:58,192 --> 00:09:01,679 >> GET YOUR TUSH IN HERE, DOLL. 352 00:09:01,679 --> 00:09:03,473 SO, DARIENNE, YOU'RE GONNA 353 00:09:03,473 --> 00:09:04,613 BE FAMOUS. 354 00:09:04,613 --> 00:09:06,062 HOW ARE YOU GOING TO DEAL WITH 355 00:09:06,062 --> 00:09:07,616 PEOPLE SAYING THINGS, 356 00:09:07,616 --> 00:09:09,721 MOSTLY B.S.? 357 00:09:09,721 --> 00:09:10,515 >> YOU KNOW, I CAN BRUSH OFF 358 00:09:10,515 --> 00:09:11,827 WHAT PEOPLE SAY TO ME, BECAUSE 359 00:09:11,827 --> 00:09:13,242 GROWING UP, I HEARD 360 00:09:13,242 --> 00:09:14,519 HORRIBLE THINGS. 361 00:09:14,519 --> 00:09:15,451 >> YOU WERE THROWN OUT OF THE 362 00:09:15,451 --> 00:09:19,524 HOUSE AS A KID, WEREN'T YOU? 363 00:09:19,524 --> 00:09:20,663 >> IT WASN'T, "PACK YOUR BAGS 364 00:09:20,663 --> 00:09:21,491 AND LEAVE." 365 00:09:21,491 --> 00:09:22,872 IT WAS MORE LIKE AN INVITATION 366 00:09:22,872 --> 00:09:23,873 TO LEAVE. 367 00:09:23,873 --> 00:09:24,874 MY MOTHER SAID, "YOU HAVE A LOT 368 00:09:24,874 --> 00:09:27,221 OF NERVE TO STAND THERE IN MY 369 00:09:27,221 --> 00:09:29,707 HOUSE, ON MY DIME, AND LIVE 370 00:09:29,707 --> 00:09:31,018 YOUR LIFESTYLE THAT I DON'T 371 00:09:31,018 --> 00:09:33,331 APPROVE OF," AND SHE'S LIKE, 372 00:09:33,331 --> 00:09:34,401 "YOU'RE A CLOWN. 373 00:09:34,401 --> 00:09:35,816 PEOPLE ARE GONNA LAUGH AT YOU." 374 00:09:35,816 --> 00:09:37,473 AND I THINK SHE STILL HAS THAT 375 00:09:37,473 --> 00:09:38,785 WHOLE THING THAT QUEERS ARE 376 00:09:38,785 --> 00:09:40,821 BELOW ANY OTHER PERSON. 377 00:09:40,821 --> 00:09:42,167 THERE WAS A LOT OF YEARS OF NOT 378 00:09:42,167 --> 00:09:43,444 LOVING MYSELF. 379 00:09:43,444 --> 00:09:44,618 >> LOVING YOURSELF--IT REALLY 380 00:09:44,618 --> 00:09:47,276 TAKES A DAILY PRACTICE. 381 00:09:47,276 --> 00:09:49,485 I'M SO PROUD OF YOU. 382 00:09:49,485 --> 00:09:50,590 >> THERE ARE THINGS I'M GETTING 383 00:09:50,590 --> 00:09:51,936 FROM RU THAT I DON'T GET FROM 384 00:09:51,936 --> 00:09:53,938 MY OWN MOTHER. 385 00:09:53,938 --> 00:09:55,940 THIS EXPERIENCE HAS REALLY 386 00:09:55,940 --> 00:09:58,563 ENRICHED THE LOVE OF MYSELF. 387 00:09:58,563 --> 00:09:59,875 >> ALL RIGHT, SWEETHEART. 388 00:09:59,875 --> 00:10:01,773 NOW GET YOUR ASS BACK TO WORK. 389 00:10:01,773 --> 00:10:05,363 YOU'VE GOT A CROWN TO WIN. 390 00:10:05,363 --> 00:10:06,536 >> I'M TRYING TO DECIDE, FOR 391 00:10:06,536 --> 00:10:08,366 THE FINAL RUNWAY LOOK, BETWEEN, 392 00:10:08,366 --> 00:10:10,610 LIKE, THIS OR TO GO FOR 393 00:10:10,610 --> 00:10:11,576 SOMETHING WITH A BIT 394 00:10:11,576 --> 00:10:13,474 MORE PIZZAZZ. 395 00:10:13,474 --> 00:10:14,544 THIS IS THE FINAL TIME WE'RE 396 00:10:14,544 --> 00:10:15,373 GONNA BE WALKING DOWN 397 00:10:15,373 --> 00:10:16,788 THE RUNWAY, SO I WANT TO MAKE 398 00:10:16,788 --> 00:10:18,859 SURE THAT I'M GLITTERY AND 399 00:10:18,859 --> 00:10:19,929 FABULOUS. 400 00:10:19,929 --> 00:10:21,206 THIS IS LIKE A FEATHER BACKPACK 401 00:10:21,206 --> 00:10:22,725 THAT'S GOT, LIKE, BIG PHEASANT 402 00:10:22,725 --> 00:10:24,624 FEATHERS COMING OUT THE BACK. 403 00:10:24,624 --> 00:10:26,177 >> LOOKS CUTE. 404 00:10:26,177 --> 00:10:28,248 >> I HAVE A HOODED THING 405 00:10:28,248 --> 00:10:29,905 AS WELL. 406 00:10:29,905 --> 00:10:33,460 >> OH. 407 00:10:33,460 --> 00:10:34,875 THAT'S PRETTY. 408 00:10:34,875 --> 00:10:36,152 >> MAYBE THIS IS MY OPPORTUNITY 409 00:10:36,152 --> 00:10:38,154 TO WEAR MY PRISCILLA WIG. 410 00:10:38,154 --> 00:10:39,569 IT'S A LITTLE HOMAGE TO 411 00:10:39,569 --> 00:10:43,228 PRISCILLA, QUEEN OF THE DESERT. 412 00:10:43,228 --> 00:10:44,436 >> I MAY NOT HAVE, LIKE, 413 00:10:44,436 --> 00:10:46,197 EXPENSIVE-ASS GOWNS OR 414 00:10:46,197 --> 00:10:48,751 ACCESSORIES TO THE MAX, BUT 415 00:10:48,751 --> 00:10:50,304 YOU DON'T NEED ALL OF THAT 416 00:10:50,304 --> 00:10:51,961 TO BE A [bleep] STAR. 417 00:10:51,961 --> 00:10:53,825 LIKE, YOU CAN WEAR A PAPER BAG, 418 00:10:53,825 --> 00:10:55,275 AND YOU COULD SEE OUT OF THE 419 00:10:55,275 --> 00:10:56,932 CROWD WHO IS GONNA BE SOMETHING 420 00:10:56,932 --> 00:10:59,382 OR WHO IS SOMETHING ALREADY. 421 00:10:59,382 --> 00:11:00,245 >> DO YOU KNOW WHAT YOU'RE GONNA 422 00:11:00,245 --> 00:11:00,901 WEAR YET? 423 00:11:00,901 --> 00:11:03,559 >> I'LL WEAR SOMETHING CUTE. 424 00:11:03,559 --> 00:11:05,906 >> ADORE REMINDS ME OF ME TEN 425 00:11:05,906 --> 00:11:06,976 YEARS AGO. 426 00:11:06,976 --> 00:11:08,012 THERE WAS, LIKE, A SPARK AND 427 00:11:08,012 --> 00:11:09,703 A TALENT THERE, BUT THERE WASN'T 428 00:11:09,703 --> 00:11:11,256 THE REFINEMENT. 429 00:11:11,256 --> 00:11:13,224 SHE NEEDS TO IMPRESS THE JUDGES, 430 00:11:13,224 --> 00:11:14,708 AND I DON'T KNOW IF SHE CAN. 431 00:11:14,708 --> 00:11:19,092 >> IT'S JUST $10 ON EBAY. 432 00:11:19,092 --> 00:11:19,782 >> HELLO. 433 00:11:19,782 --> 00:11:20,680 >> HELLO. 434 00:11:20,680 --> 00:11:21,853 >> COME ON IN. 435 00:11:21,853 --> 00:11:22,647 >> I FEEL LIKE I'M AT 436 00:11:22,647 --> 00:11:23,579 THE LAST SUPPER. 437 00:11:23,579 --> 00:11:24,442 [laughs] 438 00:11:24,442 --> 00:11:25,685 >> WELL, HERE YOU ARE. 439 00:11:25,685 --> 00:11:26,686 TOP FOUR. 440 00:11:26,686 --> 00:11:27,410 >> I KNOW. 441 00:11:27,410 --> 00:11:28,688 >> YOU'RE VERY ASTUTE. 442 00:11:28,688 --> 00:11:30,137 YOU'RE ONE OF THE BETTER PLAYERS 443 00:11:30,137 --> 00:11:31,518 WE'VE HAD COME THROUGH HERE. 444 00:11:31,518 --> 00:11:32,553 WHERE'S THAT COME FROM? 445 00:11:32,553 --> 00:11:34,072 >> I'VE HAD SOME AMAZING PEOPLE 446 00:11:34,072 --> 00:11:35,211 IN MY LIFE THAT HAVE TAUGHT ME 447 00:11:35,211 --> 00:11:36,696 THAT, YOU KNOW, THAT WERE LIKE, 448 00:11:36,696 --> 00:11:37,662 "QUEEN, YOU DON'T NEED TO WEAR 449 00:11:37,662 --> 00:11:38,490 THAT WIG. 450 00:11:38,490 --> 00:11:39,560 YOU DON'T NEED TO SAY THAT." 451 00:11:39,560 --> 00:11:40,630 AND NOW I CATCH MYSELF ON 452 00:11:40,630 --> 00:11:41,770 COUNTLESS OCCASIONS SAYING 453 00:11:41,770 --> 00:11:43,012 THINGS TO OTHER QUEENS THAT I'M 454 00:11:43,012 --> 00:11:45,049 LIKE, "I SOUND LIKE THE OLD ONE 455 00:11:45,049 --> 00:11:46,395 NOW," YOU KNOW? 456 00:11:46,395 --> 00:11:47,534 >> NOW THE REST OF THE WORLD 457 00:11:47,534 --> 00:11:48,949 WILL SEE THAT NICER SIDE. 458 00:11:48,949 --> 00:11:49,985 ARE YOU PREPARED FOR THAT? 459 00:11:49,985 --> 00:11:50,813 >> YOU'VE BEEN FILMING THIS? 460 00:11:50,813 --> 00:11:51,849 >> [laughing] 461 00:11:51,849 --> 00:11:52,573 >> THERE'S TAPE IN 462 00:11:52,573 --> 00:11:53,540 THOSE CAMERAS? 463 00:11:53,540 --> 00:11:54,196 >> [laughing] YEAH. 464 00:11:54,196 --> 00:11:55,680 >> OH, GREAT. 465 00:11:55,680 --> 00:11:57,026 COMING INTO THIS COMPETITION, 466 00:11:57,026 --> 00:11:58,856 I HAD NO INTENTIONS OF MENTORING 467 00:11:58,856 --> 00:12:00,374 ANY CHILD, BUT IT'S BEEN KIND OF 468 00:12:00,374 --> 00:12:01,859 REFRESHING IN A WEIRD, 469 00:12:01,859 --> 00:12:04,724 [bleep]-UP WAY. 470 00:12:04,724 --> 00:12:06,035 >> SO, ADORE, WHY SHOULD YOU 471 00:12:06,035 --> 00:12:07,140 GET THE CROWN? 472 00:12:07,140 --> 00:12:08,037 >> THIS IS MY PASSION. 473 00:12:08,037 --> 00:12:09,142 IT'S MY CALLING. 474 00:12:09,142 --> 00:12:10,660 I WAS RAISED RIGHT, SO I WOULD 475 00:12:10,660 --> 00:12:12,317 NOT LET YOU DOWN. 476 00:12:12,317 --> 00:12:13,733 >> SO, ADORE, YOU'RE REALLY 477 00:12:13,733 --> 00:12:14,595 CLOSE TO YOUR MOM. 478 00:12:14,595 --> 00:12:16,011 YOU TALK ABOUT HER ALL THE TIME. 479 00:12:16,011 --> 00:12:16,770 >> YEAH. 480 00:12:16,770 --> 00:12:18,461 LIKE, MY MOM IS ALL I NEED. 481 00:12:18,461 --> 00:12:19,877 SHE'S LIKE MY MOM, MY DAD, 482 00:12:19,877 --> 00:12:20,601 MY GRANDPARENTS. 483 00:12:20,601 --> 00:12:21,844 SHE'S EVERYTHING TO ME, SO... 484 00:12:21,844 --> 00:12:23,743 >> WHAT ABOUT YOUR DAD? 485 00:12:23,743 --> 00:12:24,433 >> I DON'T REALLY HAVE 486 00:12:24,433 --> 00:12:25,952 A RELATIONSHIP WITH HIM. 487 00:12:25,952 --> 00:12:28,609 >> DO YOU WANT ONE? 488 00:12:28,609 --> 00:12:29,507 WHY NOT? 489 00:12:29,507 --> 00:12:30,750 >> THERE'S A LOT OF THINGS THAT 490 00:12:30,750 --> 00:12:32,061 HE SAID TO ME WHEN I WAS 491 00:12:32,061 --> 00:12:33,131 YOUNGER. 492 00:12:33,131 --> 00:12:34,650 WHEN I WAS SEVEN, HE SAID THAT, 493 00:12:34,650 --> 00:12:35,513 LIKE, HE WAS BASICALLY 494 00:12:35,513 --> 00:12:36,997 EMBARRASSED AT ME BECAUSE I WAS 495 00:12:36,997 --> 00:12:38,102 FEMININE AND I LIKED GIRL 496 00:12:38,102 --> 00:12:39,759 THINGS, AND IT JUST REALLY 497 00:12:39,759 --> 00:12:40,621 STUCK WITH ME. 498 00:12:40,621 --> 00:12:42,520 THAT, I THINK, HAS A LOT TO DO 499 00:12:42,520 --> 00:12:43,832 WITH MY CONFIDENCE. 500 00:12:43,832 --> 00:12:45,281 LIKE, A LOT OF MY FREAK-OUTS, 501 00:12:45,281 --> 00:12:46,800 A LOT OF MY INSECURITIES, DO 502 00:12:46,800 --> 00:12:48,319 COME FROM THAT. 503 00:12:48,319 --> 00:12:48,975 >> YEAH. 504 00:12:48,975 --> 00:12:50,286 A BONE IN THE PLACE IT WAS 505 00:12:50,286 --> 00:12:52,772 BROKEN, AFTER IT HEALS, THAT 506 00:12:52,772 --> 00:12:54,290 BECOMES THE STRONGEST PLACE 507 00:12:54,290 --> 00:12:55,429 ON THE BONE, YOU KNOW WHAT 508 00:12:55,429 --> 00:12:56,534 I'M SAYING? 509 00:12:56,534 --> 00:12:58,467 SO THAT BROKEN PLACE IN YOU CAN 510 00:12:58,467 --> 00:13:00,814 BE YOUR SPIRITUAL RESURRECTION, 511 00:13:00,814 --> 00:13:02,712 BECAUSE YOU'RE A FABULOUS KID 512 00:13:02,712 --> 00:13:04,749 AND YOU'VE GOT LOTS OF TALENT, 513 00:13:04,749 --> 00:13:07,062 AND HE'S REALLY MISSING OUT. 514 00:13:07,062 --> 00:13:08,201 WHAT'S YOUR MOM'S NAME? 515 00:13:08,201 --> 00:13:09,133 >> BONNIE. 516 00:13:09,133 --> 00:13:10,893 >> DO THIS FOR BONNIE. 517 00:13:10,893 --> 00:13:12,170 SHE'S THE ONE ROOTING FOR YOU 518 00:13:12,170 --> 00:13:15,070 BACK HOME, AND YOU GO OUT THERE, 519 00:13:15,070 --> 00:13:17,210 AND YOU DON'T LET THE SABOTEUR 520 00:13:17,210 --> 00:13:19,591 AND YOU DON'T LET THE SABOTEUR GET YOU OFF THE TRACK. 521 00:13:19,591 --> 00:13:23,319 GET YOU OFF THE TRACK. 522 00:13:23,319 --> 00:13:24,493 >> NOW IT'S TIME TO SHOOT OUR 523 00:13:24,493 --> 00:13:25,770 DANCE ROUTINE FOR 524 00:13:25,770 --> 00:13:27,979 SISSY THAT WALKBY RUPAUL. 525 00:13:27,979 --> 00:13:29,739 >> LADIES. 526 00:13:29,739 --> 00:13:31,603 I REALLY WANT YOU TO LOOK LIKE 527 00:13:31,603 --> 00:13:33,743 A PERFORMANCE, NOT A REHEARSAL. 528 00:13:33,743 --> 00:13:34,641 OKAY? 529 00:13:34,641 --> 00:13:35,435 CUE THE MUSIC. 530 00:13:35,435 --> 00:13:36,677 >> ♪ NOW SISSY THAT WALK 531 00:13:36,677 --> 00:13:38,334 [pulsing electronic music] 532 00:13:38,334 --> 00:13:40,026 >> COME ON! 533 00:13:40,026 --> 00:13:42,649 HEY! 534 00:13:42,649 --> 00:13:44,237 CUT, CUT. 535 00:13:44,237 --> 00:13:46,308 ADORE, DARIENNE, YOU HAVE TO BE 536 00:13:46,308 --> 00:13:48,137 IN SYNC FOR IT TO LOOK RIGHT. 537 00:13:48,137 --> 00:13:50,001 THAT WAS NOT $100,000 538 00:13:50,001 --> 00:13:52,314 CHOREOGRAPHY RIGHT THERE. 539 00:13:52,314 --> 00:13:53,315 ALL RIGHT, LET'S GET THE SCRUFF 540 00:13:53,315 --> 00:13:55,973 PIT CREW WITH THE FANS. 541 00:13:55,973 --> 00:13:57,802 ALL RIGHT, TIME TO PUT THAT 542 00:13:57,802 --> 00:14:00,770 ALL RIGHT, TIME TO PUT THAT SISSY-OGRAPHY ON THE TREADMILL. 543 00:14:00,770 --> 00:14:02,220 SISSY-OGRAPHY ON THE TREADMILL. 544 00:14:02,220 --> 00:14:03,256 >> BIANCA DEL RIO. 545 00:14:03,256 --> 00:14:03,912 >> ME? 546 00:14:03,912 --> 00:14:04,671 OKAY. 547 00:14:04,671 --> 00:14:06,017 >> BREAK A LEG. 548 00:14:06,017 --> 00:14:07,260 >> SHUT UP. 549 00:14:07,260 --> 00:14:09,089 >> ♪ FLY, FLY, FLY, FLY 550 00:14:09,089 --> 00:14:10,642 >> SPREAD THOSE WINGS! 551 00:14:10,642 --> 00:14:12,368 MAKE IT HOT. 552 00:14:12,368 --> 00:14:13,024 >> [bleep]. 553 00:14:13,024 --> 00:14:14,198 IT'S WEIRD TO BE ON A TREADMILL 554 00:14:14,198 --> 00:14:14,992 WITH HEELS. 555 00:14:14,992 --> 00:14:16,303 NOW YOU ADD A FAN. 556 00:14:16,303 --> 00:14:17,580 I'M HAVING HURRICANE KATRINA 557 00:14:17,580 --> 00:14:18,961 FLASHBACKS. 558 00:14:18,961 --> 00:14:20,583 [bleep]. 559 00:14:20,583 --> 00:14:22,862 >> JUST MAKE IT, MAKE IT HOT. 560 00:14:22,862 --> 00:14:24,001 >> COURTNEY IS GETTING CRAZY 561 00:14:24,001 --> 00:14:25,519 UP ON THAT DANCE FLOOR. 562 00:14:25,519 --> 00:14:27,142 MOLLY, YOU IN DANGER, GIRL. 563 00:14:27,142 --> 00:14:28,833 >> [sighs] 564 00:14:28,833 --> 00:14:30,317 >> ♪ I'M A FEMME QUEEN 565 00:14:30,317 --> 00:14:31,491 ♪ MOTHER OF A HOUSE 566 00:14:31,491 --> 00:14:32,388 ♪ OF NO SHAME 567 00:14:32,388 --> 00:14:33,493 >> GOT A LITTLE SWAG. 568 00:14:33,493 --> 00:14:34,356 COME ON. 569 00:14:34,356 --> 00:14:35,012 HEY! 570 00:14:35,012 --> 00:14:36,427 >> ♪ KISS THE FLAME 571 00:14:36,427 --> 00:14:37,773 >> ♪ AND IF I FLY 572 00:14:37,773 --> 00:14:38,636 >> YOU'RE ON FIRE RIGHT NOW. 573 00:14:38,636 --> 00:14:39,913 >> ♪ OR IF I FALL 574 00:14:39,913 --> 00:14:40,638 >> GOOD JOB. 575 00:14:40,638 --> 00:14:41,881 >> ♪ I'M A FEMME QUEEN 576 00:14:41,881 --> 00:14:44,159 >> GIVE ME SEXY! 577 00:14:44,159 --> 00:14:46,161 >> ♪ MY [bleep] IS ON FIRE 578 00:14:46,161 --> 00:14:47,852 ♪ NOW KISS THE FLAME 579 00:14:47,852 --> 00:14:48,922 [record scratches] 580 00:14:48,922 --> 00:14:50,130 >> BITCH JUST STOLE MY 581 00:14:50,130 --> 00:14:51,994 MOTHER[bleep] MOVE. 582 00:14:51,994 --> 00:14:53,754 DID YOU SEE THAT? 583 00:14:53,754 --> 00:14:54,928 BITCH, I DID THAT FIRST. 584 00:14:54,928 --> 00:14:57,897 I DID THAT FIRST. 585 00:14:57,897 --> 00:14:58,863 >> COMING UP... 586 00:14:58,863 --> 00:14:59,622 >> ACTION. 587 00:14:59,622 --> 00:15:00,451 >> BARK LIKE A DOG. 588 00:15:00,451 --> 00:15:01,141 >> [barks] 589 00:15:01,141 --> 00:15:02,073 >> TWERK IT. 590 00:15:02,073 --> 00:15:03,074 TWERK IT. 591 00:15:03,074 --> 00:15:04,179 YOU CALL THAT TWERKING? 592 00:15:04,179 --> 00:15:05,007 KEEP TWERKING. 593 00:15:05,007 --> 00:15:06,284 >> [growls] 594 00:15:06,284 --> 00:15:08,528 I HATE YOU! 595 00:15:08,528 --> 00:15:10,806 I HATE YOU! >> [laughing] 596 00:15:10,806 --> 00:15:13,188 >> [laughing] 597 00:15:13,188 --> 00:15:15,915 >> [laughing] 598 00:15:15,915 --> 00:15:17,054 >> SO IT'S TIME TO DO OUR FIRST 599 00:15:17,054 --> 00:15:18,055 ACTING SCENE. 600 00:15:18,055 --> 00:15:19,504 IT'S VERY IMPROV-Y, AND I REALLY 601 00:15:19,504 --> 00:15:21,265 WANT TO SHOW RU THAT I'M 602 00:15:21,265 --> 00:15:23,301 READY TO [bleep] SLAY THIS. 603 00:15:23,301 --> 00:15:24,647 >> WELCOME, ADORE. 604 00:15:24,647 --> 00:15:25,890 IT'S TIME FOR YOU SCENE. 605 00:15:25,890 --> 00:15:27,374 A SMALL-TOWN GIRL COMES TO 606 00:15:27,374 --> 00:15:28,651 THE BIG CITY. 607 00:15:28,651 --> 00:15:29,376 SO YOU'VE GOT TO SELL THIS 608 00:15:29,376 --> 00:15:31,206 INGENUE AS THIS KIND OF 609 00:15:31,206 --> 00:15:32,483 GREEN GIRL. 610 00:15:32,483 --> 00:15:34,554 AND ACTION. 611 00:15:34,554 --> 00:15:36,694 >> THAT FACE, THOSE EYES, 612 00:15:36,694 --> 00:15:38,730 THAT NECKLACE. 613 00:15:38,730 --> 00:15:39,662 >> DO YOU LIKE IT? 614 00:15:39,662 --> 00:15:40,974 >> HATE IT. 615 00:15:40,974 --> 00:15:42,424 >> [screams] 616 00:15:42,424 --> 00:15:43,494 >> DO AS I SAY, 617 00:15:43,494 --> 00:15:44,391 AND I'LL MAKE YOU THE MOST 618 00:15:44,391 --> 00:15:46,842 FAMOUS THING THAT'S EVER LIVED. 619 00:15:46,842 --> 00:15:48,050 NOW POSE. 620 00:15:48,050 --> 00:15:49,189 GIVE ME GLAMOUR. 621 00:15:49,189 --> 00:15:50,087 >> [groans] 622 00:15:50,087 --> 00:15:50,950 >> YES. 623 00:15:50,950 --> 00:15:52,365 NOW INNOCENCE. 624 00:15:52,365 --> 00:15:53,814 SEX. 625 00:15:53,814 --> 00:15:57,025 FEAR! 626 00:15:57,025 --> 00:15:57,922 TWERK IT. 627 00:15:57,922 --> 00:15:59,717 TWERK IT. 628 00:15:59,717 --> 00:16:00,787 YES, TWERK IT. 629 00:16:00,787 --> 00:16:02,409 >> ALL RIGHT, STOP. 630 00:16:02,409 --> 00:16:04,273 I'VE GOT NOTHING LEFT. 631 00:16:04,273 --> 00:16:05,274 [growls] 632 00:16:05,274 --> 00:16:06,620 I HATE YOU! 633 00:16:06,620 --> 00:16:07,656 I HATE YOU, I HATE YOU, 634 00:16:07,656 --> 00:16:09,175 I HATE YOU! 635 00:16:09,175 --> 00:16:10,452 [screams] 636 00:16:10,452 --> 00:16:11,763 >> AND CUT. 637 00:16:11,763 --> 00:16:12,764 OKAY. 638 00:16:12,764 --> 00:16:13,765 THAT WAS GOOD. 639 00:16:13,765 --> 00:16:14,939 I FEEL LIKE YOU'RE THE 640 00:16:14,939 --> 00:16:16,596 PHOEBE CATES OF THIS MOMENT. 641 00:16:16,596 --> 00:16:17,597 >> [laughs] 642 00:16:17,597 --> 00:16:18,632 WHICH ONE OF YOU BITCHES IS 643 00:16:18,632 --> 00:16:19,564 MY MOTHER? 644 00:16:19,564 --> 00:16:20,565 >> [laughs] 645 00:16:20,565 --> 00:16:21,601 IT'S TIME FOR YOUR SCENE, 646 00:16:21,601 --> 00:16:22,360 BIANCA. 647 00:16:22,360 --> 00:16:24,811 AND ACTION. 648 00:16:24,811 --> 00:16:26,744 >> GIVE ME GLAMOUR. 649 00:16:26,744 --> 00:16:28,194 GIVE ME SEX. 650 00:16:28,194 --> 00:16:30,886 NOW DO THE CABBAGE PATCH. 651 00:16:30,886 --> 00:16:32,853 DOUBLE DUTCH. 652 00:16:32,853 --> 00:16:33,509 UH-HUH. 653 00:16:33,509 --> 00:16:35,615 DO THE CRIP WALK. 654 00:16:35,615 --> 00:16:37,720 MACARENA. 655 00:16:37,720 --> 00:16:39,239 THAT'S NOT THE MACARENA. 656 00:16:39,239 --> 00:16:39,929 YEAH. 657 00:16:39,929 --> 00:16:41,138 NOW TWERK IT. 658 00:16:41,138 --> 00:16:43,416 TWERK IT. 659 00:16:43,416 --> 00:16:45,487 NOW YOU'RE A BABY. 660 00:16:45,487 --> 00:16:47,006 ARE YOU HUNGRY, BABY? 661 00:16:47,006 --> 00:16:48,110 PEOPLEMAGAZINE'S SEXIEST 662 00:16:48,110 --> 00:16:50,595 BABY ALIVE. 663 00:16:50,595 --> 00:16:53,943 >> THESE POSES ARE INSANE. 664 00:16:53,943 --> 00:16:54,806 >> SOMEBODY PUT BABY IN 665 00:16:54,806 --> 00:16:56,463 A CORNER. 666 00:16:56,463 --> 00:16:57,809 >> WHO WROTE THIS [bleep]? 667 00:16:57,809 --> 00:16:59,018 >> SPANK YOURSELF, BABY. 668 00:16:59,018 --> 00:16:59,811 >> [mock crying] 669 00:16:59,811 --> 00:17:01,020 >> YEAH, HARDER, HARDER, 670 00:17:01,020 --> 00:17:01,986 HARDER. 671 00:17:01,986 --> 00:17:03,091 >> [screams] 672 00:17:03,091 --> 00:17:04,368 THAT'S IT. 673 00:17:04,368 --> 00:17:06,163 I HAVE NOTHING LEFT. 674 00:17:06,163 --> 00:17:06,922 >> THAT'S BECAUSE YOU'RE 675 00:17:06,922 --> 00:17:08,165 A LOSER. 676 00:17:08,165 --> 00:17:09,545 >> I HATE YOU. 677 00:17:09,545 --> 00:17:11,099 I HATE YOU. 678 00:17:11,099 --> 00:17:12,617 IT BEARS REPEATING. 679 00:17:12,617 --> 00:17:14,481 I HATE YOU. 680 00:17:14,481 --> 00:17:15,655 [grunts] 681 00:17:15,655 --> 00:17:17,036 >> WAKE ME WHEN YOU'RE DONE. 682 00:17:17,036 --> 00:17:18,382 >> AND CUT. 683 00:17:18,382 --> 00:17:20,453 HAMMY, BUT DELICIOUS. 684 00:17:20,453 --> 00:17:21,971 DARIENNE. 685 00:17:21,971 --> 00:17:24,043 AND ACTION. 686 00:17:24,043 --> 00:17:24,940 >> POSE. 687 00:17:24,940 --> 00:17:25,596 >> OOH. 688 00:17:25,596 --> 00:17:26,942 >> GIVE ME GLAMOUR. 689 00:17:26,942 --> 00:17:27,598 >> OH. 690 00:17:27,598 --> 00:17:29,600 >> GIVE ME EXPENSIVE MALL. 691 00:17:29,600 --> 00:17:31,843 GIVE ME MALL OF AMERICA. 692 00:17:31,843 --> 00:17:34,881 GIVE ME MOLL FLANDERS. 693 00:17:34,881 --> 00:17:35,882 >> WHAT? 694 00:17:35,882 --> 00:17:36,676 >> TURN AROUND AND TWERK IT. 695 00:17:36,676 --> 00:17:37,573 TWERK IT, TWERK IT. 696 00:17:37,573 --> 00:17:38,712 >> [cries] 697 00:17:38,712 --> 00:17:39,886 STOP IT. 698 00:17:39,886 --> 00:17:41,577 YOU'RE PUSHING ME TOO FAR. 699 00:17:41,577 --> 00:17:42,889 >> THAT'S BECAUSE YOU ARE 700 00:17:42,889 --> 00:17:45,443 A LOSER. 701 00:17:45,443 --> 00:17:46,306 >> I HATE YOU. 702 00:17:46,306 --> 00:17:47,376 >> I HATE YOU MORE. 703 00:17:47,376 --> 00:17:51,173 >> I HATE YOU. 704 00:17:51,173 --> 00:17:53,969 [growling] I HATE YOU. 705 00:17:53,969 --> 00:17:55,350 >> AND JUST A LITTLE HYSTERIA 706 00:17:55,350 --> 00:17:56,075 AND GROWL. 707 00:17:56,075 --> 00:17:58,801 >> [wailing] 708 00:17:58,801 --> 00:18:00,596 >> AND CUT. 709 00:18:00,596 --> 00:18:01,701 >> [sighs] 710 00:18:01,701 --> 00:18:02,391 >> COURTNEY. 711 00:18:02,391 --> 00:18:04,152 SO ACTION. 712 00:18:04,152 --> 00:18:06,878 >> SO, KID, POSE. 713 00:18:06,878 --> 00:18:08,570 NOW SEXY. 714 00:18:08,570 --> 00:18:10,089 NOW YOU'RE SUPER SEXY. 715 00:18:10,089 --> 00:18:10,744 >> OOH. 716 00:18:10,744 --> 00:18:11,469 >> NOW YOU'RE BACK TO JUST 717 00:18:11,469 --> 00:18:12,643 BASIC SEXY. 718 00:18:12,643 --> 00:18:13,885 NOW BE A SEXY DOG. 719 00:18:13,885 --> 00:18:14,714 >> [panting] 720 00:18:14,714 --> 00:18:15,887 >> BARK LIKE A DOG. 721 00:18:15,887 --> 00:18:17,026 >> [barking] 722 00:18:17,026 --> 00:18:18,545 >> NOW YOU'RE SNOOP DOGG. 723 00:18:18,545 --> 00:18:19,201 YOU'RE SNOOP DOGG. 724 00:18:19,201 --> 00:18:19,995 >> ♪ UH, UH, UH, UH 725 00:18:19,995 --> 00:18:20,651 >> YEAH, YEAH. 726 00:18:20,651 --> 00:18:22,204 NOW YOU'RE A CORN DOG. 727 00:18:22,204 --> 00:18:24,310 OH, NOW YOU'RE A HOT DOG. 728 00:18:24,310 --> 00:18:25,518 WAIT, YOU'RE A HORNDOG. 729 00:18:25,518 --> 00:18:26,208 >> I DON'T WANT KNOW WHAT 730 00:18:26,208 --> 00:18:27,623 A HORNDOG IS, MR. DIRECTOR. 731 00:18:27,623 --> 00:18:28,521 >> NOW TWERK IT. 732 00:18:28,521 --> 00:18:29,177 >> AH, YEAH. 733 00:18:29,177 --> 00:18:30,488 >> TWERK IT. 734 00:18:30,488 --> 00:18:31,627 YOU CALL THAT TWERKING? 735 00:18:31,627 --> 00:18:33,112 >> I JUST CAN'T DO IT ANYMORE. 736 00:18:33,112 --> 00:18:33,767 STOP IT. 737 00:18:33,767 --> 00:18:34,906 YOU'VE PUSHED ME TOO FAR. 738 00:18:34,906 --> 00:18:36,632 >> YOU'RE A LOSER. 739 00:18:36,632 --> 00:18:37,564 >> [groans] 740 00:18:37,564 --> 00:18:40,153 [panting] 741 00:18:40,153 --> 00:18:40,981 >> YOU'RE SUPPOSED TO SLAP 742 00:18:40,981 --> 00:18:41,637 HIM, COURT. 743 00:18:41,637 --> 00:18:43,501 >> OH. 744 00:18:43,501 --> 00:18:44,640 [grunts] 745 00:18:44,640 --> 00:18:46,055 >> IS THAT ALL YOU GOT? 746 00:18:46,055 --> 00:18:47,264 >> [grunts] 747 00:18:47,264 --> 00:18:49,231 >> OH, THAT TICKLED. 748 00:18:49,231 --> 00:18:51,475 >> [grunting] 749 00:18:51,475 --> 00:18:52,165 >> WAKE ME WHEN YOU'RE... 750 00:18:52,165 --> 00:18:52,855 >> [grunts] 751 00:18:52,855 --> 00:18:53,960 >> DONE. 752 00:18:53,960 --> 00:18:54,685 >> [grunts] 753 00:18:54,685 --> 00:18:55,444 IT WAS JUST MEANT TO BE 754 00:18:55,444 --> 00:18:57,101 3 SLAPS, BUT PERHAPS I DID 755 00:18:57,101 --> 00:18:59,241 GO FOR ABOUT 25. 756 00:18:59,241 --> 00:19:01,001 [grunting] 757 00:19:01,001 --> 00:19:01,968 >> NICE. 758 00:19:01,968 --> 00:19:03,142 [laughing] 759 00:19:03,142 --> 00:19:04,591 >> [groans] 760 00:19:04,591 --> 00:19:05,834 >> AND WE'RE OUT. 761 00:19:05,834 --> 00:19:07,111 THANK YOU, COURTNEY. 762 00:19:07,111 --> 00:19:08,561 GO CHANGE AND GET READY FOR 763 00:19:08,561 --> 00:19:11,736 GO CHANGE AND GET READY FOR YOUR SECOND ACTING CHALLENGE. 764 00:19:11,736 --> 00:19:14,083 YOUR SECOND ACTING CHALLENGE. 765 00:19:14,083 --> 00:19:14,774 >> HELLO. 766 00:19:14,774 --> 00:19:16,016 >> HELLO. 767 00:19:16,016 --> 00:19:17,052 >> NOW IT'S TIME FOR US TO 768 00:19:17,052 --> 00:19:18,674 SHOOT OUR SECOND SCENE WITH RU. 769 00:19:18,674 --> 00:19:19,572 >> I'M YOUR SCENE PARTNER, 770 00:19:19,572 --> 00:19:20,262 CHARLES. 771 00:19:20,262 --> 00:19:20,987 >> OH, NICE TO MEET YOU, 772 00:19:20,987 --> 00:19:21,643 CHARLES. 773 00:19:21,643 --> 00:19:22,609 [laughing] VERY NICE TO SEE YOU. 774 00:19:22,609 --> 00:19:23,679 YOU'RE KILLING ME RIGHT NOW. 775 00:19:23,679 --> 00:19:24,991 >> [laughs] 776 00:19:24,991 --> 00:19:26,234 >> AND THERE HE IS. 777 00:19:26,234 --> 00:19:28,305 RUPAUL IS NOW DRESSED UP LIKE 778 00:19:28,305 --> 00:19:31,273 AN EXTRA FROM GOOD TIMES. 779 00:19:31,273 --> 00:19:32,412 >> REMEMBER, THIS WAS 780 00:19:32,412 --> 00:19:34,173 A MAN YOU ONCE LOVED 781 00:19:34,173 --> 00:19:36,623 AND REALLY GET THE AUDIENCE TO 782 00:19:36,623 --> 00:19:38,453 FEEL THE HYSTERIA OF A WOMAN 783 00:19:38,453 --> 00:19:39,178 ON THE VERGE. 784 00:19:39,178 --> 00:19:39,937 >> OKAY. 785 00:19:39,937 --> 00:19:41,318 >> ACTION. 786 00:19:41,318 --> 00:19:42,353 >> I CAME ALL THE WAY FROM 787 00:19:42,353 --> 00:19:44,562 NEW ORLEANS TO BRING YOU HOME. 788 00:19:44,562 --> 00:19:46,357 >> DON'T YOU KNOW WHO I AM? 789 00:19:46,357 --> 00:19:48,187 I AM SISSY. 790 00:19:48,187 --> 00:19:49,464 SISSY! 791 00:19:49,464 --> 00:19:51,880 "S-I"-- 792 00:19:51,880 --> 00:19:52,846 ALL RIGHT, MAYBE I DON'T KNOW 793 00:19:52,846 --> 00:19:54,503 HOW TO SPELL, BUT I DON'T 794 00:19:54,503 --> 00:19:55,780 PLAY SCRABBLE, 795 00:19:55,780 --> 00:19:56,540 'CAUSE YOU KNOW WHY? 796 00:19:56,540 --> 00:19:59,128 I AM SUPERMODEL OF THE WORLD. 797 00:19:59,128 --> 00:20:00,406 >> AND CUT. 798 00:20:00,406 --> 00:20:01,579 IT WAS GOOD, BUT YOU COULD 799 00:20:01,579 --> 00:20:02,546 CONNECT A LITTLE MORE 800 00:20:02,546 --> 00:20:03,478 WITH CHARLES. 801 00:20:03,478 --> 00:20:04,168 >> OKAY. 802 00:20:04,168 --> 00:20:05,100 >> OKEYDOKEY. 803 00:20:05,100 --> 00:20:06,170 ACTION. 804 00:20:06,170 --> 00:20:10,174 >> IF YOU CAN'T LOVE YOURSELF, 805 00:20:10,174 --> 00:20:12,797 GIRL, HOW IN THE HELL YOU 806 00:20:12,797 --> 00:20:14,558 GONNA LOVE SOMEBODY ELSE? 807 00:20:14,558 --> 00:20:15,248 HUH? 808 00:20:15,248 --> 00:20:16,698 >> OH, NOW YOU'RE 809 00:20:16,698 --> 00:20:17,906 WRITING POETRY? 810 00:20:17,906 --> 00:20:19,218 HAVE A DRINK ON ME, 811 00:20:19,218 --> 00:20:23,291 YOU BASTARD. 812 00:20:23,291 --> 00:20:24,671 >> AND CUT. 813 00:20:24,671 --> 00:20:25,983 YEAH, IT WAS ALL RIGHT. 814 00:20:25,983 --> 00:20:27,847 >> [laughs] 815 00:20:27,847 --> 00:20:29,262 >> OKAY, ADORE. 816 00:20:29,262 --> 00:20:31,782 AND ACTION. 817 00:20:31,782 --> 00:20:33,853 >> ADORE, I CAME ALL THE WAY 818 00:20:33,853 --> 00:20:36,752 FROM AZUSA TO BRING YOU HOME, 819 00:20:36,752 --> 00:20:38,340 WHERE YOU BELONG. 820 00:20:38,340 --> 00:20:39,824 >> BELONG? 821 00:20:39,824 --> 00:20:41,412 I DON'T BELONG TO ANYBODY 822 00:20:41,412 --> 00:20:42,758 IN AZUSA. 823 00:20:42,758 --> 00:20:43,794 I BELONG IN THE HEARTS OF 824 00:20:43,794 --> 00:20:45,244 MY FANS. 825 00:20:45,244 --> 00:20:47,660 THE BOYS LOVE SISSY. 826 00:20:47,660 --> 00:20:49,800 THE LADIES LOVE SISSY. 827 00:20:49,800 --> 00:20:51,905 EVERYBODY LOVES ME. 828 00:20:51,905 --> 00:20:54,287 >> GOOD-BYE. 829 00:20:54,287 --> 00:20:57,256 >> I'M SISSY, DAMN IT, 830 00:20:57,256 --> 00:21:00,673 SUPERMODEL OF THE WORLD. 831 00:21:00,673 --> 00:21:01,536 >> CUT. 832 00:21:01,536 --> 00:21:04,159 I THOUGHT THE INTENSITY'S NICE, 833 00:21:04,159 --> 00:21:05,194 BUT IT'S A PARODY. 834 00:21:05,194 --> 00:21:05,850 >> UH-HUH. 835 00:21:05,850 --> 00:21:07,266 >> PUT SOME MORE TICS INTO IT. 836 00:21:07,266 --> 00:21:08,750 >> OKAY. 837 00:21:08,750 --> 00:21:10,924 >> OH, DARLING, LOOK AT YOU. 838 00:21:10,924 --> 00:21:12,236 YOU'VE GOT YOUR METHOD ON. 839 00:21:12,236 --> 00:21:13,237 >> [laughs] 840 00:21:13,237 --> 00:21:15,343 THIS IS THE PERFECT OPPORTUNITY 841 00:21:15,343 --> 00:21:17,828 TO LET MY HAIR DOWN AND BE 842 00:21:17,828 --> 00:21:19,139 MESSY AND BE SILLY, 843 00:21:19,139 --> 00:21:20,071 AND I DON'T NEED TO BE THAT 844 00:21:20,071 --> 00:21:20,865 SORT OF PERFECT, 845 00:21:20,865 --> 00:21:21,970 POLISHED COURTNEY. 846 00:21:21,970 --> 00:21:23,351 >> ACTION. 847 00:21:23,351 --> 00:21:24,283 >> I'VE COME ALL THE WAY FROM 848 00:21:24,283 --> 00:21:26,837 SYDNEY TO BRING YOU HOME. 849 00:21:26,837 --> 00:21:28,494 >> I BELONG RIGHT HERE. 850 00:21:28,494 --> 00:21:29,736 I DON'T EVEN SOUND AUSTRALIAN 851 00:21:29,736 --> 00:21:30,944 ANYMORE. 852 00:21:30,944 --> 00:21:33,050 EVERYBODY LOVES ME. 853 00:21:33,050 --> 00:21:36,225 THE WHOLE WORLD LOVES SISSY. 854 00:21:36,225 --> 00:21:37,882 >> YOU DO BIG REALLY WELL. 855 00:21:37,882 --> 00:21:39,056 COULD YOU JUST BRING A LITTLE 856 00:21:39,056 --> 00:21:41,472 BIT OF VULNERABILITY OR LOSS 857 00:21:41,472 --> 00:21:43,267 INTO IT? 858 00:21:43,267 --> 00:21:45,304 >> I SEE NOW THAT COURTNEY'S 859 00:21:45,304 --> 00:21:49,342 DEAD, SO GOOD-BYE FOREVER. 860 00:21:49,342 --> 00:21:50,895 NIGHT! 861 00:21:50,895 --> 00:21:52,103 >> I'M THE SUPERMODEL OF 862 00:21:52,103 --> 00:21:54,623 THE WORLD. 863 00:21:54,623 --> 00:21:55,762 >> CUT. 864 00:21:55,762 --> 00:21:57,385 THAT WAS GREAT. 865 00:21:57,385 --> 00:21:58,903 PICTURE UP. 866 00:21:58,903 --> 00:22:00,249 ACTION. 867 00:22:00,249 --> 00:22:02,355 >> THIS IS WHERE I BELONG. 868 00:22:02,355 --> 00:22:04,771 THIS IS MY HOME. 869 00:22:04,771 --> 00:22:07,256 ON THE STAGE, ON THE COVERS 870 00:22:07,256 --> 00:22:08,913 OF THE MAGAZINES. 871 00:22:08,913 --> 00:22:09,845 >> CUT. 872 00:22:09,845 --> 00:22:10,708 >> THIS IS THE MAN THAT 873 00:22:10,708 --> 00:22:11,364 YOU LOVE. 874 00:22:11,364 --> 00:22:13,642 I DIDN'T FEEL YOUR CONFLICT. 875 00:22:13,642 --> 00:22:15,851 LET'S TRY THAT AGAIN. 876 00:22:15,851 --> 00:22:19,372 >> SO GOOD-BYE FOREVER. 877 00:22:19,372 --> 00:22:21,443 >> [crying] 878 00:22:21,443 --> 00:22:22,789 CHARLES! 879 00:22:22,789 --> 00:22:24,101 I'M SORRY! 880 00:22:24,101 --> 00:22:26,379 I'M SORRY! [sobbing] 881 00:22:26,379 --> 00:22:33,386 [sobbing] 882 00:22:33,386 --> 00:22:34,560 [screams] 883 00:22:34,560 --> 00:22:35,975 STOP IT! 884 00:22:35,975 --> 00:22:39,944 [sobbing] 885 00:22:39,944 --> 00:22:41,083 >> SISSY. 886 00:22:41,083 --> 00:22:42,291 LOOK WHAT THEY'VE DONE TO 887 00:22:42,291 --> 00:22:44,535 YOU, SISSY. 888 00:22:44,535 --> 00:22:45,812 COME BACK. 889 00:22:45,812 --> 00:22:48,263 >> WOULD YOU STILL HAVE ME? 890 00:22:48,263 --> 00:22:51,473 >> COME TO ME. 891 00:22:51,473 --> 00:22:52,647 COME ON, MAMA. 892 00:22:52,647 --> 00:22:55,960 >> AND CUT. 893 00:22:55,960 --> 00:22:57,134 WOW. 894 00:22:57,134 --> 00:22:58,169 THAT WAS BEAUTIFUL. 895 00:22:58,169 --> 00:23:00,586 UNEXPECTED AND AMAZING. 896 00:23:00,586 --> 00:23:01,587 GUESS WHAT. 897 00:23:01,587 --> 00:23:03,174 THAT'S A WRAP. 898 00:23:03,174 --> 00:23:05,245 >> THAT WAS FUN. 899 00:23:05,245 --> 00:23:06,108 >> COMING UP... 900 00:23:06,108 --> 00:23:06,799 >> AND THAT SECOND ACTING 901 00:23:06,799 --> 00:23:08,145 CHALLENGE WAS KIND OF LIKE THIS. 902 00:23:08,145 --> 00:23:10,147 CHALLENGE WAS KIND OF LIKE THIS. THAT'S NOT STRONG ENOUGH FOR ME. 903 00:23:10,147 --> 00:23:17,119 THAT'S NOT STRONG ENOUGH FOR ME. 904 00:23:17,119 --> 00:23:20,847 >> [laughing] 905 00:23:20,847 --> 00:23:21,986 >> IT'S THE LAST DAY OF SCHOOL! 906 00:23:21,986 --> 00:23:24,368 [all scream] 907 00:23:24,368 --> 00:23:26,335 >> THIS IS THE LAST DAY, 908 00:23:26,335 --> 00:23:27,647 AND WE ALL HAVE OUR BOW AND 909 00:23:27,647 --> 00:23:29,477 ARROWS SET FOR THE TOP THREE. 910 00:23:29,477 --> 00:23:31,686 GOD DAMN, THIS IS IT. 911 00:23:31,686 --> 00:23:33,860 >> I REMEMBER ON THE FIRST DAY 912 00:23:33,860 --> 00:23:34,965 MEETING ADORE. 913 00:23:34,965 --> 00:23:35,621 >> UH-HUH. 914 00:23:35,621 --> 00:23:36,484 >> AND I WAS LIKE, "UGH, 915 00:23:36,484 --> 00:23:38,071 I DON'T LIKE HER." 916 00:23:38,071 --> 00:23:38,727 >> WOW. 917 00:23:38,727 --> 00:23:39,418 >> I WAS LIKE, 918 00:23:39,418 --> 00:23:41,247 "I'M THE IDOLDRAG QUEEN, 919 00:23:41,247 --> 00:23:43,007 NOT YOU." 920 00:23:43,007 --> 00:23:44,215 >> I KIND OF GOT THAT ENERGY 921 00:23:44,215 --> 00:23:45,147 FROM YOU IN THE BEGINNING. 922 00:23:45,147 --> 00:23:46,425 >> BUT THEN, IT WAS LIKE, "AH, 923 00:23:46,425 --> 00:23:47,598 ACTUALLY I REALLY LIKE HER." 924 00:23:47,598 --> 00:23:50,187 >> YEAH, I'M [bleep] COOL. 925 00:23:50,187 --> 00:23:51,153 >> LIKE, FROM MY FIRST 926 00:23:51,153 --> 00:23:52,569 IMPRESSION OF EVERYBODY, I KIND 927 00:23:52,569 --> 00:23:54,398 OF KNEW WHO COURTNEY ACT WAS. 928 00:23:54,398 --> 00:23:55,779 >> "KIND OF"? 929 00:23:55,779 --> 00:23:57,125 >> OH, I'M SORRY. 930 00:23:57,125 --> 00:23:58,402 BUT I KNOW A LOT OF PEOPLE 931 00:23:58,402 --> 00:23:59,783 WERE LIKE, "OH, SHE'S PRETTY. 932 00:23:59,783 --> 00:24:00,680 SHE'S PROBABLY A BITCH IN 933 00:24:00,680 --> 00:24:01,440 REAL LIFE," YOU KNOW, 934 00:24:01,440 --> 00:24:02,337 THAT KIND OF THING. 935 00:24:02,337 --> 00:24:03,200 MY FIRST IMPRESSION OF 936 00:24:03,200 --> 00:24:03,856 COURTNEY? 937 00:24:03,856 --> 00:24:05,271 BEAUTIFUL, KIND OF TALENTED, 938 00:24:05,271 --> 00:24:06,962 POLISHED, AND NOW SHE'S LIKE 939 00:24:06,962 --> 00:24:09,309 A TRUE SOUL SISTER TO ME, 940 00:24:09,309 --> 00:24:10,414 EVEN THOUGH SHE'S A ROBOT 941 00:24:10,414 --> 00:24:11,139 SOMETIMES. 942 00:24:11,139 --> 00:24:12,105 YOU KNOW, I THOUGHT, 943 00:24:12,105 --> 00:24:12,934 "SHE SEEMS SWEET. 944 00:24:12,934 --> 00:24:14,280 SHE SEEMS NICE." 945 00:24:14,280 --> 00:24:15,592 >> WHEN I FIRST MET YOU, 946 00:24:15,592 --> 00:24:16,869 I WAS AFRAID OF YOU, BECAUSE 947 00:24:16,869 --> 00:24:17,973 YOU WERE VERY QUICK-WITTED, 948 00:24:17,973 --> 00:24:18,698 AND I KNEW THAT YOU CAN SHUT 949 00:24:18,698 --> 00:24:20,010 ME DOWN IN SECONDS. 950 00:24:20,010 --> 00:24:21,287 IT'S REALLY SURPRISING THAT 951 00:24:21,287 --> 00:24:22,599 BIANCA AND I GET ALONG, 952 00:24:22,599 --> 00:24:23,807 BECAUSE AT FIRST, SHE REMINDED 953 00:24:23,807 --> 00:24:25,394 ME OF THE GIRLS BACK HOME THAT 954 00:24:25,394 --> 00:24:27,051 REALLY DON'T LIKE ME. 955 00:24:27,051 --> 00:24:28,156 I THOUGHT WE WERE GONNA FIGHT, 956 00:24:28,156 --> 00:24:29,364 BUT WHEN I GOT TO KNOW YOU, 957 00:24:29,364 --> 00:24:31,331 THE DYNAMIC CHANGED SO MUCH. 958 00:24:31,331 --> 00:24:32,781 I FEEL LIKE YOU BROUGHT 959 00:24:32,781 --> 00:24:34,300 ANOTHER SIDE OUT OF ME. 960 00:24:34,300 --> 00:24:35,404 >> NOW, ADORE, THE FIRST DAY 961 00:24:35,404 --> 00:24:36,198 THAT I MET YOU, YOU WERE 962 00:24:36,198 --> 00:24:37,476 STANDING NEXT TO LAGANJA, 963 00:24:37,476 --> 00:24:39,685 AND I WAS LIKE, "OH, [bleep]." 964 00:24:39,685 --> 00:24:40,444 THEN IT CLICKED, AND I WAS 965 00:24:40,444 --> 00:24:41,514 LIKE, "OH, SHE'S FUN. 966 00:24:41,514 --> 00:24:42,826 SHE'S COOL," 'CAUSE YOU HAD 967 00:24:42,826 --> 00:24:44,034 SAID SOMETHING ABOUT HOG BODY, 968 00:24:44,034 --> 00:24:44,862 AND I'M LIKE, "I'VE GOT THIS 969 00:24:44,862 --> 00:24:45,587 EXTRA CORSET. 970 00:24:45,587 --> 00:24:46,519 LET ME HELP THIS BITCH OUT." 971 00:24:46,519 --> 00:24:47,831 >> OH, YEAH. 972 00:24:47,831 --> 00:24:48,659 >> WHAT I LIKE MOST ABOUT 973 00:24:48,659 --> 00:24:49,902 ADORE IS THAT SHE'S FEARLESS 974 00:24:49,902 --> 00:24:51,800 AND SHE'S FUN, AND SOMETIMES 975 00:24:51,800 --> 00:24:52,698 THAT'S NOT REALLY A PART OF 976 00:24:52,698 --> 00:24:53,768 MY WORLD. 977 00:24:53,768 --> 00:24:54,838 HAD YOU BEEN LAGANJA, YOU'D 978 00:24:54,838 --> 00:24:56,356 HAVE BEEN FAT THE WHOLE TIME. 979 00:24:56,356 --> 00:24:57,530 I WOULDN'T HAVE GIVEN IT TO HER. 980 00:24:57,530 --> 00:24:58,600 >> I WANT BIANCA TO FINISH 981 00:24:58,600 --> 00:25:01,292 A SENTENCE WITHOUT A JOKE. 982 00:25:01,292 --> 00:25:02,155 >> OKAY. 983 00:25:02,155 --> 00:25:03,502 COURTNEY IS AN ASS[bleep]. 984 00:25:03,502 --> 00:25:04,744 [laughter] 985 00:25:04,744 --> 00:25:05,607 >> I FEEL LIKE THERE'S AN 986 00:25:05,607 --> 00:25:06,643 "UNCOMFORTABILITY" WITH 987 00:25:06,643 --> 00:25:07,920 ACTUALLY LETTING PEOPLE KNOW 988 00:25:07,920 --> 00:25:08,955 THAT YOU'RE NICE. 989 00:25:08,955 --> 00:25:09,784 >> I THINK THAT PEOPLE ALL THE 990 00:25:09,784 --> 00:25:10,923 TIME SPEND TOO MUCH ENERGY 991 00:25:10,923 --> 00:25:11,958 GOING, "I LOVE YOU," 992 00:25:11,958 --> 00:25:12,856 AND THAT'S JUST WEIRD. 993 00:25:12,856 --> 00:25:14,374 SO I'D RATHER GO, "I LOVE YOU, 994 00:25:14,374 --> 00:25:16,342 BUT YOUR WIG IS HORRIBLE." 995 00:25:16,342 --> 00:25:18,240 THAT'S JUST MY APPROACH. 996 00:25:18,240 --> 00:25:20,001 >> BIANCA IS A FORMIDABLE 997 00:25:20,001 --> 00:25:21,692 TALENT, BUT I THINK AMERICA'S 998 00:25:21,692 --> 00:25:22,797 NEXT DRAG SUPERSTAR NEEDS TO 999 00:25:22,797 --> 00:25:26,490 HAVE A COMPASSION AND A WARMTH, 1000 00:25:26,490 --> 00:25:28,181 AND I DON'T EXPERIENCE THAT 1001 00:25:28,181 --> 00:25:28,837 IN HER. 1002 00:25:28,837 --> 00:25:29,666 >> THE SCARY PART ABOUT THIS 1003 00:25:29,666 --> 00:25:31,322 WHOLE THING IS THAT WE'VE COME 1004 00:25:31,322 --> 00:25:33,186 ALL THIS WAY, AND THERE'S A HUGE 1005 00:25:33,186 --> 00:25:34,567 CHANCE THAT YOU DON'T MAKE IT. 1006 00:25:34,567 --> 00:25:35,464 IT'S THAT MOMENT OF LIKE, 1007 00:25:35,464 --> 00:25:36,500 "[bleep]." 1008 00:25:36,500 --> 00:25:37,708 >> YEAH, IT'S LIKE, "OH, 1009 00:25:37,708 --> 00:25:38,951 I FINALLY GOT TO HAWAII, 1010 00:25:38,951 --> 00:25:41,263 AND THEN I FELL IN A VOLCANO." 1011 00:25:41,263 --> 00:25:43,058 FINAL RUNWAY, FINAL CRITIQUES-- 1012 00:25:43,058 --> 00:25:44,059 THIS IS IT. 1013 00:25:44,059 --> 00:25:46,130 THIS IS THE FINAL GAME IN 1014 00:25:46,130 --> 00:25:49,271 THIS IS THE FINAL GAME IN THE WORLD SERIES OF DRAG. 1015 00:25:49,271 --> 00:25:55,657 THE WORLD SERIES OF DRAG. 1016 00:25:55,657 --> 00:25:56,658 [percussive electronic music] 1017 00:25:56,658 --> 00:25:58,971 ♪ 1018 00:25:58,971 --> 00:26:02,077 ♪ >> [laughing] 1019 00:26:02,077 --> 00:26:05,080 >> [laughing] 1020 00:26:05,080 --> 00:26:06,426 ♪ COVER GIRL 1021 00:26:06,426 --> 00:26:08,739 ♪ PUT THE BASS IN YOUR WALK 1022 00:26:08,739 --> 00:26:10,154 ♪ HEAD TO TOE 1023 00:26:10,154 --> 00:26:13,261 ♪ LET YOUR WHOLE BODY TALK 1024 00:26:13,261 --> 00:26:15,953 ♪ AND WHAT? 1025 00:26:15,953 --> 00:26:17,576 WELCOME TO THE MAIN STAGE 1026 00:26:17,576 --> 00:26:19,578 OF RUPAUL'S DRAG RACE. 1027 00:26:19,578 --> 00:26:22,408 TONIGHT IT'S JUST FAMILY. 1028 00:26:22,408 --> 00:26:23,996 MY COUNTRY COUSINS 1029 00:26:23,996 --> 00:26:25,514 MICHELLE VISAGE... 1030 00:26:25,514 --> 00:26:26,585 >> LOOKS LIKE WE'VE COME TO 1031 00:26:26,585 --> 00:26:28,448 THE END OF THE ROAD, MY DOLL. 1032 00:26:28,448 --> 00:26:30,589 >> AND SANTINO RICE. 1033 00:26:30,589 --> 00:26:32,591 >> YOUR FANTASTIC FOUR, RU. 1034 00:26:32,591 --> 00:26:34,247 >> FOR THEIR FINAL CHALLENGE, 1035 00:26:34,247 --> 00:26:36,456 OUR QUEENS GOT TO DANCE AND 1036 00:26:36,456 --> 00:26:38,597 ACT IN THE OFFICIAL VIDEO FOR 1037 00:26:38,597 --> 00:26:40,115 MY LATEST SINGLE, 1038 00:26:40,115 --> 00:26:41,358 SISSY THAT WALK. 1039 00:26:41,358 --> 00:26:43,567 AND NOW THEY'RE READY TO FLY 1040 00:26:43,567 --> 00:26:45,155 DOWN THE RUNWAY. 1041 00:26:45,155 --> 00:26:47,502 GENTLEMEN, START YOUR ENGINES, 1042 00:26:47,502 --> 00:26:50,367 AND MAY THE BEST WOMAN WIN. 1043 00:26:50,367 --> 00:26:52,783 ♪ NOW SISSY THAT WALK 1044 00:26:52,783 --> 00:26:55,199 FIRST UP, ADORE DELANO. 1045 00:26:55,199 --> 00:26:56,166 >> HOLLA. 1046 00:26:56,166 --> 00:26:57,477 >> GRAPHIC. 1047 00:26:57,477 --> 00:26:59,169 >> IS THAT A SEQUINS DRESS? 1048 00:26:59,169 --> 00:27:00,101 >> [laughing] YES. 1049 00:27:00,101 --> 00:27:01,481 >> IT'S OUR LAST RUNWAY, AND 1050 00:27:01,481 --> 00:27:03,622 I'M SERVING POWERFUL, BITCH. 1051 00:27:03,622 --> 00:27:05,002 I HAVE BIG HAIR. 1052 00:27:05,002 --> 00:27:06,383 I LOOK LIKE A GLITTERY-ASS 1053 00:27:06,383 --> 00:27:07,522 MERMAID. 1054 00:27:07,522 --> 00:27:10,629 IT'S VERY, "UH, A STAR IS BORN." 1055 00:27:10,629 --> 00:27:13,597 >> J'ADORE,ADORE. 1056 00:27:13,597 --> 00:27:15,254 NEXT UP, BLAME IT ON 1057 00:27:15,254 --> 00:27:17,532 BIANCA DEL RIO. 1058 00:27:17,532 --> 00:27:18,602 WOW. 1059 00:27:18,602 --> 00:27:21,087 >> LADY SINGS THE BLUES. 1060 00:27:21,087 --> 00:27:22,226 >> I'M SERVING UP OLD HOLLYWOOD 1061 00:27:22,226 --> 00:27:24,090 GLAMOUR IN MY MERIDIAN BLUE 1062 00:27:24,090 --> 00:27:25,540 SATIN BIAS GOWN. 1063 00:27:25,540 --> 00:27:27,404 I KNOW RU IS LOVING MY DRESS. 1064 00:27:27,404 --> 00:27:28,992 SHE GOT GOOD TASTE. 1065 00:27:28,992 --> 00:27:30,476 >> YES, SHE'S SERVING 1066 00:27:30,476 --> 00:27:32,340 BLUEFIN TUNA. 1067 00:27:32,340 --> 00:27:33,030 ♪ NOW SISSY THAT WALK 1068 00:27:33,030 --> 00:27:34,204 >> [laughing] 1069 00:27:34,204 --> 00:27:37,310 >> NEXT UP, COURTNEY ACT. 1070 00:27:37,310 --> 00:27:39,934 >> L.G.D., LITTLE GOLD DRESS. 1071 00:27:39,934 --> 00:27:40,831 >> "CHARLIE SAID I NEEDED TO 1072 00:27:40,831 --> 00:27:42,143 REPORT TO THE MAIN STAGE." 1073 00:27:42,143 --> 00:27:44,076 >> [laughing] 1074 00:27:44,076 --> 00:27:45,077 >> I DECIDED TO GO WITH THE 1075 00:27:45,077 --> 00:27:46,492 QUINTESSENTIAL COURTNEY LOOK. 1076 00:27:46,492 --> 00:27:47,286 IT'S GLAMOROUS. 1077 00:27:47,286 --> 00:27:48,218 IT'S SEXY. 1078 00:27:48,218 --> 00:27:50,082 I'M GIVING PERFECT, POLISHED 1079 00:27:50,082 --> 00:27:51,083 COURTNEY. 1080 00:27:51,083 --> 00:27:52,153 >> EAT YOUR HEART OUT, 1081 00:27:52,153 --> 00:27:53,533 MIRANDA LAMBERT. 1082 00:27:53,533 --> 00:27:55,052 >> [laughs] 1083 00:27:55,052 --> 00:27:56,053 >> ♪ NOW SISSY THAT WALK 1084 00:27:56,053 --> 00:27:57,572 NOW LET'S TAKE A DIP IN ONE 1085 00:27:57,572 --> 00:27:59,816 OF AMERICA'S GREAT LAKES, 1086 00:27:59,816 --> 00:28:01,162 DARIENNE. 1087 00:28:01,162 --> 00:28:03,889 DEVIL IN A BLUE DRESS. 1088 00:28:03,889 --> 00:28:05,718 >> SHAKE YOUR SHIMMY, SISTER. 1089 00:28:05,718 --> 00:28:08,238 >> I AM SERVING HIGH-DRAG DIVA. 1090 00:28:08,238 --> 00:28:09,411 I'M FEELING GORGEOUS. 1091 00:28:09,411 --> 00:28:10,758 I'M FEELING SEXY. 1092 00:28:10,758 --> 00:28:12,173 THIS IS MY ABSOLUTE BEST, 1093 00:28:12,173 --> 00:28:13,312 BEST DRESS. 1094 00:28:13,312 --> 00:28:15,383 >> DARIENNE LAKE ON THE FRINGE. 1095 00:28:15,383 --> 00:28:17,281 ♪ NOW SISSY THAT WALK 1096 00:28:17,281 --> 00:28:18,213 COMING UP... 1097 00:28:18,213 --> 00:28:19,318 IT'S TIME FOR THE JUDGES' 1098 00:28:19,318 --> 00:28:21,838 FINAL CRITIQUE... 1099 00:28:21,838 --> 00:28:23,840 AND ONE OF YOU WILL BE GOING 1100 00:28:23,840 --> 00:28:27,706 HOME. 1101 00:28:27,706 --> 00:28:29,708 HOME. [laughing] 1102 00:28:29,708 --> 00:28:32,124 [laughing] 1103 00:28:32,124 --> 00:28:34,057 >> [laughing] 1104 00:28:34,057 --> 00:28:35,921 WELCOME, LADIES. 1105 00:28:35,921 --> 00:28:37,060 IT'S TIME FOR THE JUDGES' 1106 00:28:37,060 --> 00:28:39,096 FINAL CRITIQUE. 1107 00:28:39,096 --> 00:28:41,202 FIRST UP, ADORE. 1108 00:28:41,202 --> 00:28:42,824 >> I THINK THIS IS A FLATTERING 1109 00:28:42,824 --> 00:28:44,274 DRESS FOR YOUR SHAPE. 1110 00:28:44,274 --> 00:28:45,275 I THINK YOUR FACE LOOKS 1111 00:28:45,275 --> 00:28:46,552 REALLY BEAUTIFUL. 1112 00:28:46,552 --> 00:28:48,381 THE HAIR TONIGHT, I ALMOST 1113 00:28:48,381 --> 00:28:49,175 THOUGHT YOU WERE WEARING 1114 00:28:49,175 --> 00:28:50,418 A HEADBAND WHEN YOU 1115 00:28:50,418 --> 00:28:51,074 CAME OUT HERE. 1116 00:28:51,074 --> 00:28:51,730 >> OH. 1117 00:28:51,730 --> 00:28:53,179 >> THE SOLO DANCING, 1118 00:28:53,179 --> 00:28:54,353 THAT WAS REALLY GOOD. 1119 00:28:54,353 --> 00:28:55,492 YOU PUT ADORE INTO IT, 1120 00:28:55,492 --> 00:28:57,011 WHICH I ENJOYED. 1121 00:28:57,011 --> 00:28:58,219 BELIEVE IT OR NOT, ACTING, 1122 00:28:58,219 --> 00:28:59,738 TOO, WAS MY FAVORITE. 1123 00:28:59,738 --> 00:29:01,498 I WAS IN A NOVELAWITH YOU, 1124 00:29:01,498 --> 00:29:02,706 BUT IT WAS GOOD ACTING. 1125 00:29:02,706 --> 00:29:03,362 >> [laughs] 1126 00:29:03,362 --> 00:29:04,501 >> YOU SOLD ME ON IT. 1127 00:29:04,501 --> 00:29:05,467 >> THANK YOU, ADORE. 1128 00:29:05,467 --> 00:29:06,986 >> THANK YOU, RU. 1129 00:29:06,986 --> 00:29:08,747 >> NEXT UP, BLAME IT ON 1130 00:29:08,747 --> 00:29:10,058 BIANCA DEL RIO. 1131 00:29:10,058 --> 00:29:11,163 >> TONIGHT THIS COLOR IS 1132 00:29:11,163 --> 00:29:12,198 BEAUTIFUL ON YOU. 1133 00:29:12,198 --> 00:29:12,854 >> THANKS. 1134 00:29:12,854 --> 00:29:14,200 >> AS A GROUP, YOU AND 1135 00:29:14,200 --> 00:29:16,202 COURTNEY ACT TOGETHER REALLY 1136 00:29:16,202 --> 00:29:17,548 WERE IN SYNC, AND IT LOOKED 1137 00:29:17,548 --> 00:29:18,204 GREAT. 1138 00:29:18,204 --> 00:29:19,033 >> SOLO, I THOUGHT YOU DID 1139 00:29:19,033 --> 00:29:20,241 A GOOD JOB AS WELL. 1140 00:29:20,241 --> 00:29:21,863 IT'S FUN TO SEE YOU IN 1141 00:29:21,863 --> 00:29:23,589 A SEXY LIGHT. 1142 00:29:23,589 --> 00:29:25,556 >> FOR YOUR INGENUE, YOUR 1143 00:29:25,556 --> 00:29:27,593 EXPRESSIONS WERE SO FUNNY. 1144 00:29:27,593 --> 00:29:29,353 >> AND THE IMPROV WAS 1145 00:29:29,353 --> 00:29:30,699 PHENOMENAL. 1146 00:29:30,699 --> 00:29:32,011 "IT BEARS REPEATING." 1147 00:29:32,011 --> 00:29:33,806 IT WAS VERY FUNNY. 1148 00:29:33,806 --> 00:29:36,464 >> NEXT UP, COURTNEY ACT. 1149 00:29:36,464 --> 00:29:38,742 >> TONIGHT YOU LOOK FLAWLESS. 1150 00:29:38,742 --> 00:29:39,881 I DON'T THINK I'D CHANGE 1151 00:29:39,881 --> 00:29:41,400 A THING. 1152 00:29:41,400 --> 00:29:44,575 [laughter] 1153 00:29:44,575 --> 00:29:45,887 YEAH, REALLY, JUST VERY, 1154 00:29:45,887 --> 00:29:47,026 VERY HAPPY. 1155 00:29:47,026 --> 00:29:47,855 >> YOU SHOULD BE ON THE COVER 1156 00:29:47,855 --> 00:29:48,890 OF PLAYBOYMAGAZINE. 1157 00:29:48,890 --> 00:29:50,236 YOU SHOULD HAVE YOUR OWN SPREAD. 1158 00:29:50,236 --> 00:29:50,996 >> LET'S DO IT. 1159 00:29:50,996 --> 00:29:53,308 >> AS THE INGENUE, THE SLAPS 1160 00:29:53,308 --> 00:29:54,378 WERE REALLY FUNNY. 1161 00:29:54,378 --> 00:29:55,759 YOU WENT THERE. 1162 00:29:55,759 --> 00:29:58,486 AS SISSY WITH CHARLES, 1163 00:29:58,486 --> 00:30:00,833 THE PROPS, LIKE THE GLASSES, 1164 00:30:00,833 --> 00:30:02,007 THEY KIND OF DISTRACTED FROM 1165 00:30:02,007 --> 00:30:03,077 YOUR FACE. 1166 00:30:03,077 --> 00:30:04,319 >> GROUP CHOREOGRAPHY, 1167 00:30:04,319 --> 00:30:05,527 YOU NAILED IT. 1168 00:30:05,527 --> 00:30:07,806 >> LOVE THE WIDE SHOTS, BUT 1169 00:30:07,806 --> 00:30:09,462 THE CLOSE-UPS SEEMED SO 1170 00:30:09,462 --> 00:30:12,983 FRENETIC AND KIND OF TOO MUCH. 1171 00:30:12,983 --> 00:30:14,329 >> ALL RIGHT, UP NEXT, 1172 00:30:14,329 --> 00:30:16,469 DARIENNE LAKE. 1173 00:30:16,469 --> 00:30:17,746 >> TONIGHT IS JUST CLASSIC 1174 00:30:17,746 --> 00:30:19,818 DARIENNE, AND IT'S SO, 1175 00:30:19,818 --> 00:30:21,302 SO BEAUTIFUL. 1176 00:30:21,302 --> 00:30:22,959 >> YOUR LIP SYNCHING IS SO 1177 00:30:22,959 --> 00:30:25,306 MAJOR, AND YOUR PIECE AS THE 1178 00:30:25,306 --> 00:30:27,653 INGENUE, I COULD WATCH THAT ON 1179 00:30:27,653 --> 00:30:29,448 REPEAT FOR HOURS. 1180 00:30:29,448 --> 00:30:31,174 I THOUGHT THAT WAS SO FUNNY. 1181 00:30:31,174 --> 00:30:31,899 >> AND THEN ALL OF A SUDDEN, 1182 00:30:31,899 --> 00:30:32,761 THAT SECOND ACTING CHALLENGE 1183 00:30:32,761 --> 00:30:33,832 WAS KIND OF LIKE THIS. 1184 00:30:33,832 --> 00:30:34,729 FLATLINED. 1185 00:30:34,729 --> 00:30:35,972 YOU DIDN'T REALLY GET IT GOING 1186 00:30:35,972 --> 00:30:36,938 TILL THE END, BUT THEN WHEN YOU 1187 00:30:36,938 --> 00:30:38,353 DID GET IT GOING, 1188 00:30:38,353 --> 00:30:39,630 YOU KEPT IT GOING. 1189 00:30:39,630 --> 00:30:41,805 THAT WAS THE MAGICAL PART. 1190 00:30:41,805 --> 00:30:44,014 >> ALL RIGHT, THANKS, DARIENNE. 1191 00:30:44,014 --> 00:30:46,637 LADIES, FINAL QUESTION-- 1192 00:30:46,637 --> 00:30:48,674 WHY SHOULD YOU AND NOT YOUR 1193 00:30:48,674 --> 00:30:50,745 COMPETITORS BE CROWNED 1194 00:30:50,745 --> 00:30:53,334 AMERICA'S NEXT DRAG SUPERSTAR? 1195 00:30:53,334 --> 00:30:56,164 LET'S START WITH ADORE. 1196 00:30:56,164 --> 00:30:57,614 >> THESE GIRLS UP HERE ARE ALL 1197 00:30:57,614 --> 00:30:59,616 STARS, BUT I'M REALLY SORRY 1198 00:30:59,616 --> 00:31:01,687 ABOUT IT, I'M AMERICA'S NEXT 1199 00:31:01,687 --> 00:31:03,413 DRAG SUPERSTAR. 1200 00:31:03,413 --> 00:31:04,483 I FEEL LIKE I'M RELATABLE. 1201 00:31:04,483 --> 00:31:05,725 I'M APPROACHABLE. 1202 00:31:05,725 --> 00:31:07,762 AND WITH THIS TITLE, I WILL 1203 00:31:07,762 --> 00:31:09,212 BE VERY PROUD TO CARRY ON 1204 00:31:09,212 --> 00:31:10,834 THE LEGACY AND TEACH ALL 1205 00:31:10,834 --> 00:31:11,731 THE LITTLE MERMAIDS OF 1206 00:31:11,731 --> 00:31:12,698 THE WORLD. 1207 00:31:12,698 --> 00:31:14,251 I JUST REALLY, REALLY WANT TO 1208 00:31:14,251 --> 00:31:15,597 MAKE YOU PROUD. 1209 00:31:15,597 --> 00:31:16,978 I'M ALREADY A WINNER, BUT 1210 00:31:16,978 --> 00:31:19,015 THE CROWN REALLY WOULD COMPLETE 1211 00:31:19,015 --> 00:31:19,947 THIS WHOLE LOOK AND EVERYTHING. 1212 00:31:19,947 --> 00:31:21,741 >> [laughing] 1213 00:31:21,741 --> 00:31:22,673 >> AND I LOVE YOU GUYS. 1214 00:31:22,673 --> 00:31:23,605 THANK YOU. 1215 00:31:23,605 --> 00:31:25,849 >> THANK YOU, ADORE. 1216 00:31:25,849 --> 00:31:27,402 BIANCA DEL RIO. 1217 00:31:27,402 --> 00:31:28,300 >> THERE'S AN OLD SAYING THAT 1218 00:31:28,300 --> 00:31:29,611 YOU CAN'T TEACH AN OLD DOG 1219 00:31:29,611 --> 00:31:30,992 NEW TRICKS. 1220 00:31:30,992 --> 00:31:32,821 FOR ME, IT WASN'T GOING THROUGH 1221 00:31:32,821 --> 00:31:33,857 THE COMPETITION WITH 1222 00:31:33,857 --> 00:31:35,100 AN ADOLESCENT CHARM, 1223 00:31:35,100 --> 00:31:36,239 GOING THROUGH IT WITH 1224 00:31:36,239 --> 00:31:38,103 A FABULOUS BODY AND BEAUTY, 1225 00:31:38,103 --> 00:31:39,518 OR GOING THROUGH IT WITH GREAT 1226 00:31:39,518 --> 00:31:40,622 LIP-SYNCH TALENTS. 1227 00:31:40,622 --> 00:31:42,279 I HAD DRESSES, I HAD HAIR, 1228 00:31:42,279 --> 00:31:44,040 AND A GUARD. 1229 00:31:44,040 --> 00:31:46,076 I HAVE BUILT UP THIS WALL, AND 1230 00:31:46,076 --> 00:31:47,906 THIS EXPERIENCE HAS CHANGED ME. 1231 00:31:47,906 --> 00:31:48,907 AND I DIDN'T EXPECT IT TO BE 1232 00:31:48,907 --> 00:31:51,047 THIS MAGICAL OR THIS INSPIRING, 1233 00:31:51,047 --> 00:31:52,324 BUT IT IS. 1234 00:31:52,324 --> 00:31:53,912 I WENT THROUGH A SELF-DISCOVERY, 1235 00:31:53,912 --> 00:31:55,775 ACCEPTING THAT I'M NOT SUCH 1236 00:31:55,775 --> 00:31:56,915 A BAD BITCH. 1237 00:31:56,915 --> 00:31:58,123 AND I THANK ALL OF YOU 1238 00:31:58,123 --> 00:31:59,365 PERSONALLY FROM THE BOTTOM OF 1239 00:31:59,365 --> 00:32:01,540 MY CHILLY LITTLE HEART. 1240 00:32:01,540 --> 00:32:02,921 THANKS. 1241 00:32:02,921 --> 00:32:04,577 >> THANK YOU, BIANCA. 1242 00:32:04,577 --> 00:32:06,372 NEXT UP, COURTNEY ACT. 1243 00:32:06,372 --> 00:32:07,926 SAME QUESTION. 1244 00:32:07,926 --> 00:32:08,788 >> IN AUSTRALIA, 1245 00:32:08,788 --> 00:32:10,618 I'M AUSTRALIA'S DRAG SUPERSTAR. 1246 00:32:10,618 --> 00:32:12,137 AND I'VE HAD SO MANY WONDERFUL 1247 00:32:12,137 --> 00:32:13,897 OPPORTUNITIES THERE TO HAVE 1248 00:32:13,897 --> 00:32:14,760 A LOT OF GOOD MOMENTS 1249 00:32:14,760 --> 00:32:16,106 AND A LOT OF BAD MOMENTS 1250 00:32:16,106 --> 00:32:18,143 AND LEARN FROM ALL OF THAT. 1251 00:32:18,143 --> 00:32:19,661 AND I SORT OF CAME TO AMERICA 1252 00:32:19,661 --> 00:32:21,491 AS, LIKE, A POLISHED PRODUCT. 1253 00:32:21,491 --> 00:32:22,561 AND I FEEL THAT I CAN TAKE 1254 00:32:22,561 --> 00:32:23,631 THIS, AND I CAN MAKE THE MOST 1255 00:32:23,631 --> 00:32:24,632 OUT OF IT. 1256 00:32:24,632 --> 00:32:25,564 YOU SAY THIS IS THE OLYMPICS 1257 00:32:25,564 --> 00:32:27,462 OF DRAG, AND I WANT TO TAKE 1258 00:32:27,462 --> 00:32:29,326 THAT OLYMPIC TORCH, AND I WANT 1259 00:32:29,326 --> 00:32:30,534 TO KEEP RUNNING WITH IT, 1260 00:32:30,534 --> 00:32:32,191 AND I WANT TO BE AMERICA'S 1261 00:32:32,191 --> 00:32:34,849 NEXT DRAG SUPERSTAR. 1262 00:32:34,849 --> 00:32:35,954 >> THANK YOU, COURTNEY. 1263 00:32:35,954 --> 00:32:36,955 >> THANK YOU. 1264 00:32:36,955 --> 00:32:38,680 >> DARIENNE LAKE. 1265 00:32:38,680 --> 00:32:40,579 >> I'M GONNA GIVE YOU MORE 1266 00:32:40,579 --> 00:32:42,443 QUEEN PER POUND. 1267 00:32:42,443 --> 00:32:43,409 >> [laughs] 1268 00:32:43,409 --> 00:32:45,377 >> THERE'S NO COMPARING ME 1269 00:32:45,377 --> 00:32:46,412 TO OTHERS. 1270 00:32:46,412 --> 00:32:48,000 ADORE, SOMETIMES YOU GET 1271 00:32:48,000 --> 00:32:49,139 A LITTLE RATTLED. 1272 00:32:49,139 --> 00:32:50,658 BIANCA, I COULD TEACH YOU 1273 00:32:50,658 --> 00:32:51,590 MAYBE A LITTLE THING 1274 00:32:51,590 --> 00:32:52,936 ABOUT SENSITIVITY. 1275 00:32:52,936 --> 00:32:55,525 COURTNEY, WHAT A SEXY DISH, BUT 1276 00:32:55,525 --> 00:32:57,803 THIS DISH NEEDS A LITTLE SALT. 1277 00:32:57,803 --> 00:32:59,253 YOU HAVE SEEN MY TALENTS. 1278 00:32:59,253 --> 00:33:00,737 I WILL MAKE EVERYONE WHO'S 1279 00:33:00,737 --> 00:33:02,187 SITTING THERE THINKING THAT 1280 00:33:02,187 --> 00:33:03,878 THEY'RE NOT GOOD ENOUGH-- 1281 00:33:03,878 --> 00:33:06,570 THAT IF THIS OLD, BITTER QUEEN 1282 00:33:06,570 --> 00:33:08,814 CAN DO IT, ANYBODY CAN DO IT. 1283 00:33:08,814 --> 00:33:09,642 THANK YOU. 1284 00:33:09,642 --> 00:33:11,679 >> THANK YOU, DARIENNE. 1285 00:33:11,679 --> 00:33:13,129 WELL, THANK YOU, MY QUEENS. 1286 00:33:13,129 --> 00:33:14,785 I THINK WE'VE HEARD ENOUGH. 1287 00:33:14,785 --> 00:33:16,891 WHILE YOU UNWIND IN THE 1288 00:33:16,891 --> 00:33:18,893 UNTUCKED LOUNGE, THE JUDGES 1289 00:33:18,893 --> 00:33:21,654 AND I WILL DELIBERATE. 1290 00:33:21,654 --> 00:33:24,140 ALL RIGHT, JUST BETWEEN US 1291 00:33:24,140 --> 00:33:26,107 SQUIRRELS, WHAT DO WE THINK? 1292 00:33:26,107 --> 00:33:28,006 LET'S START WITH ADORE. 1293 00:33:28,006 --> 00:33:29,697 ADORE IS 23 YEARS OLD, 1294 00:33:29,697 --> 00:33:30,767 AND HER SPEECH ON THE MAIN 1295 00:33:30,767 --> 00:33:33,908 STAGE SPOKE LIKE SOMEONE WHO'S 1296 00:33:33,908 --> 00:33:35,082 23 YEARS OLD. 1297 00:33:35,082 --> 00:33:36,393 >> I REALLY FEEL LIKE SHE WAS 1298 00:33:36,393 --> 00:33:37,429 SPEAKING FROM THE HEART, 1299 00:33:37,429 --> 00:33:39,120 AND SHE GOT HER POINT ACROSS. 1300 00:33:39,120 --> 00:33:39,948 >> EVERYBODY LOVES ME. 1301 00:33:39,948 --> 00:33:41,364 >> ADORE'S ACTING WAS SO 1302 00:33:41,364 --> 00:33:43,055 WELL DONE, I FELT LIKE IT 1303 00:33:43,055 --> 00:33:44,263 WAS A REAL SCENE. 1304 00:33:44,263 --> 00:33:45,471 >> SHE'S A PERFORMER. 1305 00:33:45,471 --> 00:33:47,577 ADORE IS DEFINITELY A SUPERSTAR. 1306 00:33:47,577 --> 00:33:48,992 >> SHE LIKES THE SORT OF 1307 00:33:48,992 --> 00:33:50,373 TRASHY-GIRL AESTHETIC. 1308 00:33:50,373 --> 00:33:52,030 >> BUT SHE'S JUST SO DAMN 1309 00:33:52,030 --> 00:33:53,376 CHARMING THAT NO MATTER WHAT 1310 00:33:53,376 --> 00:33:54,722 SHE DOES, I CAN'T TAKE MY EYES 1311 00:33:54,722 --> 00:33:55,481 OFF OF HER. 1312 00:33:55,481 --> 00:33:56,965 >> LET'S TALK ABOUT 1313 00:33:56,965 --> 00:33:58,001 BIANCA DEL RIO. 1314 00:33:58,001 --> 00:34:00,314 >> HER INGENUE WAS FUNNY, 1315 00:34:00,314 --> 00:34:02,626 AND SHE BRINGS HER INTELLIGENCE 1316 00:34:02,626 --> 00:34:03,351 TO THE GAME. 1317 00:34:03,351 --> 00:34:04,249 >> IT BEARS REPEATING. 1318 00:34:04,249 --> 00:34:05,112 >> IT'S HILARIOUS. 1319 00:34:05,112 --> 00:34:06,665 >> TO ME, BIANCA COMES OFF 1320 00:34:06,665 --> 00:34:08,874 AS USING COMEDY AS A WALL. 1321 00:34:08,874 --> 00:34:10,772 HER SHTICK IS, "COLD AS ICE. 1322 00:34:10,772 --> 00:34:12,015 MY HEART IS BLACK." 1323 00:34:12,015 --> 00:34:13,465 >> YEAH, HER HUMOR CAN BE 1324 00:34:13,465 --> 00:34:15,570 A LITTLE ABRASIVE AND DANGEROUS. 1325 00:34:15,570 --> 00:34:16,640 IS THAT THE BEST CHOICE FOR 1326 00:34:16,640 --> 00:34:17,400 THE BRAND? 1327 00:34:17,400 --> 00:34:18,642 >> BUT THAT SPEECH THAT SHE 1328 00:34:18,642 --> 00:34:20,230 MADE WAS PRETTY AMAZING. 1329 00:34:20,230 --> 00:34:21,197 IT'S INTERESTING JUST SEEING 1330 00:34:21,197 --> 00:34:22,439 HER VULNERABILITY. 1331 00:34:22,439 --> 00:34:24,476 AND SHE HAD NO PROBLEM HELPING 1332 00:34:24,476 --> 00:34:25,891 THE OTHER GIRLS BACK IN THE 1333 00:34:25,891 --> 00:34:28,376 WORKROOM, BECAUSE SHE WASN'T 1334 00:34:28,376 --> 00:34:29,205 THREATENED BY THEM. 1335 00:34:29,205 --> 00:34:29,964 >> NO. 1336 00:34:29,964 --> 00:34:30,792 >> I WOULD'VE LIKED TO HAVE 1337 00:34:30,792 --> 00:34:32,346 HAD MORE VARIETY IN HER RUNWAY 1338 00:34:32,346 --> 00:34:33,174 LOOKS, THOUGH. 1339 00:34:33,174 --> 00:34:33,968 >> LET'S MOVE ON TO 1340 00:34:33,968 --> 00:34:35,211 COURTNEY ACT. 1341 00:34:35,211 --> 00:34:36,350 >> IT'S OBVIOUS THE CAMERA 1342 00:34:36,350 --> 00:34:37,247 LOVES HER. 1343 00:34:37,247 --> 00:34:37,937 >> YES. 1344 00:34:37,937 --> 00:34:39,042 SHE HAS A PRESENCE. 1345 00:34:39,042 --> 00:34:40,008 SHE'S BEAUTIFUL. 1346 00:34:40,008 --> 00:34:40,975 >> HER ACTING TWO CHALLENGE 1347 00:34:40,975 --> 00:34:42,080 WAS INTERESTING. 1348 00:34:42,080 --> 00:34:43,011 SHE HAD ALL THIS SHTICK WITH 1349 00:34:43,011 --> 00:34:44,841 THE STRAW IN HER HAIR, 1350 00:34:44,841 --> 00:34:46,532 THE GLASSES COCKEYED. 1351 00:34:46,532 --> 00:34:47,878 >> NOTHING WAS SUBTLE ABOUT 1352 00:34:47,878 --> 00:34:48,534 THAT PERFORMANCE. 1353 00:34:48,534 --> 00:34:49,259 >> IT WAS OVERT. 1354 00:34:49,259 --> 00:34:50,260 >> BUT SHE DID ALLUDE TO 1355 00:34:50,260 --> 00:34:51,572 THE FACT THAT SHE DOESN'T SPEAK 1356 00:34:51,572 --> 00:34:52,676 WITH AN AUSTRALIAN ACCENT. 1357 00:34:52,676 --> 00:34:53,367 >> WHICH I APPRECIATE. 1358 00:34:53,367 --> 00:34:54,575 >> WHICH IS SUPER FUNNY. 1359 00:34:54,575 --> 00:34:55,472 >> NOW, LET'S TALK ABOUT HER 1360 00:34:55,472 --> 00:34:57,095 SPEECH ON THE MAIN STAGE. 1361 00:34:57,095 --> 00:34:58,544 >> SHE'S AUSTRALIA'S VERSION 1362 00:34:58,544 --> 00:34:59,476 OF RUPAUL. 1363 00:34:59,476 --> 00:35:00,408 >> RIGHT, THAT'S NOT STRONG 1364 00:35:00,408 --> 00:35:01,651 ENOUGH FOR ME. 1365 00:35:01,651 --> 00:35:03,101 I WANTED HER TO MOVE ME. 1366 00:35:03,101 --> 00:35:04,550 >> I DON'T GET MAD WHEN PEOPLE 1367 00:35:04,550 --> 00:35:06,138 TALK LIKE THAT, ESPECIALLY 1368 00:35:06,138 --> 00:35:07,588 FROM COURTNEY ACT, WHO I THINK 1369 00:35:07,588 --> 00:35:09,693 IS AN IMMENSE TALENT AND WHO 1370 00:35:09,693 --> 00:35:11,316 HAS CONSISTENTLY BROUGHT AMAZING 1371 00:35:11,316 --> 00:35:12,800 LOOKS TO THE RUNWAY. 1372 00:35:12,800 --> 00:35:13,939 >> LET'S MOVE ON TO 1373 00:35:13,939 --> 00:35:15,458 DARIENNE LAKE. 1374 00:35:15,458 --> 00:35:16,562 >> THE SECOND ACTING CHALLENGE, 1375 00:35:16,562 --> 00:35:18,081 WHEN SHE STARTED TO BREAK DOWN, 1376 00:35:18,081 --> 00:35:19,358 THEN I GOT SUCKED IN. 1377 00:35:19,358 --> 00:35:20,187 >> HER DELIVERY... 1378 00:35:20,187 --> 00:35:20,877 >> YEAH. 1379 00:35:20,877 --> 00:35:21,705 >> WAS JUST HILARIOUS, 1380 00:35:21,705 --> 00:35:22,741 JUST SO FUNNY. 1381 00:35:22,741 --> 00:35:23,914 >> AND IT EVEN MADE CHARLES 1382 00:35:23,914 --> 00:35:25,640 COME BACK IN AND GET HER. 1383 00:35:25,640 --> 00:35:26,848 >> IN THE SISSY-OGRAPHY, 1384 00:35:26,848 --> 00:35:28,126 DARIENNE LAKE GOT DOWN WITH 1385 00:35:28,126 --> 00:35:28,781 THE GET-DOWN. 1386 00:35:28,781 --> 00:35:29,437 >> THANK YOU. 1387 00:35:29,437 --> 00:35:30,783 >> SHE'S A FIERCE LIP SYNCHER. 1388 00:35:30,783 --> 00:35:31,577 >> SHE IS. 1389 00:35:31,577 --> 00:35:32,716 >> AND, YOU KNOW, ALL ABOUT 1390 00:35:32,716 --> 00:35:34,891 SELLING FACE CONSTANTLY. 1391 00:35:34,891 --> 00:35:36,134 >> IN FACT, SHE WON THE SCREAM 1392 00:35:36,134 --> 00:35:37,549 QUEEN CHALLENGE JUST BECAUSE 1393 00:35:37,549 --> 00:35:38,446 OF HER HEAD. 1394 00:35:38,446 --> 00:35:39,482 >> I'VE WON LOTS OF STUFF WITH 1395 00:35:39,482 --> 00:35:40,207 MY HEAD. 1396 00:35:40,207 --> 00:35:41,553 >> [laughs] 1397 00:35:41,553 --> 00:35:43,175 >> SILENCE. 1398 00:35:43,175 --> 00:35:47,628 BRING BACK MY GIRLS. 1399 00:35:47,628 --> 00:35:49,733 BRING BACK MY GIRLS. [laughing] 1400 00:35:49,733 --> 00:35:52,080 [laughing] 1401 00:35:52,080 --> 00:35:53,806 >> [laughing] 1402 00:35:53,806 --> 00:35:55,670 WELCOME BACK, LADIES. 1403 00:35:55,670 --> 00:35:57,879 NOW, BEFORE I CAN DECIDE WHO 1404 00:35:57,879 --> 00:36:00,088 MAKES IT TO THE TOP THREE, 1405 00:36:00,088 --> 00:36:02,021 I NEED TO SEE EACH OF YOU 1406 00:36:02,021 --> 00:36:06,267 LIP-SYNCH FOR YOUR LIFE. 1407 00:36:06,267 --> 00:36:09,857 FOUR QUEENS STAND BEFORE ME. 1408 00:36:09,857 --> 00:36:12,825 LADIES, THIS IS YOUR LAST CHANCE 1409 00:36:12,825 --> 00:36:14,862 TO IMPRESS ME AND SAVE 1410 00:36:14,862 --> 00:36:19,522 YOURSELF FROM ELIMINATION. 1411 00:36:19,522 --> 00:36:22,835 THE TIME HAS COME FOR YOU TO 1412 00:36:22,835 --> 00:36:26,045 LIP-SYNCH... 1413 00:36:26,045 --> 00:36:28,531 LIP-SYNCH... FOR YOUR LIFE. 1414 00:36:28,531 --> 00:36:30,878 FOR YOUR LIFE. 1415 00:36:30,878 --> 00:36:32,224 >> ALL FOUR OF US HAVE TO 1416 00:36:32,224 --> 00:36:33,536 LIP-SYNCH, AND WE'RE COMPETING 1417 00:36:33,536 --> 00:36:34,295 AGAINST EACH OTHER. 1418 00:36:34,295 --> 00:36:35,952 THIS IS, LIKE, A LIP-SYNCH 1419 00:36:35,952 --> 00:36:37,367 DEATH MATCH. 1420 00:36:37,367 --> 00:36:40,370 >> GOOD LUCK, AND DON'T 1421 00:36:40,370 --> 00:36:43,339 [bleep] IT UP. 1422 00:36:43,339 --> 00:36:44,340 [pulsing electronic music] 1423 00:36:44,340 --> 00:36:46,100 ♪ 1424 00:36:46,100 --> 00:36:47,895 ♪ PICK MYSELF UP 1425 00:36:47,895 --> 00:36:49,828 ♪ TURN THE WORLD ON ITS HEAD 1426 00:36:49,828 --> 00:36:51,278 ♪ DON'T FORGET WHAT 1427 00:36:51,278 --> 00:36:51,968 ♪ DON'T FORGET 1428 00:36:51,968 --> 00:36:53,625 ♪ WHAT MY MAMA SAID 1429 00:36:53,625 --> 00:36:55,213 ♪ PEOPLE TALKING 1430 00:36:55,213 --> 00:36:57,353 ♪ SINCE THE BEGINNING OF TIME 1431 00:36:57,353 --> 00:36:58,354 ♪ UNLESS THEY'RE PAYING 1432 00:36:58,354 --> 00:36:59,355 ♪ YOUR BILLS 1433 00:36:59,355 --> 00:37:01,529 ♪ PAY THE BITCHES NO MIND 1434 00:37:01,529 --> 00:37:02,979 >> I'VE BEEN TRAINING FOR THIS 1435 00:37:02,979 --> 00:37:04,877 MOMENT MY ENTIRE LIFE. 1436 00:37:04,877 --> 00:37:05,775 IT'S KIND OF ODD BEING 1437 00:37:05,775 --> 00:37:07,121 AUSTRALIAN AND BEING CROWNED 1438 00:37:07,121 --> 00:37:08,881 AMERICA'S NEXT DRAG SUPERSTAR, 1439 00:37:08,881 --> 00:37:09,986 BUT THAT'S WHAT AMERICA IS 1440 00:37:09,986 --> 00:37:10,814 ALL ABOUT. 1441 00:37:10,814 --> 00:37:12,713 IT'S THE GREAT AMERICAN DREAM. 1442 00:37:12,713 --> 00:37:14,611 >> ♪ I'M ON MY WAY 1443 00:37:14,611 --> 00:37:16,164 ♪ I'M ON MY WAY 1444 00:37:16,164 --> 00:37:18,236 ♪ FLY, FLY, FLY, FLY 1445 00:37:18,236 --> 00:37:19,823 ♪ UH-OH, UH-UH-OH 1446 00:37:19,823 --> 00:37:21,377 >> I HAVE BEEN ON THE BOTTOM, 1447 00:37:21,377 --> 00:37:22,826 BUT IT'S NOT HOW MANY TIMES 1448 00:37:22,826 --> 00:37:23,931 YOU GET KICKED DOWN. 1449 00:37:23,931 --> 00:37:24,897 IT'S HOW MANY TIMES YOU 1450 00:37:24,897 --> 00:37:26,830 CONTINUE TO GET BACK UP. 1451 00:37:26,830 --> 00:37:28,349 I'M OUT THERE FOR THE BIG GIRLS. 1452 00:37:28,349 --> 00:37:30,178 I AM A FIGHTER. 1453 00:37:30,178 --> 00:37:33,181 >> ♪ NOW SISSY THAT WALK 1454 00:37:33,181 --> 00:37:40,741 ♪ 1455 00:37:40,741 --> 00:37:41,500 >> I THINK THE REASON WHY I'M 1456 00:37:41,500 --> 00:37:43,191 AMERICA'S NEXT DRAG SUPERSTAR 1457 00:37:43,191 --> 00:37:44,296 IS BECAUSE I'M A GOOD 1458 00:37:44,296 --> 00:37:45,746 REPRESENTATION OF THE NEW GIRLS 1459 00:37:45,746 --> 00:37:47,161 WITHIN THE DRAG COMMUNITY. 1460 00:37:47,161 --> 00:37:48,438 I HAVE SO MUCH HEART. 1461 00:37:48,438 --> 00:37:50,544 I HAVE SO MUCH DRIVE AND FIRE. 1462 00:37:50,544 --> 00:37:51,890 I WANT PEOPLE TO KNOW THAT YOU 1463 00:37:51,890 --> 00:37:52,960 CAN FOLLOW YOUR DREAMS AND 1464 00:37:52,960 --> 00:37:54,513 HAVE A PARTY WHILE DOING IT. 1465 00:37:54,513 --> 00:37:56,550 >> ♪ MY [bleep] IS ON FIRE 1466 00:37:56,550 --> 00:37:58,379 ♪ NOW KISS THE FLAME 1467 00:37:58,379 --> 00:37:59,587 ♪ AND IF I FLY 1468 00:37:59,587 --> 00:38:00,588 >> I SHOULD BE AMERICA'S NEXT 1469 00:38:00,588 --> 00:38:02,072 DRAG SUPERSTAR BECAUSE I'VE PAID 1470 00:38:02,072 --> 00:38:03,488 MY DUES AND SHOWN MYSELF 1471 00:38:03,488 --> 00:38:04,730 IN THIS COMPETITION. 1472 00:38:04,730 --> 00:38:07,354 I CAME, WORKED, I CONQUERED, 1473 00:38:07,354 --> 00:38:08,424 AND I'D LIKE TO SHARE IT WITH 1474 00:38:08,424 --> 00:38:09,632 THE REST OF THE WORLD. 1475 00:38:09,632 --> 00:38:11,530 >> ♪ FLY, FLY, FLY, FLY 1476 00:38:11,530 --> 00:38:12,220 ♪ UH-OH 1477 00:38:12,220 --> 00:38:14,395 ♪ NOW SISSY THAT WALK 1478 00:38:14,395 --> 00:38:17,433 ♪ NOW SISSY THAT WALK [laughing] 1479 00:38:17,433 --> 00:38:18,503 [laughing] 1480 00:38:18,503 --> 00:38:19,193 >> VERY NICE. 1481 00:38:19,193 --> 00:38:21,644 >> WOW. 1482 00:38:21,644 --> 00:38:24,302 LADIES, YOU HAVE NOT MADE IT 1483 00:38:24,302 --> 00:38:28,444 EASY FOR ME... 1484 00:38:28,444 --> 00:38:32,379 BUT I'VE MADE MY DECISION. 1485 00:38:32,379 --> 00:38:33,380 [suspenseful music] 1486 00:38:33,380 --> 00:38:41,422 [suspenseful music] ♪ 1487 00:38:41,422 --> 00:38:43,148 ♪ 1488 00:38:43,148 --> 00:38:45,530 DARIENNE LAKE, I'M SORRY, 1489 00:38:45,530 --> 00:38:47,773 MY DEAR, BUT YOU WILL NOT BE 1490 00:38:47,773 --> 00:38:51,881 MOVING ON TO THE TOP THREE. 1491 00:38:51,881 --> 00:38:53,261 >> YOU KNOW, I'M LEAVING HERE 1492 00:38:53,261 --> 00:38:55,056 WITHOUT THE CROWN 1493 00:38:55,056 --> 00:38:56,679 BUT NOT EMPTY-HANDED. 1494 00:38:56,679 --> 00:38:59,302 I HAVE SERIOUSLY GROWN, 1495 00:38:59,302 --> 00:39:00,545 AND I HAVE MADE FRIENDS FOR 1496 00:39:00,545 --> 00:39:02,443 A SEASON, A REASON, 1497 00:39:02,443 --> 00:39:04,721 OR A LIFETIME. 1498 00:39:04,721 --> 00:39:06,240 THANK YOU. 1499 00:39:06,240 --> 00:39:09,381 >> YOU ARE ONE RESILIENT AND 1500 00:39:09,381 --> 00:39:12,280 GORGEOUS GLAMAZON. 1501 00:39:12,280 --> 00:39:15,076 IT'S TIME FOR EVERYBODY TO JUMP 1502 00:39:15,076 --> 00:39:16,768 INTO THE REFRESHING, 1503 00:39:16,768 --> 00:39:19,011 UNFORGETTABLE WATERS OF 1504 00:39:19,011 --> 00:39:21,082 DARIENNE LAKE. 1505 00:39:21,082 --> 00:39:22,877 NOW... 1506 00:39:22,877 --> 00:39:24,983 SASHAY AWAY. 1507 00:39:24,983 --> 00:39:26,018 >> AND I WILL LEAVE LIKE 1508 00:39:26,018 --> 00:39:29,746 A TRUE DIVA. 1509 00:39:29,746 --> 00:39:30,402 GET OUT OF MY WAY. 1510 00:39:30,402 --> 00:39:31,921 >> OH! 1511 00:39:31,921 --> 00:39:33,440 >> I'VE COME THIS FAR, 1512 00:39:33,440 --> 00:39:34,993 AND TO GET SO CLOSE, 1513 00:39:34,993 --> 00:39:36,615 IT'S LIKE THE WIZARD OF OZ. 1514 00:39:36,615 --> 00:39:38,341 YOU GET THERE, YOU'VE HAD TO 1515 00:39:38,341 --> 00:39:40,274 KILL A WITCH OR A COUPLE OF 'EM, 1516 00:39:40,274 --> 00:39:44,312 AND YOU GET NOTHING AT THE END. 1517 00:39:44,312 --> 00:39:46,211 >> I PRESENT TO THE WORLD MY 1518 00:39:46,211 --> 00:39:47,971 FINAL THREE. 1519 00:39:47,971 --> 00:39:50,284 ALL SEASON LONG, I'VE CONSULTED 1520 00:39:50,284 --> 00:39:52,838 WITH THE JUDGES, AND NOW 1521 00:39:52,838 --> 00:39:54,840 I WANT TO HEAR FROM YOU, 1522 00:39:54,840 --> 00:39:55,979 THE FANS. 1523 00:39:55,979 --> 00:39:57,498 WHO DO YOU THINK SHOULD BE 1524 00:39:57,498 --> 00:40:00,225 AMERICA'S NEXT DRAG SUPERSTAR? 1525 00:40:00,225 --> 00:40:05,403 ARE YOU TEAM ADORE, TEAM BIANCA, 1526 00:40:05,403 --> 00:40:07,612 OR TEAM COURTNEY? 1527 00:40:07,612 --> 00:40:10,891 TWEET YOUR CHOICE TO... 1528 00:40:10,891 --> 00:40:13,549 USING... 1529 00:40:13,549 --> 00:40:15,136 THEN KEEP THE CONVERSATION 1530 00:40:15,136 --> 00:40:17,173 GOING ON THE RUPAUL'S DRAG RACE 1531 00:40:17,173 --> 00:40:21,764 FACEBOOK PAGE, USING #DRAGRACE. 1532 00:40:21,764 --> 00:40:24,180 LET YOUR VOICE BE HEARD. 1533 00:40:24,180 --> 00:40:27,701 BUT REMEMBER, THE FINAL DECISION 1534 00:40:27,701 --> 00:40:31,532 IS HASHTAG "MINE TO MAKE." 1535 00:40:31,532 --> 00:40:33,948 NEXT WEEK, TUNE IN FOR THE DEBUT 1536 00:40:33,948 --> 00:40:35,433 OF THE MUSIC VIDEO 1537 00:40:35,433 --> 00:40:36,951 SISSY THAT WALK, 1538 00:40:36,951 --> 00:40:38,159 AND THE FOLLOWING WEEK, 1539 00:40:38,159 --> 00:40:39,816 THE WINNER WILL BE CROWNED ON 1540 00:40:39,816 --> 00:40:42,992 RUPAUL'S DRAG RACE REUNITED. 1541 00:40:42,992 --> 00:40:45,373 NOW, IF YOU CAN'T LOVE YOURSELF, 1542 00:40:45,373 --> 00:40:46,236 HOW IN THE HELL ARE YOU GONNA 1543 00:40:46,236 --> 00:40:47,445 LOVE SOMEBODY ELSE? 1544 00:40:47,445 --> 00:40:48,894 CAN I GET A "AMEN" IN HERE? 1545 00:40:48,894 --> 00:40:49,930 >> all: AMEN. 1546 00:40:49,930 --> 00:40:50,689 >> ALL RIGHT, NOW 1547 00:40:50,689 --> 00:40:54,348 LET THE MUSIC PLAY. 1548 00:40:54,348 --> 00:40:56,143 ♪ I WANT TO DANCE, DANCE 1549 00:40:56,143 --> 00:40:58,007 ♪ I WANT TO DANCE, DANCE 1550 00:40:58,007 --> 00:41:00,527 ♪ I WANT TO DANCE, DANCE 1551 00:41:00,527 --> 00:41:03,115 ♪ I WANT TO DANCE, DANCE ♪ DANCE WITH YOU