1 00:00:14,415 --> 00:00:24,823 >>> WELCOME TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." PLEASE WELCOME TO THE STAGE THE 2 00:00:24,825 --> 00:00:25,424 OF "RuPAUL'S DRAG RACE." PLEASE WELCOME TO THE STAGE THE QUEENS OF SEASON NINE. 3 00:00:25,426 --> 00:00:25,691 PLEASE WELCOME TO THE STAGE THE QUEENS OF SEASON NINE. ♪ 4 00:00:25,693 --> 00:00:26,325 QUEENS OF SEASON NINE. ♪ THE GIRL CAN'T HELP IT. 5 00:00:26,327 --> 00:00:26,925 ♪ THE GIRL CAN'T HELP IT. IT'S JAYMES MANSFIELD. 6 00:00:26,927 --> 00:00:27,192 THE GIRL CAN'T HELP IT. IT'S JAYMES MANSFIELD. ♪ 7 00:00:27,194 --> 00:00:27,960 IT'S JAYMES MANSFIELD. ♪ YOU'LL NEVER GO BACK ONCE YOU GO 8 00:00:27,962 --> 00:00:33,298 ♪ YOU'LL NEVER GO BACK ONCE YOU GO KIMORA BLAC. 9 00:00:33,300 --> 00:00:37,536 YOU'LL NEVER GO BACK ONCE YOU GO KIMORA BLAC. ♪ 10 00:00:37,538 --> 00:00:38,303 KIMORA BLAC. ♪ THERE'S NOTHING LIKE A DAME, 11 00:00:38,305 --> 00:00:45,544 ♪ THERE'S NOTHING LIKE A DAME, GIVE IT UP FOR CHARLIE HIDES. 12 00:00:45,546 --> 00:00:47,279 THERE'S NOTHING LIKE A DAME, GIVE IT UP FOR CHARLIE HIDES. ♪ 13 00:00:47,281 --> 00:00:49,782 GIVE IT UP FOR CHARLIE HIDES. ♪ WE FOUND HER! 14 00:00:49,784 --> 00:00:57,523 ♪ WE FOUND HER! IT'S EUREKA. 15 00:00:57,525 --> 00:01:02,327 WE FOUND HER! IT'S EUREKA. ♪ 16 00:01:02,329 --> 00:01:09,301 IT'S EUREKA. ♪ HOLA, IT'S CYNTHIA LEE FONTAINE. 17 00:01:09,303 --> 00:01:10,035 ♪ HOLA, IT'S CYNTHIA LEE FONTAINE. ♪ 18 00:01:10,037 --> 00:01:11,537 HOLA, IT'S CYNTHIA LEE FONTAINE. ♪ BROOKLYN IN THE HOUSE. 19 00:01:11,539 --> 00:01:22,815 ♪ BROOKLYN IN THE HOUSE. IT'S AJA. 20 00:01:22,817 --> 00:01:26,318 BROOKLYN IN THE HOUSE. IT'S AJA. ♪ 21 00:01:26,320 --> 00:01:27,086 IT'S AJA. ♪ WHAT HAPPENS IN VEGAS SLAYS IN 22 00:01:27,088 --> 00:01:27,553 ♪ WHAT HAPPENS IN VEGAS SLAYS IN VEGAS. 23 00:01:27,555 --> 00:01:32,057 WHAT HAPPENS IN VEGAS SLAYS IN VEGAS. IT'S FARRAH MOAN. 24 00:01:32,059 --> 00:01:34,026 VEGAS. IT'S FARRAH MOAN. ♪ 25 00:01:34,028 --> 00:01:34,793 IT'S FARRAH MOAN. ♪ SHE'S PERFECT, SHE'S BEAUTIFUL, 26 00:01:34,795 --> 00:01:36,562 ♪ SHE'S PERFECT, SHE'S BEAUTIFUL, SHE LOOKS LIKE A MODEL. 27 00:01:36,564 --> 00:01:44,002 SHE'S PERFECT, SHE'S BEAUTIFUL, SHE LOOKS LIKE A MODEL. SHE'S VALENTINA. 28 00:01:44,004 --> 00:01:48,273 SHE LOOKS LIKE A MODEL. SHE'S VALENTINA. ♪ 29 00:01:48,275 --> 00:01:51,043 SHE'S VALENTINA. ♪ SHE'S BACK IN TOWN TO SHUT IT 30 00:01:51,045 --> 00:01:51,376 ♪ SHE'S BACK IN TOWN TO SHUT IT DOWN. 31 00:01:51,378 --> 00:01:59,551 SHE'S BACK IN TOWN TO SHUT IT DOWN. NINA BO'NINA BROWN. 32 00:01:59,553 --> 00:02:00,052 DOWN. NINA BO'NINA BROWN. ♪ 33 00:02:00,054 --> 00:02:10,796 NINA BO'NINA BROWN. ♪ SHE'S A BROADWAY BABY. 34 00:02:10,798 --> 00:02:11,530 ♪ SHE'S A BROADWAY BABY. IT'S ALEXIS MICHELLE. 35 00:02:11,532 --> 00:02:14,032 SHE'S A BROADWAY BABY. IT'S ALEXIS MICHELLE. ♪ 36 00:02:14,034 --> 00:02:15,300 IT'S ALEXIS MICHELLE. ♪ AND NOW OUR TOP FOUR QUEENS. 37 00:02:15,302 --> 00:02:17,302 ♪ AND NOW OUR TOP FOUR QUEENS. [ CHEERS AND APPLAUSE ] 38 00:02:17,304 --> 00:02:17,970 AND NOW OUR TOP FOUR QUEENS. [ CHEERS AND APPLAUSE ] PUT SOME PEP IN YOUR STEP. 39 00:02:17,972 --> 00:02:18,470 [ CHEERS AND APPLAUSE ] PUT SOME PEP IN YOUR STEP. FOR PEPPERMINT. 40 00:02:18,472 --> 00:02:29,548 PUT SOME PEP IN YOUR STEP. FOR PEPPERMINT. ♪ 41 00:02:29,550 --> 00:02:36,555 FOR PEPPERMINT. ♪ SHE'S ARTY AND SHE TURNS THE 42 00:02:36,557 --> 00:02:37,222 ♪ SHE'S ARTY AND SHE TURNS THE PARTY, IT'S SASHA VELOUR. 43 00:02:37,224 --> 00:02:42,294 SHE'S ARTY AND SHE TURNS THE PARTY, IT'S SASHA VELOUR. ♪ 44 00:02:42,296 --> 00:02:46,532 PARTY, IT'S SASHA VELOUR. ♪ SHAKE A LEG, IT'S SHEA COULEE. 45 00:02:46,534 --> 00:02:54,773 ♪ SHAKE A LEG, IT'S SHEA COULEE. ♪ 46 00:02:54,775 --> 00:02:58,277 SHAKE A LEG, IT'S SHEA COULEE. ♪ AND HERE COMES THE CHEF, IT'S 47 00:02:58,279 --> 00:03:09,555 ♪ AND HERE COMES THE CHEF, IT'S TRINITY TAYLOR. 48 00:03:09,557 --> 00:03:10,289 AND HERE COMES THE CHEF, IT'S TRINITY TAYLOR. ♪ 49 00:03:10,291 --> 00:03:11,056 TRINITY TAYLOR. ♪ GIVE IT UP ONE MORE TIME FOR THE 50 00:03:11,058 --> 00:03:18,096 ♪ GIVE IT UP ONE MORE TIME FOR THE QUEENS OF SEASON NINE. 51 00:03:18,098 --> 00:03:19,531 GIVE IT UP ONE MORE TIME FOR THE QUEENS OF SEASON NINE. ♪ 52 00:03:19,533 --> 00:03:28,307 QUEENS OF SEASON NINE. ♪ [ CHEERS AND APPLAUSE ] 53 00:03:28,309 --> 00:03:29,074 ♪ [ CHEERS AND APPLAUSE ] AND NOW OUR COMMANDER IN CHIEF, 54 00:03:29,076 --> 00:03:29,775 [ CHEERS AND APPLAUSE ] AND NOW OUR COMMANDER IN CHIEF, BUT YOU CAN CALL HER MOTHER, 55 00:03:29,777 --> 00:03:40,285 AND NOW OUR COMMANDER IN CHIEF, BUT YOU CAN CALL HER MOTHER, IT'S RuPAUL! 56 00:03:40,287 --> 00:03:46,024 BUT YOU CAN CALL HER MOTHER, IT'S RuPAUL! ♪ 57 00:03:46,026 --> 00:03:52,965 IT'S RuPAUL! ♪ [ APPLAUSE ] 58 00:03:52,967 --> 00:03:54,399 ♪ [ APPLAUSE ] ♪ GUESS WHO'S BACK IN THE 59 00:03:54,401 --> 00:03:54,933 [ APPLAUSE ] ♪ GUESS WHO'S BACK IN THE HOUSE ♪ 60 00:03:54,935 --> 00:03:59,037 ♪ GUESS WHO'S BACK IN THE HOUSE ♪ ♪ HEELS CLICK CLACKIN ABOUT ♪ 61 00:03:59,039 --> 00:04:04,042 HOUSE ♪ ♪ HEELS CLICK CLACKIN ABOUT ♪ ♪ FINE, FRESH FEMININE STYLE TO 62 00:04:04,044 --> 00:04:04,476 ♪ HEELS CLICK CLACKIN ABOUT ♪ ♪ FINE, FRESH FEMININE STYLE TO ELEVEN ♪ 63 00:04:04,478 --> 00:04:09,181 ♪ FINE, FRESH FEMININE STYLE TO ELEVEN ♪ ♪ BODY LIKE WOW, SHOULD BE 64 00:04:09,183 --> 00:04:10,315 ELEVEN ♪ ♪ BODY LIKE WOW, SHOULD BE CRIMINAL, NORTH TO THE SOUTH, 65 00:04:10,317 --> 00:04:11,416 ♪ BODY LIKE WOW, SHOULD BE CRIMINAL, NORTH TO THE SOUTH, WHAT IS THAT SOUND? 66 00:04:11,418 --> 00:04:13,151 CRIMINAL, NORTH TO THE SOUTH, WHAT IS THAT SOUND? WATCH ME DROP DROP TO THE 67 00:04:13,153 --> 00:04:13,552 WHAT IS THAT SOUND? WATCH ME DROP DROP TO THE GROUND ♪ 68 00:04:13,554 --> 00:04:17,422 WATCH ME DROP DROP TO THE GROUND ♪ ♪ WAY FORTY-FOUR, DROP TO THE 69 00:04:17,424 --> 00:04:18,924 GROUND ♪ ♪ WAY FORTY-FOUR, DROP TO THE FLOOR ♪ 70 00:04:18,926 --> 00:04:23,795 ♪ WAY FORTY-FOUR, DROP TO THE FLOOR ♪ I BEEN THAT, YES I LOVE THAT 71 00:04:23,797 --> 00:04:25,897 FLOOR ♪ I BEEN THAT, YES I LOVE THAT DRAMA, FEMININE UP AND COMER ♪ 72 00:04:25,899 --> 00:04:27,532 I BEEN THAT, YES I LOVE THAT DRAMA, FEMININE UP AND COMER ♪ ♪ FROM THE CLINTONS TO THE 73 00:04:27,534 --> 00:04:31,003 DRAMA, FEMININE UP AND COMER ♪ ♪ FROM THE CLINTONS TO THE OBAMAS I KEEP IT TIGHT ♪ 74 00:04:31,005 --> 00:04:34,206 ♪ FROM THE CLINTONS TO THE OBAMAS I KEEP IT TIGHT ♪ ♪ NOW THEY CALL ME MOTHER ♪ 75 00:04:34,208 --> 00:04:35,274 OBAMAS I KEEP IT TIGHT ♪ ♪ NOW THEY CALL ME MOTHER ♪ ♪ 76 00:04:35,276 --> 00:04:46,285 ♪ NOW THEY CALL ME MOTHER ♪ ♪ [ CHEERS AND APPLAUSE ] 77 00:04:46,287 --> 00:04:46,752 ♪ [ CHEERS AND APPLAUSE ] >> WOW! 78 00:04:46,754 --> 00:04:48,287 [ CHEERS AND APPLAUSE ] >> WOW! EVERYBODY SAY LOVE. 79 00:04:48,289 --> 00:04:49,054 >> WOW! EVERYBODY SAY LOVE. >> LOVE. 80 00:04:49,056 --> 00:04:49,655 EVERYBODY SAY LOVE. >> LOVE. >> EVERYBODY SAY LOVE. 81 00:04:49,657 --> 00:04:53,525 >> LOVE. >> EVERYBODY SAY LOVE. >> LOVE. 82 00:04:53,527 --> 00:04:54,793 >> EVERYBODY SAY LOVE. >> LOVE. >> NOW TAKE THAT TO YOUR SPECIAL 83 00:04:54,795 --> 00:05:01,266 >> LOVE. >> NOW TAKE THAT TO YOUR SPECIAL PROSECUTOR AND INVESTIGATE IT. 84 00:05:01,268 --> 00:05:02,301 >> NOW TAKE THAT TO YOUR SPECIAL PROSECUTOR AND INVESTIGATE IT. WELCOME TO THE GRAND FINALE OF 85 00:05:02,303 --> 00:05:06,271 PROSECUTOR AND INVESTIGATE IT. WELCOME TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." 86 00:05:06,273 --> 00:05:08,540 WELCOME TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." [ APPLAUSE ] 87 00:05:08,542 --> 00:05:09,308 "RuPAUL'S DRAG RACE." [ APPLAUSE ] THIS SEASON THE LIP-SYNCS WERE 88 00:05:09,310 --> 00:05:12,044 [ APPLAUSE ] THIS SEASON THE LIP-SYNCS WERE ON EVERYBODY'S LIPS. 89 00:05:12,046 --> 00:05:16,548 THIS SEASON THE LIP-SYNCS WERE ON EVERYBODY'S LIPS. VALENTINA, YOU KNOW WHAT I'M 90 00:05:16,550 --> 00:05:19,284 ON EVERYBODY'S LIPS. VALENTINA, YOU KNOW WHAT I'M TALKING ABOUT, GIRL. 91 00:05:19,286 --> 00:05:23,055 VALENTINA, YOU KNOW WHAT I'M TALKING ABOUT, GIRL. SO TONIGHT FOR THE FIRST TIME IN 92 00:05:23,057 --> 00:05:29,795 TALKING ABOUT, GIRL. SO TONIGHT FOR THE FIRST TIME IN DRAG RACE HERSTORY, ON THIS 93 00:05:29,797 --> 00:05:30,562 SO TONIGHT FOR THE FIRST TIME IN DRAG RACE HERSTORY, ON THIS STAGE OUR TOP FOUR QUEENS WILL 94 00:05:30,564 --> 00:05:31,797 DRAG RACE HERSTORY, ON THIS STAGE OUR TOP FOUR QUEENS WILL HAVE TO LIP-SYNC FOR THE CROWN. 95 00:05:31,799 --> 00:05:37,536 STAGE OUR TOP FOUR QUEENS WILL HAVE TO LIP-SYNC FOR THE CROWN. TWO BY TWO THEY'LL FACE OFF. 96 00:05:37,538 --> 00:05:38,804 HAVE TO LIP-SYNC FOR THE CROWN. TWO BY TWO THEY'LL FACE OFF. AND IN THE END ONE QUEEN 97 00:05:38,806 --> 00:05:39,538 TWO BY TWO THEY'LL FACE OFF. AND IN THE END ONE QUEEN STANDING WILL BE CROWNED 98 00:05:39,540 --> 00:05:44,543 AND IN THE END ONE QUEEN STANDING WILL BE CROWNED AMERICA'S NEXT DRAG SUPERSTAR. 99 00:05:44,545 --> 00:05:45,310 STANDING WILL BE CROWNED AMERICA'S NEXT DRAG SUPERSTAR. AS MY HIGH SCHOOL DEALER DEWAYNE 100 00:05:45,312 --> 00:05:50,882 AMERICA'S NEXT DRAG SUPERSTAR. AS MY HIGH SCHOOL DEALER DEWAYNE USED TO SAY, THAT'S SOME GOOD 101 00:05:50,884 --> 00:05:51,983 AS MY HIGH SCHOOL DEALER DEWAYNE USED TO SAY, THAT'S SOME GOOD SHIT, RIGHT? 102 00:05:51,985 --> 00:05:52,884 USED TO SAY, THAT'S SOME GOOD SHIT, RIGHT? NOW, BEFORE THE COMPETITION 103 00:05:52,886 --> 00:06:00,926 SHIT, RIGHT? NOW, BEFORE THE COMPETITION REIGNITES, I WANT TO SAY HI TO 104 00:06:00,928 --> 00:06:04,796 NOW, BEFORE THE COMPETITION REIGNITES, I WANT TO SAY HI TO MY JUDGE JUDIES, MICHELLE 105 00:06:04,798 --> 00:06:05,964 REIGNITES, I WANT TO SAY HI TO MY JUDGE JUDIES, MICHELLE VISAGE. 106 00:06:05,966 --> 00:06:11,203 MY JUDGE JUDIES, MICHELLE VISAGE. CARSON KRESSLEY, RAJ AND 107 00:06:11,205 --> 00:06:11,570 VISAGE. CARSON KRESSLEY, RAJ AND MATTHEW. 108 00:06:11,572 --> 00:06:12,137 CARSON KRESSLEY, RAJ AND MATTHEW. >> YOU GOT TO WORK. 109 00:06:12,139 --> 00:06:12,871 MATTHEW. >> YOU GOT TO WORK. YOU GOT TO WORK TONIGHT, BABE. 110 00:06:12,873 --> 00:06:13,505 >> YOU GOT TO WORK. YOU GOT TO WORK TONIGHT, BABE. >> NOW, TO OUR TOP FOUR. 111 00:06:13,507 --> 00:06:14,239 YOU GOT TO WORK TONIGHT, BABE. >> NOW, TO OUR TOP FOUR. A LITTLE LATER TONIGHT YOU'LL 112 00:06:14,241 --> 00:06:14,906 >> NOW, TO OUR TOP FOUR. A LITTLE LATER TONIGHT YOU'LL FIND OUT WHO WILL LIP-SYNC 113 00:06:14,908 --> 00:06:16,908 A LITTLE LATER TONIGHT YOU'LL FIND OUT WHO WILL LIP-SYNC AGAINST WHO. 114 00:06:16,910 --> 00:06:17,609 FIND OUT WHO WILL LIP-SYNC AGAINST WHO. SO BE READY TO MOP THE FLOOR 115 00:06:17,611 --> 00:06:18,910 AGAINST WHO. SO BE READY TO MOP THE FLOOR WITH YOUR CHARISMA, UNIQUENESS 116 00:06:18,912 --> 00:06:22,781 SO BE READY TO MOP THE FLOOR WITH YOUR CHARISMA, UNIQUENESS AND TALENT. 117 00:06:22,783 --> 00:06:24,416 WITH YOUR CHARISMA, UNIQUENESS AND TALENT. BUT FOR NOW I JUST HAVE ONE 118 00:06:24,418 --> 00:06:25,183 AND TALENT. BUT FOR NOW I JUST HAVE ONE THING TO SAY -- GENTLEMEN, START 119 00:06:25,185 --> 00:06:25,917 BUT FOR NOW I JUST HAVE ONE THING TO SAY -- GENTLEMEN, START YOUR ENGINES. 120 00:06:25,919 --> 00:06:30,188 THING TO SAY -- GENTLEMEN, START YOUR ENGINES. AND MAY THE BEST WOMAN WIN. 121 00:06:30,190 --> 00:06:32,224 YOUR ENGINES. AND MAY THE BEST WOMAN WIN. ♪ 122 00:06:32,226 --> 00:06:33,191 AND MAY THE BEST WOMAN WIN. ♪ >> THE WINNER OF "RuPAUL'S DRAG 123 00:06:33,193 --> 00:06:34,960 ♪ >> THE WINNER OF "RuPAUL'S DRAG RACE" RECEIVES A ONE-YEAR SUPPLY 124 00:06:34,962 --> 00:06:42,167 >> THE WINNER OF "RuPAUL'S DRAG RACE" RECEIVES A ONE-YEAR SUPPLY OF ANASTASIA BEVERLY HILLS 125 00:06:42,169 --> 00:06:42,801 RACE" RECEIVES A ONE-YEAR SUPPLY OF ANASTASIA BEVERLY HILLS COSMETICS AND $100,000. 126 00:06:42,803 --> 00:06:44,302 OF ANASTASIA BEVERLY HILLS COSMETICS AND $100,000. ♪ 127 00:06:49,942 --> 00:06:54,980 >>> WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." IN MOMENTS OUR TOP FOUR QUEENS 128 00:06:54,982 --> 00:06:55,947 FINALE OF "RuPAUL'S DRAG RACE." IN MOMENTS OUR TOP FOUR QUEENS WILL FACE OFF IN AN EPIC SUDDEN 129 00:06:55,949 --> 00:06:59,951 IN MOMENTS OUR TOP FOUR QUEENS WILL FACE OFF IN AN EPIC SUDDEN DEATH LIP-SYNC SMACKDOWN. 130 00:06:59,953 --> 00:07:00,952 WILL FACE OFF IN AN EPIC SUDDEN DEATH LIP-SYNC SMACKDOWN. NOW, LET'S GET THINGS POPPING 131 00:07:00,954 --> 00:07:04,956 DEATH LIP-SYNC SMACKDOWN. NOW, LET'S GET THINGS POPPING WITH OUR TOP FOUR QUEENS. 132 00:07:04,958 --> 00:07:06,925 NOW, LET'S GET THINGS POPPING WITH OUR TOP FOUR QUEENS. FIRST, A GROUNDBREAKING QUEEN 133 00:07:06,927 --> 00:07:11,930 WITH OUR TOP FOUR QUEENS. FIRST, A GROUNDBREAKING QUEEN FROM NEW YORK CITY, TAKE A LOOK. 134 00:07:11,932 --> 00:07:13,331 FIRST, A GROUNDBREAKING QUEEN FROM NEW YORK CITY, TAKE A LOOK. >> I AM PEPPERMINT, AND I AM 135 00:07:13,333 --> 00:07:14,499 FROM NEW YORK CITY, TAKE A LOOK. >> I AM PEPPERMINT, AND I AM SWEET AND SASSY. 136 00:07:14,501 --> 00:07:16,001 >> I AM PEPPERMINT, AND I AM SWEET AND SASSY. THE ENTIRE POINT OF DRAG IS TO 137 00:07:16,003 --> 00:07:16,768 SWEET AND SASSY. THE ENTIRE POINT OF DRAG IS TO GIVE THE MIDDLE FINGER TO RULES 138 00:07:16,770 --> 00:07:17,936 THE ENTIRE POINT OF DRAG IS TO GIVE THE MIDDLE FINGER TO RULES OF GENDER. 139 00:07:17,938 --> 00:07:22,474 GIVE THE MIDDLE FINGER TO RULES OF GENDER. >> RUNWAY. 140 00:07:22,476 --> 00:07:24,476 OF GENDER. >> RUNWAY. RUNWAY. 141 00:07:24,478 --> 00:07:25,210 >> RUNWAY. RUNWAY. ♪ 142 00:07:25,212 --> 00:07:25,911 RUNWAY. ♪ >> THE NUMBER ONE QUEEN, YOU 143 00:07:25,913 --> 00:07:32,918 ♪ >> THE NUMBER ONE QUEEN, YOU KNOW THE REST. 144 00:07:32,920 --> 00:07:34,219 >> THE NUMBER ONE QUEEN, YOU KNOW THE REST. >> HEY, PEPPERMINT. 145 00:07:34,221 --> 00:07:35,487 KNOW THE REST. >> HEY, PEPPERMINT. >> HEY, RU. 146 00:07:35,489 --> 00:07:36,254 >> HEY, PEPPERMINT. >> HEY, RU. >> WE ARE ALL LOOKING FORWARD TO 147 00:07:36,256 --> 00:07:39,925 >> HEY, RU. >> WE ARE ALL LOOKING FORWARD TO SOME KILLER LIP-SYNCS THIS 148 00:07:39,927 --> 00:07:44,996 >> WE ARE ALL LOOKING FORWARD TO SOME KILLER LIP-SYNCS THIS EVENING. 149 00:07:44,998 --> 00:07:46,231 SOME KILLER LIP-SYNCS THIS EVENING. YOU ARE READY? 150 00:07:46,233 --> 00:07:46,765 EVENING. YOU ARE READY? >> ARE YOU READY? 151 00:07:46,767 --> 00:07:47,232 YOU ARE READY? >> ARE YOU READY? >> I'M READY. 152 00:07:47,234 --> 00:07:47,999 >> ARE YOU READY? >> I'M READY. >> YOU'VE BEEN DUBBED THE 153 00:07:48,001 --> 00:07:48,733 >> I'M READY. >> YOU'VE BEEN DUBBED THE LIP-SYNC ASSASSIN THIS SEASON. 154 00:07:48,735 --> 00:07:49,367 >> YOU'VE BEEN DUBBED THE LIP-SYNC ASSASSIN THIS SEASON. WHAT DO YOU SAY TO THAT? 155 00:07:49,369 --> 00:07:53,004 LIP-SYNC ASSASSIN THIS SEASON. WHAT DO YOU SAY TO THAT? >> I SAY JUST LET ME KNOW WHERE 156 00:07:53,006 --> 00:07:56,975 WHAT DO YOU SAY TO THAT? >> I SAY JUST LET ME KNOW WHERE TO AIM. 157 00:07:56,977 --> 00:07:58,477 >> I SAY JUST LET ME KNOW WHERE TO AIM. NOW, WHO IS HERE TO SUPPORT YOU 158 00:07:58,479 --> 00:08:01,980 TO AIM. NOW, WHO IS HERE TO SUPPORT YOU TONIGHT? 159 00:08:01,982 --> 00:08:03,248 NOW, WHO IS HERE TO SUPPORT YOU TONIGHT? >> WELL, I HAVE MY BEAUTIFUL 160 00:08:03,250 --> 00:08:06,485 TONIGHT? >> WELL, I HAVE MY BEAUTIFUL MOTHER HERE TO SUPPORT ME. 161 00:08:06,487 --> 00:08:09,921 >> WELL, I HAVE MY BEAUTIFUL MOTHER HERE TO SUPPORT ME. >> HI MAMA PEPPERMINT. 162 00:08:09,923 --> 00:08:12,991 MOTHER HERE TO SUPPORT ME. >> HI MAMA PEPPERMINT. >> AND ONE OF MY CLOSEST GIRL 163 00:08:12,993 --> 00:08:17,462 >> HI MAMA PEPPERMINT. >> AND ONE OF MY CLOSEST GIRL FRIENDS, MISS TRACE LEPET FROM 164 00:08:17,464 --> 00:08:17,963 >> AND ONE OF MY CLOSEST GIRL FRIENDS, MISS TRACE LEPET FROM "TRANSPARENT." 165 00:08:17,965 --> 00:08:18,630 FRIENDS, MISS TRACE LEPET FROM "TRANSPARENT." >> WHAT WAS YOUR FAVORITE 166 00:08:18,632 --> 00:08:19,364 "TRANSPARENT." >> WHAT WAS YOUR FAVORITE PEPPERMINT MOMENT THIS SEASON? 167 00:08:19,366 --> 00:08:20,065 >> WHAT WAS YOUR FAVORITE PEPPERMINT MOMENT THIS SEASON? >> HER LIP-SYNCS, THERE'S NO 168 00:08:20,067 --> 00:08:20,799 PEPPERMINT MOMENT THIS SEASON? >> HER LIP-SYNCS, THERE'S NO SUBSTITUTE FOR STAGE PRESENCE 169 00:08:20,801 --> 00:08:26,004 >> HER LIP-SYNCS, THERE'S NO SUBSTITUTE FOR STAGE PRESENCE AND TALENT. 170 00:08:26,006 --> 00:08:29,975 SUBSTITUTE FOR STAGE PRESENCE AND TALENT. >> THANK YOU. 171 00:08:29,977 --> 00:08:30,742 AND TALENT. >> THANK YOU. PEPPERMINT, WE HAVE A SURPRISE 172 00:08:30,744 --> 00:08:31,409 >> THANK YOU. PEPPERMINT, WE HAVE A SURPRISE MESSAGE FROM AN OLD PAL OF 173 00:08:31,411 --> 00:08:31,743 PEPPERMINT, WE HAVE A SURPRISE MESSAGE FROM AN OLD PAL OF YOURS. 174 00:08:31,745 --> 00:08:32,244 MESSAGE FROM AN OLD PAL OF YOURS. TAKE A LOOK. 175 00:08:32,246 --> 00:08:34,946 YOURS. TAKE A LOOK. >> PEPPERMINT, I'M SO PROUD OF 176 00:08:34,948 --> 00:08:39,985 TAKE A LOOK. >> PEPPERMINT, I'M SO PROUD OF YOU, GIRL. 177 00:08:39,987 --> 00:08:42,988 >> PEPPERMINT, I'M SO PROUD OF YOU, GIRL. YOU HAVE BEEN MY SISTER FOR SO 178 00:08:42,990 --> 00:08:46,258 YOU, GIRL. YOU HAVE BEEN MY SISTER FOR SO MANY YEARS. 179 00:08:46,260 --> 00:08:47,025 YOU HAVE BEEN MY SISTER FOR SO MANY YEARS. AND THAT HAS MADE IT THAT MUCH 180 00:08:47,027 --> 00:08:47,726 MANY YEARS. AND THAT HAS MADE IT THAT MUCH SWEETER WATCHING YOU SHINE. 181 00:08:47,728 --> 00:08:48,493 AND THAT HAS MADE IT THAT MUCH SWEETER WATCHING YOU SHINE. SHOWING THE WORLD THAT BEING A 182 00:08:48,495 --> 00:08:49,394 SWEETER WATCHING YOU SHINE. SHOWING THE WORLD THAT BEING A PROUD TRANSGENDER WOMAN IS NOT 183 00:08:49,396 --> 00:08:50,028 SHOWING THE WORLD THAT BEING A PROUD TRANSGENDER WOMAN IS NOT INCOMPATIBLE WITH BEING 184 00:08:50,030 --> 00:08:51,229 PROUD TRANSGENDER WOMAN IS NOT INCOMPATIBLE WITH BEING AMERICA'S NEXT DRAG SUPERSTAR. 185 00:08:51,231 --> 00:08:58,236 INCOMPATIBLE WITH BEING AMERICA'S NEXT DRAG SUPERSTAR. YOU CAN HAVE THEM BOTH. 186 00:08:58,238 --> 00:09:00,472 AMERICA'S NEXT DRAG SUPERSTAR. YOU CAN HAVE THEM BOTH. I LOVE YOU PEPPERMINT. 187 00:09:00,474 --> 00:09:01,239 YOU CAN HAVE THEM BOTH. I LOVE YOU PEPPERMINT. I LOVE YOU DRAG RACE, SHANTE YOU 188 00:09:01,241 --> 00:09:02,474 I LOVE YOU PEPPERMINT. I LOVE YOU DRAG RACE, SHANTE YOU WILL ALWAYS STAY IN MY HEART. 189 00:09:02,476 --> 00:09:03,975 I LOVE YOU DRAG RACE, SHANTE YOU WILL ALWAYS STAY IN MY HEART. >> PEPPERMINT, PEOPLE GET 190 00:09:03,977 --> 00:09:04,976 WILL ALWAYS STAY IN MY HEART. >> PEPPERMINT, PEOPLE GET CONFUSED ABOUT HOW CAN YOU BE A 191 00:09:04,978 --> 00:09:05,677 >> PEPPERMINT, PEOPLE GET CONFUSED ABOUT HOW CAN YOU BE A PROUD TRANSWOMAN AND A DRAG 192 00:09:05,679 --> 00:09:08,380 CONFUSED ABOUT HOW CAN YOU BE A PROUD TRANSWOMAN AND A DRAG QUEEN. 193 00:09:08,382 --> 00:09:09,948 PROUD TRANSWOMAN AND A DRAG QUEEN. WHAT DO YOU SAY TO THOSE PEOPLE? 194 00:09:09,950 --> 00:09:11,116 QUEEN. WHAT DO YOU SAY TO THOSE PEOPLE? >> TRANSWOMEN HAVE ALWAYS 195 00:09:11,118 --> 00:09:11,883 WHAT DO YOU SAY TO THOSE PEOPLE? >> TRANSWOMEN HAVE ALWAYS CONTRIBUTED TO THE WONDERFUL ART 196 00:09:11,885 --> 00:09:15,053 >> TRANSWOMEN HAVE ALWAYS CONTRIBUTED TO THE WONDERFUL ART FORM OF DRAG SINCE THE BEGINNING 197 00:09:15,055 --> 00:09:16,354 CONTRIBUTED TO THE WONDERFUL ART FORM OF DRAG SINCE THE BEGINNING OF TIME. 198 00:09:16,356 --> 00:09:21,126 FORM OF DRAG SINCE THE BEGINNING OF TIME. THIS IS NOT NEW. 199 00:09:21,128 --> 00:09:22,594 OF TIME. THIS IS NOT NEW. MY CONTRIBUTION TO DRAG IS AS 200 00:09:22,596 --> 00:09:23,228 THIS IS NOT NEW. MY CONTRIBUTION TO DRAG IS AS POWERFUL AS ANY GAY MAN. 201 00:09:23,230 --> 00:09:24,129 MY CONTRIBUTION TO DRAG IS AS POWERFUL AS ANY GAY MAN. >> ONE LAST QUESTION. 202 00:09:24,131 --> 00:09:27,132 POWERFUL AS ANY GAY MAN. >> ONE LAST QUESTION. SINCE THIS SEASON'S MAKEOVER 203 00:09:27,134 --> 00:09:27,899 >> ONE LAST QUESTION. SINCE THIS SEASON'S MAKEOVER CHALLENGE, HAVE YOU HEARD FROM 204 00:09:27,901 --> 00:09:33,605 SINCE THIS SEASON'S MAKEOVER CHALLENGE, HAVE YOU HEARD FROM OUR CAMERAMAN, SARGE? 205 00:09:33,607 --> 00:09:34,105 CHALLENGE, HAVE YOU HEARD FROM OUR CAMERAMAN, SARGE? >> I HAVE NOT. 206 00:09:34,107 --> 00:09:35,373 OUR CAMERAMAN, SARGE? >> I HAVE NOT. >> UNFORTUNATELY SARGE HAD 207 00:09:35,375 --> 00:09:37,108 >> I HAVE NOT. >> UNFORTUNATELY SARGE HAD ANOTHER JOB, BUT WE DID FIND 208 00:09:37,110 --> 00:09:39,377 >> UNFORTUNATELY SARGE HAD ANOTHER JOB, BUT WE DID FIND WINTERGREEN HANGING OUT IN THE 209 00:09:39,379 --> 00:09:43,615 ANOTHER JOB, BUT WE DID FIND WINTERGREEN HANGING OUT IN THE PARKING LOT AT THE WAFFLE HUT. 210 00:09:43,617 --> 00:09:55,126 WINTERGREEN HANGING OUT IN THE PARKING LOT AT THE WAFFLE HUT. PLEASE WELCOME BACK WINTERGREEN. 211 00:09:55,128 --> 00:09:57,362 PARKING LOT AT THE WAFFLE HUT. PLEASE WELCOME BACK WINTERGREEN. WINTERGREEN YOU LOOK MARVELOUS. 212 00:09:57,364 --> 00:10:07,038 PLEASE WELCOME BACK WINTERGREEN. WINTERGREEN YOU LOOK MARVELOUS. >> THIS IS ALL YOU. 213 00:10:07,040 --> 00:10:08,340 WINTERGREEN YOU LOOK MARVELOUS. >> THIS IS ALL YOU. >> WOW. 214 00:10:08,342 --> 00:10:09,374 >> THIS IS ALL YOU. >> WOW. >> PEPPERMINT, THANK YOU FOR 215 00:10:09,376 --> 00:10:10,141 >> WOW. >> PEPPERMINT, THANK YOU FOR GIVING US WINTER GREEN AND FOR 216 00:10:10,143 --> 00:10:15,046 >> PEPPERMINT, THANK YOU FOR GIVING US WINTER GREEN AND FOR FILLING THIS SEASON WITH SASS 217 00:10:15,048 --> 00:10:16,615 GIVING US WINTER GREEN AND FOR FILLING THIS SEASON WITH SASS AND CLASS. 218 00:10:16,617 --> 00:10:17,349 FILLING THIS SEASON WITH SASS AND CLASS. >> NEXT A QUEEN WHO BLEW OUR 219 00:10:17,351 --> 00:10:18,083 AND CLASS. >> NEXT A QUEEN WHO BLEW OUR MINDS WITH HER BEAUTY AND HER 220 00:10:18,085 --> 00:10:22,354 >> NEXT A QUEEN WHO BLEW OUR MINDS WITH HER BEAUTY AND HER BRAINS. 221 00:10:22,356 --> 00:10:24,356 MINDS WITH HER BEAUTY AND HER BRAINS. TAKE A LOOK. 222 00:10:24,358 --> 00:10:26,358 BRAINS. TAKE A LOOK. >> MY NAME IS SASHA VELOUR. 223 00:10:26,360 --> 00:10:27,092 TAKE A LOOK. >> MY NAME IS SASHA VELOUR. I'M A FASHIONY ARTISTIC WEIRD 224 00:10:27,094 --> 00:10:27,592 >> MY NAME IS SASHA VELOUR. I'M A FASHIONY ARTISTIC WEIRD QUEEN. 225 00:10:27,594 --> 00:10:30,629 I'M A FASHIONY ARTISTIC WEIRD QUEEN. >> IF YOU WERE MY MOTHER'S 226 00:10:30,631 --> 00:10:32,998 QUEEN. >> IF YOU WERE MY MOTHER'S DAUGHTER SHE WOULD DROWN YOU 227 00:10:33,000 --> 00:10:33,898 >> IF YOU WERE MY MOTHER'S DAUGHTER SHE WOULD DROWN YOU IN THE RIVER. 228 00:10:33,900 --> 00:10:34,666 DAUGHTER SHE WOULD DROWN YOU IN THE RIVER. >> THERE'S SOMETHING EXTREMELY 229 00:10:34,668 --> 00:10:36,001 IN THE RIVER. >> THERE'S SOMETHING EXTREMELY MODERN ABOUT YOUR STYLE. 230 00:10:36,003 --> 00:10:36,668 >> THERE'S SOMETHING EXTREMELY MODERN ABOUT YOUR STYLE. ♪ IF YOU WANT TO JOIN THE 231 00:10:36,670 --> 00:10:37,435 MODERN ABOUT YOUR STYLE. ♪ IF YOU WANT TO JOIN THE REVOLUTION, INNOVATE THAT'S MY 232 00:10:37,437 --> 00:10:38,003 ♪ IF YOU WANT TO JOIN THE REVOLUTION, INNOVATE THAT'S MY SOLUTION ♪ 233 00:10:38,005 --> 00:10:43,942 REVOLUTION, INNOVATE THAT'S MY SOLUTION ♪ [ CHEERS ] 234 00:10:43,944 --> 00:10:45,243 SOLUTION ♪ [ CHEERS ] >> SASHA VELOUR. 235 00:10:45,245 --> 00:10:48,980 [ CHEERS ] >> SASHA VELOUR. WELCOME. 236 00:10:48,982 --> 00:10:49,681 >> SASHA VELOUR. WELCOME. YOU WERE NEVER IN THE BOTTOM 237 00:10:49,683 --> 00:10:50,482 WELCOME. YOU WERE NEVER IN THE BOTTOM THIS SEASON. 238 00:10:50,484 --> 00:10:51,216 YOU WERE NEVER IN THE BOTTOM THIS SEASON. YOU NEVER HAD TO LIP-SYNC FOR 239 00:10:51,218 --> 00:10:54,953 THIS SEASON. YOU NEVER HAD TO LIP-SYNC FOR YOUR LIFE. 240 00:10:54,955 --> 00:10:57,122 YOU NEVER HAD TO LIP-SYNC FOR YOUR LIFE. ARE YOU READY TO LIP-SYNC FOR 241 00:10:57,124 --> 00:10:57,656 YOUR LIFE. ARE YOU READY TO LIP-SYNC FOR THE CROWN TONIGHT? 242 00:10:57,658 --> 00:11:00,458 ARE YOU READY TO LIP-SYNC FOR THE CROWN TONIGHT? >> THAT'S THE THING IF I HAVE A 243 00:11:00,460 --> 00:11:07,632 THE CROWN TONIGHT? >> THAT'S THE THING IF I HAVE A REGRET ABOUT THIS SEASON, IT'S 244 00:11:07,634 --> 00:11:08,933 >> THAT'S THE THING IF I HAVE A REGRET ABOUT THIS SEASON, IT'S ABOUT NOT SHOWING THE PASSION I 245 00:11:08,935 --> 00:11:09,701 REGRET ABOUT THIS SEASON, IT'S ABOUT NOT SHOWING THE PASSION I LOVE TO EXPRESS IN THE LIP-SYNC. 246 00:11:09,703 --> 00:11:10,168 ABOUT NOT SHOWING THE PASSION I LOVE TO EXPRESS IN THE LIP-SYNC. I'M THRILLED. 247 00:11:10,170 --> 00:11:10,568 LOVE TO EXPRESS IN THE LIP-SYNC. I'M THRILLED. I'M READY. 248 00:11:10,570 --> 00:11:10,935 I'M THRILLED. I'M READY. >> GOOD. 249 00:11:10,937 --> 00:11:11,703 I'M READY. >> GOOD. >> SASHA, THIS SEASON YOU HELPED 250 00:11:11,705 --> 00:11:12,404 >> GOOD. >> SASHA, THIS SEASON YOU HELPED TEACH THE CHILDREN ABOUT OUR 251 00:11:12,406 --> 00:11:13,004 >> SASHA, THIS SEASON YOU HELPED TEACH THE CHILDREN ABOUT OUR RICH GAY HISTORY. 252 00:11:13,006 --> 00:11:14,005 TEACH THE CHILDREN ABOUT OUR RICH GAY HISTORY. >> THEY SAY IF YOU LOOK INTO A 253 00:11:14,007 --> 00:11:15,006 RICH GAY HISTORY. >> THEY SAY IF YOU LOOK INTO A MIRROR AND TALK ABOUT SAD THINGS 254 00:11:15,008 --> 00:11:19,177 >> THEY SAY IF YOU LOOK INTO A MIRROR AND TALK ABOUT SAD THINGS I APPEAR BEHIND YOU TO GIVE YOU 255 00:11:19,179 --> 00:11:22,347 MIRROR AND TALK ABOUT SAD THINGS I APPEAR BEHIND YOU TO GIVE YOU A QUEER HISTORY LESSON. 256 00:11:22,349 --> 00:11:23,114 I APPEAR BEHIND YOU TO GIVE YOU A QUEER HISTORY LESSON. DRAG QUEENS HAVE ALWAYS BEEN THE 257 00:11:23,116 --> 00:11:23,848 A QUEER HISTORY LESSON. DRAG QUEENS HAVE ALWAYS BEEN THE KEEPERS OF OUR QUEER HISTORY. 258 00:11:23,850 --> 00:11:25,483 DRAG QUEENS HAVE ALWAYS BEEN THE KEEPERS OF OUR QUEER HISTORY. WE MAKE IT. 259 00:11:25,485 --> 00:11:26,484 KEEPERS OF OUR QUEER HISTORY. WE MAKE IT. WE TELL IT. 260 00:11:26,486 --> 00:11:27,252 WE MAKE IT. WE TELL IT. WE REMEMBER IT, WE MISREMEMBER 261 00:11:27,254 --> 00:11:32,123 WE TELL IT. WE REMEMBER IT, WE MISREMEMBER IT AND WE LOVE IT. 262 00:11:32,125 --> 00:11:32,857 WE REMEMBER IT, WE MISREMEMBER IT AND WE LOVE IT. I'M SO GLAD I HELPED TO BRING 263 00:11:32,859 --> 00:11:33,625 IT AND WE LOVE IT. I'M SO GLAD I HELPED TO BRING THAT TRADITION TO THE SHOW IN MY 264 00:11:33,627 --> 00:11:36,227 I'M SO GLAD I HELPED TO BRING THAT TRADITION TO THE SHOW IN MY OWN LITTLE WAY. 265 00:11:36,229 --> 00:11:36,995 THAT TRADITION TO THE SHOW IN MY OWN LITTLE WAY. >> OKAY NOW. 266 00:11:36,997 --> 00:11:38,229 OWN LITTLE WAY. >> OKAY NOW. ARE YOU READY FOR THE SURPRISE 267 00:11:38,231 --> 00:11:39,497 >> OKAY NOW. ARE YOU READY FOR THE SURPRISE MESSAGE FROM A BIG FAN OF YOURS? 268 00:11:39,499 --> 00:11:40,498 ARE YOU READY FOR THE SURPRISE MESSAGE FROM A BIG FAN OF YOURS? >> SURE. 269 00:11:40,500 --> 00:11:42,000 MESSAGE FROM A BIG FAN OF YOURS? >> SURE. >> ALL RIGHT. 270 00:11:42,002 --> 00:11:43,234 >> SURE. >> ALL RIGHT. >> SASHA, IT'S KATY PERRY, I'M 271 00:11:43,236 --> 00:11:46,071 >> ALL RIGHT. >> SASHA, IT'S KATY PERRY, I'M SO SORRY I CAN'T BE THERE. 272 00:11:46,073 --> 00:11:47,906 >> SASHA, IT'S KATY PERRY, I'M SO SORRY I CAN'T BE THERE. I WANT TO SAY HELLO AND THAT I 273 00:11:47,908 --> 00:11:49,374 SO SORRY I CAN'T BE THERE. I WANT TO SAY HELLO AND THAT I LOVE YOU. 274 00:11:49,376 --> 00:11:51,609 I WANT TO SAY HELLO AND THAT I LOVE YOU. THANK GOD FOR YOU. 275 00:11:51,611 --> 00:11:53,111 LOVE YOU. THANK GOD FOR YOU. >> ISN'T THAT WONDERFUL? 276 00:11:53,113 --> 00:11:58,616 THANK GOD FOR YOU. >> ISN'T THAT WONDERFUL? >> SASHA, WHO IS HERE ROOTING 277 00:11:58,618 --> 00:11:59,117 >> ISN'T THAT WONDERFUL? >> SASHA, WHO IS HERE ROOTING FOR YOU TONIGHT? 278 00:11:59,119 --> 00:11:59,818 >> SASHA, WHO IS HERE ROOTING FOR YOU TONIGHT? >> WELL, I HAVE MY DAD, PAPA 279 00:11:59,820 --> 00:12:00,351 FOR YOU TONIGHT? >> WELL, I HAVE MY DAD, PAPA VELOUR. 280 00:12:00,353 --> 00:12:02,353 >> WELL, I HAVE MY DAD, PAPA VELOUR. >> WOW. 281 00:12:02,355 --> 00:12:05,623 VELOUR. >> WOW. >> AND MY BOYFRIEND, JOHNNY 282 00:12:05,625 --> 00:12:08,893 >> WOW. >> AND MY BOYFRIEND, JOHNNY VELOUR. 283 00:12:08,895 --> 00:12:09,227 >> AND MY BOYFRIEND, JOHNNY VELOUR. >> OH. 284 00:12:09,229 --> 00:12:09,994 VELOUR. >> OH. WHAT WAS IT LIKE WATCHING SASHA? 285 00:12:09,996 --> 00:12:10,662 >> OH. WHAT WAS IT LIKE WATCHING SASHA? YOU DID WATCH THE SHOW ON 286 00:12:10,664 --> 00:12:11,196 WHAT WAS IT LIKE WATCHING SASHA? YOU DID WATCH THE SHOW ON TELEVISION, RIGHT? 287 00:12:11,198 --> 00:12:12,363 YOU DID WATCH THE SHOW ON TELEVISION, RIGHT? >> WE OFTEN DID WATCH PARTIES AT 288 00:12:12,365 --> 00:12:14,999 TELEVISION, RIGHT? >> WE OFTEN DID WATCH PARTIES AT MY HOUSE IN ILLINOIS. 289 00:12:15,001 --> 00:12:17,602 >> WE OFTEN DID WATCH PARTIES AT MY HOUSE IN ILLINOIS. I WATCHED EVERY SHOW AND ALL 290 00:12:17,604 --> 00:12:18,369 MY HOUSE IN ILLINOIS. I WATCHED EVERY SHOW AND ALL THE UNTUCKS, SOMETIMES MORE THAN 291 00:12:18,371 --> 00:12:23,608 I WATCHED EVERY SHOW AND ALL THE UNTUCKS, SOMETIMES MORE THAN ONCE. 292 00:12:23,610 --> 00:12:24,609 THE UNTUCKS, SOMETIMES MORE THAN ONCE. >> I HEARD YOU, SASH SHARKS TALK 293 00:12:24,611 --> 00:12:25,844 ONCE. >> I HEARD YOU, SASH SHARKS TALK BEFORE ABOUT HOW YOUR LATE 294 00:12:25,846 --> 00:12:28,847 >> I HEARD YOU, SASH SHARKS TALK BEFORE ABOUT HOW YOUR LATE MOTHER INSPIRED YOUR DRAG. 295 00:12:28,849 --> 00:12:29,614 BEFORE ABOUT HOW YOUR LATE MOTHER INSPIRED YOUR DRAG. WHAT DO YOU THINK SHE'D SAY IF 296 00:12:29,616 --> 00:12:39,090 MOTHER INSPIRED YOUR DRAG. WHAT DO YOU THINK SHE'D SAY IF SHE WERE HERE TONIGHT? 297 00:12:39,092 --> 00:12:39,691 WHAT DO YOU THINK SHE'D SAY IF SHE WERE HERE TONIGHT? >> SHE'D SAY TOO MUCH. 298 00:12:39,693 --> 00:12:43,361 SHE WERE HERE TONIGHT? >> SHE'D SAY TOO MUCH. SERIOUSLY. 299 00:12:43,363 --> 00:12:44,129 >> SHE'D SAY TOO MUCH. SERIOUSLY. I THINK SHE WOULD BE SO PROUD OF 300 00:12:44,131 --> 00:12:47,599 SERIOUSLY. I THINK SHE WOULD BE SO PROUD OF ME FOR GOING FROM A LITTLE BOY 301 00:12:47,601 --> 00:12:48,366 I THINK SHE WOULD BE SO PROUD OF ME FOR GOING FROM A LITTLE BOY WHO WORE DRESSES IN THE LIVING 302 00:12:48,368 --> 00:12:49,367 ME FOR GOING FROM A LITTLE BOY WHO WORE DRESSES IN THE LIVING ROOM TO A LITTLE BOY WHO WORE 303 00:12:49,369 --> 00:12:50,869 WHO WORE DRESSES IN THE LIVING ROOM TO A LITTLE BOY WHO WORE DRESSES ON THIS GRAND FINALE. 304 00:12:50,871 --> 00:12:54,339 ROOM TO A LITTLE BOY WHO WORE DRESSES ON THIS GRAND FINALE. >> I LOVE IT. 305 00:12:54,341 --> 00:12:58,109 DRESSES ON THIS GRAND FINALE. >> I LOVE IT. OKAY. 306 00:12:58,111 --> 00:13:02,380 >> I LOVE IT. OKAY. NOW, WHAT WOULD IT MEAN FOR YOU 307 00:13:02,382 --> 00:13:06,618 OKAY. NOW, WHAT WOULD IT MEAN FOR YOU TO BE CROWNED AMERICA'S NEXT 308 00:13:06,620 --> 00:13:09,354 NOW, WHAT WOULD IT MEAN FOR YOU TO BE CROWNED AMERICA'S NEXT DRAG SUPERSTAR? 309 00:13:09,356 --> 00:13:09,988 TO BE CROWNED AMERICA'S NEXT DRAG SUPERSTAR? >> WOULD BE AN HONOR. 310 00:13:09,990 --> 00:13:12,390 DRAG SUPERSTAR? >> WOULD BE AN HONOR. I FEEL THE DRAG I DO IS A LITTLE 311 00:13:12,392 --> 00:13:12,857 >> WOULD BE AN HONOR. I FEEL THE DRAG I DO IS A LITTLE BIT DIFFERENT. 312 00:13:12,859 --> 00:13:13,558 I FEEL THE DRAG I DO IS A LITTLE BIT DIFFERENT. IT PUSHES THE BOUNDARY FORCE 313 00:13:13,560 --> 00:13:14,225 BIT DIFFERENT. IT PUSHES THE BOUNDARY FORCE WHAT PEOPLE MIGHT EXPECT. 314 00:13:14,227 --> 00:13:14,993 IT PUSHES THE BOUNDARY FORCE WHAT PEOPLE MIGHT EXPECT. I BELIEVE THAT'S THE FUTURE OF 315 00:13:14,995 --> 00:13:15,326 WHAT PEOPLE MIGHT EXPECT. I BELIEVE THAT'S THE FUTURE OF DRAG. 316 00:13:15,328 --> 00:13:16,094 I BELIEVE THAT'S THE FUTURE OF DRAG. I'M SO HONORED TO REPRESENT IT. 317 00:13:16,096 --> 00:13:16,594 DRAG. I'M SO HONORED TO REPRESENT IT. >> SASHA VELOUR. 318 00:13:16,596 --> 00:13:17,362 I'M SO HONORED TO REPRESENT IT. >> SASHA VELOUR. I WANT TO THANK YOU FOR SHARING 319 00:13:17,364 --> 00:13:19,864 >> SASHA VELOUR. I WANT TO THANK YOU FOR SHARING YOUR UNIQUENESS AND ELEVATING 320 00:13:19,866 --> 00:13:21,366 I WANT TO THANK YOU FOR SHARING YOUR UNIQUENESS AND ELEVATING THIS COMPETITION. 321 00:13:21,368 --> 00:13:22,133 YOUR UNIQUENESS AND ELEVATING THIS COMPETITION. NOW GO GET READY TO LIP-SYNC FOR 322 00:13:22,135 --> 00:13:30,608 THIS COMPETITION. NOW GO GET READY TO LIP-SYNC FOR THAT CROWN. 323 00:13:30,610 --> 00:13:31,376 NOW GO GET READY TO LIP-SYNC FOR THAT CROWN. LADIES AND GENTLEMEN, SHOW YOUR 324 00:13:31,378 --> 00:13:31,976 THAT CROWN. LADIES AND GENTLEMEN, SHOW YOUR LOVE FOR SASHA VELOUR. 325 00:13:31,978 --> 00:13:35,346 LADIES AND GENTLEMEN, SHOW YOUR LOVE FOR SASHA VELOUR. ♪ 326 00:13:35,348 --> 00:13:36,047 LOVE FOR SASHA VELOUR. ♪ >> ARE YOU TEAM PEPPERMINT, 327 00:13:36,049 --> 00:13:36,781 ♪ >> ARE YOU TEAM PEPPERMINT, TEAM SASHA, TEAM SHEA OR TEAM 328 00:13:36,783 --> 00:13:40,118 >> ARE YOU TEAM PEPPERMINT, TEAM SASHA, TEAM SHEA OR TEAM TRINITY. 329 00:13:40,120 --> 00:13:44,355 TEAM SASHA, TEAM SHEA OR TEAM TRINITY. COMING UP OUR TOP FOUR QUEENS 330 00:13:44,357 --> 00:13:45,123 TRINITY. COMING UP OUR TOP FOUR QUEENS WILL LIP-SYNC FOR THE CROWN WHEN 331 00:13:45,125 --> 00:13:45,857 COMING UP OUR TOP FOUR QUEENS WILL LIP-SYNC FOR THE CROWN WHEN THE GRAND FINALE OF "RuPAUL'S 332 00:13:45,859 --> 00:13:46,457 WILL LIP-SYNC FOR THE CROWN WHEN THE GRAND FINALE OF "RuPAUL'S DRAG RACE" CONTINUES. 333 00:13:52,731 --> 00:14:00,138 ♪ >> WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." 334 00:14:00,140 --> 00:14:00,872 >> WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." IN MOMENTS OUR TOP FOUR QUEEN 335 00:14:00,874 --> 00:14:03,508 FINALE OF "RuPAUL'S DRAG RACE." IN MOMENTS OUR TOP FOUR QUEEN ALSO FACE OFF IN AN EPIC 336 00:14:03,510 --> 00:14:07,145 IN MOMENTS OUR TOP FOUR QUEEN ALSO FACE OFF IN AN EPIC LIP-SYNC SMACKDOWN FOR THE 337 00:14:07,147 --> 00:14:07,478 ALSO FACE OFF IN AN EPIC LIP-SYNC SMACKDOWN FOR THE CROWN. 338 00:14:07,480 --> 00:14:10,215 LIP-SYNC SMACKDOWN FOR THE CROWN. FIRST, OUR NEXT QUEEN IS A TRUE 339 00:14:10,217 --> 00:14:10,682 CROWN. FIRST, OUR NEXT QUEEN IS A TRUE TRIPLE THREAT. 340 00:14:10,684 --> 00:14:14,118 FIRST, OUR NEXT QUEEN IS A TRUE TRIPLE THREAT. SHE'S FUNNY, SHE CAN 341 00:14:14,120 --> 00:14:15,286 TRIPLE THREAT. SHE'S FUNNY, SHE CAN LIP-SYNC AND SHE LOOKS GOOD 342 00:14:15,288 --> 00:14:16,387 SHE'S FUNNY, SHE CAN LIP-SYNC AND SHE LOOKS GOOD WITH A HOT DOG ON HER HEAD. 343 00:14:16,389 --> 00:14:17,088 LIP-SYNC AND SHE LOOKS GOOD WITH A HOT DOG ON HER HEAD. >> MY NAME IS SHEA COULEE, I 344 00:14:17,090 --> 00:14:17,655 WITH A HOT DOG ON HER HEAD. >> MY NAME IS SHEA COULEE, I DIDN'T COME TO PLAY. 345 00:14:17,657 --> 00:14:22,060 >> MY NAME IS SHEA COULEE, I DIDN'T COME TO PLAY. I CAME TO SLAY. 346 00:14:22,062 --> 00:14:23,394 DIDN'T COME TO PLAY. I CAME TO SLAY. ♪ 347 00:14:23,396 --> 00:14:24,128 I CAME TO SLAY. ♪ >> SHE'S A GREAT ENTERTAINER. 348 00:14:24,130 --> 00:14:24,729 ♪ >> SHE'S A GREAT ENTERTAINER. SHE'S A GREAT DANCER. 349 00:14:24,731 --> 00:14:25,330 >> SHE'S A GREAT ENTERTAINER. SHE'S A GREAT DANCER. SHE'S A GREAT ACTRESS. 350 00:14:25,332 --> 00:14:38,376 SHE'S A GREAT DANCER. SHE'S A GREAT ACTRESS. ♪ 351 00:14:38,378 --> 00:14:39,043 SHE'S A GREAT ACTRESS. ♪ >> SHEA, WHAT DO YOU SAY? 352 00:14:39,045 --> 00:14:39,777 ♪ >> SHEA, WHAT DO YOU SAY? YOU ARE READY TO LIP-SYNC FOR 353 00:14:39,779 --> 00:14:40,645 >> SHEA, WHAT DO YOU SAY? YOU ARE READY TO LIP-SYNC FOR THE CROWN TONIGHT? 354 00:14:40,647 --> 00:14:41,613 YOU ARE READY TO LIP-SYNC FOR THE CROWN TONIGHT? >> I WAS BORN READY, RU. 355 00:14:41,615 --> 00:14:44,382 THE CROWN TONIGHT? >> I WAS BORN READY, RU. >> ALL RIGHT. 356 00:14:44,384 --> 00:14:48,119 >> I WAS BORN READY, RU. >> ALL RIGHT. SO TELL ME THIS, WHO WOULD YOU 357 00:14:48,121 --> 00:14:50,088 >> ALL RIGHT. SO TELL ME THIS, WHO WOULD YOU NOT WANT TO LIP-SYNC AGAINST? 358 00:14:50,090 --> 00:14:51,456 SO TELL ME THIS, WHO WOULD YOU NOT WANT TO LIP-SYNC AGAINST? >> SASHA AND I HAVE A GREAT 359 00:14:51,458 --> 00:14:54,125 NOT WANT TO LIP-SYNC AGAINST? >> SASHA AND I HAVE A GREAT FRIENDSHIP. 360 00:14:54,127 --> 00:14:58,363 >> SASHA AND I HAVE A GREAT FRIENDSHIP. I KNOW IT WOULD BE SUPER 361 00:14:58,365 --> 00:14:59,130 FRIENDSHIP. I KNOW IT WOULD BE SUPER DRAMATIC IF WE HAD TO LIP-SYNC 362 00:14:59,132 --> 00:14:59,697 I KNOW IT WOULD BE SUPER DRAMATIC IF WE HAD TO LIP-SYNC AGAINST ONE ANOTHER. 363 00:14:59,699 --> 00:15:00,431 DRAMATIC IF WE HAD TO LIP-SYNC AGAINST ONE ANOTHER. LUCKILY I'M A MESSY BITCH WHO 364 00:15:00,433 --> 00:15:06,371 AGAINST ONE ANOTHER. LUCKILY I'M A MESSY BITCH WHO LOVES DRAMA. 365 00:15:06,373 --> 00:15:07,639 LUCKILY I'M A MESSY BITCH WHO LOVES DRAMA. >> NOW, I KNOW THAT YOU AND YOUR 366 00:15:07,641 --> 00:15:12,110 LOVES DRAMA. >> NOW, I KNOW THAT YOU AND YOUR FAMILY HAVE HAD A REALLY ROUGH 367 00:15:12,112 --> 00:15:12,744 >> NOW, I KNOW THAT YOU AND YOUR FAMILY HAVE HAD A REALLY ROUGH GO OF IT THIS PAST YEAR. 368 00:15:12,746 --> 00:15:14,379 FAMILY HAVE HAD A REALLY ROUGH GO OF IT THIS PAST YEAR. DO YOU MIND TALKING A LITTLE BIT 369 00:15:14,381 --> 00:15:16,381 GO OF IT THIS PAST YEAR. DO YOU MIND TALKING A LITTLE BIT ABOUT THAT. 370 00:15:16,383 --> 00:15:21,085 DO YOU MIND TALKING A LITTLE BIT ABOUT THAT. >> UM, TWO DAYS BEFORE THE CAST 371 00:15:21,087 --> 00:15:24,622 ABOUT THAT. >> UM, TWO DAYS BEFORE THE CAST WAS ANNOUNCED I LOST MY DAD TO 372 00:15:24,624 --> 00:15:26,090 >> UM, TWO DAYS BEFORE THE CAST WAS ANNOUNCED I LOST MY DAD TO CANCER. 373 00:15:26,092 --> 00:15:28,126 WAS ANNOUNCED I LOST MY DAD TO CANCER. AND A MONTH AFTER THAT I LOST MY 374 00:15:28,128 --> 00:15:31,629 CANCER. AND A MONTH AFTER THAT I LOST MY SISTER TO CANCER. 375 00:15:31,631 --> 00:15:34,132 AND A MONTH AFTER THAT I LOST MY SISTER TO CANCER. AND MY DAD, WE HAD GONE THROUGH 376 00:15:34,134 --> 00:15:37,068 SISTER TO CANCER. AND MY DAD, WE HAD GONE THROUGH SUCH AN AMAZING JOURNEY TOGETHER 377 00:15:37,070 --> 00:15:41,072 AND MY DAD, WE HAD GONE THROUGH SUCH AN AMAZING JOURNEY TOGETHER OF HIM UNDERSTANDING ME AND 378 00:15:41,074 --> 00:15:44,375 SUCH AN AMAZING JOURNEY TOGETHER OF HIM UNDERSTANDING ME AND LEARNING ABOUT WHO I WAS, AND I 379 00:15:44,377 --> 00:15:45,610 OF HIM UNDERSTANDING ME AND LEARNING ABOUT WHO I WAS, AND I KNOW THAT HE WATCHES ME. 380 00:15:45,612 --> 00:15:47,111 LEARNING ABOUT WHO I WAS, AND I KNOW THAT HE WATCHES ME. I FEEL HIM. 381 00:15:47,113 --> 00:15:47,478 KNOW THAT HE WATCHES ME. I FEEL HIM. >> YEAH. 382 00:15:47,480 --> 00:15:49,080 I FEEL HIM. >> YEAH. >> ALL THE TIME. 383 00:15:49,082 --> 00:15:54,085 >> YEAH. >> ALL THE TIME. >> YES. 384 00:15:54,087 --> 00:15:56,154 >> ALL THE TIME. >> YES. ABSOLUTELY. 385 00:15:56,156 --> 00:15:58,122 >> YES. ABSOLUTELY. [ APPLAUSE ] 386 00:15:58,124 --> 00:16:00,124 ABSOLUTELY. [ APPLAUSE ] NOW YOU TOLD ME YOUR MOTHER IS A 387 00:16:00,126 --> 00:16:01,626 [ APPLAUSE ] NOW YOU TOLD ME YOUR MOTHER IS A MINISTER. 388 00:16:01,628 --> 00:16:03,127 NOW YOU TOLD ME YOUR MOTHER IS A MINISTER. >> YES. 389 00:16:03,129 --> 00:16:03,861 MINISTER. >> YES. I MEAN, SHE'S A REVEREND NOW. 390 00:16:03,863 --> 00:16:06,130 >> YES. I MEAN, SHE'S A REVEREND NOW. SHE DONE COME UP. 391 00:16:06,132 --> 00:16:06,631 I MEAN, SHE'S A REVEREND NOW. SHE DONE COME UP. >> OH. 392 00:16:06,633 --> 00:16:08,633 SHE DONE COME UP. >> OH. ARE YOU REVEREND COULEE? 393 00:16:08,635 --> 00:16:12,136 >> OH. ARE YOU REVEREND COULEE? >> YES. 394 00:16:12,138 --> 00:16:12,537 ARE YOU REVEREND COULEE? >> YES. >> HELLO. 395 00:16:12,539 --> 00:16:15,139 >> YES. >> HELLO. DOES SHEA TAKE AFTER YOU OR HER 396 00:16:15,141 --> 00:16:16,374 >> HELLO. DOES SHEA TAKE AFTER YOU OR HER FATHER? 397 00:16:16,376 --> 00:16:17,075 DOES SHEA TAKE AFTER YOU OR HER FATHER? >> HIS CREATIVITY COMES HIS 398 00:16:17,077 --> 00:16:20,078 FATHER? >> HIS CREATIVITY COMES HIS FATHER. 399 00:16:20,080 --> 00:16:26,384 >> HIS CREATIVITY COMES HIS FATHER. HIS RHYTHM COMES FROM ME. 400 00:16:26,386 --> 00:16:30,121 FATHER. HIS RHYTHM COMES FROM ME. >> ALL RIGHT, THANK YOU REVEREND 401 00:16:30,123 --> 00:16:32,123 HIS RHYTHM COMES FROM ME. >> ALL RIGHT, THANK YOU REVEREND COULEE. 402 00:16:32,125 --> 00:16:32,690 >> ALL RIGHT, THANK YOU REVEREND COULEE. THANK YOU VERY MUCH. 403 00:16:32,692 --> 00:16:33,624 COULEE. THANK YOU VERY MUCH. NOW, SHEA, ONE OF MY FAVORITE 404 00:16:33,626 --> 00:16:37,362 THANK YOU VERY MUCH. NOW, SHEA, ONE OF MY FAVORITE MOMENTS IS WHEN YOU TOOK THE 405 00:16:37,364 --> 00:16:37,996 NOW, SHEA, ONE OF MY FAVORITE MOMENTS IS WHEN YOU TOOK THE CHARACTER OF BLAC CHYNA. 406 00:16:37,998 --> 00:16:38,763 MOMENTS IS WHEN YOU TOOK THE CHARACTER OF BLAC CHYNA. I'M NOT THE ONLY ONE WHO FELT IT 407 00:16:38,765 --> 00:16:47,372 CHARACTER OF BLAC CHYNA. I'M NOT THE ONLY ONE WHO FELT IT WAS STELLAR. 408 00:16:47,374 --> 00:16:48,439 I'M NOT THE ONLY ONE WHO FELT IT WAS STELLAR. SHLG 409 00:16:48,441 --> 00:16:48,773 WAS STELLAR. SHLG SHLG 410 00:16:48,775 --> 00:16:50,441 SHLG SHLG HEY, SHEA COULEE, YOU DIDN'T 411 00:16:50,443 --> 00:17:02,520 SHLG HEY, SHEA COULEE, YOU DIDN'T COME TO PLAY, YOU CAME TO SLAY. 412 00:17:02,522 --> 00:17:03,221 HEY, SHEA COULEE, YOU DIDN'T COME TO PLAY, YOU CAME TO SLAY. THAT'S WHAT BLAC CHYNA DOES. 413 00:17:03,223 --> 00:17:03,988 COME TO PLAY, YOU CAME TO SLAY. THAT'S WHAT BLAC CHYNA DOES. GO OUT THERE AND GET THAT CROWN. 414 00:17:03,990 --> 00:17:04,389 THAT'S WHAT BLAC CHYNA DOES. GO OUT THERE AND GET THAT CROWN. LOVE YOU. 415 00:17:04,391 --> 00:17:04,756 GO OUT THERE AND GET THAT CROWN. LOVE YOU. I'M OUT. 416 00:17:04,758 --> 00:17:05,256 LOVE YOU. I'M OUT. I'M OUT. 417 00:17:05,258 --> 00:17:05,890 I'M OUT. I'M OUT. >> THAT WAS A NICE CAR. 418 00:17:05,892 --> 00:17:06,424 I'M OUT. >> THAT WAS A NICE CAR. >> CERTAINLY WAS. 419 00:17:06,426 --> 00:17:07,125 >> THAT WAS A NICE CAR. >> CERTAINLY WAS. WHAT WOULD IT MEAN TO YOU TO 420 00:17:07,127 --> 00:17:07,792 >> CERTAINLY WAS. WHAT WOULD IT MEAN TO YOU TO BECOME AMERICA'S NEXT DRAG 421 00:17:07,794 --> 00:17:08,760 WHAT WOULD IT MEAN TO YOU TO BECOME AMERICA'S NEXT DRAG SUPERSTAR? 422 00:17:08,762 --> 00:17:09,527 BECOME AMERICA'S NEXT DRAG SUPERSTAR? >> WOULD BE AN ERA OF SICKENING 423 00:17:09,529 --> 00:17:10,628 SUPERSTAR? >> WOULD BE AN ERA OF SICKENING BLACK DRAG QUEENS RUNNING THIS 424 00:17:10,630 --> 00:17:16,734 >> WOULD BE AN ERA OF SICKENING BLACK DRAG QUEENS RUNNING THIS WORLD. 425 00:17:16,736 --> 00:17:17,368 BLACK DRAG QUEENS RUNNING THIS WORLD. [ CHEERS AND APPLAUSE ] 426 00:17:17,370 --> 00:17:19,203 WORLD. [ CHEERS AND APPLAUSE ] >> ALL RIGHT. 427 00:17:19,205 --> 00:17:20,304 [ CHEERS AND APPLAUSE ] >> ALL RIGHT. SHEA COULEE. 428 00:17:20,306 --> 00:17:21,739 >> ALL RIGHT. SHEA COULEE. THANK YOU FOR SHOWING THE 429 00:17:21,741 --> 00:17:27,245 SHEA COULEE. THANK YOU FOR SHOWING THE CHILDREN HOW IT IS DONE. 430 00:17:27,247 --> 00:17:28,479 THANK YOU FOR SHOWING THE CHILDREN HOW IT IS DONE. UP NEXT, A QUEEN WHO IS SO MUCH 431 00:17:28,481 --> 00:17:34,752 CHILDREN HOW IT IS DONE. UP NEXT, A QUEEN WHO IS SO MUCH MORE THAN JUST A TYPE TUCK. 432 00:17:34,754 --> 00:17:35,520 UP NEXT, A QUEEN WHO IS SO MUCH MORE THAN JUST A TYPE TUCK. SHE'S GOT A BIG JUICY ASS, TOO. 433 00:17:35,522 --> 00:17:42,093 MORE THAN JUST A TYPE TUCK. SHE'S GOT A BIG JUICY ASS, TOO. >> THE BODY IS HERE BITCHES. 434 00:17:42,095 --> 00:17:43,261 SHE'S GOT A BIG JUICY ASS, TOO. >> THE BODY IS HERE BITCHES. >> I CALL SHEA. 435 00:17:43,263 --> 00:17:43,961 >> THE BODY IS HERE BITCHES. >> I CALL SHEA. >> YOU HAVE DONE THINGS YOU 436 00:17:43,963 --> 00:17:44,662 >> I CALL SHEA. >> YOU HAVE DONE THINGS YOU DIDN'T KNOW YOU HAD IN YOU. 437 00:17:44,664 --> 00:17:45,129 >> YOU HAVE DONE THINGS YOU DIDN'T KNOW YOU HAD IN YOU. >> DAMN, GIRL! 438 00:17:45,131 --> 00:17:50,401 DIDN'T KNOW YOU HAD IN YOU. >> DAMN, GIRL! >> BITCHES BOW DOWN BECAUSE I'M 439 00:17:50,403 --> 00:17:52,036 >> DAMN, GIRL! >> BITCHES BOW DOWN BECAUSE I'M THE NEXT MISS THANG. 440 00:17:52,038 --> 00:17:53,371 >> BITCHES BOW DOWN BECAUSE I'M THE NEXT MISS THANG. >> WOW. 441 00:17:53,373 --> 00:17:56,140 THE NEXT MISS THANG. >> WOW. >> TRINITY, WHEN YOU STARTED THE 442 00:17:56,142 --> 00:17:57,075 >> WOW. >> TRINITY, WHEN YOU STARTED THE SEASON YOUR APPROVAL RATINGS 443 00:17:57,077 --> 00:17:59,077 >> TRINITY, WHEN YOU STARTED THE SEASON YOUR APPROVAL RATINGS WERE LOW. 444 00:17:59,079 --> 00:18:02,113 SEASON YOUR APPROVAL RATINGS WERE LOW. BUT YOU TURNED THINGS AROUND. 445 00:18:02,115 --> 00:18:02,680 WERE LOW. BUT YOU TURNED THINGS AROUND. HOW DID YOU DO THAT? 446 00:18:02,682 --> 00:18:03,514 BUT YOU TURNED THINGS AROUND. HOW DID YOU DO THAT? SPEAK SLOW BECAUSE DONALD TRUMP 447 00:18:03,516 --> 00:18:04,215 HOW DID YOU DO THAT? SPEAK SLOW BECAUSE DONALD TRUMP IS WATCHING AND HE WANTS TO 448 00:18:04,217 --> 00:18:09,120 SPEAK SLOW BECAUSE DONALD TRUMP IS WATCHING AND HE WANTS TO KNOW. 449 00:18:09,122 --> 00:18:13,624 IS WATCHING AND HE WANTS TO KNOW. >> HONESTLY I HAVE A RESTING 450 00:18:13,626 --> 00:18:14,125 KNOW. >> HONESTLY I HAVE A RESTING BITCH FACE. 451 00:18:14,127 --> 00:18:15,126 >> HONESTLY I HAVE A RESTING BITCH FACE. PEOPLE HATE ME. 452 00:18:15,128 --> 00:18:17,628 BITCH FACE. PEOPLE HATE ME. UNTIL THEY GET TO KNOW ME, THEY 453 00:18:17,630 --> 00:18:19,363 PEOPLE HATE ME. UNTIL THEY GET TO KNOW ME, THEY GET TO KNOW MY HUMOR, THEN 454 00:18:19,365 --> 00:18:22,066 UNTIL THEY GET TO KNOW ME, THEY GET TO KNOW MY HUMOR, THEN APPARENTLY AMERICA LIKES IT. 455 00:18:22,068 --> 00:18:23,234 GET TO KNOW MY HUMOR, THEN APPARENTLY AMERICA LIKES IT. SO HERE WE ARE. 456 00:18:23,236 --> 00:18:23,968 APPARENTLY AMERICA LIKES IT. SO HERE WE ARE. >> WHO IS HERE SUPPORTING YOU 457 00:18:23,970 --> 00:18:28,072 SO HERE WE ARE. >> WHO IS HERE SUPPORTING YOU TONIGHT? 458 00:18:28,074 --> 00:18:29,507 >> WHO IS HERE SUPPORTING YOU TONIGHT? >> I HAVE MY MUCH OLDER SISTER, 459 00:18:29,509 --> 00:18:32,376 TONIGHT? >> I HAVE MY MUCH OLDER SISTER, GINGER. 460 00:18:32,378 --> 00:18:35,113 >> I HAVE MY MUCH OLDER SISTER, GINGER. AND MY SUGAR DAD -- I MEAN MY 461 00:18:35,115 --> 00:18:39,383 GINGER. AND MY SUGAR DAD -- I MEAN MY NEW BOYFRIEND, LEO. 462 00:18:39,385 --> 00:18:40,384 AND MY SUGAR DAD -- I MEAN MY NEW BOYFRIEND, LEO. >> OH. 463 00:18:40,386 --> 00:18:41,619 NEW BOYFRIEND, LEO. >> OH. HOW DID YOU TWO MEET? 464 00:18:41,621 --> 00:18:43,121 >> OH. HOW DID YOU TWO MEET? >> I'M A GOOD SOUTHERN BAPTIST 465 00:18:43,123 --> 00:18:46,124 HOW DID YOU TWO MEET? >> I'M A GOOD SOUTHERN BAPTIST CHRISTIAN LADY, SO CHURCH. 466 00:18:46,126 --> 00:18:47,125 >> I'M A GOOD SOUTHERN BAPTIST CHRISTIAN LADY, SO CHURCH. >> AT CHURCH. 467 00:18:47,127 --> 00:18:49,627 CHRISTIAN LADY, SO CHURCH. >> AT CHURCH. >> ALSO KNOWN AS AN ADULT GAY 468 00:18:49,629 --> 00:18:51,062 >> AT CHURCH. >> ALSO KNOWN AS AN ADULT GAY DATING APP. 469 00:18:51,064 --> 00:18:53,131 >> ALSO KNOWN AS AN ADULT GAY DATING APP. >> OH. 470 00:18:53,133 --> 00:18:54,365 DATING APP. >> OH. LEO, HAD YOU SEEN TRINITY ON TV 471 00:18:54,367 --> 00:18:55,066 >> OH. LEO, HAD YOU SEEN TRINITY ON TV BEFORE? 472 00:18:55,068 --> 00:18:56,200 LEO, HAD YOU SEEN TRINITY ON TV BEFORE? >> YES, I DID. 473 00:18:56,202 --> 00:18:57,135 BEFORE? >> YES, I DID. >> DID YOU THINK I'M GOING TO 474 00:18:57,137 --> 00:18:59,637 >> YES, I DID. >> DID YOU THINK I'M GOING TO GET SOME OF THAT? 475 00:18:59,639 --> 00:19:04,642 >> DID YOU THINK I'M GOING TO GET SOME OF THAT? >> AND I SURE DID AND SOME. 476 00:19:04,644 --> 00:19:09,647 GET SOME OF THAT? >> AND I SURE DID AND SOME. >> I LOVE IT. 477 00:19:09,649 --> 00:19:12,617 >> AND I SURE DID AND SOME. >> I LOVE IT. NOW, TRINITY YOUR TUCK GOT A LOT 478 00:19:12,619 --> 00:19:14,118 >> I LOVE IT. NOW, TRINITY YOUR TUCK GOT A LOT OF ATTENTION THIS SEASON, 479 00:19:14,120 --> 00:19:16,621 NOW, TRINITY YOUR TUCK GOT A LOT OF ATTENTION THIS SEASON, ESPECIALLY FROM THE GORGEOUS 480 00:19:16,623 --> 00:19:17,288 OF ATTENTION THIS SEASON, ESPECIALLY FROM THE GORGEOUS CHRIS PINE AND THE BOYS AT 481 00:19:17,290 --> 00:19:18,623 ESPECIALLY FROM THE GORGEOUS CHRIS PINE AND THE BOYS AT "SATURDAY NIGHT LIVE." 482 00:19:18,625 --> 00:19:23,361 CHRIS PINE AND THE BOYS AT "SATURDAY NIGHT LIVE." WHAT WAS THAT LIKE FOR YOU? 483 00:19:23,363 --> 00:19:25,630 "SATURDAY NIGHT LIVE." WHAT WAS THAT LIKE FOR YOU? >> GIRL, I JUST WANTED TO DROP 484 00:19:25,632 --> 00:19:28,065 WHAT WAS THAT LIKE FOR YOU? >> GIRL, I JUST WANTED TO DROP TO MY KNEES AND CLIMB HIM LIKE A 485 00:19:28,067 --> 00:19:30,368 >> GIRL, I JUST WANTED TO DROP TO MY KNEES AND CLIMB HIM LIKE A TREE. 486 00:19:30,370 --> 00:19:31,135 TO MY KNEES AND CLIMB HIM LIKE A TREE. IF YOU'RE WATCHING, PLEASE CALL 487 00:19:31,137 --> 00:19:33,371 TREE. IF YOU'RE WATCHING, PLEASE CALL ME. 488 00:19:33,373 --> 00:19:36,107 IF YOU'RE WATCHING, PLEASE CALL ME. >> OH. 489 00:19:36,109 --> 00:19:36,507 ME. >> OH. ALL RIGHT. 490 00:19:36,509 --> 00:19:37,375 >> OH. ALL RIGHT. >> SORRY, LEO. 491 00:19:37,377 --> 00:19:39,076 ALL RIGHT. >> SORRY, LEO. >> HERE'S A LITTLE SOMETHING 492 00:19:39,078 --> 00:19:41,379 >> SORRY, LEO. >> HERE'S A LITTLE SOMETHING EXTRA FROM A TRUE FAN. 493 00:19:41,381 --> 00:19:42,146 >> HERE'S A LITTLE SOMETHING EXTRA FROM A TRUE FAN. >> HEY, THIS IS BOBBY MOYNIHAN 494 00:19:42,148 --> 00:19:42,847 EXTRA FROM A TRUE FAN. >> HEY, THIS IS BOBBY MOYNIHAN WISHING TRINITY TAYLOR GOOD 495 00:19:42,849 --> 00:19:49,387 >> HEY, THIS IS BOBBY MOYNIHAN WISHING TRINITY TAYLOR GOOD LUCK. 496 00:19:49,389 --> 00:19:50,154 WISHING TRINITY TAYLOR GOOD LUCK. US PAGEANT BITCHES HAVE TO STICK 497 00:19:50,156 --> 00:19:53,324 LUCK. US PAGEANT BITCHES HAVE TO STICK TOGETHER. 498 00:19:53,326 --> 00:19:55,760 US PAGEANT BITCHES HAVE TO STICK TOGETHER. DON'T FUCK IT UP. 499 00:19:55,762 --> 00:19:56,994 TOGETHER. DON'T FUCK IT UP. DEATH DROP. 500 00:19:56,996 --> 00:19:57,328 DON'T FUCK IT UP. DEATH DROP. >> OH! 501 00:19:57,330 --> 00:19:57,728 DEATH DROP. >> OH! >> YEAH. 502 00:19:57,730 --> 00:19:58,429 >> OH! >> YEAH. >> TRINITY, ARE YOU NERVOUS 503 00:19:58,431 --> 00:20:00,231 >> YEAH. >> TRINITY, ARE YOU NERVOUS ABOUT LIP-SYNCING TONIGHT? 504 00:20:00,233 --> 00:20:00,765 >> TRINITY, ARE YOU NERVOUS ABOUT LIP-SYNCING TONIGHT? >> ABSOLUTELY NOT. 505 00:20:00,767 --> 00:20:01,332 ABOUT LIP-SYNCING TONIGHT? >> ABSOLUTELY NOT. THERE IS WHAT I DO. 506 00:20:01,334 --> 00:20:04,502 >> ABSOLUTELY NOT. THERE IS WHAT I DO. I'M A PERFORMER. 507 00:20:04,504 --> 00:20:05,203 THERE IS WHAT I DO. I'M A PERFORMER. >> WHO WOULD YOU NOT WANT TO 508 00:20:05,205 --> 00:20:05,736 I'M A PERFORMER. >> WHO WOULD YOU NOT WANT TO LIP-SYNC AGAINST? 509 00:20:05,738 --> 00:20:08,005 >> WHO WOULD YOU NOT WANT TO LIP-SYNC AGAINST? >> NONE OF THEM GIRL, BRING THEM 510 00:20:08,007 --> 00:20:10,007 LIP-SYNC AGAINST? >> NONE OF THEM GIRL, BRING THEM ON. 511 00:20:10,009 --> 00:20:11,509 >> NONE OF THEM GIRL, BRING THEM ON. I'LL LIP-SYNC TO ALL OF THEM. 512 00:20:11,511 --> 00:20:12,276 ON. I'LL LIP-SYNC TO ALL OF THEM. >> LADIES AND GENTLEMEN, TRINITY 513 00:20:12,278 --> 00:20:15,179 I'LL LIP-SYNC TO ALL OF THEM. >> LADIES AND GENTLEMEN, TRINITY TAYLOR. 514 00:20:15,181 --> 00:20:19,483 >> LADIES AND GENTLEMEN, TRINITY TAYLOR. [ CHEERS AND APPLAUSE ] 515 00:20:19,485 --> 00:20:20,751 TAYLOR. [ CHEERS AND APPLAUSE ] >> COMING UP, WHO WILL BE THE 516 00:20:20,753 --> 00:20:21,519 [ CHEERS AND APPLAUSE ] >> COMING UP, WHO WILL BE THE FIRST TWO QUEENS TO FACE OFF IN 517 00:20:21,521 --> 00:20:22,220 >> COMING UP, WHO WILL BE THE FIRST TWO QUEENS TO FACE OFF IN THE MOST LEGENDARY LIP-SYNC 518 00:20:22,222 --> 00:20:24,255 FIRST TWO QUEENS TO FACE OFF IN THE MOST LEGENDARY LIP-SYNC EVER? 519 00:20:24,257 --> 00:20:24,889 THE MOST LEGENDARY LIP-SYNC EVER? WHEN THE GRAND FINALE OF 520 00:20:24,891 --> 00:20:29,493 EVER? WHEN THE GRAND FINALE OF "RuPAUL'S DRAG RACE" CONTINUES. 521 00:20:37,102 --> 00:20:46,877 ♪ >> LADIES AND GENTLEMEN, WELCOME TO THE STAGE OUR TOP FOUR. 522 00:20:46,879 --> 00:20:48,846 >> LADIES AND GENTLEMEN, WELCOME TO THE STAGE OUR TOP FOUR. TONIGHT ONE OF YOU WILL BECOME 523 00:20:48,848 --> 00:20:50,281 TO THE STAGE OUR TOP FOUR. TONIGHT ONE OF YOU WILL BECOME AMERICA'S NEXT DRAG SUPERSTAR. 524 00:20:50,283 --> 00:20:53,851 TONIGHT ONE OF YOU WILL BECOME AMERICA'S NEXT DRAG SUPERSTAR. BUT FOR THE FIRST TIME IN DRAG 525 00:20:53,853 --> 00:20:56,854 AMERICA'S NEXT DRAG SUPERSTAR. BUT FOR THE FIRST TIME IN DRAG RACE HERSTORY, TO WIN YOU HAVE 526 00:20:56,856 --> 00:21:01,826 BUT FOR THE FIRST TIME IN DRAG RACE HERSTORY, TO WIN YOU HAVE TO SURVIVE A LIP-SYNC SMACKDOWN 527 00:21:01,828 --> 00:21:03,327 RACE HERSTORY, TO WIN YOU HAVE TO SURVIVE A LIP-SYNC SMACKDOWN FOR THE CROWN. 528 00:21:03,329 --> 00:21:04,295 TO SURVIVE A LIP-SYNC SMACKDOWN FOR THE CROWN. TO EXPLAIN HOW IT WORKS, HERE'S 529 00:21:04,297 --> 00:21:06,364 FOR THE CROWN. TO EXPLAIN HOW IT WORKS, HERE'S OUR SPECIAL DRAG RACE 530 00:21:06,366 --> 00:21:07,365 TO EXPLAIN HOW IT WORKS, HERE'S OUR SPECIAL DRAG RACE CORRESPONDENT, ROSS MATTHEWS. 531 00:21:07,367 --> 00:21:07,732 OUR SPECIAL DRAG RACE CORRESPONDENT, ROSS MATTHEWS. >> OKAY. 532 00:21:07,734 --> 00:21:09,367 CORRESPONDENT, ROSS MATTHEWS. >> OKAY. TONIGHT WE'LL START WITH FOUR 533 00:21:09,369 --> 00:21:10,868 >> OKAY. TONIGHT WE'LL START WITH FOUR QUEENS, BUT ONLY ONE QUEEN WILL 534 00:21:10,870 --> 00:21:12,136 TONIGHT WE'LL START WITH FOUR QUEENS, BUT ONLY ONE QUEEN WILL TAKE THE CROWN. 535 00:21:12,138 --> 00:21:18,376 QUEENS, BUT ONLY ONE QUEEN WILL TAKE THE CROWN. FIRST, A SPINNING WHEEL 536 00:21:18,378 --> 00:21:21,112 TAKE THE CROWN. FIRST, A SPINNING WHEEL DETERMINES WHICH TWO QUEENS WILL 537 00:21:21,114 --> 00:21:21,879 FIRST, A SPINNING WHEEL DETERMINES WHICH TWO QUEENS WILL FACE OFF IN LIP-SYNC NUMBER ONE. 538 00:21:21,881 --> 00:21:22,613 DETERMINES WHICH TWO QUEENS WILL FACE OFF IN LIP-SYNC NUMBER ONE. THEN THE REMAINING TWO QUEENS 539 00:21:22,615 --> 00:21:23,381 FACE OFF IN LIP-SYNC NUMBER ONE. THEN THE REMAINING TWO QUEENS WILL FACE OFF IN LIP-SYNC NUMBER 540 00:21:23,383 --> 00:21:23,681 THEN THE REMAINING TWO QUEENS WILL FACE OFF IN LIP-SYNC NUMBER TWO. 541 00:21:23,683 --> 00:21:24,849 WILL FACE OFF IN LIP-SYNC NUMBER TWO. THE WINNERS OF THOSE TWO 542 00:21:24,851 --> 00:21:26,350 TWO. THE WINNERS OF THOSE TWO LIP-SYNCS WILL THEN GO HEAD TO 543 00:21:26,352 --> 00:21:28,352 THE WINNERS OF THOSE TWO LIP-SYNCS WILL THEN GO HEAD TO HEAD IN THE FINAL LIP-SYNC FOR 544 00:21:28,354 --> 00:21:32,857 LIP-SYNCS WILL THEN GO HEAD TO HEAD IN THE FINAL LIP-SYNC FOR THE CROWN. 545 00:21:32,859 --> 00:21:33,858 HEAD IN THE FINAL LIP-SYNC FOR THE CROWN. AND THE WINNER WILL BECOME 546 00:21:33,860 --> 00:21:35,092 THE CROWN. AND THE WINNER WILL BECOME AMERICA'S NEXT DRAG SUPERSTAR! 547 00:21:35,094 --> 00:21:37,862 AND THE WINNER WILL BECOME AMERICA'S NEXT DRAG SUPERSTAR! I'M SO EXCITED. 548 00:21:37,864 --> 00:21:40,598 AMERICA'S NEXT DRAG SUPERSTAR! I'M SO EXCITED. I'M GOING TO NEED TO CHANGE. 549 00:21:40,600 --> 00:21:41,599 I'M SO EXCITED. I'M GOING TO NEED TO CHANGE. RU, BACK TO YOU. 550 00:21:41,601 --> 00:21:42,199 I'M GOING TO NEED TO CHANGE. RU, BACK TO YOU. >> THANK YOU, ROSS. 551 00:21:42,201 --> 00:21:43,601 RU, BACK TO YOU. >> THANK YOU, ROSS. THAT SOUNDS A LOT LIKE MATT. 552 00:21:43,603 --> 00:21:46,837 >> THANK YOU, ROSS. THAT SOUNDS A LOT LIKE MATT. NOW ON THIS WHEEL ARE THE NAMES 553 00:21:46,839 --> 00:21:48,873 THAT SOUNDS A LOT LIKE MATT. NOW ON THIS WHEEL ARE THE NAMES OF OUR TOP FOUR QUEENS. 554 00:21:48,875 --> 00:21:51,108 NOW ON THIS WHEEL ARE THE NAMES OF OUR TOP FOUR QUEENS. WHEREVER THE WHEEL STOPS WILL 555 00:21:51,110 --> 00:21:52,543 OF OUR TOP FOUR QUEENS. WHEREVER THE WHEEL STOPS WILL DETERMINE WHICH QUEEN LIP-SYNCS 556 00:21:52,545 --> 00:21:53,110 WHEREVER THE WHEEL STOPS WILL DETERMINE WHICH QUEEN LIP-SYNCS FIRST. 557 00:21:53,112 --> 00:21:54,845 DETERMINE WHICH QUEEN LIP-SYNCS FIRST. LADIES, ARE YOU READY? 558 00:21:54,847 --> 00:22:02,853 FIRST. LADIES, ARE YOU READY? ALL RIGHT. 559 00:22:02,855 --> 00:22:03,854 LADIES, ARE YOU READY? ALL RIGHT. HERE WE GO. 560 00:22:03,856 --> 00:22:09,627 ALL RIGHT. HERE WE GO. BIG MONEY. 561 00:22:09,629 --> 00:22:21,605 HERE WE GO. BIG MONEY. ♪ 562 00:22:21,607 --> 00:22:24,508 BIG MONEY. ♪ [ CHEERS ] 563 00:22:24,510 --> 00:22:25,209 ♪ [ CHEERS ] WELL, TRINITY, THE WHEEL HAS 564 00:22:25,211 --> 00:22:27,111 [ CHEERS ] WELL, TRINITY, THE WHEEL HAS SPOKEN. 565 00:22:27,113 --> 00:22:33,084 WELL, TRINITY, THE WHEEL HAS SPOKEN. NOW YOU GET TO CHOOSE WHO YOU 566 00:22:33,086 --> 00:22:33,684 SPOKEN. NOW YOU GET TO CHOOSE WHO YOU WILL LIP-SYNC AGAINST. 567 00:22:33,686 --> 00:22:37,855 NOW YOU GET TO CHOOSE WHO YOU WILL LIP-SYNC AGAINST. CHOOSE WISELY. 568 00:22:37,857 --> 00:22:38,589 WILL LIP-SYNC AGAINST. CHOOSE WISELY. >> I WANT A BATTLE. 569 00:22:38,591 --> 00:22:47,098 CHOOSE WISELY. >> I WANT A BATTLE. I CHOOSE PEPPERMINT. 570 00:22:47,100 --> 00:22:53,604 >> I WANT A BATTLE. I CHOOSE PEPPERMINT. [ CHEERS ] 571 00:22:53,606 --> 00:22:54,338 I CHOOSE PEPPERMINT. [ CHEERS ] THAT MEANS SASHA AND SHEA YOU 572 00:22:54,340 --> 00:23:00,344 [ CHEERS ] THAT MEANS SASHA AND SHEA YOU TWO WILL FACE OFF IN TONIGHT'S 573 00:23:00,346 --> 00:23:01,345 THAT MEANS SASHA AND SHEA YOU TWO WILL FACE OFF IN TONIGHT'S SECOND LIP-SYNC COMING UP NEXT. 574 00:23:01,347 --> 00:23:07,351 TWO WILL FACE OFF IN TONIGHT'S SECOND LIP-SYNC COMING UP NEXT. YOU MAY LEAVE THE STAGE. 575 00:23:07,353 --> 00:23:09,587 SECOND LIP-SYNC COMING UP NEXT. YOU MAY LEAVE THE STAGE. OKAY. 576 00:23:09,589 --> 00:23:11,856 YOU MAY LEAVE THE STAGE. OKAY. PEPPERMINT YOU GET TO CHOOSE 577 00:23:11,858 --> 00:23:14,358 OKAY. PEPPERMINT YOU GET TO CHOOSE YOUR LIP-SYNC SONG. 578 00:23:14,360 --> 00:23:23,100 PEPPERMINT YOU GET TO CHOOSE YOUR LIP-SYNC SONG. OH, PIT CREW. 579 00:23:23,102 --> 00:23:23,868 YOUR LIP-SYNC SONG. OH, PIT CREW. EACH OF THESE BOXES CONTAINS ONE 580 00:23:23,870 --> 00:23:25,102 OH, PIT CREW. EACH OF THESE BOXES CONTAINS ONE OF MY ALL-TIME FAVORITE LIP-SYNC 581 00:23:25,104 --> 00:23:29,340 EACH OF THESE BOXES CONTAINS ONE OF MY ALL-TIME FAVORITE LIP-SYNC SONGS. 582 00:23:29,342 --> 00:23:30,107 OF MY ALL-TIME FAVORITE LIP-SYNC SONGS. PEPPERMINT, DO YOU CHOOSE BOX 583 00:23:30,109 --> 00:23:39,350 SONGS. PEPPERMINT, DO YOU CHOOSE BOX NUMBER ONE OR BOX NUMBER TWO. 584 00:23:39,352 --> 00:23:42,620 PEPPERMINT, DO YOU CHOOSE BOX NUMBER ONE OR BOX NUMBER TWO. >> THE CROWD HAS SPOKEN WITH BOX 585 00:23:42,622 --> 00:23:43,053 NUMBER ONE OR BOX NUMBER TWO. >> THE CROWD HAS SPOKEN WITH BOX NUMBER TWO. 586 00:23:43,055 --> 00:23:46,090 >> THE CROWD HAS SPOKEN WITH BOX NUMBER TWO. >> ALL RIGHT. 587 00:23:46,092 --> 00:23:53,097 NUMBER TWO. >> ALL RIGHT. BRYCE, OPEN THE BOX. 588 00:23:53,099 --> 00:23:56,400 >> ALL RIGHT. BRYCE, OPEN THE BOX. "STRONGER" BY BRITNEY SPEARS. 589 00:23:56,402 --> 00:24:03,574 BRYCE, OPEN THE BOX. "STRONGER" BY BRITNEY SPEARS. OKAY, LADIES. 590 00:24:03,576 --> 00:24:09,880 "STRONGER" BY BRITNEY SPEARS. OKAY, LADIES. ASSUME THE POSITION. 591 00:24:09,882 --> 00:24:14,852 OKAY, LADIES. ASSUME THE POSITION. TWO QUEENS STAND BEHIND ME. 592 00:24:14,854 --> 00:24:15,619 ASSUME THE POSITION. TWO QUEENS STAND BEHIND ME. LADIES, THIS IS YOUR LAST CHANCE 593 00:24:15,621 --> 00:24:16,387 TWO QUEENS STAND BEHIND ME. LADIES, THIS IS YOUR LAST CHANCE TO IMPRESS ME AND SAVE YOURSELF 594 00:24:16,389 --> 00:24:19,590 LADIES, THIS IS YOUR LAST CHANCE TO IMPRESS ME AND SAVE YOURSELF FROM ELIMINATION. 595 00:24:19,592 --> 00:24:27,097 TO IMPRESS ME AND SAVE YOURSELF FROM ELIMINATION. THE TIME HAS COME. 596 00:24:27,099 --> 00:24:29,600 FROM ELIMINATION. THE TIME HAS COME. LIP-SYNC FOR THE CROWN. 597 00:24:29,602 --> 00:24:32,102 THE TIME HAS COME. LIP-SYNC FOR THE CROWN. ♪ 598 00:24:32,104 --> 00:24:38,609 LIP-SYNC FOR THE CROWN. ♪ [ APPLAUSE ] 599 00:24:38,611 --> 00:24:43,080 ♪ [ APPLAUSE ] GOOD LUCK AND DON'T FUCK IT 600 00:24:43,082 --> 00:24:47,351 [ APPLAUSE ] GOOD LUCK AND DON'T FUCK IT UP. 601 00:24:47,353 --> 00:24:55,359 GOOD LUCK AND DON'T FUCK IT UP. ♪ 602 00:24:55,361 --> 00:24:57,595 UP. ♪ ♪ HUSH JUST STOP THERE'S NOTHING 603 00:24:57,597 --> 00:25:05,102 ♪ ♪ HUSH JUST STOP THERE'S NOTHING YOU CAN DO OR SAY BABY ♪ 604 00:25:05,104 --> 00:25:08,372 ♪ HUSH JUST STOP THERE'S NOTHING YOU CAN DO OR SAY BABY ♪ ♪ I'VE HAD ENOUGH ♪ 605 00:25:08,374 --> 00:25:09,139 YOU CAN DO OR SAY BABY ♪ ♪ I'VE HAD ENOUGH ♪ ♪ I'M NOT YOUR PROPERTY AS FROM 606 00:25:09,141 --> 00:25:09,607 ♪ I'VE HAD ENOUGH ♪ ♪ I'M NOT YOUR PROPERTY AS FROM TODAY ♪ 607 00:25:09,609 --> 00:25:10,841 ♪ I'M NOT YOUR PROPERTY AS FROM TODAY ♪ ♪ BABY ♪ 608 00:25:10,843 --> 00:25:12,343 TODAY ♪ ♪ BABY ♪ ♪ YOU MIGHT THINK THAT I WON'T 609 00:25:12,345 --> 00:25:18,849 ♪ BABY ♪ ♪ YOU MIGHT THINK THAT I WON'T MAKE IT ON MY OWN ♪ 610 00:25:18,851 --> 00:25:22,586 ♪ YOU MIGHT THINK THAT I WON'T MAKE IT ON MY OWN ♪ ♪ BUT NOW I'M STRONGER THAN 611 00:25:22,588 --> 00:25:26,056 MAKE IT ON MY OWN ♪ ♪ BUT NOW I'M STRONGER THAN YESTERDAY ♪ 612 00:25:26,058 --> 00:25:31,362 ♪ BUT NOW I'M STRONGER THAN YESTERDAY ♪ ♪ NOW IT'S NOTHING BUT MY WAY ♪ 613 00:25:31,364 --> 00:25:32,596 YESTERDAY ♪ ♪ NOW IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME 614 00:25:32,598 --> 00:25:35,099 ♪ NOW IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ 615 00:25:35,101 --> 00:25:39,336 ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ ♪ I, I'M STRONGER ♪ 616 00:25:39,338 --> 00:25:43,607 NO MORE ♪ ♪ I, I'M STRONGER ♪ ♪ HERE I GO, ON MY OWN ♪ 617 00:25:43,609 --> 00:25:45,843 ♪ I, I'M STRONGER ♪ ♪ HERE I GO, ON MY OWN ♪ ♪ I DON'T NEED NOBODY, NOT 618 00:25:45,845 --> 00:25:49,079 ♪ HERE I GO, ON MY OWN ♪ ♪ I DON'T NEED NOBODY, NOT ANYBODY ♪ 619 00:25:49,081 --> 00:25:50,080 ♪ I DON'T NEED NOBODY, NOT ANYBODY ♪ ♪ HERE I GO, HERE I GO, HERE I 620 00:25:50,082 --> 00:25:54,084 ANYBODY ♪ ♪ HERE I GO, HERE I GO, HERE I GO ♪ 621 00:25:54,086 --> 00:26:00,090 ♪ HERE I GO, HERE I GO, HERE I GO ♪ ♪ HERE I GO, HERE I GO ♪ 622 00:26:00,092 --> 00:26:05,362 GO ♪ ♪ HERE I GO, HERE I GO ♪ ♪ STRONGER THAN YESTERDAY NOW 623 00:26:05,364 --> 00:26:11,335 ♪ HERE I GO, HERE I GO ♪ ♪ STRONGER THAN YESTERDAY NOW IT'S NOTHING BUT MY WAY ♪ 624 00:26:11,337 --> 00:26:16,607 ♪ STRONGER THAN YESTERDAY NOW IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME 625 00:26:16,609 --> 00:26:17,608 IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ 626 00:26:17,610 --> 00:26:20,277 ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ ♪ I, I'M STRONGER ♪ 627 00:26:20,279 --> 00:26:22,846 NO MORE ♪ ♪ I, I'M STRONGER ♪ ♪ STRONGER THAN YESTERDAY NOW 628 00:26:22,848 --> 00:26:25,849 ♪ I, I'M STRONGER ♪ ♪ STRONGER THAN YESTERDAY NOW IT'S NOTHING BUT MY WAY ♪ 629 00:26:25,851 --> 00:26:28,118 ♪ STRONGER THAN YESTERDAY NOW IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME 630 00:26:28,120 --> 00:26:33,123 IT'S NOTHING BUT MY WAY ♪ ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ 631 00:26:33,125 --> 00:26:37,294 ♪ MY LONELINESS AIN'T KILLING ME NO MORE ♪ ♪ I, I'M STRONGER ♪ 632 00:26:37,296 --> 00:26:48,872 NO MORE ♪ ♪ I, I'M STRONGER ♪ [ CHEERS AND APPLAUSE ] 633 00:26:48,874 --> 00:26:49,607 ♪ I, I'M STRONGER ♪ [ CHEERS AND APPLAUSE ] >> LADIES, I HAVE MADE MY 634 00:26:49,609 --> 00:26:52,309 [ CHEERS AND APPLAUSE ] >> LADIES, I HAVE MADE MY DECISION. 635 00:26:52,311 --> 00:26:55,579 >> LADIES, I HAVE MADE MY DECISION. THE WINNER OF TONIGHT'S FIRST 636 00:26:55,581 --> 00:26:59,350 DECISION. THE WINNER OF TONIGHT'S FIRST LIP-SYNC, THE QUEEN MOVING ON TO 637 00:26:59,352 --> 00:27:04,355 THE WINNER OF TONIGHT'S FIRST LIP-SYNC, THE QUEEN MOVING ON TO THE FINAL LIP-SYNC FOR THE CROWN 638 00:27:04,357 --> 00:27:05,055 LIP-SYNC, THE QUEEN MOVING ON TO THE FINAL LIP-SYNC FOR THE CROWN WILL BE REVEALED AFTER THIS 639 00:27:05,057 --> 00:27:07,358 THE FINAL LIP-SYNC FOR THE CROWN WILL BE REVEALED AFTER THIS BRIEF MESSAGE. 640 00:27:07,360 --> 00:27:14,331 WILL BE REVEALED AFTER THIS BRIEF MESSAGE. WE'LL BE RIGHT BACK. 641 00:27:14,333 --> 00:27:15,032 BRIEF MESSAGE. WE'LL BE RIGHT BACK. >>> COMING UP TWO MORE EPIC 642 00:27:15,034 --> 00:27:16,834 WE'LL BE RIGHT BACK. >>> COMING UP TWO MORE EPIC LIP-SYNCS BEFORE RuPAUL CROWNS 643 00:27:16,836 --> 00:27:19,837 >>> COMING UP TWO MORE EPIC LIP-SYNCS BEFORE RuPAUL CROWNS NEXT AMERICA'S SUPERSTAR WHEN 644 00:27:19,839 --> 00:27:22,606 LIP-SYNCS BEFORE RuPAUL CROWNS NEXT AMERICA'S SUPERSTAR WHEN "RuPAUL'S DRAG RACE" KEEPS ON 645 00:27:22,608 --> 00:27:24,708 NEXT AMERICA'S SUPERSTAR WHEN "RuPAUL'S DRAG RACE" KEEPS ON KEEPING ON. 646 00:27:29,981 --> 00:27:36,720 ♪ WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." 647 00:27:36,722 --> 00:27:37,421 WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." TRINITY TAYLOR, PEPPERMINT. 648 00:27:37,423 --> 00:27:40,724 OF "RuPAUL'S DRAG RACE." TRINITY TAYLOR, PEPPERMINT. YOU BOTH JUST LIP-SYNCED YOUR 649 00:27:40,726 --> 00:27:44,495 TRINITY TAYLOR, PEPPERMINT. YOU BOTH JUST LIP-SYNCED YOUR ASSES OFF. 650 00:27:44,497 --> 00:27:48,732 YOU BOTH JUST LIP-SYNCED YOUR ASSES OFF. ONLY ONE OF YOU CAN MOVE 651 00:27:48,734 --> 00:27:49,099 ASSES OFF. ONLY ONE OF YOU CAN MOVE FORWARD. 652 00:27:49,101 --> 00:27:58,475 ONLY ONE OF YOU CAN MOVE FORWARD. I'VE MADE MY DECISION. 653 00:27:58,477 --> 00:28:01,979 FORWARD. I'VE MADE MY DECISION. PEPPERMINT, SHANTE. 654 00:28:01,981 --> 00:28:07,985 I'VE MADE MY DECISION. PEPPERMINT, SHANTE. YOU STAY. 655 00:28:07,987 --> 00:28:10,421 PEPPERMINT, SHANTE. YOU STAY. CONGRATULATIONS. 656 00:28:10,423 --> 00:28:12,990 YOU STAY. CONGRATULATIONS. YOU'RE MOVING ON TO THE FINALS. 657 00:28:12,992 --> 00:28:14,725 CONGRATULATIONS. YOU'RE MOVING ON TO THE FINALS. GO AHEAD AND HEAD BACK STAGE AND 658 00:28:14,727 --> 00:28:17,428 YOU'RE MOVING ON TO THE FINALS. GO AHEAD AND HEAD BACK STAGE AND GET READY FOR THE LIP-SYNC FOR 659 00:28:17,430 --> 00:28:20,464 GO AHEAD AND HEAD BACK STAGE AND GET READY FOR THE LIP-SYNC FOR THE CROWN. 660 00:28:20,466 --> 00:28:22,733 GET READY FOR THE LIP-SYNC FOR THE CROWN. TRINITY TAYLOR, I'M SORRY, MY 661 00:28:22,735 --> 00:28:25,969 THE CROWN. TRINITY TAYLOR, I'M SORRY, MY QUEEN, THIS IS NOT YOUR TIME. 662 00:28:25,971 --> 00:28:26,637 TRINITY TAYLOR, I'M SORRY, MY QUEEN, THIS IS NOT YOUR TIME. YOU ARE AN AMAZING QUEEN. 663 00:28:26,639 --> 00:28:29,740 QUEEN, THIS IS NOT YOUR TIME. YOU ARE AN AMAZING QUEEN. AND THANK YOU FOR AN AMAZING 664 00:28:29,742 --> 00:28:33,977 YOU ARE AN AMAZING QUEEN. AND THANK YOU FOR AN AMAZING SEASON. 665 00:28:33,979 --> 00:28:41,719 AND THANK YOU FOR AN AMAZING SEASON. NOW SASHAY AWAY. 666 00:28:41,721 --> 00:28:44,488 SEASON. NOW SASHAY AWAY. NOW WELCOME BACK TO THE STAGE, 667 00:28:44,490 --> 00:28:50,461 NOW SASHAY AWAY. NOW WELCOME BACK TO THE STAGE, SASHA VELOUR AND SHEA COULEE. 668 00:28:50,463 --> 00:28:57,968 NOW WELCOME BACK TO THE STAGE, SASHA VELOUR AND SHEA COULEE. BRING BACK MY GIRLS! 669 00:28:57,970 --> 00:29:01,739 SASHA VELOUR AND SHEA COULEE. BRING BACK MY GIRLS! SASHA AND SHEA, LET'S FIND OUT 670 00:29:01,741 --> 00:29:02,506 BRING BACK MY GIRLS! SASHA AND SHEA, LET'S FIND OUT WHAT SONG YOU'LL BE LIP-SYNCING 671 00:29:02,508 --> 00:29:06,410 SASHA AND SHEA, LET'S FIND OUT WHAT SONG YOU'LL BE LIP-SYNCING TO. 672 00:29:06,412 --> 00:29:10,748 WHAT SONG YOU'LL BE LIP-SYNCING TO. OH PIT CREW! 673 00:29:10,750 --> 00:29:14,485 TO. OH PIT CREW! SHOW US WHAT YOU'RE PACKING. 674 00:29:14,487 --> 00:29:15,986 OH PIT CREW! SHOW US WHAT YOU'RE PACKING. WHITNEY HOUSTON'S SO EMOTIONAL. 675 00:29:15,988 --> 00:29:21,725 SHOW US WHAT YOU'RE PACKING. WHITNEY HOUSTON'S SO EMOTIONAL. SASHA, SHEA, ASSUME THE 676 00:29:21,727 --> 00:29:27,731 WHITNEY HOUSTON'S SO EMOTIONAL. SASHA, SHEA, ASSUME THE POSITION. 677 00:29:27,733 --> 00:29:30,467 SASHA, SHEA, ASSUME THE POSITION. TWO QUEENS STAND BEHIND ME. 678 00:29:30,469 --> 00:29:31,468 POSITION. TWO QUEENS STAND BEHIND ME. LADIES, THIS IS YOUR LAST CHANCE 679 00:29:31,470 --> 00:29:32,236 TWO QUEENS STAND BEHIND ME. LADIES, THIS IS YOUR LAST CHANCE TO IMPRESS ME AND SAVE YOURSELF 680 00:29:32,238 --> 00:29:36,740 LADIES, THIS IS YOUR LAST CHANCE TO IMPRESS ME AND SAVE YOURSELF FROM ELIMINATION. 681 00:29:36,742 --> 00:29:40,711 TO IMPRESS ME AND SAVE YOURSELF FROM ELIMINATION. THE TIME HAS COME TO LIP-SYNC 682 00:29:40,713 --> 00:29:43,413 FROM ELIMINATION. THE TIME HAS COME TO LIP-SYNC FOR THE CROWN. 683 00:29:43,415 --> 00:29:49,987 THE TIME HAS COME TO LIP-SYNC FOR THE CROWN. [ APPLAUSE ] 684 00:29:49,989 --> 00:29:54,324 FOR THE CROWN. [ APPLAUSE ] ♪ 685 00:29:54,326 --> 00:29:58,462 [ APPLAUSE ] ♪ GOOD LUCK AND DON'T FUCK IT UP. 686 00:29:58,464 --> 00:29:59,530 ♪ GOOD LUCK AND DON'T FUCK IT UP. ♪ 687 00:29:59,532 --> 00:30:03,233 GOOD LUCK AND DON'T FUCK IT UP. ♪ ♪ I DON'T KNOW WHY I WANT YOU, I 688 00:30:03,235 --> 00:30:05,469 ♪ ♪ I DON'T KNOW WHY I WANT YOU, I JUST DO ♪ 689 00:30:05,471 --> 00:30:07,738 ♪ I DON'T KNOW WHY I WANT YOU, I JUST DO ♪ ♪ I'VE BEEN HEARING YOUR 690 00:30:07,740 --> 00:30:08,505 JUST DO ♪ ♪ I'VE BEEN HEARING YOUR HEARTBEAT INSIDE OF ME ♪ 691 00:30:08,507 --> 00:30:11,742 ♪ I'VE BEEN HEARING YOUR HEARTBEAT INSIDE OF ME ♪ ♪ I KEEP YOUR PHOTO RIGHT BESIDE 692 00:30:11,744 --> 00:30:13,977 HEARTBEAT INSIDE OF ME ♪ ♪ I KEEP YOUR PHOTO RIGHT BESIDE MY BED ♪ 693 00:30:13,979 --> 00:30:15,479 ♪ I KEEP YOUR PHOTO RIGHT BESIDE MY BED ♪ ♪ LIVING IN A WORLD OF 694 00:30:15,481 --> 00:30:16,480 MY BED ♪ ♪ LIVING IN A WORLD OF FANTASIES, I CAN'T GET YOU OUT 695 00:30:16,482 --> 00:30:20,484 ♪ LIVING IN A WORLD OF FANTASIES, I CAN'T GET YOU OUT OF MY HEAD ♪ 696 00:30:20,486 --> 00:30:23,420 FANTASIES, I CAN'T GET YOU OUT OF MY HEAD ♪ ♪ I REMEMBER THE WAY THAT WE 697 00:30:23,422 --> 00:30:26,790 OF MY HEAD ♪ ♪ I REMEMBER THE WAY THAT WE TOUCHED I WISH I DIDN'T LIKE IT 698 00:30:26,792 --> 00:30:29,726 ♪ I REMEMBER THE WAY THAT WE TOUCHED I WISH I DIDN'T LIKE IT SO MUCH ♪ 699 00:30:29,728 --> 00:30:30,527 TOUCHED I WISH I DIDN'T LIKE IT SO MUCH ♪ ♪ I GET SO EMOTIONAL BABY, EVERY 700 00:30:30,529 --> 00:30:32,963 SO MUCH ♪ ♪ I GET SO EMOTIONAL BABY, EVERY TIME I THINK OF YOU ♪ 701 00:30:32,965 --> 00:30:36,733 ♪ I GET SO EMOTIONAL BABY, EVERY TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY, AIN'T 702 00:30:36,735 --> 00:30:39,469 TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY, AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ 703 00:30:39,471 --> 00:30:41,738 ♪ I GET SO EMOTIONAL BABY, AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ ♪ AIN'T IT SHOCKING WHAT LOVE 704 00:30:41,740 --> 00:30:44,508 IT SHOCKING WHAT LOVE CAN DO ♪ ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ 705 00:30:44,510 --> 00:30:48,745 ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ ♪ AIN'T IT SHOCKING WHAT LOVE 706 00:30:48,747 --> 00:30:49,446 CAN DO ♪ ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ 707 00:30:49,448 --> 00:30:53,984 ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ ♪ I GOT TO WATCH YOU WALK IN THE 708 00:30:53,986 --> 00:30:54,985 CAN DO ♪ ♪ I GOT TO WATCH YOU WALK IN THE ROOM BABY, ♪ 709 00:30:54,987 --> 00:30:59,723 ♪ I GOT TO WATCH YOU WALK IN THE ROOM BABY, ♪ ♪ I GOT TO WATCH YOU WALK OUT ♪ 710 00:30:59,725 --> 00:31:00,724 ROOM BABY, ♪ ♪ I GOT TO WATCH YOU WALK OUT ♪ ♪ I LIKE THE ANIMAL WAY YOU 711 00:31:00,726 --> 00:31:01,091 ♪ I GOT TO WATCH YOU WALK OUT ♪ ♪ I LIKE THE ANIMAL WAY YOU MOVE ♪ 712 00:31:01,093 --> 00:31:04,461 ♪ I LIKE THE ANIMAL WAY YOU MOVE ♪ ♪ AND WHEN YOU TALK I JUST WATCH 713 00:31:04,463 --> 00:31:09,466 MOVE ♪ ♪ AND WHEN YOU TALK I JUST WATCH YOUR MOUTH ♪ 714 00:31:09,468 --> 00:31:15,873 ♪ AND WHEN YOU TALK I JUST WATCH YOUR MOUTH ♪ ♪ I REMEMBER THE WAY THAT WE 715 00:31:15,875 --> 00:31:20,811 YOUR MOUTH ♪ ♪ I REMEMBER THE WAY THAT WE TOUCHED I WISH I DIDN'T LIKE IT 716 00:31:20,813 --> 00:31:21,712 ♪ I REMEMBER THE WAY THAT WE TOUCHED I WISH I DIDN'T LIKE IT SO MUCH ♪ 717 00:31:21,714 --> 00:31:22,980 TOUCHED I WISH I DIDN'T LIKE IT SO MUCH ♪ ♪ I GET SO EMOTIONAL BABY ♪ 718 00:31:22,982 --> 00:31:24,481 SO MUCH ♪ ♪ I GET SO EMOTIONAL BABY ♪ ♪ EVERY TIME I THINK OF YOU ♪ 719 00:31:24,483 --> 00:31:28,719 ♪ I GET SO EMOTIONAL BABY ♪ ♪ EVERY TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY ♪ 720 00:31:28,721 --> 00:31:29,453 ♪ EVERY TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY ♪ ♪ AIN'T IT SHOCKING WHAT LOVE 721 00:31:29,455 --> 00:31:31,989 ♪ I GET SO EMOTIONAL BABY ♪ ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ 722 00:31:31,991 --> 00:31:33,557 ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ ♪ I GET SO EMOTIONAL ♪ 723 00:31:33,559 --> 00:31:34,424 CAN DO ♪ ♪ I GET SO EMOTIONAL ♪ ♪ HEY BABY ♪ 724 00:31:34,426 --> 00:31:36,426 ♪ I GET SO EMOTIONAL ♪ ♪ HEY BABY ♪ ♪ EVERY TIME I THINK OF YOU ♪ 725 00:31:36,428 --> 00:31:39,963 ♪ HEY BABY ♪ ♪ EVERY TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY ♪ 726 00:31:39,965 --> 00:31:41,431 ♪ EVERY TIME I THINK OF YOU ♪ ♪ I GET SO EMOTIONAL BABY ♪ ♪ AIN'T IT SHOCKING WHAT LOVE 727 00:31:41,433 --> 00:31:55,212 ♪ I GET SO EMOTIONAL BABY ♪ ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ 728 00:31:55,214 --> 00:32:12,729 ♪ AIN'T IT SHOCKING WHAT LOVE CAN DO ♪ [ CHEERS AND APPLAUSE ] 729 00:32:12,731 --> 00:32:18,735 CAN DO ♪ [ CHEERS AND APPLAUSE ] >> LADIES, I'VE MADE MY 730 00:32:18,737 --> 00:32:30,480 [ CHEERS AND APPLAUSE ] >> LADIES, I'VE MADE MY DECISION. 731 00:32:30,482 --> 00:32:31,481 >> LADIES, I'VE MADE MY DECISION. SASHA VELOUR SASHAY. 732 00:32:31,483 --> 00:32:36,420 DECISION. SASHA VELOUR SASHAY. SHEA YOU STAY. 733 00:32:36,422 --> 00:32:45,495 SASHA VELOUR SASHAY. SHEA YOU STAY. CONGRATULATIONS YOU MADE IT ON 734 00:32:45,497 --> 00:32:49,433 SHEA YOU STAY. CONGRATULATIONS YOU MADE IT ON TO THE FINALS. 735 00:32:49,435 --> 00:32:53,470 CONGRATULATIONS YOU MADE IT ON TO THE FINALS. GO GET READY FOR THE LIP-SYNC 736 00:32:53,472 --> 00:32:55,238 TO THE FINALS. GO GET READY FOR THE LIP-SYNC FOR THE CROWN. 737 00:32:55,240 --> 00:32:57,207 GO GET READY FOR THE LIP-SYNC FOR THE CROWN. THAT MEANS, SHEA COULEE, I'M 738 00:32:57,209 --> 00:32:59,476 FOR THE CROWN. THAT MEANS, SHEA COULEE, I'M SORRY, MY DEAR, THIS IS NOT YOUR 739 00:32:59,478 --> 00:33:01,979 THAT MEANS, SHEA COULEE, I'M SORRY, MY DEAR, THIS IS NOT YOUR TIME. 740 00:33:01,981 --> 00:33:14,491 SORRY, MY DEAR, THIS IS NOT YOUR TIME. THANK YOU FOR A FABULOUS SEASON. 741 00:33:14,493 --> 00:33:22,232 TIME. THANK YOU FOR A FABULOUS SEASON. NOW, SASHAY AWAY. 742 00:33:22,234 --> 00:33:24,234 THANK YOU FOR A FABULOUS SEASON. NOW, SASHAY AWAY. IN JUST A FEW MINUTES PEPPERMINT 743 00:33:24,236 --> 00:33:25,736 NOW, SASHAY AWAY. IN JUST A FEW MINUTES PEPPERMINT AND SASHA VELOUR WILL LIP-SYNC 744 00:33:25,738 --> 00:33:27,471 IN JUST A FEW MINUTES PEPPERMINT AND SASHA VELOUR WILL LIP-SYNC FOR THE CROWN. 745 00:33:27,473 --> 00:33:30,741 AND SASHA VELOUR WILL LIP-SYNC FOR THE CROWN. BUT FIRST A QUEEN WHO KNOWS ALL 746 00:33:30,743 --> 00:33:34,978 FOR THE CROWN. BUT FIRST A QUEEN WHO KNOWS ALL ABOUT WINNING. 747 00:33:34,980 --> 00:33:36,480 BUT FIRST A QUEEN WHO KNOWS ALL ABOUT WINNING. ALL HAIL AMERICA'S REIGNING DRAG 748 00:33:36,482 --> 00:33:41,785 ABOUT WINNING. ALL HAIL AMERICA'S REIGNING DRAG SUPERSTAR, BOB THE DRAG QUEEN. 749 00:33:41,787 --> 00:33:51,595 ALL HAIL AMERICA'S REIGNING DRAG SUPERSTAR, BOB THE DRAG QUEEN. ♪ 750 00:33:52,196 --> 00:34:05,976 ♪ BOB THE DRAG QUEEN, WELCOME BACK. 751 00:34:05,978 --> 00:34:07,477 BOB THE DRAG QUEEN, WELCOME BACK. IT'S TIME TO HAND OVER THE 752 00:34:07,479 --> 00:34:07,811 BACK. IT'S TIME TO HAND OVER THE CROWN. 753 00:34:07,813 --> 00:34:10,213 IT'S TIME TO HAND OVER THE CROWN. >> I'D LIKE TO KEEP IT ON, 754 00:34:10,215 --> 00:34:17,220 CROWN. >> I'D LIKE TO KEEP IT ON, PLEASE. 755 00:34:17,222 --> 00:34:25,228 >> I'D LIKE TO KEEP IT ON, PLEASE. >> WHAT PART OF HAND OVER THE 756 00:34:25,230 --> 00:34:26,229 PLEASE. >> WHAT PART OF HAND OVER THE CROWN DO YOU NOT UNDERSTAND? 757 00:34:26,231 --> 00:34:26,963 >> WHAT PART OF HAND OVER THE CROWN DO YOU NOT UNDERSTAND? BOB, WHAT WAS IT LIKE FOR YOU 758 00:34:26,965 --> 00:34:27,731 CROWN DO YOU NOT UNDERSTAND? BOB, WHAT WAS IT LIKE FOR YOU BEING AMERICA'S NEXT DRAG 759 00:34:27,733 --> 00:34:32,269 BOB, WHAT WAS IT LIKE FOR YOU BEING AMERICA'S NEXT DRAG SUPERSTAR THIS PAST YEAR? 760 00:34:32,271 --> 00:34:34,771 BEING AMERICA'S NEXT DRAG SUPERSTAR THIS PAST YEAR? >> YOU GET TO TRAVEL THE WORLD 761 00:34:34,773 --> 00:34:36,506 SUPERSTAR THIS PAST YEAR? >> YOU GET TO TRAVEL THE WORLD AND REALIZE HOW MANY PEOPLE YOU 762 00:34:36,508 --> 00:34:37,040 >> YOU GET TO TRAVEL THE WORLD AND REALIZE HOW MANY PEOPLE YOU ACTUALLY TOUCHED. 763 00:34:37,042 --> 00:34:37,808 AND REALIZE HOW MANY PEOPLE YOU ACTUALLY TOUCHED. LET ME TELL YOU, I'VE TOUCHED A 764 00:34:37,810 --> 00:34:39,843 ACTUALLY TOUCHED. LET ME TELL YOU, I'VE TOUCHED A LOT OF PEOPLE. 765 00:34:39,845 --> 00:34:40,510 LET ME TELL YOU, I'VE TOUCHED A LOT OF PEOPLE. >> SO WHAT'S NEXT FOR YOU? 766 00:34:40,512 --> 00:34:41,311 LOT OF PEOPLE. >> SO WHAT'S NEXT FOR YOU? >> FUNNY YOU SHOULD ASK. 767 00:34:41,313 --> 00:34:45,315 >> SO WHAT'S NEXT FOR YOU? >> FUNNY YOU SHOULD ASK. YOU CAN SEE MY STAND-UP COMEDY 768 00:34:45,317 --> 00:34:50,353 >> FUNNY YOU SHOULD ASK. YOU CAN SEE MY STAND-UP COMEDY SPECIALS, "SUSPICIOUSLY LARGE 769 00:34:50,355 --> 00:34:51,121 YOU CAN SEE MY STAND-UP COMEDY SPECIALS, "SUSPICIOUSLY LARGE WOMAN" WHICH WILL BE AIRING ON 770 00:34:51,123 --> 00:34:51,888 SPECIALS, "SUSPICIOUSLY LARGE WOMAN" WHICH WILL BE AIRING ON LOGO TV IN THE UNITED STATES OF 771 00:34:51,890 --> 00:34:52,255 WOMAN" WHICH WILL BE AIRING ON LOGO TV IN THE UNITED STATES OF AMERICA. 772 00:34:52,257 --> 00:34:52,656 LOGO TV IN THE UNITED STATES OF AMERICA. >> MM-HMM. 773 00:34:52,658 --> 00:34:53,857 AMERICA. >> MM-HMM. >> AND MY COUSIN WILL BE SELLING 774 00:34:53,859 --> 00:34:56,359 >> MM-HMM. >> AND MY COUSIN WILL BE SELLING BOOTLEGS IN THE PARKING LOT. 775 00:34:56,361 --> 00:34:57,360 >> AND MY COUSIN WILL BE SELLING BOOTLEGS IN THE PARKING LOT. >> GREAT. 776 00:34:57,362 --> 00:34:57,861 BOOTLEGS IN THE PARKING LOT. >> GREAT. GOOD TO KNOW. 777 00:34:57,863 --> 00:35:04,301 >> GREAT. GOOD TO KNOW. THANK YOU, BOB THE DRAG QUEEN. 778 00:35:04,303 --> 00:35:06,603 GOOD TO KNOW. THANK YOU, BOB THE DRAG QUEEN. CHILDREN, WE ARE NOW JUST 779 00:35:06,605 --> 00:35:08,338 THANK YOU, BOB THE DRAG QUEEN. CHILDREN, WE ARE NOW JUST MOMENTS AWAY FROM THE FIRST EVER 780 00:35:08,340 --> 00:35:08,972 CHILDREN, WE ARE NOW JUST MOMENTS AWAY FROM THE FIRST EVER LIP-SYNC FOR THE CROWN. 781 00:35:08,974 --> 00:35:13,610 MOMENTS AWAY FROM THE FIRST EVER LIP-SYNC FOR THE CROWN. SO DON'T GO ANYWHERE. 782 00:35:13,612 --> 00:35:16,880 LIP-SYNC FOR THE CROWN. SO DON'T GO ANYWHERE. ♪ 783 00:35:16,882 --> 00:35:17,347 SO DON'T GO ANYWHERE. ♪ COMING UP -- 784 00:35:17,349 --> 00:35:19,850 ♪ COMING UP -- >> HEY. 785 00:35:19,852 --> 00:35:21,618 COMING UP -- >> HEY. >> ARE YOU TEAM PEPPERMINT OR 786 00:35:21,620 --> 00:35:23,353 >> HEY. >> ARE YOU TEAM PEPPERMINT OR TEAM SASHA? 787 00:35:23,355 --> 00:35:24,654 >> ARE YOU TEAM PEPPERMINT OR TEAM SASHA? WE'LL MAKE HERSTORY WHEN THE 788 00:35:24,656 --> 00:35:25,422 TEAM SASHA? WE'LL MAKE HERSTORY WHEN THE GRAND FINALE OF "RuPAUL'S DRAG 789 00:35:25,424 --> 00:35:28,258 WE'LL MAKE HERSTORY WHEN THE GRAND FINALE OF "RuPAUL'S DRAG RACE" RETURNS. 790 00:35:36,434 --> 00:35:44,441 >>> WELCOME BACK TO THE GRAND FINALE OF "RuPAUL'S DRAG RACE." TO OUR SQUIRREL FRIENDS AROUND 791 00:35:44,443 --> 00:35:45,842 FINALE OF "RuPAUL'S DRAG RACE." TO OUR SQUIRREL FRIENDS AROUND THE WORLD, I PRESENT YOUR TOP 792 00:35:45,844 --> 00:35:48,011 TO OUR SQUIRREL FRIENDS AROUND THE WORLD, I PRESENT YOUR TOP TWO QUEENS. 793 00:35:48,013 --> 00:35:52,449 THE WORLD, I PRESENT YOUR TOP TWO QUEENS. ♪ 794 00:35:52,451 --> 00:35:54,017 TWO QUEENS. ♪ PEPPERMINT. 795 00:35:54,019 --> 00:35:55,452 ♪ PEPPERMINT. [ CHEERS AND APPLAUSE ] 796 00:35:55,454 --> 00:35:58,455 PEPPERMINT. [ CHEERS AND APPLAUSE ] ♪ 797 00:35:58,457 --> 00:36:02,993 [ CHEERS AND APPLAUSE ] ♪ AND SASHA VELOUR. 798 00:36:02,995 --> 00:36:03,460 ♪ AND SASHA VELOUR. [ CHEERS ] 799 00:36:03,462 --> 00:36:08,999 AND SASHA VELOUR. [ CHEERS ] ♪ 800 00:36:09,001 --> 00:36:10,000 [ CHEERS ] ♪ TWO QUEENS STAND BEHIND ME. 801 00:36:10,002 --> 00:36:11,501 ♪ TWO QUEENS STAND BEHIND ME. PRIOR TO TONIGHT YOU WERE ASKED 802 00:36:11,503 --> 00:36:13,737 TWO QUEENS STAND BEHIND ME. PRIOR TO TONIGHT YOU WERE ASKED TO PREPARE A LIP-SYNC 803 00:36:13,739 --> 00:36:17,007 PRIOR TO TONIGHT YOU WERE ASKED TO PREPARE A LIP-SYNC PERFORMANCE OF "IT'S NOT RIGHT 804 00:36:17,009 --> 00:36:19,743 TO PREPARE A LIP-SYNC PERFORMANCE OF "IT'S NOT RIGHT BUT IT'S OKAY." 805 00:36:19,745 --> 00:36:21,444 PERFORMANCE OF "IT'S NOT RIGHT BUT IT'S OKAY." LADIES THIS IS YOUR LAST CHANCE 806 00:36:21,446 --> 00:36:24,748 BUT IT'S OKAY." LADIES THIS IS YOUR LAST CHANCE TO IMPRESS ME AND PROVE TO THE 807 00:36:24,750 --> 00:36:31,488 LADIES THIS IS YOUR LAST CHANCE TO IMPRESS ME AND PROVE TO THE WORLD THAT YOU ARE AMERICA'S 808 00:36:31,490 --> 00:36:36,993 TO IMPRESS ME AND PROVE TO THE WORLD THAT YOU ARE AMERICA'S NEXT DRAG SUPERSTAR. 809 00:36:36,995 --> 00:36:37,727 WORLD THAT YOU ARE AMERICA'S NEXT DRAG SUPERSTAR. THE TIME HAS COME TO LIP-SYNC 810 00:36:37,729 --> 00:36:46,736 NEXT DRAG SUPERSTAR. THE TIME HAS COME TO LIP-SYNC FOR THE CROWN! 811 00:36:46,738 --> 00:36:56,446 THE TIME HAS COME TO LIP-SYNC FOR THE CROWN! GOOD LUCK AND DON'T FUCK IT UP. 812 00:36:56,448 --> 00:37:01,117 FOR THE CROWN! GOOD LUCK AND DON'T FUCK IT UP. ♪ 813 00:37:01,119 --> 00:37:08,558 GOOD LUCK AND DON'T FUCK IT UP. ♪ ♪ THE PHONE RINGS AND THEN YOU 814 00:37:08,560 --> 00:37:13,129 ♪ ♪ THE PHONE RINGS AND THEN YOU LOOK AT ME ♪ 815 00:37:13,131 --> 00:37:18,868 ♪ THE PHONE RINGS AND THEN YOU LOOK AT ME ♪ ♪ SAID YOU WERE GOING TO YOUR 816 00:37:18,870 --> 00:37:20,103 LOOK AT ME ♪ ♪ SAID YOU WERE GOING TO YOUR FRIENDS, DOWN ON 54th STREET, 817 00:37:20,105 --> 00:37:20,470 ♪ SAID YOU WERE GOING TO YOUR FRIENDS, DOWN ON 54th STREET, BOY ♪ 818 00:37:20,472 --> 00:37:24,874 FRIENDS, DOWN ON 54th STREET, BOY ♪ ♪ SO WHY DID 213 SHOW UP ON YOUR 819 00:37:24,876 --> 00:37:28,378 BOY ♪ ♪ SO WHY DID 213 SHOW UP ON YOUR CALLER ID ♪ 820 00:37:28,380 --> 00:37:32,882 ♪ SO WHY DID 213 SHOW UP ON YOUR CALLER ID ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ 821 00:37:32,884 --> 00:37:35,118 CALLER ID ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANY WAY ♪ 822 00:37:35,120 --> 00:37:35,919 ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANY WAY ♪ ♪ PACK YOUR BAGS UP AND LEAVE ♪ 823 00:37:35,921 --> 00:37:36,586 ♪ I'M GONNA MAKE IT ANY WAY ♪ ♪ PACK YOUR BAGS UP AND LEAVE ♪ ♪ AND DON'T YOU DARE COME 824 00:37:36,588 --> 00:37:41,625 ♪ PACK YOUR BAGS UP AND LEAVE ♪ ♪ AND DON'T YOU DARE COME RUNNING BACK TO ME ♪ 825 00:37:41,627 --> 00:37:45,562 ♪ AND DON'T YOU DARE COME RUNNING BACK TO ME ♪ ♪ WAS IT REALLY WORTH YOU GOING 826 00:37:45,564 --> 00:37:48,865 RUNNING BACK TO ME ♪ ♪ WAS IT REALLY WORTH YOU GOING OUT LIKE THAT ♪ 827 00:37:48,867 --> 00:37:49,866 ♪ WAS IT REALLY WORTH YOU GOING OUT LIKE THAT ♪ ♪ SEE I'M MOVING ON, AND I 828 00:37:49,868 --> 00:37:53,570 OUT LIKE THAT ♪ ♪ SEE I'M MOVING ON, AND I REFUSE TO TURN BACK ♪ 829 00:37:53,572 --> 00:38:01,845 ♪ SEE I'M MOVING ON, AND I REFUSE TO TURN BACK ♪ ♪ SEE ALL OF THIS TIME, I 830 00:38:01,847 --> 00:38:07,450 REFUSE TO TURN BACK ♪ ♪ SEE ALL OF THIS TIME, I THOUGHT I HAD SOMEBODY DOWN FOR 831 00:38:07,452 --> 00:38:08,518 ♪ SEE ALL OF THIS TIME, I THOUGHT I HAD SOMEBODY DOWN FOR WHITNEY ♪ 832 00:38:08,520 --> 00:38:09,286 THOUGHT I HAD SOMEBODY DOWN FOR WHITNEY ♪ ♪ IT TURNS OUT, YOU WERE MAKING 833 00:38:09,288 --> 00:38:11,521 WHITNEY ♪ ♪ IT TURNS OUT, YOU WERE MAKING A FOOL OF ME ♪ 834 00:38:11,523 --> 00:38:15,725 ♪ IT TURNS OUT, YOU WERE MAKING A FOOL OF ME ♪ ♪ 835 00:38:15,727 --> 00:38:16,726 A FOOL OF ME ♪ ♪ [ CHEERS AND APPLAUSE ] 836 00:38:16,728 --> 00:38:22,966 ♪ [ CHEERS AND APPLAUSE ] ♪ 837 00:38:22,968 --> 00:38:23,767 [ CHEERS AND APPLAUSE ] ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ 838 00:38:23,769 --> 00:38:26,436 ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANY WAY ♪ 839 00:38:26,438 --> 00:38:29,539 ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANY WAY ♪ ♪ PACK YOUR BAGS UP AND LEAVE ♪ 840 00:38:29,541 --> 00:38:32,475 ♪ I'M GONNA MAKE IT ANY WAY ♪ ♪ PACK YOUR BAGS UP AND LEAVE ♪ ♪ AND DON'T YOU DARE COME 841 00:38:32,477 --> 00:38:34,477 ♪ PACK YOUR BAGS UP AND LEAVE ♪ ♪ AND DON'T YOU DARE COME RUNNING BACK TO ME ♪ 842 00:38:34,479 --> 00:38:37,981 ♪ AND DON'T YOU DARE COME RUNNING BACK TO ME ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ 843 00:38:37,983 --> 00:38:40,517 RUNNING BACK TO ME ♪ ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANYWAY ♪ 844 00:38:40,519 --> 00:38:42,752 ♪ IT'S NOT RIGHT BUT IT'S OKAY ♪ ♪ I'M GONNA MAKE IT ANYWAY ♪ ♪ CLOSE THE DOOR BEHIND YOU 845 00:38:42,754 --> 00:38:45,488 ♪ I'M GONNA MAKE IT ANYWAY ♪ ♪ CLOSE THE DOOR BEHIND YOU LEAVE YOUR KEY ♪ 846 00:38:45,490 --> 00:38:46,189 ♪ CLOSE THE DOOR BEHIND YOU LEAVE YOUR KEY ♪ ♪ I'D RATHER BE ALONE THAN 847 00:38:46,191 --> 00:38:48,758 LEAVE YOUR KEY ♪ ♪ I'D RATHER BE ALONE THAN UNHAPPY ♪ 848 00:38:48,760 --> 00:39:03,473 ♪ I'D RATHER BE ALONE THAN UNHAPPY ♪ [ CHEERS AND APPLAUSE ] 849 00:39:03,475 --> 00:39:04,441 UNHAPPY ♪ [ CHEERS AND APPLAUSE ] >> LADIES, IN ADDITION TO THE 850 00:39:04,443 --> 00:39:08,478 [ CHEERS AND APPLAUSE ] >> LADIES, IN ADDITION TO THE TITLE OF AMERICA'S NEXT DRAG 851 00:39:08,480 --> 00:39:14,751 >> LADIES, IN ADDITION TO THE TITLE OF AMERICA'S NEXT DRAG SUPERSTAR, THE WINNER OF 852 00:39:14,753 --> 00:39:16,986 TITLE OF AMERICA'S NEXT DRAG SUPERSTAR, THE WINNER OF "RuPAUL'S DRAG RACE" WILL 853 00:39:16,988 --> 00:39:17,987 SUPERSTAR, THE WINNER OF "RuPAUL'S DRAG RACE" WILL RECEIVE A CROWN AND CEPTOR, A 854 00:39:17,989 --> 00:39:18,688 "RuPAUL'S DRAG RACE" WILL RECEIVE A CROWN AND CEPTOR, A ONE-YEAR SUPPLY OF ANASTASIA 855 00:39:18,690 --> 00:39:23,426 RECEIVE A CROWN AND CEPTOR, A ONE-YEAR SUPPLY OF ANASTASIA BEVERLY HILLS COSMETICS AND A 856 00:39:23,428 --> 00:39:27,430 ONE-YEAR SUPPLY OF ANASTASIA BEVERLY HILLS COSMETICS AND A CASH PRIZE OF $100,000. 857 00:39:27,432 --> 00:39:28,998 BEVERLY HILLS COSMETICS AND A CASH PRIZE OF $100,000. NOW THE TIME HAS COME TO CROWN 858 00:39:29,000 --> 00:39:34,437 CASH PRIZE OF $100,000. NOW THE TIME HAS COME TO CROWN OUR QUEEN. 859 00:39:34,439 --> 00:39:38,742 NOW THE TIME HAS COME TO CROWN OUR QUEEN. ♪ 860 00:39:38,744 --> 00:39:39,476 OUR QUEEN. ♪ LADIES, I'VE MADE MY DECISION. 861 00:39:39,478 --> 00:39:44,981 ♪ LADIES, I'VE MADE MY DECISION. ♪ 862 00:39:44,983 --> 00:39:45,682 LADIES, I'VE MADE MY DECISION. ♪ THE WINNER OF "RuPAUL'S DRAG 863 00:39:45,684 --> 00:39:49,986 ♪ THE WINNER OF "RuPAUL'S DRAG RACE," AMERICA'S NEXT DRAG 864 00:39:49,988 --> 00:40:00,730 THE WINNER OF "RuPAUL'S DRAG RACE," AMERICA'S NEXT DRAG SUPERSTAR IS -- SASHA VELOUR. 865 00:40:00,732 --> 00:40:04,434 RACE," AMERICA'S NEXT DRAG SUPERSTAR IS -- SASHA VELOUR. [ CHEERS AND APPLAUSE ] 866 00:40:04,436 --> 00:40:05,735 SUPERSTAR IS -- SASHA VELOUR. [ CHEERS AND APPLAUSE ] ♪ 867 00:40:05,737 --> 00:40:06,503 [ CHEERS AND APPLAUSE ] ♪ IS THERE ANYTHING YOU'D LIKE TO 868 00:40:06,505 --> 00:40:10,607 ♪ IS THERE ANYTHING YOU'D LIKE TO SAY? 869 00:40:10,609 --> 00:40:12,509 IS THERE ANYTHING YOU'D LIKE TO SAY? >> LET'S CHANGE SHIT UP. 870 00:40:12,511 --> 00:40:13,276 SAY? >> LET'S CHANGE SHIT UP. LET'S GET INSPIRED BY ALL THIS 871 00:40:13,278 --> 00:40:15,011 >> LET'S CHANGE SHIT UP. LET'S GET INSPIRED BY ALL THIS BEAUTY. 872 00:40:15,013 --> 00:40:17,447 LET'S GET INSPIRED BY ALL THIS BEAUTY. ALL THIS BEAUTY AND CHANGE THE 873 00:40:17,449 --> 00:40:20,483 BEAUTY. ALL THIS BEAUTY AND CHANGE THE THE MOTHER FUCKING WORLD! 874 00:40:20,485 --> 00:40:21,484 ALL THIS BEAUTY AND CHANGE THE THE MOTHER FUCKING WORLD! >> NOW PRANCE! 875 00:40:21,486 --> 00:40:23,720 THE MOTHER FUCKING WORLD! >> NOW PRANCE! PRANCE I SAID! 876 00:40:23,722 --> 00:40:32,429 >> NOW PRANCE! PRANCE I SAID! ♪ 877 00:40:34,965 --> 00:40:45,475 ♪ REMEMBER, IF YOU CAN'T LOVE YOURSELF HOW THE HELL CAN YOU 878 00:40:45,477 --> 00:40:46,042 REMEMBER, IF YOU CAN'T LOVE YOURSELF HOW THE HELL CAN YOU LOVE SOMEBODY ELSE? 879 00:40:46,044 --> 00:40:46,776 YOURSELF HOW THE HELL CAN YOU LOVE SOMEBODY ELSE? CAN I GET AN AMEN UP IN HERE? 880 00:40:46,778 --> 00:40:49,479 LOVE SOMEBODY ELSE? CAN I GET AN AMEN UP IN HERE? >> AMEN! 881 00:40:49,481 --> 00:40:49,946 CAN I GET AN AMEN UP IN HERE? >> AMEN! >> ALL RIGHT. 882 00:40:49,948 --> 00:40:50,580 >> AMEN! >> ALL RIGHT. NOW LET THE MUSIC PLAY! 883 00:40:50,582 --> 00:40:55,752 >> ALL RIGHT. NOW LET THE MUSIC PLAY! ♪ 884 00:40:55,754 --> 00:40:57,420 NOW LET THE MUSIC PLAY! ♪ [ CHEERS AND APPLAUSE ] 885 00:40:57,422 --> 00:41:08,398 ♪ [ CHEERS AND APPLAUSE ] ♪