1 00:00:11,312 --> 00:00:22,621 >>> TONIGHT ON "RUPAUL'S DRAG RACE" REUNITED. ALL THE QUEENS HAVE GATHERED TO 2 00:00:22,623 --> 00:00:23,289 RACE" REUNITED. ALL THE QUEENS HAVE GATHERED TO 3 00:00:23,290 --> 00:00:23,956 ALL THE QUEENS HAVE GATHERED TO 4 00:00:23,958 --> 00:00:24,523 5 00:00:24,525 --> 00:00:25,657 SOUND OFF. >> IF YOU CAN'T ROLL WITH THE 6 00:00:25,659 --> 00:00:26,692 >> IF YOU CAN'T ROLL WITH THE PUNCHES, THIS IS NOT CAREER FOR 7 00:00:26,694 --> 00:00:27,092 PUNCHES, THIS IS NOT CAREER FOR YOU. 8 00:00:27,094 --> 00:00:28,794 YOU. >> AND LET YOU HAVE IT. 9 00:00:28,796 --> 00:00:30,662 >> AND LET YOU HAVE IT. >> EXCUSE ME, I NEED TO SPEAK, 10 00:00:30,664 --> 00:00:31,797 >> EXCUSE ME, I NEED TO SPEAK, I'M NOT DONE SPEAKING. 11 00:00:31,799 --> 00:00:32,231 I'M NOT DONE SPEAKING. >> NO. 12 00:00:32,233 --> 00:00:37,936 >> NO. NO. 13 00:00:37,938 --> 00:00:41,874 NO. ♪ ♪ 14 00:00:41,876 --> 00:00:52,584 ♪ ♪ ♪ ♪ 15 00:00:52,586 --> 00:00:55,654 ♪ ♪ >>> THE WINNER OF "RUPAUL'S DRAG 16 00:00:55,656 --> 00:01:03,328 >>> THE WINNER OF "RUPAUL'S DRAG RACE'S" WINS ONE YEAR'S SUPPLY 17 00:01:03,330 --> 00:01:06,932 RACE'S" WINS ONE YEAR'S SUPPLY OF BEVERLEY HILLS COSMETICS AND 18 00:01:06,934 --> 00:01:07,800 OF BEVERLEY HILLS COSMETICS AND $100,000. 19 00:01:07,802 --> 00:01:10,936 $100,000. ♪ ♪ 20 00:01:10,938 --> 00:01:12,738 ♪ ♪ >> WELCOME TO "RUPAUL'S DRAG 21 00:01:12,740 --> 00:01:14,239 >> WELCOME TO "RUPAUL'S DRAG RACE" REUNITED. 22 00:01:14,241 --> 00:01:15,908 RACE" REUNITED. WE ARE A WEEK AWAY FROM THE 23 00:01:15,910 --> 00:01:18,043 WE ARE A WEEK AWAY FROM THE CROWNING OF AMERICA'S NEXT DRAG 24 00:01:18,045 --> 00:01:18,610 CROWNING OF AMERICA'S NEXT DRAG SUPER STAR. 25 00:01:18,612 --> 00:01:21,146 SUPER STAR. RIGHT HEAR ON THIS STAGE AT THE 26 00:01:21,148 --> 00:01:21,780 RIGHT HEAR ON THIS STAGE AT THE ALEX THEATER. 27 00:01:21,782 --> 00:01:23,749 ALEX THEATER. BEFORE WE DO. 28 00:01:23,751 --> 00:01:25,451 BEFORE WE DO. THE QUEENS ARE BACK TO SPILL ALL 29 00:01:25,453 --> 00:01:28,120 THE QUEENS ARE BACK TO SPILL ALL THE TEA ABOUT THIS SEASON'S 30 00:01:28,122 --> 00:01:31,757 THE TEA ABOUT THIS SEASON'S BIGGEST SCANDELOUS. 31 00:01:31,759 --> 00:01:34,393 BIGGEST SCANDELOUS. FIRST UP ONE OF THE SEASON'S 32 00:01:34,395 --> 00:01:35,127 FIRST UP ONE OF THE SEASON'S BIGGEST CONTROVERSY. 33 00:01:35,129 --> 00:01:36,995 BIGGEST CONTROVERSY. IT'S NOT PERSONAL, IT'S READING. 34 00:01:36,997 --> 00:01:39,098 IT'S NOT PERSONAL, IT'S READING. ALEXIS MICHELLE, PEOPLE ONLINE 35 00:01:39,100 --> 00:01:40,532 ALEXIS MICHELLE, PEOPLE ONLINE SAID YOU COULD DISH IT OUT AND 36 00:01:40,534 --> 00:01:41,266 SAID YOU COULD DISH IT OUT AND YOU CAN'T TAKE IT. 37 00:01:41,268 --> 00:01:42,868 YOU CAN'T TAKE IT. TAKE A LOOK. 38 00:01:42,870 --> 00:01:51,877 TAKE A LOOK. >> FARRAH MOAN, ALL THE GUYS 39 00:01:51,879 --> 00:01:56,081 >> FARRAH MOAN, ALL THE GUYS FROM BUY YOU DESIGNER SHOES, 40 00:01:56,083 --> 00:01:59,985 FROM BUY YOU DESIGNER SHOES, THEY ARE NOT YOUR FRIENDS THEY 41 00:01:59,987 --> 00:02:02,888 THEY ARE NOT YOUR FRIENDS THEY ARE YOUR JONS. 42 00:02:02,890 --> 00:02:08,894 ARE YOUR JONS. >> ALEXIS MICHELLE, PILLSBURY 43 00:02:08,896 --> 00:02:11,196 >> ALEXIS MICHELLE, PILLSBURY CALLED, THEY WANT THEIR ROLLS 44 00:02:11,198 --> 00:02:11,630 CALLED, THEY WANT THEIR ROLLS BACK. 45 00:02:11,632 --> 00:02:13,232 BACK. >> TIME FOR US TO START WRITING 46 00:02:13,234 --> 00:02:13,665 >> TIME FOR US TO START WRITING JOKES. 47 00:02:13,667 --> 00:02:15,200 JOKES. HERE'S A TIP, DON'T MAKE IT 48 00:02:15,202 --> 00:02:17,236 HERE'S A TIP, DON'T MAKE IT ABOUT MY BODY. 49 00:02:17,238 --> 00:02:19,938 ABOUT MY BODY. SO, THAT'S ALL I HAVE TO SAY 50 00:02:19,940 --> 00:02:20,606 SO, THAT'S ALL I HAVE TO SAY ABOUT THAT. 51 00:02:20,608 --> 00:02:22,374 ABOUT THAT. >> WHAT DO YOU SAY TO THAT? 52 00:02:22,376 --> 00:02:26,879 >> WHAT DO YOU SAY TO THAT? >> UM, REGARDING MY SENSITIVITY, 53 00:02:26,881 --> 00:02:28,847 >> UM, REGARDING MY SENSITIVITY, MY BODY IS SOMETHING THAT I HAVE 54 00:02:28,849 --> 00:02:32,251 MY BODY IS SOMETHING THAT I HAVE STRUGGLED WITH MY WHOLE LIFE. 55 00:02:32,253 --> 00:02:33,485 STRUGGLED WITH MY WHOLE LIFE. AND WE HAVE HAVE TALKED ABOUT 56 00:02:33,487 --> 00:02:35,854 AND WE HAVE HAVE TALKED ABOUT OUR BODY IMAGE ISSUES A FEW 57 00:02:35,856 --> 00:02:36,421 OUR BODY IMAGE ISSUES A FEW WEEKS BEFORE. 58 00:02:36,423 --> 00:02:38,557 WEEKS BEFORE. >> YEAH, BUT THE READING 59 00:02:38,559 --> 00:02:40,993 >> YEAH, BUT THE READING CHALLENGE IS A SAFE PLACE TO LET 60 00:02:40,995 --> 00:02:42,861 CHALLENGE IS A SAFE PLACE TO LET IT ALL HANG OUT BECAUSE YOU NO 61 00:02:42,863 --> 00:02:43,762 IT ALL HANG OUT BECAUSE YOU NO THERE'S LOVE IN THE ROOM. 62 00:02:43,764 --> 00:02:45,230 THERE'S LOVE IN THE ROOM. >> AND THE LOVE CAME FROM ME TO 63 00:02:45,232 --> 00:02:46,465 >> AND THE LOVE CAME FROM ME TO THE GIRLS TOO. 64 00:02:46,467 --> 00:02:48,500 THE GIRLS TOO. AND BECAUSE WE TALKED ABOUT 65 00:02:48,502 --> 00:02:49,935 AND BECAUSE WE TALKED ABOUT OTHER EATING DISORDERS -- 66 00:02:49,937 --> 00:02:51,470 OTHER EATING DISORDERS -- >> YEAH, I GOT IT. 67 00:02:51,472 --> 00:02:53,205 >> YEAH, I GOT IT. SURELY YOU CAN UNDERSTAND WHY 68 00:02:53,207 --> 00:02:55,174 SURELY YOU CAN UNDERSTAND WHY PEOPLE ONLINE WOULD SAY, WAUMT, 69 00:02:55,176 --> 00:02:57,042 PEOPLE ONLINE WOULD SAY, WAUMT, YOU KNOW, HAVING TALKED ABOUT 70 00:02:57,044 --> 00:03:00,112 YOU KNOW, HAVING TALKED ABOUT THE OTHER BODY SENSITIVITIES. 71 00:03:00,114 --> 00:03:01,747 THE OTHER BODY SENSITIVITIES. >> IT WAS JUST, IT DID NOT FEEL 72 00:03:01,749 --> 00:03:02,247 >> IT WAS JUST, IT DID NOT FEEL BALANCED. 73 00:03:02,249 --> 00:03:04,349 BALANCED. >> I TALKED ABOUT BEING 74 00:03:04,351 --> 00:03:05,350 >> I TALKED ABOUT BEING SENSITIVE ABOUT MY TEETH, BUT 75 00:03:05,352 --> 00:03:06,518 SENSITIVE ABOUT MY TEETH, BUT THAT DOESN'T STOP YOU. 76 00:03:06,520 --> 00:03:07,819 THAT DOESN'T STOP YOU. AND I WAS STILL ABLE TO SIT 77 00:03:07,821 --> 00:03:09,454 AND I WAS STILL ABLE TO SIT THERE AND LAUGH ABOUT IT AND I 78 00:03:09,456 --> 00:03:10,522 THERE AND LAUGH ABOUT IT AND I JUST FELT LIKE YOU WERE NOT 79 00:03:10,524 --> 00:03:11,390 JUST FELT LIKE YOU WERE NOT BEING A GOOD SPORT. 80 00:03:11,392 --> 00:03:13,158 BEING A GOOD SPORT. >> I MAKE FUN OF MY SIZE ALL THE 81 00:03:13,160 --> 00:03:15,761 >> I MAKE FUN OF MY SIZE ALL THE TIME ON STAGE AT MY SHOWS. 82 00:03:15,763 --> 00:03:16,995 TIME ON STAGE AT MY SHOWS. >> THAT'S NOT HER POINT. 83 00:03:16,997 --> 00:03:18,463 >> THAT'S NOT HER POINT. >> I DON'T THINK THAT YOU COME 84 00:03:18,465 --> 00:03:20,132 >> I DON'T THINK THAT YOU COME OFF AS LIKE SOME HUGE SIZE 85 00:03:20,134 --> 00:03:20,599 OFF AS LIKE SOME HUGE SIZE QUEEN. 86 00:03:20,601 --> 00:03:21,233 QUEEN. >> I AGREE. 87 00:03:21,235 --> 00:03:21,867 >> I AGREE. >> YEAH. 88 00:03:21,869 --> 00:03:24,203 >> YEAH. >> I THINK THE GRIPE THAT PEOPLE 89 00:03:24,205 --> 00:03:26,138 >> I THINK THE GRIPE THAT PEOPLE HAD ONLINE, WAS THAT YOU DISHED 90 00:03:26,140 --> 00:03:29,241 HAD ONLINE, WAS THAT YOU DISHED IT OUT, BASICALLY CALLING FARRAH 91 00:03:29,243 --> 00:03:31,944 IT OUT, BASICALLY CALLING FARRAH A PROSTITUTE AND TURNABOUT WAS 92 00:03:31,946 --> 00:03:33,045 A PROSTITUTE AND TURNABOUT WAS NOT FAIR PLAY. 93 00:03:33,047 --> 00:03:34,680 NOT FAIR PLAY. >> MY ADVICE IS GIRL YOU ARE A 94 00:03:34,682 --> 00:03:36,215 >> MY ADVICE IS GIRL YOU ARE A DRAG QUEEN, AND IF YOU CAN'T 95 00:03:36,217 --> 00:03:37,449 DRAG QUEEN, AND IF YOU CAN'T ROLL WITH THE PUNCHES, THIS IS 96 00:03:37,451 --> 00:03:38,750 ROLL WITH THE PUNCHES, THIS IS NOT THE CAREER FOR YOU. 97 00:03:38,752 --> 00:03:40,886 NOT THE CAREER FOR YOU. >> YOU KNOW, THIS WON'T AIR, BUT 98 00:03:40,888 --> 00:03:43,422 >> YOU KNOW, THIS WON'T AIR, BUT LADY BUNNY AND I USED THE TO DO 99 00:03:43,424 --> 00:03:44,289 LADY BUNNY AND I USED THE TO DO ACID TOGETHER. 100 00:03:44,291 --> 00:03:45,891 ACID TOGETHER. AND WE WERE CUSTODIES. 101 00:03:45,893 --> 00:03:47,125 AND WE WERE CUSTODIES. INEVITABLY, SHE'D SAY TO ME AND 102 00:03:47,127 --> 00:03:49,661 INEVITABLY, SHE'D SAY TO ME AND LOOK AT ME, AND SAY, RU, THE 103 00:03:49,663 --> 00:03:52,598 LOOK AT ME, AND SAY, RU, THE DEVIL'S GOING TO GET YOU. 104 00:03:52,600 --> 00:03:54,233 DEVIL'S GOING TO GET YOU. AND I SAID, WHY ARE YOU DOING 105 00:03:54,235 --> 00:03:54,666 AND I SAID, WHY ARE YOU DOING THAT? 106 00:03:54,668 --> 00:03:58,036 THAT? I'M TRIPPING MY BALLS OFF AND 107 00:03:58,038 --> 00:04:00,472 I'M TRIPPING MY BALLS OFF AND YOU ARE BRINGING UP THIS STUFF. 108 00:04:00,474 --> 00:04:02,774 YOU ARE BRINGING UP THIS STUFF. BUT IN HINDSIGHT, WHAT SHE WAS 109 00:04:02,776 --> 00:04:05,277 BUT IN HINDSIGHT, WHAT SHE WAS DOING WAS TAKING AWAY ALL THE 110 00:04:05,279 --> 00:04:07,779 DOING WAS TAKING AWAY ALL THE THINGS, AND YOU ARE LIKE, OH, 111 00:04:07,781 --> 00:04:08,981 THINGS, AND YOU ARE LIKE, OH, WAIT A MINUTE, THERE'S NOTHING 112 00:04:08,983 --> 00:04:10,449 WAIT A MINUTE, THERE'S NOTHING TO IT AND THAT'S WHAT READING IS 113 00:04:10,451 --> 00:04:11,116 TO IT AND THAT'S WHAT READING IS ALL ABOUT. 114 00:04:11,118 --> 00:04:14,386 ALL ABOUT. >> WHAT I'M TRYING TO DO NOW IS 115 00:04:14,388 --> 00:04:15,287 >> WHAT I'M TRYING TO DO NOW IS NOT TAKE IT ALL SO SERIOUSLY. 116 00:04:15,289 --> 00:04:17,456 NOT TAKE IT ALL SO SERIOUSLY. >> I HAVE A QUESTION, IF YOU 117 00:04:17,458 --> 00:04:18,824 >> I HAVE A QUESTION, IF YOU WERE TO GET READ RIGHT NOW, 118 00:04:18,826 --> 00:04:21,159 WERE TO GET READ RIGHT NOW, COULD YOU TAKE IT? 119 00:04:21,161 --> 00:04:24,930 COULD YOU TAKE IT? >> WELL, I HAVE READING GLASSES 120 00:04:24,932 --> 00:04:25,497 >> WELL, I HAVE READING GLASSES RIGHT HERE. 121 00:04:25,499 --> 00:04:28,100 RIGHT HERE. >> THAT'S RIGHT, LADIES THE 122 00:04:28,102 --> 00:04:29,401 >> THAT'S RIGHT, LADIES THE LIBRARY IS OPEN. 123 00:04:29,403 --> 00:04:31,270 LIBRARY IS OPEN. LET'S START WITH TRINITY. 124 00:04:31,272 --> 00:04:34,840 LET'S START WITH TRINITY. ALEXIS, I LOVE YOUR COSTUME. 125 00:04:34,842 --> 00:04:37,342 ALEXIS, I LOVE YOUR COSTUME. YOU LOOK JUST LIKE A HONEY BAKED 126 00:04:37,344 --> 00:04:37,776 YOU LOOK JUST LIKE A HONEY BAKED HAM. 127 00:04:37,778 --> 00:04:40,245 HAM. AFTER ALL THAT. 128 00:04:40,247 --> 00:04:41,747 AFTER ALL THAT. HERE'S -- GO RIGHT BACK. 129 00:04:41,749 --> 00:04:42,948 HERE'S -- GO RIGHT BACK. >> YOU CAN TAKE IT NOW. 130 00:04:42,950 --> 00:04:45,317 >> YOU CAN TAKE IT NOW. >> I CAN TAKE IT, I CAN TAKE IT. 131 00:04:45,319 --> 00:04:46,318 >> I CAN TAKE IT, I CAN TAKE IT. >> AJA. 132 00:04:46,320 --> 00:04:47,085 >> AJA. >> HERE WE GO. 133 00:04:47,087 --> 00:04:48,754 >> HERE WE GO. >> I LOVE YOUR COSTUME, THAT'S 134 00:04:48,756 --> 00:04:50,889 >> I LOVE YOUR COSTUME, THAT'S WHY I CALL YOU THE JOAN OF ARK 135 00:04:50,891 --> 00:04:54,393 WHY I CALL YOU THE JOAN OF ARK OF DRAG, GREAT IDEAS AND BADLY 136 00:04:54,395 --> 00:04:54,926 OF DRAG, GREAT IDEAS AND BADLY EXECUTED. 137 00:04:54,928 --> 00:04:56,495 EXECUTED. >> IT'S GETTING HOT IN HERE. 138 00:04:56,497 --> 00:04:59,965 >> IT'S GETTING HOT IN HERE. >> OH, YEAH, I HAD A GOOD READ 139 00:04:59,967 --> 00:05:00,766 >> OH, YEAH, I HAD A GOOD READ FOR VALENTINA, BUT I CAN'T 140 00:05:00,768 --> 00:05:04,002 FOR VALENTINA, BUT I CAN'T REMEMBER THE WORD. 141 00:05:04,004 --> 00:05:06,672 REMEMBER THE WORD. >> THAT WAS GOOD. 142 00:05:06,674 --> 00:05:09,508 >> THAT WAS GOOD. >> THAT WAS, GOOD, GIRL. 143 00:05:09,510 --> 00:05:12,077 >> THAT WAS, GOOD, GIRL. >> TRINITY IS SO FISHY, ALL SHE 144 00:05:12,079 --> 00:05:14,246 >> TRINITY IS SO FISHY, ALL SHE IS SERVING IS FISHER PRICE. 145 00:05:14,248 --> 00:05:18,050 IS SERVING IS FISHER PRICE. >> BITCH, YOU LOOK LIKE FISH, A 146 00:05:18,052 --> 00:05:18,517 >> BITCH, YOU LOOK LIKE FISH, A WHALE. 147 00:05:18,519 --> 00:05:20,018 WHALE. >> HONEY I'M JAMES AND THE GIANT 148 00:05:20,020 --> 00:05:22,254 >> HONEY I'M JAMES AND THE GIANT PEACH AND NOT AFRAID OF IT. 149 00:05:22,256 --> 00:05:26,558 PEACH AND NOT AFRAID OF IT. >> BITCH, YOU ATE JAMES AND THE 150 00:05:26,560 --> 00:05:28,260 >> BITCH, YOU ATE JAMES AND THE GIANT PEACH. 151 00:05:28,262 --> 00:05:29,861 GIANT PEACH. >> DIDN'T KNOW YOU WERE HERE 152 00:05:29,863 --> 00:05:31,997 >> DIDN'T KNOW YOU WERE HERE UNTIL YOUR NOSE WALKED IN, 153 00:05:31,999 --> 00:05:32,464 UNTIL YOUR NOSE WALKED IN, BITCH. 154 00:05:32,466 --> 00:05:34,733 BITCH. >> DON'T TRY IT, BITCH. 155 00:05:34,735 --> 00:05:36,234 >> DON'T TRY IT, BITCH. >> ALL RIGHT -- 156 00:05:36,236 --> 00:05:37,536 >> ALL RIGHT -- >> I HAD SO MUCH MORE. 157 00:05:37,538 --> 00:05:39,371 >> I HAD SO MUCH MORE. >> I KNOW YOU DID, THE LIBRARY 158 00:05:39,373 --> 00:05:41,373 >> I KNOW YOU DID, THE LIBRARY FOR SEASON 9 IS OFFICIALLY 159 00:05:41,375 --> 00:05:41,840 FOR SEASON 9 IS OFFICIALLY CLOSED. 160 00:05:41,842 --> 00:05:42,441 CLOSED. >> PRAISE GOD. 161 00:05:42,443 --> 00:05:43,008 >> PRAISE GOD. >> AMEN. 162 00:05:43,010 --> 00:05:44,710 >> AMEN. >> THIS YEAR WAS A SEASON OF 163 00:05:44,712 --> 00:05:45,711 >> THIS YEAR WAS A SEASON OF SHOCKING ELIMINATIONS. 164 00:05:45,713 --> 00:05:47,312 SHOCKING ELIMINATIONS. AND I'M NOT TALKING ABOUT WHAT 165 00:05:47,314 --> 00:05:50,849 AND I'M NOT TALKING ABOUT WHAT GUESS ON BETWEEN YOU AND YOUR 166 00:05:50,851 --> 00:05:53,885 GUESS ON BETWEEN YOU AND YOUR SQUATTY POTTY, FIRST UP, CHARLIE 167 00:05:53,887 --> 00:05:54,353 SQUATTY POTTY, FIRST UP, CHARLIE HIDES. 168 00:05:54,355 --> 00:05:56,588 HIDES. I HATE TO SAY THIS, MY DEAR, BUT 169 00:05:56,590 --> 00:05:58,757 I HATE TO SAY THIS, MY DEAR, BUT YOUR LIP SYNC FOR YOUR LIFE WAS 170 00:05:58,759 --> 00:06:00,759 YOUR LIP SYNC FOR YOUR LIFE WAS DEAD ON ARRIVAL. 171 00:06:00,761 --> 00:06:01,793 DEAD ON ARRIVAL. GIRL. 172 00:06:01,795 --> 00:06:02,594 GIRL. CHARLIE, WHAT HAPPENED? 173 00:06:02,596 --> 00:06:04,463 CHARLIE, WHAT HAPPENED? >> WELL, I THINK YOU ALL KNOW 174 00:06:04,465 --> 00:06:06,531 >> WELL, I THINK YOU ALL KNOW NOW, I INJURED MYSELF DURING THE 175 00:06:06,533 --> 00:06:10,202 NOW, I INJURED MYSELF DURING THE CHEERLEADING, I CRACKED MY RIB. 176 00:06:10,204 --> 00:06:10,869 CHEERLEADING, I CRACKED MY RIB. AND I WAS IN PAIN. 177 00:06:10,871 --> 00:06:12,804 AND I WAS IN PAIN. AND MY BRITISH STIFF UPPER LIP, 178 00:06:12,806 --> 00:06:14,673 AND MY BRITISH STIFF UPPER LIP, I JUST SAID, DON'T SHOW SIGNS ON 179 00:06:14,675 --> 00:06:16,575 I JUST SAID, DON'T SHOW SIGNS ON WEAKNESSES AND SO, I YOU KEPT IT 180 00:06:16,577 --> 00:06:17,376 WEAKNESSES AND SO, I YOU KEPT IT TO MYSELF. 181 00:06:17,378 --> 00:06:19,644 TO MYSELF. AND LIFTING SHEA, SHEA -- WE HAD 182 00:06:19,646 --> 00:06:21,980 AND LIFTING SHEA, SHEA -- WE HAD TO LIFT YOU LIKE 30 OR 40 TIMES. 183 00:06:21,982 --> 00:06:24,549 TO LIFT YOU LIKE 30 OR 40 TIMES. >> I'M SORRY, I HAVE TO CALL [ 184 00:06:24,551 --> 00:06:30,756 >> I'M SORRY, I HAVE TO CALL [ BLEEP ], HOW DARE IN THE 185 00:06:30,758 --> 00:06:32,290 BLEEP ], HOW DARE IN THE INTERVIEW ARE YOU GOING TO SAY 186 00:06:32,292 --> 00:06:34,359 INTERVIEW ARE YOU GOING TO SAY WE DON'T LIP SYNC, BUT NOW I 187 00:06:34,361 --> 00:06:36,161 WE DON'T LIP SYNC, BUT NOW I HAVE A CRACKED RIB. 188 00:06:36,163 --> 00:06:38,430 HAVE A CRACKED RIB. >> I MAKE SUSHI, I DO IT TWICE A 189 00:06:38,432 --> 00:06:39,998 >> I MAKE SUSHI, I DO IT TWICE A YEAR, AND I'M NOT GOOD AT IT. 190 00:06:40,000 --> 00:06:42,567 YEAR, AND I'M NOT GOOD AT IT. THE THINGS I DO REGULARLY I'M 191 00:06:42,569 --> 00:06:43,502 THE THINGS I DO REGULARLY I'M BETTER AT. 192 00:06:43,504 --> 00:06:45,737 BETTER AT. >> WE DO SUSHI ON THE SHOW. 193 00:06:45,739 --> 00:06:46,438 >> WE DO SUSHI ON THE SHOW. >> YEAH. 194 00:06:46,440 --> 00:06:48,273 >> YEAH. >> CRACKED RIB OR NOT, GIRL, YOU 195 00:06:48,275 --> 00:06:48,774 >> CRACKED RIB OR NOT, GIRL, YOU GAVE UP. 196 00:06:48,776 --> 00:06:51,576 GAVE UP. >> DO YOU KNOW THAT I HAD DUCT 197 00:06:51,578 --> 00:06:52,477 >> DO YOU KNOW THAT I HAD DUCT TAPED MY RIB CAGE. 198 00:06:52,479 --> 00:06:54,312 TAPED MY RIB CAGE. >> GIRL, YOU WALKED ALL THE WAY 199 00:06:54,314 --> 00:06:56,047 >> GIRL, YOU WALKED ALL THE WAY DOWN THE RUNWAY, I SAW YOU 200 00:06:56,049 --> 00:06:58,150 DOWN THE RUNWAY, I SAW YOU MOVING AROUND THAT WORK ROOM. 201 00:06:58,152 --> 00:06:59,251 MOVING AROUND THAT WORK ROOM. I'M SORRY, I DON'T BELIEVE IT. 202 00:06:59,253 --> 00:07:00,685 I'M SORRY, I DON'T BELIEVE IT. >> ALL RIGHT, THERE WAS A SIDE 203 00:07:00,687 --> 00:07:02,554 >> ALL RIGHT, THERE WAS A SIDE OF ME THAT SAID, THAT YOU JUST, 204 00:07:02,556 --> 00:07:04,256 OF ME THAT SAID, THAT YOU JUST, IF I HAD MOVED A LITTLE BIT TO 205 00:07:04,258 --> 00:07:05,690 IF I HAD MOVED A LITTLE BIT TO THE LEFT AND A LITTLE BIT TO THE 206 00:07:05,692 --> 00:07:07,659 THE LEFT AND A LITTLE BIT TO THE RIGHT, WHICH IS WHAT I WAS 207 00:07:07,661 --> 00:07:08,827 RIGHT, WHICH IS WHAT I WAS CAPABLE OF, IT WAS GOING TO BE 208 00:07:08,829 --> 00:07:09,261 CAPABLE OF, IT WAS GOING TO BE LAME. 209 00:07:09,263 --> 00:07:10,862 LAME. >> IT'S NOT ABOUT MOVING, LIP 210 00:07:10,864 --> 00:07:12,631 >> IT'S NOT ABOUT MOVING, LIP SYNC HAPPENS UP HERE NOT DOWN 211 00:07:12,633 --> 00:07:13,064 SYNC HAPPENS UP HERE NOT DOWN HERE. 212 00:07:13,066 --> 00:07:14,266 HERE. IT'S THE PASSION, YOU LOOKED 213 00:07:14,268 --> 00:07:15,000 IT'S THE PASSION, YOU LOOKED LIKE YOU GAVE UP. 214 00:07:15,002 --> 00:07:17,169 LIKE YOU GAVE UP. >> I DID THE SONG, THE BRITTNEY 215 00:07:17,171 --> 00:07:19,671 >> I DID THE SONG, THE BRITTNEY SPEARS SONG IS THE SUB TEXT OF 216 00:07:19,673 --> 00:07:22,541 SPEARS SONG IS THE SUB TEXT OF THE SONG IS MASTERBATION, IT WAS 217 00:07:22,543 --> 00:07:23,141 THE SONG IS MASTERBATION, IT WAS A BAD CHOICE. 218 00:07:23,143 --> 00:07:27,212 A BAD CHOICE. >> THIS IS THE THING IF YOU WERE 219 00:07:27,214 --> 00:07:28,480 >> THIS IS THE THING IF YOU WERE MASTERBATING, WE WERE NOT 220 00:07:28,482 --> 00:07:30,715 MASTERBATING, WE WERE NOT GETTING OFF, GIRL. 221 00:07:30,717 --> 00:07:33,251 GETTING OFF, GIRL. >> I DON'T LIKE HER, BUT IF SHE 222 00:07:33,253 --> 00:07:35,020 >> I DON'T LIKE HER, BUT IF SHE CAN DO WHAT SHE DID AFTER HER 223 00:07:35,022 --> 00:07:36,121 CAN DO WHAT SHE DID AFTER HER KNEE INJURY, THERE'S NO EXCUSE 224 00:07:36,123 --> 00:07:36,621 KNEE INJURY, THERE'S NO EXCUSE FOR YOU. 225 00:07:36,623 --> 00:07:39,257 FOR YOU. IF YOU ARE GOING TO HAVE AN 226 00:07:39,259 --> 00:07:41,460 IF YOU ARE GOING TO HAVE AN EXCUSE, PICK ONE AND NOT FIVE. 227 00:07:41,462 --> 00:07:43,428 EXCUSE, PICK ONE AND NOT FIVE. >> I DID NOT HAVE VERY MUCH 228 00:07:43,430 --> 00:07:43,862 >> I DID NOT HAVE VERY MUCH LEFT. 229 00:07:43,864 --> 00:07:45,530 LEFT. IT WAS AT THE END OF A LONG DAY. 230 00:07:45,532 --> 00:07:46,898 IT WAS AT THE END OF A LONG DAY. AT THE END OF A LONG WEEK. 231 00:07:46,900 --> 00:07:50,836 AT THE END OF A LONG WEEK. >> I WAS GETTING AN HOUR AND A 232 00:07:50,838 --> 00:07:51,503 >> I WAS GETTING AN HOUR AND A HALF SLEEP ANIGHT. 233 00:07:51,505 --> 00:07:52,103 HALF SLEEP ANIGHT. >> SO WERE WE. 234 00:07:52,105 --> 00:07:54,439 >> SO WERE WE. >> I'M TRYING TO FIGURE OUT IS 235 00:07:54,441 --> 00:07:56,541 >> I'M TRYING TO FIGURE OUT IS IT A BROKEN RIB, OR -- 236 00:07:56,543 --> 00:07:57,809 IT A BROKEN RIB, OR -- >> I SAW ONLINE THAT YOU SAID 237 00:07:57,811 --> 00:07:59,544 >> I SAW ONLINE THAT YOU SAID YOU HAD DIARRHEA. 238 00:07:59,546 --> 00:08:01,913 YOU HAD DIARRHEA. >> ON THE FIRST DAY OF 239 00:08:01,915 --> 00:08:03,982 >> ON THE FIRST DAY OF REHEARSING -- BUT THAT WAS LONG 240 00:08:03,984 --> 00:08:04,449 REHEARSING -- BUT THAT WAS LONG PASSED. 241 00:08:04,451 --> 00:08:07,586 PASSED. >> IT WAS A ROUGH DAY FOR 242 00:08:07,588 --> 00:08:08,053 >> IT WAS A ROUGH DAY FOR CHARLIE. 243 00:08:08,055 --> 00:08:08,954 CHARLIE. >> I FAINTED IN MY HOTEL ROOM 244 00:08:08,956 --> 00:08:14,092 >> I FAINTED IN MY HOTEL ROOM AND I DID THE LIP SYNC AND I DID 245 00:08:14,094 --> 00:08:15,060 AND I DID THE LIP SYNC AND I DID IT A DAY AFTER. 246 00:08:15,062 --> 00:08:16,294 IT A DAY AFTER. DID YOU GIVE UP BECAUSE YOU WERE 247 00:08:16,296 --> 00:08:17,229 DID YOU GIVE UP BECAUSE YOU WERE READY TO GO HOME? 248 00:08:17,231 --> 00:08:18,296 READY TO GO HOME? >> I SAID BEFORE, I WAS ON 249 00:08:18,298 --> 00:08:18,730 >> I SAID BEFORE, I WAS ON EMPTY. 250 00:08:18,732 --> 00:08:21,099 EMPTY. >> CHARLIE DID YOU TELL NINA 251 00:08:21,101 --> 00:08:22,567 >> CHARLIE DID YOU TELL NINA THAT YOU WANTED TO GO HOME? 252 00:08:22,569 --> 00:08:23,535 THAT YOU WANTED TO GO HOME? >> I DON'T REMEMBER SAYING THAT, 253 00:08:23,537 --> 00:08:23,935 >> I DON'T REMEMBER SAYING THAT, NO. 254 00:08:23,937 --> 00:08:25,504 NO. >> WELL, LET'S TAKE A LOOK AT 255 00:08:25,506 --> 00:08:26,738 >> WELL, LET'S TAKE A LOOK AT THIS NEVER BEFORE SCENE CLIP. 256 00:08:26,740 --> 00:08:27,806 THIS NEVER BEFORE SCENE CLIP. >> OH, LORD. 257 00:08:27,808 --> 00:08:29,875 >> OH, LORD. >> CHARLIE DIDN'T YOU -- 258 00:08:29,877 --> 00:08:32,477 >> CHARLIE DIDN'T YOU -- >> CAN I GET IN THERE. 259 00:08:32,479 --> 00:08:34,613 >> CAN I GET IN THERE. >> SHE THREW THE TOWEL IN. 260 00:08:34,615 --> 00:08:37,148 >> SHE THREW THE TOWEL IN. >> SHE TALKED TO ME AND SAID, 261 00:08:37,150 --> 00:08:43,188 >> SHE TALKED TO ME AND SAID, SHE WAS NOT GOING LEARN THE 262 00:08:43,190 --> 00:08:45,423 SHE WAS NOT GOING LEARN THE WORDS OF THE SONG, SHE DIDN'T 263 00:08:45,425 --> 00:08:47,058 WORDS OF THE SONG, SHE DIDN'T REALLY WANT TO. 264 00:08:47,060 --> 00:08:49,027 REALLY WANT TO. SO I THINK SHE IS READY TO GO 265 00:08:49,029 --> 00:08:49,995 SO I THINK SHE IS READY TO GO HOME IF IT'S TIME. 266 00:08:49,997 --> 00:08:51,563 HOME IF IT'S TIME. SHE DIDN'T KNOW THE WORDS TO THE 267 00:08:51,565 --> 00:08:51,997 SHE DIDN'T KNOW THE WORDS TO THE SONG. 268 00:08:51,999 --> 00:08:52,864 SONG. SO SHE WAS LIKE -- 269 00:08:52,866 --> 00:08:54,132 SO SHE WAS LIKE -- >> I FEEL LIKE THE MOMENT YOU 270 00:08:54,134 --> 00:08:55,967 >> I FEEL LIKE THE MOMENT YOU DON'T TRY FOR A LIP SYNC IS THE 271 00:08:55,969 --> 00:08:57,802 DON'T TRY FOR A LIP SYNC IS THE MOMENT WHEN YOU ARE SAYING I'M 272 00:08:57,804 --> 00:09:01,273 MOMENT WHEN YOU ARE SAYING I'M TOO GOOD FOR THIS. 273 00:09:01,275 --> 00:09:01,840 TOO GOOD FOR THIS. >> OH. 274 00:09:01,842 --> 00:09:03,775 >> OH. >> SO, SHE DID TELL YOU THAT, 275 00:09:03,777 --> 00:09:04,209 >> SO, SHE DID TELL YOU THAT, THEN. 276 00:09:04,211 --> 00:09:05,777 THEN. >> I NEVER SAID THAT I WAS TOO 277 00:09:05,779 --> 00:09:06,211 >> I NEVER SAID THAT I WAS TOO GOOD. 278 00:09:06,213 --> 00:09:07,846 GOOD. AND CAN I SAY I'M SORRY IF YOU 279 00:09:07,848 --> 00:09:09,014 AND CAN I SAY I'M SORRY IF YOU THOUGHT I WAS DISRESPECTING YOU 280 00:09:09,016 --> 00:09:10,282 THOUGHT I WAS DISRESPECTING YOU BY GIVING UP AND NOT YOU HAVE 281 00:09:10,284 --> 00:09:11,216 BY GIVING UP AND NOT YOU HAVE DOING EVERYTHING THAT I HAD. 282 00:09:11,218 --> 00:09:13,785 DOING EVERYTHING THAT I HAD. >> NO, IT'S TRUE WITH ALL OF YOU 283 00:09:13,787 --> 00:09:14,219 >> NO, IT'S TRUE WITH ALL OF YOU GIRLS. 284 00:09:14,221 --> 00:09:16,388 GIRLS. I HAVE SEEN YOUR AUDITION TAPES 285 00:09:16,390 --> 00:09:17,722 I HAVE SEEN YOUR AUDITION TAPES AND SOME OF YOU I HAVE SEEN YEAR 286 00:09:17,724 --> 00:09:19,057 AND SOME OF YOU I HAVE SEEN YEAR AFTER YEAR AFTER YEAR, AND THEN 287 00:09:19,059 --> 00:09:20,725 AFTER YEAR AFTER YEAR, AND THEN I SEE YOU IN GROUP. 288 00:09:20,727 --> 00:09:23,261 I SEE YOU IN GROUP. I GET INSPIRED OF WHAT YOU GIVE 289 00:09:23,263 --> 00:09:25,630 I GET INSPIRED OF WHAT YOU GIVE TO THE COMPETITION. 290 00:09:25,632 --> 00:09:26,965 TO THE COMPETITION. AND THEN WHEN SOMEONE DOESN'T 291 00:09:26,967 --> 00:09:28,633 AND THEN WHEN SOMEONE DOESN'T GIVE IT THEIR ALL, I'M 292 00:09:28,635 --> 00:09:29,200 GIVE IT THEIR ALL, I'M DISAPPOINTED. 293 00:09:29,202 --> 00:09:30,735 DISAPPOINTED. >> LISTEN, YOU MAY NOT BE THE 294 00:09:30,737 --> 00:09:32,904 >> LISTEN, YOU MAY NOT BE THE BEST LIP SYNCER IN THE WORLD, 295 00:09:32,906 --> 00:09:34,339 BEST LIP SYNCER IN THE WORLD, YOU ARE FABULOUS ON YOUTUBE AND 296 00:09:34,341 --> 00:09:36,308 YOU ARE FABULOUS ON YOUTUBE AND I THINK THAT YOU HAVE MADE YOUR 297 00:09:36,310 --> 00:09:36,875 I THINK THAT YOU HAVE MADE YOUR MARK HERE. 298 00:09:36,877 --> 00:09:37,742 MARK HERE. >> THANK YOU. 299 00:09:37,744 --> 00:09:38,910 >> THANK YOU. >> WE WILL BE RIGHT BACK. 300 00:09:38,912 --> 00:09:41,313 >> WE WILL BE RIGHT BACK. >> COMING UP, EUREKA BREAKS 301 00:09:41,315 --> 00:09:42,147 >> COMING UP, EUREKA BREAKS DOWN. 302 00:09:42,149 --> 00:09:45,383 DOWN. >> YOU ALL MADE ME FEEL SO 303 00:09:45,385 --> 00:09:45,917 >> YOU ALL MADE ME FEEL SO BELONGED. 304 00:09:45,919 --> 00:09:47,218 BELONGED. >> AND THE QUEEN COMES FOR 305 00:09:47,220 --> 00:10:00,799 >> AND THE QUEEN COMES FOR VALENTINA. 306 00:10:00,801 --> 00:10:01,299 VALENTINA. ♪ ♪ 307 00:10:01,301 --> 00:10:06,805 ♪ ♪ >>> WELCOME BACK TO "RUPAUL'S 308 00:10:06,807 --> 00:10:12,978 >>> WELCOME BACK TO "RUPAUL'S DRAG RACE'" REUNITED. 309 00:10:12,980 --> 00:10:13,845 DRAG RACE'" REUNITED. ANOTHER SHOCKING EXIT CAME WHEN 310 00:10:13,847 --> 00:10:14,746 ANOTHER SHOCKING EXIT CAME WHEN WE HAD TO SAY GOODBYE TO EUREKA. 311 00:10:14,748 --> 00:10:15,347 WE HAD TO SAY GOODBYE TO EUREKA. DOCTOR'S ORDERS. 312 00:10:15,349 --> 00:10:15,914 DOCTOR'S ORDERS. TAKE A LOOK. 313 00:10:15,916 --> 00:10:17,782 TAKE A LOOK. >> WHEN I WAS DOING THE 314 00:10:17,784 --> 00:10:18,750 >> WHEN I WAS DOING THE CHEERLEADING CHALLENGE, I LANDED 315 00:10:18,752 --> 00:10:21,219 CHEERLEADING CHALLENGE, I LANDED WRONG AND MY KNEE POPPED. 316 00:10:21,221 --> 00:10:24,422 WRONG AND MY KNEE POPPED. I'VE BEEN ABLE TO PUSH THROUGH, 317 00:10:24,424 --> 00:10:26,858 I'VE BEEN ABLE TO PUSH THROUGH, BUT NOW IT'S HURTDHURTING AND I 318 00:10:26,860 --> 00:10:28,126 BUT NOW IT'S HURTDHURTING AND I TO USE CRUTCHES. 319 00:10:28,128 --> 00:10:32,197 TO USE CRUTCHES. >> I HAVE MADE MY DECISION. 320 00:10:32,199 --> 00:10:35,333 >> I HAVE MADE MY DECISION. EUREKA, WOULD YOU PLEASE STEP 321 00:10:35,335 --> 00:10:37,035 EUREKA, WOULD YOU PLEASE STEP FORWARD. 322 00:10:37,037 --> 00:10:37,902 FORWARD. WE HAVE BEEN IN TOUCH WITH THE 323 00:10:37,904 --> 00:10:38,370 WE HAVE BEEN IN TOUCH WITH THE DOCTOR. 324 00:10:38,372 --> 00:10:41,139 DOCTOR. AND I CANNOT ALLOW YOU TO 325 00:10:41,141 --> 00:10:50,749 AND I CANNOT ALLOW YOU TO CONTINUE IN THE COMPETITION. 326 00:10:50,751 --> 00:10:52,817 CONTINUE IN THE COMPETITION. SEE, EUREKA WHAT WAS IT LIKE TO 327 00:10:52,819 --> 00:10:55,520 SEE, EUREKA WHAT WAS IT LIKE TO LEAVE THE COMPETITION THAT WAY? 328 00:10:55,522 --> 00:10:57,455 LEAVE THE COMPETITION THAT WAY? >> IT WAS HARD BECAUSE YOU KNOW, 329 00:10:57,457 --> 00:11:00,392 >> IT WAS HARD BECAUSE YOU KNOW, I COME FROM A SMALL TOWN, I 330 00:11:00,394 --> 00:11:01,726 I COME FROM A SMALL TOWN, I NEVER REALLY BELONGED ANYWHERE 331 00:11:01,728 --> 00:11:04,529 NEVER REALLY BELONGED ANYWHERE SINCE GROWING UP AND YOU ALL 332 00:11:04,531 --> 00:11:05,830 SINCE GROWING UP AND YOU ALL MADE ME FEEL SO BELONGED. 333 00:11:05,832 --> 00:11:07,632 MADE ME FEEL SO BELONGED. SO, IT WAS HARD. 334 00:11:07,634 --> 00:11:08,166 SO, IT WAS HARD. YOU KNOW. 335 00:11:08,168 --> 00:11:12,070 YOU KNOW. >> I WANT TO ASK FARRAH MOAN, 336 00:11:12,072 --> 00:11:13,605 >> I WANT TO ASK FARRAH MOAN, WHY WERE YOU SO UPSET? 337 00:11:13,607 --> 00:11:18,143 WHY WERE YOU SO UPSET? >> I HAD ACCEPTED MINE OR 338 00:11:18,145 --> 00:11:20,412 >> I HAD ACCEPTED MINE OR CYNTHIA'S FATE, THE LAST THING I 339 00:11:20,414 --> 00:11:22,047 CYNTHIA'S FATE, THE LAST THING I EXPECTED WAS FOR THAT TO HAPPEN. 340 00:11:22,049 --> 00:11:24,215 EXPECTED WAS FOR THAT TO HAPPEN. I WAS LIKE, NO, NO, TAKE ONE OF 341 00:11:24,217 --> 00:11:24,616 I WAS LIKE, NO, NO, TAKE ONE OF US. 342 00:11:24,618 --> 00:11:26,618 US. MAKE IT GO AWAY. 343 00:11:26,620 --> 00:11:33,191 MAKE IT GO AWAY. >> YOU HAVE SEEN THAT GIFT ALL 344 00:11:33,193 --> 00:11:33,958 >> YOU HAVE SEEN THAT GIFT ALL 345 00:11:33,960 --> 00:11:35,026 346 00:11:35,028 --> 00:11:36,594 -- YOU HAVE SEEN THAT GIF ALL OVER THE WORLD. 347 00:11:36,596 --> 00:11:37,495 OVER THE WORLD. LET'S RECREATE IT. 348 00:11:37,497 --> 00:11:39,764 LET'S RECREATE IT. >> I'M SORRY, EUREKA, YOU HAVE 349 00:11:39,766 --> 00:11:40,598 >> I'M SORRY, EUREKA, YOU HAVE TO GO HOME. 350 00:11:40,600 --> 00:11:41,900 TO GO HOME. >> NO. 351 00:11:41,902 --> 00:11:42,300 >> NO. NO. 352 00:11:42,302 --> 00:11:43,768 NO. >> THAT'S EXACTLY WHAT HER 353 00:11:43,770 --> 00:11:45,170 >> THAT'S EXACTLY WHAT HER REACTION IS WHEN THEY ARE SUGAR 354 00:11:45,172 --> 00:11:49,174 REACTION IS WHEN THEY ARE SUGAR DADDY TAKES AWAY HER CREDIT 355 00:11:49,176 --> 00:11:52,577 DADDY TAKES AWAY HER CREDIT CARD. 356 00:11:52,579 --> 00:11:54,979 CARD. SO TELL ME THIS, WAS ANYONE ELSE 357 00:11:54,981 --> 00:11:57,415 SO TELL ME THIS, WAS ANYONE ELSE HERE THAT FEELS THE OPPOSITE, 358 00:11:57,417 --> 00:11:58,450 HERE THAT FEELS THE OPPOSITE, WHO WAS HAPPY? 359 00:11:58,452 --> 00:12:01,419 WHO WAS HAPPY? >> YOU WERE AMAJOR THREAT I FELT 360 00:12:01,421 --> 00:12:02,987 >> YOU WERE AMAJOR THREAT I FELT SO BAD FOR YOU ON A PERSONAL 361 00:12:02,989 --> 00:12:05,156 SO BAD FOR YOU ON A PERSONAL LEVEL, BUT AS A COMPETITOR, I 362 00:12:05,158 --> 00:12:07,959 LEVEL, BUT AS A COMPETITOR, I WAS JUST LIKE -- 363 00:12:07,961 --> 00:12:11,196 WAS JUST LIKE -- >> AND I STILL HOPE YOU LOSE 364 00:12:11,198 --> 00:12:11,896 >> AND I STILL HOPE YOU LOSE SEASON TEN. 365 00:12:11,898 --> 00:12:13,398 SEASON TEN. NOW, I KNOW THAT YOU HAD BEEF 366 00:12:13,400 --> 00:12:15,467 NOW, I KNOW THAT YOU HAD BEEF WITH TRINITY, DID YOU GUYS EVER 367 00:12:15,469 --> 00:12:16,835 WITH TRINITY, DID YOU GUYS EVER SAY GOODBYE TO ONE ANOTHER? 368 00:12:16,837 --> 00:12:18,570 SAY GOODBYE TO ONE ANOTHER? >> WHEREVER EVERYONE WAS HUGGING 369 00:12:18,572 --> 00:12:20,205 >> WHEREVER EVERYONE WAS HUGGING ME, TRINITY DID LOOK ME STRAIGHT 370 00:12:20,207 --> 00:12:21,573 ME, TRINITY DID LOOK ME STRAIGHT IN THE EYE AND SHE SAID, I'M 371 00:12:21,575 --> 00:12:23,408 IN THE EYE AND SHE SAID, I'M SORRY, GIRL, I KNOW HOW MUCH YOU 372 00:12:23,410 --> 00:12:24,075 SORRY, GIRL, I KNOW HOW MUCH YOU WANTED THIS. 373 00:12:24,077 --> 00:12:25,043 WANTED THIS. >> YOU KNOW? 374 00:12:25,045 --> 00:12:28,480 >> YOU KNOW? >> AND THAT'S, LITERALLY THE ONE 375 00:12:28,482 --> 00:12:31,182 >> AND THAT'S, LITERALLY THE ONE SINCERE MOMENT I HAVE HAD WITH 376 00:12:31,184 --> 00:12:31,649 SINCERE MOMENT I HAVE HAD WITH TRINITY. 377 00:12:31,651 --> 00:12:33,451 TRINITY. >> I WANT TO SAY THIS, YES, I 378 00:12:33,453 --> 00:12:37,388 >> I WANT TO SAY THIS, YES, I THINK YOU ARE TOO LOUD AND YOU 379 00:12:37,390 --> 00:12:41,793 THINK YOU ARE TOO LOUD AND YOU CAN BE OBNOXIOUS, BUT I RESPECT 380 00:12:41,795 --> 00:12:42,227 CAN BE OBNOXIOUS, BUT I RESPECT YOU. 381 00:12:42,229 --> 00:12:42,861 YOU. >> THANK YOU. 382 00:12:42,863 --> 00:12:44,763 >> THANK YOU. >> AND YOU ARE AN AMAZING 383 00:12:44,765 --> 00:12:45,964 >> AND YOU ARE AN AMAZING ENTERTAINER, I WANTED YOU TO 384 00:12:45,966 --> 00:12:47,599 ENTERTAINER, I WANTED YOU TO LEAVE BECAUSE YOU DESERVED TO 385 00:12:47,601 --> 00:12:50,068 LEAVE BECAUSE YOU DESERVED TO LEAVE NOT BECAUSE OF INJURY. 386 00:12:50,070 --> 00:12:53,171 LEAVE NOT BECAUSE OF INJURY. >> YOU FEEL ROBBED OF MY 387 00:12:53,173 --> 00:12:54,439 >> YOU FEEL ROBBED OF MY TRINITY/EUREKA LIP SYNC. 388 00:12:54,441 --> 00:12:56,241 TRINITY/EUREKA LIP SYNC. I HEAR YOUR HEAD IS FABULOUS. 389 00:12:56,243 --> 00:12:57,942 I HEAR YOUR HEAD IS FABULOUS. HOW IS YOUR KNEE? 390 00:12:57,944 --> 00:13:03,915 HOW IS YOUR KNEE? >> MY HEAD IS FABULOUS, THEY 391 00:13:03,917 --> 00:13:06,184 >> MY HEAD IS FABULOUS, THEY ALWAYS ASK FOR SECONDS AND I'M 392 00:13:06,186 --> 00:13:07,652 ALWAYS ASK FOR SECONDS AND I'M BACK TO -- 393 00:13:07,654 --> 00:13:11,523 BACK TO -- >> GET WELL SOON, GIRL. 394 00:13:11,525 --> 00:13:15,160 >> GET WELL SOON, GIRL. THE SHOCKING ELIMINATION, TO END 395 00:13:15,162 --> 00:13:18,196 THE SHOCKING ELIMINATION, TO END ALL SHOCKING LIMITATIONS. 396 00:13:18,198 --> 00:13:20,131 ALL SHOCKING LIMITATIONS. VALENTINA, BRING ME MY MASK. 397 00:13:20,133 --> 00:13:21,533 VALENTINA, BRING ME MY MASK. STOP, HOLDUP, HOLDUP. 398 00:13:21,535 --> 00:13:25,937 STOP, HOLDUP, HOLDUP. ALL RIGHT, ENOUGH. 399 00:13:25,939 --> 00:13:26,471 ALL RIGHT, ENOUGH. VALENTINA. 400 00:13:26,473 --> 00:13:27,705 VALENTINA. THIS LIP SYNC FOR YOUR LUF, WE 401 00:13:27,707 --> 00:13:30,208 THIS LIP SYNC FOR YOUR LUF, WE NEED TO SEE YOUR LIPS. 402 00:13:30,210 --> 00:13:33,344 NEED TO SEE YOUR LIPS. TAKE THAT THING OFF OF YOUR 403 00:13:33,346 --> 00:13:33,812 TAKE THAT THING OFF OF YOUR MOUTH. 404 00:13:33,814 --> 00:13:37,182 MOUTH. >> -- I WOULD LIKE TO KEEP IT ON 405 00:13:37,184 --> 00:13:37,649 >> -- I WOULD LIKE TO KEEP IT ON PLEASE. 406 00:13:37,651 --> 00:13:38,650 PLEASE. >> IT'S A LIP SYNC, WHAT PART OF 407 00:13:38,652 --> 00:13:43,955 >> IT'S A LIP SYNC, WHAT PART OF THAT DO YOU NOT UNDERSTAND? 408 00:13:43,957 --> 00:13:44,522 THAT DO YOU NOT UNDERSTAND? >> OKAY. 409 00:13:44,524 --> 00:13:49,694 >> OKAY. SO WE ARE GOING TO RESET. 410 00:13:49,696 --> 00:13:50,595 SO WE ARE GOING TO RESET. VALENTINA WHAT WAS GOING THROUGH 411 00:13:50,597 --> 00:13:52,864 VALENTINA WHAT WAS GOING THROUGH YOUR MIND AT THAT MOMENT? 412 00:13:52,866 --> 00:13:54,332 YOUR MIND AT THAT MOMENT? >> I DON'T KNOW. 413 00:13:54,334 --> 00:13:55,934 >> I DON'T KNOW. I WAS JUST, I WAS NOT THERE. 414 00:13:55,936 --> 00:13:57,435 I WAS JUST, I WAS NOT THERE. >> YEAH, I WAS IN A REAL STATE 415 00:13:57,437 --> 00:13:58,336 >> YEAH, I WAS IN A REAL STATE OF SHOCK. 416 00:13:58,338 --> 00:14:01,072 OF SHOCK. >> THE ONE THING THAT I WILL SAY 417 00:14:01,074 --> 00:14:02,307 >> THE ONE THING THAT I WILL SAY ABOUT VALENTINA WITH HER 418 00:14:02,309 --> 00:14:04,275 ABOUT VALENTINA WITH HER ELIMINATION, SHE DID NOT MAKE 419 00:14:04,277 --> 00:14:05,543 ELIMINATION, SHE DID NOT MAKE EXCUSES LIKE CHARLIE AND YOU AT 420 00:14:05,545 --> 00:14:07,045 EXCUSES LIKE CHARLIE AND YOU AT LEAST OWNED UP TO NOT KNOWING 421 00:14:07,047 --> 00:14:08,646 LEAST OWNED UP TO NOT KNOWING YOUR WORDS AND YOU WENT HOME AND 422 00:14:08,648 --> 00:14:09,948 YOUR WORDS AND YOU WENT HOME AND YOU DESERVED TO GO HOME HAD. 423 00:14:09,950 --> 00:14:12,584 YOU DESERVED TO GO HOME HAD. >> DID YOU EVER LEARN THE LYRICS 424 00:14:12,586 --> 00:14:13,117 >> DID YOU EVER LEARN THE LYRICS AT ALL? 425 00:14:13,119 --> 00:14:14,519 AT ALL? >> YEAH, THE NIGHT BEFORE I HAD 426 00:14:14,521 --> 00:14:17,655 >> YEAH, THE NIGHT BEFORE I HAD THE LYRICS WITH ME, I STAYED UP 427 00:14:17,657 --> 00:14:19,457 THE LYRICS WITH ME, I STAYED UP LISTENING TO THE SONG AND 428 00:14:19,459 --> 00:14:20,091 LISTENING TO THE SONG AND WRITING THEM. 429 00:14:20,093 --> 00:14:21,025 WRITING THEM. I HAND WROTE THEM. 430 00:14:21,027 --> 00:14:24,395 I HAND WROTE THEM. >> GIRL, IT A SEVEN-WORD CHORUS. 431 00:14:24,397 --> 00:14:27,232 >> GIRL, IT A SEVEN-WORD CHORUS. SEVEN WORDS IN THAT CHORUS, 432 00:14:27,234 --> 00:14:27,665 SEVEN WORDS IN THAT CHORUS, GIRL. 433 00:14:27,667 --> 00:14:32,704 GIRL. YOU CAN LISTEN TO THE SONG AND 434 00:14:32,706 --> 00:14:37,742 YOU CAN LISTEN TO THE SONG AND GET THE -- YOU WERE SITTING 435 00:14:37,744 --> 00:14:38,710 GET THE -- YOU WERE SITTING THERE TOGETHER, AND YOU HAVE ONE 436 00:14:38,712 --> 00:14:39,811 THERE TOGETHER, AND YOU HAVE ONE EARBUD IN, AND SHE IS MOUTHING 437 00:14:39,813 --> 00:14:41,813 EARBUD IN, AND SHE IS MOUTHING THE WORDS AND YOU ARE JUST 438 00:14:41,815 --> 00:14:42,313 THE WORDS AND YOU ARE JUST REACHING. 439 00:14:42,315 --> 00:14:48,286 REACHING. >> I VALENTINA HAS A 440 00:14:48,288 --> 00:14:49,387 >> I VALENTINA HAS A LOT OF SUPPORTERS OUT THERE. 441 00:14:49,389 --> 00:14:50,555 LOT OF SUPPORTERS OUT THERE. AND I WANT TO MAKE IT CLEAR TO 442 00:14:50,557 --> 00:14:51,055 AND I WANT TO MAKE IT CLEAR TO EVERYONE. 443 00:14:51,057 --> 00:14:52,957 EVERYONE. THAT I SAW THE NOTEBOOK WITH THE 444 00:14:52,959 --> 00:14:54,259 THAT I SAW THE NOTEBOOK WITH THE WORDS WRITTEN OUT AND I WANT 445 00:14:54,261 --> 00:14:55,526 WORDS WRITTEN OUT AND I WANT EVERYONE TO KNOW THAT THE GIRL 446 00:14:55,528 --> 00:14:55,960 EVERYONE TO KNOW THAT THE GIRL TRIED. 447 00:14:55,962 --> 00:15:00,832 TRIED. >> I KNOW YOU ARE TRYING TO GET 448 00:15:00,834 --> 00:15:01,766 >> I KNOW YOU ARE TRYING TO GET 449 00:15:01,768 --> 00:15:02,867 450 00:15:02,869 --> 00:15:03,668 REDEMPTION FROM HER FANS, BUT LET'S BE REAL. 451 00:15:03,670 --> 00:15:08,439 LET'S BE REAL. >> YOU LIP SYNCED AGAINST HER. 452 00:15:08,441 --> 00:15:11,309 >> YOU LIP SYNCED AGAINST HER. >> I DON'T GET WHY THERE WAS SO 453 00:15:11,311 --> 00:15:12,243 >> I DON'T GET WHY THERE WAS SO MUCH HATE FOR ME. 454 00:15:12,245 --> 00:15:14,779 MUCH HATE FOR ME. FOR DOING WHAT WAS ASKED OF ME 455 00:15:14,781 --> 00:15:21,252 FOR DOING WHAT WAS ASKED OF ME IN LIP SYNC OF MY LIFE. 456 00:15:21,254 --> 00:15:22,754 IN LIP SYNC OF MY LIFE. >> WHY DO YOU THINK YOUR FANS 457 00:15:22,756 --> 00:15:23,888 >> WHY DO YOU THINK YOUR FANS CAME FOR THE GIRLS? 458 00:15:23,890 --> 00:15:25,189 CAME FOR THE GIRLS? >> I REPRESENT SOMETHING SIMILAR 459 00:15:25,191 --> 00:15:27,058 >> I REPRESENT SOMETHING SIMILAR TO WHAT SALINA REPRESENTED IN 460 00:15:27,060 --> 00:15:30,528 TO WHAT SALINA REPRESENTED IN THE '90s. 461 00:15:30,530 --> 00:15:32,297 THE '90s. MEXICAN, FIRST GENERATION, 462 00:15:32,299 --> 00:15:33,298 MEXICAN, FIRST GENERATION, TALENTED, SO THEY ARE OVER 463 00:15:33,300 --> 00:15:34,966 TALENTED, SO THEY ARE OVER PROTECTIVE OF THAT AND THEY WILL 464 00:15:34,968 --> 00:15:35,566 PROTECTIVE OF THAT AND THEY WILL FIGHT ANYBODY. 465 00:15:35,568 --> 00:15:37,235 FIGHT ANYBODY. I DON'T AGREE WITH THAT KIND OF 466 00:15:37,237 --> 00:15:38,369 I DON'T AGREE WITH THAT KIND OF BEHAVIOR, IT'S NOT THE KIND OF 467 00:15:38,371 --> 00:15:38,970 BEHAVIOR, IT'S NOT THE KIND OF PERSON I AM. 468 00:15:38,972 --> 00:15:41,072 PERSON I AM. >> WHY DON'T YOU SAY THAT ON THE 469 00:15:41,074 --> 00:15:41,506 >> WHY DON'T YOU SAY THAT ON THE MEDIA. 470 00:15:41,508 --> 00:15:46,577 MEDIA. >> HOLDUP. 471 00:15:46,579 --> 00:15:47,312 >> HOLDUP. >> YOU ARE A ROLE MODEL. 472 00:15:47,314 --> 00:15:49,280 >> YOU ARE A ROLE MODEL. >> I DON'T APPROVE OF THAT. 473 00:15:49,282 --> 00:15:50,248 >> I DON'T APPROVE OF THAT. >> YOU NEVER SAID THAT. 474 00:15:50,250 --> 00:15:52,650 >> YOU NEVER SAID THAT. I FACETIMED YOU IN TEARS BECAUSE 475 00:15:52,652 --> 00:15:54,652 I FACETIMED YOU IN TEARS BECAUSE PEOPLE SAID I SHOULD KILL MYSELF 476 00:15:54,654 --> 00:15:56,587 PEOPLE SAID I SHOULD KILL MYSELF BECAUSE I'M UGLY AND FAT AND I 477 00:15:56,589 --> 00:15:59,624 BECAUSE I'M UGLY AND FAT AND I SHOULD VOLUNTEER TO ELIMINATION 478 00:15:59,626 --> 00:16:00,091 SHOULD VOLUNTEER TO ELIMINATION MYSELF. 479 00:16:00,093 --> 00:16:01,025 MYSELF. >> I DON'T THINK SHE ENKRENLS 480 00:16:01,027 --> 00:16:03,061 >> I DON'T THINK SHE ENKRENLS THAT, BUT YOU COULD SAY, I DON'T 481 00:16:03,063 --> 00:16:04,495 THAT, BUT YOU COULD SAY, I DON'T AGREE WITH THE WAY YOU ARE 482 00:16:04,497 --> 00:16:05,396 AGREE WITH THE WAY YOU ARE TREATING THIS GIRL. 483 00:16:05,398 --> 00:16:05,964 TREATING THIS GIRL. PLEASE STOP. 484 00:16:05,966 --> 00:16:08,766 PLEASE STOP. >> I'M BAD WITH SOCIAL MEDIA. 485 00:16:08,768 --> 00:16:11,669 >> I'M BAD WITH SOCIAL MEDIA. I LOVE TO LIVE MY EVERY DAY 486 00:16:11,671 --> 00:16:12,103 I LOVE TO LIVE MY EVERY DAY LIFE. 487 00:16:12,105 --> 00:16:14,305 LIFE. AND I DON'T WANT TO BE INVOLVED 488 00:16:14,307 --> 00:16:15,373 AND I DON'T WANT TO BE INVOLVED IN WHAT PEOPLE THINK OR SAY. 489 00:16:15,375 --> 00:16:16,641 IN WHAT PEOPLE THINK OR SAY. >> YOU CAN SAY THAT, BUT YOU 490 00:16:16,643 --> 00:16:17,909 >> YOU CAN SAY THAT, BUT YOU WERE ON THE PHONE CHECKING EVERY 491 00:16:17,911 --> 00:16:20,311 WERE ON THE PHONE CHECKING EVERY LIKE AND EVERY FOLLOW AND EVERY 492 00:16:20,313 --> 00:16:23,715 LIKE AND EVERY FOLLOW AND EVERY SINGLE THING IN TORONTO. 493 00:16:23,717 --> 00:16:24,549 SINGLE THING IN TORONTO. WHETHER YOU WERE READING THE 494 00:16:24,551 --> 00:16:25,416 WHETHER YOU WERE READING THE COMMENTS VERBATIM OR NOT, YOU 495 00:16:25,418 --> 00:16:26,384 COMMENTS VERBATIM OR NOT, YOU KNEW WHAT WAS GOING ON. 496 00:16:26,386 --> 00:16:28,453 KNEW WHAT WAS GOING ON. WHEN WE WERE SHOOTING THE PROMO 497 00:16:28,455 --> 00:16:29,921 WHEN WE WERE SHOOTING THE PROMO FOR THIS SHOW, YOU SAID TO ME, 498 00:16:29,923 --> 00:16:31,723 FOR THIS SHOW, YOU SAID TO ME, SHEA, I JUST WANT TO SAY, IF 499 00:16:31,725 --> 00:16:34,392 SHEA, I JUST WANT TO SAY, IF ANYONE COMES FOR NINA, I TOLD 500 00:16:34,394 --> 00:16:36,761 ANYONE COMES FOR NINA, I TOLD HER THAT I WILL STAND UP FOR HER 501 00:16:36,763 --> 00:16:38,229 HER THAT I WILL STAND UP FOR HER AND ADDRESSES MY FANS AND MAKE 502 00:16:38,231 --> 00:16:38,830 AND ADDRESSES MY FANS AND MAKE IT ALL RIGHT. 503 00:16:38,832 --> 00:16:40,098 IT ALL RIGHT. AND I'M CONFUSED. 504 00:16:40,100 --> 00:16:41,599 AND I'M CONFUSED. >> YOU DON'T NEED TO BE 505 00:16:41,601 --> 00:16:43,067 >> YOU DON'T NEED TO BE CONFUSED, YOU HAVE A LOT OF 506 00:16:43,069 --> 00:16:44,535 CONFUSED, YOU HAVE A LOT OF OPINIONS OF ME TONIGHT, SHEA. 507 00:16:44,537 --> 00:16:48,106 OPINIONS OF ME TONIGHT, SHEA. >> THERE'S NO REASON TO GET 508 00:16:48,108 --> 00:16:48,840 >> THERE'S NO REASON TO GET UPSET, WE ARE TALKING. 509 00:16:48,842 --> 00:16:51,075 UPSET, WE ARE TALKING. >> YOU ARE UPSET, I'M NOT UPSET. 510 00:16:51,077 --> 00:16:52,643 >> YOU ARE UPSET, I'M NOT UPSET. >> DO I LOOK UPSET TO YOU? 511 00:16:52,645 --> 00:16:54,145 >> DO I LOOK UPSET TO YOU? >> YES, YOU RAISED YOUR VOICE 512 00:16:54,147 --> 00:16:54,645 >> YES, YOU RAISED YOUR VOICE WITH ME. 513 00:16:54,647 --> 00:16:57,448 WITH ME. >> LISTEN, IT'S A LOT FOR 514 00:16:57,450 --> 00:16:58,316 >> LISTEN, IT'S A LOT FOR ANYONE. 515 00:16:58,318 --> 00:17:02,186 ANYONE. ESPECIALLY SOMEONE WHO HAS 516 00:17:02,188 --> 00:17:04,355 ESPECIALLY SOMEONE WHO HAS 300,000, 500,000 FOLLOWERS DON'T 517 00:17:04,357 --> 00:17:07,091 300,000, 500,000 FOLLOWERS DON'T YOU UNDERSTAND THAT MAY BE 518 00:17:07,093 --> 00:17:08,292 YOU UNDERSTAND THAT MAY BE INTIMIDATING FOR HER? 519 00:17:08,294 --> 00:17:09,927 INTIMIDATING FOR HER? I DON'T THINK IT FAIR FOR YOU TO 520 00:17:09,929 --> 00:17:10,862 I DON'T THINK IT FAIR FOR YOU TO DISCONNECT WHEN THEY ARE COMING 521 00:17:10,864 --> 00:17:12,363 DISCONNECT WHEN THEY ARE COMING AFTER US SO HARD. 522 00:17:12,365 --> 00:17:13,498 AFTER US SO HARD. >> NO, EXCUSE ME. 523 00:17:13,500 --> 00:17:15,867 >> NO, EXCUSE ME. >> HOLDUP, I'M SORRY. 524 00:17:15,869 --> 00:17:18,436 >> HOLDUP, I'M SORRY. >> I NEED TO SPEAK, I'M NOT DONE 525 00:17:18,438 --> 00:17:18,936 >> I NEED TO SPEAK, I'M NOT DONE SPEAKING. 526 00:17:18,938 --> 00:17:19,804 SPEAKING. >> IS THERE SOMETHING THAT YOU 527 00:17:19,806 --> 00:17:20,738 >> IS THERE SOMETHING THAT YOU WOULD LIKE TO SAY TO THE FANS 528 00:17:20,740 --> 00:17:21,272 WOULD LIKE TO SAY TO THE FANS RIGHT NOW? 529 00:17:21,274 --> 00:17:24,075 RIGHT NOW? >> YES, I DON'T AGREE WITH THAT 530 00:17:24,077 --> 00:17:25,576 >> YES, I DON'T AGREE WITH THAT TYPE OF BEHAVIOR WHERE IT'S 531 00:17:25,578 --> 00:17:26,110 TYPE OF BEHAVIOR WHERE IT'S NEGATIVE. 532 00:17:26,112 --> 00:17:27,178 NEGATIVE. I'M VERY SORRY. 533 00:17:27,180 --> 00:17:29,947 I'M VERY SORRY. LIKE I DON'T WANT YOU GUYS 534 00:17:29,949 --> 00:17:30,782 LIKE I DON'T WANT YOU GUYS THINKING THAT I'M WOK THAT. 535 00:17:30,784 --> 00:17:32,650 THINKING THAT I'M WOK THAT. >> SO, WHAT DO YOU WANT YOUR 536 00:17:32,652 --> 00:17:33,818 >> SO, WHAT DO YOU WANT YOUR FANS TO DO FROM HERE ON OUT? 537 00:17:33,820 --> 00:17:36,254 FANS TO DO FROM HERE ON OUT? >> I WANT THEM TO RESPECT YOU 538 00:17:36,256 --> 00:17:36,687 >> I WANT THEM TO RESPECT YOU GUYS. 539 00:17:36,689 --> 00:17:39,357 GUYS. BECAUSE WE ARE FRIENDS. 540 00:17:39,359 --> 00:17:39,924 BECAUSE WE ARE FRIENDS. >> THANK YOU. 541 00:17:39,926 --> 00:17:41,793 >> THANK YOU. IN THAT MOMENT, I WILL BE 542 00:17:41,795 --> 00:17:43,995 IN THAT MOMENT, I WILL BE HONEST, I WAS DISCONNECT FROM 543 00:17:43,997 --> 00:17:45,797 HONEST, I WAS DISCONNECT FROM EVERYONE AND EVERYTHING, BECAUSE 544 00:17:45,799 --> 00:17:47,765 EVERYONE AND EVERYTHING, BECAUSE I'M TRYING TO PROCESS MY 545 00:17:47,767 --> 00:17:49,000 I'M TRYING TO PROCESS MY ELIMINATION, I WAS TORN FOR 546 00:17:49,002 --> 00:17:49,467 ELIMINATION, I WAS TORN FOR MONTHS. 547 00:17:49,469 --> 00:17:50,034 MONTHS. I WAS LOST. 548 00:17:50,036 --> 00:17:51,669 I WAS LOST. >> I KNOW, YOU CALLED ME, I 549 00:17:51,671 --> 00:17:52,170 >> I KNOW, YOU CALLED ME, I REMEMBER. 550 00:17:52,172 --> 00:17:53,538 REMEMBER. >> NO, WE DID TALK. 551 00:17:53,540 --> 00:17:55,406 >> NO, WE DID TALK. >> I COULDN'T LEAVE THE HOUSE. 552 00:17:55,408 --> 00:17:57,075 >> I COULDN'T LEAVE THE HOUSE. I COULDN'T PROCESS THE 553 00:17:57,077 --> 00:17:58,042 I COULDN'T PROCESS THE DISAPPOINTMENT THAT I FELT FROM 554 00:17:58,044 --> 00:17:59,444 DISAPPOINTMENT THAT I FELT FROM YOU SAYING THAT YOU COULD HAVE 555 00:17:59,446 --> 00:18:00,511 YOU SAYING THAT YOU COULD HAVE GONE ALL THE WAY. 556 00:18:00,513 --> 00:18:02,113 GONE ALL THE WAY. I FELT LIKE YOU STOPPED 557 00:18:02,115 --> 00:18:03,047 I FELT LIKE YOU STOPPED BELIEVING IN ME. 558 00:18:03,049 --> 00:18:04,949 BELIEVING IN ME. >> I CHOSE EVERY SINGLE ONE OF 559 00:18:04,951 --> 00:18:06,551 >> I CHOSE EVERY SINGLE ONE OF YOU GIRLS TO BE ON THE SHOW AND 560 00:18:06,553 --> 00:18:08,286 YOU GIRLS TO BE ON THE SHOW AND I HAVE THE HIGHEST HOPES FOR ALL 561 00:18:08,288 --> 00:18:09,821 I HAVE THE HIGHEST HOPES FOR ALL OF YOU. 562 00:18:09,823 --> 00:18:11,255 OF YOU. BUTS THAT COMPETITION/REALITY 563 00:18:11,257 --> 00:18:15,193 BUTS THAT COMPETITION/REALITY SHOW, IT'S NOT "RUPAUL'S BEST 564 00:18:15,195 --> 00:18:16,127 SHOW, IT'S NOT "RUPAUL'S BEST FRIEND'S RACE" AND CONTRARIY TO 565 00:18:16,129 --> 00:18:17,595 FRIEND'S RACE" AND CONTRARIY TO WHAT IS HAPPENING IN THE WORLD, 566 00:18:17,597 --> 00:18:20,164 WHAT IS HAPPENING IN THE WORLD, WHERE PEOPLE GET A TROPHY FOR 567 00:18:20,166 --> 00:18:20,731 WHERE PEOPLE GET A TROPHY FOR SHOWING UP. 568 00:18:20,733 --> 00:18:22,800 SHOWING UP. IF YOU [ BLEEP ] UP, YOU ARE IN 569 00:18:22,802 --> 00:18:24,068 IF YOU [ BLEEP ] UP, YOU ARE IN THE BOTTOM TWO, IF YOU ARE IN 570 00:18:24,070 --> 00:18:25,603 THE BOTTOM TWO, IF YOU ARE IN THE BOTTOM TWO, YOU HAVE TO LIP 571 00:18:25,605 --> 00:18:26,471 THE BOTTOM TWO, YOU HAVE TO LIP SYNC FOR YOUR LIFE. 572 00:18:26,473 --> 00:18:29,373 SYNC FOR YOUR LIFE. NO MATTER HOW PRETTY OR OLD YOU 573 00:18:29,375 --> 00:18:31,409 NO MATTER HOW PRETTY OR OLD YOU ARE, YOU ARE GONE, THAT IS HOW 574 00:18:31,411 --> 00:18:32,376 ARE, YOU ARE GONE, THAT IS HOW THE GAME IS PLAYED. 575 00:18:32,378 --> 00:18:34,245 THE GAME IS PLAYED. >> THERE'S SO MUCH TO LEARN FROM 576 00:18:34,247 --> 00:18:35,680 >> THERE'S SO MUCH TO LEARN FROM MY ELIMINATION ABOUT WHO I AM 577 00:18:35,682 --> 00:18:38,216 MY ELIMINATION ABOUT WHO I AM AND THERE'S SO MUCH THAT I WANT 578 00:18:38,218 --> 00:18:38,916 AND THERE'S SO MUCH THAT I WANT TO SHOW NOW. 579 00:18:38,918 --> 00:18:40,651 TO SHOW NOW. ALTHOUGH, IT'S NOT THE WAY THAT 580 00:18:40,653 --> 00:18:43,020 ALTHOUGH, IT'S NOT THE WAY THAT I WANTED TO LEAVE. 581 00:18:43,022 --> 00:18:44,122 I WANTED TO LEAVE. BUT IT WAS A DARN GOOD EPISODE 582 00:18:44,124 --> 00:18:48,459 BUT IT WAS A DARN GOOD EPISODE AND I GOT MY TELENOVELA ENDING. 583 00:18:48,461 --> 00:18:52,330 AND I GOT MY TELENOVELA ENDING. >> VALENTINA, SPEAKING OF 584 00:18:52,332 --> 00:18:58,169 >> VALENTINA, SPEAKING OF TELENOVELA DRAMA, THERE WERE 585 00:18:58,171 --> 00:18:59,804 TELENOVELA DRAMA, THERE WERE CHOICE WORDS FOR YOU. 586 00:18:59,806 --> 00:19:04,876 CHOICE WORDS FOR YOU. >> WHAT DID THEY SAY? 587 00:19:04,878 --> 00:19:05,743 >> WHAT DID THEY SAY? >> YOU ARE PERFECT, YOU ARE A 588 00:19:05,745 --> 00:19:06,210 >> YOU ARE PERFECT, YOU ARE A MODEL. 589 00:19:06,212 --> 00:19:07,512 MODEL. DID YOU SEW THOSE TIGHTS, OH, 590 00:19:07,514 --> 00:19:09,447 DID YOU SEW THOSE TIGHTS, OH, YOU ARE SMILING, THEY EAT HER UP 591 00:19:09,449 --> 00:19:11,682 YOU ARE SMILING, THEY EAT HER UP EVERY TIME SHE IS ON THAT DAMN 592 00:19:11,684 --> 00:19:12,116 EVERY TIME SHE IS ON THAT DAMN STAGE. 593 00:19:12,118 --> 00:19:13,684 STAGE. SHE DOESN'T -- SHE COULD WALK 594 00:19:13,686 --> 00:19:15,486 SHE DOESN'T -- SHE COULD WALK OUT IN A DIAPER AND THEY ARE 595 00:19:15,488 --> 00:19:19,390 OUT IN A DIAPER AND THEY ARE LIKE, VALENTINA, YOU ARE SMILE 596 00:19:19,392 --> 00:19:22,293 LIKE, VALENTINA, YOU ARE SMILE IS BEAUTIFUL. 597 00:19:22,295 --> 00:19:27,999 IS BEAUTIFUL. >> I'M NOT GOING TO SAY NOTHING. 598 00:19:28,001 --> 00:19:29,200 >> I'M NOT GOING TO SAY NOTHING. >> OH, MY GOD. 599 00:19:29,202 --> 00:19:30,301 >> OH, MY GOD. >> VALENTINA, WHAT DID YOU THINK 600 00:19:30,303 --> 00:19:30,868 >> VALENTINA, WHAT DID YOU THINK OF IT? 601 00:19:30,870 --> 00:19:32,036 OF IT? >> I LOVED IT. 602 00:19:32,038 --> 00:19:34,438 >> I LOVED IT. I'M WORKING ON A NUMBER WHERE I 603 00:19:34,440 --> 00:19:36,174 I'M WORKING ON A NUMBER WHERE I COME OUT AND STAND IN A DIAPER 604 00:19:36,176 --> 00:19:36,674 COME OUT AND STAND IN A DIAPER AND SMILE. 605 00:19:36,676 --> 00:19:38,543 AND SMILE. >> AJA WHAT WAS GOING ON THERE? 606 00:19:38,545 --> 00:19:40,111 >> AJA WHAT WAS GOING ON THERE? >> HERE'S THE THING, YOU ARE IN 607 00:19:40,113 --> 00:19:41,546 >> HERE'S THE THING, YOU ARE IN THE MOMENT AND YOU HAVE 608 00:19:41,548 --> 00:19:43,147 THE MOMENT AND YOU HAVE SOMETHING TO SAY, SAY IT. 609 00:19:43,149 --> 00:19:44,482 SOMETHING TO SAY, SAY IT. SO WHEN VALENTINA WAS GETTING SO 610 00:19:44,484 --> 00:19:46,217 SO WHEN VALENTINA WAS GETTING SO MUCH PRAISE FOR BEING A GORGEOUS 611 00:19:46,219 --> 00:19:46,884 MUCH PRAISE FOR BEING A GORGEOUS BEAUTIFUL MODEL. 612 00:19:46,886 --> 00:19:47,518 BEAUTIFUL MODEL. WHICH SHE IS. 613 00:19:47,520 --> 00:19:48,052 WHICH SHE IS. >> SHE IS. 614 00:19:48,054 --> 00:19:51,822 >> SHE IS. >> SHE IS KIND OF A PSYCHO, BUT 615 00:19:51,824 --> 00:19:52,490 >> SHE IS KIND OF A PSYCHO, BUT SHE IS BEAUTIFUL. 616 00:19:52,492 --> 00:19:54,425 SHE IS BEAUTIFUL. AND THAT DAY, I REALLY HAD FELT 617 00:19:54,427 --> 00:19:55,760 AND THAT DAY, I REALLY HAD FELT LIKE SHE DOESN'T DESERVE TO BE 618 00:19:55,762 --> 00:19:56,794 LIKE SHE DOESN'T DESERVE TO BE IN THE TOP. 619 00:19:56,796 --> 00:19:57,862 IN THE TOP. AND I WAS OVER IT. 620 00:19:57,864 --> 00:19:59,530 AND I WAS OVER IT. I WAS LIKE, GIRL, AND THEN I, 621 00:19:59,532 --> 00:20:01,532 I WAS LIKE, GIRL, AND THEN I, YOU KNOW, I DON'T WANT TO SAY I 622 00:20:01,534 --> 00:20:04,435 YOU KNOW, I DON'T WANT TO SAY I READ HER, I AGGRESSIVELY 623 00:20:04,437 --> 00:20:05,870 READ HER, I AGGRESSIVELY COMPLIMENTED HER AND I LET HER 624 00:20:05,872 --> 00:20:08,105 COMPLIMENTED HER AND I LET HER KNOW HOW BEAUTIFUL SHE WAS. 625 00:20:08,107 --> 00:20:08,940 KNOW HOW BEAUTIFUL SHE WAS. >> YOU COULD SEE HOW HAPPY I 626 00:20:08,942 --> 00:20:09,340 >> YOU COULD SEE HOW HAPPY I WAS. 627 00:20:09,342 --> 00:20:10,474 WAS. I WAS LIKE, YES, GIRL. 628 00:20:10,476 --> 00:20:11,309 I WAS LIKE, YES, GIRL. GET HER. 629 00:20:11,311 --> 00:20:13,377 GET HER. GET HER AJA, GET HER. 630 00:20:13,379 --> 00:20:15,413 GET HER AJA, GET HER. >> I THINK A LOT OF US HAD THE 631 00:20:15,415 --> 00:20:17,181 >> I THINK A LOT OF US HAD THE FEELING THAT AS YOU WERE SAYING 632 00:20:17,183 --> 00:20:18,950 FEELING THAT AS YOU WERE SAYING IT, THERE WAS A BIT OF A SILENT 633 00:20:18,952 --> 00:20:19,383 IT, THERE WAS A BIT OF A SILENT AMEN. 634 00:20:19,385 --> 00:20:20,418 AMEN. >> OH, YEAH. 635 00:20:20,420 --> 00:20:21,085 >> OH, YEAH. >> THERE WAS. 636 00:20:21,087 --> 00:20:22,353 >> THERE WAS. >> WE DIDN'T UNDERSTAND WHY 637 00:20:22,355 --> 00:20:23,721 >> WE DIDN'T UNDERSTAND WHY VALENTINA WAS IN THE TOP THAT 638 00:20:23,723 --> 00:20:24,255 VALENTINA WAS IN THE TOP THAT CHALLENGE. 639 00:20:24,257 --> 00:20:25,990 CHALLENGE. A LOT OF US DIDN'T NECESSARILY 640 00:20:25,992 --> 00:20:27,258 A LOT OF US DIDN'T NECESSARILY APPRECIATE THE CHARM THAT 641 00:20:27,260 --> 00:20:28,893 APPRECIATE THE CHARM THAT VALENTINA WAS CONVEYING TO 642 00:20:28,895 --> 00:20:29,961 VALENTINA WAS CONVEYING TO CAMERA, BECAUSE TO BE HONEST, 643 00:20:29,963 --> 00:20:31,862 CAMERA, BECAUSE TO BE HONEST, GIRL, YOU ARE NOT MAKING AN 644 00:20:31,864 --> 00:20:33,764 GIRL, YOU ARE NOT MAKING AN ATTEMPT TO REALLY GET TO KNOW US 645 00:20:33,766 --> 00:20:35,099 ATTEMPT TO REALLY GET TO KNOW US BACK STAGE AT THAT POINT. 646 00:20:35,101 --> 00:20:36,734 BACK STAGE AT THAT POINT. IT CAME ON A BIT LATER. 647 00:20:36,736 --> 00:20:39,203 IT CAME ON A BIT LATER. >> I WANTED TO WIN. 648 00:20:39,205 --> 00:20:40,104 >> I WANTED TO WIN. >> YOU WANTED TO BE ON THE SHOW 649 00:20:40,106 --> 00:20:41,005 >> YOU WANTED TO BE ON THE SHOW BECAUSE YOU WANTED TO BE A STAR. 650 00:20:41,007 --> 00:20:41,973 BECAUSE YOU WANTED TO BE A STAR. >> I DIDN'T WANT TO BE A STAR. 651 00:20:41,975 --> 00:20:43,140 >> I DIDN'T WANT TO BE A STAR. I WANTED TO SHOW THE STAR THAT I 652 00:20:43,142 --> 00:20:43,541 I WANTED TO SHOW THE STAR THAT I AM. 653 00:20:43,543 --> 00:20:46,344 AM. >> YOU ARE SECRETLY ONE LITTLE 654 00:20:46,346 --> 00:20:48,012 >> YOU ARE SECRETLY ONE LITTLE BITCH AND THAT'S WHY I LOVE YOU 655 00:20:48,014 --> 00:20:48,446 BITCH AND THAT'S WHY I LOVE YOU NOW. 656 00:20:48,448 --> 00:20:50,681 NOW. BUT BACK THEN, BITCH, I HATED 657 00:20:50,683 --> 00:20:51,415 BUT BACK THEN, BITCH, I HATED YOU SO MUCH. 658 00:20:51,417 --> 00:20:53,651 YOU SO MUCH. AND I WAS JUST LIKE, I WANT TO 659 00:20:53,653 --> 00:20:55,920 AND I WAS JUST LIKE, I WANT TO SEND THIS BITCH HOME SO BAD. 660 00:20:55,922 --> 00:20:57,588 SEND THIS BITCH HOME SO BAD. >> WHAT IS GREAT ABOUT DRAG 661 00:20:57,590 --> 00:20:59,123 >> WHAT IS GREAT ABOUT DRAG RACE, IS EVEN A MELT DOWN CAN BE 662 00:20:59,125 --> 00:21:00,858 RACE, IS EVEN A MELT DOWN CAN BE TURNED IN TO A MASTER PIECE. 663 00:21:00,860 --> 00:21:03,894 TURNED IN TO A MASTER PIECE. TAKE A LISTEN TO THIS BITCH 664 00:21:03,896 --> 00:21:06,864 TAKE A LISTEN TO THIS BITCH TRACK BY ADAM JOSEPH. 665 00:21:06,866 --> 00:21:07,632 TRACK BY ADAM JOSEPH. >> YOU ARE PERFECT. 666 00:21:07,634 --> 00:21:10,368 >> YOU ARE PERFECT. YOU ARE BEAUTIFUL, YOU ARE A 667 00:21:10,370 --> 00:21:10,801 YOU ARE BEAUTIFUL, YOU ARE A MODEL. 668 00:21:10,803 --> 00:21:16,007 MODEL. OH, YOU ARE SMILING VALENTINA 669 00:21:16,009 --> 00:21:20,711 OH, YOU ARE SMILING VALENTINA YOUR SMILE IS BEAUTIFUL. 670 00:21:20,713 --> 00:21:21,846 YOUR SMILE IS BEAUTIFUL. ♪ ♪ 671 00:21:21,848 --> 00:21:22,380 ♪ ♪ >> HEY. 672 00:21:22,382 --> 00:21:25,683 >> HEY. >> COMING UP, SHEA PUTS NINA ON 673 00:21:25,685 --> 00:21:26,117 >> COMING UP, SHEA PUTS NINA ON BLAST. 674 00:21:26,119 --> 00:21:27,752 BLAST. >> SOMEONE CAME TO MY INSTAGRAM 675 00:21:27,754 --> 00:21:29,220 >> SOMEONE CAME TO MY INSTAGRAM AND THEY SAID, NINA SAID THAT 676 00:21:29,222 --> 00:21:31,455 AND THEY SAID, NINA SAID THAT YOU ARE A TWO-FACED AND YOU ARE 677 00:21:31,457 --> 00:21:31,922 YOU ARE A TWO-FACED AND YOU ARE A FAKE. 678 00:21:31,924 --> 00:21:33,791 A FAKE. THEY WERE LIKE, TIMESTAMP, 679 00:21:33,793 --> 00:21:34,325 THEY WERE LIKE, TIMESTAMP, TIMESTAMP. 680 00:21:34,327 --> 00:21:34,759 TIMESTAMP. >> NO. 681 00:21:34,761 --> 00:21:36,994 >> NO. >> AND KIMORA POPS OFF. 682 00:21:36,996 --> 00:21:38,729 >> AND KIMORA POPS OFF. >> YOU WERE TALKING [ BLEEP ] 683 00:21:38,731 --> 00:21:39,930 >> YOU WERE TALKING [ BLEEP ] ABOUT THE WAY I PERFORM. 684 00:21:39,932 --> 00:21:53,911 ABOUT THE WAY I PERFORM. >> BUT YOU DIDN'T SAY JK THOUGH. 685 00:21:53,913 --> 00:21:56,514 >> BUT YOU DIDN'T SAY JK THOUGH. >> WELCOME BACK TO "RUPAUL'S 686 00:21:56,516 --> 00:21:58,449 >> WELCOME BACK TO "RUPAUL'S DRAG RACE" REUNITED, MY GIRLS 687 00:21:58,451 --> 00:22:00,451 DRAG RACE" REUNITED, MY GIRLS ARE BACK TO LET US HAVE IT. 688 00:22:00,453 --> 00:22:02,353 ARE BACK TO LET US HAVE IT. INCLUDING THIS UNFORGETTABLE 689 00:22:02,355 --> 00:22:03,988 INCLUDING THIS UNFORGETTABLE QUEEN THAT CAN BE DESCRIBED IN 690 00:22:03,990 --> 00:22:06,557 QUEEN THAT CAN BE DESCRIBED IN THREE SIMPLE WORDS. 691 00:22:06,559 --> 00:22:11,128 THREE SIMPLE WORDS. NINA BONINA BROWN, ROBINSON 692 00:22:11,130 --> 00:22:11,562 NINA BONINA BROWN, ROBINSON PETE. 693 00:22:11,564 --> 00:22:12,196 PETE. TY A LOOK. 694 00:22:12,198 --> 00:22:13,364 TY A LOOK. >> YOU WERE A LITTLE BIT 695 00:22:13,366 --> 00:22:14,632 >> YOU WERE A LITTLE BIT DIFFICULT TO WORK WITH 696 00:22:14,634 --> 00:22:15,166 DIFFICULT TO WORK WITH YESTERDAY. 697 00:22:15,168 --> 00:22:16,634 YESTERDAY. >> MY MIND WAS SET ON BLACK 698 00:22:16,636 --> 00:22:18,736 >> MY MIND WAS SET ON BLACK CHINA, AND WHEN IT WAS GIVEN TO 699 00:22:18,738 --> 00:22:19,970 CHINA, AND WHEN IT WAS GIVEN TO SHEA, I THOUGHT IT WAS LIKE A 700 00:22:19,972 --> 00:22:20,504 SHEA, I THOUGHT IT WAS LIKE A SET UP. 701 00:22:20,506 --> 00:22:23,541 SET UP. IN A WAY, FOR ME TO LIKE FAIL. 702 00:22:23,543 --> 00:22:28,112 IN A WAY, FOR ME TO LIKE FAIL. >> WHAT WE JUST HEARD WAS THERE 703 00:22:28,114 --> 00:22:30,314 >> WHAT WE JUST HEARD WAS THERE WAS A CONSPIRACY THEORY THAT 704 00:22:30,316 --> 00:22:34,819 WAS A CONSPIRACY THEORY THAT SOUNDED MORE LIKE PARANOIA. 705 00:22:34,821 --> 00:22:37,922 SOUNDED MORE LIKE PARANOIA. >> GIRLS ARE SAYING, SHE IS NOT 706 00:22:37,924 --> 00:22:41,425 >> GIRLS ARE SAYING, SHE IS NOT ORIGINAL AND SHE IS NOT FUNNY. 707 00:22:41,427 --> 00:22:42,593 ORIGINAL AND SHE IS NOT FUNNY. >> WHO IS SAYING THAT? 708 00:22:42,595 --> 00:22:43,294 >> WHO IS SAYING THAT? >> YOU. 709 00:22:43,296 --> 00:22:44,628 >> YOU. >> I DON'T PLAY THOSE GAMES. 710 00:22:44,630 --> 00:22:46,464 >> I DON'T PLAY THOSE GAMES. I HAVE LOOKED OUT FOR YOU AND 711 00:22:46,466 --> 00:22:48,332 I HAVE LOOKED OUT FOR YOU AND DEFENDED YOU. 712 00:22:48,334 --> 00:22:49,633 DEFENDED YOU. THAT HURTS MY FEELINGS, I HAVE 713 00:22:49,635 --> 00:22:50,267 THAT HURTS MY FEELINGS, I HAVE NEVER DONE THAT. 714 00:22:50,269 --> 00:22:53,471 NEVER DONE THAT. >> WOW, NINA, DO YOU STILL THINK 715 00:22:53,473 --> 00:22:55,573 >> WOW, NINA, DO YOU STILL THINK THE QUEENS ARE TALKING ABOUT YOU 716 00:22:55,575 --> 00:22:56,340 THE QUEENS ARE TALKING ABOUT YOU BEHIND YOUR BACK? 717 00:22:56,342 --> 00:22:56,974 BEHIND YOUR BACK? >> A LITTLE BIT. 718 00:22:56,976 --> 00:22:58,676 >> A LITTLE BIT. SDM OH, GIRL. 719 00:22:58,678 --> 00:23:01,112 SDM OH, GIRL. >> I MEAN, WE ALL TALK. 720 00:23:01,114 --> 00:23:02,079 >> I MEAN, WE ALL TALK. IT'S WHAT QUEENS DO. 721 00:23:02,081 --> 00:23:04,648 IT'S WHAT QUEENS DO. >> DID YOU SEE THAT THE GIRLS 722 00:23:04,650 --> 00:23:07,017 >> DID YOU SEE THAT THE GIRLS WERE NOT TRYING TO SABOTAGE YOU? 723 00:23:07,019 --> 00:23:09,253 WERE NOT TRYING TO SABOTAGE YOU? >> THE CAMERA DOES NOT SEE 724 00:23:09,255 --> 00:23:09,787 >> THE CAMERA DOES NOT SEE EVERYTHING. 725 00:23:09,789 --> 00:23:12,823 EVERYTHING. >> NONE OF US WERE OUT TO GET 726 00:23:12,825 --> 00:23:13,257 >> NONE OF US WERE OUT TO GET YOU. 727 00:23:13,259 --> 00:23:14,225 YOU. IN FACT, THE ONLY TIME AND THE 728 00:23:14,227 --> 00:23:15,893 IN FACT, THE ONLY TIME AND THE MOST I SPOKE ABOUT YOU WITH 729 00:23:15,895 --> 00:23:18,162 MOST I SPOKE ABOUT YOU WITH OTHER GIRLS IS, IS NINA OKAY. 730 00:23:18,164 --> 00:23:19,563 OTHER GIRLS IS, IS NINA OKAY. WHY DOES SHE THINK WE ARE COMING 731 00:23:19,565 --> 00:23:20,297 WHY DOES SHE THINK WE ARE COMING FOR HER? 732 00:23:20,299 --> 00:23:21,899 FOR HER? SHE SEEMS LIKE SHE IS GIVING UP. 733 00:23:21,901 --> 00:23:23,300 SHE SEEMS LIKE SHE IS GIVING UP. THAT'S WHAT WAS BEING SAID? 734 00:23:23,302 --> 00:23:24,702 THAT'S WHAT WAS BEING SAID? >> IS IT POSSIBLE THAT YOU 735 00:23:24,704 --> 00:23:25,302 >> IS IT POSSIBLE THAT YOU IMAGINED IT? 736 00:23:25,304 --> 00:23:25,903 IMAGINED IT? >> NO. 737 00:23:25,905 --> 00:23:27,004 >> NO. >> IT'S NOT POSSIBLE? 738 00:23:27,006 --> 00:23:28,072 >> IT'S NOT POSSIBLE? >> GIRL, HOW MANY -- 739 00:23:28,074 --> 00:23:29,573 >> GIRL, HOW MANY -- >> WELL, THEN, YEAH, LET'S TALK 740 00:23:29,575 --> 00:23:30,141 >> WELL, THEN, YEAH, LET'S TALK ABOUT IT. 741 00:23:30,143 --> 00:23:32,977 ABOUT IT. >> RIGHT NOW, I NEED YOU TO CALL 742 00:23:32,979 --> 00:23:33,644 >> RIGHT NOW, I NEED YOU TO CALL THEM OUT RIGHT NOW. 743 00:23:33,646 --> 00:23:35,012 THEM OUT RIGHT NOW. WE ARE HERE TO TALK ABOUT IT. 744 00:23:35,014 --> 00:23:36,480 WE ARE HERE TO TALK ABOUT IT. CALL WHO IT IS OUT. 745 00:23:36,482 --> 00:23:39,984 CALL WHO IT IS OUT. >> ONLINE, YOU DID THROW LIGHT 746 00:23:39,986 --> 00:23:41,318 >> ONLINE, YOU DID THROW LIGHT SHADE THROUGH SHEA COULEE. 747 00:23:41,320 --> 00:23:42,486 SHADE THROUGH SHEA COULEE. YOU SAID THAT SHE WAS NICE TO 748 00:23:42,488 --> 00:23:43,821 YOU SAID THAT SHE WAS NICE TO YOU WHEN THE CAMERA WAS ON. 749 00:23:43,823 --> 00:23:45,523 YOU WHEN THE CAMERA WAS ON. >> THE CAMERAS WERE ALWAYS ON. 750 00:23:45,525 --> 00:23:47,091 >> THE CAMERAS WERE ALWAYS ON. IT'S A REALITY SHOW. 751 00:23:47,093 --> 00:23:48,959 IT'S A REALITY SHOW. >> NO, SHEA KNOWS THAT I JOKE 752 00:23:48,961 --> 00:23:50,428 >> NO, SHEA KNOWS THAT I JOKE ABOUT HER AND STUFF WITH PEOPLE 753 00:23:50,430 --> 00:23:50,895 ABOUT HER AND STUFF WITH PEOPLE ONLINE. 754 00:23:50,897 --> 00:23:52,096 ONLINE. BUT SOMETIMES THE FANS SAY 755 00:23:52,098 --> 00:23:55,065 BUT SOMETIMES THE FANS SAY THINGS AND BLOW IT OUT OF 756 00:23:55,067 --> 00:23:55,599 THINGS AND BLOW IT OUT OF PROPORTION. 757 00:23:55,601 --> 00:23:57,067 PROPORTION. >> THEY ARE TIMESTAMPED AND 758 00:23:57,069 --> 00:24:01,572 >> THEY ARE TIMESTAMPED AND SOMEONE CAME TO MY COMMENTS ON 759 00:24:01,574 --> 00:24:02,873 SOMEONE CAME TO MY COMMENTS ON INSTAGRAM AND SAID, ARE YOU A 760 00:24:02,875 --> 00:24:04,842 INSTAGRAM AND SAID, ARE YOU A WEAR THAT SHE IS SAYING YOU ARE 761 00:24:04,844 --> 00:24:09,947 WEAR THAT SHE IS SAYING YOU ARE A TWO-FACED AND FAKE. 762 00:24:09,949 --> 00:24:11,649 A TWO-FACED AND FAKE. I SAID SHOW RECEIPTS AND THEY 763 00:24:11,651 --> 00:24:14,285 I SAID SHOW RECEIPTS AND THEY WERE LIKE, TIMESTAMP AND 764 00:24:14,287 --> 00:24:14,819 WERE LIKE, TIMESTAMP AND TIMESTAMP. 765 00:24:14,821 --> 00:24:17,455 TIMESTAMP. >> YOU HEARD ME SAY, I SAID YOU 766 00:24:17,457 --> 00:24:21,425 >> YOU HEARD ME SAY, I SAID YOU ARE FAKE, FOR THE GAME. 767 00:24:21,427 --> 00:24:24,395 ARE FAKE, FOR THE GAME. >> YOU ARE THROWING ME IN THE 768 00:24:24,397 --> 00:24:25,563 >> YOU ARE THROWING ME IN THE FIRE FOR FANS THAT WANT DRAMA. 769 00:24:25,565 --> 00:24:26,964 FIRE FOR FANS THAT WANT DRAMA. >> I HONESTLY -- 770 00:24:26,966 --> 00:24:30,534 >> I HONESTLY -- >> NINA, I LOVE YOU, BUT MY 771 00:24:30,536 --> 00:24:31,469 >> NINA, I LOVE YOU, BUT MY FRIENDS FOLLOW YOU AND THEY ARE 772 00:24:31,471 --> 00:24:33,003 FRIENDS FOLLOW YOU AND THEY ARE LIKE, SHE IS LIVE RIGHT NOW. 773 00:24:33,005 --> 00:24:37,975 LIKE, SHE IS LIVE RIGHT NOW. I PEEP THROUGH AND YOU WERE ON 774 00:24:37,977 --> 00:24:38,876 I PEEP THROUGH AND YOU WERE ON MY YOUTUBE AND YOU WERE TALKING 775 00:24:38,878 --> 00:24:39,710 MY YOUTUBE AND YOU WERE TALKING [ BLEEP ] ABOUT THE WAY I 776 00:24:39,712 --> 00:24:40,211 [ BLEEP ] ABOUT THE WAY I PERFORM. 777 00:24:40,213 --> 00:24:41,412 PERFORM. >> IT WAS ALL JOKES. 778 00:24:41,414 --> 00:24:44,815 >> IT WAS ALL JOKES. >> IT WAS JOKES, YOU WOULD HAVE 779 00:24:44,817 --> 00:24:46,851 >> IT WAS JOKES, YOU WOULD HAVE HEAD HA, HA, JK. 780 00:24:46,853 --> 00:24:47,985 HEAD HA, HA, JK. >> IT WAS A JOKE. 781 00:24:47,987 --> 00:24:49,253 >> IT WAS A JOKE. GIRL, IT'S A JOKE. 782 00:24:49,255 --> 00:24:50,154 GIRL, IT'S A JOKE. >> LET'S TURN IT AROUND. 783 00:24:50,156 --> 00:24:53,724 >> LET'S TURN IT AROUND. IF YOU ARE SAYING, OH, I WAS 784 00:24:53,726 --> 00:24:56,861 IF YOU ARE SAYING, OH, I WAS ONLY JOKING WITH HER -- IT COULD 785 00:24:56,863 --> 00:24:58,929 ONLY JOKING WITH HER -- IT COULD BE THAT WHAT YOU SAW WAS THEM 786 00:24:58,931 --> 00:24:59,730 BE THAT WHAT YOU SAW WAS THEM JOKING ABOUT YOU. 787 00:24:59,732 --> 00:25:00,564 JOKING ABOUT YOU. TURN IT AROUND. 788 00:25:00,566 --> 00:25:02,399 TURN IT AROUND. >> IT HURT MY FEELINGS BECAUSE I 789 00:25:02,401 --> 00:25:03,634 >> IT HURT MY FEELINGS BECAUSE I HAD NOTHING BAD TO SAW ABOUT 790 00:25:03,636 --> 00:25:04,034 HAD NOTHING BAD TO SAW ABOUT YOU. 791 00:25:04,036 --> 00:25:07,605 YOU. WHEN YOU TALKED TO SHEA, SHEA 792 00:25:07,607 --> 00:25:09,673 WHEN YOU TALKED TO SHEA, SHEA GAVE YOU A PLATFORM TO STEP UP 793 00:25:09,675 --> 00:25:10,441 GAVE YOU A PLATFORM TO STEP UP AND SAY SOMETHING. 794 00:25:10,443 --> 00:25:12,409 AND SAY SOMETHING. YOU DID NOT SAY WHO, SO, WE ARE 795 00:25:12,411 --> 00:25:14,278 YOU DID NOT SAY WHO, SO, WE ARE HERE RIGHT NOW, REUNION THIS, 796 00:25:14,280 --> 00:25:16,947 HERE RIGHT NOW, REUNION THIS, WHO HERE OF WAS TALKING [ BLEEP 797 00:25:16,949 --> 00:25:17,314 WHO HERE OF WAS TALKING [ BLEEP ]. 798 00:25:17,316 --> 00:25:18,482 ]. NINA CALL IT OUT. 799 00:25:18,484 --> 00:25:20,184 NINA CALL IT OUT. >> I'M GOING TO STAY QUIET. 800 00:25:20,186 --> 00:25:21,418 >> I'M GOING TO STAY QUIET. >> THIS IS YOUR PLATFORM. 801 00:25:21,420 --> 00:25:22,987 >> THIS IS YOUR PLATFORM. LET'S HEAR IT. 802 00:25:22,989 --> 00:25:24,321 LET'S HEAR IT. >> I'M GOOD. 803 00:25:24,323 --> 00:25:25,623 >> I'M GOOD. >> WE WILL WATCH IT. 804 00:25:25,625 --> 00:25:26,423 >> WE WILL WATCH IT. >> OKAY. 805 00:25:26,425 --> 00:25:27,424 >> OKAY. >> YOU ALL KNOW UNDER THE 806 00:25:27,426 --> 00:25:28,993 >> YOU ALL KNOW UNDER THE PRESSURE OF THE COMPETITION, IT 807 00:25:28,995 --> 00:25:31,395 PRESSURE OF THE COMPETITION, IT IS INTENSE. 808 00:25:31,397 --> 00:25:32,763 IS INTENSE. SO, ALL OF YOUR INNER DEMONS 809 00:25:32,765 --> 00:25:34,231 SO, ALL OF YOUR INNER DEMONS WILL COME TO THE SURFACE AND TRY 810 00:25:34,233 --> 00:25:35,199 WILL COME TO THE SURFACE AND TRY TO NIP AT YOU. 811 00:25:35,201 --> 00:25:37,601 TO NIP AT YOU. >> AND I WILL SAY THIS, NINA, 812 00:25:37,603 --> 00:25:40,004 >> AND I WILL SAY THIS, NINA, TOO, IN MY CAREER, THE BIGGEST 813 00:25:40,006 --> 00:25:42,039 TOO, IN MY CAREER, THE BIGGEST OBSTACLES I HAVE EVER FACED WERE 814 00:25:42,041 --> 00:25:44,942 OBSTACLES I HAVE EVER FACED WERE MY OWN PERCEPTIONS OF MYSELF. 815 00:25:44,944 --> 00:25:47,611 MY OWN PERCEPTIONS OF MYSELF. WHAT I DO IS COUNTER BALANCE IT 816 00:25:47,613 --> 00:25:50,047 WHAT I DO IS COUNTER BALANCE IT WITH POSITIVE VOICES THAT SAY, 817 00:25:50,049 --> 00:25:52,550 WITH POSITIVE VOICES THAT SAY, BITCH PLEASE, YOU ARE FABULOUS, 818 00:25:52,552 --> 00:25:53,083 BITCH PLEASE, YOU ARE FABULOUS, GO FOR IT. 819 00:25:53,085 --> 00:25:56,921 GO FOR IT. USE WHAT YOU GOT TO GET WHAT YOU 820 00:25:56,923 --> 00:25:57,354 USE WHAT YOU GOT TO GET WHAT YOU WANT. 821 00:25:57,356 --> 00:25:58,722 WANT. >> NOW, NOT EVERYONE WAS UPSET 822 00:25:58,724 --> 00:26:00,291 >> NOW, NOT EVERYONE WAS UPSET ABOUT THE CASTING. 823 00:26:00,293 --> 00:26:02,192 ABOUT THE CASTING. ALEXIS, YOU DID A MEAN KRIS 824 00:26:02,194 --> 00:26:04,295 ALEXIS, YOU DID A MEAN KRIS JENNER AND I'M NOT THE ONLY ONE 825 00:26:04,297 --> 00:26:05,663 JENNER AND I'M NOT THE ONLY ONE WHO THINKS SO. 826 00:26:05,665 --> 00:26:06,430 WHO THINKS SO. TAKE A LOOK. 827 00:26:06,432 --> 00:26:08,966 TAKE A LOOK. >> HEY, EVERYONE. 828 00:26:08,968 --> 00:26:10,434 >> HEY, EVERYONE. BEST SEASON EVER. 829 00:26:10,436 --> 00:26:12,970 BEST SEASON EVER. AND THE BEST PART WAS THE 830 00:26:12,972 --> 00:26:14,538 AND THE BEST PART WAS THE KARDASHIAN MUSICAL THAT I LOVED. 831 00:26:14,540 --> 00:26:17,308 KARDASHIAN MUSICAL THAT I LOVED. AND ALEXIS MICHELLE, YOUR KRIS 832 00:26:17,310 --> 00:26:18,442 AND ALEXIS MICHELLE, YOUR KRIS JENNER WAS DOPE. 833 00:26:18,444 --> 00:26:21,579 JENNER WAS DOPE. SO, HAVE FUN YOU GUYS AND 834 00:26:21,581 --> 00:26:22,179 SO, HAVE FUN YOU GUYS AND CONGRATULATIONS. 835 00:26:22,181 --> 00:26:26,884 CONGRATULATIONS. >> OH, MY GOD! 836 00:26:26,886 --> 00:26:28,552 >> OH, MY GOD! >> OH, MY GOD. 837 00:26:28,554 --> 00:26:30,654 >> OH, MY GOD. >> KIMORA IS READY TO STAB YOU 838 00:26:30,656 --> 00:26:32,890 >> KIMORA IS READY TO STAB YOU IN THE THROAT RIGHT NOW. 839 00:26:32,892 --> 00:26:33,958 IN THE THROAT RIGHT NOW. KIMORA, SO JEALOUS. 840 00:26:33,960 --> 00:26:36,360 KIMORA, SO JEALOUS. >> DON'T TAKE THIS MOMENT FROM 841 00:26:36,362 --> 00:26:36,760 >> DON'T TAKE THIS MOMENT FROM ME. 842 00:26:36,762 --> 00:26:38,028 ME. >> THAT'S EVERYTHING. 843 00:26:38,030 --> 00:26:39,396 >> THAT'S EVERYTHING. >> Y'ALL DON'T GO AWAY. 844 00:26:39,398 --> 00:26:40,264 >> Y'ALL DON'T GO AWAY. WE HAVE MORE QUEENS WHEN WE COME 845 00:26:40,266 --> 00:26:40,698 WE HAVE MORE QUEENS WHEN WE COME BACK. 846 00:26:40,700 --> 00:26:41,832 BACK. ♪ ♪ 847 00:26:46,004 --> 00:26:54,845 >>> COMING UP, ALEXIS CLAPS BACK AT HER CRITICS. >> NOBODY CANALEXIS MICHELLE 848 00:26:54,847 --> 00:27:01,268 AT HER CRITICS. >> NOBODY CANALEXIS MICHELLE 849 00:27:01,269 --> 00:27:07,690 >> NOBODY CANALEXIS MICHELLE LIKE ALEXIS MICHELLE. 850 00:27:07,693 --> 00:27:09,460 LIKE ALEXIS MICHELLE. ♪ ♪ 851 00:27:09,462 --> 00:27:11,028 ♪ ♪ >>> WELCOME BACK TO "RUPAUL'S 852 00:27:11,030 --> 00:27:12,062 >>> WELCOME BACK TO "RUPAUL'S DRAG RACE" REUNITED. 853 00:27:12,064 --> 00:27:14,965 DRAG RACE" REUNITED. THIS YEAR, OUR TOP FIVE QUEENS 854 00:27:14,967 --> 00:27:17,034 THIS YEAR, OUR TOP FIVE QUEENS THREW THE GAYEST BALL EVER. 855 00:27:17,036 --> 00:27:20,571 THREW THE GAYEST BALL EVER. BUT NOT EVERYONE WAS FEELING THE 856 00:27:20,573 --> 00:27:21,038 BUT NOT EVERYONE WAS FEELING THE SANITY. 857 00:27:21,040 --> 00:27:21,739 SANITY. LET'S TAKE A LOOK. 858 00:27:21,741 --> 00:27:25,976 LET'S TAKE A LOOK. >> PEPPERMINT HAS A GREAT 859 00:27:25,978 --> 00:27:26,543 >> PEPPERMINT HAS A GREAT PERSONALITY. 860 00:27:26,545 --> 00:27:29,380 PERSONALITY. SHE HAS A GREAT PERSONALITY. 861 00:27:29,382 --> 00:27:33,350 SHE HAS A GREAT PERSONALITY. BURKTS HER LAS -- BUT HER 862 00:27:33,352 --> 00:27:36,387 BURKTS HER LAS -- BUT HER LOOKS ARE NOT POLISHED. 863 00:27:36,389 --> 00:27:39,189 LOOKS ARE NOT POLISHED. >> ALEXIS NEEDS TO PUSH HER 864 00:27:39,191 --> 00:27:39,890 >> ALEXIS NEEDS TO PUSH HER AESTHETICS FURTHER. 865 00:27:39,892 --> 00:27:42,026 AESTHETICS FURTHER. I FEEL LIKE I CAN GO TO NEW YORK 866 00:27:42,028 --> 00:27:43,694 I FEEL LIKE I CAN GO TO NEW YORK AND THROW A STONE AND HIT FIVE 867 00:27:43,696 --> 00:27:45,929 AND THROW A STONE AND HIT FIVE OTHER QUEENS THAT DOES WHAT SHE 868 00:27:45,931 --> 00:27:46,363 OTHER QUEENS THAT DOES WHAT SHE DOES. 869 00:27:46,365 --> 00:27:50,300 DOES. >> SASHA'S RAINBOW LOOK IS 870 00:27:50,302 --> 00:27:50,834 >> SASHA'S RAINBOW LOOK IS PEDESTRIAN. 871 00:27:50,836 --> 00:27:53,871 PEDESTRIAN. >> SHORTS AND A WIFE BEATER, 872 00:27:53,873 --> 00:27:54,338 >> SHORTS AND A WIFE BEATER, REALLY? 873 00:27:54,340 --> 00:27:55,773 REALLY? DOES IT LOOK LIKE A CONSTRUCTION 874 00:27:55,775 --> 00:27:56,740 DOES IT LOOK LIKE A CONSTRUCTION WORKER? 875 00:27:56,742 --> 00:27:57,141 WORKER? NO. 876 00:27:57,143 --> 00:27:58,742 NO. >> WHO DESERVES TO GO HOME? 877 00:27:58,744 --> 00:28:01,478 >> WHO DESERVES TO GO HOME? >> ALEXIS MICHELLE. 878 00:28:01,480 --> 00:28:02,212 >> ALEXIS MICHELLE. >> SASHA VELOUR? 879 00:28:02,214 --> 00:28:04,048 >> SASHA VELOUR? >> ALEXIS STRUGGLED. 880 00:28:04,050 --> 00:28:05,749 >> ALEXIS STRUGGLED. I WOULD HAVE TO SAY ALEXIS AS 881 00:28:05,751 --> 00:28:06,183 I WOULD HAVE TO SAY ALEXIS AS WELL. 882 00:28:06,185 --> 00:28:07,351 WELL. >> INTERESTING THAT THEY ARE NOT 883 00:28:07,353 --> 00:28:08,585 >> INTERESTING THAT THEY ARE NOT SUPPORTIVE OF MY LOOK RIGHT NOW 884 00:28:08,587 --> 00:28:09,753 SUPPORTIVE OF MY LOOK RIGHT NOW IN FRONT OF THE JUDGES 885 00:28:09,755 --> 00:28:10,721 IN FRONT OF THE JUDGES CONSIDERING THEY HAD NOTHING TO 886 00:28:10,723 --> 00:28:13,057 CONSIDERING THEY HAD NOTHING TO SAY TO ME ABOUT IT IN THE WORK 887 00:28:13,059 --> 00:28:13,590 SAY TO ME ABOUT IT IN THE WORK ROOM. 888 00:28:13,592 --> 00:28:16,560 ROOM. SHADY -- 889 00:28:16,562 --> 00:28:19,129 SHADY -- >> SHEA AND SASHA, ALEXIS FELT 890 00:28:19,131 --> 00:28:20,531 >> SHEA AND SASHA, ALEXIS FELT THAT YOU SHOULD HAVE GIVEN 891 00:28:20,533 --> 00:28:22,966 THAT YOU SHOULD HAVE GIVEN FEEDBACK, IS IT A GIVEN THAT YOU 892 00:28:22,968 --> 00:28:24,868 FEEDBACK, IS IT A GIVEN THAT YOU ALL GIVE EACH OTHER FEEDBACK? 893 00:28:24,870 --> 00:28:25,669 ALL GIVE EACH OTHER FEEDBACK? >> NO. 894 00:28:25,671 --> 00:28:28,572 >> NO. >> AND, AND TO BE REALISTIC, 895 00:28:28,574 --> 00:28:30,507 >> AND, AND TO BE REALISTIC, THERE WAS FEEDBACK THAT TRINITY 896 00:28:30,509 --> 00:28:33,877 THERE WAS FEEDBACK THAT TRINITY WAS GIVING TO YOU, ALEXIS, AND I 897 00:28:33,879 --> 00:28:35,579 WAS GIVING TO YOU, ALEXIS, AND I DID NOT SEE YOU ACCEPT OR TAKE 898 00:28:35,581 --> 00:28:37,581 DID NOT SEE YOU ACCEPT OR TAKE IT ON, SO, FOR ME IN THIS 899 00:28:37,583 --> 00:28:39,016 IT ON, SO, FOR ME IN THIS MOMENT, I WAS JUST LIKE, WHY 900 00:28:39,018 --> 00:28:39,750 MOMENT, I WAS JUST LIKE, WHY WASTE MY BREATH. 901 00:28:39,752 --> 00:28:41,485 WASTE MY BREATH. YOU KNOW, YOU WERE VERY MUCH 902 00:28:41,487 --> 00:28:42,619 YOU KNOW, YOU WERE VERY MUCH COMMITTED TO YOUR VISION AND WHO 903 00:28:42,621 --> 00:28:44,922 COMMITTED TO YOUR VISION AND WHO AM I TO SIT HERE AND TELL YOU 904 00:28:44,924 --> 00:28:46,256 AM I TO SIT HERE AND TELL YOU NOT TO FOLLOW YOUR VISION. 905 00:28:46,258 --> 00:28:49,960 NOT TO FOLLOW YOUR VISION. >> YOU KNOW YOU ARE STUBBORN. 906 00:28:49,962 --> 00:28:51,395 >> YOU KNOW YOU ARE STUBBORN. DON'T YOU? 907 00:28:51,397 --> 00:28:54,531 DON'T YOU? >> I DO, I'M LIKE A BULLDOG. 908 00:28:54,533 --> 00:28:56,266 >> I DO, I'M LIKE A BULLDOG. I WANT TO SAY, SHEA, I DO NOT 909 00:28:56,268 --> 00:28:58,335 I WANT TO SAY, SHEA, I DO NOT DISAGREE WITH YOU, IN THAT, I 910 00:28:58,337 --> 00:29:00,037 DISAGREE WITH YOU, IN THAT, I DID NEED TO STEP UP MY FORWARD 911 00:29:00,039 --> 00:29:00,738 DID NEED TO STEP UP MY FORWARD THINKING EYE. 912 00:29:00,740 --> 00:29:03,707 THINKING EYE. BUT BITCH I CHALLENGE YOU TO 913 00:29:03,709 --> 00:29:05,776 BUT BITCH I CHALLENGE YOU TO FIND ANYBODY THAT CAN DO WHAT I 914 00:29:05,778 --> 00:29:06,176 FIND ANYBODY THAT CAN DO WHAT I DO. 915 00:29:06,178 --> 00:29:08,078 DO. NOBODY CAN DO ALEXIS MICHELLE 916 00:29:08,080 --> 00:29:09,680 NOBODY CAN DO ALEXIS MICHELLE LIKE ALEXIS MICHELLE. 917 00:29:09,682 --> 00:29:14,485 LIKE ALEXIS MICHELLE. >> SASHA, ALEXIS THOUGHT YOUR 918 00:29:14,487 --> 00:29:15,385 >> SASHA, ALEXIS THOUGHT YOUR LOOK WAS PEDESTRIAN, WHAT DO YOU 919 00:29:15,387 --> 00:29:15,986 LOOK WAS PEDESTRIAN, WHAT DO YOU THINK OF THAT? 920 00:29:15,988 --> 00:29:18,422 THINK OF THAT? >> THAT IS IRONIC, TO MY FACE, 921 00:29:18,424 --> 00:29:20,090 >> THAT IS IRONIC, TO MY FACE, HE WAS ENCOURAGING OF THE OUTFIT 922 00:29:20,092 --> 00:29:24,628 HE WAS ENCOURAGING OF THE OUTFIT IS WHAT YOU ACCUSED US OF DOING. 923 00:29:24,630 --> 00:29:25,896 IS WHAT YOU ACCUSED US OF DOING. >> WHAT I WAS REFERRING TO WAS 924 00:29:25,898 --> 00:29:27,865 >> WHAT I WAS REFERRING TO WAS THE TURTLE NECK AND PENCIL 925 00:29:27,867 --> 00:29:29,933 THE TURTLE NECK AND PENCIL SKIRT, WHAT MAKES SASHA SASHA IS 926 00:29:29,935 --> 00:29:31,468 SKIRT, WHAT MAKES SASHA SASHA IS HOW YOU PUT IT TOGETHER AND MAKE 927 00:29:31,470 --> 00:29:37,941 HOW YOU PUT IT TOGETHER AND MAKE IT LOOK ELEVATED AND ARTISTIC 928 00:29:37,943 --> 00:29:38,575 IT LOOK ELEVATED AND ARTISTIC WITH A MESSAGE. 929 00:29:38,577 --> 00:29:39,977 WITH A MESSAGE. >> YOU ARE BACK TRACKING NOW. 930 00:29:39,979 --> 00:29:41,178 >> YOU ARE BACK TRACKING NOW. >> THE COMPETITION WAS GETTING 931 00:29:41,180 --> 00:29:42,679 >> THE COMPETITION WAS GETTING TO ME. 932 00:29:42,681 --> 00:29:43,213 TO ME. IT WAS. 933 00:29:43,215 --> 00:29:46,150 IT WAS. >> PEPPERMINT, HOW DID YOU FEEL 934 00:29:46,152 --> 00:29:47,050 >> PEPPERMINT, HOW DID YOU FEEL ABOUT TRINITY SAYING THAT YOUR 935 00:29:47,052 --> 00:29:49,386 ABOUT TRINITY SAYING THAT YOUR LOOK WAS NOT POLISHED? 936 00:29:49,388 --> 00:29:50,754 LOOK WAS NOT POLISHED? >> SHE DIDN'T SAY IT TO MY FACE. 937 00:29:50,756 --> 00:29:56,794 >> SHE DIDN'T SAY IT TO MY FACE. >> NO, NO, NO, YES, I DID, YES, 938 00:29:56,796 --> 00:29:57,327 >> NO, NO, NO, YES, I DID, YES, I DID. 939 00:29:57,329 --> 00:29:58,862 I DID. >> I SAID, YOU NEED TO PAY 940 00:29:58,864 --> 00:29:59,663 >> I SAID, YOU NEED TO PAY ATTENTION TO THE DETAILS. 941 00:29:59,665 --> 00:30:00,497 ATTENTION TO THE DETAILS. I DID SAY THAT. 942 00:30:00,499 --> 00:30:01,999 I DID SAY THAT. I FELT LIKE YOUR GARMENT WAS NOT 943 00:30:02,001 --> 00:30:03,834 I FELT LIKE YOUR GARMENT WAS NOT UP TO PAR TO THE REST OF US. 944 00:30:03,836 --> 00:30:07,838 UP TO PAR TO THE REST OF US. I ACTUALLY LIKED ALEXIS' OUTFIT 945 00:30:07,840 --> 00:30:10,440 I ACTUALLY LIKED ALEXIS' OUTFIT MORE SO THAN YOURS. 946 00:30:10,442 --> 00:30:11,575 MORE SO THAN YOURS. >> ALL RIGHT. 947 00:30:11,577 --> 00:30:13,911 >> ALL RIGHT. NOW, SHEA, TRINITY WAS NOT 948 00:30:13,913 --> 00:30:16,046 NOW, SHEA, TRINITY WAS NOT FEELING YOUR CONSTRUCTION WORKER 949 00:30:16,048 --> 00:30:16,480 FEELING YOUR CONSTRUCTION WORKER LOOK. 950 00:30:16,482 --> 00:30:18,048 LOOK. HOW DO YOU RESPOND TO THAT? 951 00:30:18,050 --> 00:30:22,152 HOW DO YOU RESPOND TO THAT? >> WELL, BITCH, YOU HOPED ME SEW 952 00:30:22,154 --> 00:30:24,955 >> WELL, BITCH, YOU HOPED ME SEW IT YOU [ BLEEP ] SHADY [ BLEEP 953 00:30:24,957 --> 00:30:28,892 IT YOU [ BLEEP ] SHADY [ BLEEP ]. 954 00:30:28,894 --> 00:30:32,095 ]. SABOTAGE, I THINK I LOOK LIKE A 955 00:30:32,097 --> 00:30:33,263 SABOTAGE, I THINK I LOOK LIKE A CONSTRUCTION WORKER, [ BLEEP ]. 956 00:30:33,265 --> 00:30:34,598 CONSTRUCTION WORKER, [ BLEEP ]. >> YOU DO, ALL THE TIME. 957 00:30:34,600 --> 00:30:36,800 >> YOU DO, ALL THE TIME. >> LET'S TAKE A LOOK AT SOME 958 00:30:36,802 --> 00:30:38,135 >> LET'S TAKE A LOOK AT SOME NEVER BEFORE SEEN MOMENTS WITH 959 00:30:38,137 --> 00:30:39,870 NEVER BEFORE SEEN MOMENTS WITH OUR ICONIC GUEST JUDGES. 960 00:30:39,872 --> 00:30:41,505 OUR ICONIC GUEST JUDGES. >> LISTEN, I KNOW THAT YOU HAVE 961 00:30:41,507 --> 00:30:42,906 >> LISTEN, I KNOW THAT YOU HAVE GOT A PLANE TO CATCH. 962 00:30:42,908 --> 00:30:43,473 GOT A PLANE TO CATCH. >> YEAH. 963 00:30:43,475 --> 00:30:43,941 >> YEAH. SORRY. 964 00:30:43,943 --> 00:30:46,476 SORRY. >> SO I HAVE A RANGED FOR A 965 00:30:46,478 --> 00:30:50,447 >> SO I HAVE A RANGED FOR A RUBER DRIVER TO TAKE YOU TO THE 966 00:30:50,449 --> 00:30:50,948 RUBER DRIVER TO TAKE YOU TO THE AIRPORT. 967 00:30:50,950 --> 00:30:51,982 AIRPORT. >> OH. 968 00:30:51,984 --> 00:30:58,155 >> OH. IT'S A RUBER BLACK. 969 00:30:58,157 --> 00:31:01,625 IT'S A RUBER BLACK. >> NOW, ONE MORE QUESTION ABOUT 970 00:31:01,627 --> 00:31:02,659 >> NOW, ONE MORE QUESTION ABOUT THE ESSENCE CHAPS. 971 00:31:02,661 --> 00:31:04,127 THE ESSENCE CHAPS. HAVE YOU EVER WORN THEM AND ARE 972 00:31:04,129 --> 00:31:05,429 HAVE YOU EVER WORN THEM AND ARE YOU WEARING THEM NOW? 973 00:31:05,431 --> 00:31:07,030 YOU WEARING THEM NOW? >> I HAVE WORN THEM. 974 00:31:07,032 --> 00:31:08,532 >> I HAVE WORN THEM. THEY ARE VERY FREEING. 975 00:31:08,534 --> 00:31:10,334 THEY ARE VERY FREEING. FEELS REALLY GOOD. 976 00:31:10,336 --> 00:31:12,736 FEELS REALLY GOOD. >> USE THAT FOOTAGE ONLINE. 977 00:31:12,738 --> 00:31:14,238 >> USE THAT FOOTAGE ONLINE. >> AND WOULD YOU LIKE TO 978 00:31:14,240 --> 00:31:15,505 >> AND WOULD YOU LIKE TO RE-ENACT IT IN THE DRESSING 979 00:31:15,507 --> 00:31:15,939 RE-ENACT IT IN THE DRESSING ROOM. 980 00:31:15,941 --> 00:31:16,440 ROOM. >> DONE. 981 00:31:16,442 --> 00:31:18,008 >> DONE. >> IF SHE WAS ABLE TO FIGURE OUT 982 00:31:18,010 --> 00:31:21,178 >> IF SHE WAS ABLE TO FIGURE OUT A WAY TO LIP SYNC WITHOUT 983 00:31:21,180 --> 00:31:23,113 A WAY TO LIP SYNC WITHOUT MOVING, HER FAKING WAS TERRIBLE. 984 00:31:23,115 --> 00:31:24,248 MOVING, HER FAKING WAS TERRIBLE. THE MAKE-UP WAS NO. 985 00:31:24,250 --> 00:31:27,150 THE MAKE-UP WAS NO. AND THE DRESS WAS NO. 986 00:31:27,152 --> 00:31:30,621 AND THE DRESS WAS NO. >> REMEMBER SHEA ANDTHE PEACH 987 00:31:30,623 --> 00:31:33,557 >> REMEMBER SHEA ANDTHE PEACH PIT AND THE MAGGOTS WERE IN THE 988 00:31:33,559 --> 00:31:34,358 PIT AND THE MAGGOTS WERE IN THE CANDY MACHINE? 989 00:31:34,360 --> 00:31:35,225 CANDY MACHINE? >> WHAT? 990 00:31:35,227 --> 00:31:37,027 >> WHAT? >> YOU COULD PUT MONEY IN AND 991 00:31:37,029 --> 00:31:40,430 >> YOU COULD PUT MONEY IN AND GET CANDY AND IT WAS FILLED WITH 992 00:31:40,432 --> 00:31:41,465 GET CANDY AND IT WAS FILLED WITH MAGGOTS, I NEVER GOT CANDY. 993 00:31:41,467 --> 00:31:43,367 MAGGOTS, I NEVER GOT CANDY. >> I WAS ASKING CARSON IF YOU 994 00:31:43,369 --> 00:31:44,768 >> I WAS ASKING CARSON IF YOU HAD A RIB REMOVED BECAUSE YOU 995 00:31:44,770 --> 00:31:45,535 HAD A RIB REMOVED BECAUSE YOU ARE SO TINY. 996 00:31:45,537 --> 00:31:46,403 ARE SO TINY. DID YOU? 997 00:31:46,405 --> 00:31:48,438 DID YOU? >> NOT YET, BUT THAT'S ON MY 998 00:31:48,440 --> 00:31:48,872 >> NOT YET, BUT THAT'S ON MY LIST. 999 00:31:48,874 --> 00:31:50,507 LIST. >> AND WHEN SHE THE, SHE WILL 1000 00:31:50,509 --> 00:31:53,210 >> AND WHEN SHE THE, SHE WILL SAUTE IT IN A PEANUT SAUCE. 1001 00:31:53,212 --> 00:31:55,445 SAUTE IT IN A PEANUT SAUCE. >> BITCH, YOUR NAILS. 1002 00:31:55,447 --> 00:31:56,914 >> BITCH, YOUR NAILS. THEY ARE FUN. 1003 00:31:56,916 --> 00:31:59,449 THEY ARE FUN. >> DEFINITELY NOT LESBIAN 1004 00:31:59,451 --> 00:32:00,217 >> DEFINITELY NOT LESBIAN FRIENDLY. 1005 00:32:00,219 --> 00:32:03,654 FRIENDLY. SLICING -- EVERYWHERE I GO. 1006 00:32:03,656 --> 00:32:04,788 SLICING -- EVERYWHERE I GO. >> UM 22. 1007 00:32:04,790 --> 00:32:06,523 >> UM 22. I WAS BORN IN '94. 1008 00:32:06,525 --> 00:32:07,557 I WAS BORN IN '94. >> '94. 1009 00:32:07,559 --> 00:32:09,660 >> '94. >> I USUALLY DO NOT SAY IT OUT 1010 00:32:09,662 --> 00:32:11,061 >> I USUALLY DO NOT SAY IT OUT LOUD, IT'S MET WITH A -- 1011 00:32:11,063 --> 00:32:12,829 LOUD, IT'S MET WITH A -- >> I WILL NOT MAKE THAT NOISE, I 1012 00:32:12,831 --> 00:32:15,699 >> I WILL NOT MAKE THAT NOISE, I WILL JUST KEY YOUR CAR IN THE 1013 00:32:15,701 --> 00:32:16,233 WILL JUST KEY YOUR CAR IN THE PARKING LOT. 1014 00:32:16,235 --> 00:32:17,334 PARKING LOT. >> WHY CAN'T EVERYONE WIN? 1015 00:32:17,336 --> 00:32:18,835 >> WHY CAN'T EVERYONE WIN? >> WHY CAN'T EVERYONE GO? 1016 00:32:18,837 --> 00:32:19,870 >> WHY CAN'T EVERYONE GO? WE WILL ALL SPLIT THE MONEY. 1017 00:32:19,872 --> 00:32:20,938 WE WILL ALL SPLIT THE MONEY. >> OKAY, DONE. 1018 00:32:20,940 --> 00:32:23,540 >> OKAY, DONE. >> DON'T GO AWAY, MORE FUN TO 1019 00:32:23,542 --> 00:32:23,974 >> DON'T GO AWAY, MORE FUN TO COME. 1020 00:32:23,976 --> 00:32:24,374 COME. >>. 1021 00:32:24,376 --> 00:32:24,808 >>. ♪ 1022 00:32:24,810 --> 00:32:30,080 ♪ ♪ 1023 00:32:30,082 --> 00:32:32,816 ♪ >> COMING UP, WHAT? 1024 00:32:32,818 --> 00:32:37,454 >> COMING UP, WHAT? WAIT, WAIT, WAIT, WAIT, NO, NO, 1025 00:32:37,456 --> 00:32:48,031 WAIT, WAIT, WAIT, WAIT, NO, NO, NO. 1026 00:32:48,033 --> 00:32:49,766 NO. ♪ ♪ 1027 00:32:49,768 --> 00:32:50,133 ♪ ♪ . 1028 00:32:50,135 --> 00:32:51,001 . WELCOME BACK TO "RUPAUL'S DRAG 1029 00:32:51,003 --> 00:32:51,601 WELCOME BACK TO "RUPAUL'S DRAG RACE" REUNITED. 1030 00:32:51,603 --> 00:32:53,804 RACE" REUNITED. >> LADES, IT'S TIME TO TURN THE 1031 00:32:53,806 --> 00:32:57,774 >> LADES, IT'S TIME TO TURN THE TABLES AND LET EACH OF YOU JUDGE 1032 00:32:57,776 --> 00:32:59,476 TABLES AND LET EACH OF YOU JUDGE EACH OTHER. 1033 00:32:59,478 --> 00:33:02,679 EACH OTHER. OH, BOY IN A GAME WE CALL TOOT 1034 00:33:02,681 --> 00:33:03,347 OH, BOY IN A GAME WE CALL TOOT OR BOOT. 1035 00:33:03,349 --> 00:33:03,880 OR BOOT. YES, YES. 1036 00:33:03,882 --> 00:33:05,115 YES, YES. IF YOU LIKE SOMETHING, TOOT IT 1037 00:33:05,117 --> 00:33:07,951 IF YOU LIKE SOMETHING, TOOT IT IF YOU DON'T, BOOT IT. 1038 00:33:07,953 --> 00:33:11,121 IF YOU DON'T, BOOT IT. ALL RIGHT, STARTING WITH ALEXIS 1039 00:33:11,123 --> 00:33:12,689 ALL RIGHT, STARTING WITH ALEXIS MICHELLE'S FAUX FUR LOOK. 1040 00:33:12,691 --> 00:33:13,657 MICHELLE'S FAUX FUR LOOK. TOOT OR BOOT? 1041 00:33:13,659 --> 00:33:15,258 TOOT OR BOOT? >> HAVE TO BOOT IT, I'M SORRY 1042 00:33:15,260 --> 00:33:18,061 >> HAVE TO BOOT IT, I'M SORRY FOR THE INCONVENIENCE. 1043 00:33:18,063 --> 00:33:18,562 FOR THE INCONVENIENCE. >> OKAY. 1044 00:33:18,564 --> 00:33:20,864 >> OKAY. >> AJA TOOT OR BOOT? 1045 00:33:20,866 --> 00:33:24,101 >> AJA TOOT OR BOOT? >> I HAVE TO BOOT IT, YOUR HAT 1046 00:33:24,103 --> 00:33:26,336 >> I HAVE TO BOOT IT, YOUR HAT LOOKS LIKE A HAIRY FORESKIN. 1047 00:33:26,338 --> 00:33:31,308 LOOKS LIKE A HAIRY FORESKIN. >> AND THAT'S A BAD THING? 1048 00:33:31,310 --> 00:33:32,843 >> AND THAT'S A BAD THING? >> ALL RIGHT UP NEXT, IS 1049 00:33:32,845 --> 00:33:33,510 >> ALL RIGHT UP NEXT, IS PEPPERMINT'S LOOK. 1050 00:33:33,512 --> 00:33:35,012 PEPPERMINT'S LOOK. TOOT OR BOOT? 1051 00:33:35,014 --> 00:33:35,379 TOOT OR BOOT? ? 1052 00:33:35,381 --> 00:33:37,914 ? >> SUPER TOOT, SHE LOOKS SO 1053 00:33:37,916 --> 00:33:38,348 >> SUPER TOOT, SHE LOOKS SO SWEET. 1054 00:33:38,350 --> 00:33:39,449 SWEET. >> VALENTINA. 1055 00:33:39,451 --> 00:33:42,252 >> VALENTINA. >> OH, PEPPERMINT. 1056 00:33:42,254 --> 00:33:42,652 >> OH, PEPPERMINT. OH. 1057 00:33:42,654 --> 00:33:44,321 OH. >> MISS TRINITY. 1058 00:33:44,323 --> 00:33:47,190 >> MISS TRINITY. >> AN ABSOLUTE TOOT, IT WILL BE 1059 00:33:47,192 --> 00:33:49,059 >> AN ABSOLUTE TOOT, IT WILL BE THE ONLY TOOT I GIVE PEPPERMINT 1060 00:33:49,061 --> 00:33:50,894 THE ONLY TOOT I GIVE PEPPERMINT IN THE SEASON, SORRY, GIRL, BUT 1061 00:33:50,896 --> 00:33:51,561 IN THE SEASON, SORRY, GIRL, BUT I LOVED IT. 1062 00:33:51,563 --> 00:33:52,696 I LOVED IT. >> I WILL TAKE IT. 1063 00:33:52,698 --> 00:33:53,730 >> I WILL TAKE IT. >> ALL RIGHT, SHEA. 1064 00:33:53,732 --> 00:33:57,868 >> ALL RIGHT, SHEA. >> IT WAS INITIALLY A TOOT, BUT 1065 00:33:57,870 --> 00:33:59,403 >> IT WAS INITIALLY A TOOT, BUT SEEING THE WAY THAT SHE HAS SOLD 1066 00:33:59,405 --> 00:34:02,739 SEEING THE WAY THAT SHE HAS SOLD IT AS A NASTY LITTLE LOPY POLL, 1067 00:34:02,741 --> 00:34:04,408 IT AS A NASTY LITTLE LOPY POLL, IT TURNED IN TO A STRAIGHT UP 1068 00:34:04,410 --> 00:34:06,109 IT TURNED IN TO A STRAIGHT UP SHOOT. 1069 00:34:06,111 --> 00:34:07,210 SHOOT. >> FROM A TOOT TO A SHOOT? 1070 00:34:07,212 --> 00:34:07,778 >> FROM A TOOT TO A SHOOT? >> YEAH. 1071 00:34:07,780 --> 00:34:08,812 >> YEAH. FROM A TOOT TO A SHOOT. 1072 00:34:08,814 --> 00:34:10,747 FROM A TOOT TO A SHOOT. >> ON TO THE NEXT ONE, WE HAVE 1073 00:34:10,749 --> 00:34:16,386 >> ON TO THE NEXT ONE, WE HAVE SHEA COULEE'S RAINBOW -- TOOT OR 1074 00:34:16,388 --> 00:34:16,920 SHEA COULEE'S RAINBOW -- TOOT OR BOOT? 1075 00:34:16,922 --> 00:34:17,954 BOOT? CHARLIE HIDES IS THIS. 1076 00:34:17,956 --> 00:34:20,290 CHARLIE HIDES IS THIS. >> IT A BOOT FOR ME, RU. 1077 00:34:20,292 --> 00:34:21,391 >> IT A BOOT FOR ME, RU. I DON'T SEE ANYTHING ABOUT IT 1078 00:34:21,393 --> 00:34:22,392 I DON'T SEE ANYTHING ABOUT IT THAT SAYS RAINBOW. 1079 00:34:22,394 --> 00:34:24,494 THAT SAYS RAINBOW. IT LOOKS LIKE A GAY BIRD [ BLEEP 1080 00:34:24,496 --> 00:34:27,264 IT LOOKS LIKE A GAY BIRD [ BLEEP ] ON HER ARM. 1081 00:34:27,266 --> 00:34:32,436 ] ON HER ARM. >> UP NEXT, WE HAVE SASHA 1082 00:34:32,438 --> 00:34:33,804 >> UP NEXT, WE HAVE SASHA VELOUR'S COWBOY INSPIRED LOOK. 1083 00:34:33,806 --> 00:34:34,271 VELOUR'S COWBOY INSPIRED LOOK. EUREKA? 1084 00:34:34,273 --> 00:34:35,772 EUREKA? >> BEING FROM EAST TENNESSEE 1085 00:34:35,774 --> 00:34:39,076 >> BEING FROM EAST TENNESSEE WHERE COWBOYS R ON. 1086 00:34:39,078 --> 00:34:39,576 WHERE COWBOYS R ON. 1087 00:34:39,578 --> 00:34:45,515 1088 00:34:45,517 --> 00:34:47,684 -- ROAM AND PLAY, I LIKE SASHA. >> SHEA. 1089 00:34:47,686 --> 00:34:49,453 >> SHEA. >> I WILL HAVE TO SAY BOOT. 1090 00:34:49,455 --> 00:34:51,154 >> I WILL HAVE TO SAY BOOT. >> BASICALLY IT'S A DRESS FORM 1091 00:34:51,156 --> 00:34:52,055 >> BASICALLY IT'S A DRESS FORM WITH A PIN IN THE BACK. 1092 00:34:52,057 --> 00:34:53,690 WITH A PIN IN THE BACK. AND I WOULD HAVE ENJOYED TO SEE 1093 00:34:53,692 --> 00:34:55,192 AND I WOULD HAVE ENJOYED TO SEE HER STEP OUT OF THE BOX MORE AND 1094 00:34:55,194 --> 00:34:55,859 HER STEP OUT OF THE BOX MORE AND CHALLENGE HERSELF. 1095 00:34:55,861 --> 00:35:04,434 CHALLENGE HERSELF. >> LET'S GO TO EUREKA'S HAIR. 1096 00:35:04,436 --> 00:35:04,868 >> LET'S GO TO EUREKA'S HAIR. NINA. 1097 00:35:04,870 --> 00:35:07,804 NINA. >> SHE REMINDS ME OF A BIG MATCH 1098 00:35:07,806 --> 00:35:08,939 >> SHE REMINDS ME OF A BIG MATCH THAT WAS LIT. 1099 00:35:08,941 --> 00:35:10,407 THAT WAS LIT. SO I WANT TO SAY TOOT. 1100 00:35:10,409 --> 00:35:12,542 SO I WANT TO SAY TOOT. >> TOOT OR BOOT? 1101 00:35:12,544 --> 00:35:20,317 >> TOOT OR BOOT? >> TOOT, RU, I LOVED IT. 1102 00:35:20,319 --> 00:35:21,518 >> TOOT, RU, I LOVED IT. >> LOVED IT. 1103 00:35:21,520 --> 00:35:23,420 >> LOVED IT. >> SHE MADE A FUNNY JOKE, AND 1104 00:35:23,422 --> 00:35:26,156 >> SHE MADE A FUNNY JOKE, AND DELIVERED IT BEAUTIFULLY. 1105 00:35:26,158 --> 00:35:27,324 DELIVERED IT BEAUTIFULLY. GIVE HER A ROUND OF APPLAUSE. 1106 00:35:27,326 --> 00:35:29,392 GIVE HER A ROUND OF APPLAUSE. >> I'M SO PROUD OF YOU GIRL. 1107 00:35:29,394 --> 00:35:31,761 >> I'M SO PROUD OF YOU GIRL. >> SO, LADIES, LAST TOOT OR 1108 00:35:31,763 --> 00:35:32,596 >> SO, LADIES, LAST TOOT OR BOOT. 1109 00:35:32,598 --> 00:35:35,432 BOOT. WHAT DO YOU THINK ABOUT THE 1110 00:35:35,434 --> 00:35:36,299 WHAT DO YOU THINK ABOUT THE GORGEOUS CHAIRS WE ARE SITTING 1111 00:35:36,301 --> 00:35:38,568 GORGEOUS CHAIRS WE ARE SITTING ON FROM 2004 EVENT. 1112 00:35:38,570 --> 00:35:44,641 ON FROM 2004 EVENT. BECAUSE WE HAVE BILLS TO PAY. 1113 00:35:44,643 --> 00:35:46,076 BECAUSE WE HAVE BILLS TO PAY. >> THEY ARE PERFECT. 1114 00:35:46,078 --> 00:35:52,749 >> THEY ARE PERFECT. THEY ARE LIKE LINDA EVANGALISTA. 1115 00:35:52,751 --> 00:35:57,387 THEY ARE LIKE LINDA EVANGALISTA. >> YOU ARE ON A ROLL. 1116 00:35:57,389 --> 00:35:58,255 >> YOU ARE ON A ROLL. >> THE MOMENT WE HAVE BEEN 1117 00:35:58,257 --> 00:36:00,123 >> THE MOMENT WE HAVE BEEN WAITING FOR, WHICH OF THE 1118 00:36:00,125 --> 00:36:10,867 WAITING FOR, WHICH OF THE BITCHES HAVE THE FANS VOD 1119 00:36:10,869 --> 00:36:11,635 BITCHES HAVE THE FANS VOD CONGENIALITY? 1120 00:36:11,637 --> 00:36:15,338 CONGENIALITY? CYNTHIA, DO YOU HAVE ANY PARTING 1121 00:36:15,340 --> 00:36:16,072 CYNTHIA, DO YOU HAVE ANY PARTING 1122 00:36:16,074 --> 00:36:16,540 1123 00:36:16,542 --> 00:36:18,108 WORDS? >> TO ALL THE FANS OF "RUPAUL'S 1124 00:36:18,110 --> 00:36:19,209 >> TO ALL THE FANS OF "RUPAUL'S DRAG RACE," IT WAS A GREAT AND 1125 00:36:19,211 --> 00:36:19,876 DRAG RACE," IT WAS A GREAT AND AMAZING EXPERIENCE. 1126 00:36:19,878 --> 00:36:21,278 AMAZING EXPERIENCE. THANK YOU FOR YOUR LOVE AND 1127 00:36:21,280 --> 00:36:21,778 THANK YOU FOR YOUR LOVE AND SUPPORT. 1128 00:36:21,780 --> 00:36:24,047 SUPPORT. >> NOW, I HAVE VERIFIED THE 1129 00:36:24,049 --> 00:36:26,283 >> NOW, I HAVE VERIFIED THE RESULTS AND I PROMISE YOU THAT 1130 00:36:26,285 --> 00:36:28,952 RESULTS AND I PROMISE YOU THAT THIS ELECTION WAS NOT HACKED BY 1131 00:36:28,954 --> 00:36:29,920 THIS ELECTION WAS NOT HACKED BY THE RUSSIANS. 1132 00:36:29,922 --> 00:36:37,360 THE RUSSIANS. THE WINNERS OF MR. CONGENIALITY, 1133 00:36:37,362 --> 00:36:38,094 THE WINNERS OF MR. CONGENIALITY, SEASON NINE, IS -- 1134 00:36:38,096 --> 00:36:40,363 SEASON NINE, IS -- >> I'M SO NERVOUS. 1135 00:36:40,365 --> 00:36:42,032 >> I'M SO NERVOUS. >> VALENTINA. 1136 00:36:42,034 --> 00:36:42,599 >> VALENTINA. ♪ ♪ 1137 00:36:42,601 --> 00:36:43,667 ♪ ♪ >> HEY! 1138 00:36:43,669 --> 00:36:44,367 >> HEY! >> SURPRISE. 1139 00:36:44,369 --> 00:36:47,470 >> SURPRISE. >> AWE. 1140 00:36:47,472 --> 00:36:52,409 >> AWE. >> 1141 00:36:52,411 --> 00:36:54,311 >> $5,000, COURTESY OF LOGO. 1142 00:36:54,313 --> 00:36:58,281 $5,000, COURTESY OF LOGO. >> I DEDICATE THIS PRIZE TO MY 1143 00:36:58,283 --> 00:36:58,748 >> I DEDICATE THIS PRIZE TO MY MOTHER. 1144 00:36:58,750 --> 00:36:59,616 MOTHER. SHE TAUGHT ME TO BE KIND AND 1145 00:36:59,618 --> 00:37:02,385 SHE TAUGHT ME TO BE KIND AND FORGIVING, SO THANK YOU TO HER 1146 00:37:02,387 --> 00:37:05,522 FORGIVING, SO THANK YOU TO HER WITHOUT HER I WOULD NOT EVEN BE 1147 00:37:05,524 --> 00:37:06,189 WITHOUT HER I WOULD NOT EVEN BE 1148 00:37:06,191 --> 00:37:06,690 1149 00:37:06,692 --> 00:37:07,190 CONGENIAL. >> WHAT? 1150 00:37:07,192 --> 00:37:08,959 >> WHAT? >> WAIT, WAIT, WAIT, WAIT, NO, 1151 00:37:08,961 --> 00:37:10,827 >> WAIT, WAIT, WAIT, WAIT, NO, NO, NO. 1152 00:37:10,829 --> 00:37:11,728 NO, NO. CONGENIAL, I DON'T WANT TO BE 1153 00:37:11,730 --> 00:37:13,797 CONGENIAL, I DON'T WANT TO BE THE ONE BUT I'M GOING TO BE THE 1154 00:37:13,799 --> 00:37:14,231 THE ONE BUT I'M GOING TO BE THE ONE. 1155 00:37:14,233 --> 00:37:28,111 ONE. I JUST DON'T FEEL LIKE YOU 1156 00:37:28,113 --> 00:37:29,946 I JUST DON'T FEEL LIKE YOU >> I DEDICATE THE PRIZE TO MY 1157 00:37:29,948 --> 00:37:32,215 >> I DEDICATE THE PRIZE TO MY MOTHER WITHOUT HER, I WOULD NOT 1158 00:37:32,217 --> 00:37:35,218 MOTHER WITHOUT HER, I WOULD NOT EVEN BE CONGENIAL. 1159 00:37:35,220 --> 00:37:35,785 EVEN BE CONGENIAL. >> WHAT? 1160 00:37:35,787 --> 00:37:37,754 >> WHAT? WAIT, WAIT, WAIT, I JUST DON'T 1161 00:37:37,756 --> 00:37:40,924 WAIT, WAIT, WAIT, I JUST DON'T FEEL THAT YOU SHOULD BE MISS 1162 00:37:40,926 --> 00:37:41,491 FEEL THAT YOU SHOULD BE MISS CONGENIALITY. 1163 00:37:41,493 --> 00:37:43,827 CONGENIALITY. DO YOU HAVE ANYTHING TO SAY TO 1164 00:37:43,829 --> 00:37:45,362 DO YOU HAVE ANYTHING TO SAY TO RESPOND TO AJA'S CLAIMS? 1165 00:37:45,364 --> 00:37:47,163 RESPOND TO AJA'S CLAIMS? >> I HAVE BEEN KIND TO EVERY ONE 1166 00:37:47,165 --> 00:37:47,697 >> I HAVE BEEN KIND TO EVERY ONE OF YOU. 1167 00:37:47,699 --> 00:37:49,899 OF YOU. I WILL CONTINUE TO BE KIND 1168 00:37:49,901 --> 00:37:51,835 I WILL CONTINUE TO BE KIND TOWARDS SUCCESS. 1169 00:37:51,837 --> 00:37:52,602 TOWARDS SUCCESS. >> CAN I SAY SOMETHING? 1170 00:37:52,604 --> 00:37:53,603 >> CAN I SAY SOMETHING? >> SURE, GO AHEAD. 1171 00:37:53,605 --> 00:38:04,014 >> SURE, GO AHEAD. EVERYONE ELSE IS. 1172 00:38:04,016 --> 00:38:08,051 EVERYONE ELSE IS. >> YOU LITERALLY HAVE NOT SPOKEN 1173 00:38:08,053 --> 00:38:09,886 >> YOU LITERALLY HAVE NOT SPOKEN TO ME IN ALMOST FIVE MONTHS. 1174 00:38:09,888 --> 00:38:11,821 TO ME IN ALMOST FIVE MONTHS. AND I MISS MY FRIEND AND IT 1175 00:38:11,823 --> 00:38:13,290 AND I MISS MY FRIEND AND IT HURTS MY FEELINGS THAT YOU HAVE 1176 00:38:13,292 --> 00:38:14,424 HURTS MY FEELINGS THAT YOU HAVE NOT SPOKEN TO ME. 1177 00:38:14,426 --> 00:38:16,726 NOT SPOKEN TO ME. >> I RESPECT YOU AND LOVE YOU. 1178 00:38:16,728 --> 00:38:19,029 >> I RESPECT YOU AND LOVE YOU. >> YOU DON'T LOVE ME. 1179 00:38:19,031 --> 00:38:20,397 >> YOU DON'T LOVE ME. I WAS A REAL FRIEND TO YOU. 1180 00:38:20,399 --> 00:38:22,532 I WAS A REAL FRIEND TO YOU. YOU WOULD NOT HAVE JUST DROPPED 1181 00:38:22,534 --> 00:38:22,932 YOU WOULD NOT HAVE JUST DROPPED ME. 1182 00:38:22,934 --> 00:38:24,100 ME. >> YOU THINK THAT YOU WANT A 1183 00:38:24,102 --> 00:38:26,536 >> YOU THINK THAT YOU WANT A FRIENDSHIP, TEXT ME, CALL ME, 1184 00:38:26,538 --> 00:38:27,237 FRIENDSHIP, TEXT ME, CALL ME, LET'S TALK ABOUT IT. 1185 00:38:27,239 --> 00:38:29,539 LET'S TALK ABOUT IT. >> I HAVE TEXTED YOU, YOU 1186 00:38:29,541 --> 00:38:34,444 >> I HAVE TEXTED YOU, YOU IGNORED MY TEXTS. 1187 00:38:34,446 --> 00:38:35,312 IGNORED MY TEXTS. YOU FINALLY RESPONDED WHEN YOU 1188 00:38:35,314 --> 00:38:36,246 YOU FINALLY RESPONDED WHEN YOU GOT ELIMINATED, I TEXTED YOU AND 1189 00:38:36,248 --> 00:38:38,081 GOT ELIMINATED, I TEXTED YOU AND SAID, ARE YOU OKAY, AND YOU SAID 1190 00:38:38,083 --> 00:38:39,082 SAID, ARE YOU OKAY, AND YOU SAID LET'S TALK ABOUT IT. 1191 00:38:39,084 --> 00:38:39,849 LET'S TALK ABOUT IT. >> LET'S TALK ABOUT IT. 1192 00:38:39,851 --> 00:38:42,752 >> LET'S TALK ABOUT IT. >> YOU DON'T SEEM TO HAVE TIME 1193 00:38:42,754 --> 00:38:43,253 >> YOU DON'T SEEM TO HAVE TIME OR DESIRE. 1194 00:38:43,255 --> 00:38:44,487 OR DESIRE. >> YOU ARE CLEARLY NOT FOCUSED 1195 00:38:44,489 --> 00:38:48,758 >> YOU ARE CLEARLY NOT FOCUSED ON ANYTHING BUT YOURSELF. 1196 00:38:48,760 --> 00:38:51,094 ON ANYTHING BUT YOURSELF. IS IT FAN FAVORITE OR 1197 00:38:51,096 --> 00:38:51,661 IS IT FAN FAVORITE OR CONGENIALITY? 1198 00:38:51,663 --> 00:38:53,396 CONGENIALITY? >> FAN FAVORITE, THEN SHE 1199 00:38:53,398 --> 00:38:53,963 >> FAN FAVORITE, THEN SHE DESERVES IT. 1200 00:38:53,965 --> 00:38:56,533 DESERVES IT. >> THEN WE SHOULD CALL IT FAN 1201 00:38:56,535 --> 00:38:57,033 >> THEN WE SHOULD CALL IT FAN FAVORITE. 1202 00:38:57,035 --> 00:38:59,903 FAVORITE. BUT CONGENIALITY, I DON'T SEE. 1203 00:38:59,905 --> 00:39:03,573 BUT CONGENIALITY, I DON'T SEE. >> FAN FAVORITE, CONGRATUL 1204 00:39:03,575 --> 00:39:04,407 >> FAN FAVORITE, CONGRATUL CONGRATULATIONS, LET'S MAKE A 1205 00:39:04,409 --> 00:39:05,208 CONGRATULATIONS, LET'S MAKE A ROUND OF APPLAUSE FOR FAN 1206 00:39:05,210 --> 00:39:05,709 ROUND OF APPLAUSE FOR FAN FAVORITE. 1207 00:39:05,711 --> 00:39:06,343 FAVORITE. >> FAN FAVORITE. 1208 00:39:06,345 --> 00:39:07,110 >> FAN FAVORITE. >> FAN FAVORITE. 1209 00:39:07,112 --> 00:39:07,744 >> FAN FAVORITE. >> FAN FAVORITE. 1210 00:39:07,746 --> 00:39:10,714 >> FAN FAVORITE. >> FAN FAVORITE. 1211 00:39:10,716 --> 00:39:12,048 >> FAN FAVORITE. >> ALL RIGHT, WELL THE LADIES 1212 00:39:12,050 --> 00:39:13,516 >> ALL RIGHT, WELL THE LADIES HAVE CHANGED THE TITLE OF THE 1213 00:39:13,518 --> 00:39:15,719 HAVE CHANGED THE TITLE OF THE AWARD, BUT THE CASH IS STILL IN 1214 00:39:15,721 --> 00:39:16,486 AWARD, BUT THE CASH IS STILL IN U.S. CURRENCY. 1215 00:39:16,488 --> 00:39:17,053 U.S. CURRENCY. >> THANK YOU. 1216 00:39:17,055 --> 00:39:19,255 >> THANK YOU. >> WAIT, I HAVE SOMETHING TO SAY 1217 00:39:19,257 --> 00:39:19,956 >> WAIT, I HAVE SOMETHING TO SAY TOO. 1218 00:39:19,958 --> 00:39:21,324 TOO. >> OKAY. 1219 00:39:21,326 --> 00:39:21,858 >> OKAY. ALL RIGHT. 1220 00:39:21,860 --> 00:39:23,660 ALL RIGHT. GO AHEAD AND SAY IT. 1221 00:39:23,662 --> 00:39:24,461 GO AHEAD AND SAY IT. >> YEAH. 1222 00:39:24,463 --> 00:39:28,264 >> YEAH. >> VALENTINA ON THE SHOW, I 1223 00:39:28,266 --> 00:39:29,366 >> VALENTINA ON THE SHOW, I THOUGHT YOU ONLY THOUGHT ABOUT 1224 00:39:29,368 --> 00:39:30,900 THOUGHT YOU ONLY THOUGHT ABOUT YOURSELF, WHICH IS PARTIALLY 1225 00:39:30,902 --> 00:39:31,334 YOURSELF, WHICH IS PARTIALLY TRUE. 1226 00:39:31,336 --> 00:39:32,502 TRUE. >> WHAT ISN'T TRUE? 1227 00:39:32,504 --> 00:39:35,939 >> WHAT ISN'T TRUE? >> BUT FARRAH MOAN, SHUT UP 1228 00:39:35,941 --> 00:39:36,439 >> BUT FARRAH MOAN, SHUT UP ALREADY. 1229 00:39:36,441 --> 00:39:38,441 ALREADY. >> REGARDLESS OF WHAT ANYBODY 1230 00:39:38,443 --> 00:39:40,977 >> REGARDLESS OF WHAT ANYBODY THINKS ABOUT YOU, YOU ARE FAN 1231 00:39:40,979 --> 00:39:41,478 THINKS ABOUT YOU, YOU ARE FAN FAVORITE. 1232 00:39:41,480 --> 00:39:42,746 FAVORITE. AND THAT'S THE TRUE WINNER OF 1233 00:39:42,748 --> 00:39:45,882 AND THAT'S THE TRUE WINNER OF THE SEASON. 1234 00:39:45,884 --> 00:39:49,185 THE SEASON. >> YOU SEE WHAT YOU DID, GIRL? 1235 00:39:49,187 --> 00:39:50,920 >> YOU SEE WHAT YOU DID, GIRL? >> ALL RIGHT, LADIES, NOW IT'S 1236 00:39:50,922 --> 00:39:52,789 >> ALL RIGHT, LADIES, NOW IT'S TIME FOR MAJOR BREAKING NEWS. 1237 00:39:52,791 --> 00:39:54,624 TIME FOR MAJOR BREAKING NEWS. >> NEXT WEEK, AT THE GRAND 1238 00:39:54,626 --> 00:39:55,125 >> NEXT WEEK, AT THE GRAND FINALE. 1239 00:39:55,127 --> 00:39:58,061 FINALE. FOR THE FIRST TIME IN DRAG RACE 1240 00:39:58,063 --> 00:39:59,262 FOR THE FIRST TIME IN DRAG RACE HISTORY, THE TOP FOUR QUEENS 1241 00:39:59,264 --> 00:40:01,931 HISTORY, THE TOP FOUR QUEENS WILL HAVE TO COMPETE IN A SUDDEN 1242 00:40:01,933 --> 00:40:05,769 WILL HAVE TO COMPETE IN A SUDDEN DEATH LIP SYNC SMACKDOWN FOR THE 1243 00:40:05,771 --> 00:40:06,202 DEATH LIP SYNC SMACKDOWN FOR THE CROWN. 1244 00:40:06,204 --> 00:40:08,004 CROWN. THIS SEASON PROVED THAT LIP 1245 00:40:08,006 --> 00:40:10,573 THIS SEASON PROVED THAT LIP SYNCS HAVE NEVER BEEN MORE 1246 00:40:10,575 --> 00:40:11,107 SYNCS HAVE NEVER BEEN MORE IMPORTANT. 1247 00:40:11,109 --> 00:40:15,945 IMPORTANT. SO LADIES, DON'T [ BLEEP ] IT 1248 00:40:15,947 --> 00:40:17,046 SO LADIES, DON'T [ BLEEP ] IT UP. 1249 00:40:17,048 --> 00:40:20,250 UP. THIS IS YOUR LAST CHANCE TO LET 1250 00:40:20,252 --> 00:40:20,817 THIS IS YOUR LAST CHANCE TO LET 1251 00:40:20,819 --> 00:40:23,353 1252 00:40:23,355 --> 00:40:29,392 ME KNOW WHO YOU WANT CROWNED AS THE NEXT SUPER STAR. 1253 00:40:29,394 --> 00:40:31,694 THE NEXT SUPER STAR. GET POSTING ON ALL YOUR SOCIAL 1254 00:40:31,696 --> 00:40:34,731 GET POSTING ON ALL YOUR SOCIAL MEDIA AND LET ME KNOW. 1255 00:40:34,733 --> 00:40:36,166 MEDIA AND LET ME KNOW. THIS IS A FINALE YOU DO NOT WANT 1256 00:40:36,168 --> 00:40:38,101 THIS IS A FINALE YOU DO NOT WANT TO MISS. 1257 00:40:38,103 --> 00:40:41,004 TO MISS. >> LADY IT IS THANK YOU FOR 1258 00:40:41,006 --> 00:40:41,871 >> LADY IT IS THANK YOU FOR MAKING SEASON NINE THE BIGGEST 1259 00:40:41,873 --> 00:40:43,273 MAKING SEASON NINE THE BIGGEST SEASON EVER AND I WILL SEE 1260 00:40:43,275 --> 00:40:44,574 SEASON EVER AND I WILL SEE EVERYONE HERE NEXT WEEK FOR THE 1261 00:40:44,576 --> 00:40:47,777 EVERYONE HERE NEXT WEEK FOR THE GRAND FINALE OF "RUPAUL'S DRAG 1262 00:40:47,779 --> 00:40:48,244 GRAND FINALE OF "RUPAUL'S DRAG RACE." 1263 00:40:48,246 --> 00:40:49,646 RACE." NOW, IF YOU CAN'T LOVE YOURSELF, 1264 00:40:49,648 --> 00:40:51,247 NOW, IF YOU CAN'T LOVE YOURSELF, HOW IN THE HELL YOU GOING TO 1265 00:40:51,249 --> 00:40:51,981 HOW IN THE HELL YOU GOING TO LOVE SOMEBODY ELSE? 1266 00:40:51,983 --> 00:40:57,420 LOVE SOMEBODY ELSE? CAN I GET A -- CAN I GET AN AMEN 1267 00:40:57,422 --> 00:40:58,121 CAN I GET A -- CAN I GET AN AMEN UP IN HERE? 1268 00:40:58,123 --> 00:40:58,855 UP IN HERE? >> AMEN. 1269 00:40:58,857 --> 00:41:00,190 >> AMEN. >> OKAY, NOW, LET'S THE MUSIC 1270 00:41:00,192 --> 00:41:00,623 >> OKAY, NOW, LET'S THE MUSIC PLAY. 1271 00:41:00,625 --> 00:41:24,481 PLAY. ♪ ♪